{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026page=14\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026page=13\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026page=15\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026page=202\u0026view=compact"},"meta":{"pages":{"current_page":14,"next_page":15,"prev_page":13,"total_pages":202,"limit_value":10,"offset_value":130,"total_count":2014,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_711_c165","type":"File","attributes":{"title":"Baltic Comics Magazine š! #40 - The Very End","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_711_c165#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_711_c165#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_711_c165","ref_ssm":["vifgm_repositories_2_resources_711_c165"],"id":"vifgm_repositories_2_resources_711_c165","ead_ssi":"vifgm_repositories_2_resources_711","_root_":"vifgm_repositories_2_resources_711","_nest_parent_":"vifgm_repositories_2_resources_711","parent_ssi":"vifgm_repositories_2_resources_711","parent_ssim":["vifgm_repositories_2_resources_711"],"parent_ids_ssim":["vifgm_repositories_2_resources_711"],"parent_unittitles_ssm":["International art publishing collection"],"parent_unittitles_tesim":["International art publishing collection"],"text":["International art publishing collection","Baltic Comics Magazine š! #40 - The Very End","box 8","Publisher: Grafiskie stāsti, Latvia."],"title_filing_ssi":"Baltic Comics Magazine š! #40 - The Very End","title_ssm":["Baltic Comics Magazine š! #40 - The Very End"],"title_tesim":["Baltic Comics Magazine š! #40 - The Very End"],"unitdate_inclusive_ssm":["December 2020"],"normalized_date_ssm":["2020"],"normalized_title_ssm":["Baltic Comics Magazine š! #40 - The Very End"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["International art publishing collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":165,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[2020],"containers_ssim":["box 8"],"scopecontent_html_tesm":["\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publisher: Grafiskie stāsti, Latvia."],"_nest_path_":"/components#164","timestamp":"2026-05-21T05:12:58.124Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_711","ead_ssi":"vifgm_repositories_2_resources_711","_root_":"vifgm_repositories_2_resources_711","_nest_parent_":"vifgm_repositories_2_resources_711","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_711.xml","title_filing_ssi":"International art publishing collection","title_ssm":["International art publishing collection"],"title_tesim":["International art publishing collection"],"unitdate_ssm":["2009-2023"],"unitdate_inclusive_ssm":["2009-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0517","/repositories/2/resources/711"],"text":["C0517","/repositories/2/resources/711","International art publishing collection","Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)","There are no access restrictions.","Arranged by acquisition date.","\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. 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Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, 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Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: La Silueta, Colombia.","Publisher: Libros de Mano, Mexico.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Libros de Mano, Mexico.","Publisher: komikss magazine kuš!, Latvia.","Publisher: Paradise Systems, U.S.A.","Content Warning: Graphic sexual content.","Publisher: Paradise Systems, 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Finding aid completed by Amanda Menjivar in October 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Mid-atlantic zines and minicomics collection\" href=\"https://aspace.gmu.edu/resources/c0316\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Tijuana Bibles collection.\" href=\"https://aspace.gmu.edu/resources/c0387\"\u003e\u003c/extptr\u003e It also holds an extensive \u003cextptr show=\"new\" title=\"Artists' Book collection.\" href=\"https://scrc.gmu.edu/rare\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"D.C. Public Library\" href=\"https://digdc.dclibrary.org/islandora/object/dcplislandora%3A38043\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"University of Maryland\" href=\"https://archives.lib.umd.edu/subjects/1785\"\u003e\u003c/extptr\u003e hold zines collections. A list of Virginia institutions with zines collections can be found \u003cextptr show=\"new\" title=\"here.\" href=\"https://lva-virginia.libguides.com/c.php?g=1332410\u0026amp;p=9812980\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"Library of Congress\" href=\"https://www.loc.gov/exhibitions/comic-art/about-this-exhibition/comic-books-and-beyond-1940s-to-2000s/minicomics/\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"University of Michigan\" href=\"https://guides.lib.umich.edu/comics/minicomics\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"San Diego State University\" href=\"https://archives.sdsu.edu/repositories/2/resources/116\"\u003e\u003c/extptr\u003e hold minicomics collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the   It also holds an extensive ","The   and the   hold zines collections. A list of Virginia institutions with zines collections can be found ","The  , the  , and   hold minicomics collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.\u003c/p\u003e\n","\u003cp\u003eMaterials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro Ediciones, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Oficyna Peryferie, Poland.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Water With Water and VCU Arts Qatar.\u003c/p\u003e","\u003cp\u003ePublisher: nos:books, Taiwan.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. 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Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: La Silueta, Colombia.","Publisher: Libros de Mano, Mexico.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Libros de Mano, Mexico.","Publisher: komikss magazine kuš!, Latvia.","Publisher: Paradise Systems, U.S.A.","Content Warning: Graphic sexual content.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: piedra ediciones, Mexico.","Publisher: Roma Publications, Netherlands.","Publisher:","Publisher: kolectivo_jajaja, Mexico.","Publisher: Sex Zine, Mexico.","Publisher: Polvoh Press, Oaxaca, Mexico.","Publisher: Gato Negro, Mexico.","Publisher:  Alacraña and Libros de Mano, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: la silueta, Colombia.","Publisher: la silueta, Colombia.","Publisher: Gato Negro, Mexico.","Publisher: Uroboros Editorial press, Mexico","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: piedra ediciones, Mexico.","Publisher: piedra ediciones, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: la silueta, Colombia.","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: alacraña and lapis, 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Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English \n,        Spanish; Castilian \n,        Chinese \n,        Latvian \n.    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The collection focuses primarily on McKnight's student experience as a member of the Alpha Sigma Tau sorority with correspondence, photographs, and invitations giving insight to campus life from 1966-1970.\u003c/abstract\u003e"],"abstract_tesim":["The Barbara McKnight Benham Papers, 1966-2021, comprise materials related to Madison College sorority life, campus events, and alumni associated events. The collection focuses primarily on McKnight's student experience as a member of the Alpha Sigma Tau sorority with correspondence, photographs, and invitations giving insight to campus life from 1966-1970."],"names_coll_ssim":["James Madison University. Alumni Association","Madison College -- Students","Madison College -- History","James Madison University -- History"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Alumni Association","Madison College -- Students","Madison College -- History","James Madison University -- History","Benham, Barbara McKnight, 1948-2022"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Alumni Association","Madison College -- Students","Madison College -- History","James Madison University -- History"],"persname_ssim":["Benham, Barbara McKnight, 1948-2022"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:39.142Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_712"}},{"id":"viw_repositories_2_resources_9226_c25_c05","type":"File","attributes":{"title":"\"Barga, Italy\" Photograph","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9226_c25_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eOne photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9226_c25_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9226_c25_c05","ref_ssm":["viw_repositories_2_resources_9226_c25_c05"],"id":"viw_repositories_2_resources_9226_c25_c05","ead_ssi":"viw_repositories_2_resources_9226","_root_":"viw_repositories_2_resources_9226","_nest_parent_":"viw_repositories_2_resources_9226_c25","parent_ssi":"viw_repositories_2_resources_9226_c25","parent_ssim":["viw_repositories_2_resources_9226","viw_repositories_2_resources_9226_c25"],"parent_ids_ssim":["viw_repositories_2_resources_9226","viw_repositories_2_resources_9226_c25"],"parent_unittitles_ssm":["Documenting Life During COVID-19 collection","Dan Kehlenbach Hand-Colored Photographs"],"parent_unittitles_tesim":["Documenting Life During COVID-19 collection","Dan Kehlenbach Hand-Colored Photographs"],"text":["Documenting Life During COVID-19 collection","Dan Kehlenbach Hand-Colored Photographs","\"Barga, Italy\" Photograph","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\""],"title_filing_ssi":"\"Barga, Italy\" Photograph","title_ssm":["\"Barga, Italy\" Photograph"],"title_tesim":["\"Barga, Italy\" Photograph"],"unitdate_other_ssim":["2020"],"normalized_date_ssm":["2020"],"normalized_title_ssm":["\"Barga, Italy\" Photograph"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Documenting Life During COVID-19 collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":121,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"date_range_isim":[2020],"scopecontent_html_tesm":["\u003cp\u003eOne photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e","\u003cp\u003e\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\""],"_nest_path_":"/components#24/components#4","timestamp":"2026-05-21T02:47:54.358Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9226","ead_ssi":"viw_repositories_2_resources_9226","_root_":"viw_repositories_2_resources_9226","_nest_parent_":"viw_repositories_2_resources_9226","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9226.xml","title_filing_ssi":"Documenting Life During COVID-19 collection \n","title_ssm":["Documenting Life During COVID-19 collection"],"title_tesim":["Documenting Life During COVID-19 collection"],"unitdate_ssm":["2020 March - ongoing"],"unitdate_inclusive_ssm":["2020 March - ongoing"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00326","/repositories/2/resources/9226"],"text":["MS 00326","/repositories/2/resources/9226","Documenting Life During COVID-19 collection","Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals expected.","Materials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials.","Collection includes materials collected from members of the William \u0026 Mary and the greater Williamsburg community during the COVID-19 pandemic. ","From the William \u0026 Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026 Mary Libraries invite all members of the William \u0026 Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: ","Prose\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life","Your memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  ","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Before submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Contact SCRC staff for access to these materials.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Donor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Content creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access.","Most materials are born-digital. Some materials require contacting the SCRC for access.","Materials were processed and described using the submitter's original language from the William \u0026 Mary Libraries submission site.","Accessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.","Some personal information was removed from the heading of this letter.","Collection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026 Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.","A poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"","One photo montage video created and uploaded by Marna Ashburn, William \u0026 Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Individual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.","One photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026 Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Please contact SCRC staff to access the video at this time.","One digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","One digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"","Personal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","Six digital photographs submitted by Jason Betzner '19, William \u0026 Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.","Digital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"","Digital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"","Digital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"","Digital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"","Digital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"","Digital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"","Ten digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"","Poem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. ","Series also includes Buck's headshot, included with submission. ","Screenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026 Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"","Two digital photographs of Suzanne Cole, William \u0026 Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.","One digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"","6 items, distributed by William \u0026 Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.","Seven digital photographs of the Colonial Williamsburg Historic Area and William \u0026 Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"","A personal photograph of Descher, attached with the submission, is also included in this series.","Digital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"","Two video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993, and one recorded Zoom conversation hosted by William \u0026 Mary Libraries with DoubleTake members discussing their experiences during the pandemic. ","Colin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. ","\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","The Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Video recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","Video recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","A recording of a Zoom conversation conducted by William \u0026 Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026 Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Six digital photographs taken by Carlee Dunn, William \u0026 Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.","Dunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" ","Series includes a photograph of Dunn that was attached with the submission. ","19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.","Fairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"","Series also includes a photograph of Fairlie, included with the submission.","Poem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"","Artifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026 Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026 Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission.","Copy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026 Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.","1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"","A personal reflection written by Diane Huebner (Arnold), a William \u0026 Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"","Class of 2023 William \u0026 Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" ","Included in this series is a personal photograph of Incer, along with the submission.","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" ","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" ","Digital version.","Digital version.","Senior recital recordings for Ayush Joshi, William \u0026 Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. ","Full Program:","Classical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)","Jazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)","Also, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"","This performance is in three different audio files, one for each piece in the collection.","Four hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. ","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission.","Personal headshot included by Dan Kehlenbach with the submission.","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. ","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"","Digital photographs and video from Likhitha Kolla, member of William \u0026 Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"","Series also includes a photograph of Kolla, included with the submission.","Poem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.","One image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"","One screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026 Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"","A collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026 Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"","Digital photograph take by Ivy Li, William \u0026 Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"","Self-portrait by Katherine McSweeney, daughter of William \u0026 Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"","Eight digital photographs taken by Miso Park, William \u0026 Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.","Photographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.","Four digital photographs taken by Susan Riggs, William \u0026 Mary M.A. class of 1972 and William \u0026 Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"","Five digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"","Three digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026 Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Three digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"","Digital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science","Digital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.","Digital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.","Digital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.","A personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"","Scanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"","A social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026 Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"","One photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"","Zoom recording from Kenneth Tieu, William \u0026 Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"","Podcast series, digital video, and poem written by Tara Vasanth, William \u0026 Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" ","Podcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"","Also included in this series is a personal photograph of Vasanth, included with the submission.","Poem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.","Photographs by William \u0026 Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"","Two digital photographs submitted by Kate Weis, a William \u0026 Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" ","Series also includes a personal photograph of Weis, included with the submission.","Original music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"","A Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries.","Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement","English"],"unitid_tesim":["MS 00326","/repositories/2/resources/9226"],"normalized_title_ssm":["Documenting Life During COVID-19 collection"],"collection_title_tesim":["Documenting Life During COVID-19 collection"],"collection_ssim":["Documenting Life During COVID-19 collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"acqinfo_ssim":["Digital materials submitted by individuals to William \u0026 Mary Libraries website. Each submitter was required to complete the following Submission Agreement: ","\"I hereby certify that I created, and own the copyright in, the submitted material. While I will continue to retain my copyright, I hereby grant the William \u0026 Mary Libraries a license to add the material to its archival collections and preserve it for future generations of students, scholars, and researchers. I give the Libraries permission:","to organize the materials according to accepted archival principles;\nto create metadata, finding aids, and full-text search interfaces required for the preservation and discovery of the materials;\nto make the materials accessible to researchers and staff;\nand to use the materials in exhibits and displays, both physical and online.\nI agree that William \u0026 Mary Libraries may make this material available online under a Creative Commons Attribution 4.0 license (https://creativecommons.org/licenses/by/4.0/), which will allow others to share and adapt the material, as long as I am given appropriate credit.","I accept the above submission agreement.\"","Physical materials donated separately with Deed of Gift filed under donor name."],"access_subjects_ssim":["Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings"],"access_subjects_ssm":["Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["3068.9 Megabytes",".42 Linear Feet 1 Hollinger box"],"extent_tesim":["3068.9 Megabytes",".42 Linear Feet 1 Hollinger box"],"physfacet_tesim":["Extent as of 2020 May 29"],"genreform_ssim":["Photographs","Poetry","Video recordings","Sound Recordings"],"date_range_isim":[2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Future accruals expected."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials."],"bioghist_html_tesm":["\u003cp\u003eCollection includes materials collected from members of the William \u0026amp; Mary and the greater Williamsburg community during the COVID-19 pandemic. \u003c/p\u003e\n","\u003cp\u003eFrom the William \u0026amp; Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026amp; Mary Libraries invite all members of the William \u0026amp; Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: \u003c/p\u003e\n","\u003cp\u003eProse\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life\u003c/p\u003e\n","\u003cp\u003eYour memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Collection includes materials collected from members of the William \u0026 Mary and the greater Williamsburg community during the COVID-19 pandemic. ","From the William \u0026 Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026 Mary Libraries invite all members of the William \u0026 Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: ","Prose\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life","Your memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  "],"odd_html_tesm":["\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eBefore submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Assocation (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Assocation (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eContact SCRC staff for access to these materials.\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eDonor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eContent creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Before submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Contact SCRC staff for access to these materials.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Donor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Content creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access."],"phystech_html_tesm":["\u003cp\u003eMost materials are born-digital. Some materials require contacting the SCRC for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Most materials are born-digital. Some materials require contacting the SCRC for access."],"prefercite_html_tesm":["\u003cp\u003eDocumenting Life During COVID-19 collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Documenting Life During COVID-19 collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eMaterials were processed and described using the submitter's original language from the William \u0026amp; Mary Libraries submission site.\u003c/p\u003e","\u003cp\u003eAccessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.\u003c/p\u003e","\u003cp\u003eSome personal information was removed from the heading of this letter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Materials were processed and described using the submitter's original language from the William \u0026 Mary Libraries submission site.","Accessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.","Some personal information was removed from the heading of this letter."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026amp; Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.\u003c/p\u003e","\u003cp\u003eA poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"\u003c/p\u003e","\u003cp\u003eOne photo montage video created and uploaded by Marna Ashburn, William \u0026amp; Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"\u003c/p\u003e\n","\u003cp\u003eIndividual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.\u003c/p\u003e","\u003cp\u003eOne photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026amp; Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"\u003c/p\u003e\n","\u003cp\u003ePlease contact SCRC staff to access the video at this time.\u003c/p\u003e","\u003cp\u003eOne digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.\u003c/p\u003e","\u003cp\u003eOne digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"\u003c/p\u003e","\u003cp\u003ePersonal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.\u003c/p\u003e","\u003cp\u003eSix digital photographs submitted by Jason Betzner '19, William \u0026amp; Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"\u003c/p\u003e","\u003cp\u003eTen digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"\u003c/p\u003e","\u003cp\u003ePoem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. \u003c/p\u003e\n","\u003cp\u003eSeries also includes Buck's headshot, included with submission. \u003c/p\u003e","\u003cp\u003eScreenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026amp; Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"\u003c/p\u003e","\u003cp\u003eTwo digital photographs of Suzanne Cole, William \u0026amp; Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.\u003c/p\u003e","\u003cp\u003eOne digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"\u003c/p\u003e","\u003cp\u003e6 items, distributed by William \u0026amp; Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.\u003c/p\u003e","\u003cp\u003eSeven digital photographs of the Colonial Williamsburg Historic Area and William \u0026amp; Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"\u003c/p\u003e\n","\u003cp\u003eA personal photograph of Descher, attached with the submission, is also included in this series.\u003c/p\u003e","\u003cp\u003eDigital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"\u003c/p\u003e","\u003cp\u003eTwo video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993, and one recorded Zoom conversation hosted by William \u0026amp; Mary Libraries with DoubleTake members discussing their experiences during the pandemic. \u003c/p\u003e\n","\u003cp\u003eColin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. \u003c/p\u003e\n","\u003cp\u003e\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"\u003c/p\u003e\n","\u003cp\u003e\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"\u003c/p\u003e\n","\u003cp\u003eThe Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.\u003c/p\u003e","\u003cp\u003eVideo recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.\u003c/p\u003e\n","\u003cp\u003e\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"\u003c/p\u003e","\u003cp\u003eVideo recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.\u003c/p\u003e\n","\u003cp\u003eCarmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"\u003c/p\u003e","\u003cp\u003eA recording of a Zoom conversation conducted by William \u0026amp; Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026amp; Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.\u003c/p\u003e","\u003cp\u003eSix digital photographs taken by Carlee Dunn, William \u0026amp; Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.\u003c/p\u003e\n","\u003cp\u003eDunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" \u003c/p\u003e\n","\u003cp\u003eSeries includes a photograph of Dunn that was attached with the submission. \u003c/p\u003e","\u003cp\u003e19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.\u003c/p\u003e\n","\u003cp\u003eFairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026amp;M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Fairlie, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"\u003c/p\u003e","\u003cp\u003eArtifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026amp; Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026amp; Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.\u003c/p\u003e","\u003cp\u003eVideo of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026amp; Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026amp; performer.\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Hammond, included with the submission.\u003c/p\u003e","\u003cp\u003eCopy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026amp; Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.\u003c/p\u003e","\u003cp\u003e1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"\u003c/p\u003e","\u003cp\u003eA personal reflection written by Diane Huebner (Arnold), a William \u0026amp; Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"\u003c/p\u003e","\u003cp\u003eClass of 2023 William \u0026amp; Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" \u003c/p\u003e\n","\u003cp\u003eIncluded in this series is a personal photograph of Incer, along with the submission.\u003c/p\u003e","\u003cp\u003eInstallments of a weekly art journal zine created by Alexandra Johnson, a William \u0026amp; Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" \u003c/p\u003e\n","\u003cp\u003eJohnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" \u003c/p\u003e","\u003cp\u003eDigital version.\u003c/p\u003e","\u003cp\u003eDigital version.\u003c/p\u003e","\u003cp\u003eSenior recital recordings for Ayush Joshi, William \u0026amp; Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. \u003c/p\u003e\n","\u003cp\u003eFull Program:\u003c/p\u003e\n","\u003cp\u003eClassical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)\u003c/p\u003e\n","\u003cp\u003eJazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)\u003c/p\u003e\n","\u003cp\u003eAlso, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"\u003c/p\u003e","\u003cp\u003eThis performance is in three different audio files, one for each piece in the collection.\u003c/p\u003e","\u003cp\u003eFour hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. \u003c/p\u003e\n","\u003cp\u003eKehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Kehlenbach that was attached to the submission.\u003c/p\u003e","\u003cp\u003ePersonal headshot included by Dan Kehlenbach with the submission.\u003c/p\u003e","\u003cp\u003eOne photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e\n","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"\u003c/p\u003e","\u003cp\u003eOne photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. \u003c/p\u003e\n","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"\u003c/p\u003e","\u003cp\u003eOne photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e\n","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"\u003c/p\u003e","\u003cp\u003eOne photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e\n","\u003cp\u003e\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"\u003c/p\u003e","\u003cp\u003eDigital photographs and video from Likhitha Kolla, member of William \u0026amp; Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Kolla, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.\u003c/p\u003e","\u003cp\u003eOne image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"\u003c/p\u003e","\u003cp\u003eOne screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026amp; Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"\u003c/p\u003e","\u003cp\u003eA collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026amp; Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"\u003c/p\u003e","\u003cp\u003eDigital photograph take by Ivy Li, William \u0026amp; Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"\u003c/p\u003e","\u003cp\u003eSelf-portrait by Katherine McSweeney, daughter of William \u0026amp; Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"\u003c/p\u003e","\u003cp\u003eEight digital photographs taken by Miso Park, William \u0026amp; Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.\u003c/p\u003e","\u003cp\u003ePhotographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.\u003c/p\u003e","\u003cp\u003eFour digital photographs taken by Susan Riggs, William \u0026amp; Mary M.A. class of 1972 and William \u0026amp; Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"\u003c/p\u003e","\u003cp\u003eFive digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"\u003c/p\u003e","\u003cp\u003eThree digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026amp; Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"\u003c/p\u003e","\u003cp\u003ePoem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"\u003c/p\u003e","\u003cp\u003ePoem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"\u003c/p\u003e","\u003cp\u003eThree digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"\u003c/p\u003e","\u003cp\u003eDigital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science\u003c/p\u003e","\u003cp\u003eDigital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.\u003c/p\u003e","\u003cp\u003eDigital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.\u003c/p\u003e","\u003cp\u003eDigital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.\u003c/p\u003e","\u003cp\u003eA personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"\u003c/p\u003e","\u003cp\u003eScanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"\u003c/p\u003e","\u003cp\u003eA social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026amp; Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"\u003c/p\u003e","\u003cp\u003eOne photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"\u003c/p\u003e","\u003cp\u003ePoem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026amp; Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"\u003c/p\u003e","\u003cp\u003eZoom recording from Kenneth Tieu, William \u0026amp; Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"\u003c/p\u003e","\u003cp\u003ePodcast series, digital video, and poem written by Tara Vasanth, William \u0026amp; Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" \u003c/p\u003e\n","\u003cp\u003ePodcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"\u003c/p\u003e\n","\u003cp\u003eAlso included in this series is a personal photograph of Vasanth, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.\u003c/p\u003e","\u003cp\u003ePhotographs by William \u0026amp; Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"\u003c/p\u003e","\u003cp\u003eTwo digital photographs submitted by Kate Weis, a William \u0026amp; Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" \u003c/p\u003e\n","\u003cp\u003eSeries also includes a personal photograph of Weis, included with the submission.\u003c/p\u003e","\u003cp\u003eOriginal music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"\u003c/p\u003e","\u003cp\u003eA Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Collection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026 Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.","A poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"","One photo montage video created and uploaded by Marna Ashburn, William \u0026 Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Individual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.","One photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026 Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Please contact SCRC staff to access the video at this time.","One digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","One digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"","Personal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","Six digital photographs submitted by Jason Betzner '19, William \u0026 Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.","Digital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"","Digital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"","Digital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"","Digital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"","Digital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"","Digital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"","Ten digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"","Poem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. ","Series also includes Buck's headshot, included with submission. ","Screenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026 Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"","Two digital photographs of Suzanne Cole, William \u0026 Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.","One digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"","6 items, distributed by William \u0026 Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.","Seven digital photographs of the Colonial Williamsburg Historic Area and William \u0026 Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"","A personal photograph of Descher, attached with the submission, is also included in this series.","Digital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"","Two video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993, and one recorded Zoom conversation hosted by William \u0026 Mary Libraries with DoubleTake members discussing their experiences during the pandemic. ","Colin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. ","\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","The Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Video recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","Video recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","A recording of a Zoom conversation conducted by William \u0026 Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026 Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Six digital photographs taken by Carlee Dunn, William \u0026 Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.","Dunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" ","Series includes a photograph of Dunn that was attached with the submission. ","19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.","Fairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"","Series also includes a photograph of Fairlie, included with the submission.","Poem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"","Artifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026 Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026 Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission.","Copy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026 Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.","1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"","A personal reflection written by Diane Huebner (Arnold), a William \u0026 Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"","Class of 2023 William \u0026 Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" ","Included in this series is a personal photograph of Incer, along with the submission.","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" ","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" ","Digital version.","Digital version.","Senior recital recordings for Ayush Joshi, William \u0026 Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. ","Full Program:","Classical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)","Jazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)","Also, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"","This performance is in three different audio files, one for each piece in the collection.","Four hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. ","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission.","Personal headshot included by Dan Kehlenbach with the submission.","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. ","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"","Digital photographs and video from Likhitha Kolla, member of William \u0026 Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"","Series also includes a photograph of Kolla, included with the submission.","Poem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.","One image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"","One screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026 Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"","A collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026 Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"","Digital photograph take by Ivy Li, William \u0026 Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"","Self-portrait by Katherine McSweeney, daughter of William \u0026 Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"","Eight digital photographs taken by Miso Park, William \u0026 Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.","Photographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.","Four digital photographs taken by Susan Riggs, William \u0026 Mary M.A. class of 1972 and William \u0026 Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"","Five digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"","Three digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026 Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Three digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"","Digital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science","Digital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.","Digital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.","Digital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.","A personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"","Scanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"","A social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026 Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"","One photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"","Zoom recording from Kenneth Tieu, William \u0026 Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"","Podcast series, digital video, and poem written by Tara Vasanth, William \u0026 Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" ","Podcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"","Also included in this series is a personal photograph of Vasanth, included with the submission.","Poem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.","Photographs by William \u0026 Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"","Two digital photographs submitted by Kate Weis, a William \u0026 Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" ","Series also includes a personal photograph of Weis, included with the submission.","Original music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"","A Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026amp; Mary Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"names_coll_ssim":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"names_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":217,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:47:54.358Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9226_c25_c05"}},{"id":"wvmturhc_repositories_2_resources_3207","type":"collection","attributes":{"title":"Barnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3207#creator","type":"document_value","attributes":{"value":"Barnette, Curtis Handley, 1935-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3207#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eBarnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation. These materials document Barnette's leadership and service.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3207#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_3207","ead_ssi":"wvmturhc_repositories_2_resources_3207","_root_":"wvmturhc_repositories_2_resources_3207","_nest_parent_":"wvmturhc_repositories_2_resources_3207","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3207.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/206188","title_ssm":["Barnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation"],"title_tesim":["Barnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation"],"unitdate_ssm":["1905-2020"],"unitdate_inclusive_ssm":["1905-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3974","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3207"],"text":["A\u0026M 3974","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3207","Barnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation","Bethlehem (Pa.)","International trade ","Steel industry and trade","Commercial treaties -- United States","Healthcare reform -- United States","Special access restriction applies. Collection contains Personally Identifiable Information, so it will be restricted until the  donor's death.  Users must complete the Agreement for the Use of Sensitive Materials in order to use the collection before the restriction expires.  This does not apply to box 48; content with sensitive university administration information located in box 48 is closed for research until further notice from donor, while the awards in box 48 are open for research.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Special access restriction applies to box 48. Content with sensitive university administration information located in box 48 is closed for research until further notice from donor; the awards in box 48 are open for research.","Curtis H. \"Hank\" Barnette (born in 1935) is a lawyer, businessman, educator, philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation.","1. Early life\n2. Education\n3. Military Service\n4. Legal\n5. Bethlehem Steel Corporation and Business Career\n6. Public Service\n7. Higher Education and Conservation\n8. Current\n9. Family\n10. Other Awards and Recognition","1. Early life","Curtis Handley \"Hank\" Barnette (born in 1935) is a lawyer, businessman, educator, philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation","He was born in St. Albans, West Virginia and lived there on the Barnette Family Farm at Lower Falls on the Coal River. He attended public schools in St. Albans and graduated from St. Albans High School in 1952.","2. Education","He attended West Virginia University, Morgantown, West Virginia in 1952 on a Benedum Scholarship, studying political science and history, graduating with high honors in 1956. While at the University he served as President of the Student Body, was a member of Phi Beta Kappa, Phi Alpha Theta and Beta Theta Pi.","In 1956 he was awarded a Fulbright Scholarship and as a Fulbright Scholar studied International Law at the University of Manchester, Manchester, England, which he completed in 1957 and then entered military service.","He started at Yale Law School in 1959, graduated in 1962, while a student served as a Research Assistant, Director of Moot Court, and after graduation until 1966 was a Law Tutor at the Law School. In 1975-1976, while employed by Bethlehem Steel Corporation, he attended Harvard Business School's Advanced Management Program.","3. Military Service","He was a member of the ROTC at West Virginia University, in his senior year was Cadet Colonel of the Cadet Corps, graduated as a Distinguished Military Graduate and was commissioned as an officer in the United States Army Reserve – Army Intelligence. He served in Germany 1957-1959 as a Counterintelligence Officer, and while in Germany was a lecturer in international relations at the Frankfurt Branch of the University of Maryland. He continued Intelligence Reserve duty until 1967 with a Strategic Intelligence Detachment in Connecticut, and was promoted to the rank of Major and Commanding Officer.","4. Legal","After graduation from Yale Law School in 1962, he worked as an Attorney with the New Haven law firm of Wiggin \u0026 Dana until 1967 when he joined the Law Department of Bethlehem Steel Corporation in Pennsylvania, as an Attorney. He advanced to General Attorney, Corporate Secretary, Assistant General Counsel, General Counsel, and in 1976, Senior Vice President and Director. In 1992 he was elected Chairman and Chief Executive Officer.","His legal work at Bethlehem Steel centered on antitrust, corporate, litigation, labor relations, and international trade. He was elected to the Antitrust Council of the American Bar Association and became a member of and President of the Association of General Counsel, and continues as an Emeritus Member.","As Secretary he was active in corporate matters, became a member and Chairman of the American Society of Corporate Secretaries, and the Legal Advisory Committee of the New York Stock Exchange.","In 2000, after retirement from Bethlehem Steel Corporation, he became Of Counsel to the international law firm of Skadden, Arps, Slate, Meagher \u0026 Flom, with an office in Washington, D.C. He worked, and has written and spoken in the areas of corporate, litigation, international trade, government affairs, and corporate governance, testified before Congressional Committees, and retired in 2011.","He is a Life Member of the American Law Institute, a Life Patron Fellow of the American Bar Foundation and a Life Fellow of the Pennsylvania Bar Foundation.","He is admitted to practice law in the states of Connecticut, Pennsylvania, West Virginia, the District of Columbia, the Supreme Court of the United States and other federal courts.","5. Bethlehem Steel Corporation and Business Career","He joined Bethlehem Steel Corporation in 1967 and served principally in a legal capacity until 1992 when he was elected Chairman and Chief Executive Officer. He served until his retirement in 2000 when he was elected Chairman Emeritus.","He was a Director and Chairman of the International Iron and Steel Institute, Brussels, Belgium, and was a Director and Chairman of the American Iron and Steel Institute, Washington, DC. He was a member of the Business Council, the Business Roundtable, and was Chairman of the Pennsylvania Business Roundtable.","He was a director of Bethlehem Steel, MetLife, the Metropolitan Life Insurance Company, Owens Corning, and a member of the Norfolk Southern Advisory Board.","6. Public Service","President Ronald Reagan appointed him to the Council of the Administrative Conference of the United States, and Secretary Dole named him to the Coal Commission. President George W. Bush appointed him to the President's Trade Advisory Committee for Trade Policy (ACTPN), and he was reappointed by President William Clinton. Governor Richard Thornburg appointed him to a Judicial Advisory Selection Committee, and Governor Tom Ridge named him to the 21st Century Environmental Commission. He was elected as a Director of the National Center for State Courts in Williamsburg, VA, and was named to the Independent Review Commission on Doping Control by U.S. Track and Field, U.S. Olympic Committee. He has been appointed by the Mayor of the City of Bethlehem to the Bethlehem World Heritage Commission to help Bethlehem achieve World Heritage status.","7. Higher Education and Conservation","Hank served as Chairman of the West Virginia University Board of Governors, and upon retirement was named Chairman Emeritus. He was Chairman and a Director of the West Virginia University Foundation, and upon retirement was elected Director Emeritus.","He is a member and served as Chairman of the Yale Law School Fund Board, was a Trustee of Lehigh University, and is a Trustee of Moravian College.","Hank and his wife, Joanne, have established student scholarships including those at West Virginia University, Yale Law School, Moravian College, Lehigh University, DeSales University, the University of Charleston, St. Luke's University Health Network and Manchester University, and have provided other contributions and support to those and other schools. They have been long time members of the Tocqueville Society of the United Way and supported various other charitable organizations.","Hank grew up on the Barnette Family Farm in St. Albans, WV, which was donated to the State of West Virginia and the Coal River Group. It is now the Barnette Landing on the Coal River, and the Barnette Conservation Preserve.","Joanne was raised on the Harner Family Farm in Morgantown, WV, which she and Hank donated to West Virginia University to be used and developed for faculty and staff housing.","He was CEO of Bethlehem Steel when decisions were made to end steel operations at the Bethlehem Plant on the 1800 acre tract of land in South Bethlehem, Pennsylvania. Hank, was a leader, along with others, through public-private efforts, to cause the preservation of the Bethlehem Plant Site as the largest Brownfield Redevelopment in America. After planning, rezoning, infrastructure construction, and environmental assessments, Beth Works (200 acres) and Bethlehem Commerce Center (1600 acres) were established and continue to be developed.","8. Current","He continues the private practice of law, serves as a Director of Lehigh Valley Industrial Park, Vice Chair of the Bethlehem World Heritage Commission, Rotary Club of Bethlehem, Chair Emeritus of the National Museum of Industrial History, Trustee of Moravian College, an Emeritus member of the Association of General Counsel, member of the Yale Law School Fund Board, and the Council of Chief Executives.","Hank has received the Lifetime Achievement Award from the Association of Fundraising Professionals; awarded The Presidential Medal by Moravian College; named a Sterling Fellow by Yale University; received the Lifetime Achievement Award from Marquis Who's Who; and donated his papers, speeches, testimony and related documents to the Distinguished West Virginians Archives.","Sources: AFP Eastern PA, Lifetime Achievement Award, November 15, 2018; Moravian.edu; The Presidential Medal.Curtis H. Barnette-9/18/19; Lifetime Achievement Award -2018-Marquis Who's Who-24.7. press release.com- Marquis Who's Who-Curtis \"Hank\"Barnette; WVU Launches Distinguished West Virginians Archives-June 5; 2018-wvutoday.wvu.edu.","9. Family","His wife is Loris Joan Harner (\"Joanne\") Barnette, and they have two sons, Kevin Barnette and James Barnette.","10. Other Awards and Recognition","Honorary Doctor of Law Degrees, LL.D.: \n-DeSales University \n-Lehigh University \n-Moravian College \n-University of Charleston \n-West Virginia University \nAmerican Iron and Steel Institute, Washington, D.C.: \n-The Gary Memorial Medal \n-The Statesman Award \nInternational Iron and Steel Institute (World Steel Organization), Brussels, Belgium: The IISI Medal \nCity of Bethlehem, PA: Hall of Fame, 275th Anniversary \nCity of St. Albans, WV: Hall of Fame Award \nCorporate Board Member Magazine: Lifetime Achievement Award as General Counsel \nNational Center for State Courts, Williamsburg, VA: \n-The Warren Burger Society \n-The John H. Pickering Award \nChamber of Commerce, Bethlehem, PA: Distinguished Community Leadership Award, 1999 \nGovernor of West Virginia: Named a Distinguished West Virginian Award \nBoy Scouts of America, Minsi Trails Council: \n-Distinguished Citizen Award, 1996 \n-Silver Beaver Award, 2011  \nWest Virginia University: \n-Order of Vandalia \n-Academy of Distinguished Alumni \n-West Virginia Business Hall of Fame \n-Most Loyal Alumni Mountaineer \n-Outstanding Volunteer Philanthropist  \nWildlands Conservancy: Friend of the Lehigh River Award \nPennsylvania Society: Councilor Emeritus  \nAssociation of Fundraising Professionals: Outstanding Philanthropist, 2004","[From Wikipedia]","Barnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation.  These materials document Barnette's leadership and service.","Includes records documenting the service and leadership of Curtis Handley (\"Hank\") Barnette, former Chairman and C.E.O. of the Bethlehem Steel Corporation, in matters of international trade, law, business, and organizations. Throughout his tenure at Bethlehem Steel, Barnette was affiliated with numerous organizations that have influenced business and trade policy. For example, he was Director and Chairman of the International Iron and Steel Institute (IISI), and the American Iron and Steel Institute (AISI). He served through appointments by the Presidents of the United States as a member of the United States Advisory Committee on Trade Policy and Negotiations (ACTPN), which provides the President with advice from the private sector.","Note: Where possible, the terminology originally used by Barnette and his staff to organize the contents of this record series—as well as the order of folders and items—has been preserved. Accordingly, most folders in this series are described by either 1. topic or 2. organization. In addition, material related to the topic or organization is frequently supplemented by other material; for such folders, descriptions of this supplemental material appear within parentheses in the contents list. Finally, folders containing primarily steel import data or reference materials such as trade publications and directories are described in the contents list as international trade material of a general nature. ","To locate material of interest, it is recommended to search the contents list using the full name as well as any abbreviated names of the given topic or organization listed below. For example, to locate documents related to the World Trade Organization, use \"World Trade Organization\" and \"WTO\" as search terms.","Topics","Topics primarily represented include:  \n1. Trade policy (e.g., the Multilateral Steel Agreement (MSA), the North American Free Trade Agreement (NAFTA))  \n2. Trade litigation (e.g., United States Department of Commerce and United States International Trade Commission (ITC) investigations into unfair trade practices of foreign countries)","Some notable trade agreements referenced in this series include:  \n1. General Agreement on Tariffs and Trade (GATT)  \n2. World Trade Organization (WTO)  \n3. North American Free Trade Agreement (NAFTA)  \n4. Multilateral Steel Agreement (MSA)  \n5. Voluntary Restraint Agreements (VRA)  \n6. Multilateral Specialty Steel Agreement (MSSA)  \n7. North American Steel Sector Agreement (NASSA)  \n8. U.S.-E.C. (European Community) Consensus Agreement  \n9. U.S.-China bilateral WTO agreement","Other topics, represented to a lesser extent, include issues generally relevant to the steel industry, such as labor, health-care reform, and environmental impact, as well as issues specific to the Bethlehem Steel Corporation, such as the Corporation's financial health, steel-production data, and administrative decisions. ","Organizations","Organizations occurring most frequently within the contents list for this series include:  \n1. International Iron and Steel Institute (IISI)  \n2. American Iron and Steel Institute (AISI)  \n3. Bethlehem Steel Corporation (BSC)  \n4. United States Advisory Committee on Trade Policy and Negotiations (ACTPN)  \n5. World Trade Organization (WTO)  \n6. United States International Trade Commission (ITC)  \n7. United States Department of Commerce","Other organizations occurring within the contents list for this series include, approximately in order of decreasing frequency:  \n1. House and Senate Steel Caucuses (Congressional Steel Caucus, Steel Caucus)  \n2. United Steelworkers of America (USWA)  \n3. Council of United States Producers (CUSP)  \n4. North American Steel Council (NASC)  \n5. The Steel Alliance  \n6. Senate Finance Committee  \n7. European Confederation of Iron and Steel Industries (EUROFER)  \n8. Stand Up For Steel  \n9. Organization for Economic Cooperation and Development (OECD)  \n10. The Business Roundtable  \n11. The Business Council  \n12. Economic Strategy Institute (ESI)  \n13. German-American Business Council  \n14. House Subcommittee on Health and the Environment","Types of Material Within Organization-Related Files in Series 1A","1. Correspondence with steel-industry executives and members of federal and state government (N.B. some of the letters are to or from President William Jefferson Clinton)  \n2. Briefing materials (e.g., trade publications, reports, data, articles on domestic and foreign industries)  \n3. Travel documents (e.g., itineraries; receipts; brochures; postcards; and articles on local history, culture, and attractions) associated with conferences held throughout the United States of America, Europe, Asia, and South America, as well as locations in Australia, Bermuda, Canada, and South Africa.","Conference locations in the United States of America include: Arizona, Colorado, Florida, Hawaii, Illinois, New York, North Carolina, Ohio, Pennsylvania, Washington, Washington D.C., and West Virginia.","Conference locations in Europe include: Austria, Czechoslovakia, Denmark, Finland, France, Germany, Hungary, Italy, and Spain.","Conference locations in Asia include: China, India, Japan, South Korea (cancelled due to September 11, 2001 terrorist attacks), Taiwan, Thailand, Turkey, and the U.S.S.R.","Conference locations in South America include: Argentina and Brazil.","Other conference locations include: Melbourne, Australia; Hamilton, Bermuda; Toronto, Canada; and Cape Town, South Africa."," Other Types of Material Found Throughout Series 1A","1. Press releases and clippings  \n2. Handwritten notes  \n3. Transcripts of speeches, interviews and comments to press, and testimony (e.g., to the Senate Finance Committee and to the ITC)  \n4. Legislative documents (e.g., drafts of House and Senate Resolutions and international trade agreements)  \n5. Biographical material (e.g., application forms for appointment to the ACTPN, including a Delayed Certificate of Birth, résumé, statements of military record and security clearance, as well as miscellaneous other personal information such as assets and fingerprint records)  \n6. Award materials (e.g., certificates for the General Motors Supplier of the Year)  \n7. A few original photographs, some with negatives enclosed","Index to Series 1A","Note: Items of particular interest are referenced below according to the Box (B) and Folder (F) in which they are located. Some duplicate items (e.g., additional photocopies) are referenced within this Index.","Barnette interviews, comments to press: B1/F4; B7/F11; B9/F6; B9/F7; B13/F8; B16/F5","Barnette op-ed pieces, The Washington Times and The Baltimore Sun: B5/F5; B8/F10 (same as in B5/F5, but photocopied in different format, larger print); B13/F8","Barnette speeches: B1/F20; B2/F19; B4/F2; B10/F1; B10/F3; B10/F8; B11/F20; B12/F12; B12/F16; B13/F2; B13/F4; B13/F6; B13/F7; B17/F12","Barnette testimony: B3/F17; B4/F3; B4/F4; B4/F5; B4/F8; B5/F5; B8/F2; B8/F3; B8/F7; B8/F10; B8/F14; B9/F6; B9/F7; B9/F17; B9/F18; B9/F19; B10/F2; B10/F5; B10/F6; B10/F7; B13/F6; B13/F11; B13/F15","Clinton, President, letters to/from: B3/F11; B3/F16; B4/F3; B4/F6; B4/F7; B4/F10; B4/F12; B7/F13; B8/F22; B8/F26; B9/F11; B9/F12; B9/F15; B10/F10; B10/F16; B10/F17; B15/F5","Photographs, original: B11/F8 (with negatives); B11/F16; B11/F17 (with negative); B15/F12; B15/F14; B15/F15","This series contains speeches and presentations, published articles and statements, testimonials before Congressional Committees and Caucuses, as well as notes from other events and meetings. There are three major topics represented by these materials: (1) the U.S. steel import crisis (2) the Bethlehem Steel Corporation, and (3) corporate governance. "," 1. Most items concern the U.S. steel import crisis, circa 1980-2000. Curtis Barnette maintained that the drastic, costly changes the U.S. steel industry underwent to become world class producers of steel were undermined by \"dumping\"—or the flooding of U.S. markets with cheap steel imports—from less efficient but heavily subsidized foreign companies. As a result, industry officials filed trade cases and lobbied for stronger, strictly enforced trade remedies. In addition to international trade, many items speak to other public policy areas such as environmental regulation, healthcare, pensions, energy, and tax reform. A few items discuss the Clinton Health Plan specifically."," 2. The Bethlehem Steel Corporation is another central topic. Most items contain discussion of corporate vision, strategic objectives, financial status, and/or business outlook. Two other common sub-topics are \"restructuring,\" which involves a streamlining process in which a corporation partially or wholly sheds unprofitable divisions, and \"modernization,\" which refers to the installation of state-of-the-art equipment at corporate facilities. "," 3. Corporate governance is yet another major topic. Several items include extended discussion on alliance-building, executive compensation plans, audit committees, corporate image, and corporate secretaries. Still other topics in this series include volunteerism and good corporate citizenship; public-private partnerships; economic development in the Lehigh Valley; commencement speeches and education generally; scouting; and memorial services.","This series contains books about the steel industry as a whole. Items generally fall under one of two categories: (1) historical books, or (2) books examining the current state of the industry."," 1. Several items delve into the past of the U.S. steel industry in considerable detail, including a 5-volume set on economic history. Other books focus on a particular time period, place, or event."," 2. Other items in this series give an in-depth look at the state of the U.S. steel industry (1980-2000), as well as offer analysis or interpretation of current trends. Most underscore the need to adapt to changing global economic pressures.","This series contains books, DVDs and news clippings; annual reports and quarterly reports; legal documentation; internal guides and documents; photo albums; and other materials. Items generally fall into three categories: (1) material about Bethlehem Steel published for public consumption (2) internal guides, documents and publications, and (3) materials from a trip to Brazil in 1980."," 1. Most books in this series focus on one or more historical aspects of the Bethlehem Steel Corporation, including the company's formation, its organization and operations at various sites, notable events, and notable persons such as former executives Charles Schwab and Eugene Grace. Several of the books contain a wide array of photographs. Two DVDs and three news clippings also portray Bethlehem Steel's history."," 2. Internal documents and publications include annual reports, quarterly reports, annual meetings of stockholders, and proxy statements. This series also contains legal documentation, the vast majority of which involves a single case, Crystal v. Foy (1980-1983). Other internal documents include items regarding corporate vision, objectives, strategy and performance; financial management; executive guides; and a government reference guide."," 3. Items from a 1980 business trip to Brazil include a large number of photographs, news articles on present-day Brazil, and miscellaneous materials such as executive directories, travel schedules, itineraries, maps, and biographical data on notable persons involved in the trip."," Breakdown by box:  \n Boxes 300 and 301 contain books and two DVDs regarding one or more historical aspects of Bethlehem Steel Corporation.  \n Boxes 302a and 302b contain annual reports of Bethlehem Steel from 1905-2000.  \n Boxes 303 and 304 contain legal documentation from Crystal v. Foy (1980-1983) and photographs from various cases.  \n Box 305 contains corporate documents, publications, and guides for internal use.  \n Box 306 contains three newspaper clippings about Bethlehem Steel's history.  \n Boxes 307a and 307b contain materials regarding Curtis Barnette's business trip to Brazil in 1980.","This series includes 3 awards given to Barnette, each described as follows: Cut-glass vase, approximately 12\" tall, 3.25\" diameter at base, 5.25\" diameter at top, with etching: \"National Center for State Courts [with tree logo] -- JOHN H. PICKERING AWARD -- Presented to Curtis H. Barnette, Esq. -- November 20, 2009.\" In presentation box lined with blue fabric.   Approximately 7\" tall award with round marble base and felt-lined bottom, approximately 6.25\" in diameter, with—in metal work—three apparently blindfolded women armed with swords and crushing snakes with their feet. Plaque on base reads: \"FTI Consulting -- Corporate Board Member -- Curtis H. Barnette -- 2010 General Counsel -- Lifetime Achievement Award.\"   Solid glass globe of the Earth, with etched land masses, approximately 4\" in diameter. No apparent inscription.","This series contains books, reference and background materials, presentations, clippings, journal articles and reports, office correspondence, and miscellaneous materials. Topics include international trade and globalization; the U.S. steel import crisis (1990-2000); \"dumping,\" or the influx of cheap steel imports from subsidized foreign steel producers; current trends of the U.S. steel industry; Japanese financial ascendency relative to American industries; the Uruguay Round Trade Agreements; the World Trade Organization 4th Ministerial Conference at Doha (2001); the U.S. International Trade Commission on trade laws and remedies; and the President's Trade Advisory Committee (1996-2002)."," Breakdown by box:  \n Boxes 500 and 501 contain books regarding various aspects and issues of international trade, especially in the context of increasing globalization. Several items focus on Japan's theoretical financial ascendency over U.S. industries while other books explore the phenomenon of \"dumping,\" or the flood of cheap imports into American markets from subsidized foreign producers. Other items analyze current trends of the U.S. steel industry and related industries."," Box 502 contains Congressional text and documents on the Uruguay Round Trade Agreements (1994); background materials for the World Trade Organization 4th Ministerial Conference at Doha (2001); reference materials on the U.S. International Trade Commission (2002); and presentations authored by industry officials advocating for governmental assistance in correcting trade distorting practices of foreign competitors."," Box 503 contains a voluminous prehearing brief regarding steel imports before the U.S. International Trade Commission (2000). Other items include materials related to a White House meeting (1999); correspondence and press releases from the Office of U.S. Trade Representative; press releases from Congressional members and other materials related to proposed legislation; press releases from Bethlehem Steel and other organizations; opinion pieces from Curtis Barnette; and clippings from a variety of sources regarding international trade and the U.S. steel import crisis (1998-2000)."," Box 504 contains various materials regarding international trade and the U.S. steel import crisis including journal articles and reports, presentations, and materials from discussion panels. Items also include briefing and reference materials from meetings of the President's Trade Advisory Committee between 1996 and 2002.","This series contains speeches and presentations, opening remarks, handwritten notes, conference background and reference materials, training materials, discussion questions, and miscellaneous items such as programs, information about sponsors, lists of attendees, seating charts, and correspondence regarding invitations and/or travel arrangements. Also included are conference papers not authored by Curtis Barnette, a magazine, and a financial report for MetLife Board members."," Most items in this series contain discussion on one or more functions of a corporate secretary/director, including fiduciary duties, the design of corporate boards, logistical arrangements, shareholder suits, and mediation. On a broader level, a few items examine the external (extra-corporate) and internal (intra-corporate) mechanisms governing corporations, as well as the sources and workings of regulatory authority. Other topics include energy, corporate leadership, as well as the financial status of MetLife (2000) and its director benefits.","This series contains two types of items: (1) congratulatory letters and messages to Curtis Barnette upon his election to Chief Executive Officer of Bethlehem Steel Corporation in 1992, and (2) outgoing letters and messages from Curtis Barnette thanking those individuals who congratulated him."," Incoming correspondence is first ordered by type (personal, private business, law firm, or other organization), and then alphabetized within those categories. Personal correspondence is alphabetized by the individual sender's name while all other categories are alphabetized by the name of the business, law firm, or organization. All outgoing letters and messages from Curtis Barnette are ordered alphabetically by the recipient's name.","This series contains comprehensive reports from the Olympic Review Commission and Office of National Drug Control Policy regarding allegations that U.S.A. Track \u0026 Field concealed information regarding use of performance-enhancing drugs (2001); appendices and reference documents; formal correspondence; documents regarding travel; clippings; photographs; and miscellaneous items.","This series contains videocassette tapes and one digital video disc (DVD). Types of footage include television interviews, news segments, quarterly news conferences, promotional and informational films, advertisements, highlights of business conferences and trips, Congressional hearings, and other material.","This series encompasses a broad range of topics. Most of these topics concern Bethlehem Steel and the U.S. steel industry. These include earnings and profitability; restructuring and modernization; international trade and the steel import crisis; pensions and health care reform; valued customers such as General Motors (GM) and John Deere; the impact and versatility of steel products; good business practices and ethics; and industrial history. In addition, several items concern Bethlehem, Pennsylvania, and the Lehigh Valley in general, especially the decline of manufacturing, redevelopment and revitalization efforts, and local history.","Other topics in this series include education and educational institutions such as West Virginia University (WVU); the career and accomplishments of Curtis Barnette, as well as other industrialists and business leaders; the Board of Directors at MetLife; and special events such as the White House State Dinner that Curtis and Joanne Barnette attended during the Clinton administration.","Digital copies of these VHS tapes have been made; consult a curator for access.","This series consists of one standard audio cassette tape which contains a recording of a news conference at Bethlehem Steel. It regards the corporation's acquisition of Lukens Steel and an agreement with competitor Allegheny Teledyne. Curtis Barnette gives opening remarks before answering related questions from reporters.","This series includes two portraits of Barnette – one by Denny Dent circa 1999, measuring 62 in. X 79 in. and the other by Benjamin Fortunado Marcune circa 2002, measuring 32 in. X 53 in.","This series includes several certificates, commendations, plaques, and other materials awarded to Barnette in celebration of his accomplishments throughout his career. These materials recognize Barnette's work on the WVU Board of Governors; his philanthropic endeavors; his Distinguished West Virginian award; his 1995 Doctor of Law degree from WVU; Barnette's three presidential committee appointments, received from Ronald Reagan, Bill Clinton, and George W. Bush; and his invitation to attend Ronald Reagan's first inauguration in 1981. It also includes several administrative documents pertaining to the WVU Board of Governors and other aspects of WVU administration (box 48).","This series consists of documentation of Barnette's education, including a photocopy of his Bachelor of Arts degree from West Virginia University, earned in 1956; correspondence from the University of Manchester certifying his completion of the Diploma in International Law, earned in 1957; a copy of Barnette's Fulbright Scholarship grant authorization for his study at the University of Manchester; and a copy of his dissertation, completed in 1957 and titled  Neutrality Under the Law of the United Nations Charter .","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Bethlehem Steel Corporation","Barnette, Curtis Handley, 1935-","English \n.    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For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["International trade ","Steel industry and trade","Commercial treaties -- United States","Healthcare reform -- United States"],"access_subjects_ssm":["International trade ","Steel industry and trade","Commercial treaties -- United States","Healthcare reform -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["57.18 Linear Feet 57 ft. 2 1/4 in. (44 record cartons, 15 in. each); (3 document cases, 5 in. each); (2 flat storage boxes, 3 in. each); (2 oversize folders, 0.1 in. each); (1 unboxed painting, 3 in.); (1 unboxed painting, 2 in.)"],"extent_tesim":["57.18 Linear Feet 57 ft. 2 1/4 in. (44 record cartons, 15 in. each); (3 document cases, 5 in. each); (2 flat storage boxes, 3 in. each); (2 oversize folders, 0.1 in. each); (1 unboxed painting, 3 in.); (1 unboxed painting, 2 in.)"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies. Collection contains Personally Identifiable Information, so it will be restricted until the  donor's death.  Users must complete the Agreement for the Use of Sensitive Materials in order to use the collection before the restriction expires.  This does not apply to box 48; content with sensitive university administration information located in box 48 is closed for research until further notice from donor, while the awards in box 48 are open for research.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eSpecial access restriction applies to box 48. Content with sensitive university administration information located in box 48 is closed for research until further notice from donor; the awards in box 48 are open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies. Collection contains Personally Identifiable Information, so it will be restricted until the  donor's death.  Users must complete the Agreement for the Use of Sensitive Materials in order to use the collection before the restriction expires.  This does not apply to box 48; content with sensitive university administration information located in box 48 is closed for research until further notice from donor, while the awards in box 48 are open for research.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Special access restriction applies to box 48. Content with sensitive university administration information located in box 48 is closed for research until further notice from donor; the awards in box 48 are open for research."],"bioghist_html_tesm":["\u003cp\u003eCurtis H. \"Hank\" Barnette (born in 1935) is a lawyer, businessman, educator, philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation.\u003c/p\u003e\n","\u003cp\u003e1. Early life\n2. Education\n3. Military Service\n4. Legal\n5. Bethlehem Steel Corporation and Business Career\n6. Public Service\n7. Higher Education and Conservation\n8. Current\n9. Family\n10. Other Awards and Recognition\u003c/p\u003e\n","\u003cp\u003e1. Early life\u003c/p\u003e\n","\u003cp\u003eCurtis Handley \"Hank\" Barnette (born in 1935) is a lawyer, businessman, educator, philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation\u003c/p\u003e\n","\u003cp\u003eHe was born in St. Albans, West Virginia and lived there on the Barnette Family Farm at Lower Falls on the Coal River. He attended public schools in St. Albans and graduated from St. Albans High School in 1952.\u003c/p\u003e\n","\u003cp\u003e2. Education\u003c/p\u003e\n","\u003cp\u003eHe attended West Virginia University, Morgantown, West Virginia in 1952 on a Benedum Scholarship, studying political science and history, graduating with high honors in 1956. While at the University he served as President of the Student Body, was a member of Phi Beta Kappa, Phi Alpha Theta and Beta Theta Pi.\u003c/p\u003e\n","\u003cp\u003eIn 1956 he was awarded a Fulbright Scholarship and as a Fulbright Scholar studied International Law at the University of Manchester, Manchester, England, which he completed in 1957 and then entered military service.\u003c/p\u003e\n","\u003cp\u003eHe started at Yale Law School in 1959, graduated in 1962, while a student served as a Research Assistant, Director of Moot Court, and after graduation until 1966 was a Law Tutor at the Law School. In 1975-1976, while employed by Bethlehem Steel Corporation, he attended Harvard Business School's Advanced Management Program.\u003c/p\u003e\n","\u003cp\u003e3. Military Service\u003c/p\u003e\n","\u003cp\u003eHe was a member of the ROTC at West Virginia University, in his senior year was Cadet Colonel of the Cadet Corps, graduated as a Distinguished Military Graduate and was commissioned as an officer in the United States Army Reserve – Army Intelligence. He served in Germany 1957-1959 as a Counterintelligence Officer, and while in Germany was a lecturer in international relations at the Frankfurt Branch of the University of Maryland. He continued Intelligence Reserve duty until 1967 with a Strategic Intelligence Detachment in Connecticut, and was promoted to the rank of Major and Commanding Officer.\u003c/p\u003e\n","\u003cp\u003e4. Legal\u003c/p\u003e\n","\u003cp\u003eAfter graduation from Yale Law School in 1962, he worked as an Attorney with the New Haven law firm of Wiggin \u0026amp; Dana until 1967 when he joined the Law Department of Bethlehem Steel Corporation in Pennsylvania, as an Attorney. He advanced to General Attorney, Corporate Secretary, Assistant General Counsel, General Counsel, and in 1976, Senior Vice President and Director. In 1992 he was elected Chairman and Chief Executive Officer.\u003c/p\u003e\n","\u003cp\u003eHis legal work at Bethlehem Steel centered on antitrust, corporate, litigation, labor relations, and international trade. He was elected to the Antitrust Council of the American Bar Association and became a member of and President of the Association of General Counsel, and continues as an Emeritus Member.\u003c/p\u003e\n","\u003cp\u003eAs Secretary he was active in corporate matters, became a member and Chairman of the American Society of Corporate Secretaries, and the Legal Advisory Committee of the New York Stock Exchange.\u003c/p\u003e\n","\u003cp\u003eIn 2000, after retirement from Bethlehem Steel Corporation, he became Of Counsel to the international law firm of Skadden, Arps, Slate, Meagher \u0026amp; Flom, with an office in Washington, D.C. He worked, and has written and spoken in the areas of corporate, litigation, international trade, government affairs, and corporate governance, testified before Congressional Committees, and retired in 2011.\u003c/p\u003e\n","\u003cp\u003eHe is a Life Member of the American Law Institute, a Life Patron Fellow of the American Bar Foundation and a Life Fellow of the Pennsylvania Bar Foundation.\u003c/p\u003e\n","\u003cp\u003eHe is admitted to practice law in the states of Connecticut, Pennsylvania, West Virginia, the District of Columbia, the Supreme Court of the United States and other federal courts.\u003c/p\u003e\n","\u003cp\u003e5. Bethlehem Steel Corporation and Business Career\u003c/p\u003e\n","\u003cp\u003eHe joined Bethlehem Steel Corporation in 1967 and served principally in a legal capacity until 1992 when he was elected Chairman and Chief Executive Officer. He served until his retirement in 2000 when he was elected Chairman Emeritus.\u003c/p\u003e\n","\u003cp\u003eHe was a Director and Chairman of the International Iron and Steel Institute, Brussels, Belgium, and was a Director and Chairman of the American Iron and Steel Institute, Washington, DC. He was a member of the Business Council, the Business Roundtable, and was Chairman of the Pennsylvania Business Roundtable.\u003c/p\u003e\n","\u003cp\u003eHe was a director of Bethlehem Steel, MetLife, the Metropolitan Life Insurance Company, Owens Corning, and a member of the Norfolk Southern Advisory Board.\u003c/p\u003e\n","\u003cp\u003e6. Public Service\u003c/p\u003e\n","\u003cp\u003ePresident Ronald Reagan appointed him to the Council of the Administrative Conference of the United States, and Secretary Dole named him to the Coal Commission. President George W. Bush appointed him to the President's Trade Advisory Committee for Trade Policy (ACTPN), and he was reappointed by President William Clinton. Governor Richard Thornburg appointed him to a Judicial Advisory Selection Committee, and Governor Tom Ridge named him to the 21st Century Environmental Commission. He was elected as a Director of the National Center for State Courts in Williamsburg, VA, and was named to the Independent Review Commission on Doping Control by U.S. Track and Field, U.S. Olympic Committee. He has been appointed by the Mayor of the City of Bethlehem to the Bethlehem World Heritage Commission to help Bethlehem achieve World Heritage status.\u003c/p\u003e\n","\u003cp\u003e7. Higher Education and Conservation\u003c/p\u003e\n","\u003cp\u003eHank served as Chairman of the West Virginia University Board of Governors, and upon retirement was named Chairman Emeritus. He was Chairman and a Director of the West Virginia University Foundation, and upon retirement was elected Director Emeritus.\u003c/p\u003e\n","\u003cp\u003eHe is a member and served as Chairman of the Yale Law School Fund Board, was a Trustee of Lehigh University, and is a Trustee of Moravian College.\u003c/p\u003e\n","\u003cp\u003eHank and his wife, Joanne, have established student scholarships including those at West Virginia University, Yale Law School, Moravian College, Lehigh University, DeSales University, the University of Charleston, St. Luke's University Health Network and Manchester University, and have provided other contributions and support to those and other schools. They have been long time members of the Tocqueville Society of the United Way and supported various other charitable organizations.\u003c/p\u003e\n","\u003cp\u003eHank grew up on the Barnette Family Farm in St. Albans, WV, which was donated to the State of West Virginia and the Coal River Group. It is now the Barnette Landing on the Coal River, and the Barnette Conservation Preserve.\u003c/p\u003e\n","\u003cp\u003eJoanne was raised on the Harner Family Farm in Morgantown, WV, which she and Hank donated to West Virginia University to be used and developed for faculty and staff housing.\u003c/p\u003e\n","\u003cp\u003eHe was CEO of Bethlehem Steel when decisions were made to end steel operations at the Bethlehem Plant on the 1800 acre tract of land in South Bethlehem, Pennsylvania. Hank, was a leader, along with others, through public-private efforts, to cause the preservation of the Bethlehem Plant Site as the largest Brownfield Redevelopment in America. After planning, rezoning, infrastructure construction, and environmental assessments, Beth Works (200 acres) and Bethlehem Commerce Center (1600 acres) were established and continue to be developed.\u003c/p\u003e\n","\u003cp\u003e8. Current\u003c/p\u003e\n","\u003cp\u003eHe continues the private practice of law, serves as a Director of Lehigh Valley Industrial Park, Vice Chair of the Bethlehem World Heritage Commission, Rotary Club of Bethlehem, Chair Emeritus of the National Museum of Industrial History, Trustee of Moravian College, an Emeritus member of the Association of General Counsel, member of the Yale Law School Fund Board, and the Council of Chief Executives.\u003c/p\u003e\n","\u003cp\u003eHank has received the Lifetime Achievement Award from the Association of Fundraising Professionals; awarded The Presidential Medal by Moravian College; named a Sterling Fellow by Yale University; received the Lifetime Achievement Award from Marquis Who's Who; and donated his papers, speeches, testimony and related documents to the Distinguished West Virginians Archives.\u003c/p\u003e\n","\u003cp\u003eSources: AFP Eastern PA, Lifetime Achievement Award, November 15, 2018; Moravian.edu; The Presidential Medal.Curtis H. Barnette-9/18/19; Lifetime Achievement Award -2018-Marquis Who's Who-24.7. press release.com- Marquis Who's Who-Curtis \"Hank\"Barnette; WVU Launches Distinguished West Virginians Archives-June 5; 2018-wvutoday.wvu.edu.\u003c/p\u003e\n","\u003cp\u003e9. Family\u003c/p\u003e\n","\u003cp\u003eHis wife is Loris Joan Harner (\"Joanne\") Barnette, and they have two sons, Kevin Barnette and James Barnette.\u003c/p\u003e\n","\u003cp\u003e10. Other Awards and Recognition\u003c/p\u003e\n","\u003cp\u003eHonorary Doctor of Law Degrees, LL.D.:\u003clb\u003e\u003c/lb\u003e\n-DeSales University\u003clb\u003e\u003c/lb\u003e\n-Lehigh University\u003clb\u003e\u003c/lb\u003e\n-Moravian College\u003clb\u003e\u003c/lb\u003e\n-University of Charleston\u003clb\u003e\u003c/lb\u003e\n-West Virginia University\u003clb\u003e\u003c/lb\u003e\nAmerican Iron and Steel Institute, Washington, D.C.:\u003clb\u003e\u003c/lb\u003e\n-The Gary Memorial Medal\u003clb\u003e\u003c/lb\u003e\n-The Statesman Award\u003clb\u003e\u003c/lb\u003e\nInternational Iron and Steel Institute (World Steel Organization), Brussels, Belgium: The IISI Medal\u003clb\u003e\u003c/lb\u003e\nCity of Bethlehem, PA: Hall of Fame, 275th Anniversary\u003clb\u003e\u003c/lb\u003e\nCity of St. Albans, WV: Hall of Fame Award\u003clb\u003e\u003c/lb\u003e\nCorporate Board Member Magazine: Lifetime Achievement Award as General Counsel\u003clb\u003e\u003c/lb\u003e\nNational Center for State Courts, Williamsburg, VA:\u003clb\u003e\u003c/lb\u003e\n-The Warren Burger Society\u003clb\u003e\u003c/lb\u003e\n-The John H. Pickering Award\u003clb\u003e\u003c/lb\u003e\nChamber of Commerce, Bethlehem, PA: Distinguished Community Leadership Award, 1999\u003clb\u003e\u003c/lb\u003e\nGovernor of West Virginia: Named a Distinguished West Virginian Award\u003clb\u003e\u003c/lb\u003e\nBoy Scouts of America, Minsi Trails Council:\u003clb\u003e\u003c/lb\u003e\n-Distinguished Citizen Award, 1996\u003clb\u003e\u003c/lb\u003e\n-Silver Beaver Award, 2011 \u003clb\u003e\u003c/lb\u003e\nWest Virginia University:\u003clb\u003e\u003c/lb\u003e\n-Order of Vandalia\u003clb\u003e\u003c/lb\u003e\n-Academy of Distinguished Alumni\u003clb\u003e\u003c/lb\u003e\n-West Virginia Business Hall of Fame\u003clb\u003e\u003c/lb\u003e\n-Most Loyal Alumni Mountaineer\u003clb\u003e\u003c/lb\u003e\n-Outstanding Volunteer Philanthropist \u003clb\u003e\u003c/lb\u003e\nWildlands Conservancy: Friend of the Lehigh River Award\u003clb\u003e\u003c/lb\u003e\nPennsylvania Society: Councilor Emeritus \u003clb\u003e\u003c/lb\u003e\nAssociation of Fundraising Professionals: Outstanding Philanthropist, 2004\u003c/p\u003e\n","\u003cp\u003e[From Wikipedia]\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Curtis H. \"Hank\" Barnette (born in 1935) is a lawyer, businessman, educator, philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation.","1. Early life\n2. Education\n3. Military Service\n4. Legal\n5. Bethlehem Steel Corporation and Business Career\n6. Public Service\n7. Higher Education and Conservation\n8. Current\n9. Family\n10. Other Awards and Recognition","1. Early life","Curtis Handley \"Hank\" Barnette (born in 1935) is a lawyer, businessman, educator, philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation","He was born in St. Albans, West Virginia and lived there on the Barnette Family Farm at Lower Falls on the Coal River. He attended public schools in St. Albans and graduated from St. Albans High School in 1952.","2. Education","He attended West Virginia University, Morgantown, West Virginia in 1952 on a Benedum Scholarship, studying political science and history, graduating with high honors in 1956. While at the University he served as President of the Student Body, was a member of Phi Beta Kappa, Phi Alpha Theta and Beta Theta Pi.","In 1956 he was awarded a Fulbright Scholarship and as a Fulbright Scholar studied International Law at the University of Manchester, Manchester, England, which he completed in 1957 and then entered military service.","He started at Yale Law School in 1959, graduated in 1962, while a student served as a Research Assistant, Director of Moot Court, and after graduation until 1966 was a Law Tutor at the Law School. In 1975-1976, while employed by Bethlehem Steel Corporation, he attended Harvard Business School's Advanced Management Program.","3. Military Service","He was a member of the ROTC at West Virginia University, in his senior year was Cadet Colonel of the Cadet Corps, graduated as a Distinguished Military Graduate and was commissioned as an officer in the United States Army Reserve – Army Intelligence. He served in Germany 1957-1959 as a Counterintelligence Officer, and while in Germany was a lecturer in international relations at the Frankfurt Branch of the University of Maryland. He continued Intelligence Reserve duty until 1967 with a Strategic Intelligence Detachment in Connecticut, and was promoted to the rank of Major and Commanding Officer.","4. Legal","After graduation from Yale Law School in 1962, he worked as an Attorney with the New Haven law firm of Wiggin \u0026 Dana until 1967 when he joined the Law Department of Bethlehem Steel Corporation in Pennsylvania, as an Attorney. He advanced to General Attorney, Corporate Secretary, Assistant General Counsel, General Counsel, and in 1976, Senior Vice President and Director. In 1992 he was elected Chairman and Chief Executive Officer.","His legal work at Bethlehem Steel centered on antitrust, corporate, litigation, labor relations, and international trade. He was elected to the Antitrust Council of the American Bar Association and became a member of and President of the Association of General Counsel, and continues as an Emeritus Member.","As Secretary he was active in corporate matters, became a member and Chairman of the American Society of Corporate Secretaries, and the Legal Advisory Committee of the New York Stock Exchange.","In 2000, after retirement from Bethlehem Steel Corporation, he became Of Counsel to the international law firm of Skadden, Arps, Slate, Meagher \u0026 Flom, with an office in Washington, D.C. He worked, and has written and spoken in the areas of corporate, litigation, international trade, government affairs, and corporate governance, testified before Congressional Committees, and retired in 2011.","He is a Life Member of the American Law Institute, a Life Patron Fellow of the American Bar Foundation and a Life Fellow of the Pennsylvania Bar Foundation.","He is admitted to practice law in the states of Connecticut, Pennsylvania, West Virginia, the District of Columbia, the Supreme Court of the United States and other federal courts.","5. Bethlehem Steel Corporation and Business Career","He joined Bethlehem Steel Corporation in 1967 and served principally in a legal capacity until 1992 when he was elected Chairman and Chief Executive Officer. He served until his retirement in 2000 when he was elected Chairman Emeritus.","He was a Director and Chairman of the International Iron and Steel Institute, Brussels, Belgium, and was a Director and Chairman of the American Iron and Steel Institute, Washington, DC. He was a member of the Business Council, the Business Roundtable, and was Chairman of the Pennsylvania Business Roundtable.","He was a director of Bethlehem Steel, MetLife, the Metropolitan Life Insurance Company, Owens Corning, and a member of the Norfolk Southern Advisory Board.","6. Public Service","President Ronald Reagan appointed him to the Council of the Administrative Conference of the United States, and Secretary Dole named him to the Coal Commission. President George W. Bush appointed him to the President's Trade Advisory Committee for Trade Policy (ACTPN), and he was reappointed by President William Clinton. Governor Richard Thornburg appointed him to a Judicial Advisory Selection Committee, and Governor Tom Ridge named him to the 21st Century Environmental Commission. He was elected as a Director of the National Center for State Courts in Williamsburg, VA, and was named to the Independent Review Commission on Doping Control by U.S. Track and Field, U.S. Olympic Committee. He has been appointed by the Mayor of the City of Bethlehem to the Bethlehem World Heritage Commission to help Bethlehem achieve World Heritage status.","7. Higher Education and Conservation","Hank served as Chairman of the West Virginia University Board of Governors, and upon retirement was named Chairman Emeritus. He was Chairman and a Director of the West Virginia University Foundation, and upon retirement was elected Director Emeritus.","He is a member and served as Chairman of the Yale Law School Fund Board, was a Trustee of Lehigh University, and is a Trustee of Moravian College.","Hank and his wife, Joanne, have established student scholarships including those at West Virginia University, Yale Law School, Moravian College, Lehigh University, DeSales University, the University of Charleston, St. Luke's University Health Network and Manchester University, and have provided other contributions and support to those and other schools. They have been long time members of the Tocqueville Society of the United Way and supported various other charitable organizations.","Hank grew up on the Barnette Family Farm in St. Albans, WV, which was donated to the State of West Virginia and the Coal River Group. It is now the Barnette Landing on the Coal River, and the Barnette Conservation Preserve.","Joanne was raised on the Harner Family Farm in Morgantown, WV, which she and Hank donated to West Virginia University to be used and developed for faculty and staff housing.","He was CEO of Bethlehem Steel when decisions were made to end steel operations at the Bethlehem Plant on the 1800 acre tract of land in South Bethlehem, Pennsylvania. Hank, was a leader, along with others, through public-private efforts, to cause the preservation of the Bethlehem Plant Site as the largest Brownfield Redevelopment in America. After planning, rezoning, infrastructure construction, and environmental assessments, Beth Works (200 acres) and Bethlehem Commerce Center (1600 acres) were established and continue to be developed.","8. Current","He continues the private practice of law, serves as a Director of Lehigh Valley Industrial Park, Vice Chair of the Bethlehem World Heritage Commission, Rotary Club of Bethlehem, Chair Emeritus of the National Museum of Industrial History, Trustee of Moravian College, an Emeritus member of the Association of General Counsel, member of the Yale Law School Fund Board, and the Council of Chief Executives.","Hank has received the Lifetime Achievement Award from the Association of Fundraising Professionals; awarded The Presidential Medal by Moravian College; named a Sterling Fellow by Yale University; received the Lifetime Achievement Award from Marquis Who's Who; and donated his papers, speeches, testimony and related documents to the Distinguished West Virginians Archives.","Sources: AFP Eastern PA, Lifetime Achievement Award, November 15, 2018; Moravian.edu; The Presidential Medal.Curtis H. Barnette-9/18/19; Lifetime Achievement Award -2018-Marquis Who's Who-24.7. press release.com- Marquis Who's Who-Curtis \"Hank\"Barnette; WVU Launches Distinguished West Virginians Archives-June 5; 2018-wvutoday.wvu.edu.","9. Family","His wife is Loris Joan Harner (\"Joanne\") Barnette, and they have two sons, Kevin Barnette and James Barnette.","10. Other Awards and Recognition","Honorary Doctor of Law Degrees, LL.D.: \n-DeSales University \n-Lehigh University \n-Moravian College \n-University of Charleston \n-West Virginia University \nAmerican Iron and Steel Institute, Washington, D.C.: \n-The Gary Memorial Medal \n-The Statesman Award \nInternational Iron and Steel Institute (World Steel Organization), Brussels, Belgium: The IISI Medal \nCity of Bethlehem, PA: Hall of Fame, 275th Anniversary \nCity of St. Albans, WV: Hall of Fame Award \nCorporate Board Member Magazine: Lifetime Achievement Award as General Counsel \nNational Center for State Courts, Williamsburg, VA: \n-The Warren Burger Society \n-The John H. Pickering Award \nChamber of Commerce, Bethlehem, PA: Distinguished Community Leadership Award, 1999 \nGovernor of West Virginia: Named a Distinguished West Virginian Award \nBoy Scouts of America, Minsi Trails Council: \n-Distinguished Citizen Award, 1996 \n-Silver Beaver Award, 2011  \nWest Virginia University: \n-Order of Vandalia \n-Academy of Distinguished Alumni \n-West Virginia Business Hall of Fame \n-Most Loyal Alumni Mountaineer \n-Outstanding Volunteer Philanthropist  \nWildlands Conservancy: Friend of the Lehigh River Award \nPennsylvania Society: Councilor Emeritus  \nAssociation of Fundraising Professionals: Outstanding Philanthropist, 2004","[From Wikipedia]"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Barnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation, A\u0026amp;M 3974, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Barnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation, A\u0026M 3974, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eBarnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation.  These materials document Barnette's leadership and service.\u003c/p\u003e","\u003cp\u003eIncludes records documenting the service and leadership of Curtis Handley (\"Hank\") Barnette, former Chairman and C.E.O. of the Bethlehem Steel Corporation, in matters of international trade, law, business, and organizations. Throughout his tenure at Bethlehem Steel, Barnette was affiliated with numerous organizations that have influenced business and trade policy. For example, he was Director and Chairman of the International Iron and Steel Institute (IISI), and the American Iron and Steel Institute (AISI). He served through appointments by the Presidents of the United States as a member of the United States Advisory Committee on Trade Policy and Negotiations (ACTPN), which provides the President with advice from the private sector.\u003c/p\u003e\n","\u003cp\u003eNote: Where possible, the terminology originally used by Barnette and his staff to organize the contents of this record series—as well as the order of folders and items—has been preserved. Accordingly, most folders in this series are described by either 1. topic or 2. organization. In addition, material related to the topic or organization is frequently supplemented by other material; for such folders, descriptions of this supplemental material appear within parentheses in the contents list. Finally, folders containing primarily steel import data or reference materials such as trade publications and directories are described in the contents list as international trade material of a general nature. \u003c/p\u003e\n","\u003cp\u003eTo locate material of interest, it is recommended to search the contents list using the full name as well as any abbreviated names of the given topic or organization listed below. For example, to locate documents related to the World Trade Organization, use \"World Trade Organization\" and \"WTO\" as search terms.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eTopics\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTopics primarily represented include: \u003clb\u003e\u003c/lb\u003e\n1. Trade policy (e.g., the Multilateral Steel Agreement (MSA), the North American Free Trade Agreement (NAFTA)) \u003clb\u003e\u003c/lb\u003e\n2. Trade litigation (e.g., United States Department of Commerce and United States International Trade Commission (ITC) investigations into unfair trade practices of foreign countries)\u003c/p\u003e\n","\u003cp\u003eSome notable trade agreements referenced in this series include: \u003clb\u003e\u003c/lb\u003e\n1. General Agreement on Tariffs and Trade (GATT) \u003clb\u003e\u003c/lb\u003e\n2. World Trade Organization (WTO) \u003clb\u003e\u003c/lb\u003e\n3. North American Free Trade Agreement (NAFTA) \u003clb\u003e\u003c/lb\u003e\n4. Multilateral Steel Agreement (MSA) \u003clb\u003e\u003c/lb\u003e\n5. Voluntary Restraint Agreements (VRA) \u003clb\u003e\u003c/lb\u003e\n6. Multilateral Specialty Steel Agreement (MSSA) \u003clb\u003e\u003c/lb\u003e\n7. North American Steel Sector Agreement (NASSA) \u003clb\u003e\u003c/lb\u003e\n8. U.S.-E.C. (European Community) Consensus Agreement \u003clb\u003e\u003c/lb\u003e\n9. U.S.-China bilateral WTO agreement\u003c/p\u003e\n","\u003cp\u003eOther topics, represented to a lesser extent, include issues generally relevant to the steel industry, such as labor, health-care reform, and environmental impact, as well as issues specific to the Bethlehem Steel Corporation, such as the Corporation's financial health, steel-production data, and administrative decisions. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eOrganizations\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eOrganizations occurring most frequently within the contents list for this series include: \u003clb\u003e\u003c/lb\u003e\n1. International Iron and Steel Institute (IISI) \u003clb\u003e\u003c/lb\u003e\n2. American Iron and Steel Institute (AISI) \u003clb\u003e\u003c/lb\u003e\n3. Bethlehem Steel Corporation (BSC) \u003clb\u003e\u003c/lb\u003e\n4. United States Advisory Committee on Trade Policy and Negotiations (ACTPN) \u003clb\u003e\u003c/lb\u003e\n5. World Trade Organization (WTO) \u003clb\u003e\u003c/lb\u003e\n6. United States International Trade Commission (ITC) \u003clb\u003e\u003c/lb\u003e\n7. United States Department of Commerce\u003c/p\u003e\n","\u003cp\u003eOther organizations occurring within the contents list for this series include, approximately in order of decreasing frequency: \u003clb\u003e\u003c/lb\u003e\n1. House and Senate Steel Caucuses (Congressional Steel Caucus, Steel Caucus) \u003clb\u003e\u003c/lb\u003e\n2. United Steelworkers of America (USWA) \u003clb\u003e\u003c/lb\u003e\n3. Council of United States Producers (CUSP) \u003clb\u003e\u003c/lb\u003e\n4. North American Steel Council (NASC) \u003clb\u003e\u003c/lb\u003e\n5. The Steel Alliance \u003clb\u003e\u003c/lb\u003e\n6. Senate Finance Committee \u003clb\u003e\u003c/lb\u003e\n7. European Confederation of Iron and Steel Industries (EUROFER) \u003clb\u003e\u003c/lb\u003e\n8. Stand Up For Steel \u003clb\u003e\u003c/lb\u003e\n9. Organization for Economic Cooperation and Development (OECD) \u003clb\u003e\u003c/lb\u003e\n10. The Business Roundtable \u003clb\u003e\u003c/lb\u003e\n11. The Business Council \u003clb\u003e\u003c/lb\u003e\n12. Economic Strategy Institute (ESI) \u003clb\u003e\u003c/lb\u003e\n13. German-American Business Council \u003clb\u003e\u003c/lb\u003e\n14. House Subcommittee on Health and the Environment\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eTypes of Material Within Organization-Related Files in Series 1A\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e1. Correspondence with steel-industry executives and members of federal and state government (N.B. some of the letters are to or from President William Jefferson Clinton) \u003clb\u003e\u003c/lb\u003e\n2. Briefing materials (e.g., trade publications, reports, data, articles on domestic and foreign industries) \u003clb\u003e\u003c/lb\u003e\n3. Travel documents (e.g., itineraries; receipts; brochures; postcards; and articles on local history, culture, and attractions) associated with conferences held throughout the United States of America, Europe, Asia, and South America, as well as locations in Australia, Bermuda, Canada, and South Africa.\u003c/p\u003e\n","\u003cp\u003eConference locations in the United States of America include: Arizona, Colorado, Florida, Hawaii, Illinois, New York, North Carolina, Ohio, Pennsylvania, Washington, Washington D.C., and West Virginia.\u003c/p\u003e\n","\u003cp\u003eConference locations in Europe include: Austria, Czechoslovakia, Denmark, Finland, France, Germany, Hungary, Italy, and Spain.\u003c/p\u003e\n","\u003cp\u003eConference locations in Asia include: China, India, Japan, South Korea (cancelled due to September 11, 2001 terrorist attacks), Taiwan, Thailand, Turkey, and the U.S.S.R.\u003c/p\u003e\n","\u003cp\u003eConference locations in South America include: Argentina and Brazil.\u003c/p\u003e\n","\u003cp\u003eOther conference locations include: Melbourne, Australia; Hamilton, Bermuda; Toronto, Canada; and Cape Town, South Africa.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003e Other Types of Material Found Throughout Series 1A\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e1. Press releases and clippings \u003clb\u003e\u003c/lb\u003e\n2. Handwritten notes \u003clb\u003e\u003c/lb\u003e\n3. Transcripts of speeches, interviews and comments to press, and testimony (e.g., to the Senate Finance Committee and to the ITC) \u003clb\u003e\u003c/lb\u003e\n4. Legislative documents (e.g., drafts of House and Senate Resolutions and international trade agreements) \u003clb\u003e\u003c/lb\u003e\n5. Biographical material (e.g., application forms for appointment to the ACTPN, including a Delayed Certificate of Birth, résumé, statements of military record and security clearance, as well as miscellaneous other personal information such as assets and fingerprint records) \u003clb\u003e\u003c/lb\u003e\n6. Award materials (e.g., certificates for the General Motors Supplier of the Year) \u003clb\u003e\u003c/lb\u003e\n7. A few original photographs, some with negatives enclosed\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eIndex to Series 1A\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eNote: Items of particular interest are referenced below according to the Box (B) and Folder (F) in which they are located. Some duplicate items (e.g., additional photocopies) are referenced within this Index.\u003c/p\u003e\n","\u003cp\u003eBarnette interviews, comments to press: B1/F4; B7/F11; B9/F6; B9/F7; B13/F8; B16/F5\u003c/p\u003e\n","\u003cp\u003eBarnette op-ed pieces, The Washington Times and The Baltimore Sun: B5/F5; B8/F10 (same as in B5/F5, but photocopied in different format, larger print); B13/F8\u003c/p\u003e\n","\u003cp\u003eBarnette speeches: B1/F20; B2/F19; B4/F2; B10/F1; B10/F3; B10/F8; B11/F20; B12/F12; B12/F16; B13/F2; B13/F4; B13/F6; B13/F7; B17/F12\u003c/p\u003e\n","\u003cp\u003eBarnette testimony: B3/F17; B4/F3; B4/F4; B4/F5; B4/F8; B5/F5; B8/F2; B8/F3; B8/F7; B8/F10; B8/F14; B9/F6; B9/F7; B9/F17; B9/F18; B9/F19; B10/F2; B10/F5; B10/F6; B10/F7; B13/F6; B13/F11; B13/F15\u003c/p\u003e\n","\u003cp\u003eClinton, President, letters to/from: B3/F11; B3/F16; B4/F3; B4/F6; B4/F7; B4/F10; B4/F12; B7/F13; B8/F22; B8/F26; B9/F11; B9/F12; B9/F15; B10/F10; B10/F16; B10/F17; B15/F5\u003c/p\u003e\n","\u003cp\u003ePhotographs, original: B11/F8 (with negatives); B11/F16; B11/F17 (with negative); B15/F12; B15/F14; B15/F15\u003c/p\u003e","\u003cp\u003eThis series contains speeches and presentations, published articles and statements, testimonials before Congressional Committees and Caucuses, as well as notes from other events and meetings. There are three major topics represented by these materials: (1) the U.S. steel import crisis (2) the Bethlehem Steel Corporation, and (3) corporate governance. \u003c/p\u003e\n","\u003cp\u003e 1. Most items concern the U.S. steel import crisis, circa 1980-2000. Curtis Barnette maintained that the drastic, costly changes the U.S. steel industry underwent to become world class producers of steel were undermined by \"dumping\"—or the flooding of U.S. markets with cheap steel imports—from less efficient but heavily subsidized foreign companies. As a result, industry officials filed trade cases and lobbied for stronger, strictly enforced trade remedies. In addition to international trade, many items speak to other public policy areas such as environmental regulation, healthcare, pensions, energy, and tax reform. A few items discuss the Clinton Health Plan specifically.\u003c/p\u003e\n","\u003cp\u003e 2. The Bethlehem Steel Corporation is another central topic. Most items contain discussion of corporate vision, strategic objectives, financial status, and/or business outlook. Two other common sub-topics are \"restructuring,\" which involves a streamlining process in which a corporation partially or wholly sheds unprofitable divisions, and \"modernization,\" which refers to the installation of state-of-the-art equipment at corporate facilities. \u003c/p\u003e\n","\u003cp\u003e 3. Corporate governance is yet another major topic. Several items include extended discussion on alliance-building, executive compensation plans, audit committees, corporate image, and corporate secretaries. Still other topics in this series include volunteerism and good corporate citizenship; public-private partnerships; economic development in the Lehigh Valley; commencement speeches and education generally; scouting; and memorial services.\u003c/p\u003e","\u003cp\u003eThis series contains books about the steel industry as a whole. Items generally fall under one of two categories: (1) historical books, or (2) books examining the current state of the industry.\u003c/p\u003e\n","\u003cp\u003e 1. Several items delve into the past of the U.S. steel industry in considerable detail, including a 5-volume set on economic history. Other books focus on a particular time period, place, or event.\u003c/p\u003e\n","\u003cp\u003e 2. Other items in this series give an in-depth look at the state of the U.S. steel industry (1980-2000), as well as offer analysis or interpretation of current trends. Most underscore the need to adapt to changing global economic pressures.\u003c/p\u003e","\u003cp\u003eThis series contains books, DVDs and news clippings; annual reports and quarterly reports; legal documentation; internal guides and documents; photo albums; and other materials. Items generally fall into three categories: (1) material about Bethlehem Steel published for public consumption (2) internal guides, documents and publications, and (3) materials from a trip to Brazil in 1980.\u003c/p\u003e\n","\u003cp\u003e 1. Most books in this series focus on one or more historical aspects of the Bethlehem Steel Corporation, including the company's formation, its organization and operations at various sites, notable events, and notable persons such as former executives Charles Schwab and Eugene Grace. Several of the books contain a wide array of photographs. Two DVDs and three news clippings also portray Bethlehem Steel's history.\u003c/p\u003e\n","\u003cp\u003e 2. Internal documents and publications include annual reports, quarterly reports, annual meetings of stockholders, and proxy statements. This series also contains legal documentation, the vast majority of which involves a single case, Crystal v. Foy (1980-1983). Other internal documents include items regarding corporate vision, objectives, strategy and performance; financial management; executive guides; and a government reference guide.\u003c/p\u003e\n","\u003cp\u003e 3. Items from a 1980 business trip to Brazil include a large number of photographs, news articles on present-day Brazil, and miscellaneous materials such as executive directories, travel schedules, itineraries, maps, and biographical data on notable persons involved in the trip.\u003c/p\u003e\n","\u003cp\u003e Breakdown by box: \u003clb\u003e\u003c/lb\u003e\n Boxes 300 and 301 contain books and two DVDs regarding one or more historical aspects of Bethlehem Steel Corporation. \u003clb\u003e\u003c/lb\u003e\n Boxes 302a and 302b contain annual reports of Bethlehem Steel from 1905-2000. \u003clb\u003e\u003c/lb\u003e\n Boxes 303 and 304 contain legal documentation from Crystal v. Foy (1980-1983) and photographs from various cases. \u003clb\u003e\u003c/lb\u003e\n Box 305 contains corporate documents, publications, and guides for internal use. \u003clb\u003e\u003c/lb\u003e\n Box 306 contains three newspaper clippings about Bethlehem Steel's history. \u003clb\u003e\u003c/lb\u003e\n Boxes 307a and 307b contain materials regarding Curtis Barnette's business trip to Brazil in 1980.\u003c/p\u003e","\u003cp\u003eThis series includes 3 awards given to Barnette, each described as follows:\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eCut-glass vase, approximately 12\" tall, 3.25\" diameter at base, 5.25\" diameter at top, with etching: \"National Center for State Courts [with tree logo] -- JOHN H. PICKERING AWARD -- Presented to Curtis H. Barnette, Esq. -- November 20, 2009.\" In presentation box lined with blue fabric. \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e Approximately 7\" tall award with round marble base and felt-lined bottom, approximately 6.25\" in diameter, with—in metal work—three apparently blindfolded women armed with swords and crushing snakes with their feet. Plaque on base reads: \"FTI Consulting -- Corporate Board Member -- Curtis H. Barnette -- 2010 General Counsel -- Lifetime Achievement Award.\" \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e Solid glass globe of the Earth, with etched land masses, approximately 4\" in diameter. No apparent inscription.\u003c/p\u003e","\u003cp\u003eThis series contains books, reference and background materials, presentations, clippings, journal articles and reports, office correspondence, and miscellaneous materials. Topics include international trade and globalization; the U.S. steel import crisis (1990-2000); \"dumping,\" or the influx of cheap steel imports from subsidized foreign steel producers; current trends of the U.S. steel industry; Japanese financial ascendency relative to American industries; the Uruguay Round Trade Agreements; the World Trade Organization 4th Ministerial Conference at Doha (2001); the U.S. International Trade Commission on trade laws and remedies; and the President's Trade Advisory Committee (1996-2002).\u003c/p\u003e\n","\u003cp\u003e Breakdown by box: \u003clb\u003e\u003c/lb\u003e\n Boxes 500 and 501 contain books regarding various aspects and issues of international trade, especially in the context of increasing globalization. Several items focus on Japan's theoretical financial ascendency over U.S. industries while other books explore the phenomenon of \"dumping,\" or the flood of cheap imports into American markets from subsidized foreign producers. Other items analyze current trends of the U.S. steel industry and related industries.\u003c/p\u003e\n","\u003cp\u003e Box 502 contains Congressional text and documents on the Uruguay Round Trade Agreements (1994); background materials for the World Trade Organization 4th Ministerial Conference at Doha (2001); reference materials on the U.S. International Trade Commission (2002); and presentations authored by industry officials advocating for governmental assistance in correcting trade distorting practices of foreign competitors.\u003c/p\u003e\n","\u003cp\u003e Box 503 contains a voluminous prehearing brief regarding steel imports before the U.S. International Trade Commission (2000). Other items include materials related to a White House meeting (1999); correspondence and press releases from the Office of U.S. Trade Representative; press releases from Congressional members and other materials related to proposed legislation; press releases from Bethlehem Steel and other organizations; opinion pieces from Curtis Barnette; and clippings from a variety of sources regarding international trade and the U.S. steel import crisis (1998-2000).\u003c/p\u003e\n","\u003cp\u003e Box 504 contains various materials regarding international trade and the U.S. steel import crisis including journal articles and reports, presentations, and materials from discussion panels. Items also include briefing and reference materials from meetings of the President's Trade Advisory Committee between 1996 and 2002.\u003c/p\u003e","\u003cp\u003eThis series contains speeches and presentations, opening remarks, handwritten notes, conference background and reference materials, training materials, discussion questions, and miscellaneous items such as programs, information about sponsors, lists of attendees, seating charts, and correspondence regarding invitations and/or travel arrangements. Also included are conference papers not authored by Curtis Barnette, a magazine, and a financial report for MetLife Board members.\u003c/p\u003e\n","\u003cp\u003e Most items in this series contain discussion on one or more functions of a corporate secretary/director, including fiduciary duties, the design of corporate boards, logistical arrangements, shareholder suits, and mediation. On a broader level, a few items examine the external (extra-corporate) and internal (intra-corporate) mechanisms governing corporations, as well as the sources and workings of regulatory authority. Other topics include energy, corporate leadership, as well as the financial status of MetLife (2000) and its director benefits.\u003c/p\u003e","\u003cp\u003eThis series contains two types of items: (1) congratulatory letters and messages to Curtis Barnette upon his election to Chief Executive Officer of Bethlehem Steel Corporation in 1992, and (2) outgoing letters and messages from Curtis Barnette thanking those individuals who congratulated him.\u003c/p\u003e\n","\u003cp\u003e Incoming correspondence is first ordered by type (personal, private business, law firm, or other organization), and then alphabetized within those categories. Personal correspondence is alphabetized by the individual sender's name while all other categories are alphabetized by the name of the business, law firm, or organization. All outgoing letters and messages from Curtis Barnette are ordered alphabetically by the recipient's name.\u003c/p\u003e","\u003cp\u003eThis series contains comprehensive reports from the Olympic Review Commission and Office of National Drug Control Policy regarding allegations that U.S.A. Track \u0026amp; Field concealed information regarding use of performance-enhancing drugs (2001); appendices and reference documents; formal correspondence; documents regarding travel; clippings; photographs; and miscellaneous items.\u003c/p\u003e","\u003cp\u003eThis series contains videocassette tapes and one digital video disc (DVD). Types of footage include television interviews, news segments, quarterly news conferences, promotional and informational films, advertisements, highlights of business conferences and trips, Congressional hearings, and other material.\u003c/p\u003e\n","\u003cp\u003eThis series encompasses a broad range of topics. Most of these topics concern Bethlehem Steel and the U.S. steel industry. These include earnings and profitability; restructuring and modernization; international trade and the steel import crisis; pensions and health care reform; valued customers such as General Motors (GM) and John Deere; the impact and versatility of steel products; good business practices and ethics; and industrial history. In addition, several items concern Bethlehem, Pennsylvania, and the Lehigh Valley in general, especially the decline of manufacturing, redevelopment and revitalization efforts, and local history.\u003c/p\u003e\n","\u003cp\u003eOther topics in this series include education and educational institutions such as West Virginia University (WVU); the career and accomplishments of Curtis Barnette, as well as other industrialists and business leaders; the Board of Directors at MetLife; and special events such as the White House State Dinner that Curtis and Joanne Barnette attended during the Clinton administration.\u003c/p\u003e\n","\u003cp\u003eDigital copies of these VHS tapes have been made; consult a curator for access.\u003c/p\u003e","\u003cp\u003eThis series consists of one standard audio cassette tape which contains a recording of a news conference at Bethlehem Steel. It regards the corporation's acquisition of Lukens Steel and an agreement with competitor Allegheny Teledyne. Curtis Barnette gives opening remarks before answering related questions from reporters.\u003c/p\u003e","\u003cp\u003eThis series includes two portraits of Barnette – one by Denny Dent circa 1999, measuring 62 in. X 79 in. and the other by Benjamin Fortunado Marcune circa 2002, measuring 32 in. X 53 in.\u003c/p\u003e","\u003cp\u003eThis series includes several certificates, commendations, plaques, and other materials awarded to Barnette in celebration of his accomplishments throughout his career. These materials recognize Barnette's work on the WVU Board of Governors; his philanthropic endeavors; his Distinguished West Virginian award; his 1995 Doctor of Law degree from WVU; Barnette's three presidential committee appointments, received from Ronald Reagan, Bill Clinton, and George W. Bush; and his invitation to attend Ronald Reagan's first inauguration in 1981. It also includes several administrative documents pertaining to the WVU Board of Governors and other aspects of WVU administration (box 48).\u003c/p\u003e","\u003cp\u003eThis series consists of documentation of Barnette's education, including a photocopy of his Bachelor of Arts degree from West Virginia University, earned in 1956; correspondence from the University of Manchester certifying his completion of the Diploma in International Law, earned in 1957; a copy of Barnette's Fulbright Scholarship grant authorization for his study at the University of Manchester; and a copy of his dissertation, completed in 1957 and titled \u003ctitle\u003e\u003cpart\u003eNeutrality Under the Law of the United Nations Charter\u003c/part\u003e\u003c/title\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Barnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation.  These materials document Barnette's leadership and service.","Includes records documenting the service and leadership of Curtis Handley (\"Hank\") Barnette, former Chairman and C.E.O. of the Bethlehem Steel Corporation, in matters of international trade, law, business, and organizations. Throughout his tenure at Bethlehem Steel, Barnette was affiliated with numerous organizations that have influenced business and trade policy. For example, he was Director and Chairman of the International Iron and Steel Institute (IISI), and the American Iron and Steel Institute (AISI). He served through appointments by the Presidents of the United States as a member of the United States Advisory Committee on Trade Policy and Negotiations (ACTPN), which provides the President with advice from the private sector.","Note: Where possible, the terminology originally used by Barnette and his staff to organize the contents of this record series—as well as the order of folders and items—has been preserved. Accordingly, most folders in this series are described by either 1. topic or 2. organization. In addition, material related to the topic or organization is frequently supplemented by other material; for such folders, descriptions of this supplemental material appear within parentheses in the contents list. Finally, folders containing primarily steel import data or reference materials such as trade publications and directories are described in the contents list as international trade material of a general nature. ","To locate material of interest, it is recommended to search the contents list using the full name as well as any abbreviated names of the given topic or organization listed below. For example, to locate documents related to the World Trade Organization, use \"World Trade Organization\" and \"WTO\" as search terms.","Topics","Topics primarily represented include:  \n1. Trade policy (e.g., the Multilateral Steel Agreement (MSA), the North American Free Trade Agreement (NAFTA))  \n2. Trade litigation (e.g., United States Department of Commerce and United States International Trade Commission (ITC) investigations into unfair trade practices of foreign countries)","Some notable trade agreements referenced in this series include:  \n1. General Agreement on Tariffs and Trade (GATT)  \n2. World Trade Organization (WTO)  \n3. North American Free Trade Agreement (NAFTA)  \n4. Multilateral Steel Agreement (MSA)  \n5. Voluntary Restraint Agreements (VRA)  \n6. Multilateral Specialty Steel Agreement (MSSA)  \n7. North American Steel Sector Agreement (NASSA)  \n8. U.S.-E.C. (European Community) Consensus Agreement  \n9. U.S.-China bilateral WTO agreement","Other topics, represented to a lesser extent, include issues generally relevant to the steel industry, such as labor, health-care reform, and environmental impact, as well as issues specific to the Bethlehem Steel Corporation, such as the Corporation's financial health, steel-production data, and administrative decisions. ","Organizations","Organizations occurring most frequently within the contents list for this series include:  \n1. International Iron and Steel Institute (IISI)  \n2. American Iron and Steel Institute (AISI)  \n3. Bethlehem Steel Corporation (BSC)  \n4. United States Advisory Committee on Trade Policy and Negotiations (ACTPN)  \n5. World Trade Organization (WTO)  \n6. United States International Trade Commission (ITC)  \n7. United States Department of Commerce","Other organizations occurring within the contents list for this series include, approximately in order of decreasing frequency:  \n1. House and Senate Steel Caucuses (Congressional Steel Caucus, Steel Caucus)  \n2. United Steelworkers of America (USWA)  \n3. Council of United States Producers (CUSP)  \n4. North American Steel Council (NASC)  \n5. The Steel Alliance  \n6. Senate Finance Committee  \n7. European Confederation of Iron and Steel Industries (EUROFER)  \n8. Stand Up For Steel  \n9. Organization for Economic Cooperation and Development (OECD)  \n10. The Business Roundtable  \n11. The Business Council  \n12. Economic Strategy Institute (ESI)  \n13. German-American Business Council  \n14. House Subcommittee on Health and the Environment","Types of Material Within Organization-Related Files in Series 1A","1. Correspondence with steel-industry executives and members of federal and state government (N.B. some of the letters are to or from President William Jefferson Clinton)  \n2. Briefing materials (e.g., trade publications, reports, data, articles on domestic and foreign industries)  \n3. Travel documents (e.g., itineraries; receipts; brochures; postcards; and articles on local history, culture, and attractions) associated with conferences held throughout the United States of America, Europe, Asia, and South America, as well as locations in Australia, Bermuda, Canada, and South Africa.","Conference locations in the United States of America include: Arizona, Colorado, Florida, Hawaii, Illinois, New York, North Carolina, Ohio, Pennsylvania, Washington, Washington D.C., and West Virginia.","Conference locations in Europe include: Austria, Czechoslovakia, Denmark, Finland, France, Germany, Hungary, Italy, and Spain.","Conference locations in Asia include: China, India, Japan, South Korea (cancelled due to September 11, 2001 terrorist attacks), Taiwan, Thailand, Turkey, and the U.S.S.R.","Conference locations in South America include: Argentina and Brazil.","Other conference locations include: Melbourne, Australia; Hamilton, Bermuda; Toronto, Canada; and Cape Town, South Africa."," Other Types of Material Found Throughout Series 1A","1. Press releases and clippings  \n2. Handwritten notes  \n3. Transcripts of speeches, interviews and comments to press, and testimony (e.g., to the Senate Finance Committee and to the ITC)  \n4. Legislative documents (e.g., drafts of House and Senate Resolutions and international trade agreements)  \n5. Biographical material (e.g., application forms for appointment to the ACTPN, including a Delayed Certificate of Birth, résumé, statements of military record and security clearance, as well as miscellaneous other personal information such as assets and fingerprint records)  \n6. Award materials (e.g., certificates for the General Motors Supplier of the Year)  \n7. A few original photographs, some with negatives enclosed","Index to Series 1A","Note: Items of particular interest are referenced below according to the Box (B) and Folder (F) in which they are located. Some duplicate items (e.g., additional photocopies) are referenced within this Index.","Barnette interviews, comments to press: B1/F4; B7/F11; B9/F6; B9/F7; B13/F8; B16/F5","Barnette op-ed pieces, The Washington Times and The Baltimore Sun: B5/F5; B8/F10 (same as in B5/F5, but photocopied in different format, larger print); B13/F8","Barnette speeches: B1/F20; B2/F19; B4/F2; B10/F1; B10/F3; B10/F8; B11/F20; B12/F12; B12/F16; B13/F2; B13/F4; B13/F6; B13/F7; B17/F12","Barnette testimony: B3/F17; B4/F3; B4/F4; B4/F5; B4/F8; B5/F5; B8/F2; B8/F3; B8/F7; B8/F10; B8/F14; B9/F6; B9/F7; B9/F17; B9/F18; B9/F19; B10/F2; B10/F5; B10/F6; B10/F7; B13/F6; B13/F11; B13/F15","Clinton, President, letters to/from: B3/F11; B3/F16; B4/F3; B4/F6; B4/F7; B4/F10; B4/F12; B7/F13; B8/F22; B8/F26; B9/F11; B9/F12; B9/F15; B10/F10; B10/F16; B10/F17; B15/F5","Photographs, original: B11/F8 (with negatives); B11/F16; B11/F17 (with negative); B15/F12; B15/F14; B15/F15","This series contains speeches and presentations, published articles and statements, testimonials before Congressional Committees and Caucuses, as well as notes from other events and meetings. There are three major topics represented by these materials: (1) the U.S. steel import crisis (2) the Bethlehem Steel Corporation, and (3) corporate governance. "," 1. Most items concern the U.S. steel import crisis, circa 1980-2000. Curtis Barnette maintained that the drastic, costly changes the U.S. steel industry underwent to become world class producers of steel were undermined by \"dumping\"—or the flooding of U.S. markets with cheap steel imports—from less efficient but heavily subsidized foreign companies. As a result, industry officials filed trade cases and lobbied for stronger, strictly enforced trade remedies. In addition to international trade, many items speak to other public policy areas such as environmental regulation, healthcare, pensions, energy, and tax reform. A few items discuss the Clinton Health Plan specifically."," 2. The Bethlehem Steel Corporation is another central topic. Most items contain discussion of corporate vision, strategic objectives, financial status, and/or business outlook. Two other common sub-topics are \"restructuring,\" which involves a streamlining process in which a corporation partially or wholly sheds unprofitable divisions, and \"modernization,\" which refers to the installation of state-of-the-art equipment at corporate facilities. "," 3. Corporate governance is yet another major topic. Several items include extended discussion on alliance-building, executive compensation plans, audit committees, corporate image, and corporate secretaries. Still other topics in this series include volunteerism and good corporate citizenship; public-private partnerships; economic development in the Lehigh Valley; commencement speeches and education generally; scouting; and memorial services.","This series contains books about the steel industry as a whole. Items generally fall under one of two categories: (1) historical books, or (2) books examining the current state of the industry."," 1. Several items delve into the past of the U.S. steel industry in considerable detail, including a 5-volume set on economic history. Other books focus on a particular time period, place, or event."," 2. Other items in this series give an in-depth look at the state of the U.S. steel industry (1980-2000), as well as offer analysis or interpretation of current trends. Most underscore the need to adapt to changing global economic pressures.","This series contains books, DVDs and news clippings; annual reports and quarterly reports; legal documentation; internal guides and documents; photo albums; and other materials. Items generally fall into three categories: (1) material about Bethlehem Steel published for public consumption (2) internal guides, documents and publications, and (3) materials from a trip to Brazil in 1980."," 1. Most books in this series focus on one or more historical aspects of the Bethlehem Steel Corporation, including the company's formation, its organization and operations at various sites, notable events, and notable persons such as former executives Charles Schwab and Eugene Grace. Several of the books contain a wide array of photographs. Two DVDs and three news clippings also portray Bethlehem Steel's history."," 2. Internal documents and publications include annual reports, quarterly reports, annual meetings of stockholders, and proxy statements. This series also contains legal documentation, the vast majority of which involves a single case, Crystal v. Foy (1980-1983). Other internal documents include items regarding corporate vision, objectives, strategy and performance; financial management; executive guides; and a government reference guide."," 3. Items from a 1980 business trip to Brazil include a large number of photographs, news articles on present-day Brazil, and miscellaneous materials such as executive directories, travel schedules, itineraries, maps, and biographical data on notable persons involved in the trip."," Breakdown by box:  \n Boxes 300 and 301 contain books and two DVDs regarding one or more historical aspects of Bethlehem Steel Corporation.  \n Boxes 302a and 302b contain annual reports of Bethlehem Steel from 1905-2000.  \n Boxes 303 and 304 contain legal documentation from Crystal v. Foy (1980-1983) and photographs from various cases.  \n Box 305 contains corporate documents, publications, and guides for internal use.  \n Box 306 contains three newspaper clippings about Bethlehem Steel's history.  \n Boxes 307a and 307b contain materials regarding Curtis Barnette's business trip to Brazil in 1980.","This series includes 3 awards given to Barnette, each described as follows: Cut-glass vase, approximately 12\" tall, 3.25\" diameter at base, 5.25\" diameter at top, with etching: \"National Center for State Courts [with tree logo] -- JOHN H. PICKERING AWARD -- Presented to Curtis H. Barnette, Esq. -- November 20, 2009.\" In presentation box lined with blue fabric.   Approximately 7\" tall award with round marble base and felt-lined bottom, approximately 6.25\" in diameter, with—in metal work—three apparently blindfolded women armed with swords and crushing snakes with their feet. Plaque on base reads: \"FTI Consulting -- Corporate Board Member -- Curtis H. Barnette -- 2010 General Counsel -- Lifetime Achievement Award.\"   Solid glass globe of the Earth, with etched land masses, approximately 4\" in diameter. No apparent inscription.","This series contains books, reference and background materials, presentations, clippings, journal articles and reports, office correspondence, and miscellaneous materials. Topics include international trade and globalization; the U.S. steel import crisis (1990-2000); \"dumping,\" or the influx of cheap steel imports from subsidized foreign steel producers; current trends of the U.S. steel industry; Japanese financial ascendency relative to American industries; the Uruguay Round Trade Agreements; the World Trade Organization 4th Ministerial Conference at Doha (2001); the U.S. International Trade Commission on trade laws and remedies; and the President's Trade Advisory Committee (1996-2002)."," Breakdown by box:  \n Boxes 500 and 501 contain books regarding various aspects and issues of international trade, especially in the context of increasing globalization. Several items focus on Japan's theoretical financial ascendency over U.S. industries while other books explore the phenomenon of \"dumping,\" or the flood of cheap imports into American markets from subsidized foreign producers. Other items analyze current trends of the U.S. steel industry and related industries."," Box 502 contains Congressional text and documents on the Uruguay Round Trade Agreements (1994); background materials for the World Trade Organization 4th Ministerial Conference at Doha (2001); reference materials on the U.S. International Trade Commission (2002); and presentations authored by industry officials advocating for governmental assistance in correcting trade distorting practices of foreign competitors."," Box 503 contains a voluminous prehearing brief regarding steel imports before the U.S. International Trade Commission (2000). Other items include materials related to a White House meeting (1999); correspondence and press releases from the Office of U.S. Trade Representative; press releases from Congressional members and other materials related to proposed legislation; press releases from Bethlehem Steel and other organizations; opinion pieces from Curtis Barnette; and clippings from a variety of sources regarding international trade and the U.S. steel import crisis (1998-2000)."," Box 504 contains various materials regarding international trade and the U.S. steel import crisis including journal articles and reports, presentations, and materials from discussion panels. Items also include briefing and reference materials from meetings of the President's Trade Advisory Committee between 1996 and 2002.","This series contains speeches and presentations, opening remarks, handwritten notes, conference background and reference materials, training materials, discussion questions, and miscellaneous items such as programs, information about sponsors, lists of attendees, seating charts, and correspondence regarding invitations and/or travel arrangements. Also included are conference papers not authored by Curtis Barnette, a magazine, and a financial report for MetLife Board members."," Most items in this series contain discussion on one or more functions of a corporate secretary/director, including fiduciary duties, the design of corporate boards, logistical arrangements, shareholder suits, and mediation. On a broader level, a few items examine the external (extra-corporate) and internal (intra-corporate) mechanisms governing corporations, as well as the sources and workings of regulatory authority. Other topics include energy, corporate leadership, as well as the financial status of MetLife (2000) and its director benefits.","This series contains two types of items: (1) congratulatory letters and messages to Curtis Barnette upon his election to Chief Executive Officer of Bethlehem Steel Corporation in 1992, and (2) outgoing letters and messages from Curtis Barnette thanking those individuals who congratulated him."," Incoming correspondence is first ordered by type (personal, private business, law firm, or other organization), and then alphabetized within those categories. Personal correspondence is alphabetized by the individual sender's name while all other categories are alphabetized by the name of the business, law firm, or organization. All outgoing letters and messages from Curtis Barnette are ordered alphabetically by the recipient's name.","This series contains comprehensive reports from the Olympic Review Commission and Office of National Drug Control Policy regarding allegations that U.S.A. Track \u0026 Field concealed information regarding use of performance-enhancing drugs (2001); appendices and reference documents; formal correspondence; documents regarding travel; clippings; photographs; and miscellaneous items.","This series contains videocassette tapes and one digital video disc (DVD). Types of footage include television interviews, news segments, quarterly news conferences, promotional and informational films, advertisements, highlights of business conferences and trips, Congressional hearings, and other material.","This series encompasses a broad range of topics. Most of these topics concern Bethlehem Steel and the U.S. steel industry. These include earnings and profitability; restructuring and modernization; international trade and the steel import crisis; pensions and health care reform; valued customers such as General Motors (GM) and John Deere; the impact and versatility of steel products; good business practices and ethics; and industrial history. In addition, several items concern Bethlehem, Pennsylvania, and the Lehigh Valley in general, especially the decline of manufacturing, redevelopment and revitalization efforts, and local history.","Other topics in this series include education and educational institutions such as West Virginia University (WVU); the career and accomplishments of Curtis Barnette, as well as other industrialists and business leaders; the Board of Directors at MetLife; and special events such as the White House State Dinner that Curtis and Joanne Barnette attended during the Clinton administration.","Digital copies of these VHS tapes have been made; consult a curator for access.","This series consists of one standard audio cassette tape which contains a recording of a news conference at Bethlehem Steel. It regards the corporation's acquisition of Lukens Steel and an agreement with competitor Allegheny Teledyne. Curtis Barnette gives opening remarks before answering related questions from reporters.","This series includes two portraits of Barnette – one by Denny Dent circa 1999, measuring 62 in. X 79 in. and the other by Benjamin Fortunado Marcune circa 2002, measuring 32 in. X 53 in.","This series includes several certificates, commendations, plaques, and other materials awarded to Barnette in celebration of his accomplishments throughout his career. These materials recognize Barnette's work on the WVU Board of Governors; his philanthropic endeavors; his Distinguished West Virginian award; his 1995 Doctor of Law degree from WVU; Barnette's three presidential committee appointments, received from Ronald Reagan, Bill Clinton, and George W. Bush; and his invitation to attend Ronald Reagan's first inauguration in 1981. It also includes several administrative documents pertaining to the WVU Board of Governors and other aspects of WVU administration (box 48).","This series consists of documentation of Barnette's education, including a photocopy of his Bachelor of Arts degree from West Virginia University, earned in 1956; correspondence from the University of Manchester certifying his completion of the Diploma in International Law, earned in 1957; a copy of Barnette's Fulbright Scholarship grant authorization for his study at the University of Manchester; and a copy of his dissertation, completed in 1957 and titled  Neutrality Under the Law of the United Nations Charter ."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_882899a43c0861fe43d24d5abd213767\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Bethlehem Steel Corporation"],"names_ssim":["West Virginia and Regional History Center","Bethlehem Steel Corporation","Barnette, Curtis Handley, 1935-"],"corpname_ssim":["West Virginia and Regional History Center","Bethlehem Steel Corporation"],"persname_ssim":["Barnette, Curtis Handley, 1935-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1006,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:27:00.714Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3207","ead_ssi":"wvmturhc_repositories_2_resources_3207","_root_":"wvmturhc_repositories_2_resources_3207","_nest_parent_":"wvmturhc_repositories_2_resources_3207","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3207.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/206188","title_ssm":["Barnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation"],"title_tesim":["Barnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation"],"unitdate_ssm":["1905-2020"],"unitdate_inclusive_ssm":["1905-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3974","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3207"],"text":["A\u0026M 3974","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3207","Barnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation","Bethlehem (Pa.)","International trade ","Steel industry and trade","Commercial treaties -- United States","Healthcare reform -- United States","Special access restriction applies. Collection contains Personally Identifiable Information, so it will be restricted until the  donor's death.  Users must complete the Agreement for the Use of Sensitive Materials in order to use the collection before the restriction expires.  This does not apply to box 48; content with sensitive university administration information located in box 48 is closed for research until further notice from donor, while the awards in box 48 are open for research.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Special access restriction applies to box 48. Content with sensitive university administration information located in box 48 is closed for research until further notice from donor; the awards in box 48 are open for research.","Curtis H. \"Hank\" Barnette (born in 1935) is a lawyer, businessman, educator, philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation.","1. Early life\n2. Education\n3. Military Service\n4. Legal\n5. Bethlehem Steel Corporation and Business Career\n6. Public Service\n7. Higher Education and Conservation\n8. Current\n9. Family\n10. Other Awards and Recognition","1. Early life","Curtis Handley \"Hank\" Barnette (born in 1935) is a lawyer, businessman, educator, philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation","He was born in St. Albans, West Virginia and lived there on the Barnette Family Farm at Lower Falls on the Coal River. He attended public schools in St. Albans and graduated from St. Albans High School in 1952.","2. Education","He attended West Virginia University, Morgantown, West Virginia in 1952 on a Benedum Scholarship, studying political science and history, graduating with high honors in 1956. While at the University he served as President of the Student Body, was a member of Phi Beta Kappa, Phi Alpha Theta and Beta Theta Pi.","In 1956 he was awarded a Fulbright Scholarship and as a Fulbright Scholar studied International Law at the University of Manchester, Manchester, England, which he completed in 1957 and then entered military service.","He started at Yale Law School in 1959, graduated in 1962, while a student served as a Research Assistant, Director of Moot Court, and after graduation until 1966 was a Law Tutor at the Law School. In 1975-1976, while employed by Bethlehem Steel Corporation, he attended Harvard Business School's Advanced Management Program.","3. Military Service","He was a member of the ROTC at West Virginia University, in his senior year was Cadet Colonel of the Cadet Corps, graduated as a Distinguished Military Graduate and was commissioned as an officer in the United States Army Reserve – Army Intelligence. He served in Germany 1957-1959 as a Counterintelligence Officer, and while in Germany was a lecturer in international relations at the Frankfurt Branch of the University of Maryland. He continued Intelligence Reserve duty until 1967 with a Strategic Intelligence Detachment in Connecticut, and was promoted to the rank of Major and Commanding Officer.","4. Legal","After graduation from Yale Law School in 1962, he worked as an Attorney with the New Haven law firm of Wiggin \u0026 Dana until 1967 when he joined the Law Department of Bethlehem Steel Corporation in Pennsylvania, as an Attorney. He advanced to General Attorney, Corporate Secretary, Assistant General Counsel, General Counsel, and in 1976, Senior Vice President and Director. In 1992 he was elected Chairman and Chief Executive Officer.","His legal work at Bethlehem Steel centered on antitrust, corporate, litigation, labor relations, and international trade. He was elected to the Antitrust Council of the American Bar Association and became a member of and President of the Association of General Counsel, and continues as an Emeritus Member.","As Secretary he was active in corporate matters, became a member and Chairman of the American Society of Corporate Secretaries, and the Legal Advisory Committee of the New York Stock Exchange.","In 2000, after retirement from Bethlehem Steel Corporation, he became Of Counsel to the international law firm of Skadden, Arps, Slate, Meagher \u0026 Flom, with an office in Washington, D.C. He worked, and has written and spoken in the areas of corporate, litigation, international trade, government affairs, and corporate governance, testified before Congressional Committees, and retired in 2011.","He is a Life Member of the American Law Institute, a Life Patron Fellow of the American Bar Foundation and a Life Fellow of the Pennsylvania Bar Foundation.","He is admitted to practice law in the states of Connecticut, Pennsylvania, West Virginia, the District of Columbia, the Supreme Court of the United States and other federal courts.","5. Bethlehem Steel Corporation and Business Career","He joined Bethlehem Steel Corporation in 1967 and served principally in a legal capacity until 1992 when he was elected Chairman and Chief Executive Officer. He served until his retirement in 2000 when he was elected Chairman Emeritus.","He was a Director and Chairman of the International Iron and Steel Institute, Brussels, Belgium, and was a Director and Chairman of the American Iron and Steel Institute, Washington, DC. He was a member of the Business Council, the Business Roundtable, and was Chairman of the Pennsylvania Business Roundtable.","He was a director of Bethlehem Steel, MetLife, the Metropolitan Life Insurance Company, Owens Corning, and a member of the Norfolk Southern Advisory Board.","6. Public Service","President Ronald Reagan appointed him to the Council of the Administrative Conference of the United States, and Secretary Dole named him to the Coal Commission. President George W. Bush appointed him to the President's Trade Advisory Committee for Trade Policy (ACTPN), and he was reappointed by President William Clinton. Governor Richard Thornburg appointed him to a Judicial Advisory Selection Committee, and Governor Tom Ridge named him to the 21st Century Environmental Commission. He was elected as a Director of the National Center for State Courts in Williamsburg, VA, and was named to the Independent Review Commission on Doping Control by U.S. Track and Field, U.S. Olympic Committee. He has been appointed by the Mayor of the City of Bethlehem to the Bethlehem World Heritage Commission to help Bethlehem achieve World Heritage status.","7. Higher Education and Conservation","Hank served as Chairman of the West Virginia University Board of Governors, and upon retirement was named Chairman Emeritus. He was Chairman and a Director of the West Virginia University Foundation, and upon retirement was elected Director Emeritus.","He is a member and served as Chairman of the Yale Law School Fund Board, was a Trustee of Lehigh University, and is a Trustee of Moravian College.","Hank and his wife, Joanne, have established student scholarships including those at West Virginia University, Yale Law School, Moravian College, Lehigh University, DeSales University, the University of Charleston, St. Luke's University Health Network and Manchester University, and have provided other contributions and support to those and other schools. They have been long time members of the Tocqueville Society of the United Way and supported various other charitable organizations.","Hank grew up on the Barnette Family Farm in St. Albans, WV, which was donated to the State of West Virginia and the Coal River Group. It is now the Barnette Landing on the Coal River, and the Barnette Conservation Preserve.","Joanne was raised on the Harner Family Farm in Morgantown, WV, which she and Hank donated to West Virginia University to be used and developed for faculty and staff housing.","He was CEO of Bethlehem Steel when decisions were made to end steel operations at the Bethlehem Plant on the 1800 acre tract of land in South Bethlehem, Pennsylvania. Hank, was a leader, along with others, through public-private efforts, to cause the preservation of the Bethlehem Plant Site as the largest Brownfield Redevelopment in America. After planning, rezoning, infrastructure construction, and environmental assessments, Beth Works (200 acres) and Bethlehem Commerce Center (1600 acres) were established and continue to be developed.","8. Current","He continues the private practice of law, serves as a Director of Lehigh Valley Industrial Park, Vice Chair of the Bethlehem World Heritage Commission, Rotary Club of Bethlehem, Chair Emeritus of the National Museum of Industrial History, Trustee of Moravian College, an Emeritus member of the Association of General Counsel, member of the Yale Law School Fund Board, and the Council of Chief Executives.","Hank has received the Lifetime Achievement Award from the Association of Fundraising Professionals; awarded The Presidential Medal by Moravian College; named a Sterling Fellow by Yale University; received the Lifetime Achievement Award from Marquis Who's Who; and donated his papers, speeches, testimony and related documents to the Distinguished West Virginians Archives.","Sources: AFP Eastern PA, Lifetime Achievement Award, November 15, 2018; Moravian.edu; The Presidential Medal.Curtis H. Barnette-9/18/19; Lifetime Achievement Award -2018-Marquis Who's Who-24.7. press release.com- Marquis Who's Who-Curtis \"Hank\"Barnette; WVU Launches Distinguished West Virginians Archives-June 5; 2018-wvutoday.wvu.edu.","9. Family","His wife is Loris Joan Harner (\"Joanne\") Barnette, and they have two sons, Kevin Barnette and James Barnette.","10. Other Awards and Recognition","Honorary Doctor of Law Degrees, LL.D.: \n-DeSales University \n-Lehigh University \n-Moravian College \n-University of Charleston \n-West Virginia University \nAmerican Iron and Steel Institute, Washington, D.C.: \n-The Gary Memorial Medal \n-The Statesman Award \nInternational Iron and Steel Institute (World Steel Organization), Brussels, Belgium: The IISI Medal \nCity of Bethlehem, PA: Hall of Fame, 275th Anniversary \nCity of St. Albans, WV: Hall of Fame Award \nCorporate Board Member Magazine: Lifetime Achievement Award as General Counsel \nNational Center for State Courts, Williamsburg, VA: \n-The Warren Burger Society \n-The John H. Pickering Award \nChamber of Commerce, Bethlehem, PA: Distinguished Community Leadership Award, 1999 \nGovernor of West Virginia: Named a Distinguished West Virginian Award \nBoy Scouts of America, Minsi Trails Council: \n-Distinguished Citizen Award, 1996 \n-Silver Beaver Award, 2011  \nWest Virginia University: \n-Order of Vandalia \n-Academy of Distinguished Alumni \n-West Virginia Business Hall of Fame \n-Most Loyal Alumni Mountaineer \n-Outstanding Volunteer Philanthropist  \nWildlands Conservancy: Friend of the Lehigh River Award \nPennsylvania Society: Councilor Emeritus  \nAssociation of Fundraising Professionals: Outstanding Philanthropist, 2004","[From Wikipedia]","Barnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation.  These materials document Barnette's leadership and service.","Includes records documenting the service and leadership of Curtis Handley (\"Hank\") Barnette, former Chairman and C.E.O. of the Bethlehem Steel Corporation, in matters of international trade, law, business, and organizations. Throughout his tenure at Bethlehem Steel, Barnette was affiliated with numerous organizations that have influenced business and trade policy. For example, he was Director and Chairman of the International Iron and Steel Institute (IISI), and the American Iron and Steel Institute (AISI). He served through appointments by the Presidents of the United States as a member of the United States Advisory Committee on Trade Policy and Negotiations (ACTPN), which provides the President with advice from the private sector.","Note: Where possible, the terminology originally used by Barnette and his staff to organize the contents of this record series—as well as the order of folders and items—has been preserved. Accordingly, most folders in this series are described by either 1. topic or 2. organization. In addition, material related to the topic or organization is frequently supplemented by other material; for such folders, descriptions of this supplemental material appear within parentheses in the contents list. Finally, folders containing primarily steel import data or reference materials such as trade publications and directories are described in the contents list as international trade material of a general nature. ","To locate material of interest, it is recommended to search the contents list using the full name as well as any abbreviated names of the given topic or organization listed below. For example, to locate documents related to the World Trade Organization, use \"World Trade Organization\" and \"WTO\" as search terms.","Topics","Topics primarily represented include:  \n1. Trade policy (e.g., the Multilateral Steel Agreement (MSA), the North American Free Trade Agreement (NAFTA))  \n2. Trade litigation (e.g., United States Department of Commerce and United States International Trade Commission (ITC) investigations into unfair trade practices of foreign countries)","Some notable trade agreements referenced in this series include:  \n1. General Agreement on Tariffs and Trade (GATT)  \n2. World Trade Organization (WTO)  \n3. North American Free Trade Agreement (NAFTA)  \n4. Multilateral Steel Agreement (MSA)  \n5. Voluntary Restraint Agreements (VRA)  \n6. Multilateral Specialty Steel Agreement (MSSA)  \n7. North American Steel Sector Agreement (NASSA)  \n8. U.S.-E.C. (European Community) Consensus Agreement  \n9. U.S.-China bilateral WTO agreement","Other topics, represented to a lesser extent, include issues generally relevant to the steel industry, such as labor, health-care reform, and environmental impact, as well as issues specific to the Bethlehem Steel Corporation, such as the Corporation's financial health, steel-production data, and administrative decisions. ","Organizations","Organizations occurring most frequently within the contents list for this series include:  \n1. International Iron and Steel Institute (IISI)  \n2. American Iron and Steel Institute (AISI)  \n3. Bethlehem Steel Corporation (BSC)  \n4. United States Advisory Committee on Trade Policy and Negotiations (ACTPN)  \n5. World Trade Organization (WTO)  \n6. United States International Trade Commission (ITC)  \n7. United States Department of Commerce","Other organizations occurring within the contents list for this series include, approximately in order of decreasing frequency:  \n1. House and Senate Steel Caucuses (Congressional Steel Caucus, Steel Caucus)  \n2. United Steelworkers of America (USWA)  \n3. Council of United States Producers (CUSP)  \n4. North American Steel Council (NASC)  \n5. The Steel Alliance  \n6. Senate Finance Committee  \n7. European Confederation of Iron and Steel Industries (EUROFER)  \n8. Stand Up For Steel  \n9. Organization for Economic Cooperation and Development (OECD)  \n10. The Business Roundtable  \n11. The Business Council  \n12. Economic Strategy Institute (ESI)  \n13. German-American Business Council  \n14. House Subcommittee on Health and the Environment","Types of Material Within Organization-Related Files in Series 1A","1. Correspondence with steel-industry executives and members of federal and state government (N.B. some of the letters are to or from President William Jefferson Clinton)  \n2. Briefing materials (e.g., trade publications, reports, data, articles on domestic and foreign industries)  \n3. Travel documents (e.g., itineraries; receipts; brochures; postcards; and articles on local history, culture, and attractions) associated with conferences held throughout the United States of America, Europe, Asia, and South America, as well as locations in Australia, Bermuda, Canada, and South Africa.","Conference locations in the United States of America include: Arizona, Colorado, Florida, Hawaii, Illinois, New York, North Carolina, Ohio, Pennsylvania, Washington, Washington D.C., and West Virginia.","Conference locations in Europe include: Austria, Czechoslovakia, Denmark, Finland, France, Germany, Hungary, Italy, and Spain.","Conference locations in Asia include: China, India, Japan, South Korea (cancelled due to September 11, 2001 terrorist attacks), Taiwan, Thailand, Turkey, and the U.S.S.R.","Conference locations in South America include: Argentina and Brazil.","Other conference locations include: Melbourne, Australia; Hamilton, Bermuda; Toronto, Canada; and Cape Town, South Africa."," Other Types of Material Found Throughout Series 1A","1. Press releases and clippings  \n2. Handwritten notes  \n3. Transcripts of speeches, interviews and comments to press, and testimony (e.g., to the Senate Finance Committee and to the ITC)  \n4. Legislative documents (e.g., drafts of House and Senate Resolutions and international trade agreements)  \n5. Biographical material (e.g., application forms for appointment to the ACTPN, including a Delayed Certificate of Birth, résumé, statements of military record and security clearance, as well as miscellaneous other personal information such as assets and fingerprint records)  \n6. Award materials (e.g., certificates for the General Motors Supplier of the Year)  \n7. A few original photographs, some with negatives enclosed","Index to Series 1A","Note: Items of particular interest are referenced below according to the Box (B) and Folder (F) in which they are located. Some duplicate items (e.g., additional photocopies) are referenced within this Index.","Barnette interviews, comments to press: B1/F4; B7/F11; B9/F6; B9/F7; B13/F8; B16/F5","Barnette op-ed pieces, The Washington Times and The Baltimore Sun: B5/F5; B8/F10 (same as in B5/F5, but photocopied in different format, larger print); B13/F8","Barnette speeches: B1/F20; B2/F19; B4/F2; B10/F1; B10/F3; B10/F8; B11/F20; B12/F12; B12/F16; B13/F2; B13/F4; B13/F6; B13/F7; B17/F12","Barnette testimony: B3/F17; B4/F3; B4/F4; B4/F5; B4/F8; B5/F5; B8/F2; B8/F3; B8/F7; B8/F10; B8/F14; B9/F6; B9/F7; B9/F17; B9/F18; B9/F19; B10/F2; B10/F5; B10/F6; B10/F7; B13/F6; B13/F11; B13/F15","Clinton, President, letters to/from: B3/F11; B3/F16; B4/F3; B4/F6; B4/F7; B4/F10; B4/F12; B7/F13; B8/F22; B8/F26; B9/F11; B9/F12; B9/F15; B10/F10; B10/F16; B10/F17; B15/F5","Photographs, original: B11/F8 (with negatives); B11/F16; B11/F17 (with negative); B15/F12; B15/F14; B15/F15","This series contains speeches and presentations, published articles and statements, testimonials before Congressional Committees and Caucuses, as well as notes from other events and meetings. There are three major topics represented by these materials: (1) the U.S. steel import crisis (2) the Bethlehem Steel Corporation, and (3) corporate governance. "," 1. Most items concern the U.S. steel import crisis, circa 1980-2000. Curtis Barnette maintained that the drastic, costly changes the U.S. steel industry underwent to become world class producers of steel were undermined by \"dumping\"—or the flooding of U.S. markets with cheap steel imports—from less efficient but heavily subsidized foreign companies. As a result, industry officials filed trade cases and lobbied for stronger, strictly enforced trade remedies. In addition to international trade, many items speak to other public policy areas such as environmental regulation, healthcare, pensions, energy, and tax reform. A few items discuss the Clinton Health Plan specifically."," 2. The Bethlehem Steel Corporation is another central topic. Most items contain discussion of corporate vision, strategic objectives, financial status, and/or business outlook. Two other common sub-topics are \"restructuring,\" which involves a streamlining process in which a corporation partially or wholly sheds unprofitable divisions, and \"modernization,\" which refers to the installation of state-of-the-art equipment at corporate facilities. "," 3. Corporate governance is yet another major topic. Several items include extended discussion on alliance-building, executive compensation plans, audit committees, corporate image, and corporate secretaries. Still other topics in this series include volunteerism and good corporate citizenship; public-private partnerships; economic development in the Lehigh Valley; commencement speeches and education generally; scouting; and memorial services.","This series contains books about the steel industry as a whole. Items generally fall under one of two categories: (1) historical books, or (2) books examining the current state of the industry."," 1. Several items delve into the past of the U.S. steel industry in considerable detail, including a 5-volume set on economic history. Other books focus on a particular time period, place, or event."," 2. Other items in this series give an in-depth look at the state of the U.S. steel industry (1980-2000), as well as offer analysis or interpretation of current trends. Most underscore the need to adapt to changing global economic pressures.","This series contains books, DVDs and news clippings; annual reports and quarterly reports; legal documentation; internal guides and documents; photo albums; and other materials. Items generally fall into three categories: (1) material about Bethlehem Steel published for public consumption (2) internal guides, documents and publications, and (3) materials from a trip to Brazil in 1980."," 1. Most books in this series focus on one or more historical aspects of the Bethlehem Steel Corporation, including the company's formation, its organization and operations at various sites, notable events, and notable persons such as former executives Charles Schwab and Eugene Grace. Several of the books contain a wide array of photographs. Two DVDs and three news clippings also portray Bethlehem Steel's history."," 2. Internal documents and publications include annual reports, quarterly reports, annual meetings of stockholders, and proxy statements. This series also contains legal documentation, the vast majority of which involves a single case, Crystal v. Foy (1980-1983). Other internal documents include items regarding corporate vision, objectives, strategy and performance; financial management; executive guides; and a government reference guide."," 3. Items from a 1980 business trip to Brazil include a large number of photographs, news articles on present-day Brazil, and miscellaneous materials such as executive directories, travel schedules, itineraries, maps, and biographical data on notable persons involved in the trip."," Breakdown by box:  \n Boxes 300 and 301 contain books and two DVDs regarding one or more historical aspects of Bethlehem Steel Corporation.  \n Boxes 302a and 302b contain annual reports of Bethlehem Steel from 1905-2000.  \n Boxes 303 and 304 contain legal documentation from Crystal v. Foy (1980-1983) and photographs from various cases.  \n Box 305 contains corporate documents, publications, and guides for internal use.  \n Box 306 contains three newspaper clippings about Bethlehem Steel's history.  \n Boxes 307a and 307b contain materials regarding Curtis Barnette's business trip to Brazil in 1980.","This series includes 3 awards given to Barnette, each described as follows: Cut-glass vase, approximately 12\" tall, 3.25\" diameter at base, 5.25\" diameter at top, with etching: \"National Center for State Courts [with tree logo] -- JOHN H. PICKERING AWARD -- Presented to Curtis H. Barnette, Esq. -- November 20, 2009.\" In presentation box lined with blue fabric.   Approximately 7\" tall award with round marble base and felt-lined bottom, approximately 6.25\" in diameter, with—in metal work—three apparently blindfolded women armed with swords and crushing snakes with their feet. Plaque on base reads: \"FTI Consulting -- Corporate Board Member -- Curtis H. Barnette -- 2010 General Counsel -- Lifetime Achievement Award.\"   Solid glass globe of the Earth, with etched land masses, approximately 4\" in diameter. No apparent inscription.","This series contains books, reference and background materials, presentations, clippings, journal articles and reports, office correspondence, and miscellaneous materials. Topics include international trade and globalization; the U.S. steel import crisis (1990-2000); \"dumping,\" or the influx of cheap steel imports from subsidized foreign steel producers; current trends of the U.S. steel industry; Japanese financial ascendency relative to American industries; the Uruguay Round Trade Agreements; the World Trade Organization 4th Ministerial Conference at Doha (2001); the U.S. International Trade Commission on trade laws and remedies; and the President's Trade Advisory Committee (1996-2002)."," Breakdown by box:  \n Boxes 500 and 501 contain books regarding various aspects and issues of international trade, especially in the context of increasing globalization. Several items focus on Japan's theoretical financial ascendency over U.S. industries while other books explore the phenomenon of \"dumping,\" or the flood of cheap imports into American markets from subsidized foreign producers. Other items analyze current trends of the U.S. steel industry and related industries."," Box 502 contains Congressional text and documents on the Uruguay Round Trade Agreements (1994); background materials for the World Trade Organization 4th Ministerial Conference at Doha (2001); reference materials on the U.S. International Trade Commission (2002); and presentations authored by industry officials advocating for governmental assistance in correcting trade distorting practices of foreign competitors."," Box 503 contains a voluminous prehearing brief regarding steel imports before the U.S. International Trade Commission (2000). Other items include materials related to a White House meeting (1999); correspondence and press releases from the Office of U.S. Trade Representative; press releases from Congressional members and other materials related to proposed legislation; press releases from Bethlehem Steel and other organizations; opinion pieces from Curtis Barnette; and clippings from a variety of sources regarding international trade and the U.S. steel import crisis (1998-2000)."," Box 504 contains various materials regarding international trade and the U.S. steel import crisis including journal articles and reports, presentations, and materials from discussion panels. Items also include briefing and reference materials from meetings of the President's Trade Advisory Committee between 1996 and 2002.","This series contains speeches and presentations, opening remarks, handwritten notes, conference background and reference materials, training materials, discussion questions, and miscellaneous items such as programs, information about sponsors, lists of attendees, seating charts, and correspondence regarding invitations and/or travel arrangements. Also included are conference papers not authored by Curtis Barnette, a magazine, and a financial report for MetLife Board members."," Most items in this series contain discussion on one or more functions of a corporate secretary/director, including fiduciary duties, the design of corporate boards, logistical arrangements, shareholder suits, and mediation. On a broader level, a few items examine the external (extra-corporate) and internal (intra-corporate) mechanisms governing corporations, as well as the sources and workings of regulatory authority. Other topics include energy, corporate leadership, as well as the financial status of MetLife (2000) and its director benefits.","This series contains two types of items: (1) congratulatory letters and messages to Curtis Barnette upon his election to Chief Executive Officer of Bethlehem Steel Corporation in 1992, and (2) outgoing letters and messages from Curtis Barnette thanking those individuals who congratulated him."," Incoming correspondence is first ordered by type (personal, private business, law firm, or other organization), and then alphabetized within those categories. Personal correspondence is alphabetized by the individual sender's name while all other categories are alphabetized by the name of the business, law firm, or organization. All outgoing letters and messages from Curtis Barnette are ordered alphabetically by the recipient's name.","This series contains comprehensive reports from the Olympic Review Commission and Office of National Drug Control Policy regarding allegations that U.S.A. Track \u0026 Field concealed information regarding use of performance-enhancing drugs (2001); appendices and reference documents; formal correspondence; documents regarding travel; clippings; photographs; and miscellaneous items.","This series contains videocassette tapes and one digital video disc (DVD). Types of footage include television interviews, news segments, quarterly news conferences, promotional and informational films, advertisements, highlights of business conferences and trips, Congressional hearings, and other material.","This series encompasses a broad range of topics. Most of these topics concern Bethlehem Steel and the U.S. steel industry. These include earnings and profitability; restructuring and modernization; international trade and the steel import crisis; pensions and health care reform; valued customers such as General Motors (GM) and John Deere; the impact and versatility of steel products; good business practices and ethics; and industrial history. In addition, several items concern Bethlehem, Pennsylvania, and the Lehigh Valley in general, especially the decline of manufacturing, redevelopment and revitalization efforts, and local history.","Other topics in this series include education and educational institutions such as West Virginia University (WVU); the career and accomplishments of Curtis Barnette, as well as other industrialists and business leaders; the Board of Directors at MetLife; and special events such as the White House State Dinner that Curtis and Joanne Barnette attended during the Clinton administration.","Digital copies of these VHS tapes have been made; consult a curator for access.","This series consists of one standard audio cassette tape which contains a recording of a news conference at Bethlehem Steel. It regards the corporation's acquisition of Lukens Steel and an agreement with competitor Allegheny Teledyne. Curtis Barnette gives opening remarks before answering related questions from reporters.","This series includes two portraits of Barnette – one by Denny Dent circa 1999, measuring 62 in. X 79 in. and the other by Benjamin Fortunado Marcune circa 2002, measuring 32 in. X 53 in.","This series includes several certificates, commendations, plaques, and other materials awarded to Barnette in celebration of his accomplishments throughout his career. These materials recognize Barnette's work on the WVU Board of Governors; his philanthropic endeavors; his Distinguished West Virginian award; his 1995 Doctor of Law degree from WVU; Barnette's three presidential committee appointments, received from Ronald Reagan, Bill Clinton, and George W. Bush; and his invitation to attend Ronald Reagan's first inauguration in 1981. It also includes several administrative documents pertaining to the WVU Board of Governors and other aspects of WVU administration (box 48).","This series consists of documentation of Barnette's education, including a photocopy of his Bachelor of Arts degree from West Virginia University, earned in 1956; correspondence from the University of Manchester certifying his completion of the Diploma in International Law, earned in 1957; a copy of Barnette's Fulbright Scholarship grant authorization for his study at the University of Manchester; and a copy of his dissertation, completed in 1957 and titled  Neutrality Under the Law of the United Nations Charter .","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Bethlehem Steel Corporation","Barnette, Curtis Handley, 1935-","English \n.    "],"unitid_tesim":["A\u0026M 3974","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3207"],"normalized_title_ssm":["Barnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation"],"collection_title_tesim":["Barnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation"],"collection_ssim":["Barnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Bethlehem (Pa.)"],"geogname_ssim":["Bethlehem (Pa.)"],"creator_ssm":["Barnette, Curtis Handley, 1935-"],"creator_ssim":["Barnette, Curtis Handley, 1935-"],"creator_persname_ssim":["Barnette, Curtis Handley, 1935-"],"creators_ssim":["Barnette, Curtis Handley, 1935-"],"places_ssim":["Bethlehem (Pa.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["International trade ","Steel industry and trade","Commercial treaties -- United States","Healthcare reform -- United States"],"access_subjects_ssm":["International trade ","Steel industry and trade","Commercial treaties -- United States","Healthcare reform -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["57.18 Linear Feet 57 ft. 2 1/4 in. (44 record cartons, 15 in. each); (3 document cases, 5 in. each); (2 flat storage boxes, 3 in. each); (2 oversize folders, 0.1 in. each); (1 unboxed painting, 3 in.); (1 unboxed painting, 2 in.)"],"extent_tesim":["57.18 Linear Feet 57 ft. 2 1/4 in. (44 record cartons, 15 in. each); (3 document cases, 5 in. each); (2 flat storage boxes, 3 in. each); (2 oversize folders, 0.1 in. each); (1 unboxed painting, 3 in.); (1 unboxed painting, 2 in.)"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies. Collection contains Personally Identifiable Information, so it will be restricted until the  donor's death.  Users must complete the Agreement for the Use of Sensitive Materials in order to use the collection before the restriction expires.  This does not apply to box 48; content with sensitive university administration information located in box 48 is closed for research until further notice from donor, while the awards in box 48 are open for research.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eSpecial access restriction applies to box 48. Content with sensitive university administration information located in box 48 is closed for research until further notice from donor; the awards in box 48 are open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies. Collection contains Personally Identifiable Information, so it will be restricted until the  donor's death.  Users must complete the Agreement for the Use of Sensitive Materials in order to use the collection before the restriction expires.  This does not apply to box 48; content with sensitive university administration information located in box 48 is closed for research until further notice from donor, while the awards in box 48 are open for research.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Special access restriction applies to box 48. Content with sensitive university administration information located in box 48 is closed for research until further notice from donor; the awards in box 48 are open for research."],"bioghist_html_tesm":["\u003cp\u003eCurtis H. \"Hank\" Barnette (born in 1935) is a lawyer, businessman, educator, philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation.\u003c/p\u003e\n","\u003cp\u003e1. Early life\n2. Education\n3. Military Service\n4. Legal\n5. Bethlehem Steel Corporation and Business Career\n6. Public Service\n7. Higher Education and Conservation\n8. Current\n9. Family\n10. Other Awards and Recognition\u003c/p\u003e\n","\u003cp\u003e1. Early life\u003c/p\u003e\n","\u003cp\u003eCurtis Handley \"Hank\" Barnette (born in 1935) is a lawyer, businessman, educator, philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation\u003c/p\u003e\n","\u003cp\u003eHe was born in St. Albans, West Virginia and lived there on the Barnette Family Farm at Lower Falls on the Coal River. He attended public schools in St. Albans and graduated from St. Albans High School in 1952.\u003c/p\u003e\n","\u003cp\u003e2. Education\u003c/p\u003e\n","\u003cp\u003eHe attended West Virginia University, Morgantown, West Virginia in 1952 on a Benedum Scholarship, studying political science and history, graduating with high honors in 1956. While at the University he served as President of the Student Body, was a member of Phi Beta Kappa, Phi Alpha Theta and Beta Theta Pi.\u003c/p\u003e\n","\u003cp\u003eIn 1956 he was awarded a Fulbright Scholarship and as a Fulbright Scholar studied International Law at the University of Manchester, Manchester, England, which he completed in 1957 and then entered military service.\u003c/p\u003e\n","\u003cp\u003eHe started at Yale Law School in 1959, graduated in 1962, while a student served as a Research Assistant, Director of Moot Court, and after graduation until 1966 was a Law Tutor at the Law School. In 1975-1976, while employed by Bethlehem Steel Corporation, he attended Harvard Business School's Advanced Management Program.\u003c/p\u003e\n","\u003cp\u003e3. Military Service\u003c/p\u003e\n","\u003cp\u003eHe was a member of the ROTC at West Virginia University, in his senior year was Cadet Colonel of the Cadet Corps, graduated as a Distinguished Military Graduate and was commissioned as an officer in the United States Army Reserve – Army Intelligence. He served in Germany 1957-1959 as a Counterintelligence Officer, and while in Germany was a lecturer in international relations at the Frankfurt Branch of the University of Maryland. He continued Intelligence Reserve duty until 1967 with a Strategic Intelligence Detachment in Connecticut, and was promoted to the rank of Major and Commanding Officer.\u003c/p\u003e\n","\u003cp\u003e4. Legal\u003c/p\u003e\n","\u003cp\u003eAfter graduation from Yale Law School in 1962, he worked as an Attorney with the New Haven law firm of Wiggin \u0026amp; Dana until 1967 when he joined the Law Department of Bethlehem Steel Corporation in Pennsylvania, as an Attorney. He advanced to General Attorney, Corporate Secretary, Assistant General Counsel, General Counsel, and in 1976, Senior Vice President and Director. In 1992 he was elected Chairman and Chief Executive Officer.\u003c/p\u003e\n","\u003cp\u003eHis legal work at Bethlehem Steel centered on antitrust, corporate, litigation, labor relations, and international trade. He was elected to the Antitrust Council of the American Bar Association and became a member of and President of the Association of General Counsel, and continues as an Emeritus Member.\u003c/p\u003e\n","\u003cp\u003eAs Secretary he was active in corporate matters, became a member and Chairman of the American Society of Corporate Secretaries, and the Legal Advisory Committee of the New York Stock Exchange.\u003c/p\u003e\n","\u003cp\u003eIn 2000, after retirement from Bethlehem Steel Corporation, he became Of Counsel to the international law firm of Skadden, Arps, Slate, Meagher \u0026amp; Flom, with an office in Washington, D.C. He worked, and has written and spoken in the areas of corporate, litigation, international trade, government affairs, and corporate governance, testified before Congressional Committees, and retired in 2011.\u003c/p\u003e\n","\u003cp\u003eHe is a Life Member of the American Law Institute, a Life Patron Fellow of the American Bar Foundation and a Life Fellow of the Pennsylvania Bar Foundation.\u003c/p\u003e\n","\u003cp\u003eHe is admitted to practice law in the states of Connecticut, Pennsylvania, West Virginia, the District of Columbia, the Supreme Court of the United States and other federal courts.\u003c/p\u003e\n","\u003cp\u003e5. Bethlehem Steel Corporation and Business Career\u003c/p\u003e\n","\u003cp\u003eHe joined Bethlehem Steel Corporation in 1967 and served principally in a legal capacity until 1992 when he was elected Chairman and Chief Executive Officer. He served until his retirement in 2000 when he was elected Chairman Emeritus.\u003c/p\u003e\n","\u003cp\u003eHe was a Director and Chairman of the International Iron and Steel Institute, Brussels, Belgium, and was a Director and Chairman of the American Iron and Steel Institute, Washington, DC. He was a member of the Business Council, the Business Roundtable, and was Chairman of the Pennsylvania Business Roundtable.\u003c/p\u003e\n","\u003cp\u003eHe was a director of Bethlehem Steel, MetLife, the Metropolitan Life Insurance Company, Owens Corning, and a member of the Norfolk Southern Advisory Board.\u003c/p\u003e\n","\u003cp\u003e6. Public Service\u003c/p\u003e\n","\u003cp\u003ePresident Ronald Reagan appointed him to the Council of the Administrative Conference of the United States, and Secretary Dole named him to the Coal Commission. President George W. Bush appointed him to the President's Trade Advisory Committee for Trade Policy (ACTPN), and he was reappointed by President William Clinton. Governor Richard Thornburg appointed him to a Judicial Advisory Selection Committee, and Governor Tom Ridge named him to the 21st Century Environmental Commission. He was elected as a Director of the National Center for State Courts in Williamsburg, VA, and was named to the Independent Review Commission on Doping Control by U.S. Track and Field, U.S. Olympic Committee. He has been appointed by the Mayor of the City of Bethlehem to the Bethlehem World Heritage Commission to help Bethlehem achieve World Heritage status.\u003c/p\u003e\n","\u003cp\u003e7. Higher Education and Conservation\u003c/p\u003e\n","\u003cp\u003eHank served as Chairman of the West Virginia University Board of Governors, and upon retirement was named Chairman Emeritus. He was Chairman and a Director of the West Virginia University Foundation, and upon retirement was elected Director Emeritus.\u003c/p\u003e\n","\u003cp\u003eHe is a member and served as Chairman of the Yale Law School Fund Board, was a Trustee of Lehigh University, and is a Trustee of Moravian College.\u003c/p\u003e\n","\u003cp\u003eHank and his wife, Joanne, have established student scholarships including those at West Virginia University, Yale Law School, Moravian College, Lehigh University, DeSales University, the University of Charleston, St. Luke's University Health Network and Manchester University, and have provided other contributions and support to those and other schools. They have been long time members of the Tocqueville Society of the United Way and supported various other charitable organizations.\u003c/p\u003e\n","\u003cp\u003eHank grew up on the Barnette Family Farm in St. Albans, WV, which was donated to the State of West Virginia and the Coal River Group. It is now the Barnette Landing on the Coal River, and the Barnette Conservation Preserve.\u003c/p\u003e\n","\u003cp\u003eJoanne was raised on the Harner Family Farm in Morgantown, WV, which she and Hank donated to West Virginia University to be used and developed for faculty and staff housing.\u003c/p\u003e\n","\u003cp\u003eHe was CEO of Bethlehem Steel when decisions were made to end steel operations at the Bethlehem Plant on the 1800 acre tract of land in South Bethlehem, Pennsylvania. Hank, was a leader, along with others, through public-private efforts, to cause the preservation of the Bethlehem Plant Site as the largest Brownfield Redevelopment in America. After planning, rezoning, infrastructure construction, and environmental assessments, Beth Works (200 acres) and Bethlehem Commerce Center (1600 acres) were established and continue to be developed.\u003c/p\u003e\n","\u003cp\u003e8. Current\u003c/p\u003e\n","\u003cp\u003eHe continues the private practice of law, serves as a Director of Lehigh Valley Industrial Park, Vice Chair of the Bethlehem World Heritage Commission, Rotary Club of Bethlehem, Chair Emeritus of the National Museum of Industrial History, Trustee of Moravian College, an Emeritus member of the Association of General Counsel, member of the Yale Law School Fund Board, and the Council of Chief Executives.\u003c/p\u003e\n","\u003cp\u003eHank has received the Lifetime Achievement Award from the Association of Fundraising Professionals; awarded The Presidential Medal by Moravian College; named a Sterling Fellow by Yale University; received the Lifetime Achievement Award from Marquis Who's Who; and donated his papers, speeches, testimony and related documents to the Distinguished West Virginians Archives.\u003c/p\u003e\n","\u003cp\u003eSources: AFP Eastern PA, Lifetime Achievement Award, November 15, 2018; Moravian.edu; The Presidential Medal.Curtis H. Barnette-9/18/19; Lifetime Achievement Award -2018-Marquis Who's Who-24.7. press release.com- Marquis Who's Who-Curtis \"Hank\"Barnette; WVU Launches Distinguished West Virginians Archives-June 5; 2018-wvutoday.wvu.edu.\u003c/p\u003e\n","\u003cp\u003e9. Family\u003c/p\u003e\n","\u003cp\u003eHis wife is Loris Joan Harner (\"Joanne\") Barnette, and they have two sons, Kevin Barnette and James Barnette.\u003c/p\u003e\n","\u003cp\u003e10. Other Awards and Recognition\u003c/p\u003e\n","\u003cp\u003eHonorary Doctor of Law Degrees, LL.D.:\u003clb\u003e\u003c/lb\u003e\n-DeSales University\u003clb\u003e\u003c/lb\u003e\n-Lehigh University\u003clb\u003e\u003c/lb\u003e\n-Moravian College\u003clb\u003e\u003c/lb\u003e\n-University of Charleston\u003clb\u003e\u003c/lb\u003e\n-West Virginia University\u003clb\u003e\u003c/lb\u003e\nAmerican Iron and Steel Institute, Washington, D.C.:\u003clb\u003e\u003c/lb\u003e\n-The Gary Memorial Medal\u003clb\u003e\u003c/lb\u003e\n-The Statesman Award\u003clb\u003e\u003c/lb\u003e\nInternational Iron and Steel Institute (World Steel Organization), Brussels, Belgium: The IISI Medal\u003clb\u003e\u003c/lb\u003e\nCity of Bethlehem, PA: Hall of Fame, 275th Anniversary\u003clb\u003e\u003c/lb\u003e\nCity of St. Albans, WV: Hall of Fame Award\u003clb\u003e\u003c/lb\u003e\nCorporate Board Member Magazine: Lifetime Achievement Award as General Counsel\u003clb\u003e\u003c/lb\u003e\nNational Center for State Courts, Williamsburg, VA:\u003clb\u003e\u003c/lb\u003e\n-The Warren Burger Society\u003clb\u003e\u003c/lb\u003e\n-The John H. Pickering Award\u003clb\u003e\u003c/lb\u003e\nChamber of Commerce, Bethlehem, PA: Distinguished Community Leadership Award, 1999\u003clb\u003e\u003c/lb\u003e\nGovernor of West Virginia: Named a Distinguished West Virginian Award\u003clb\u003e\u003c/lb\u003e\nBoy Scouts of America, Minsi Trails Council:\u003clb\u003e\u003c/lb\u003e\n-Distinguished Citizen Award, 1996\u003clb\u003e\u003c/lb\u003e\n-Silver Beaver Award, 2011 \u003clb\u003e\u003c/lb\u003e\nWest Virginia University:\u003clb\u003e\u003c/lb\u003e\n-Order of Vandalia\u003clb\u003e\u003c/lb\u003e\n-Academy of Distinguished Alumni\u003clb\u003e\u003c/lb\u003e\n-West Virginia Business Hall of Fame\u003clb\u003e\u003c/lb\u003e\n-Most Loyal Alumni Mountaineer\u003clb\u003e\u003c/lb\u003e\n-Outstanding Volunteer Philanthropist \u003clb\u003e\u003c/lb\u003e\nWildlands Conservancy: Friend of the Lehigh River Award\u003clb\u003e\u003c/lb\u003e\nPennsylvania Society: Councilor Emeritus \u003clb\u003e\u003c/lb\u003e\nAssociation of Fundraising Professionals: Outstanding Philanthropist, 2004\u003c/p\u003e\n","\u003cp\u003e[From Wikipedia]\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Curtis H. \"Hank\" Barnette (born in 1935) is a lawyer, businessman, educator, philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation.","1. Early life\n2. Education\n3. Military Service\n4. Legal\n5. Bethlehem Steel Corporation and Business Career\n6. Public Service\n7. Higher Education and Conservation\n8. Current\n9. Family\n10. Other Awards and Recognition","1. Early life","Curtis Handley \"Hank\" Barnette (born in 1935) is a lawyer, businessman, educator, philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation","He was born in St. Albans, West Virginia and lived there on the Barnette Family Farm at Lower Falls on the Coal River. He attended public schools in St. Albans and graduated from St. Albans High School in 1952.","2. Education","He attended West Virginia University, Morgantown, West Virginia in 1952 on a Benedum Scholarship, studying political science and history, graduating with high honors in 1956. While at the University he served as President of the Student Body, was a member of Phi Beta Kappa, Phi Alpha Theta and Beta Theta Pi.","In 1956 he was awarded a Fulbright Scholarship and as a Fulbright Scholar studied International Law at the University of Manchester, Manchester, England, which he completed in 1957 and then entered military service.","He started at Yale Law School in 1959, graduated in 1962, while a student served as a Research Assistant, Director of Moot Court, and after graduation until 1966 was a Law Tutor at the Law School. In 1975-1976, while employed by Bethlehem Steel Corporation, he attended Harvard Business School's Advanced Management Program.","3. Military Service","He was a member of the ROTC at West Virginia University, in his senior year was Cadet Colonel of the Cadet Corps, graduated as a Distinguished Military Graduate and was commissioned as an officer in the United States Army Reserve – Army Intelligence. He served in Germany 1957-1959 as a Counterintelligence Officer, and while in Germany was a lecturer in international relations at the Frankfurt Branch of the University of Maryland. He continued Intelligence Reserve duty until 1967 with a Strategic Intelligence Detachment in Connecticut, and was promoted to the rank of Major and Commanding Officer.","4. Legal","After graduation from Yale Law School in 1962, he worked as an Attorney with the New Haven law firm of Wiggin \u0026 Dana until 1967 when he joined the Law Department of Bethlehem Steel Corporation in Pennsylvania, as an Attorney. He advanced to General Attorney, Corporate Secretary, Assistant General Counsel, General Counsel, and in 1976, Senior Vice President and Director. In 1992 he was elected Chairman and Chief Executive Officer.","His legal work at Bethlehem Steel centered on antitrust, corporate, litigation, labor relations, and international trade. He was elected to the Antitrust Council of the American Bar Association and became a member of and President of the Association of General Counsel, and continues as an Emeritus Member.","As Secretary he was active in corporate matters, became a member and Chairman of the American Society of Corporate Secretaries, and the Legal Advisory Committee of the New York Stock Exchange.","In 2000, after retirement from Bethlehem Steel Corporation, he became Of Counsel to the international law firm of Skadden, Arps, Slate, Meagher \u0026 Flom, with an office in Washington, D.C. He worked, and has written and spoken in the areas of corporate, litigation, international trade, government affairs, and corporate governance, testified before Congressional Committees, and retired in 2011.","He is a Life Member of the American Law Institute, a Life Patron Fellow of the American Bar Foundation and a Life Fellow of the Pennsylvania Bar Foundation.","He is admitted to practice law in the states of Connecticut, Pennsylvania, West Virginia, the District of Columbia, the Supreme Court of the United States and other federal courts.","5. Bethlehem Steel Corporation and Business Career","He joined Bethlehem Steel Corporation in 1967 and served principally in a legal capacity until 1992 when he was elected Chairman and Chief Executive Officer. He served until his retirement in 2000 when he was elected Chairman Emeritus.","He was a Director and Chairman of the International Iron and Steel Institute, Brussels, Belgium, and was a Director and Chairman of the American Iron and Steel Institute, Washington, DC. He was a member of the Business Council, the Business Roundtable, and was Chairman of the Pennsylvania Business Roundtable.","He was a director of Bethlehem Steel, MetLife, the Metropolitan Life Insurance Company, Owens Corning, and a member of the Norfolk Southern Advisory Board.","6. Public Service","President Ronald Reagan appointed him to the Council of the Administrative Conference of the United States, and Secretary Dole named him to the Coal Commission. President George W. Bush appointed him to the President's Trade Advisory Committee for Trade Policy (ACTPN), and he was reappointed by President William Clinton. Governor Richard Thornburg appointed him to a Judicial Advisory Selection Committee, and Governor Tom Ridge named him to the 21st Century Environmental Commission. He was elected as a Director of the National Center for State Courts in Williamsburg, VA, and was named to the Independent Review Commission on Doping Control by U.S. Track and Field, U.S. Olympic Committee. He has been appointed by the Mayor of the City of Bethlehem to the Bethlehem World Heritage Commission to help Bethlehem achieve World Heritage status.","7. Higher Education and Conservation","Hank served as Chairman of the West Virginia University Board of Governors, and upon retirement was named Chairman Emeritus. He was Chairman and a Director of the West Virginia University Foundation, and upon retirement was elected Director Emeritus.","He is a member and served as Chairman of the Yale Law School Fund Board, was a Trustee of Lehigh University, and is a Trustee of Moravian College.","Hank and his wife, Joanne, have established student scholarships including those at West Virginia University, Yale Law School, Moravian College, Lehigh University, DeSales University, the University of Charleston, St. Luke's University Health Network and Manchester University, and have provided other contributions and support to those and other schools. They have been long time members of the Tocqueville Society of the United Way and supported various other charitable organizations.","Hank grew up on the Barnette Family Farm in St. Albans, WV, which was donated to the State of West Virginia and the Coal River Group. It is now the Barnette Landing on the Coal River, and the Barnette Conservation Preserve.","Joanne was raised on the Harner Family Farm in Morgantown, WV, which she and Hank donated to West Virginia University to be used and developed for faculty and staff housing.","He was CEO of Bethlehem Steel when decisions were made to end steel operations at the Bethlehem Plant on the 1800 acre tract of land in South Bethlehem, Pennsylvania. Hank, was a leader, along with others, through public-private efforts, to cause the preservation of the Bethlehem Plant Site as the largest Brownfield Redevelopment in America. After planning, rezoning, infrastructure construction, and environmental assessments, Beth Works (200 acres) and Bethlehem Commerce Center (1600 acres) were established and continue to be developed.","8. Current","He continues the private practice of law, serves as a Director of Lehigh Valley Industrial Park, Vice Chair of the Bethlehem World Heritage Commission, Rotary Club of Bethlehem, Chair Emeritus of the National Museum of Industrial History, Trustee of Moravian College, an Emeritus member of the Association of General Counsel, member of the Yale Law School Fund Board, and the Council of Chief Executives.","Hank has received the Lifetime Achievement Award from the Association of Fundraising Professionals; awarded The Presidential Medal by Moravian College; named a Sterling Fellow by Yale University; received the Lifetime Achievement Award from Marquis Who's Who; and donated his papers, speeches, testimony and related documents to the Distinguished West Virginians Archives.","Sources: AFP Eastern PA, Lifetime Achievement Award, November 15, 2018; Moravian.edu; The Presidential Medal.Curtis H. Barnette-9/18/19; Lifetime Achievement Award -2018-Marquis Who's Who-24.7. press release.com- Marquis Who's Who-Curtis \"Hank\"Barnette; WVU Launches Distinguished West Virginians Archives-June 5; 2018-wvutoday.wvu.edu.","9. Family","His wife is Loris Joan Harner (\"Joanne\") Barnette, and they have two sons, Kevin Barnette and James Barnette.","10. Other Awards and Recognition","Honorary Doctor of Law Degrees, LL.D.: \n-DeSales University \n-Lehigh University \n-Moravian College \n-University of Charleston \n-West Virginia University \nAmerican Iron and Steel Institute, Washington, D.C.: \n-The Gary Memorial Medal \n-The Statesman Award \nInternational Iron and Steel Institute (World Steel Organization), Brussels, Belgium: The IISI Medal \nCity of Bethlehem, PA: Hall of Fame, 275th Anniversary \nCity of St. Albans, WV: Hall of Fame Award \nCorporate Board Member Magazine: Lifetime Achievement Award as General Counsel \nNational Center for State Courts, Williamsburg, VA: \n-The Warren Burger Society \n-The John H. Pickering Award \nChamber of Commerce, Bethlehem, PA: Distinguished Community Leadership Award, 1999 \nGovernor of West Virginia: Named a Distinguished West Virginian Award \nBoy Scouts of America, Minsi Trails Council: \n-Distinguished Citizen Award, 1996 \n-Silver Beaver Award, 2011  \nWest Virginia University: \n-Order of Vandalia \n-Academy of Distinguished Alumni \n-West Virginia Business Hall of Fame \n-Most Loyal Alumni Mountaineer \n-Outstanding Volunteer Philanthropist  \nWildlands Conservancy: Friend of the Lehigh River Award \nPennsylvania Society: Councilor Emeritus  \nAssociation of Fundraising Professionals: Outstanding Philanthropist, 2004","[From Wikipedia]"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Barnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation, A\u0026amp;M 3974, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Barnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation, A\u0026M 3974, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eBarnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation.  These materials document Barnette's leadership and service.\u003c/p\u003e","\u003cp\u003eIncludes records documenting the service and leadership of Curtis Handley (\"Hank\") Barnette, former Chairman and C.E.O. of the Bethlehem Steel Corporation, in matters of international trade, law, business, and organizations. Throughout his tenure at Bethlehem Steel, Barnette was affiliated with numerous organizations that have influenced business and trade policy. For example, he was Director and Chairman of the International Iron and Steel Institute (IISI), and the American Iron and Steel Institute (AISI). He served through appointments by the Presidents of the United States as a member of the United States Advisory Committee on Trade Policy and Negotiations (ACTPN), which provides the President with advice from the private sector.\u003c/p\u003e\n","\u003cp\u003eNote: Where possible, the terminology originally used by Barnette and his staff to organize the contents of this record series—as well as the order of folders and items—has been preserved. Accordingly, most folders in this series are described by either 1. topic or 2. organization. In addition, material related to the topic or organization is frequently supplemented by other material; for such folders, descriptions of this supplemental material appear within parentheses in the contents list. Finally, folders containing primarily steel import data or reference materials such as trade publications and directories are described in the contents list as international trade material of a general nature. \u003c/p\u003e\n","\u003cp\u003eTo locate material of interest, it is recommended to search the contents list using the full name as well as any abbreviated names of the given topic or organization listed below. For example, to locate documents related to the World Trade Organization, use \"World Trade Organization\" and \"WTO\" as search terms.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eTopics\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTopics primarily represented include: \u003clb\u003e\u003c/lb\u003e\n1. Trade policy (e.g., the Multilateral Steel Agreement (MSA), the North American Free Trade Agreement (NAFTA)) \u003clb\u003e\u003c/lb\u003e\n2. Trade litigation (e.g., United States Department of Commerce and United States International Trade Commission (ITC) investigations into unfair trade practices of foreign countries)\u003c/p\u003e\n","\u003cp\u003eSome notable trade agreements referenced in this series include: \u003clb\u003e\u003c/lb\u003e\n1. General Agreement on Tariffs and Trade (GATT) \u003clb\u003e\u003c/lb\u003e\n2. World Trade Organization (WTO) \u003clb\u003e\u003c/lb\u003e\n3. North American Free Trade Agreement (NAFTA) \u003clb\u003e\u003c/lb\u003e\n4. Multilateral Steel Agreement (MSA) \u003clb\u003e\u003c/lb\u003e\n5. Voluntary Restraint Agreements (VRA) \u003clb\u003e\u003c/lb\u003e\n6. Multilateral Specialty Steel Agreement (MSSA) \u003clb\u003e\u003c/lb\u003e\n7. North American Steel Sector Agreement (NASSA) \u003clb\u003e\u003c/lb\u003e\n8. U.S.-E.C. (European Community) Consensus Agreement \u003clb\u003e\u003c/lb\u003e\n9. U.S.-China bilateral WTO agreement\u003c/p\u003e\n","\u003cp\u003eOther topics, represented to a lesser extent, include issues generally relevant to the steel industry, such as labor, health-care reform, and environmental impact, as well as issues specific to the Bethlehem Steel Corporation, such as the Corporation's financial health, steel-production data, and administrative decisions. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eOrganizations\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eOrganizations occurring most frequently within the contents list for this series include: \u003clb\u003e\u003c/lb\u003e\n1. International Iron and Steel Institute (IISI) \u003clb\u003e\u003c/lb\u003e\n2. American Iron and Steel Institute (AISI) \u003clb\u003e\u003c/lb\u003e\n3. Bethlehem Steel Corporation (BSC) \u003clb\u003e\u003c/lb\u003e\n4. United States Advisory Committee on Trade Policy and Negotiations (ACTPN) \u003clb\u003e\u003c/lb\u003e\n5. World Trade Organization (WTO) \u003clb\u003e\u003c/lb\u003e\n6. United States International Trade Commission (ITC) \u003clb\u003e\u003c/lb\u003e\n7. United States Department of Commerce\u003c/p\u003e\n","\u003cp\u003eOther organizations occurring within the contents list for this series include, approximately in order of decreasing frequency: \u003clb\u003e\u003c/lb\u003e\n1. House and Senate Steel Caucuses (Congressional Steel Caucus, Steel Caucus) \u003clb\u003e\u003c/lb\u003e\n2. United Steelworkers of America (USWA) \u003clb\u003e\u003c/lb\u003e\n3. Council of United States Producers (CUSP) \u003clb\u003e\u003c/lb\u003e\n4. North American Steel Council (NASC) \u003clb\u003e\u003c/lb\u003e\n5. The Steel Alliance \u003clb\u003e\u003c/lb\u003e\n6. Senate Finance Committee \u003clb\u003e\u003c/lb\u003e\n7. European Confederation of Iron and Steel Industries (EUROFER) \u003clb\u003e\u003c/lb\u003e\n8. Stand Up For Steel \u003clb\u003e\u003c/lb\u003e\n9. Organization for Economic Cooperation and Development (OECD) \u003clb\u003e\u003c/lb\u003e\n10. The Business Roundtable \u003clb\u003e\u003c/lb\u003e\n11. The Business Council \u003clb\u003e\u003c/lb\u003e\n12. Economic Strategy Institute (ESI) \u003clb\u003e\u003c/lb\u003e\n13. German-American Business Council \u003clb\u003e\u003c/lb\u003e\n14. House Subcommittee on Health and the Environment\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eTypes of Material Within Organization-Related Files in Series 1A\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e1. Correspondence with steel-industry executives and members of federal and state government (N.B. some of the letters are to or from President William Jefferson Clinton) \u003clb\u003e\u003c/lb\u003e\n2. Briefing materials (e.g., trade publications, reports, data, articles on domestic and foreign industries) \u003clb\u003e\u003c/lb\u003e\n3. Travel documents (e.g., itineraries; receipts; brochures; postcards; and articles on local history, culture, and attractions) associated with conferences held throughout the United States of America, Europe, Asia, and South America, as well as locations in Australia, Bermuda, Canada, and South Africa.\u003c/p\u003e\n","\u003cp\u003eConference locations in the United States of America include: Arizona, Colorado, Florida, Hawaii, Illinois, New York, North Carolina, Ohio, Pennsylvania, Washington, Washington D.C., and West Virginia.\u003c/p\u003e\n","\u003cp\u003eConference locations in Europe include: Austria, Czechoslovakia, Denmark, Finland, France, Germany, Hungary, Italy, and Spain.\u003c/p\u003e\n","\u003cp\u003eConference locations in Asia include: China, India, Japan, South Korea (cancelled due to September 11, 2001 terrorist attacks), Taiwan, Thailand, Turkey, and the U.S.S.R.\u003c/p\u003e\n","\u003cp\u003eConference locations in South America include: Argentina and Brazil.\u003c/p\u003e\n","\u003cp\u003eOther conference locations include: Melbourne, Australia; Hamilton, Bermuda; Toronto, Canada; and Cape Town, South Africa.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003e Other Types of Material Found Throughout Series 1A\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e1. Press releases and clippings \u003clb\u003e\u003c/lb\u003e\n2. Handwritten notes \u003clb\u003e\u003c/lb\u003e\n3. Transcripts of speeches, interviews and comments to press, and testimony (e.g., to the Senate Finance Committee and to the ITC) \u003clb\u003e\u003c/lb\u003e\n4. Legislative documents (e.g., drafts of House and Senate Resolutions and international trade agreements) \u003clb\u003e\u003c/lb\u003e\n5. Biographical material (e.g., application forms for appointment to the ACTPN, including a Delayed Certificate of Birth, résumé, statements of military record and security clearance, as well as miscellaneous other personal information such as assets and fingerprint records) \u003clb\u003e\u003c/lb\u003e\n6. Award materials (e.g., certificates for the General Motors Supplier of the Year) \u003clb\u003e\u003c/lb\u003e\n7. A few original photographs, some with negatives enclosed\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eIndex to Series 1A\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eNote: Items of particular interest are referenced below according to the Box (B) and Folder (F) in which they are located. Some duplicate items (e.g., additional photocopies) are referenced within this Index.\u003c/p\u003e\n","\u003cp\u003eBarnette interviews, comments to press: B1/F4; B7/F11; B9/F6; B9/F7; B13/F8; B16/F5\u003c/p\u003e\n","\u003cp\u003eBarnette op-ed pieces, The Washington Times and The Baltimore Sun: B5/F5; B8/F10 (same as in B5/F5, but photocopied in different format, larger print); B13/F8\u003c/p\u003e\n","\u003cp\u003eBarnette speeches: B1/F20; B2/F19; B4/F2; B10/F1; B10/F3; B10/F8; B11/F20; B12/F12; B12/F16; B13/F2; B13/F4; B13/F6; B13/F7; B17/F12\u003c/p\u003e\n","\u003cp\u003eBarnette testimony: B3/F17; B4/F3; B4/F4; B4/F5; B4/F8; B5/F5; B8/F2; B8/F3; B8/F7; B8/F10; B8/F14; B9/F6; B9/F7; B9/F17; B9/F18; B9/F19; B10/F2; B10/F5; B10/F6; B10/F7; B13/F6; B13/F11; B13/F15\u003c/p\u003e\n","\u003cp\u003eClinton, President, letters to/from: B3/F11; B3/F16; B4/F3; B4/F6; B4/F7; B4/F10; B4/F12; B7/F13; B8/F22; B8/F26; B9/F11; B9/F12; B9/F15; B10/F10; B10/F16; B10/F17; B15/F5\u003c/p\u003e\n","\u003cp\u003ePhotographs, original: B11/F8 (with negatives); B11/F16; B11/F17 (with negative); B15/F12; B15/F14; B15/F15\u003c/p\u003e","\u003cp\u003eThis series contains speeches and presentations, published articles and statements, testimonials before Congressional Committees and Caucuses, as well as notes from other events and meetings. There are three major topics represented by these materials: (1) the U.S. steel import crisis (2) the Bethlehem Steel Corporation, and (3) corporate governance. \u003c/p\u003e\n","\u003cp\u003e 1. Most items concern the U.S. steel import crisis, circa 1980-2000. Curtis Barnette maintained that the drastic, costly changes the U.S. steel industry underwent to become world class producers of steel were undermined by \"dumping\"—or the flooding of U.S. markets with cheap steel imports—from less efficient but heavily subsidized foreign companies. As a result, industry officials filed trade cases and lobbied for stronger, strictly enforced trade remedies. In addition to international trade, many items speak to other public policy areas such as environmental regulation, healthcare, pensions, energy, and tax reform. A few items discuss the Clinton Health Plan specifically.\u003c/p\u003e\n","\u003cp\u003e 2. The Bethlehem Steel Corporation is another central topic. Most items contain discussion of corporate vision, strategic objectives, financial status, and/or business outlook. Two other common sub-topics are \"restructuring,\" which involves a streamlining process in which a corporation partially or wholly sheds unprofitable divisions, and \"modernization,\" which refers to the installation of state-of-the-art equipment at corporate facilities. \u003c/p\u003e\n","\u003cp\u003e 3. Corporate governance is yet another major topic. Several items include extended discussion on alliance-building, executive compensation plans, audit committees, corporate image, and corporate secretaries. Still other topics in this series include volunteerism and good corporate citizenship; public-private partnerships; economic development in the Lehigh Valley; commencement speeches and education generally; scouting; and memorial services.\u003c/p\u003e","\u003cp\u003eThis series contains books about the steel industry as a whole. Items generally fall under one of two categories: (1) historical books, or (2) books examining the current state of the industry.\u003c/p\u003e\n","\u003cp\u003e 1. Several items delve into the past of the U.S. steel industry in considerable detail, including a 5-volume set on economic history. Other books focus on a particular time period, place, or event.\u003c/p\u003e\n","\u003cp\u003e 2. Other items in this series give an in-depth look at the state of the U.S. steel industry (1980-2000), as well as offer analysis or interpretation of current trends. Most underscore the need to adapt to changing global economic pressures.\u003c/p\u003e","\u003cp\u003eThis series contains books, DVDs and news clippings; annual reports and quarterly reports; legal documentation; internal guides and documents; photo albums; and other materials. Items generally fall into three categories: (1) material about Bethlehem Steel published for public consumption (2) internal guides, documents and publications, and (3) materials from a trip to Brazil in 1980.\u003c/p\u003e\n","\u003cp\u003e 1. Most books in this series focus on one or more historical aspects of the Bethlehem Steel Corporation, including the company's formation, its organization and operations at various sites, notable events, and notable persons such as former executives Charles Schwab and Eugene Grace. Several of the books contain a wide array of photographs. Two DVDs and three news clippings also portray Bethlehem Steel's history.\u003c/p\u003e\n","\u003cp\u003e 2. Internal documents and publications include annual reports, quarterly reports, annual meetings of stockholders, and proxy statements. This series also contains legal documentation, the vast majority of which involves a single case, Crystal v. Foy (1980-1983). Other internal documents include items regarding corporate vision, objectives, strategy and performance; financial management; executive guides; and a government reference guide.\u003c/p\u003e\n","\u003cp\u003e 3. Items from a 1980 business trip to Brazil include a large number of photographs, news articles on present-day Brazil, and miscellaneous materials such as executive directories, travel schedules, itineraries, maps, and biographical data on notable persons involved in the trip.\u003c/p\u003e\n","\u003cp\u003e Breakdown by box: \u003clb\u003e\u003c/lb\u003e\n Boxes 300 and 301 contain books and two DVDs regarding one or more historical aspects of Bethlehem Steel Corporation. \u003clb\u003e\u003c/lb\u003e\n Boxes 302a and 302b contain annual reports of Bethlehem Steel from 1905-2000. \u003clb\u003e\u003c/lb\u003e\n Boxes 303 and 304 contain legal documentation from Crystal v. Foy (1980-1983) and photographs from various cases. \u003clb\u003e\u003c/lb\u003e\n Box 305 contains corporate documents, publications, and guides for internal use. \u003clb\u003e\u003c/lb\u003e\n Box 306 contains three newspaper clippings about Bethlehem Steel's history. \u003clb\u003e\u003c/lb\u003e\n Boxes 307a and 307b contain materials regarding Curtis Barnette's business trip to Brazil in 1980.\u003c/p\u003e","\u003cp\u003eThis series includes 3 awards given to Barnette, each described as follows:\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eCut-glass vase, approximately 12\" tall, 3.25\" diameter at base, 5.25\" diameter at top, with etching: \"National Center for State Courts [with tree logo] -- JOHN H. PICKERING AWARD -- Presented to Curtis H. Barnette, Esq. -- November 20, 2009.\" In presentation box lined with blue fabric. \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e Approximately 7\" tall award with round marble base and felt-lined bottom, approximately 6.25\" in diameter, with—in metal work—three apparently blindfolded women armed with swords and crushing snakes with their feet. Plaque on base reads: \"FTI Consulting -- Corporate Board Member -- Curtis H. Barnette -- 2010 General Counsel -- Lifetime Achievement Award.\" \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e Solid glass globe of the Earth, with etched land masses, approximately 4\" in diameter. No apparent inscription.\u003c/p\u003e","\u003cp\u003eThis series contains books, reference and background materials, presentations, clippings, journal articles and reports, office correspondence, and miscellaneous materials. Topics include international trade and globalization; the U.S. steel import crisis (1990-2000); \"dumping,\" or the influx of cheap steel imports from subsidized foreign steel producers; current trends of the U.S. steel industry; Japanese financial ascendency relative to American industries; the Uruguay Round Trade Agreements; the World Trade Organization 4th Ministerial Conference at Doha (2001); the U.S. International Trade Commission on trade laws and remedies; and the President's Trade Advisory Committee (1996-2002).\u003c/p\u003e\n","\u003cp\u003e Breakdown by box: \u003clb\u003e\u003c/lb\u003e\n Boxes 500 and 501 contain books regarding various aspects and issues of international trade, especially in the context of increasing globalization. Several items focus on Japan's theoretical financial ascendency over U.S. industries while other books explore the phenomenon of \"dumping,\" or the flood of cheap imports into American markets from subsidized foreign producers. Other items analyze current trends of the U.S. steel industry and related industries.\u003c/p\u003e\n","\u003cp\u003e Box 502 contains Congressional text and documents on the Uruguay Round Trade Agreements (1994); background materials for the World Trade Organization 4th Ministerial Conference at Doha (2001); reference materials on the U.S. International Trade Commission (2002); and presentations authored by industry officials advocating for governmental assistance in correcting trade distorting practices of foreign competitors.\u003c/p\u003e\n","\u003cp\u003e Box 503 contains a voluminous prehearing brief regarding steel imports before the U.S. International Trade Commission (2000). Other items include materials related to a White House meeting (1999); correspondence and press releases from the Office of U.S. Trade Representative; press releases from Congressional members and other materials related to proposed legislation; press releases from Bethlehem Steel and other organizations; opinion pieces from Curtis Barnette; and clippings from a variety of sources regarding international trade and the U.S. steel import crisis (1998-2000).\u003c/p\u003e\n","\u003cp\u003e Box 504 contains various materials regarding international trade and the U.S. steel import crisis including journal articles and reports, presentations, and materials from discussion panels. Items also include briefing and reference materials from meetings of the President's Trade Advisory Committee between 1996 and 2002.\u003c/p\u003e","\u003cp\u003eThis series contains speeches and presentations, opening remarks, handwritten notes, conference background and reference materials, training materials, discussion questions, and miscellaneous items such as programs, information about sponsors, lists of attendees, seating charts, and correspondence regarding invitations and/or travel arrangements. Also included are conference papers not authored by Curtis Barnette, a magazine, and a financial report for MetLife Board members.\u003c/p\u003e\n","\u003cp\u003e Most items in this series contain discussion on one or more functions of a corporate secretary/director, including fiduciary duties, the design of corporate boards, logistical arrangements, shareholder suits, and mediation. On a broader level, a few items examine the external (extra-corporate) and internal (intra-corporate) mechanisms governing corporations, as well as the sources and workings of regulatory authority. Other topics include energy, corporate leadership, as well as the financial status of MetLife (2000) and its director benefits.\u003c/p\u003e","\u003cp\u003eThis series contains two types of items: (1) congratulatory letters and messages to Curtis Barnette upon his election to Chief Executive Officer of Bethlehem Steel Corporation in 1992, and (2) outgoing letters and messages from Curtis Barnette thanking those individuals who congratulated him.\u003c/p\u003e\n","\u003cp\u003e Incoming correspondence is first ordered by type (personal, private business, law firm, or other organization), and then alphabetized within those categories. Personal correspondence is alphabetized by the individual sender's name while all other categories are alphabetized by the name of the business, law firm, or organization. All outgoing letters and messages from Curtis Barnette are ordered alphabetically by the recipient's name.\u003c/p\u003e","\u003cp\u003eThis series contains comprehensive reports from the Olympic Review Commission and Office of National Drug Control Policy regarding allegations that U.S.A. Track \u0026amp; Field concealed information regarding use of performance-enhancing drugs (2001); appendices and reference documents; formal correspondence; documents regarding travel; clippings; photographs; and miscellaneous items.\u003c/p\u003e","\u003cp\u003eThis series contains videocassette tapes and one digital video disc (DVD). Types of footage include television interviews, news segments, quarterly news conferences, promotional and informational films, advertisements, highlights of business conferences and trips, Congressional hearings, and other material.\u003c/p\u003e\n","\u003cp\u003eThis series encompasses a broad range of topics. Most of these topics concern Bethlehem Steel and the U.S. steel industry. These include earnings and profitability; restructuring and modernization; international trade and the steel import crisis; pensions and health care reform; valued customers such as General Motors (GM) and John Deere; the impact and versatility of steel products; good business practices and ethics; and industrial history. In addition, several items concern Bethlehem, Pennsylvania, and the Lehigh Valley in general, especially the decline of manufacturing, redevelopment and revitalization efforts, and local history.\u003c/p\u003e\n","\u003cp\u003eOther topics in this series include education and educational institutions such as West Virginia University (WVU); the career and accomplishments of Curtis Barnette, as well as other industrialists and business leaders; the Board of Directors at MetLife; and special events such as the White House State Dinner that Curtis and Joanne Barnette attended during the Clinton administration.\u003c/p\u003e\n","\u003cp\u003eDigital copies of these VHS tapes have been made; consult a curator for access.\u003c/p\u003e","\u003cp\u003eThis series consists of one standard audio cassette tape which contains a recording of a news conference at Bethlehem Steel. It regards the corporation's acquisition of Lukens Steel and an agreement with competitor Allegheny Teledyne. Curtis Barnette gives opening remarks before answering related questions from reporters.\u003c/p\u003e","\u003cp\u003eThis series includes two portraits of Barnette – one by Denny Dent circa 1999, measuring 62 in. X 79 in. and the other by Benjamin Fortunado Marcune circa 2002, measuring 32 in. X 53 in.\u003c/p\u003e","\u003cp\u003eThis series includes several certificates, commendations, plaques, and other materials awarded to Barnette in celebration of his accomplishments throughout his career. These materials recognize Barnette's work on the WVU Board of Governors; his philanthropic endeavors; his Distinguished West Virginian award; his 1995 Doctor of Law degree from WVU; Barnette's three presidential committee appointments, received from Ronald Reagan, Bill Clinton, and George W. Bush; and his invitation to attend Ronald Reagan's first inauguration in 1981. It also includes several administrative documents pertaining to the WVU Board of Governors and other aspects of WVU administration (box 48).\u003c/p\u003e","\u003cp\u003eThis series consists of documentation of Barnette's education, including a photocopy of his Bachelor of Arts degree from West Virginia University, earned in 1956; correspondence from the University of Manchester certifying his completion of the Diploma in International Law, earned in 1957; a copy of Barnette's Fulbright Scholarship grant authorization for his study at the University of Manchester; and a copy of his dissertation, completed in 1957 and titled \u003ctitle\u003e\u003cpart\u003eNeutrality Under the Law of the United Nations Charter\u003c/part\u003e\u003c/title\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Barnette Collection, Lawyer, Businessman, Educator, Philanthropist, and Chairman Emeritus of Bethlehem Steel Corporation.  These materials document Barnette's leadership and service.","Includes records documenting the service and leadership of Curtis Handley (\"Hank\") Barnette, former Chairman and C.E.O. of the Bethlehem Steel Corporation, in matters of international trade, law, business, and organizations. Throughout his tenure at Bethlehem Steel, Barnette was affiliated with numerous organizations that have influenced business and trade policy. For example, he was Director and Chairman of the International Iron and Steel Institute (IISI), and the American Iron and Steel Institute (AISI). He served through appointments by the Presidents of the United States as a member of the United States Advisory Committee on Trade Policy and Negotiations (ACTPN), which provides the President with advice from the private sector.","Note: Where possible, the terminology originally used by Barnette and his staff to organize the contents of this record series—as well as the order of folders and items—has been preserved. Accordingly, most folders in this series are described by either 1. topic or 2. organization. In addition, material related to the topic or organization is frequently supplemented by other material; for such folders, descriptions of this supplemental material appear within parentheses in the contents list. Finally, folders containing primarily steel import data or reference materials such as trade publications and directories are described in the contents list as international trade material of a general nature. ","To locate material of interest, it is recommended to search the contents list using the full name as well as any abbreviated names of the given topic or organization listed below. For example, to locate documents related to the World Trade Organization, use \"World Trade Organization\" and \"WTO\" as search terms.","Topics","Topics primarily represented include:  \n1. Trade policy (e.g., the Multilateral Steel Agreement (MSA), the North American Free Trade Agreement (NAFTA))  \n2. Trade litigation (e.g., United States Department of Commerce and United States International Trade Commission (ITC) investigations into unfair trade practices of foreign countries)","Some notable trade agreements referenced in this series include:  \n1. General Agreement on Tariffs and Trade (GATT)  \n2. World Trade Organization (WTO)  \n3. North American Free Trade Agreement (NAFTA)  \n4. Multilateral Steel Agreement (MSA)  \n5. Voluntary Restraint Agreements (VRA)  \n6. Multilateral Specialty Steel Agreement (MSSA)  \n7. North American Steel Sector Agreement (NASSA)  \n8. U.S.-E.C. (European Community) Consensus Agreement  \n9. U.S.-China bilateral WTO agreement","Other topics, represented to a lesser extent, include issues generally relevant to the steel industry, such as labor, health-care reform, and environmental impact, as well as issues specific to the Bethlehem Steel Corporation, such as the Corporation's financial health, steel-production data, and administrative decisions. ","Organizations","Organizations occurring most frequently within the contents list for this series include:  \n1. International Iron and Steel Institute (IISI)  \n2. American Iron and Steel Institute (AISI)  \n3. Bethlehem Steel Corporation (BSC)  \n4. United States Advisory Committee on Trade Policy and Negotiations (ACTPN)  \n5. World Trade Organization (WTO)  \n6. United States International Trade Commission (ITC)  \n7. United States Department of Commerce","Other organizations occurring within the contents list for this series include, approximately in order of decreasing frequency:  \n1. House and Senate Steel Caucuses (Congressional Steel Caucus, Steel Caucus)  \n2. United Steelworkers of America (USWA)  \n3. Council of United States Producers (CUSP)  \n4. North American Steel Council (NASC)  \n5. The Steel Alliance  \n6. Senate Finance Committee  \n7. European Confederation of Iron and Steel Industries (EUROFER)  \n8. Stand Up For Steel  \n9. Organization for Economic Cooperation and Development (OECD)  \n10. The Business Roundtable  \n11. The Business Council  \n12. Economic Strategy Institute (ESI)  \n13. German-American Business Council  \n14. House Subcommittee on Health and the Environment","Types of Material Within Organization-Related Files in Series 1A","1. Correspondence with steel-industry executives and members of federal and state government (N.B. some of the letters are to or from President William Jefferson Clinton)  \n2. Briefing materials (e.g., trade publications, reports, data, articles on domestic and foreign industries)  \n3. Travel documents (e.g., itineraries; receipts; brochures; postcards; and articles on local history, culture, and attractions) associated with conferences held throughout the United States of America, Europe, Asia, and South America, as well as locations in Australia, Bermuda, Canada, and South Africa.","Conference locations in the United States of America include: Arizona, Colorado, Florida, Hawaii, Illinois, New York, North Carolina, Ohio, Pennsylvania, Washington, Washington D.C., and West Virginia.","Conference locations in Europe include: Austria, Czechoslovakia, Denmark, Finland, France, Germany, Hungary, Italy, and Spain.","Conference locations in Asia include: China, India, Japan, South Korea (cancelled due to September 11, 2001 terrorist attacks), Taiwan, Thailand, Turkey, and the U.S.S.R.","Conference locations in South America include: Argentina and Brazil.","Other conference locations include: Melbourne, Australia; Hamilton, Bermuda; Toronto, Canada; and Cape Town, South Africa."," Other Types of Material Found Throughout Series 1A","1. Press releases and clippings  \n2. Handwritten notes  \n3. Transcripts of speeches, interviews and comments to press, and testimony (e.g., to the Senate Finance Committee and to the ITC)  \n4. Legislative documents (e.g., drafts of House and Senate Resolutions and international trade agreements)  \n5. Biographical material (e.g., application forms for appointment to the ACTPN, including a Delayed Certificate of Birth, résumé, statements of military record and security clearance, as well as miscellaneous other personal information such as assets and fingerprint records)  \n6. Award materials (e.g., certificates for the General Motors Supplier of the Year)  \n7. A few original photographs, some with negatives enclosed","Index to Series 1A","Note: Items of particular interest are referenced below according to the Box (B) and Folder (F) in which they are located. Some duplicate items (e.g., additional photocopies) are referenced within this Index.","Barnette interviews, comments to press: B1/F4; B7/F11; B9/F6; B9/F7; B13/F8; B16/F5","Barnette op-ed pieces, The Washington Times and The Baltimore Sun: B5/F5; B8/F10 (same as in B5/F5, but photocopied in different format, larger print); B13/F8","Barnette speeches: B1/F20; B2/F19; B4/F2; B10/F1; B10/F3; B10/F8; B11/F20; B12/F12; B12/F16; B13/F2; B13/F4; B13/F6; B13/F7; B17/F12","Barnette testimony: B3/F17; B4/F3; B4/F4; B4/F5; B4/F8; B5/F5; B8/F2; B8/F3; B8/F7; B8/F10; B8/F14; B9/F6; B9/F7; B9/F17; B9/F18; B9/F19; B10/F2; B10/F5; B10/F6; B10/F7; B13/F6; B13/F11; B13/F15","Clinton, President, letters to/from: B3/F11; B3/F16; B4/F3; B4/F6; B4/F7; B4/F10; B4/F12; B7/F13; B8/F22; B8/F26; B9/F11; B9/F12; B9/F15; B10/F10; B10/F16; B10/F17; B15/F5","Photographs, original: B11/F8 (with negatives); B11/F16; B11/F17 (with negative); B15/F12; B15/F14; B15/F15","This series contains speeches and presentations, published articles and statements, testimonials before Congressional Committees and Caucuses, as well as notes from other events and meetings. There are three major topics represented by these materials: (1) the U.S. steel import crisis (2) the Bethlehem Steel Corporation, and (3) corporate governance. "," 1. Most items concern the U.S. steel import crisis, circa 1980-2000. Curtis Barnette maintained that the drastic, costly changes the U.S. steel industry underwent to become world class producers of steel were undermined by \"dumping\"—or the flooding of U.S. markets with cheap steel imports—from less efficient but heavily subsidized foreign companies. As a result, industry officials filed trade cases and lobbied for stronger, strictly enforced trade remedies. In addition to international trade, many items speak to other public policy areas such as environmental regulation, healthcare, pensions, energy, and tax reform. A few items discuss the Clinton Health Plan specifically."," 2. The Bethlehem Steel Corporation is another central topic. Most items contain discussion of corporate vision, strategic objectives, financial status, and/or business outlook. Two other common sub-topics are \"restructuring,\" which involves a streamlining process in which a corporation partially or wholly sheds unprofitable divisions, and \"modernization,\" which refers to the installation of state-of-the-art equipment at corporate facilities. "," 3. Corporate governance is yet another major topic. Several items include extended discussion on alliance-building, executive compensation plans, audit committees, corporate image, and corporate secretaries. Still other topics in this series include volunteerism and good corporate citizenship; public-private partnerships; economic development in the Lehigh Valley; commencement speeches and education generally; scouting; and memorial services.","This series contains books about the steel industry as a whole. Items generally fall under one of two categories: (1) historical books, or (2) books examining the current state of the industry."," 1. Several items delve into the past of the U.S. steel industry in considerable detail, including a 5-volume set on economic history. Other books focus on a particular time period, place, or event."," 2. Other items in this series give an in-depth look at the state of the U.S. steel industry (1980-2000), as well as offer analysis or interpretation of current trends. Most underscore the need to adapt to changing global economic pressures.","This series contains books, DVDs and news clippings; annual reports and quarterly reports; legal documentation; internal guides and documents; photo albums; and other materials. Items generally fall into three categories: (1) material about Bethlehem Steel published for public consumption (2) internal guides, documents and publications, and (3) materials from a trip to Brazil in 1980."," 1. Most books in this series focus on one or more historical aspects of the Bethlehem Steel Corporation, including the company's formation, its organization and operations at various sites, notable events, and notable persons such as former executives Charles Schwab and Eugene Grace. Several of the books contain a wide array of photographs. Two DVDs and three news clippings also portray Bethlehem Steel's history."," 2. Internal documents and publications include annual reports, quarterly reports, annual meetings of stockholders, and proxy statements. This series also contains legal documentation, the vast majority of which involves a single case, Crystal v. Foy (1980-1983). Other internal documents include items regarding corporate vision, objectives, strategy and performance; financial management; executive guides; and a government reference guide."," 3. Items from a 1980 business trip to Brazil include a large number of photographs, news articles on present-day Brazil, and miscellaneous materials such as executive directories, travel schedules, itineraries, maps, and biographical data on notable persons involved in the trip."," Breakdown by box:  \n Boxes 300 and 301 contain books and two DVDs regarding one or more historical aspects of Bethlehem Steel Corporation.  \n Boxes 302a and 302b contain annual reports of Bethlehem Steel from 1905-2000.  \n Boxes 303 and 304 contain legal documentation from Crystal v. Foy (1980-1983) and photographs from various cases.  \n Box 305 contains corporate documents, publications, and guides for internal use.  \n Box 306 contains three newspaper clippings about Bethlehem Steel's history.  \n Boxes 307a and 307b contain materials regarding Curtis Barnette's business trip to Brazil in 1980.","This series includes 3 awards given to Barnette, each described as follows: Cut-glass vase, approximately 12\" tall, 3.25\" diameter at base, 5.25\" diameter at top, with etching: \"National Center for State Courts [with tree logo] -- JOHN H. PICKERING AWARD -- Presented to Curtis H. Barnette, Esq. -- November 20, 2009.\" In presentation box lined with blue fabric.   Approximately 7\" tall award with round marble base and felt-lined bottom, approximately 6.25\" in diameter, with—in metal work—three apparently blindfolded women armed with swords and crushing snakes with their feet. Plaque on base reads: \"FTI Consulting -- Corporate Board Member -- Curtis H. Barnette -- 2010 General Counsel -- Lifetime Achievement Award.\"   Solid glass globe of the Earth, with etched land masses, approximately 4\" in diameter. No apparent inscription.","This series contains books, reference and background materials, presentations, clippings, journal articles and reports, office correspondence, and miscellaneous materials. Topics include international trade and globalization; the U.S. steel import crisis (1990-2000); \"dumping,\" or the influx of cheap steel imports from subsidized foreign steel producers; current trends of the U.S. steel industry; Japanese financial ascendency relative to American industries; the Uruguay Round Trade Agreements; the World Trade Organization 4th Ministerial Conference at Doha (2001); the U.S. International Trade Commission on trade laws and remedies; and the President's Trade Advisory Committee (1996-2002)."," Breakdown by box:  \n Boxes 500 and 501 contain books regarding various aspects and issues of international trade, especially in the context of increasing globalization. Several items focus on Japan's theoretical financial ascendency over U.S. industries while other books explore the phenomenon of \"dumping,\" or the flood of cheap imports into American markets from subsidized foreign producers. Other items analyze current trends of the U.S. steel industry and related industries."," Box 502 contains Congressional text and documents on the Uruguay Round Trade Agreements (1994); background materials for the World Trade Organization 4th Ministerial Conference at Doha (2001); reference materials on the U.S. International Trade Commission (2002); and presentations authored by industry officials advocating for governmental assistance in correcting trade distorting practices of foreign competitors."," Box 503 contains a voluminous prehearing brief regarding steel imports before the U.S. International Trade Commission (2000). Other items include materials related to a White House meeting (1999); correspondence and press releases from the Office of U.S. Trade Representative; press releases from Congressional members and other materials related to proposed legislation; press releases from Bethlehem Steel and other organizations; opinion pieces from Curtis Barnette; and clippings from a variety of sources regarding international trade and the U.S. steel import crisis (1998-2000)."," Box 504 contains various materials regarding international trade and the U.S. steel import crisis including journal articles and reports, presentations, and materials from discussion panels. Items also include briefing and reference materials from meetings of the President's Trade Advisory Committee between 1996 and 2002.","This series contains speeches and presentations, opening remarks, handwritten notes, conference background and reference materials, training materials, discussion questions, and miscellaneous items such as programs, information about sponsors, lists of attendees, seating charts, and correspondence regarding invitations and/or travel arrangements. Also included are conference papers not authored by Curtis Barnette, a magazine, and a financial report for MetLife Board members."," Most items in this series contain discussion on one or more functions of a corporate secretary/director, including fiduciary duties, the design of corporate boards, logistical arrangements, shareholder suits, and mediation. On a broader level, a few items examine the external (extra-corporate) and internal (intra-corporate) mechanisms governing corporations, as well as the sources and workings of regulatory authority. Other topics include energy, corporate leadership, as well as the financial status of MetLife (2000) and its director benefits.","This series contains two types of items: (1) congratulatory letters and messages to Curtis Barnette upon his election to Chief Executive Officer of Bethlehem Steel Corporation in 1992, and (2) outgoing letters and messages from Curtis Barnette thanking those individuals who congratulated him."," Incoming correspondence is first ordered by type (personal, private business, law firm, or other organization), and then alphabetized within those categories. Personal correspondence is alphabetized by the individual sender's name while all other categories are alphabetized by the name of the business, law firm, or organization. All outgoing letters and messages from Curtis Barnette are ordered alphabetically by the recipient's name.","This series contains comprehensive reports from the Olympic Review Commission and Office of National Drug Control Policy regarding allegations that U.S.A. Track \u0026 Field concealed information regarding use of performance-enhancing drugs (2001); appendices and reference documents; formal correspondence; documents regarding travel; clippings; photographs; and miscellaneous items.","This series contains videocassette tapes and one digital video disc (DVD). Types of footage include television interviews, news segments, quarterly news conferences, promotional and informational films, advertisements, highlights of business conferences and trips, Congressional hearings, and other material.","This series encompasses a broad range of topics. Most of these topics concern Bethlehem Steel and the U.S. steel industry. These include earnings and profitability; restructuring and modernization; international trade and the steel import crisis; pensions and health care reform; valued customers such as General Motors (GM) and John Deere; the impact and versatility of steel products; good business practices and ethics; and industrial history. In addition, several items concern Bethlehem, Pennsylvania, and the Lehigh Valley in general, especially the decline of manufacturing, redevelopment and revitalization efforts, and local history.","Other topics in this series include education and educational institutions such as West Virginia University (WVU); the career and accomplishments of Curtis Barnette, as well as other industrialists and business leaders; the Board of Directors at MetLife; and special events such as the White House State Dinner that Curtis and Joanne Barnette attended during the Clinton administration.","Digital copies of these VHS tapes have been made; consult a curator for access.","This series consists of one standard audio cassette tape which contains a recording of a news conference at Bethlehem Steel. It regards the corporation's acquisition of Lukens Steel and an agreement with competitor Allegheny Teledyne. Curtis Barnette gives opening remarks before answering related questions from reporters.","This series includes two portraits of Barnette – one by Denny Dent circa 1999, measuring 62 in. X 79 in. and the other by Benjamin Fortunado Marcune circa 2002, measuring 32 in. X 53 in.","This series includes several certificates, commendations, plaques, and other materials awarded to Barnette in celebration of his accomplishments throughout his career. These materials recognize Barnette's work on the WVU Board of Governors; his philanthropic endeavors; his Distinguished West Virginian award; his 1995 Doctor of Law degree from WVU; Barnette's three presidential committee appointments, received from Ronald Reagan, Bill Clinton, and George W. Bush; and his invitation to attend Ronald Reagan's first inauguration in 1981. It also includes several administrative documents pertaining to the WVU Board of Governors and other aspects of WVU administration (box 48).","This series consists of documentation of Barnette's education, including a photocopy of his Bachelor of Arts degree from West Virginia University, earned in 1956; correspondence from the University of Manchester certifying his completion of the Diploma in International Law, earned in 1957; a copy of Barnette's Fulbright Scholarship grant authorization for his study at the University of Manchester; and a copy of his dissertation, completed in 1957 and titled  Neutrality Under the Law of the United Nations Charter ."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_882899a43c0861fe43d24d5abd213767\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Bethlehem Steel Corporation"],"names_ssim":["West Virginia and Regional History Center","Bethlehem Steel Corporation","Barnette, Curtis Handley, 1935-"],"corpname_ssim":["West Virginia and Regional History Center","Bethlehem Steel Corporation"],"persname_ssim":["Barnette, Curtis Handley, 1935-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1006,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:27:00.714Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3207"}},{"id":"viw_repositories_2_resources_38","type":"collection","attributes":{"title":"Baseball records","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_38#creator","type":"document_value","attributes":{"value":"College of William and Mary. Department of Athletics.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_38#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection consists of one box of schedules, rosters, programs, scorebooks, tickets posters and other materials related to the intercollegiate baseball program at William \u0026amp; Mary from the years 1908-2015. The material is primarily divided chronologically, although there is one separate folder containing two scorebooks from the 1920s and another containing tickets to baseball games from the years 1999-2010. A majority of the material was originally published or created by the William and Mary Athletics Department.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_38#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_38","ead_ssi":"viw_repositories_2_resources_38","_root_":"viw_repositories_2_resources_38","_nest_parent_":"viw_repositories_2_resources_38","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_38.xml","title_filing_ssi":"Baseball records","title_ssm":["Baseball records"],"title_tesim":["Baseball records"],"unitdate_ssm":["1908-2024"],"unitdate_inclusive_ssm":["1908-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 181.5","/repositories/2/resources/38"],"text":["UA 181.5","/repositories/2/resources/38","Baseball records","Baseball--History","College sports","Athletics--Baseball","College sports--Virginia--Williamsburg","Posters","This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Intercollegiate baseball at the College of William and Mary has a history which began over a century ago with with organization of the first varsity baseball team in 1895. Since then the team has won seven conference championships, two of which with the Colonial Athletic Association, and has made four appearances in the NCAA Division 1 College Baseball Championship tournament. Since 1997, MLB teams have drafted twenty-six players out of the College. Seven players have been drafted within the first ten rounds, including Bill Bray with the 13th overall pick in 2004. A total of thirty-two players from William and Mary have been selected in the MLB Amateur Draft era. Eleven former Tribe standouts have gone on to play in the Majors. Numerous other players have been awarded and recognized by the NCAA, the College itself, and other organizations for their efforts on the diamond.","","Department of Athletics Records","The collection consists of one box of schedules, rosters, programs, scorebooks, tickets posters and other materials related to the intercollegiate baseball program at William \u0026 Mary from the years 1908-2015. The material is primarily divided chronologically, although there is one separate folder containing two scorebooks from the 1920s and another containing tickets to baseball games from the years 1999-2010. A majority of the material was originally published or created by the William and Mary Athletics Department.","Promotional flyer for Circle K International \"Strike out ALS game\" that featured William \u0026 Mary vs. Elon as part of the 2022-2023 baseball season. The flyer was posted on the Swem bulletin board and collected May 2023.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Department of Athletics.","College of William and Mary--Baseball--History--20th century","College of William and Mary--Baseball--History--21st century","College of William and Mary--Sports","English"],"unitid_tesim":["UA 181.5","/repositories/2/resources/38"],"normalized_title_ssm":["Baseball records"],"collection_title_tesim":["Baseball records"],"collection_ssim":["Baseball records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Baseball--History"],"geogname_ssim":["Baseball--History"],"creator_ssm":["College of William and Mary. Department of Athletics."],"creator_ssim":["College of William and Mary. Department of Athletics."],"creator_corpname_ssim":["College of William and Mary. Department of Athletics."],"creators_ssim":["College of William and Mary. Department of Athletics."],"places_ssim":["Baseball--History"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Transfer"],"access_subjects_ssim":["College sports","Athletics--Baseball","College sports--Virginia--Williamsburg","Posters"],"access_subjects_ssm":["College sports","Athletics--Baseball","College sports--Virginia--Williamsburg","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 Hollinger box and 1 oversize folder"],"extent_tesim":["2 Linear Feet 1 Hollinger box and 1 oversize folder"],"genreform_ssim":["Posters"],"date_range_isim":[1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eIntercollegiate baseball at the College of William and Mary has a history which began over a century ago with with organization of the first varsity baseball team in 1895. Since then the team has won seven conference championships, two of which with the Colonial Athletic Association, and has made four appearances in the NCAA Division 1 College Baseball Championship tournament. Since 1997, MLB teams have drafted twenty-six players out of the College. Seven players have been drafted within the first ten rounds, including Bill Bray with the 13th overall pick in 2004. A total of thirty-two players from William and Mary have been selected in the MLB Amateur Draft era. Eleven former Tribe standouts have gone on to play in the Majors. Numerous other players have been awarded and recognized by the NCAA, the College itself, and other organizations for their efforts on the diamond.\u003c/p\u003e\n","\u003cp\u003e  \u003cextref href=\"http://www.tribeathletics.com/sports/2015/10/9/BB_1009155254.aspx?path=baseball\" title=\"BB_1009155254.aspx?path=baseball\"\u003e\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History:"],"bioghist_tesim":["Intercollegiate baseball at the College of William and Mary has a history which began over a century ago with with organization of the first varsity baseball team in 1895. Since then the team has won seven conference championships, two of which with the Colonial Athletic Association, and has made four appearances in the NCAA Division 1 College Baseball Championship tournament. Since 1997, MLB teams have drafted twenty-six players out of the College. Seven players have been drafted within the first ten rounds, including Bill Bray with the 13th overall pick in 2004. A total of thirty-two players from William and Mary have been selected in the MLB Amateur Draft era. Eleven former Tribe standouts have gone on to play in the Majors. Numerous other players have been awarded and recognized by the NCAA, the College itself, and other organizations for their efforts on the diamond.",""],"prefercite_html_tesm":["\u003cp\u003eBaseball records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Baseball records, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eDepartment of Athletics Records\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Department of Athletics Records"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of one box of schedules, rosters, programs, scorebooks, tickets posters and other materials related to the intercollegiate baseball program at William \u0026amp; Mary from the years 1908-2015. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The Project 2024 oral history collection contains oral histories documenting William \u0026 Mary students from the class of 2024. The collection documents their experiences during the Covid-19 pandemic that were collected each semester until the time of graduation.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["UA 5.349","/repositories/2/resources/9735"],"normalized_title_ssm":["Project 2024 Oral History collection"],"collection_title_tesim":["Project 2024 Oral History collection"],"collection_ssim":["Project 2024 Oral History collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet"],"extent_tesim":["1 Linear Feet"],"date_range_isim":[2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eProject 2024 Oral History collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Project 2024 Oral History collection, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe Project 2024 oral history collection contains oral histories documenting William \u0026amp; Mary students from the class of 2024. The collection documents their experiences during the Covid-19 pandemic that were collected each semester until the time of graduation.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Project 2024 oral history collection contains oral histories documenting William \u0026 Mary students from the class of 2024. The collection documents their experiences during the Covid-19 pandemic that were collected each semester until the time of graduation."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:57:03.645Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9735_c03"}},{"id":"viblbv_repositories_2_resources_3515","type":"collection","attributes":{"title":"\"Be committed. Be well.\" Face Masks","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3515#creator","type":"document_value","attributes":{"value":"New River Valley Public Health Task Force","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3515#abstract_or_scope","type":"document_value","attributes":{"value":"The \"Be committed. Be well.\" Face Masks include two blue face masks with printed \"Be committed.\" in orange on a white background and \"Be well.\" in blue on a white background. The \"Be committed. 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Partners include the New River Health District (Virginia Department of Health); LewisGale and Carilion hospitals and healthcare systems; New River Community College, Radford University, and Virginia Tech; the Counties of Floyd, Giles, Montgomery, and Pulaski; City of Radford; Towns of Blacksburg and Christiansburg; local law enforcement and first responder agencies; New River Valley Community Services; New River Valley Regional Commission; local public school divisions; and area merchants' associations and chambers of commerce.","The \"Be committed. Be well.\" campaign was conceived by the Town of Blacksburg and Virginia Tech and merged with similar outreach efforts by the City of Radford, Radford University (\"Slow the Spread. Do the Five.\"), local municipalities, healthcare providers, and other partners.","Source:","\"NRV TASK FORCE URGES RESIDENTS TO \"BE COMMITTED. BE WELL.\" WITH NEW COVID-19 OUTREACH CAMPAIGN\", News release, August 17, 2020,  https://www.vdh.virginia.gov/news/2020-regional-news-releases/nrv-task-force-urges-residents-to-be-committed-be-well-with-new-covid-19-outreach-campaign/","The guide to the \"Be committed. Be well.\" Face Masks by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the \"Be committed. Be well.\" Face Masks was completed in June 2021.","The \"Be committed. Be well.\" Face Masks include two blue face masks with printed \"Be committed.\" in orange on a white background and \"Be well.\" in blue on a white background.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The \"Be committed. Be well.\" Face Masks include two blue face masks with printed \"Be committed.\" in orange on a white background and \"Be well.\" in blue on a white background. The \"Be committed. Be well.\" campaign conceived by the Town of Blacksburg and Virginia Tech, and it was taken over by the New River Valley Public Health Task Force, which formed in March 2020, to unite various different health campaigns in the NRV during the Covid-19 pandemic.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","New River Valley Public Health Task Force","The materials in the collection are in English."],"unitid_tesim":["Textile.2021.003"],"normalized_title_ssm":["\"Be committed. Be well.\" Face Masks"],"collection_title_tesim":["\"Be committed. Be well.\" Face Masks"],"collection_ssim":["\"Be committed. Be well.\" Face Masks"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["New River Valley Public Health Task Force","Virginia Polytechnic Institute and State University (1970-)"],"creator_ssim":["New River Valley Public Health Task Force","Virginia Polytechnic Institute and State University (1970-)"],"creator_persname_ssim":["New River Valley Public Health Task Force"],"creator_corpname_ssim":["Virginia Polytechnic Institute and State University (1970-)"],"creators_ssim":["New River Valley Public Health Task Force","Virginia Polytechnic Institute and State University (1970-)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was transferred to Special Collections and University Archives in August 2020."],"access_subjects_ssim":["COVID-19 Pandemic, 2020-","Health","Local/Regional History and Appalachian South","University Archives","University History"],"access_subjects_ssm":["COVID-19 Pandemic, 2020-","Health","Local/Regional History and Appalachian South","University Archives","University History"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 Cubic Feet 1 box"],"extent_tesim":["0.2 Cubic Feet 1 box"],"date_range_isim":[2020],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe New River Valley Public Health Task Force is a consortium of local agencies, formed in March 2020 to mitigate and minimize the regional impacts of the COVID-19 pandemic. Partners include the New River Health District (Virginia Department of Health); LewisGale and Carilion hospitals and healthcare systems; New River Community College, Radford University, and Virginia Tech; the Counties of Floyd, Giles, Montgomery, and Pulaski; City of Radford; Towns of Blacksburg and Christiansburg; local law enforcement and first responder agencies; New River Valley Community Services; New River Valley Regional Commission; local public school divisions; and area merchants' associations and chambers of commerce.\u003c/p\u003e\n","\u003cp\u003eThe \"Be committed. Be well.\" campaign was conceived by the Town of Blacksburg and Virginia Tech and merged with similar outreach efforts by the City of Radford, Radford University (\"Slow the Spread. Do the Five.\"), local municipalities, healthcare providers, and other partners.\u003c/p\u003e\n","\u003cp\u003eSource:\u003c/p\u003e\n","\u003cp\u003e\"NRV TASK FORCE URGES RESIDENTS TO \"BE COMMITTED. 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Partners include the New River Health District (Virginia Department of Health); LewisGale and Carilion hospitals and healthcare systems; New River Community College, Radford University, and Virginia Tech; the Counties of Floyd, Giles, Montgomery, and Pulaski; City of Radford; Towns of Blacksburg and Christiansburg; local law enforcement and first responder agencies; New River Valley Community Services; New River Valley Regional Commission; local public school divisions; and area merchants' associations and chambers of commerce.","The \"Be committed. Be well.\" campaign was conceived by the Town of Blacksburg and Virginia Tech and merged with similar outreach efforts by the City of Radford, Radford University (\"Slow the Spread. Do the Five.\"), local municipalities, healthcare providers, and other partners.","Source:","\"NRV TASK FORCE URGES RESIDENTS TO \"BE COMMITTED. BE WELL.\" WITH NEW COVID-19 OUTREACH CAMPAIGN\", News release, August 17, 2020,  https://www.vdh.virginia.gov/news/2020-regional-news-releases/nrv-task-force-urges-residents-to-be-committed-be-well-with-new-covid-19-outreach-campaign/"],"odd_html_tesm":["\u003cp\u003eThe guide to the \"Be committed. Be well.\" Face Masks by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the \"Be committed. Be well.\" Face Masks by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"Be committed. Be well.\" Face Masks, Textile2021-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"Be committed. Be well.\" Face Masks, Textile2021-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the \"Be committed. Be well.\" Face Masks was completed in June 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the \"Be committed. Be well.\" Face Masks was completed in June 2021."],"scopecontent_html_tesm":["\u003cp\u003eThe \"Be committed. Be well.\" Face Masks include two blue face masks with printed \"Be committed.\" in orange on a white background and \"Be well.\" in blue on a white background.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The \"Be committed. Be well.\" Face Masks include two blue face masks with printed \"Be committed.\" in orange on a white background and \"Be well.\" in blue on a white background."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_32b70dc29f8e97cef9a96419482297df\" label=\"Abstract\"\u003eThe \"Be committed. Be well.\" Face Masks include two blue face masks with printed \"Be committed.\" in orange on a white background and \"Be well.\" in blue on a white background. The \"Be committed. Be well.\" campaign conceived by the Town of Blacksburg and Virginia Tech, and it was taken over by the New River Valley Public Health Task Force, which formed in March 2020, to unite various different health campaigns in the NRV during the Covid-19 pandemic.\u003c/abstract\u003e"],"abstract_tesim":["The \"Be committed. Be well.\" Face Masks include two blue face masks with printed \"Be committed.\" in orange on a white background and \"Be well.\" in blue on a white background. The \"Be committed. 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Partners include the New River Health District (Virginia Department of Health); LewisGale and Carilion hospitals and healthcare systems; New River Community College, Radford University, and Virginia Tech; the Counties of Floyd, Giles, Montgomery, and Pulaski; City of Radford; Towns of Blacksburg and Christiansburg; local law enforcement and first responder agencies; New River Valley Community Services; New River Valley Regional Commission; local public school divisions; and area merchants' associations and chambers of commerce.","The \"Be committed. Be well.\" campaign was conceived by the Town of Blacksburg and Virginia Tech and merged with similar outreach efforts by the City of Radford, Radford University (\"Slow the Spread. Do the Five.\"), local municipalities, healthcare providers, and other partners.","Source:","\"NRV TASK FORCE URGES RESIDENTS TO \"BE COMMITTED. BE WELL.\" WITH NEW COVID-19 OUTREACH CAMPAIGN\", News release, August 17, 2020,  https://www.vdh.virginia.gov/news/2020-regional-news-releases/nrv-task-force-urges-residents-to-be-committed-be-well-with-new-covid-19-outreach-campaign/","The guide to the \"Be committed. Be well.\" Face Masks by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the \"Be committed. Be well.\" Face Masks was completed in June 2021.","The \"Be committed. Be well.\" Face Masks include two blue face masks with printed \"Be committed.\" in orange on a white background and \"Be well.\" in blue on a white background.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The \"Be committed. Be well.\" Face Masks include two blue face masks with printed \"Be committed.\" in orange on a white background and \"Be well.\" in blue on a white background. The \"Be committed. 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","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was transferred to Special Collections and University Archives in August 2020."],"access_subjects_ssim":["COVID-19 Pandemic, 2020-","Health","Local/Regional History and Appalachian South","University Archives","University History"],"access_subjects_ssm":["COVID-19 Pandemic, 2020-","Health","Local/Regional History and Appalachian South","University Archives","University History"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 Cubic Feet 1 box"],"extent_tesim":["0.2 Cubic Feet 1 box"],"date_range_isim":[2020],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe New River Valley Public Health Task Force is a consortium of local agencies, formed in March 2020 to mitigate and minimize the regional impacts of the COVID-19 pandemic. Partners include the New River Health District (Virginia Department of Health); LewisGale and Carilion hospitals and healthcare systems; New River Community College, Radford University, and Virginia Tech; the Counties of Floyd, Giles, Montgomery, and Pulaski; City of Radford; Towns of Blacksburg and Christiansburg; local law enforcement and first responder agencies; New River Valley Community Services; New River Valley Regional Commission; local public school divisions; and area merchants' associations and chambers of commerce.\u003c/p\u003e\n","\u003cp\u003eThe \"Be committed. Be well.\" campaign was conceived by the Town of Blacksburg and Virginia Tech and merged with similar outreach efforts by the City of Radford, Radford University (\"Slow the Spread. Do the Five.\"), local municipalities, healthcare providers, and other partners.\u003c/p\u003e\n","\u003cp\u003eSource:\u003c/p\u003e\n","\u003cp\u003e\"NRV TASK FORCE URGES RESIDENTS TO \"BE COMMITTED. BE WELL.\" WITH NEW COVID-19 OUTREACH CAMPAIGN\", News release, August 17, 2020, \u003ca target=\"_blank\" href=\"https://www.vdh.virginia.gov/news/2020-regional-news-releases/nrv-task-force-urges-residents-to-be-committed-be-well-with-new-covid-19-outreach-campaign/\"\u003ehttps://www.vdh.virginia.gov/news/2020-regional-news-releases/nrv-task-force-urges-residents-to-be-committed-be-well-with-new-covid-19-outreach-campaign/\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The New River Valley Public Health Task Force is a consortium of local agencies, formed in March 2020 to mitigate and minimize the regional impacts of the COVID-19 pandemic. Partners include the New River Health District (Virginia Department of Health); LewisGale and Carilion hospitals and healthcare systems; New River Community College, Radford University, and Virginia Tech; the Counties of Floyd, Giles, Montgomery, and Pulaski; City of Radford; Towns of Blacksburg and Christiansburg; local law enforcement and first responder agencies; New River Valley Community Services; New River Valley Regional Commission; local public school divisions; and area merchants' associations and chambers of commerce.","The \"Be committed. Be well.\" campaign was conceived by the Town of Blacksburg and Virginia Tech and merged with similar outreach efforts by the City of Radford, Radford University (\"Slow the Spread. Do the Five.\"), local municipalities, healthcare providers, and other partners.","Source:","\"NRV TASK FORCE URGES RESIDENTS TO \"BE COMMITTED. BE WELL.\" WITH NEW COVID-19 OUTREACH CAMPAIGN\", News release, August 17, 2020,  https://www.vdh.virginia.gov/news/2020-regional-news-releases/nrv-task-force-urges-residents-to-be-committed-be-well-with-new-covid-19-outreach-campaign/"],"odd_html_tesm":["\u003cp\u003eThe guide to the \"Be committed. Be well.\" Face Masks by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the \"Be committed. Be well.\" Face Masks by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"Be committed. Be well.\" Face Masks, Textile2021-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"Be committed. Be well.\" Face Masks, Textile2021-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the \"Be committed. Be well.\" Face Masks was completed in June 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the \"Be committed. Be well.\" Face Masks was completed in June 2021."],"scopecontent_html_tesm":["\u003cp\u003eThe \"Be committed. Be well.\" Face Masks include two blue face masks with printed \"Be committed.\" in orange on a white background and \"Be well.\" in blue on a white background.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The \"Be committed. Be well.\" Face Masks include two blue face masks with printed \"Be committed.\" in orange on a white background and \"Be well.\" in blue on a white background."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_32b70dc29f8e97cef9a96419482297df\" label=\"Abstract\"\u003eThe \"Be committed. Be well.\" Face Masks include two blue face masks with printed \"Be committed.\" in orange on a white background and \"Be well.\" in blue on a white background. The \"Be committed. Be well.\" campaign conceived by the Town of Blacksburg and Virginia Tech, and it was taken over by the New River Valley Public Health Task Force, which formed in March 2020, to unite various different health campaigns in the NRV during the Covid-19 pandemic.\u003c/abstract\u003e"],"abstract_tesim":["The \"Be committed. Be well.\" Face Masks include two blue face masks with printed \"Be committed.\" in orange on a white background and \"Be well.\" in blue on a white background. The \"Be committed. Be well.\" campaign conceived by the Town of Blacksburg and Virginia Tech, and it was taken over by the New River Valley Public Health Task Force, which formed in March 2020, to unite various different health campaigns in the NRV during the Covid-19 pandemic."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","New River Valley Public Health Task Force"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["New River Valley Public Health Task Force"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:40:01.584Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3515"}},{"id":"virmu_repositories_2_resources_465","type":"collection","attributes":{"title":"Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers","creator":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_465#creator","type":"document_value","attributes":{"value":"Wigfall, Benjamin L., 1930-2017","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_465#abstract_or_scope","type":"document_value","attributes":{"value":"The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_465#breadcrumbs","type":"document_value","attributes":{"value":{"id":"virmu_repositories_2_resources_465","ead_ssi":"virmu_repositories_2_resources_465","_root_":"virmu_repositories_2_resources_465","_nest_parent_":"virmu_repositories_2_resources_465","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_465.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/465","title_filing_ssi":"Wigfall, Benjamin (VA-12)","title_ssm":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"title_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"unitdate_ssm":["1880-2023"],"unitdate_inclusive_ssm":["1880-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-12","/repositories/2/resources/465"],"text":["VA-12","/repositories/2/resources/465","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers","Art, American","Art, American -- 20th century -- Virginia","Painting -- 20th century","Prints -- Technique","Woodcuts (prints).","Etchings (prints).","The collection is open for research.","The collection is organized into 10 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1 Benjamin L. Wigfall, 1944-2023 Series 2 Mary Carter Wigfall, 1949-2017 Series 3 Wigfall Family Records, 1944-2014 Series 4 Communications Village, 1880-1980 Series 5 Watermark/Cargo Gallery, 1969-2004 Series 6 Migrant Children's Center, 1965-1999 Series 7 New York, 1917-2018 Series 8 Art and Printmaking, 1951-1993 Series 9 Photography Projects - Communications Village, 1970s-2000s Series 10 Other Artists and Friends, 1949-2020","Benjamin Leroy Wigfall was born on November 17th, 1930 in Richmond, VA to parents James Andrew and Willie Cogena Wigfall. Wigfall attended the segregated George Mason Elementary School in Richmond until 1944, and moved to Armstrong High School (also segregated) for his secondary education until 1948. Armstrong High School is where Wigfall began to grow artistically, with the help of his senior-year art teacher, Stafford W. Evans, who introduced him to the VMFA. After high school, Wigfall attended Hampton Institute (now University) in 1948, taking part of his first year for a medical leave of absence due to his epilepsy. ","After receiving his Bachelor in Art Education from Hampton Institute in 1953, Wigfall transferred to Yale University in order to continue his graduate studies in 1954. During this time, he also took another leave of absence to teach at Hampton Institute as an Art Educator. Wigfall re-entered Yale in 1958, and finished with his Master of Fine Arts from Yale University's Department of Design. ","Wigfall went on to found both Communications Village Ltd., a community arts center in Kingston, NY, and the Watermark/Cargo Gallery, a contemporary and African art gallery also in Kingston, New York.","The collection was donated by the artist's estate in December 2022. It was packed at Wigfall's home and studio in New Paltz, New York in September 2022.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This photograph was printed in reverse - Wigfall was right-handed.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","From left-to-right: Edward Scott, Benjamin Wigfall, Larry Carpenter, Michael van Dyke.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","From left-to-right: Larry Carpenter, Mary Lou Morgan, Edward Scott.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Line 1: Martin Gordon, Kenny Howell, Ernest Frazier\nLine 2: Martin Gordon, Kenny Howell, Alfreda Drake, Sonia Easter, Ernest Frazier\nLines 3-4: Kingston Seventh Day Adventist Church","Line 2, left-to-right: Phyllis Barnes, Debbie Washington, Dawn Washington, Everett Winrow","In the center, Edward Scott and Val Hunt.","Yvonne Thomas Easter in long, dark, patterned dress surrounded by other unidentified individuals.","Annie Jackson is the only individual whose face can be seen in the photograph.","Joe Ramos on the left. Henry Raleigh in the center.","In striped shirt, Leroy Washington. In number 32 shirt, James Peeble's \"Little Bro.\" In plaid shirt, Dennis Washington.","Letter on Communcations Village letterhead. From Benjamin Wigfall, announcing and asking for participation in a community documentation project, made possible through CETA funding. Thanks Larry Kithcart and John Gilmore.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Negatives correspond to contact sheet.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","The back of the woodblock is metal.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Only two pages were digitized.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection of the Artist\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Mr. David Prescott, Yale University, New Haven\"","Stamped \"Art in America\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection of the Artist\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection Yale Print Collection, New Haven, Conn.\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection Miss Jane Doggett - New Haven\"","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This item was returned to the Archives on December 6, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","In 2021, the museum was awarded a grant from the National Endowment for the Humanities to fund 9 months of work for a graduate level intern during the 2022-2023 academic year. From October 2022 to June 2023, Nuelle Johnson performed all of the processing, description, rehousing and select digitization for the collection.","Item-level cataloging completed by Nuelle Johnson will continue to be added and updated in ArchivesSpace by Archivist Emily Johnson.","The photo album was dismantled and items within it were placed in archival quality sleeves to better preserve them. The digital copy preserves the original order of the album.","VA12.08.7.008","VA12.08.1.008","VA12.08.1.008","2022.198","51.7.5","VA12.01.5.009","51.7.5","VA12.04.6.001","VA12.01.5.005","VA12.01.5.004","VA12.08.2.006","VA12.01.2.014","58.13.6","58.13.6","51.7.5","2022.201","VA12.01.8.011, VA12.01.8.012","VA12.03.2.001","VA12.03.2.001","VA12.01.8.001, VA12.01.8.012","VA12.01.8.001, VA12.01.8.011","VA12.3.2.002, VA12.3.2.004","VA12.03.2.001","VA12.03.2.001","VA12.04.4.007","VA12.04.4.006","VA12.04.4.010","VA12.04.4.009","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.012","VA12.04.8.001","VA12.04.7.001","2022.189","2022.190","2022.199, 2022.198","2022.201","2022.215, VA12.08.6.004","2022.222","2022.221","2022.220","2022.220","2022.198, VA12.08.1.003","2022.198, VA12.08.1.003","2022.198, VA12.08.1.003","2022.199, VA12.08.1.003","2022.226","2022.227","2022.224","2022.224","2022.201","The collection's inclusive dates are 1880-2023, with the bulk of the material dating from the 1940s-1970s. The collection is comprised of correspondence, ephemera, publications, prints, slides, woodblocks, metal plates, photographs, certificates, financial documents, and more related to the life and work of both Benjamin L. Wigfall and Mary C. Wigfall.","This series is compromised of correspondence, clippings, photographs, magazines, art reproductions, and other material related to Wigfall's life, education, career, and family.","This sub-series is comprised of Benjamin L. Wigfall's biographical material such as resumes, certificates, photos, and other related materials.","This sub-series is comprised of materials related to Benjamin L. Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.","This sub-series is comprised of material primarily relating to Wigfall's teaching careers at Hampton Institute and SUNY New Paltz such as correspondence, clippings, photographs, and more.","This sub-series is comprised of material relating to the Wigfall Family preceding Benjamin L. Wigfall such as family reunion documents and more.","This sub-series is comprised of material relating to Wigfall's artistic career, such as exhibition ephemera, exhibition correspondence, magazines, photographs, and more.","This sub-series is comprised of material relating to awards and accolades recieved by Wigfall.","This sub-series contains material relating to Wigfall's death on February 9th, 2017, such as obituaries, funeral texts, articles, and funeral invitations.","This sub-series contains photographs of Benjamin L. Wigfall unrelated to other topics.","This series is comprised of correspondence, clippings, photographs, magazines, art reproductions, and other material related to Carter Wigfall's life, education, career, and family.","This series is comprised of clippings and other manuscripts related to the life of Mary Carter Wigfall.","This sub-series is comprised of materials related to Mary Carter Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.","This sub-series is comprised of material primarily relating to Mary Carter Wigfall's teaching and directorial career at both Maggie Walker High School as well as the Migrant Childcare Center such as correspondence, clippings, photographs, and more.","This sub-series is comprised of material relating to Mary Carter Wigfall's artistic career, sketches, drawings, and photographs of her weavings.","This sub-series contains photographs of Mary Carter Wigfall unrelated to other topics.","This sub-series is comprised of material relating to the Carter family preceding Mary Carter Wigfall such as family reunion documents and more.","This series is comprised of correspondence, photographs, family albums, books, and other material related to the joined Benjamin Wigfall and Mary Carter Wigfall family.","This sub-series contains manuscript material related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This sub-series contains albums related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This sub-series contains photographs related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This sub-series contains financial documents related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This series is comprised of correspondence, photographs, posters, newspaper clippings, ephemera, slides, negatives, and more related to the Communications Village organization.","This sub-series contains documents relating to the foundation of Communications Village Ltd., such as directorial information, staff information, proposals, and more.","This sub-series contains financial documents related to Communications Village, including grant proposals and applications, as well as donation requests, receipts, and more.","This sub-series contains newspaper and magazine articles written about Communications Village.","This sub-series contains materials related to workshops and exhibitions held with Communications Village, such as ephemera, press releases, photographs, and more.","This sub-series contains a series of transcribed oral interviews from Poughkeepsie, NY residents.","This sub-series contains documents and photographs related to the 1976 Intaglio Prints Editions exhibition in which 10 artists created intaglio prints for the students of Communications Village to reproduce for sale.","This sub-series contains posters created at Communications Village.","This sub-series contains material related to the building that housed Communications Village.","This series is comprised of correspondence, photographs, posters, newspaper clippings, ephemera, slides, negatives, and more related to the Watermark/Cargo Gallery.","This sub-series contains documents relating to the administrative work of Watermark/Cargo, such as directorial information, staff information, proposals, and more.","This sub-series contains ephemera related to exhibitions held at Watermark/Cargo.","This sub-series contains material such as resumes and articles collected by Wigfall relating to the exhibiting artists of Watermark/Cargo, as well as slides sent by the exhibiting artists for review.","This sub-series contains clippings and newspaper articles written about Watermark/Cargo.","This sub-series contains photographs of the Watermark/Cargo gallery and exhibitions.","This sub-series contains material such as postcards, articles, and other documents that could have inspired aspects of Watermark/Cargo Gallery.","This sub-series contains correspondence related to the Watermark/Cargo Gallery.","This sub-series contains records of art dealings done with the Watermark/Cargo Gallery.","This series is comprised of correspondence, photographs, lesson plans, newspaper clippings, ephemera, slides, negatives, and more related to the Migrant Children's Center.","This series contains documents related to the founding and planning of the Migrant Childcare Center, directed by Mary Carter Wigfall.","This sub-series contains financial documents related to the Migrant Children's Center, including grant proposals and applications, as well as donation requests.","This sub-series contains photographs of the children and staff of the Migrant Children's Center.","This sub-series contains ephemera related to the summer programs run by Mary Carter Wigfall through the Migrant Children's Center in her own home at New Paltz, NY.","This sub-series contains art projects created by the students and staff of the Migrant Children's Center.","This sub-series contains articles written about the Migrant Children's Center.","This series is comprised of photographs, slides, negatives, newspaper clippings, correspondence, posters, and more related to Wigfall's communities in New York.","This sub-series contains material collected by Wigfall related to the history and landscape of the Poughkeepsie/Kingston areas of New York.","This sub-series contains articles, posters, photographs, and more related to the SCORE organization, also known as the Strand Community Organization for the Rehabilitation of the Environment.","This sub-series contains photographs, slides, and negatives of community residents around Wigfall's home in New York.","This series consists of etching plates, carved printing blocks, particle board, audio tapes, records, CD's, photographs, slides, negatives, and more materials related to the art and printmaking of Benjamin L. Wigfall and other related artists.","This sub-series contains printing plates and blocks created by Benjamin L. Wigfall.","This sub-series contains preliminary artwork created by Benjamin L. Wigfall such as loose sketches, sketchbooks, and more.","This sub-series contains four cut-outs related to Wigfall's \"Jumprope Girl\" and \"Composition\" (1952-1954) prints.","This sub-series contains printing plates and blocks created by artists around and related to Benjamin L. Wigfall.","This sub-series contains prints created by young artists around and related to Benjamin L. Wigfall.","This sub-series contains slides and negatives of Benjamin L. Wigfall's artwork.","This sub-series contains photographs and reproductions of Benjamin L. Wigfall's artwork.","This sub-series contains audio and visual material related to Benjamin L. Wigfall and his life.","This series contains photographs and metal plates related to respective photography projects.","This sub-series contains photographs taken of African American women in Ulster County, NY.","This sub-series contains photographs and metal plates of Benjamin L. Wigfall and Patricia Jow Kagemoto in themed Western attire.","This series is comprised of correspondence, photographs, slides, negatives, newspaper clippings, ephemera, and more related to other artists and friends around Benjamin L. Wigfall.","This sub-series contains correspondence between Wigfall and other artists and friends in his life.","This sub-series contains ephemera of other artist's exhibitions that Benjamin L. Wigfall was presumably invited to attend.","This sub-series is comprised of photographs of other artists' artwork.","This sub-series is comprised of photographs and slides of other artists and friends in Wigfall's life.","This sub-series contains articles written about other artists and friends within Wigfalls life.","This sub-series contains material related to Thomas Cannon such as articles, correspondence, and more.","This sub-series contains material related to Yale Epstien such as articles, correspondence, and more.","This sub-series contains material related to Ernest Frazier such as articles, correspondence, and more.","This sub-series contains material related to Richard Frumess such as articles, correspondence, and more.","This sub-series contains material related to Patricia Jow Kagemoto such as articles, correspondence, and more.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970.","English"],"unitid_tesim":["VA-12","/repositories/2/resources/465"],"normalized_title_ssm":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"collection_title_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"collection_ssim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"creator_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"creator_persname_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"creators_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art, American","Art, American -- 20th century -- Virginia","Painting -- 20th century","Prints -- Technique","Woodcuts (prints).","Etchings (prints)."],"access_subjects_ssm":["Art, American","Art, American -- 20th century -- Virginia","Painting -- 20th century","Prints -- Technique","Woodcuts (prints).","Etchings (prints)."],"has_online_content_ssim":["false"],"extent_ssm":["21.875 Linear Feet 50 boxes; 63 folders"],"extent_tesim":["21.875 Linear Feet 50 boxes; 63 folders"],"genreform_ssim":["Woodcuts (prints).","Etchings (prints)."],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 10 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eBenjamin L. Wigfall, 1944-2023\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eMary Carter Wigfall, 1949-2017\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWigfall Family Records, 1944-2014\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eCommunications Village, 1880-1980\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eWatermark/Cargo Gallery, 1969-2004\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003eMigrant Children's Center, 1965-1999\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 7\u003c/label\u003e\n        \u003citem\u003eNew York, 1917-2018\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 8\u003c/label\u003e\n        \u003citem\u003eArt and Printmaking, 1951-1993\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 9\u003c/label\u003e\n        \u003citem\u003ePhotography Projects - Communications Village, 1970s-2000s\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 10\u003c/label\u003e\n        \u003citem\u003eOther Artists and Friends, 1949-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 10 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1 Benjamin L. Wigfall, 1944-2023 Series 2 Mary Carter Wigfall, 1949-2017 Series 3 Wigfall Family Records, 1944-2014 Series 4 Communications Village, 1880-1980 Series 5 Watermark/Cargo Gallery, 1969-2004 Series 6 Migrant Children's Center, 1965-1999 Series 7 New York, 1917-2018 Series 8 Art and Printmaking, 1951-1993 Series 9 Photography Projects - Communications Village, 1970s-2000s Series 10 Other Artists and Friends, 1949-2020"],"bioghist_html_tesm":["\u003cp\u003eBenjamin Leroy Wigfall was born on November 17th, 1930 in Richmond, VA to parents James Andrew and Willie Cogena Wigfall. Wigfall attended the segregated George Mason Elementary School in Richmond until 1944, and moved to Armstrong High School (also segregated) for his secondary education until 1948. Armstrong High School is where Wigfall began to grow artistically, with the help of his senior-year art teacher, Stafford W. Evans, who introduced him to the VMFA. After high school, Wigfall attended Hampton Institute (now University) in 1948, taking part of his first year for a medical leave of absence due to his epilepsy. \u003c/p\u003e\n","\u003cp\u003eAfter receiving his Bachelor in Art Education from Hampton Institute in 1953, Wigfall transferred to Yale University in order to continue his graduate studies in 1954. During this time, he also took another leave of absence to teach at Hampton Institute as an Art Educator. Wigfall re-entered Yale in 1958, and finished with his Master of Fine Arts from Yale University's Department of Design. \u003c/p\u003e\n","\u003cp\u003eWigfall went on to found both Communications Village Ltd., a community arts center in Kingston, NY, and the Watermark/Cargo Gallery, a contemporary and African art gallery also in Kingston, New York.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Benjamin Leroy Wigfall was born on November 17th, 1930 in Richmond, VA to parents James Andrew and Willie Cogena Wigfall. Wigfall attended the segregated George Mason Elementary School in Richmond until 1944, and moved to Armstrong High School (also segregated) for his secondary education until 1948. Armstrong High School is where Wigfall began to grow artistically, with the help of his senior-year art teacher, Stafford W. Evans, who introduced him to the VMFA. After high school, Wigfall attended Hampton Institute (now University) in 1948, taking part of his first year for a medical leave of absence due to his epilepsy. ","After receiving his Bachelor in Art Education from Hampton Institute in 1953, Wigfall transferred to Yale University in order to continue his graduate studies in 1954. During this time, he also took another leave of absence to teach at Hampton Institute as an Art Educator. Wigfall re-entered Yale in 1958, and finished with his Master of Fine Arts from Yale University's Department of Design. ","Wigfall went on to found both Communications Village Ltd., a community arts center in Kingston, NY, and the Watermark/Cargo Gallery, a contemporary and African art gallery also in Kingston, New York."],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated by the artist's estate in December 2022. It was packed at Wigfall's home and studio in New Paltz, New York in September 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated by the artist's estate in December 2022. 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Howell, Alfreda Drake, Sonia Easter, Ernest Frazier\nLines 3-4: Kingston Seventh Day Adventist Church\u003c/p\u003e","\u003cp\u003eLine 2, left-to-right: Phyllis Barnes, Debbie Washington, Dawn Washington, Everett Winrow\u003c/p\u003e","\u003cp\u003eIn the center, Edward Scott and Val Hunt.\u003c/p\u003e","\u003cp\u003eYvonne Thomas Easter in long, dark, patterned dress surrounded by other unidentified individuals.\u003c/p\u003e","\u003cp\u003eAnnie Jackson is the only individual whose face can be seen in the photograph.\u003c/p\u003e","\u003cp\u003eJoe Ramos on the left. Henry Raleigh in the center.\u003c/p\u003e","\u003cp\u003eIn striped shirt, Leroy Washington. In number 32 shirt, James Peeble's \"Little Bro.\" In plaid shirt, Dennis Washington.\u003c/p\u003e","\u003cp\u003eLetter on Communcations Village letterhead. From Benjamin Wigfall, announcing and asking for participation in a community documentation project, made possible through CETA funding. Thanks Larry Kithcart and John Gilmore.\u003c/p\u003e","\u003cp\u003ePoster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.\u003c/p\u003e","\u003cp\u003ePoster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.\u003c/p\u003e","\u003cp\u003ePoster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.\u003c/p\u003e","\u003cp\u003ePoster for Community Work Sessions at Communications Village in Kingston, NY. 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for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment 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by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This photograph was printed in reverse - Wigfall was right-handed.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","From left-to-right: Edward Scott, Benjamin Wigfall, Larry Carpenter, Michael van Dyke.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","From left-to-right: Larry Carpenter, Mary Lou Morgan, Edward Scott.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Line 1: Martin Gordon, Kenny Howell, Ernest Frazier\nLine 2: Martin Gordon, Kenny Howell, Alfreda Drake, Sonia Easter, Ernest Frazier\nLines 3-4: Kingston Seventh Day Adventist Church","Line 2, left-to-right: Phyllis Barnes, Debbie Washington, Dawn Washington, Everett Winrow","In the center, Edward Scott and Val Hunt.","Yvonne Thomas Easter in long, dark, patterned dress surrounded by other unidentified individuals.","Annie Jackson is the only individual whose face can be seen in the photograph.","Joe Ramos on the left. Henry Raleigh in the center.","In striped shirt, Leroy Washington. In number 32 shirt, James Peeble's \"Little Bro.\" In plaid shirt, Dennis Washington.","Letter on Communcations Village letterhead. From Benjamin Wigfall, announcing and asking for participation in a community documentation project, made possible through CETA funding. Thanks Larry Kithcart and John Gilmore.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Negatives correspond to contact sheet.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","The back of the woodblock is metal.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Only two pages were digitized.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection of the Artist\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Mr. David Prescott, Yale University, New Haven\"","Stamped \"Art in America\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection of the Artist\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection Yale Print Collection, New Haven, Conn.\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection Miss Jane Doggett - New Haven\"","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities."],"originalsloc_html_tesm":["\u003cp\u003eThis item was returned to the Archives on December 6, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["This item was returned to the Archives on December 6, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023."],"prefercite_html_tesm":["\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2021, the museum was awarded a grant from the National Endowment for the Humanities to fund 9 months of work for a graduate level intern during the 2022-2023 academic year. From October 2022 to June 2023, Nuelle Johnson performed all of the processing, description, rehousing and select digitization for the collection.\u003c/p\u003e","\u003cp\u003eItem-level cataloging completed by Nuelle Johnson will continue to be added and updated in ArchivesSpace by Archivist Emily Johnson.\u003c/p\u003e","\u003cp\u003eThe photo album was dismantled and items within it were placed in archival quality sleeves to better preserve them. The digital copy preserves the original order of the album.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["In 2021, the museum was awarded a grant from the National Endowment for the Humanities to fund 9 months of work for a graduate level intern during the 2022-2023 academic year. From October 2022 to June 2023, Nuelle Johnson performed all of the processing, description, rehousing and select digitization for the collection.","Item-level cataloging completed by Nuelle Johnson will continue to be added and updated in ArchivesSpace by Archivist Emily Johnson.","The photo album was dismantled and items within it were placed in archival quality sleeves to better preserve them. The digital copy preserves the original order of the album."],"relatedmaterial_html_tesm":["\u003cp\u003eVA12.08.7.008\u003c/p\u003e","\u003cp\u003eVA12.08.1.008\u003c/p\u003e","\u003cp\u003eVA12.08.1.008\u003c/p\u003e","\u003cp\u003e2022.198\u003c/p\u003e","\u003cp\u003e51.7.5\u003c/p\u003e","\u003cp\u003eVA12.01.5.009\u003c/p\u003e","\u003cp\u003e51.7.5\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.01.5.005\u003c/p\u003e","\u003cp\u003eVA12.01.5.004\u003c/p\u003e","\u003cp\u003eVA12.08.2.006\u003c/p\u003e","\u003cp\u003eVA12.01.2.014\u003c/p\u003e","\u003cp\u003e58.13.6\u003c/p\u003e","\u003cp\u003e58.13.6\u003c/p\u003e","\u003cp\u003e51.7.5\u003c/p\u003e","\u003cp\u003e2022.201\u003c/p\u003e","\u003cp\u003eVA12.01.8.011, VA12.01.8.012\u003c/p\u003e","\u003cp\u003eVA12.03.2.001\u003c/p\u003e","\u003cp\u003eVA12.03.2.001\u003c/p\u003e","\u003cp\u003eVA12.01.8.001, VA12.01.8.012\u003c/p\u003e","\u003cp\u003eVA12.01.8.001, VA12.01.8.011\u003c/p\u003e","\u003cp\u003eVA12.3.2.002, VA12.3.2.004\u003c/p\u003e","\u003cp\u003eVA12.03.2.001\u003c/p\u003e","\u003cp\u003eVA12.03.2.001\u003c/p\u003e","\u003cp\u003eVA12.04.4.007\u003c/p\u003e","\u003cp\u003eVA12.04.4.006\u003c/p\u003e","\u003cp\u003eVA12.04.4.010\u003c/p\u003e","\u003cp\u003eVA12.04.4.009\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.012\u003c/p\u003e","\u003cp\u003eVA12.04.8.001\u003c/p\u003e","\u003cp\u003eVA12.04.7.001\u003c/p\u003e","\u003cp\u003e2022.189\u003c/p\u003e","\u003cp\u003e2022.190\u003c/p\u003e","\u003cp\u003e2022.199, 2022.198\u003c/p\u003e","\u003cp\u003e2022.201\u003c/p\u003e","\u003cp\u003e2022.215, VA12.08.6.004\u003c/p\u003e","\u003cp\u003e2022.222\u003c/p\u003e","\u003cp\u003e2022.221\u003c/p\u003e","\u003cp\u003e2022.220\u003c/p\u003e","\u003cp\u003e2022.220\u003c/p\u003e","\u003cp\u003e2022.198, VA12.08.1.003\u003c/p\u003e","\u003cp\u003e2022.198, VA12.08.1.003\u003c/p\u003e","\u003cp\u003e2022.198, VA12.08.1.003\u003c/p\u003e","\u003cp\u003e2022.199, VA12.08.1.003\u003c/p\u003e","\u003cp\u003e2022.226\u003c/p\u003e","\u003cp\u003e2022.227\u003c/p\u003e","\u003cp\u003e2022.224\u003c/p\u003e","\u003cp\u003e2022.224\u003c/p\u003e","\u003cp\u003e2022.201\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["VA12.08.7.008","VA12.08.1.008","VA12.08.1.008","2022.198","51.7.5","VA12.01.5.009","51.7.5","VA12.04.6.001","VA12.01.5.005","VA12.01.5.004","VA12.08.2.006","VA12.01.2.014","58.13.6","58.13.6","51.7.5","2022.201","VA12.01.8.011, VA12.01.8.012","VA12.03.2.001","VA12.03.2.001","VA12.01.8.001, VA12.01.8.012","VA12.01.8.001, VA12.01.8.011","VA12.3.2.002, VA12.3.2.004","VA12.03.2.001","VA12.03.2.001","VA12.04.4.007","VA12.04.4.006","VA12.04.4.010","VA12.04.4.009","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.012","VA12.04.8.001","VA12.04.7.001","2022.189","2022.190","2022.199, 2022.198","2022.201","2022.215, VA12.08.6.004","2022.222","2022.221","2022.220","2022.220","2022.198, VA12.08.1.003","2022.198, VA12.08.1.003","2022.198, VA12.08.1.003","2022.199, VA12.08.1.003","2022.226","2022.227","2022.224","2022.224","2022.201"],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1880-2023, with the bulk of the material dating from the 1940s-1970s. The collection is comprised of correspondence, ephemera, publications, prints, slides, woodblocks, metal plates, photographs, certificates, financial documents, and more related to the life and work of both Benjamin L. Wigfall and Mary C. Wigfall.\u003c/p\u003e","\u003cp\u003eThis series is compromised of correspondence, clippings, photographs, magazines, art reproductions, and other material related to Wigfall's life, education, career, and family.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of Benjamin L. Wigfall's biographical material such as resumes, certificates, photos, and other related materials.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of materials related to Benjamin L. Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material primarily relating to Wigfall's teaching careers at Hampton Institute and SUNY New Paltz such as correspondence, clippings, photographs, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material relating to the Wigfall Family preceding Benjamin L. Wigfall such as family reunion documents and more.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material relating to Wigfall's artistic career, such as exhibition ephemera, exhibition correspondence, magazines, photographs, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material relating to awards and accolades recieved by Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material relating to Wigfall's death on February 9th, 2017, such as obituaries, funeral texts, articles, and funeral invitations.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs of Benjamin L. Wigfall unrelated to other topics.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, clippings, photographs, magazines, art reproductions, and other material related to Carter Wigfall's life, education, career, and family.\u003c/p\u003e","\u003cp\u003eThis series is comprised of clippings and other manuscripts related to the life of Mary Carter Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of materials related to Mary Carter Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material primarily relating to Mary Carter Wigfall's teaching and directorial career at both Maggie Walker High School as well as the Migrant Childcare Center such as correspondence, clippings, photographs, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material relating to Mary Carter Wigfall's artistic career, sketches, drawings, and photographs of her weavings.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs of Mary Carter Wigfall unrelated to other topics.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material relating to the Carter family preceding Mary Carter Wigfall such as family reunion documents and more.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, photographs, family albums, books, and other material related to the joined Benjamin Wigfall and Mary Carter Wigfall family.\u003c/p\u003e","\u003cp\u003eThis sub-series contains manuscript material related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains albums related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains financial documents related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, photographs, posters, newspaper clippings, ephemera, slides, negatives, and more related to the Communications Village organization.\u003c/p\u003e","\u003cp\u003eThis sub-series contains documents relating to the foundation of Communications Village Ltd., such as directorial information, staff information, proposals, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains financial documents related to Communications Village, including grant proposals and applications, as well as donation requests, receipts, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains newspaper and magazine articles written about Communications Village.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials related to workshops and exhibitions held with Communications Village, such as ephemera, press releases, photographs, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains a series of transcribed oral interviews from Poughkeepsie, NY residents.\u003c/p\u003e","\u003cp\u003eThis sub-series contains documents and photographs related to the 1976 Intaglio Prints Editions exhibition in which 10 artists created intaglio prints for the students of Communications Village to reproduce for sale.\u003c/p\u003e","\u003cp\u003eThis sub-series contains posters created at Communications Village.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material related to the building that housed Communications Village.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, photographs, posters, newspaper clippings, ephemera, slides, negatives, and more related to the Watermark/Cargo Gallery.\u003c/p\u003e","\u003cp\u003eThis sub-series contains documents relating to the administrative work of Watermark/Cargo, such as directorial information, staff information, proposals, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains ephemera related to exhibitions held at Watermark/Cargo.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material such as resumes and articles collected by Wigfall relating to the exhibiting artists of Watermark/Cargo, as well as slides sent by the exhibiting artists for review.\u003c/p\u003e","\u003cp\u003eThis sub-series contains clippings and newspaper articles written about Watermark/Cargo.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs of the Watermark/Cargo gallery and exhibitions.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material such as postcards, articles, and other documents that could have inspired aspects of Watermark/Cargo Gallery.\u003c/p\u003e","\u003cp\u003eThis sub-series contains correspondence related to the Watermark/Cargo Gallery.\u003c/p\u003e","\u003cp\u003eThis sub-series contains records of art dealings done with the Watermark/Cargo Gallery.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, photographs, lesson plans, newspaper clippings, ephemera, slides, negatives, and more related to the Migrant Children's Center.\u003c/p\u003e","\u003cp\u003eThis series contains documents related to the founding and planning of the Migrant Childcare Center, directed by Mary Carter Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains financial documents related to the Migrant Children's Center, including grant proposals and applications, as well as donation requests.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs of the children and staff of the Migrant Children's Center.\u003c/p\u003e","\u003cp\u003eThis sub-series contains ephemera related to the summer programs run by Mary Carter Wigfall through the Migrant Children's Center in her own home at New Paltz, NY.\u003c/p\u003e","\u003cp\u003eThis sub-series contains art projects created by the students and staff of the Migrant Children's Center.\u003c/p\u003e","\u003cp\u003eThis sub-series contains articles written about the Migrant Children's Center.\u003c/p\u003e","\u003cp\u003eThis series is comprised of photographs, slides, negatives, newspaper clippings, correspondence, posters, and more related to Wigfall's communities in New York.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material collected by Wigfall related to the history and landscape of the Poughkeepsie/Kingston areas of New York.\u003c/p\u003e","\u003cp\u003eThis sub-series contains articles, posters, photographs, and more related to the SCORE organization, also known as the Strand Community Organization for the Rehabilitation of the Environment.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs, slides, and negatives of community residents around Wigfall's home in New York.\u003c/p\u003e","\u003cp\u003eThis series consists of etching plates, carved printing blocks, particle board, audio tapes, records, CD's, photographs, slides, negatives, and more materials related to the art and printmaking of Benjamin L. Wigfall and other related artists.\u003c/p\u003e","\u003cp\u003eThis sub-series contains printing plates and blocks created by Benjamin L. Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains preliminary artwork created by Benjamin L. Wigfall such as loose sketches, sketchbooks, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains four cut-outs related to Wigfall's \"Jumprope Girl\" and \"Composition\" (1952-1954) prints.\u003c/p\u003e","\u003cp\u003eThis sub-series contains printing plates and blocks created by artists around and related to Benjamin L. Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains prints created by young artists around and related to Benjamin L. Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains slides and negatives of Benjamin L. Wigfall's artwork.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs and reproductions of Benjamin L. Wigfall's artwork.\u003c/p\u003e","\u003cp\u003eThis sub-series contains audio and visual material related to Benjamin L. Wigfall and his life.\u003c/p\u003e","\u003cp\u003eThis series contains photographs and metal plates related to respective photography projects.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs taken of African American women in Ulster County, NY.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs and metal plates of Benjamin L. Wigfall and Patricia Jow Kagemoto in themed Western attire.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, photographs, slides, negatives, newspaper clippings, ephemera, and more related to other artists and friends around Benjamin L. Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains correspondence between Wigfall and other artists and friends in his life.\u003c/p\u003e","\u003cp\u003eThis sub-series contains ephemera of other artist's exhibitions that Benjamin L. Wigfall was presumably invited to attend.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of photographs of other artists' artwork.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of photographs and slides of other artists and friends in Wigfall's life.\u003c/p\u003e","\u003cp\u003eThis sub-series contains articles written about other artists and friends within Wigfalls life.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material related to Thomas Cannon such as articles, correspondence, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material related to Yale Epstien such as articles, correspondence, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material related to Ernest Frazier such as articles, correspondence, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material related to Richard Frumess such as articles, correspondence, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material related to Patricia Jow Kagemoto such as articles, correspondence, and more.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1880-2023, with the bulk of the material dating from the 1940s-1970s. The collection is comprised of correspondence, ephemera, publications, prints, slides, woodblocks, metal plates, photographs, certificates, financial documents, and more related to the life and work of both Benjamin L. Wigfall and Mary C. Wigfall.","This series is compromised of correspondence, clippings, photographs, magazines, art reproductions, and other material related to Wigfall's life, education, career, and family.","This sub-series is comprised of Benjamin L. Wigfall's biographical material such as resumes, certificates, photos, and other related materials.","This sub-series is comprised of materials related to Benjamin L. Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.","This sub-series is comprised of material primarily relating to Wigfall's teaching careers at Hampton Institute and SUNY New Paltz such as correspondence, clippings, photographs, and more.","This sub-series is comprised of material relating to the Wigfall Family preceding Benjamin L. Wigfall such as family reunion documents and more.","This sub-series is comprised of material relating to Wigfall's artistic career, such as exhibition ephemera, exhibition correspondence, magazines, photographs, and more.","This sub-series is comprised of material relating to awards and accolades recieved by Wigfall.","This sub-series contains material relating to Wigfall's death on February 9th, 2017, such as obituaries, funeral texts, articles, and funeral invitations.","This sub-series contains photographs of Benjamin L. Wigfall unrelated to other topics.","This series is comprised of correspondence, clippings, photographs, magazines, art reproductions, and other material related to Carter Wigfall's life, education, career, and family.","This series is comprised of clippings and other manuscripts related to the life of Mary Carter Wigfall.","This sub-series is comprised of materials related to Mary Carter Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.","This sub-series is comprised of material primarily relating to Mary Carter Wigfall's teaching and directorial career at both Maggie Walker High School as well as the Migrant Childcare Center such as correspondence, clippings, photographs, and more.","This sub-series is comprised of material relating to Mary Carter Wigfall's artistic career, sketches, drawings, and photographs of her weavings.","This sub-series contains photographs of Mary Carter Wigfall unrelated to other topics.","This sub-series is comprised of material relating to the Carter family preceding Mary Carter Wigfall such as family reunion documents and more.","This series is comprised of correspondence, photographs, family albums, books, and other material related to the joined Benjamin Wigfall and Mary Carter Wigfall family.","This sub-series contains manuscript material related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This sub-series contains albums related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This sub-series contains photographs related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This sub-series contains financial documents related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This series is comprised of correspondence, photographs, posters, newspaper clippings, ephemera, slides, negatives, and more related to the Communications Village organization.","This sub-series contains documents relating to the foundation of Communications Village Ltd., such as directorial information, staff information, proposals, and more.","This sub-series contains financial documents related to Communications Village, including grant proposals and applications, as well as donation requests, receipts, and more.","This sub-series contains newspaper and magazine articles written about Communications Village.","This sub-series contains materials related to workshops and exhibitions held with Communications Village, such as ephemera, press releases, photographs, and more.","This sub-series contains a series of transcribed oral interviews from Poughkeepsie, NY residents.","This sub-series contains documents and photographs related to the 1976 Intaglio Prints Editions exhibition in which 10 artists created intaglio prints for the students of Communications Village to reproduce for sale.","This sub-series contains posters created at Communications Village.","This sub-series contains material related to the building that housed Communications Village.","This series is comprised of correspondence, photographs, posters, newspaper clippings, ephemera, slides, negatives, and more related to the Watermark/Cargo Gallery.","This sub-series contains documents relating to the administrative work of Watermark/Cargo, such as directorial information, staff information, proposals, and more.","This sub-series contains ephemera related to exhibitions held at Watermark/Cargo.","This sub-series contains material such as resumes and articles collected by Wigfall relating to the exhibiting artists of Watermark/Cargo, as well as slides sent by the exhibiting artists for review.","This sub-series contains clippings and newspaper articles written about Watermark/Cargo.","This sub-series contains photographs of the Watermark/Cargo gallery and exhibitions.","This sub-series contains material such as postcards, articles, and other documents that could have inspired aspects of Watermark/Cargo Gallery.","This sub-series contains correspondence related to the Watermark/Cargo Gallery.","This sub-series contains records of art dealings done with the Watermark/Cargo Gallery.","This series is comprised of correspondence, photographs, lesson plans, newspaper clippings, ephemera, slides, negatives, and more related to the Migrant Children's Center.","This series contains documents related to the founding and planning of the Migrant Childcare Center, directed by Mary Carter Wigfall.","This sub-series contains financial documents related to the Migrant Children's Center, including grant proposals and applications, as well as donation requests.","This sub-series contains photographs of the children and staff of the Migrant Children's Center.","This sub-series contains ephemera related to the summer programs run by Mary Carter Wigfall through the Migrant Children's Center in her own home at New Paltz, NY.","This sub-series contains art projects created by the students and staff of the Migrant Children's Center.","This sub-series contains articles written about the Migrant Children's Center.","This series is comprised of photographs, slides, negatives, newspaper clippings, correspondence, posters, and more related to Wigfall's communities in New York.","This sub-series contains material collected by Wigfall related to the history and landscape of the Poughkeepsie/Kingston areas of New York.","This sub-series contains articles, posters, photographs, and more related to the SCORE organization, also known as the Strand Community Organization for the Rehabilitation of the Environment.","This sub-series contains photographs, slides, and negatives of community residents around Wigfall's home in New York.","This series consists of etching plates, carved printing blocks, particle board, audio tapes, records, CD's, photographs, slides, negatives, and more materials related to the art and printmaking of Benjamin L. Wigfall and other related artists.","This sub-series contains printing plates and blocks created by Benjamin L. Wigfall.","This sub-series contains preliminary artwork created by Benjamin L. Wigfall such as loose sketches, sketchbooks, and more.","This sub-series contains four cut-outs related to Wigfall's \"Jumprope Girl\" and \"Composition\" (1952-1954) prints.","This sub-series contains printing plates and blocks created by artists around and related to Benjamin L. Wigfall.","This sub-series contains prints created by young artists around and related to Benjamin L. Wigfall.","This sub-series contains slides and negatives of Benjamin L. Wigfall's artwork.","This sub-series contains photographs and reproductions of Benjamin L. Wigfall's artwork.","This sub-series contains audio and visual material related to Benjamin L. Wigfall and his life.","This series contains photographs and metal plates related to respective photography projects.","This sub-series contains photographs taken of African American women in Ulster County, NY.","This sub-series contains photographs and metal plates of Benjamin L. Wigfall and Patricia Jow Kagemoto in themed Western attire.","This series is comprised of correspondence, photographs, slides, negatives, newspaper clippings, ephemera, and more related to other artists and friends around Benjamin L. Wigfall.","This sub-series contains correspondence between Wigfall and other artists and friends in his life.","This sub-series contains ephemera of other artist's exhibitions that Benjamin L. Wigfall was presumably invited to attend.","This sub-series is comprised of photographs of other artists' artwork.","This sub-series is comprised of photographs and slides of other artists and friends in Wigfall's life.","This sub-series contains articles written about other artists and friends within Wigfalls life.","This sub-series contains material related to Thomas Cannon such as articles, correspondence, and more.","This sub-series contains material related to Yale Epstien such as articles, correspondence, and more.","This sub-series contains material related to Ernest Frazier such as articles, correspondence, and more.","This sub-series contains material related to Richard Frumess such as articles, correspondence, and more.","This sub-series contains material related to Patricia Jow Kagemoto such as articles, correspondence, and more."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eNo Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. 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laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. 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VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. 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VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/"],"abstract_html_tesm":["\u003cabstract id=\"aspace_4aa27f66a6c0c2bf8444280ed5caacf4\"\u003eThe collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992."],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"names_coll_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"persname_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970."],"language_ssim":["English"],"total_component_count_is":397,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:56:50.129Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_465","ead_ssi":"virmu_repositories_2_resources_465","_root_":"virmu_repositories_2_resources_465","_nest_parent_":"virmu_repositories_2_resources_465","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_465.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/465","title_filing_ssi":"Wigfall, Benjamin (VA-12)","title_ssm":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"title_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"unitdate_ssm":["1880-2023"],"unitdate_inclusive_ssm":["1880-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-12","/repositories/2/resources/465"],"text":["VA-12","/repositories/2/resources/465","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers","Art, American","Art, American -- 20th century -- Virginia","Painting -- 20th century","Prints -- Technique","Woodcuts (prints).","Etchings (prints).","The collection is open for research.","The collection is organized into 10 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1 Benjamin L. Wigfall, 1944-2023 Series 2 Mary Carter Wigfall, 1949-2017 Series 3 Wigfall Family Records, 1944-2014 Series 4 Communications Village, 1880-1980 Series 5 Watermark/Cargo Gallery, 1969-2004 Series 6 Migrant Children's Center, 1965-1999 Series 7 New York, 1917-2018 Series 8 Art and Printmaking, 1951-1993 Series 9 Photography Projects - Communications Village, 1970s-2000s Series 10 Other Artists and Friends, 1949-2020","Benjamin Leroy Wigfall was born on November 17th, 1930 in Richmond, VA to parents James Andrew and Willie Cogena Wigfall. Wigfall attended the segregated George Mason Elementary School in Richmond until 1944, and moved to Armstrong High School (also segregated) for his secondary education until 1948. Armstrong High School is where Wigfall began to grow artistically, with the help of his senior-year art teacher, Stafford W. Evans, who introduced him to the VMFA. After high school, Wigfall attended Hampton Institute (now University) in 1948, taking part of his first year for a medical leave of absence due to his epilepsy. ","After receiving his Bachelor in Art Education from Hampton Institute in 1953, Wigfall transferred to Yale University in order to continue his graduate studies in 1954. During this time, he also took another leave of absence to teach at Hampton Institute as an Art Educator. Wigfall re-entered Yale in 1958, and finished with his Master of Fine Arts from Yale University's Department of Design. ","Wigfall went on to found both Communications Village Ltd., a community arts center in Kingston, NY, and the Watermark/Cargo Gallery, a contemporary and African art gallery also in Kingston, New York.","The collection was donated by the artist's estate in December 2022. It was packed at Wigfall's home and studio in New Paltz, New York in September 2022.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This photograph was printed in reverse - Wigfall was right-handed.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","From left-to-right: Edward Scott, Benjamin Wigfall, Larry Carpenter, Michael van Dyke.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","From left-to-right: Larry Carpenter, Mary Lou Morgan, Edward Scott.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Line 1: Martin Gordon, Kenny Howell, Ernest Frazier\nLine 2: Martin Gordon, Kenny Howell, Alfreda Drake, Sonia Easter, Ernest Frazier\nLines 3-4: Kingston Seventh Day Adventist Church","Line 2, left-to-right: Phyllis Barnes, Debbie Washington, Dawn Washington, Everett Winrow","In the center, Edward Scott and Val Hunt.","Yvonne Thomas Easter in long, dark, patterned dress surrounded by other unidentified individuals.","Annie Jackson is the only individual whose face can be seen in the photograph.","Joe Ramos on the left. Henry Raleigh in the center.","In striped shirt, Leroy Washington. In number 32 shirt, James Peeble's \"Little Bro.\" In plaid shirt, Dennis Washington.","Letter on Communcations Village letterhead. From Benjamin Wigfall, announcing and asking for participation in a community documentation project, made possible through CETA funding. Thanks Larry Kithcart and John Gilmore.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Negatives correspond to contact sheet.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","The back of the woodblock is metal.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Only two pages were digitized.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection of the Artist\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Mr. David Prescott, Yale University, New Haven\"","Stamped \"Art in America\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection of the Artist\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection Yale Print Collection, New Haven, Conn.\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection Miss Jane Doggett - New Haven\"","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This item was returned to the Archives on December 6, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","In 2021, the museum was awarded a grant from the National Endowment for the Humanities to fund 9 months of work for a graduate level intern during the 2022-2023 academic year. From October 2022 to June 2023, Nuelle Johnson performed all of the processing, description, rehousing and select digitization for the collection.","Item-level cataloging completed by Nuelle Johnson will continue to be added and updated in ArchivesSpace by Archivist Emily Johnson.","The photo album was dismantled and items within it were placed in archival quality sleeves to better preserve them. The digital copy preserves the original order of the album.","VA12.08.7.008","VA12.08.1.008","VA12.08.1.008","2022.198","51.7.5","VA12.01.5.009","51.7.5","VA12.04.6.001","VA12.01.5.005","VA12.01.5.004","VA12.08.2.006","VA12.01.2.014","58.13.6","58.13.6","51.7.5","2022.201","VA12.01.8.011, VA12.01.8.012","VA12.03.2.001","VA12.03.2.001","VA12.01.8.001, VA12.01.8.012","VA12.01.8.001, VA12.01.8.011","VA12.3.2.002, VA12.3.2.004","VA12.03.2.001","VA12.03.2.001","VA12.04.4.007","VA12.04.4.006","VA12.04.4.010","VA12.04.4.009","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.012","VA12.04.8.001","VA12.04.7.001","2022.189","2022.190","2022.199, 2022.198","2022.201","2022.215, VA12.08.6.004","2022.222","2022.221","2022.220","2022.220","2022.198, VA12.08.1.003","2022.198, VA12.08.1.003","2022.198, VA12.08.1.003","2022.199, VA12.08.1.003","2022.226","2022.227","2022.224","2022.224","2022.201","The collection's inclusive dates are 1880-2023, with the bulk of the material dating from the 1940s-1970s. The collection is comprised of correspondence, ephemera, publications, prints, slides, woodblocks, metal plates, photographs, certificates, financial documents, and more related to the life and work of both Benjamin L. Wigfall and Mary C. Wigfall.","This series is compromised of correspondence, clippings, photographs, magazines, art reproductions, and other material related to Wigfall's life, education, career, and family.","This sub-series is comprised of Benjamin L. Wigfall's biographical material such as resumes, certificates, photos, and other related materials.","This sub-series is comprised of materials related to Benjamin L. Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.","This sub-series is comprised of material primarily relating to Wigfall's teaching careers at Hampton Institute and SUNY New Paltz such as correspondence, clippings, photographs, and more.","This sub-series is comprised of material relating to the Wigfall Family preceding Benjamin L. Wigfall such as family reunion documents and more.","This sub-series is comprised of material relating to Wigfall's artistic career, such as exhibition ephemera, exhibition correspondence, magazines, photographs, and more.","This sub-series is comprised of material relating to awards and accolades recieved by Wigfall.","This sub-series contains material relating to Wigfall's death on February 9th, 2017, such as obituaries, funeral texts, articles, and funeral invitations.","This sub-series contains photographs of Benjamin L. Wigfall unrelated to other topics.","This series is comprised of correspondence, clippings, photographs, magazines, art reproductions, and other material related to Carter Wigfall's life, education, career, and family.","This series is comprised of clippings and other manuscripts related to the life of Mary Carter Wigfall.","This sub-series is comprised of materials related to Mary Carter Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.","This sub-series is comprised of material primarily relating to Mary Carter Wigfall's teaching and directorial career at both Maggie Walker High School as well as the Migrant Childcare Center such as correspondence, clippings, photographs, and more.","This sub-series is comprised of material relating to Mary Carter Wigfall's artistic career, sketches, drawings, and photographs of her weavings.","This sub-series contains photographs of Mary Carter Wigfall unrelated to other topics.","This sub-series is comprised of material relating to the Carter family preceding Mary Carter Wigfall such as family reunion documents and more.","This series is comprised of correspondence, photographs, family albums, books, and other material related to the joined Benjamin Wigfall and Mary Carter Wigfall family.","This sub-series contains manuscript material related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This sub-series contains albums related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This sub-series contains photographs related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This sub-series contains financial documents related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This series is comprised of correspondence, photographs, posters, newspaper clippings, ephemera, slides, negatives, and more related to the Communications Village organization.","This sub-series contains documents relating to the foundation of Communications Village Ltd., such as directorial information, staff information, proposals, and more.","This sub-series contains financial documents related to Communications Village, including grant proposals and applications, as well as donation requests, receipts, and more.","This sub-series contains newspaper and magazine articles written about Communications Village.","This sub-series contains materials related to workshops and exhibitions held with Communications Village, such as ephemera, press releases, photographs, and more.","This sub-series contains a series of transcribed oral interviews from Poughkeepsie, NY residents.","This sub-series contains documents and photographs related to the 1976 Intaglio Prints Editions exhibition in which 10 artists created intaglio prints for the students of Communications Village to reproduce for sale.","This sub-series contains posters created at Communications Village.","This sub-series contains material related to the building that housed Communications Village.","This series is comprised of correspondence, photographs, posters, newspaper clippings, ephemera, slides, negatives, and more related to the Watermark/Cargo Gallery.","This sub-series contains documents relating to the administrative work of Watermark/Cargo, such as directorial information, staff information, proposals, and more.","This sub-series contains ephemera related to exhibitions held at Watermark/Cargo.","This sub-series contains material such as resumes and articles collected by Wigfall relating to the exhibiting artists of Watermark/Cargo, as well as slides sent by the exhibiting artists for review.","This sub-series contains clippings and newspaper articles written about Watermark/Cargo.","This sub-series contains photographs of the Watermark/Cargo gallery and exhibitions.","This sub-series contains material such as postcards, articles, and other documents that could have inspired aspects of Watermark/Cargo Gallery.","This sub-series contains correspondence related to the Watermark/Cargo Gallery.","This sub-series contains records of art dealings done with the Watermark/Cargo Gallery.","This series is comprised of correspondence, photographs, lesson plans, newspaper clippings, ephemera, slides, negatives, and more related to the Migrant Children's Center.","This series contains documents related to the founding and planning of the Migrant Childcare Center, directed by Mary Carter Wigfall.","This sub-series contains financial documents related to the Migrant Children's Center, including grant proposals and applications, as well as donation requests.","This sub-series contains photographs of the children and staff of the Migrant Children's Center.","This sub-series contains ephemera related to the summer programs run by Mary Carter Wigfall through the Migrant Children's Center in her own home at New Paltz, NY.","This sub-series contains art projects created by the students and staff of the Migrant Children's Center.","This sub-series contains articles written about the Migrant Children's Center.","This series is comprised of photographs, slides, negatives, newspaper clippings, correspondence, posters, and more related to Wigfall's communities in New York.","This sub-series contains material collected by Wigfall related to the history and landscape of the Poughkeepsie/Kingston areas of New York.","This sub-series contains articles, posters, photographs, and more related to the SCORE organization, also known as the Strand Community Organization for the Rehabilitation of the Environment.","This sub-series contains photographs, slides, and negatives of community residents around Wigfall's home in New York.","This series consists of etching plates, carved printing blocks, particle board, audio tapes, records, CD's, photographs, slides, negatives, and more materials related to the art and printmaking of Benjamin L. Wigfall and other related artists.","This sub-series contains printing plates and blocks created by Benjamin L. Wigfall.","This sub-series contains preliminary artwork created by Benjamin L. Wigfall such as loose sketches, sketchbooks, and more.","This sub-series contains four cut-outs related to Wigfall's \"Jumprope Girl\" and \"Composition\" (1952-1954) prints.","This sub-series contains printing plates and blocks created by artists around and related to Benjamin L. Wigfall.","This sub-series contains prints created by young artists around and related to Benjamin L. Wigfall.","This sub-series contains slides and negatives of Benjamin L. Wigfall's artwork.","This sub-series contains photographs and reproductions of Benjamin L. Wigfall's artwork.","This sub-series contains audio and visual material related to Benjamin L. Wigfall and his life.","This series contains photographs and metal plates related to respective photography projects.","This sub-series contains photographs taken of African American women in Ulster County, NY.","This sub-series contains photographs and metal plates of Benjamin L. Wigfall and Patricia Jow Kagemoto in themed Western attire.","This series is comprised of correspondence, photographs, slides, negatives, newspaper clippings, ephemera, and more related to other artists and friends around Benjamin L. Wigfall.","This sub-series contains correspondence between Wigfall and other artists and friends in his life.","This sub-series contains ephemera of other artist's exhibitions that Benjamin L. Wigfall was presumably invited to attend.","This sub-series is comprised of photographs of other artists' artwork.","This sub-series is comprised of photographs and slides of other artists and friends in Wigfall's life.","This sub-series contains articles written about other artists and friends within Wigfalls life.","This sub-series contains material related to Thomas Cannon such as articles, correspondence, and more.","This sub-series contains material related to Yale Epstien such as articles, correspondence, and more.","This sub-series contains material related to Ernest Frazier such as articles, correspondence, and more.","This sub-series contains material related to Richard Frumess such as articles, correspondence, and more.","This sub-series contains material related to Patricia Jow Kagemoto such as articles, correspondence, and more.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970.","English"],"unitid_tesim":["VA-12","/repositories/2/resources/465"],"normalized_title_ssm":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"collection_title_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"collection_ssim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"creator_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"creator_persname_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"creators_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art, American","Art, American -- 20th century -- Virginia","Painting -- 20th century","Prints -- Technique","Woodcuts (prints).","Etchings (prints)."],"access_subjects_ssm":["Art, American","Art, American -- 20th century -- Virginia","Painting -- 20th century","Prints -- Technique","Woodcuts (prints).","Etchings (prints)."],"has_online_content_ssim":["false"],"extent_ssm":["21.875 Linear Feet 50 boxes; 63 folders"],"extent_tesim":["21.875 Linear Feet 50 boxes; 63 folders"],"genreform_ssim":["Woodcuts (prints).","Etchings (prints)."],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 10 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eBenjamin L. Wigfall, 1944-2023\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eMary Carter Wigfall, 1949-2017\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWigfall Family Records, 1944-2014\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eCommunications Village, 1880-1980\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eWatermark/Cargo Gallery, 1969-2004\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003eMigrant Children's Center, 1965-1999\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 7\u003c/label\u003e\n        \u003citem\u003eNew York, 1917-2018\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 8\u003c/label\u003e\n        \u003citem\u003eArt and Printmaking, 1951-1993\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 9\u003c/label\u003e\n        \u003citem\u003ePhotography Projects - Communications Village, 1970s-2000s\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 10\u003c/label\u003e\n        \u003citem\u003eOther Artists and Friends, 1949-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 10 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1 Benjamin L. Wigfall, 1944-2023 Series 2 Mary Carter Wigfall, 1949-2017 Series 3 Wigfall Family Records, 1944-2014 Series 4 Communications Village, 1880-1980 Series 5 Watermark/Cargo Gallery, 1969-2004 Series 6 Migrant Children's Center, 1965-1999 Series 7 New York, 1917-2018 Series 8 Art and Printmaking, 1951-1993 Series 9 Photography Projects - Communications Village, 1970s-2000s Series 10 Other Artists and Friends, 1949-2020"],"bioghist_html_tesm":["\u003cp\u003eBenjamin Leroy Wigfall was born on November 17th, 1930 in Richmond, VA to parents James Andrew and Willie Cogena Wigfall. Wigfall attended the segregated George Mason Elementary School in Richmond until 1944, and moved to Armstrong High School (also segregated) for his secondary education until 1948. Armstrong High School is where Wigfall began to grow artistically, with the help of his senior-year art teacher, Stafford W. Evans, who introduced him to the VMFA. After high school, Wigfall attended Hampton Institute (now University) in 1948, taking part of his first year for a medical leave of absence due to his epilepsy. \u003c/p\u003e\n","\u003cp\u003eAfter receiving his Bachelor in Art Education from Hampton Institute in 1953, Wigfall transferred to Yale University in order to continue his graduate studies in 1954. During this time, he also took another leave of absence to teach at Hampton Institute as an Art Educator. Wigfall re-entered Yale in 1958, and finished with his Master of Fine Arts from Yale University's Department of Design. \u003c/p\u003e\n","\u003cp\u003eWigfall went on to found both Communications Village Ltd., a community arts center in Kingston, NY, and the Watermark/Cargo Gallery, a contemporary and African art gallery also in Kingston, New York.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Benjamin Leroy Wigfall was born on November 17th, 1930 in Richmond, VA to parents James Andrew and Willie Cogena Wigfall. Wigfall attended the segregated George Mason Elementary School in Richmond until 1944, and moved to Armstrong High School (also segregated) for his secondary education until 1948. Armstrong High School is where Wigfall began to grow artistically, with the help of his senior-year art teacher, Stafford W. Evans, who introduced him to the VMFA. After high school, Wigfall attended Hampton Institute (now University) in 1948, taking part of his first year for a medical leave of absence due to his epilepsy. ","After receiving his Bachelor in Art Education from Hampton Institute in 1953, Wigfall transferred to Yale University in order to continue his graduate studies in 1954. During this time, he also took another leave of absence to teach at Hampton Institute as an Art Educator. Wigfall re-entered Yale in 1958, and finished with his Master of Fine Arts from Yale University's Department of Design. ","Wigfall went on to found both Communications Village Ltd., a community arts center in Kingston, NY, and the Watermark/Cargo Gallery, a contemporary and African art gallery also in Kingston, New York."],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated by the artist's estate in December 2022. It was packed at Wigfall's home and studio in New Paltz, New York in September 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated by the artist's estate in December 2022. It was packed at Wigfall's home and studio in New Paltz, New York in September 2022."],"odd_html_tesm":["\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the 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Henry Raleigh in the center.\u003c/p\u003e","\u003cp\u003eIn striped shirt, Leroy Washington. In number 32 shirt, James Peeble's \"Little Bro.\" In plaid shirt, Dennis Washington.\u003c/p\u003e","\u003cp\u003eLetter on Communcations Village letterhead. From Benjamin Wigfall, announcing and asking for participation in a community documentation project, made possible through CETA funding. Thanks Larry Kithcart and John Gilmore.\u003c/p\u003e","\u003cp\u003ePoster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.\u003c/p\u003e","\u003cp\u003ePoster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.\u003c/p\u003e","\u003cp\u003ePoster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.\u003c/p\u003e","\u003cp\u003ePoster for Community Work Sessions at Communications Village in Kingston, NY. 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possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This photograph was printed in reverse - Wigfall was right-handed.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","From left-to-right: Edward Scott, Benjamin Wigfall, Larry Carpenter, Michael van Dyke.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","From left-to-right: Larry Carpenter, Mary Lou Morgan, Edward Scott.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Line 1: Martin Gordon, Kenny Howell, Ernest Frazier\nLine 2: Martin Gordon, Kenny Howell, Alfreda Drake, Sonia Easter, Ernest Frazier\nLines 3-4: Kingston Seventh Day Adventist Church","Line 2, left-to-right: Phyllis Barnes, Debbie Washington, Dawn Washington, Everett Winrow","In the center, Edward Scott and Val Hunt.","Yvonne Thomas Easter in long, dark, patterned dress surrounded by other unidentified individuals.","Annie Jackson is the only individual whose face can be seen in the photograph.","Joe Ramos on the left. Henry Raleigh in the center.","In striped shirt, Leroy Washington. In number 32 shirt, James Peeble's \"Little Bro.\" In plaid shirt, Dennis Washington.","Letter on Communcations Village letterhead. From Benjamin Wigfall, announcing and asking for participation in a community documentation project, made possible through CETA funding. Thanks Larry Kithcart and John Gilmore.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Negatives correspond to contact sheet.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","The back of the woodblock is metal.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Only two pages were digitized.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection of the Artist\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Mr. David Prescott, Yale University, New Haven\"","Stamped \"Art in America\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection of the Artist\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection Yale Print Collection, New Haven, Conn.\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection Miss Jane Doggett - New Haven\"","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities."],"originalsloc_html_tesm":["\u003cp\u003eThis item was returned to the Archives on December 6, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["This item was returned to the Archives on December 6, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023."],"prefercite_html_tesm":["\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2021, the museum was awarded a grant from the National Endowment for the Humanities to fund 9 months of work for a graduate level intern during the 2022-2023 academic year. From October 2022 to June 2023, Nuelle Johnson performed all of the processing, description, rehousing and select digitization for the collection.\u003c/p\u003e","\u003cp\u003eItem-level cataloging completed by Nuelle Johnson will continue to be added and updated in ArchivesSpace by Archivist Emily Johnson.\u003c/p\u003e","\u003cp\u003eThe photo album was dismantled and items within it were placed in archival quality sleeves to better preserve them. The digital copy preserves the original order of the album.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["In 2021, the museum was awarded a grant from the National Endowment for the Humanities to fund 9 months of work for a graduate level intern during the 2022-2023 academic year. From October 2022 to June 2023, Nuelle Johnson performed all of the processing, description, rehousing and select digitization for the collection.","Item-level cataloging completed by Nuelle Johnson will continue to be added and updated in ArchivesSpace by Archivist Emily Johnson.","The photo album was dismantled and items within it were placed in archival quality sleeves to better preserve them. The digital copy preserves the original order of the album."],"relatedmaterial_html_tesm":["\u003cp\u003eVA12.08.7.008\u003c/p\u003e","\u003cp\u003eVA12.08.1.008\u003c/p\u003e","\u003cp\u003eVA12.08.1.008\u003c/p\u003e","\u003cp\u003e2022.198\u003c/p\u003e","\u003cp\u003e51.7.5\u003c/p\u003e","\u003cp\u003eVA12.01.5.009\u003c/p\u003e","\u003cp\u003e51.7.5\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.01.5.005\u003c/p\u003e","\u003cp\u003eVA12.01.5.004\u003c/p\u003e","\u003cp\u003eVA12.08.2.006\u003c/p\u003e","\u003cp\u003eVA12.01.2.014\u003c/p\u003e","\u003cp\u003e58.13.6\u003c/p\u003e","\u003cp\u003e58.13.6\u003c/p\u003e","\u003cp\u003e51.7.5\u003c/p\u003e","\u003cp\u003e2022.201\u003c/p\u003e","\u003cp\u003eVA12.01.8.011, VA12.01.8.012\u003c/p\u003e","\u003cp\u003eVA12.03.2.001\u003c/p\u003e","\u003cp\u003eVA12.03.2.001\u003c/p\u003e","\u003cp\u003eVA12.01.8.001, VA12.01.8.012\u003c/p\u003e","\u003cp\u003eVA12.01.8.001, VA12.01.8.011\u003c/p\u003e","\u003cp\u003eVA12.3.2.002, VA12.3.2.004\u003c/p\u003e","\u003cp\u003eVA12.03.2.001\u003c/p\u003e","\u003cp\u003eVA12.03.2.001\u003c/p\u003e","\u003cp\u003eVA12.04.4.007\u003c/p\u003e","\u003cp\u003eVA12.04.4.006\u003c/p\u003e","\u003cp\u003eVA12.04.4.010\u003c/p\u003e","\u003cp\u003eVA12.04.4.009\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.012\u003c/p\u003e","\u003cp\u003eVA12.04.8.001\u003c/p\u003e","\u003cp\u003eVA12.04.7.001\u003c/p\u003e","\u003cp\u003e2022.189\u003c/p\u003e","\u003cp\u003e2022.190\u003c/p\u003e","\u003cp\u003e2022.199, 2022.198\u003c/p\u003e","\u003cp\u003e2022.201\u003c/p\u003e","\u003cp\u003e2022.215, VA12.08.6.004\u003c/p\u003e","\u003cp\u003e2022.222\u003c/p\u003e","\u003cp\u003e2022.221\u003c/p\u003e","\u003cp\u003e2022.220\u003c/p\u003e","\u003cp\u003e2022.220\u003c/p\u003e","\u003cp\u003e2022.198, VA12.08.1.003\u003c/p\u003e","\u003cp\u003e2022.198, VA12.08.1.003\u003c/p\u003e","\u003cp\u003e2022.198, VA12.08.1.003\u003c/p\u003e","\u003cp\u003e2022.199, VA12.08.1.003\u003c/p\u003e","\u003cp\u003e2022.226\u003c/p\u003e","\u003cp\u003e2022.227\u003c/p\u003e","\u003cp\u003e2022.224\u003c/p\u003e","\u003cp\u003e2022.224\u003c/p\u003e","\u003cp\u003e2022.201\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["VA12.08.7.008","VA12.08.1.008","VA12.08.1.008","2022.198","51.7.5","VA12.01.5.009","51.7.5","VA12.04.6.001","VA12.01.5.005","VA12.01.5.004","VA12.08.2.006","VA12.01.2.014","58.13.6","58.13.6","51.7.5","2022.201","VA12.01.8.011, VA12.01.8.012","VA12.03.2.001","VA12.03.2.001","VA12.01.8.001, VA12.01.8.012","VA12.01.8.001, VA12.01.8.011","VA12.3.2.002, VA12.3.2.004","VA12.03.2.001","VA12.03.2.001","VA12.04.4.007","VA12.04.4.006","VA12.04.4.010","VA12.04.4.009","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.012","VA12.04.8.001","VA12.04.7.001","2022.189","2022.190","2022.199, 2022.198","2022.201","2022.215, VA12.08.6.004","2022.222","2022.221","2022.220","2022.220","2022.198, VA12.08.1.003","2022.198, VA12.08.1.003","2022.198, VA12.08.1.003","2022.199, VA12.08.1.003","2022.226","2022.227","2022.224","2022.224","2022.201"],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1880-2023, with the bulk of the material dating from the 1940s-1970s. The collection is comprised of correspondence, ephemera, publications, prints, slides, woodblocks, metal plates, photographs, certificates, financial documents, and more related to the life and work of both Benjamin L. Wigfall and Mary C. Wigfall.\u003c/p\u003e","\u003cp\u003eThis series is compromised of correspondence, clippings, photographs, magazines, art reproductions, and other material related to Wigfall's life, education, career, and family.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of Benjamin L. Wigfall's biographical material such as resumes, certificates, photos, and other related materials.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of materials related to Benjamin L. Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material primarily relating to Wigfall's teaching careers at Hampton Institute and SUNY New Paltz such as correspondence, clippings, photographs, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material relating to the Wigfall Family preceding Benjamin L. Wigfall such as family reunion documents and more.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material relating to Wigfall's artistic career, such as exhibition ephemera, exhibition correspondence, magazines, photographs, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material relating to awards and accolades recieved by Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material relating to Wigfall's death on February 9th, 2017, such as obituaries, funeral texts, articles, and funeral invitations.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs of Benjamin L. Wigfall unrelated to other topics.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, clippings, photographs, magazines, art reproductions, and other material related to Carter Wigfall's life, education, career, and family.\u003c/p\u003e","\u003cp\u003eThis series is comprised of clippings and other manuscripts related to the life of Mary Carter Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of materials related to Mary Carter Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material primarily relating to Mary Carter Wigfall's teaching and directorial career at both Maggie Walker High School as well as the Migrant Childcare Center such as correspondence, clippings, photographs, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material relating to Mary Carter Wigfall's artistic career, sketches, drawings, and photographs of her weavings.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs of Mary Carter Wigfall unrelated to other topics.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material relating to the Carter family preceding Mary Carter Wigfall such as family reunion documents and more.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, photographs, family albums, books, and other material related to the joined Benjamin Wigfall and Mary Carter Wigfall family.\u003c/p\u003e","\u003cp\u003eThis sub-series contains manuscript material related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains albums related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains financial documents related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, photographs, posters, newspaper clippings, ephemera, slides, negatives, and more related to the Communications Village organization.\u003c/p\u003e","\u003cp\u003eThis sub-series contains documents relating to the foundation of Communications Village Ltd., such as directorial information, staff information, proposals, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains financial documents related to Communications Village, including grant proposals and applications, as well as donation requests, receipts, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains newspaper and magazine articles written about Communications Village.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials related to workshops and exhibitions held with Communications Village, such as ephemera, press releases, photographs, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains a series of transcribed oral interviews from Poughkeepsie, NY residents.\u003c/p\u003e","\u003cp\u003eThis sub-series contains documents and photographs related to the 1976 Intaglio Prints Editions exhibition in which 10 artists created intaglio prints for the students of Communications Village to reproduce for sale.\u003c/p\u003e","\u003cp\u003eThis sub-series contains posters created at Communications Village.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material related to the building that housed Communications Village.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, photographs, posters, newspaper clippings, ephemera, slides, negatives, and more related to the Watermark/Cargo Gallery.\u003c/p\u003e","\u003cp\u003eThis sub-series contains documents relating to the administrative work of Watermark/Cargo, such as directorial information, staff information, proposals, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains ephemera related to exhibitions held at Watermark/Cargo.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material such as resumes and articles collected by Wigfall relating to the exhibiting artists of Watermark/Cargo, as well as slides sent by the exhibiting artists for review.\u003c/p\u003e","\u003cp\u003eThis sub-series contains clippings and newspaper articles written about Watermark/Cargo.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs of the Watermark/Cargo gallery and exhibitions.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material such as postcards, articles, and other documents that could have inspired aspects of Watermark/Cargo Gallery.\u003c/p\u003e","\u003cp\u003eThis sub-series contains correspondence related to the Watermark/Cargo Gallery.\u003c/p\u003e","\u003cp\u003eThis sub-series contains records of art dealings done with the Watermark/Cargo Gallery.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, photographs, lesson plans, newspaper clippings, ephemera, slides, negatives, and more related to the Migrant Children's Center.\u003c/p\u003e","\u003cp\u003eThis series contains documents related to the founding and planning of the Migrant Childcare Center, directed by Mary Carter Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains financial documents related to the Migrant Children's Center, including grant proposals and applications, as well as donation requests.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs of the children and staff of the Migrant Children's Center.\u003c/p\u003e","\u003cp\u003eThis sub-series contains ephemera related to the summer programs run by Mary Carter Wigfall through the Migrant Children's Center in her own home at New Paltz, NY.\u003c/p\u003e","\u003cp\u003eThis sub-series contains art projects created by the students and staff of the Migrant Children's Center.\u003c/p\u003e","\u003cp\u003eThis sub-series contains articles written about the Migrant Children's Center.\u003c/p\u003e","\u003cp\u003eThis series is comprised of photographs, slides, negatives, newspaper clippings, correspondence, posters, and more related to Wigfall's communities in New York.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material collected by Wigfall related to the history and landscape of the Poughkeepsie/Kingston areas of New York.\u003c/p\u003e","\u003cp\u003eThis sub-series contains articles, posters, photographs, and more related to the SCORE organization, also known as the Strand Community Organization for the Rehabilitation of the Environment.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs, slides, and negatives of community residents around Wigfall's home in New York.\u003c/p\u003e","\u003cp\u003eThis series consists of etching plates, carved printing blocks, particle board, audio tapes, records, CD's, photographs, slides, negatives, and more materials related to the art and printmaking of Benjamin L. Wigfall and other related artists.\u003c/p\u003e","\u003cp\u003eThis sub-series contains printing plates and blocks created by Benjamin L. Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains preliminary artwork created by Benjamin L. Wigfall such as loose sketches, sketchbooks, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains four cut-outs related to Wigfall's \"Jumprope Girl\" and \"Composition\" (1952-1954) prints.\u003c/p\u003e","\u003cp\u003eThis sub-series contains printing plates and blocks created by artists around and related to Benjamin L. Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains prints created by young artists around and related to Benjamin L. Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains slides and negatives of Benjamin L. Wigfall's artwork.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs and reproductions of Benjamin L. Wigfall's artwork.\u003c/p\u003e","\u003cp\u003eThis sub-series contains audio and visual material related to Benjamin L. Wigfall and his life.\u003c/p\u003e","\u003cp\u003eThis series contains photographs and metal plates related to respective photography projects.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs taken of African American women in Ulster County, NY.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs and metal plates of Benjamin L. Wigfall and Patricia Jow Kagemoto in themed Western attire.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, photographs, slides, negatives, newspaper clippings, ephemera, and more related to other artists and friends around Benjamin L. Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains correspondence between Wigfall and other artists and friends in his life.\u003c/p\u003e","\u003cp\u003eThis sub-series contains ephemera of other artist's exhibitions that Benjamin L. Wigfall was presumably invited to attend.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of photographs of other artists' artwork.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of photographs and slides of other artists and friends in Wigfall's life.\u003c/p\u003e","\u003cp\u003eThis sub-series contains articles written about other artists and friends within Wigfalls life.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material related to Thomas Cannon such as articles, correspondence, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material related to Yale Epstien such as articles, correspondence, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material related to Ernest Frazier such as articles, correspondence, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material related to Richard Frumess such as articles, correspondence, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material related to Patricia Jow Kagemoto such as articles, correspondence, and more.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1880-2023, with the bulk of the material dating from the 1940s-1970s. The collection is comprised of correspondence, ephemera, publications, prints, slides, woodblocks, metal plates, photographs, certificates, financial documents, and more related to the life and work of both Benjamin L. Wigfall and Mary C. Wigfall.","This series is compromised of correspondence, clippings, photographs, magazines, art reproductions, and other material related to Wigfall's life, education, career, and family.","This sub-series is comprised of Benjamin L. Wigfall's biographical material such as resumes, certificates, photos, and other related materials.","This sub-series is comprised of materials related to Benjamin L. Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.","This sub-series is comprised of material primarily relating to Wigfall's teaching careers at Hampton Institute and SUNY New Paltz such as correspondence, clippings, photographs, and more.","This sub-series is comprised of material relating to the Wigfall Family preceding Benjamin L. Wigfall such as family reunion documents and more.","This sub-series is comprised of material relating to Wigfall's artistic career, such as exhibition ephemera, exhibition correspondence, magazines, photographs, and more.","This sub-series is comprised of material relating to awards and accolades recieved by Wigfall.","This sub-series contains material relating to Wigfall's death on February 9th, 2017, such as obituaries, funeral texts, articles, and funeral invitations.","This sub-series contains photographs of Benjamin L. Wigfall unrelated to other topics.","This series is comprised of correspondence, clippings, photographs, magazines, art reproductions, and other material related to Carter Wigfall's life, education, career, and family.","This series is comprised of clippings and other manuscripts related to the life of Mary Carter Wigfall.","This sub-series is comprised of materials related to Mary Carter Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.","This sub-series is comprised of material primarily relating to Mary Carter Wigfall's teaching and directorial career at both Maggie Walker High School as well as the Migrant Childcare Center such as correspondence, clippings, photographs, and more.","This sub-series is comprised of material relating to Mary Carter Wigfall's artistic career, sketches, drawings, and photographs of her weavings.","This sub-series contains photographs of Mary Carter Wigfall unrelated to other topics.","This sub-series is comprised of material relating to the Carter family preceding Mary Carter Wigfall such as family reunion documents and more.","This series is comprised of correspondence, photographs, family albums, books, and other material related to the joined Benjamin Wigfall and Mary Carter Wigfall family.","This sub-series contains manuscript material related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This sub-series contains albums related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This sub-series contains photographs related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This sub-series contains financial documents related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This series is comprised of correspondence, photographs, posters, newspaper clippings, ephemera, slides, negatives, and more related to the Communications Village organization.","This sub-series contains documents relating to the foundation of Communications Village Ltd., such as directorial information, staff information, proposals, and more.","This sub-series contains financial documents related to Communications Village, including grant proposals and applications, as well as donation requests, receipts, and more.","This sub-series contains newspaper and magazine articles written about Communications Village.","This sub-series contains materials related to workshops and exhibitions held with Communications Village, such as ephemera, press releases, photographs, and more.","This sub-series contains a series of transcribed oral interviews from Poughkeepsie, NY residents.","This sub-series contains documents and photographs related to the 1976 Intaglio Prints Editions exhibition in which 10 artists created intaglio prints for the students of Communications Village to reproduce for sale.","This sub-series contains posters created at Communications Village.","This sub-series contains material related to the building that housed Communications Village.","This series is comprised of correspondence, photographs, posters, newspaper clippings, ephemera, slides, negatives, and more related to the Watermark/Cargo Gallery.","This sub-series contains documents relating to the administrative work of Watermark/Cargo, such as directorial information, staff information, proposals, and more.","This sub-series contains ephemera related to exhibitions held at Watermark/Cargo.","This sub-series contains material such as resumes and articles collected by Wigfall relating to the exhibiting artists of Watermark/Cargo, as well as slides sent by the exhibiting artists for review.","This sub-series contains clippings and newspaper articles written about Watermark/Cargo.","This sub-series contains photographs of the Watermark/Cargo gallery and exhibitions.","This sub-series contains material such as postcards, articles, and other documents that could have inspired aspects of Watermark/Cargo Gallery.","This sub-series contains correspondence related to the Watermark/Cargo Gallery.","This sub-series contains records of art dealings done with the Watermark/Cargo Gallery.","This series is comprised of correspondence, photographs, lesson plans, newspaper clippings, ephemera, slides, negatives, and more related to the Migrant Children's Center.","This series contains documents related to the founding and planning of the Migrant Childcare Center, directed by Mary Carter Wigfall.","This sub-series contains financial documents related to the Migrant Children's Center, including grant proposals and applications, as well as donation requests.","This sub-series contains photographs of the children and staff of the Migrant Children's Center.","This sub-series contains ephemera related to the summer programs run by Mary Carter Wigfall through the Migrant Children's Center in her own home at New Paltz, NY.","This sub-series contains art projects created by the students and staff of the Migrant Children's Center.","This sub-series contains articles written about the Migrant Children's Center.","This series is comprised of photographs, slides, negatives, newspaper clippings, correspondence, posters, and more related to Wigfall's communities in New York.","This sub-series contains material collected by Wigfall related to the history and landscape of the Poughkeepsie/Kingston areas of New York.","This sub-series contains articles, posters, photographs, and more related to the SCORE organization, also known as the Strand Community Organization for the Rehabilitation of the Environment.","This sub-series contains photographs, slides, and negatives of community residents around Wigfall's home in New York.","This series consists of etching plates, carved printing blocks, particle board, audio tapes, records, CD's, photographs, slides, negatives, and more materials related to the art and printmaking of Benjamin L. Wigfall and other related artists.","This sub-series contains printing plates and blocks created by Benjamin L. Wigfall.","This sub-series contains preliminary artwork created by Benjamin L. Wigfall such as loose sketches, sketchbooks, and more.","This sub-series contains four cut-outs related to Wigfall's \"Jumprope Girl\" and \"Composition\" (1952-1954) prints.","This sub-series contains printing plates and blocks created by artists around and related to Benjamin L. Wigfall.","This sub-series contains prints created by young artists around and related to Benjamin L. Wigfall.","This sub-series contains slides and negatives of Benjamin L. Wigfall's artwork.","This sub-series contains photographs and reproductions of Benjamin L. Wigfall's artwork.","This sub-series contains audio and visual material related to Benjamin L. Wigfall and his life.","This series contains photographs and metal plates related to respective photography projects.","This sub-series contains photographs taken of African American women in Ulster County, NY.","This sub-series contains photographs and metal plates of Benjamin L. Wigfall and Patricia Jow Kagemoto in themed Western attire.","This series is comprised of correspondence, photographs, slides, negatives, newspaper clippings, ephemera, and more related to other artists and friends around Benjamin L. Wigfall.","This sub-series contains correspondence between Wigfall and other artists and friends in his life.","This sub-series contains ephemera of other artist's exhibitions that Benjamin L. Wigfall was presumably invited to attend.","This sub-series is comprised of photographs of other artists' artwork.","This sub-series is comprised of photographs and slides of other artists and friends in Wigfall's life.","This sub-series contains articles written about other artists and friends within Wigfalls life.","This sub-series contains material related to Thomas Cannon such as articles, correspondence, and more.","This sub-series contains material related to Yale Epstien such as articles, correspondence, and more.","This sub-series contains material related to Ernest Frazier such as articles, correspondence, and more.","This sub-series contains material related to Richard Frumess such as articles, correspondence, and more.","This sub-series contains material related to Patricia Jow Kagemoto such as articles, correspondence, and more."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eNo Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. 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VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. 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VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. 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VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. 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VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. 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VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. 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VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/"],"abstract_html_tesm":["\u003cabstract id=\"aspace_4aa27f66a6c0c2bf8444280ed5caacf4\"\u003eThe collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992."],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"names_coll_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"persname_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970."],"language_ssim":["English"],"total_component_count_is":397,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:56:50.129Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_465"}},{"id":"virmu_repositories_2_resources_436_c01_c04","type":"File","attributes":{"title":"\"Beyond the Frame: Aaron Siskind Photographs,\" Museum of Photographic Arts","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_436_c01_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis file contains print materials that document the 2020 Museum of Photographic Arts (MOPA) exhibition, \"Beyond the Frame: Aaron Siskind Photographs.\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_436_c01_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_436_c01_c04","ref_ssm":["virmu_repositories_2_resources_436_c01_c04"],"id":"virmu_repositories_2_resources_436_c01_c04","ead_ssi":"virmu_repositories_2_resources_436","_root_":"virmu_repositories_2_resources_436","_nest_parent_":"virmu_repositories_2_resources_436_c01","parent_ssi":"virmu_repositories_2_resources_436_c01","parent_ssim":["virmu_repositories_2_resources_436","virmu_repositories_2_resources_436_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_436","virmu_repositories_2_resources_436_c01"],"parent_unittitles_ssm":["Records of the Aaron Siskind Foundation (SC-38)","Series 1: Aaron Siskind"],"parent_unittitles_tesim":["Records of the Aaron Siskind Foundation (SC-38)","Series 1: Aaron Siskind"],"text":["Records of the Aaron Siskind Foundation (SC-38)","Series 1: Aaron Siskind","\"Beyond the Frame: Aaron Siskind Photographs,\" Museum of Photographic Arts","box SC-38 Box 1","This file contains print materials that document the 2020 Museum of Photographic Arts (MOPA) exhibition, \"Beyond the Frame: Aaron Siskind Photographs.\""],"title_filing_ssi":"\"Beyond the Frame: Aaron Siskind Photographs,\" Museum of Photographic Arts","title_ssm":["\"Beyond the Frame: Aaron Siskind Photographs,\" Museum of Photographic Arts"],"title_tesim":["\"Beyond the Frame: Aaron Siskind Photographs,\" Museum of Photographic Arts"],"unitdate_other_ssim":["2020"],"normalized_date_ssm":["2020"],"normalized_title_ssm":["\"Beyond the Frame: Aaron Siskind Photographs,\" Museum of Photographic Arts"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Aaron Siskind Foundation (SC-38)"],"extent_ssm":["1 folder"],"extent_tesim":["1 folder"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":5,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[2020],"containers_ssim":["box SC-38 Box 1"],"scopecontent_html_tesm":["\u003cp\u003eThis file contains print materials that document the 2020 Museum of Photographic Arts (MOPA) exhibition, \"Beyond the Frame: Aaron Siskind Photographs.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This file contains print materials that document the 2020 Museum of Photographic Arts (MOPA) exhibition, \"Beyond the Frame: Aaron Siskind Photographs.\""],"_nest_path_":"/components#0/components#3","timestamp":"2026-05-21T03:16:36.759Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_436","ead_ssi":"virmu_repositories_2_resources_436","_root_":"virmu_repositories_2_resources_436","_nest_parent_":"virmu_repositories_2_resources_436","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_436.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/436","title_filing_ssi":"Aaron Siskind Foundation (SC-38)","title_ssm":["Records of the Aaron Siskind Foundation (SC-38)"],"title_tesim":["Records of the Aaron Siskind Foundation (SC-38)"],"unitdate_ssm":["1920-2020"],"unitdate_inclusive_ssm":["1920-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-38","/repositories/2/resources/436"],"text":["SC-38","/repositories/2/resources/436","Records of the Aaron Siskind Foundation (SC-38)","Nonprofit organizations","Photography, Abstract","The collection is open for research.","The collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1 Aaron Siskind, 1920-2020 Series 2 Aaron Siskind Foundation, 1983-2019","The VMFA Library possesses a large collection of Aaron Siskind catalogs made searchable on  Pandora . A sample of titles from this collection can be found below.","Aaron Siskind : mid-century modern First edition","Aaron Siskind : another photographic reality First edition.","Aaron Siskind","Aaron Siskind and Louis Sullivan : the Institute of Design Photo Section Project 1st ed.","Aaron Siskind : order with the tensions continuing","Interior drama : Aaron Siskind's photographs of the 1940s","Aaron Siskind 100 1st ed.","Aaron Siskind : the fragmentation of language","Aaron Siskind : toward a personal vision 1935-1955","Harlem photographs, 1932-1940","Bucks County : photographs of early architecture","Exhibition file : Aaron Siskind and abstract photography of the 1950s and 60s : miscellaneous uncataloged material","Exhibition file : Photographs by Aaron Siskind : miscellaneous uncataloged material","Artist file : miscellaneous uncataloged material","Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020. In addition, the Foundation worked to preserve and protect Siskind's artistic legacy, and fostered knowledge of and appreciation for his art through new books, exhibits, educational events and scholarly research.","Source:  Aaron Siskind Foundation collection  by the Center for Creative Photography at The University of Arizona","The collection was transferred from the Registration and Curatorial departments as materials were discovered from 2020-2022.","The Records of the Aaron Siskind Foundation (SC-38) represent part of the signifiant 2020 gift of over 8,000 photographs donated by the Foundation to VMFA. For further details on this gift, please refer to the museum's  press release .","Originals of photocopied print materials are located at the  Center for Creative Photography  at the University of Arizona.","Originals of photocopied print materials are located at the  Center for Creative Photography at the University of Arizona .","Original folder titles were retained when provided.","Aaron Siskind Foundation collection  at the Center for Creative Photography at The University of Arizona","Aaron Siskind archive  at the Center for Creative Photography at The University of Arizona","Aaron Siskind papers, 1967-1977  at the Smithsonian Archives of American Art","Aaron Siskind photographs of Harlem, circa 1932-1941  at the David M. Rubenstein Rare Book and Manuscript Library, Duke University","Guide to the Aaron Siskind photographs M2582  at the Online Archive of California","The collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020, and includes copies of Aaron Siskind's written works from the  Center for Creative Photography  and several original photographs by Siskind. Works in the collection include information on the organization's founding, bylaws, and art management, among other topics of interest. The collection's inclusive dates are 1920 to 2020. This collection contains articles, contact sheets, contracts, correspondence, media, photographs, printed materials, and reports.","This series contains essays, printed material, and photographs documenting the life and art of Aaron Siskind. Additionally, the series contains photocopies of original print materials held by the  Center for Creative Photography  at the University of Arizona.","This file contains print materials that document Siskind's life and career.","This file contains print materials that document Aaron Siskind's writings.","This file contains print materials that document the 2018 Fujifilm Square exhibition, \"Treasures of American Modern Photography: The Gilbert Collection.\"","This file contains print materials that document the 2020 Museum of Photographic Arts (MOPA) exhibition, \"Beyond the Frame: Aaron Siskind Photographs.\"","This file contains photographic materials that document the work of Aaron Siskind.","This series contains the correspondence, legal documents, and media of the Aaron Siskind Foundation. Materials within document the establishment of the foundation, its functions, and its dissolution.","This file contains print materials that document sales of Aaron Siskind's artwork.","This file contains print materials that document the creation of the Aaron Siskind Foundation through terms outlined in Siskind's will and in meetings with him.","This file contains print materials that document gifts made by the Aaron Siskind Foundation to artists and institutions.","This file contains print materials that document copyright assignments made by the Aaron Siskind Foundation and copyright requests made to the Foundation.","This file contains print materials that document the federal and state tax status of the Aaron Siskind Foundation.","This file contains print materials and CD's that document the Aaron Siskind Foundation's organization system for Siskind works in their care.","This file contains pricing reports for Siskind artworks.","This file contains the articles of incorporation and bylaws for the Aaron Siskind Foundation.","This file contains the mission statement of the Aaron Siskind Foundation.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","The collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020. Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020.","Virginia Museum of Fine Arts Archives","Aaron Siskind Foundation","Siskind, Aaron, 1903-1991","English \n.    "],"unitid_tesim":["SC-38","/repositories/2/resources/436"],"normalized_title_ssm":["Records of the Aaron Siskind Foundation (SC-38)"],"collection_title_tesim":["Records of the Aaron Siskind Foundation (SC-38)"],"collection_ssim":["Records of the Aaron Siskind Foundation (SC-38)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Aaron Siskind Foundation","Aaron Siskind Foundation"],"creator_ssim":["Aaron Siskind Foundation","Aaron Siskind Foundation"],"creator_corpname_ssim":["Aaron Siskind Foundation","Aaron Siskind Foundation"],"creators_ssim":["Aaron Siskind Foundation","Aaron Siskind Foundation"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Nonprofit organizations","Photography, Abstract"],"access_subjects_ssm":["Nonprofit organizations","Photography, Abstract"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 4 boxes; 16 folders"],"extent_tesim":["1.5 Linear Feet 4 boxes; 16 folders"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eAaron Siskind, 1920-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eAaron Siskind Foundation, 1983-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1 Aaron Siskind, 1920-2020 Series 2 Aaron Siskind Foundation, 1983-2019"],"bibliography_html_tesm":["\u003cp\u003eThe VMFA Library possesses a large collection of Aaron Siskind catalogs made searchable on \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=q5AbaJh7Tb/VMFA_LIB/X/60/502/X\"\u003ePandora\u003c/a\u003e. A sample of titles from this collection can be found below.\u003c/p\u003e","\u003cbibref\u003eAaron Siskind : mid-century modern First edition\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind : another photographic reality First edition.\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind and Louis Sullivan : the Institute of Design Photo Section Project 1st ed.\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind : order with the tensions continuing\u003c/bibref\u003e","\u003cbibref\u003eInterior drama : Aaron Siskind's photographs of the 1940s\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind 100 1st ed.\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind : the fragmentation of language\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind : toward a personal vision 1935-1955\u003c/bibref\u003e","\u003cbibref\u003eHarlem photographs, 1932-1940\u003c/bibref\u003e","\u003cbibref\u003eBucks County : photographs of early architecture\u003c/bibref\u003e","\u003cbibref\u003eExhibition file : Aaron Siskind and abstract photography of the 1950s and 60s : miscellaneous uncataloged material\u003c/bibref\u003e","\u003cbibref\u003eExhibition file : Photographs by Aaron Siskind : miscellaneous uncataloged material\u003c/bibref\u003e","\u003cbibref\u003eArtist file : miscellaneous uncataloged material\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Artist File"],"bibliography_tesim":["The VMFA Library possesses a large collection of Aaron Siskind catalogs made searchable on  Pandora . A sample of titles from this collection can be found below.","Aaron Siskind : mid-century modern First edition","Aaron Siskind : another photographic reality First edition.","Aaron Siskind","Aaron Siskind and Louis Sullivan : the Institute of Design Photo Section Project 1st ed.","Aaron Siskind : order with the tensions continuing","Interior drama : Aaron Siskind's photographs of the 1940s","Aaron Siskind 100 1st ed.","Aaron Siskind : the fragmentation of language","Aaron Siskind : toward a personal vision 1935-1955","Harlem photographs, 1932-1940","Bucks County : photographs of early architecture","Exhibition file : Aaron Siskind and abstract photography of the 1950s and 60s : miscellaneous uncataloged material","Exhibition file : Photographs by Aaron Siskind : miscellaneous uncataloged material","Artist file : miscellaneous uncataloged material"],"bioghist_html_tesm":["\u003cp\u003eAaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020. In addition, the Foundation worked to preserve and protect Siskind's artistic legacy, and fostered knowledge of and appreciation for his art through new books, exhibits, educational events and scholarly research.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329\"\u003eAaron Siskind Foundation collection\u003c/a\u003e by the Center for Creative Photography at The University of Arizona\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020. In addition, the Foundation worked to preserve and protect Siskind's artistic legacy, and fostered knowledge of and appreciation for his art through new books, exhibits, educational events and scholarly research.","Source:  Aaron Siskind Foundation collection  by the Center for Creative Photography at The University of Arizona"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Registration and Curatorial departments as materials were discovered from 2020-2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Registration and Curatorial departments as materials were discovered from 2020-2022."],"odd_html_tesm":["\u003cp\u003eThe Records of the Aaron Siskind Foundation (SC-38) represent part of the signifiant 2020 gift of over 8,000 photographs donated by the Foundation to VMFA. For further details on this gift, please refer to the museum's \u003ca href=\"https://vmfa.museum/pressroom/news/vmfa-receives-8000-photographs-aaron-siskind-foundation/\"\u003epress release\u003c/a\u003e.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The Records of the Aaron Siskind Foundation (SC-38) represent part of the signifiant 2020 gift of over 8,000 photographs donated by the Foundation to VMFA. For further details on this gift, please refer to the museum's  press release ."],"originalsloc_html_tesm":["\u003cp\u003eOriginals of photocopied print materials are located at the \u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329\"\u003eCenter for Creative Photography\u003c/a\u003e at the University of Arizona.\u003c/p\u003e","\u003cp\u003eOriginals of photocopied print materials are located at the \u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329\"\u003eCenter for Creative Photography at the University of Arizona\u003c/a\u003e.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["Originals of photocopied print materials are located at the  Center for Creative Photography  at the University of Arizona.","Originals of photocopied print materials are located at the  Center for Creative Photography at the University of Arizona ."],"prefercite_html_tesm":["\u003cp\u003eRecords of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eRecords of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eRecords of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eRecords of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Records of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.","Records of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.","Records of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.","Records of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal folder titles were retained when provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original folder titles were retained when provided."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329\"\u003eAaron Siskind Foundation collection\u003c/a\u003e at the Center for Creative Photography at The University of Arizona\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329?_gl=1*zhh2b*_ga*MjExODE1NTc0OC4xNjY4NzAwODU2*_ga_7PV3540XS3*MTY2ODcwMDg1Ni4xLjAuMTY2ODcwMDg1Ni42MC4wLjA.\"\u003eAaron Siskind archive\u003c/a\u003e at the Center for Creative Photography at The University of Arizona\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://www.aaa.si.edu/collections/aaron-siskind-papers-8470\"\u003eAaron Siskind papers, 1967-1977\u003c/a\u003e at the Smithsonian Archives of American Art\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://archives.lib.duke.edu/catalog/siskindaaron\"\u003eAaron Siskind photographs of Harlem, circa 1932-1941\u003c/a\u003e at the David M. Rubenstein Rare Book and Manuscript Library, Duke University\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://oac.cdlib.org/findaid/ark:/13030/c8n01dz9/\"\u003eGuide to the Aaron Siskind photographs M2582\u003c/a\u003e at the Online Archive of California\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Aaron Siskind Foundation collection  at the Center for Creative Photography at The University of Arizona","Aaron Siskind archive  at the Center for Creative Photography at The University of Arizona","Aaron Siskind papers, 1967-1977  at the Smithsonian Archives of American Art","Aaron Siskind photographs of Harlem, circa 1932-1941  at the David M. Rubenstein Rare Book and Manuscript Library, Duke University","Guide to the Aaron Siskind photographs M2582  at the Online Archive of California"],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020, and includes copies of Aaron Siskind's written works from the \u003ca href=\"https://ccp.arizona.edu/\"\u003eCenter for Creative Photography\u003c/a\u003e and several original photographs by Siskind. Works in the collection include information on the organization's founding, bylaws, and art management, among other topics of interest. The collection's inclusive dates are 1920 to 2020. This collection contains articles, contact sheets, contracts, correspondence, media, photographs, printed materials, and reports.\u003c/p\u003e","\u003cp\u003eThis series contains essays, printed material, and photographs documenting the life and art of Aaron Siskind. Additionally, the series contains photocopies of original print materials held by the \u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329\"\u003eCenter for Creative Photography\u003c/a\u003e at the University of Arizona.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document Siskind's life and career.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document Aaron Siskind's writings.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document the 2018 Fujifilm Square exhibition, \"Treasures of American Modern Photography: The Gilbert Collection.\"\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document the 2020 Museum of Photographic Arts (MOPA) exhibition, \"Beyond the Frame: Aaron Siskind Photographs.\"\u003c/p\u003e","\u003cp\u003eThis file contains photographic materials that document the work of Aaron Siskind.\u003c/p\u003e","\u003cp\u003eThis series contains the correspondence, legal documents, and media of the Aaron Siskind Foundation. Materials within document the establishment of the foundation, its functions, and its dissolution.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document sales of Aaron Siskind's artwork.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document the creation of the Aaron Siskind Foundation through terms outlined in Siskind's will and in meetings with him.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document gifts made by the Aaron Siskind Foundation to artists and institutions.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document copyright assignments made by the Aaron Siskind Foundation and copyright requests made to the Foundation.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document the federal and state tax status of the Aaron Siskind Foundation.\u003c/p\u003e","\u003cp\u003eThis file contains print materials and CD's that document the Aaron Siskind Foundation's organization system for Siskind works in their care.\u003c/p\u003e","\u003cp\u003eThis file contains pricing reports for Siskind artworks.\u003c/p\u003e","\u003cp\u003eThis file contains the articles of incorporation and bylaws for the Aaron Siskind Foundation.\u003c/p\u003e","\u003cp\u003eThis file contains the mission statement of the Aaron Siskind Foundation.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020, and includes copies of Aaron Siskind's written works from the  Center for Creative Photography  and several original photographs by Siskind. Works in the collection include information on the organization's founding, bylaws, and art management, among other topics of interest. The collection's inclusive dates are 1920 to 2020. This collection contains articles, contact sheets, contracts, correspondence, media, photographs, printed materials, and reports.","This series contains essays, printed material, and photographs documenting the life and art of Aaron Siskind. Additionally, the series contains photocopies of original print materials held by the  Center for Creative Photography  at the University of Arizona.","This file contains print materials that document Siskind's life and career.","This file contains print materials that document Aaron Siskind's writings.","This file contains print materials that document the 2018 Fujifilm Square exhibition, \"Treasures of American Modern Photography: The Gilbert Collection.\"","This file contains print materials that document the 2020 Museum of Photographic Arts (MOPA) exhibition, \"Beyond the Frame: Aaron Siskind Photographs.\"","This file contains photographic materials that document the work of Aaron Siskind.","This series contains the correspondence, legal documents, and media of the Aaron Siskind Foundation. Materials within document the establishment of the foundation, its functions, and its dissolution.","This file contains print materials that document sales of Aaron Siskind's artwork.","This file contains print materials that document the creation of the Aaron Siskind Foundation through terms outlined in Siskind's will and in meetings with him.","This file contains print materials that document gifts made by the Aaron Siskind Foundation to artists and institutions.","This file contains print materials that document copyright assignments made by the Aaron Siskind Foundation and copyright requests made to the Foundation.","This file contains print materials that document the federal and state tax status of the Aaron Siskind Foundation.","This file contains print materials and CD's that document the Aaron Siskind Foundation's organization system for Siskind works in their care.","This file contains pricing reports for Siskind artworks.","This file contains the articles of incorporation and bylaws for the Aaron Siskind Foundation.","This file contains the mission statement of the Aaron Siskind Foundation."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ad819fe67e8c4e98b4f28169b54e76c6\"\u003eThe collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020. Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020. Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020."],"names_coll_ssim":["Aaron Siskind Foundation","Aaron Siskind Foundation"],"names_ssim":["Virginia Museum of Fine Arts Archives","Aaron Siskind Foundation","Siskind, Aaron, 1903-1991"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Aaron Siskind Foundation"],"persname_ssim":["Siskind, Aaron, 1903-1991"],"language_ssim":["English \n.    "],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:16:36.759Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_436_c01_c04"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":7},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=Alexandria+Library\u0026view=compact"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":638},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=compact"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation\u0026view=compact"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":109},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":10},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College\u0026view=compact"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":73},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026view=compact"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":41},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia\u0026view=compact"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":28},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=Longwood+University\u0026view=compact"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":153},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026view=compact"}},{"attributes":{"label":"Randolph-Macon College","value":"Randolph-Macon College","hits":58},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=Randolph-Macon+College\u0026view=compact"}},{"attributes":{"label":"The George Washington Presidential Library at Mount Vernon","value":"The George Washington Presidential Library at Mount Vernon","hits":27},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2020\u0026f%5Brepository%5D%5B%5D=The+George+Washington+Presidential+Library+at+Mount+Vernon\u0026view=compact"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=2020\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"Be committed. Be well.\" Face Masks","value":"\"Be committed. Be well.\" Face Masks","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Be+committed.+Be+well.%22+Face+Masks\u0026f%5Bdate_range%5D%5B%5D=2020\u0026view=compact"}},{"attributes":{"label":"12 bpm","value":"12 bpm","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=12+bpm\u0026f%5Bdate_range%5D%5B%5D=2020\u0026view=compact"}},{"attributes":{"label":"1x1 Japan Exhibition Materials, 1965-2024","value":"1x1 Japan Exhibition Materials, 1965-2024","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1x1+Japan+Exhibition+Materials%2C+1965-2024\u0026f%5Bdate_range%5D%5B%5D=2020\u0026view=compact"}},{"attributes":{"label":"Academic Departments  - Record Group 9","value":"Academic Departments  - Record Group 9","hits":6},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Academic+Departments++-+Record+Group+9\u0026f%5Bdate_range%5D%5B%5D=2020\u0026view=compact"}},{"attributes":{"label":"Admiral Thomas J. Lopez Papers","value":"Admiral Thomas J. 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