{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026page=16\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026page=15\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026page=17\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026page=260\u0026view=compact"},"meta":{"pages":{"current_page":16,"next_page":17,"prev_page":15,"total_pages":260,"limit_value":10,"offset_value":150,"total_count":2600,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_639_c20_c275","type":"File","attributes":{"title":"Art History @ Mason","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_639_c20_c275#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_639_c20_c275","ref_ssm":["vifgm_repositories_2_resources_639_c20_c275"],"id":"vifgm_repositories_2_resources_639_c20_c275","ead_ssi":"vifgm_repositories_2_resources_639","_root_":"vifgm_repositories_2_resources_639","_nest_parent_":"vifgm_repositories_2_resources_639_c20","parent_ssi":"vifgm_repositories_2_resources_639_c20","parent_ssim":["vifgm_repositories_2_resources_639","vifgm_repositories_2_resources_639_c20"],"parent_ids_ssim":["vifgm_repositories_2_resources_639","vifgm_repositories_2_resources_639_c20"],"parent_unittitles_ssm":["George Mason University publications","Series 4: Newsletters and news publications"],"parent_unittitles_tesim":["George Mason University publications","Series 4: Newsletters and news publications"],"text":["George Mason University publications","Series 4: Newsletters and news publications","Art History @ Mason","box 20","folder 27"],"title_filing_ssi":"Art History @ Mason","title_ssm":["Art History @ Mason"],"title_tesim":["Art History @ Mason"],"unitdate_inclusive_ssm":["Spring 2018-Spring 2022 and 2022-2023"],"normalized_date_ssm":["2018/2023"],"normalized_title_ssm":["Art History @ Mason"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["George Mason University publications"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3632,"parent_access_restrict_tesm":["There are no restrictions."],"date_range_isim":[2018,2019,2020,2021,2022,2023],"containers_ssim":["box 20","folder 27"],"_nest_path_":"/components#19/components#274","timestamp":"2026-05-24T23:41:42.114Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_639","ead_ssi":"vifgm_repositories_2_resources_639","_root_":"vifgm_repositories_2_resources_639","_nest_parent_":"vifgm_repositories_2_resources_639","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_639.xml","title_filing_ssi":"George Mason University publications","title_ssm":["George Mason University publications"],"title_tesim":["George Mason University publications"],"unitdate_ssm":["1959-2020s"],"unitdate_inclusive_ssm":["1959-2020s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0153","/repositories/2/resources/639"],"text":["R0153","/repositories/2/resources/639","George Mason University publications","Education, Higher","Education, Higher -- Virginia","There are no restrictions.","The collection is organized according to the following series:","Series 1: University catalogs and class schedules","Series 2: Publications pertaining to Commencement and other events at George Mason","Series 3: Magazines and journals","Series 4: Newsletters and other news publications","Series 5: Statistical and annual reports","Series 6: Telephone directories","Series 7: University faculty and student handbooks and other faculty and student-related publications","Series 8: Brochures and prospectuses","Within each series the materials are arranged chronilogically by title of publication. ","George Mason University began operation under the name \"University College of the University of Virginia\" in the fall of 1957 in an 8-room former elementary school in Bailey's Crossroads. The original student body consisted of 17 young men and women from local high schools. The college was renamed \"George Mason College\" in late 1959 and moved to its first permanent campus at Fairfax during the fall of 1964. George Mason College became independent of the University of Virginia on April 7, 1972 and was renamed George Mason University. In 1979 George Mason's acquisition of the International School of Law in Arlington was approved by the Virginia Legislature, creating the George Mason University School of Law (now known as the Antonin Scalia Law School) upon the Arlington Campus (know known as Mason Square Campus). Today's Science and Technology Campus near Manassas, Virginia was established in 1997, and Mason Korea, located in the Incheon Global Campus, began operations in 2014. Enrollment at all campuses combined totaled over 40,000 in 2024. ","Nearly all early official George Mason publications (from the late 1950s until 1972) were designed and printed by the University of Virginia at Charlottesville. They prominently displayed the University of Virginia seal (often on the front cover and title page). These publications included the George Mason College catalog (known as the \"Virginia Record\") and Schedule of Classes publications. Other publications that were more \"local\" in nature, such as telephone directories, George Mason College newsletters, reports, and publications prduced for Mason students, staff, faculty, and the public displayed the University of Virginia logos and language much less. After April 1972 the University of Virginia seal and references disappeared, altogether, as George Mason University became an independent entity with its own identity. ","Some recurring publications designed to announce class offerings, codify university regulations and policies, report statistical data and university news, and other reference sources are no longer printed (beginning around 2009) and are now published and accessed on-line via the university website (www.gmu.edu).  ","Some materials were transferred directly to Special Collections Research Center from various George Mason University units, particularly University Relations (later Office of University Branding), the Office of the Registrar, and the College of Arts and Sciences (now the College of Humanities and Social Sciences and the College of Science) beginning around the late 1960s. Some of the materials were initially placed on Reserve for in-library use and then transferred to Special Collections, once they were superceded by newer versions of the title. Other materials were acquired by SCRC staff as they were published and disseminated.","George Mason University Office of University Relations newsclipping and press release records","George Mason University photograph collection","George Mason University student publications","Broadside student newspapers","The George Mason University publications consist of serial publications, both short and long-running conceived and published under the  authority of George Mason University or its previous iteration, George Mason College of the University of Virginia. The types of publications include schedules, catalogs, statistical reports, directories, handbooks, brochures, journals, and magazines created and disseminated from 1959 to date. Several recurring publications designed to announce class offerings, codify university regulations and policies, report statistical data and university news, and other reference sources are no longer printed (beginning around 2009) and are now published and accessed on-line via the university website (www.gmu.edu).  ","The collection is organized according to the following series:","Series 1: University catalogs and class schedules","Series 2: Publications pertaining to Commencement and other events at George Mason","Series 3: Magazines and journals","Series 4: Newsletters and other news publications","Series 5: Statistical and annual reports","Series 6: Telephone directories","Series 7: University faculty and student handbooks and other faculty and student-related publications","Series 8: Brochures and prospectuses","Within each series the materials are arranged chronilogically by title of publication. ","The George Mason University publications consist of serial publications, both short and long-running conceived and published under the  authority of George Mason University or its previous iteration, George Mason College of the University of Virginia. The types of publications include schedules, catalogs, statistical reports, directories, handbooks, brochures, journals, and magazines created and disseminated from 1959 to date.","SCRC storage area, Row 93.","George Mason University. Libraries. Special Collections Research Center","George Mason University","English"],"unitid_tesim":["R0153","/repositories/2/resources/639"],"normalized_title_ssm":["George Mason University publications"],"collection_title_tesim":["George Mason University publications"],"collection_ssim":["George Mason University publications"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University"],"creators_ssim":["George Mason University"],"access_subjects_ssim":["Education, Higher","Education, Higher -- Virginia"],"access_subjects_ssm":["Education, Higher","Education, Higher -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["55 Linear Feet"],"extent_tesim":["55 Linear Feet"],"physfacet_tesim":["106 containers"],"date_range_isim":[1959],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized according to the following series:\u003c/p\u003e\n","\u003cp\u003eSeries 1: University catalogs and class schedules\u003c/p\u003e\n","\u003cp\u003eSeries 2: Publications pertaining to Commencement and other events at George Mason\u003c/p\u003e\n","\u003cp\u003eSeries 3: Magazines and journals\u003c/p\u003e\n","\u003cp\u003eSeries 4: Newsletters and other news publications\u003c/p\u003e\n","\u003cp\u003eSeries 5: Statistical and annual reports\u003c/p\u003e\n","\u003cp\u003eSeries 6: Telephone directories\u003c/p\u003e\n","\u003cp\u003eSeries 7: University faculty and student handbooks and other faculty and student-related publications\u003c/p\u003e\n","\u003cp\u003eSeries 8: Brochures and prospectuses\u003c/p\u003e\n","\u003cp\u003eWithin each series the materials are arranged chronilogically by title of publication. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized according to the following series:","Series 1: University catalogs and class schedules","Series 2: Publications pertaining to Commencement and other events at George Mason","Series 3: Magazines and journals","Series 4: Newsletters and other news publications","Series 5: Statistical and annual reports","Series 6: Telephone directories","Series 7: University faculty and student handbooks and other faculty and student-related publications","Series 8: Brochures and prospectuses","Within each series the materials are arranged chronilogically by title of publication. "],"bioghist_html_tesm":["\u003cp\u003eGeorge Mason University began operation under the name \"University College of the University of Virginia\" in the fall of 1957 in an 8-room former elementary school in Bailey's Crossroads. The original student body consisted of 17 young men and women from local high schools. The college was renamed \"George Mason College\" in late 1959 and moved to its first permanent campus at Fairfax during the fall of 1964. George Mason College became independent of the University of Virginia on April 7, 1972 and was renamed George Mason University. In 1979 George Mason's acquisition of the International School of Law in Arlington was approved by the Virginia Legislature, creating the George Mason University School of Law (now known as the Antonin Scalia Law School) upon the Arlington Campus (know known as Mason Square Campus). Today's Science and Technology Campus near Manassas, Virginia was established in 1997, and Mason Korea, located in the Incheon Global Campus, began operations in 2014. Enrollment at all campuses combined totaled over 40,000 in 2024. \u003c/p\u003e\n","\u003cp\u003eNearly all early official George Mason publications (from the late 1950s until 1972) were designed and printed by the University of Virginia at Charlottesville. They prominently displayed the University of Virginia seal (often on the front cover and title page). These publications included the George Mason College catalog (known as the \"Virginia Record\") and Schedule of Classes publications. Other publications that were more \"local\" in nature, such as telephone directories, George Mason College newsletters, reports, and publications prduced for Mason students, staff, faculty, and the public displayed the University of Virginia logos and language much less. After April 1972 the University of Virginia seal and references disappeared, altogether, as George Mason University became an independent entity with its own identity. \u003c/p\u003e\n","\u003cp\u003eSome recurring publications designed to announce class offerings, codify university regulations and policies, report statistical data and university news, and other reference sources are no longer printed (beginning around 2009) and are now published and accessed on-line via the university website (www.gmu.edu).  \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["George Mason University began operation under the name \"University College of the University of Virginia\" in the fall of 1957 in an 8-room former elementary school in Bailey's Crossroads. The original student body consisted of 17 young men and women from local high schools. The college was renamed \"George Mason College\" in late 1959 and moved to its first permanent campus at Fairfax during the fall of 1964. George Mason College became independent of the University of Virginia on April 7, 1972 and was renamed George Mason University. In 1979 George Mason's acquisition of the International School of Law in Arlington was approved by the Virginia Legislature, creating the George Mason University School of Law (now known as the Antonin Scalia Law School) upon the Arlington Campus (know known as Mason Square Campus). Today's Science and Technology Campus near Manassas, Virginia was established in 1997, and Mason Korea, located in the Incheon Global Campus, began operations in 2014. Enrollment at all campuses combined totaled over 40,000 in 2024. ","Nearly all early official George Mason publications (from the late 1950s until 1972) were designed and printed by the University of Virginia at Charlottesville. They prominently displayed the University of Virginia seal (often on the front cover and title page). These publications included the George Mason College catalog (known as the \"Virginia Record\") and Schedule of Classes publications. Other publications that were more \"local\" in nature, such as telephone directories, George Mason College newsletters, reports, and publications prduced for Mason students, staff, faculty, and the public displayed the University of Virginia logos and language much less. After April 1972 the University of Virginia seal and references disappeared, altogether, as George Mason University became an independent entity with its own identity. ","Some recurring publications designed to announce class offerings, codify university regulations and policies, report statistical data and university news, and other reference sources are no longer printed (beginning around 2009) and are now published and accessed on-line via the university website (www.gmu.edu).  "],"custodhist_html_tesm":["\u003cp\u003eSome materials were transferred directly to Special Collections Research Center from various George Mason University units, particularly University Relations (later Office of University Branding), the Office of the Registrar, and the College of Arts and Sciences (now the College of Humanities and Social Sciences and the College of Science) beginning around the late 1960s. Some of the materials were initially placed on Reserve for in-library use and then transferred to Special Collections, once they were superceded by newer versions of the title. Other materials were acquired by SCRC staff as they were published and disseminated.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Some materials were transferred directly to Special Collections Research Center from various George Mason University units, particularly University Relations (later Office of University Branding), the Office of the Registrar, and the College of Arts and Sciences (now the College of Humanities and Social Sciences and the College of Science) beginning around the late 1960s. Some of the materials were initially placed on Reserve for in-library use and then transferred to Special Collections, once they were superceded by newer versions of the title. Other materials were acquired by SCRC staff as they were published and disseminated."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University publications, #R0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason University publications, #R0153, Special Collections Research Center, George Mason University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/r0004\"\u003eGeorge Mason University Office of University Relations newsclipping and press release records\u003c/extref\u003e \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/r0120\"\u003eGeorge Mason University photograph collection\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/r0154\"\u003eGeorge Mason University student publications\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/r0128\"\u003eBroadside student newspapers\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George Mason University Office of University Relations newsclipping and press release records","George Mason University photograph collection","George Mason University student publications","Broadside student newspapers"],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University publications consist of serial publications, both short and long-running conceived and published under the  authority of George Mason University or its previous iteration, George Mason College of the University of Virginia. The types of publications include schedules, catalogs, statistical reports, directories, handbooks, brochures, journals, and magazines created and disseminated from 1959 to date. Several recurring publications designed to announce class offerings, codify university regulations and policies, report statistical data and university news, and other reference sources are no longer printed (beginning around 2009) and are now published and accessed on-line via the university website (www.gmu.edu).  \u003c/p\u003e\n","\u003cp\u003eThe collection is organized according to the following series:\u003c/p\u003e\n","\u003cp\u003eSeries 1: University catalogs and class schedules\u003c/p\u003e\n","\u003cp\u003eSeries 2: Publications pertaining to Commencement and other events at George Mason\u003c/p\u003e\n","\u003cp\u003eSeries 3: Magazines and journals\u003c/p\u003e\n","\u003cp\u003eSeries 4: Newsletters and other news publications\u003c/p\u003e\n","\u003cp\u003eSeries 5: Statistical and annual reports\u003c/p\u003e\n","\u003cp\u003eSeries 6: Telephone directories\u003c/p\u003e\n","\u003cp\u003eSeries 7: University faculty and student handbooks and other faculty and student-related publications\u003c/p\u003e\n","\u003cp\u003eSeries 8: Brochures and prospectuses\u003c/p\u003e\n","\u003cp\u003eWithin each series the materials are arranged chronilogically by title of publication. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The George Mason University publications consist of serial publications, both short and long-running conceived and published under the  authority of George Mason University or its previous iteration, George Mason College of the University of Virginia. The types of publications include schedules, catalogs, statistical reports, directories, handbooks, brochures, journals, and magazines created and disseminated from 1959 to date. Several recurring publications designed to announce class offerings, codify university regulations and policies, report statistical data and university news, and other reference sources are no longer printed (beginning around 2009) and are now published and accessed on-line via the university website (www.gmu.edu).  ","The collection is organized according to the following series:","Series 1: University catalogs and class schedules","Series 2: Publications pertaining to Commencement and other events at George Mason","Series 3: Magazines and journals","Series 4: Newsletters and other news publications","Series 5: Statistical and annual reports","Series 6: Telephone directories","Series 7: University faculty and student handbooks and other faculty and student-related publications","Series 8: Brochures and prospectuses","Within each series the materials are arranged chronilogically by title of publication. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_f46be8500075557d2b861a0d283a2134\" label=\"Abstract\"\u003eThe George Mason University publications consist of serial publications, both short and long-running conceived and published under the  authority of George Mason University or its previous iteration, George Mason College of the University of Virginia. The types of publications include schedules, catalogs, statistical reports, directories, handbooks, brochures, journals, and magazines created and disseminated from 1959 to date.\u003c/abstract\u003e"],"abstract_tesim":["The George Mason University publications consist of serial publications, both short and long-running conceived and published under the  authority of George Mason University or its previous iteration, George Mason College of the University of Virginia. The types of publications include schedules, catalogs, statistical reports, directories, handbooks, brochures, journals, and magazines created and disseminated from 1959 to date."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e32378efbd137d3f37f5fc7100d8ae8e\" label=\"Physical Location\"\u003eSCRC storage area, Row 93.\u003c/physloc\u003e"],"physloc_tesim":["SCRC storage area, Row 93."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University"],"corpname_ssim":["George Mason University. Libraries. 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Historical / Cultural","Sub-Series 2. Organizations"],"parent_unittitles_tesim":["Dr. Barbara Howe, Professor, Papers","Series 2. Historical / Cultural","Sub-Series 2. Organizations"],"text":["Dr. Barbara Howe, Professor, Papers","Series 2. Historical / Cultural","Sub-Series 2. Organizations","Arthurdale Heritage, Inc.","Box 9","Folder 49a-49b"],"title_filing_ssi":"Arthurdale Heritage, Inc.","title_ssm":["Arthurdale Heritage, Inc."],"title_tesim":["Arthurdale Heritage, Inc."],"unitdate_inclusive_ssm":["1984-2025 and undated"],"normalized_date_ssm":["1984/2025"],"normalized_title_ssm":["Arthurdale Heritage, Inc."],"component_level_isim":[3],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Dr. Barbara Howe, Professor, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":308,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"containers_ssim":["Box 9","Folder 49a-49b"],"_nest_path_":"/components#1/components#1/components#29","timestamp":"2026-05-24T23:32:20.608Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1846","ead_ssi":"wvmturhc_repositories_2_resources_1846","_root_":"wvmturhc_repositories_2_resources_1846","_nest_parent_":"wvmturhc_repositories_2_resources_1846","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1846.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196024","title_ssm":["Dr. Barbara Howe, Professor, Papers"],"title_tesim":["Dr. Barbara Howe, Professor, Papers"],"unitdate_ssm":["1856-2025 and undated","1964-2025"],"unitdate_bulk_ssim":["1964-2025"],"unitdate_inclusive_ssm":["1856-2025 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1846"],"text":["A\u0026M 3469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1846","Dr. Barbara Howe, Professor, Papers","Morgantown (W. Va.)","Historic preservation ","Environmental Justice","Historic sites--West Virginia","Historic distrcits--West Virginia","West Virginia - Politics and government.","No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Dr. Barbara Howe was employed at West Virginia University in several different positions between 1980 and her retirement in 2009, including associate professor of history, head of the public history program, and director of the Center for Women's Studies.  She was raised in Cincinnati, Ohio, where she graduated from the University of Cincinnati with a B.A. in history and a B.S. in education in 1969. She received her Master of Arts degree in history from the University of Wisconsin-Milwaukee.","Upon graduation with her Ph.D. in history from Temple University in Philadelphia, Pennsylvania, in 1976, she worked as a a regional preservation officer for the Ohio Historic Preservation Office at Heidelberg College in Tiffin, Ohio. In 1980, she joined the faculty of the Department of History at West Virginia University, where she developed and led the Public History Program. Between 1998 and 2008, Howe led the WVU Center for Women's Studies as director. She retired from WVU in 2009 as associate professor emerita of history. ","Addendums from 2012 to 2025 have been consolidated due to the relation of materials and can be found in boxes 7-26.","This collection contains materials created or collected by Dr. Barbara Howe while in various roles at the Eberly College of Arts and Sciences in the Department of History and Center for Women's Studies (now the Center for Women's and Gender Studies) at West Virginia University (WVU) and after her retirement in the 2000s. It is divided into series and sub-series based upon the subject matter of the material: ","Series 1. Environmental","Series 2. Historical / Cultural","- Sub-Series 1. Historic Places","- Sub-Series 2. Organizations","- Sub-Series 3. Events / Programs","- Sub-Series 4. Business Directories, Maps, and Travel Guides","- Sub-Series 5. Oral Histories","Series 3. Socio-political","- Sub-Series 1. Political Campaigns","- Sub-Series 2. Local and State Government Organizations","- Sub-Series 3. Non-Governmental Organizations ","- Sub-Series 4. Events / Programs","Series 4. West Virginia University ","- Sub-Series 1. Historic Places","- Sub-Series 2. General","- Sub-Series 3. Events / Programs","Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area. ","Materials include advertisements, books, brochures, business cards, cassette tapes, CDs, correspondence, a DVD, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, obituaries, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, various other ephemera, and a VHS tape.","The addendum of 2026 Feburary 13 includes papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.","This series contains materials collected from various environmental organizations, mostly throughout West Virginia. Materials include advertisements, books, brochures, a CD, flyers, magazines, maps, newsletters, newspaper clippings, pamphlets, and various other ephemera.","Contains one CD","This series contains materials created or collected by Barbara Howe and relating to historical and cultural buildings, organizations, programs, and events. It includes books, cassette tapes, correspondence, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, and various other ephemera. Students in the WVU public history program contributed research available in this series.","This sub-series contains material created or collected by Barbara Howe in the process of her work with various historical properties and sites throughout West Virginia, with occasional materials relating to sites outside West Virginia. It includes books, correspondence, floorplans, maps, meeting agendas and minutes, newspaper clippings, photograph slides, photographs, postcards, reports, and surveys.","This sub-series contains materials collected by Barbara Howe and relating to historical and cultural institutions and organizations, mostly in West Virginia. It includes books, magazines, mailers, maps, newsletters, newspaper clippings, pamphlets, tote bags, and various other ephemera.","This sub-series contains materials collected by Barbara Howe and relating to historical and cultural events and programs, mostly in West Virginia. Materials include books, newspaper clippings, pamphlets, posters, a reel to reel tape and various other ephemera.","One reel-to-reel","This sub-series contains business directories, maps, and travel guides collected by Barbara Howe and relating to the Morgantown and broader West Virginia region.","This sub-series contains oral history documents and cassette tapes collected or created by Barbara Howe, mostly relating to individual experiences in West Virginia.","One cassette tape","Two cassette tapes","One cassette tape","Three cassette tapes","Two cassette tapes","One cassette tape","Two cassette tapes","One cassette tape","One cassette tape","Three cassette tapes","One cassette tape","Two cassette tapes","Three cassette tapes","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","Two cassette tapes","This series contains materials collected by Barbara Howe and relating to activism and local and state politics. Materials include advertisements, books, brochures, business cards, a DVD, mailers, maps, newsletters, posters, reports, and various other ephemera.","This sub-series contains materials collected by Barbara Howe and relating to political campaigns in the Morgantown and broader West Virginia area. Materials include business cards, mailers, pamphlets, and posters.","This sub-series contains materials collected by Barbara Howe and relating to local and state politics in Morgantown and West Virginia. Materials include a DVD, flyers, mailers, newsletters, pamphlets, reports, and various other ephemera.","One DVD","This sub-series contains materials collected by Barbara Howe and relating to non-governmental and advocacy organizations in Morgantown and the broader West Virginia region. Materials include advertisements magazines, mailers, newsletters, reports, and various other ephemera.","This sub-series contains materials collected by Barbara Howe and related to various advocacy and politically-oriented events and programs in the Morgantown and broader West Virginia region. It includes advertisements, brochures, pamphlets, and various other ephemera.","This series contains materials collected and created by Barbara Howe in relation to West Virginia University's departments, events and programs, and historical sites. Materials include books, CDs, correspondence, floorplans, magazines, mailers, maps, meetings agendas and minutes, newsletters, newspaper clippings, obituaries, photograph slides, photographs, reports, various other ephemera, and a VHS tape. Students in the WVU public history program contributed research available in this series.","This sub-series contains materials collected and created by Barbara Howe in relation to West Virginia University's historical properties and sites. It includes applications, correspondence, floorplans, newspaper clippings, photograph slides, photographs, and reports.","This sub-series contains materials collected by Barbara Howe from various West Virginia University departments. It includes CDS, magazines, mailers, newsletters, pamphlets, various other ephemera, and a VHS tape.","One CD","One CD","One CD","One VHS","This sub-series contains materials collected by Barbara Howe and relating to various West Virginia University events and programs. It includes newspaper clippings, obituaries, pamphlets, photographs, reports, and various other ephemera.","Papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.","Oversized material moved to A\u0026M 3469, Box 16, Folder 1","Oversized material moved to A\u0026M 3469, Box 23, Folder 1","Oversized material moved to A\u0026M 3469, Box 16, Folder 8","Oversized moved to A\u0026M 3469, Box 23, Folder 13","Oversized material moved to A\u0026M 3469, Box 21, Folder 8","Oversized material moved to A\u0026M 3469, Box 15, Folder 14","Oversized material moved to A\u0026M 3469, Box 16, Folder 10","Oversized material moved to A\u0026M 3469, Box 16, Folder 10","Oversized material moved to A\u0026M 3469, Box 15, Folder 15","Oversized material moved to A\u0026M 3469, Box 21, Folder 9","Oversized material moved to A\u0026M 3469, Box 24, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 11","Removed from A\u0026M 3469, Box 7, Folder 16","Removed from A\u0026M 3469, Box 7, Folder 28","Removed from A\u0026M 3469, Box 1, Folder 3","Removed from A\u0026 3469, Box 7, Folder 8","Removed from A\u0026M 3469, Box 7, Folders 23 and 24","Removed from A\u0026M 3469, Box 7, Folder 34","Removed from A\u0026M 3469, Box 7, Folder 15","Removed from A\u0026M 3469, Box 7, Folder 30","Removed from A\u0026M 3469, Box 1, Folder 4","Removed from A\u0026M 3469, Box 7, Folder 14","Removed from A\u0026M 3469, Box 7, Folder 31","Oversized material moved to A\u0026M 3469, Box 23, Folder 2","Oversized material moved to A\u0026M 3469, Box 22, Folder 1","Oversized material moved to A\u0026M 3469, Box 15, Folder 5","Oversized material moved to A\u0026M 3469, Box 23, Folder 5","Oversized material moved to A\u0026M 3469, Box 15, Folder 7","Oversized material moved to A\u0026M 3469, Folder 6","Oversized material moved to A\u0026M 3469, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 6","Oversized material moved to A\u0026M 3469, Box 21, Folder 7","Oversized material moved to A\u0026M 3469, Box 23, Folder 22","Oversized material moved to A\u0026M 3469, Box 23, Folder 17","Oversized material moved to A\u0026M 3469, Box 16, Folder 12","Oversized material moved to A\u0026M 3469, Box 17, Folder 5","Oversized material moved to A\u0026M 3469, Box 15, Folder 20","Removed from A\u0026M 3469, Box 3, Folder 23","Removed from A\u0026M 3469, Box 3, Folder 28","Removed from A\u0026M 3469, Box 4, Folder 32","Removed from A\u0026M 3469, Box 9, Folder 23","Removed from A\u0026M 3469, Box 6, Folder 1","Removed from A\u0026M 3469, Box 8, Folder 63","Removed from A\u0026M 3469, Box 6, Folder 4a-4c","Removed from A\u0026M 3469, Box 8, Folder 60-61","Removed from A\u0026M 3469, Box 3, Folder 14","Removed from A\u0026M 3469, Box 3, Folder 32","Removed from A\u0026M 3469, Box 3, Folder 29","Oversized material moved to A\u0026M 3469, Box 15, Folder 10","Oversized material moved to A\u0026M 3469, Box 16, Folder 7","Oversized material moved to A\u0026M 3469, Box 23, Folder 9","Oversized material moved to A\u0026M 3469, Box 17, Folder 2","Oversized material moved to A\u0026M 3469, Box 21, Folder 10","Oversized material moved to A\u0026M 3469, Box 21, Folder 11","Oversized moved to A\u0026M 3469, Box 21, Folder 12","Oversized material moved to A\u0026M 3469, Box 15, Folder 21","Oversized material moved to A\u0026M 3469, Box 23, Folder 19","Oversized material moved to A\u0026M 3469, Box 21, Folder 13","Oversized material moved to A\u0026M 3469, Box 21, Folder 14","Oversized material moved to A\u0026M 3469, Box 17, Folder 3","Oversized material moved to A\u0026M 3469, Box 22, Folder 3","Oversized material moved to A\u0026M 3469, Box 17, Folder 4","Oversized material moved to A\u0026M 3469, Box 15, Folder 24","Oversized material moved to A\u0026M 3469, Box 15, Folder 25","Oversized material moved to A\u0026M 3469, Box 21. Folder 15","Removed from A\u0026M 3469, Box 9, Folder 67","Removed from A\u0026M 3469, Box 10, Folder 43","Removed from A\u0026M 3469, Box 10, Folder 50-51","Removed from A\u0026M 3469,  Box 6, Folder 26","Removed from A\u0026M 3469, Box 9, Folder 53","Removed from A\u0026M 3469, Box 10, Folder 25","Removed from A\u0026M 3469, Box 10, Folder 35","Removed from A\u0026M 3469, Box 9, Folder 21","Removed from A\u0026M 3469, Box 9, Folder 59","Removed from A\u0026M 3469, Box 9, Folder 60","Removed from A\u0026M 3469, Box 9, Folder 64","Removed from A\u0026M 3469, Box 9, Folder 71","Removed from A\u0026M 3469, Box 10, Folder 17","Removed from A\u0026M 3469, Box 10, Folder 56","Removed from A\u0026M 3469, Box 1, Folder 18","Removed from A\u0026M 3469, Box 10, Folder 31","Removed from A\u0026M 3469, Box 3, Folder 26a-26d","Removed from A\u0026M 3469, Box 9, Folder 68","Oversized material moved to A\u0026M 3469, Box 23, Folder 7","Oversized material moved to A\u0026M 3469, Box 23, Folder 8","Oversized material moved to A\u0026M 3469, Box 17, Folder 12","Oversized material moved to A\u0026M 3469, Box 17, Folder 7","Removed from A\u0026M 3469, Box 4, Folder 42","Removed from A\u0026M 3469, Box 11, Folder 16","Removed from A\u0026M 3469, Box 14, Folder 17","Removed from A\u0026M 3469, Box 1, Folder 15","Removed from A\u0026M 3469, Box 4, Folder 28","Removed from A\u0026M 3469, Box 4, Folder 30","Removed from A\u0026M 3469, Box 6, Folder 52","Removed from A\u0026M 3469, Box 7, Folder 51","Oversized material moved to A\u0026M 3469, Box 15, Folder 1","Oversized material moved to A\u0026M 3469, Box 15, Folder 28","Removed from A\u0026M 3469, Box 1, Folder 19","Removed from A\u0026M 3469, Box 11, Folder 40","Oversized material moved to A\u0026M 3469, Box 15, Folder 9","Oversized material moved to A\u0026M 3469, Box 17, Folder 8","Oversized material moved to A\u0026M 3469, Box 15, Folder 30","Removed from A\u0026M 3469, Box 4, Folder 24","Removed from A\u0026M 3469, Box 11, Folder 93","Removed from A\u0026M 3469, Box 11, Folder 73","Oversized material moved to A\u0026M 3469, Box 17, Folder 9","Oversized material moved to A\u0026M 3469, Box 15, Folder 31","Oversized material moved to A\u0026M 3469, Box 15, Folder 32","Oversized material moved to A\u0026M 3469, Box 21, Folder 18","Oversized material moved to A\u0026M 3469, Box 15, Folder 33","Oversized material moved to A\u0026M 3469, Box 23, Folder 26","Removed from A\u0026M 3469, Box 12, Folder 8","Removed from A\u0026M 3469, Box 12, Folder 11","Removed from A\u0026M 3469, Box 12, Folder 73","Removed from A\u0026M 3469, Box 12, Folder 1","Removed from A\u0026M 3469, Box 12, Folder 68","Removed from A\u0026M 3469, Box 12, Folder 79","Oversized material moved to A\u0026M 3469, Box 15, Folder 11","Removed from A\u0026M 3469, Box 11, Folder 10","Oversized material moved to A\u0026M 3469, Box 23, Folder 3","Oversized material moved to A\u0026M 3469, Box 23, Folder 4","Oversized material moved to A\u0026M 3469, Box 16, Folder 2","Oversized material moved to A\u0026M 3469, Box 22, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 3","Oversized material moved to A\u0026M 3469, Box 15, Folder 4","Oversized material moved to A\u0026M 3469, Box 21, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 4","Oversized material moved to A\u0026M 3469, Folder 1","Oversized material moved to A\u0026M 3469, Box 21, Folder 3","Oversized material moved to A\u0026M 3469, Box 21, Folder 4","Oversized material moved to A\u0026M 3469, Box 15, Folder 6","Oversized material moved to A\u0026M 3469, Box 16, Folder 5","Oversized material moved to A\u0026M 3469, Box 15, Folder 8","Oversized material moved to A\u0026M 3469, Box 15, Folder 13","Oversized material moved to A\u0026M 3469, Box 22, Folder 4","Oversized material moved to A\u0026M 3469, Box 15, Folder 34","Removed from A\u0026M 3469, Box 3, Folder 2","Removed from A\u0026M 3469, Box 3, Folder 24","Removed from A\u0026M 3469, Box 3, Folder 35","Removed from A\u0026M 3469, Box 6, Folder 55","Removed from A\u0026M 3469, Box 13, Folder 5","Removed from A\u0026M 3469, Box 2, Folder 3","Removed from A\u0026M 3469, Box 2, Folder 8a-8l","Removed from A\u0026M 3469, Box 3, Folder 8","Removed from A\u0026M 3469, Box 3, Folder 33","Removed from A\u0026M 3469, Box 3, Folder 7","Removed from A\u0026M 3469, Box 3, Folder 15","Removed from A\u0026M 3469, Box 3, Folder 21","Removed from A\u0026M 3469, Box 2, Folder 7","Removed from A\u0026M 3469, Box 12, Folder 89a-89b","Removed from A\u0026M 3469, Box 1, Folder 39a-39f","Removed from A\u0026M 3469, Box 2, Folder 2","Oversized material moved to A\u0026M 3469, Box 21, Folder 6","Oversized material moved to A\u0026M 3469, Box 23, Folder 6","Oversized material moved to A\u0026M 3469, Box 15, Folder 12","Oversized material moved to A\u0026M 3469, Box 17, Folder 14","Oversized material moved to A\u0026M 3469, Box 15, Folder 35","Removed from A\u0026M 3469, Box 1, Folder 23","Removed from A\u0026M 3469, Box 1, Folder 24","Removed from A\u0026M 3469, Box 4, Folder 45","Removed from A\u0026M 3469, Box 14, Folder 6","Removed from A\u0026M 3469, Box 13, Folder 20","Removed from A\u0026M 3469, Box 4, Folder 18","Removed from A\u0026M 3469, Box 4, Folder 19","Oversized material moved to A\u0026M 3469, Box 21, Folder 1","Oversized material moved to A\u0026M 3469, Box 15, Folder 2","Oversized material moved to A\u0026M 3469, Box 15, Folder 3","Oversized material moved to A\u0026M 3469, Box 21, Folder 5","Oversized material moved to A\u0026M 3469, Box 17, Folder 15","Oversized material moved to A\u0026M 3469, Box 21, Folder 19","Removed from A\u0026M 3469, Box 1, Folder 14","Removed from A\u0026M 3469, Box 4, Folder 9a-9e","Removed from A\u0026M 3469, Box 14, Folder 18","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Dr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies","Howe, Barbara J.","English \n.    "],"unitid_tesim":["A\u0026M 3469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1846"],"normalized_title_ssm":["Dr. Barbara Howe, Professor, Papers"],"collection_title_tesim":["Dr. Barbara Howe, Professor, Papers"],"collection_ssim":["Dr. Barbara Howe, Professor, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"creator_ssm":["Howe, Barbara J.","West Virginia University"],"creator_ssim":["Howe, Barbara J.","West Virginia University"],"creator_persname_ssim":["Howe, Barbara J."],"creator_corpname_ssim":["West Virginia University"],"creators_ssim":["Howe, Barbara J.","West Virginia University"],"places_ssim":["Morgantown (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Transfer from West Virginia University (WVU) Center for Women's Studies, Howe, Barbara, 2004 October 14","Gifts of Howe, Barbara, 2004-2008","Transfers from unknown entity, Howe, Barbara, 2012-2014","Gifts of Howe, Barbara, 2015-2025"],"access_subjects_ssim":["Historic preservation ","Environmental Justice","Historic sites--West Virginia","Historic distrcits--West Virginia","West Virginia - Politics and government."],"access_subjects_ssm":["Historic preservation ","Environmental Justice","Historic sites--West Virginia","Historic distrcits--West Virginia","West Virginia - Politics and government."],"has_online_content_ssim":["false"],"extent_ssm":["21.2 Linear Feet 14 record cartons, 15 in. each; 8 flat storage boxes, 3 in. each; 4 flat storage boxes, 1.5 in. each; 2 document cases, 5 in. each; 1 document case, 2.5 in; 1 multi-divider box, 1 in.; 9 oversize folders, 0.1 in. each","9.7 Gigabytes 24 files (9 .docx files, 3 .cue files, 3 .iso files, 3 .md5 files, 3 .pdf files, 1 .csv file, 1 .MDB file, 1 .ppt file)"],"extent_tesim":["21.2 Linear Feet 14 record cartons, 15 in. each; 8 flat storage boxes, 3 in. each; 4 flat storage boxes, 1.5 in. each; 2 document cases, 5 in. each; 1 document case, 2.5 in; 1 multi-divider box, 1 in.; 9 oversize folders, 0.1 in. each","9.7 Gigabytes 24 files (9 .docx files, 3 .cue files, 3 .iso files, 3 .md5 files, 3 .pdf files, 1 .csv file, 1 .MDB file, 1 .ppt file)"],"date_range_isim":[1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"bioghist_html_tesm":["\u003cp\u003eDr. Barbara Howe was employed at West Virginia University in several different positions between 1980 and her retirement in 2009, including associate professor of history, head of the public history program, and director of the Center for Women's Studies.  She was raised in Cincinnati, Ohio, where she graduated from the University of Cincinnati with a B.A. in history and a B.S. in education in 1969. She received her Master of Arts degree in history from the University of Wisconsin-Milwaukee.\u003c/p\u003e\n","\u003cp\u003eUpon graduation with her Ph.D. in history from Temple University in Philadelphia, Pennsylvania, in 1976, she worked as a a regional preservation officer for the Ohio Historic Preservation Office at Heidelberg College in Tiffin, Ohio. In 1980, she joined the faculty of the Department of History at West Virginia University, where she developed and led the Public History Program. Between 1998 and 2008, Howe led the WVU Center for Women's Studies as director. She retired from WVU in 2009 as associate professor emerita of history. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Barbara Howe was employed at West Virginia University in several different positions between 1980 and her retirement in 2009, including associate professor of history, head of the public history program, and director of the Center for Women's Studies.  She was raised in Cincinnati, Ohio, where she graduated from the University of Cincinnati with a B.A. in history and a B.S. in education in 1969. She received her Master of Arts degree in history from the University of Wisconsin-Milwaukee.","Upon graduation with her Ph.D. in history from Temple University in Philadelphia, Pennsylvania, in 1976, she worked as a a regional preservation officer for the Ohio Historic Preservation Office at Heidelberg College in Tiffin, Ohio. In 1980, she joined the faculty of the Department of History at West Virginia University, where she developed and led the Public History Program. Between 1998 and 2008, Howe led the WVU Center for Women's Studies as director. She retired from WVU in 2009 as associate professor emerita of history. "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Dr. Barbara Howe, Professor, Papers, A\u0026amp;M 3469, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Dr. Barbara Howe, Professor, Papers, A\u0026M 3469, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eAddendums from 2012 to 2025 have been consolidated due to the relation of materials and can be found in boxes 7-26.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Addendums from 2012 to 2025 have been consolidated due to the relation of materials and can be found in boxes 7-26."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials created or collected by Dr. Barbara Howe while in various roles at the Eberly College of Arts and Sciences in the Department of History and Center for Women's Studies (now the Center for Women's and Gender Studies) at West Virginia University (WVU) and after her retirement in the 2000s. It is divided into series and sub-series based upon the subject matter of the material: \u003c/p\u003e\n","\u003cp\u003eSeries 1. Environmental\u003c/p\u003e\n","\u003cp\u003eSeries 2. Historical / Cultural\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 1. Historic Places\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 2. Organizations\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 3. Events / Programs\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 4. Business Directories, Maps, and Travel Guides\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 5. Oral Histories\u003c/p\u003e\n","\u003cp\u003eSeries 3. Socio-political\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 1. Political Campaigns\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 2. Local and State Government Organizations\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 3. Non-Governmental Organizations \u003c/p\u003e\n","\u003cp\u003e- Sub-Series 4. Events / Programs\u003c/p\u003e\n","\u003cp\u003eSeries 4. West Virginia University \u003c/p\u003e\n","\u003cp\u003e- Sub-Series 1. Historic Places\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 2. General\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 3. Events / Programs\u003c/p\u003e\n","\u003cp\u003ePrevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area. \u003c/p\u003e\n","\u003cp\u003eMaterials include advertisements, books, brochures, business cards, cassette tapes, CDs, correspondence, a DVD, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, obituaries, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, various other ephemera, and a VHS tape.\u003c/p\u003e\n","\u003cp\u003eThe addendum of 2026 Feburary 13 includes papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.\u003c/p\u003e","\u003cp\u003eThis series contains materials collected from various environmental organizations, mostly throughout West Virginia. Materials include advertisements, books, brochures, a CD, flyers, magazines, maps, newsletters, newspaper clippings, pamphlets, and various other ephemera.\u003c/p\u003e","\u003cp\u003eContains one CD\u003c/p\u003e","\u003cp\u003eThis series contains materials created or collected by Barbara Howe and relating to historical and cultural buildings, organizations, programs, and events. It includes books, cassette tapes, correspondence, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, and various other ephemera. Students in the WVU public history program contributed research available in this series.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material created or collected by Barbara Howe in the process of her work with various historical properties and sites throughout West Virginia, with occasional materials relating to sites outside West Virginia. It includes books, correspondence, floorplans, maps, meeting agendas and minutes, newspaper clippings, photograph slides, photographs, postcards, reports, and surveys.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and relating to historical and cultural institutions and organizations, mostly in West Virginia. It includes books, magazines, mailers, maps, newsletters, newspaper clippings, pamphlets, tote bags, and various other ephemera.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and relating to historical and cultural events and programs, mostly in West Virginia. Materials include books, newspaper clippings, pamphlets, posters, a reel to reel tape and various other ephemera.\u003c/p\u003e","\u003cp\u003eOne reel-to-reel\u003c/p\u003e","\u003cp\u003eThis sub-series contains business directories, maps, and travel guides collected by Barbara Howe and relating to the Morgantown and broader West Virginia region.\u003c/p\u003e","\u003cp\u003eThis sub-series contains oral history documents and cassette tapes collected or created by Barbara Howe, mostly relating to individual experiences in West Virginia.\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eTwo cassette tapes\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eThree cassette tapes\u003c/p\u003e","\u003cp\u003eTwo cassette tapes\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eTwo cassette tapes\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eThree cassette tapes\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eTwo cassette tapes\u003c/p\u003e","\u003cp\u003eThree cassette tapes\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eTwo cassette tapes\u003c/p\u003e","\u003cp\u003eThis series contains materials collected by Barbara Howe and relating to activism and local and state politics. Materials include advertisements, books, brochures, business cards, a DVD, mailers, maps, newsletters, posters, reports, and various other ephemera.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and relating to political campaigns in the Morgantown and broader West Virginia area. Materials include business cards, mailers, pamphlets, and posters.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and relating to local and state politics in Morgantown and West Virginia. Materials include a DVD, flyers, mailers, newsletters, pamphlets, reports, and various other ephemera.\u003c/p\u003e","\u003cp\u003eOne DVD\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and relating to non-governmental and advocacy organizations in Morgantown and the broader West Virginia region. Materials include advertisements magazines, mailers, newsletters, reports, and various other ephemera.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and related to various advocacy and politically-oriented events and programs in the Morgantown and broader West Virginia region. It includes advertisements, brochures, pamphlets, and various other ephemera.\u003c/p\u003e","\u003cp\u003eThis series contains materials collected and created by Barbara Howe in relation to West Virginia University's departments, events and programs, and historical sites. Materials include books, CDs, correspondence, floorplans, magazines, mailers, maps, meetings agendas and minutes, newsletters, newspaper clippings, obituaries, photograph slides, photographs, reports, various other ephemera, and a VHS tape. Students in the WVU public history program contributed research available in this series.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected and created by Barbara Howe in relation to West Virginia University's historical properties and sites. It includes applications, correspondence, floorplans, newspaper clippings, photograph slides, photographs, and reports.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe from various West Virginia University departments. It includes CDS, magazines, mailers, newsletters, pamphlets, various other ephemera, and a VHS tape.\u003c/p\u003e","\u003cp\u003eOne CD\u003c/p\u003e","\u003cp\u003eOne CD\u003c/p\u003e","\u003cp\u003eOne CD\u003c/p\u003e","\u003cp\u003eOne VHS\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and relating to various West Virginia University events and programs. It includes newspaper clippings, obituaries, pamphlets, photographs, reports, and various other ephemera.\u003c/p\u003e","\u003cp\u003ePapers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains materials created or collected by Dr. Barbara Howe while in various roles at the Eberly College of Arts and Sciences in the Department of History and Center for Women's Studies (now the Center for Women's and Gender Studies) at West Virginia University (WVU) and after her retirement in the 2000s. It is divided into series and sub-series based upon the subject matter of the material: ","Series 1. Environmental","Series 2. Historical / Cultural","- Sub-Series 1. Historic Places","- Sub-Series 2. Organizations","- Sub-Series 3. Events / Programs","- Sub-Series 4. Business Directories, Maps, and Travel Guides","- Sub-Series 5. Oral Histories","Series 3. Socio-political","- Sub-Series 1. Political Campaigns","- Sub-Series 2. Local and State Government Organizations","- Sub-Series 3. Non-Governmental Organizations ","- Sub-Series 4. Events / Programs","Series 4. West Virginia University ","- Sub-Series 1. Historic Places","- Sub-Series 2. General","- Sub-Series 3. Events / Programs","Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area. ","Materials include advertisements, books, brochures, business cards, cassette tapes, CDs, correspondence, a DVD, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, obituaries, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, various other ephemera, and a VHS tape.","The addendum of 2026 Feburary 13 includes papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.","This series contains materials collected from various environmental organizations, mostly throughout West Virginia. Materials include advertisements, books, brochures, a CD, flyers, magazines, maps, newsletters, newspaper clippings, pamphlets, and various other ephemera.","Contains one CD","This series contains materials created or collected by Barbara Howe and relating to historical and cultural buildings, organizations, programs, and events. It includes books, cassette tapes, correspondence, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, and various other ephemera. Students in the WVU public history program contributed research available in this series.","This sub-series contains material created or collected by Barbara Howe in the process of her work with various historical properties and sites throughout West Virginia, with occasional materials relating to sites outside West Virginia. It includes books, correspondence, floorplans, maps, meeting agendas and minutes, newspaper clippings, photograph slides, photographs, postcards, reports, and surveys.","This sub-series contains materials collected by Barbara Howe and relating to historical and cultural institutions and organizations, mostly in West Virginia. It includes books, magazines, mailers, maps, newsletters, newspaper clippings, pamphlets, tote bags, and various other ephemera.","This sub-series contains materials collected by Barbara Howe and relating to historical and cultural events and programs, mostly in West Virginia. Materials include books, newspaper clippings, pamphlets, posters, a reel to reel tape and various other ephemera.","One reel-to-reel","This sub-series contains business directories, maps, and travel guides collected by Barbara Howe and relating to the Morgantown and broader West Virginia region.","This sub-series contains oral history documents and cassette tapes collected or created by Barbara Howe, mostly relating to individual experiences in West Virginia.","One cassette tape","Two cassette tapes","One cassette tape","Three cassette tapes","Two cassette tapes","One cassette tape","Two cassette tapes","One cassette tape","One cassette tape","Three cassette tapes","One cassette tape","Two cassette tapes","Three cassette tapes","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","Two cassette tapes","This series contains materials collected by Barbara Howe and relating to activism and local and state politics. Materials include advertisements, books, brochures, business cards, a DVD, mailers, maps, newsletters, posters, reports, and various other ephemera.","This sub-series contains materials collected by Barbara Howe and relating to political campaigns in the Morgantown and broader West Virginia area. Materials include business cards, mailers, pamphlets, and posters.","This sub-series contains materials collected by Barbara Howe and relating to local and state politics in Morgantown and West Virginia. Materials include a DVD, flyers, mailers, newsletters, pamphlets, reports, and various other ephemera.","One DVD","This sub-series contains materials collected by Barbara Howe and relating to non-governmental and advocacy organizations in Morgantown and the broader West Virginia region. Materials include advertisements magazines, mailers, newsletters, reports, and various other ephemera.","This sub-series contains materials collected by Barbara Howe and related to various advocacy and politically-oriented events and programs in the Morgantown and broader West Virginia region. It includes advertisements, brochures, pamphlets, and various other ephemera.","This series contains materials collected and created by Barbara Howe in relation to West Virginia University's departments, events and programs, and historical sites. Materials include books, CDs, correspondence, floorplans, magazines, mailers, maps, meetings agendas and minutes, newsletters, newspaper clippings, obituaries, photograph slides, photographs, reports, various other ephemera, and a VHS tape. Students in the WVU public history program contributed research available in this series.","This sub-series contains materials collected and created by Barbara Howe in relation to West Virginia University's historical properties and sites. It includes applications, correspondence, floorplans, newspaper clippings, photograph slides, photographs, and reports.","This sub-series contains materials collected by Barbara Howe from various West Virginia University departments. It includes CDS, magazines, mailers, newsletters, pamphlets, various other ephemera, and a VHS tape.","One CD","One CD","One CD","One VHS","This sub-series contains materials collected by Barbara Howe and relating to various West Virginia University events and programs. It includes newspaper clippings, obituaries, pamphlets, photographs, reports, and various other ephemera.","Papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more."],"separatedmaterial_html_tesm":["\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 1\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 1\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 8\u003c/p\u003e","\u003cp\u003eOversized moved to A\u0026amp;M 3469, Box 23, Folder 13\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 8\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 14\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 10\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 10\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 15\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 9\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 24, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 11\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 16\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 28\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 3\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp; 3469, Box 7, Folder 8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folders 23 and 24\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 34\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 15\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 30\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 4\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 14\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 31\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 22, Folder 1\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 5\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 5\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 7\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Folder 6\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 6\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 7\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 22\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 17\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 12\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 5\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 20\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 23\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 28\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 32\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 23\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 6, Folder 1\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 8, Folder 63\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 6, Folder 4a-4c\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 8, Folder 60-61\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 14\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 32\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 29\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 10\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 7\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 9\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 10\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 11\u003c/p\u003e","\u003cp\u003eOversized moved to A\u0026amp;M 3469, Box 21, Folder 12\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 21\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 19\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 13\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 14\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 3\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 22, Folder 3\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 4\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 24\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 25\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21. Folder 15\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 67\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 43\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 50-51\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469,  Box 6, Folder 26\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 53\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 25\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 35\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 21\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 59\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 60\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 64\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 71\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 17\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 56\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 18\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 31\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 26a-26d\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 68\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 7\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 8\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 12\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 7\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 42\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 11, Folder 16\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 14, Folder 17\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 15\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 28\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 30\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 6, Folder 52\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 51\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 1\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 28\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 19\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 11, Folder 40\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 9\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 8\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 30\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 24\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 11, Folder 93\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 11, Folder 73\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 9\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 31\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 32\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 18\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 33\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 26\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 11\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 73\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 1\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 68\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 79\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 11\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 11, Folder 10\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 3\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 4\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 22, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 3\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 4\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 4\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Folder 1\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 3\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 4\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 6\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 5\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 8\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 13\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 22, Folder 4\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 34\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 2\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 24\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 35\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 6, Folder 55\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 13, Folder 5\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 2, Folder 3\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 2, Folder 8a-8l\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 33\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 7\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 15\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 21\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 2, Folder 7\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 89a-89b\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 39a-39f\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 2, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 6\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 6\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 12\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 14\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 35\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 23\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 24\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 45\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 14, Folder 6\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 13, Folder 20\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 18\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 19\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 1\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 3\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 5\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 15\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 19\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 14\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 9a-9e\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 14, Folder 18\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Oversized material moved to A\u0026M 3469, Box 16, Folder 1","Oversized material moved to A\u0026M 3469, Box 23, Folder 1","Oversized material moved to A\u0026M 3469, Box 16, Folder 8","Oversized moved to A\u0026M 3469, Box 23, Folder 13","Oversized material moved to A\u0026M 3469, Box 21, Folder 8","Oversized material moved to A\u0026M 3469, Box 15, Folder 14","Oversized material moved to A\u0026M 3469, Box 16, Folder 10","Oversized material moved to A\u0026M 3469, Box 16, Folder 10","Oversized material moved to A\u0026M 3469, Box 15, Folder 15","Oversized material moved to A\u0026M 3469, Box 21, Folder 9","Oversized material moved to A\u0026M 3469, Box 24, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 11","Removed from A\u0026M 3469, Box 7, Folder 16","Removed from A\u0026M 3469, Box 7, Folder 28","Removed from A\u0026M 3469, Box 1, Folder 3","Removed from A\u0026 3469, Box 7, Folder 8","Removed from A\u0026M 3469, Box 7, Folders 23 and 24","Removed from A\u0026M 3469, Box 7, Folder 34","Removed from A\u0026M 3469, Box 7, Folder 15","Removed from A\u0026M 3469, Box 7, Folder 30","Removed from A\u0026M 3469, Box 1, Folder 4","Removed from A\u0026M 3469, Box 7, Folder 14","Removed from A\u0026M 3469, Box 7, Folder 31","Oversized material moved to A\u0026M 3469, Box 23, Folder 2","Oversized material moved to A\u0026M 3469, Box 22, Folder 1","Oversized material moved to A\u0026M 3469, Box 15, Folder 5","Oversized material moved to A\u0026M 3469, Box 23, Folder 5","Oversized material moved to A\u0026M 3469, Box 15, Folder 7","Oversized material moved to A\u0026M 3469, Folder 6","Oversized material moved to A\u0026M 3469, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 6","Oversized material moved to A\u0026M 3469, Box 21, Folder 7","Oversized material moved to A\u0026M 3469, Box 23, Folder 22","Oversized material moved to A\u0026M 3469, Box 23, Folder 17","Oversized material moved to A\u0026M 3469, Box 16, Folder 12","Oversized material moved to A\u0026M 3469, Box 17, Folder 5","Oversized material moved to A\u0026M 3469, Box 15, Folder 20","Removed from A\u0026M 3469, Box 3, Folder 23","Removed from A\u0026M 3469, Box 3, Folder 28","Removed from A\u0026M 3469, Box 4, Folder 32","Removed from A\u0026M 3469, Box 9, Folder 23","Removed from A\u0026M 3469, Box 6, Folder 1","Removed from A\u0026M 3469, Box 8, Folder 63","Removed from A\u0026M 3469, Box 6, Folder 4a-4c","Removed from A\u0026M 3469, Box 8, Folder 60-61","Removed from A\u0026M 3469, Box 3, Folder 14","Removed from A\u0026M 3469, Box 3, Folder 32","Removed from A\u0026M 3469, Box 3, Folder 29","Oversized material moved to A\u0026M 3469, Box 15, Folder 10","Oversized material moved to A\u0026M 3469, Box 16, Folder 7","Oversized material moved to A\u0026M 3469, Box 23, Folder 9","Oversized material moved to A\u0026M 3469, Box 17, Folder 2","Oversized material moved to A\u0026M 3469, Box 21, Folder 10","Oversized material moved to A\u0026M 3469, Box 21, Folder 11","Oversized moved to A\u0026M 3469, Box 21, Folder 12","Oversized material moved to A\u0026M 3469, Box 15, Folder 21","Oversized material moved to A\u0026M 3469, Box 23, Folder 19","Oversized material moved to A\u0026M 3469, Box 21, Folder 13","Oversized material moved to A\u0026M 3469, Box 21, Folder 14","Oversized material moved to A\u0026M 3469, Box 17, Folder 3","Oversized material moved to A\u0026M 3469, Box 22, Folder 3","Oversized material moved to A\u0026M 3469, Box 17, Folder 4","Oversized material moved to A\u0026M 3469, Box 15, Folder 24","Oversized material moved to A\u0026M 3469, Box 15, Folder 25","Oversized material moved to A\u0026M 3469, Box 21. Folder 15","Removed from A\u0026M 3469, Box 9, Folder 67","Removed from A\u0026M 3469, Box 10, Folder 43","Removed from A\u0026M 3469, Box 10, Folder 50-51","Removed from A\u0026M 3469,  Box 6, Folder 26","Removed from A\u0026M 3469, Box 9, Folder 53","Removed from A\u0026M 3469, Box 10, Folder 25","Removed from A\u0026M 3469, Box 10, Folder 35","Removed from A\u0026M 3469, Box 9, Folder 21","Removed from A\u0026M 3469, Box 9, Folder 59","Removed from A\u0026M 3469, Box 9, Folder 60","Removed from A\u0026M 3469, Box 9, Folder 64","Removed from A\u0026M 3469, Box 9, Folder 71","Removed from A\u0026M 3469, Box 10, Folder 17","Removed from A\u0026M 3469, Box 10, Folder 56","Removed from A\u0026M 3469, Box 1, Folder 18","Removed from A\u0026M 3469, Box 10, Folder 31","Removed from A\u0026M 3469, Box 3, Folder 26a-26d","Removed from A\u0026M 3469, Box 9, Folder 68","Oversized material moved to A\u0026M 3469, Box 23, Folder 7","Oversized material moved to A\u0026M 3469, Box 23, Folder 8","Oversized material moved to A\u0026M 3469, Box 17, Folder 12","Oversized material moved to A\u0026M 3469, Box 17, Folder 7","Removed from A\u0026M 3469, Box 4, Folder 42","Removed from A\u0026M 3469, Box 11, Folder 16","Removed from A\u0026M 3469, Box 14, Folder 17","Removed from A\u0026M 3469, Box 1, Folder 15","Removed from A\u0026M 3469, Box 4, Folder 28","Removed from A\u0026M 3469, Box 4, Folder 30","Removed from A\u0026M 3469, Box 6, Folder 52","Removed from A\u0026M 3469, Box 7, Folder 51","Oversized material moved to A\u0026M 3469, Box 15, Folder 1","Oversized material moved to A\u0026M 3469, Box 15, Folder 28","Removed from A\u0026M 3469, Box 1, Folder 19","Removed from A\u0026M 3469, Box 11, Folder 40","Oversized material moved to A\u0026M 3469, Box 15, Folder 9","Oversized material moved to A\u0026M 3469, Box 17, Folder 8","Oversized material moved to A\u0026M 3469, Box 15, Folder 30","Removed from A\u0026M 3469, Box 4, Folder 24","Removed from A\u0026M 3469, Box 11, Folder 93","Removed from A\u0026M 3469, Box 11, Folder 73","Oversized material moved to A\u0026M 3469, Box 17, Folder 9","Oversized material moved to A\u0026M 3469, Box 15, Folder 31","Oversized material moved to A\u0026M 3469, Box 15, Folder 32","Oversized material moved to A\u0026M 3469, Box 21, Folder 18","Oversized material moved to A\u0026M 3469, Box 15, Folder 33","Oversized material moved to A\u0026M 3469, Box 23, Folder 26","Removed from A\u0026M 3469, Box 12, Folder 8","Removed from A\u0026M 3469, Box 12, Folder 11","Removed from A\u0026M 3469, Box 12, Folder 73","Removed from A\u0026M 3469, Box 12, Folder 1","Removed from A\u0026M 3469, Box 12, Folder 68","Removed from A\u0026M 3469, Box 12, Folder 79","Oversized material moved to A\u0026M 3469, Box 15, Folder 11","Removed from A\u0026M 3469, Box 11, Folder 10","Oversized material moved to A\u0026M 3469, Box 23, Folder 3","Oversized material moved to A\u0026M 3469, Box 23, Folder 4","Oversized material moved to A\u0026M 3469, Box 16, Folder 2","Oversized material moved to A\u0026M 3469, Box 22, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 3","Oversized material moved to A\u0026M 3469, Box 15, Folder 4","Oversized material moved to A\u0026M 3469, Box 21, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 4","Oversized material moved to A\u0026M 3469, Folder 1","Oversized material moved to A\u0026M 3469, Box 21, Folder 3","Oversized material moved to A\u0026M 3469, Box 21, Folder 4","Oversized material moved to A\u0026M 3469, Box 15, Folder 6","Oversized material moved to A\u0026M 3469, Box 16, Folder 5","Oversized material moved to A\u0026M 3469, Box 15, Folder 8","Oversized material moved to A\u0026M 3469, Box 15, Folder 13","Oversized material moved to A\u0026M 3469, Box 22, Folder 4","Oversized material moved to A\u0026M 3469, Box 15, Folder 34","Removed from A\u0026M 3469, Box 3, Folder 2","Removed from A\u0026M 3469, Box 3, Folder 24","Removed from A\u0026M 3469, Box 3, Folder 35","Removed from A\u0026M 3469, Box 6, Folder 55","Removed from A\u0026M 3469, Box 13, Folder 5","Removed from A\u0026M 3469, Box 2, Folder 3","Removed from A\u0026M 3469, Box 2, Folder 8a-8l","Removed from A\u0026M 3469, Box 3, Folder 8","Removed from A\u0026M 3469, Box 3, Folder 33","Removed from A\u0026M 3469, Box 3, Folder 7","Removed from A\u0026M 3469, Box 3, Folder 15","Removed from A\u0026M 3469, Box 3, Folder 21","Removed from A\u0026M 3469, Box 2, Folder 7","Removed from A\u0026M 3469, Box 12, Folder 89a-89b","Removed from A\u0026M 3469, Box 1, Folder 39a-39f","Removed from A\u0026M 3469, Box 2, Folder 2","Oversized material moved to A\u0026M 3469, Box 21, Folder 6","Oversized material moved to A\u0026M 3469, Box 23, Folder 6","Oversized material moved to A\u0026M 3469, Box 15, Folder 12","Oversized material moved to A\u0026M 3469, Box 17, Folder 14","Oversized material moved to A\u0026M 3469, Box 15, Folder 35","Removed from A\u0026M 3469, Box 1, Folder 23","Removed from A\u0026M 3469, Box 1, Folder 24","Removed from A\u0026M 3469, Box 4, Folder 45","Removed from A\u0026M 3469, Box 14, Folder 6","Removed from A\u0026M 3469, Box 13, Folder 20","Removed from A\u0026M 3469, Box 4, Folder 18","Removed from A\u0026M 3469, Box 4, Folder 19","Oversized material moved to A\u0026M 3469, Box 21, Folder 1","Oversized material moved to A\u0026M 3469, Box 15, Folder 2","Oversized material moved to A\u0026M 3469, Box 15, Folder 3","Oversized material moved to A\u0026M 3469, Box 21, Folder 5","Oversized material moved to A\u0026M 3469, Box 17, Folder 15","Oversized material moved to A\u0026M 3469, Box 21, Folder 19","Removed from A\u0026M 3469, Box 1, Folder 14","Removed from A\u0026M 3469, Box 4, Folder 9a-9e","Removed from A\u0026M 3469, Box 14, Folder 18"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_52212eb4d28e02606d931e410095563b\"\u003eDr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area.\u003c/abstract\u003e"],"abstract_tesim":["Dr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_570b23530518e390c6848160c139cd3b\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University","West Virginia University. Center for Women's Studies","Howe, Barbara J."],"names_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies","Howe, Barbara J."],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies"],"persname_ssim":["Howe, Barbara J."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":957,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:32:20.608Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1846_c02_c02_c30"}},{"id":"wvmturhc_repositories_2_resources_7060","type":"collection","attributes":{"title":"Arthur Jacknowitz Faculty Papers","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7060#creator","type":"document_value","attributes":{"value":"Jacknowitz, Linda","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7060#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains the personal and professional papers of longtime West Virginia University School of Pharmacy professor Dr. Arthur \"Art\" Jacknowitz. Notable materials include course materials, original drafts, article reprints, lecture notes, and correspondence. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7060#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_7060","ead_ssi":"wvmturhc_repositories_2_resources_7060","_root_":"wvmturhc_repositories_2_resources_7060","_nest_parent_":"wvmturhc_repositories_2_resources_7060","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_7060.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/255453","title_ssm":["Arthur Jacknowitz Faculty Papers"],"title_tesim":["Arthur Jacknowitz Faculty Papers"],"unitdate_ssm":["1954-2019"],"unitdate_inclusive_ssm":["1954-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4660","Archival Resource Key","/repositories/2/resources/7060"],"text":["A\u0026M 4660","Archival Resource Key","/repositories/2/resources/7060","Arthur Jacknowitz Faculty Papers","Pharmacy -- History","Pharmacy -- Study and teaching ","Pharmacists","Box 2, folder 19, closed for 75 years due to student records.","Box 2, folder 19, closed for 75 years due to student records.","Box 2, folder 19, closed for 75 years due to student records.","Dr. Arthur Jacknowitz (1944-2019), a native of Brooklyn, New York, joined the West Virginia University School of Pharmacy in 1974. He was chair of the Department of Clinical Pharmacy for almost 16 years, from 1985-2001. Prior to this, he was director of the University's Drug Information Center. In 1988 his efforts to disseminate drug information to consumers and health professionals won him the University's Heebink Award for Outstanding State Service.","In 2001, to recognize his more than a quarter of a century of teaching, scholarship and service, a former student endowed a Distinguished Chair in his honor - Jacknowitz was named its first occupant.","In 2004, the WVU School of Pharmacy Alumni Association conferred honorary alumnus status on him. That same year, he was named WVU's Most Loyal Faculty Mountaineer. ","Jacknowitz was an academic advisor to more than 260 pre-pharmacy and pharmacy honors students. In recognition of these sustained efforts, the WVU Honors College named him Faculty Advisor of 2012, and he was inducted into the WVU Health Sciences Center Academy of Excellence in Teaching and Learning.","Jacknowitz retired after 38 years of service to WVU but remained an engaged member of the University community. At the School of Pharmacy, he continued to mentor students, coordinated its student ambassador program and was a member of the School of Pharmacy Visiting Committee. After serving on the WVU Retiree Association Steering Committee, he then served as the association's founding chair. In retirement, he became a member of the WVU Art Museum's founding class of volunteer docents. The WVU Creative Arts Center Visiting Committee honored him and his wife Linda - awarding them the College's 2019 Alison Deem Distinguished Friends Award.","Jacknowitz authored or coauthored more than 100 scientific and technical articles and abstracts, and as many presentations. He was a monthly columnist for several years for the  US Pharmacist,  a recipient of the Merck, Sharp and Dohme Award for Outstanding Achievement in the Profession of Pharmacy, and for more than a quarter of a century, he was on the editorial board of the  Drug Information Journal.  He served two five-year terms as a member of the United States Pharmacopeia USP Convention's Gastroenterology Expert Committee. He is one of only 22 healthcare professionals nationwide to serve on the 2010-2015 Medicare Model Guidelines Expert Panel, where he and his panel of colleagues received the 2011 United States Pharmacopeial Convention (USP) Award for Innovative Response to a Public Health Challenge. At the time of his death, he was serving a seventh three-year term on The National Association of Boards of Pharmacy Licensure Test Review Committee. He is one of only 25 pharmacy practitioners and educators nationwide to achieve this recognition.","Adapted from the following article:","(2019 April 22). SoP professor emeritus, loyal WVU supporter, passes away. School of Pharmacy News. ","The creator's original folder titles were preserved while processessing this collection.","This collection contains the personal and professional papers of longtime West Virginia University School of Pharmacy professor Dr. Arthur \"Art\" Jacknowitz. Notable materials include course materials, original drafts, article reprints, lecture notes, and correspondence. ","The collection also includes several framed awards and plaques, as well as a variety of scientific journals and trade publications. Highlights include Jacknowitz's diploma from the Philadelphia College of Pharmacy, materials from WVU School of Pharmacy's Continuing Education Program for Pharmacists and memorabilia from Jacknowitz's Chair in Clinical Pharmacy dedication ceremony.","The collection is organized into six series.","Series include:","Series 1. Teaching and Evaluation Papers, 1973-2018 (boxes 1-3): Materials relating to Jacknowitz's teaching career, such as course notes, handouts and overhead slides, faculty activities reports, annual reviews and notices of appointment.","Series 2. Research, Scholarship and Service, 1971-2016 (boxes 4 and 5): Materials relating to Jacknowitz's career advancement such as CVs, pamphlets from professional organizations and symposiums, Jacknowitz's published articles and drafts, and lectures and presentations. ","Series 3. Personal Correspondence and Memorabilia, 1954-2019 (boxes 6 and 7): Cards and letters from former students and peers, memorabilia from Jacknowitz's school days, news clippings and photographs.","Series 4. General WVU Papers, 1982-2018 (box 8): Papers relating to Jacknowitz's WVU affiliations outside the School of Pharmacy, including the WVU Retirees Association and the WVU Art Museum.","Series 5. Publications, 1980s-2000s (boxes 8 and 9): Medical and pharmacy related trade magazines and academic journals not authored by Jacknowitz, including  Pharmacy Times  and  U.S. Pharmacist Hospital Edition .","Series 6. Awards, Plaques and Certificates, 1974-2012 (boxes 10 and 11)","This series contains materials relating to Jacknowitz's teaching career, such as course notes, handouts and overhead slides, faculty activities reports, annual reviews and notices of appointment.","This series contains materials relating to Jacknowitz's career advancement such as CVs, pamphlets from professional organizations and symposiums, Jacknowitz's published articles and drafts, and lectures and presentations.","This series contains cards and letters from former students and peers, memorabilia from Jacknowitz's school days, news clippings and photographs.","This series contains papers relating to Jacknowitz's WVU affiliations outside the School of Pharmacy, including the WVU Retirees Association and the WVU Art Museum.","This series contains medical and pharmacy related trade magazines and academic journals not authored by Jacknowitz, including  Pharmacy Times  and  U.S. Pharmacist Hospital Edition .","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University. School of Pharmacy","Jacknowitz, Linda","Jacknowitz, Arthur I.","English \n.    "],"unitid_tesim":["A\u0026M 4660","Archival Resource Key","/repositories/2/resources/7060"],"normalized_title_ssm":["Arthur Jacknowitz Faculty Papers"],"collection_title_tesim":["Arthur Jacknowitz Faculty Papers"],"collection_ssim":["Arthur Jacknowitz Faculty Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Jacknowitz, Linda","Jacknowitz, Arthur I."],"creator_ssim":["Jacknowitz, Linda","Jacknowitz, Arthur I."],"creator_persname_ssim":["Jacknowitz, Linda","Jacknowitz, Arthur I."],"creators_ssim":["Jacknowitz, Linda","Jacknowitz, Arthur I."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Linda Jacknowitz, June 10, 2020."],"access_subjects_ssim":["Pharmacy -- History","Pharmacy -- Study and teaching ","Pharmacists"],"access_subjects_ssm":["Pharmacy -- History","Pharmacy -- Study and teaching ","Pharmacists"],"has_online_content_ssim":["false"],"extent_ssm":["12.75 Linear Feet 12 ft. 9 in. (10 record cartons, 15 in. each); (1 flat storage box, 3 in.)"],"extent_tesim":["12.75 Linear Feet 12 ft. 9 in. (10 record cartons, 15 in. each); (1 flat storage box, 3 in.)"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eBox 2, folder 19, closed for 75 years due to student records.\u003c/p\u003e","\u003cp\u003eBox 2, folder 19, closed for 75 years due to student records.\u003c/p\u003e","\u003cp\u003eBox 2, folder 19, closed for 75 years due to student records.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Box 1 Folder 19 - closed for 75 years","Conditions Governing Access"],"accessrestrict_tesim":["Box 2, folder 19, closed for 75 years due to student records.","Box 2, folder 19, closed for 75 years due to student records.","Box 2, folder 19, closed for 75 years due to student records."],"bioghist_html_tesm":["\u003cp\u003eDr. Arthur Jacknowitz (1944-2019), a native of Brooklyn, New York, joined the West Virginia University School of Pharmacy in 1974. He was chair of the Department of Clinical Pharmacy for almost 16 years, from 1985-2001. Prior to this, he was director of the University's Drug Information Center. In 1988 his efforts to disseminate drug information to consumers and health professionals won him the University's Heebink Award for Outstanding State Service.\u003c/p\u003e\n","\u003cp\u003eIn 2001, to recognize his more than a quarter of a century of teaching, scholarship and service, a former student endowed a Distinguished Chair in his honor - Jacknowitz was named its first occupant.\u003c/p\u003e\n","\u003cp\u003eIn 2004, the WVU School of Pharmacy Alumni Association conferred honorary alumnus status on him. That same year, he was named WVU's Most Loyal Faculty Mountaineer. \u003c/p\u003e\n","\u003cp\u003eJacknowitz was an academic advisor to more than 260 pre-pharmacy and pharmacy honors students. In recognition of these sustained efforts, the WVU Honors College named him Faculty Advisor of 2012, and he was inducted into the WVU Health Sciences Center Academy of Excellence in Teaching and Learning.\u003c/p\u003e\n","\u003cp\u003eJacknowitz retired after 38 years of service to WVU but remained an engaged member of the University community. At the School of Pharmacy, he continued to mentor students, coordinated its student ambassador program and was a member of the School of Pharmacy Visiting Committee. After serving on the WVU Retiree Association Steering Committee, he then served as the association's founding chair. In retirement, he became a member of the WVU Art Museum's founding class of volunteer docents. The WVU Creative Arts Center Visiting Committee honored him and his wife Linda - awarding them the College's 2019 Alison Deem Distinguished Friends Award.\u003c/p\u003e\n","\u003cp\u003eJacknowitz authored or coauthored more than 100 scientific and technical articles and abstracts, and as many presentations. He was a monthly columnist for several years for the \u003ctitle\u003eUS Pharmacist,\u003c/title\u003e a recipient of the Merck, Sharp and Dohme Award for Outstanding Achievement in the Profession of Pharmacy, and for more than a quarter of a century, he was on the editorial board of the \u003ctitle\u003eDrug Information Journal.\u003c/title\u003e He served two five-year terms as a member of the United States Pharmacopeia USP Convention's Gastroenterology Expert Committee. He is one of only 22 healthcare professionals nationwide to serve on the 2010-2015 Medicare Model Guidelines Expert Panel, where he and his panel of colleagues received the 2011 United States Pharmacopeial Convention (USP) Award for Innovative Response to a Public Health Challenge. At the time of his death, he was serving a seventh three-year term on The National Association of Boards of Pharmacy Licensure Test Review Committee. He is one of only 25 pharmacy practitioners and educators nationwide to achieve this recognition.\u003c/p\u003e\n","\u003cp\u003eAdapted from the following article:\u003c/p\u003e\n","\u003cp\u003e(2019 April 22). SoP professor emeritus, loyal WVU supporter, passes away. School of Pharmacy News. \u003ca href=\"https://medicine.hsc.wvu.edu/News/Story?headline=sop-professor-emeritus-loyal-wvu-supporter-passes-away\"\u003e\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Arthur Jacknowitz (1944-2019), a native of Brooklyn, New York, joined the West Virginia University School of Pharmacy in 1974. He was chair of the Department of Clinical Pharmacy for almost 16 years, from 1985-2001. Prior to this, he was director of the University's Drug Information Center. In 1988 his efforts to disseminate drug information to consumers and health professionals won him the University's Heebink Award for Outstanding State Service.","In 2001, to recognize his more than a quarter of a century of teaching, scholarship and service, a former student endowed a Distinguished Chair in his honor - Jacknowitz was named its first occupant.","In 2004, the WVU School of Pharmacy Alumni Association conferred honorary alumnus status on him. That same year, he was named WVU's Most Loyal Faculty Mountaineer. ","Jacknowitz was an academic advisor to more than 260 pre-pharmacy and pharmacy honors students. In recognition of these sustained efforts, the WVU Honors College named him Faculty Advisor of 2012, and he was inducted into the WVU Health Sciences Center Academy of Excellence in Teaching and Learning.","Jacknowitz retired after 38 years of service to WVU but remained an engaged member of the University community. At the School of Pharmacy, he continued to mentor students, coordinated its student ambassador program and was a member of the School of Pharmacy Visiting Committee. After serving on the WVU Retiree Association Steering Committee, he then served as the association's founding chair. In retirement, he became a member of the WVU Art Museum's founding class of volunteer docents. The WVU Creative Arts Center Visiting Committee honored him and his wife Linda - awarding them the College's 2019 Alison Deem Distinguished Friends Award.","Jacknowitz authored or coauthored more than 100 scientific and technical articles and abstracts, and as many presentations. He was a monthly columnist for several years for the  US Pharmacist,  a recipient of the Merck, Sharp and Dohme Award for Outstanding Achievement in the Profession of Pharmacy, and for more than a quarter of a century, he was on the editorial board of the  Drug Information Journal.  He served two five-year terms as a member of the United States Pharmacopeia USP Convention's Gastroenterology Expert Committee. He is one of only 22 healthcare professionals nationwide to serve on the 2010-2015 Medicare Model Guidelines Expert Panel, where he and his panel of colleagues received the 2011 United States Pharmacopeial Convention (USP) Award for Innovative Response to a Public Health Challenge. At the time of his death, he was serving a seventh three-year term on The National Association of Boards of Pharmacy Licensure Test Review Committee. He is one of only 25 pharmacy practitioners and educators nationwide to achieve this recognition.","Adapted from the following article:","(2019 April 22). SoP professor emeritus, loyal WVU supporter, passes away. School of Pharmacy News. "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Arthur Jacknowitz Faculty Papers, A\u0026amp;M 4660, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Arthur Jacknowitz Faculty Papers, A\u0026M 4660, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe creator's original folder titles were preserved while processessing this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The creator's original folder titles were preserved while processessing this collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the personal and professional papers of longtime West Virginia University School of Pharmacy professor Dr. Arthur \"Art\" Jacknowitz. Notable materials include course materials, original drafts, article reprints, lecture notes, and correspondence. \u003c/p\u003e\n","\u003cp\u003eThe collection also includes several framed awards and plaques, as well as a variety of scientific journals and trade publications. Highlights include Jacknowitz's diploma from the Philadelphia College of Pharmacy, materials from WVU School of Pharmacy's Continuing Education Program for Pharmacists and memorabilia from Jacknowitz's Chair in Clinical Pharmacy dedication ceremony.\u003c/p\u003e\n","\u003cp\u003eThe collection is organized into six series.\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Teaching and Evaluation Papers, 1973-2018 (boxes 1-3): Materials relating to Jacknowitz's teaching career, such as course notes, handouts and overhead slides, faculty activities reports, annual reviews and notices of appointment.\u003c/p\u003e\n","\u003cp\u003eSeries 2. Research, Scholarship and Service, 1971-2016 (boxes 4 and 5): Materials relating to Jacknowitz's career advancement such as CVs, pamphlets from professional organizations and symposiums, Jacknowitz's published articles and drafts, and lectures and presentations. \u003c/p\u003e\n","\u003cp\u003eSeries 3. Personal Correspondence and Memorabilia, 1954-2019 (boxes 6 and 7): Cards and letters from former students and peers, memorabilia from Jacknowitz's school days, news clippings and photographs.\u003c/p\u003e\n","\u003cp\u003eSeries 4. General WVU Papers, 1982-2018 (box 8): Papers relating to Jacknowitz's WVU affiliations outside the School of Pharmacy, including the WVU Retirees Association and the WVU Art Museum.\u003c/p\u003e\n","\u003cp\u003eSeries 5. Publications, 1980s-2000s (boxes 8 and 9): Medical and pharmacy related trade magazines and academic journals not authored by Jacknowitz, including \u003ctitle\u003ePharmacy Times\u003c/title\u003e and \u003ctitle\u003eU.S. Pharmacist Hospital Edition\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003eSeries 6. Awards, Plaques and Certificates, 1974-2012 (boxes 10 and 11)\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Jacknowitz's teaching career, such as course notes, handouts and overhead slides, faculty activities reports, annual reviews and notices of appointment.\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Jacknowitz's career advancement such as CVs, pamphlets from professional organizations and symposiums, Jacknowitz's published articles and drafts, and lectures and presentations.\u003c/p\u003e","\u003cp\u003eThis series contains cards and letters from former students and peers, memorabilia from Jacknowitz's school days, news clippings and photographs.\u003c/p\u003e","\u003cp\u003eThis series contains papers relating to Jacknowitz's WVU affiliations outside the School of Pharmacy, including the WVU Retirees Association and the WVU Art Museum.\u003c/p\u003e","\u003cp\u003eThis series contains medical and pharmacy related trade magazines and academic journals not authored by Jacknowitz, including \u003ctitle\u003ePharmacy Times\u003c/title\u003e and \u003ctitle\u003eU.S. Pharmacist Hospital Edition\u003c/title\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains the personal and professional papers of longtime West Virginia University School of Pharmacy professor Dr. Arthur \"Art\" Jacknowitz. Notable materials include course materials, original drafts, article reprints, lecture notes, and correspondence. ","The collection also includes several framed awards and plaques, as well as a variety of scientific journals and trade publications. Highlights include Jacknowitz's diploma from the Philadelphia College of Pharmacy, materials from WVU School of Pharmacy's Continuing Education Program for Pharmacists and memorabilia from Jacknowitz's Chair in Clinical Pharmacy dedication ceremony.","The collection is organized into six series.","Series include:","Series 1. Teaching and Evaluation Papers, 1973-2018 (boxes 1-3): Materials relating to Jacknowitz's teaching career, such as course notes, handouts and overhead slides, faculty activities reports, annual reviews and notices of appointment.","Series 2. Research, Scholarship and Service, 1971-2016 (boxes 4 and 5): Materials relating to Jacknowitz's career advancement such as CVs, pamphlets from professional organizations and symposiums, Jacknowitz's published articles and drafts, and lectures and presentations. ","Series 3. Personal Correspondence and Memorabilia, 1954-2019 (boxes 6 and 7): Cards and letters from former students and peers, memorabilia from Jacknowitz's school days, news clippings and photographs.","Series 4. General WVU Papers, 1982-2018 (box 8): Papers relating to Jacknowitz's WVU affiliations outside the School of Pharmacy, including the WVU Retirees Association and the WVU Art Museum.","Series 5. Publications, 1980s-2000s (boxes 8 and 9): Medical and pharmacy related trade magazines and academic journals not authored by Jacknowitz, including  Pharmacy Times  and  U.S. Pharmacist Hospital Edition .","Series 6. Awards, Plaques and Certificates, 1974-2012 (boxes 10 and 11)","This series contains materials relating to Jacknowitz's teaching career, such as course notes, handouts and overhead slides, faculty activities reports, annual reviews and notices of appointment.","This series contains materials relating to Jacknowitz's career advancement such as CVs, pamphlets from professional organizations and symposiums, Jacknowitz's published articles and drafts, and lectures and presentations.","This series contains cards and letters from former students and peers, memorabilia from Jacknowitz's school days, news clippings and photographs.","This series contains papers relating to Jacknowitz's WVU affiliations outside the School of Pharmacy, including the WVU Retirees Association and the WVU Art Museum.","This series contains medical and pharmacy related trade magazines and academic journals not authored by Jacknowitz, including  Pharmacy Times  and  U.S. Pharmacist Hospital Edition ."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b06ecd2c502fe6d9e994dd6cc4077a88\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University. School of Pharmacy","Jacknowitz, Linda"],"names_ssim":["West Virginia and Regional History Center","West Virginia University. School of Pharmacy","Jacknowitz, Linda","Jacknowitz, Arthur I."],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. School of Pharmacy"],"persname_ssim":["Jacknowitz, Linda","Jacknowitz, Arthur I."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:04:04.801Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_7060","ead_ssi":"wvmturhc_repositories_2_resources_7060","_root_":"wvmturhc_repositories_2_resources_7060","_nest_parent_":"wvmturhc_repositories_2_resources_7060","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_7060.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/255453","title_ssm":["Arthur Jacknowitz Faculty Papers"],"title_tesim":["Arthur Jacknowitz Faculty Papers"],"unitdate_ssm":["1954-2019"],"unitdate_inclusive_ssm":["1954-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4660","Archival Resource Key","/repositories/2/resources/7060"],"text":["A\u0026M 4660","Archival Resource Key","/repositories/2/resources/7060","Arthur Jacknowitz Faculty Papers","Pharmacy -- History","Pharmacy -- Study and teaching ","Pharmacists","Box 2, folder 19, closed for 75 years due to student records.","Box 2, folder 19, closed for 75 years due to student records.","Box 2, folder 19, closed for 75 years due to student records.","Dr. Arthur Jacknowitz (1944-2019), a native of Brooklyn, New York, joined the West Virginia University School of Pharmacy in 1974. He was chair of the Department of Clinical Pharmacy for almost 16 years, from 1985-2001. Prior to this, he was director of the University's Drug Information Center. In 1988 his efforts to disseminate drug information to consumers and health professionals won him the University's Heebink Award for Outstanding State Service.","In 2001, to recognize his more than a quarter of a century of teaching, scholarship and service, a former student endowed a Distinguished Chair in his honor - Jacknowitz was named its first occupant.","In 2004, the WVU School of Pharmacy Alumni Association conferred honorary alumnus status on him. That same year, he was named WVU's Most Loyal Faculty Mountaineer. ","Jacknowitz was an academic advisor to more than 260 pre-pharmacy and pharmacy honors students. In recognition of these sustained efforts, the WVU Honors College named him Faculty Advisor of 2012, and he was inducted into the WVU Health Sciences Center Academy of Excellence in Teaching and Learning.","Jacknowitz retired after 38 years of service to WVU but remained an engaged member of the University community. At the School of Pharmacy, he continued to mentor students, coordinated its student ambassador program and was a member of the School of Pharmacy Visiting Committee. After serving on the WVU Retiree Association Steering Committee, he then served as the association's founding chair. In retirement, he became a member of the WVU Art Museum's founding class of volunteer docents. The WVU Creative Arts Center Visiting Committee honored him and his wife Linda - awarding them the College's 2019 Alison Deem Distinguished Friends Award.","Jacknowitz authored or coauthored more than 100 scientific and technical articles and abstracts, and as many presentations. He was a monthly columnist for several years for the  US Pharmacist,  a recipient of the Merck, Sharp and Dohme Award for Outstanding Achievement in the Profession of Pharmacy, and for more than a quarter of a century, he was on the editorial board of the  Drug Information Journal.  He served two five-year terms as a member of the United States Pharmacopeia USP Convention's Gastroenterology Expert Committee. He is one of only 22 healthcare professionals nationwide to serve on the 2010-2015 Medicare Model Guidelines Expert Panel, where he and his panel of colleagues received the 2011 United States Pharmacopeial Convention (USP) Award for Innovative Response to a Public Health Challenge. At the time of his death, he was serving a seventh three-year term on The National Association of Boards of Pharmacy Licensure Test Review Committee. He is one of only 25 pharmacy practitioners and educators nationwide to achieve this recognition.","Adapted from the following article:","(2019 April 22). SoP professor emeritus, loyal WVU supporter, passes away. School of Pharmacy News. ","The creator's original folder titles were preserved while processessing this collection.","This collection contains the personal and professional papers of longtime West Virginia University School of Pharmacy professor Dr. Arthur \"Art\" Jacknowitz. Notable materials include course materials, original drafts, article reprints, lecture notes, and correspondence. ","The collection also includes several framed awards and plaques, as well as a variety of scientific journals and trade publications. Highlights include Jacknowitz's diploma from the Philadelphia College of Pharmacy, materials from WVU School of Pharmacy's Continuing Education Program for Pharmacists and memorabilia from Jacknowitz's Chair in Clinical Pharmacy dedication ceremony.","The collection is organized into six series.","Series include:","Series 1. Teaching and Evaluation Papers, 1973-2018 (boxes 1-3): Materials relating to Jacknowitz's teaching career, such as course notes, handouts and overhead slides, faculty activities reports, annual reviews and notices of appointment.","Series 2. Research, Scholarship and Service, 1971-2016 (boxes 4 and 5): Materials relating to Jacknowitz's career advancement such as CVs, pamphlets from professional organizations and symposiums, Jacknowitz's published articles and drafts, and lectures and presentations. ","Series 3. Personal Correspondence and Memorabilia, 1954-2019 (boxes 6 and 7): Cards and letters from former students and peers, memorabilia from Jacknowitz's school days, news clippings and photographs.","Series 4. General WVU Papers, 1982-2018 (box 8): Papers relating to Jacknowitz's WVU affiliations outside the School of Pharmacy, including the WVU Retirees Association and the WVU Art Museum.","Series 5. Publications, 1980s-2000s (boxes 8 and 9): Medical and pharmacy related trade magazines and academic journals not authored by Jacknowitz, including  Pharmacy Times  and  U.S. Pharmacist Hospital Edition .","Series 6. Awards, Plaques and Certificates, 1974-2012 (boxes 10 and 11)","This series contains materials relating to Jacknowitz's teaching career, such as course notes, handouts and overhead slides, faculty activities reports, annual reviews and notices of appointment.","This series contains materials relating to Jacknowitz's career advancement such as CVs, pamphlets from professional organizations and symposiums, Jacknowitz's published articles and drafts, and lectures and presentations.","This series contains cards and letters from former students and peers, memorabilia from Jacknowitz's school days, news clippings and photographs.","This series contains papers relating to Jacknowitz's WVU affiliations outside the School of Pharmacy, including the WVU Retirees Association and the WVU Art Museum.","This series contains medical and pharmacy related trade magazines and academic journals not authored by Jacknowitz, including  Pharmacy Times  and  U.S. Pharmacist Hospital Edition .","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University. School of Pharmacy","Jacknowitz, Linda","Jacknowitz, Arthur I.","English \n.    "],"unitid_tesim":["A\u0026M 4660","Archival Resource Key","/repositories/2/resources/7060"],"normalized_title_ssm":["Arthur Jacknowitz Faculty Papers"],"collection_title_tesim":["Arthur Jacknowitz Faculty Papers"],"collection_ssim":["Arthur Jacknowitz Faculty Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Jacknowitz, Linda","Jacknowitz, Arthur I."],"creator_ssim":["Jacknowitz, Linda","Jacknowitz, Arthur I."],"creator_persname_ssim":["Jacknowitz, Linda","Jacknowitz, Arthur I."],"creators_ssim":["Jacknowitz, Linda","Jacknowitz, Arthur I."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Linda Jacknowitz, June 10, 2020."],"access_subjects_ssim":["Pharmacy -- History","Pharmacy -- Study and teaching ","Pharmacists"],"access_subjects_ssm":["Pharmacy -- History","Pharmacy -- Study and teaching ","Pharmacists"],"has_online_content_ssim":["false"],"extent_ssm":["12.75 Linear Feet 12 ft. 9 in. (10 record cartons, 15 in. each); (1 flat storage box, 3 in.)"],"extent_tesim":["12.75 Linear Feet 12 ft. 9 in. (10 record cartons, 15 in. each); (1 flat storage box, 3 in.)"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eBox 2, folder 19, closed for 75 years due to student records.\u003c/p\u003e","\u003cp\u003eBox 2, folder 19, closed for 75 years due to student records.\u003c/p\u003e","\u003cp\u003eBox 2, folder 19, closed for 75 years due to student records.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Box 1 Folder 19 - closed for 75 years","Conditions Governing Access"],"accessrestrict_tesim":["Box 2, folder 19, closed for 75 years due to student records.","Box 2, folder 19, closed for 75 years due to student records.","Box 2, folder 19, closed for 75 years due to student records."],"bioghist_html_tesm":["\u003cp\u003eDr. Arthur Jacknowitz (1944-2019), a native of Brooklyn, New York, joined the West Virginia University School of Pharmacy in 1974. He was chair of the Department of Clinical Pharmacy for almost 16 years, from 1985-2001. Prior to this, he was director of the University's Drug Information Center. In 1988 his efforts to disseminate drug information to consumers and health professionals won him the University's Heebink Award for Outstanding State Service.\u003c/p\u003e\n","\u003cp\u003eIn 2001, to recognize his more than a quarter of a century of teaching, scholarship and service, a former student endowed a Distinguished Chair in his honor - Jacknowitz was named its first occupant.\u003c/p\u003e\n","\u003cp\u003eIn 2004, the WVU School of Pharmacy Alumni Association conferred honorary alumnus status on him. That same year, he was named WVU's Most Loyal Faculty Mountaineer. \u003c/p\u003e\n","\u003cp\u003eJacknowitz was an academic advisor to more than 260 pre-pharmacy and pharmacy honors students. In recognition of these sustained efforts, the WVU Honors College named him Faculty Advisor of 2012, and he was inducted into the WVU Health Sciences Center Academy of Excellence in Teaching and Learning.\u003c/p\u003e\n","\u003cp\u003eJacknowitz retired after 38 years of service to WVU but remained an engaged member of the University community. At the School of Pharmacy, he continued to mentor students, coordinated its student ambassador program and was a member of the School of Pharmacy Visiting Committee. After serving on the WVU Retiree Association Steering Committee, he then served as the association's founding chair. In retirement, he became a member of the WVU Art Museum's founding class of volunteer docents. The WVU Creative Arts Center Visiting Committee honored him and his wife Linda - awarding them the College's 2019 Alison Deem Distinguished Friends Award.\u003c/p\u003e\n","\u003cp\u003eJacknowitz authored or coauthored more than 100 scientific and technical articles and abstracts, and as many presentations. He was a monthly columnist for several years for the \u003ctitle\u003eUS Pharmacist,\u003c/title\u003e a recipient of the Merck, Sharp and Dohme Award for Outstanding Achievement in the Profession of Pharmacy, and for more than a quarter of a century, he was on the editorial board of the \u003ctitle\u003eDrug Information Journal.\u003c/title\u003e He served two five-year terms as a member of the United States Pharmacopeia USP Convention's Gastroenterology Expert Committee. He is one of only 22 healthcare professionals nationwide to serve on the 2010-2015 Medicare Model Guidelines Expert Panel, where he and his panel of colleagues received the 2011 United States Pharmacopeial Convention (USP) Award for Innovative Response to a Public Health Challenge. At the time of his death, he was serving a seventh three-year term on The National Association of Boards of Pharmacy Licensure Test Review Committee. He is one of only 25 pharmacy practitioners and educators nationwide to achieve this recognition.\u003c/p\u003e\n","\u003cp\u003eAdapted from the following article:\u003c/p\u003e\n","\u003cp\u003e(2019 April 22). SoP professor emeritus, loyal WVU supporter, passes away. School of Pharmacy News. \u003ca href=\"https://medicine.hsc.wvu.edu/News/Story?headline=sop-professor-emeritus-loyal-wvu-supporter-passes-away\"\u003e\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Arthur Jacknowitz (1944-2019), a native of Brooklyn, New York, joined the West Virginia University School of Pharmacy in 1974. He was chair of the Department of Clinical Pharmacy for almost 16 years, from 1985-2001. Prior to this, he was director of the University's Drug Information Center. In 1988 his efforts to disseminate drug information to consumers and health professionals won him the University's Heebink Award for Outstanding State Service.","In 2001, to recognize his more than a quarter of a century of teaching, scholarship and service, a former student endowed a Distinguished Chair in his honor - Jacknowitz was named its first occupant.","In 2004, the WVU School of Pharmacy Alumni Association conferred honorary alumnus status on him. That same year, he was named WVU's Most Loyal Faculty Mountaineer. ","Jacknowitz was an academic advisor to more than 260 pre-pharmacy and pharmacy honors students. In recognition of these sustained efforts, the WVU Honors College named him Faculty Advisor of 2012, and he was inducted into the WVU Health Sciences Center Academy of Excellence in Teaching and Learning.","Jacknowitz retired after 38 years of service to WVU but remained an engaged member of the University community. At the School of Pharmacy, he continued to mentor students, coordinated its student ambassador program and was a member of the School of Pharmacy Visiting Committee. After serving on the WVU Retiree Association Steering Committee, he then served as the association's founding chair. In retirement, he became a member of the WVU Art Museum's founding class of volunteer docents. The WVU Creative Arts Center Visiting Committee honored him and his wife Linda - awarding them the College's 2019 Alison Deem Distinguished Friends Award.","Jacknowitz authored or coauthored more than 100 scientific and technical articles and abstracts, and as many presentations. He was a monthly columnist for several years for the  US Pharmacist,  a recipient of the Merck, Sharp and Dohme Award for Outstanding Achievement in the Profession of Pharmacy, and for more than a quarter of a century, he was on the editorial board of the  Drug Information Journal.  He served two five-year terms as a member of the United States Pharmacopeia USP Convention's Gastroenterology Expert Committee. He is one of only 22 healthcare professionals nationwide to serve on the 2010-2015 Medicare Model Guidelines Expert Panel, where he and his panel of colleagues received the 2011 United States Pharmacopeial Convention (USP) Award for Innovative Response to a Public Health Challenge. At the time of his death, he was serving a seventh three-year term on The National Association of Boards of Pharmacy Licensure Test Review Committee. He is one of only 25 pharmacy practitioners and educators nationwide to achieve this recognition.","Adapted from the following article:","(2019 April 22). SoP professor emeritus, loyal WVU supporter, passes away. School of Pharmacy News. "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Arthur Jacknowitz Faculty Papers, A\u0026amp;M 4660, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Arthur Jacknowitz Faculty Papers, A\u0026M 4660, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe creator's original folder titles were preserved while processessing this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The creator's original folder titles were preserved while processessing this collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the personal and professional papers of longtime West Virginia University School of Pharmacy professor Dr. Arthur \"Art\" Jacknowitz. Notable materials include course materials, original drafts, article reprints, lecture notes, and correspondence. \u003c/p\u003e\n","\u003cp\u003eThe collection also includes several framed awards and plaques, as well as a variety of scientific journals and trade publications. Highlights include Jacknowitz's diploma from the Philadelphia College of Pharmacy, materials from WVU School of Pharmacy's Continuing Education Program for Pharmacists and memorabilia from Jacknowitz's Chair in Clinical Pharmacy dedication ceremony.\u003c/p\u003e\n","\u003cp\u003eThe collection is organized into six series.\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Teaching and Evaluation Papers, 1973-2018 (boxes 1-3): Materials relating to Jacknowitz's teaching career, such as course notes, handouts and overhead slides, faculty activities reports, annual reviews and notices of appointment.\u003c/p\u003e\n","\u003cp\u003eSeries 2. Research, Scholarship and Service, 1971-2016 (boxes 4 and 5): Materials relating to Jacknowitz's career advancement such as CVs, pamphlets from professional organizations and symposiums, Jacknowitz's published articles and drafts, and lectures and presentations. \u003c/p\u003e\n","\u003cp\u003eSeries 3. Personal Correspondence and Memorabilia, 1954-2019 (boxes 6 and 7): Cards and letters from former students and peers, memorabilia from Jacknowitz's school days, news clippings and photographs.\u003c/p\u003e\n","\u003cp\u003eSeries 4. General WVU Papers, 1982-2018 (box 8): Papers relating to Jacknowitz's WVU affiliations outside the School of Pharmacy, including the WVU Retirees Association and the WVU Art Museum.\u003c/p\u003e\n","\u003cp\u003eSeries 5. Publications, 1980s-2000s (boxes 8 and 9): Medical and pharmacy related trade magazines and academic journals not authored by Jacknowitz, including \u003ctitle\u003ePharmacy Times\u003c/title\u003e and \u003ctitle\u003eU.S. Pharmacist Hospital Edition\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003eSeries 6. Awards, Plaques and Certificates, 1974-2012 (boxes 10 and 11)\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Jacknowitz's teaching career, such as course notes, handouts and overhead slides, faculty activities reports, annual reviews and notices of appointment.\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Jacknowitz's career advancement such as CVs, pamphlets from professional organizations and symposiums, Jacknowitz's published articles and drafts, and lectures and presentations.\u003c/p\u003e","\u003cp\u003eThis series contains cards and letters from former students and peers, memorabilia from Jacknowitz's school days, news clippings and photographs.\u003c/p\u003e","\u003cp\u003eThis series contains papers relating to Jacknowitz's WVU affiliations outside the School of Pharmacy, including the WVU Retirees Association and the WVU Art Museum.\u003c/p\u003e","\u003cp\u003eThis series contains medical and pharmacy related trade magazines and academic journals not authored by Jacknowitz, including \u003ctitle\u003ePharmacy Times\u003c/title\u003e and \u003ctitle\u003eU.S. Pharmacist Hospital Edition\u003c/title\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains the personal and professional papers of longtime West Virginia University School of Pharmacy professor Dr. Arthur \"Art\" Jacknowitz. Notable materials include course materials, original drafts, article reprints, lecture notes, and correspondence. ","The collection also includes several framed awards and plaques, as well as a variety of scientific journals and trade publications. Highlights include Jacknowitz's diploma from the Philadelphia College of Pharmacy, materials from WVU School of Pharmacy's Continuing Education Program for Pharmacists and memorabilia from Jacknowitz's Chair in Clinical Pharmacy dedication ceremony.","The collection is organized into six series.","Series include:","Series 1. Teaching and Evaluation Papers, 1973-2018 (boxes 1-3): Materials relating to Jacknowitz's teaching career, such as course notes, handouts and overhead slides, faculty activities reports, annual reviews and notices of appointment.","Series 2. Research, Scholarship and Service, 1971-2016 (boxes 4 and 5): Materials relating to Jacknowitz's career advancement such as CVs, pamphlets from professional organizations and symposiums, Jacknowitz's published articles and drafts, and lectures and presentations. ","Series 3. Personal Correspondence and Memorabilia, 1954-2019 (boxes 6 and 7): Cards and letters from former students and peers, memorabilia from Jacknowitz's school days, news clippings and photographs.","Series 4. General WVU Papers, 1982-2018 (box 8): Papers relating to Jacknowitz's WVU affiliations outside the School of Pharmacy, including the WVU Retirees Association and the WVU Art Museum.","Series 5. Publications, 1980s-2000s (boxes 8 and 9): Medical and pharmacy related trade magazines and academic journals not authored by Jacknowitz, including  Pharmacy Times  and  U.S. Pharmacist Hospital Edition .","Series 6. Awards, Plaques and Certificates, 1974-2012 (boxes 10 and 11)","This series contains materials relating to Jacknowitz's teaching career, such as course notes, handouts and overhead slides, faculty activities reports, annual reviews and notices of appointment.","This series contains materials relating to Jacknowitz's career advancement such as CVs, pamphlets from professional organizations and symposiums, Jacknowitz's published articles and drafts, and lectures and presentations.","This series contains cards and letters from former students and peers, memorabilia from Jacknowitz's school days, news clippings and photographs.","This series contains papers relating to Jacknowitz's WVU affiliations outside the School of Pharmacy, including the WVU Retirees Association and the WVU Art Museum.","This series contains medical and pharmacy related trade magazines and academic journals not authored by Jacknowitz, including  Pharmacy Times  and  U.S. Pharmacist Hospital Edition ."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b06ecd2c502fe6d9e994dd6cc4077a88\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University. School of Pharmacy","Jacknowitz, Linda"],"names_ssim":["West Virginia and Regional History Center","West Virginia University. School of Pharmacy","Jacknowitz, Linda","Jacknowitz, Arthur I."],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. School of Pharmacy"],"persname_ssim":["Jacknowitz, Linda","Jacknowitz, Arthur I."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:04:04.801Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7060"}},{"id":"virmu_repositories_2_resources_6_c05_c03_c14","type":"File","attributes":{"title":"Articles and Exhibitions","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c05_c03_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c05_c03_c14","ref_ssm":["virmu_repositories_2_resources_6_c05_c03_c14"],"id":"virmu_repositories_2_resources_6_c05_c03_c14","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c05_c03","parent_ssi":"virmu_repositories_2_resources_6_c05_c03","parent_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c05","virmu_repositories_2_resources_6_c05_c03"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c05","virmu_repositories_2_resources_6_c05_c03"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02)","Series 6: Publications","Sub-Series 6.3: Magazines"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02)","Series 6: Publications","Sub-Series 6.3: Magazines"],"text":["Willie Anne Wright Artist Archives (VA-02)","Series 6: Publications","Sub-Series 6.3: Magazines","Articles and Exhibitions","box VA-02 Box 38","folder VA02.06.3.012"],"title_filing_ssi":"Articles and Exhibitions","title_ssm":["Articles and Exhibitions"],"title_tesim":["Articles and Exhibitions"],"unitdate_inclusive_ssm":["1967-2019"],"normalized_date_ssm":["1967/2019"],"normalized_title_ssm":["Articles and Exhibitions"],"component_level_isim":[3],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":692,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"containers_ssim":["box VA-02 Box 38","folder VA02.06.3.012"],"_nest_path_":"/components#4/components#2/components#13","timestamp":"2026-05-21T03:48:32.418Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"text":["VA-02","/repositories/2/resources/6","Willie Anne Wright Artist Archives (VA-02)","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website .","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","This series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.","This series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.","This series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.","This series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creators_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e\n","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e\n","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e","\u003cp\u003eThis series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.\u003c/p\u003e","\u003cp\u003eThis series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.\u003c/p\u003e","\u003cp\u003eThis series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.\u003c/p\u003e","\u003cp\u003eThis series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Series Description","Series Description","Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","This series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.","This series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.","This series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.","This series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"persname_ssim":["Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:48:32.418Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c05_c03_c14"}},{"id":"virmu_repositories_2_resources_6_c05_c03_c15","type":"File","attributes":{"title":"Articles and Exhibitions","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c05_c03_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c05_c03_c15","ref_ssm":["virmu_repositories_2_resources_6_c05_c03_c15"],"id":"virmu_repositories_2_resources_6_c05_c03_c15","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c05_c03","parent_ssi":"virmu_repositories_2_resources_6_c05_c03","parent_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c05","virmu_repositories_2_resources_6_c05_c03"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c05","virmu_repositories_2_resources_6_c05_c03"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02)","Series 6: Publications","Sub-Series 6.3: Magazines"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02)","Series 6: Publications","Sub-Series 6.3: Magazines"],"text":["Willie Anne Wright Artist Archives (VA-02)","Series 6: Publications","Sub-Series 6.3: Magazines","Articles and Exhibitions","box VA-02 Box 38","folder VA02.06.3.013"],"title_filing_ssi":"Articles and Exhibitions","title_ssm":["Articles and Exhibitions"],"title_tesim":["Articles and Exhibitions"],"unitdate_inclusive_ssm":["1944-2019"],"normalized_date_ssm":["1944/2019"],"normalized_title_ssm":["Articles and Exhibitions"],"component_level_isim":[3],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":693,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"containers_ssim":["box VA-02 Box 38","folder VA02.06.3.013"],"_nest_path_":"/components#4/components#2/components#14","timestamp":"2026-05-21T03:48:32.418Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"text":["VA-02","/repositories/2/resources/6","Willie Anne Wright Artist Archives (VA-02)","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website .","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","This series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.","This series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.","This series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.","This series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creators_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e\n","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e\n","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e","\u003cp\u003eThis series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.\u003c/p\u003e","\u003cp\u003eThis series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.\u003c/p\u003e","\u003cp\u003eThis series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.\u003c/p\u003e","\u003cp\u003eThis series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Series Description","Series Description","Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","This series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.","This series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.","This series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.","This series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"persname_ssim":["Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:48:32.418Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c05_c03_c15"}},{"id":"virmu_repositories_2_resources_15986_c06_c01","type":"File","attributes":{"title":"Articles and Interviews","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_15986_c06_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_15986_c06_c01","ref_ssm":["virmu_repositories_2_resources_15986_c06_c01"],"id":"virmu_repositories_2_resources_15986_c06_c01","ead_ssi":"virmu_repositories_2_resources_15986","_root_":"virmu_repositories_2_resources_15986","_nest_parent_":"virmu_repositories_2_resources_15986_c06","parent_ssi":"virmu_repositories_2_resources_15986_c06","parent_ssim":["virmu_repositories_2_resources_15986","virmu_repositories_2_resources_15986_c06"],"parent_ids_ssim":["virmu_repositories_2_resources_15986","virmu_repositories_2_resources_15986_c06"],"parent_unittitles_ssm":["Marsha Polier Artist Archives (VA-13)","Series 6: Publications"],"parent_unittitles_tesim":["Marsha Polier Artist Archives (VA-13)","Series 6: Publications"],"text":["Marsha Polier Artist Archives (VA-13)","Series 6: Publications","Articles and Interviews","box VA-13 Box 1","folder VA13.06.0.001"],"title_filing_ssi":"Articles and Interviews","title_ssm":["Articles and Interviews"],"title_tesim":["Articles and Interviews"],"unitdate_inclusive_ssm":["1974-2023"],"normalized_date_ssm":["1974/2023"],"normalized_title_ssm":["Articles and Interviews"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Marsha Polier Artist Archives (VA-13)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":21,"parent_access_restrict_tesm":["Open for Research: The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"containers_ssim":["box VA-13 Box 1","folder VA13.06.0.001"],"_nest_path_":"/components#5/components#0","timestamp":"2026-05-21T03:21:32.519Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_15986","ead_ssi":"virmu_repositories_2_resources_15986","_root_":"virmu_repositories_2_resources_15986","_nest_parent_":"virmu_repositories_2_resources_15986","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_15986.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/15986","title_filing_ssi":"Polier, Marsha (VA-13)","title_ssm":["Marsha Polier Artist Archives (VA-13)"],"title_tesim":["Marsha Polier Artist Archives (VA-13)"],"unitdate_ssm":["1968-2023"],"unitdate_inclusive_ssm":["1968-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-13","/repositories/2/resources/15986"],"text":["VA-13","/repositories/2/resources/15986","Marsha Polier Artist Archives (VA-13)","Women artists.","Artists -- Virginia","Photography, Artistic","Open for Research: The collection is open for research.","The collection is organized into 6 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","In 1972 Marsha Polier Grossman graduated from VCU with a BFA from the Department of Communication Arts and Design. Thus, well prepared as a graphic designer, she has put her education to use as an illustrator for the Division of State Planning and Community Affairs, as an assistant art director for an advertising agency, as an instructor of photography at the Virginia Museum of Fine Arts, as a freelance photographer, and as a part-time graphic designer for Philip Morris U.S.A. ","Early in the 1970s she simply started dabbling with watercolors on her own photographs, and was so pleased with the results that she began to explore the procedure in earnest. The diversity of the medium intrigues Marsha, and she feels that she has only begun to tap its potential. Sometimes she experiments with oils, pastels, or crayons, but watercolor remains her favorite medium because of its translucent quality and the control that she can maintain with brushes. ","Marsha has distinguished herself in the fine art of hand colored photography. Her work has been published both nationally and internationally. ","Source: \"VCU School of the Arts, Alumni Edition 1\" ","The collection was donated to the VMFA Archives by Marsha Polier in October 2023.","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","The collection consists of correspondence, ephemera, newspapers, and postcards that document Grossman's life and career.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Born in 1949, Marsha Polier Grossman has held a long career acting in various artistic roles, such as graphic designer, photographer, and instructor, to name a few. In the 1970s and 1980s, Grossman frequently exhibited at the Virginia Museum of Fine Arts, alongside other prominent Virginia photographers. Her collection includes examples of her artwork, correspondence with other artists, and information on exhibitions in which she was a participant.","Virginia Museum of Fine Arts Archives","Polier-Grossman, Marsha","English \n.    "],"unitid_tesim":["VA-13","/repositories/2/resources/15986"],"normalized_title_ssm":["Marsha Polier Artist Archives (VA-13)"],"collection_title_tesim":["Marsha Polier Artist Archives (VA-13)"],"collection_ssim":["Marsha Polier Artist Archives (VA-13)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Polier-Grossman, Marsha"],"creator_ssim":["Polier-Grossman, Marsha"],"creator_persname_ssim":["Polier-Grossman, Marsha"],"creators_ssim":["Polier-Grossman, Marsha"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Women artists.","Artists -- Virginia","Photography, Artistic"],"access_subjects_ssm":["Women artists.","Artists -- Virginia","Photography, Artistic"],"has_online_content_ssim":["false"],"extent_ssm":["1 box 1 box"],"extent_tesim":["1 box 1 box"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eOpen for Research: The collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open for Research: The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 6 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 6 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series."],"bioghist_html_tesm":["\u003cp\u003eIn 1972 Marsha Polier Grossman graduated from VCU with a BFA from the Department of Communication Arts and Design. Thus, well prepared as a graphic designer, she has put her education to use as an illustrator for the Division of State Planning and Community Affairs, as an assistant art director for an advertising agency, as an instructor of photography at the Virginia Museum of Fine Arts, as a freelance photographer, and as a part-time graphic designer for Philip Morris U.S.A. \u003c/p\u003e\n","\u003cp\u003eEarly in the 1970s she simply started dabbling with watercolors on her own photographs, and was so pleased with the results that she began to explore the procedure in earnest. The diversity of the medium intrigues Marsha, and she feels that she has only begun to tap its potential. Sometimes she experiments with oils, pastels, or crayons, but watercolor remains her favorite medium because of its translucent quality and the control that she can maintain with brushes. \u003c/p\u003e\n","\u003cp\u003eMarsha has distinguished herself in the fine art of hand colored photography. Her work has been published both nationally and internationally. \u003c/p\u003e\n","\u003cp\u003eSource: \"VCU School of the Arts, Alumni Edition 1\" \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In 1972 Marsha Polier Grossman graduated from VCU with a BFA from the Department of Communication Arts and Design. Thus, well prepared as a graphic designer, she has put her education to use as an illustrator for the Division of State Planning and Community Affairs, as an assistant art director for an advertising agency, as an instructor of photography at the Virginia Museum of Fine Arts, as a freelance photographer, and as a part-time graphic designer for Philip Morris U.S.A. ","Early in the 1970s she simply started dabbling with watercolors on her own photographs, and was so pleased with the results that she began to explore the procedure in earnest. The diversity of the medium intrigues Marsha, and she feels that she has only begun to tap its potential. Sometimes she experiments with oils, pastels, or crayons, but watercolor remains her favorite medium because of its translucent quality and the control that she can maintain with brushes. ","Marsha has distinguished herself in the fine art of hand colored photography. Her work has been published both nationally and internationally. ","Source: \"VCU School of the Arts, Alumni Edition 1\" "],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Marsha Polier in October 2023.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Marsha Polier in October 2023."],"prefercite_html_tesm":["\u003cp\u003eMarsha Polier Artist Archives (VA-13). Gift of Marsha Polier. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Marsha Polier Artist Archives (VA-13). Gift of Marsha Polier. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of correspondence, ephemera, newspapers, and postcards that document Grossman's life and career.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of correspondence, ephemera, newspapers, and postcards that document Grossman's life and career."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c40a73731030f0bccd99894fe4221b9d\"\u003eBorn in 1949, Marsha Polier Grossman has held a long career acting in various artistic roles, such as graphic designer, photographer, and instructor, to name a few. In the 1970s and 1980s, Grossman frequently exhibited at the Virginia Museum of Fine Arts, alongside other prominent Virginia photographers. Her collection includes examples of her artwork, correspondence with other artists, and information on exhibitions in which she was a participant.\u003c/abstract\u003e"],"abstract_tesim":["Born in 1949, Marsha Polier Grossman has held a long career acting in various artistic roles, such as graphic designer, photographer, and instructor, to name a few. In the 1970s and 1980s, Grossman frequently exhibited at the Virginia Museum of Fine Arts, alongside other prominent Virginia photographers. Her collection includes examples of her artwork, correspondence with other artists, and information on exhibitions in which she was a participant."],"names_ssim":["Virginia Museum of Fine Arts Archives","Polier-Grossman, Marsha"],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"persname_ssim":["Polier-Grossman, Marsha"],"language_ssim":["English \n.    "],"total_component_count_is":23,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:21:32.519Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_15986_c06_c01"}},{"id":"viw_repositories_2_resources_10011_c01_c01","type":"File","attributes":{"title":"Articles and programs","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_10011_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_10011_c01_c01","ref_ssm":["viw_repositories_2_resources_10011_c01_c01"],"id":"viw_repositories_2_resources_10011_c01_c01","ead_ssi":"viw_repositories_2_resources_10011","_root_":"viw_repositories_2_resources_10011","_nest_parent_":"viw_repositories_2_resources_10011_c01","parent_ssi":"viw_repositories_2_resources_10011_c01","parent_ssim":["viw_repositories_2_resources_10011","viw_repositories_2_resources_10011_c01"],"parent_ids_ssim":["viw_repositories_2_resources_10011","viw_repositories_2_resources_10011_c01"],"parent_unittitles_ssm":["Williamsburg Bird Club records","Series I. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. 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Consult repository for details.","The original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The Michael McGee Donation is restricted and requires permission from the donor to view the item.","\nThe audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series.","Original media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Arranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.","\nThe University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:","Series 1, Physal (Analog) Materials:","\nSubseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.","\nSubseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.","\nSubseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:","\nFile 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.","\nSeries 2, Born-Digital materials:","\nSubseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018. ","\nSubseries 2, Archived web pages, 1/13/2015-2020:","\nFile 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.","\nSubseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.","\nSubseries 4, Audio files (songs on audio-cassette), 2/26/2018.","\nThe collection of Twitter data is not yet open for research, and will be made available when it is processed.","On the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.","\nAccording to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.","\nOn August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.","\nViolence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.","\nThe violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations.","For accessing rolled oversized materials (tubes 6-11):","These items are stored rolled around the exterior of the tube.","2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.","Sandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.","The sheet of Tyvek should remain on the underside/\nunmarked backing of the item.","Once these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)","Now rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center. ","The original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022.","Related materials documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:","Boggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content."," Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1.","This collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThis collection documents the events of August 11 and 12, 2017 that occurred in  Charlottesville, Virginia , and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to  Charlottesville City Hall , which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.","\nSeveral community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes  University of Virginia  students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.","\nThe Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the  July 8, 2017  KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.","\nIn the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the  August 11, 2017  torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.","\nThe Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after  August 12, 2017 . The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of  Charlottesville , and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.","\nThe other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.","\nAlso in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.","\nThe periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.","\nThe Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the  University of Virginia Library . While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.","\nThe growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.","The Physical (Analog) materials series contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains items that help to contextualize these events as part of the \"summer of hate\". Most notably, a tear gas canister used by the police was recovered from the July 8 rally. Some of the materials that capture the community's reaction to July 8 and its reaction to the planned August 12 rally include notes from a July 14 city meeting, articles about the KKK rally, a July 14 press conference release, flyers and a zine regarding the Lee and Jackson statues and the \"Unite the Right\" rally, and a printout of an online announcement from the Office of the President of the University of Virginia about the rally scheduled for August 12. There are also printed email correspondence between members of city council, and Charlottesville police officers from August 10, 2017.","\nThe Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries relates to the events and ongoings of August 11 and 12, 2017. Correspondence among Charlottesville police officers and among members of Charlottesville City Council reveal the plans, logistics, and reactions in real time to the incidents taking place on the night of August 11, 2017 when white nationalists/white supremacists gathered holding 'Tiki' torches, five of which are included in this subseries as the first 5 tube boxes. Materials included from the August 12 rally are posters and signs expressing opposition to white supremacy and fascism that were carried by counter-protesters, and artifacts like a red armband, a red flag, and a remnant of kekistan flag burned in Justice Park. There are also printed materials recovered from that day, such as flyers and programs for church services, an educational zine, an anti-fascist flyer, and a white supremacy flyer.","\nThe Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains materials created in response to the events of August 11 and 12, 2017. Most of the correspondence materials consist of letters, postcards, cards, and handmade cards from around the world expressing support and solidarity for the leaders and people of Charlottesville. These correspondence were sent from public officials, public offices, businesses, organizations, institutions, individuals, and communities. A smaller section of correspondence, titled 'other correspondence', express either support not related to August 11 and 12, severe criticism of members of Charlottesville City Council and the Charlottesville Police Department, hateful and derogatory messages towards the Mayor and Vice Mayor of Charlottesville, a particular narrative of southern history, or extreme racism towards black people and people of color, in general.","In this subseries there are printed materials that include announcements, pamphlets, flyers and programs for church services and counseling sessions, informational zines, and fascist and anti-fascist paraphernalia. There are responses from the University of Virginia, legal documents, and official reports, as well, about the events of August 11 and 12, 2017. Additionally, printed publications, like newspapers are included, as well as a double-cassette album of music dedicated to the events, the digital files of which are included in the second series, \"Born-Digital materials\".","\nThe condolence artifacts in this subseries include handmade banners, tablecloths and painted canvases, some of which are signed by communities showing support. There are also other trinkets like wrists bands and bottons sent as forms of support.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","Some materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this series contain offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Born-digital materials series consists of digital photographs, video recordings, typed narratives, archived web pages, archived tweets and twitter IDs, and digitial audio files.","\nThe Stories and audiovisual materials submitted via online collection site subseries consists of digital photographs, video recordings, and typed narratives submitted via an online portal on the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website, and include descriptive information, dates, and locations provided by the donors.","\nThe digital photographs and video recordings include documentation of KKK members and of protesters taken during the July 8 KKK rally, pictures of \"Unite the Right\" protesters, counter-protesters, and police taken during the August 12 \"Unite the Right\" rally, and pictures of events, memorials, memorabilia that document the community response to the events of August 11 and 12, 2017. The contents of these materials detail the movements of people in Charlottesville leading up to the confrontations that took place on July 8, and on August 12 at Market Street Park (formerly known as Lee Park and later Emancipation Park) when violence errupted. They also exhibit the many examples of the responses from the community of Charlottesville in the form of temporary memorials, like flowers, signs, messages written on walls.","\nThe narratives describe the personal accounts and experiences of individuals from events that occurred on August 11 and 12, 2017, and also reflections on white supremacy and violence in Charlottesville. They also document some of the emotional responses to events of August 11 and 12, 2017. This subseries also includes a small number of emails sent to University of Virginia President Teresa Sullivan.","\nThe Archived webpages subseries is divided into two separate files, each of which is a collection of archived websites. Each consists of archived websites and webpages relating to the events in Charlottesville, VA on August 11 and 12, 2017 made accessible via the provided hyperlinks.","\nThe first directs researchers to the University of Virginia Collection on Events in Charlottesville, VA, August 11-13, 2017 web archive on the Archive-It website. The second directs researchers to the web archive collection titled, \"MSS16386_WARNING_OFFENSIVECONTENT\" accessible on the ReplayWeb website. The collections include archived websites and webpages in various formats (blogs, forums, news websites, and social media) relating to the events of August 11 and 12, 2017 in Charlottesville, VA and their aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content from the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nThe Arhived tweets and Twitter datasets subseries includes archived social media that reveals some of the conversation around Charlottesville as a political focal point on Twitter. Tweets that were captured, and Tweet IDs and Twitter datasets that were harvested using Twarc, Twitter APIs, Archive-It, and webrecorder during and after August 11 and 12, 2017, and on the one-year anniversary of the \"Unite the Right\" rally are distributed across the political spectrum. A wide range of hashtags for Charlottesville, hoosagainsthate, and hoostogether were captured for the collection, as well as timelines and accounts from the university and from the city of Charlottesville. At this time this subseries is not open for research, but will be made available when it is processed.","\nThe Audio-cassette subseries consists of digital audio files from the download card that was included with the set of two audio-cassettes. The content of the audio-cassettes, and of the digital files are recorded songs created in response to the events of August 11 and 12, 2017, and were donated with a printed track listing.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nThis subseries includes two separate collections of archived webpages. One collection was captured using Archive-It web crawling tools and is accessible via Archive-It.org. The second collection was captured using Webrecorder and is accessible via ReplayWeb.page. Web content are based on user preferences and interests, and are thus adaptive, dynamic, and quickly changing. This can lead researchers to a number of challenges in viewing archived websites, including necessitating the use of multiple tools and a variety of search strategies. ","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The materials in this web archive collection on Archive-It.org contain offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nWebsites in this sub-series were captured using Archive-It web crawling tools and are being made available through Archive-It.org. These include archived websites and webpages in various formats, such as blogs, news websites, and social media related to the \"Unite the Right\" rally and its aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content created in the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","\tThe materials in this collection of webpages on ReplayWab.page contains offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nWebsites and webpages in this sub-series were captured using a tool called Webrecorder and are being made available through ReplayWeb.page. Archived content is presented in various formats relating to the events and aftermath of the \"Unite the Right\" rally held in Charlottesville, Virginia on August 11 and 12, 2017.  These include blogs, news websites, articles by the Southern Poverty Law Center, pages from the GoFundMe crowdfunding platform, pages from the Reddit and Daily Stormer discussion websites, and pages from the anonymous imageboard site 4chan. Hyperlinks to the web content created in the wake of August 11 and 12, 2017 were gathered and captured from 2017 through 2020. The November 2019 additions were due to Unicorn Riot's access to the Vimeo streaming server archive no longer being financially supported. UVA administration asked that these materials be archived.   ","\nThese materials must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The contents include recorded songs dedicated to the events of August 11 and 12, 2017. The cassette included a digital download code. The digital files can be accessed using the link in the finding aid (digital object).","Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator.","Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library","English"],"unitid_tesim":["MSS 16386","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/754"],"normalized_title_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"collection_title_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"collection_ssim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creator_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creator_corpname_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creators_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"access_terms_ssm":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"acqinfo_ssim":["Anonymous donors.\nUniversity of Virginia Library staff.\nCharlottesville residents.\nCharlottesville City hall. \nOther, Individual donors, e.g: Michael McGee, Rosemary Balister, Derek Brown, Arlyn Newcomb, Tyler Magill, Sarah Brazelton."],"access_subjects_ssim":["race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media "],"access_subjects_ssm":["race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media "],"has_online_content_ssim":["true"],"extent_ssm":["50 Cubic Feet","19.74 Gigabytes"],"extent_tesim":["50 Cubic Feet","19.74 Gigabytes"],"genreform_ssim":["Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media "],"date_range_isim":[2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe majority of the collection is open for research use.\u003c/p\u003e\n","\u003cp\u003eThe story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.\u003c/p\u003e\n","\u003cp\u003eThe original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.\u003c/p\u003e","\u003cp\u003eArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.\u003c/p\u003e\n","\u003cp\u003eMaterials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.\u003c/p\u003e","\u003cp\u003eThe Michael McGee Donation is restricted and requires permission from the donor to view the item.\u003c/p\u003e\n","\u003cp\u003e\nThe audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series.\u003c/p\u003e","\u003cp\u003eOriginal media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Access of born-digital materials - archived webpages","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The majority of the collection is open for research use.","The story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.","The original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The Michael McGee Donation is restricted and requires permission from the donor to view the item.","\nThe audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series.","Original media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'."],"arrangement_html_tesm":["\u003cp\u003eArranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.\u003c/p\u003e\n","\u003cp\u003e\nThe University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:\u003c/p\u003e\n","\u003cp\u003eSeries 1, Physal (Analog) Materials:\u003c/p\u003e\n","\u003cp\u003e\nSubseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries 2, Born-Digital materials:\u003c/p\u003e\n","\u003cp\u003e\nSubseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018. \u003c/p\u003e\n","\u003cp\u003e\nSubseries 2, Archived web pages, 1/13/2015-2020:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 4, Audio files (songs on audio-cassette), 2/26/2018.\u003c/p\u003e\n","\u003cp\u003e\nThe collection of Twitter data is not yet open for research, and will be made available when it is processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.","\nThe University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:","Series 1, Physal (Analog) Materials:","\nSubseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.","\nSubseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.","\nSubseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:","\nFile 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.","\nSeries 2, Born-Digital materials:","\nSubseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018. ","\nSubseries 2, Archived web pages, 1/13/2015-2020:","\nFile 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.","\nSubseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.","\nSubseries 4, Audio files (songs on audio-cassette), 2/26/2018.","\nThe collection of Twitter data is not yet open for research, and will be made available when it is processed."],"bioghist_html_tesm":["\u003cp\u003eOn the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.\u003c/p\u003e\n","\u003cp\u003e\nAccording to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.\u003c/p\u003e\n","\u003cp\u003e\nOn August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.\u003c/p\u003e\n","\u003cp\u003e\nViolence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.\u003c/p\u003e\n","\u003cp\u003e\nThe violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["On the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.","\nAccording to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.","\nOn August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.","\nViolence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.","\nThe violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations."],"odd_html_tesm":["\u003cp\u003eFor accessing rolled oversized materials (tubes 6-11):\u003c/p\u003e\n","\u003cp\u003eThese items are stored rolled around the exterior of the tube.\u003c/p\u003e\n","\u003cp\u003e2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.\u003c/p\u003e\n","\u003cp\u003eSandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.\u003c/p\u003e\n","\u003cp\u003eThe sheet of Tyvek should remain on the underside/\nunmarked backing of the item.\u003c/p\u003e\n","\u003cp\u003eOnce these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)\u003c/p\u003e\n","\u003cp\u003eNow rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center. \u003c/p\u003e"],"odd_heading_ssm":["Physical Access"],"odd_tesim":["For accessing rolled oversized materials (tubes 6-11):","These items are stored rolled around the exterior of the tube.","2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.","Sandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.","The sheet of Tyvek should remain on the underside/\nunmarked backing of the item.","Once these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)","Now rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16386, The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, Albert and Shirley Small Special Collections Library, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["MSS 16386, The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, Albert and Shirley Small Special Collections Library, University of Virginia"],"processinfo_html_tesm":["\u003cp\u003eThe original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated materials documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:\u003c/p\u003e\n","\u003cp\u003eBoggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content.\u003c/p\u003e\n","\u003cp\u003e Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related materials documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:","Boggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content."," Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThis collection documents the events of August 11 and 12, 2017 that occurred in \u003cgeogname\u003eCharlottesville, Virginia\u003c/geogname\u003e, and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to \u003ccorpname\u003eCharlottesville City Hall\u003c/corpname\u003e, which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.\u003c/p\u003e\n","\u003cp\u003e\nSeveral community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.\u003c/p\u003e\n","\u003cp\u003e\nThe Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the \u003cdate\u003eJuly 8, 2017\u003c/date\u003e KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.\u003c/p\u003e\n","\u003cp\u003e\nIn the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the \u003cdate\u003eAugust 11, 2017\u003c/date\u003e torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.\u003c/p\u003e\n","\u003cp\u003e\nThe Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after \u003cdate\u003eAugust 12, 2017\u003c/date\u003e. The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e, and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.\u003c/p\u003e\n","\u003cp\u003e\nThe other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.\u003c/p\u003e\n","\u003cp\u003e\nAlso in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.\u003c/p\u003e\n","\u003cp\u003e\nThe periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.\u003c/p\u003e\n","\u003cp\u003e\nThe Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the \u003ccorpname\u003eUniversity of Virginia Library\u003c/corpname\u003e. While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.\u003c/p\u003e\n","\u003cp\u003e\nThe growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.\u003c/p\u003e","\u003cp\u003eThe Physical (Analog) materials series contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThe Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains items that help to contextualize these events as part of the \"summer of hate\". Most notably, a tear gas canister used by the police was recovered from the July 8 rally. Some of the materials that capture the community's reaction to July 8 and its reaction to the planned August 12 rally include notes from a July 14 city meeting, articles about the KKK rally, a July 14 press conference release, flyers and a zine regarding the Lee and Jackson statues and the \"Unite the Right\" rally, and a printout of an online announcement from the Office of the President of the University of Virginia about the rally scheduled for August 12. There are also printed email correspondence between members of city council, and Charlottesville police officers from August 10, 2017.\u003c/p\u003e\n","\u003cp\u003e\nThe Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries relates to the events and ongoings of August 11 and 12, 2017. Correspondence among Charlottesville police officers and among members of Charlottesville City Council reveal the plans, logistics, and reactions in real time to the incidents taking place on the night of August 11, 2017 when white nationalists/white supremacists gathered holding 'Tiki' torches, five of which are included in this subseries as the first 5 tube boxes. Materials included from the August 12 rally are posters and signs expressing opposition to white supremacy and fascism that were carried by counter-protesters, and artifacts like a red armband, a red flag, and a remnant of kekistan flag burned in Justice Park. There are also printed materials recovered from that day, such as flyers and programs for church services, an educational zine, an anti-fascist flyer, and a white supremacy flyer.\u003c/p\u003e\n","\u003cp\u003e\nThe Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains materials created in response to the events of August 11 and 12, 2017. Most of the correspondence materials consist of letters, postcards, cards, and handmade cards from around the world expressing support and solidarity for the leaders and people of Charlottesville. These correspondence were sent from public officials, public offices, businesses, organizations, institutions, individuals, and communities. A smaller section of correspondence, titled 'other correspondence', express either support not related to August 11 and 12, severe criticism of members of Charlottesville City Council and the Charlottesville Police Department, hateful and derogatory messages towards the Mayor and Vice Mayor of Charlottesville, a particular narrative of southern history, or extreme racism towards black people and people of color, in general.\u003c/p\u003e\n","\u003cp\u003eIn this subseries there are printed materials that include announcements, pamphlets, flyers and programs for church services and counseling sessions, informational zines, and fascist and anti-fascist paraphernalia. There are responses from the University of Virginia, legal documents, and official reports, as well, about the events of August 11 and 12, 2017. Additionally, printed publications, like newspapers are included, as well as a double-cassette album of music dedicated to the events, the digital files of which are included in the second series, \"Born-Digital materials\".\u003c/p\u003e\n","\u003cp\u003e\nThe condolence artifacts in this subseries include handmade banners, tablecloths and painted canvases, some of which are signed by communities showing support. There are also other trinkets like wrists bands and bottons sent as forms of support.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eSome materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eThe materials in this series contain offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThe Born-digital materials series consists of digital photographs, video recordings, typed narratives, archived web pages, archived tweets and twitter IDs, and digitial audio files.\u003c/p\u003e\n","\u003cp\u003e\nThe Stories and audiovisual materials submitted via online collection site subseries consists of digital photographs, video recordings, and typed narratives submitted via an online portal on the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website, and include descriptive information, dates, and locations provided by the donors.\u003c/p\u003e\n","\u003cp\u003e\nThe digital photographs and video recordings include documentation of KKK members and of protesters taken during the July 8 KKK rally, pictures of \"Unite the Right\" protesters, counter-protesters, and police taken during the August 12 \"Unite the Right\" rally, and pictures of events, memorials, memorabilia that document the community response to the events of August 11 and 12, 2017. The contents of these materials detail the movements of people in Charlottesville leading up to the confrontations that took place on July 8, and on August 12 at Market Street Park (formerly known as Lee Park and later Emancipation Park) when violence errupted. They also exhibit the many examples of the responses from the community of Charlottesville in the form of temporary memorials, like flowers, signs, messages written on walls.\u003c/p\u003e\n","\u003cp\u003e\nThe narratives describe the personal accounts and experiences of individuals from events that occurred on August 11 and 12, 2017, and also reflections on white supremacy and violence in Charlottesville. They also document some of the emotional responses to events of August 11 and 12, 2017. This subseries also includes a small number of emails sent to University of Virginia President Teresa Sullivan.\u003c/p\u003e\n","\u003cp\u003e\nThe Archived webpages subseries is divided into two separate files, each of which is a collection of archived websites. Each consists of archived websites and webpages relating to the events in Charlottesville, VA on August 11 and 12, 2017 made accessible via the provided hyperlinks.\u003c/p\u003e\n","\u003cp\u003e\nThe first directs researchers to the University of Virginia Collection on Events in Charlottesville, VA, August 11-13, 2017 web archive on the Archive-It website. The second directs researchers to the web archive collection titled, \"MSS16386_WARNING_OFFENSIVECONTENT\" accessible on the ReplayWeb website. The collections include archived websites and webpages in various formats (blogs, forums, news websites, and social media) relating to the events of August 11 and 12, 2017 in Charlottesville, VA and their aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content from the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.\u003c/p\u003e\n","\u003cp\u003e\nThe Arhived tweets and Twitter datasets subseries includes archived social media that reveals some of the conversation around Charlottesville as a political focal point on Twitter. Tweets that were captured, and Tweet IDs and Twitter datasets that were harvested using Twarc, Twitter APIs, Archive-It, and webrecorder during and after August 11 and 12, 2017, and on the one-year anniversary of the \"Unite the Right\" rally are distributed across the political spectrum. A wide range of hashtags for Charlottesville, hoosagainsthate, and hoostogether were captured for the collection, as well as timelines and accounts from the university and from the city of Charlottesville. At this time this subseries is not open for research, but will be made available when it is processed.\u003c/p\u003e\n","\u003cp\u003e\nThe Audio-cassette subseries consists of digital audio files from the download card that was included with the set of two audio-cassettes. The content of the audio-cassettes, and of the digital files are recorded songs created in response to the events of August 11 and 12, 2017, and were donated with a printed track listing.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e\n","\u003cp\u003e\nThis subseries includes two separate collections of archived webpages. One collection was captured using Archive-It web crawling tools and is accessible via Archive-It.org. The second collection was captured using Webrecorder and is accessible via ReplayWeb.page. Web content are based on user preferences and interests, and are thus adaptive, dynamic, and quickly changing. This can lead researchers to a number of challenges in viewing archived websites, including necessitating the use of multiple tools and a variety of search strategies. \u003c/p\u003e\n","\u003cp\u003eArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.\u003c/p\u003e\n","\u003cp\u003eMaterials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.\u003c/p\u003e","\u003cp\u003eThe materials in this web archive collection on Archive-It.org contain offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nWebsites in this sub-series were captured using Archive-It web crawling tools and are being made available through Archive-It.org. These include archived websites and webpages in various formats, such as blogs, news websites, and social media related to the \"Unite the Right\" rally and its aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content created in the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.\u003c/p\u003e\n","\u003cp\u003e\nArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.\u003c/p\u003e","\u003cp\u003e\tThe materials in this collection of webpages on ReplayWab.page contains offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e\n","\u003cp\u003e\nWebsites and webpages in this sub-series were captured using a tool called Webrecorder and are being made available through ReplayWeb.page. Archived content is presented in various formats relating to the events and aftermath of the \"Unite the Right\" rally held in Charlottesville, Virginia on August 11 and 12, 2017.  These include blogs, news websites, articles by the Southern Poverty Law Center, pages from the GoFundMe crowdfunding platform, pages from the Reddit and Daily Stormer discussion websites, and pages from the anonymous imageboard site 4chan. Hyperlinks to the web content created in the wake of August 11 and 12, 2017 were gathered and captured from 2017 through 2020. The November 2019 additions were due to Unicorn Riot's access to the Vimeo streaming server archive no longer being financially supported. UVA administration asked that these materials be archived.   \u003c/p\u003e\n","\u003cp\u003e\nThese materials must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.\u003c/p\u003e","\u003cp\u003eThe contents include recorded songs dedicated to the events of August 11 and 12, 2017. The cassette included a digital download code. The digital files can be accessed using the link in the finding aid (digital object).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThis collection documents the events of August 11 and 12, 2017 that occurred in  Charlottesville, Virginia , and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to  Charlottesville City Hall , which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.","\nSeveral community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes  University of Virginia  students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.","\nThe Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the  July 8, 2017  KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.","\nIn the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the  August 11, 2017  torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.","\nThe Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after  August 12, 2017 . The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of  Charlottesville , and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.","\nThe other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.","\nAlso in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.","\nThe periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.","\nThe Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the  University of Virginia Library . While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.","\nThe growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.","The Physical (Analog) materials series contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains items that help to contextualize these events as part of the \"summer of hate\". Most notably, a tear gas canister used by the police was recovered from the July 8 rally. Some of the materials that capture the community's reaction to July 8 and its reaction to the planned August 12 rally include notes from a July 14 city meeting, articles about the KKK rally, a July 14 press conference release, flyers and a zine regarding the Lee and Jackson statues and the \"Unite the Right\" rally, and a printout of an online announcement from the Office of the President of the University of Virginia about the rally scheduled for August 12. There are also printed email correspondence between members of city council, and Charlottesville police officers from August 10, 2017.","\nThe Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries relates to the events and ongoings of August 11 and 12, 2017. Correspondence among Charlottesville police officers and among members of Charlottesville City Council reveal the plans, logistics, and reactions in real time to the incidents taking place on the night of August 11, 2017 when white nationalists/white supremacists gathered holding 'Tiki' torches, five of which are included in this subseries as the first 5 tube boxes. Materials included from the August 12 rally are posters and signs expressing opposition to white supremacy and fascism that were carried by counter-protesters, and artifacts like a red armband, a red flag, and a remnant of kekistan flag burned in Justice Park. There are also printed materials recovered from that day, such as flyers and programs for church services, an educational zine, an anti-fascist flyer, and a white supremacy flyer.","\nThe Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains materials created in response to the events of August 11 and 12, 2017. Most of the correspondence materials consist of letters, postcards, cards, and handmade cards from around the world expressing support and solidarity for the leaders and people of Charlottesville. These correspondence were sent from public officials, public offices, businesses, organizations, institutions, individuals, and communities. A smaller section of correspondence, titled 'other correspondence', express either support not related to August 11 and 12, severe criticism of members of Charlottesville City Council and the Charlottesville Police Department, hateful and derogatory messages towards the Mayor and Vice Mayor of Charlottesville, a particular narrative of southern history, or extreme racism towards black people and people of color, in general.","In this subseries there are printed materials that include announcements, pamphlets, flyers and programs for church services and counseling sessions, informational zines, and fascist and anti-fascist paraphernalia. There are responses from the University of Virginia, legal documents, and official reports, as well, about the events of August 11 and 12, 2017. Additionally, printed publications, like newspapers are included, as well as a double-cassette album of music dedicated to the events, the digital files of which are included in the second series, \"Born-Digital materials\".","\nThe condolence artifacts in this subseries include handmade banners, tablecloths and painted canvases, some of which are signed by communities showing support. There are also other trinkets like wrists bands and bottons sent as forms of support.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","Some materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this series contain offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Born-digital materials series consists of digital photographs, video recordings, typed narratives, archived web pages, archived tweets and twitter IDs, and digitial audio files.","\nThe Stories and audiovisual materials submitted via online collection site subseries consists of digital photographs, video recordings, and typed narratives submitted via an online portal on the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website, and include descriptive information, dates, and locations provided by the donors.","\nThe digital photographs and video recordings include documentation of KKK members and of protesters taken during the July 8 KKK rally, pictures of \"Unite the Right\" protesters, counter-protesters, and police taken during the August 12 \"Unite the Right\" rally, and pictures of events, memorials, memorabilia that document the community response to the events of August 11 and 12, 2017. The contents of these materials detail the movements of people in Charlottesville leading up to the confrontations that took place on July 8, and on August 12 at Market Street Park (formerly known as Lee Park and later Emancipation Park) when violence errupted. They also exhibit the many examples of the responses from the community of Charlottesville in the form of temporary memorials, like flowers, signs, messages written on walls.","\nThe narratives describe the personal accounts and experiences of individuals from events that occurred on August 11 and 12, 2017, and also reflections on white supremacy and violence in Charlottesville. They also document some of the emotional responses to events of August 11 and 12, 2017. This subseries also includes a small number of emails sent to University of Virginia President Teresa Sullivan.","\nThe Archived webpages subseries is divided into two separate files, each of which is a collection of archived websites. Each consists of archived websites and webpages relating to the events in Charlottesville, VA on August 11 and 12, 2017 made accessible via the provided hyperlinks.","\nThe first directs researchers to the University of Virginia Collection on Events in Charlottesville, VA, August 11-13, 2017 web archive on the Archive-It website. The second directs researchers to the web archive collection titled, \"MSS16386_WARNING_OFFENSIVECONTENT\" accessible on the ReplayWeb website. The collections include archived websites and webpages in various formats (blogs, forums, news websites, and social media) relating to the events of August 11 and 12, 2017 in Charlottesville, VA and their aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content from the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nThe Arhived tweets and Twitter datasets subseries includes archived social media that reveals some of the conversation around Charlottesville as a political focal point on Twitter. Tweets that were captured, and Tweet IDs and Twitter datasets that were harvested using Twarc, Twitter APIs, Archive-It, and webrecorder during and after August 11 and 12, 2017, and on the one-year anniversary of the \"Unite the Right\" rally are distributed across the political spectrum. A wide range of hashtags for Charlottesville, hoosagainsthate, and hoostogether were captured for the collection, as well as timelines and accounts from the university and from the city of Charlottesville. At this time this subseries is not open for research, but will be made available when it is processed.","\nThe Audio-cassette subseries consists of digital audio files from the download card that was included with the set of two audio-cassettes. The content of the audio-cassettes, and of the digital files are recorded songs created in response to the events of August 11 and 12, 2017, and were donated with a printed track listing.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nThis subseries includes two separate collections of archived webpages. One collection was captured using Archive-It web crawling tools and is accessible via Archive-It.org. The second collection was captured using Webrecorder and is accessible via ReplayWeb.page. Web content are based on user preferences and interests, and are thus adaptive, dynamic, and quickly changing. This can lead researchers to a number of challenges in viewing archived websites, including necessitating the use of multiple tools and a variety of search strategies. ","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The materials in this web archive collection on Archive-It.org contain offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nWebsites in this sub-series were captured using Archive-It web crawling tools and are being made available through Archive-It.org. These include archived websites and webpages in various formats, such as blogs, news websites, and social media related to the \"Unite the Right\" rally and its aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content created in the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","\tThe materials in this collection of webpages on ReplayWab.page contains offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nWebsites and webpages in this sub-series were captured using a tool called Webrecorder and are being made available through ReplayWeb.page. Archived content is presented in various formats relating to the events and aftermath of the \"Unite the Right\" rally held in Charlottesville, Virginia on August 11 and 12, 2017.  These include blogs, news websites, articles by the Southern Poverty Law Center, pages from the GoFundMe crowdfunding platform, pages from the Reddit and Daily Stormer discussion websites, and pages from the anonymous imageboard site 4chan. Hyperlinks to the web content created in the wake of August 11 and 12, 2017 were gathered and captured from 2017 through 2020. The November 2019 additions were due to Unicorn Riot's access to the Vimeo streaming server archive no longer being financially supported. UVA administration asked that these materials be archived.   ","\nThese materials must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The contents include recorded songs dedicated to the events of August 11 and 12, 2017. The cassette included a digital download code. The digital files can be accessed using the link in the finding aid (digital object)."],"userestrict_html_tesm":["\u003cp\u003eBecause of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"names_coll_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"names_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":4,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:33:37.307Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_754_c01_c03_c04"}},{"id":"viu_repositories_4_resources_1620_c06","type":"Series","attributes":{"title":"Artifacts and ephemera","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1620_c06#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1620_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_1620_c06","ref_ssm":["viu_repositories_4_resources_1620_c06"],"id":"viu_repositories_4_resources_1620_c06","ead_ssi":"viu_repositories_4_resources_1620","_root_":"viu_repositories_4_resources_1620","_nest_parent_":"viu_repositories_4_resources_1620","parent_ssi":"viu_repositories_4_resources_1620","parent_ssim":["viu_repositories_4_resources_1620"],"parent_ids_ssim":["viu_repositories_4_resources_1620"],"parent_unittitles_ssm":["Black Law Students Association, Virginia Law Chapter records"],"parent_unittitles_tesim":["Black Law Students Association, Virginia Law Chapter records"],"text":["Black Law Students Association, Virginia Law Chapter records","Artifacts and ephemera","There are no restrictions on access to the items in this series.","The artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association."],"title_filing_ssi":"Artifacts and ephemera","title_ssm":["Artifacts and ephemera"],"title_tesim":["Artifacts and ephemera"],"unitdate_inclusive_ssm":["circa 1990-2020"],"normalized_date_ssm":["1990/2020"],"normalized_title_ssm":["Artifacts and ephemera"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Black Law Students Association, Virginia Law Chapter records"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":26,"parent_access_restrict_tesm":["There are no restrictions on access to the items in this collection."],"parent_access_terms_tesm":["Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content until it passes into the public domain."],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on access to the items in this series.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on access to the items in this series."],"scopecontent_html_tesm":["\u003cp\u003eThe artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association."],"_nest_path_":"/components#5","timestamp":"2026-05-24T23:23:54.730Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_1620","ead_ssi":"viu_repositories_4_resources_1620","_root_":"viu_repositories_4_resources_1620","_nest_parent_":"viu_repositories_4_resources_1620","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_1620.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/195945","title_ssm":["Black Law Students Association, Virginia Law Chapter records"],"title_tesim":["Black Law Students Association, Virginia Law Chapter records"],"unitdate_ssm":["circa 1990 - 2024"],"unitdate_inclusive_ssm":["circa 1990 - 2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.32.217","Archival Resource Key","/repositories/4/resources/1620"],"text":["RG.32.217","Archival Resource Key","/repositories/4/resources/1620","Black Law Students Association, Virginia Law Chapter records","University of Virginia. School of Law","Students","Student organization","There are no restrictions on access to the items in this collection.","There are no restrictions on access to the items in this series","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the items in this series.","The Arthur J. Morris Law Library expects to add materials to this collection.","The items in this sub-series initially existed online. Archivists strived to capture the organizational website in a state close to how it would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archival resources that might function and look different from the originals.","When using these copies of the organization's website, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists.","The administrative records are arranged into sub-series by the date BLSA transferred them to the Arthur J. Morris Law Library.","Materials are grouped into sub-series or files by event or development, which are then ordered chronologically.","On October 16, 1970, students at the University of Virginia founded the Virginia Law Chapter of the Black Law Students Association. The Chapter's initial and continuing goals are to recruit Black law students and faculty, open a candid forum between UVA Law's Black and non-Black students, assist underserved populations in the Charlottesville community, and facilitate inter-school communication between other BLSA chapters.","The Arthur J. Morris Law Library produced an online exhibit about the history of the Virginia Law Chapter of BLSA to commemorate the organization's 50th anniversary. Researchers can view the exhibit either online or at the Library.","The administrative records, scrapbooks, websites, newsletters, and artifacts in this collection document the history of the Virginia Law Chapter of the Black Law Students Association (BLSA).","This series contains some of the Virginia Law Chapter's administrative records. These may include meeting agendas and minutes, procedural documents, and other materials that document operations, planning, and decision-making in the organization.","This is a small file of materials that includes an award, event flyer, a mission statement, an officer list, and officer photographs.","This series consists of scrapbooks, yearbooks, and picture books that document the experiences and work of the Virginia Law Chapter. The content in these resources vary from year to year, but they generally include information about organization officers, photographs of chapter members, event photographs, and event announcements. ","The Arthur J. Morris Law Library has digitized some of the print resources in this series.","This is a directory that contains a collection of various digital files. Together, the files constitute a digital yearbook that documents the history of the University of Virginia's BLSA chapter in the 2001-2002 academic year.","This series consists on websites and social media pages that the Virginia Law Chapter created and shared on the Internet.","This sub-series consists of captures archivists made of the Virginia Law Chapter's main organizational website. The chapter designed the site for a public audience and it shares information about their mission, membership, officers, events, and work.","This series consists of newsletters and other resources published by the Virginia Law Chapter of the Black Law Students Association.","The Virginia Law Chapter published this newsletter to share information with its active members and alumni.","This series contains collections of items that document the Virginia Law Chapter's participation in significant historical events and developments.","These items document the Virginia Law Chapter's participation in and response to the George Floyd Protest Movement. They include an email message to the University of Virginia Law School community and an official statement commenting on events surrounding the movement. Included here, is also a call to action for Law School community to create \"a more inclusive and dynamic environment for current and future Black students, faculty, and staff.\"","The artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association.","Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content until it passes into the public domain.","Arthur J. Morris Law Library Special Collections","English"],"unitid_tesim":["RG.32.217","Archival Resource Key","/repositories/4/resources/1620"],"normalized_title_ssm":["Black Law Students Association, Virginia Law Chapter records"],"collection_title_tesim":["Black Law Students Association, Virginia Law Chapter records"],"collection_ssim":["Black Law Students Association, Virginia Law Chapter records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content until it passes into the public domain."],"acqinfo_ssim":["The Virginia Law Chapter donated most of the items in this collection to the University of Virginia's Arthur J. Morris Law Library at various dates. More information about the immediate source of acquisition of particular items is noted in other parts of this finding aid."],"access_subjects_ssim":["University of Virginia. School of Law","Students","Student organization"],"access_subjects_ssm":["University of Virginia. School of Law","Students","Student organization"],"has_online_content_ssim":["true"],"extent_ssm":["7.67 Linear Feet",".357901824 Gigabytes"],"extent_tesim":["7.67 Linear Feet",".357901824 Gigabytes"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on access to the items in this collection.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the items in this series\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the materials in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the materials in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the items in this series.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on access to the items in this collection.","There are no restrictions on access to the items in this series","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the items in this series."],"accruals_html_tesm":["\u003cp\u003eThe Arthur J. Morris Law Library expects to add materials to this collection.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["The Arthur J. Morris Law Library expects to add materials to this collection."],"appraisal_html_tesm":["\u003cp\u003eThe items in this sub-series initially existed online. Archivists strived to capture the organizational website in a state close to how it would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archival resources that might function and look different from the originals.\u003c/p\u003e\n","\u003cp\u003eWhen using these copies of the organization's website, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["The items in this sub-series initially existed online. Archivists strived to capture the organizational website in a state close to how it would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archival resources that might function and look different from the originals.","When using these copies of the organization's website, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists."],"arrangement_html_tesm":["\u003cp\u003eThe administrative records are arranged into sub-series by the date BLSA transferred them to the Arthur J. Morris Law Library.\u003c/p\u003e","\u003cp\u003eMaterials are grouped into sub-series or files by event or development, which are then ordered chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The administrative records are arranged into sub-series by the date BLSA transferred them to the Arthur J. Morris Law Library.","Materials are grouped into sub-series or files by event or development, which are then ordered chronologically."],"bioghist_html_tesm":["\u003cp\u003eOn October 16, 1970, students at the University of Virginia founded the Virginia Law Chapter of the Black Law Students Association. The Chapter's initial and continuing goals are to recruit Black law students and faculty, open a candid forum between UVA Law's Black and non-Black students, assist underserved populations in the Charlottesville community, and facilitate inter-school communication between other BLSA chapters.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["On October 16, 1970, students at the University of Virginia founded the Virginia Law Chapter of the Black Law Students Association. The Chapter's initial and continuing goals are to recruit Black law students and faculty, open a candid forum between UVA Law's Black and non-Black students, assist underserved populations in the Charlottesville community, and facilitate inter-school communication between other BLSA chapters."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Arthur J. Morris Law Library produced an online exhibit about the history of the Virginia Law Chapter of BLSA to commemorate the organization's 50th anniversary. Researchers can view the exhibit either online or at the Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Arthur J. Morris Law Library produced an online exhibit about the history of the Virginia Law Chapter of BLSA to commemorate the organization's 50th anniversary. Researchers can view the exhibit either online or at the Library."],"scopecontent_html_tesm":["\u003cp\u003eThe administrative records, scrapbooks, websites, newsletters, and artifacts in this collection document the history of the Virginia Law Chapter of the Black Law Students Association (BLSA).\u003c/p\u003e","\u003cp\u003eThis series contains some of the Virginia Law Chapter's administrative records. These may include meeting agendas and minutes, procedural documents, and other materials that document operations, planning, and decision-making in the organization.\u003c/p\u003e","\u003cp\u003eThis is a small file of materials that includes an award, event flyer, a mission statement, an officer list, and officer photographs.\u003c/p\u003e","\u003cp\u003eThis series consists of scrapbooks, yearbooks, and picture books that document the experiences and work of the Virginia Law Chapter. The content in these resources vary from year to year, but they generally include information about organization officers, photographs of chapter members, event photographs, and event announcements. \u003c/p\u003e\n","\u003cp\u003eThe Arthur J. Morris Law Library has digitized some of the print resources in this series.\u003c/p\u003e","\u003cp\u003eThis is a directory that contains a collection of various digital files. Together, the files constitute a digital yearbook that documents the history of the University of Virginia's BLSA chapter in the 2001-2002 academic year.\u003c/p\u003e","\u003cp\u003eThis series consists on websites and social media pages that the Virginia Law Chapter created and shared on the Internet.\u003c/p\u003e","\u003cp\u003eThis sub-series consists of captures archivists made of the Virginia Law Chapter's main organizational website. The chapter designed the site for a public audience and it shares information about their mission, membership, officers, events, and work.\u003c/p\u003e","\u003cp\u003eThis series consists of newsletters and other resources published by the Virginia Law Chapter of the Black Law Students Association.\u003c/p\u003e","\u003cp\u003eThe Virginia Law Chapter published this newsletter to share information with its active members and alumni.\u003c/p\u003e","\u003cp\u003eThis series contains collections of items that document the Virginia Law Chapter's participation in significant historical events and developments.\u003c/p\u003e","\u003cp\u003eThese items document the Virginia Law Chapter's participation in and response to the George Floyd Protest Movement. They include an email message to the University of Virginia Law School community and an official statement commenting on events surrounding the movement. Included here, is also a call to action for Law School community to create \"a more inclusive and dynamic environment for current and future Black students, faculty, and staff.\"\u003c/p\u003e","\u003cp\u003eThe artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The administrative records, scrapbooks, websites, newsletters, and artifacts in this collection document the history of the Virginia Law Chapter of the Black Law Students Association (BLSA).","This series contains some of the Virginia Law Chapter's administrative records. These may include meeting agendas and minutes, procedural documents, and other materials that document operations, planning, and decision-making in the organization.","This is a small file of materials that includes an award, event flyer, a mission statement, an officer list, and officer photographs.","This series consists of scrapbooks, yearbooks, and picture books that document the experiences and work of the Virginia Law Chapter. The content in these resources vary from year to year, but they generally include information about organization officers, photographs of chapter members, event photographs, and event announcements. ","The Arthur J. Morris Law Library has digitized some of the print resources in this series.","This is a directory that contains a collection of various digital files. Together, the files constitute a digital yearbook that documents the history of the University of Virginia's BLSA chapter in the 2001-2002 academic year.","This series consists on websites and social media pages that the Virginia Law Chapter created and shared on the Internet.","This sub-series consists of captures archivists made of the Virginia Law Chapter's main organizational website. 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