{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026page=21\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026page=20\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026page=22\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026page=202\u0026view=compact"},"meta":{"pages":{"current_page":21,"next_page":22,"prev_page":20,"total_pages":202,"limit_value":10,"offset_value":200,"total_count":2012,"first_page?":false,"last_page?":false}},"data":[{"id":"viw_repositories_2_resources_9226_c18","type":"Series","attributes":{"title":"Bridget Hammond COVID-19 Rap","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9226_c18#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eVideo of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026amp; Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026amp; performer.\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9226_c18#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9226_c18","ref_ssm":["viw_repositories_2_resources_9226_c18"],"id":"viw_repositories_2_resources_9226_c18","ead_ssi":"viw_repositories_2_resources_9226","_root_":"viw_repositories_2_resources_9226","_nest_parent_":"viw_repositories_2_resources_9226","parent_ssi":"viw_repositories_2_resources_9226","parent_ssim":["viw_repositories_2_resources_9226"],"parent_ids_ssim":["viw_repositories_2_resources_9226"],"parent_unittitles_ssm":["Documenting Life During COVID-19 collection"],"parent_unittitles_tesim":["Documenting Life During COVID-19 collection"],"text":["Documenting Life During COVID-19 collection","Bridget Hammond COVID-19 Rap","Rap (Music)--Virginia","Furloughs","English","Williamsburg Historic Records Association (WHRA)","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission."],"title_filing_ssi":"Bridget Hammond COVID-19 Rap","title_ssm":["Bridget Hammond COVID-19 Rap"],"title_tesim":["Bridget Hammond COVID-19 Rap"],"unitdate_other_ssim":["2020 March 25"],"normalized_date_ssm":["2020"],"normalized_title_ssm":["Bridget Hammond COVID-19 Rap"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["Documenting Life During COVID-19 collection"],"extent_ssm":["5.4 Megabytes"],"extent_tesim":["5.4 Megabytes"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":91,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"date_range_isim":[2020],"access_subjects_ssim":["Rap (Music)--Virginia","Furloughs"],"access_subjects_ssm":["Rap (Music)--Virginia","Furloughs"],"language_ssim":["English"],"odd_html_tesm":["\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Williamsburg Historic Records Association (WHRA)"],"scopecontent_html_tesm":["\u003cp\u003eVideo of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026amp; Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026amp; performer.\"\u003c/p\u003e","\u003cp\u003eSeries also includes a photograph of Hammond, included with the submission.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission."],"_nest_path_":"/components#17","timestamp":"2026-05-21T02:47:54.358Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9226","ead_ssi":"viw_repositories_2_resources_9226","_root_":"viw_repositories_2_resources_9226","_nest_parent_":"viw_repositories_2_resources_9226","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9226.xml","title_filing_ssi":"Documenting Life During COVID-19 collection \n","title_ssm":["Documenting Life During COVID-19 collection"],"title_tesim":["Documenting Life During COVID-19 collection"],"unitdate_ssm":["2020 March - ongoing"],"unitdate_inclusive_ssm":["2020 March - ongoing"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00326","/repositories/2/resources/9226"],"text":["MS 00326","/repositories/2/resources/9226","Documenting Life During COVID-19 collection","Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals expected.","Materials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials.","Collection includes materials collected from members of the William \u0026 Mary and the greater Williamsburg community during the COVID-19 pandemic. ","From the William \u0026 Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026 Mary Libraries invite all members of the William \u0026 Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: ","Prose\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life","Your memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  ","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Before submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Contact SCRC staff for access to these materials.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Donor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Content creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access.","Most materials are born-digital. Some materials require contacting the SCRC for access.","Materials were processed and described using the submitter's original language from the William \u0026 Mary Libraries submission site.","Accessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.","Some personal information was removed from the heading of this letter.","Collection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026 Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.","A poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"","One photo montage video created and uploaded by Marna Ashburn, William \u0026 Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Individual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.","One photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026 Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Please contact SCRC staff to access the video at this time.","One digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","One digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"","Personal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","Six digital photographs submitted by Jason Betzner '19, William \u0026 Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.","Digital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"","Digital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"","Digital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"","Digital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"","Digital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"","Digital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"","Ten digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"","Poem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. ","Series also includes Buck's headshot, included with submission. ","Screenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026 Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"","Two digital photographs of Suzanne Cole, William \u0026 Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.","One digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"","6 items, distributed by William \u0026 Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.","Seven digital photographs of the Colonial Williamsburg Historic Area and William \u0026 Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"","A personal photograph of Descher, attached with the submission, is also included in this series.","Digital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"","Two video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993, and one recorded Zoom conversation hosted by William \u0026 Mary Libraries with DoubleTake members discussing their experiences during the pandemic. ","Colin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. ","\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","The Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Video recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","Video recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","A recording of a Zoom conversation conducted by William \u0026 Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026 Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Six digital photographs taken by Carlee Dunn, William \u0026 Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.","Dunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" ","Series includes a photograph of Dunn that was attached with the submission. ","19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.","Fairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"","Series also includes a photograph of Fairlie, included with the submission.","Poem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"","Artifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026 Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026 Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission.","Copy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026 Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.","1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"","A personal reflection written by Diane Huebner (Arnold), a William \u0026 Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"","Class of 2023 William \u0026 Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" ","Included in this series is a personal photograph of Incer, along with the submission.","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" ","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" ","Digital version.","Digital version.","Senior recital recordings for Ayush Joshi, William \u0026 Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. ","Full Program:","Classical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)","Jazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)","Also, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"","This performance is in three different audio files, one for each piece in the collection.","Four hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. ","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission.","Personal headshot included by Dan Kehlenbach with the submission.","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. ","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"","Digital photographs and video from Likhitha Kolla, member of William \u0026 Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"","Series also includes a photograph of Kolla, included with the submission.","Poem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.","One image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"","One screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026 Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"","A collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026 Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"","Digital photograph take by Ivy Li, William \u0026 Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"","Self-portrait by Katherine McSweeney, daughter of William \u0026 Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"","Eight digital photographs taken by Miso Park, William \u0026 Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.","Photographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.","Four digital photographs taken by Susan Riggs, William \u0026 Mary M.A. class of 1972 and William \u0026 Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"","Five digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"","Three digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026 Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Three digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"","Digital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science","Digital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.","Digital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.","Digital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.","A personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"","Scanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"","A social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026 Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"","One photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"","Zoom recording from Kenneth Tieu, William \u0026 Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"","Podcast series, digital video, and poem written by Tara Vasanth, William \u0026 Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" ","Podcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"","Also included in this series is a personal photograph of Vasanth, included with the submission.","Poem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.","Photographs by William \u0026 Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"","Two digital photographs submitted by Kate Weis, a William \u0026 Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" ","Series also includes a personal photograph of Weis, included with the submission.","Original music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"","A Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries.","Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement","English"],"unitid_tesim":["MS 00326","/repositories/2/resources/9226"],"normalized_title_ssm":["Documenting Life During COVID-19 collection"],"collection_title_tesim":["Documenting Life During COVID-19 collection"],"collection_ssim":["Documenting Life During COVID-19 collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"acqinfo_ssim":["Digital materials submitted by individuals to William \u0026 Mary Libraries website. Each submitter was required to complete the following Submission Agreement: ","\"I hereby certify that I created, and own the copyright in, the submitted material. While I will continue to retain my copyright, I hereby grant the William \u0026 Mary Libraries a license to add the material to its archival collections and preserve it for future generations of students, scholars, and researchers. I give the Libraries permission:","to organize the materials according to accepted archival principles;\nto create metadata, finding aids, and full-text search interfaces required for the preservation and discovery of the materials;\nto make the materials accessible to researchers and staff;\nand to use the materials in exhibits and displays, both physical and online.\nI agree that William \u0026 Mary Libraries may make this material available online under a Creative Commons Attribution 4.0 license (https://creativecommons.org/licenses/by/4.0/), which will allow others to share and adapt the material, as long as I am given appropriate credit.","I accept the above submission agreement.\"","Physical materials donated separately with Deed of Gift filed under donor name."],"access_subjects_ssim":["Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings"],"access_subjects_ssm":["Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["3068.9 Megabytes",".42 Linear Feet 1 Hollinger box"],"extent_tesim":["3068.9 Megabytes",".42 Linear Feet 1 Hollinger box"],"physfacet_tesim":["Extent as of 2020 May 29"],"genreform_ssim":["Photographs","Poetry","Video recordings","Sound Recordings"],"date_range_isim":[2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Future accruals expected."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials."],"bioghist_html_tesm":["\u003cp\u003eCollection includes materials collected from members of the William \u0026amp; Mary and the greater Williamsburg community during the COVID-19 pandemic. \u003c/p\u003e\n","\u003cp\u003eFrom the William \u0026amp; Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026amp; Mary Libraries invite all members of the William \u0026amp; Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: \u003c/p\u003e\n","\u003cp\u003eProse\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life\u003c/p\u003e\n","\u003cp\u003eYour memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Collection includes materials collected from members of the William \u0026 Mary and the greater Williamsburg community during the COVID-19 pandemic. ","From the William \u0026 Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026 Mary Libraries invite all members of the William \u0026 Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: ","Prose\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life","Your memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  "],"odd_html_tesm":["\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eBefore submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Assocation (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Assocation (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eContact SCRC staff for access to these materials.\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eDonor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eContent creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Before submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Contact SCRC staff for access to these materials.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Donor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Content creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access."],"phystech_html_tesm":["\u003cp\u003eMost materials are born-digital. Some materials require contacting the SCRC for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Most materials are born-digital. Some materials require contacting the SCRC for access."],"prefercite_html_tesm":["\u003cp\u003eDocumenting Life During COVID-19 collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Documenting Life During COVID-19 collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eMaterials were processed and described using the submitter's original language from the William \u0026amp; Mary Libraries submission site.\u003c/p\u003e","\u003cp\u003eAccessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.\u003c/p\u003e","\u003cp\u003eSome personal information was removed from the heading of this letter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Materials were processed and described using the submitter's original language from the William \u0026 Mary Libraries submission site.","Accessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.","Some personal information was removed from the heading of this letter."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026amp; Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.\u003c/p\u003e","\u003cp\u003eA poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"\u003c/p\u003e","\u003cp\u003eOne photo montage video created and uploaded by Marna Ashburn, William \u0026amp; Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"\u003c/p\u003e\n","\u003cp\u003eIndividual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.\u003c/p\u003e","\u003cp\u003eOne photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026amp; Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"\u003c/p\u003e\n","\u003cp\u003ePlease contact SCRC staff to access the video at this time.\u003c/p\u003e","\u003cp\u003eOne digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.\u003c/p\u003e","\u003cp\u003eOne digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"\u003c/p\u003e","\u003cp\u003ePersonal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.\u003c/p\u003e","\u003cp\u003eSix digital photographs submitted by Jason Betzner '19, William \u0026amp; Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"\u003c/p\u003e","\u003cp\u003eTen digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"\u003c/p\u003e","\u003cp\u003ePoem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. \u003c/p\u003e\n","\u003cp\u003eSeries also includes Buck's headshot, included with submission. \u003c/p\u003e","\u003cp\u003eScreenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026amp; Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"\u003c/p\u003e","\u003cp\u003eTwo digital photographs of Suzanne Cole, William \u0026amp; Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.\u003c/p\u003e","\u003cp\u003eOne digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"\u003c/p\u003e","\u003cp\u003e6 items, distributed by William \u0026amp; Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.\u003c/p\u003e","\u003cp\u003eSeven digital photographs of the Colonial Williamsburg Historic Area and William \u0026amp; Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"\u003c/p\u003e\n","\u003cp\u003eA personal photograph of Descher, attached with the submission, is also included in this series.\u003c/p\u003e","\u003cp\u003eDigital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"\u003c/p\u003e","\u003cp\u003eTwo video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993, and one recorded Zoom conversation hosted by William \u0026amp; Mary Libraries with DoubleTake members discussing their experiences during the pandemic. \u003c/p\u003e\n","\u003cp\u003eColin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. \u003c/p\u003e\n","\u003cp\u003e\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"\u003c/p\u003e\n","\u003cp\u003e\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"\u003c/p\u003e\n","\u003cp\u003eThe Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.\u003c/p\u003e","\u003cp\u003eVideo recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.\u003c/p\u003e\n","\u003cp\u003e\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"\u003c/p\u003e","\u003cp\u003eVideo recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.\u003c/p\u003e\n","\u003cp\u003eCarmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"\u003c/p\u003e","\u003cp\u003eA recording of a Zoom conversation conducted by William \u0026amp; Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026amp; Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.\u003c/p\u003e","\u003cp\u003eSix digital photographs taken by Carlee Dunn, William \u0026amp; Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.\u003c/p\u003e\n","\u003cp\u003eDunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" \u003c/p\u003e\n","\u003cp\u003eSeries includes a photograph of Dunn that was attached with the submission. \u003c/p\u003e","\u003cp\u003e19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.\u003c/p\u003e\n","\u003cp\u003eFairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026amp;M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Fairlie, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"\u003c/p\u003e","\u003cp\u003eArtifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026amp; Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026amp; Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.\u003c/p\u003e","\u003cp\u003eVideo of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026amp; Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026amp; performer.\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Hammond, included with the submission.\u003c/p\u003e","\u003cp\u003eCopy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026amp; Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.\u003c/p\u003e","\u003cp\u003e1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"\u003c/p\u003e","\u003cp\u003eA personal reflection written by Diane Huebner (Arnold), a William \u0026amp; Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"\u003c/p\u003e","\u003cp\u003eClass of 2023 William \u0026amp; Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" \u003c/p\u003e\n","\u003cp\u003eIncluded in this series is a personal photograph of Incer, along with the submission.\u003c/p\u003e","\u003cp\u003eInstallments of a weekly art journal zine created by Alexandra Johnson, a William \u0026amp; Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" \u003c/p\u003e\n","\u003cp\u003eJohnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" \u003c/p\u003e","\u003cp\u003eDigital version.\u003c/p\u003e","\u003cp\u003eDigital version.\u003c/p\u003e","\u003cp\u003eSenior recital recordings for Ayush Joshi, William \u0026amp; Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. \u003c/p\u003e\n","\u003cp\u003eFull Program:\u003c/p\u003e\n","\u003cp\u003eClassical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)\u003c/p\u003e\n","\u003cp\u003eJazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)\u003c/p\u003e\n","\u003cp\u003eAlso, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"\u003c/p\u003e","\u003cp\u003eThis performance is in three different audio files, one for each piece in the collection.\u003c/p\u003e","\u003cp\u003eFour hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. \u003c/p\u003e\n","\u003cp\u003eKehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Kehlenbach that was attached to the submission.\u003c/p\u003e","\u003cp\u003ePersonal headshot included by Dan Kehlenbach with the submission.\u003c/p\u003e","\u003cp\u003eOne photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e\n","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"\u003c/p\u003e","\u003cp\u003eOne photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. \u003c/p\u003e\n","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"\u003c/p\u003e","\u003cp\u003eOne photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e\n","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"\u003c/p\u003e","\u003cp\u003eOne photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e\n","\u003cp\u003e\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"\u003c/p\u003e","\u003cp\u003eDigital photographs and video from Likhitha Kolla, member of William \u0026amp; Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Kolla, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.\u003c/p\u003e","\u003cp\u003eOne image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"\u003c/p\u003e","\u003cp\u003eOne screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026amp; Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"\u003c/p\u003e","\u003cp\u003eA collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026amp; Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"\u003c/p\u003e","\u003cp\u003eDigital photograph take by Ivy Li, William \u0026amp; Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"\u003c/p\u003e","\u003cp\u003eSelf-portrait by Katherine McSweeney, daughter of William \u0026amp; Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"\u003c/p\u003e","\u003cp\u003eEight digital photographs taken by Miso Park, William \u0026amp; Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.\u003c/p\u003e","\u003cp\u003ePhotographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.\u003c/p\u003e","\u003cp\u003eFour digital photographs taken by Susan Riggs, William \u0026amp; Mary M.A. class of 1972 and William \u0026amp; Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"\u003c/p\u003e","\u003cp\u003eFive digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"\u003c/p\u003e","\u003cp\u003eThree digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026amp; Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"\u003c/p\u003e","\u003cp\u003ePoem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"\u003c/p\u003e","\u003cp\u003ePoem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"\u003c/p\u003e","\u003cp\u003eThree digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"\u003c/p\u003e","\u003cp\u003eDigital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science\u003c/p\u003e","\u003cp\u003eDigital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.\u003c/p\u003e","\u003cp\u003eDigital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.\u003c/p\u003e","\u003cp\u003eDigital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.\u003c/p\u003e","\u003cp\u003eA personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"\u003c/p\u003e","\u003cp\u003eScanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"\u003c/p\u003e","\u003cp\u003eA social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026amp; Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"\u003c/p\u003e","\u003cp\u003eOne photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"\u003c/p\u003e","\u003cp\u003ePoem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026amp; Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"\u003c/p\u003e","\u003cp\u003eZoom recording from Kenneth Tieu, William \u0026amp; Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"\u003c/p\u003e","\u003cp\u003ePodcast series, digital video, and poem written by Tara Vasanth, William \u0026amp; Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" \u003c/p\u003e\n","\u003cp\u003ePodcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"\u003c/p\u003e\n","\u003cp\u003eAlso included in this series is a personal photograph of Vasanth, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.\u003c/p\u003e","\u003cp\u003ePhotographs by William \u0026amp; Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"\u003c/p\u003e","\u003cp\u003eTwo digital photographs submitted by Kate Weis, a William \u0026amp; Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" \u003c/p\u003e\n","\u003cp\u003eSeries also includes a personal photograph of Weis, included with the submission.\u003c/p\u003e","\u003cp\u003eOriginal music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"\u003c/p\u003e","\u003cp\u003eA Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Collection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026 Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.","A poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"","One photo montage video created and uploaded by Marna Ashburn, William \u0026 Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Individual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.","One photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026 Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Please contact SCRC staff to access the video at this time.","One digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","One digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"","Personal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","Six digital photographs submitted by Jason Betzner '19, William \u0026 Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.","Digital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"","Digital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"","Digital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"","Digital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"","Digital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"","Digital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"","Ten digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"","Poem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. ","Series also includes Buck's headshot, included with submission. ","Screenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026 Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"","Two digital photographs of Suzanne Cole, William \u0026 Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.","One digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"","6 items, distributed by William \u0026 Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.","Seven digital photographs of the Colonial Williamsburg Historic Area and William \u0026 Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"","A personal photograph of Descher, attached with the submission, is also included in this series.","Digital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"","Two video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993, and one recorded Zoom conversation hosted by William \u0026 Mary Libraries with DoubleTake members discussing their experiences during the pandemic. ","Colin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. ","\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","The Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Video recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","Video recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","A recording of a Zoom conversation conducted by William \u0026 Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026 Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Six digital photographs taken by Carlee Dunn, William \u0026 Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.","Dunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" ","Series includes a photograph of Dunn that was attached with the submission. ","19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.","Fairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"","Series also includes a photograph of Fairlie, included with the submission.","Poem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"","Artifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026 Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026 Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission.","Copy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026 Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.","1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"","A personal reflection written by Diane Huebner (Arnold), a William \u0026 Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"","Class of 2023 William \u0026 Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" ","Included in this series is a personal photograph of Incer, along with the submission.","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" ","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" ","Digital version.","Digital version.","Senior recital recordings for Ayush Joshi, William \u0026 Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. ","Full Program:","Classical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)","Jazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)","Also, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"","This performance is in three different audio files, one for each piece in the collection.","Four hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. ","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission.","Personal headshot included by Dan Kehlenbach with the submission.","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. ","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"","Digital photographs and video from Likhitha Kolla, member of William \u0026 Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"","Series also includes a photograph of Kolla, included with the submission.","Poem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.","One image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"","One screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026 Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"","A collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026 Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"","Digital photograph take by Ivy Li, William \u0026 Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"","Self-portrait by Katherine McSweeney, daughter of William \u0026 Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"","Eight digital photographs taken by Miso Park, William \u0026 Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.","Photographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.","Four digital photographs taken by Susan Riggs, William \u0026 Mary M.A. class of 1972 and William \u0026 Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"","Five digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"","Three digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026 Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Three digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"","Digital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science","Digital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.","Digital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.","Digital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.","A personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"","Scanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"","A social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026 Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"","One photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"","Zoom recording from Kenneth Tieu, William \u0026 Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"","Podcast series, digital video, and poem written by Tara Vasanth, William \u0026 Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" ","Podcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"","Also included in this series is a personal photograph of Vasanth, included with the submission.","Poem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.","Photographs by William \u0026 Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"","Two digital photographs submitted by Kate Weis, a William \u0026 Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" ","Series also includes a personal photograph of Weis, included with the submission.","Original music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"","A Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026amp; Mary Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"names_coll_ssim":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"names_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":217,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:47:54.358Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9226_c18"}},{"id":"viu_repositories_3_resources_1372_c01","type":"Series","attributes":{"title":"Briefings","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1372_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series contains the briefing books for each subject of the Explorations in Black Leadership project. 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Appointments must be made in advance to request these items held by Special Collections. Please use our online reference request form (https://small.library.virginia.edu/services/reference-request) to request access to these materials, or to ask for further information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use.","Original digital media (floppy disks, zip disks, thumb drives, born-digital files, etc.) and other media formats such as LPs, audiocassettes, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Appointments must be made in advance to request these items held by Special Collections. Please use our online reference request form (https://small.library.virginia.edu/services/reference-request) to request access to these materials, or to ask for further information."],"bioghist_html_tesm":["\u003cp\u003ePhyllis Leffler is a professor emerita at the University of Virginia with a focus on oral history, public history, and the history of the University of Virginia. Julian Bond was a prominent figure in the civil rights movement, helping to found the Southern Poverty Law Center in 1971. Bond also served in the Georgia House of Representatives, was the chairman of the NAACP from 1998 to 2010, and was a professor at the University of Virginia. \nExplorations in Black Leadership was a joint project co-directed by Leffler and Bond within the School of Arts and Sciences, conducted between 200 and 2015. The project consisted of oral histories of leaders from the Black community, from all areas including law, education, religion, public service, the arts, and business. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2020],"containers_ssim":["Box Series 2, Box 9"],"_nest_path_":"/components#4/components#0","timestamp":"2026-05-20T22:53:32.255Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8860","ead_ssi":"viw_repositories_2_resources_8860","_root_":"viw_repositories_2_resources_8860","_nest_parent_":"viw_repositories_2_resources_8860","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8860.xml","title_filing_ssi":"Omohundro Institute of Early American History and","title_ssm":["Omohundro Institute of Early American History and Culture Records"],"title_tesim":["Omohundro Institute of Early American History and Culture Records"],"unitdate_ssm":["1944-ongoing","1950-2000"],"unitdate_bulk_ssim":["1950-2000"],"unitdate_inclusive_ssm":["1944-ongoing"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 27","/repositories/2/resources/8860"],"text":["UA 27","/repositories/2/resources/8860","Omohundro Institute of Early American History and Culture Records","Correspondence","Reports","Newsletters","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The College of William and Mary and The Colonial Williamsburg Foundation founded the Institute of Early American History and Culture in 1943 and still jointly sponsor its work. In 1996 the College and Colonial Williamsburg added Omohundro to the Institute's name in recognition of a generous endowment bequest pledged by Mr. and Mrs. Malvern H. Omohundro, Jr. The Institute also receives support from the National Endowment for the Humanities for a two-year Institute/NEH Postdoctoral Fellowship, awarded annually. A grant from the Andrew W. Mellon Foundation has made it possible for the Institute to offer a one-year Andrew W. Mellon Postdoctoral Research Fellowship, beginning in the fall of 1997. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Part of this collection was previously part of the University Archives Publications Collection.","Acc. 2020.011","William and Mary Quarterly Records (UA 64); Lester Cappon Papers (Mss. 90 C17)","This collection includes correspondence, lists of articles, reports, and book reviews published in the William and Mary Quarterly about the Omohundro Institute of Early American History and Culture at the College of William and Mary."," Also present in the collection are fliers, announcements, programs, and conference lectures, and papers presented at Spring and Fall Colloquiums of the Institute. The Institute's constitution, meeting agendas and reports, newsletters, Uncommon Sense newsletter were previously part of the University Archives Publications Collection."," Spring 2011 Colloquium Papers Acc 2012.057","Correspondence, membership, and Schlesinger report.","Invitations, fliers, book publications and budgets.","Publicity and annual conference brochure and Colloquium schedule.","Colloquium schedules and copies of papers presented at colloquium.","Papers presented at the annual colloquium.","Papers presented at the annual colloquium.","A-Council (Associates Council).","Director's Reports.","Conference schedule and a 34 page paper on Early American Architecture.","Two papers given at the conference: \"Education in the forming of American Society\" and \"A Bibliographical Essay.\"","Brochure from Institute conferences hosted throughout in Old Fort Niagara, Youngstown, New York, October 22-24, 2009.","Brochures from Institute conferences hosted throughout the US.","Institute's constitution.","Invitations sent out by Council.","Meeting agendas.","2008 Religion and Violence brochure.","Brochure describing the Jamestown Prize and winners.","Brochures describing the book \"The Papers of John Marshall\" released in 1987.","Invitations and descriptions of seminars.","Invitations to symposiums.","Publications.","Newsletters published by Institute.","In the summer of 1993 the newsletter was renamed \"Uncommon Sense.\"","Conference program for \"Africans in the Americas: Making Lives in a New World, 1675-1825\" sponsored by the Omohundro Institute and held at the University of the West Indies, Cave Hill, Barbados, from March 14-16, 2013.","This series is for ongoing accessions of records related to the Omohundro Institute. This is a temporary series and will be deleted once all the records have been integrated into the existing collection.","Contains all the papers from the Spring 2013 Colloquium sponsored by the Omohundro Institute.","The Omohundro's website is actively being archived. Captures include links to the Institute's annual report.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Omohundro Institute of Early American History and Culture","William and Mary Quarterly","College of William and Mary.","English"],"unitid_tesim":["UA 27","/repositories/2/resources/8860"],"normalized_title_ssm":["Omohundro Institute of Early American History and Culture Records"],"collection_title_tesim":["Omohundro Institute of Early American History and Culture Records"],"collection_ssim":["Omohundro Institute of Early American History and Culture Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Omohundro Institute of Early American History and Culture","William and Mary Quarterly"],"creator_ssim":["Omohundro Institute of Early American History and Culture","William and Mary Quarterly"],"creator_corpname_ssim":["Omohundro Institute of Early American History and Culture","William and Mary Quarterly"],"creators_ssim":["Omohundro Institute of Early American History and Culture","William and Mary Quarterly"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1983.054 transferred 10/19/1983; Acc. 2008.069 was transferred on 7/22/2008; Acc. 2009.267 was transferred from the Institute via Swem reserves on 6/23/2009. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Correspondence","Reports","Newsletters"],"access_subjects_ssm":["Correspondence","Reports","Newsletters"],"has_online_content_ssim":["false"],"extent_ssm":["3.80 Linear Feet"],"extent_tesim":["3.80 Linear Feet"],"genreform_ssim":["Correspondence","Reports","Newsletters"],"date_range_isim":[1944,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThe College of William and Mary and The Colonial Williamsburg Foundation founded the Institute of Early American History and Culture in 1943 and still jointly sponsor its work. In 1996 the College and Colonial Williamsburg added Omohundro to the Institute's name in recognition of a generous endowment bequest pledged by Mr. and Mrs. Malvern H. Omohundro, Jr. The Institute also receives support from the National Endowment for the Humanities for a two-year Institute/NEH Postdoctoral Fellowship, awarded annually. A grant from the Andrew W. Mellon Foundation has made it possible for the Institute to offer a one-year Andrew W. Mellon Postdoctoral Research Fellowship, beginning in the fall of 1997. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Omohundro_Institute_of_Early_American_History_and_Culture\" title=\"Omohundro Institute of Early American History and Culture\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The College of William and Mary and The Colonial Williamsburg Foundation founded the Institute of Early American History and Culture in 1943 and still jointly sponsor its work. In 1996 the College and Colonial Williamsburg added Omohundro to the Institute's name in recognition of a generous endowment bequest pledged by Mr. and Mrs. Malvern H. Omohundro, Jr. The Institute also receives support from the National Endowment for the Humanities for a two-year Institute/NEH Postdoctoral Fellowship, awarded annually. A grant from the Andrew W. Mellon Foundation has made it possible for the Institute to offer a one-year Andrew W. Mellon Postdoctoral Research Fellowship, beginning in the fall of 1997. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"custodhist_html_tesm":["\u003cp\u003ePart of this collection was previously part of the University Archives Publications Collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Part of this collection was previously part of the University Archives Publications Collection."],"prefercite_html_tesm":["\u003cp\u003eOmohundro Institute of Early American History and Culture Records, Special Collections Research Center, Earl Gregg Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Omohundro Institute of Early American History and Culture Records, Special Collections Research Center, Earl Gregg Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2020.011\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Acc. 2020.011"],"relatedmaterial_html_tesm":["\u003cp\u003eWilliam and Mary Quarterly Records (UA 64); Lester Cappon Papers (Mss. 90 C17)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["William and Mary Quarterly Records (UA 64); Lester Cappon Papers (Mss. 90 C17)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes correspondence, lists of articles, reports, and book reviews published in the William and Mary Quarterly about the Omohundro Institute of Early American History and Culture at the College of William and Mary.\u003c/p\u003e\n","\u003cp\u003e Also present in the collection are fliers, announcements, programs, and conference lectures, and papers presented at Spring and Fall Colloquiums of the Institute. The Institute's constitution, meeting agendas and reports, newsletters, Uncommon Sense newsletter were previously part of the University Archives Publications Collection.\u003c/p\u003e\n","\u003cp\u003e Spring 2011 Colloquium Papers Acc 2012.057\u003c/p\u003e","\u003cp\u003eCorrespondence, membership, and Schlesinger report.\u003c/p\u003e","\u003cp\u003eInvitations, fliers, book publications and budgets.\u003c/p\u003e","\u003cp\u003ePublicity and annual conference brochure and Colloquium schedule.\u003c/p\u003e","\u003cp\u003eColloquium schedules and copies of papers presented at colloquium.\u003c/p\u003e","\u003cp\u003ePapers presented at the annual colloquium.\u003c/p\u003e","\u003cp\u003ePapers presented at the annual colloquium.\u003c/p\u003e","\u003cp\u003eA-Council (Associates Council).\u003c/p\u003e","\u003cp\u003eDirector's Reports.\u003c/p\u003e","\u003cp\u003eConference schedule and a 34 page paper on Early American Architecture.\u003c/p\u003e","\u003cp\u003eTwo papers given at the conference: \"Education in the forming of American Society\" and \"A Bibliographical Essay.\"\u003c/p\u003e","\u003cp\u003eBrochure from Institute conferences hosted throughout in Old Fort Niagara, Youngstown, New York, October 22-24, 2009.\u003c/p\u003e","\u003cp\u003eBrochures from Institute conferences hosted throughout the US.\u003c/p\u003e","\u003cp\u003eInstitute's constitution.\u003c/p\u003e","\u003cp\u003eInvitations sent out by Council.\u003c/p\u003e","\u003cp\u003eMeeting agendas.\u003c/p\u003e","\u003cp\u003e2008 Religion and Violence brochure.\u003c/p\u003e","\u003cp\u003eBrochure describing the Jamestown Prize and winners.\u003c/p\u003e","\u003cp\u003eBrochures describing the book \"The Papers of John Marshall\" released in 1987.\u003c/p\u003e","\u003cp\u003eInvitations and descriptions of seminars.\u003c/p\u003e","\u003cp\u003eInvitations to symposiums.\u003c/p\u003e","\u003cp\u003ePublications.\u003c/p\u003e","\u003cp\u003eNewsletters published by Institute.\u003c/p\u003e","\u003cp\u003eIn the summer of 1993 the newsletter was renamed \"Uncommon Sense.\"\u003c/p\u003e","\u003cp\u003eConference program for \"Africans in the Americas: Making Lives in a New World, 1675-1825\" sponsored by the Omohundro Institute and held at the University of the West Indies, Cave Hill, Barbados, from March 14-16, 2013.\u003c/p\u003e","\u003cp\u003eThis series is for ongoing accessions of records related to the Omohundro Institute. This is a temporary series and will be deleted once all the records have been integrated into the existing collection.\u003c/p\u003e","\u003cp\u003eContains all the papers from the Spring 2013 Colloquium sponsored by the Omohundro Institute.\u003c/p\u003e","\u003cp\u003eThe Omohundro's website is actively being archived. Captures include links to the Institute's annual report.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection includes correspondence, lists of articles, reports, and book reviews published in the William and Mary Quarterly about the Omohundro Institute of Early American History and Culture at the College of William and Mary."," Also present in the collection are fliers, announcements, programs, and conference lectures, and papers presented at Spring and Fall Colloquiums of the Institute. The Institute's constitution, meeting agendas and reports, newsletters, Uncommon Sense newsletter were previously part of the University Archives Publications Collection."," Spring 2011 Colloquium Papers Acc 2012.057","Correspondence, membership, and Schlesinger report.","Invitations, fliers, book publications and budgets.","Publicity and annual conference brochure and Colloquium schedule.","Colloquium schedules and copies of papers presented at colloquium.","Papers presented at the annual colloquium.","Papers presented at the annual colloquium.","A-Council (Associates Council).","Director's Reports.","Conference schedule and a 34 page paper on Early American Architecture.","Two papers given at the conference: \"Education in the forming of American Society\" and \"A Bibliographical Essay.\"","Brochure from Institute conferences hosted throughout in Old Fort Niagara, Youngstown, New York, October 22-24, 2009.","Brochures from Institute conferences hosted throughout the US.","Institute's constitution.","Invitations sent out by Council.","Meeting agendas.","2008 Religion and Violence brochure.","Brochure describing the Jamestown Prize and winners.","Brochures describing the book \"The Papers of John Marshall\" released in 1987.","Invitations and descriptions of seminars.","Invitations to symposiums.","Publications.","Newsletters published by Institute.","In the summer of 1993 the newsletter was renamed \"Uncommon Sense.\"","Conference program for \"Africans in the Americas: Making Lives in a New World, 1675-1825\" sponsored by the Omohundro Institute and held at the University of the West Indies, Cave Hill, Barbados, from March 14-16, 2013.","This series is for ongoing accessions of records related to the Omohundro Institute. This is a temporary series and will be deleted once all the records have been integrated into the existing collection.","Contains all the papers from the Spring 2013 Colloquium sponsored by the Omohundro Institute.","The Omohundro's website is actively being archived. Captures include links to the Institute's annual report."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary.","Omohundro Institute of Early American History and Culture"],"names_ssim":["Special Collections Research Center","Omohundro Institute of Early American History and Culture","William and Mary Quarterly","College of William and Mary."],"corpname_ssim":["Special Collections Research Center","Omohundro Institute of Early American History and Culture","William and Mary Quarterly","College of William and Mary."],"language_ssim":["English"],"total_component_count_is":68,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:53:32.255Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8860_c05_c01"}},{"id":"viu_repositories_4_resources_1604_c02_c01_c04","type":"File","attributes":{"title":"Brochures and flyers","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1604_c02_c01_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_1604_c02_c01_c04","ref_ssm":["viu_repositories_4_resources_1604_c02_c01_c04"],"id":"viu_repositories_4_resources_1604_c02_c01_c04","ead_ssi":"viu_repositories_4_resources_1604","_root_":"viu_repositories_4_resources_1604","_nest_parent_":"viu_repositories_4_resources_1604_c02_c01","parent_ssi":"viu_repositories_4_resources_1604_c02_c01","parent_ssim":["viu_repositories_4_resources_1604","viu_repositories_4_resources_1604_c02","viu_repositories_4_resources_1604_c02_c01"],"parent_ids_ssim":["viu_repositories_4_resources_1604","viu_repositories_4_resources_1604_c02","viu_repositories_4_resources_1604_c02_c01"],"parent_unittitles_ssm":["Communications Office records - University of Virginia School of Law","Printed matter, photographs, CD-ROMs, and publication files","Printed matter"],"parent_unittitles_tesim":["Communications Office records - University of Virginia School of Law","Printed matter, photographs, CD-ROMs, and publication files","Printed matter"],"text":["Communications Office records - University of Virginia School of Law","Printed matter, photographs, CD-ROMs, and publication files","Printed matter","Brochures and flyers","box 4","folder 10"],"title_filing_ssi":"Brochures and flyers","title_ssm":["Brochures and flyers"],"title_tesim":["Brochures and flyers"],"unitdate_inclusive_ssm":["circa 2001-2020"],"normalized_date_ssm":["2001/2020"],"normalized_title_ssm":["Brochures and flyers"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Communications Office records - University of Virginia School of Law"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":90,"parent_access_restrict_tesm":["There are no restrictions on access to the items in this sub-series."],"parent_access_terms_tesm":["These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Communications staff created the items in this series, and they are the intellectual property of the University of Virginia."],"date_range_isim":[2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"containers_ssim":["box 4","folder 10"],"_nest_path_":"/components#1/components#0/components#3","timestamp":"2026-05-24T23:24:32.346Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_1604","ead_ssi":"viu_repositories_4_resources_1604","_root_":"viu_repositories_4_resources_1604","_nest_parent_":"viu_repositories_4_resources_1604","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_1604.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/194593","title_ssm":["Communications Office records - University of Virginia School of Law"],"title_tesim":["Communications Office records - University of Virginia School of Law"],"unitdate_ssm":["circa 1978 - 2021"],"unitdate_inclusive_ssm":["circa 1978 - 2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.32.314","Archival Resource Key","/repositories/4/resources/1604"],"text":["RG.32.314","Archival Resource Key","/repositories/4/resources/1604","Communications Office records - University of Virginia School of Law","University of Virginia. School of Law","Law schools -- United States","There are no restrictions on access to the materials in this collection.","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the content in this series.","There are no restrictions on access to the items in this sub-series.","There are no restrictions on access to the materials in this sub-series.","There are no restrictions on access to the items in this series.","There are no restrictions on access to the materials in this sub-series.","There are no restriction on access to the items in this series.","The Arthur J. Morris Law Library expects to add materials to this collection.","These images retain the original arrangement and order created by the Office of Communications. The Office generally grouped images according to their date of creation (e.g., Fall 2002). Inside these chronological groups, pictures and slides are usually arranged by photoshoot session (e.g., images taken for the 2002 admissions packet).","This sub-series retains the original arrangement created by the Office of Communications. The Office generally brought together the production and design files for a single project and saved them on one or more optical disks. The disks were then roughly arranged into chronological groupings (e.g., 2001-2003).","The Communications Office labeled the project names on the optical disks and often included a list of files with each disk.","The Communications Office performs the following functions for the School of Law: media relations, publicity, website design, social media management, marketing, and brand management.","In addition to this collection, the following resources at the Arthur J. Morris Law Library substantially document the contributions of the Communications Office:","1. RG-32-501 Website collection - University of Virginia School of Law","2. RG-32-504 Online news and media - University of Virginia School of Law","3. RG-32-505 Newsletters and blogs of the University of Virginia School of Law","4. RG-32-506 Social media collection - University of Virginia School of Law","The records of the Communications Office document the department's contributions to the University of Virginia School of Law. The collection contains copies of printed matter produced by the office, including admissions information booklets, brochures, flyers, posters, reports, conference and symposium programs, postcards, and stationary. Also, it contains some of the resources used to produce the printed matter and other content. These include photographic slides, prints, and negatives; digital image files; and digital design and publication files. Finally, the collection contains two CD-ROMs and two banners.","The Communications Office collected and used the photographic prints, slides, negatives, and digital files in this series. They portray faculty, students, buildings, events, and other subjects related to the School.","The \"Students for Eyewitness\" file contains images of the following University of Virginia Law students from the classes of 2001 and 2002: Elizabeth R. Amory (2001), Howard Wei-How Chang (2001), Paul Henry Delaney III (2002), Cristian Myron DeFrancia (2001), Howard Hoege (2002), Leila Kashani (2001), Priscilla Lawson (2001), Amy Meyer (2001), Lisa Milot (2001), Bich-Nga H. Nguyen (2001), Lakshmi E. Paranthaman (2001), Ruth Payne (2002), Steven S. Phelan (2001), Jacqueline Sadker (2002), Sarah Shalf (2001), Daniel P. Smith (2001), Jason Trujilo (2001), and Stephen S. West (2002).","This series is divided into four sub-series:","The first sub-series consists of printed matter produced by the Communications Office including admissions information resources, brochures, flyers, posters, reports, conference and symposium programs, postcards, and stationary.","The second consists of photographic prints, slides, and negatives that the office collected for use in the content it produced.","The third consists of CD-ROMs from around the turn of the 21st century that promote the University of Virginia and its School of Law to potential student applicants.","The final subseries consists of digital files that the Communications staff created and used (e.g., word processing files, image files, publishing files, video files, web files). ","The School of Law's Communications Office produced the printed matter in this sub-series to share information about the School and market it to the public. The Office served all Law School Departments, and the printed matter documents many facets of the School's work, including admissions, career services, development, conferences, symposia, and educational programs.","The bulk of the printed matter dates from 1995 to 2020. The Communications Office also shared much of the content in these materials on the Law School website.","The Communications Office employed in-house and freelance photographers to produce the images in this sub-series. Most show students, faculty, events, and buildings related to the University of Virginia School of Law. The Office selected some images for use in printed matter and online resources created for the School.","The bulk of these images date from 2001 to 2004, and they are recorded on photographic prints, film negatives, and film slides.","In the 1990s and the 2000s, the University of Virginia occasionally produced CD-ROMs to share information and promote the University. The central university communications office and the Law School's communications office produced the CD-ROMs in this sub-series. They were designed to share information with potential student applicants. The University mailed the CD-ROMS to potential applicants, and the applicants viewed the digital content offline on their personal computers.","While producing content for the School of Law, the Communications Office created digital image, text, video, and web files. Between 2000 and 2007, the office stored many of these design and production files on the optical disks found in this sub-series (i.e., CDs and DVDs).","This series consists of two banners showing University of Virginia School of Law logos.","This collection is protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The photographs in this series are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Freelance photographers and in-house staff produced the images in this series. It is not always clear who produced which images and who owns the rights to them.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Freelance photographers and in-house staff produced the unpublished images in this series. It is not always clear who produced which ones and who owns the rights to them.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Communications staff created the items in this series, and they are the intellectual property of the University of Virginia.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Freelance photographers and in-house staff produced the unpublished images in this sub-series. It is not always clear who produced which ones and who owns the rights to them.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","University of Virginia staff created the items in this series, and they are the intellectual property of the University.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Freelance photographers and in-house staff produced the unpublished images in this sub-series. It is not always clear who produced which ones and who owns the rights to them. University of Virginia staff created the other production and design files and those files are the intellectual property of the University.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","University of Virginia staff created the items in this series, and they are the intellectual property of the University.","Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law","English"],"unitid_tesim":["RG.32.314","Archival Resource Key","/repositories/4/resources/1604"],"normalized_title_ssm":["Communications Office records - University of Virginia School of Law"],"collection_title_tesim":["Communications Office records - University of Virginia School of Law"],"collection_ssim":["Communications Office records - University of Virginia School of Law"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["University of Virginia. School of Law"],"creator_ssim":["University of Virginia. School of Law"],"creator_corpname_ssim":["University of Virginia. School of Law"],"creators_ssim":["University of Virginia. School of Law"],"access_terms_ssm":["This collection is protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["The Communications Office transferred records to the archives at various dates. More information about the immediate source of acquisition of particular items is noted in other parts of this finding aid."],"access_subjects_ssim":["University of Virginia. School of Law","Law schools -- United States"],"access_subjects_ssm":["University of Virginia. School of Law","Law schools -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["6.08 Linear Feet 12 boxes"],"extent_tesim":["6.08 Linear Feet 12 boxes"],"date_range_isim":[1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on access to the materials in this collection.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the materials in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the content in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the items in this sub-series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the materials in this sub-series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the items in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the materials in this sub-series.\u003c/p\u003e","\u003cp\u003eThere are no restriction on access to the items in this series.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on access to the materials in this collection.","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the content in this series.","There are no restrictions on access to the items in this sub-series.","There are no restrictions on access to the materials in this sub-series.","There are no restrictions on access to the items in this series.","There are no restrictions on access to the materials in this sub-series.","There are no restriction on access to the items in this series."],"accruals_html_tesm":["\u003cp\u003eThe Arthur J. Morris Law Library expects to add materials to this collection.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["The Arthur J. Morris Law Library expects to add materials to this collection."],"arrangement_html_tesm":["\u003cp\u003eThese images retain the original arrangement and order created by the Office of Communications. The Office generally grouped images according to their date of creation (e.g., Fall 2002). Inside these chronological groups, pictures and slides are usually arranged by photoshoot session (e.g., images taken for the 2002 admissions packet).\u003c/p\u003e","\u003cp\u003eThis sub-series retains the original arrangement created by the Office of Communications. The Office generally brought together the production and design files for a single project and saved them on one or more optical disks. The disks were then roughly arranged into chronological groupings (e.g., 2001-2003).\u003c/p\u003e\n","\u003cp\u003eThe Communications Office labeled the project names on the optical disks and often included a list of files with each disk.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["These images retain the original arrangement and order created by the Office of Communications. The Office generally grouped images according to their date of creation (e.g., Fall 2002). Inside these chronological groups, pictures and slides are usually arranged by photoshoot session (e.g., images taken for the 2002 admissions packet).","This sub-series retains the original arrangement created by the Office of Communications. The Office generally brought together the production and design files for a single project and saved them on one or more optical disks. The disks were then roughly arranged into chronological groupings (e.g., 2001-2003).","The Communications Office labeled the project names on the optical disks and often included a list of files with each disk."],"bioghist_html_tesm":["\u003cp\u003eThe Communications Office performs the following functions for the School of Law: media relations, publicity, website design, social media management, marketing, and brand management.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Communications Office performs the following functions for the School of Law: media relations, publicity, website design, social media management, marketing, and brand management."],"relatedmaterial_html_tesm":["\u003cp\u003eIn addition to this collection, the following resources at the Arthur J. Morris Law Library substantially document the contributions of the Communications Office:\u003c/p\u003e\n","\u003cp\u003e1. RG-32-501 Website collection - University of Virginia School of Law\u003c/p\u003e\n","\u003cp\u003e2. RG-32-504 Online news and media - University of Virginia School of Law\u003c/p\u003e\n","\u003cp\u003e3. RG-32-505 Newsletters and blogs of the University of Virginia School of Law\u003c/p\u003e\n","\u003cp\u003e4. RG-32-506 Social media collection - University of Virginia School of Law\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["In addition to this collection, the following resources at the Arthur J. Morris Law Library substantially document the contributions of the Communications Office:","1. RG-32-501 Website collection - University of Virginia School of Law","2. RG-32-504 Online news and media - University of Virginia School of Law","3. RG-32-505 Newsletters and blogs of the University of Virginia School of Law","4. RG-32-506 Social media collection - University of Virginia School of Law"],"scopecontent_html_tesm":["\u003cp\u003eThe records of the Communications Office document the department's contributions to the University of Virginia School of Law. The collection contains copies of printed matter produced by the office, including admissions information booklets, brochures, flyers, posters, reports, conference and symposium programs, postcards, and stationary. Also, it contains some of the resources used to produce the printed matter and other content. These include photographic slides, prints, and negatives; digital image files; and digital design and publication files. Finally, the collection contains two CD-ROMs and two banners.\u003c/p\u003e","\u003cp\u003eThe Communications Office collected and used the photographic prints, slides, negatives, and digital files in this series. They portray faculty, students, buildings, events, and other subjects related to the School.\u003c/p\u003e","\u003cp\u003eThe \"Students for Eyewitness\" file contains images of the following University of Virginia Law students from the classes of 2001 and 2002: Elizabeth R. Amory (2001), Howard Wei-How Chang (2001), Paul Henry Delaney III (2002), Cristian Myron DeFrancia (2001), Howard Hoege (2002), Leila Kashani (2001), Priscilla Lawson (2001), Amy Meyer (2001), Lisa Milot (2001), Bich-Nga H. Nguyen (2001), Lakshmi E. Paranthaman (2001), Ruth Payne (2002), Steven S. Phelan (2001), Jacqueline Sadker (2002), Sarah Shalf (2001), Daniel P. Smith (2001), Jason Trujilo (2001), and Stephen S. West (2002).\u003c/p\u003e","\u003cp\u003eThis series is divided into four sub-series:\u003c/p\u003e\n","\u003cp\u003eThe first sub-series consists of printed matter produced by the Communications Office including admissions information resources, brochures, flyers, posters, reports, conference and symposium programs, postcards, and stationary.\u003c/p\u003e\n","\u003cp\u003eThe second consists of photographic prints, slides, and negatives that the office collected for use in the content it produced.\u003c/p\u003e\n","\u003cp\u003eThe third consists of CD-ROMs from around the turn of the 21st century that promote the University of Virginia and its School of Law to potential student applicants.\u003c/p\u003e\n","\u003cp\u003eThe final subseries consists of digital files that the Communications staff created and used (e.g., word processing files, image files, publishing files, video files, web files). \u003c/p\u003e","\u003cp\u003eThe School of Law's Communications Office produced the printed matter in this sub-series to share information about the School and market it to the public. The Office served all Law School Departments, and the printed matter documents many facets of the School's work, including admissions, career services, development, conferences, symposia, and educational programs.\u003c/p\u003e\n","\u003cp\u003eThe bulk of the printed matter dates from 1995 to 2020. The Communications Office also shared much of the content in these materials on the Law School website.\u003c/p\u003e","\u003cp\u003eThe Communications Office employed in-house and freelance photographers to produce the images in this sub-series. Most show students, faculty, events, and buildings related to the University of Virginia School of Law. The Office selected some images for use in printed matter and online resources created for the School.\u003c/p\u003e\n","\u003cp\u003eThe bulk of these images date from 2001 to 2004, and they are recorded on photographic prints, film negatives, and film slides.\u003c/p\u003e","\u003cp\u003eIn the 1990s and the 2000s, the University of Virginia occasionally produced CD-ROMs to share information and promote the University. The central university communications office and the Law School's communications office produced the CD-ROMs in this sub-series. They were designed to share information with potential student applicants. The University mailed the CD-ROMS to potential applicants, and the applicants viewed the digital content offline on their personal computers.\u003c/p\u003e","\u003cp\u003eWhile producing content for the School of Law, the Communications Office created digital image, text, video, and web files. Between 2000 and 2007, the office stored many of these design and production files on the optical disks found in this sub-series (i.e., CDs and DVDs).\u003c/p\u003e","\u003cp\u003eThis series consists of two banners showing University of Virginia School of Law logos.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The records of the Communications Office document the department's contributions to the University of Virginia School of Law. The collection contains copies of printed matter produced by the office, including admissions information booklets, brochures, flyers, posters, reports, conference and symposium programs, postcards, and stationary. Also, it contains some of the resources used to produce the printed matter and other content. These include photographic slides, prints, and negatives; digital image files; and digital design and publication files. Finally, the collection contains two CD-ROMs and two banners.","The Communications Office collected and used the photographic prints, slides, negatives, and digital files in this series. They portray faculty, students, buildings, events, and other subjects related to the School.","The \"Students for Eyewitness\" file contains images of the following University of Virginia Law students from the classes of 2001 and 2002: Elizabeth R. Amory (2001), Howard Wei-How Chang (2001), Paul Henry Delaney III (2002), Cristian Myron DeFrancia (2001), Howard Hoege (2002), Leila Kashani (2001), Priscilla Lawson (2001), Amy Meyer (2001), Lisa Milot (2001), Bich-Nga H. Nguyen (2001), Lakshmi E. Paranthaman (2001), Ruth Payne (2002), Steven S. Phelan (2001), Jacqueline Sadker (2002), Sarah Shalf (2001), Daniel P. Smith (2001), Jason Trujilo (2001), and Stephen S. West (2002).","This series is divided into four sub-series:","The first sub-series consists of printed matter produced by the Communications Office including admissions information resources, brochures, flyers, posters, reports, conference and symposium programs, postcards, and stationary.","The second consists of photographic prints, slides, and negatives that the office collected for use in the content it produced.","The third consists of CD-ROMs from around the turn of the 21st century that promote the University of Virginia and its School of Law to potential student applicants.","The final subseries consists of digital files that the Communications staff created and used (e.g., word processing files, image files, publishing files, video files, web files). ","The School of Law's Communications Office produced the printed matter in this sub-series to share information about the School and market it to the public. The Office served all Law School Departments, and the printed matter documents many facets of the School's work, including admissions, career services, development, conferences, symposia, and educational programs.","The bulk of the printed matter dates from 1995 to 2020. The Communications Office also shared much of the content in these materials on the Law School website.","The Communications Office employed in-house and freelance photographers to produce the images in this sub-series. Most show students, faculty, events, and buildings related to the University of Virginia School of Law. The Office selected some images for use in printed matter and online resources created for the School.","The bulk of these images date from 2001 to 2004, and they are recorded on photographic prints, film negatives, and film slides.","In the 1990s and the 2000s, the University of Virginia occasionally produced CD-ROMs to share information and promote the University. The central university communications office and the Law School's communications office produced the CD-ROMs in this sub-series. They were designed to share information with potential student applicants. The University mailed the CD-ROMS to potential applicants, and the applicants viewed the digital content offline on their personal computers.","While producing content for the School of Law, the Communications Office created digital image, text, video, and web files. Between 2000 and 2007, the office stored many of these design and production files on the optical disks found in this sub-series (i.e., CDs and DVDs).","This series consists of two banners showing University of Virginia School of Law logos."],"userestrict_html_tesm":["\u003cp\u003eThis collection is protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e","\u003cp\u003eThe photographs in this series are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFreelance photographers and in-house staff produced the images in this series. It is not always clear who produced which images and who owns the rights to them.\u003c/p\u003e","\u003cp\u003eThese items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFreelance photographers and in-house staff produced the unpublished images in this series. It is not always clear who produced which ones and who owns the rights to them.\u003c/p\u003e","\u003cp\u003eThese items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eCommunications staff created the items in this series, and they are the intellectual property of the University of Virginia.\u003c/p\u003e","\u003cp\u003eThese items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFreelance photographers and in-house staff produced the unpublished images in this sub-series. It is not always clear who produced which ones and who owns the rights to them.\u003c/p\u003e","\u003cp\u003eThese items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eUniversity of Virginia staff created the items in this series, and they are the intellectual property of the University.\u003c/p\u003e","\u003cp\u003eThese items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFreelance photographers and in-house staff produced the unpublished images in this sub-series. It is not always clear who produced which ones and who owns the rights to them. University of Virginia staff created the other production and design files and those files are the intellectual property of the University.\u003c/p\u003e","\u003cp\u003eThese items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eUniversity of Virginia staff created the items in this series, and they are the intellectual property of the University.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collection is protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The photographs in this series are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Freelance photographers and in-house staff produced the images in this series. It is not always clear who produced which images and who owns the rights to them.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Freelance photographers and in-house staff produced the unpublished images in this series. It is not always clear who produced which ones and who owns the rights to them.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Communications staff created the items in this series, and they are the intellectual property of the University of Virginia.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Freelance photographers and in-house staff produced the unpublished images in this sub-series. It is not always clear who produced which ones and who owns the rights to them.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","University of Virginia staff created the items in this series, and they are the intellectual property of the University.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Freelance photographers and in-house staff produced the unpublished images in this sub-series. It is not always clear who produced which ones and who owns the rights to them. University of Virginia staff created the other production and design files and those files are the intellectual property of the University.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","University of Virginia staff created the items in this series, and they are the intellectual property of the University."],"names_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":142,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:24:32.346Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1604_c02_c01_c04"}},{"id":"vifgm_repositories_2_resources_459_c56","type":"File","attributes":{"title":"Bubbles #5 by Brian Baynes","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_459_c56#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_459_c56","ref_ssm":["vifgm_repositories_2_resources_459_c56"],"id":"vifgm_repositories_2_resources_459_c56","ead_ssi":"vifgm_repositories_2_resources_459","_root_":"vifgm_repositories_2_resources_459","_nest_parent_":"vifgm_repositories_2_resources_459","parent_ssi":"vifgm_repositories_2_resources_459","parent_ssim":["vifgm_repositories_2_resources_459"],"parent_ids_ssim":["vifgm_repositories_2_resources_459"],"parent_unittitles_ssm":["Mid-Atlantic minicomics and zines collection"],"parent_unittitles_tesim":["Mid-Atlantic minicomics and zines collection"],"text":["Mid-Atlantic minicomics and zines collection","Bubbles #5 by Brian Baynes","box 3","folder 6"],"title_filing_ssi":"Bubbles #5  by Brian Baynes","title_ssm":["Bubbles #5 by Brian Baynes"],"title_tesim":["Bubbles #5 by Brian Baynes"],"unitdate_inclusive_ssm":["February 2020"],"normalized_date_ssm":["2020"],"normalized_title_ssm":["Bubbles #5 by Brian Baynes"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Mid-Atlantic minicomics and zines collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":56,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[2020],"containers_ssim":["box 3","folder 6"],"_nest_path_":"/components#55","timestamp":"2026-05-21T05:27:49.802Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_459","ead_ssi":"vifgm_repositories_2_resources_459","_root_":"vifgm_repositories_2_resources_459","_nest_parent_":"vifgm_repositories_2_resources_459","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_459.xml","title_ssm":["Mid-Atlantic minicomics and zines collection"],"title_tesim":["Mid-Atlantic minicomics and zines collection"],"unitdate_ssm":["2012-2024"],"unitdate_inclusive_ssm":["2012-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0316","/repositories/2/resources/459"],"text":["C0316","/repositories/2/resources/459","Mid-Atlantic minicomics and zines collection","LGBTQ+","Zines","Personal narratives","Gender expression","Gender identity","Mental health","Anime (Television programs)","There are no access restrictions.","Future accruals to this collection are expected.","Arranged by acquisition date.","\"Comic Books and Graphic Novels - Minicomics in the AAEL Library.\" University of Michigan Library. https://guides.lib.umich.edu/comics/minicomics, accessed May 2024.","Croley, Carolyn. \"A short history of zines,\" December 13, 2023. Amon Carter Museum of American Art. https://www.cartermuseum.org/blog/short-history-zines.","\"Loud on Paper Library Guide - What is a Zine?\" Purdue University, Libraries and School of Information Studies. https://guides.lib.purdue.edu/loudonpaper/what-is-a-zine#:~:text=Definition,circulates%20less%20than%201%2C000%20copies, accessed May 2024.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles in the 1930s and 1940s, and grew exponentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.","Minicomics, similar to zines, are small, handmade, self-published comics. Minicomics differ from zines in that their primary content features comics, cartoons, or graphic narrative. Minicomics are not always small, and can range in physical and narrative size.","Some of the materials in this collection were directly donated by the author to Stephanie Grimm, who then in turn donated them to the Special Collections Research Center.","Processed by Amanda Menjivar in May 2024. Finding aid completed by Amanda Menjivar in May 2024.","Accruals processed and added to finding aid by Amanda Menjivar in June and November 2024.","The Special Collections Research Center also holds the International art publishing collection and the   It also holds an extensive ","\nThe   and the   hold zines collections. A list of Virginia institutions with zines collections can be found ","The  , the  , and   hold minicomics collections.","This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, which includes the states of Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, West Virginia, as well as Washington, District of Columbia.","Materials were created between 2012-2024. Topics vary - see inventory for more details.","Publisher: Birdcage Bottom.","Publisher: GenderFail and Liz Barr.","Publisher: hic \u0026 hoc publications.","Publisher: Bright Spot Press.","Contributors: Alec Icky Dunn, Josh MacPhee, Christopher Kardambikis.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Eberhardt Press.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Leeking Inc.","Publisher: Force.","Publisher: Force.","Publisher: Ten09, George Mason University.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: Shining Life.","Publisher: Shining Life.","Purchased from People's Book in Takoma Park, MD.","Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Unknown author. Contains wildflower seeds. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL  is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL  is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","Publisher: Late Comeback Press. Produced at George Mason University.","Publisher: Late Comeback Press.","Publisher: Neil Brideau. Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Created by a Mason alumnus.","Created by a Mason alumnus.","Created by a Mason alumnus.","Publisher: inner loop press.","Publisher: inner loop press.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021.","R 54, C 3, S 1, 3","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0316","/repositories/2/resources/459"],"normalized_title_ssm":["Mid-Atlantic minicomics and zines collection"],"collection_title_tesim":["Mid-Atlantic minicomics and zines collection"],"collection_ssim":["Mid-Atlantic minicomics and zines collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["LGBTQ+"],"geogname_ssim":["LGBTQ+"],"places_ssim":["LGBTQ+"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated and purchased by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries from 2018-present. Jake Lahah's zines were donated by the artist."],"access_subjects_ssim":["Zines","Personal narratives","Gender expression","Gender identity","Mental health","Anime (Television programs)"],"access_subjects_ssm":["Zines","Personal narratives","Gender expression","Gender identity","Mental health","Anime (Television programs)"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 5 boxes"],"extent_tesim":["3 Linear Feet 5 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eFuture accruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Future accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eArranged by acquisition date.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by acquisition date."],"bibliography_html_tesm":["\u003cp\u003e\"Comic Books and Graphic Novels - Minicomics in the AAEL Library.\" University of Michigan Library. https://guides.lib.umich.edu/comics/minicomics, accessed May 2024.\u003c/p\u003e\n","\u003cp\u003eCroley, Carolyn. \"A short history of zines,\" December 13, 2023. Amon Carter Museum of American Art. https://www.cartermuseum.org/blog/short-history-zines.\u003c/p\u003e\n","\u003cp\u003e\"Loud on Paper Library Guide - What is a Zine?\" Purdue University, Libraries and School of Information Studies. https://guides.lib.purdue.edu/loudonpaper/what-is-a-zine#:~:text=Definition,circulates%20less%20than%201%2C000%20copies, accessed May 2024.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Comic Books and Graphic Novels - Minicomics in the AAEL Library.\" University of Michigan Library. https://guides.lib.umich.edu/comics/minicomics, accessed May 2024.","Croley, Carolyn. \"A short history of zines,\" December 13, 2023. Amon Carter Museum of American Art. https://www.cartermuseum.org/blog/short-history-zines.","\"Loud on Paper Library Guide - What is a Zine?\" Purdue University, Libraries and School of Information Studies. https://guides.lib.purdue.edu/loudonpaper/what-is-a-zine#:~:text=Definition,circulates%20less%20than%201%2C000%20copies, accessed May 2024."],"bioghist_html_tesm":["\u003cp\u003eZines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.\u003c/p\u003e\n","\u003cp\u003eZines - short for \"fanzines\" - became popular with underground science fiction fan circles in the 1930s and 1940s, and grew exponentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.\u003c/p\u003e\n","\u003cp\u003eMinicomics, similar to zines, are small, handmade, self-published comics. Minicomics differ from zines in that their primary content features comics, cartoons, or graphic narrative. Minicomics are not always small, and can range in physical and narrative size.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles in the 1930s and 1940s, and grew exponentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.","Minicomics, similar to zines, are small, handmade, self-published comics. Minicomics differ from zines in that their primary content features comics, cartoons, or graphic narrative. Minicomics are not always small, and can range in physical and narrative size."],"custodhist_html_tesm":["\u003cp\u003eSome of the materials in this collection were directly donated by the author to Stephanie Grimm, who then in turn donated them to the Special Collections Research Center.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Some of the materials in this collection were directly donated by the author to Stephanie Grimm, who then in turn donated them to the Special Collections Research Center."],"prefercite_html_tesm":["\u003cp\u003eMid-Atlantic minicomics and zines collection, C0316, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Mid-Atlantic minicomics and zines collection, C0316, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar in May 2024. Finding aid completed by Amanda Menjivar in May 2024.\u003c/p\u003e","\u003cp\u003eAccruals processed and added to finding aid by Amanda Menjivar in June and November 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar in May 2024. Finding aid completed by Amanda Menjivar in May 2024.","Accruals processed and added to finding aid by Amanda Menjivar in June and November 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the International art publishing collection and the \u003cextptr show=\"new\" title=\"Tijuana Bibles collection.\" href=\"https://aspace.gmu.edu/resources/c0387\"\u003e\u003c/extptr\u003e It also holds an extensive \u003cextptr show=\"new\" title=\"Artists' Book collection.\" href=\"https://scrc.gmu.edu/rare\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe \u003cextptr show=\"new\" title=\"D.C. Public Library\" href=\"https://digdc.dclibrary.org/islandora/object/dcplislandora%3A38043\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"University of Maryland\" href=\"https://archives.lib.umd.edu/subjects/1785\"\u003e\u003c/extptr\u003e hold zines collections. A list of Virginia institutions with zines collections can be found \u003cextptr show=\"new\" title=\"here.\" href=\"https://lva-virginia.libguides.com/c.php?g=1332410\u0026amp;p=9812980\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"Library of Congress\" href=\"https://www.loc.gov/exhibitions/comic-art/about-this-exhibition/comic-books-and-beyond-1940s-to-2000s/minicomics/\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"University of Michigan\" href=\"https://guides.lib.umich.edu/comics/minicomics\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"San Diego State University\" href=\"https://archives.sdsu.edu/repositories/2/resources/116\"\u003e\u003c/extptr\u003e hold minicomics collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the International art publishing collection and the   It also holds an extensive ","\nThe   and the   hold zines collections. A list of Virginia institutions with zines collections can be found ","The  , the  , and   hold minicomics collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, which includes the states of Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, West Virginia, as well as Washington, District of Columbia.\u003c/p\u003e\n","\u003cp\u003eMaterials were created between 2012-2024. Topics vary - see inventory for more details.\u003c/p\u003e","\u003cp\u003ePublisher: Birdcage Bottom.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail and Liz Barr.\u003c/p\u003e","\u003cp\u003ePublisher: hic \u0026amp; hoc publications.\u003c/p\u003e","\u003cp\u003ePublisher: Bright Spot Press.\u003c/p\u003e","\u003cp\u003eContributors: Alec Icky Dunn, Josh MacPhee, Christopher Kardambikis.\u003c/p\u003e","\u003cp\u003ePublisher: Retrofit Comics and Big Planet Comics.\u003c/p\u003e","\u003cp\u003ePublisher: Retrofit Comics and Big Planet Comics.\u003c/p\u003e","\u003cp\u003ePublisher: Retrofit Comics and Big Planet Comics.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: Eberhardt Press.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: Leeking Inc.\u003c/p\u003e","\u003cp\u003ePublisher: Force.\u003c/p\u003e","\u003cp\u003ePublisher: Force.\u003c/p\u003e","\u003cp\u003ePublisher: Ten09, George Mason University.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: Shining Life.\u003c/p\u003e","\u003cp\u003ePublisher: Shining Life.\u003c/p\u003e","\u003cp\u003ePurchased from People's Book in Takoma Park, MD.\u003c/p\u003e","\u003cp\u003ePurchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.\u003c/p\u003e","\u003cp\u003eProduced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026amp; Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.\u003c/p\u003e","\u003cp\u003eProduced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026amp; Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.\u003c/p\u003e","\u003cp\u003eUnknown author. Contains wildflower seeds. Sourced by Marissa Burkland of GMU Libraries.\u003c/p\u003e","\u003cp\u003e\u003citalic\u003eWHO CARES LOL\u003c/italic\u003e is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.\u003c/p\u003e","\u003cp\u003e\u003citalic\u003eWHO CARES LOL\u003c/italic\u003e is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.\u003c/p\u003e","\u003cp\u003ePublisher: Late Comeback Press. Produced at George Mason University.\u003c/p\u003e","\u003cp\u003ePublisher: Late Comeback Press.\u003c/p\u003e","\u003cp\u003ePublisher: Neil Brideau. Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.\u003c/p\u003e","\u003cp\u003eCreated by a Mason alumnus.\u003c/p\u003e","\u003cp\u003eCreated by a Mason alumnus.\u003c/p\u003e","\u003cp\u003eCreated by a Mason alumnus.\u003c/p\u003e","\u003cp\u003ePublisher: inner loop press.\u003c/p\u003e","\u003cp\u003ePublisher: inner loop press.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, which includes the states of Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, West Virginia, as well as Washington, District of Columbia.","Materials were created between 2012-2024. Topics vary - see inventory for more details.","Publisher: Birdcage Bottom.","Publisher: GenderFail and Liz Barr.","Publisher: hic \u0026 hoc publications.","Publisher: Bright Spot Press.","Contributors: Alec Icky Dunn, Josh MacPhee, Christopher Kardambikis.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Eberhardt Press.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Leeking Inc.","Publisher: Force.","Publisher: Force.","Publisher: Ten09, George Mason University.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: Shining Life.","Publisher: Shining Life.","Purchased from People's Book in Takoma Park, MD.","Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Unknown author. Contains wildflower seeds. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL  is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL  is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","Publisher: Late Comeback Press. Produced at George Mason University.","Publisher: Late Comeback Press.","Publisher: Neil Brideau. Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Created by a Mason alumnus.","Created by a Mason alumnus.","Created by a Mason alumnus.","Publisher: inner loop press.","Publisher: inner loop press."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_66308bb7aee749d96c68d0c2573c907a\"\u003eThis collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_76334dd84ac287f5c668568c164c9851\"\u003eR 54, C 3, S 1, 3\u003c/physloc\u003e"],"physloc_tesim":["R 54, C 3, S 1, 3"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:49.802Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_459_c56"}},{"id":"vifgm_repositories_2_resources_459_c57","type":"File","attributes":{"title":"Bubbles #6 by Brian Baynes","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_459_c57#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_459_c57","ref_ssm":["vifgm_repositories_2_resources_459_c57"],"id":"vifgm_repositories_2_resources_459_c57","ead_ssi":"vifgm_repositories_2_resources_459","_root_":"vifgm_repositories_2_resources_459","_nest_parent_":"vifgm_repositories_2_resources_459","parent_ssi":"vifgm_repositories_2_resources_459","parent_ssim":["vifgm_repositories_2_resources_459"],"parent_ids_ssim":["vifgm_repositories_2_resources_459"],"parent_unittitles_ssm":["Mid-Atlantic minicomics and zines collection"],"parent_unittitles_tesim":["Mid-Atlantic minicomics and zines collection"],"text":["Mid-Atlantic minicomics and zines collection","Bubbles #6 by Brian Baynes","box 3","folder 7"],"title_filing_ssi":"Bubbles #6  by Brian Baynes","title_ssm":["Bubbles #6 by Brian Baynes"],"title_tesim":["Bubbles #6 by Brian Baynes"],"unitdate_inclusive_ssm":["April 2020"],"normalized_date_ssm":["2020"],"normalized_title_ssm":["Bubbles #6 by Brian Baynes"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Mid-Atlantic minicomics and zines collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":57,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[2020],"containers_ssim":["box 3","folder 7"],"_nest_path_":"/components#56","timestamp":"2026-05-21T05:27:49.802Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_459","ead_ssi":"vifgm_repositories_2_resources_459","_root_":"vifgm_repositories_2_resources_459","_nest_parent_":"vifgm_repositories_2_resources_459","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_459.xml","title_ssm":["Mid-Atlantic minicomics and zines collection"],"title_tesim":["Mid-Atlantic minicomics and zines collection"],"unitdate_ssm":["2012-2024"],"unitdate_inclusive_ssm":["2012-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0316","/repositories/2/resources/459"],"text":["C0316","/repositories/2/resources/459","Mid-Atlantic minicomics and zines collection","LGBTQ+","Zines","Personal narratives","Gender expression","Gender identity","Mental health","Anime (Television programs)","There are no access restrictions.","Future accruals to this collection are expected.","Arranged by acquisition date.","\"Comic Books and Graphic Novels - Minicomics in the AAEL Library.\" University of Michigan Library. https://guides.lib.umich.edu/comics/minicomics, accessed May 2024.","Croley, Carolyn. \"A short history of zines,\" December 13, 2023. Amon Carter Museum of American Art. https://www.cartermuseum.org/blog/short-history-zines.","\"Loud on Paper Library Guide - What is a Zine?\" Purdue University, Libraries and School of Information Studies. https://guides.lib.purdue.edu/loudonpaper/what-is-a-zine#:~:text=Definition,circulates%20less%20than%201%2C000%20copies, accessed May 2024.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles in the 1930s and 1940s, and grew exponentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.","Minicomics, similar to zines, are small, handmade, self-published comics. Minicomics differ from zines in that their primary content features comics, cartoons, or graphic narrative. Minicomics are not always small, and can range in physical and narrative size.","Some of the materials in this collection were directly donated by the author to Stephanie Grimm, who then in turn donated them to the Special Collections Research Center.","Processed by Amanda Menjivar in May 2024. Finding aid completed by Amanda Menjivar in May 2024.","Accruals processed and added to finding aid by Amanda Menjivar in June and November 2024.","The Special Collections Research Center also holds the International art publishing collection and the   It also holds an extensive ","\nThe   and the   hold zines collections. A list of Virginia institutions with zines collections can be found ","The  , the  , and   hold minicomics collections.","This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, which includes the states of Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, West Virginia, as well as Washington, District of Columbia.","Materials were created between 2012-2024. Topics vary - see inventory for more details.","Publisher: Birdcage Bottom.","Publisher: GenderFail and Liz Barr.","Publisher: hic \u0026 hoc publications.","Publisher: Bright Spot Press.","Contributors: Alec Icky Dunn, Josh MacPhee, Christopher Kardambikis.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Eberhardt Press.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Leeking Inc.","Publisher: Force.","Publisher: Force.","Publisher: Ten09, George Mason University.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: Shining Life.","Publisher: Shining Life.","Purchased from People's Book in Takoma Park, MD.","Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Unknown author. Contains wildflower seeds. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL  is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL  is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","Publisher: Late Comeback Press. Produced at George Mason University.","Publisher: Late Comeback Press.","Publisher: Neil Brideau. Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Created by a Mason alumnus.","Created by a Mason alumnus.","Created by a Mason alumnus.","Publisher: inner loop press.","Publisher: inner loop press.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021.","R 54, C 3, S 1, 3","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0316","/repositories/2/resources/459"],"normalized_title_ssm":["Mid-Atlantic minicomics and zines collection"],"collection_title_tesim":["Mid-Atlantic minicomics and zines collection"],"collection_ssim":["Mid-Atlantic minicomics and zines collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["LGBTQ+"],"geogname_ssim":["LGBTQ+"],"places_ssim":["LGBTQ+"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated and purchased by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries from 2018-present. Jake Lahah's zines were donated by the artist."],"access_subjects_ssim":["Zines","Personal narratives","Gender expression","Gender identity","Mental health","Anime (Television programs)"],"access_subjects_ssm":["Zines","Personal narratives","Gender expression","Gender identity","Mental health","Anime (Television programs)"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 5 boxes"],"extent_tesim":["3 Linear Feet 5 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eFuture accruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Future accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eArranged by acquisition date.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by acquisition date."],"bibliography_html_tesm":["\u003cp\u003e\"Comic Books and Graphic Novels - Minicomics in the AAEL Library.\" University of Michigan Library. https://guides.lib.umich.edu/comics/minicomics, accessed May 2024.\u003c/p\u003e\n","\u003cp\u003eCroley, Carolyn. \"A short history of zines,\" December 13, 2023. Amon Carter Museum of American Art. https://www.cartermuseum.org/blog/short-history-zines.\u003c/p\u003e\n","\u003cp\u003e\"Loud on Paper Library Guide - What is a Zine?\" Purdue University, Libraries and School of Information Studies. https://guides.lib.purdue.edu/loudonpaper/what-is-a-zine#:~:text=Definition,circulates%20less%20than%201%2C000%20copies, accessed May 2024.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Comic Books and Graphic Novels - Minicomics in the AAEL Library.\" University of Michigan Library. https://guides.lib.umich.edu/comics/minicomics, accessed May 2024.","Croley, Carolyn. \"A short history of zines,\" December 13, 2023. Amon Carter Museum of American Art. https://www.cartermuseum.org/blog/short-history-zines.","\"Loud on Paper Library Guide - What is a Zine?\" Purdue University, Libraries and School of Information Studies. https://guides.lib.purdue.edu/loudonpaper/what-is-a-zine#:~:text=Definition,circulates%20less%20than%201%2C000%20copies, accessed May 2024."],"bioghist_html_tesm":["\u003cp\u003eZines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.\u003c/p\u003e\n","\u003cp\u003eZines - short for \"fanzines\" - became popular with underground science fiction fan circles in the 1930s and 1940s, and grew exponentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.\u003c/p\u003e\n","\u003cp\u003eMinicomics, similar to zines, are small, handmade, self-published comics. Minicomics differ from zines in that their primary content features comics, cartoons, or graphic narrative. Minicomics are not always small, and can range in physical and narrative size.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles in the 1930s and 1940s, and grew exponentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.","Minicomics, similar to zines, are small, handmade, self-published comics. Minicomics differ from zines in that their primary content features comics, cartoons, or graphic narrative. Minicomics are not always small, and can range in physical and narrative size."],"custodhist_html_tesm":["\u003cp\u003eSome of the materials in this collection were directly donated by the author to Stephanie Grimm, who then in turn donated them to the Special Collections Research Center.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Some of the materials in this collection were directly donated by the author to Stephanie Grimm, who then in turn donated them to the Special Collections Research Center."],"prefercite_html_tesm":["\u003cp\u003eMid-Atlantic minicomics and zines collection, C0316, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Mid-Atlantic minicomics and zines collection, C0316, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar in May 2024. Finding aid completed by Amanda Menjivar in May 2024.\u003c/p\u003e","\u003cp\u003eAccruals processed and added to finding aid by Amanda Menjivar in June and November 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar in May 2024. Finding aid completed by Amanda Menjivar in May 2024.","Accruals processed and added to finding aid by Amanda Menjivar in June and November 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the International art publishing collection and the \u003cextptr show=\"new\" title=\"Tijuana Bibles collection.\" href=\"https://aspace.gmu.edu/resources/c0387\"\u003e\u003c/extptr\u003e It also holds an extensive \u003cextptr show=\"new\" title=\"Artists' Book collection.\" href=\"https://scrc.gmu.edu/rare\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe \u003cextptr show=\"new\" title=\"D.C. Public Library\" href=\"https://digdc.dclibrary.org/islandora/object/dcplislandora%3A38043\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"University of Maryland\" href=\"https://archives.lib.umd.edu/subjects/1785\"\u003e\u003c/extptr\u003e hold zines collections. A list of Virginia institutions with zines collections can be found \u003cextptr show=\"new\" title=\"here.\" href=\"https://lva-virginia.libguides.com/c.php?g=1332410\u0026amp;p=9812980\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"Library of Congress\" href=\"https://www.loc.gov/exhibitions/comic-art/about-this-exhibition/comic-books-and-beyond-1940s-to-2000s/minicomics/\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"University of Michigan\" href=\"https://guides.lib.umich.edu/comics/minicomics\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"San Diego State University\" href=\"https://archives.sdsu.edu/repositories/2/resources/116\"\u003e\u003c/extptr\u003e hold minicomics collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the International art publishing collection and the   It also holds an extensive ","\nThe   and the   hold zines collections. A list of Virginia institutions with zines collections can be found ","The  , the  , and   hold minicomics collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, which includes the states of Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, West Virginia, as well as Washington, District of Columbia.\u003c/p\u003e\n","\u003cp\u003eMaterials were created between 2012-2024. Topics vary - see inventory for more details.\u003c/p\u003e","\u003cp\u003ePublisher: Birdcage Bottom.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail and Liz Barr.\u003c/p\u003e","\u003cp\u003ePublisher: hic \u0026amp; hoc publications.\u003c/p\u003e","\u003cp\u003ePublisher: Bright Spot Press.\u003c/p\u003e","\u003cp\u003eContributors: Alec Icky Dunn, Josh MacPhee, Christopher Kardambikis.\u003c/p\u003e","\u003cp\u003ePublisher: Retrofit Comics and Big Planet Comics.\u003c/p\u003e","\u003cp\u003ePublisher: Retrofit Comics and Big Planet Comics.\u003c/p\u003e","\u003cp\u003ePublisher: Retrofit Comics and Big Planet Comics.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: Eberhardt Press.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: Leeking Inc.\u003c/p\u003e","\u003cp\u003ePublisher: Force.\u003c/p\u003e","\u003cp\u003ePublisher: Force.\u003c/p\u003e","\u003cp\u003ePublisher: Ten09, George Mason University.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: Shining Life.\u003c/p\u003e","\u003cp\u003ePublisher: Shining Life.\u003c/p\u003e","\u003cp\u003ePurchased from People's Book in Takoma Park, MD.\u003c/p\u003e","\u003cp\u003ePurchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.\u003c/p\u003e","\u003cp\u003eProduced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026amp; Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.\u003c/p\u003e","\u003cp\u003eProduced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026amp; Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.\u003c/p\u003e","\u003cp\u003eUnknown author. Contains wildflower seeds. Sourced by Marissa Burkland of GMU Libraries.\u003c/p\u003e","\u003cp\u003e\u003citalic\u003eWHO CARES LOL\u003c/italic\u003e is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.\u003c/p\u003e","\u003cp\u003e\u003citalic\u003eWHO CARES LOL\u003c/italic\u003e is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.\u003c/p\u003e","\u003cp\u003ePublisher: Late Comeback Press. Produced at George Mason University.\u003c/p\u003e","\u003cp\u003ePublisher: Late Comeback Press.\u003c/p\u003e","\u003cp\u003ePublisher: Neil Brideau. Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.\u003c/p\u003e","\u003cp\u003eCreated by a Mason alumnus.\u003c/p\u003e","\u003cp\u003eCreated by a Mason alumnus.\u003c/p\u003e","\u003cp\u003eCreated by a Mason alumnus.\u003c/p\u003e","\u003cp\u003ePublisher: inner loop press.\u003c/p\u003e","\u003cp\u003ePublisher: inner loop press.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, which includes the states of Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, West Virginia, as well as Washington, District of Columbia.","Materials were created between 2012-2024. Topics vary - see inventory for more details.","Publisher: Birdcage Bottom.","Publisher: GenderFail and Liz Barr.","Publisher: hic \u0026 hoc publications.","Publisher: Bright Spot Press.","Contributors: Alec Icky Dunn, Josh MacPhee, Christopher Kardambikis.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Eberhardt Press.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Leeking Inc.","Publisher: Force.","Publisher: Force.","Publisher: Ten09, George Mason University.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: Shining Life.","Publisher: Shining Life.","Purchased from People's Book in Takoma Park, MD.","Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Unknown author. Contains wildflower seeds. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL  is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL  is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","Publisher: Late Comeback Press. Produced at George Mason University.","Publisher: Late Comeback Press.","Publisher: Neil Brideau. Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Created by a Mason alumnus.","Created by a Mason alumnus.","Created by a Mason alumnus.","Publisher: inner loop press.","Publisher: inner loop press."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_66308bb7aee749d96c68d0c2573c907a\"\u003eThis collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_76334dd84ac287f5c668568c164c9851\"\u003eR 54, C 3, S 1, 3\u003c/physloc\u003e"],"physloc_tesim":["R 54, C 3, S 1, 3"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:49.802Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_459_c57"}},{"id":"vifgm_repositories_2_resources_459_c58","type":"File","attributes":{"title":"Bubbles #7 by Brian Baynes","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_459_c58#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_459_c58","ref_ssm":["vifgm_repositories_2_resources_459_c58"],"id":"vifgm_repositories_2_resources_459_c58","ead_ssi":"vifgm_repositories_2_resources_459","_root_":"vifgm_repositories_2_resources_459","_nest_parent_":"vifgm_repositories_2_resources_459","parent_ssi":"vifgm_repositories_2_resources_459","parent_ssim":["vifgm_repositories_2_resources_459"],"parent_ids_ssim":["vifgm_repositories_2_resources_459"],"parent_unittitles_ssm":["Mid-Atlantic minicomics and zines collection"],"parent_unittitles_tesim":["Mid-Atlantic minicomics and zines collection"],"text":["Mid-Atlantic minicomics and zines collection","Bubbles #7 by Brian Baynes","box 3","folder 8"],"title_filing_ssi":"Bubbles #7  by Brian Baynes","title_ssm":["Bubbles #7 by Brian Baynes"],"title_tesim":["Bubbles #7 by Brian Baynes"],"unitdate_inclusive_ssm":["August 2020"],"normalized_date_ssm":["2020"],"normalized_title_ssm":["Bubbles #7 by Brian Baynes"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Mid-Atlantic minicomics and zines collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":58,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[2020],"containers_ssim":["box 3","folder 8"],"_nest_path_":"/components#57","timestamp":"2026-05-21T05:27:49.802Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_459","ead_ssi":"vifgm_repositories_2_resources_459","_root_":"vifgm_repositories_2_resources_459","_nest_parent_":"vifgm_repositories_2_resources_459","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_459.xml","title_ssm":["Mid-Atlantic minicomics and zines collection"],"title_tesim":["Mid-Atlantic minicomics and zines collection"],"unitdate_ssm":["2012-2024"],"unitdate_inclusive_ssm":["2012-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0316","/repositories/2/resources/459"],"text":["C0316","/repositories/2/resources/459","Mid-Atlantic minicomics and zines collection","LGBTQ+","Zines","Personal narratives","Gender expression","Gender identity","Mental health","Anime (Television programs)","There are no access restrictions.","Future accruals to this collection are expected.","Arranged by acquisition date.","\"Comic Books and Graphic Novels - Minicomics in the AAEL Library.\" University of Michigan Library. https://guides.lib.umich.edu/comics/minicomics, accessed May 2024.","Croley, Carolyn. \"A short history of zines,\" December 13, 2023. Amon Carter Museum of American Art. https://www.cartermuseum.org/blog/short-history-zines.","\"Loud on Paper Library Guide - What is a Zine?\" Purdue University, Libraries and School of Information Studies. https://guides.lib.purdue.edu/loudonpaper/what-is-a-zine#:~:text=Definition,circulates%20less%20than%201%2C000%20copies, accessed May 2024.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles in the 1930s and 1940s, and grew exponentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.","Minicomics, similar to zines, are small, handmade, self-published comics. Minicomics differ from zines in that their primary content features comics, cartoons, or graphic narrative. Minicomics are not always small, and can range in physical and narrative size.","Some of the materials in this collection were directly donated by the author to Stephanie Grimm, who then in turn donated them to the Special Collections Research Center.","Processed by Amanda Menjivar in May 2024. Finding aid completed by Amanda Menjivar in May 2024.","Accruals processed and added to finding aid by Amanda Menjivar in June and November 2024.","The Special Collections Research Center also holds the International art publishing collection and the   It also holds an extensive ","\nThe   and the   hold zines collections. A list of Virginia institutions with zines collections can be found ","The  , the  , and   hold minicomics collections.","This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, which includes the states of Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, West Virginia, as well as Washington, District of Columbia.","Materials were created between 2012-2024. Topics vary - see inventory for more details.","Publisher: Birdcage Bottom.","Publisher: GenderFail and Liz Barr.","Publisher: hic \u0026 hoc publications.","Publisher: Bright Spot Press.","Contributors: Alec Icky Dunn, Josh MacPhee, Christopher Kardambikis.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Eberhardt Press.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Leeking Inc.","Publisher: Force.","Publisher: Force.","Publisher: Ten09, George Mason University.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: Shining Life.","Publisher: Shining Life.","Purchased from People's Book in Takoma Park, MD.","Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Unknown author. Contains wildflower seeds. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL  is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL  is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","Publisher: Late Comeback Press. Produced at George Mason University.","Publisher: Late Comeback Press.","Publisher: Neil Brideau. Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Created by a Mason alumnus.","Created by a Mason alumnus.","Created by a Mason alumnus.","Publisher: inner loop press.","Publisher: inner loop press.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021.","R 54, C 3, S 1, 3","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0316","/repositories/2/resources/459"],"normalized_title_ssm":["Mid-Atlantic minicomics and zines collection"],"collection_title_tesim":["Mid-Atlantic minicomics and zines collection"],"collection_ssim":["Mid-Atlantic minicomics and zines collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["LGBTQ+"],"geogname_ssim":["LGBTQ+"],"places_ssim":["LGBTQ+"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated and purchased by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries from 2018-present. Jake Lahah's zines were donated by the artist."],"access_subjects_ssim":["Zines","Personal narratives","Gender expression","Gender identity","Mental health","Anime (Television programs)"],"access_subjects_ssm":["Zines","Personal narratives","Gender expression","Gender identity","Mental health","Anime (Television programs)"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 5 boxes"],"extent_tesim":["3 Linear Feet 5 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eFuture accruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Future accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eArranged by acquisition date.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by acquisition date."],"bibliography_html_tesm":["\u003cp\u003e\"Comic Books and Graphic Novels - Minicomics in the AAEL Library.\" University of Michigan Library. https://guides.lib.umich.edu/comics/minicomics, accessed May 2024.\u003c/p\u003e\n","\u003cp\u003eCroley, Carolyn. \"A short history of zines,\" December 13, 2023. Amon Carter Museum of American Art. https://www.cartermuseum.org/blog/short-history-zines.\u003c/p\u003e\n","\u003cp\u003e\"Loud on Paper Library Guide - What is a Zine?\" Purdue University, Libraries and School of Information Studies. https://guides.lib.purdue.edu/loudonpaper/what-is-a-zine#:~:text=Definition,circulates%20less%20than%201%2C000%20copies, accessed May 2024.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Comic Books and Graphic Novels - Minicomics in the AAEL Library.\" University of Michigan Library. https://guides.lib.umich.edu/comics/minicomics, accessed May 2024.","Croley, Carolyn. \"A short history of zines,\" December 13, 2023. Amon Carter Museum of American Art. https://www.cartermuseum.org/blog/short-history-zines.","\"Loud on Paper Library Guide - What is a Zine?\" Purdue University, Libraries and School of Information Studies. https://guides.lib.purdue.edu/loudonpaper/what-is-a-zine#:~:text=Definition,circulates%20less%20than%201%2C000%20copies, accessed May 2024."],"bioghist_html_tesm":["\u003cp\u003eZines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.\u003c/p\u003e\n","\u003cp\u003eZines - short for \"fanzines\" - became popular with underground science fiction fan circles in the 1930s and 1940s, and grew exponentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.\u003c/p\u003e\n","\u003cp\u003eMinicomics, similar to zines, are small, handmade, self-published comics. Minicomics differ from zines in that their primary content features comics, cartoons, or graphic narrative. Minicomics are not always small, and can range in physical and narrative size.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles in the 1930s and 1940s, and grew exponentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.","Minicomics, similar to zines, are small, handmade, self-published comics. Minicomics differ from zines in that their primary content features comics, cartoons, or graphic narrative. Minicomics are not always small, and can range in physical and narrative size."],"custodhist_html_tesm":["\u003cp\u003eSome of the materials in this collection were directly donated by the author to Stephanie Grimm, who then in turn donated them to the Special Collections Research Center.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Some of the materials in this collection were directly donated by the author to Stephanie Grimm, who then in turn donated them to the Special Collections Research Center."],"prefercite_html_tesm":["\u003cp\u003eMid-Atlantic minicomics and zines collection, C0316, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Mid-Atlantic minicomics and zines collection, C0316, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar in May 2024. Finding aid completed by Amanda Menjivar in May 2024.\u003c/p\u003e","\u003cp\u003eAccruals processed and added to finding aid by Amanda Menjivar in June and November 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar in May 2024. Finding aid completed by Amanda Menjivar in May 2024.","Accruals processed and added to finding aid by Amanda Menjivar in June and November 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the International art publishing collection and the \u003cextptr show=\"new\" title=\"Tijuana Bibles collection.\" href=\"https://aspace.gmu.edu/resources/c0387\"\u003e\u003c/extptr\u003e It also holds an extensive \u003cextptr show=\"new\" title=\"Artists' Book collection.\" href=\"https://scrc.gmu.edu/rare\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe \u003cextptr show=\"new\" title=\"D.C. Public Library\" href=\"https://digdc.dclibrary.org/islandora/object/dcplislandora%3A38043\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"University of Maryland\" href=\"https://archives.lib.umd.edu/subjects/1785\"\u003e\u003c/extptr\u003e hold zines collections. A list of Virginia institutions with zines collections can be found \u003cextptr show=\"new\" title=\"here.\" href=\"https://lva-virginia.libguides.com/c.php?g=1332410\u0026amp;p=9812980\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"Library of Congress\" href=\"https://www.loc.gov/exhibitions/comic-art/about-this-exhibition/comic-books-and-beyond-1940s-to-2000s/minicomics/\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"University of Michigan\" href=\"https://guides.lib.umich.edu/comics/minicomics\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"San Diego State University\" href=\"https://archives.sdsu.edu/repositories/2/resources/116\"\u003e\u003c/extptr\u003e hold minicomics collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the International art publishing collection and the   It also holds an extensive ","\nThe   and the   hold zines collections. A list of Virginia institutions with zines collections can be found ","The  , the  , and   hold minicomics collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, which includes the states of Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, West Virginia, as well as Washington, District of Columbia.\u003c/p\u003e\n","\u003cp\u003eMaterials were created between 2012-2024. Topics vary - see inventory for more details.\u003c/p\u003e","\u003cp\u003ePublisher: Birdcage Bottom.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail and Liz Barr.\u003c/p\u003e","\u003cp\u003ePublisher: hic \u0026amp; hoc publications.\u003c/p\u003e","\u003cp\u003ePublisher: Bright Spot Press.\u003c/p\u003e","\u003cp\u003eContributors: Alec Icky Dunn, Josh MacPhee, Christopher Kardambikis.\u003c/p\u003e","\u003cp\u003ePublisher: Retrofit Comics and Big Planet Comics.\u003c/p\u003e","\u003cp\u003ePublisher: Retrofit Comics and Big Planet Comics.\u003c/p\u003e","\u003cp\u003ePublisher: Retrofit Comics and Big Planet Comics.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: Eberhardt Press.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: Leeking Inc.\u003c/p\u003e","\u003cp\u003ePublisher: Force.\u003c/p\u003e","\u003cp\u003ePublisher: Force.\u003c/p\u003e","\u003cp\u003ePublisher: Ten09, George Mason University.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: Shining Life.\u003c/p\u003e","\u003cp\u003ePublisher: Shining Life.\u003c/p\u003e","\u003cp\u003ePurchased from People's Book in Takoma Park, MD.\u003c/p\u003e","\u003cp\u003ePurchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.\u003c/p\u003e","\u003cp\u003eProduced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026amp; Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.\u003c/p\u003e","\u003cp\u003eProduced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026amp; Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.\u003c/p\u003e","\u003cp\u003eUnknown author. Contains wildflower seeds. Sourced by Marissa Burkland of GMU Libraries.\u003c/p\u003e","\u003cp\u003e\u003citalic\u003eWHO CARES LOL\u003c/italic\u003e is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.\u003c/p\u003e","\u003cp\u003e\u003citalic\u003eWHO CARES LOL\u003c/italic\u003e is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.\u003c/p\u003e","\u003cp\u003ePublisher: Late Comeback Press. Produced at George Mason University.\u003c/p\u003e","\u003cp\u003ePublisher: Late Comeback Press.\u003c/p\u003e","\u003cp\u003ePublisher: Neil Brideau. Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.\u003c/p\u003e","\u003cp\u003eCreated by a Mason alumnus.\u003c/p\u003e","\u003cp\u003eCreated by a Mason alumnus.\u003c/p\u003e","\u003cp\u003eCreated by a Mason alumnus.\u003c/p\u003e","\u003cp\u003ePublisher: inner loop press.\u003c/p\u003e","\u003cp\u003ePublisher: inner loop press.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, which includes the states of Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, West Virginia, as well as Washington, District of Columbia.","Materials were created between 2012-2024. Topics vary - see inventory for more details.","Publisher: Birdcage Bottom.","Publisher: GenderFail and Liz Barr.","Publisher: hic \u0026 hoc publications.","Publisher: Bright Spot Press.","Contributors: Alec Icky Dunn, Josh MacPhee, Christopher Kardambikis.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Eberhardt Press.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Leeking Inc.","Publisher: Force.","Publisher: Force.","Publisher: Ten09, George Mason University.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: Shining Life.","Publisher: Shining Life.","Purchased from People's Book in Takoma Park, MD.","Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Unknown author. Contains wildflower seeds. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL  is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL  is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","Publisher: Late Comeback Press. Produced at George Mason University.","Publisher: Late Comeback Press.","Publisher: Neil Brideau. Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Created by a Mason alumnus.","Created by a Mason alumnus.","Created by a Mason alumnus.","Publisher: inner loop press.","Publisher: inner loop press."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_66308bb7aee749d96c68d0c2573c907a\"\u003eThis collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_76334dd84ac287f5c668568c164c9851\"\u003eR 54, C 3, S 1, 3\u003c/physloc\u003e"],"physloc_tesim":["R 54, C 3, S 1, 3"],"names_ssim":["George Mason University. 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Amon Carter Museum of American Art. https://www.cartermuseum.org/blog/short-history-zines.","\"Loud on Paper Library Guide - What is a Zine?\" Purdue University, Libraries and School of Information Studies. https://guides.lib.purdue.edu/loudonpaper/what-is-a-zine#:~:text=Definition,circulates%20less%20than%201%2C000%20copies, accessed May 2024.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles in the 1930s and 1940s, and grew exponentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.","Minicomics, similar to zines, are small, handmade, self-published comics. Minicomics differ from zines in that their primary content features comics, cartoons, or graphic narrative. Minicomics are not always small, and can range in physical and narrative size.","Some of the materials in this collection were directly donated by the author to Stephanie Grimm, who then in turn donated them to the Special Collections Research Center.","Processed by Amanda Menjivar in May 2024. Finding aid completed by Amanda Menjivar in May 2024.","Accruals processed and added to finding aid by Amanda Menjivar in June and November 2024.","The Special Collections Research Center also holds the International art publishing collection and the   It also holds an extensive ","\nThe   and the   hold zines collections. A list of Virginia institutions with zines collections can be found ","The  , the  , and   hold minicomics collections.","This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, which includes the states of Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, West Virginia, as well as Washington, District of Columbia.","Materials were created between 2012-2024. 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E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Unknown author. Contains wildflower seeds. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL  is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL  is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","Publisher: Late Comeback Press. Produced at George Mason University.","Publisher: Late Comeback Press.","Publisher: Neil Brideau. Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Created by a Mason alumnus.","Created by a Mason alumnus.","Created by a Mason alumnus.","Publisher: inner loop press.","Publisher: inner loop press.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021.","R 54, C 3, S 1, 3","George Mason University. Libraries. 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Jake Lahah's zines were donated by the artist."],"access_subjects_ssim":["Zines","Personal narratives","Gender expression","Gender identity","Mental health","Anime (Television programs)"],"access_subjects_ssm":["Zines","Personal narratives","Gender expression","Gender identity","Mental health","Anime (Television programs)"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 5 boxes"],"extent_tesim":["3 Linear Feet 5 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eFuture accruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Future accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eArranged by acquisition date.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by acquisition date."],"bibliography_html_tesm":["\u003cp\u003e\"Comic Books and Graphic Novels - Minicomics in the AAEL Library.\" University of Michigan Library. https://guides.lib.umich.edu/comics/minicomics, accessed May 2024.\u003c/p\u003e\n","\u003cp\u003eCroley, Carolyn. \"A short history of zines,\" December 13, 2023. Amon Carter Museum of American Art. https://www.cartermuseum.org/blog/short-history-zines.\u003c/p\u003e\n","\u003cp\u003e\"Loud on Paper Library Guide - What is a Zine?\" Purdue University, Libraries and School of Information Studies. https://guides.lib.purdue.edu/loudonpaper/what-is-a-zine#:~:text=Definition,circulates%20less%20than%201%2C000%20copies, accessed May 2024.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Comic Books and Graphic Novels - Minicomics in the AAEL Library.\" University of Michigan Library. https://guides.lib.umich.edu/comics/minicomics, accessed May 2024.","Croley, Carolyn. \"A short history of zines,\" December 13, 2023. Amon Carter Museum of American Art. https://www.cartermuseum.org/blog/short-history-zines.","\"Loud on Paper Library Guide - What is a Zine?\" Purdue University, Libraries and School of Information Studies. https://guides.lib.purdue.edu/loudonpaper/what-is-a-zine#:~:text=Definition,circulates%20less%20than%201%2C000%20copies, accessed May 2024."],"bioghist_html_tesm":["\u003cp\u003eZines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.\u003c/p\u003e\n","\u003cp\u003eZines - short for \"fanzines\" - became popular with underground science fiction fan circles in the 1930s and 1940s, and grew exponentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.\u003c/p\u003e\n","\u003cp\u003eMinicomics, similar to zines, are small, handmade, self-published comics. Minicomics differ from zines in that their primary content features comics, cartoons, or graphic narrative. Minicomics are not always small, and can range in physical and narrative size.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles in the 1930s and 1940s, and grew exponentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.","Minicomics, similar to zines, are small, handmade, self-published comics. Minicomics differ from zines in that their primary content features comics, cartoons, or graphic narrative. Minicomics are not always small, and can range in physical and narrative size."],"custodhist_html_tesm":["\u003cp\u003eSome of the materials in this collection were directly donated by the author to Stephanie Grimm, who then in turn donated them to the Special Collections Research Center.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Some of the materials in this collection were directly donated by the author to Stephanie Grimm, who then in turn donated them to the Special Collections Research Center."],"prefercite_html_tesm":["\u003cp\u003eMid-Atlantic minicomics and zines collection, C0316, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Mid-Atlantic minicomics and zines collection, C0316, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar in May 2024. Finding aid completed by Amanda Menjivar in May 2024.\u003c/p\u003e","\u003cp\u003eAccruals processed and added to finding aid by Amanda Menjivar in June and November 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar in May 2024. Finding aid completed by Amanda Menjivar in May 2024.","Accruals processed and added to finding aid by Amanda Menjivar in June and November 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the International art publishing collection and the \u003cextptr show=\"new\" title=\"Tijuana Bibles collection.\" href=\"https://aspace.gmu.edu/resources/c0387\"\u003e\u003c/extptr\u003e It also holds an extensive \u003cextptr show=\"new\" title=\"Artists' Book collection.\" href=\"https://scrc.gmu.edu/rare\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe \u003cextptr show=\"new\" title=\"D.C. Public Library\" href=\"https://digdc.dclibrary.org/islandora/object/dcplislandora%3A38043\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"University of Maryland\" href=\"https://archives.lib.umd.edu/subjects/1785\"\u003e\u003c/extptr\u003e hold zines collections. A list of Virginia institutions with zines collections can be found \u003cextptr show=\"new\" title=\"here.\" href=\"https://lva-virginia.libguides.com/c.php?g=1332410\u0026amp;p=9812980\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"Library of Congress\" href=\"https://www.loc.gov/exhibitions/comic-art/about-this-exhibition/comic-books-and-beyond-1940s-to-2000s/minicomics/\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"University of Michigan\" href=\"https://guides.lib.umich.edu/comics/minicomics\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"San Diego State University\" href=\"https://archives.sdsu.edu/repositories/2/resources/116\"\u003e\u003c/extptr\u003e hold minicomics collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the International art publishing collection and the   It also holds an extensive ","\nThe   and the   hold zines collections. A list of Virginia institutions with zines collections can be found ","The  , the  , and   hold minicomics collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, which includes the states of Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, West Virginia, as well as Washington, District of Columbia.\u003c/p\u003e\n","\u003cp\u003eMaterials were created between 2012-2024. Topics vary - see inventory for more details.\u003c/p\u003e","\u003cp\u003ePublisher: Birdcage Bottom.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail and Liz Barr.\u003c/p\u003e","\u003cp\u003ePublisher: hic \u0026amp; hoc publications.\u003c/p\u003e","\u003cp\u003ePublisher: Bright Spot Press.\u003c/p\u003e","\u003cp\u003eContributors: Alec Icky Dunn, Josh MacPhee, Christopher Kardambikis.\u003c/p\u003e","\u003cp\u003ePublisher: Retrofit Comics and Big Planet Comics.\u003c/p\u003e","\u003cp\u003ePublisher: Retrofit Comics and Big Planet Comics.\u003c/p\u003e","\u003cp\u003ePublisher: Retrofit Comics and Big Planet Comics.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: Eberhardt Press.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: Leeking Inc.\u003c/p\u003e","\u003cp\u003ePublisher: Force.\u003c/p\u003e","\u003cp\u003ePublisher: Force.\u003c/p\u003e","\u003cp\u003ePublisher: Ten09, George Mason University.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: Shining Life.\u003c/p\u003e","\u003cp\u003ePublisher: Shining Life.\u003c/p\u003e","\u003cp\u003ePurchased from People's Book in Takoma Park, MD.\u003c/p\u003e","\u003cp\u003ePurchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.\u003c/p\u003e","\u003cp\u003eProduced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026amp; Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.\u003c/p\u003e","\u003cp\u003eProduced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026amp; Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.\u003c/p\u003e","\u003cp\u003eUnknown author. Contains wildflower seeds. Sourced by Marissa Burkland of GMU Libraries.\u003c/p\u003e","\u003cp\u003e\u003citalic\u003eWHO CARES LOL\u003c/italic\u003e is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.\u003c/p\u003e","\u003cp\u003e\u003citalic\u003eWHO CARES LOL\u003c/italic\u003e is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.\u003c/p\u003e","\u003cp\u003ePublisher: Late Comeback Press. Produced at George Mason University.\u003c/p\u003e","\u003cp\u003ePublisher: Late Comeback Press.\u003c/p\u003e","\u003cp\u003ePublisher: Neil Brideau. Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.\u003c/p\u003e","\u003cp\u003eCreated by a Mason alumnus.\u003c/p\u003e","\u003cp\u003eCreated by a Mason alumnus.\u003c/p\u003e","\u003cp\u003eCreated by a Mason alumnus.\u003c/p\u003e","\u003cp\u003ePublisher: inner loop press.\u003c/p\u003e","\u003cp\u003ePublisher: inner loop press.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, which includes the states of Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, West Virginia, as well as Washington, District of Columbia.","Materials were created between 2012-2024. Topics vary - see inventory for more details.","Publisher: Birdcage Bottom.","Publisher: GenderFail and Liz Barr.","Publisher: hic \u0026 hoc publications.","Publisher: Bright Spot Press.","Contributors: Alec Icky Dunn, Josh MacPhee, Christopher Kardambikis.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Eberhardt Press.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Leeking Inc.","Publisher: Force.","Publisher: Force.","Publisher: Ten09, George Mason University.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: Shining Life.","Publisher: Shining Life.","Purchased from People's Book in Takoma Park, MD.","Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Unknown author. Contains wildflower seeds. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL  is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL  is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","Publisher: Late Comeback Press. Produced at George Mason University.","Publisher: Late Comeback Press.","Publisher: Neil Brideau. Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Created by a Mason alumnus.","Created by a Mason alumnus.","Created by a Mason alumnus.","Publisher: inner loop press.","Publisher: inner loop press."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_66308bb7aee749d96c68d0c2573c907a\"\u003eThis collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_76334dd84ac287f5c668568c164c9851\"\u003eR 54, C 3, S 1, 3\u003c/physloc\u003e"],"physloc_tesim":["R 54, C 3, S 1, 3"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:49.802Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_459_c59"}},{"id":"viw_repositories_2_resources_853_c09_c09","type":"Item","attributes":{"title":"Budget Office","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_853_c09_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_853_c09_c09","ref_ssm":["viw_repositories_2_resources_853_c09_c09"],"id":"viw_repositories_2_resources_853_c09_c09","ead_ssi":"viw_repositories_2_resources_853","_root_":"viw_repositories_2_resources_853","_nest_parent_":"viw_repositories_2_resources_853_c09","parent_ssi":"viw_repositories_2_resources_853_c09","parent_ssim":["viw_repositories_2_resources_853","viw_repositories_2_resources_853_c09"],"parent_ids_ssim":["viw_repositories_2_resources_853","viw_repositories_2_resources_853_c09"],"parent_unittitles_ssm":["University Archives Web Archive Collection","Offices"],"parent_unittitles_tesim":["University Archives Web Archive Collection","Offices"],"text":["University Archives Web Archive Collection","Offices","Budget Office"],"title_filing_ssi":"Budget Office","title_ssm":["Budget Office"],"title_tesim":["Budget Office"],"unitdate_inclusive_ssm":["2020-2021"],"normalized_date_ssm":["2020/2021"],"normalized_title_ssm":["Budget Office"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["University Archives Web Archive Collection"],"extent_ssm":["1 item"],"extent_tesim":["1 item"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":245,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2020,2021],"_nest_path_":"/components#8/components#8","timestamp":"2026-05-21T11:35:34.069Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_853","ead_ssi":"viw_repositories_2_resources_853","_root_":"viw_repositories_2_resources_853","_nest_parent_":"viw_repositories_2_resources_853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_853.xml","title_filing_ssi":"University Archives Web Archive Collection","title_ssm":["University Archives Web Archive Collection"],"title_tesim":["University Archives Web Archive Collection"],"unitdate_ssm":["2015-ongoing"],"unitdate_inclusive_ssm":["2015-ongoing"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 392","/repositories/2/resources/853"],"text":["UA 392","/repositories/2/resources/853","University Archives Web Archive Collection","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged in twelve series: Academics, Administration, Athletics, Campus Issues, Events, Facilities \u0026 Buildings, News \u0026 Publications, Offices, Organizations, Student Life, Todd W. Weaver Collection, and W\u0026M Alumni.","Websites for this collections were selected for their representation of the College of William \u0026 Mary and their documentation of the interests and activities of the students, faculty, staff, alumni, and leadership.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","A collection of harvested websites for the institutional history and records of The College of William and Mary.","Special Collections Research Center","College of William and Mary.","Omohundro Institute of Early American History and Culture","Virginia Institute of Marine Science","English"],"unitid_tesim":["UA 392","/repositories/2/resources/853"],"normalized_title_ssm":["University Archives Web Archive Collection"],"collection_title_tesim":["University Archives Web Archive Collection"],"collection_ssim":["University Archives Web Archive Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Web harvesting with Archive-It."],"has_online_content_ssim":["false"],"extent_ssm":["351 Items"],"extent_tesim":["351 Items"],"date_range_isim":[2015],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in twelve series: Academics, Administration, Athletics, Campus Issues, Events, Facilities \u0026amp; Buildings, News \u0026amp; Publications, Offices, Organizations, Student Life, Todd W. Weaver Collection, and W\u0026amp;M Alumni.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged in twelve series: Academics, Administration, Athletics, Campus Issues, Events, Facilities \u0026 Buildings, News \u0026 Publications, Offices, Organizations, Student Life, Todd W. Weaver Collection, and W\u0026M Alumni."],"scopecontent_html_tesm":["\u003cp\u003eWebsites for this collections were selected for their representation of the College of William \u0026amp; Mary and their documentation of the interests and activities of the students, faculty, staff, alumni, and leadership.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Websites for this collections were selected for their representation of the College of William \u0026 Mary and their documentation of the interests and activities of the students, faculty, staff, alumni, and leadership."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6c7c5601f0895be13f28035aed98b5d0\"\u003eA collection of harvested websites for the institutional history and records of The College of William and Mary.\u003c/abstract\u003e"],"abstract_tesim":["A collection of harvested websites for the institutional history and records of The College of William and Mary."],"names_coll_ssim":["College of William and Mary.","Omohundro Institute of Early American History and Culture","Virginia Institute of Marine Science"],"names_ssim":["Special Collections Research Center","College of William and Mary.","Omohundro Institute of Early American History and Culture","Virginia Institute of Marine Science"],"corpname_ssim":["Special Collections Research Center","College of William and Mary.","Omohundro Institute of Early American History and Culture","Virginia Institute of Marine Science"],"language_ssim":["English"],"total_component_count_is":417,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T11:35:34.069Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_853_c09_c09"}},{"id":"vihart_repositories_4_resources_594_c07_c22","type":"File","attributes":{"title":"Budgets and financials","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_594_c07_c22#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_594_c07_c22","ref_ssm":["vihart_repositories_4_resources_594_c07_c22"],"id":"vihart_repositories_4_resources_594_c07_c22","ead_ssi":"vihart_repositories_4_resources_594","_root_":"vihart_repositories_4_resources_594","_nest_parent_":"vihart_repositories_4_resources_594_c07","parent_ssi":"vihart_repositories_4_resources_594_c07","parent_ssim":["vihart_repositories_4_resources_594","vihart_repositories_4_resources_594_c07"],"parent_ids_ssim":["vihart_repositories_4_resources_594","vihart_repositories_4_resources_594_c07"],"parent_unittitles_ssm":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","2025-0909 Accession"],"parent_unittitles_tesim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","2025-0909 Accession"],"text":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","2025-0909 Accession","Budgets and financials","box 28","folder 20"],"title_filing_ssi":"Budgets and financials","title_ssm":["Budgets and financials"],"title_tesim":["Budgets and financials"],"unitdate_inclusive_ssm":["1989-2024"],"normalized_date_ssm":["1989/2024"],"normalized_title_ssm":["Budgets and financials"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":298,"parent_access_restrict_tesm":["Collection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"containers_ssim":["box 28","folder 20"],"_nest_path_":"/components#6/components#21","timestamp":"2026-05-21T00:23:04.783Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_594","ead_ssi":"vihart_repositories_4_resources_594","_root_":"vihart_repositories_4_resources_594","_nest_parent_":"vihart_repositories_4_resources_594","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_594.xml","title_ssm":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"title_tesim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"unitdate_ssm":["1929-2025"],"unitdate_inclusive_ssm":["1929-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0211","/repositories/4/resources/594"],"text":["SC 0211","/repositories/4/resources/594","American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","Women college graduates -- Virginia -- Harrisonburg -- Societies, etc","Women in education -- Virginia -- Harrisonburg -- History","Women -- Virginia -- Harrisonburg -- Societies and clubs","Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)","Collection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection.","Original media formats are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The scrapbook pages have been photocopied and are available alongside the original.","The collection is arranged into seven series:","Administrative Files, 1929-2015 Financial Files, 1969-2007 Causes, Activism, and Education, 1965-2008 Publications, 1968-2011 Conventions and Programming, 1968-2017 Scrapbooks, Photographs, and Ephemera, 1929-2011 2025-0909 Accession, 1979-2025","\"Our History.\" American Association of University Women, https://history.aauw.org/ (accessed September 19, 2019).","The American Association of University Women (AAUW) was founded on November 28, 1881 when Marion Talbot and Ellen Richards met in Boston, Massachusetts along with 15 alumnae representing eight colleges. The aim of this first meeting was to discuss the needs of college-educated women and to broaden opportunities and assist women in higher education. The organization is nonpartisan and nonprofit with more than 170,000 members. The mission of AAUW is \"to advance gender equity for women through research, education, and advocacy.\" Membership in AAUW is open to anyone holding a two-year associate degree or higher from an accredited college or university, or equivalent. ","The Harrisonburg branch of AAUW was founded on April 15, 1929 in Alumnae Hall on the campus of the State Teachers College at Harrisonburg (now James Madison University). The branch was organized with 15 charter members including Virginia Harnsberger, librarian at the State Teachers College, who was elected its first president. During the 1940s, the branch established and provided continued support for the Virginia Harnsberger Memorial Fund to furnish the Children's Room at the new Rockingham Public Library. In addition to membership dues, the recipe book  Recipes of the Shenandoah Valley , first published in 1959, served as a primary funding source for branch activities and outreach. Since 1975, the branch has held regular book club meetings. Current branch initiatives include equal rights and equal pay advocacy as well as voter registration. In partnership with JMU, the branch organizes \"Girls Can,\" an annual STEM conference and career fair for middle school girls.","The Harrisonburg branch of AAUW officially disbanded on July 1, 2025.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2019.  This collection was previously cataloged as SC 5036.","During this time, the collection was also reprocessed in order to simplify the intellectual arrangement, increase discoverability through better description, and better stabilize  the materials through physical rehousing. Significant changes to the collection include the weeding of bank statements, canceled checks and check stubs, receipts, and deposit slips. Their research value is minimal and furthermore the financial activities of AAUW are documented in the bound account books and membership files which were retained. Additionally, duplicate materials, primarily multiple copies of newsletters and publications, were also discarded.","Loose copies of the Harrisonburg Branch Yearbook and branch newsletters, originally associated with the 1929-1947 scrapbook, were filed with like materials in Series 1 and Series 4 respectively.","When the collection was originally processed in September 2012, the pages of the 1929-1947 scrapbook were separated from the boards and photocopied. The original scrapbook, boards, pages, and photocopied pages are all retained.","The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2017, document the activities of Harrisonburg's local AAUW branch and include administrative records, meeting minutes, bylaws, membership records, financial files, publications and newsletters, annual conference materials, scrapbooks, ephemera, and photographs.","Researchers should note that while there is a discrete series for Financial Files, other series, specifically Administrative Files, also contain documents related to the financial goings-on of AAUW. Cross-referencing related series is encouraged. Similarly, the absence of a Correspondence series does not denote a lack of correspondence. In fact, correspondence is likely located in most series.","Series 1: Administrative Files, 1929-2015, comprises bylaws, meeting minutes, membership files, and general materials related to the administrative activities of the Harrisonburg branch of AAUW. Materials related to other branches, specifically bylaws, are also included.","Series 2: Financial Files, 1969-2007, documents the business activities of the AAUW, Harrisonburg branch. The account books document the branch's income and expenses. Complementary materials include financial statements and reports, budgets, and treasurer's reports.","Series 3: Causes, Activism, and Education, 1965-2008, comprises subject files related to the mission of AAUW, particularly concerning social movements, education, and voting rights.","Series 4: Publications, 1968-2011, contains official publications and printed material primarily created by AAUW as well as the Harrisonburg branch, other local branches, and the Virginia division. ","The Harrisonburg Branch newsletter has had several title changes during the course of its publication. The titles represented in this collection include: \"U\" News, AAUW Newsletter, AAUW News, and The Inside Track. There are periods of time during which the newsletter does not have a discernable title. In the spirit of keeping like materials together, all branch newsletters, regardless of title, are filed under the generic title \"Newsletters.\" ","This series also includes publications explicitly related to causes, activism, and education. Relatedly, regularly published periodicals by AAUW also include articles related to the organization's causes. Researchers are encouraged to cross-reference Series 3: Causes, Activism, and Education for related subject files.","Series 5: Conventions and Programming, 1968-2017, comprises programs and related materials documenting the annual Virginia AAUW convention. The Harrisonburg branch's implementation of \"Girls Can,\" a STEM career fair, is documented in this series. This series also includes assorted programming and promotional materials and flyers.","Series 6: Scrapbooks, Photographs, and Ephemera, 1929-2011, comprises five scrapbooks, photo albums and loose photographs, printed ephemera, and realia. The scrapbooks include newspaper clippings, ephemera, programs, and photographs documenting the activities of the AAUW, Harrisonburg branch during a given time period. Of particular interest is a sash including the phrase \"MARCH FOR WOMEN'S EQUALITY, WOMEN'S LIVES.\"","Series 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors.","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch document the activities of Harrisonburg's local AAUW branch and include administrative records, financial files, publications, annual conference materials, scrapbooks, and photographs.","James Madison University Libraries Special Collections","American Association of University Women. Harrisonburg Branch","American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History","English"],"unitid_tesim":["SC 0211","/repositories/4/resources/594"],"normalized_title_ssm":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"collection_title_tesim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"collection_ssim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["American Association of University Women. Harrisonburg Branch"],"creator_ssim":["American Association of University Women. Harrisonburg Branch"],"creator_corpname_ssim":["American Association of University Women. Harrisonburg Branch"],"creators_ssim":["American Association of University Women. Harrisonburg Branch"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated in five separate accessions between 2011 and 2025."],"access_subjects_ssim":["Women college graduates -- Virginia -- Harrisonburg -- Societies, etc","Women in education -- Virginia -- Harrisonburg -- History","Women -- Virginia -- Harrisonburg -- Societies and clubs","Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)"],"access_subjects_ssm":["Women college graduates -- Virginia -- Harrisonburg -- Societies, etc","Women in education -- Virginia -- Harrisonburg -- History","Women -- Virginia -- Harrisonburg -- Societies and clubs","Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)"],"has_online_content_ssim":["false"],"extent_ssm":["9.89 cubic feet 29 boxes"],"extent_tesim":["9.89 cubic feet 29 boxes"],"genreform_ssim":["Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)"],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eOriginal media formats are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection.","Original media formats are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe scrapbook pages have been photocopied and are available alongside the original.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The scrapbook pages have been photocopied and are available alongside the original."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into seven series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eAdministrative Files, 1929-2015\u003c/item\u003e\n      \u003citem\u003eFinancial Files, 1969-2007\u003c/item\u003e\n      \u003citem\u003eCauses, Activism, and Education, 1965-2008\u003c/item\u003e\n      \u003citem\u003ePublications, 1968-2011\u003c/item\u003e\n      \u003citem\u003eConventions and Programming, 1968-2017\u003c/item\u003e\n      \u003citem\u003eScrapbooks, Photographs, and Ephemera, 1929-2011\u003c/item\u003e\n      \u003citem\u003e2025-0909 Accession, 1979-2025\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into seven series:","Administrative Files, 1929-2015 Financial Files, 1969-2007 Causes, Activism, and Education, 1965-2008 Publications, 1968-2011 Conventions and Programming, 1968-2017 Scrapbooks, Photographs, and Ephemera, 1929-2011 2025-0909 Accession, 1979-2025"],"bibliography_html_tesm":["\u003cbibref\u003e\"Our History.\" American Association of University Women, https://history.aauw.org/ (accessed September 19, 2019).\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Our History.\" American Association of University Women, https://history.aauw.org/ (accessed September 19, 2019)."],"bioghist_html_tesm":["\u003cp\u003eThe American Association of University Women (AAUW) was founded on November 28, 1881 when Marion Talbot and Ellen Richards met in Boston, Massachusetts along with 15 alumnae representing eight colleges. The aim of this first meeting was to discuss the needs of college-educated women and to broaden opportunities and assist women in higher education. The organization is nonpartisan and nonprofit with more than 170,000 members. The mission of AAUW is \"to advance gender equity for women through research, education, and advocacy.\" Membership in AAUW is open to anyone holding a two-year associate degree or higher from an accredited college or university, or equivalent. \u003c/p\u003e\n","\u003cp\u003eThe Harrisonburg branch of AAUW was founded on April 15, 1929 in Alumnae Hall on the campus of the State Teachers College at Harrisonburg (now James Madison University). The branch was organized with 15 charter members including Virginia Harnsberger, librarian at the State Teachers College, who was elected its first president. During the 1940s, the branch established and provided continued support for the Virginia Harnsberger Memorial Fund to furnish the Children's Room at the new Rockingham Public Library. In addition to membership dues, the recipe book \u003cemph render=\"italic\"\u003eRecipes of the Shenandoah Valley\u003c/emph\u003e, first published in 1959, served as a primary funding source for branch activities and outreach. Since 1975, the branch has held regular book club meetings. Current branch initiatives include equal rights and equal pay advocacy as well as voter registration. In partnership with JMU, the branch organizes \"Girls Can,\" an annual STEM conference and career fair for middle school girls.\u003c/p\u003e\n","\u003cp\u003eThe Harrisonburg branch of AAUW officially disbanded on July 1, 2025.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The American Association of University Women (AAUW) was founded on November 28, 1881 when Marion Talbot and Ellen Richards met in Boston, Massachusetts along with 15 alumnae representing eight colleges. The aim of this first meeting was to discuss the needs of college-educated women and to broaden opportunities and assist women in higher education. The organization is nonpartisan and nonprofit with more than 170,000 members. The mission of AAUW is \"to advance gender equity for women through research, education, and advocacy.\" Membership in AAUW is open to anyone holding a two-year associate degree or higher from an accredited college or university, or equivalent. ","The Harrisonburg branch of AAUW was founded on April 15, 1929 in Alumnae Hall on the campus of the State Teachers College at Harrisonburg (now James Madison University). The branch was organized with 15 charter members including Virginia Harnsberger, librarian at the State Teachers College, who was elected its first president. During the 1940s, the branch established and provided continued support for the Virginia Harnsberger Memorial Fund to furnish the Children's Room at the new Rockingham Public Library. In addition to membership dues, the recipe book  Recipes of the Shenandoah Valley , first published in 1959, served as a primary funding source for branch activities and outreach. Since 1975, the branch has held regular book club meetings. Current branch initiatives include equal rights and equal pay advocacy as well as voter registration. In partnership with JMU, the branch organizes \"Girls Can,\" an annual STEM conference and career fair for middle school girls.","The Harrisonburg branch of AAUW officially disbanded on July 1, 2025."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2025, SC 0211, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2025, SC 0211, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2019. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 5036.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eDuring this time, the collection was also reprocessed in order to simplify the intellectual arrangement, increase discoverability through better description, and better stabilize  the materials through physical rehousing. Significant changes to the collection include the weeding of bank statements, canceled checks and check stubs, receipts, and deposit slips. Their research value is minimal and furthermore the financial activities of AAUW are documented in the bound account books and membership files which were retained. Additionally, duplicate materials, primarily multiple copies of newsletters and publications, were also discarded.\u003c/p\u003e","\u003cp\u003eLoose copies of the Harrisonburg Branch Yearbook and branch newsletters, originally associated with the 1929-1947 scrapbook, were filed with like materials in Series 1 and Series 4 respectively.\u003c/p\u003e","\u003cp\u003eWhen the collection was originally processed in September 2012, the pages of the 1929-1947 scrapbook were separated from the boards and photocopied. The original scrapbook, boards, pages, and photocopied pages are all retained.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2019.  This collection was previously cataloged as SC 5036.","During this time, the collection was also reprocessed in order to simplify the intellectual arrangement, increase discoverability through better description, and better stabilize  the materials through physical rehousing. Significant changes to the collection include the weeding of bank statements, canceled checks and check stubs, receipts, and deposit slips. Their research value is minimal and furthermore the financial activities of AAUW are documented in the bound account books and membership files which were retained. Additionally, duplicate materials, primarily multiple copies of newsletters and publications, were also discarded.","Loose copies of the Harrisonburg Branch Yearbook and branch newsletters, originally associated with the 1929-1947 scrapbook, were filed with like materials in Series 1 and Series 4 respectively.","When the collection was originally processed in September 2012, the pages of the 1929-1947 scrapbook were separated from the boards and photocopied. The original scrapbook, boards, pages, and photocopied pages are all retained."],"scopecontent_html_tesm":["\u003cp\u003eThe American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2017, document the activities of Harrisonburg's local AAUW branch and include administrative records, meeting minutes, bylaws, membership records, financial files, publications and newsletters, annual conference materials, scrapbooks, ephemera, and photographs.\u003c/p\u003e\n","\u003cp\u003eResearchers should note that while there is a discrete series for Financial Files, other series, specifically Administrative Files, also contain documents related to the financial goings-on of AAUW. Cross-referencing related series is encouraged. Similarly, the absence of a Correspondence series does not denote a lack of correspondence. In fact, correspondence is likely located in most series.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative Files, 1929-2015, comprises bylaws, meeting minutes, membership files, and general materials related to the administrative activities of the Harrisonburg branch of AAUW. Materials related to other branches, specifically bylaws, are also included.\u003c/p\u003e","\u003cp\u003eSeries 2: Financial Files, 1969-2007, documents the business activities of the AAUW, Harrisonburg branch. The account books document the branch's income and expenses. Complementary materials include financial statements and reports, budgets, and treasurer's reports.\u003c/p\u003e","\u003cp\u003eSeries 3: Causes, Activism, and Education, 1965-2008, comprises subject files related to the mission of AAUW, particularly concerning social movements, education, and voting rights.\u003c/p\u003e","\u003cp\u003eSeries 4: Publications, 1968-2011, contains official publications and printed material primarily created by AAUW as well as the Harrisonburg branch, other local branches, and the Virginia division. \u003c/p\u003e\n","\u003cp\u003eThe Harrisonburg Branch newsletter has had several title changes during the course of its publication. The titles represented in this collection include: \"U\" News, AAUW Newsletter, AAUW News, and The Inside Track. There are periods of time during which the newsletter does not have a discernable title. In the spirit of keeping like materials together, all branch newsletters, regardless of title, are filed under the generic title \"Newsletters.\" \u003c/p\u003e\n","\u003cp\u003eThis series also includes publications explicitly related to causes, activism, and education. Relatedly, regularly published periodicals by AAUW also include articles related to the organization's causes. Researchers are encouraged to cross-reference Series 3: Causes, Activism, and Education for related subject files.\u003c/p\u003e","\u003cp\u003eSeries 5: Conventions and Programming, 1968-2017, comprises programs and related materials documenting the annual Virginia AAUW convention. The Harrisonburg branch's implementation of \"Girls Can,\" a STEM career fair, is documented in this series. This series also includes assorted programming and promotional materials and flyers.\u003c/p\u003e","\u003cp\u003eSeries 6: Scrapbooks, Photographs, and Ephemera, 1929-2011, comprises five scrapbooks, photo albums and loose photographs, printed ephemera, and realia. The scrapbooks include newspaper clippings, ephemera, programs, and photographs documenting the activities of the AAUW, Harrisonburg branch during a given time period. Of particular interest is a sash including the phrase \"MARCH FOR WOMEN'S EQUALITY, WOMEN'S LIVES.\"\u003c/p\u003e","\u003cp\u003eSeries 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2017, document the activities of Harrisonburg's local AAUW branch and include administrative records, meeting minutes, bylaws, membership records, financial files, publications and newsletters, annual conference materials, scrapbooks, ephemera, and photographs.","Researchers should note that while there is a discrete series for Financial Files, other series, specifically Administrative Files, also contain documents related to the financial goings-on of AAUW. Cross-referencing related series is encouraged. Similarly, the absence of a Correspondence series does not denote a lack of correspondence. In fact, correspondence is likely located in most series.","Series 1: Administrative Files, 1929-2015, comprises bylaws, meeting minutes, membership files, and general materials related to the administrative activities of the Harrisonburg branch of AAUW. Materials related to other branches, specifically bylaws, are also included.","Series 2: Financial Files, 1969-2007, documents the business activities of the AAUW, Harrisonburg branch. The account books document the branch's income and expenses. Complementary materials include financial statements and reports, budgets, and treasurer's reports.","Series 3: Causes, Activism, and Education, 1965-2008, comprises subject files related to the mission of AAUW, particularly concerning social movements, education, and voting rights.","Series 4: Publications, 1968-2011, contains official publications and printed material primarily created by AAUW as well as the Harrisonburg branch, other local branches, and the Virginia division. ","The Harrisonburg Branch newsletter has had several title changes during the course of its publication. The titles represented in this collection include: \"U\" News, AAUW Newsletter, AAUW News, and The Inside Track. There are periods of time during which the newsletter does not have a discernable title. In the spirit of keeping like materials together, all branch newsletters, regardless of title, are filed under the generic title \"Newsletters.\" ","This series also includes publications explicitly related to causes, activism, and education. Relatedly, regularly published periodicals by AAUW also include articles related to the organization's causes. Researchers are encouraged to cross-reference Series 3: Causes, Activism, and Education for related subject files.","Series 5: Conventions and Programming, 1968-2017, comprises programs and related materials documenting the annual Virginia AAUW convention. The Harrisonburg branch's implementation of \"Girls Can,\" a STEM career fair, is documented in this series. This series also includes assorted programming and promotional materials and flyers.","Series 6: Scrapbooks, Photographs, and Ephemera, 1929-2011, comprises five scrapbooks, photo albums and loose photographs, printed ephemera, and realia. The scrapbooks include newspaper clippings, ephemera, programs, and photographs documenting the activities of the AAUW, Harrisonburg branch during a given time period. Of particular interest is a sash including the phrase \"MARCH FOR WOMEN'S EQUALITY, WOMEN'S LIVES.\"","Series 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a851f3b5686ab7d4771a1162809cbb0b\"\u003eThe American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch document the activities of Harrisonburg's local AAUW branch and include administrative records, financial files, publications, annual conference materials, scrapbooks, and photographs.\u003c/abstract\u003e"],"abstract_tesim":["The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch document the activities of Harrisonburg's local AAUW branch and include administrative records, financial files, publications, annual conference materials, scrapbooks, and photographs."],"names_coll_ssim":["American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History"],"names_ssim":["James Madison University Libraries Special Collections","American Association of University Women. Harrisonburg Branch","American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History"],"corpname_ssim":["James Madison University Libraries Special Collections","American Association of University Women. Harrisonburg Branch","American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":302,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:04.783Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_594_c07_c22"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":7},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=Alexandria+Library\u0026view=compact"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":638},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=compact"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation\u0026view=compact"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":109},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":10},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College\u0026view=compact"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":73},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026view=compact"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":41},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia\u0026view=compact"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":28},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=Longwood+University\u0026view=compact"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":153},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026view=compact"}},{"attributes":{"label":"Randolph-Macon College","value":"Randolph-Macon College","hits":58},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=Randolph-Macon+College\u0026view=compact"}},{"attributes":{"label":"The George Washington Presidential Library at Mount Vernon","value":"The George Washington Presidential Library at Mount Vernon","hits":27},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=The+George+Washington+Presidential+Library+at+Mount+Vernon\u0026view=compact"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=2020\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"Be committed. 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