{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026page=16\u0026view=list","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026page=15\u0026view=list","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026page=17\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026page=202\u0026view=list"},"meta":{"pages":{"current_page":16,"next_page":17,"prev_page":15,"total_pages":202,"limit_value":10,"offset_value":150,"total_count":2012,"first_page?":false,"last_page?":false}},"data":[{"id":"vircu_repositories_5_resources_184_c01_c06","type":"File","attributes":{"title":"Black LGBTQ youth","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_184_c01_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_184_c01_c06","ref_ssm":["vircu_repositories_5_resources_184_c01_c06"],"id":"vircu_repositories_5_resources_184_c01_c06","ead_ssi":"vircu_repositories_5_resources_184","_root_":"vircu_repositories_5_resources_184","_nest_parent_":"vircu_repositories_5_resources_184_c01","parent_ssi":"vircu_repositories_5_resources_184_c01","parent_ssim":["vircu_repositories_5_resources_184","vircu_repositories_5_resources_184_c01"],"parent_ids_ssim":["vircu_repositories_5_resources_184","vircu_repositories_5_resources_184_c01"],"parent_unittitles_ssm":["Side by Side records","Series 1: Organizational files"],"parent_unittitles_tesim":["Side by Side records","Series 1: Organizational files"],"text":["Side by Side records","Series 1: Organizational files","Black LGBTQ youth","box 1","folder 6"],"title_filing_ssi":"Black LGBTQ youth","title_ssm":["Black LGBTQ youth"],"title_tesim":["Black LGBTQ youth"],"unitdate_other_ssim":["2020"],"normalized_date_ssm":["2020"],"normalized_title_ssm":["Black LGBTQ youth"],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Side by Side records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":7,"parent_access_restrict_tesm":["Collection is open for research, however, the contents of the \"Slideshow Prom 08\" disc may only be viewed in the Special Collections Reading Room and will not be made available electronically."],"parent_access_terms_tesm":["Contents of the \"Slideshow Prom 08\" disc, as well as the following folders containing photos of Side by Side events which may depict LGBTQ+ youth: Holiday event photos Miscellaneous group photos, Picnic photos, and Prom photos (Series 3, Box 3, Folders 6-8 and 11) are restricted. Restricted photos may only be viewed in the Special Collections Reading Room and may not be made available electronically, or be photographed or reproduced without permission from Special Collections and Archives. Contact Special Collections and Archives staff for more information libsca@vcu.edu. ","Photos from public events in which privacy would not have been a reasonable expectation (e.g. Pride Millenium March photos and Richmond Pride photos) have no restrictions."],"date_range_isim":[2020],"containers_ssim":["box 1","folder 6"],"_nest_path_":"/components#0/components#5","timestamp":"2026-05-21T04:38:21.129Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_184","ead_ssi":"vircu_repositories_5_resources_184","_root_":"vircu_repositories_5_resources_184","_nest_parent_":"vircu_repositories_5_resources_184","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_184.xml","aspace_url_ssi":"https://archives.library.vcu.edu/repositories/5/resources/184","title_filing_ssi":"Side by Side records","title_ssm":["Side by Side records"],"title_tesim":["Side by Side records"],"unitdate_ssm":["1990-2023","1975-2023"],"unitdate_bulk_ssim":["1990-2023"],"unitdate_inclusive_ssm":["1975-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 369","/repositories/5/resources/184"],"text":["M 369","/repositories/5/resources/184","Side by Side records","Pressure groups -- Virginia -- Richmond","Sexual minority youth -- Societies, etc. -- Virginia -- Richmond","LGBT activism -- Virginia -- Richmond","Collection is open for research, however, the contents of the \"Slideshow Prom 08\" disc may only be viewed in the Special Collections Reading Room and will not be made available electronically.","Series 1 - Organizational files","Series 2 - Outreach and education","Series 3 - Photos","Series 4 - News clippings","Side by Side timeline (from their website):","1991 - ROSMY founded","1996 - First college scholarship for youth offered","1997 - First TV commercials advertising youth groups aired","1998 - Youth Advisory Council (now Youth Engaged in Leadership - YEL) founded","2001 - First Alternative Prom hosted","2007 - Steve Midgett Memorial Library founded","2008 - First Charlottesville support group started","2010 - Institute for Equality (now Side by Side Training) founded, educating youth service providers throughout Virginia","2011 - Hosted the first Run for ROSMY; Trans support group started","2013 - Middle school support group for youth ages 11-13 started","2016 - ROSMY renamed Side by Side","2017 - LGBTQ+ Youth of Color group launched in Richmond","2019 - Launched Host Home program and homelessness services for LGBTQ+ ages 18-25","2020 - Launched Pride Place at Virginia Home for Boys and Girls","The Rainbow Minute is a serialized radio show airing on  WRIR-LP, a nonprofit community public radio station licensed to Richmond, Virginia, and serving the metro Richmond area. The Rainbow Minute was created and produced by Judd Proctor and Brian Burns and consists of 60 second (or 1 minute) long show segments. The WRIR website describes the show as \"a radio show about gay and lesbian heroes, history and culture.\" The first episode aired on September 25, 2006.","Contents of the \"Slideshow Prom 08\" and \"ROSMY Mural Unveiling\" discs are in .jpeg format. Contents of the \"ROSMY Mural Unveiling\" disc may be made available electronically. Contact Special Collections and Archives staff to request access at libsca@vcu.edu.","Three folders (Box 2, Folder 20: Support group data; Box 2, Folder 29: Youth speakers bureau; and Box 2, Folder 30: Youth suggestions) contain photocopies of redacted files. Redacted information includes the names, contact information, and other personally identifiable information about LGBTQ+ youth. The originals were weeded rather than restricted as the redacted information was not seen to hold enduring research value.","The collection consists of organizational files, which includes agendas, minutes, reports, training materials, policy manuals, financial records, and correspondence; outreach and education materials, which includes newsletters, info sheets, event ephemera, and Rainbow Minute broadcast transcripts and index; photos from events; and news clippings about Side by Side activities and some coverage of LGBTQ+ issues in local and national papers.","The bulk of the collection dates from 1990-2023, although some news clippings date back to as early as 1975. There is a significant amount of information and files on the organization's board of directors' activities, various committee programs, and published newsletters devoted to fulfilling their mission of providing support, education, advocacy and opportunities for LGBTQ+ youth.","Contents of the \"Slideshow Prom 08\" disc, as well as the following folders containing photos of Side by Side events which may depict LGBTQ+ youth: Holiday event photos Miscellaneous group photos, Picnic photos, and Prom photos (Series 3, Box 3, Folders 6-8 and 11) are restricted. Restricted photos may only be viewed in the Special Collections Reading Room and may not be made available electronically, or be photographed or reproduced without permission from Special Collections and Archives. Contact Special Collections and Archives staff for more information libsca@vcu.edu. ","Photos from public events in which privacy would not have been a reasonable expectation (e.g. Pride Millenium March photos and Richmond Pride photos) have no restrictions.","VCU James Branch Cabell Library","Side by Side","The Rainbow Minute (2006-)","English"],"unitid_tesim":["M 369","/repositories/5/resources/184"],"normalized_title_ssm":["Side by Side records"],"collection_title_tesim":["Side by Side records"],"collection_ssim":["Side by Side records"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Side by Side"],"creator_ssim":["Side by Side"],"creator_corpname_ssim":["Side by Side"],"creators_ssim":["Side by Side"],"access_terms_ssm":["Contents of the \"Slideshow Prom 08\" disc, as well as the following folders containing photos of Side by Side events which may depict LGBTQ+ youth: Holiday event photos Miscellaneous group photos, Picnic photos, and Prom photos (Series 3, Box 3, Folders 6-8 and 11) are restricted. Restricted photos may only be viewed in the Special Collections Reading Room and may not be made available electronically, or be photographed or reproduced without permission from Special Collections and Archives. Contact Special Collections and Archives staff for more information libsca@vcu.edu. ","Photos from public events in which privacy would not have been a reasonable expectation (e.g. Pride Millenium March photos and Richmond Pride photos) have no restrictions."],"acqinfo_ssim":["Gift of John Dougherty (Executive Director of Side by Side, formerly ROSMY), June 26, 2006. The second donation was a gift of Marquis Mapp (Executive Director of Side by Side), April 4, 2025."],"access_subjects_ssim":["Pressure groups -- Virginia -- Richmond","Sexual minority youth -- Societies, etc. -- Virginia -- Richmond","LGBT activism -- Virginia -- Richmond"],"access_subjects_ssm":["Pressure groups -- Virginia -- Richmond","Sexual minority youth -- Societies, etc. -- Virginia -- Richmond","LGBT activism -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["4.09 Linear Feet 2 record cartons, 1 letter document box, and 1 print box","701 Megabytes 2 CDs"],"extent_tesim":["4.09 Linear Feet 2 record cartons, 1 letter document box, and 1 print box","701 Megabytes 2 CDs"],"date_range_isim":[1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research, however, the contents of the \"Slideshow Prom 08\" disc may only be viewed in the Special Collections Reading Room and will not be made available electronically.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Restrictions on Access"],"accessrestrict_tesim":["Collection is open for research, however, the contents of the \"Slideshow Prom 08\" disc may only be viewed in the Special Collections Reading Room and will not be made available electronically."],"arrangement_html_tesm":["\u003cp\u003eSeries 1 - Organizational files\u003c/p\u003e","\u003cp\u003eSeries 2 - Outreach and education\u003c/p\u003e","\u003cp\u003eSeries 3 - Photos\u003c/p\u003e","\u003cp\u003eSeries 4 - News clippings\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1 - Organizational files","Series 2 - Outreach and education","Series 3 - Photos","Series 4 - News clippings"],"bioghist_html_tesm":["\u003cp\u003eSide by Side timeline (from their website):\u003c/p\u003e","\u003cp\u003e1991 - ROSMY founded\u003c/p\u003e","\u003cp\u003e1996 - First college scholarship for youth offered\u003c/p\u003e","\u003cp\u003e1997 - First TV commercials advertising youth groups aired\u003c/p\u003e","\u003cp\u003e1998 - Youth Advisory Council (now Youth Engaged in Leadership - YEL) founded\u003c/p\u003e","\u003cp\u003e2001 - First Alternative Prom hosted\u003c/p\u003e","\u003cp\u003e2007 - Steve Midgett Memorial Library founded\u003c/p\u003e","\u003cp\u003e2008 - First Charlottesville support group started\u003c/p\u003e","\u003cp\u003e2010 - Institute for Equality (now Side by Side Training) founded, educating youth service providers throughout Virginia\u003c/p\u003e","\u003cp\u003e2011 - Hosted the first Run for ROSMY; Trans support group started\u003c/p\u003e","\u003cp\u003e2013 - Middle school support group for youth ages 11-13 started\u003c/p\u003e","\u003cp\u003e2016 - ROSMY renamed Side by Side\u003c/p\u003e","\u003cp\u003e2017 - LGBTQ+ Youth of Color group launched in Richmond\u003c/p\u003e","\u003cp\u003e2019 - Launched Host Home program and homelessness services for LGBTQ+ ages 18-25\u003c/p\u003e","\u003cp\u003e2020 - Launched Pride Place at Virginia Home for Boys and Girls\u003c/p\u003e","\u003cp\u003eThe Rainbow Minute is a serialized radio show airing on  WRIR-LP, a nonprofit community public radio station licensed to Richmond, Virginia, and serving the metro Richmond area. The Rainbow Minute was created and produced by Judd Proctor and Brian Burns and consists of 60 second (or 1 minute) long show segments. The WRIR website describes the show as \"a radio show about gay and lesbian heroes, history and culture.\" The first episode aired on September 25, 2006.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information","Biographical / Historical"],"bioghist_tesim":["Side by Side timeline (from their website):","1991 - ROSMY founded","1996 - First college scholarship for youth offered","1997 - First TV commercials advertising youth groups aired","1998 - Youth Advisory Council (now Youth Engaged in Leadership - YEL) founded","2001 - First Alternative Prom hosted","2007 - Steve Midgett Memorial Library founded","2008 - First Charlottesville support group started","2010 - Institute for Equality (now Side by Side Training) founded, educating youth service providers throughout Virginia","2011 - Hosted the first Run for ROSMY; Trans support group started","2013 - Middle school support group for youth ages 11-13 started","2016 - ROSMY renamed Side by Side","2017 - LGBTQ+ Youth of Color group launched in Richmond","2019 - Launched Host Home program and homelessness services for LGBTQ+ ages 18-25","2020 - Launched Pride Place at Virginia Home for Boys and Girls","The Rainbow Minute is a serialized radio show airing on  WRIR-LP, a nonprofit community public radio station licensed to Richmond, Virginia, and serving the metro Richmond area. The Rainbow Minute was created and produced by Judd Proctor and Brian Burns and consists of 60 second (or 1 minute) long show segments. The WRIR website describes the show as \"a radio show about gay and lesbian heroes, history and culture.\" The first episode aired on September 25, 2006."],"phystech_html_tesm":["\u003cp\u003eContents of the \"Slideshow Prom 08\" and \"ROSMY Mural Unveiling\" discs are in .jpeg format. Contents of the \"ROSMY Mural Unveiling\" disc may be made available electronically. Contact Special Collections and Archives staff to request access at libsca@vcu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Contents of the \"Slideshow Prom 08\" and \"ROSMY Mural Unveiling\" discs are in .jpeg format. Contents of the \"ROSMY Mural Unveiling\" disc may be made available electronically. Contact Special Collections and Archives staff to request access at libsca@vcu.edu."],"prefercite_html_tesm":["\u003cp\u003eSide by Side records, 1990-2023, Collection # M 369, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Side by Side records, 1990-2023, Collection # M 369, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"processinfo_html_tesm":["\u003cp\u003eThree folders (Box 2, Folder 20: Support group data; Box 2, Folder 29: Youth speakers bureau; and Box 2, Folder 30: Youth suggestions) contain photocopies of redacted files. Redacted information includes the names, contact information, and other personally identifiable information about LGBTQ+ youth. The originals were weeded rather than restricted as the redacted information was not seen to hold enduring research value.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Three folders (Box 2, Folder 20: Support group data; Box 2, Folder 29: Youth speakers bureau; and Box 2, Folder 30: Youth suggestions) contain photocopies of redacted files. Redacted information includes the names, contact information, and other personally identifiable information about LGBTQ+ youth. The originals were weeded rather than restricted as the redacted information was not seen to hold enduring research value."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of organizational files, which includes agendas, minutes, reports, training materials, policy manuals, financial records, and correspondence; outreach and education materials, which includes newsletters, info sheets, event ephemera, and Rainbow Minute broadcast transcripts and index; photos from events; and news clippings about Side by Side activities and some coverage of LGBTQ+ issues in local and national papers.\u003c/p\u003e\n","\u003cp\u003eThe bulk of the collection dates from 1990-2023, although some news clippings date back to as early as 1975. There is a significant amount of information and files on the organization's board of directors' activities, various committee programs, and published newsletters devoted to fulfilling their mission of providing support, education, advocacy and opportunities for LGBTQ+ youth.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of organizational files, which includes agendas, minutes, reports, training materials, policy manuals, financial records, and correspondence; outreach and education materials, which includes newsletters, info sheets, event ephemera, and Rainbow Minute broadcast transcripts and index; photos from events; and news clippings about Side by Side activities and some coverage of LGBTQ+ issues in local and national papers.","The bulk of the collection dates from 1990-2023, although some news clippings date back to as early as 1975. There is a significant amount of information and files on the organization's board of directors' activities, various committee programs, and published newsletters devoted to fulfilling their mission of providing support, education, advocacy and opportunities for LGBTQ+ youth."],"userestrict_html_tesm":["\u003cp\u003eContents of the \"Slideshow Prom 08\" disc, as well as the following folders containing photos of Side by Side events which may depict LGBTQ+ youth: Holiday event photos Miscellaneous group photos, Picnic photos, and Prom photos (Series 3, Box 3, Folders 6-8 and 11) are restricted. Restricted photos may only be viewed in the Special Collections Reading Room and may not be made available electronically, or be photographed or reproduced without permission from Special Collections and Archives. Contact Special Collections and Archives staff for more information libsca@vcu.edu. \u003c/p\u003e\n","\u003cp\u003ePhotos from public events in which privacy would not have been a reasonable expectation (e.g. Pride Millenium March photos and Richmond Pride photos) have no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Contents of the \"Slideshow Prom 08\" disc, as well as the following folders containing photos of Side by Side events which may depict LGBTQ+ youth: Holiday event photos Miscellaneous group photos, Picnic photos, and Prom photos (Series 3, Box 3, Folders 6-8 and 11) are restricted. Restricted photos may only be viewed in the Special Collections Reading Room and may not be made available electronically, or be photographed or reproduced without permission from Special Collections and Archives. Contact Special Collections and Archives staff for more information libsca@vcu.edu. ","Photos from public events in which privacy would not have been a reasonable expectation (e.g. Pride Millenium March photos and Richmond Pride photos) have no restrictions."],"names_coll_ssim":["Side by Side","The Rainbow Minute (2006-)"],"names_ssim":["VCU James Branch Cabell Library","Side by Side","The Rainbow Minute (2006-)"],"corpname_ssim":["VCU James Branch Cabell Library","Side by Side","The Rainbow Minute (2006-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":139,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:38:21.129Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_184_c01_c06"}},{"id":"viw_repositories_2_resources_9226_c17_c01","type":"File","attributes":{"title":"Black Lives Matter t-shirt","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9226_c17_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9226_c17_c01","ref_ssm":["viw_repositories_2_resources_9226_c17_c01"],"id":"viw_repositories_2_resources_9226_c17_c01","ead_ssi":"viw_repositories_2_resources_9226","_root_":"viw_repositories_2_resources_9226","_nest_parent_":"viw_repositories_2_resources_9226_c17","parent_ssi":"viw_repositories_2_resources_9226_c17","parent_ssim":["viw_repositories_2_resources_9226","viw_repositories_2_resources_9226_c17"],"parent_ids_ssim":["viw_repositories_2_resources_9226","viw_repositories_2_resources_9226_c17"],"parent_unittitles_ssm":["Documenting Life During COVID-19 collection","Shayna Gutcho general papers, textiles and artifacts"],"parent_unittitles_tesim":["Documenting Life During COVID-19 collection","Shayna Gutcho general papers, textiles and artifacts"],"text":["Documenting Life During COVID-19 collection","Shayna Gutcho general papers, textiles and artifacts","Black Lives Matter t-shirt","box 1","Folder 3"],"title_filing_ssi":"Black Lives Matter t-shirt","title_ssm":["Black Lives Matter t-shirt"],"title_tesim":["Black Lives Matter t-shirt"],"unitdate_inclusive_ssm":["Circa 2019-2020"],"normalized_date_ssm":["2019/2020"],"normalized_title_ssm":["Black Lives Matter t-shirt"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Documenting Life During COVID-19 collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":87,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"date_range_isim":[2019,2020],"containers_ssim":["box 1","Folder 3"],"_nest_path_":"/components#16/components#0","timestamp":"2026-05-21T02:47:54.358Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9226","ead_ssi":"viw_repositories_2_resources_9226","_root_":"viw_repositories_2_resources_9226","_nest_parent_":"viw_repositories_2_resources_9226","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9226.xml","title_filing_ssi":"Documenting Life During COVID-19 collection \n","title_ssm":["Documenting Life During COVID-19 collection"],"title_tesim":["Documenting Life During COVID-19 collection"],"unitdate_ssm":["2020 March - ongoing"],"unitdate_inclusive_ssm":["2020 March - ongoing"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00326","/repositories/2/resources/9226"],"text":["MS 00326","/repositories/2/resources/9226","Documenting Life During COVID-19 collection","Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals expected.","Materials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials.","Collection includes materials collected from members of the William \u0026 Mary and the greater Williamsburg community during the COVID-19 pandemic. ","From the William \u0026 Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026 Mary Libraries invite all members of the William \u0026 Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: ","Prose\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life","Your memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  ","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Before submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Contact SCRC staff for access to these materials.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Donor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Content creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access.","Most materials are born-digital. Some materials require contacting the SCRC for access.","Materials were processed and described using the submitter's original language from the William \u0026 Mary Libraries submission site.","Accessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.","Some personal information was removed from the heading of this letter.","Collection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026 Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.","A poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"","One photo montage video created and uploaded by Marna Ashburn, William \u0026 Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Individual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.","One photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026 Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Please contact SCRC staff to access the video at this time.","One digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","One digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"","Personal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","Six digital photographs submitted by Jason Betzner '19, William \u0026 Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.","Digital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"","Digital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"","Digital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"","Digital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"","Digital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"","Digital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"","Ten digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"","Poem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. ","Series also includes Buck's headshot, included with submission. ","Screenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026 Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"","Two digital photographs of Suzanne Cole, William \u0026 Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.","One digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"","6 items, distributed by William \u0026 Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.","Seven digital photographs of the Colonial Williamsburg Historic Area and William \u0026 Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"","A personal photograph of Descher, attached with the submission, is also included in this series.","Digital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"","Two video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993, and one recorded Zoom conversation hosted by William \u0026 Mary Libraries with DoubleTake members discussing their experiences during the pandemic. ","Colin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. ","\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","The Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Video recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","Video recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","A recording of a Zoom conversation conducted by William \u0026 Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026 Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Six digital photographs taken by Carlee Dunn, William \u0026 Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.","Dunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" ","Series includes a photograph of Dunn that was attached with the submission. ","19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.","Fairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"","Series also includes a photograph of Fairlie, included with the submission.","Poem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"","Artifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026 Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026 Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission.","Copy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026 Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.","1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"","A personal reflection written by Diane Huebner (Arnold), a William \u0026 Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"","Class of 2023 William \u0026 Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" ","Included in this series is a personal photograph of Incer, along with the submission.","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" ","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" ","Digital version.","Digital version.","Senior recital recordings for Ayush Joshi, William \u0026 Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. ","Full Program:","Classical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)","Jazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)","Also, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"","This performance is in three different audio files, one for each piece in the collection.","Four hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. ","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission.","Personal headshot included by Dan Kehlenbach with the submission.","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. ","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"","Digital photographs and video from Likhitha Kolla, member of William \u0026 Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"","Series also includes a photograph of Kolla, included with the submission.","Poem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.","One image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"","One screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026 Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"","A collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026 Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"","Digital photograph take by Ivy Li, William \u0026 Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"","Self-portrait by Katherine McSweeney, daughter of William \u0026 Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"","Eight digital photographs taken by Miso Park, William \u0026 Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.","Photographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.","Four digital photographs taken by Susan Riggs, William \u0026 Mary M.A. class of 1972 and William \u0026 Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"","Five digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"","Three digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026 Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Three digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"","Digital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science","Digital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.","Digital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.","Digital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.","A personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"","Scanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"","A social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026 Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"","One photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"","Zoom recording from Kenneth Tieu, William \u0026 Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"","Podcast series, digital video, and poem written by Tara Vasanth, William \u0026 Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" ","Podcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"","Also included in this series is a personal photograph of Vasanth, included with the submission.","Poem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.","Photographs by William \u0026 Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"","Two digital photographs submitted by Kate Weis, a William \u0026 Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" ","Series also includes a personal photograph of Weis, included with the submission.","Original music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"","A Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries.","Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement","English"],"unitid_tesim":["MS 00326","/repositories/2/resources/9226"],"normalized_title_ssm":["Documenting Life During COVID-19 collection"],"collection_title_tesim":["Documenting Life During COVID-19 collection"],"collection_ssim":["Documenting Life During COVID-19 collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"acqinfo_ssim":["Digital materials submitted by individuals to William \u0026 Mary Libraries website. Each submitter was required to complete the following Submission Agreement: ","\"I hereby certify that I created, and own the copyright in, the submitted material. While I will continue to retain my copyright, I hereby grant the William \u0026 Mary Libraries a license to add the material to its archival collections and preserve it for future generations of students, scholars, and researchers. I give the Libraries permission:","to organize the materials according to accepted archival principles;\nto create metadata, finding aids, and full-text search interfaces required for the preservation and discovery of the materials;\nto make the materials accessible to researchers and staff;\nand to use the materials in exhibits and displays, both physical and online.\nI agree that William \u0026 Mary Libraries may make this material available online under a Creative Commons Attribution 4.0 license (https://creativecommons.org/licenses/by/4.0/), which will allow others to share and adapt the material, as long as I am given appropriate credit.","I accept the above submission agreement.\"","Physical materials donated separately with Deed of Gift filed under donor name."],"access_subjects_ssim":["Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings"],"access_subjects_ssm":["Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["3068.9 Megabytes",".42 Linear Feet 1 Hollinger box"],"extent_tesim":["3068.9 Megabytes",".42 Linear Feet 1 Hollinger box"],"physfacet_tesim":["Extent as of 2020 May 29"],"genreform_ssim":["Photographs","Poetry","Video recordings","Sound Recordings"],"date_range_isim":[2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Future accruals expected."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials."],"bioghist_html_tesm":["\u003cp\u003eCollection includes materials collected from members of the William \u0026amp; Mary and the greater Williamsburg community during the COVID-19 pandemic. \u003c/p\u003e\n","\u003cp\u003eFrom the William \u0026amp; Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026amp; Mary Libraries invite all members of the William \u0026amp; Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: \u003c/p\u003e\n","\u003cp\u003eProse\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life\u003c/p\u003e\n","\u003cp\u003eYour memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Collection includes materials collected from members of the William \u0026 Mary and the greater Williamsburg community during the COVID-19 pandemic. ","From the William \u0026 Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026 Mary Libraries invite all members of the William \u0026 Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: ","Prose\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life","Your memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  "],"odd_html_tesm":["\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eBefore submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Assocation (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Assocation (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eContact SCRC staff for access to these materials.\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eDonor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eContent creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Before submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Contact SCRC staff for access to these materials.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Donor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Content creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access."],"phystech_html_tesm":["\u003cp\u003eMost materials are born-digital. Some materials require contacting the SCRC for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Most materials are born-digital. Some materials require contacting the SCRC for access."],"prefercite_html_tesm":["\u003cp\u003eDocumenting Life During COVID-19 collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Documenting Life During COVID-19 collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eMaterials were processed and described using the submitter's original language from the William \u0026amp; Mary Libraries submission site.\u003c/p\u003e","\u003cp\u003eAccessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.\u003c/p\u003e","\u003cp\u003eSome personal information was removed from the heading of this letter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Materials were processed and described using the submitter's original language from the William \u0026 Mary Libraries submission site.","Accessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.","Some personal information was removed from the heading of this letter."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026amp; Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.\u003c/p\u003e","\u003cp\u003eA poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"\u003c/p\u003e","\u003cp\u003eOne photo montage video created and uploaded by Marna Ashburn, William \u0026amp; Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"\u003c/p\u003e\n","\u003cp\u003eIndividual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.\u003c/p\u003e","\u003cp\u003eOne photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026amp; Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"\u003c/p\u003e\n","\u003cp\u003ePlease contact SCRC staff to access the video at this time.\u003c/p\u003e","\u003cp\u003eOne digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.\u003c/p\u003e","\u003cp\u003eOne digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"\u003c/p\u003e","\u003cp\u003ePersonal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.\u003c/p\u003e","\u003cp\u003eSix digital photographs submitted by Jason Betzner '19, William \u0026amp; Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"\u003c/p\u003e","\u003cp\u003eTen digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"\u003c/p\u003e","\u003cp\u003ePoem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. \u003c/p\u003e\n","\u003cp\u003eSeries also includes Buck's headshot, included with submission. \u003c/p\u003e","\u003cp\u003eScreenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026amp; Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"\u003c/p\u003e","\u003cp\u003eTwo digital photographs of Suzanne Cole, William \u0026amp; Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.\u003c/p\u003e","\u003cp\u003eOne digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"\u003c/p\u003e","\u003cp\u003e6 items, distributed by William \u0026amp; Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.\u003c/p\u003e","\u003cp\u003eSeven digital photographs of the Colonial Williamsburg Historic Area and William \u0026amp; Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"\u003c/p\u003e\n","\u003cp\u003eA personal photograph of Descher, attached with the submission, is also included in this series.\u003c/p\u003e","\u003cp\u003eDigital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"\u003c/p\u003e","\u003cp\u003eTwo video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993, and one recorded Zoom conversation hosted by William \u0026amp; Mary Libraries with DoubleTake members discussing their experiences during the pandemic. \u003c/p\u003e\n","\u003cp\u003eColin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. \u003c/p\u003e\n","\u003cp\u003e\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"\u003c/p\u003e\n","\u003cp\u003e\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"\u003c/p\u003e\n","\u003cp\u003eThe Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.\u003c/p\u003e","\u003cp\u003eVideo recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.\u003c/p\u003e\n","\u003cp\u003e\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"\u003c/p\u003e","\u003cp\u003eVideo recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.\u003c/p\u003e\n","\u003cp\u003eCarmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"\u003c/p\u003e","\u003cp\u003eA recording of a Zoom conversation conducted by William \u0026amp; Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026amp; Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.\u003c/p\u003e","\u003cp\u003eSix digital photographs taken by Carlee Dunn, William \u0026amp; Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.\u003c/p\u003e\n","\u003cp\u003eDunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" \u003c/p\u003e\n","\u003cp\u003eSeries includes a photograph of Dunn that was attached with the submission. \u003c/p\u003e","\u003cp\u003e19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.\u003c/p\u003e\n","\u003cp\u003eFairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026amp;M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Fairlie, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"\u003c/p\u003e","\u003cp\u003eArtifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026amp; Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026amp; Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.\u003c/p\u003e","\u003cp\u003eVideo of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026amp; Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026amp; performer.\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Hammond, included with the submission.\u003c/p\u003e","\u003cp\u003eCopy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026amp; Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.\u003c/p\u003e","\u003cp\u003e1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"\u003c/p\u003e","\u003cp\u003eA personal reflection written by Diane Huebner (Arnold), a William \u0026amp; Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"\u003c/p\u003e","\u003cp\u003eClass of 2023 William \u0026amp; Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" \u003c/p\u003e\n","\u003cp\u003eIncluded in this series is a personal photograph of Incer, along with the submission.\u003c/p\u003e","\u003cp\u003eInstallments of a weekly art journal zine created by Alexandra Johnson, a William \u0026amp; Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" \u003c/p\u003e\n","\u003cp\u003eJohnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" \u003c/p\u003e","\u003cp\u003eDigital version.\u003c/p\u003e","\u003cp\u003eDigital version.\u003c/p\u003e","\u003cp\u003eSenior recital recordings for Ayush Joshi, William \u0026amp; Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. \u003c/p\u003e\n","\u003cp\u003eFull Program:\u003c/p\u003e\n","\u003cp\u003eClassical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)\u003c/p\u003e\n","\u003cp\u003eJazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)\u003c/p\u003e\n","\u003cp\u003eAlso, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"\u003c/p\u003e","\u003cp\u003eThis performance is in three different audio files, one for each piece in the collection.\u003c/p\u003e","\u003cp\u003eFour hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. \u003c/p\u003e\n","\u003cp\u003eKehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Kehlenbach that was attached to the submission.\u003c/p\u003e","\u003cp\u003ePersonal headshot included by Dan Kehlenbach with the submission.\u003c/p\u003e","\u003cp\u003eOne photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e\n","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"\u003c/p\u003e","\u003cp\u003eOne photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. \u003c/p\u003e\n","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"\u003c/p\u003e","\u003cp\u003eOne photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e\n","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"\u003c/p\u003e","\u003cp\u003eOne photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e\n","\u003cp\u003e\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"\u003c/p\u003e","\u003cp\u003eDigital photographs and video from Likhitha Kolla, member of William \u0026amp; Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Kolla, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.\u003c/p\u003e","\u003cp\u003eOne image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"\u003c/p\u003e","\u003cp\u003eOne screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026amp; Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"\u003c/p\u003e","\u003cp\u003eA collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026amp; Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"\u003c/p\u003e","\u003cp\u003eDigital photograph take by Ivy Li, William \u0026amp; Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"\u003c/p\u003e","\u003cp\u003eSelf-portrait by Katherine McSweeney, daughter of William \u0026amp; Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"\u003c/p\u003e","\u003cp\u003eEight digital photographs taken by Miso Park, William \u0026amp; Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.\u003c/p\u003e","\u003cp\u003ePhotographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.\u003c/p\u003e","\u003cp\u003eFour digital photographs taken by Susan Riggs, William \u0026amp; Mary M.A. class of 1972 and William \u0026amp; Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"\u003c/p\u003e","\u003cp\u003eFive digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"\u003c/p\u003e","\u003cp\u003eThree digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026amp; Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"\u003c/p\u003e","\u003cp\u003ePoem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"\u003c/p\u003e","\u003cp\u003ePoem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"\u003c/p\u003e","\u003cp\u003eThree digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"\u003c/p\u003e","\u003cp\u003eDigital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science\u003c/p\u003e","\u003cp\u003eDigital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.\u003c/p\u003e","\u003cp\u003eDigital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.\u003c/p\u003e","\u003cp\u003eDigital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.\u003c/p\u003e","\u003cp\u003eA personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"\u003c/p\u003e","\u003cp\u003eScanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"\u003c/p\u003e","\u003cp\u003eA social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026amp; Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"\u003c/p\u003e","\u003cp\u003eOne photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"\u003c/p\u003e","\u003cp\u003ePoem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026amp; Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"\u003c/p\u003e","\u003cp\u003eZoom recording from Kenneth Tieu, William \u0026amp; Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"\u003c/p\u003e","\u003cp\u003ePodcast series, digital video, and poem written by Tara Vasanth, William \u0026amp; Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" \u003c/p\u003e\n","\u003cp\u003ePodcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"\u003c/p\u003e\n","\u003cp\u003eAlso included in this series is a personal photograph of Vasanth, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.\u003c/p\u003e","\u003cp\u003ePhotographs by William \u0026amp; Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"\u003c/p\u003e","\u003cp\u003eTwo digital photographs submitted by Kate Weis, a William \u0026amp; Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" \u003c/p\u003e\n","\u003cp\u003eSeries also includes a personal photograph of Weis, included with the submission.\u003c/p\u003e","\u003cp\u003eOriginal music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"\u003c/p\u003e","\u003cp\u003eA Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Collection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026 Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.","A poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"","One photo montage video created and uploaded by Marna Ashburn, William \u0026 Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Individual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.","One photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026 Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Please contact SCRC staff to access the video at this time.","One digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","One digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"","Personal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","Six digital photographs submitted by Jason Betzner '19, William \u0026 Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.","Digital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"","Digital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"","Digital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"","Digital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"","Digital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"","Digital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"","Ten digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"","Poem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. ","Series also includes Buck's headshot, included with submission. ","Screenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026 Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"","Two digital photographs of Suzanne Cole, William \u0026 Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.","One digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"","6 items, distributed by William \u0026 Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.","Seven digital photographs of the Colonial Williamsburg Historic Area and William \u0026 Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"","A personal photograph of Descher, attached with the submission, is also included in this series.","Digital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"","Two video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993, and one recorded Zoom conversation hosted by William \u0026 Mary Libraries with DoubleTake members discussing their experiences during the pandemic. ","Colin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. ","\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","The Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Video recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","Video recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","A recording of a Zoom conversation conducted by William \u0026 Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026 Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Six digital photographs taken by Carlee Dunn, William \u0026 Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.","Dunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" ","Series includes a photograph of Dunn that was attached with the submission. ","19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.","Fairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"","Series also includes a photograph of Fairlie, included with the submission.","Poem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"","Artifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026 Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026 Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission.","Copy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026 Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.","1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"","A personal reflection written by Diane Huebner (Arnold), a William \u0026 Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"","Class of 2023 William \u0026 Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" ","Included in this series is a personal photograph of Incer, along with the submission.","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" ","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" ","Digital version.","Digital version.","Senior recital recordings for Ayush Joshi, William \u0026 Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. ","Full Program:","Classical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)","Jazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)","Also, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"","This performance is in three different audio files, one for each piece in the collection.","Four hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. ","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission.","Personal headshot included by Dan Kehlenbach with the submission.","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. ","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"","Digital photographs and video from Likhitha Kolla, member of William \u0026 Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"","Series also includes a photograph of Kolla, included with the submission.","Poem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.","One image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"","One screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026 Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"","A collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026 Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"","Digital photograph take by Ivy Li, William \u0026 Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"","Self-portrait by Katherine McSweeney, daughter of William \u0026 Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"","Eight digital photographs taken by Miso Park, William \u0026 Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.","Photographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.","Four digital photographs taken by Susan Riggs, William \u0026 Mary M.A. class of 1972 and William \u0026 Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"","Five digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"","Three digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026 Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Three digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"","Digital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science","Digital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.","Digital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.","Digital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.","A personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"","Scanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"","A social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026 Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"","One photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"","Zoom recording from Kenneth Tieu, William \u0026 Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"","Podcast series, digital video, and poem written by Tara Vasanth, William \u0026 Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" ","Podcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"","Also included in this series is a personal photograph of Vasanth, included with the submission.","Poem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.","Photographs by William \u0026 Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"","Two digital photographs submitted by Kate Weis, a William \u0026 Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" ","Series also includes a personal photograph of Weis, included with the submission.","Original music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"","A Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026amp; Mary Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"names_coll_ssim":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"names_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":217,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:47:54.358Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9226_c17_c01"}},{"id":"vimtvl_repositories_2_resources_23_c03_c06","type":"File","attributes":{"title":"Black Women United for Action at Work: Giving back to our community Yesterday, Today, and Tomorrow","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_2_resources_23_c03_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vimtvl_repositories_2_resources_23_c03_c06","ref_ssm":["vimtvl_repositories_2_resources_23_c03_c06"],"id":"vimtvl_repositories_2_resources_23_c03_c06","ead_ssi":"vimtvl_repositories_2_resources_23","_root_":"vimtvl_repositories_2_resources_23","_nest_parent_":"vimtvl_repositories_2_resources_23_c03","parent_ssi":"vimtvl_repositories_2_resources_23_c03","parent_ssim":["vimtvl_repositories_2_resources_23","vimtvl_repositories_2_resources_23_c03"],"parent_ids_ssim":["vimtvl_repositories_2_resources_23","vimtvl_repositories_2_resources_23_c03"],"parent_unittitles_ssm":["Publications - History of Mount Vernon and George Washington","Series 3. Booklets and Brochures"],"parent_unittitles_tesim":["Publications - History of Mount Vernon and George Washington","Series 3. Booklets and Brochures"],"text":["Publications - History of Mount Vernon and George Washington","Series 3. Booklets and Brochures","Black Women United for Action at Work: Giving back to our community Yesterday, Today, and Tomorrow","Black Women United for Action","box 5"],"title_filing_ssi":"Black Women United for Action at Work: Giving back to our community Yesterday, Today, and Tomorrow","title_ssm":["Black Women United for Action at Work: Giving back to our community Yesterday, Today, and Tomorrow"],"title_tesim":["Black Women United for Action at Work: Giving back to our community Yesterday, Today, and Tomorrow"],"unitdate_inclusive_ssm":["ca. 2023"],"normalized_date_ssm":["2020/2023"],"normalized_title_ssm":["Black Women United for Action at Work: Giving back to our community Yesterday, Today, and Tomorrow"],"component_level_isim":[2],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"collection_ssim":["Publications - History of Mount Vernon and George Washington"],"creator_ssim":["Black Women United for Action"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":127,"date_range_isim":[2020,2021,2022,2023],"names_ssim":["Black Women United for Action"],"corpname_ssim":["Black Women United for Action"],"containers_ssim":["box 5"],"_nest_path_":"/components#2/components#5","timestamp":"2026-05-21T05:50:40.181Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vimtvl_repositories_2_resources_23","ead_ssi":"vimtvl_repositories_2_resources_23","_root_":"vimtvl_repositories_2_resources_23","_nest_parent_":"vimtvl_repositories_2_resources_23","ead_source_url_ssi":"data/oai/MV/repositories_2_resources_23.xml","title_filing_ssi":"Publications - History of Mount Vernon and George Washington","title_ssm":["Publications - History of Mount Vernon and George Washington"],"title_tesim":["Publications - History of Mount Vernon and George Washington"],"unitdate_ssm":["1854-2012"],"unitdate_inclusive_ssm":["1854-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A.HIST","/repositories/2/resources/23"],"text":["A.HIST","/repositories/2/resources/23","Publications - History of Mount Vernon and George Washington","The collection is broken down into these series:\nSeries 1. Articles\nSeries 2. Books\nSeries 3. Booklets and Ephemera\nSeries 4. Children's Books","Editorial reprinted from the Arizona Daily Star. Volume 70, No. 6. No author listed.","The American Heritage Society's Americana Magazine. Volume 4, Number 1. Article written by Ken and Pat Kraft.","The American Heritage Society's Americana Magazine. Volume 12, Number 2. Article written by Constance Stapleton.","Article written by Wendy J. Shadwell.","Reprinted from Architecture February 1997. Article written by Vernon Mays. Copy produced by Quinn Evans Architects.","RL-995. Article written by Charles F. Deems, D.D., LL. D.","Article written by Mary McMahon.","The Carpenter, Volume LXXXIV (84), No. 2. Article written by E. John Long.","Colonial Homes Volume 23, No. 2. \"George Washington: Farming by the Book\" written by Annette Stramesi, photography by Erik Kvalsvik. \"Mount Vernon Furniture Collection\" written by Mervyn Kaufman, produced by Doretta S. Sperduto, photography by Erik Kvalsvik.","Colonial Homes Volume 20, No. 3. Article written by Diane DiPiero, photography by Richard Bryant/Arcaid, courtesy of the Mount Vernon Ladies' Association except where noted.","Confederate Veteran Volume XXXIV (34), No. 3, Nashville, Tennessee.","Volume No. 123, No. 2. Mount Vernon cover art. Article written by George W. Nordham.","By Benson J. Lossing. Volume 3, No. 5.","Volume XLV (45), Number 5. Issue concerning Mount Vernon and Washington.","GW Magazine, A Magazine for Alumni and Friends. Article written by George W. Nordham.","Volume XVIII (18), No. CVL (145). Includes accession number RL-2356, lacks pages 437-444.","Volume 34, Number 3. Article written by Edward O. Welles, Jr., photographs by Ted Vaughan.","Volume 45, Number 6.","Volume 41, Number 5. Article written by Charles Hosmer, Jr.","Volume 45, Number 1. National Symbols: Presidential Homes - Directors of six presidential homes answer HN's questions.","Volume 78, No. 1. Section I and Section II. The Conde Nast Publications, Inc. Section II contains Mount Vernon article, full title - Mount Vernon: Five Historic Interiors - George Washington's country estate recalls today the full, leisurely life of an 18th Century gentleman.","Volume 82, No.1","Volume 161, Number 5. Article written by Martin Filler, photographs by Marina Schinz.","By Sherrill Schell and others. Volume 11, No. 5. Serial no. 244. With pictures reproduced from art photographs specially made for this number of The Mentor.","Volume 5, No. 4. Article written by Charles Fenyvesi.","Volume 38, Number 1. Article written by Charles C. Wall.","Volume 46, No. 6. Article written by Charles C. Wall.","Text copy of article not the full magazine. Article written by Lonnelle Aikman.","Article only not the full magazine. Article written by Georgiana Lockwood.","Volume XXI (21), Number 1. Article written by Justin Torres.","Issue 94, pages 25-31. Discusses Washington's World map project at Mount Vernon. 2017-A-085","Article only not the full magazine. Article written by Doris T. Stuart.","Volume 107, No. 21. Special issue for the Bicentennial of the United States dedicated to George Washington's life.","Volume 105, No. 20. Special issue for the Bicentennial of the United States dedicated to Thomas Jefferson's life.","Volume XI (11), Number 3. Article written by Ulrich Troubetzkoy.","Article only not full magazine. Article written by Walter L. Jones.","Volume XV (15), Number 2. Article only not the full magazine. Article written by Robert L. Scribner.","Article written by Emily L. Schulz and Ellen McCallister Clark.","Edited and annotated by Richard Brookhiser.","Annotated copies of the annual report showing images that were used courtesy of the MVLA.","Article only. Article written by Norman Kahl.","Printed for sale at Mount Vernon. University Press: John Wilson and Son, Cambridge.","With illustrations. Copyright 1897 by Brentano's. Press of J.J. Little and Co., Astor Place, New York.","Congressional Directory belonging to Mrs. Lillie McAllister Laughton (sp.), Washington, Government Printing Office, 1890.","Printed by P.J. Kenedy and Sons, New York, 1931. Foreword by Peter Guilday, Ph.D. Book donated by Estelle Philibert.","Accession number RL-3035","Edited by Donald M. Sweig with an Explanatory Text, Appendices, and Source Lists by Beth Mitchell and Donald M. Sweig. Published by the Office of Comprehensive Planning, Fairfax County, 1987.","Accession number RL-6171a","The Macmillan Company, New York, 1914. Book donated by Estelle Philibert.","University Press of Virginia, Charlottesville. ISBN 0-8139-0851-5 and 0-8139-0852-3.","University of Missouri Press, Columbia and London. ISBN 0-8262-1135-6.","Published by the Virginia Independence Bicentennial Commission. Edward M. Riley, Editor.","The Bobbs-Merrill Company Publishers, Indianapolis. First Edition, 1933.","Copyright Rudolph E. Prussing, 1925. Chapters IV and V copyright by Charles Scribners Sons, 1921. Limited release sale, copy no. 504 and 582. Signed by the author. Publisher Pascal Covici, Chicago.","Published by the George Washington Bicentennial Commission of New Hampshire, Houghton Miffling Company, Boston and New York. The Riverside Press, Cambridge, Massachusetts. With illustrations.","With an introductory essay by Michael Wentworth. Published by the Boston Athenaeum, Boston, MA. Signed by the author. ISBN 0-934552-63-0. Copyright by the Proprietors of the Boston Athenaeum.","University of Virginia Press, Charlottesville and London. William M. Ferraro, Editor in Chief. This edition has been prepared by the staff of the Washington Papers sponsored by the Mount Vernon Ladies' Association and the University of Virginia.","By James C. Rees with Stephen Spignesi. John Wiley and Sons, Inc., New Jersey. ISBN 978-0-470-08887-6.","Photography by Robert C. Lautman. Collection photography by Edward Owen. Essays by Susan Gray Detweiler, Rudy J. Favretti, Allan Greenberg, Ronald L. Hurst, James C. Rees, and Gilbert T. Vincent. The Monacelli Press, New York. ISBN 0-58093-010-7.","Oxford University Press, Inc., Oxford and New York. ISBN 0-19-512114-7.","Previously published under the title The Home of Washington. Illustrated with numerous engravings. Published by The Fairfax Press.","Previously published as The Tomb of Washington, 1858. Full title The Home of Washington at Mount Vernon, Emracing a Full and Accurate Description, as well as of the Birthplace, Genealogy, Character, Marriage, and Last Illness of Washington, together with Incidents pertaining to the Burial of Washington, Removal from the Old Family Vault, and His Being Placed in the New Tomb, in a Marble Sarcophagus. Washington: Thomas McGill, Printer. 1860. Magnolia leaf sewn into the front page with note on origin dated April 18th, 1861.","Full title \"The Home of Washington at Mount Vernon and Its Associations: Embracing the Birthplace, Genealogy, Courtship, and Marriage of Washington. With Illustrations.\" Washington: McGill and Witherow, Printers and Stereotypers. Copyright 1866. Fragile condition, loose cover and pages. Accession number 2019-A-006","John B. Alden, Publisher, New York.","62nd Congress, 1st Session, Senate, Document No. 86. The Only Authenticated Copy, Full and Complete, Embracing a Schedule of His Real Estate, and Explanatory Notes Thereto by the Testator; To Which is Added Important Historical Notes, Biographical Sketches, and Anecdotes. Presented by Mr. Heyburn, August 5, 1911. United States Government Printing Office.","Harper and Brothers, New York. One copy given by the National Society of the Washington Family Descendants, 1976, Book plate 1984. One copy given by Estelle Philibert.","Collected and Arranged by John Frederick Schroeder, D.D. Third edition. D. Appleton and Company, New York.","Full title - Maxims of Washington, compiled for use in schools, libraries, and all American homes. D. Appleton and Company, New York. 1909. Copyright 1894. Accession number RL-803, gift of Mrs. Henry Norris Platt, Vice Regent of Pennsylvania, 1970.","Published by the Long Island Historical Society, New York. George Washington and Mount Vernon: A Collection of Washington's Unpublished Agricultural and Personal Letters, edited with historical and genealogical introduction by Moncure Daniel Conway. Trow's Printing and Bookbinding Company, New York. Note on the title page of both copies reads \"These manuscripts were acquired by Dr. Sol Feinstone and placed on permanent loan at Mount Vernon.\"","C.M. Saxton, Barker and Co., New York. New edition, revised and enlarged. Inscribed on the inside, Mrs. Emily Barker Gerry. N.Y.","D. Appleton and Company, New York. Printed notes inside both copies read \"To the Public - The entire profits that may accrue, to either the author or the publishers, will be contributed to the Mount Vernon Fund.\"","The John C. Winston Company, Philadelphia. Dedication to Ann Pamela Cunningham and the MVLA. One copy originally belonged to the National Society of Washington Family Descendants.","Full title, Mount Vernon: The Home of Washington, Descriptive, Historical, and Pictorial. With 160 Illustrations. John C. Yorston and Company, Cincinnati. Gift of Estelle Philibert.","Full title - Mount Vernon: The Legacy, The Story of Its Preservation and Care Since 1885. Copy signed by the author and dedicated to Mrs. Holden, Vice Regent. J.B. Lippincott Company, New York and Philadelphia. Book dedication to Frank Morse.","Illustrated. Doubleday, Page and Company, New York. Dedicated to Harrison H. Dodge. One copy belonged to the National Society of Washington Family Descendants.","Illustrated. Blue Ribbon Books, New York. Second edition, 1930. Dedicated to Harrison H. Dodge. Includes accession number RL-6253/s","Illustrated by numerous engravings. W.A. Townsend and Company, New York.","Full title - Mount Vernon and the Washington Family, A concise handbook on the ancestry, youth and family of George Washington, and history of his home. Third and Enlarged Edition. Illustrated and Indexed. Prepared for the busy reader who does not have time to peruse voluminous works on these subjects. Ziegler Printing Co. Inc.","Crowell-Collier Press, New York. Copyright 1968 The MacMillan Company. Signed by the author and dedicated to Mrs. Holden, Vice Regent. Book dedication to Charles C. Wall. Includes accession number RL-6253/P.","Duell, Sloan and Pearce, New York. First edition. Dedicated to the Regent, Mrs. Beirne, and the Vice Regents of the Mount Vernon Ladies' Association.","The MacMillan Company, New York.","D. Appleton and Company, New York.","Author appears as Mrs. Roger A. Pryor on the title page. The MacMillan Company, New York. Includes accession number RL-3816, a gift of Estelle Philibert.","With illustrations. By the author of \"Sunlight throught the Mist,\" \"The Martyr Land,\" and \"Triumphs of Steam.\" (E. Burrows) John F. Shaw and Co., London. Inscribed page is damaged. Gift of Estelle Philibert, accession number RL-3454.","The Accokeek Foundation. First edition, June 1988. Includes accession number RL-6170c.","Full title - The Report of the Virginia Board of Visitors to Mount Vernon for the year 1901: Showing the History of the Ladies Mount Vernon Association of the Union and Virginia's Connection Therewith and Action of Congress and Legislature of Virginia Touching Removal of Remains of Washington. J.H. O'Bannon, Superintendent of Public Relations, Richmond. 1901. From the press of Clyde W. Saunders, Richmond.","Full title - Rosemont and Its Famous Daughter: The Story of Rosemont Plantation, Laurens County, South Carolina, and Ann Pamela Cunningham Who Saved Mount Vernon for a National Shrine. Published by M.R. Wilkes, first printing 200 copies.","Grosset and Dunlap Publishers, New York. Gift of Estelle Philibert.","Copyright by the Mary Washington Memorial Association. Houghton, Mifflin and Company, New York. The Riverside Press, Cambridge, Massachusetts. With portrait and eight illustrations. Gift of Estelle Philibert.","Written and compiled by Mrs. Mary Stevens Beall. The Neale Publishing Company, Washington, D.C. Copyright 1908 by Robert L. Brownfield.","Later published as The Home of Washington at Mount Vernon, 1860. Full title - The Tomb of Washington at Mount Vernon, Embracing a Full and Accurate Description of Mount Vernon as well as of the Birthplace, Genealogy, Character, Marriage, and Last Illness of Washington, Together with Incidents Pertaining to the Burial of Washington, Removal from the Old Family Vault, and His Being Placed in the New Tomb, in a Marble Sarcophagus. Thomas McGill Printer, Washington.","Symposium handbook, edited by Jane Benton Butler. The International Molinological Society or T.I.M.S. Section on George Washington's Treading Barn and Grist Mill. Gift of Derek Ogden.","Published by Ghost Ranch Conference Center, Abiquiu, New Mexico. Copyright 1966 by Arthur Newton Pack. Includes accession number RL-6256/L.","Accession number RL-6256/a. The Addison Gallery of American Art, Andover, Massachusetts.","Evander Childs, Steam Book and Job Printer, New York. 1856. Accession number 2016-A-011.","Potomac Gardens Incorporated.","Full title - Authenticated Copy of the Last Will and Testament of George Washington, of Mt. Vernon, Emracing a Schedule of his Real Estate and Notes Thereto by the Testator, to which is added Historical Notes and Biographical Sketches by the Publisher. A. Jackson, Publisher, Washington, D.C. 1868.","Cobblestone, Carus Publishing Company.","Full title - Copies of the Wills of General George Washington, the First President of the United States, and of Martha Washington, His Wife, and other interesting records of the County of Fairfax, Virginia wherein they lived and died. Second edition. Copyright 1904 by E. Richardson Holbrook. National Capital Press, Inc., Washington, D.C.","American Antiquarian Society. A Paper Read before the American Antiquarian Society at their Semi-Annual Meeting in Boston, April 30, 1879. Press of Charles Hamilton, Worcester, MA.","Reprinted from the New England Historical and Genealogical Register for October 1889. Boston.","George Washington Bicentennial, 1999. Washington's Virginia.","Stories of Cross and Flag No. 1. The Hampshire Art Press, Keene, N.H. 1913.","Produced by the Commission on the Bicentennial of the U.S. Constitution.","Special Journey Supplement, We the People May 1989.","Alderman Library, Rare Books and Manuscripts, University of Virginia.","1 symposium program and 1 schedule of events leaflet","Bulletin No. 1 of the Washington Society of Alexandria 1800-1929. Republished with some additions through the courtesy of Scribner's Magazine.","Fairfax County Tourism and Convention Bureau, Vienna, VA. c. 1988.","Presented with the compliments of the Alexandria Chamber of Commerce, Alexandria, Virginia. Alexandria Print Shop.","John Borman and Son, Printers, Detroit, Michigan.","The National Art Service Co., Inc. Accession number 2016_A-033.","The National Trust, UK.","62nd Congress, 1st Session Senate Document No. 86.","Printed for the author, Trow's Printing and Bookbinding, New York.","Printed for the subscribers, Philadelphia. Copyrighted by the authors.","By Alexandria-Washington Lodge, No. 22.","The Grave of Mary Ball Washington, The National Mary Washington Memorial Association, Fredericksburg, Virginia.","Entered according to act of Congress, in the year 1885, by N.R. Ball, in the office of the Librarian of Congress, at Washington.","Printed by the Citizens Committee on Natural Resources, Washington, D.C.","Mt. Vernon Ave., From the Captiol by Grants Statue, Lincoln Memorial, over the Memorial Bridge, by Arlington, through Alexandria - To the Tomb of Washington. Published by Authority Mt. Vernon Avenue Association. Prepared by Alex J. Wedderburn, The Art Publishing Company, Washington, D.C., 1913.","Third edition revised. Printed at the Office of \"Our Fireside,\" Baltimore, MD. All Orders Should be Addressed to A.J. Wedderburn.","Published by John Hancock Mutual Life Insurance Company of Boston, Massachusetts. Includes accession number RP-1007 and RL-1511","Copyright 1906, Southern Railway Company. \nCopyright 1921, M.L. Dinwiddie. Press of Harry W. Wade, Alexandria, VA. Published by Ye Olde Mount Vernon Inn, Mt. Vernon on the Potomac, VA.","The Accokeek Foundation.","Navy Department, Naval History Division, Washington.","Editorial Offices: Alderman Library, University of Virginia. National Historical Publications Commission.","Published by the Accokeek Foundation. June 1962.","Speech of Hon. R. Walton Moore of Virginia in the House of Representatives. Government Printing Office, Washington.","Little Leather Library Corporation, New York.","Guide book. English Life Publications, Ltd. ISBN 0-85101-3503","A National Trust for Historic Preservation Field Study for the Bicentennial of the United States Capitol sponsored by the Georgetown Heritage Trust. Funded by Mobil Corporation.","The Mount Vernon Guide Company. Hayworth Pub. House, Washington, D.C. With advertisements. Includes RM-321, MISC-2992","Sawyer's Inc. Portland, Oregon.","4th printing, revised and enlarged. Published by Eleanor Lee Templeman. Includes accession numbers RL-1908 and RL-1874.","Happy Inns of America, Inc. brochure.","Gibson Brothers Printers, Washington, D.C. Includes accession numbers RL-827, RL-2913, 2017-A-015, 2022-A-021, and 2024-A-005","The Wakefield National Memorial Association, 1932. Printed by H.L. and J.B. McQueen, Inc. Washington, D.C.","Illustrated by William D. Eubank. Published by Whitney and White. Ranson, West Virginia.","Edited by John Mahey. The Peale Museum, January 1966.","A Paper Read Before the Mount Vernon Society of Detroit, by Mrs. Thomas Clapp Pitkin, December 2, 1892. Printed by the Society.","H.H.P. 118. Printed in the U.S.A.","The Newberry Library, Chicago, 1958.","Reproduced in facsimile from the original in the Huntington Library. With an introduction by Lawrence Martin. Huntington Library Publications, copyright 1932 printed by University of Chicago Press, reprint 1958.","Copyright by M.L. Lukens, 1907. Leet Bros. Publishers, Washington, D.C.","The Star Publishing Co., Wilmington, Delaware.","Published for The Washington Loan and Trust Co., Washington, D.C. Copyrighted and produced by Thomsen-Ellis Co., Baltimore.","Pictures by Seymour Fleishman. Scholastic Inc., New York. ISBN 0-590-41814-9.","Illustrated by Gloria Kamen. Doubleday and Company, Inc. Garden City, New York. ISBN 0-385-15534-4 trade and 0-385-15535-2 prebound. Copyright 1981 by the Mount Vernon Ladies' Association.","Illustrated by Moneta Barnett. G.P. Putnam's Sons, New York. Third impression. Includes accession number RL-6256/b","U.S. Press Association, Washington, D.C. One copy printed \"Compliments of the Continental Trust Company\" with different cover and different size.","Pictures by Lynd Ward. Abingdon, Nashville and New York. Note: Was prepared with the cooperation and gracious assistance of the Mount Vernon Ladies' Association of the Union and is published with their approval.\" ISBN 0-687-39685-9.","Fragile condition. Pages loose.","This collection contains publications concerning the history of Mount Vernon and George Washington that were not published by the Mount Vernon Ladies' Association. The MVLA collaborated with other authors and publishers to produce many of these titles, however the Association was not the copyright holder. These items have been merged together into this collection but are from different sources or accessions. Most of the publications were either originally collected by the Library at Mount Vernon, or were previously owned by Vice Regents of the Association. Others were given as gifts to the MVLA.","A good number of brochures or booklets represented in this collection were produced by different businesses or organizations in the travel industry as information for tourists to Mount Vernon. Other publications were written by scholars or historians who researched at Mount Vernon and later donated their work to the Library. Several books were donated by Estelle Philibert, a local historian of Alexandria, Virginia, who discussed Washington and Mount Vernon in some of her works. These books can be cross-referenced through the Agent Link in Archives Space or through the Notes sections of each individual book.","Adventure Road, Amoco Motor Club magazine. \"A Lasting Tribute to our Colonial Heritage,\" author unknown. p. 5-6","Article posted on cardboard, does not include the full article (first page only).","Antiques - \"Mount Vernon Centennial\" July 1953 by Helen Comstock. Vol. LXIV, No. 1","George Washington's Mount Vernon article, Antiques and Fine Arts, 6th anniversary edition, Vol. VI Issue 5, January-February 2006","Article about the opening of the Fred W. Smith National Library for the Study of George Washington. Written by Annie Groer.","The Century Illustrated Monthly Magazine, \"The Preservation of Mount Vernon: A Record of a half century of patriotic work by the Mount Vernon Ladies' Association of the Union,\" by Abby Gunn Baker. Vol. LXXIX, No. 4, Midwinter Number.","The Commonwealth, \"The Story of Mt. Vernon\" by James Wharton, April 1953.","Article featuring Mount Vernon by Jane Ford Lopez, February 1991. p. 49-53.","Catalog of products from Edwards Virginia Smokehouse with brief summary of their support in the restoration of the smokehouse at Mount Vernon. Volume 214.","History in Motion: Gum Springs Historical Society. Volume 4, Number 1. Spring 1996. \"Thirteenth anniversary of the Mount Vernon Slave Memorial\" by Dr. Judith Saunders Burton. Also includes reprinting of Dorothy Gilliam's Washington Post columns \"Remembrance\" and \"Memorial\" dated February 6, 1982 and February 28, 1983.","Article, \"Shrine on the Potomac\" by Henry F. and Katharine Pringle. Photographs by Bradley Smith. Includes images of Mount Vernon employees cleaning and caring for the Mansion (Holland family).","Bicentennial issue of the magazine with articles on Mount Vernon and George Washington.","Includes article \"The Blameless Hero,\" by the American Macaulay, Illustrated with Rare Portraits and Prints. Washington anecdotes and imagery throughout. Vol. XVII. No. 8, Whole number 262.","The Iron Worker \"The Story of Mt. Vernon\" by James Wharton, Spring 1954 Vol. XVIII, No. 2. p. 1-13","The Ladies' Home Journal with article \"In Washington's Garden: from recent photographs taken at Mount Vernon for the Journal by Leet Brothers, through the courtesy of the Mount Vernon Ladies' Association of the Union.\"","Life Magazine Fall 1987, Volume 10 Number 10. Multiple articles on the Bicentennial.","Article by Worth E. Shoults. p. 602-628 with color illustrations.","The Saturday Evening Post article \"How the Girls Save Mount Vernon\" by Gerald Johnson. With color images, multiple pages.","Virginia Cavalcade, volume 48 Autumn 1999 number 4. Multiple articles concerning George Washington and Mount Vernon including \"The satisfaction I feel in having my papers so properly arranged\" by Dorothy Twohig; \"Every thing trim, handsome, and thriving\" by Dennis Pogue; \"Written in my own hand\" by John Riley; \"And procure for themselves a few amenities\" by Mary V. Thompson; \"George Washington in Virginia Cavalcade: A Bibliography\"","The Quarterly Journal of the White House Historical Association, Number 49, Spring 2018. Article on social secretaries includes information on Letitia Baldridge and the State Dinner at Mount Vernon.","Summary inserted in the front cover reads \"Mrs. Ira A. Richardson's compilation of early pamphlets bound for reference during Council.\" Contents - Authenticated copy of the last will and testament of George Washington (1868), Some of the secret troubles of Washington when Commander-in-Chief by Pitkin, Christianity the key to the character of Washington by Slaughter (1886), The Maternal ancestry and nearest kin of Washington (1885), George Washington as an inventor and promoter of the useful arts (1891), and Washington's Rules for Civility and decent behavior ed. by J.M. Toner (1888).","Title \"Mount Vernon, Arlington, and Woodlawn: History of these national shrines from the earliest titles of ownership to the present, with biographical sketches, portraits, and interesting reminiscences of the families, who founded them.\" Illustrated, Ben Franklin Press, Inc. Washington, D.C. First printing September 1922, Second printing, May 1923. Accession number 2019-A-018.","Booklet, \"Mt. Vernon Avenue: A National Memorial Highway from Washington to Mt. Vernon, with some account of the natural and historical attractions along its proposed route.\" Illustrated, by John R. Reavis. Published under the auspices of the Mt. Vernon Avenue Association. Washington, D.C. 1888. Gibson Bros. Printers and Bookbinders.","Compiled by Polly Graham Latane and Joyce Graham. Cover desinged exclusively for Mount Vernon Shops, Mount Vernon, Virginia. 1932.","Archives of the Mount Vernon Ladies' Association","Black Women United for Action","Mount Vernon Avenue Association","Philibert, Estelle","Ayres, Linda, 1947-","Wall, Charles Cecil, 1903-1995","Richardson, Ida Ann Slocomb, 1830-1910","Laughton, Lily Macalester Berghmans, 1832-1891","Hirschfeld, Fritz, 1924-","Rees, James C., 1952-2014","Lossing, Benson John, 1813-1891","Cooper, Susan Fenimore, 1813-1894","Lowther, Minnie Kendall, 1869-1947","Thane, Elswyth, 1900-1984","Wilstach, Paul, 1870-1952","King, Grace Elizabeth, 1851 or 1852-1932","Everett, Edward, 1794-1865","English \n.    "],"unitid_tesim":["A.HIST","/repositories/2/resources/23"],"normalized_title_ssm":["Publications - History of Mount Vernon and George Washington"],"collection_title_tesim":["Publications - History of Mount Vernon and George Washington"],"collection_ssim":["Publications - History of Mount Vernon and George Washington"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Philibert, Estelle"],"creator_ssim":["Philibert, Estelle"],"creator_persname_ssim":["Philibert, Estelle"],"creators_ssim":["Philibert, Estelle"],"has_online_content_ssim":["false"],"extent_ssm":["to be updated Volumes"],"extent_tesim":["to be updated Volumes"],"date_range_isim":[1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"arrangement_html_tesm":["\u003cp\u003eThe collection is broken down into these series:\nSeries 1. Articles\nSeries 2. Books\nSeries 3. Booklets and Ephemera\nSeries 4. Children's Books\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is broken down into these series:\nSeries 1. Articles\nSeries 2. Books\nSeries 3. Booklets and Ephemera\nSeries 4. Children's Books"],"odd_html_tesm":["\u003cp\u003eEditorial reprinted from the Arizona Daily Star. Volume 70, No. 6. No author listed.\u003c/p\u003e","\u003cp\u003eThe American Heritage Society's Americana Magazine. Volume 4, Number 1. Article written by Ken and Pat Kraft.\u003c/p\u003e","\u003cp\u003eThe American Heritage Society's Americana Magazine. Volume 12, Number 2. Article written by Constance Stapleton.\u003c/p\u003e","\u003cp\u003eArticle written by Wendy J. Shadwell.\u003c/p\u003e","\u003cp\u003eReprinted from Architecture February 1997. Article written by Vernon Mays. Copy produced by Quinn Evans Architects.\u003c/p\u003e","\u003cp\u003eRL-995. Article written by Charles F. Deems, D.D., LL. D.\u003c/p\u003e","\u003cp\u003eArticle written by Mary McMahon.\u003c/p\u003e","\u003cp\u003eThe Carpenter, Volume LXXXIV (84), No. 2. Article written by E. John Long.\u003c/p\u003e","\u003cp\u003eColonial Homes Volume 23, No. 2. \"George Washington: Farming by the Book\" written by Annette Stramesi, photography by Erik Kvalsvik. \"Mount Vernon Furniture Collection\" written by Mervyn Kaufman, produced by Doretta S. Sperduto, photography by Erik Kvalsvik.\u003c/p\u003e","\u003cp\u003eColonial Homes Volume 20, No. 3. Article written by Diane DiPiero, photography by Richard Bryant/Arcaid, courtesy of the Mount Vernon Ladies' Association except where noted.\u003c/p\u003e","\u003cp\u003eConfederate Veteran Volume XXXIV (34), No. 3, Nashville, Tennessee.\u003c/p\u003e","\u003cp\u003eVolume No. 123, No. 2. Mount Vernon cover art. Article written by George W. Nordham.\u003c/p\u003e","\u003cp\u003eBy Benson J. Lossing. Volume 3, No. 5.\u003c/p\u003e","\u003cp\u003eVolume XLV (45), Number 5. Issue concerning Mount Vernon and Washington.\u003c/p\u003e","\u003cp\u003eGW Magazine, A Magazine for Alumni and Friends. Article written by George W. Nordham.\u003c/p\u003e","\u003cp\u003eVolume XVIII (18), No. CVL (145). Includes accession number RL-2356, lacks pages 437-444.\u003c/p\u003e","\u003cp\u003eVolume 34, Number 3. Article written by Edward O. Welles, Jr., photographs by Ted Vaughan.\u003c/p\u003e","\u003cp\u003eVolume 45, Number 6.\u003c/p\u003e","\u003cp\u003eVolume 41, Number 5. Article written by Charles Hosmer, Jr.\u003c/p\u003e","\u003cp\u003eVolume 45, Number 1. National Symbols: Presidential Homes - Directors of six presidential homes answer HN's questions.\u003c/p\u003e","\u003cp\u003eVolume 78, No. 1. Section I and Section II. The Conde Nast Publications, Inc. Section II contains Mount Vernon article, full title - Mount Vernon: Five Historic Interiors - George Washington's country estate recalls today the full, leisurely life of an 18th Century gentleman.\u003c/p\u003e","\u003cp\u003eVolume 82, No.1\u003c/p\u003e","\u003cp\u003eVolume 161, Number 5. Article written by Martin Filler, photographs by Marina Schinz.\u003c/p\u003e","\u003cp\u003eBy Sherrill Schell and others. Volume 11, No. 5. Serial no. 244. With pictures reproduced from art photographs specially made for this number of The Mentor.\u003c/p\u003e","\u003cp\u003eVolume 5, No. 4. Article written by Charles Fenyvesi.\u003c/p\u003e","\u003cp\u003eVolume 38, Number 1. Article written by Charles C. Wall.\u003c/p\u003e","\u003cp\u003eVolume 46, No. 6. Article written by Charles C. Wall.\u003c/p\u003e","\u003cp\u003eText copy of article not the full magazine. Article written by Lonnelle Aikman.\u003c/p\u003e","\u003cp\u003eArticle only not the full magazine. Article written by Georgiana Lockwood.\u003c/p\u003e","\u003cp\u003eVolume XXI (21), Number 1. Article written by Justin Torres.\u003c/p\u003e","\u003cp\u003eIssue 94, pages 25-31. Discusses Washington's World map project at Mount Vernon. 2017-A-085\u003c/p\u003e","\u003cp\u003eArticle only not the full magazine. Article written by Doris T. Stuart.\u003c/p\u003e","\u003cp\u003eVolume 107, No. 21. Special issue for the Bicentennial of the United States dedicated to George Washington's life.\u003c/p\u003e","\u003cp\u003eVolume 105, No. 20. Special issue for the Bicentennial of the United States dedicated to Thomas Jefferson's life.\u003c/p\u003e","\u003cp\u003eVolume XI (11), Number 3. Article written by Ulrich Troubetzkoy.\u003c/p\u003e","\u003cp\u003eArticle only not full magazine. Article written by Walter L. Jones.\u003c/p\u003e","\u003cp\u003eVolume XV (15), Number 2. Article only not the full magazine. Article written by Robert L. Scribner.\u003c/p\u003e","\u003cp\u003eArticle written by Emily L. Schulz and Ellen McCallister Clark.\u003c/p\u003e","\u003cp\u003eEdited and annotated by Richard Brookhiser.\u003c/p\u003e","\u003cp\u003eAnnotated copies of the annual report showing images that were used courtesy of the MVLA.\u003c/p\u003e","\u003cp\u003eArticle only. Article written by Norman Kahl.\u003c/p\u003e","\u003cp\u003ePrinted for sale at Mount Vernon. University Press: John Wilson and Son, Cambridge.\u003c/p\u003e","\u003cp\u003eWith illustrations. Copyright 1897 by Brentano's. Press of J.J. Little and Co., Astor Place, New York.\u003c/p\u003e","\u003cp\u003eCongressional Directory belonging to Mrs. Lillie McAllister Laughton (sp.), Washington, Government Printing Office, 1890.\u003c/p\u003e","\u003cp\u003ePrinted by P.J. Kenedy and Sons, New York, 1931. Foreword by Peter Guilday, Ph.D. Book donated by Estelle Philibert.\u003c/p\u003e","\u003cp\u003eAccession number RL-3035\u003c/p\u003e","\u003cp\u003eEdited by Donald M. Sweig with an Explanatory Text, Appendices, and Source Lists by Beth Mitchell and Donald M. Sweig. Published by the Office of Comprehensive Planning, Fairfax County, 1987.\u003c/p\u003e","\u003cp\u003eAccession number RL-6171a\u003c/p\u003e","\u003cp\u003eThe Macmillan Company, New York, 1914. Book donated by Estelle Philibert.\u003c/p\u003e","\u003cp\u003eUniversity Press of Virginia, Charlottesville. ISBN 0-8139-0851-5 and 0-8139-0852-3.\u003c/p\u003e","\u003cp\u003eUniversity of Missouri Press, Columbia and London. ISBN 0-8262-1135-6.\u003c/p\u003e","\u003cp\u003ePublished by the Virginia Independence Bicentennial Commission. Edward M. Riley, Editor.\u003c/p\u003e","\u003cp\u003eThe Bobbs-Merrill Company Publishers, Indianapolis. First Edition, 1933.\u003c/p\u003e","\u003cp\u003eCopyright Rudolph E. Prussing, 1925. Chapters IV and V copyright by Charles Scribners Sons, 1921. Limited release sale, copy no. 504 and 582. Signed by the author. Publisher Pascal Covici, Chicago.\u003c/p\u003e","\u003cp\u003ePublished by the George Washington Bicentennial Commission of New Hampshire, Houghton Miffling Company, Boston and New York. The Riverside Press, Cambridge, Massachusetts. With illustrations.\u003c/p\u003e","\u003cp\u003eWith an introductory essay by Michael Wentworth. Published by the Boston Athenaeum, Boston, MA. Signed by the author. ISBN 0-934552-63-0. Copyright by the Proprietors of the Boston Athenaeum.\u003c/p\u003e","\u003cp\u003eUniversity of Virginia Press, Charlottesville and London. William M. Ferraro, Editor in Chief. This edition has been prepared by the staff of the Washington Papers sponsored by the Mount Vernon Ladies' Association and the University of Virginia.\u003c/p\u003e","\u003cp\u003eBy James C. Rees with Stephen Spignesi. John Wiley and Sons, Inc., New Jersey. ISBN 978-0-470-08887-6.\u003c/p\u003e","\u003cp\u003ePhotography by Robert C. Lautman. Collection photography by Edward Owen. Essays by Susan Gray Detweiler, Rudy J. Favretti, Allan Greenberg, Ronald L. Hurst, James C. Rees, and Gilbert T. Vincent. The Monacelli Press, New York. ISBN 0-58093-010-7.\u003c/p\u003e","\u003cp\u003eOxford University Press, Inc., Oxford and New York. ISBN 0-19-512114-7.\u003c/p\u003e","\u003cp\u003ePreviously published under the title The Home of Washington. Illustrated with numerous engravings. Published by The Fairfax Press.\u003c/p\u003e","\u003cp\u003ePreviously published as The Tomb of Washington, 1858. Full title The Home of Washington at Mount Vernon, Emracing a Full and Accurate Description, as well as of the Birthplace, Genealogy, Character, Marriage, and Last Illness of Washington, together with Incidents pertaining to the Burial of Washington, Removal from the Old Family Vault, and His Being Placed in the New Tomb, in a Marble Sarcophagus. Washington: Thomas McGill, Printer. 1860. Magnolia leaf sewn into the front page with note on origin dated April 18th, 1861.\u003c/p\u003e","\u003cp\u003eFull title \"The Home of Washington at Mount Vernon and Its Associations: Embracing the Birthplace, Genealogy, Courtship, and Marriage of Washington. With Illustrations.\" Washington: McGill and Witherow, Printers and Stereotypers. Copyright 1866. Fragile condition, loose cover and pages. Accession number 2019-A-006\u003c/p\u003e","\u003cp\u003eJohn B. Alden, Publisher, New York.\u003c/p\u003e","\u003cp\u003e62nd Congress, 1st Session, Senate, Document No. 86. The Only Authenticated Copy, Full and Complete, Embracing a Schedule of His Real Estate, and Explanatory Notes Thereto by the Testator; To Which is Added Important Historical Notes, Biographical Sketches, and Anecdotes. Presented by Mr. Heyburn, August 5, 1911. United States Government Printing Office.\u003c/p\u003e","\u003cp\u003eHarper and Brothers, New York. One copy given by the National Society of the Washington Family Descendants, 1976, Book plate 1984. One copy given by Estelle Philibert.\u003c/p\u003e","\u003cp\u003eCollected and Arranged by John Frederick Schroeder, D.D. Third edition. D. Appleton and Company, New York.\u003c/p\u003e","\u003cp\u003eFull title - Maxims of Washington, compiled for use in schools, libraries, and all American homes. D. Appleton and Company, New York. 1909. Copyright 1894. Accession number RL-803, gift of Mrs. Henry Norris Platt, Vice Regent of Pennsylvania, 1970.\u003c/p\u003e","\u003cp\u003ePublished by the Long Island Historical Society, New York. George Washington and Mount Vernon: A Collection of Washington's Unpublished Agricultural and Personal Letters, edited with historical and genealogical introduction by Moncure Daniel Conway. Trow's Printing and Bookbinding Company, New York. Note on the title page of both copies reads \"These manuscripts were acquired by Dr. Sol Feinstone and placed on permanent loan at Mount Vernon.\"\u003c/p\u003e","\u003cp\u003eC.M. Saxton, Barker and Co., New York. New edition, revised and enlarged. Inscribed on the inside, Mrs. Emily Barker Gerry. N.Y.\u003c/p\u003e","\u003cp\u003eD. Appleton and Company, New York. Printed notes inside both copies read \"To the Public - The entire profits that may accrue, to either the author or the publishers, will be contributed to the Mount Vernon Fund.\"\u003c/p\u003e","\u003cp\u003eThe John C. Winston Company, Philadelphia. Dedication to Ann Pamela Cunningham and the MVLA. One copy originally belonged to the National Society of Washington Family Descendants.\u003c/p\u003e","\u003cp\u003eFull title, Mount Vernon: The Home of Washington, Descriptive, Historical, and Pictorial. With 160 Illustrations. John C. Yorston and Company, Cincinnati. Gift of Estelle Philibert.\u003c/p\u003e","\u003cp\u003eFull title - Mount Vernon: The Legacy, The Story of Its Preservation and Care Since 1885. Copy signed by the author and dedicated to Mrs. Holden, Vice Regent. J.B. Lippincott Company, New York and Philadelphia. Book dedication to Frank Morse.\u003c/p\u003e","\u003cp\u003eIllustrated. Doubleday, Page and Company, New York. Dedicated to Harrison H. Dodge. One copy belonged to the National Society of Washington Family Descendants.\u003c/p\u003e","\u003cp\u003eIllustrated. Blue Ribbon Books, New York. Second edition, 1930. Dedicated to Harrison H. Dodge. Includes accession number RL-6253/s\u003c/p\u003e","\u003cp\u003eIllustrated by numerous engravings. W.A. Townsend and Company, New York.\u003c/p\u003e","\u003cp\u003eFull title - Mount Vernon and the Washington Family, A concise handbook on the ancestry, youth and family of George Washington, and history of his home. Third and Enlarged Edition. Illustrated and Indexed. Prepared for the busy reader who does not have time to peruse voluminous works on these subjects. Ziegler Printing Co. Inc.\u003c/p\u003e","\u003cp\u003eCrowell-Collier Press, New York. Copyright 1968 The MacMillan Company. Signed by the author and dedicated to Mrs. Holden, Vice Regent. Book dedication to Charles C. Wall. Includes accession number RL-6253/P.\u003c/p\u003e","\u003cp\u003eDuell, Sloan and Pearce, New York. First edition. Dedicated to the Regent, Mrs. Beirne, and the Vice Regents of the Mount Vernon Ladies' Association.\u003c/p\u003e","\u003cp\u003eThe MacMillan Company, New York.\u003c/p\u003e","\u003cp\u003eD. Appleton and Company, New York.\u003c/p\u003e","\u003cp\u003eAuthor appears as Mrs. Roger A. Pryor on the title page. The MacMillan Company, New York. Includes accession number RL-3816, a gift of Estelle Philibert.\u003c/p\u003e","\u003cp\u003eWith illustrations. By the author of \"Sunlight throught the Mist,\" \"The Martyr Land,\" and \"Triumphs of Steam.\" (E. Burrows) John F. Shaw and Co., London. Inscribed page is damaged. Gift of Estelle Philibert, accession number RL-3454.\u003c/p\u003e","\u003cp\u003eThe Accokeek Foundation. First edition, June 1988. Includes accession number RL-6170c.\u003c/p\u003e","\u003cp\u003eFull title - The Report of the Virginia Board of Visitors to Mount Vernon for the year 1901: Showing the History of the Ladies Mount Vernon Association of the Union and Virginia's Connection Therewith and Action of Congress and Legislature of Virginia Touching Removal of Remains of Washington. J.H. O'Bannon, Superintendent of Public Relations, Richmond. 1901. From the press of Clyde W. Saunders, Richmond.\u003c/p\u003e","\u003cp\u003eFull title - Rosemont and Its Famous Daughter: The Story of Rosemont Plantation, Laurens County, South Carolina, and Ann Pamela Cunningham Who Saved Mount Vernon for a National Shrine. Published by M.R. Wilkes, first printing 200 copies.\u003c/p\u003e","\u003cp\u003eGrosset and Dunlap Publishers, New York. Gift of Estelle Philibert.\u003c/p\u003e","\u003cp\u003eCopyright by the Mary Washington Memorial Association. Houghton, Mifflin and Company, New York. The Riverside Press, Cambridge, Massachusetts. With portrait and eight illustrations. Gift of Estelle Philibert.\u003c/p\u003e","\u003cp\u003eWritten and compiled by Mrs. Mary Stevens Beall. The Neale Publishing Company, Washington, D.C. Copyright 1908 by Robert L. Brownfield.\u003c/p\u003e","\u003cp\u003eLater published as The Home of Washington at Mount Vernon, 1860. Full title - The Tomb of Washington at Mount Vernon, Embracing a Full and Accurate Description of Mount Vernon as well as of the Birthplace, Genealogy, Character, Marriage, and Last Illness of Washington, Together with Incidents Pertaining to the Burial of Washington, Removal from the Old Family Vault, and His Being Placed in the New Tomb, in a Marble Sarcophagus. Thomas McGill Printer, Washington.\u003c/p\u003e","\u003cp\u003eSymposium handbook, edited by Jane Benton Butler. The International Molinological Society or T.I.M.S. Section on George Washington's Treading Barn and Grist Mill. Gift of Derek Ogden.\u003c/p\u003e","\u003cp\u003ePublished by Ghost Ranch Conference Center, Abiquiu, New Mexico. Copyright 1966 by Arthur Newton Pack. Includes accession number RL-6256/L.\u003c/p\u003e","\u003cp\u003eAccession number RL-6256/a. The Addison Gallery of American Art, Andover, Massachusetts.\u003c/p\u003e","\u003cp\u003eEvander Childs, Steam Book and Job Printer, New York. 1856. Accession number 2016-A-011.\u003c/p\u003e","\u003cp\u003ePotomac Gardens Incorporated.\u003c/p\u003e","\u003cp\u003eFull title - Authenticated Copy of the Last Will and Testament of George Washington, of Mt. Vernon, Emracing a Schedule of his Real Estate and Notes Thereto by the Testator, to which is added Historical Notes and Biographical Sketches by the Publisher. A. Jackson, Publisher, Washington, D.C. 1868.\u003c/p\u003e","\u003cp\u003eCobblestone, Carus Publishing Company.\u003c/p\u003e","\u003cp\u003eFull title - Copies of the Wills of General George Washington, the First President of the United States, and of Martha Washington, His Wife, and other interesting records of the County of Fairfax, Virginia wherein they lived and died. Second edition. Copyright 1904 by E. Richardson Holbrook. National Capital Press, Inc., Washington, D.C.\u003c/p\u003e","\u003cp\u003eAmerican Antiquarian Society. A Paper Read before the American Antiquarian Society at their Semi-Annual Meeting in Boston, April 30, 1879. Press of Charles Hamilton, Worcester, MA.\u003c/p\u003e","\u003cp\u003eReprinted from the New England Historical and Genealogical Register for October 1889. Boston.\u003c/p\u003e","\u003cp\u003eGeorge Washington Bicentennial, 1999. Washington's Virginia.\u003c/p\u003e","\u003cp\u003eStories of Cross and Flag No. 1. The Hampshire Art Press, Keene, N.H. 1913.\u003c/p\u003e","\u003cp\u003eProduced by the Commission on the Bicentennial of the U.S. Constitution.\u003c/p\u003e","\u003cp\u003eSpecial Journey Supplement, We the People May 1989.\u003c/p\u003e","\u003cp\u003eAlderman Library, Rare Books and Manuscripts, University of Virginia.\u003c/p\u003e","\u003cp\u003e1 symposium program and 1 schedule of events leaflet\u003c/p\u003e","\u003cp\u003eBulletin No. 1 of the Washington Society of Alexandria 1800-1929. Republished with some additions through the courtesy of Scribner's Magazine.\u003c/p\u003e","\u003cp\u003eFairfax County Tourism and Convention Bureau, Vienna, VA. c. 1988.\u003c/p\u003e","\u003cp\u003ePresented with the compliments of the Alexandria Chamber of Commerce, Alexandria, Virginia. Alexandria Print Shop.\u003c/p\u003e","\u003cp\u003eJohn Borman and Son, Printers, Detroit, Michigan.\u003c/p\u003e","\u003cp\u003eThe National Art Service Co., Inc. Accession number 2016_A-033.\u003c/p\u003e","\u003cp\u003eThe National Trust, UK.\u003c/p\u003e","\u003cp\u003e62nd Congress, 1st Session Senate Document No. 86.\u003c/p\u003e","\u003cp\u003ePrinted for the author, Trow's Printing and Bookbinding, New York.\u003c/p\u003e","\u003cp\u003ePrinted for the subscribers, Philadelphia. Copyrighted by the authors.\u003c/p\u003e","\u003cp\u003eBy Alexandria-Washington Lodge, No. 22.\u003c/p\u003e","\u003cp\u003eThe Grave of Mary Ball Washington, The National Mary Washington Memorial Association, Fredericksburg, Virginia.\u003c/p\u003e","\u003cp\u003eEntered according to act of Congress, in the year 1885, by N.R. Ball, in the office of the Librarian of Congress, at Washington.\u003c/p\u003e","\u003cp\u003ePrinted by the Citizens Committee on Natural Resources, Washington, D.C.\u003c/p\u003e","\u003cp\u003eMt. Vernon Ave., From the Captiol by Grants Statue, Lincoln Memorial, over the Memorial Bridge, by Arlington, through Alexandria - To the Tomb of Washington. Published by Authority Mt. Vernon Avenue Association. Prepared by Alex J. Wedderburn, The Art Publishing Company, Washington, D.C., 1913.\u003c/p\u003e","\u003cp\u003eThird edition revised. Printed at the Office of \"Our Fireside,\" Baltimore, MD. All Orders Should be Addressed to A.J. Wedderburn.\u003c/p\u003e","\u003cp\u003ePublished by John Hancock Mutual Life Insurance Company of Boston, Massachusetts. Includes accession number RP-1007 and RL-1511\u003c/p\u003e","\u003cp\u003eCopyright 1906, Southern Railway Company. \nCopyright 1921, M.L. Dinwiddie. Press of Harry W. Wade, Alexandria, VA. Published by Ye Olde Mount Vernon Inn, Mt. Vernon on the Potomac, VA.\u003c/p\u003e","\u003cp\u003eThe Accokeek Foundation.\u003c/p\u003e","\u003cp\u003eNavy Department, Naval History Division, Washington.\u003c/p\u003e","\u003cp\u003eEditorial Offices: Alderman Library, University of Virginia. National Historical Publications Commission.\u003c/p\u003e","\u003cp\u003ePublished by the Accokeek Foundation. June 1962.\u003c/p\u003e","\u003cp\u003eSpeech of Hon. R. Walton Moore of Virginia in the House of Representatives. Government Printing Office, Washington.\u003c/p\u003e","\u003cp\u003eLittle Leather Library Corporation, New York.\u003c/p\u003e","\u003cp\u003eGuide book. English Life Publications, Ltd. ISBN 0-85101-3503\u003c/p\u003e","\u003cp\u003eA National Trust for Historic Preservation Field Study for the Bicentennial of the United States Capitol sponsored by the Georgetown Heritage Trust. Funded by Mobil Corporation.\u003c/p\u003e","\u003cp\u003eThe Mount Vernon Guide Company. Hayworth Pub. House, Washington, D.C. With advertisements. Includes RM-321, MISC-2992\u003c/p\u003e","\u003cp\u003eSawyer's Inc. Portland, Oregon.\u003c/p\u003e","\u003cp\u003e4th printing, revised and enlarged. Published by Eleanor Lee Templeman. Includes accession numbers RL-1908 and RL-1874.\u003c/p\u003e","\u003cp\u003eHappy Inns of America, Inc. brochure.\u003c/p\u003e","\u003cp\u003eGibson Brothers Printers, Washington, D.C. Includes accession numbers RL-827, RL-2913, 2017-A-015, 2022-A-021, and 2024-A-005\u003c/p\u003e","\u003cp\u003eThe Wakefield National Memorial Association, 1932. Printed by H.L. and J.B. McQueen, Inc. Washington, D.C.\u003c/p\u003e","\u003cp\u003eIllustrated by William D. Eubank. Published by Whitney and White. Ranson, West Virginia.\u003c/p\u003e","\u003cp\u003eEdited by John Mahey. The Peale Museum, January 1966.\u003c/p\u003e","\u003cp\u003eA Paper Read Before the Mount Vernon Society of Detroit, by Mrs. Thomas Clapp Pitkin, December 2, 1892. Printed by the Society.\u003c/p\u003e","\u003cp\u003eH.H.P. 118. Printed in the U.S.A.\u003c/p\u003e","\u003cp\u003eThe Newberry Library, Chicago, 1958.\u003c/p\u003e","\u003cp\u003eReproduced in facsimile from the original in the Huntington Library. With an introduction by Lawrence Martin. Huntington Library Publications, copyright 1932 printed by University of Chicago Press, reprint 1958.\u003c/p\u003e","\u003cp\u003eCopyright by M.L. Lukens, 1907. Leet Bros. Publishers, Washington, D.C.\u003c/p\u003e","\u003cp\u003eThe Star Publishing Co., Wilmington, Delaware.\u003c/p\u003e","\u003cp\u003ePublished for The Washington Loan and Trust Co., Washington, D.C. Copyrighted and produced by Thomsen-Ellis Co., Baltimore.\u003c/p\u003e","\u003cp\u003ePictures by Seymour Fleishman. Scholastic Inc., New York. ISBN 0-590-41814-9.\u003c/p\u003e","\u003cp\u003eIllustrated by Gloria Kamen. Doubleday and Company, Inc. Garden City, New York. ISBN 0-385-15534-4 trade and 0-385-15535-2 prebound. Copyright 1981 by the Mount Vernon Ladies' Association.\u003c/p\u003e","\u003cp\u003eIllustrated by Moneta Barnett. G.P. Putnam's Sons, New York. Third impression. Includes accession number RL-6256/b\u003c/p\u003e","\u003cp\u003eU.S. Press Association, Washington, D.C. One copy printed \"Compliments of the Continental Trust Company\" with different cover and different size.\u003c/p\u003e","\u003cp\u003ePictures by Lynd Ward. Abingdon, Nashville and New York. Note: Was prepared with the cooperation and gracious assistance of the Mount Vernon Ladies' Association of the Union and is published with their approval.\" ISBN 0-687-39685-9.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["Editorial reprinted from the Arizona Daily Star. Volume 70, No. 6. No author listed.","The American Heritage Society's Americana Magazine. Volume 4, Number 1. Article written by Ken and Pat Kraft.","The American Heritage Society's Americana Magazine. Volume 12, Number 2. Article written by Constance Stapleton.","Article written by Wendy J. Shadwell.","Reprinted from Architecture February 1997. Article written by Vernon Mays. Copy produced by Quinn Evans Architects.","RL-995. Article written by Charles F. Deems, D.D., LL. D.","Article written by Mary McMahon.","The Carpenter, Volume LXXXIV (84), No. 2. Article written by E. John Long.","Colonial Homes Volume 23, No. 2. \"George Washington: Farming by the Book\" written by Annette Stramesi, photography by Erik Kvalsvik. \"Mount Vernon Furniture Collection\" written by Mervyn Kaufman, produced by Doretta S. Sperduto, photography by Erik Kvalsvik.","Colonial Homes Volume 20, No. 3. Article written by Diane DiPiero, photography by Richard Bryant/Arcaid, courtesy of the Mount Vernon Ladies' Association except where noted.","Confederate Veteran Volume XXXIV (34), No. 3, Nashville, Tennessee.","Volume No. 123, No. 2. Mount Vernon cover art. Article written by George W. Nordham.","By Benson J. Lossing. Volume 3, No. 5.","Volume XLV (45), Number 5. Issue concerning Mount Vernon and Washington.","GW Magazine, A Magazine for Alumni and Friends. Article written by George W. Nordham.","Volume XVIII (18), No. CVL (145). Includes accession number RL-2356, lacks pages 437-444.","Volume 34, Number 3. Article written by Edward O. Welles, Jr., photographs by Ted Vaughan.","Volume 45, Number 6.","Volume 41, Number 5. Article written by Charles Hosmer, Jr.","Volume 45, Number 1. National Symbols: Presidential Homes - Directors of six presidential homes answer HN's questions.","Volume 78, No. 1. Section I and Section II. The Conde Nast Publications, Inc. Section II contains Mount Vernon article, full title - Mount Vernon: Five Historic Interiors - George Washington's country estate recalls today the full, leisurely life of an 18th Century gentleman.","Volume 82, No.1","Volume 161, Number 5. Article written by Martin Filler, photographs by Marina Schinz.","By Sherrill Schell and others. Volume 11, No. 5. Serial no. 244. With pictures reproduced from art photographs specially made for this number of The Mentor.","Volume 5, No. 4. Article written by Charles Fenyvesi.","Volume 38, Number 1. Article written by Charles C. Wall.","Volume 46, No. 6. Article written by Charles C. Wall.","Text copy of article not the full magazine. Article written by Lonnelle Aikman.","Article only not the full magazine. Article written by Georgiana Lockwood.","Volume XXI (21), Number 1. Article written by Justin Torres.","Issue 94, pages 25-31. Discusses Washington's World map project at Mount Vernon. 2017-A-085","Article only not the full magazine. Article written by Doris T. Stuart.","Volume 107, No. 21. Special issue for the Bicentennial of the United States dedicated to George Washington's life.","Volume 105, No. 20. Special issue for the Bicentennial of the United States dedicated to Thomas Jefferson's life.","Volume XI (11), Number 3. Article written by Ulrich Troubetzkoy.","Article only not full magazine. Article written by Walter L. Jones.","Volume XV (15), Number 2. Article only not the full magazine. Article written by Robert L. Scribner.","Article written by Emily L. Schulz and Ellen McCallister Clark.","Edited and annotated by Richard Brookhiser.","Annotated copies of the annual report showing images that were used courtesy of the MVLA.","Article only. Article written by Norman Kahl.","Printed for sale at Mount Vernon. University Press: John Wilson and Son, Cambridge.","With illustrations. Copyright 1897 by Brentano's. Press of J.J. Little and Co., Astor Place, New York.","Congressional Directory belonging to Mrs. Lillie McAllister Laughton (sp.), Washington, Government Printing Office, 1890.","Printed by P.J. Kenedy and Sons, New York, 1931. Foreword by Peter Guilday, Ph.D. Book donated by Estelle Philibert.","Accession number RL-3035","Edited by Donald M. Sweig with an Explanatory Text, Appendices, and Source Lists by Beth Mitchell and Donald M. Sweig. Published by the Office of Comprehensive Planning, Fairfax County, 1987.","Accession number RL-6171a","The Macmillan Company, New York, 1914. Book donated by Estelle Philibert.","University Press of Virginia, Charlottesville. ISBN 0-8139-0851-5 and 0-8139-0852-3.","University of Missouri Press, Columbia and London. ISBN 0-8262-1135-6.","Published by the Virginia Independence Bicentennial Commission. Edward M. Riley, Editor.","The Bobbs-Merrill Company Publishers, Indianapolis. First Edition, 1933.","Copyright Rudolph E. Prussing, 1925. Chapters IV and V copyright by Charles Scribners Sons, 1921. Limited release sale, copy no. 504 and 582. Signed by the author. Publisher Pascal Covici, Chicago.","Published by the George Washington Bicentennial Commission of New Hampshire, Houghton Miffling Company, Boston and New York. The Riverside Press, Cambridge, Massachusetts. With illustrations.","With an introductory essay by Michael Wentworth. Published by the Boston Athenaeum, Boston, MA. Signed by the author. ISBN 0-934552-63-0. Copyright by the Proprietors of the Boston Athenaeum.","University of Virginia Press, Charlottesville and London. William M. Ferraro, Editor in Chief. This edition has been prepared by the staff of the Washington Papers sponsored by the Mount Vernon Ladies' Association and the University of Virginia.","By James C. Rees with Stephen Spignesi. John Wiley and Sons, Inc., New Jersey. ISBN 978-0-470-08887-6.","Photography by Robert C. Lautman. Collection photography by Edward Owen. Essays by Susan Gray Detweiler, Rudy J. Favretti, Allan Greenberg, Ronald L. Hurst, James C. Rees, and Gilbert T. Vincent. The Monacelli Press, New York. ISBN 0-58093-010-7.","Oxford University Press, Inc., Oxford and New York. ISBN 0-19-512114-7.","Previously published under the title The Home of Washington. Illustrated with numerous engravings. Published by The Fairfax Press.","Previously published as The Tomb of Washington, 1858. Full title The Home of Washington at Mount Vernon, Emracing a Full and Accurate Description, as well as of the Birthplace, Genealogy, Character, Marriage, and Last Illness of Washington, together with Incidents pertaining to the Burial of Washington, Removal from the Old Family Vault, and His Being Placed in the New Tomb, in a Marble Sarcophagus. Washington: Thomas McGill, Printer. 1860. Magnolia leaf sewn into the front page with note on origin dated April 18th, 1861.","Full title \"The Home of Washington at Mount Vernon and Its Associations: Embracing the Birthplace, Genealogy, Courtship, and Marriage of Washington. With Illustrations.\" Washington: McGill and Witherow, Printers and Stereotypers. Copyright 1866. Fragile condition, loose cover and pages. Accession number 2019-A-006","John B. Alden, Publisher, New York.","62nd Congress, 1st Session, Senate, Document No. 86. The Only Authenticated Copy, Full and Complete, Embracing a Schedule of His Real Estate, and Explanatory Notes Thereto by the Testator; To Which is Added Important Historical Notes, Biographical Sketches, and Anecdotes. Presented by Mr. Heyburn, August 5, 1911. United States Government Printing Office.","Harper and Brothers, New York. One copy given by the National Society of the Washington Family Descendants, 1976, Book plate 1984. One copy given by Estelle Philibert.","Collected and Arranged by John Frederick Schroeder, D.D. Third edition. D. Appleton and Company, New York.","Full title - Maxims of Washington, compiled for use in schools, libraries, and all American homes. D. Appleton and Company, New York. 1909. Copyright 1894. Accession number RL-803, gift of Mrs. Henry Norris Platt, Vice Regent of Pennsylvania, 1970.","Published by the Long Island Historical Society, New York. George Washington and Mount Vernon: A Collection of Washington's Unpublished Agricultural and Personal Letters, edited with historical and genealogical introduction by Moncure Daniel Conway. Trow's Printing and Bookbinding Company, New York. Note on the title page of both copies reads \"These manuscripts were acquired by Dr. Sol Feinstone and placed on permanent loan at Mount Vernon.\"","C.M. Saxton, Barker and Co., New York. New edition, revised and enlarged. Inscribed on the inside, Mrs. Emily Barker Gerry. N.Y.","D. Appleton and Company, New York. Printed notes inside both copies read \"To the Public - The entire profits that may accrue, to either the author or the publishers, will be contributed to the Mount Vernon Fund.\"","The John C. Winston Company, Philadelphia. Dedication to Ann Pamela Cunningham and the MVLA. One copy originally belonged to the National Society of Washington Family Descendants.","Full title, Mount Vernon: The Home of Washington, Descriptive, Historical, and Pictorial. With 160 Illustrations. John C. Yorston and Company, Cincinnati. Gift of Estelle Philibert.","Full title - Mount Vernon: The Legacy, The Story of Its Preservation and Care Since 1885. Copy signed by the author and dedicated to Mrs. Holden, Vice Regent. J.B. Lippincott Company, New York and Philadelphia. Book dedication to Frank Morse.","Illustrated. Doubleday, Page and Company, New York. Dedicated to Harrison H. Dodge. One copy belonged to the National Society of Washington Family Descendants.","Illustrated. Blue Ribbon Books, New York. Second edition, 1930. Dedicated to Harrison H. Dodge. Includes accession number RL-6253/s","Illustrated by numerous engravings. W.A. Townsend and Company, New York.","Full title - Mount Vernon and the Washington Family, A concise handbook on the ancestry, youth and family of George Washington, and history of his home. Third and Enlarged Edition. Illustrated and Indexed. Prepared for the busy reader who does not have time to peruse voluminous works on these subjects. Ziegler Printing Co. Inc.","Crowell-Collier Press, New York. Copyright 1968 The MacMillan Company. Signed by the author and dedicated to Mrs. Holden, Vice Regent. Book dedication to Charles C. Wall. Includes accession number RL-6253/P.","Duell, Sloan and Pearce, New York. First edition. Dedicated to the Regent, Mrs. Beirne, and the Vice Regents of the Mount Vernon Ladies' Association.","The MacMillan Company, New York.","D. Appleton and Company, New York.","Author appears as Mrs. Roger A. Pryor on the title page. The MacMillan Company, New York. Includes accession number RL-3816, a gift of Estelle Philibert.","With illustrations. By the author of \"Sunlight throught the Mist,\" \"The Martyr Land,\" and \"Triumphs of Steam.\" (E. Burrows) John F. Shaw and Co., London. Inscribed page is damaged. Gift of Estelle Philibert, accession number RL-3454.","The Accokeek Foundation. First edition, June 1988. Includes accession number RL-6170c.","Full title - The Report of the Virginia Board of Visitors to Mount Vernon for the year 1901: Showing the History of the Ladies Mount Vernon Association of the Union and Virginia's Connection Therewith and Action of Congress and Legislature of Virginia Touching Removal of Remains of Washington. J.H. O'Bannon, Superintendent of Public Relations, Richmond. 1901. From the press of Clyde W. Saunders, Richmond.","Full title - Rosemont and Its Famous Daughter: The Story of Rosemont Plantation, Laurens County, South Carolina, and Ann Pamela Cunningham Who Saved Mount Vernon for a National Shrine. Published by M.R. Wilkes, first printing 200 copies.","Grosset and Dunlap Publishers, New York. Gift of Estelle Philibert.","Copyright by the Mary Washington Memorial Association. Houghton, Mifflin and Company, New York. The Riverside Press, Cambridge, Massachusetts. With portrait and eight illustrations. Gift of Estelle Philibert.","Written and compiled by Mrs. Mary Stevens Beall. The Neale Publishing Company, Washington, D.C. Copyright 1908 by Robert L. Brownfield.","Later published as The Home of Washington at Mount Vernon, 1860. Full title - The Tomb of Washington at Mount Vernon, Embracing a Full and Accurate Description of Mount Vernon as well as of the Birthplace, Genealogy, Character, Marriage, and Last Illness of Washington, Together with Incidents Pertaining to the Burial of Washington, Removal from the Old Family Vault, and His Being Placed in the New Tomb, in a Marble Sarcophagus. Thomas McGill Printer, Washington.","Symposium handbook, edited by Jane Benton Butler. The International Molinological Society or T.I.M.S. Section on George Washington's Treading Barn and Grist Mill. Gift of Derek Ogden.","Published by Ghost Ranch Conference Center, Abiquiu, New Mexico. Copyright 1966 by Arthur Newton Pack. Includes accession number RL-6256/L.","Accession number RL-6256/a. The Addison Gallery of American Art, Andover, Massachusetts.","Evander Childs, Steam Book and Job Printer, New York. 1856. Accession number 2016-A-011.","Potomac Gardens Incorporated.","Full title - Authenticated Copy of the Last Will and Testament of George Washington, of Mt. Vernon, Emracing a Schedule of his Real Estate and Notes Thereto by the Testator, to which is added Historical Notes and Biographical Sketches by the Publisher. A. Jackson, Publisher, Washington, D.C. 1868.","Cobblestone, Carus Publishing Company.","Full title - Copies of the Wills of General George Washington, the First President of the United States, and of Martha Washington, His Wife, and other interesting records of the County of Fairfax, Virginia wherein they lived and died. Second edition. Copyright 1904 by E. Richardson Holbrook. National Capital Press, Inc., Washington, D.C.","American Antiquarian Society. A Paper Read before the American Antiquarian Society at their Semi-Annual Meeting in Boston, April 30, 1879. Press of Charles Hamilton, Worcester, MA.","Reprinted from the New England Historical and Genealogical Register for October 1889. Boston.","George Washington Bicentennial, 1999. Washington's Virginia.","Stories of Cross and Flag No. 1. The Hampshire Art Press, Keene, N.H. 1913.","Produced by the Commission on the Bicentennial of the U.S. Constitution.","Special Journey Supplement, We the People May 1989.","Alderman Library, Rare Books and Manuscripts, University of Virginia.","1 symposium program and 1 schedule of events leaflet","Bulletin No. 1 of the Washington Society of Alexandria 1800-1929. Republished with some additions through the courtesy of Scribner's Magazine.","Fairfax County Tourism and Convention Bureau, Vienna, VA. c. 1988.","Presented with the compliments of the Alexandria Chamber of Commerce, Alexandria, Virginia. Alexandria Print Shop.","John Borman and Son, Printers, Detroit, Michigan.","The National Art Service Co., Inc. Accession number 2016_A-033.","The National Trust, UK.","62nd Congress, 1st Session Senate Document No. 86.","Printed for the author, Trow's Printing and Bookbinding, New York.","Printed for the subscribers, Philadelphia. Copyrighted by the authors.","By Alexandria-Washington Lodge, No. 22.","The Grave of Mary Ball Washington, The National Mary Washington Memorial Association, Fredericksburg, Virginia.","Entered according to act of Congress, in the year 1885, by N.R. Ball, in the office of the Librarian of Congress, at Washington.","Printed by the Citizens Committee on Natural Resources, Washington, D.C.","Mt. Vernon Ave., From the Captiol by Grants Statue, Lincoln Memorial, over the Memorial Bridge, by Arlington, through Alexandria - To the Tomb of Washington. Published by Authority Mt. Vernon Avenue Association. Prepared by Alex J. Wedderburn, The Art Publishing Company, Washington, D.C., 1913.","Third edition revised. Printed at the Office of \"Our Fireside,\" Baltimore, MD. All Orders Should be Addressed to A.J. Wedderburn.","Published by John Hancock Mutual Life Insurance Company of Boston, Massachusetts. Includes accession number RP-1007 and RL-1511","Copyright 1906, Southern Railway Company. \nCopyright 1921, M.L. Dinwiddie. Press of Harry W. Wade, Alexandria, VA. Published by Ye Olde Mount Vernon Inn, Mt. Vernon on the Potomac, VA.","The Accokeek Foundation.","Navy Department, Naval History Division, Washington.","Editorial Offices: Alderman Library, University of Virginia. National Historical Publications Commission.","Published by the Accokeek Foundation. June 1962.","Speech of Hon. R. Walton Moore of Virginia in the House of Representatives. Government Printing Office, Washington.","Little Leather Library Corporation, New York.","Guide book. English Life Publications, Ltd. ISBN 0-85101-3503","A National Trust for Historic Preservation Field Study for the Bicentennial of the United States Capitol sponsored by the Georgetown Heritage Trust. Funded by Mobil Corporation.","The Mount Vernon Guide Company. Hayworth Pub. House, Washington, D.C. With advertisements. Includes RM-321, MISC-2992","Sawyer's Inc. Portland, Oregon.","4th printing, revised and enlarged. Published by Eleanor Lee Templeman. Includes accession numbers RL-1908 and RL-1874.","Happy Inns of America, Inc. brochure.","Gibson Brothers Printers, Washington, D.C. Includes accession numbers RL-827, RL-2913, 2017-A-015, 2022-A-021, and 2024-A-005","The Wakefield National Memorial Association, 1932. Printed by H.L. and J.B. McQueen, Inc. Washington, D.C.","Illustrated by William D. Eubank. Published by Whitney and White. Ranson, West Virginia.","Edited by John Mahey. The Peale Museum, January 1966.","A Paper Read Before the Mount Vernon Society of Detroit, by Mrs. Thomas Clapp Pitkin, December 2, 1892. Printed by the Society.","H.H.P. 118. Printed in the U.S.A.","The Newberry Library, Chicago, 1958.","Reproduced in facsimile from the original in the Huntington Library. With an introduction by Lawrence Martin. Huntington Library Publications, copyright 1932 printed by University of Chicago Press, reprint 1958.","Copyright by M.L. Lukens, 1907. Leet Bros. Publishers, Washington, D.C.","The Star Publishing Co., Wilmington, Delaware.","Published for The Washington Loan and Trust Co., Washington, D.C. Copyrighted and produced by Thomsen-Ellis Co., Baltimore.","Pictures by Seymour Fleishman. Scholastic Inc., New York. ISBN 0-590-41814-9.","Illustrated by Gloria Kamen. Doubleday and Company, Inc. Garden City, New York. ISBN 0-385-15534-4 trade and 0-385-15535-2 prebound. Copyright 1981 by the Mount Vernon Ladies' Association.","Illustrated by Moneta Barnett. G.P. Putnam's Sons, New York. Third impression. Includes accession number RL-6256/b","U.S. Press Association, Washington, D.C. One copy printed \"Compliments of the Continental Trust Company\" with different cover and different size.","Pictures by Lynd Ward. Abingdon, Nashville and New York. Note: Was prepared with the cooperation and gracious assistance of the Mount Vernon Ladies' Association of the Union and is published with their approval.\" ISBN 0-687-39685-9."],"phystech_html_tesm":["\u003cp\u003eFragile condition. Pages loose.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Fragile condition. Pages loose."],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], Publications - History of Mount Vernon and George Washington, [Series, Folder], Archives of the Mount Vernon Ladies' Association, Fred W. Smith National Library for the Study of George Washington [hereafter Washington Library], Mount Vernon, Virginia \u003c/p\u003e","\u003cp\u003eSee the Chicago Manual of Style for additional examples. \u003c/p\u003e"],"prefercite_tesim":["[Name and date of item], Publications - History of Mount Vernon and George Washington, [Series, Folder], Archives of the Mount Vernon Ladies' Association, Fred W. Smith National Library for the Study of George Washington [hereafter Washington Library], Mount Vernon, Virginia ","See the Chicago Manual of Style for additional examples. "],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains publications concerning the history of Mount Vernon and George Washington that were not published by the Mount Vernon Ladies' Association. The MVLA collaborated with other authors and publishers to produce many of these titles, however the Association was not the copyright holder. These items have been merged together into this collection but are from different sources or accessions. Most of the publications were either originally collected by the Library at Mount Vernon, or were previously owned by Vice Regents of the Association. Others were given as gifts to the MVLA.\u003c/p\u003e\n","\u003cp\u003eA good number of brochures or booklets represented in this collection were produced by different businesses or organizations in the travel industry as information for tourists to Mount Vernon. Other publications were written by scholars or historians who researched at Mount Vernon and later donated their work to the Library. Several books were donated by Estelle Philibert, a local historian of Alexandria, Virginia, who discussed Washington and Mount Vernon in some of her works. These books can be cross-referenced through the Agent Link in Archives Space or through the Notes sections of each individual book.\u003c/p\u003e","\u003cp\u003eAdventure Road, Amoco Motor Club magazine. \"A Lasting Tribute to our Colonial Heritage,\" author unknown. p. 5-6\u003c/p\u003e","\u003cp\u003eArticle posted on cardboard, does not include the full article (first page only).\u003c/p\u003e","\u003cp\u003eAntiques - \"Mount Vernon Centennial\" July 1953 by Helen Comstock. Vol. LXIV, No. 1\u003c/p\u003e","\u003cp\u003eGeorge Washington's Mount Vernon article, Antiques and Fine Arts, 6th anniversary edition, Vol. VI Issue 5, January-February 2006\u003c/p\u003e","\u003cp\u003eArticle about the opening of the Fred W. Smith National Library for the Study of George Washington. Written by Annie Groer.\u003c/p\u003e","\u003cp\u003eThe Century Illustrated Monthly Magazine, \"The Preservation of Mount Vernon: A Record of a half century of patriotic work by the Mount Vernon Ladies' Association of the Union,\" by Abby Gunn Baker. Vol. LXXIX, No. 4, Midwinter Number.\u003c/p\u003e","\u003cp\u003eThe Commonwealth, \"The Story of Mt. Vernon\" by James Wharton, April 1953.\u003c/p\u003e","\u003cp\u003eArticle featuring Mount Vernon by Jane Ford Lopez, February 1991. p. 49-53.\u003c/p\u003e","\u003cp\u003eCatalog of products from Edwards Virginia Smokehouse with brief summary of their support in the restoration of the smokehouse at Mount Vernon. Volume 214.\u003c/p\u003e","\u003cp\u003eHistory in Motion: Gum Springs Historical Society. Volume 4, Number 1. Spring 1996. \"Thirteenth anniversary of the Mount Vernon Slave Memorial\" by Dr. Judith Saunders Burton. Also includes reprinting of Dorothy Gilliam's Washington Post columns \"Remembrance\" and \"Memorial\" dated February 6, 1982 and February 28, 1983.\u003c/p\u003e","\u003cp\u003eArticle, \"Shrine on the Potomac\" by Henry F. and Katharine Pringle. Photographs by Bradley Smith. Includes images of Mount Vernon employees cleaning and caring for the Mansion (Holland family).\u003c/p\u003e","\u003cp\u003eBicentennial issue of the magazine with articles on Mount Vernon and George Washington.\u003c/p\u003e","\u003cp\u003eIncludes article \"The Blameless Hero,\" by the American Macaulay, Illustrated with Rare Portraits and Prints. Washington anecdotes and imagery throughout. Vol. XVII. No. 8, Whole number 262.\u003c/p\u003e","\u003cp\u003eThe Iron Worker \"The Story of Mt. Vernon\" by James Wharton, Spring 1954 Vol. XVIII, No. 2. p. 1-13\u003c/p\u003e","\u003cp\u003eThe Ladies' Home Journal with article \"In Washington's Garden: from recent photographs taken at Mount Vernon for the Journal by Leet Brothers, through the courtesy of the Mount Vernon Ladies' Association of the Union.\"\u003c/p\u003e","\u003cp\u003eLife Magazine Fall 1987, Volume 10 Number 10. Multiple articles on the Bicentennial.\u003c/p\u003e","\u003cp\u003eArticle by Worth E. Shoults. p. 602-628 with color illustrations.\u003c/p\u003e","\u003cp\u003eThe Saturday Evening Post article \"How the Girls Save Mount Vernon\" by Gerald Johnson. With color images, multiple pages.\u003c/p\u003e","\u003cp\u003eVirginia Cavalcade, volume 48 Autumn 1999 number 4. Multiple articles concerning George Washington and Mount Vernon including \"The satisfaction I feel in having my papers so properly arranged\" by Dorothy Twohig; \"Every thing trim, handsome, and thriving\" by Dennis Pogue; \"Written in my own hand\" by John Riley; \"And procure for themselves a few amenities\" by Mary V. Thompson; \"George Washington in Virginia Cavalcade: A Bibliography\"\u003c/p\u003e","\u003cp\u003eThe Quarterly Journal of the White House Historical Association, Number 49, Spring 2018. Article on social secretaries includes information on Letitia Baldridge and the State Dinner at Mount Vernon.\u003c/p\u003e","\u003cp\u003eSummary inserted in the front cover reads \"Mrs. Ira A. Richardson's compilation of early pamphlets bound for reference during Council.\" Contents - Authenticated copy of the last will and testament of George Washington (1868), Some of the secret troubles of Washington when Commander-in-Chief by Pitkin, Christianity the key to the character of Washington by Slaughter (1886), The Maternal ancestry and nearest kin of Washington (1885), George Washington as an inventor and promoter of the useful arts (1891), and Washington's Rules for Civility and decent behavior ed. by J.M. Toner (1888).\u003c/p\u003e","\u003cp\u003eTitle \"Mount Vernon, Arlington, and Woodlawn: History of these national shrines from the earliest titles of ownership to the present, with biographical sketches, portraits, and interesting reminiscences of the families, who founded them.\" Illustrated, Ben Franklin Press, Inc. Washington, D.C. First printing September 1922, Second printing, May 1923. Accession number 2019-A-018.\u003c/p\u003e","\u003cp\u003eBooklet, \"Mt. Vernon Avenue: A National Memorial Highway from Washington to Mt. Vernon, with some account of the natural and historical attractions along its proposed route.\" Illustrated, by John R. Reavis. Published under the auspices of the Mt. Vernon Avenue Association. Washington, D.C. 1888. Gibson Bros. Printers and Bookbinders.\u003c/p\u003e","\u003cp\u003eCompiled by Polly Graham Latane and Joyce Graham. Cover desinged exclusively for Mount Vernon Shops, Mount Vernon, Virginia. 1932.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains publications concerning the history of Mount Vernon and George Washington that were not published by the Mount Vernon Ladies' Association. The MVLA collaborated with other authors and publishers to produce many of these titles, however the Association was not the copyright holder. These items have been merged together into this collection but are from different sources or accessions. Most of the publications were either originally collected by the Library at Mount Vernon, or were previously owned by Vice Regents of the Association. Others were given as gifts to the MVLA.","A good number of brochures or booklets represented in this collection were produced by different businesses or organizations in the travel industry as information for tourists to Mount Vernon. Other publications were written by scholars or historians who researched at Mount Vernon and later donated their work to the Library. Several books were donated by Estelle Philibert, a local historian of Alexandria, Virginia, who discussed Washington and Mount Vernon in some of her works. These books can be cross-referenced through the Agent Link in Archives Space or through the Notes sections of each individual book.","Adventure Road, Amoco Motor Club magazine. \"A Lasting Tribute to our Colonial Heritage,\" author unknown. p. 5-6","Article posted on cardboard, does not include the full article (first page only).","Antiques - \"Mount Vernon Centennial\" July 1953 by Helen Comstock. Vol. LXIV, No. 1","George Washington's Mount Vernon article, Antiques and Fine Arts, 6th anniversary edition, Vol. VI Issue 5, January-February 2006","Article about the opening of the Fred W. Smith National Library for the Study of George Washington. Written by Annie Groer.","The Century Illustrated Monthly Magazine, \"The Preservation of Mount Vernon: A Record of a half century of patriotic work by the Mount Vernon Ladies' Association of the Union,\" by Abby Gunn Baker. Vol. LXXIX, No. 4, Midwinter Number.","The Commonwealth, \"The Story of Mt. Vernon\" by James Wharton, April 1953.","Article featuring Mount Vernon by Jane Ford Lopez, February 1991. p. 49-53.","Catalog of products from Edwards Virginia Smokehouse with brief summary of their support in the restoration of the smokehouse at Mount Vernon. Volume 214.","History in Motion: Gum Springs Historical Society. Volume 4, Number 1. Spring 1996. \"Thirteenth anniversary of the Mount Vernon Slave Memorial\" by Dr. Judith Saunders Burton. Also includes reprinting of Dorothy Gilliam's Washington Post columns \"Remembrance\" and \"Memorial\" dated February 6, 1982 and February 28, 1983.","Article, \"Shrine on the Potomac\" by Henry F. and Katharine Pringle. Photographs by Bradley Smith. Includes images of Mount Vernon employees cleaning and caring for the Mansion (Holland family).","Bicentennial issue of the magazine with articles on Mount Vernon and George Washington.","Includes article \"The Blameless Hero,\" by the American Macaulay, Illustrated with Rare Portraits and Prints. Washington anecdotes and imagery throughout. Vol. XVII. No. 8, Whole number 262.","The Iron Worker \"The Story of Mt. Vernon\" by James Wharton, Spring 1954 Vol. XVIII, No. 2. p. 1-13","The Ladies' Home Journal with article \"In Washington's Garden: from recent photographs taken at Mount Vernon for the Journal by Leet Brothers, through the courtesy of the Mount Vernon Ladies' Association of the Union.\"","Life Magazine Fall 1987, Volume 10 Number 10. Multiple articles on the Bicentennial.","Article by Worth E. Shoults. p. 602-628 with color illustrations.","The Saturday Evening Post article \"How the Girls Save Mount Vernon\" by Gerald Johnson. With color images, multiple pages.","Virginia Cavalcade, volume 48 Autumn 1999 number 4. Multiple articles concerning George Washington and Mount Vernon including \"The satisfaction I feel in having my papers so properly arranged\" by Dorothy Twohig; \"Every thing trim, handsome, and thriving\" by Dennis Pogue; \"Written in my own hand\" by John Riley; \"And procure for themselves a few amenities\" by Mary V. Thompson; \"George Washington in Virginia Cavalcade: A Bibliography\"","The Quarterly Journal of the White House Historical Association, Number 49, Spring 2018. Article on social secretaries includes information on Letitia Baldridge and the State Dinner at Mount Vernon.","Summary inserted in the front cover reads \"Mrs. Ira A. Richardson's compilation of early pamphlets bound for reference during Council.\" Contents - Authenticated copy of the last will and testament of George Washington (1868), Some of the secret troubles of Washington when Commander-in-Chief by Pitkin, Christianity the key to the character of Washington by Slaughter (1886), The Maternal ancestry and nearest kin of Washington (1885), George Washington as an inventor and promoter of the useful arts (1891), and Washington's Rules for Civility and decent behavior ed. by J.M. Toner (1888).","Title \"Mount Vernon, Arlington, and Woodlawn: History of these national shrines from the earliest titles of ownership to the present, with biographical sketches, portraits, and interesting reminiscences of the families, who founded them.\" Illustrated, Ben Franklin Press, Inc. Washington, D.C. First printing September 1922, Second printing, May 1923. Accession number 2019-A-018.","Booklet, \"Mt. Vernon Avenue: A National Memorial Highway from Washington to Mt. Vernon, with some account of the natural and historical attractions along its proposed route.\" Illustrated, by John R. Reavis. Published under the auspices of the Mt. Vernon Avenue Association. Washington, D.C. 1888. Gibson Bros. Printers and Bookbinders.","Compiled by Polly Graham Latane and Joyce Graham. Cover desinged exclusively for Mount Vernon Shops, Mount Vernon, Virginia. 1932."],"names_ssim":["Archives of the Mount Vernon Ladies' Association","Black Women United for Action","Mount Vernon Avenue Association","Philibert, Estelle","Ayres, Linda, 1947-","Wall, Charles Cecil, 1903-1995","Richardson, Ida Ann Slocomb, 1830-1910","Laughton, Lily Macalester Berghmans, 1832-1891","Hirschfeld, Fritz, 1924-","Rees, James C., 1952-2014","Lossing, Benson John, 1813-1891","Cooper, Susan Fenimore, 1813-1894","Lowther, Minnie Kendall, 1869-1947","Thane, Elswyth, 1900-1984","Wilstach, Paul, 1870-1952","King, Grace Elizabeth, 1851 or 1852-1932","Everett, Edward, 1794-1865"],"corpname_ssim":["Archives of the Mount Vernon Ladies' Association","Black Women United for Action","Mount Vernon Avenue Association"],"names_coll_ssim":["Philibert, Estelle"],"persname_ssim":["Philibert, Estelle","Ayres, Linda, 1947-","Wall, Charles Cecil, 1903-1995","Richardson, Ida Ann Slocomb, 1830-1910","Laughton, Lily Macalester Berghmans, 1832-1891","Hirschfeld, Fritz, 1924-","Rees, James C., 1952-2014","Lossing, Benson John, 1813-1891","Cooper, Susan Fenimore, 1813-1894","Lowther, Minnie Kendall, 1869-1947","Thane, Elswyth, 1900-1984","Wilstach, Paul, 1870-1952","King, Grace Elizabeth, 1851 or 1852-1932","Everett, Edward, 1794-1865"],"language_ssim":["English \n.    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Restricted photos may only be viewed in the Special Collections Reading Room and may not be made available electronically, or be photographed or reproduced without permission from Special Collections and Archives. Contact Special Collections and Archives staff for more information libsca@vcu.edu. 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Rupert Cutler Papers","Series IV: Boards and Committees Records"],"parent_unittitles_tesim":["M. Rupert Cutler Papers","Series IV: Boards and Committees Records"],"text":["M. Rupert Cutler Papers","Series IV: Boards and Committees Records","Blue Ridge Land Conservancy","box 120","folder 19"],"title_filing_ssi":"Blue Ridge Land Conservancy","title_ssm":["Blue Ridge Land Conservancy"],"title_tesim":["Blue Ridge Land Conservancy"],"unitdate_other_ssim":["Apr. 2020"],"normalized_date_ssm":["2020"],"normalized_title_ssm":["Blue Ridge Land Conservancy"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["M. Rupert Cutler Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2376,"parent_access_restrict_tesm":["The collection is open to research with the exception of records containing HIPAA- or FAFSA-protected, sensitive, or personally identifiable information. These records are noted in the file-level description. Contact Virginia Tech Special Collections and University ARchives for more information."],"parent_access_terms_tesm":["The copyright for this collection is owned by Dr. M. Rupert Cutler. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[2020],"containers_ssim":["box 120","folder 19"],"_nest_path_":"/components#3/components#402","timestamp":"2026-06-10T20:08:49.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3522","ead_ssi":"viblbv_repositories_2_resources_3522","_root_":"viblbv_repositories_2_resources_3522","_nest_parent_":"viblbv_repositories_2_resources_3522","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3522.xml","title_filing_ssi":"Cutler, M. Rupert, Papers","title_ssm":["M. Rupert Cutler Papers"],"title_tesim":["M. Rupert Cutler Papers"],"unitdate_ssm":["[ca. 1930s]-2021","1962-2021"],"unitdate_bulk_ssim":["1962-2021"],"unitdate_inclusive_ssm":["[ca. 1930s]-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2020.005","/repositories/2/resources/3522"],"text":["Ms.2020.005","/repositories/2/resources/3522","M. Rupert Cutler Papers","Roanoke (Va.)","Roanoke County (Va.)","Environmental policy","Environmental protection","Conservation easements","Conservation projects (Natural resources)","Local government","The collection is open to research with the exception of records containing HIPAA- or FAFSA-protected, sensitive, or personally identifiable information. These records are noted in the file-level description. Contact Virginia Tech Special Collections and University ARchives for more information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","Some of this collection has been digitized for a digital exhibit,  A Lifetime of Service: Selections from the M. Rupert Cutler Papers .","You can also visit the digitized collection page online with the oral history interview with Rupert Cutler.","The collection is arranged by type of material into the following series:","Series I. Personal Records Series II. Clubs Series III. Roanoke Regional Records Series IV. Boards and Committees Records Series V. Professional Records Series VI. Speeches and Writings Series VII. Environmental Activism Series VIII. News Clippings Series IX. Audio Visual Records","M. Rupert Cutler is a native of Detroit, Michigan. He is an environmentalist and a journalist focusing on conservation and local Roanoke issues. He received his Bachelor's degree from the University of Michigan in Wildlife Management in 1955 and a Master's and Doctorate of Philosophy degrees from the Department of Resource Management at Michigan State University in 1969. ","After graduating from the University of Michigan, Cutler worked as an instruction book writer for Argus Cameras in Ann Arbor, Michigan. In 1956, he moved to Arizona where he edited the Winslow Mail, a weekly newspaper. In 1957, he accepted the post of executive secretary of Wildlife Conservation Incorporated in Boston and in 1958 he was hired by the Virginia Commission of Game and Inland Fisheries to be associate editor of Virginia Wildlife, the Virginia Game Department's magazine. In 1961, Cutler was promoted to Chief, Education Division, Virginia Commission of Game and Inland Fisheries. Cutler was then in Washington D.C. serving as editor of publications of the National Wildlife Federation (1962-1965) and then as assistant executive director of The Wilderness Society (1965-1969). ","In 1969, Cutler returned to Michigan to study for his doctorate at Michigan State University and to work as a Graduate Research Assistant in MSU's Department of Resource Development. With his degree, he became assistant professor of resource development and the state's extension specialist in natural resources policy, a post which he held from 1972-1977. In 1977 he was appointed by President Jimmy Carter to serve as assistant secretary of agriculture for conservation, research, and education. From 1977 to 1980 he provided policy direction to the U.S. Forest Service, the Soil Conservation Service, and USDA's research, extension, and library agencies. He was also senior vice president of the National Audubon Society (1980-1983), and executive director of Population-Environment Balance (1983-1987). From 1987-1990 he was the president and CEO of Defenders of Wildlife, an organization based in Washington, DC devoted to protecting animals and their habitats in the United States.","M. Rupert Cutler moved to Roanoke, Virginia in January 1991. From 1991 to February of 1997, he was the executive director of Virginia's Explore Park, a 1,000-acre outdoor living history museum and environmental education center on the Roanoke River in Roanoke and Bedford counties. In March of 1997, M. Rupert Cutler became the founding executive director of the Western Virginia Land Trust, a new, private, nonprofit association created to help preserve the natural, scenic, and cultural heritage of western Virginia on private land, using conservation easements. Between 2004-2009, he sat on the board of the Western Virginia Water Authority, which was created in 2004 to provide water and waste water treatment to the City of Roanoke and Roanoke County. ","From 2002-2010, Cutler acted as a Trustee for the Virginia Outdoors Foundation, a semi-governmental organization created in 1966 to promote the use and preservation of Virginia's public lands. For part of this time he was also serving as President of the Roanoke chapter of the Kiwanis Club (2002-2003), of which he is a long-standing member. From 2006-2009 he also served as chair of the Steering Committee of the Nonprofit Resource Center of Western Virginia, which supports the work of regional nonprofits. He has also served on the boards of Opera Roanoke, the Harrison Museum of African-American Culture, Valley Beautiful, the Roanoke Urban Forestry Council, Historic Greenfield, and has worked on a number of committees to preserve and improve Roanoke and the environment.","The guide to the M. Rupert Cutler Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Lovely card from a school class","Cool pictures","Cool singing group","good pictures","good pictures","good pictures","good pictures","good pictures","good pictures","good pictures","good pictures","good pictures","Cool singing group","membership certificate","good photos","good pictures","good pictures","good pictures","good pictures","good pictures","good pictures","certificate","good pictures","Cool pictures","Cool pictures","Cool pictures","Cool pictures","good pictures","Cool vision of Roanoke 2020*","Cool vision of Roanoke 2020*","Cool vision of Roanoke 2020*","Cool vision of Roanoke 2020*","Cool vision of Roanoke 2020*","Cool plans for Roanoke","good photos","good pictures","good pictures","good pictures","Cool citizen award","This is when he won","name badge","Cool award","photos of the stadium","good pictures of Rupert","good photos","good pictures","neat certificate","marked up speech","Good pictures","good explore park picture","good pictures","good pictures","Sticker and pamphlet for exhibit","The processing, arrangement, and description of the M. Rupert Cutler Papers was completed in July 2021, as part of the project, \"This Land is Your Land: Creating Access to the M. Rupert Cutler Papers,\" funded by the  National Historical Publications and Records Commission (NHPRC)  from 2020 to 2021. Additional materials were incorporated in April-May 2025 and May 2026.","Unprocessed additions are available for researchers. Please contact Special Collections and University Archives for more information.","There is also  a digital collection of Rupert Cutler's photographs featuring Explore Park  at the  Virginia Room of the Roanoke Public Library in Roanoke, Virginia.","The M. Rupert Cutler Papers includes personal and professional correspondence, records of Cutler's participation in a variety of clubs, boards, and committees, documents pertaining to local Roanoke issues and events, speeches, articles, and other writings by Cutler, news clippings pertaining to Cutler's interests, photographs, audio cassettes, CDs, VHS cassettes, and awards and certificates.","Series I. Personal Records consist of letters, emails, greeting cards, postcards and invitations to and from family and friends, travel records, and photographs of people and events. This series contains some restricted materials, mostly consisting of HIPAA-protected personal information. These restricted materials are noted at the file-level. ","Series II. Clubs contains records of Cutler's participation in the Roanoke Valley Bird Club, the Roanoke chapter of the Kiwanis Club, Sons of the American Revolution, and the Virginia Gentlemen Barbershop Chorus.","Series III. Roanoke Regional Records contains news articles, event records, invitations, correspondence, and publications relating to the City of Roanoke and the surrouding area. It also contains records of M. Rupert Cutler's service on the Roanoke City Council from 2002-2006 and 2009-2011.","Series IV. Boards and Committees Records consist of documents relating to M. Rupert Cutler's service on the boards of the Western Virginia Water Authority (2004-2009), Opera Roanoke (2006-2009), Virginia Outdoors Foundation (2006-2010), and the Blue Rdige Land Conservancy (2009-2020). It also contains records of his participation in committees such as Roanoke Arts Commission (2003-2014), Mill Mountain Advisory Committee (2003-2006), Sustainable Oceans, Coasts, and Waterways Advisory Committee (2004-2005), Cabell Brand Center (2005-2014), Nonprofit Resource Center of Western Virginia (2006-2009), Virginia Metropolitan League (2006-2014), Roanoke Valley Cool Cities Coalition (2008-2009), Hollins Presidential Advisory Council (2018-2019) and Historic Greenfield (2019-2020).","Series V. Professional Records cosists of correspondence and documents relatig to Cutler's work, including as senior vice president of the National Audubon Society (1980-1983), executive director of Population-Environment Balance (1983-1987), president and CEO of Defenders of Wildlife (1987-1990), executive director of Virginia's Explore Park (1991-1997), executive director of the Western Virginia Land Trust (1997-1999), and in several teaching positions at Virginia colleges and universities (1999, 2010, 2020). This series contains some restricted materials, consisting of FERPA protected personal information. These restricted materials are noted at the file-level. ","Series VI. Speeches and Writings contains opinion pieces, presentations, lectures, articles, book chapters, and speeches written by M. Rupert Cutler.","Series VII. Envrionmental Activism contains correspondence, publications, newsletters, conference materials, event materials, and travel documents relating to environmental and conservation work. ","Series VIII. News Clippings contains published news articles that Cutler collected and notated on subjects such as conservation, environmentalism, politics, local Roanoke issues, achievements of himself and people he knows, and disasters.","Series IX. Audio Visual Records consists of audio cassettes, VHS cassettes, CDs, DVDs, photographs and photographic negatives documenting Cutler's personal and professional activities, including events, ceremonies, lectures, parties, conferences, and documentaries.","[Removed from red photo album.]","The copyright for this collection is owned by Dr. M. Rupert Cutler. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The M. Rupert Cutler Papers includes personal and professional correspondence, records of Cutler's participation in a variety of clubs, boards, and committees, documents pertaining to local Roanoke issues and events, speeches, articles, and other writings by Cutler, news clippings pertaining to Cutler's interests, photographs, audio cassettes, CDs, VHS cassettes, and awards and certificates. The collection provides a comprehensive history of the personal and professional activities of M. Rupert Cutler from 1981-2021, and also contains some records from 1962-1980. Most records from before 1977 are housed at the Bentley Historical Library at the University of Michigan. Records from his service in the Carter Administration, 1977-1981, are housed at the Jimmy Carter Presidential Library in Atlanta.","Please note:  Material is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for further information.","Special Collections and University Archives, Virginia Tech","Cutler, M. Rupert","The materials in the collection are in English."],"unitid_tesim":["Ms.2020.005","/repositories/2/resources/3522"],"normalized_title_ssm":["M. Rupert Cutler Papers"],"collection_title_tesim":["M. Rupert Cutler Papers"],"collection_ssim":["M. Rupert Cutler Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Roanoke (Va.)","Roanoke County (Va.)"],"geogname_ssim":["Roanoke (Va.)","Roanoke County (Va.)"],"creator_ssm":["Cutler, M. Rupert"],"creator_ssim":["Cutler, M. Rupert"],"creator_persname_ssim":["Cutler, M. Rupert"],"creators_ssim":["Cutler, M. Rupert"],"places_ssim":["Roanoke (Va.)","Roanoke County (Va.)"],"access_terms_ssm":["The copyright for this collection is owned by Dr. M. Rupert Cutler. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The M. Rupert Cutler Papers were donated to Special Collections and University Archives in several accessions between 2019 and 2021. Additional accruals are expected."],"access_subjects_ssim":["Environmental policy","Environmental protection","Conservation easements","Conservation projects (Natural resources)","Local government"],"access_subjects_ssm":["Environmental policy","Environmental protection","Conservation easements","Conservation projects (Natural resources)","Local government"],"has_online_content_ssim":["false"],"extent_ssm":["178.5 Cubic Feet 128 boxes"],"extent_tesim":["178.5 Cubic Feet 128 boxes"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research with the exception of records containing HIPAA- or FAFSA-protected, sensitive, or personally identifiable information. These records are noted in the file-level description. Contact Virginia Tech Special Collections and University ARchives for more information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","General","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","General","General","General","General","General","General","General","General","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research with the exception of records containing HIPAA- or FAFSA-protected, sensitive, or personally identifiable information. These records are noted in the file-level description. Contact Virginia Tech Special Collections and University ARchives for more information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information."],"altformavail_html_tesm":["\u003cp\u003eSome of this collection has been digitized for a digital exhibit, \u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/exhibits/show/a-lifetime-of-service--selecti\"\u003eA Lifetime of Service: Selections from the M. Rupert Cutler Papers\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/242\"\u003eYou can also visit the digitized collection page online with the oral history interview with Rupert Cutler.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized for a digital exhibit,  A Lifetime of Service: Selections from the M. Rupert Cutler Papers .","You can also visit the digitized collection page online with the oral history interview with Rupert Cutler."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by type of material into the following series:\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eSeries I. Personal Records\u003c/item\u003e\n\u003citem\u003eSeries II. Clubs\u003c/item\u003e\n\u003citem\u003eSeries III. Roanoke Regional Records\u003c/item\u003e\n\u003citem\u003eSeries IV. Boards and Committees Records\u003c/item\u003e\n\u003citem\u003eSeries V. Professional Records\u003c/item\u003e\n\u003citem\u003eSeries VI. Speeches and Writings\u003c/item\u003e\n\u003citem\u003eSeries VII. Environmental Activism\u003c/item\u003e\n\u003citem\u003eSeries VIII. News Clippings\u003c/item\u003e\n\u003citem\u003eSeries IX. Audio Visual Records\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by type of material into the following series:","Series I. Personal Records Series II. Clubs Series III. Roanoke Regional Records Series IV. Boards and Committees Records Series V. Professional Records Series VI. Speeches and Writings Series VII. Environmental Activism Series VIII. News Clippings Series IX. Audio Visual Records"],"bioghist_html_tesm":["\u003cp\u003eM. Rupert Cutler is a native of Detroit, Michigan. He is an environmentalist and a journalist focusing on conservation and local Roanoke issues. He received his Bachelor's degree from the University of Michigan in Wildlife Management in 1955 and a Master's and Doctorate of Philosophy degrees from the Department of Resource Management at Michigan State University in 1969. \u003c/p\u003e\n","\u003cp\u003eAfter graduating from the University of Michigan, Cutler worked as an instruction book writer for Argus Cameras in Ann Arbor, Michigan. In 1956, he moved to Arizona where he edited the Winslow Mail, a weekly newspaper. In 1957, he accepted the post of executive secretary of Wildlife Conservation Incorporated in Boston and in 1958 he was hired by the Virginia Commission of Game and Inland Fisheries to be associate editor of Virginia Wildlife, the Virginia Game Department's magazine. In 1961, Cutler was promoted to Chief, Education Division, Virginia Commission of Game and Inland Fisheries. Cutler was then in Washington D.C. serving as editor of publications of the National Wildlife Federation (1962-1965) and then as assistant executive director of The Wilderness Society (1965-1969). \u003c/p\u003e\n","\u003cp\u003eIn 1969, Cutler returned to Michigan to study for his doctorate at Michigan State University and to work as a Graduate Research Assistant in MSU's Department of Resource Development. With his degree, he became assistant professor of resource development and the state's extension specialist in natural resources policy, a post which he held from 1972-1977. In 1977 he was appointed by President Jimmy Carter to serve as assistant secretary of agriculture for conservation, research, and education. From 1977 to 1980 he provided policy direction to the U.S. Forest Service, the Soil Conservation Service, and USDA's research, extension, and library agencies. He was also senior vice president of the National Audubon Society (1980-1983), and executive director of Population-Environment Balance (1983-1987). From 1987-1990 he was the president and CEO of Defenders of Wildlife, an organization based in Washington, DC devoted to protecting animals and their habitats in the United States.\u003c/p\u003e\n","\u003cp\u003eM. Rupert Cutler moved to Roanoke, Virginia in January 1991. From 1991 to February of 1997, he was the executive director of Virginia's Explore Park, a 1,000-acre outdoor living history museum and environmental education center on the Roanoke River in Roanoke and Bedford counties. In March of 1997, M. Rupert Cutler became the founding executive director of the Western Virginia Land Trust, a new, private, nonprofit association created to help preserve the natural, scenic, and cultural heritage of western Virginia on private land, using conservation easements. Between 2004-2009, he sat on the board of the Western Virginia Water Authority, which was created in 2004 to provide water and waste water treatment to the City of Roanoke and Roanoke County. \u003c/p\u003e\n","\u003cp\u003eFrom 2002-2010, Cutler acted as a Trustee for the Virginia Outdoors Foundation, a semi-governmental organization created in 1966 to promote the use and preservation of Virginia's public lands. For part of this time he was also serving as President of the Roanoke chapter of the Kiwanis Club (2002-2003), of which he is a long-standing member. From 2006-2009 he also served as chair of the Steering Committee of the Nonprofit Resource Center of Western Virginia, which supports the work of regional nonprofits. He has also served on the boards of Opera Roanoke, the Harrison Museum of African-American Culture, Valley Beautiful, the Roanoke Urban Forestry Council, Historic Greenfield, and has worked on a number of committees to preserve and improve Roanoke and the environment.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["M. Rupert Cutler is a native of Detroit, Michigan. He is an environmentalist and a journalist focusing on conservation and local Roanoke issues. He received his Bachelor's degree from the University of Michigan in Wildlife Management in 1955 and a Master's and Doctorate of Philosophy degrees from the Department of Resource Management at Michigan State University in 1969. ","After graduating from the University of Michigan, Cutler worked as an instruction book writer for Argus Cameras in Ann Arbor, Michigan. In 1956, he moved to Arizona where he edited the Winslow Mail, a weekly newspaper. In 1957, he accepted the post of executive secretary of Wildlife Conservation Incorporated in Boston and in 1958 he was hired by the Virginia Commission of Game and Inland Fisheries to be associate editor of Virginia Wildlife, the Virginia Game Department's magazine. In 1961, Cutler was promoted to Chief, Education Division, Virginia Commission of Game and Inland Fisheries. Cutler was then in Washington D.C. serving as editor of publications of the National Wildlife Federation (1962-1965) and then as assistant executive director of The Wilderness Society (1965-1969). ","In 1969, Cutler returned to Michigan to study for his doctorate at Michigan State University and to work as a Graduate Research Assistant in MSU's Department of Resource Development. With his degree, he became assistant professor of resource development and the state's extension specialist in natural resources policy, a post which he held from 1972-1977. In 1977 he was appointed by President Jimmy Carter to serve as assistant secretary of agriculture for conservation, research, and education. From 1977 to 1980 he provided policy direction to the U.S. Forest Service, the Soil Conservation Service, and USDA's research, extension, and library agencies. He was also senior vice president of the National Audubon Society (1980-1983), and executive director of Population-Environment Balance (1983-1987). From 1987-1990 he was the president and CEO of Defenders of Wildlife, an organization based in Washington, DC devoted to protecting animals and their habitats in the United States.","M. Rupert Cutler moved to Roanoke, Virginia in January 1991. From 1991 to February of 1997, he was the executive director of Virginia's Explore Park, a 1,000-acre outdoor living history museum and environmental education center on the Roanoke River in Roanoke and Bedford counties. In March of 1997, M. Rupert Cutler became the founding executive director of the Western Virginia Land Trust, a new, private, nonprofit association created to help preserve the natural, scenic, and cultural heritage of western Virginia on private land, using conservation easements. Between 2004-2009, he sat on the board of the Western Virginia Water Authority, which was created in 2004 to provide water and waste water treatment to the City of Roanoke and Roanoke County. ","From 2002-2010, Cutler acted as a Trustee for the Virginia Outdoors Foundation, a semi-governmental organization created in 1966 to promote the use and preservation of Virginia's public lands. For part of this time he was also serving as President of the Roanoke chapter of the Kiwanis Club (2002-2003), of which he is a long-standing member. From 2006-2009 he also served as chair of the Steering Committee of the Nonprofit Resource Center of Western Virginia, which supports the work of regional nonprofits. He has also served on the boards of Opera Roanoke, the Harrison Museum of African-American Culture, Valley Beautiful, the Roanoke Urban Forestry Council, Historic Greenfield, and has worked on a number of committees to preserve and improve Roanoke and the environment."],"odd_html_tesm":["\u003cp\u003eThe guide to the M. Rupert Cutler Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e","\u003cp\u003eLovely card from a school class\u003c/p\u003e","\u003cp\u003eCool pictures\u003c/p\u003e","\u003cp\u003eCool singing group\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003eCool singing group\u003c/p\u003e","\u003cp\u003emembership certificate\u003c/p\u003e","\u003cp\u003egood photos\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003ecertificate\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003eCool pictures\u003c/p\u003e","\u003cp\u003eCool pictures\u003c/p\u003e","\u003cp\u003eCool pictures\u003c/p\u003e","\u003cp\u003eCool pictures\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003eCool vision of Roanoke 2020*\u003c/p\u003e","\u003cp\u003eCool vision of Roanoke 2020*\u003c/p\u003e","\u003cp\u003eCool vision of Roanoke 2020*\u003c/p\u003e","\u003cp\u003eCool vision of Roanoke 2020*\u003c/p\u003e","\u003cp\u003eCool vision of Roanoke 2020*\u003c/p\u003e","\u003cp\u003eCool plans for Roanoke\u003c/p\u003e","\u003cp\u003egood photos\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003eCool citizen award\u003c/p\u003e","\u003cp\u003eThis is when he won\u003c/p\u003e","\u003cp\u003ename badge\u003c/p\u003e","\u003cp\u003eCool award\u003c/p\u003e","\u003cp\u003ephotos of the stadium\u003c/p\u003e","\u003cp\u003egood pictures of Rupert\u003c/p\u003e","\u003cp\u003egood photos\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003eneat certificate\u003c/p\u003e","\u003cp\u003emarked up speech\u003c/p\u003e","\u003cp\u003eGood pictures\u003c/p\u003e","\u003cp\u003egood explore park picture\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003egood pictures\u003c/p\u003e","\u003cp\u003eSticker and pamphlet for exhibit\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The guide to the M. Rupert Cutler Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Lovely card from a school class","Cool pictures","Cool singing group","good pictures","good pictures","good pictures","good pictures","good pictures","good pictures","good pictures","good pictures","good pictures","Cool singing group","membership certificate","good photos","good pictures","good pictures","good pictures","good pictures","good pictures","good pictures","certificate","good pictures","Cool pictures","Cool pictures","Cool pictures","Cool pictures","good pictures","Cool vision of Roanoke 2020*","Cool vision of Roanoke 2020*","Cool vision of Roanoke 2020*","Cool vision of Roanoke 2020*","Cool vision of Roanoke 2020*","Cool plans for Roanoke","good photos","good pictures","good pictures","good pictures","Cool citizen award","This is when he won","name badge","Cool award","photos of the stadium","good pictures of Rupert","good photos","good pictures","neat certificate","marked up speech","Good pictures","good explore park picture","good pictures","good pictures","Sticker and pamphlet for exhibit"],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], M. Rupert Cutler Papers, Ms2020-005, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], M. Rupert Cutler Papers, Ms2020-005, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the M. Rupert Cutler Papers was completed in July 2021, as part of the project, \"This Land is Your Land: Creating Access to the M. Rupert Cutler Papers,\" funded by the \u003ca target=\"_blank\" href=\"https://www.archives.gov/nhprc\"\u003eNational Historical Publications and Records Commission (NHPRC)\u003c/a\u003e from 2020 to 2021. Additional materials were incorporated in April-May 2025 and May 2026.\u003c/p\u003e","\u003cp\u003eUnprocessed additions are available for researchers. Please contact Special Collections and University Archives for more information.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the M. Rupert Cutler Papers was completed in July 2021, as part of the project, \"This Land is Your Land: Creating Access to the M. Rupert Cutler Papers,\" funded by the  National Historical Publications and Records Commission (NHPRC)  from 2020 to 2021. Additional materials were incorporated in April-May 2025 and May 2026.","Unprocessed additions are available for researchers. Please contact Special Collections and University Archives for more information."],"relatedmaterial_html_tesm":["\u003cp\u003eThere is also \u003ca target=\"_blank\" href=\"https://www.virginiaroom.org/digital/exhibits/show/explore-park\"\u003ea digital collection of Rupert Cutler's photographs featuring Explore Park\u003c/a\u003e at the \u003ca target=\"_blank\" href=\"http://www.virginiaroom.org/\"\u003eVirginia Room of the Roanoke Public Library in Roanoke, Virginia.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["There is also  a digital collection of Rupert Cutler's photographs featuring Explore Park  at the  Virginia Room of the Roanoke Public Library in Roanoke, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe M. Rupert Cutler Papers includes personal and professional correspondence, records of Cutler's participation in a variety of clubs, boards, and committees, documents pertaining to local Roanoke issues and events, speeches, articles, and other writings by Cutler, news clippings pertaining to Cutler's interests, photographs, audio cassettes, CDs, VHS cassettes, and awards and certificates.\u003c/p\u003e\n","\u003cp\u003eSeries I. Personal Records consist of letters, emails, greeting cards, postcards and invitations to and from family and friends, travel records, and photographs of people and events. This series contains some restricted materials, mostly consisting of HIPAA-protected personal information. These restricted materials are noted at the file-level. \u003c/p\u003e\n","\u003cp\u003eSeries II. Clubs contains records of Cutler's participation in the Roanoke Valley Bird Club, the Roanoke chapter of the Kiwanis Club, Sons of the American Revolution, and the Virginia Gentlemen Barbershop Chorus.\u003c/p\u003e\n","\u003cp\u003eSeries III. Roanoke Regional Records contains news articles, event records, invitations, correspondence, and publications relating to the City of Roanoke and the surrouding area. It also contains records of M. Rupert Cutler's service on the Roanoke City Council from 2002-2006 and 2009-2011.\u003c/p\u003e\n","\u003cp\u003eSeries IV. Boards and Committees Records consist of documents relating to M. Rupert Cutler's service on the boards of the Western Virginia Water Authority (2004-2009), Opera Roanoke (2006-2009), Virginia Outdoors Foundation (2006-2010), and the Blue Rdige Land Conservancy (2009-2020). It also contains records of his participation in committees such as Roanoke Arts Commission (2003-2014), Mill Mountain Advisory Committee (2003-2006), Sustainable Oceans, Coasts, and Waterways Advisory Committee (2004-2005), Cabell Brand Center (2005-2014), Nonprofit Resource Center of Western Virginia (2006-2009), Virginia Metropolitan League (2006-2014), Roanoke Valley Cool Cities Coalition (2008-2009), Hollins Presidential Advisory Council (2018-2019) and Historic Greenfield (2019-2020).\u003c/p\u003e\n","\u003cp\u003eSeries V. Professional Records cosists of correspondence and documents relatig to Cutler's work, including as senior vice president of the National Audubon Society (1980-1983), executive director of Population-Environment Balance (1983-1987), president and CEO of Defenders of Wildlife (1987-1990), executive director of Virginia's Explore Park (1991-1997), executive director of the Western Virginia Land Trust (1997-1999), and in several teaching positions at Virginia colleges and universities (1999, 2010, 2020). This series contains some restricted materials, consisting of FERPA protected personal information. These restricted materials are noted at the file-level. \u003c/p\u003e\n","\u003cp\u003eSeries VI. Speeches and Writings contains opinion pieces, presentations, lectures, articles, book chapters, and speeches written by M. Rupert Cutler.\u003c/p\u003e\n","\u003cp\u003eSeries VII. Envrionmental Activism contains correspondence, publications, newsletters, conference materials, event materials, and travel documents relating to environmental and conservation work. \u003c/p\u003e\n","\u003cp\u003eSeries VIII. News Clippings contains published news articles that Cutler collected and notated on subjects such as conservation, environmentalism, politics, local Roanoke issues, achievements of himself and people he knows, and disasters.\u003c/p\u003e\n","\u003cp\u003eSeries IX. Audio Visual Records consists of audio cassettes, VHS cassettes, CDs, DVDs, photographs and photographic negatives documenting Cutler's personal and professional activities, including events, ceremonies, lectures, parties, conferences, and documentaries.\u003c/p\u003e","\u003cp\u003e[Removed from red photo album.]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The M. Rupert Cutler Papers includes personal and professional correspondence, records of Cutler's participation in a variety of clubs, boards, and committees, documents pertaining to local Roanoke issues and events, speeches, articles, and other writings by Cutler, news clippings pertaining to Cutler's interests, photographs, audio cassettes, CDs, VHS cassettes, and awards and certificates.","Series I. Personal Records consist of letters, emails, greeting cards, postcards and invitations to and from family and friends, travel records, and photographs of people and events. This series contains some restricted materials, mostly consisting of HIPAA-protected personal information. These restricted materials are noted at the file-level. ","Series II. Clubs contains records of Cutler's participation in the Roanoke Valley Bird Club, the Roanoke chapter of the Kiwanis Club, Sons of the American Revolution, and the Virginia Gentlemen Barbershop Chorus.","Series III. Roanoke Regional Records contains news articles, event records, invitations, correspondence, and publications relating to the City of Roanoke and the surrouding area. It also contains records of M. Rupert Cutler's service on the Roanoke City Council from 2002-2006 and 2009-2011.","Series IV. Boards and Committees Records consist of documents relating to M. Rupert Cutler's service on the boards of the Western Virginia Water Authority (2004-2009), Opera Roanoke (2006-2009), Virginia Outdoors Foundation (2006-2010), and the Blue Rdige Land Conservancy (2009-2020). It also contains records of his participation in committees such as Roanoke Arts Commission (2003-2014), Mill Mountain Advisory Committee (2003-2006), Sustainable Oceans, Coasts, and Waterways Advisory Committee (2004-2005), Cabell Brand Center (2005-2014), Nonprofit Resource Center of Western Virginia (2006-2009), Virginia Metropolitan League (2006-2014), Roanoke Valley Cool Cities Coalition (2008-2009), Hollins Presidential Advisory Council (2018-2019) and Historic Greenfield (2019-2020).","Series V. Professional Records cosists of correspondence and documents relatig to Cutler's work, including as senior vice president of the National Audubon Society (1980-1983), executive director of Population-Environment Balance (1983-1987), president and CEO of Defenders of Wildlife (1987-1990), executive director of Virginia's Explore Park (1991-1997), executive director of the Western Virginia Land Trust (1997-1999), and in several teaching positions at Virginia colleges and universities (1999, 2010, 2020). This series contains some restricted materials, consisting of FERPA protected personal information. These restricted materials are noted at the file-level. ","Series VI. Speeches and Writings contains opinion pieces, presentations, lectures, articles, book chapters, and speeches written by M. Rupert Cutler.","Series VII. Envrionmental Activism contains correspondence, publications, newsletters, conference materials, event materials, and travel documents relating to environmental and conservation work. ","Series VIII. News Clippings contains published news articles that Cutler collected and notated on subjects such as conservation, environmentalism, politics, local Roanoke issues, achievements of himself and people he knows, and disasters.","Series IX. Audio Visual Records consists of audio cassettes, VHS cassettes, CDs, DVDs, photographs and photographic negatives documenting Cutler's personal and professional activities, including events, ceremonies, lectures, parties, conferences, and documentaries.","[Removed from red photo album.]"],"userestrict_html_tesm":["\u003cp\u003eThe copyright for this collection is owned by Dr. M. Rupert Cutler. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright for this collection is owned by Dr. M. Rupert Cutler. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4366gd56\" label=\"Abstract\"\u003eThe M. Rupert Cutler Papers includes personal and professional correspondence, records of Cutler's participation in a variety of clubs, boards, and committees, documents pertaining to local Roanoke issues and events, speeches, articles, and other writings by Cutler, news clippings pertaining to Cutler's interests, photographs, audio cassettes, CDs, VHS cassettes, and awards and certificates. The collection provides a comprehensive history of the personal and professional activities of M. Rupert Cutler from 1981-2021, and also contains some records from 1962-1980. Most records from before 1977 are housed at the Bentley Historical Library at the University of Michigan. Records from his service in the Carter Administration, 1977-1981, are housed at the Jimmy Carter Presidential Library in Atlanta.\u003c/abstract\u003e"],"abstract_tesim":["The M. Rupert Cutler Papers includes personal and professional correspondence, records of Cutler's participation in a variety of clubs, boards, and committees, documents pertaining to local Roanoke issues and events, speeches, articles, and other writings by Cutler, news clippings pertaining to Cutler's interests, photographs, audio cassettes, CDs, VHS cassettes, and awards and certificates. The collection provides a comprehensive history of the personal and professional activities of M. Rupert Cutler from 1981-2021, and also contains some records from 1962-1980. Most records from before 1977 are housed at the Bentley Historical Library at the University of Michigan. Records from his service in the Carter Administration, 1977-1981, are housed at the Jimmy Carter Presidential Library in Atlanta."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6a6810f0a4c256c26cf1fa0c90deb417\" label=\"Physical Access\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e Material is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for further information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  Material is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for further information."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Cutler, M. Rupert"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Cutler, M. Rupert"],"persname_ssim":["Cutler, M. Rupert"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4186,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-10T20:08:49.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3522_c04_c403"}},{"id":"viw_repositories_2_resources_9226_c42","type":"Series","attributes":{"title":"Bly Straube Poem","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9226_c42#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePoem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026amp; Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9226_c42#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9226_c42","ref_ssm":["viw_repositories_2_resources_9226_c42"],"id":"viw_repositories_2_resources_9226_c42","ead_ssi":"viw_repositories_2_resources_9226","_root_":"viw_repositories_2_resources_9226","_nest_parent_":"viw_repositories_2_resources_9226","parent_ssi":"viw_repositories_2_resources_9226","parent_ssim":["viw_repositories_2_resources_9226"],"parent_ids_ssim":["viw_repositories_2_resources_9226"],"parent_unittitles_ssm":["Documenting Life During COVID-19 collection"],"parent_unittitles_tesim":["Documenting Life During COVID-19 collection"],"text":["Documenting Life During COVID-19 collection","Bly Straube Poem","Jamestown Settlement","Jamestown Settlement","English","Williamsburg Historic Records Association (WHRA)","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\""],"title_filing_ssi":"Bly Straube Poem","title_ssm":["Bly Straube Poem"],"title_tesim":["Bly Straube Poem"],"unitdate_other_ssim":["2020 April 13"],"normalized_date_ssm":["2020"],"normalized_title_ssm":["Bly Straube Poem"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["Documenting Life During COVID-19 collection"],"extent_ssm":["1 Megabytes"],"extent_tesim":["1 Megabytes"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":171,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"date_range_isim":[2020],"names_ssim":["Jamestown Settlement","Jamestown Settlement"],"corpname_ssim":["Jamestown Settlement"],"language_ssim":["English"],"odd_html_tesm":["\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Williamsburg Historic Records Association (WHRA)"],"scopecontent_html_tesm":["\u003cp\u003ePoem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026amp; Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\""],"_nest_path_":"/components#41","timestamp":"2026-05-21T02:47:54.358Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9226","ead_ssi":"viw_repositories_2_resources_9226","_root_":"viw_repositories_2_resources_9226","_nest_parent_":"viw_repositories_2_resources_9226","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9226.xml","title_filing_ssi":"Documenting Life During COVID-19 collection \n","title_ssm":["Documenting Life During COVID-19 collection"],"title_tesim":["Documenting Life During COVID-19 collection"],"unitdate_ssm":["2020 March - ongoing"],"unitdate_inclusive_ssm":["2020 March - ongoing"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00326","/repositories/2/resources/9226"],"text":["MS 00326","/repositories/2/resources/9226","Documenting Life During COVID-19 collection","Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals expected.","Materials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials.","Collection includes materials collected from members of the William \u0026 Mary and the greater Williamsburg community during the COVID-19 pandemic. ","From the William \u0026 Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026 Mary Libraries invite all members of the William \u0026 Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: ","Prose\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life","Your memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  ","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Before submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Contact SCRC staff for access to these materials.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Donor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Content creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access.","Most materials are born-digital. Some materials require contacting the SCRC for access.","Materials were processed and described using the submitter's original language from the William \u0026 Mary Libraries submission site.","Accessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.","Some personal information was removed from the heading of this letter.","Collection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026 Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.","A poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"","One photo montage video created and uploaded by Marna Ashburn, William \u0026 Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Individual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.","One photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026 Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Please contact SCRC staff to access the video at this time.","One digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","One digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"","Personal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","Six digital photographs submitted by Jason Betzner '19, William \u0026 Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.","Digital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"","Digital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"","Digital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"","Digital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"","Digital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"","Digital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"","Ten digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"","Poem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. ","Series also includes Buck's headshot, included with submission. ","Screenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026 Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"","Two digital photographs of Suzanne Cole, William \u0026 Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.","One digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"","6 items, distributed by William \u0026 Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.","Seven digital photographs of the Colonial Williamsburg Historic Area and William \u0026 Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"","A personal photograph of Descher, attached with the submission, is also included in this series.","Digital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"","Two video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993, and one recorded Zoom conversation hosted by William \u0026 Mary Libraries with DoubleTake members discussing their experiences during the pandemic. ","Colin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. ","\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","The Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Video recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","Video recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","A recording of a Zoom conversation conducted by William \u0026 Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026 Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Six digital photographs taken by Carlee Dunn, William \u0026 Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.","Dunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" ","Series includes a photograph of Dunn that was attached with the submission. ","19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.","Fairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"","Series also includes a photograph of Fairlie, included with the submission.","Poem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"","Artifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026 Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026 Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission.","Copy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026 Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.","1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"","A personal reflection written by Diane Huebner (Arnold), a William \u0026 Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"","Class of 2023 William \u0026 Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" ","Included in this series is a personal photograph of Incer, along with the submission.","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" ","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" ","Digital version.","Digital version.","Senior recital recordings for Ayush Joshi, William \u0026 Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. ","Full Program:","Classical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)","Jazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)","Also, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"","This performance is in three different audio files, one for each piece in the collection.","Four hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. ","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission.","Personal headshot included by Dan Kehlenbach with the submission.","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. ","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"","Digital photographs and video from Likhitha Kolla, member of William \u0026 Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"","Series also includes a photograph of Kolla, included with the submission.","Poem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.","One image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"","One screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026 Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"","A collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026 Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"","Digital photograph take by Ivy Li, William \u0026 Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"","Self-portrait by Katherine McSweeney, daughter of William \u0026 Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"","Eight digital photographs taken by Miso Park, William \u0026 Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.","Photographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.","Four digital photographs taken by Susan Riggs, William \u0026 Mary M.A. class of 1972 and William \u0026 Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"","Five digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"","Three digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026 Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Three digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"","Digital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science","Digital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.","Digital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.","Digital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.","A personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"","Scanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"","A social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026 Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"","One photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"","Zoom recording from Kenneth Tieu, William \u0026 Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"","Podcast series, digital video, and poem written by Tara Vasanth, William \u0026 Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" ","Podcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"","Also included in this series is a personal photograph of Vasanth, included with the submission.","Poem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.","Photographs by William \u0026 Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"","Two digital photographs submitted by Kate Weis, a William \u0026 Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" ","Series also includes a personal photograph of Weis, included with the submission.","Original music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"","A Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries.","Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement","English"],"unitid_tesim":["MS 00326","/repositories/2/resources/9226"],"normalized_title_ssm":["Documenting Life During COVID-19 collection"],"collection_title_tesim":["Documenting Life During COVID-19 collection"],"collection_ssim":["Documenting Life During COVID-19 collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"acqinfo_ssim":["Digital materials submitted by individuals to William \u0026 Mary Libraries website. Each submitter was required to complete the following Submission Agreement: ","\"I hereby certify that I created, and own the copyright in, the submitted material. While I will continue to retain my copyright, I hereby grant the William \u0026 Mary Libraries a license to add the material to its archival collections and preserve it for future generations of students, scholars, and researchers. I give the Libraries permission:","to organize the materials according to accepted archival principles;\nto create metadata, finding aids, and full-text search interfaces required for the preservation and discovery of the materials;\nto make the materials accessible to researchers and staff;\nand to use the materials in exhibits and displays, both physical and online.\nI agree that William \u0026 Mary Libraries may make this material available online under a Creative Commons Attribution 4.0 license (https://creativecommons.org/licenses/by/4.0/), which will allow others to share and adapt the material, as long as I am given appropriate credit.","I accept the above submission agreement.\"","Physical materials donated separately with Deed of Gift filed under donor name."],"access_subjects_ssim":["Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings"],"access_subjects_ssm":["Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["3068.9 Megabytes",".42 Linear Feet 1 Hollinger box"],"extent_tesim":["3068.9 Megabytes",".42 Linear Feet 1 Hollinger box"],"physfacet_tesim":["Extent as of 2020 May 29"],"genreform_ssim":["Photographs","Poetry","Video recordings","Sound Recordings"],"date_range_isim":[2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Future accruals expected."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials."],"bioghist_html_tesm":["\u003cp\u003eCollection includes materials collected from members of the William \u0026amp; Mary and the greater Williamsburg community during the COVID-19 pandemic. \u003c/p\u003e\n","\u003cp\u003eFrom the William \u0026amp; Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026amp; Mary Libraries invite all members of the William \u0026amp; Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: \u003c/p\u003e\n","\u003cp\u003eProse\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life\u003c/p\u003e\n","\u003cp\u003eYour memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Collection includes materials collected from members of the William \u0026 Mary and the greater Williamsburg community during the COVID-19 pandemic. ","From the William \u0026 Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026 Mary Libraries invite all members of the William \u0026 Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: ","Prose\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life","Your memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  "],"odd_html_tesm":["\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eBefore submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Assocation (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Assocation (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eContact SCRC staff for access to these materials.\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eDonor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eContent creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Before submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Contact SCRC staff for access to these materials.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Donor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Content creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access."],"phystech_html_tesm":["\u003cp\u003eMost materials are born-digital. Some materials require contacting the SCRC for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Most materials are born-digital. Some materials require contacting the SCRC for access."],"prefercite_html_tesm":["\u003cp\u003eDocumenting Life During COVID-19 collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Documenting Life During COVID-19 collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eMaterials were processed and described using the submitter's original language from the William \u0026amp; Mary Libraries submission site.\u003c/p\u003e","\u003cp\u003eAccessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.\u003c/p\u003e","\u003cp\u003eSome personal information was removed from the heading of this letter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Materials were processed and described using the submitter's original language from the William \u0026 Mary Libraries submission site.","Accessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.","Some personal information was removed from the heading of this letter."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026amp; Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.\u003c/p\u003e","\u003cp\u003eA poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"\u003c/p\u003e","\u003cp\u003eOne photo montage video created and uploaded by Marna Ashburn, William \u0026amp; Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"\u003c/p\u003e\n","\u003cp\u003eIndividual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.\u003c/p\u003e","\u003cp\u003eOne photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026amp; Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"\u003c/p\u003e\n","\u003cp\u003ePlease contact SCRC staff to access the video at this time.\u003c/p\u003e","\u003cp\u003eOne digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.\u003c/p\u003e","\u003cp\u003eOne digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"\u003c/p\u003e","\u003cp\u003ePersonal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.\u003c/p\u003e","\u003cp\u003eSix digital photographs submitted by Jason Betzner '19, William \u0026amp; Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"\u003c/p\u003e","\u003cp\u003eTen digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"\u003c/p\u003e","\u003cp\u003ePoem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. \u003c/p\u003e\n","\u003cp\u003eSeries also includes Buck's headshot, included with submission. \u003c/p\u003e","\u003cp\u003eScreenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026amp; Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"\u003c/p\u003e","\u003cp\u003eTwo digital photographs of Suzanne Cole, William \u0026amp; Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.\u003c/p\u003e","\u003cp\u003eOne digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"\u003c/p\u003e","\u003cp\u003e6 items, distributed by William \u0026amp; Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.\u003c/p\u003e","\u003cp\u003eSeven digital photographs of the Colonial Williamsburg Historic Area and William \u0026amp; Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"\u003c/p\u003e\n","\u003cp\u003eA personal photograph of Descher, attached with the submission, is also included in this series.\u003c/p\u003e","\u003cp\u003eDigital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"\u003c/p\u003e","\u003cp\u003eTwo video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993, and one recorded Zoom conversation hosted by William \u0026amp; Mary Libraries with DoubleTake members discussing their experiences during the pandemic. \u003c/p\u003e\n","\u003cp\u003eColin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. \u003c/p\u003e\n","\u003cp\u003e\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"\u003c/p\u003e\n","\u003cp\u003e\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"\u003c/p\u003e\n","\u003cp\u003eThe Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.\u003c/p\u003e","\u003cp\u003eVideo recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.\u003c/p\u003e\n","\u003cp\u003e\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"\u003c/p\u003e","\u003cp\u003eVideo recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.\u003c/p\u003e\n","\u003cp\u003eCarmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"\u003c/p\u003e","\u003cp\u003eA recording of a Zoom conversation conducted by William \u0026amp; Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026amp; Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.\u003c/p\u003e","\u003cp\u003eSix digital photographs taken by Carlee Dunn, William \u0026amp; Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.\u003c/p\u003e\n","\u003cp\u003eDunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" \u003c/p\u003e\n","\u003cp\u003eSeries includes a photograph of Dunn that was attached with the submission. \u003c/p\u003e","\u003cp\u003e19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.\u003c/p\u003e\n","\u003cp\u003eFairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026amp;M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Fairlie, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"\u003c/p\u003e","\u003cp\u003eArtifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026amp; Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026amp; Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.\u003c/p\u003e","\u003cp\u003eVideo of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026amp; Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026amp; performer.\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Hammond, included with the submission.\u003c/p\u003e","\u003cp\u003eCopy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026amp; Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.\u003c/p\u003e","\u003cp\u003e1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"\u003c/p\u003e","\u003cp\u003eA personal reflection written by Diane Huebner (Arnold), a William \u0026amp; Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"\u003c/p\u003e","\u003cp\u003eClass of 2023 William \u0026amp; Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" \u003c/p\u003e\n","\u003cp\u003eIncluded in this series is a personal photograph of Incer, along with the submission.\u003c/p\u003e","\u003cp\u003eInstallments of a weekly art journal zine created by Alexandra Johnson, a William \u0026amp; Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" \u003c/p\u003e\n","\u003cp\u003eJohnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" \u003c/p\u003e","\u003cp\u003eDigital version.\u003c/p\u003e","\u003cp\u003eDigital version.\u003c/p\u003e","\u003cp\u003eSenior recital recordings for Ayush Joshi, William \u0026amp; Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. \u003c/p\u003e\n","\u003cp\u003eFull Program:\u003c/p\u003e\n","\u003cp\u003eClassical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)\u003c/p\u003e\n","\u003cp\u003eJazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)\u003c/p\u003e\n","\u003cp\u003eAlso, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"\u003c/p\u003e","\u003cp\u003eThis performance is in three different audio files, one for each piece in the collection.\u003c/p\u003e","\u003cp\u003eFour hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. \u003c/p\u003e\n","\u003cp\u003eKehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Kehlenbach that was attached to the submission.\u003c/p\u003e","\u003cp\u003ePersonal headshot included by Dan Kehlenbach with the submission.\u003c/p\u003e","\u003cp\u003eOne photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e\n","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"\u003c/p\u003e","\u003cp\u003eOne photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. \u003c/p\u003e\n","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"\u003c/p\u003e","\u003cp\u003eOne photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e\n","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"\u003c/p\u003e","\u003cp\u003eOne photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e\n","\u003cp\u003e\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"\u003c/p\u003e","\u003cp\u003eDigital photographs and video from Likhitha Kolla, member of William \u0026amp; Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Kolla, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.\u003c/p\u003e","\u003cp\u003eOne image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"\u003c/p\u003e","\u003cp\u003eOne screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026amp; Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"\u003c/p\u003e","\u003cp\u003eA collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026amp; Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"\u003c/p\u003e","\u003cp\u003eDigital photograph take by Ivy Li, William \u0026amp; Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"\u003c/p\u003e","\u003cp\u003eSelf-portrait by Katherine McSweeney, daughter of William \u0026amp; Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"\u003c/p\u003e","\u003cp\u003eEight digital photographs taken by Miso Park, William \u0026amp; Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.\u003c/p\u003e","\u003cp\u003ePhotographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.\u003c/p\u003e","\u003cp\u003eFour digital photographs taken by Susan Riggs, William \u0026amp; Mary M.A. class of 1972 and William \u0026amp; Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"\u003c/p\u003e","\u003cp\u003eFive digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"\u003c/p\u003e","\u003cp\u003eThree digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026amp; Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"\u003c/p\u003e","\u003cp\u003ePoem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"\u003c/p\u003e","\u003cp\u003ePoem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"\u003c/p\u003e","\u003cp\u003eThree digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"\u003c/p\u003e","\u003cp\u003eDigital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science\u003c/p\u003e","\u003cp\u003eDigital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.\u003c/p\u003e","\u003cp\u003eDigital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.\u003c/p\u003e","\u003cp\u003eDigital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.\u003c/p\u003e","\u003cp\u003eA personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"\u003c/p\u003e","\u003cp\u003eScanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"\u003c/p\u003e","\u003cp\u003eA social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026amp; Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"\u003c/p\u003e","\u003cp\u003eOne photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"\u003c/p\u003e","\u003cp\u003ePoem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026amp; Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"\u003c/p\u003e","\u003cp\u003eZoom recording from Kenneth Tieu, William \u0026amp; Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"\u003c/p\u003e","\u003cp\u003ePodcast series, digital video, and poem written by Tara Vasanth, William \u0026amp; Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" \u003c/p\u003e\n","\u003cp\u003ePodcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"\u003c/p\u003e\n","\u003cp\u003eAlso included in this series is a personal photograph of Vasanth, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.\u003c/p\u003e","\u003cp\u003ePhotographs by William \u0026amp; Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"\u003c/p\u003e","\u003cp\u003eTwo digital photographs submitted by Kate Weis, a William \u0026amp; Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" \u003c/p\u003e\n","\u003cp\u003eSeries also includes a personal photograph of Weis, included with the submission.\u003c/p\u003e","\u003cp\u003eOriginal music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"\u003c/p\u003e","\u003cp\u003eA Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Collection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026 Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.","A poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"","One photo montage video created and uploaded by Marna Ashburn, William \u0026 Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Individual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.","One photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026 Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Please contact SCRC staff to access the video at this time.","One digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","One digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"","Personal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","Six digital photographs submitted by Jason Betzner '19, William \u0026 Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.","Digital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"","Digital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"","Digital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"","Digital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"","Digital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"","Digital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"","Ten digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"","Poem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. ","Series also includes Buck's headshot, included with submission. ","Screenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026 Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"","Two digital photographs of Suzanne Cole, William \u0026 Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.","One digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"","6 items, distributed by William \u0026 Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.","Seven digital photographs of the Colonial Williamsburg Historic Area and William \u0026 Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"","A personal photograph of Descher, attached with the submission, is also included in this series.","Digital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"","Two video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993, and one recorded Zoom conversation hosted by William \u0026 Mary Libraries with DoubleTake members discussing their experiences during the pandemic. ","Colin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. ","\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","The Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Video recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","Video recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","A recording of a Zoom conversation conducted by William \u0026 Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026 Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Six digital photographs taken by Carlee Dunn, William \u0026 Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.","Dunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" ","Series includes a photograph of Dunn that was attached with the submission. ","19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.","Fairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"","Series also includes a photograph of Fairlie, included with the submission.","Poem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"","Artifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026 Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026 Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission.","Copy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026 Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.","1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"","A personal reflection written by Diane Huebner (Arnold), a William \u0026 Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"","Class of 2023 William \u0026 Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" ","Included in this series is a personal photograph of Incer, along with the submission.","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" ","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" ","Digital version.","Digital version.","Senior recital recordings for Ayush Joshi, William \u0026 Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. ","Full Program:","Classical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)","Jazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)","Also, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"","This performance is in three different audio files, one for each piece in the collection.","Four hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. ","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission.","Personal headshot included by Dan Kehlenbach with the submission.","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. ","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"","Digital photographs and video from Likhitha Kolla, member of William \u0026 Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"","Series also includes a photograph of Kolla, included with the submission.","Poem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.","One image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"","One screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026 Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"","A collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026 Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"","Digital photograph take by Ivy Li, William \u0026 Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"","Self-portrait by Katherine McSweeney, daughter of William \u0026 Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"","Eight digital photographs taken by Miso Park, William \u0026 Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.","Photographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.","Four digital photographs taken by Susan Riggs, William \u0026 Mary M.A. class of 1972 and William \u0026 Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"","Five digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"","Three digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026 Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Three digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"","Digital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science","Digital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.","Digital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.","Digital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.","A personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"","Scanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"","A social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026 Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"","One photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"","Zoom recording from Kenneth Tieu, William \u0026 Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"","Podcast series, digital video, and poem written by Tara Vasanth, William \u0026 Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" ","Podcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"","Also included in this series is a personal photograph of Vasanth, included with the submission.","Poem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.","Photographs by William \u0026 Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"","Two digital photographs submitted by Kate Weis, a William \u0026 Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" ","Series also includes a personal photograph of Weis, included with the submission.","Original music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"","A Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026amp; Mary Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"names_coll_ssim":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"names_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":217,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:47:54.358Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9226_c42"}},{"id":"wvmturhc_repositories_2_resources_6608_c02_c06","type":"File","attributes":{"title":"Board leadership of Familial Hypercholesterolemia Foundation","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6608_c02_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6608_c02_c06","ref_ssm":["wvmturhc_repositories_2_resources_6608_c02_c06"],"id":"wvmturhc_repositories_2_resources_6608_c02_c06","ead_ssi":"wvmturhc_repositories_2_resources_6608","_root_":"wvmturhc_repositories_2_resources_6608","_nest_parent_":"wvmturhc_repositories_2_resources_6608_c02","parent_ssi":"wvmturhc_repositories_2_resources_6608_c02","parent_ssim":["wvmturhc_repositories_2_resources_6608","wvmturhc_repositories_2_resources_6608_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6608","wvmturhc_repositories_2_resources_6608_c02"],"parent_unittitles_ssm":["Dr. William A. Neal Papers","Continuation of memorabilia described in Box 1"],"parent_unittitles_tesim":["Dr. William A. Neal Papers","Continuation of memorabilia described in Box 1"],"text":["Dr. William A. Neal Papers","Continuation of memorabilia described in Box 1","Board leadership of Familial Hypercholesterolemia Foundation","Box 2","Folder 6"],"title_filing_ssi":"Board leadership of Familial Hypercholesterolemia Foundation","title_ssm":["Board leadership of Familial Hypercholesterolemia Foundation"],"title_tesim":["Board leadership of Familial Hypercholesterolemia Foundation"],"unitdate_inclusive_ssm":["2015–2020"],"normalized_date_ssm":["2015/2020"],"normalized_title_ssm":["Board leadership of Familial Hypercholesterolemia Foundation"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Dr. William A. Neal Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":34,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[2015,2016,2017,2018,2019,2020],"containers_ssim":["Box 2","Folder 6"],"_nest_path_":"/components#1/components#5","timestamp":"2026-05-21T01:24:40.630Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6608","ead_ssi":"wvmturhc_repositories_2_resources_6608","_root_":"wvmturhc_repositories_2_resources_6608","_nest_parent_":"wvmturhc_repositories_2_resources_6608","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6608.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/199484","title_ssm":["Dr. William A. Neal Papers"],"title_tesim":["Dr. William A. Neal Papers"],"unitdate_ssm":["ca. 1880-2016"],"unitdate_inclusive_ssm":["ca. 1880-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4481","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6608"],"text":["A\u0026M 4481","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6608","Dr. William A. Neal Papers","No special access restriction applies.","Papers of West Virginia University, School of Medicine faculty member Dr. William A. Neal and the Neal family of West Virginia. Includes correspondence, photographs, awards, clippings, military service record, etc. documenting his career. Also includes papers regarding Neal's father and paternal uncles, and mother. There are papers of his grandfather William Elmer Neal (1875-1969) who was a physician, mayor of Huntington, WV (1925-1928), and who served in the WV House of Delegates (1949-1951) and U.S. House of Representatives (1952-1954; 1956-1958). There are letters of Leonard B. Neal (1878-1900) and material regarding Susan Witten Neal (1888-1961), who was one of the first female graduates of Marshall College.  Finally, there are research papers and manuscript materials for William A. Neal's book on Edward J. Van Liere, who was an advocate for medical education in West Virginia.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Neal family","Neal, William A.","Van Liere, Edward J., 1895-1979","English \n.    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(8 document cases, 5 in. each); (2 document cases, 2 1/2 in. each) (2 flat storage boxes, 3 in. each)"],"extent_tesim":["4.25 Linear Feet 4 ft. 3 in. 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