{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=7","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=6","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=8","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=31"},"meta":{"pages":{"current_page":7,"next_page":8,"prev_page":6,"total_pages":31,"limit_value":10,"offset_value":60,"total_count":304,"first_page?":false,"last_page?":false}},"data":[{"id":"viw_repositories_2_resources_10013_c02","type":"Series","attributes":{"title":"Concert programs","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_10013_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_10013_c02","ref_ssm":["viw_repositories_2_resources_10013_c02"],"id":"viw_repositories_2_resources_10013_c02","ead_ssi":"viw_repositories_2_resources_10013","_root_":"viw_repositories_2_resources_10013","_nest_parent_":"viw_repositories_2_resources_10013","parent_ssi":"viw_repositories_2_resources_10013","parent_ssim":["viw_repositories_2_resources_10013"],"parent_ids_ssim":["viw_repositories_2_resources_10013"],"parent_unittitles_ssm":["Chamber Music Society of Williamsburg (CMSW) papers"],"parent_unittitles_tesim":["Chamber Music Society of Williamsburg (CMSW) papers"],"text":["Chamber Music Society of Williamsburg (CMSW) papers","Concert programs"],"title_filing_ssi":"Concert programs ","title_ssm":["Concert programs"],"title_tesim":["Concert programs"],"unitdate_inclusive_ssm":["1988-2024"],"normalized_date_ssm":["1988/2024"],"normalized_title_ssm":["Concert programs"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["Chamber Music Society of Williamsburg (CMSW) papers"],"has_online_content_ssim":["false"],"child_component_count_isi":50,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":22,"parent_access_restrict_tesm":["Collection is open to all researchers. 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A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_488_c04","ref_ssm":["vihart_repositories_4_resources_488_c04"],"id":"vihart_repositories_4_resources_488_c04","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","parent_ssi":"vihart_repositories_4_resources_488","parent_ssim":["vihart_repositories_4_resources_488"],"parent_ids_ssim":["vihart_repositories_4_resources_488"],"parent_unittitles_ssm":["Furious Flower Poetry Center Records"],"parent_unittitles_tesim":["Furious Flower Poetry Center Records"],"text":["Furious Flower Poetry Center Records","Conference Records","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Hodges, John L.","Gabbin, Joanne V. (Joanne Veal), 1946-","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Alleyne, Lauren K.","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. 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Date of meeting or treaty signing: 2014 :.)"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":486,"parent_access_restrict_tesm":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. 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(Joanne Veal), 1946-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Facknitz, Susan","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Alleyne, Lauren K.","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","Alexander, Elizabeth, 1962-","Dawes, Kwame Senu Neville, 1962-","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Shockley, Evie, 1965-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Alleyne, Lauren K.","Nielsen, Aldon Lynn (1950-10-20)","Giscombe, C. S. (Cecil S.), 1950-","Jones, Meta DuEwa","McMorris, Mark","Harris, Duriel E.","Scheyer, Lauri (1952-09-08)","Singleton, Giovanni","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Alleyne, Lauren K.","Dove, Rita (1952-08-28)","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Jess, Tyehimba","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Eady, Cornelius, 1954-","Walker, Frank X., 1961-","Finney, Nikky (1957-08-26)","Rampersad, Arnold (1941-11-13)","Obama, Barack","Hughes, Langston (James Mercer Langston), 1902-1967","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Komunyakaa, Yusef (1947-04-29)","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Dove, Rita (1952-08-28)","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Alleyne, Lauren K.","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Harris, Duriel E.","Micheaux, Dante","Adesina, Gbenga","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Reeves, Roger","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Betts, Tara","Spellman, A. B., 1935-","Goodison, Lorna (1947-08-01)","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Mullen, Harryette Romell (1953-07-01)","Clifton, Lucille, 1936-2010","Komunyakaa, Yusef (1947-04-29)","Hughes, Langston (James Mercer Langston), 1902-1967","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Gabbin, Joanne V. (Joanne Veal), 1946-","Miller, Kei (1978)","McCallum, Shara, 1972-","Seibles, Tim (1955)","Anastacia-Reneé","Pardlo, Gregory","Giovanni, Nikki (1943-2024)","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Melton, McKinley","Debo, Annette, 1964-","Rutter, Emily Ruth (1978-02-28)","Leonard, Keith D., 1969-","Alleyne, Lauren K.","Hayes, Terrance (1971)","Shockley, Evie, 1965-","Osundare, Niyi, 1947-","Lubrin, Canisia, 1984-","Smith, Patricia, 1955-","Dawes, Kwame Senu Neville, 1962-","Alleyne, Lauren K.","Brown, Jericho","Alleyne, Lauren K.","Dungy, Camille T. (Camille Thornton), 1972-","Gay, Ross (Ross Alexander), 1974-","Gumbs, Alexis Pauline, 1982-","Osundare, Niyi, 1947-","Marshall, Nate, (Poet)","Hunt, Erica, 1955-","Spellman, A. B., 1935-","Redmond, Glenis (1963-08-27)","Anderson, Keisha-Gaye","Booker, Malika (1970)","Smith, Danez","Walker, Frank X., 1961-","Leonard, Keith D., 1969-","Anastacia-Reneé","Lubrin, Canisia, 1984-","Bertram, Lillian-Yvonne, 1983-","Sullivan, Mecca Jamillah","Shockley, Evie, 1965-","Bingham-Risher, Remica (1981)","Hayes, Terrance (1971)","Jones, Meta DuEwa","Shenoda, Matthew (1977-07-14)","Azino, Efe Paul (20)","Wesley, Patricia Jabbeh (1955-08-07)","Adesina, Gbenga","Betts, Tara","young, avery r.","Smith, Danez","Melton, McKinley","Browne, Mahogany L.","Jess, Tyehimba","Harris, Francine J.","Moore, Jessica Care","Goodison, Lorna (1947-08-01)","Collins, Merle (1950-09-29)","Miller, Kei (1978)","Booker, Malika (1970)","Ramazani, Jahan, 1960-","Reeves, Roger","Brown, Jericho","Pardlo, Gregory","Crisler, Curtis L."],"language_ssim":["English"],"arrangement_html_tesm":["\u003cp\u003eThe series is arranged chronologically into three sub-series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n  \u003citem\u003eSub-series 4.1: 1994 Conference, 1970-2009\u003c/item\u003e\n  \u003citem\u003eSub-series 4.2: 2004 Conference, 2002-2007\u003c/item\u003e\n  \u003citem\u003eSub-series 4.3: 2014 Conference, 2013-2015\u003c/item\u003e\n\u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"scopecontent_html_tesm":["\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included."],"_nest_path_":"/components#3","timestamp":"2026-05-21T00:25:29.210Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.","Additional information on the Dark Room Collective can be found  here.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.","See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections 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video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003erunning time:\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual and media are in process and not available pending reformatting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series is arranged chronologically into three sub-series:\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eSub-series 4.1: 1994 Conference, 1970-2009\u003c/item\u003e\u003citem\u003eSub-series 4.2: 2004 Conference, 2002-2007\u003c/item\u003e\u003citem\u003eSub-series 4.3: 2014 Conference, 2013-2015\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eEvent footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details."],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e","\u003cp\u003eThe 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Bio/Historical Note"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference."],"odd_html_tesm":["\u003cp\u003eAdditional information on the Dark Room Collective can be found \u003ca href=\"https://poets.org/text/brief-guide-dark-room-collective\"\u003ehere.\u003c/a\u003e\u003c/p\u003e"],"odd_heading_ssm":["General Note"],"odd_tesim":["Additional information on the Dark Room Collective can be found  here."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;695ef954-06ba-43a6-b341-cc3edf3fc1e6\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|695ef954-06ba-43a6-b341-cc3edf3fc1e6/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;9e242b35-14e6-4742-bd85-186794dcc4ec\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|9e242b35-14e6-4742-bd85-186794dcc4ec/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;ac68aac5-b304-45cc-aeb4-0905f8a57259\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|ac68aac5-b304-45cc-aeb4-0905f8a57259/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL"],"otherfindaid_tesim":["Preservica Internal","Preservica Access","Preservica Internal","Preservica Access","Preservica Internal","Preservica Access"],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003e[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eVideo recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Note"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \"1994 Conference Program, 1994\" in Series 1 for original conference program.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30039\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30040\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut"],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e","\u003cp\u003eArranged chronologically. \u003c/p\u003e\n","\u003cp\u003eFFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.\u003c/p\u003e","\u003cp\u003eArranged chronologically by project date and sub-arranged alphabetically within each project.\u003c/p\u003e\n","\u003cp\u003eThis series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.\u003c/p\u003e","\u003cp\u003eArranged chronologically by event and sub-arranged alphabetically within each event.\u003c/p\u003e\n","\u003cp\u003eThis series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.\u003c/p\u003e\n","\u003cp\u003eOne file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.\u003c/p\u003e","\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e","\u003cp\u003eArranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.\u003c/p\u003e","\u003cp\u003eThis series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.\u003c/p\u003e","\u003cp\u003eOpening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.\u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003eMichael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 MII videocassettes.\u003c/p\u003e","\u003cp\u003eRita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. \u003c/p\u003e\n","\u003cp\u003eTape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 6 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eFootage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eMaterials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.\u003c/p\u003e","\u003cp\u003eOpening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eFootage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eKeynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes. \u003c/p\u003e","\u003cp\u003eFootage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eLaureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 VHS videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 DVCAM videocassettes.  \u003c/p\u003e","\u003cp\u003ePoetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eThe third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 videocassettes.\u003c/p\u003e","\u003cp\u003eLifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.\u003c/p\u003e","\u003cp\u003eOpening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eKeynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026amp; Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.\u003c/p\u003e","\u003cp\u003eThe Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eA Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eFurious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eDear Yusef: Celebrating the Life \u0026amp; Work of Poet \u0026amp; Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eWalk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eLaureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eMagnitude \u0026amp; Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026amp; Culture (CBLC), and Obsidian: Literature \u0026amp; Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eGrowing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eBlack Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eBlack Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.\u003c/p\u003e","\u003cp\u003eA Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eClosing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.\u003c/p\u003e","\u003cp\u003eInterview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Contents","Contents","Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group"],"names_coll_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. 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J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":883,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:25:29.210Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04"}},{"id":"viw_repositories_2_resources_795_c05_c01","type":"Series","attributes":{"title":"Correspondence and Annual Sociable ephemera","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_795_c05_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_795_c05_c01","ref_ssm":["viw_repositories_2_resources_795_c05_c01"],"id":"viw_repositories_2_resources_795_c05_c01","ead_ssi":"viw_repositories_2_resources_795","_root_":"viw_repositories_2_resources_795","_nest_parent_":"viw_repositories_2_resources_795_c05","parent_ssi":"viw_repositories_2_resources_795_c05","parent_ssim":["viw_repositories_2_resources_795","viw_repositories_2_resources_795_c05"],"parent_ids_ssim":["viw_repositories_2_resources_795","viw_repositories_2_resources_795_c05"],"parent_unittitles_ssm":["Pulaski Club Records","Accession 2023.293: Correspondence and ephemera"],"parent_unittitles_tesim":["Pulaski Club Records","Accession 2023.293: Correspondence and ephemera"],"text":["Pulaski Club Records","Accession 2023.293: Correspondence and ephemera","Correspondence and Annual Sociable ephemera","box 3"],"title_filing_ssi":"Correspondence and Annual Sociable ephemera","title_ssm":["Correspondence and Annual Sociable ephemera"],"title_tesim":["Correspondence and Annual Sociable ephemera"],"unitdate_inclusive_ssm":["2017-2023"],"normalized_date_ssm":["2017/2023"],"normalized_title_ssm":["Correspondence and Annual Sociable ephemera"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Pulaski Club Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":68,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2017,2018,2019,2020,2021,2022,2023],"containers_ssim":["box 3"],"_nest_path_":"/components#4/components#0","timestamp":"2026-05-21T09:37:13.950Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_795","ead_ssi":"viw_repositories_2_resources_795","_root_":"viw_repositories_2_resources_795","_nest_parent_":"viw_repositories_2_resources_795","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_795.xml","title_filing_ssi":"Pulaski Club Records","title_ssm":["Pulaski Club Records"],"title_tesim":["Pulaski Club Records"],"unitdate_ssm":["1877-2014"],"unitdate_inclusive_ssm":["1877-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00097","/repositories/2/resources/795"],"text":["MS 00097","/repositories/2/resources/795","Pulaski Club Records","Williamsburg (Va.)--History","Williamsburg (Va.)--Social life and customs","Men--Virginia--Societies and clubs","Correspondence","Membership lists","Minutes","Photocopies","Photographs","Poems","Reports","Resolutions (administrative records)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Additions are being added on an ongoing basis.","In about 1777, a group of Virginians began meeting as a social club at the Raleigh Tavern in Williamsburg, Virgina. General George Washington mentions the Williamsburg club in some of his letters, and tradition holds that in 1779, the members accepted the General's recommendation to venerate the memory of Casimir Pulaski and name their group in his honor as a tribute to Pulaski's valiant service and personal sacrifice in the cause of American freedom.","Herbert L. Ganter, for years archivist at the College of William and Mary, and Dr. Henry E. Davis of Eastern State Hospital, club members, spent hours in the early 1960s researching the club. Based on the information they collected, including published accounts and the club's surviving minutes, it appears that the organization lapsed sometime during or after the \"Late Unpleasantness of 1861-1865.\" It reappeared in the guise of a college club sometime between 1870 and 1875, when Henry Denison \"Den\" Cole of Williamsburg was a student."," Cole, evidently, carried the club from the college to his family-operated business-the Cole Shop-on Duke of Gloucester Street. Gradually the group comprised businessmen of the town and college professors, many of them prominent citizens. As the years went by, it was not unusual for members to be found at the Cole Shop sitting around a wood stove in the back room."," The club has records that go back over 100 years. It is probable that any older records were lost or destroyed during the \"Late Unpleasantness\" of 1861-1865.","This colleciton ID was changed to MS 00097 in October 2018. It was formerly identified as Mss. Acc. 1990.03.","Related artifacts described in the Manuscripts Artifact Collection (Mss. 1.03):"," Framed Watercolor \"Wood for the Pulaski Club Stove\" (Mss 2014.005.01)","Records of the Pulaski Club of Williamsburg, a men's social club, named in honor of Count Pulaski of American Revolutionary War fame. Includes minutes, correspondence, photographs, poetry, stationery and clippings. Two letters by John D. Rockefeller are included.","About fifty items dating from 1877 to 1989 of records of the Pulaski Club of Williamsburg, Virginia, a men's social club, named in honor of Count Pulaski of American Revolutionary War fame. Includes minutes, correspondence, photographs, poetry, clippings. Two letters by John D. Rockefeller are included. An original pen and ink Christmas Card featuring members of the Pulaski Club signed by John C. Osborn and dated December 25, 1931. 1994.36 combined with 1990.03. Photocopy of Will Molineux's letter accepting invitation to join the Pulaski Club, March 27, 1993. Lists of Pulaski Club members from 1992, 1993 and 1994.  (Mss. Acc. 1990.03, 1994.36)","Photographs and newspaper clippings of the photographs of the Cole Shop, the Pulaski Club in 1920, Pulaski Club officers in 1962, Pulaski Club members in 1982, and a portrait of Count Casimir Pulaski from Independence Hall in Philadelphia.","Poems about the Pulaski Club written by the History Committee Henningham Harrison and Ludwell Johnson.","Appreciation and thanks sent for the set of benches to replace the old benches used by the Pulaski Club.","Letter of W. Ray Allen, Williamsburg to J. Wilfrid Lambert informing him of the requirements to become a life member of the Pulaski Club of Williamsburg. Note on back of Octagon Soap wrapper informing Lambert he had become a life member.  Mss. Acc. 1993.16 Addition","The Pulaski Club flyer with stationery relating to the Club. Membership lists of the Pulaski Club, 1995-1997.  Mss. Acc. 1998.42 Addition","Ed Spencers Reminiscences of Arriving in Williamsburg.","Photograph of Pulaski Club, April 1932, with identifications on the reverse.  Mss. Acc. 2001.33 Addition","Program for Pulaski Club's 225th anniversary dinner, 10/25/2004. Program and menu for dinner held at a Chefs' Kitchen. Mss. Acc. 2005.07 Addition","Papers relating to the annual sociable of the Pulaski Club, 2005. Includes correspondence with John V. Quarstein, program of the 2005 sociable, as well as a newspaper clipping, 1993. Mss. Acc. 2005.46 Addition","Minutes, Sept 22, 2005, of Pulaski Club luncheon. Flyer for reservation for the Annual Membership dinner, and information regarding photograph for article for Virginia Living Magazine. Mss. Acc. 2005.60 Addition","Pulaski Club article, \"Pulaski Club: No Clubhouse, It Meets on Street\", from Virginia Living Magazine, June 2006, by Chiles Larson. Includes drafts. The Pulaski Club Annual Sociable, April 11, 2006, given by Wilford Kale. Invocation, April 11, 2006, given by David J. Tetrault. Correspondence, 2006, of Channing M. Hall, III concerning the event.  Mss. Acc. 2006.42 Addition","Pulaski Club Schedule for 2006-2007. Mss. Acc. 2007.11 Addition","2006 material which includes programs for October 11, 2006 meeting, correspondence and notes from the presiding officer, Channing Hall. Mss. Acc. 2007.14 Addition","Papers, 2006-2007, of the Pulaski Club. Program for the April 19, 2007 annual Sociable with a photocopy of the thank you letter to Thomas K. Norment, Jr., speaker and the 2006-2007, winter-spring schedule.  Mss. Acc. 2007.68 Addition","Thank you letters for performer and meal at Pulaski Club Annual Dinner held November 8, 2007, at Alize Bistro; remarks made at the dinner; and photocopy of program. Mss. Acc. 2007.115 Addition","Pulaski Club Papers, 2008, includes menu for Annual Sociable, 17 April, 2008; program; correspondence with John Quarstein, Wayne P. Wright, Richard W. Tate and Thomas Moyles; toast by Jim Kelly, as well as remarks by Channing M. Hall, III.  Mss. Acc. 2008.66 Addition","Contains material related to the 2010 Fall Cookout on the James, held by the Pulaski Club.  Acc. 2010.706 addition.","Includes information about the Pulaski Club's Annual Members Dinner.  Acc. 2011.123 addition.","Records.  Acc. 2011.358 Addition.","Newsletters, 2011, of the Pulaski Club.  Acc. 2011.651 addition.","Contains the remarks given by Channing M. Hall, III, at the Pualski Club Annual Meeting held on 17 November 2011. There is also the registration form for the meeting and a letter about the meeting.Acc. 2012.064 addition.","Contains correspondence, invitations, and remarks made at the Pulaski Club Annual Sociable.  Acc. 2012.164 additon.","Contains correspondence about adding three new members and the true age of Count Pulaski. Also included in the accession is a reproduction of a 1939 Zaharov watercolor with order form to purchase.  Acc. 2012.220 addition.","Acc. 2012.376 addition.","Contains correspondence of the Pulaski Club regarding the destruction of their Sugar Maple on Duke of Gloucester Street, appreciation of their Treasurer, and the annual dinner at the Fireside Chop House in Williamsburg, Virginia.","Contains letters written by Channing Hall III regarding the Pulaski Club lunch on August 13, 2013, the donation to the Williamsburg Historic Records Association of Willard Gilley's Zaharov watercolor, the 2013-2014 arrangements calendar, the September 12, 2013 meeting, and the annual members dinner on October 10, 2013.  Mss addition 2013.292.","Contains a color photograph of Pulaski Club members on April 4, 2013 on the Pulaski Club benches in Colonial Williamsburg, correspondence regarding the 2013-2014 arrangements calendar, and the October 10, 2013 annual members dinner.","Contains correspondence, speeches, and programs from the 2014 Annual Sociable and Winter Gathering of the Pulaski Club. Addition Mss. Acc. 2014.140.","Correspondence, brochures and records from 2014.  Mss. Acc. 2015.242 addition.","Records for 2017.  Includes Octagon Laundry Soap Membership wrapper from Edgar K. Wells, Jr. 1960.","Brochures, schedules, correspondence and more.  Mss. Acc. 2019.010 addition.","Mss. Acc. 2019.045 addition.","Contains administrative records, scrapbooks, and other material related to the Pulaski Club of Williamsburg, Virginia. Included in the addition are photographs of members and Pulaski Cub Dinners from 1928-2011; scrapbooks containing clippings, photographs, and letters documenting the history of the Pulaski Club; and administrative records consisiting of letters, clippings, and membership rosters from 1976-2011.","Correspondence and Annual Sociable ephemera. Ephemera includes memorial toast information for Willard Sheally Gilley.","Includes invitations, and correspondence documenting general club events.","Related artifacts described in the Manuscripts Artifact Collection (Mss. 1.03):"," Framed Watercolor \"Wood for the Pulaski Club Stove\" (Mss 2014.005.01)","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Pulaski Club (Williamsburg, Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","English"],"unitid_tesim":["MS 00097","/repositories/2/resources/795"],"normalized_title_ssm":["Pulaski Club Records"],"collection_title_tesim":["Pulaski Club Records"],"collection_ssim":["Pulaski Club Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History","Williamsburg (Va.)--Social life and customs"],"geogname_ssim":["Williamsburg (Va.)--History","Williamsburg (Va.)--Social life and customs"],"creator_ssm":["Pulaski Club (Williamsburg, Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)"],"creator_ssim":["Pulaski Club (Williamsburg, Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)"],"creator_corpname_ssim":["Pulaski Club (Williamsburg, Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)"],"creators_ssim":["Pulaski Club (Williamsburg, Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)"],"places_ssim":["Williamsburg (Va.)--History","Williamsburg (Va.)--Social life and customs"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift via the Williamsburg Historic Records Association. 1990.03      \nPresident Carleton Casey 1993.16      \nPulaski Club 1994.36      \nDr. Carleton Casey 1998.42      \nDr. Carleton Casey 2001.33      \nSusan Prentice 2005.07      \nChanning M. Hall, III 2005.46      \nUnknown 2005.60      \nChanning M. Hall, III 2006.42      \nChanning M. Hall, III 2007.11      \nChanning M. Hall, III 2007.14      \nChanning M. Hall, III 2007.68      \nChanning M. Hall, III 2007.115    \nChanning M. Hall, III 2008.66      \nChanning M. Hall, III"],"access_subjects_ssim":["Men--Virginia--Societies and clubs","Correspondence","Membership lists","Minutes","Photocopies","Photographs","Poems","Reports","Resolutions (administrative records)"],"access_subjects_ssm":["Men--Virginia--Societies and clubs","Correspondence","Membership lists","Minutes","Photocopies","Photographs","Poems","Reports","Resolutions (administrative records)"],"has_online_content_ssim":["false"],"extent_ssm":["2.80 Linear Feet"],"extent_tesim":["2.80 Linear Feet"],"genreform_ssim":["Correspondence","Membership lists","Minutes","Photocopies","Photographs","Poems","Reports","Resolutions (administrative records)"],"date_range_isim":[1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eAdditions are being added on an ongoing basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Additions are being added on an ongoing basis."],"bioghist_html_tesm":["\u003cp\u003eIn about 1777, a group of Virginians began meeting as a social club at the Raleigh Tavern in Williamsburg, Virgina. General George Washington mentions the Williamsburg club in some of his letters, and tradition holds that in 1779, the members accepted the General's recommendation to venerate the memory of Casimir Pulaski and name their group in his honor as a tribute to Pulaski's valiant service and personal sacrifice in the cause of American freedom.\u003c/p\u003e\n","\u003cp\u003eHerbert L. Ganter, for years archivist at the College of William and Mary, and Dr. Henry E. Davis of Eastern State Hospital, club members, spent hours in the early 1960s researching the club. Based on the information they collected, including published accounts and the club's surviving minutes, it appears that the organization lapsed sometime during or after the \"Late Unpleasantness of 1861-1865.\" It reappeared in the guise of a college club sometime between 1870 and 1875, when Henry Denison \"Den\" Cole of Williamsburg was a student.\u003c/p\u003e\n","\u003cp\u003e Cole, evidently, carried the club from the college to his family-operated business-the Cole Shop-on Duke of Gloucester Street. Gradually the group comprised businessmen of the town and college professors, many of them prominent citizens. As the years went by, it was not unusual for members to be found at the Cole Shop sitting around a wood stove in the back room.\u003c/p\u003e\n","\u003cp\u003e The club has records that go back over 100 years. It is probable that any older records were lost or destroyed during the \"Late Unpleasantness\" of 1861-1865.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["In about 1777, a group of Virginians began meeting as a social club at the Raleigh Tavern in Williamsburg, Virgina. General George Washington mentions the Williamsburg club in some of his letters, and tradition holds that in 1779, the members accepted the General's recommendation to venerate the memory of Casimir Pulaski and name their group in his honor as a tribute to Pulaski's valiant service and personal sacrifice in the cause of American freedom.","Herbert L. Ganter, for years archivist at the College of William and Mary, and Dr. Henry E. Davis of Eastern State Hospital, club members, spent hours in the early 1960s researching the club. Based on the information they collected, including published accounts and the club's surviving minutes, it appears that the organization lapsed sometime during or after the \"Late Unpleasantness of 1861-1865.\" It reappeared in the guise of a college club sometime between 1870 and 1875, when Henry Denison \"Den\" Cole of Williamsburg was a student."," Cole, evidently, carried the club from the college to his family-operated business-the Cole Shop-on Duke of Gloucester Street. Gradually the group comprised businessmen of the town and college professors, many of them prominent citizens. As the years went by, it was not unusual for members to be found at the Cole Shop sitting around a wood stove in the back room."," The club has records that go back over 100 years. It is probable that any older records were lost or destroyed during the \"Late Unpleasantness\" of 1861-1865."],"prefercite_html_tesm":["\u003cp\u003ePulaski Club Records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Pulaski Club Records, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eThis colleciton ID was changed to MS 00097 in October 2018. It was formerly identified as Mss. Acc. 1990.03.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This colleciton ID was changed to MS 00097 in October 2018. It was formerly identified as Mss. Acc. 1990.03."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated artifacts described in the Manuscripts Artifact Collection (Mss. 1.03):\u003c/p\u003e\n","\u003cp\u003e Framed Watercolor \"Wood for the Pulaski Club Stove\" (Mss 2014.005.01)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Related artifacts described in the Manuscripts Artifact Collection (Mss. 1.03):"," Framed Watercolor \"Wood for the Pulaski Club Stove\" (Mss 2014.005.01)"],"scopecontent_html_tesm":["\u003cp\u003eRecords of the Pulaski Club of Williamsburg, a men's social club, named in honor of Count Pulaski of American Revolutionary War fame. Includes minutes, correspondence, photographs, poetry, stationery and clippings. Two letters by John D. Rockefeller are included.\u003c/p\u003e","\u003cp\u003eAbout fifty items dating from 1877 to 1989 of records of the Pulaski Club of Williamsburg, Virginia, a men's social club, named in honor of Count Pulaski of American Revolutionary War fame. Includes minutes, correspondence, photographs, poetry, clippings. Two letters by John D. Rockefeller are included. An original pen and ink Christmas Card featuring members of the Pulaski Club signed by John C. Osborn and dated December 25, 1931. 1994.36 combined with 1990.03. Photocopy of Will Molineux's letter accepting invitation to join the Pulaski Club, March 27, 1993. Lists of Pulaski Club members from 1992, 1993 and 1994.  (Mss. Acc. 1990.03, 1994.36)\u003c/p\u003e","\u003cp\u003ePhotographs and newspaper clippings of the photographs of the Cole Shop, the Pulaski Club in 1920, Pulaski Club officers in 1962, Pulaski Club members in 1982, and a portrait of Count Casimir Pulaski from Independence Hall in Philadelphia.\u003c/p\u003e","\u003cp\u003ePoems about the Pulaski Club written by the History Committee Henningham Harrison and Ludwell Johnson.\u003c/p\u003e","\u003cp\u003eAppreciation and thanks sent for the set of benches to replace the old benches used by the Pulaski Club.\u003c/p\u003e","\u003cp\u003eLetter of W. Ray Allen, Williamsburg to J. Wilfrid Lambert informing him of the requirements to become a life member of the Pulaski Club of Williamsburg. Note on back of Octagon Soap wrapper informing Lambert he had become a life member.  Mss. Acc. 1993.16 Addition\u003c/p\u003e","\u003cp\u003eThe Pulaski Club flyer with stationery relating to the Club. Membership lists of the Pulaski Club, 1995-1997.  Mss. Acc. 1998.42 Addition\u003c/p\u003e","\u003cp\u003eEd Spencers Reminiscences of Arriving in Williamsburg.\u003c/p\u003e","\u003cp\u003ePhotograph of Pulaski Club, April 1932, with identifications on the reverse.  Mss. Acc. 2001.33 Addition\u003c/p\u003e","\u003cp\u003eProgram for Pulaski Club's 225th anniversary dinner, 10/25/2004. Program and menu for dinner held at a Chefs' Kitchen. Mss. Acc. 2005.07 Addition\u003c/p\u003e","\u003cp\u003ePapers relating to the annual sociable of the Pulaski Club, 2005. Includes correspondence with John V. Quarstein, program of the 2005 sociable, as well as a newspaper clipping, 1993. Mss. Acc. 2005.46 Addition\u003c/p\u003e","\u003cp\u003eMinutes, Sept 22, 2005, of Pulaski Club luncheon. Flyer for reservation for the Annual Membership dinner, and information regarding photograph for article for Virginia Living Magazine. Mss. Acc. 2005.60 Addition\u003c/p\u003e","\u003cp\u003ePulaski Club article, \"Pulaski Club: No Clubhouse, It Meets on Street\", from Virginia Living Magazine, June 2006, by Chiles Larson. Includes drafts. The Pulaski Club Annual Sociable, April 11, 2006, given by Wilford Kale. Invocation, April 11, 2006, given by David J. Tetrault. Correspondence, 2006, of Channing M. Hall, III concerning the event.  Mss. Acc. 2006.42 Addition\u003c/p\u003e","\u003cp\u003ePulaski Club Schedule for 2006-2007. Mss. Acc. 2007.11 Addition\u003c/p\u003e","\u003cp\u003e2006 material which includes programs for October 11, 2006 meeting, correspondence and notes from the presiding officer, Channing Hall. Mss. Acc. 2007.14 Addition\u003c/p\u003e","\u003cp\u003ePapers, 2006-2007, of the Pulaski Club. Program for the April 19, 2007 annual Sociable with a photocopy of the thank you letter to Thomas K. Norment, Jr., speaker and the 2006-2007, winter-spring schedule.  Mss. Acc. 2007.68 Addition\u003c/p\u003e","\u003cp\u003eThank you letters for performer and meal at Pulaski Club Annual Dinner held November 8, 2007, at Alize Bistro; remarks made at the dinner; and photocopy of program. Mss. Acc. 2007.115 Addition\u003c/p\u003e","\u003cp\u003ePulaski Club Papers, 2008, includes menu for Annual Sociable, 17 April, 2008; program; correspondence with John Quarstein, Wayne P. Wright, Richard W. Tate and Thomas Moyles; toast by Jim Kelly, as well as remarks by Channing M. Hall, III.  Mss. Acc. 2008.66 Addition\u003c/p\u003e","\u003cp\u003eContains material related to the 2010 Fall Cookout on the James, held by the Pulaski Club.  Acc. 2010.706 addition.\u003c/p\u003e","\u003cp\u003eIncludes information about the Pulaski Club's Annual Members Dinner.  Acc. 2011.123 addition.\u003c/p\u003e","\u003cp\u003eRecords.  Acc. 2011.358 Addition.\u003c/p\u003e","\u003cp\u003eNewsletters, 2011, of the Pulaski Club.  Acc. 2011.651 addition.\u003c/p\u003e","\u003cp\u003eContains the remarks given by Channing M. Hall, III, at the Pualski Club Annual Meeting held on 17 November 2011. There is also the registration form for the meeting and a letter about the meeting.Acc. 2012.064 addition.\u003c/p\u003e","\u003cp\u003eContains correspondence, invitations, and remarks made at the Pulaski Club Annual Sociable.  Acc. 2012.164 additon.\u003c/p\u003e","\u003cp\u003eContains correspondence about adding three new members and the true age of Count Pulaski. Also included in the accession is a reproduction of a 1939 Zaharov watercolor with order form to purchase.  Acc. 2012.220 addition.\u003c/p\u003e","\u003cp\u003eAcc. 2012.376 addition.\u003c/p\u003e","\u003cp\u003eContains correspondence of the Pulaski Club regarding the destruction of their Sugar Maple on Duke of Gloucester Street, appreciation of their Treasurer, and the annual dinner at the Fireside Chop House in Williamsburg, Virginia.\u003c/p\u003e","\u003cp\u003eContains letters written by Channing Hall III regarding the Pulaski Club lunch on August 13, 2013, the donation to the Williamsburg Historic Records Association of Willard Gilley's Zaharov watercolor, the 2013-2014 arrangements calendar, the September 12, 2013 meeting, and the annual members dinner on October 10, 2013.  Mss addition 2013.292.\u003c/p\u003e","\u003cp\u003eContains a color photograph of Pulaski Club members on April 4, 2013 on the Pulaski Club benches in Colonial Williamsburg, correspondence regarding the 2013-2014 arrangements calendar, and the October 10, 2013 annual members dinner.\u003c/p\u003e","\u003cp\u003eContains correspondence, speeches, and programs from the 2014 Annual Sociable and Winter Gathering of the Pulaski Club. Addition Mss. Acc. 2014.140.\u003c/p\u003e","\u003cp\u003eCorrespondence, brochures and records from 2014.  Mss. Acc. 2015.242 addition.\u003c/p\u003e","\u003cp\u003eRecords for 2017.  Includes Octagon Laundry Soap Membership wrapper from Edgar K. Wells, Jr. 1960.\u003c/p\u003e","\u003cp\u003eBrochures, schedules, correspondence and more.  Mss. Acc. 2019.010 addition.\u003c/p\u003e","\u003cp\u003eMss. Acc. 2019.045 addition.\u003c/p\u003e","\u003cp\u003eContains administrative records, scrapbooks, and other material related to the Pulaski Club of Williamsburg, Virginia. Included in the addition are photographs of members and Pulaski Cub Dinners from 1928-2011; scrapbooks containing clippings, photographs, and letters documenting the history of the Pulaski Club; and administrative records consisiting of letters, clippings, and membership rosters from 1976-2011.\u003c/p\u003e","\u003cp\u003eCorrespondence and Annual Sociable ephemera. Ephemera includes memorial toast information for Willard Sheally Gilley.\u003c/p\u003e","\u003cp\u003eIncludes invitations, and correspondence documenting general club events.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records of the Pulaski Club of Williamsburg, a men's social club, named in honor of Count Pulaski of American Revolutionary War fame. Includes minutes, correspondence, photographs, poetry, stationery and clippings. Two letters by John D. Rockefeller are included.","About fifty items dating from 1877 to 1989 of records of the Pulaski Club of Williamsburg, Virginia, a men's social club, named in honor of Count Pulaski of American Revolutionary War fame. Includes minutes, correspondence, photographs, poetry, clippings. Two letters by John D. Rockefeller are included. An original pen and ink Christmas Card featuring members of the Pulaski Club signed by John C. Osborn and dated December 25, 1931. 1994.36 combined with 1990.03. Photocopy of Will Molineux's letter accepting invitation to join the Pulaski Club, March 27, 1993. Lists of Pulaski Club members from 1992, 1993 and 1994.  (Mss. Acc. 1990.03, 1994.36)","Photographs and newspaper clippings of the photographs of the Cole Shop, the Pulaski Club in 1920, Pulaski Club officers in 1962, Pulaski Club members in 1982, and a portrait of Count Casimir Pulaski from Independence Hall in Philadelphia.","Poems about the Pulaski Club written by the History Committee Henningham Harrison and Ludwell Johnson.","Appreciation and thanks sent for the set of benches to replace the old benches used by the Pulaski Club.","Letter of W. Ray Allen, Williamsburg to J. Wilfrid Lambert informing him of the requirements to become a life member of the Pulaski Club of Williamsburg. Note on back of Octagon Soap wrapper informing Lambert he had become a life member.  Mss. Acc. 1993.16 Addition","The Pulaski Club flyer with stationery relating to the Club. Membership lists of the Pulaski Club, 1995-1997.  Mss. Acc. 1998.42 Addition","Ed Spencers Reminiscences of Arriving in Williamsburg.","Photograph of Pulaski Club, April 1932, with identifications on the reverse.  Mss. Acc. 2001.33 Addition","Program for Pulaski Club's 225th anniversary dinner, 10/25/2004. Program and menu for dinner held at a Chefs' Kitchen. Mss. Acc. 2005.07 Addition","Papers relating to the annual sociable of the Pulaski Club, 2005. Includes correspondence with John V. Quarstein, program of the 2005 sociable, as well as a newspaper clipping, 1993. Mss. Acc. 2005.46 Addition","Minutes, Sept 22, 2005, of Pulaski Club luncheon. Flyer for reservation for the Annual Membership dinner, and information regarding photograph for article for Virginia Living Magazine. Mss. Acc. 2005.60 Addition","Pulaski Club article, \"Pulaski Club: No Clubhouse, It Meets on Street\", from Virginia Living Magazine, June 2006, by Chiles Larson. Includes drafts. The Pulaski Club Annual Sociable, April 11, 2006, given by Wilford Kale. Invocation, April 11, 2006, given by David J. Tetrault. Correspondence, 2006, of Channing M. Hall, III concerning the event.  Mss. Acc. 2006.42 Addition","Pulaski Club Schedule for 2006-2007. Mss. Acc. 2007.11 Addition","2006 material which includes programs for October 11, 2006 meeting, correspondence and notes from the presiding officer, Channing Hall. Mss. Acc. 2007.14 Addition","Papers, 2006-2007, of the Pulaski Club. Program for the April 19, 2007 annual Sociable with a photocopy of the thank you letter to Thomas K. Norment, Jr., speaker and the 2006-2007, winter-spring schedule.  Mss. Acc. 2007.68 Addition","Thank you letters for performer and meal at Pulaski Club Annual Dinner held November 8, 2007, at Alize Bistro; remarks made at the dinner; and photocopy of program. Mss. Acc. 2007.115 Addition","Pulaski Club Papers, 2008, includes menu for Annual Sociable, 17 April, 2008; program; correspondence with John Quarstein, Wayne P. Wright, Richard W. Tate and Thomas Moyles; toast by Jim Kelly, as well as remarks by Channing M. Hall, III.  Mss. Acc. 2008.66 Addition","Contains material related to the 2010 Fall Cookout on the James, held by the Pulaski Club.  Acc. 2010.706 addition.","Includes information about the Pulaski Club's Annual Members Dinner.  Acc. 2011.123 addition.","Records.  Acc. 2011.358 Addition.","Newsletters, 2011, of the Pulaski Club.  Acc. 2011.651 addition.","Contains the remarks given by Channing M. Hall, III, at the Pualski Club Annual Meeting held on 17 November 2011. There is also the registration form for the meeting and a letter about the meeting.Acc. 2012.064 addition.","Contains correspondence, invitations, and remarks made at the Pulaski Club Annual Sociable.  Acc. 2012.164 additon.","Contains correspondence about adding three new members and the true age of Count Pulaski. Also included in the accession is a reproduction of a 1939 Zaharov watercolor with order form to purchase.  Acc. 2012.220 addition.","Acc. 2012.376 addition.","Contains correspondence of the Pulaski Club regarding the destruction of their Sugar Maple on Duke of Gloucester Street, appreciation of their Treasurer, and the annual dinner at the Fireside Chop House in Williamsburg, Virginia.","Contains letters written by Channing Hall III regarding the Pulaski Club lunch on August 13, 2013, the donation to the Williamsburg Historic Records Association of Willard Gilley's Zaharov watercolor, the 2013-2014 arrangements calendar, the September 12, 2013 meeting, and the annual members dinner on October 10, 2013.  Mss addition 2013.292.","Contains a color photograph of Pulaski Club members on April 4, 2013 on the Pulaski Club benches in Colonial Williamsburg, correspondence regarding the 2013-2014 arrangements calendar, and the October 10, 2013 annual members dinner.","Contains correspondence, speeches, and programs from the 2014 Annual Sociable and Winter Gathering of the Pulaski Club. Addition Mss. Acc. 2014.140.","Correspondence, brochures and records from 2014.  Mss. Acc. 2015.242 addition.","Records for 2017.  Includes Octagon Laundry Soap Membership wrapper from Edgar K. Wells, Jr. 1960.","Brochures, schedules, correspondence and more.  Mss. Acc. 2019.010 addition.","Mss. Acc. 2019.045 addition.","Contains administrative records, scrapbooks, and other material related to the Pulaski Club of Williamsburg, Virginia. Included in the addition are photographs of members and Pulaski Cub Dinners from 1928-2011; scrapbooks containing clippings, photographs, and letters documenting the history of the Pulaski Club; and administrative records consisiting of letters, clippings, and membership rosters from 1976-2011.","Correspondence and Annual Sociable ephemera. Ephemera includes memorial toast information for Willard Sheally Gilley.","Includes invitations, and correspondence documenting general club events."],"separatedmaterial_html_tesm":["\u003cp\u003eRelated artifacts described in the Manuscripts Artifact Collection (Mss. 1.03):\u003c/p\u003e\n","\u003cp\u003e Framed Watercolor \"Wood for the Pulaski Club Stove\" (Mss 2014.005.01)\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Related artifacts described in the Manuscripts Artifact Collection (Mss. 1.03):"," Framed Watercolor \"Wood for the Pulaski Club Stove\" (Mss 2014.005.01)"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Pulaski Club (Williamsburg, Va.)"],"names_ssim":["Special Collections Research Center","Pulaski Club (Williamsburg, Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)"],"corpname_ssim":["Special Collections Research Center","Pulaski Club (Williamsburg, Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)"],"language_ssim":["English"],"total_component_count_is":70,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T09:37:13.950Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_795_c05_c01"}},{"id":"vihart_repositories_4_resources_488_c03","type":"Series","attributes":{"title":"Events, Programs, and Workshops","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eArranged chronologically by event and sub-arranged alphabetically within each event.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_488_c03","ref_ssm":["vihart_repositories_4_resources_488_c03"],"id":"vihart_repositories_4_resources_488_c03","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","parent_ssi":"vihart_repositories_4_resources_488","parent_ssim":["vihart_repositories_4_resources_488"],"parent_ids_ssim":["vihart_repositories_4_resources_488"],"parent_unittitles_ssm":["Furious Flower Poetry Center Records"],"parent_unittitles_tesim":["Furious Flower Poetry Center Records"],"text":["Furious Flower Poetry Center Records","Events, Programs, and Workshops","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini."],"title_filing_ssi":"Events, Programs, and Workshops","title_ssm":["Events, Programs, and Workshops"],"title_tesim":["Events, Programs, and Workshops"],"unitdate_inclusive_ssm":["1990-2019"],"normalized_date_ssm":["1990/2019"],"normalized_title_ssm":["Events, Programs, and Workshops"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["Furious Flower Poetry Center Records"],"has_online_content_ssim":["false"],"child_component_count_isi":89,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":111,"parent_access_restrict_tesm":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"scopecontent_html_tesm":["\u003cp\u003eArranged chronologically by event and sub-arranged alphabetically within each event.\u003c/p\u003e","\u003cp\u003eThis series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.\u003c/p\u003e","\u003cp\u003eOne file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.\u003c/p\u003e"],"scopecontent_heading_ssm":["Contents"],"scopecontent_tesim":["Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini."],"_nest_path_":"/components#2","timestamp":"2026-05-21T00:25:29.210Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.","Additional information on the Dark Room Collective can be found  here.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.","See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections 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video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003erunning time:\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual and media are in process and not available pending reformatting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series is arranged chronologically into three sub-series:\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eSub-series 4.1: 1994 Conference, 1970-2009\u003c/item\u003e\u003citem\u003eSub-series 4.2: 2004 Conference, 2002-2007\u003c/item\u003e\u003citem\u003eSub-series 4.3: 2014 Conference, 2013-2015\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eEvent footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details."],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e","\u003cp\u003eThe 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Bio/Historical Note"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference."],"odd_html_tesm":["\u003cp\u003eAdditional information on the Dark Room Collective can be found \u003ca href=\"https://poets.org/text/brief-guide-dark-room-collective\"\u003ehere.\u003c/a\u003e\u003c/p\u003e"],"odd_heading_ssm":["General Note"],"odd_tesim":["Additional information on the Dark Room Collective can be found  here."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;695ef954-06ba-43a6-b341-cc3edf3fc1e6\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|695ef954-06ba-43a6-b341-cc3edf3fc1e6/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;9e242b35-14e6-4742-bd85-186794dcc4ec\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|9e242b35-14e6-4742-bd85-186794dcc4ec/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;ac68aac5-b304-45cc-aeb4-0905f8a57259\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|ac68aac5-b304-45cc-aeb4-0905f8a57259/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL"],"otherfindaid_tesim":["Preservica Internal","Preservica Access","Preservica Internal","Preservica Access","Preservica Internal","Preservica Access"],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003e[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eVideo recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Note"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \"1994 Conference Program, 1994\" in Series 1 for original conference program.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30039\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30040\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut"],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e","\u003cp\u003eArranged chronologically. \u003c/p\u003e\n","\u003cp\u003eFFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.\u003c/p\u003e","\u003cp\u003eArranged chronologically by project date and sub-arranged alphabetically within each project.\u003c/p\u003e\n","\u003cp\u003eThis series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.\u003c/p\u003e","\u003cp\u003eArranged chronologically by event and sub-arranged alphabetically within each event.\u003c/p\u003e\n","\u003cp\u003eThis series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.\u003c/p\u003e\n","\u003cp\u003eOne file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.\u003c/p\u003e","\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e","\u003cp\u003eArranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.\u003c/p\u003e","\u003cp\u003eThis series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.\u003c/p\u003e","\u003cp\u003eOpening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.\u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003eMichael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 MII videocassettes.\u003c/p\u003e","\u003cp\u003eRita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. \u003c/p\u003e\n","\u003cp\u003eTape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 6 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eFootage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eMaterials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.\u003c/p\u003e","\u003cp\u003eOpening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eFootage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eKeynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes. \u003c/p\u003e","\u003cp\u003eFootage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eLaureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 VHS videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 DVCAM videocassettes.  \u003c/p\u003e","\u003cp\u003ePoetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eThe third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 videocassettes.\u003c/p\u003e","\u003cp\u003eLifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.\u003c/p\u003e","\u003cp\u003eOpening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eKeynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026amp; Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.\u003c/p\u003e","\u003cp\u003eThe Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eA Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eFurious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eDear Yusef: Celebrating the Life \u0026amp; Work of Poet \u0026amp; Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eWalk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eLaureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eMagnitude \u0026amp; Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026amp; Culture (CBLC), and Obsidian: Literature \u0026amp; Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eGrowing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eBlack Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eBlack Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.\u003c/p\u003e","\u003cp\u003eA Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eClosing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.\u003c/p\u003e","\u003cp\u003eInterview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Contents","Contents","Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. 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Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.","The annual reports are open to research.","These records are open to research.","The planning documents and reports are open to research.","The photographs and negatives are open to research.","The public relations files are open to research.","The publications are open to research.","There are no restrictions on access to the newsletters in this subseries.","There are no restrictions on access to the publications of the Health Sciences Library.","The social media files are open to researchers.","The blog files are open to researchers.","The administrative organization and structure files are open to research.","The policies, procedures, and handbooks are open to research.","In accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.","Conference programs and reports are open to research.","The historical and biographical files are open to research.","The reports in this series are open to research.","The committee records and meeting minutes are open to research.","The awards, honors, and commemorations records are open to research.","The lecture and presentation materials are open to research.","The exhibit records are open to research.","The annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.","The correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.","Historically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.","Historically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.","Public relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.","The publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.","Annually, data is downloaded from the Library's active social media sites and added to this collection.","Copies of each existing blog are captured every year and added to the collection.","The organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.","Historically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.","Historically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.","Significant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.","Historically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.","Records are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.","Annual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.","The correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.","In this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.","The photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.","The photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.","The images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.","The miscellaneous photographs are arranged chronologically according to the date of their creation.","The public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.","The publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.","The newsletters are arranged alphabetically by title.","The promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.","The social media content is arranged into files alphabetically by title.","Blogs are arranged into files alphabetically by title.","Files in this series are arranged chronologically according to the date of their creation.","The policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.","Syllabi and course materials are arranged chronologically.","Conference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.","Materials in this series are arranged chronologically according to the date that they were created.","The reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.","The directories are arranged by title into files. The files are arranged chronologically.","The records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.","The awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.","The records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. ","Records in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","These files are arranged alphabetically.","These items are arranged alphabetically.","\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n","\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n","\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n","\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n","","September 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books. 1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda. September 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee. 1919-June 1929: Ella Watson Johnson serves as the Medical Librarian. June 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System. June 1929-September 1929: Margaret Otto serves as the Medical Librarian. 1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian. 1931-1934: Caroline Hill Davis serves as the Medical Librarian. March 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian. 1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian. 1935: The Medical Library institutes its first orientation for first year medical students. 1936-1943: Anne Lewis Morris serves as the Medical Librarian. 1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian. 1944-1947: Mabel Cook Wyllie serves as the Medical Librarian. 1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection. 1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian. September 1962: Wilhelm Moll is appointed the Director of the Medical Library. 1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine. November 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications. November 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons. August 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library. April 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia. 1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library. 1989: The library card catalog is digitized and made available through computer terminals. 1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library. 2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007. 2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.","(formerly Reference Department from 1987-1991)","Historical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position.","Some exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation.","Many of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"","When the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.","Patrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","When the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. ","Patrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"","This collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.","This series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.","The annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.","The annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.","Informal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).","This series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.","Correspondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution","Includes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse","Correspondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt","Includes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.","Includes correspondence with William Bennett Bean","Includes correspondence on Health System reorganization","The records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.","This series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.","This subseries contains images of artifacts in the collections of the Health Sciences Library.","The images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.","Moll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.","LIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet","People identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.","Individuals not identified.","Front: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears","Left to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson","One photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson","Collection Services and Bibliographic Control","Intellectual Access and Collection Development","Library Administration","Ellen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn","This subseries consists of images that do not belong in any other subseries.","Gordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.","Photo was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority","This series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.","This subseries contains print copies of news articles about the Health Sciences Library.","This series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.","The materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.","This subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.","A \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.","This subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.","Envelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.","This series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.","The staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.","This series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.","The Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.","The records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.","This series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.","This subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.","Includes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library","This subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.","This series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.","This series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.","This series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.","Includes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.","Includes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.","This series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.","This series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.","This file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.","This file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.","This series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.","The dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.","Includes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.","Includes remarks that were given by Dr. Don Detmer.","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".","This series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.","This subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.","This subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.","This subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.","Promotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","These materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.","Identified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall","Includes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.","\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026 Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.","Introduction by Joan Klein","This series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.","This online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.","This online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.","This exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.","This online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.","This online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.","This exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.","This online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004","This exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.","This online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. ","The exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.","The Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.","The Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026 summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.","This online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.","The exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.","This exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026 Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.","Staff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.","David Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.","This exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.","This exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026 Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.","The Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.","This exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.","Others associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026 Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.","This exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.","This online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"","Anne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.","Unless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"","In 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.","This exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.","This online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.","Sara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.","Joaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","Mary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.","This exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","Walter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.","This exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.","This series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.","The Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.","The Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.","Copyright restrictions may apply.","The Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.","The Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.","The Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","Claude Moore Health Sciences Library","English"],"unitid_tesim":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215"],"normalized_title_ssm":["Claude Moore Health Sciences Library records"],"collection_title_tesim":["Claude Moore Health Sciences Library records"],"collection_ssim":["Claude Moore Health Sciences Library records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies."],"access_subjects_ssim":["University of Virginia"],"access_subjects_ssm":["University of Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["97 Volumes 97 bound volumes and enclosures on book shelves","8 Linear Feet 29 archival boxes"],"extent_tesim":["97 Volumes 97 bound volumes and enclosures on book shelves","8 Linear Feet 29 archival boxes"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThe records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.\u003c/p\u003e","\u003cp\u003eThe annual reports are open to research.\u003c/p\u003e","\u003cp\u003eThese records are open to research.\u003c/p\u003e","\u003cp\u003eThe planning documents and reports are open to research.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives are open to research.\u003c/p\u003e","\u003cp\u003eThe public relations files are open to research.\u003c/p\u003e","\u003cp\u003eThe publications are open to research.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the newsletters in this subseries.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the publications of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThe social media files are open to researchers.\u003c/p\u003e","\u003cp\u003eThe blog files are open to researchers.\u003c/p\u003e","\u003cp\u003eThe administrative organization and structure files are open to research.\u003c/p\u003e","\u003cp\u003eThe policies, procedures, and handbooks are open to research.\u003c/p\u003e","\u003cp\u003eIn accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.\u003c/p\u003e","\u003cp\u003eConference programs and reports are open to research.\u003c/p\u003e","\u003cp\u003eThe historical and biographical files are open to research.\u003c/p\u003e","\u003cp\u003eThe reports in this series are open to research.\u003c/p\u003e","\u003cp\u003eThe committee records and meeting minutes are open to research.\u003c/p\u003e","\u003cp\u003eThe awards, honors, and commemorations records are open to research.\u003c/p\u003e","\u003cp\u003eThe lecture and presentation materials are open to research.\u003c/p\u003e","\u003cp\u003eThe exhibit records are open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.","The annual reports are open to research.","These records are open to research.","The planning documents and reports are open to research.","The photographs and negatives are open to research.","The public relations files are open to research.","The publications are open to research.","There are no restrictions on access to the newsletters in this subseries.","There are no restrictions on access to the publications of the Health Sciences Library.","The social media files are open to researchers.","The blog files are open to researchers.","The administrative organization and structure files are open to research.","The policies, procedures, and handbooks are open to research.","In accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.","Conference programs and reports are open to research.","The historical and biographical files are open to research.","The reports in this series are open to research.","The committee records and meeting minutes are open to research.","The awards, honors, and commemorations records are open to research.","The lecture and presentation materials are open to research.","The exhibit records are open to research."],"accruals_html_tesm":["\u003cp\u003eThe annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.\u003c/p\u003e","\u003cp\u003eThe correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.\u003c/p\u003e","\u003cp\u003eHistorically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eHistorically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003ePublic relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.\u003c/p\u003e","\u003cp\u003eThe publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.\u003c/p\u003e","\u003cp\u003eAnnually, data is downloaded from the Library's active social media sites and added to this collection.\u003c/p\u003e","\u003cp\u003eCopies of each existing blog are captured every year and added to the collection.\u003c/p\u003e","\u003cp\u003eThe organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.\u003c/p\u003e","\u003cp\u003eHistorically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eHistorically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eSignificant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals"],"accruals_tesim":["The annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.","The correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.","Historically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.","Historically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.","Public relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.","The publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.","Annually, data is downloaded from the Library's active social media sites and added to this collection.","Copies of each existing blog are captured every year and added to the collection.","The organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.","Historically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.","Historically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.","Significant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.","Historically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently."],"arrangement_html_tesm":["\u003cp\u003eRecords are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.\u003c/p\u003e","\u003cp\u003eAnnual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.\u003c/p\u003e","\u003cp\u003eIn this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.\u003c/p\u003e","\u003cp\u003eThe images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.\u003c/p\u003e","\u003cp\u003eThe miscellaneous photographs are arranged chronologically according to the date of their creation.\u003c/p\u003e","\u003cp\u003eThe public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.\u003c/p\u003e","\u003cp\u003eThe publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.\u003c/p\u003e","\u003cp\u003eThe newsletters are arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eThe promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.\u003c/p\u003e","\u003cp\u003eThe social media content is arranged into files alphabetically by title.\u003c/p\u003e","\u003cp\u003eBlogs are arranged into files alphabetically by title.\u003c/p\u003e","\u003cp\u003eFiles in this series are arranged chronologically according to the date of their creation.\u003c/p\u003e","\u003cp\u003eThe policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.\u003c/p\u003e","\u003cp\u003eSyllabi and course materials are arranged chronologically.\u003c/p\u003e","\u003cp\u003eConference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.\u003c/p\u003e","\u003cp\u003eMaterials in this series are arranged chronologically according to the date that they were created.\u003c/p\u003e","\u003cp\u003eThe reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.\u003c/p\u003e","\u003cp\u003eThe directories are arranged by title into files. The files are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThe awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.\u003c/p\u003e","\u003cp\u003eThe records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. \u003c/p\u003e\n","\u003cp\u003eRecords in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eRecords in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eRecords in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eThe materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.\u003c/p\u003e","\u003cp\u003eThese files are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThese items are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["Records are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.","Annual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.","The correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.","In this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.","The photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.","The photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.","The images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.","The miscellaneous photographs are arranged chronologically according to the date of their creation.","The public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.","The publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.","The newsletters are arranged alphabetically by title.","The promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.","The social media content is arranged into files alphabetically by title.","Blogs are arranged into files alphabetically by title.","Files in this series are arranged chronologically according to the date of their creation.","The policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.","Syllabi and course materials are arranged chronologically.","Conference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.","Materials in this series are arranged chronologically according to the date that they were created.","The reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.","The directories are arranged by title into files. The files are arranged chronologically.","The records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.","The awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.","The records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. ","Records in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","These files are arranged alphabetically.","These items are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003e\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n\u003c/p\u003e","\u003cp\u003e\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n\u003c/p\u003e","\u003cp\u003e\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n\u003c/p\u003e","\u003cp\u003e\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n\u003c/p\u003e","\u003cbr\u003e","\u003cul\u003e\n\u003cli\u003eSeptember 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books.\u003c/li\u003e\n\u003cli\u003e1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda.\u003c/li\u003e\n\u003cli\u003eSeptember 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee.\u003c/li\u003e\n\u003cli\u003e1919-June 1929: Ella Watson Johnson serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eJune 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System.\u003c/li\u003e\n\u003cli\u003eJune 1929-September 1929: Margaret Otto serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1931-1934: Caroline Hill Davis serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eMarch 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1935: The Medical Library institutes its first orientation for first year medical students.\u003c/li\u003e\n\u003cli\u003e1936-1943: Anne Lewis Morris serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1944-1947: Mabel Cook Wyllie serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection.\u003c/li\u003e\n\u003cli\u003e1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eSeptember 1962: Wilhelm Moll is appointed the Director of the Medical Library.\u003c/li\u003e\n\u003cli\u003e1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine.\u003c/li\u003e\n\u003cli\u003eNovember 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications.\u003c/li\u003e\n\u003cli\u003eNovember 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons.\u003c/li\u003e\n\u003cli\u003eAugust 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library.\u003c/li\u003e\n\u003cli\u003eApril 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia.\u003c/li\u003e\n\u003cli\u003e1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003cli\u003e1989: The library card catalog is digitized and made available through computer terminals.\u003c/li\u003e\n\u003cli\u003e1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003cli\u003e2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007.\u003c/li\u003e\n\u003cli\u003e2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003c/ul\u003e","\u003cp\u003e(formerly Reference Department from 1987-1991)\u003c/p\u003e","\u003cp\u003eHistorical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n","\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n","\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n","\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n","","September 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books. 1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda. September 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee. 1919-June 1929: Ella Watson Johnson serves as the Medical Librarian. June 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System. June 1929-September 1929: Margaret Otto serves as the Medical Librarian. 1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian. 1931-1934: Caroline Hill Davis serves as the Medical Librarian. March 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian. 1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian. 1935: The Medical Library institutes its first orientation for first year medical students. 1936-1943: Anne Lewis Morris serves as the Medical Librarian. 1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian. 1944-1947: Mabel Cook Wyllie serves as the Medical Librarian. 1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection. 1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian. September 1962: Wilhelm Moll is appointed the Director of the Medical Library. 1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine. November 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications. November 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons. August 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library. April 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia. 1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library. 1989: The library card catalog is digitized and made available through computer terminals. 1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library. 2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007. 2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.","(formerly Reference Department from 1987-1991)","Historical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position."],"odd_html_tesm":["\u003cp\u003eSome exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation.\u003c/p\u003e"],"odd_heading_ssm":["Date Discrepancies"],"odd_tesim":["Some exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation."],"originalsloc_html_tesm":["\u003cp\u003eMany of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Many of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\""],"phystech_html_tesm":["\u003cp\u003eWhen the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.\u003c/p\u003e","\u003cp\u003ePatrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. \u003c/p\u003e","\u003cp\u003eWhen the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. \u003c/p\u003e","\u003cp\u003ePatrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. \u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements"],"phystech_tesim":["When the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.","Patrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","When the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. ","Patrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. "],"relatedmaterial_html_tesm":["\u003cp\u003eExhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\""],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.\u003c/p\u003e","\u003cp\u003eThis series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.\u003c/p\u003e","\u003cp\u003eThe annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.\u003c/p\u003e","\u003cp\u003eThe annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.\u003c/p\u003e","\u003cp\u003eInformal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).\u003c/p\u003e","\u003cp\u003eThis series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.\u003c/p\u003e","\u003cp\u003eCorrespondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution\u003c/p\u003e","\u003cp\u003eIncludes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse\u003c/p\u003e","\u003cp\u003eCorrespondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt\u003c/p\u003e","\u003cp\u003eIncludes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with William Bennett Bean\u003c/p\u003e","\u003cp\u003eIncludes correspondence on Health System reorganization\u003c/p\u003e","\u003cp\u003eThe records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.\u003c/p\u003e","\u003cp\u003eThis subseries contains images of artifacts in the collections of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThe images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eMoll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.\u003c/p\u003e","\u003cp\u003eLIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet\u003c/p\u003e","\u003cp\u003ePeople identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.\u003c/p\u003e","\u003cp\u003eIndividuals not identified.\u003c/p\u003e","\u003cp\u003eFront: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears\u003c/p\u003e","\u003cp\u003eLeft to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson\u003c/p\u003e","\u003cp\u003eOne photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson\u003c/p\u003e","\u003cp\u003eCollection Services and Bibliographic Control\u003c/p\u003e","\u003cp\u003eIntellectual Access and Collection Development\u003c/p\u003e","\u003cp\u003eLibrary Administration\u003c/p\u003e","\u003cp\u003eEllen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn\u003c/p\u003e","\u003cp\u003eThis subseries consists of images that do not belong in any other subseries.\u003c/p\u003e","\u003cp\u003eGordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.\u003c/p\u003e","\u003cp\u003ePhoto was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority\u003c/p\u003e","\u003cp\u003eThis series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.\u003c/p\u003e","\u003cp\u003eThis subseries contains print copies of news articles about the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eA \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.\u003c/p\u003e","\u003cp\u003eThis subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eEnvelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.\u003c/p\u003e","\u003cp\u003eThis series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.\u003c/p\u003e","\u003cp\u003eThe staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.\u003c/p\u003e","\u003cp\u003eThis series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.\u003c/p\u003e","\u003cp\u003eThe Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.\u003c/p\u003e","\u003cp\u003eThe records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.\u003c/p\u003e","\u003cp\u003eThis series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.\u003c/p\u003e","\u003cp\u003eThis subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eIncludes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library\u003c/p\u003e","\u003cp\u003eThis subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.\u003c/p\u003e","\u003cp\u003eThis series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.\u003c/p\u003e","\u003cp\u003eIncludes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.\u003c/p\u003e","\u003cp\u003eIncludes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.\u003c/p\u003e","\u003cp\u003eThis series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.\u003c/p\u003e","\u003cp\u003eThis series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.\u003c/p\u003e","\u003cp\u003eThis file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.\u003c/p\u003e","\u003cp\u003eThis series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.\u003c/p\u003e","\u003cp\u003eThe dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.\u003c/p\u003e","\u003cp\u003eIncludes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.\u003c/p\u003e","\u003cp\u003eIncludes remarks that were given by Dr. Don Detmer.\u003c/p\u003e","\u003cp\u003eIncludes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".\u003c/p\u003e","\u003cp\u003eThis series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.\u003c/p\u003e","\u003cp\u003eThis subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.\u003c/p\u003e","\u003cp\u003eThis subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.\u003c/p\u003e","\u003cp\u003ePromotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.\u003c/p\u003e","\u003cp\u003eThis series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.\u003c/p\u003e","\u003cp\u003eThese materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.\u003c/p\u003e","\u003cp\u003eIdentified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall\u003c/p\u003e","\u003cp\u003eIncludes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.\u003c/p\u003e","\u003cp\u003e\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026amp; Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.\u003c/p\u003e","\u003cp\u003eIntroduction by Joan Klein\u003c/p\u003e","\u003cp\u003eThis series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.\u003c/p\u003e","\u003cp\u003eThis online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.\u003c/p\u003e","\u003cp\u003eThis online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.\u003c/p\u003e","\u003cp\u003eThis exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.\u003c/p\u003e","\u003cp\u003eThis online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.\u003c/p\u003e","\u003cp\u003eThis online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.\u003c/p\u003e","\u003cp\u003eThis exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.\u003c/p\u003e","\u003cp\u003eThis online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004\u003c/p\u003e","\u003cp\u003eThis exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.\u003c/p\u003e","\u003cp\u003eThis online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. \u003c/p\u003e\n","\u003cp\u003eThe exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.\u003c/p\u003e\n","\u003cp\u003eThe Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.\u003c/p\u003e\n","\u003cp\u003eThe Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026amp; summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.\u003c/p\u003e","\u003cp\u003eThis online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.\u003c/p\u003e\n","\u003cp\u003eThe exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.\u003c/p\u003e","\u003cp\u003eThis exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.\u003c/p\u003e\n","\u003cp\u003eJoan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026amp; Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026amp; Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eJoan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026amp; Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.\u003c/p\u003e\n","\u003cp\u003eStaff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.\u003c/p\u003e\n","\u003cp\u003eDavid Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eThis exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026amp; Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.\u003c/p\u003e","\u003cp\u003eThe Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.\u003c/p\u003e\n","\u003cp\u003eOthers associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026amp; Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eThis exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"\u003c/p\u003e\n","\u003cp\u003eAnne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.\u003c/p\u003e\n","\u003cp\u003eUnless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"\u003c/p\u003e","\u003cp\u003eIn 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.\u003c/p\u003e\n","\u003cp\u003eThis exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.\u003c/p\u003e\n","\u003cp\u003eSara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.\u003c/p\u003e\n","\u003cp\u003eJoaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.\u003c/p\u003e","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e\n","\u003cp\u003eMary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e","\u003cp\u003eWalter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.\u003c/p\u003e","\u003cp\u003eThis series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.","This series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.","The annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.","The annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.","Informal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).","This series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.","Correspondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution","Includes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse","Correspondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt","Includes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.","Includes correspondence with William Bennett Bean","Includes correspondence on Health System reorganization","The records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.","This series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.","This subseries contains images of artifacts in the collections of the Health Sciences Library.","The images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.","Moll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.","LIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet","People identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.","Individuals not identified.","Front: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears","Left to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson","One photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson","Collection Services and Bibliographic Control","Intellectual Access and Collection Development","Library Administration","Ellen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn","This subseries consists of images that do not belong in any other subseries.","Gordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.","Photo was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority","This series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.","This subseries contains print copies of news articles about the Health Sciences Library.","This series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.","The materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.","This subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.","A \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.","This subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.","Envelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.","This series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.","The staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.","This series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.","The Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.","The records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.","This series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.","This subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.","Includes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library","This subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.","This series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.","This series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.","This series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.","Includes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.","Includes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.","This series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.","This series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.","This file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.","This file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.","This series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.","The dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.","Includes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.","Includes remarks that were given by Dr. Don Detmer.","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".","This series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.","This subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.","This subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.","This subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.","Promotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","These materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.","Identified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall","Includes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.","\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026 Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.","Introduction by Joan Klein","This series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.","This online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.","This online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.","This exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.","This online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.","This online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.","This exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.","This online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004","This exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.","This online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. ","The exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.","The Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.","The Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026 summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.","This online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.","The exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.","This exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026 Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.","Staff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.","David Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.","This exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.","This exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026 Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.","The Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.","This exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.","Others associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026 Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.","This exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.","This online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"","Anne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.","Unless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"","In 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.","This exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.","This online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.","Sara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.","Joaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","Mary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.","This exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","Walter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.","This exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.","This series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library."],"userestrict_html_tesm":["\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.\u003c/p\u003e","\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eCopyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.","The Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.","The Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.","Copyright restrictions may apply.","The Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.","The Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.","The Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies."],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":471,"online_item_count_is":26,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:41:23.997Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_215_c19_c01"}},{"id":"viu_repositories_7_resources_215_c19","type":"Series","attributes":{"title":"Exhibits","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_215_c19#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_215_c19#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_215_c19","ref_ssm":["viu_repositories_7_resources_215_c19"],"id":"viu_repositories_7_resources_215_c19","ead_ssi":"viu_repositories_7_resources_215","_root_":"viu_repositories_7_resources_215","_nest_parent_":"viu_repositories_7_resources_215","parent_ssi":"viu_repositories_7_resources_215","parent_ssim":["viu_repositories_7_resources_215"],"parent_ids_ssim":["viu_repositories_7_resources_215"],"parent_unittitles_ssm":["Claude Moore Health Sciences Library records"],"parent_unittitles_tesim":["Claude Moore Health Sciences Library records"],"text":["Claude Moore Health Sciences Library records","Exhibits","The exhibit records are open to research.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies."],"title_filing_ssi":"Exhibits","title_ssm":["Exhibits"],"title_tesim":["Exhibits"],"unitdate_inclusive_ssm":["1970-2023"],"normalized_date_ssm":["1970/2023"],"normalized_title_ssm":["Exhibits"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Claude Moore Health Sciences Library records"],"has_online_content_ssim":["true"],"child_component_count_isi":2,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":382,"parent_access_restrict_tesm":["The records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies."],"parent_access_terms_tesm":["The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies."],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe exhibit records are open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The exhibit records are open to research."],"accruals_html_tesm":["\u003cp\u003eHistorically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title."],"scopecontent_html_tesm":["\u003cp\u003eThis series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine."],"userestrict_html_tesm":["\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies."],"_nest_path_":"/components#18","timestamp":"2026-05-20T23:41:23.997Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_215","ead_ssi":"viu_repositories_7_resources_215","_root_":"viu_repositories_7_resources_215","_nest_parent_":"viu_repositories_7_resources_215","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_215.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133046","title_ssm":["Claude Moore Health Sciences Library records"],"title_tesim":["Claude Moore Health Sciences Library records"],"unitdate_ssm":["1942-2025","1848-2019"],"unitdate_bulk_ssim":["1942-2025"],"unitdate_inclusive_ssm":["1848-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215"],"text":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215","Claude Moore Health Sciences Library records","University of Virginia","The records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.","The annual reports are open to research.","These records are open to research.","The planning documents and reports are open to research.","The photographs and negatives are open to research.","The public relations files are open to research.","The publications are open to research.","There are no restrictions on access to the newsletters in this subseries.","There are no restrictions on access to the publications of the Health Sciences Library.","The social media files are open to researchers.","The blog files are open to researchers.","The administrative organization and structure files are open to research.","The policies, procedures, and handbooks are open to research.","In accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.","Conference programs and reports are open to research.","The historical and biographical files are open to research.","The reports in this series are open to research.","The committee records and meeting minutes are open to research.","The awards, honors, and commemorations records are open to research.","The lecture and presentation materials are open to research.","The exhibit records are open to research.","The annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.","The correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.","Historically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.","Historically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.","Public relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.","The publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.","Annually, data is downloaded from the Library's active social media sites and added to this collection.","Copies of each existing blog are captured every year and added to the collection.","The organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.","Historically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.","Historically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.","Significant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.","Historically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.","Records are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.","Annual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.","The correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.","In this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.","The photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.","The photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.","The images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.","The miscellaneous photographs are arranged chronologically according to the date of their creation.","The public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.","The publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.","The newsletters are arranged alphabetically by title.","The promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.","The social media content is arranged into files alphabetically by title.","Blogs are arranged into files alphabetically by title.","Files in this series are arranged chronologically according to the date of their creation.","The policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.","Syllabi and course materials are arranged chronologically.","Conference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.","Materials in this series are arranged chronologically according to the date that they were created.","The reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.","The directories are arranged by title into files. The files are arranged chronologically.","The records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.","The awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.","The records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. ","Records in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","These files are arranged alphabetically.","These items are arranged alphabetically.","\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n","\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n","\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n","\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n","","September 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books. 1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda. September 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee. 1919-June 1929: Ella Watson Johnson serves as the Medical Librarian. June 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System. June 1929-September 1929: Margaret Otto serves as the Medical Librarian. 1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian. 1931-1934: Caroline Hill Davis serves as the Medical Librarian. March 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian. 1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian. 1935: The Medical Library institutes its first orientation for first year medical students. 1936-1943: Anne Lewis Morris serves as the Medical Librarian. 1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian. 1944-1947: Mabel Cook Wyllie serves as the Medical Librarian. 1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection. 1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian. September 1962: Wilhelm Moll is appointed the Director of the Medical Library. 1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine. November 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications. November 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons. August 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library. April 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia. 1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library. 1989: The library card catalog is digitized and made available through computer terminals. 1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library. 2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007. 2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.","(formerly Reference Department from 1987-1991)","Historical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position.","Some exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation.","Many of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"","When the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.","Patrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","When the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. ","Patrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"","This collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.","This series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.","The annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.","The annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.","Informal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).","This series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.","Correspondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution","Includes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse","Correspondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt","Includes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.","Includes correspondence with William Bennett Bean","Includes correspondence on Health System reorganization","The records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.","This series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.","This subseries contains images of artifacts in the collections of the Health Sciences Library.","The images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.","Moll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.","LIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet","People identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.","Individuals not identified.","Front: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears","Left to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson","One photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson","Collection Services and Bibliographic Control","Intellectual Access and Collection Development","Library Administration","Ellen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn","This subseries consists of images that do not belong in any other subseries.","Gordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.","Photo was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority","This series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.","This subseries contains print copies of news articles about the Health Sciences Library.","This series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.","The materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.","This subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.","A \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.","This subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.","Envelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.","This series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.","The staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.","This series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.","The Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.","The records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.","This series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.","This subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.","Includes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library","This subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.","This series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.","This series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.","This series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.","Includes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.","Includes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.","This series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.","This series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.","This file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.","This file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.","This series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.","The dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.","Includes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.","Includes remarks that were given by Dr. Don Detmer.","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".","This series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.","This subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.","This subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.","This subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.","Promotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","These materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.","Identified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall","Includes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.","\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026 Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.","Introduction by Joan Klein","This series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.","This online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.","This online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.","This exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.","This online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.","This online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.","This exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.","This online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004","This exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.","This online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. ","The exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.","The Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.","The Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026 summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.","This online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.","The exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.","This exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026 Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.","Staff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.","David Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.","This exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.","This exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026 Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.","The Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.","This exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.","Others associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026 Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.","This exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.","This online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"","Anne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.","Unless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"","In 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.","This exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.","This online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.","Sara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.","Joaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","Mary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.","This exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","Walter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.","This exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.","This series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.","The Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.","The Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.","Copyright restrictions may apply.","The Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.","The Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.","The Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","Claude Moore Health Sciences Library","English"],"unitid_tesim":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215"],"normalized_title_ssm":["Claude Moore Health Sciences Library records"],"collection_title_tesim":["Claude Moore Health Sciences Library records"],"collection_ssim":["Claude Moore Health Sciences Library records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies."],"access_subjects_ssim":["University of Virginia"],"access_subjects_ssm":["University of Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["97 Volumes 97 bound volumes and enclosures on book shelves","8 Linear Feet 29 archival boxes"],"extent_tesim":["97 Volumes 97 bound volumes and enclosures on book shelves","8 Linear Feet 29 archival boxes"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThe records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.\u003c/p\u003e","\u003cp\u003eThe annual reports are open to research.\u003c/p\u003e","\u003cp\u003eThese records are open to research.\u003c/p\u003e","\u003cp\u003eThe planning documents and reports are open to research.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives are open to research.\u003c/p\u003e","\u003cp\u003eThe public relations files are open to research.\u003c/p\u003e","\u003cp\u003eThe publications are open to research.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the newsletters in this subseries.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the publications of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThe social media files are open to researchers.\u003c/p\u003e","\u003cp\u003eThe blog files are open to researchers.\u003c/p\u003e","\u003cp\u003eThe administrative organization and structure files are open to research.\u003c/p\u003e","\u003cp\u003eThe policies, procedures, and handbooks are open to research.\u003c/p\u003e","\u003cp\u003eIn accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.\u003c/p\u003e","\u003cp\u003eConference programs and reports are open to research.\u003c/p\u003e","\u003cp\u003eThe historical and biographical files are open to research.\u003c/p\u003e","\u003cp\u003eThe reports in this series are open to research.\u003c/p\u003e","\u003cp\u003eThe committee records and meeting minutes are open to research.\u003c/p\u003e","\u003cp\u003eThe awards, honors, and commemorations records are open to research.\u003c/p\u003e","\u003cp\u003eThe lecture and presentation materials are open to research.\u003c/p\u003e","\u003cp\u003eThe exhibit records are open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.","The annual reports are open to research.","These records are open to research.","The planning documents and reports are open to research.","The photographs and negatives are open to research.","The public relations files are open to research.","The publications are open to research.","There are no restrictions on access to the newsletters in this subseries.","There are no restrictions on access to the publications of the Health Sciences Library.","The social media files are open to researchers.","The blog files are open to researchers.","The administrative organization and structure files are open to research.","The policies, procedures, and handbooks are open to research.","In accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.","Conference programs and reports are open to research.","The historical and biographical files are open to research.","The reports in this series are open to research.","The committee records and meeting minutes are open to research.","The awards, honors, and commemorations records are open to research.","The lecture and presentation materials are open to research.","The exhibit records are open to research."],"accruals_html_tesm":["\u003cp\u003eThe annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.\u003c/p\u003e","\u003cp\u003eThe correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.\u003c/p\u003e","\u003cp\u003eHistorically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eHistorically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003ePublic relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.\u003c/p\u003e","\u003cp\u003eThe publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.\u003c/p\u003e","\u003cp\u003eAnnually, data is downloaded from the Library's active social media sites and added to this collection.\u003c/p\u003e","\u003cp\u003eCopies of each existing blog are captured every year and added to the collection.\u003c/p\u003e","\u003cp\u003eThe organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.\u003c/p\u003e","\u003cp\u003eHistorically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eHistorically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eSignificant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals"],"accruals_tesim":["The annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.","The correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.","Historically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.","Historically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.","Public relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.","The publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.","Annually, data is downloaded from the Library's active social media sites and added to this collection.","Copies of each existing blog are captured every year and added to the collection.","The organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.","Historically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.","Historically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.","Significant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.","Historically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently."],"arrangement_html_tesm":["\u003cp\u003eRecords are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.\u003c/p\u003e","\u003cp\u003eAnnual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.\u003c/p\u003e","\u003cp\u003eIn this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.\u003c/p\u003e","\u003cp\u003eThe images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.\u003c/p\u003e","\u003cp\u003eThe miscellaneous photographs are arranged chronologically according to the date of their creation.\u003c/p\u003e","\u003cp\u003eThe public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.\u003c/p\u003e","\u003cp\u003eThe publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.\u003c/p\u003e","\u003cp\u003eThe newsletters are arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eThe promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.\u003c/p\u003e","\u003cp\u003eThe social media content is arranged into files alphabetically by title.\u003c/p\u003e","\u003cp\u003eBlogs are arranged into files alphabetically by title.\u003c/p\u003e","\u003cp\u003eFiles in this series are arranged chronologically according to the date of their creation.\u003c/p\u003e","\u003cp\u003eThe policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.\u003c/p\u003e","\u003cp\u003eSyllabi and course materials are arranged chronologically.\u003c/p\u003e","\u003cp\u003eConference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.\u003c/p\u003e","\u003cp\u003eMaterials in this series are arranged chronologically according to the date that they were created.\u003c/p\u003e","\u003cp\u003eThe reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.\u003c/p\u003e","\u003cp\u003eThe directories are arranged by title into files. The files are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThe awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.\u003c/p\u003e","\u003cp\u003eThe records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. \u003c/p\u003e\n","\u003cp\u003eRecords in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eRecords in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eRecords in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eThe materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.\u003c/p\u003e","\u003cp\u003eThese files are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThese items are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["Records are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.","Annual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.","The correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.","In this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.","The photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.","The photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.","The images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.","The miscellaneous photographs are arranged chronologically according to the date of their creation.","The public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.","The publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.","The newsletters are arranged alphabetically by title.","The promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.","The social media content is arranged into files alphabetically by title.","Blogs are arranged into files alphabetically by title.","Files in this series are arranged chronologically according to the date of their creation.","The policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.","Syllabi and course materials are arranged chronologically.","Conference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.","Materials in this series are arranged chronologically according to the date that they were created.","The reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.","The directories are arranged by title into files. The files are arranged chronologically.","The records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.","The awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.","The records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. ","Records in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","These files are arranged alphabetically.","These items are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003e\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n\u003c/p\u003e","\u003cp\u003e\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n\u003c/p\u003e","\u003cp\u003e\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n\u003c/p\u003e","\u003cp\u003e\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n\u003c/p\u003e","\u003cbr\u003e","\u003cul\u003e\n\u003cli\u003eSeptember 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books.\u003c/li\u003e\n\u003cli\u003e1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda.\u003c/li\u003e\n\u003cli\u003eSeptember 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee.\u003c/li\u003e\n\u003cli\u003e1919-June 1929: Ella Watson Johnson serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eJune 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System.\u003c/li\u003e\n\u003cli\u003eJune 1929-September 1929: Margaret Otto serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1931-1934: Caroline Hill Davis serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eMarch 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1935: The Medical Library institutes its first orientation for first year medical students.\u003c/li\u003e\n\u003cli\u003e1936-1943: Anne Lewis Morris serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1944-1947: Mabel Cook Wyllie serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection.\u003c/li\u003e\n\u003cli\u003e1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eSeptember 1962: Wilhelm Moll is appointed the Director of the Medical Library.\u003c/li\u003e\n\u003cli\u003e1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine.\u003c/li\u003e\n\u003cli\u003eNovember 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications.\u003c/li\u003e\n\u003cli\u003eNovember 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons.\u003c/li\u003e\n\u003cli\u003eAugust 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library.\u003c/li\u003e\n\u003cli\u003eApril 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia.\u003c/li\u003e\n\u003cli\u003e1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003cli\u003e1989: The library card catalog is digitized and made available through computer terminals.\u003c/li\u003e\n\u003cli\u003e1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003cli\u003e2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007.\u003c/li\u003e\n\u003cli\u003e2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003c/ul\u003e","\u003cp\u003e(formerly Reference Department from 1987-1991)\u003c/p\u003e","\u003cp\u003eHistorical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n","\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n","\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n","\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n","","September 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books. 1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda. September 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee. 1919-June 1929: Ella Watson Johnson serves as the Medical Librarian. June 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System. June 1929-September 1929: Margaret Otto serves as the Medical Librarian. 1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian. 1931-1934: Caroline Hill Davis serves as the Medical Librarian. March 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian. 1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian. 1935: The Medical Library institutes its first orientation for first year medical students. 1936-1943: Anne Lewis Morris serves as the Medical Librarian. 1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian. 1944-1947: Mabel Cook Wyllie serves as the Medical Librarian. 1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection. 1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian. September 1962: Wilhelm Moll is appointed the Director of the Medical Library. 1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine. November 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications. November 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons. August 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library. April 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia. 1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library. 1989: The library card catalog is digitized and made available through computer terminals. 1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library. 2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007. 2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.","(formerly Reference Department from 1987-1991)","Historical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position."],"odd_html_tesm":["\u003cp\u003eSome exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation.\u003c/p\u003e"],"odd_heading_ssm":["Date Discrepancies"],"odd_tesim":["Some exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation."],"originalsloc_html_tesm":["\u003cp\u003eMany of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Many of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\""],"phystech_html_tesm":["\u003cp\u003eWhen the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.\u003c/p\u003e","\u003cp\u003ePatrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. \u003c/p\u003e","\u003cp\u003eWhen the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. \u003c/p\u003e","\u003cp\u003ePatrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. \u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements"],"phystech_tesim":["When the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.","Patrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","When the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. ","Patrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. "],"relatedmaterial_html_tesm":["\u003cp\u003eExhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\""],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.\u003c/p\u003e","\u003cp\u003eThis series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.\u003c/p\u003e","\u003cp\u003eThe annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.\u003c/p\u003e","\u003cp\u003eThe annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.\u003c/p\u003e","\u003cp\u003eInformal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).\u003c/p\u003e","\u003cp\u003eThis series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.\u003c/p\u003e","\u003cp\u003eCorrespondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution\u003c/p\u003e","\u003cp\u003eIncludes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse\u003c/p\u003e","\u003cp\u003eCorrespondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt\u003c/p\u003e","\u003cp\u003eIncludes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with William Bennett Bean\u003c/p\u003e","\u003cp\u003eIncludes correspondence on Health System reorganization\u003c/p\u003e","\u003cp\u003eThe records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.\u003c/p\u003e","\u003cp\u003eThis subseries contains images of artifacts in the collections of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThe images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eMoll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.\u003c/p\u003e","\u003cp\u003eLIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet\u003c/p\u003e","\u003cp\u003ePeople identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.\u003c/p\u003e","\u003cp\u003eIndividuals not identified.\u003c/p\u003e","\u003cp\u003eFront: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears\u003c/p\u003e","\u003cp\u003eLeft to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson\u003c/p\u003e","\u003cp\u003eOne photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson\u003c/p\u003e","\u003cp\u003eCollection Services and Bibliographic Control\u003c/p\u003e","\u003cp\u003eIntellectual Access and Collection Development\u003c/p\u003e","\u003cp\u003eLibrary Administration\u003c/p\u003e","\u003cp\u003eEllen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn\u003c/p\u003e","\u003cp\u003eThis subseries consists of images that do not belong in any other subseries.\u003c/p\u003e","\u003cp\u003eGordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.\u003c/p\u003e","\u003cp\u003ePhoto was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority\u003c/p\u003e","\u003cp\u003eThis series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.\u003c/p\u003e","\u003cp\u003eThis subseries contains print copies of news articles about the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eA \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.\u003c/p\u003e","\u003cp\u003eThis subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eEnvelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.\u003c/p\u003e","\u003cp\u003eThis series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.\u003c/p\u003e","\u003cp\u003eThe staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.\u003c/p\u003e","\u003cp\u003eThis series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.\u003c/p\u003e","\u003cp\u003eThe Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.\u003c/p\u003e","\u003cp\u003eThe records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.\u003c/p\u003e","\u003cp\u003eThis series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.\u003c/p\u003e","\u003cp\u003eThis subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eIncludes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library\u003c/p\u003e","\u003cp\u003eThis subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.\u003c/p\u003e","\u003cp\u003eThis series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.\u003c/p\u003e","\u003cp\u003eIncludes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.\u003c/p\u003e","\u003cp\u003eIncludes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.\u003c/p\u003e","\u003cp\u003eThis series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.\u003c/p\u003e","\u003cp\u003eThis series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.\u003c/p\u003e","\u003cp\u003eThis file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.\u003c/p\u003e","\u003cp\u003eThis series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.\u003c/p\u003e","\u003cp\u003eThe dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.\u003c/p\u003e","\u003cp\u003eIncludes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.\u003c/p\u003e","\u003cp\u003eIncludes remarks that were given by Dr. Don Detmer.\u003c/p\u003e","\u003cp\u003eIncludes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".\u003c/p\u003e","\u003cp\u003eThis series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.\u003c/p\u003e","\u003cp\u003eThis subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.\u003c/p\u003e","\u003cp\u003eThis subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.\u003c/p\u003e","\u003cp\u003ePromotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.\u003c/p\u003e","\u003cp\u003eThis series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.\u003c/p\u003e","\u003cp\u003eThese materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.\u003c/p\u003e","\u003cp\u003eIdentified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall\u003c/p\u003e","\u003cp\u003eIncludes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.\u003c/p\u003e","\u003cp\u003e\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026amp; Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.\u003c/p\u003e","\u003cp\u003eIntroduction by Joan Klein\u003c/p\u003e","\u003cp\u003eThis series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.\u003c/p\u003e","\u003cp\u003eThis online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.\u003c/p\u003e","\u003cp\u003eThis online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.\u003c/p\u003e","\u003cp\u003eThis exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.\u003c/p\u003e","\u003cp\u003eThis online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.\u003c/p\u003e","\u003cp\u003eThis online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.\u003c/p\u003e","\u003cp\u003eThis exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.\u003c/p\u003e","\u003cp\u003eThis online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004\u003c/p\u003e","\u003cp\u003eThis exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.\u003c/p\u003e","\u003cp\u003eThis online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. \u003c/p\u003e\n","\u003cp\u003eThe exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.\u003c/p\u003e\n","\u003cp\u003eThe Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.\u003c/p\u003e\n","\u003cp\u003eThe Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026amp; summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.\u003c/p\u003e","\u003cp\u003eThis online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.\u003c/p\u003e\n","\u003cp\u003eThe exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.\u003c/p\u003e","\u003cp\u003eThis exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.\u003c/p\u003e\n","\u003cp\u003eJoan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026amp; Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026amp; Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eJoan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026amp; Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.\u003c/p\u003e\n","\u003cp\u003eStaff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.\u003c/p\u003e\n","\u003cp\u003eDavid Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eThis exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026amp; Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.\u003c/p\u003e","\u003cp\u003eThe Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.\u003c/p\u003e\n","\u003cp\u003eOthers associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026amp; Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eThis exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"\u003c/p\u003e\n","\u003cp\u003eAnne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.\u003c/p\u003e\n","\u003cp\u003eUnless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"\u003c/p\u003e","\u003cp\u003eIn 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.\u003c/p\u003e\n","\u003cp\u003eThis exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.\u003c/p\u003e\n","\u003cp\u003eSara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.\u003c/p\u003e\n","\u003cp\u003eJoaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.\u003c/p\u003e","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e\n","\u003cp\u003eMary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e","\u003cp\u003eWalter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.\u003c/p\u003e","\u003cp\u003eThis series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.","This series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.","The annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.","The annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.","Informal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).","This series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.","Correspondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution","Includes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse","Correspondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt","Includes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.","Includes correspondence with William Bennett Bean","Includes correspondence on Health System reorganization","The records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.","This series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.","This subseries contains images of artifacts in the collections of the Health Sciences Library.","The images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.","Moll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.","LIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet","People identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.","Individuals not identified.","Front: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears","Left to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson","One photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson","Collection Services and Bibliographic Control","Intellectual Access and Collection Development","Library Administration","Ellen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn","This subseries consists of images that do not belong in any other subseries.","Gordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.","Photo was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority","This series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.","This subseries contains print copies of news articles about the Health Sciences Library.","This series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.","The materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.","This subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.","A \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.","This subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.","Envelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.","This series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.","The staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.","This series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.","The Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.","The records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.","This series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.","This subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.","Includes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library","This subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.","This series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.","This series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.","This series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.","Includes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.","Includes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.","This series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.","This series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.","This file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.","This file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.","This series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.","The dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.","Includes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.","Includes remarks that were given by Dr. Don Detmer.","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".","This series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.","This subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.","This subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.","This subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.","Promotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","These materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.","Identified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall","Includes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.","\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026 Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.","Introduction by Joan Klein","This series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.","This online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.","This online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.","This exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.","This online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.","This online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.","This exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.","This online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004","This exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.","This online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. ","The exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.","The Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.","The Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026 summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.","This online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.","The exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.","This exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026 Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.","Staff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.","David Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.","This exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.","This exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026 Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.","The Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.","This exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.","Others associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026 Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.","This exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.","This online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"","Anne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.","Unless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"","In 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.","This exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.","This online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.","Sara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.","Joaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","Mary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.","This exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","Walter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.","This exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.","This series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library."],"userestrict_html_tesm":["\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.\u003c/p\u003e","\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eCopyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.","The Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.","The Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.","Copyright restrictions may apply.","The Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.","The Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.","The Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies."],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":471,"online_item_count_is":26,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:41:23.997Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_215_c19"}},{"id":"vihart_repositories_4_resources_673_c01","type":"Series","attributes":{"title":"Family papers and correspondence","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_673_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 1: Family Papers and Correspondence, 1849-2019, comprises ledgers; legal and financial documents related to the personal business doings of Eli Bowman and settling numerous Bowman family estates; and correspondence and email exchanges between Eldon Bowman and his classmates from Turner Ashby High School discussing religion and their respective spiritual journeys, politics, and philosophy. Writings by Bernie Bowman include published articles and papers he presented at meetings of \"The Thinkers,\" a discussion group in Tennessee of which Bernie was a member.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_673_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_673_c01","ref_ssm":["vihart_repositories_4_resources_673_c01"],"id":"vihart_repositories_4_resources_673_c01","ead_ssi":"vihart_repositories_4_resources_673","_root_":"vihart_repositories_4_resources_673","_nest_parent_":"vihart_repositories_4_resources_673","parent_ssi":"vihart_repositories_4_resources_673","parent_ssim":["vihart_repositories_4_resources_673"],"parent_ids_ssim":["vihart_repositories_4_resources_673"],"parent_unittitles_ssm":["Eldon Bowman collection of Bowman family papers"],"parent_unittitles_tesim":["Eldon Bowman collection of Bowman family papers"],"text":["Eldon Bowman collection of Bowman family papers","Family papers and correspondence","Bowman, Bernard D.","Series 1: Family Papers and Correspondence, 1849-2019, comprises ledgers; legal and financial documents related to the personal business doings of Eli Bowman and settling numerous Bowman family estates; and correspondence and email exchanges between Eldon Bowman and his classmates from Turner Ashby High School discussing religion and their respective spiritual journeys, politics, and philosophy.\nWritings by Bernie Bowman include published articles and papers he presented at meetings of \"The Thinkers,\" a discussion group in Tennessee of which Bernie was a member."],"title_filing_ssi":"Family papers and correspondence","title_ssm":["Family papers and correspondence"],"title_tesim":["Family papers and correspondence"],"unitdate_inclusive_ssm":["1849-2019"],"normalized_date_ssm":["1849/2019"],"normalized_title_ssm":["Family papers and correspondence"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["Eldon Bowman collection of Bowman family papers"],"has_online_content_ssim":["false"],"child_component_count_isi":21,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["Collection is open for research with the exception of Bowman correspondence from 1997-2019, which is restricted until July 15, 2035 per the amended donor agreement.","Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiocassettes contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request."],"parent_access_terms_tesm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"names_ssim":["Bowman, Bernard D."],"persname_ssim":["Bowman, Bernard D."],"scopecontent_html_tesm":["\u003cp\u003eSeries 1: Family Papers and Correspondence, 1849-2019, comprises ledgers; legal and financial documents related to the personal business doings of Eli Bowman and settling numerous Bowman family estates; and correspondence and email exchanges between Eldon Bowman and his classmates from Turner Ashby High School discussing religion and their respective spiritual journeys, politics, and philosophy.\nWritings by Bernie Bowman include published articles and papers he presented at meetings of \"The Thinkers,\" a discussion group in Tennessee of which Bernie was a member.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series 1: Family Papers and Correspondence, 1849-2019, comprises ledgers; legal and financial documents related to the personal business doings of Eli Bowman and settling numerous Bowman family estates; and correspondence and email exchanges between Eldon Bowman and his classmates from Turner Ashby High School discussing religion and their respective spiritual journeys, politics, and philosophy.\nWritings by Bernie Bowman include published articles and papers he presented at meetings of \"The Thinkers,\" a discussion group in Tennessee of which Bernie was a member."],"_nest_path_":"/components#0","timestamp":"2026-05-21T00:24:36.195Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_673","ead_ssi":"vihart_repositories_4_resources_673","_root_":"vihart_repositories_4_resources_673","_nest_parent_":"vihart_repositories_4_resources_673","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_673.xml","title_ssm":["Eldon Bowman collection of Bowman family papers"],"title_tesim":["Eldon Bowman collection of Bowman family papers"],"unitdate_ssm":["1797-2019"],"unitdate_inclusive_ssm":["1797-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0328","/repositories/4/resources/673"],"text":["SC 0328","/repositories/4/resources/673","Eldon Bowman collection of Bowman family papers","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- History","Letters (correspondence)","Genealogies (histories)","Family papers","Photographs","Estate records","Photocopies","Receipts (financial records)","Ledgers (account books)","Legal documents","Indentures","Deeds","Checks (bank checks)","Financial Records","Electronic mail","Funeral registers","Collection is open for research with the exception of Bowman correspondence from 1997-2019, which is restricted until July 15, 2035 per the amended donor agreement.","Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiocassettes contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request.","Original audiocassette restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","Restricted from researcher access until July 15, 2035 per the amended donor agreement.","Series is open to research.","Original audiocassettes contained within this series are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","Original audiocassette restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","Printed materials and monographs already held by Special Collections or deemed out of the collecting scope of Special Collections, yearbooks, and genealogy website printouts were not retained and were returned to the donor.","The collection is arranged into four series and further arranged chronologically. Exceptions to this arrangement were made in order to group like materials together specifically Hollar family genealogy research files.","Family Papers and Correspondence, 1849-2019 Genealogy Files, 1797-2018 2024-0604 Accession, circa 1850-1985 2024-0725 Accession, circa 1875-1990","Given the genealogical focus of this collection, this biographical note is not intended to serve as an exhaustive description of the Bowman family tree, which would largely duplicate the information found within the collection materials. Researchers are encouraged to review Series 2: Genealogy Files for more detailed genealogical information on the Bowman, Hollar, Lahman, and Wenger families. Published genealogies on these families are also available for additional context.","The Eldon Bowman Collection of Bowman Family Papers primarily documents the Eli Martin Bowman (1861-1950) and Amanda Hollar Bowman (1865-1936) line of the Bowmans of Rockingham County, Virginia. Eli Bowman was the great-great-grandson of George and Barbara Bowman who  immigrated to Pennsylvania from Germany in the late 1740s. The Bowmans moved to Rockingham County in the early 1770s and erected the \"Bowman House\" which is now part of the Frontier Culture Museum in Staunton. The descendants of Eli and Amanda Bowman documented in this collection include their son Luther Alexander Bowman (1884-1952) and his wife Otilla May Lahman (1891-1966), Luther and Otilla's son Millard Lahman Bowman (1914-1997) and his wife Oma Frances Wenger (1913-2002), and their nine children including Eldon Bowman (b. 1942) and Bernie Bowman (b. 1947). Many of the Bowmans were members of the Mennonite Church and were farmers by trade. Millard Bowman owned and operated a dairy and turkey farm with his family just outside of Harrisonburg. Eldon and Bernie Bowman as well as their siblings Jim, Daniel, and Miriam Haarer are all published authors. Their books include memoirs, genealogies, and family histories. ","Much of the family papers and genealogical research that form this collection were compiled and stewarded by Eldon Bowman's father Millard, and then by Eldon after Millard's death in 1997. Bernie Bowman, Eldon's brother, is also a contributor to the collection. A selection of his writings - published and unpublished - are included.","Millard Bowman - Tenor, Harold Lahman - Lead, Amos Rhodes - Baritone, James McDorman - Bass","The bulk of the materials were provided by the donor in labeled envelopes and binders. The donor's descriptions and folder titles were largely retained, and in cases where descriptions were substantive, a scope and content note is included at the folder level. The binders and envelopes were discarded. ","Audiocassettes listed in the container list have not been reformatted but can be made available upon request.","The Eldon Bowman Collection of Bowman Family Papers, 1797-2019, comprises genealogical materials (photocopied and original), correspondence, family papers, and financial and legal documents related to the Bowman family of Rockingham County, Virginia specifically the Eli Martin Bowman (1861-1950) and Amanda Hollar Bowman (1865-1936) line.","Since the collection contains original and photocopied documents, dates were applied to documents according to the date the original document was created and not when it was reproduced. Researchers should note that while genealogical materials are primarily arranged in Series 2: Genealogical Files, materials found within Series 1: Family Papers and Correspondence may also relate to Bowman and related family genealogies. ","Series 1: Family Papers and Correspondence, 1849-2019, comprises ledgers; legal and financial documents related to the personal business doings of Eli Bowman and settling numerous Bowman family estates; and correspondence and email exchanges between Eldon Bowman and his classmates from Turner Ashby High School discussing religion and their respective spiritual journeys, politics, and philosophy.\nWritings by Bernie Bowman include published articles and papers he presented at meetings of \"The Thinkers,\" a discussion group in Tennessee of which Bernie was a member.","Includes names Eli M. Bowman, Isaac H. Bowman, and [Edmund T.] Bowman.","Eli Bowman records on settling his mother, Catharine Bowman's (1819-1882) estate","Jacob Wenger was the uncle of Oma Wenger Bowman.","Copy of original Great Granddaddy Elias Poems - Aunt Lois gave them to me some years ago - \u0026 I had them laminated for protection.","Includes receipts for electrical work completed by Roy S. Bowman at Eli Bowman's house as well as hospital and funeral bills after the death of Amanda Bowman in 1936.","Copies of letters written by Ottie Bowman to her son Paul Bowman when he was in alternate service during World War II.","Records of settlement of Ottie Bowman's estate. Millard Bowman acted as administrator.","Most addressed to William Bowman, father of Houston Bowman, the last resident at the original Bowman House.","The Grandpa's Quartet \"All Will Be Well\"","Side A What Did He Do? Just a Little Talk Surely Goodness and Mercy A Beautiful Life If I Be Lifted Up Nearer My Home","Side B Many Mansions In Times Like These All Will Be Well Hold to My Hand Sunset Hour Beyond the Sunset","Millard Bowman computations showing sale of farm and home in 1996. Also for 1996 estimated taxes and other tax returns.","At a class reunion, three high school classmates found common ground in philosophy, religion, and politics. These emails are the result.","Series 2: Genealogy Files, 1797-2018, contains obituaries, funeral registers, funeral cards, typed and handwritten biographies, genealogies, and research notes on the Bowman family and the related Hollar, Lahman, and Wenger families. Much of the materials were compiled and written by Millard Bowman. Reference materials used in the writing of family histories by Eldon and Bernie Bowman are included.","Photocopied maps, deeds, indentures, and notes.","Eli Bowman's wife was Amanda Hollar, the 22nd child of David Hollar. This cemetary is the burial site of a number of the Hollar relatives.","Old wills of Wenger family: Joseph, Peter, Dan, Ella Rhodes, Laura Suter Wenger, Peter's widow, sale of Millard Bowman Farm in 1996.","1910 calendar with photo of Luther A. Bowman (1884-1952) and his horse, Squench. Photo of Luther A. Bowman in his buggy.","Includes copy of letter from William D. Bowman dated January 13, 1856.","In the mid 1960s, Millard Bowman bought the home place of Sam and Hattie Spitzer. Hattie's mother was Sallie Hollar Berry, a sister to our great grandmother Amanda Hollar Bowman. Esther and Steve Showalter bought the place and extensively remodeled the house. There once was a mill there, fed by a strong spring. Millard Bowman tore out the old wooden race and replaced it with pipe. He continued to allow free water to the neighbors.","This is the community where the Eli Bowman and David Hollar families lived. Relatives noted.","Millard Bowman's incomplete memories. Written by request of his daughter, Miriam Haarer.","Not the same line of Bowmans, but Luther Bowman lived on one of the family's farms from 1905-1910.","These mills were big in the lives of Eli Bowman and his son, Luther Bowman - our great grandfather and grandfather.","The Bowman Mill at Greenmount (page 7) was founded by a Bowman family not related to our line. It passed through several generations and was owned in the early 1900s by a descendant - M.H. (Homer) Myers. Samuel Bowman owned a large farm north of Greenmount in addition to the Lincoln Homestead.","Luther lived and worked on the first firm (near Greenmount) when he left home at age 21.","Solomon Bowman moved to Indiana in the 1880s.","Oscar Wenger, oldest child of Jacob and Jenny Wenger, married Bessie Heatwole. She kept a daily diary for many years. This notebook contains many of her entries referencing Mr. Bowman. Our granddad Luther worked with/for Oscar from 1905-1910. We thought these references were about him. Later realized they referred to Sam Bowman (not related) who owned the farm where Oscar \u0026 Luther lived. Bessie's diaries are in EMU's Historical Library.","Series is an addition to the collection and comprises photographs, family papers, and local history materials. The Wenger line of the family is documented in this series.","Bowman family photographs including the George Bowman house and New Erection School. Photographs were identified and labeled by donor.","School was located north of Singers Glen, Virginia and near home of Eli Bowman and Amanda Hollar Bowman. Two of their children, Ruth and Bertha, are pictured. Approximately half of the students are identified.","The envelope that accompanied the photograph identified the school as Morning View School. A sheet listing students names identifies the school as Mt. Valley School.","Callie Rebecca Bowman (1888-1985) was the daughter of Eli Bowman and Amanda Hollar Bowman.","Issued to Millard Bowman and transferred to Laura Wenger, Bowman's mother-in-law.","Research compiled by Jim Duncan. Concerns the George Bowman house built circa 1772 in northern Rockingham County (west of Timberville) and relocated to the Frontier Culture Museum in the early 2000s.","Series is an addition to the collection and comprises photograph albums and one loose photograph documenting the extended Bowman family. Photographs document the Bowman family house (now located at the Frontier Culture Museum in Staunton), Wenger home (Mt. Clinton Pike), family reunions, and students at Dale Enterprise School. Individual and group photos of family members are included. Detailed descriptions were provided by the donor (or other family members) and are included with the albums. A detailed description of the history and architecture of the Wenger house accompanies the photograph.","Published monographs related to the Bowman family and/or local history were removed from the collection and cataloged individually as part of Special Collections rare book holdings.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Eldon Bowman Collection of Bowman Family Papers, 1797-2019, comprises genealogical materials (photocopied and original), correspondence, and family papers related to the Bowman family of Rockingham County, Virginia specifically the Eli Martin Bowman (1861-1950) and Amanda Hollar Bowman (1865-1936) line.","James Madison University Libraries Special Collections","Bowman family","Hollar family","Wenger family","Lahman family","Bowman, Eldon L.","Bowman, Bernard D.","English"],"unitid_tesim":["SC 0328","/repositories/4/resources/673"],"normalized_title_ssm":["Eldon Bowman collection of Bowman family papers"],"collection_title_tesim":["Eldon Bowman collection of Bowman family papers"],"collection_ssim":["Eldon Bowman collection of Bowman family papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- History"],"geogname_ssim":["Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- History"],"creator_ssm":["Bowman family","Bowman, Eldon L."],"creator_ssim":["Bowman family","Bowman, Eldon L."],"creator_persname_ssim":["Bowman, Eldon L."],"creator_famname_ssim":["Bowman family"],"creators_ssim":["Bowman, Eldon L.","Bowman family"],"places_ssim":["Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- History"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Eldon Bowman in four separate accruals between 2019 and 2024."],"access_subjects_ssim":["Letters (correspondence)","Genealogies (histories)","Family papers","Photographs","Estate records","Photocopies","Receipts (financial records)","Ledgers (account books)","Legal documents","Indentures","Deeds","Checks (bank checks)","Financial Records","Electronic mail","Funeral registers"],"access_subjects_ssm":["Letters (correspondence)","Genealogies (histories)","Family papers","Photographs","Estate records","Photocopies","Receipts (financial records)","Ledgers (account books)","Legal documents","Indentures","Deeds","Checks (bank checks)","Financial Records","Electronic mail","Funeral registers"],"has_online_content_ssim":["false"],"extent_ssm":["2.8 cubic feet 6 boxes, 2 audiocassettes","118 Megabytes 46 digital files"],"extent_tesim":["2.8 cubic feet 6 boxes, 2 audiocassettes","118 Megabytes 46 digital files"],"genreform_ssim":["Letters (correspondence)","Genealogies (histories)","Family papers","Photographs","Estate records","Photocopies","Receipts (financial records)","Ledgers (account books)","Legal documents","Indentures","Deeds","Checks (bank checks)","Financial Records","Electronic mail","Funeral registers"],"date_range_isim":[1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research with the exception of Bowman correspondence from 1997-2019, which is restricted until July 15, 2035 per the amended donor agreement.\u003c/p\u003e\n","\u003cp\u003eResearchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e\n","\u003cp\u003eOriginal audiocassettes contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request.\u003c/p\u003e","\u003cp\u003eOriginal audiocassette restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e","\u003cp\u003eRestricted from researcher access until July 15, 2035 per the amended donor agreement.\u003c/p\u003e","\u003cp\u003eSeries is open to research.\u003c/p\u003e\n","\u003cp\u003eOriginal audiocassettes contained within this series are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e","\u003cp\u003eOriginal audiocassette restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access","Conditions Governing Access","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open for research with the exception of Bowman correspondence from 1997-2019, which is restricted until July 15, 2035 per the amended donor agreement.","Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiocassettes contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request.","Original audiocassette restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","Restricted from researcher access until July 15, 2035 per the amended donor agreement.","Series is open to research.","Original audiocassettes contained within this series are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","Original audiocassette restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"appraisal_html_tesm":["\u003cp\u003ePrinted materials and monographs already held by Special Collections or deemed out of the collecting scope of Special Collections, yearbooks, and genealogy website printouts were not retained and were returned to the donor.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["Printed materials and monographs already held by Special Collections or deemed out of the collecting scope of Special Collections, yearbooks, and genealogy website printouts were not retained and were returned to the donor."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series and further arranged chronologically. Exceptions to this arrangement were made in order to group like materials together specifically Hollar family genealogy research files.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eFamily Papers and Correspondence, 1849-2019\u003c/item\u003e\n      \u003citem\u003eGenealogy Files, 1797-2018\u003c/item\u003e\n      \u003citem\u003e2024-0604 Accession, circa 1850-1985\u003c/item\u003e\n      \u003citem\u003e2024-0725 Accession, circa 1875-1990\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series and further arranged chronologically. Exceptions to this arrangement were made in order to group like materials together specifically Hollar family genealogy research files.","Family Papers and Correspondence, 1849-2019 Genealogy Files, 1797-2018 2024-0604 Accession, circa 1850-1985 2024-0725 Accession, circa 1875-1990"],"bioghist_html_tesm":["\u003cp\u003eGiven the genealogical focus of this collection, this biographical note is not intended to serve as an exhaustive description of the Bowman family tree, which would largely duplicate the information found within the collection materials. Researchers are encouraged to review Series 2: Genealogy Files for more detailed genealogical information on the Bowman, Hollar, Lahman, and Wenger families. Published genealogies on these families are also available for additional context.\u003c/p\u003e\n","\u003cp\u003eThe Eldon Bowman Collection of Bowman Family Papers primarily documents the Eli Martin Bowman (1861-1950) and Amanda Hollar Bowman (1865-1936) line of the Bowmans of Rockingham County, Virginia. Eli Bowman was the great-great-grandson of George and Barbara Bowman who  immigrated to Pennsylvania from Germany in the late 1740s. The Bowmans moved to Rockingham County in the early 1770s and erected the \"Bowman House\" which is now part of the Frontier Culture Museum in Staunton. The descendants of Eli and Amanda Bowman documented in this collection include their son Luther Alexander Bowman (1884-1952) and his wife Otilla May Lahman (1891-1966), Luther and Otilla's son Millard Lahman Bowman (1914-1997) and his wife Oma Frances Wenger (1913-2002), and their nine children including Eldon Bowman (b. 1942) and Bernie Bowman (b. 1947). Many of the Bowmans were members of the Mennonite Church and were farmers by trade. Millard Bowman owned and operated a dairy and turkey farm with his family just outside of Harrisonburg. Eldon and Bernie Bowman as well as their siblings Jim, Daniel, and Miriam Haarer are all published authors. Their books include memoirs, genealogies, and family histories. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Given the genealogical focus of this collection, this biographical note is not intended to serve as an exhaustive description of the Bowman family tree, which would largely duplicate the information found within the collection materials. Researchers are encouraged to review Series 2: Genealogy Files for more detailed genealogical information on the Bowman, Hollar, Lahman, and Wenger families. Published genealogies on these families are also available for additional context.","The Eldon Bowman Collection of Bowman Family Papers primarily documents the Eli Martin Bowman (1861-1950) and Amanda Hollar Bowman (1865-1936) line of the Bowmans of Rockingham County, Virginia. Eli Bowman was the great-great-grandson of George and Barbara Bowman who  immigrated to Pennsylvania from Germany in the late 1740s. The Bowmans moved to Rockingham County in the early 1770s and erected the \"Bowman House\" which is now part of the Frontier Culture Museum in Staunton. The descendants of Eli and Amanda Bowman documented in this collection include their son Luther Alexander Bowman (1884-1952) and his wife Otilla May Lahman (1891-1966), Luther and Otilla's son Millard Lahman Bowman (1914-1997) and his wife Oma Frances Wenger (1913-2002), and their nine children including Eldon Bowman (b. 1942) and Bernie Bowman (b. 1947). Many of the Bowmans were members of the Mennonite Church and were farmers by trade. Millard Bowman owned and operated a dairy and turkey farm with his family just outside of Harrisonburg. Eldon and Bernie Bowman as well as their siblings Jim, Daniel, and Miriam Haarer are all published authors. Their books include memoirs, genealogies, and family histories. "],"custodhist_html_tesm":["\u003cp\u003eMuch of the family papers and genealogical research that form this collection were compiled and stewarded by Eldon Bowman's father Millard, and then by Eldon after Millard's death in 1997. Bernie Bowman, Eldon's brother, is also a contributor to the collection. A selection of his writings - published and unpublished - are included.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Much of the family papers and genealogical research that form this collection were compiled and stewarded by Eldon Bowman's father Millard, and then by Eldon after Millard's death in 1997. Bernie Bowman, Eldon's brother, is also a contributor to the collection. A selection of his writings - published and unpublished - are included."],"odd_html_tesm":["\u003cp\u003eMillard Bowman - Tenor, Harold Lahman - Lead, Amos Rhodes - Baritone, James McDorman - Bass\u003c/p\u003e"],"odd_heading_ssm":["Quartet lineup"],"odd_tesim":["Millard Bowman - Tenor, Harold Lahman - Lead, Amos Rhodes - Baritone, James McDorman - Bass"],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Eldon Bowman Collection of Bowman Family Papers, 1797-2019, SC 0328, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Eldon Bowman Collection of Bowman Family Papers, 1797-2019, SC 0328, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe bulk of the materials were provided by the donor in labeled envelopes and binders. The donor's descriptions and folder titles were largely retained, and in cases where descriptions were substantive, a scope and content note is included at the folder level. The binders and envelopes were discarded. \u003c/p\u003e","\u003cp\u003eAudiocassettes listed in the container list have not been reformatted but can be made available upon request.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The bulk of the materials were provided by the donor in labeled envelopes and binders. The donor's descriptions and folder titles were largely retained, and in cases where descriptions were substantive, a scope and content note is included at the folder level. The binders and envelopes were discarded. ","Audiocassettes listed in the container list have not been reformatted but can be made available upon request."],"scopecontent_html_tesm":["\u003cp\u003eThe Eldon Bowman Collection of Bowman Family Papers, 1797-2019, comprises genealogical materials (photocopied and original), correspondence, family papers, and financial and legal documents related to the Bowman family of Rockingham County, Virginia specifically the Eli Martin Bowman (1861-1950) and Amanda Hollar Bowman (1865-1936) line.\u003c/p\u003e\n","\u003cp\u003eSince the collection contains original and photocopied documents, dates were applied to documents according to the date the original document was created and not when it was reproduced. Researchers should note that while genealogical materials are primarily arranged in Series 2: Genealogical Files, materials found within Series 1: Family Papers and Correspondence may also relate to Bowman and related family genealogies. \u003c/p\u003e","\u003cp\u003eSeries 1: Family Papers and Correspondence, 1849-2019, comprises ledgers; legal and financial documents related to the personal business doings of Eli Bowman and settling numerous Bowman family estates; and correspondence and email exchanges between Eldon Bowman and his classmates from Turner Ashby High School discussing religion and their respective spiritual journeys, politics, and philosophy.\nWritings by Bernie Bowman include published articles and papers he presented at meetings of \"The Thinkers,\" a discussion group in Tennessee of which Bernie was a member.\u003c/p\u003e","\u003cp\u003eIncludes names Eli M. Bowman, Isaac H. Bowman, and [Edmund T.] Bowman.\u003c/p\u003e","\u003cp\u003eEli Bowman records on settling his mother, Catharine Bowman's (1819-1882) estate\u003c/p\u003e","\u003cp\u003eJacob Wenger was the uncle of Oma Wenger Bowman.\u003c/p\u003e","\u003cp\u003eCopy of original Great Granddaddy Elias Poems - Aunt Lois gave them to me some years ago - \u0026amp; I had them laminated for protection.\u003c/p\u003e","\u003cp\u003eIncludes receipts for electrical work completed by Roy S. Bowman at Eli Bowman's house as well as hospital and funeral bills after the death of Amanda Bowman in 1936.\u003c/p\u003e","\u003cp\u003eCopies of letters written by Ottie Bowman to her son Paul Bowman when he was in alternate service during World War II.\u003c/p\u003e","\u003cp\u003eRecords of settlement of Ottie Bowman's estate. Millard Bowman acted as administrator.\u003c/p\u003e","\u003cp\u003eMost addressed to William Bowman, father of Houston Bowman, the last resident at the original Bowman House.\u003c/p\u003e","\u003cp\u003eThe Grandpa's Quartet \"All Will Be Well\"\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003chead\u003eSide A\u003c/head\u003e\n\u003citem\u003eWhat Did He Do?\u003c/item\u003e\u003citem\u003eJust a Little Talk\u003c/item\u003e\u003citem\u003eSurely Goodness and Mercy\u003c/item\u003e\u003citem\u003eA Beautiful Life\u003c/item\u003e\u003citem\u003eIf I Be Lifted Up\u003c/item\u003e\u003citem\u003eNearer My Home\u003c/item\u003e\u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003chead\u003eSide B\u003c/head\u003e\n\u003citem\u003eMany Mansions\u003c/item\u003e\u003citem\u003eIn Times Like These\u003c/item\u003e\u003citem\u003eAll Will Be Well\u003c/item\u003e\u003citem\u003eHold to My Hand\u003c/item\u003e\u003citem\u003eSunset Hour\u003c/item\u003e\u003citem\u003eBeyond the Sunset\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eMillard Bowman computations showing sale of farm and home in 1996. Also for 1996 estimated taxes and other tax returns.\u003c/p\u003e","\u003cp\u003eAt a class reunion, three high school classmates found common ground in philosophy, religion, and politics. These emails are the result.\u003c/p\u003e","\u003cp\u003eSeries 2: Genealogy Files, 1797-2018, contains obituaries, funeral registers, funeral cards, typed and handwritten biographies, genealogies, and research notes on the Bowman family and the related Hollar, Lahman, and Wenger families. Much of the materials were compiled and written by Millard Bowman. Reference materials used in the writing of family histories by Eldon and Bernie Bowman are included.\u003c/p\u003e","\u003cp\u003ePhotocopied maps, deeds, indentures, and notes.\u003c/p\u003e","\u003cp\u003eEli Bowman's wife was Amanda Hollar, the 22nd child of David Hollar. This cemetary is the burial site of a number of the Hollar relatives.\u003c/p\u003e","\u003cp\u003eOld wills of Wenger family: Joseph, Peter, Dan, Ella Rhodes, Laura Suter Wenger, Peter's widow, sale of Millard Bowman Farm in 1996.\u003c/p\u003e","\u003cp\u003e1910 calendar with photo of Luther A. Bowman (1884-1952) and his horse, Squench. Photo of Luther A. Bowman in his buggy.\u003c/p\u003e","\u003cp\u003eIncludes copy of letter from William D. Bowman dated January 13, 1856.\u003c/p\u003e","\u003cp\u003eIn the mid 1960s, Millard Bowman bought the home place of Sam and Hattie Spitzer. Hattie's mother was Sallie Hollar Berry, a sister to our great grandmother Amanda Hollar Bowman. Esther and Steve Showalter bought the place and extensively remodeled the house. There once was a mill there, fed by a strong spring. Millard Bowman tore out the old wooden race and replaced it with pipe. He continued to allow free water to the neighbors.\u003c/p\u003e","\u003cp\u003eThis is the community where the Eli Bowman and David Hollar families lived. Relatives noted.\u003c/p\u003e","\u003cp\u003eMillard Bowman's incomplete memories. Written by request of his daughter, Miriam Haarer.\u003c/p\u003e","\u003cp\u003eNot the same line of Bowmans, but Luther Bowman lived on one of the family's farms from 1905-1910.\u003c/p\u003e","\u003cp\u003eThese mills were big in the lives of Eli Bowman and his son, Luther Bowman - our great grandfather and grandfather.\u003c/p\u003e\n","\u003cp\u003eThe Bowman Mill at Greenmount (page 7) was founded by a Bowman family not related to our line. It passed through several generations and was owned in the early 1900s by a descendant - M.H. (Homer) Myers. Samuel Bowman owned a large farm north of Greenmount in addition to the Lincoln Homestead.\u003c/p\u003e\n","\u003cp\u003eLuther lived and worked on the first firm (near Greenmount) when he left home at age 21.\u003c/p\u003e","\u003cp\u003eSolomon Bowman moved to Indiana in the 1880s.\u003c/p\u003e","\u003cp\u003eOscar Wenger, oldest child of Jacob and Jenny Wenger, married Bessie Heatwole. She kept a daily diary for many years. This notebook contains many of her entries referencing Mr. Bowman. Our granddad Luther worked with/for Oscar from 1905-1910. We thought these references were about him. Later realized they referred to Sam Bowman (not related) who owned the farm where Oscar \u0026amp; Luther lived. Bessie's diaries are in EMU's Historical Library.\u003c/p\u003e","\u003cp\u003eSeries is an addition to the collection and comprises photographs, family papers, and local history materials. The Wenger line of the family is documented in this series.\u003c/p\u003e","\u003cp\u003eBowman family photographs including the George Bowman house and New Erection School. Photographs were identified and labeled by donor.\u003c/p\u003e","\u003cp\u003eSchool was located north of Singers Glen, Virginia and near home of Eli Bowman and Amanda Hollar Bowman. Two of their children, Ruth and Bertha, are pictured. Approximately half of the students are identified.\u003c/p\u003e\n","\u003cp\u003eThe envelope that accompanied the photograph identified the school as Morning View School. A sheet listing students names identifies the school as Mt. Valley School.\u003c/p\u003e","\u003cp\u003eCallie Rebecca Bowman (1888-1985) was the daughter of Eli Bowman and Amanda Hollar Bowman.\u003c/p\u003e","\u003cp\u003eIssued to Millard Bowman and transferred to Laura Wenger, Bowman's mother-in-law.\u003c/p\u003e","\u003cp\u003eResearch compiled by Jim Duncan. Concerns the George Bowman house built circa 1772 in northern Rockingham County (west of Timberville) and relocated to the Frontier Culture Museum in the early 2000s.\u003c/p\u003e","\u003cp\u003eSeries is an addition to the collection and comprises photograph albums and one loose photograph documenting the extended Bowman family. Photographs document the Bowman family house (now located at the Frontier Culture Museum in Staunton), Wenger home (Mt. Clinton Pike), family reunions, and students at Dale Enterprise School. Individual and group photos of family members are included. Detailed descriptions were provided by the donor (or other family members) and are included with the albums. A detailed description of the history and architecture of the Wenger house accompanies the photograph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Eldon Bowman Collection of Bowman Family Papers, 1797-2019, comprises genealogical materials (photocopied and original), correspondence, family papers, and financial and legal documents related to the Bowman family of Rockingham County, Virginia specifically the Eli Martin Bowman (1861-1950) and Amanda Hollar Bowman (1865-1936) line.","Since the collection contains original and photocopied documents, dates were applied to documents according to the date the original document was created and not when it was reproduced. Researchers should note that while genealogical materials are primarily arranged in Series 2: Genealogical Files, materials found within Series 1: Family Papers and Correspondence may also relate to Bowman and related family genealogies. ","Series 1: Family Papers and Correspondence, 1849-2019, comprises ledgers; legal and financial documents related to the personal business doings of Eli Bowman and settling numerous Bowman family estates; and correspondence and email exchanges between Eldon Bowman and his classmates from Turner Ashby High School discussing religion and their respective spiritual journeys, politics, and philosophy.\nWritings by Bernie Bowman include published articles and papers he presented at meetings of \"The Thinkers,\" a discussion group in Tennessee of which Bernie was a member.","Includes names Eli M. Bowman, Isaac H. Bowman, and [Edmund T.] Bowman.","Eli Bowman records on settling his mother, Catharine Bowman's (1819-1882) estate","Jacob Wenger was the uncle of Oma Wenger Bowman.","Copy of original Great Granddaddy Elias Poems - Aunt Lois gave them to me some years ago - \u0026 I had them laminated for protection.","Includes receipts for electrical work completed by Roy S. Bowman at Eli Bowman's house as well as hospital and funeral bills after the death of Amanda Bowman in 1936.","Copies of letters written by Ottie Bowman to her son Paul Bowman when he was in alternate service during World War II.","Records of settlement of Ottie Bowman's estate. Millard Bowman acted as administrator.","Most addressed to William Bowman, father of Houston Bowman, the last resident at the original Bowman House.","The Grandpa's Quartet \"All Will Be Well\"","Side A What Did He Do? Just a Little Talk Surely Goodness and Mercy A Beautiful Life If I Be Lifted Up Nearer My Home","Side B Many Mansions In Times Like These All Will Be Well Hold to My Hand Sunset Hour Beyond the Sunset","Millard Bowman computations showing sale of farm and home in 1996. Also for 1996 estimated taxes and other tax returns.","At a class reunion, three high school classmates found common ground in philosophy, religion, and politics. These emails are the result.","Series 2: Genealogy Files, 1797-2018, contains obituaries, funeral registers, funeral cards, typed and handwritten biographies, genealogies, and research notes on the Bowman family and the related Hollar, Lahman, and Wenger families. Much of the materials were compiled and written by Millard Bowman. Reference materials used in the writing of family histories by Eldon and Bernie Bowman are included.","Photocopied maps, deeds, indentures, and notes.","Eli Bowman's wife was Amanda Hollar, the 22nd child of David Hollar. This cemetary is the burial site of a number of the Hollar relatives.","Old wills of Wenger family: Joseph, Peter, Dan, Ella Rhodes, Laura Suter Wenger, Peter's widow, sale of Millard Bowman Farm in 1996.","1910 calendar with photo of Luther A. Bowman (1884-1952) and his horse, Squench. Photo of Luther A. Bowman in his buggy.","Includes copy of letter from William D. Bowman dated January 13, 1856.","In the mid 1960s, Millard Bowman bought the home place of Sam and Hattie Spitzer. Hattie's mother was Sallie Hollar Berry, a sister to our great grandmother Amanda Hollar Bowman. Esther and Steve Showalter bought the place and extensively remodeled the house. There once was a mill there, fed by a strong spring. Millard Bowman tore out the old wooden race and replaced it with pipe. He continued to allow free water to the neighbors.","This is the community where the Eli Bowman and David Hollar families lived. Relatives noted.","Millard Bowman's incomplete memories. Written by request of his daughter, Miriam Haarer.","Not the same line of Bowmans, but Luther Bowman lived on one of the family's farms from 1905-1910.","These mills were big in the lives of Eli Bowman and his son, Luther Bowman - our great grandfather and grandfather.","The Bowman Mill at Greenmount (page 7) was founded by a Bowman family not related to our line. It passed through several generations and was owned in the early 1900s by a descendant - M.H. (Homer) Myers. Samuel Bowman owned a large farm north of Greenmount in addition to the Lincoln Homestead.","Luther lived and worked on the first firm (near Greenmount) when he left home at age 21.","Solomon Bowman moved to Indiana in the 1880s.","Oscar Wenger, oldest child of Jacob and Jenny Wenger, married Bessie Heatwole. She kept a daily diary for many years. This notebook contains many of her entries referencing Mr. Bowman. Our granddad Luther worked with/for Oscar from 1905-1910. We thought these references were about him. Later realized they referred to Sam Bowman (not related) who owned the farm where Oscar \u0026 Luther lived. Bessie's diaries are in EMU's Historical Library.","Series is an addition to the collection and comprises photographs, family papers, and local history materials. The Wenger line of the family is documented in this series.","Bowman family photographs including the George Bowman house and New Erection School. Photographs were identified and labeled by donor.","School was located north of Singers Glen, Virginia and near home of Eli Bowman and Amanda Hollar Bowman. Two of their children, Ruth and Bertha, are pictured. Approximately half of the students are identified.","The envelope that accompanied the photograph identified the school as Morning View School. A sheet listing students names identifies the school as Mt. Valley School.","Callie Rebecca Bowman (1888-1985) was the daughter of Eli Bowman and Amanda Hollar Bowman.","Issued to Millard Bowman and transferred to Laura Wenger, Bowman's mother-in-law.","Research compiled by Jim Duncan. Concerns the George Bowman house built circa 1772 in northern Rockingham County (west of Timberville) and relocated to the Frontier Culture Museum in the early 2000s.","Series is an addition to the collection and comprises photograph albums and one loose photograph documenting the extended Bowman family. Photographs document the Bowman family house (now located at the Frontier Culture Museum in Staunton), Wenger home (Mt. Clinton Pike), family reunions, and students at Dale Enterprise School. Individual and group photos of family members are included. Detailed descriptions were provided by the donor (or other family members) and are included with the albums. A detailed description of the history and architecture of the Wenger house accompanies the photograph."],"separatedmaterial_html_tesm":["\u003cp\u003ePublished monographs related to the Bowman family and/or local history were removed from the collection and cataloged individually as part of Special Collections rare book holdings.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Published monographs related to the Bowman family and/or local history were removed from the collection and cataloged individually as part of Special Collections rare book holdings."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c36b83e647b2f8c7822ff05aea87d0ab\"\u003eThe Eldon Bowman Collection of Bowman Family Papers, 1797-2019, comprises genealogical materials (photocopied and original), correspondence, and family papers related to the Bowman family of Rockingham County, Virginia specifically the Eli Martin Bowman (1861-1950) and Amanda Hollar Bowman (1865-1936) line.\u003c/abstract\u003e"],"abstract_tesim":["The Eldon Bowman Collection of Bowman Family Papers, 1797-2019, comprises genealogical materials (photocopied and original), correspondence, and family papers related to the Bowman family of Rockingham County, Virginia specifically the Eli Martin Bowman (1861-1950) and Amanda Hollar Bowman (1865-1936) line."],"names_ssim":["James Madison University Libraries Special Collections","Bowman family","Hollar family","Wenger family","Lahman family","Bowman, Eldon L.","Bowman, Bernard D."],"corpname_ssim":["James Madison University Libraries Special Collections"],"names_coll_ssim":["Bowman family","Hollar family","Wenger family","Lahman family","Bowman, Eldon L."],"famname_ssim":["Bowman family","Hollar family","Wenger family","Lahman family"],"persname_ssim":["Bowman, Eldon L.","Bowman, Bernard D."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":83,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:24:36.195Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_673_c01"}},{"id":"viw_repositories_2_resources_9941_c01_c02","type":"Series","attributes":{"title":"General Papers","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9941_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9941_c01_c02","ref_ssm":["viw_repositories_2_resources_9941_c01_c02"],"id":"viw_repositories_2_resources_9941_c01_c02","ead_ssi":"viw_repositories_2_resources_9941","_root_":"viw_repositories_2_resources_9941","_nest_parent_":"viw_repositories_2_resources_9941_c01","parent_ssi":"viw_repositories_2_resources_9941_c01","parent_ssim":["viw_repositories_2_resources_9941","viw_repositories_2_resources_9941_c01"],"parent_ids_ssim":["viw_repositories_2_resources_9941","viw_repositories_2_resources_9941_c01"],"parent_unittitles_ssm":["Mattachine Society of Washington D.C. records","Accession 2025.002: Correspondence, general papers and newspaper clippings"],"parent_unittitles_tesim":["Mattachine Society of Washington D.C. records","Accession 2025.002: Correspondence, general papers and newspaper clippings"],"text":["Mattachine Society of Washington D.C. records","Accession 2025.002: Correspondence, general papers and newspaper clippings","General Papers"],"title_filing_ssi":"General Papers","title_ssm":["General Papers"],"title_tesim":["General Papers"],"unitdate_inclusive_ssm":["1942-2020"],"normalized_date_ssm":["1942/2020"],"normalized_title_ssm":["General Papers"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Mattachine Society of Washington D.C. records"],"has_online_content_ssim":["false"],"child_component_count_isi":77,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":6,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"_nest_path_":"/components#0/components#1","timestamp":"2026-05-21T01:33:17.190Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9941","ead_ssi":"viw_repositories_2_resources_9941","_root_":"viw_repositories_2_resources_9941","_nest_parent_":"viw_repositories_2_resources_9941","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9941.xml","title_filing_ssi":"Mattachine Society of Washington D.C. records","title_ssm":["Mattachine Society of Washington D.C. records"],"title_tesim":["Mattachine Society of Washington D.C. records"],"unitdate_ssm":["1942-2020"],"unitdate_inclusive_ssm":["1942-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00410","/repositories/2/resources/9941"],"text":["MS 00410","/repositories/2/resources/9941","Mattachine Society of Washington D.C. records","LGBT activism","LGBT History Month","Gay and lesbian studies","Gay and lesbian studies--United States--History","Gay rights","Gay rights--United States--History--20th century","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The Mattachine Society of Washington, D.C. collection is arranged into three series: I. Correspondence, II. General Papers, III. Newspaper Clippings \u0026 posters. The collection is arranged alphabetically within each series and chronologically by date within the folders.","Collection contains correspondence and organization documents related to the everyday activities of the Mattachine Society of Washington D.C. The Mattachine Society is an Lesbian, Gay, Bisexual,Transgender, queer (LGBTQ) organization that seeks to conduct original archival research and educational outreach that focuses on LGBTQ legal, political, and policy history.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00410","/repositories/2/resources/9941"],"normalized_title_ssm":["Mattachine Society of Washington D.C. records"],"collection_title_tesim":["Mattachine Society of Washington D.C. records"],"collection_ssim":["Mattachine Society of Washington D.C. records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Charles Francis"],"access_subjects_ssim":["LGBT activism","LGBT History Month","Gay and lesbian studies","Gay and lesbian studies--United States--History","Gay rights","Gay rights--United States--History--20th century"],"access_subjects_ssm":["LGBT activism","LGBT History Month","Gay and lesbian studies","Gay and lesbian studies--United States--History","Gay rights","Gay rights--United States--History--20th century"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 6 Full legal size Hollinger boxes and 2 oversize folders"],"extent_tesim":["2 Linear Feet 6 Full legal size Hollinger boxes and 2 oversize folders"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe Mattachine Society of Washington, D.C. collection is arranged into three series: I. Correspondence, II. General Papers, III. Newspaper Clippings \u0026amp; posters. The collection is arranged alphabetically within each series and chronologically by date within the folders.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Mattachine Society of Washington, D.C. collection is arranged into three series: I. Correspondence, II. General Papers, III. Newspaper Clippings \u0026 posters. The collection is arranged alphabetically within each series and chronologically by date within the folders."],"prefercite_html_tesm":["\u003cp\u003eMattachine Society of Washington, D.C. records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Mattachine Society of Washington, D.C. records, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eCollection contains correspondence and organization documents related to the everyday activities of the Mattachine Society of Washington D.C. The Mattachine Society is an Lesbian, Gay, Bisexual,Transgender, queer (LGBTQ) organization that seeks to conduct original archival research and educational outreach that focuses on LGBTQ legal, political, and policy history.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Collection contains correspondence and organization documents related to the everyday activities of the Mattachine Society of Washington D.C. The Mattachine Society is an Lesbian, Gay, Bisexual,Transgender, queer (LGBTQ) organization that seeks to conduct original archival research and educational outreach that focuses on LGBTQ legal, political, and policy history."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":88,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:33:17.190Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9941_c01_c02"}},{"id":"vihart_repositories_4_resources_488_c01","type":"Series","attributes":{"title":"Grants and Financial Files","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eArranged chronologically. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_488_c01","ref_ssm":["vihart_repositories_4_resources_488_c01"],"id":"vihart_repositories_4_resources_488_c01","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","parent_ssi":"vihart_repositories_4_resources_488","parent_ssim":["vihart_repositories_4_resources_488"],"parent_ids_ssim":["vihart_repositories_4_resources_488"],"parent_unittitles_ssm":["Furious Flower Poetry Center Records"],"parent_unittitles_tesim":["Furious Flower Poetry Center Records"],"text":["Furious Flower Poetry Center Records","Grants and Financial Files","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order."],"title_filing_ssi":"Grants and Financial Files","title_ssm":["Grants and Financial Files"],"title_tesim":["Grants and Financial Files"],"unitdate_inclusive_ssm":["2004-2021"],"normalized_date_ssm":["2004/2021"],"normalized_title_ssm":["Grants and Financial Files"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["Furious Flower Poetry Center Records"],"has_online_content_ssim":["false"],"child_component_count_isi":40,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"scopecontent_html_tesm":["\u003cp\u003eArranged chronologically. \u003c/p\u003e","\u003cp\u003eFFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Contents"],"scopecontent_tesim":["Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order."],"_nest_path_":"/components#0","timestamp":"2026-05-21T00:25:29.210Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.","Additional information on the Dark Room Collective can be found  here.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.","See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections 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video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003erunning time:\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual and media are in process and not available pending reformatting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series is arranged chronologically into three sub-series:\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eSub-series 4.1: 1994 Conference, 1970-2009\u003c/item\u003e\u003citem\u003eSub-series 4.2: 2004 Conference, 2002-2007\u003c/item\u003e\u003citem\u003eSub-series 4.3: 2014 Conference, 2013-2015\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eEvent footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details."],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e","\u003cp\u003eThe 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Bio/Historical Note"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference."],"odd_html_tesm":["\u003cp\u003eAdditional information on the Dark Room Collective can be found \u003ca href=\"https://poets.org/text/brief-guide-dark-room-collective\"\u003ehere.\u003c/a\u003e\u003c/p\u003e"],"odd_heading_ssm":["General Note"],"odd_tesim":["Additional information on the Dark Room Collective can be found  here."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;695ef954-06ba-43a6-b341-cc3edf3fc1e6\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|695ef954-06ba-43a6-b341-cc3edf3fc1e6/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;9e242b35-14e6-4742-bd85-186794dcc4ec\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|9e242b35-14e6-4742-bd85-186794dcc4ec/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;ac68aac5-b304-45cc-aeb4-0905f8a57259\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|ac68aac5-b304-45cc-aeb4-0905f8a57259/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL"],"otherfindaid_tesim":["Preservica Internal","Preservica Access","Preservica Internal","Preservica Access","Preservica Internal","Preservica Access"],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003e[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eVideo recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Note"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \"1994 Conference Program, 1994\" in Series 1 for original conference program.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30039\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30040\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut"],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e","\u003cp\u003eArranged chronologically. \u003c/p\u003e\n","\u003cp\u003eFFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.\u003c/p\u003e","\u003cp\u003eArranged chronologically by project date and sub-arranged alphabetically within each project.\u003c/p\u003e\n","\u003cp\u003eThis series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.\u003c/p\u003e","\u003cp\u003eArranged chronologically by event and sub-arranged alphabetically within each event.\u003c/p\u003e\n","\u003cp\u003eThis series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.\u003c/p\u003e\n","\u003cp\u003eOne file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.\u003c/p\u003e","\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e","\u003cp\u003eArranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.\u003c/p\u003e","\u003cp\u003eThis series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.\u003c/p\u003e","\u003cp\u003eOpening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.\u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003eMichael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 MII videocassettes.\u003c/p\u003e","\u003cp\u003eRita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. \u003c/p\u003e\n","\u003cp\u003eTape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 6 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eFootage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eMaterials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.\u003c/p\u003e","\u003cp\u003eOpening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eFootage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eKeynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes. \u003c/p\u003e","\u003cp\u003eFootage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eLaureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 VHS videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 DVCAM videocassettes.  \u003c/p\u003e","\u003cp\u003ePoetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eThe third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 videocassettes.\u003c/p\u003e","\u003cp\u003eLifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.\u003c/p\u003e","\u003cp\u003eOpening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eKeynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026amp; Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.\u003c/p\u003e","\u003cp\u003eThe Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eA Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eFurious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eDear Yusef: Celebrating the Life \u0026amp; Work of Poet \u0026amp; Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eWalk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eLaureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eMagnitude \u0026amp; Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026amp; Culture (CBLC), and Obsidian: Literature \u0026amp; Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eGrowing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eBlack Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eBlack Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.\u003c/p\u003e","\u003cp\u003eA Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eClosing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.\u003c/p\u003e","\u003cp\u003eInterview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Contents","Contents","Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). 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I. (Mikhail Ivanovich), 1804-1857","Matthew Truscott","Bach, Carl Philipp Emanuel, 1714-1788","Paul Lewis","Padmore, Mark (Mark Joseph) (19610308)","Bagwell, James","Bernstein, Richard, (Bass-baritone) (1966-07-30)","Edward Gardner","James Ehnes","English"],"title_filing_ssi":"Great Performers","title_ssm":["Great Performers"],"title_tesim":["Great Performers"],"unitdate_inclusive_ssm":["1976-2019"],"normalized_date_ssm":["1976/2019"],"normalized_title_ssm":["Great Performers"],"component_level_isim":[2],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Henry Strouss Performing Arts collection"],"has_online_content_ssim":["false"],"child_component_count_isi":66,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1450,"parent_access_terms_tesm":["Access to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection"],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"names_ssim":["Lincoln Center for the Performing Arts","Boston Symphony Orchestra","Guarneri Quartet","The St. Paul Chamber Orchestra ","Gewandhausorchester Leipzig","Westminster Choir","Israel Philharmonic Orchestra","BBC Concert Orchestra","The Central Band of the Royal Air Force","Red Star Red Army Chorus and Dance Ensemble","New York City Opera. Orchestra","Russian State Symphony Orchestra","Los Angeles Philharmonic Orchestra","London Symphony Orchestra","Lark String Quartet","Concertgebouworkest","Orchestra of St. Luke's","Imperial Bells Ensemble of China","BBC Symphony Orchestra","New York City Opera Children's Chorus","City of Birmingham Symphony Orchestra","Berlin Philharmonic Piano Quartet","Orchestra of the Royal Opera House, Covent Garden","Royal Philharmonic Orchestra","Česká filharmonie","Chamber Music Society of Lincoln Center","Wiener Symphoniker","London Symphony Chorus","Mariinskiĭ teatr (1991- ). Orkestr","Rutgers University Kirkpatrick Choir","Rotterdams Philharmonisch Orkest","Pittsburgh Symphony Orchestra","London Philharmonic Orchestra","Orchestra of the Age of Englightenment","Philharmonia Orchestra","Boyd, Liona","Lightfoot, Gordon (Gordon Meredith) (1938-11-17-2023-05-01)","Harrell, Lynn (1944-01-30-2020-04-27)","Levine, James, 1943-2021","Silverstein, Joseph (Joseph Harry), 1932-2015","Ouzounian, Michael","Ozawa, Seiji, 1935-","Pollini, Maurizio, 1942-","Brahms, Johannes, 1833-1897","Perahia, Murray (1947-04-19)","Watts, Andre (1946-06-20-2023-07-12)","Schubert, Franz","Arnold Steinhardt","John Dalley","Tree, Michael, 1934-2018","David Soyer","Istomin, Eugene (1925-11-26-2001-10-10)","Treger, Charles, 1935-","Laurence Lesser","Zukerman, Pinchas, 1948-","Perlman, Itzhak, 1945-","Mozart, Wolfgang Amadeus (1756-1791)","Masur, Kurt (1927-07-18-2015-12-19)","Söderström, Elisabeth (Anna Elisabeth), 1927-2009","Theo Adam","Flummerfelt, Joseph (Joseph Ross) (1937-02-24-2019-03-01)","Mehta, Zubin (19360429)","Ma, Yo-Yo, 1955-","Barenboim, Daniel, 1942-","Beethoven, Ludwig van, 1770-1827","Lupu, Radu, 1945-2022","Ax, Emanuel (19490608)","Stravinsky, Igor, 1882-1971","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975","Norman, Jessye (1945-09-15-2019-09-30)","Schumann, Robert (Robert Alexander), 1810-1856","Bella Davidovich","Haydn, Joseph (Franz Joseph), 1732-1809","Debussy, Claude (Achille-Claude), 1862-1918","Zimerman, Krystian (1956-12)","Chopin, Frédéric (Frédéric François), 1810-1849","Liszt, Franz, 1811-1886","Joan Savage","Mary Law","Anatoly Bazhalkin","Nikolai Maiboroda","Anatoli Zaitchenko","Nikolai Nizienko","Anderson, June, 1952-","Kraus, Alfredo","Michelangelo Veltri","Svetlanov, Yevgeny, 1928-2002","Vladimir Ovchinikov","Tchaikovsky, Peter Ilich, 1840-1893","Bruckner, Anton (Josef Anton), 1824-1896","Salonen, Esa-Pekka, 1958-","Bronfman, Yefim (1958-04-10)","Katarina Dalayman","Sanders, Samuel (19370627-19990709)","Berg, Alban, 1885-1935","Chailly, Riccardo, 1953-","Zimmerman, Frank Peter  (1965-02-27)","Mahler, Gustav, 1860-1911","Rossini, Gioacchino, 1792-1868","Tan, Dun, 1957-","Pappano, Antonio, 1959-","Litton, James H.","Janet Westrick","Davis, Andrew, 1944-","Felicity Lott","Ravel, Maurice (Joseph Maurice), 1875-1937","Strauss, Richard, 1864-1949","Berlioz, Hector, 1803-1869","Larsson, Anna, (Contralto) (1966-09-10)","Anthony Piccolo","Rattle, Simon, 1955-","Jean-Philippe Rameau","Elgar, Edward (1857-06-02-1934-02-23)","Davis, Colin (Colin Rex), 1927-2013","Nai-Yuan Hu","Isserlis, Steven, 1958-","Valery Polyansky","Vladimir Spivakov","Prokofiev, Sergey (Sergey Sergeyevich), 1891-1953","Rachmaninoff, Sergei, 1873-1943","Edward Downes","Weber, Carl Maria von (Carl Maria Friedrich Ernst von), 1786-1826","Gounod, Charles, 1818-1893","Verdi, Giuseppe","Gatti, Daniele, 1961-","Solzhenitsyn, Ignat","Ashkenazy, Vladimir (Vladimir Davidovich), 1937-","Hellekant, Charlotte","Krása, Hans, 1899-1944","Jan Dismas Zelenka","Bohuslav Martinů","Janáček, Leoš, 1854-1928","Dvorak, Antonin","Vladimir Fedoseyev","Znaider, Nikolaj, 1975-","Strauss, Johann, 1825-1899","Britten, Benjamin (Edward Benjamin), 1913-1976","Pletnev, Mikhail, 1957-","Gergiev, Valeriĭ, 1953-","Patrick Gardner","Nézet-Séguin, Yannick, 1975-","Mullova, Viktorii︠a︡, 1959-","Theo Verbey","Luisi, Fabio (1959-01-17)","Lise de la Salle","Manfred Honeck","Hahn, Hilary","Stucky, Steven (Steven Edward) (1949-11-07-2016-02-14)","Bach, Johann Sebastian, 1685-1750","Dudamel, Gustavo (19810126)","Corigliano, John (John Paul), 1938-","Noseda, Gianandrea (1964)","Wang, Yuja (19870210)","Wagner, Richard, 1813-1883","Jurowski, Vladimir, 1972-","Glinka, M. I. (Mikhail Ivanovich), 1804-1857","Matthew Truscott","Bach, Carl Philipp Emanuel, 1714-1788","Paul Lewis","Padmore, Mark (Mark Joseph) (19610308)","Bagwell, James","Bernstein, Richard, (Bass-baritone) (1966-07-30)","Edward Gardner","James Ehnes"],"corpname_ssim":["Lincoln Center for the Performing Arts","Lincoln Center for the Performing Arts","Lincoln Center for the Performing Arts","Boston Symphony Orchestra","Lincoln Center for the Performing Arts","Lincoln Center for the Performing Arts","Lincoln Center for the Performing Arts","Guarneri Quartet","Lincoln Center for the Performing Arts","Lincoln Center for the Performing Arts","Lincoln Center for the Performing Arts","Guarneri Quartet","Lincoln Center for the Performing Arts","The St. Paul Chamber Orchestra ","Lincoln Center for the Performing Arts","Gewandhausorchester Leipzig","Westminster Choir","Lincoln Center for the Performing Arts","Israel Philharmonic Orchestra","Lincoln Center for the Performing Arts","Lincoln Center for the Performing Arts","Lincoln Center for the Performing Arts","Lincoln Center for the Performing Arts","Lincoln Center for the Performing Arts","Lincoln Center for the Performing Arts","Lincoln Center for the Performing Arts","Lincoln Center for the Performing Arts","Lincoln Center for the Performing Arts","Lincoln Center for the Performing Arts","BBC Concert Orchestra","The Central Band of the Royal Air Force","Lincoln Center for the Performing Arts","Red Star Red Army Chorus and Dance Ensemble","Lincoln Center for the Performing Arts","New York City Opera. Orchestra","Lincoln Center for the Performing Arts","Russian State Symphony Orchestra","Lincoln Center for the Performing Arts","Los Angeles Philharmonic Orchestra","Lincoln Center for the Performing Arts","London Symphony Orchestra","Lark String Quartet","Lincoln Center for the Performing Arts","Israel Philharmonic Orchestra","Lincoln Center for the Performing Arts","Concertgebouworkest","Lincoln Center for the Performing Arts","Concertgebouworkest","Lincoln Center for the Performing Arts","Orchestra of St. Luke's","Imperial Bells Ensemble of China","Lincoln Center for the Performing Arts","BBC Symphony Orchestra","Lincoln Center for the Performing Arts","Los Angeles Philharmonic Orchestra","New York City Opera Children's Chorus","Lincoln Center for the Performing Arts","City of Birmingham Symphony Orchestra","Lincoln Center for the Performing Arts","London Symphony Orchestra","Berlin Philharmonic Piano Quartet","Lincoln Center for the Performing Arts","Russian State Symphony Orchestra","Lincoln Center for the Performing Arts","Concertgebouworkest","Lincoln Center for the Performing Arts","Orchestra of the Royal Opera House, Covent Garden","Lincoln Center for the Performing Arts","Royal Philharmonic Orchestra","Lincoln Center for the Performing Arts","Česká filharmonie","Lincoln Center for the Performing Arts","Chamber Music Society of Lincoln Center","Lincoln Center for the Performing Arts","Wiener Symphoniker","Lincoln Center for the Performing Arts","London Symphony Orchestra","London Symphony Chorus","Lincoln Center for the Performing Arts","Royal Philharmonic Orchestra","Lincoln Center for the Performing Arts","Gewandhausorchester Leipzig","Lincoln Center for the Performing Arts","Mariinskiĭ teatr (1991- ). Orkestr","Rutgers University Kirkpatrick Choir","Lincoln Center for the Performing Arts","Mariinskiĭ teatr (1991- ). Orkestr","Lincoln Center for the Performing Arts","Rotterdams Philharmonisch Orkest","Lincoln Center for the Performing Arts","London Symphony Orchestra","London Symphony Chorus","Lincoln Center for the Performing Arts","Rotterdams Philharmonisch Orkest","Lincoln Center for the Performing Arts","London Symphony Orchestra","Lincoln Center for the Performing Arts","London Symphony Orchestra","Lincoln Center for the Performing Arts","Wiener Symphoniker","Lincoln Center for the Performing Arts","Pittsburgh Symphony Orchestra","Lincoln Center for the Performing Arts","Lincoln Center for the Performing Arts","Los Angeles Philharmonic Orchestra","Lincoln Center for the Performing Arts","London Symphony Orchestra","Lincoln Center for the Performing Arts","London Symphony Orchestra","Lincoln Center for the Performing Arts","London Philharmonic Orchestra","Lincoln Center for the Performing Arts","Orchestra of the Age of Englightenment","Lincoln Center for the Performing Arts","Lincoln Center for the Performing Arts","Los Angeles Philharmonic Orchestra","Lincoln Center for the Performing Arts","London Symphony Orchestra","Lincoln Center for the Performing Arts","Philharmonia Orchestra","Lincoln Center for the Performing Arts","London Philharmonic Orchestra"],"persname_ssim":["Boyd, Liona","Lightfoot, Gordon (Gordon Meredith) (1938-11-17-2023-05-01)","Harrell, Lynn (1944-01-30-2020-04-27)","Levine, James, 1943-2021","Silverstein, Joseph (Joseph Harry), 1932-2015","Ouzounian, Michael","Ozawa, Seiji, 1935-","Pollini, Maurizio, 1942-","Brahms, Johannes, 1833-1897","Perahia, Murray (1947-04-19)","Watts, Andre (1946-06-20-2023-07-12)","Schubert, Franz","Arnold Steinhardt","John Dalley","Tree, Michael, 1934-2018","David Soyer","Istomin, Eugene (1925-11-26-2001-10-10)","Watts, Andre (1946-06-20-2023-07-12)","Treger, Charles, 1935-","Laurence Lesser","Schubert, Franz","Watts, Andre (1946-06-20-2023-07-12)","Treger, Charles, 1935-","Laurence Lesser","Schubert, Franz","Arnold Steinhardt","John Dalley","Tree, Michael, 1934-2018","David Soyer","Zukerman, Pinchas, 1948-","Perlman, Itzhak, 1945-","Mozart, Wolfgang Amadeus (1756-1791)","Masur, Kurt (1927-07-18-2015-12-19)","Söderström, Elisabeth (Anna Elisabeth), 1927-2009","Theo Adam","Flummerfelt, Joseph (Joseph Ross) (1937-02-24-2019-03-01)","Brahms, Johannes, 1833-1897","Mehta, Zubin (19360429)","Zukerman, Pinchas, 1948-","Ma, Yo-Yo, 1955-","Flummerfelt, Joseph (Joseph Ross) (1937-02-24-2019-03-01)","Barenboim, Daniel, 1942-","Beethoven, Ludwig van, 1770-1827","Barenboim, Daniel, 1942-","Beethoven, Ludwig van, 1770-1827","Barenboim, Daniel, 1942-","Beethoven, Ludwig van, 1770-1827","Barenboim, Daniel, 1942-","Beethoven, Ludwig van, 1770-1827","Lupu, Radu, 1945-2022","Perahia, Murray (1947-04-19)","Ax, Emanuel (19490608)","Ma, Yo-Yo, 1955-","Stravinsky, Igor, 1882-1971","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975","Brahms, Johannes, 1833-1897","Norman, Jessye (1945-09-15-2019-09-30)","Levine, James, 1943-2021","Beethoven, Ludwig van, 1770-1827","Schumann, Robert (Robert Alexander), 1810-1856","Brahms, Johannes, 1833-1897","Bella Davidovich","Haydn, Joseph (Franz Joseph), 1732-1809","Beethoven, Ludwig van, 1770-1827","Debussy, Claude (Achille-Claude), 1862-1918","Zimerman, Krystian (1956-12)","Chopin, Frédéric (Frédéric François), 1810-1849","Liszt, Franz, 1811-1886","Joan Savage","Mary Law","Anatoly Bazhalkin","Nikolai Maiboroda","Anatoli Zaitchenko","Nikolai Nizienko","Anderson, June, 1952-","Kraus, Alfredo","Michelangelo Veltri","Svetlanov, Yevgeny, 1928-2002","Vladimir Ovchinikov","Tchaikovsky, Peter Ilich, 1840-1893","Bruckner, Anton (Josef Anton), 1824-1896","Salonen, Esa-Pekka, 1958-","Bronfman, Yefim (1958-04-10)","Katarina Dalayman","Katarina Dalayman","Sanders, Samuel (19370627-19990709)","Mehta, Zubin (19360429)","Masur, Kurt (1927-07-18-2015-12-19)","Beethoven, Ludwig van, 1770-1827","Berg, Alban, 1885-1935","Chailly, Riccardo, 1953-","Zimmerman, Frank Peter  (1965-02-27)","Mahler, Gustav, 1860-1911","Chailly, Riccardo, 1953-","Flummerfelt, Joseph (Joseph Ross) (1937-02-24-2019-03-01)","Mahler, Gustav, 1860-1911","Rossini, Gioacchino, 1792-1868","Tan, Dun, 1957-","Pappano, Antonio, 1959-","Litton, James H.","Janet Westrick","Davis, Andrew, 1944-","Felicity Lott","Ravel, Maurice (Joseph Maurice), 1875-1937","Strauss, Richard, 1864-1949","Berlioz, Hector, 1803-1869","Salonen, Esa-Pekka, 1958-","Larsson, Anna, (Contralto) (1966-09-10)","Flummerfelt, Joseph (Joseph Ross) (1937-02-24-2019-03-01)","Anthony Piccolo","Mahler, Gustav, 1860-1911","Rattle, Simon, 1955-","Jean-Philippe Rameau","Haydn, Joseph (Franz Joseph), 1732-1809","Beethoven, Ludwig van, 1770-1827","Elgar, Edward (1857-06-02-1934-02-23)","Davis, Colin (Colin Rex), 1927-2013","Ax, Emanuel (19490608)","Nai-Yuan Hu","Isserlis, Steven, 1958-","Valery Polyansky","Vladimir Spivakov","Prokofiev, Sergey (Sergey Sergeyevich), 1891-1953","Tchaikovsky, Peter Ilich, 1840-1893","Ravel, Maurice 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(1756-1791)","Tchaikovsky, Peter Ilich, 1840-1893","Pletnev, Mikhail, 1957-","Brahms, Johannes, 1833-1897","Gergiev, Valeriĭ, 1953-","Patrick Gardner","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975","Gergiev, Valeriĭ, 1953-","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975","Gergiev, Valeriĭ, 1953-","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975","Davis, Colin (Colin Rex), 1927-2013","Haydn, Joseph (Franz Joseph), 1732-1809","Nézet-Séguin, Yannick, 1975-","Mullova, Viktorii︠a︡, 1959-","Brahms, Johannes, 1833-1897","Theo Verbey","Gergiev, Valeriĭ, 1953-","Mahler, Gustav, 1860-1911","Davis, Colin (Colin Rex), 1927-2013","Znaider, Nikolaj, 1975-","Luisi, Fabio (1959-01-17)","Lise de la Salle","Rachmaninoff, Sergei, 1873-1943","Beethoven, Ludwig van, 1770-1827","Manfred Honeck","Hahn, Hilary","Stucky, Steven (Steven Edward) (1949-11-07-2016-02-14)","Prokofiev, Sergey (Sergey Sergeyevich), 1891-1953","Tchaikovsky, Peter Ilich, 1840-1893","Perahia, Murray (1947-04-19)","Bach, Johann Sebastian, 1685-1750","Beethoven, Ludwig van, 1770-1827","Schumann, Robert (Robert Alexander), 1810-1856","Chopin, Frédéric (Frédéric François), 1810-1849","Dudamel, Gustavo (19810126)","Corigliano, John (John Paul), 1938-","Tchaikovsky, Peter Ilich, 1840-1893","Gergiev, Valeriĭ, 1953-","Bronfman, Yefim (1958-04-10)","Noseda, Gianandrea (1964)","Wang, Yuja (19870210)","Wagner, Richard, 1813-1883","Ravel, Maurice (Joseph Maurice), 1875-1937","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975","Jurowski, Vladimir, 1972-","Glinka, M. I. (Mikhail Ivanovich), 1804-1857","Chopin, Frédéric (Frédéric François), 1810-1849","Mahler, Gustav, 1860-1911","Matthew Truscott","Haydn, Joseph (Franz Joseph), 1732-1809","Bach, Carl Philipp Emanuel, 1714-1788","Mozart, Wolfgang Amadeus (1756-1791)","Paul Lewis","Padmore, Mark (Mark Joseph) (19610308)","Schumann, Robert (Robert Alexander), 1810-1856","Brahms, Johannes, 1833-1897","Dudamel, Gustavo (19810126)","Bagwell, James","Bernstein, Richard, (Bass-baritone) (1966-07-30)","Beethoven, Ludwig van, 1770-1827","Rattle, Simon, 1955-","Mahler, Gustav, 1860-1911","Salonen, Esa-Pekka, 1958-","Bruckner, Anton (Josef Anton), 1824-1896","Edward Gardner","James Ehnes","Beethoven, Ludwig van, 1770-1827","Mahler, Gustav, 1860-1911"],"language_ssim":["English"],"_nest_path_":"/components#1/components#4","timestamp":"2026-05-20T21:30:16.538Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_1140","ead_ssi":"vilxw_repositories_5_resources_1140","_root_":"vilxw_repositories_5_resources_1140","_nest_parent_":"vilxw_repositories_5_resources_1140","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_1140.xml","title_ssm":["Henry Strouss Performing Arts collection"],"title_tesim":["Henry Strouss Performing Arts collection"],"unitdate_ssm":["1880-2023"],"unitdate_inclusive_ssm":["1880-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0778","/repositories/5/resources/1140"],"text":["WLU.Coll.0778","/repositories/5/resources/1140","Henry Strouss Performing Arts collection","Theater","For the benefit of the National Conference of Christians and Jews","For the benefit of both American and Russian War Charities","First New York appearance in 3 years","First American tour of the Berlin Philharmonic. Articles and flyer record protests in response to the manager's and director's previous Nazi membership.","Noted: Because of the demand for tickets, another concert with Stravisky was scheduled for January 23rd.","In commemoration of the 250th anniversary of Pergolesi's birth","The orchestra's first appearance outside of Puerto Rico","A gala recital for the benefit of the National Committee Against Discrimination in Housing","Part of the International Festival of Visiting Orchestras, Noted: because of illness, soloist Joseph Silverstein was replaced by Jaime Laredo","Celebrating the 30th Anniversary Season of Eugene Ormandy as Music Director","Part of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour","Part of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour","Opening night of the production.","Part of the International Festival of Visiting Orchestras","Final program in a special series of four concerts, \"The Viennese School\"","Final event in the Hurok Sunday series","Opening concert in the Hurok International Series \"A\".","Part of the International Festival of Visiting Orchestras","Part of the International Festival of Visiting Orchestras","Celebrating the 75th Anniversary of Ithaca College","Gala Performance. Maria Callas and Zinka Milanov, who both formerly played the titular role, attended the performance and received much applause. In contrast, Elena Suliotis was criticized for her performance and the audience was torn between cheering and booing.","Part of the International Festival of Visiting Orchestras","In appreciation of Harald A. Lowen (1897-1968), Executive Secretary 1958-1968","Part of the International Festival of Visiting Orchestras","Opening concert in the Hurok International Series \"A\"","In memory of Charles Munch","Fourth Event in the Hurok International Series B","Fifth Event in the Hurok International Series B","Sixth Event in the Hurok International Series B","Commemorating the 200th Anniversary of the birth of Ludwig Van Beethoven","Second Concert in Series","Annual Patron-Sponsor Concert","Part of the Series of Stars","Nicolai Gedda was ill and unable to perform the role of Arnold, replaced by Jerome Lo Monaco and Mallory Walker spliting the role.","Part of the Series of Stars","Part of the Series of Stars","A Metropolitan Opera Guild Benefit Concert","Part of the International Festival of Visiting Orchestras","Part of the International Festival of Visiting Orchestras","Concert in memory of David Oistrakh.","Part of the Series of Stars","In honor of Aaron Copland's 75th birthday.","Lorin Maazel, the conductor, was unable to perform due to an injury and was replaced by Edo de Waart for the concert. The second half of the concert was changed from The Rite of Spring by Stravinsky to Symphony No. 2 in D Major, Opus 73 by Brahms.","A British Salute to the American Bicentennial and The Seventh Concert in the Mozart Concerto Festival","Part of the bicentennial celebration of the United States","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the International Festival of Visiting Orchestras","The concert was in memory of Fred Norring.","For the 150th anniversary of Beethovan's death.","Part of the International Festival of Visiting Orchestras. The concert replaced the one originally announced for the Czech Philharmonic, which had to cancel its American tour.","The Annual Patrons' and Sponsors' Concert","Includes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.","The Fiftieth Anniversary Season of the Cleveland Orchestra. Part of the International Festival of Visiting Orchestras.","Fifth Event in the Hurok International Series A.","Fourth Concert in the Series \"Art of the Lied\"","Due to injury, Chicago Symphony Orchestra's conductor, Sir Georg Solti, was unable to conduct, so the concert was led by the assistant conductor Henry Mazer. The previous day he was replaced by Margaret Hillis.","A gala concert performance for the benefit of the production fund of Friends of French Opera.","Honoring the 150th Anniversary of Louis Moreau Gottschalk (Born in New Orleans on May 8, 1829)","Singer Julia Hamari was unable to perform and was replaced by Florence Quivar.","Montserrat Caballé withdrew to receive medical treatment in Spain and was replaced by Awilda Verdejo. Nicolai Gedda also withdrew due to illness and was replaced by Richard Estes.","An all Copland program in honor of Aaron Copland's 80th birthday.","The program order was reversed, Bartók's Concerto for Orchestra was played first followed by Bruckner's Symphony No. 4.","Scenes from the Life of a Martyr, by Undine Smith Moore, premiered in New York in memory of Martin Luther King Jr.","Part of the Gala Rossini Opera Festival.","Part of the Gala Rossini Opera Festival. Due to illness, Montserrat Caballe was replaced by June Anderson in the role of Semiramide.","Due to illness, Edward J. Crafts was unable to perform the role of Duke Robert and was replaced by James Stith. The role of the Messenger was sung by William Drake.","In honor of the 100th anniversary of the composer's death.","Part of the Gala Rossini Opera Festival","Part of the French Opéra-Comique Festival","Gala Sixtieth Anniversary Benefit Concert.","The performance of Mahler's Symphony No. 4 was dedicated to the memory of Michael Ries.","Part of the French Opéra Comique Festival.","Part of the Handel Opera Festival","Part of the Handel Opera Festival.","The performance of Berg's Seven Early Songs commemorates the 100th anniversary of the composer's birth.","Performed on the 300th anniversary of the composer's birth and part of the Handel Opera Festival.","This was the US debut of Jin Li. Part of the program is missing, which tells that the orchestra performed 2 Pieces for Small Orchestra: 1. On Hearing the First Cuckoo in Spring (1912) by Frederick Delius and Variations on an Original Theme, Op. 36, \"Enigma\" (1899) by Edward Elgar after the intermission.","Part of The Choral Celebration of Bach.","Part of the Handel Opera Festival.","The Berg works are being performed in honor of the 100th anniversary of his birth.","Because of a recent illness limiting Mr. Ozawa's rehearsal time, Dvorák's Symphony No. 7 was replaced by Tchaikovsky's Symphony No. 6 in the program.","For the benefit of Emmaus, which serves New York City's homeless.","This concert was dedicated to the memory of Karol Szymanowski.","A benefit to celebrate the fifteenth anniversary of Opera Orchestra of New York.","Celebrating the 60th birthday of Mstislav Rostropovich","35th Anniversary Concert","Rudolf Serkin was unable to preform as previously announced due to illness and was replaced by Malcolm Frager.","Sylvia McNair replaced Sophia Larson for this performance.","It is noted that Aprile Millo, who played Maddalena di Coigny, dedicated her performance to the memory of her father, Giovanni Millo, who was known for his portrayal of the title role.","This concert is presented by the Jerusalem Foundation in honor of the 40th Anniversary of the State of Israel.","A New York International Festival of the Arts event","A New York International Festival of the Arts event","Due to a death in the family, Seiji Ozawa was unable to conduct and was replaced by David Zinman. The program was changed from Mahler's Symphony No. 9 to Mahler's Symphony No. 1 and Chopin's Piano Concerto No. 1.","Giuseppe Giacomini was replaced by Nunzio Todisco and Michael Shell was replaced by Wanda Brister for the performance.","Seiji Ozawa was unable to conduct due to illness and was replaced by André Previn.","This performance is dedicated to the memory of Dr. Hugh Ross, for more than 60 years as the Music Director of the Schola Cantorum of New York.","The grandfather clock and black cat, originally meant to be Philippe Huttenlocher, was played by David Evitts.","These performances were dedicated to the memory of Leonard Bernstein (Auguest 25, 1918 - October 14, 1990)","Mozart's Piano Concerto No. 19 was changed to his Piano Concerto No. 26. The orchestra recognized the recent death of Aaron Copland (1900-1990) by including a commemerative performance of the Variations on a Shaker Melody (Simple Gifts) from Copland's ballet Appalachian Spring.","Copland's Quintet (\"The promise of living\") from Act I of the opera \"The Tender Land\" was performed in memory of his recent passing.","Insert: Mara Zampierni indisposed, role of Elizabette to be played by Martile Rowland","Insert: Role of Killian will by sung by Gerald Dolter. Prince Ottokar will be sung by Gregory Rahming. Please Note: This Opera involves hubnting and shooting prowess. Ther will be several gunshots during the performance.","Commemorating the quincentenary of the Christopher Columbus Voyage","Insert: Saint Ludmila Description","Music from concentration camp Terezin, also known as Theresienstadt","Note: \"This performance is dedicated to Alice Tully, whose love and support of the arts is legendary. Her presence in the center box at Opera Orchestra's concerts will be greatly missed. We are grateful for her warmth and friendship\"","Note: \"Celebrating Seiji Ozawa's Twentieth Anniversary Season as Music Director of the Boston Symphony Orchestra\"","Insert: \"Aprile Millo was involved in an automobile accident in Italy and has sustained injuries from which she is recovering, but which have forced her to withdrawl from Caterina Cornaro. Martile Rowland will sing the title role. She performed as Caterina in a preview performance last tuesday evening in Princeton University's Richardson Auditorium\"","Insert: Garrick Ohlsson will replace Evgeny Kissin as soloist in the Schumann Piano Concerto at this evening's performance by The Philadelphia Orchestra. Mr. Kissin has cancelled his appearance due to the flu. Carnegie Hall is grateful to Mr. Ohlsson for agreeing to appear on such short notice.","insert: HEROD will be sung by baritone Eduardo Del Campo (as opossed to Yuri Mazurok","Insert: John Uhlenhopp as Lykov, Martin Dillon as Bomelii, Svetlana Furdui as The Housemaid","Insert: JohnAler forced to cancel due to illness, tenor Carl Halvorson takes his place","Insert: Due to illness, Carol Vaness was replaced by Sharon Sweet. This is Sharon Sweet's Carnegie Hall debut.","Insert: \"Carnegie Hall joins Seiji Ozawa and the Vienna Philharmonic Orchestra in mourning thr loss of our friend, the distinguished composer Toru Takemitsu, who passed away Feburary 20th, 1996. In his memory, his work Requiem for String Orchestra will open tonight's program\"","\"This performance is dedicated with affection and admiration to the memory of Robert E. Wagenfeld\"","Insert: La Damnation de Faust Description","Insert: Beethoven in New York, Chamber orchestra of Europe, Sponsored by the BOC Group","Insert: \"Samuel Ramey will not sing the role of Roger in OONY's presentation of Verdi's Jerusalem. Mr. Ramey has canceled because of illness.\" Gary Simpson to Play Roger, Perry Ward to Play Count of Toulouse, Luiz-Ottavio Faria to play Emir.","This performance was dedicated to the memory of Richard deVaultier (1916-1988).","Insert: Pianist Ivo Pogorelich had to withdraw from the performance and was replaced by André Watts.","Insert: Tenor Thomas Moser had to withdraw from the performance due to illness and was replaced by Jon Fredric West.","Notations for Orchestra by Pierre Boulez performed in honor of the composer's 75th birthday.","Insert: Soprano Jane Eaglen was unable to perform the role of La Gioconda and was replaced by Sylvie Valayre","Concert to celebrate the 70th birthday of Lorin Maazel","Insert: \"Tonights performance is dedicated to the memory of Alfredo Kraus and Pablo Elvira who sang La favorita so beautifully with Opera Orchestra in 1975\"","John Williams \"For Seiji!\" New York premire. Celebrating Mstisalv Rostropovich's 75th Birthday.","Christopher Rouse's \"Rapture\" New York Premiere. Michael Hersch's \"Symphony No. 2\" New York Premiere.","Includes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.","In commemoration of the 200th anniversary of the birth of Hector Berlioz","This performance is dedictaed to the memory of Robert E. Wagenfeld","In loving memory of Robert J. Harth 1956-06-13 -- 2004-01-30. The 2003-2004 season is dedicated to the memory of Robert J. Harth , who led Carnegie Hall as Executive and Artistic Director from September 2001 until January 2004.","This evening's performance is dedicated to the memory of Frederic Bradlee, a long-time friend and supporter of Opera Orchestra.","The 50th Concert of the Met Orchestra at Carnegie Hall","Revised Program: Please note that Michelle DeYoung will be perfroming this afternoon in place of Natalie Dessay who has withdrawn because of bronchitis.","In memory of Stephen M. Kellen, and honorary citizen of the city of Berlin and an honorary member of the Berliner Philharmoniker","This concert is dedicated to the memory of John Forbes, a longtime member of the St. Cecilia Chorus.","This concert is dedicated to the memory of Charlotte Kirschner (1922-2005)","Annotation: \"Obraztsova did not appear\"  refers to mezzo-soprano Elena Obraztsova)","Open Working Rehearsal","Please note that Andris Nelsons will conduct this concert in place of James Levine, who continues to suffer ill effects from a recent procedure addressing his continuing back issues. Andris Nelsons appears this evening courtesy of the Metropolitan Opera.","Note under Daniil Trifonov: Grand Prize and Gold Medal, Piano, XIV International Tchaikovsky Competition","Open Working Rehearsal","Insert: The role of MLLE. JOUVENOT will be sung this evening by soprano DANIELLE WALKER","Open Working Rehearsal","Open Working Rehearsal","Open Working Rehearsal","Open Working Rehearsal","Marking the Bicentennial of Wagner's Birth","Open Working Rehearsal","Please note that Lorin Maazel is unable to conduct this evening's concert due to illness. Carnegie Hall and the Munich Philharmonic Orchestra are immensely grateful to Fabio Luisi for agreeing to conduct in his place. Mr. Luisi appears at Carnegie Hall courtesy of the Metropolitan Opera.","Open Working Rehearsal","Please note that Anna Netrebko will be performing in place of Elīna Garanča, who has withdrawn due to illness. The revised program is included below. Carnegie Hall and the Metropolitan Opera wish to express their gratitude to Ms. Netrebko for graciously agreeing to perform on very short notice.","Note: Donor performed in chorus","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Part of The Song Continues 2017","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Noted: the Adoramus te from the Mass Proper was replaced by Penitentes orate, a Mozarabic prayer from the 11th century","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic, Noted: Though soprano Anna Simboli is currently suffering from a minor illness, she will perform the roles of Amore and Damigella this evening","Concert dedicated to ASO principal clarinet Laura Flax (1994-2017)","Noted: Susanna Phillips was unable to perform, replaced by Jennifer Check","Noted: Pene Pati (Tenor), Rachel Willis-Sørensen (Soprano), and Matthew Curran (Bass) were added to the performance","Christian Van Horn, 2018 Richard Tucker Award Winner","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Bio of Jonathan Biss \"Due to an injury, pianist Paul Lewis has regretfully withdrawn from this evening's performance. Pianist Jonathan Biss will perform in his place.\"","This concert is dedicated to the memory of André Previn (1929-2019), whose artistry and warm personality throughout his brilliant and multifaceted career brought joy to countless music lovers worldwide.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: \"Chief Conductor Mariss Jansons has fallen ill and is unable to conduct this evening's performance. Carnegie Hall and the Bavarian Radio Symphony Orchestra are grateful to Vasily Petrenko, who has agreeded to conduct in his place.\"","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Yannick Nézet-Séguin conducts the Vienna Philharmonic Orchestra in place of Valery Gergiev.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Joseph Beutel Bio","Insert: \"Please note that due to illness, tenor Andrew Staples is unable to perform this evening. Joshua Blue will perform in his place.","Hosted by Richard Gere","Ticket Information: Parquet Mid, $67.20, For up-to-date information about health and safety, visit carnegiehall.org/SafetyChecklist. Section PARQ Row/Box S Seat 22","Insert: This performance will be heard around the world! This concert will be broadcast live on Classical New York 105.9 FM WQXR and streamed online as part of the Carnegie Hall Live series. Before you silence your phones, tell your friends to listen in. Relive the concert anytime at wqxr.org and carnegiehall.org/wqxr.","Insert 1: \"Actor, director, screenwriter and producer Live Schreiber joins the Lviv National Philharmonic Orchestra of Ukraine as host for this evening's performance. Special thanks to CAMI Music for its generous support of this event.\" Insert 2: \"Olena Zelenska, First Lady of Ukraine. I am grateful to Carnegie Hall and to every person in the United States for their support of people in Ukraine. The Olena Zelenska Foundation is working to transform this support into systemic help for millions of Ukrainians whose lives have been affected in the aftermath of the full-scale Russian invasion. The war against Ukraine leaves civilians without electricity and heat in the face of winter. It bombs hospitals and schools. It turns childhood into orphanhood. It aims at life itself. Ukraine has resisted it for almost a year now. Unfortunately, the longer the war goes on, the more people become its victims, and the more support they need. We recover people's lives through humanitarian aid, medicine, and education to make the entire country's future possible. For more information on our programs, please visit (QR CODE) Will you stand with us?\"","This performance was Bruce Liu's New York Recital Debut. He was the First Prize Winner of the 18th International Chopin Piano Competition (2021).","Insert: \"Please note that Nadine Sierra has withdrawn from this concert due to illness. Soprano Lisette Oropesa will perform in her place.\" Contains Lisette Oropesa's bio.","Inserts are idenitcal: \"Richard Tucker Music Foundation Presents Gala 2023\" Includes the evening's set.","Insert: \"Have a drink on us!\" a redeemable coupon for a beverage at Carnegie Hall, website link to leanr about more \"extras\"","\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"","\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"","Insert: Bio of Kirsten Sollek, Contralto","Annotation: \"Hilarious!\"","Ticket: Section: Tier 1 Row/Box: 33 Seat: 5. Concert Three. Price: $281.00 Name: Fung Section: Blavatnik Family First Tier","Insert: Kimo Furumoto will conduct the first half of tonight's concert, replacing Gerhard Samuel who is indisposed. Elmer Thomas conducts the second half of the program.","Insert: \"Film \u0026 Music\" \"Scenes from Ivan the Terrible\"","\"The management regrets to announce that due to injuries, we are unable to present THEME AND VARIATIONS this evening. The program will be: JARDIN ANIME (pause) Pas de Trois from THE GUARDS OF AMAGER (intermission) GISELLE\"","\"MIKHAIL BARYSHNIKOV has suffered an injury and is unable to dance this evening. Other Dancers will be performed by: SUSAN JAFFE and ROBERT LA FOSSE. The leading dancers in THEME AND VARIATIONS will be: CHERYL YEAGER and PETER FONSECA\"","\"Gesley Kirklan is unable to dance this evening. The role of \"La Sylphide\" will be performed by Marianna Tcherkassky.\"","\"Cynthia Gregrory is injured and is unable to dance this evening. \"Cinderella\" will be danced by Cheryl Yeager. \"A Masked Lady\" will be Elaine Kudo. In act 1, Scene 2, the soloist danced in \"Spring\" will be Alina Hernandez; in \"Winter\" it wil be Carla Stallings. In act 3, A Merchant's \"Three Daughters\" will be Christine Spizzo, Nancy Raffa, and Suzanne Goldman","\"In this evening's performance of The Leaves are Fading, please note the following cast changes: Amanda McKerrow replaces Leslie Browne. Kevin McKenzie Replaces Robert La Fosse. Chrisa Keramidas replaces Amanda McKerrow. John Turjoman replaces John Gardner. In Anastasia, the role of \"Anna Anderson\" will be performed by Martine Van Hamel","\"Robert La Fosse is unable to perform this evening.\"","Contains a newspaper article on \"The Mollino Room\"","Contains a newspaper article about the performance","\"Due to injuries in the Company, The Informer can not be presented this evening. Bruch Violin Concert No. 1 will be performed in its place.\"","\"Susan Jaffe is injured and unable to perform. Kitri, Lroenzo's daughter will be danced by Cheryl Yeager\"","\"Due to an injury, State of Grace will not be performed this evening. Cruel World will be danced in its place\"","\"In this evening's performance of Don Quixote, the Flower Girls will be Isabella Boylston and Misty Copeland and the Gypsy Couple will be Isadora Loyola and Luis Ribgorda.\"","Richard Westenburg signature","Richard Westenburg signature","Pamphlet for the 50th Anniversary of Great Performers","Due to Illness, Davone Tines was unable to perfom. Soloman Howard sang in his place.","Tenth Anniversary Season","Insert: \"At these concerts, Marvis Martin, soprano, will replace Frederica von Stade.\" Some of the numbers have been altered from the original program. Contains a bio for Marvis Martin and a Translation of Henri Duparc's \"Extase\" (En: Ecstacy) from the original French into English","\"Tonight's performance is dedicated to the Lincoln Center for Performing Arts on the occasion of its 25th anniversary.\" News Article: \"Music: Chamber Society\" by Bernard Holland, a review of the Friday evening program.","\"This event is part of American Music Week which is sponsered by the American Music Center\"","Newspaper Article: \"Chamber: Del Tredici\"","Insert: Typed Version of Program (Addition of an intermission, addition of a mozart piece, switch in order)","Insert: \"For the Chamber Music Society's performances on December 4 and 6, David Schiff will conduct the world premiere of his \"Solus Rex.\" Please not that INTERMISSION will follow the performance of \"Solus Rex.\"  We regret that Robert Routch is unable to perform on these concerts because of illness. Micheal Ishii will play Horn III in the Dvorak Serenade and David Jolley will replace Mr. Routch in the Dvorak Serenade and the Poulenc Sextet.","Annotation indicates Brahams' Sonata was replaced with a Schubert piece","Annotation indicates André Watts was replaced by Lee Luvisi on Piano and the Grieg Sonata was replaced by Barhms' G Major Op 78","Insert: Christòpheren Nomura Bio (replace Hermann Prey late notice due to illness)","Insert and Annotaion: Mark Kaplan and Toby Hoffman appear to replace Thomas Kehetmair and Ruth Killius","Includes Program Insert: \"For tonight's performance, MICHAEL SCHADE will be replaced by WILLIAM KENDALL\"","Performances on 1998-07-14, 1998-07-15, 1998-07-18, and 1998-07-19 in Hebrew, performances on 1998-07-16, 1998-07-17 in Russian.","Program Note: \"According to performance practice of this period, the violinists and violists will stand while playing during the performance of the symphonies on all programs.\"","Program Insert: \"Please note the following cast change for this perofrmance of Little Humpbacked Horse: The role of The Humpbacked Horse will be danced by Grigory Popov.   The role of Gavrilo will be danced by Maxim Zyuzin.  The Horses and the Seahorses will be danced by Kamil Yangurazov \u0026 Andrey Soloviev","Three separate concerts included in program.  First concert (2015-07-15, 2015-07-18) is a performance of Richard Strauss' Daphne arranged for concert.  Second concert (2015-07-16) is Oliver Messiaen and Antonin Dvorak.  Third concert (2015-07-17) is Beethoven's Pastoral symphony and Strauss' Symphonia Domestica.","\"In this evening's performance of Die Walkuere, the wole of Bruennhilde will be sung by Margaret Harshaw, replacing Birgit Nilsson, who is indisposed. The role of Sieglinde will be sung by Gladys Kuchta.\"","Cornell MacNeil replaces Anselmo Colzani as Rigoletto","New Production","Signed by  Jesús López-Cobos, Bonaldo Giaiotti, Sherill Milnes, and Luciano Pavarotti","Not an operatic program; rather, a list of members of the benefit committee for a 1980-02-04 performance of \"Un Ballo In Maschera,\" whose program does not appear in this collection.  Strouss is listed alongside his wife as a member of the benefit committee.","Program Insert: \"For this evening's performance of TOSCA the role of Cavaradossi will be sung by Ermanno Mauro, replacing Giacomo Giacomini","Program insert: In this evening's performance of \"Il Barbiere di Siviglia\", the role of Rosina will be sung by Gail Dubinbaum, replacing Julia Hamari, who is ill.","Program insert: Simon Estes, who is singing the role of Porgy, dislocated his knee in the final dress rehearsal of \"Porgy and Bess\" on Monday.  As a result, he will perform this evening on crutches, necessitating some changes in the original staging.","Note from H. Strouss: \"Clarie says the misprints in the program could make it a collector's item.  Actually more than two errors - but I don't remember all of them (First - Porgy + Bess).","Program insert: \"In the evening's performance of 'Porgy and Bess,' the role of Bess will be sung by Priscilla Baskerville, replacing Roberta Alexander, who is ill. \"   There are signatures from Priscilla Baskerville and another, indecipherable.","Program insert: \"In this evening's performance of 'La Traviata,' the role of Violetta will be sung by Diana Soviero, replacing Anna Tomowa-Sintow, who is ill, and the role of Alfredo will be sung by Neil Rosenshein, replacing Dano Raffanti, who is also ill.","Program insert: \"The conductor for this evening's performance of LA TRAVIATA will be Richard Woitach, replacing Carlos Kleiber, who is ill.","Program insert: \"Please note the following program change: the soprano soloist will be Cheryl Studer, replacing Carol Vaness, who is ill.\"","\"In this evening's performance of Le Nozze di Figaro the role of Don Basilio will be sung by Bernard Fitch, replacing Greg Fedderly, who is ill, and the role fo Don Curzio will be sun by Anthony Laciura, replacing Tony Stevenson, who is ill.","Ildar Abdrazakov's debut performance","Metropolitan Opera Premiere","\"In this evening's performance of Aida the role of Radamès will be sung by Franco Farina, replacing Marco Berti, who is ill","\"In this evening's performance of Ernani Angela Meade will make her Metropolitan Opera debut as Elvira, replacing Sondra Radvanovsky, who is ill.","\"In this evening's performance of The Gambler the role of the General will be sung by Vladimir Ognovenko, replacing Segei Aleksashkin, who is ill.","\"In this evening's performance of Un Ballo in Maschera the role of Gustavo will be sung by Ramon Vargas, replacing Salvatore Licitra, who is ill.\"","\"The Metropolitan Opera is grateful to Marcello Giordani, who will be singing the role of Pinkerton in this evening's performance of Madama Butterfly, replacing Roberto Aronica, who is ill. Earlier today, Mr. Giordani sang the title role in La Damnation de Faust, making this a rare double appearance in one day.\"","\"In this evening's performance of Tristan und Isolde the role of Isolde will be sung by Linda Watson, replacing Katarina Dalayman, who is ill.\"","\"In this evening's performance of Les Contes d'Hoffmann, Rachele Gilmore will be making her Met debut in the role of Olympia, replacing Kathleen Kim. The role of Giulietta will be sung by Laura Vlasak Nolen, replacing Ekaterina Gubanova, and the Four Servants will be sung by Joel Sorensen, replacing Alan ke. Ms. Kim, Ms. Gubanova, and Mr. ke are ill.","\"In this evening's performance of Attila, the role of Foresto will be sung by Russell Thomas, replacing Ramón Vargas, who is ill, and the role of Uldino will be sung by Eduardo Valdes","\"Marilyn Horne will host today's Grand Finals Concert, replacing Joyce DiDonato, whose flight to New York was cancelled due to bad weather.\"","\"In this evening's performance of Der Fliegende Holländer, Lori Phillips will make her Metropolitan Opera debut as Senta, replacing Deborah Voigt, who is ill.","\"In this evening's performance of Romeo et Juliette, the role of Juliette will be sung by Hei-Kyung Hong, replacing Angela Gheorghiu, who is ill.\"","Met Opera premiere","\"In this evening's performance of Tosca, the role of Scarpia will be sung by Bryn Terfel, replacing James Morris, who is ill.\"","\"In this evening's performance of Don Giovanni, the title role will be sung by Peter Mattei, replacing Mariusz Kwiecien, who has injured his back.\"","\"In this evening's performance of The Enchanted Island, the role of Prospero will be sung by Anthony Roth Costanzo, replacing David Daniels, who is ill. The role of Ferdinand will be sung by Jeffrey Mandelbam, replacing Mr. Costanzo\"","\"In this evening's performance of Gotterdammerung, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"","\"In this evening's performance of Die Walkure, the role of Siegmund will be sung by Stuart Skelton, replacing Jonas Kaufmann, who is ill.\"","\"In this evening's performance of Siegfried, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"","\"In  tonight's performance of Otello, Avgust Amonov will make his Metropolitan Opera debut in the title role, replacing Johan Botha, who is ill.\"","\"In this evening's performance of Les Troyens the role of Coreobus will be sung by Stephen Gaertner, replacing Dwayne Croft, who is ill.\"","\"Salvatore Cordella will make his Metropolitan Opera debut as Leicester in this evening's performance of Maria Stuarda, replacing Matthew Polenzani, who is ill.\"","\"Due to the configuration of scenery backstage, the first intermission of this performance of Turandot will last approximately 45 minutes\"","\"In this evening's performance of Die Meistersinger von Nurnberg, the role of Sxtus Beckmesser will be sung by Martin Gantner, replacing Johannes Martin Kranzle, who is ill; and the role of Fritz Kothner will be sung by Ryan McKinny, replacing Mr. Gantner.\"","Program Insert: \"In this afternoon's performance of Anna Bolena, the roleof Giovanna Seymour will be sung by Milijana Nikolic, replacing Jamie Barton, who is ill.\"","Note from H. Strouss: \"This is important program.  Placido Domingo resigned from Met do [sic] to accusations of sexual misconduct.  This gave a young singer a chance.\"  Program insert: \"In tonight's performance of Macbeth, Craig Colclough will make his Met debut in the title role.\"","This program is a catalog of livestreamed and radio performances of the Met Opera during the 2019-20 season.  It is unclear how many, if any, performances took place during Covid-19 pandemic.  Placido Domingo is also listed (incorrectly) as performing in a number of performances, even after his resignation","Note from H. Strouss: \"Last event before COVID shutdown\"","Program Insert entitled \"We Stand with Ukraine\"","Program Insert entitled \"We Stand with Ukraine\"","Program Insert: \"In today's performance of Peter Grimes, Laura Wilde makes her Met debut in the role of Ellen Orford.","Program Insert: \"In today's performance of Norma, the title role will be sung by Helena Dix\"","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Program Notice: \"The Philharmonic-Symphony Society of New York notes with great sorrow the death of our esteemed colleague Aaron Copland...\"","Program Note: \"These performances are dedicated to the memory of Laureate Conductor Leonard Bernstein, whose legendary conducting debut with the New York Philharmonic took place on November 14, 1943.\"","\"In this performance of Madama Butterfly the role of Madama Butterfly will be sung by Maralin Niska\"","\"In this evening's performance of Mefistofele the role of Faust will be sung by Harry Theyard\"","June Anderson's debut performance","Please note the following cast changes due to injury. Symphony in C Third Movement: Samantha Allen will dance in place of Yvonne Borree. Fourth Movement: Stacey Calvert will dance in place of Samantha Allen","Episodes Guest Conductor: David Briskin. Please note the following cast changes, due to illness and injury. Vienna Waltzes: Joaquin De Luz will dance in place of Damian Woetzel","Please note the following cast change, due to illness and injry. Ana Sophia Scheller will dance in place of Carrie Lee Riggins","\"At this performance the role of Varya usually played by Priscilla Smith will be played by Suzanne Collins\"","\"At this performance the role of Flan usually played by John Cunningham will be played by Brian Evers and the role of Detective usually played by Brian Evers will be played by David Little\"","\"At this performance the role of Enoch Snow Jr. usually played by Duane Boutte will be played by Steven Ochoa","\"At this performance the role of Lt. Buzz Adams usually played by George Merrick will be played by Nick Mayo\"","\"WarHorse Welcomes to the Company Tessa Klein\"","\"At this performance the role of Cary Grant usually played by Tony Yazbeck will be played by Danny Gardner\"","\"At this performance the role of Homer usually played by Julian Rozzel, Jr. will be played by Tyrone Mitchell Henderson\"","Includes 2 partial programs and photocopied newspaper articles about the event.","Includes newspaper articles and protest flyer","Includes additional program detailing Stravinsky's concerts at Carnegie Hall and Town Hall.","Includes newspaper review of the performance","Includes newspaper review of the performance and Latin insert","Includes newspaper review of the performance and The Orchestra of America program","Includes newspaper review of the performance and Pittsburgh Symphony Orchestra program","Includes ticket stub","Annotation on program cover: \"I met Pablo afterwards!\"","Progam signed by Pablo Casals, Rudolf Serkin, Olga Iglesias, and Justino Diaz","Includes a duplicate program. Both programs signed by Shirley Verrett","Program signed by Maureen Forrester","Program signed by Heather Harper and Jacqueline du Pré","Includes an insert of program notes","Includes an insert of program notes","Includes torn out advertisement page","Includes an insert on the Oratorio Society of New York and a newspaper review of the concert.","Annotation on back cover: \"Boston Symphony very good Brahms #2\"","Includes a duplicate program. Includes texts \u0026 translations pamphlet and an insert about the Cleveland Orchestra","Includes newspaper review of the concert","Includes inserts about the Cleveland Orchestra and photocopies of newspaper articles with photos from the concert","Includes a duplicate program. Includes a sheet with the English translation of Hungarian text based on Psalm 55 and a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert. Annotation in the program notes that The Young Person's Guide to the Orchestra by Britten may have been played in closing","Includes a photocopied newspaper article reviewing the concert.","Includes a duplicate program. Includes German text and English translations insert for Mahler's piece as well as a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes signatures of Gerald Moore and Dietrich Fischer-Dieskau","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the performance.","Includes a pamphlet with \"A Letter to Our Subscribers from Enrich Leinsdorf\"","Includes a newspaper article reviewing the concert.","Includes a photocopy of a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes 3 newspaper articles reviewing the concert, 1 praising Elena Suliotis' recent role as Abigaille in \"Nabucco,\" 2 recent articles from another issue, and a note marking the program which reads, \"Almost a riot. Can be found on YouTube.\"","Includes a duplicate program. Includes handwritten annotations. About Gliere's Symphony No. 3 in B Minor: \"exciting, great movement, playful.\" About Debussy's \"Ibèria,\" No. 2 from Images for Orchestra: uncertain.","Includes a texts and translations pamphlet from Mahler Symphony No. 4 in G Major","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includeas a newspaper article reviewing the concert and a texts and translations insert.","Includes a photocopy of a newspaper article reviewing the concert.","Includes an insert outlining the highlights of next season.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a duplicate program.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert and an insert correcting program texts and translations.","Includes a duplicate program.","Includes a duplicate program. Includes a newspaper article reviewing the concert. One program is also signed, \"Sincerely, Leontyne Price.\"","Includes a newspaper article reviewing the concert.","Includes two complete programs and a third partial program. Inlcudes an insert correcting the program and an insert about the New Jersey Symphony Orchestra. The two complete programs is signed by Henry Lewis and Marilyn Horne. Includes another partial program with written Hebrew annotations.","Includes photocopies of a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles noting the cast change and reviewing the concert. Program is annotated to note the change.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles reviewing the concert.","Includes a texts and translations pamphlet.","Includes a 2nd smaller program","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the performance.","Includes newspaper articles reviewing the concert. Program includes annotations in Hebrew.","Includes a newspaper article reviewing the concert.","Includes an insert with texts and translations.","Missing a newspaper article referenced in a note: \"Music: Radiating Luster\" from the New York Times.","Includes an insert from the American Symphony Orchestra. Program is signed by Aaron Copland.","Includes an insert describing a conductor and program change.","Includes a newspaper article reviewing the concert.","Includes an annotation in Hebrew.","Contains a written annotation that the Wagner Taunhauser Overture was played.","Includes a duplicate program. One is autographed, \"Pete: This one you should have heard! Richard Westenburg,\" \"All things to Pete, Herbert Beattie,\" \"Franco Careccia,\" and \"With thanks, Lou Ann Lee.\" The other is autographed, \"Richard Westenburg\" and \"Thanks [unknown], Franco Careccia.\"","Includes a newspaper article reviewing the concert.","Includes a duplicate program.","Includes a duplicate program.","Includes a duplicate prorgam.","Includes a duplicate program book.","Includes an insert for the evening of the 28th.","Outlines five performances in the coming 1961-62 season and their accompanying guest soloists: November 8, 1961 with Whittemore and Lowe, duo-pianists, December 6, 1961 with Robert Rudié, violinist, Virginia Babikian, Soprano, Louise Parker, Contralto, and Don Yule, Baritone, January 10, 1962 with Claudette Sorel, pianist, and Assunta Dell'Aquila, harpist, February 14, 1962 with Aldo Parisot, and March 14, 1962 with Maureen Forrester, Contralto.","Includes a booklet on the Cleveland Orchestra's records.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a program inset that corrects the conductor for later concerts.","Includes a newspaper article describing the change of conductor and reviewing the concert as well as a newspaper article describing the previous performance and change of conductor.","Includes a newspaper article reviewing the performance.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an insert detailing the change in performers.","Includes a note that the composer of the pieces performed is the conductor.","Includes a newspaper article reviewing the concert.","Includes an insert revising the program order.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles reviewing the concert.","Incluides an insert about June Anderson.","Incluides an insert about cast substitutions.","Includes two newspaper articles reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a flyer of other concerts in the Handel Opera Festival.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an inset about the Cleveland Orchestra's 1985-86 season and a ticket for the performance bought at The Russian Tea Room.","Includes a duplicate program.","One of the ad pages contains handwritten notes saying: \"Pete and Jo: We went to this concert and then to a Thai restaurant. Peter,\" \"Pete this is the fur. Jana,\" \"Hello there! Had a great time at Watty's performance and with everyone afterwards. It's about time, we got you both. Lucas,\" \"W\"","Includes a newspaper article reviewing the concert.","There is an insert correcting that the name listed in the program to sing the Primo Cantore should read Randall Hartness.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Program for a working rehearsal.","Includes a pamphlet listing the performers in this concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an insert with the updated program.","Includes an insert describing program changes.","Includes an insert about the New York City Gay Men's Chorus holiday celebration.","Includes two inserts detailing the changes in programming.","Insert Included","Insert included","Includes a duplicate program book.","Insert included","Insert included","New York Times Article included: \"The Met Opera Orchestra Without the Met Opera\"","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Includes a duplicate program.","News Article included: \"Opera Musicians Can Share the Stage\" by Anthony Tommasini","New York Times News Article included:\"Music Review: Savoring Mahler in a Nanosecond World\" by Bernard Holland","News Article included: \"Pied Piper Who Leads March Out of the Hall\" by Anthony Tommasini","News Article included: \"Music Review: An Orchestra's Piquant Reminders of Postwar Berlin\" by James R. Oestreich","News Article included: \"Music Review: Enter Another Dazzling Mezzo\" by Anthony Tommasini","Insert included","Includes a text and translation booklet.","Insert included","Insert included.","Insert included. Program annotated to indicate change in performers","Insert included","Includes an insert for the evening of the 28th.","Contains a text and translations booklet","Revised program included.","Includes a text and translation booklet","Includes a text and translations booklet","Includes a text and translations booklet","Includes an isert denoting cast change with additional information on performer","Includes text and translation booklet","Includes a note from the donor (Henry Strouss)","Includes a duplicate program.","texts \u0026 translations pamphlet included","open working rehearsal","texts pamphlet included","texts \u0026 translations pamphlet included","texts \u0026 translations pamphlet included","Incudes a duplicate program.","Performance ticket included","Carnegie Hall Playbill \u0026 separate Richard Tucker Foundation program included","open working rehearsal","Includes a duplicate program.","Includes a duplicate program.","open working rehearsal","Includes a duplicate program. Festival overview","Includes a duplicate program.","open working rehearsal","Includes a duplicate program.","Performance ticket included","texts \u0026 translations pamphlet included","Includes a duplicate program.","Carnegie Hall Playbill \u0026 separate ASO program included","texts \u0026 translations pamphlet included","Carnegie Hall Playbill \u0026 separate Richard Tucker Foundation program included","open working rehearsal","contains German translation booklet","open working rehearsal","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an Insert","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an insert with a conductor change and Vasily Petrenko bio","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an insert with a conductor change and Yannick Nézet-Séguin bio","Includes a Texts and Translations booklet","Includes an Insert","Includes an Insert with cast change","Contains a ticket for the evening's performance","Includes an insert about broadcasting and upcoming performances","Includes 2 inserts","Includes Texts and Translations Booklet","Includes an Insert","Includes Texts and Translations Booklet","Includes 2 inserts. One is stapled to the program.","Includes an insert and a Texts and Translation Booklet","Includes an insert","Includes a cursive pencil annotation beside Paul Hindemith's Overture to The Flying Dutchman as Played by Bad Spa Orchestra at 7 AM by the Well with Jeremias Sergiani-Velázquez and Yurika Mok on violins, Mila Milisavljevic on viola and Susannah Chapman on cello","Includes a ticket","Includes an insert","Includes an insert","Includes a revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes a newspaper article","Includes a newspaper article","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes two insert, revised program and cast list","Contains a Calendar of Events for March 1986","Contains an advertisement for the Los Angeles Philharmonic","Includes an insert","Annotation","Program marked with blue ink finger print","Program contains a crude rough sketch of an open piano and a closed piano","Annotation","Program marked with partial black and pink ink finger prints","Contains an insert","Includes a News Article","Includes a newspaper article","Includes an Insert","Includes markings near May 2, 1993.","Includes pen annotation","Includes pen annotation","Includes an insert","Includes an Insert and an annotation","Includes Texts and Translations Booklet","Contains an insert - updated program","Contains a signature from George Shirley","Contains a signature from Theodor Uppman","Contains a signature from Justino Diaz","Contains signatures from Gianna D'Angelo and Nedda Casei","Contains a signature from Renata Tebaldi","Contains signatures from John Alexander and William Dooley","Contains signatures from John Alexander and William Dooley","Contains signatures from Mary Costa and Rosalind Elias","Contains a signature from William Dooley","Contains a newspaper article about the performance","Contains a signature from Jon Vickers","Contains a signature from Cornell MacNeil","Contains signatures from Martina Arroyo and Elena Cernei","Contains signatures fro Cornell MacNeil, Roberta Peters, Bonaldo Giaiotti, and Mignon Dunn","Contains a signature from Teresa Stratas","Contains a signature from Mirella Freni","Contains signatures from Mirella Freni, one signature illegible","Contains signatures from","Contains signatures from Carlo Bergonzi and Nedda Casei. One illegible signature","Contains signatures from Jon Vickers, Morley Meredith, and two illegible signatures","Contains signatures from Jon Vickers and Leonie Rysanek","Includes a signature from James McCracken","Includes a newspaper article about the performance","Includes an Insert: In this evening's performance of Die Zauberfloete, the role of the Queen of the Night will be sung by Christine Duetekom replacing Roberta Peters, who is indisposed; Belen Amparan will sing the role of the third lady replacing Nedda Casei who is indisposed","Includes a newspaper article covering the performance","Includes signatures from Theodor Uppmann and Nedda Casei","Includes two newspaper articles about the performance","Includes two newspaper articles about the performance","Helge Brilioth's debut, Includes 3 inserts","Includes a newspaper article about the performance","Includes two newspaper articles about the performance","Includes signatures from several cast members","Includes a newspaper article about the performance","Includes 5 \"New Production\" Pamphlets","Includes a newspaper article on the performance","Incldues a signature from Montserrat Caballe","Includes an Insert - 15% off Tickets to Elektra","Includes an insert, updated program","Includes two inserts, an advertisement for open Philharmonic rehersals and a pamphlet for the Save the Met Broadcasts Campaign","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, an advertisement to meet Kiri Te Kanawa","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updating program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes personal notes from Henry Strouss","Includes a pamphlet celebrating the opera's premiere and thanking the Gala Committee","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, additional program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an advertisement for a trivia event during the opera's first intermission","Includes an insert, updated program","Includes a handwritten note from Henry Strouss","Includes a handwritten note from Henry Strouss","Includes an insert, updated program","Includes an insert, updated program","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes an article covering the performance","Includes an article covering the performance","Includes signatures from Richard Taylor, Samuel Ramey, and Patricia Wells","Includes a signature from Cynthia Clarey","Includes a signature from June Anderson","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Incldues an article titled \"Parsons is shattering as Mert\"","Includes an article from Joseph Papp titled \"The Real Threepenny Opera\"","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, a list of actors playing the citizens of New Salem and Springfield","Includes an insert, updated program","Includes an insert, updated program","Includes two inserts, an article on Tessa Klein and an updated program","Opening Performance","Opening Performance","Includes an insert, cast list","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, \"The 25th Anniversary of the Fall of the Berlin Wall\"","Access to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection","Washington and Lee University, University Library Special Collections and Archives","Carnegie Hall (New York, N.Y.)","Wetzler Orchestra ","Philharmonic Society of New York","NBC Symphony Orchestra","Westminster Symphonic Choir","Little Orchestra Society","Choral Art Society","Berliner Philharmoniker","Columbia Symphony Orchestra","New York Philharmonic","Schola Cantorum (Musical group)","University of Maryland Choir","Orchestra of America","Pittsburgh Symphony Orchestra","American Opera Society","Festival Casals. Orchestra","Cleveland Orchestra. Chorus","Cleveland Orchestra","American Symphony Orchestra (New York, N.Y.)","Musica Aeterna Orchestra","Musica Aeterna Chorus","BBC Symphony Orchestra","Friends of French Opera","Boston Symphony Orchestra","Clarion Music Society","Oratorio Society of New York","Philadelphia Orchestra Association","Rutgers University. Choir","London Symphony Orchestra","Wiener Johann Strauss-Orchester","The New School","Cincinnati Symphony Orchestra","LaSalle Quartet","Concertgebouworkest","Los Angeles Philharmonic Orchestra","Collegiate Chorale","Wiener Philharmoniker","Münchener Bach-Orchester","Münchener Bach-Chor","Wiener Symphoniker","Česká filharmonie","New England Conservatory Chorus","Dessoff Choirs","Bayerischer Rundfunk. Orchester","Gosudarstvennyĭ simfonicheskiĭ orkestr SSSR","English Chamber Orchestra","Minnesota Orchestra","Hartford Symphony Orchestra","Hartford Symphony Chorale","Chicago Symphony Orchestra","New Jersey Symphony Orchestra","Chicago Symphony Chorus","Handel Society of New York","Opera Orchestra of New York","Pro Arte Festival Orchestra","Tizmoret ha-filharmonit ha-Yiśreʼelit","Leningradskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Musica Sacra (Musical group : New York, N.Y.)","Metropolitan Opera Guild","National Orchestral Association (U.S.)","Gewandhausorchester Leipzig","Detroit Symphony Orchestra","Baltimore Symphony Orchestra","New York Choral Society","Musique de la Garde républicaine de Paris","Stuttgarter Klaviertrio","Byrne Camp Chorale","Mendelssohn Club of Philadelphia","Mormon Tabernacle Choir","Orchestre de Paris","Wiener Singverein","Státní filharmonie Brno","Pražský komorní orchestr","Roger Wagner Chorale","Sacred Music Society (New York, N.Y.)","Orchestra of St. Luke's","Staatskapelle Berlin","St. Cecilia Orchestra","St. Cecilia Chorus","Tanglewood Festival Chorus","National Symphony Orchestra (New York, N.Y.)","Yale Concert Band","Wayne State University. Symphonic Chorus","Indianapolis Symphony Orchestra","Peter, Paul, and Mary (Musical group)","Cathedral of St. John the Divine (New York, N.Y.). Choir","United States Military Academy. Band","American Chamber Orchestra","Curtis Student Orchestra","St. Louis Symphony Orchestra","St. Louis Symphony Chorus","Orchestre symphonique de Montréal","London Philharmonic Orchestra","Symfonický orchestr hlavního města Prahy FOK","Worcester Chorus","Royal Philharmonic Orchestra","Rotterdams Philharmonisch Orkest","Radio-Symphonie-Orchester Berlin","Toronto Symphony","Illapu (Musical group)","Fortaleza (Musical group)","Münchner Philharmoniker","Orchestre de la Suisse romande","Boys' Choir of Harlem","Filharmonia Krakowska","Zagrebačka filharmonija","Hallé Orchestra","Chamber Orchestra of Europe","Stuttgarter Philharmoniker","Canterbury Choral Society","Staatskapelle Dresden","Princeton Pro Musica","Sveriges radios symfoniorkester","Orchestre philharmonique de Monte-Carlo","Jerusalem Symphony Orchestra","Guarneri Quartet","Buffalo Philharmonic Orchestra","SWR Radio-Sinfonieorchester Stuttgart","San Francisco Symphony Orchestra","Orchestre de Paris. Chœur","Pro Arte Chorale","Choral Arts Society of Philadelphia","New York City Gay Men's Chorus","Academy of St. Martin-in-the-Fields","Philharmonia Orchestra","National Arts Centre. Orchestra","Orchestre national d'Île-de-France","Dale Warland Singers","Piano Teachers Congress of New York","Filharmoniske selskap (Oslo, Norway). Orkester","Robert Shaw Festival Singers","Robert Shaw Festival Chorus","State Symphonic Kapelle of Moscow","Philadelphia Singers. Chorale","Orchestra and Chorus of Teatro Alla Scala","Concert Choir . of the St. Louis Children's Choirs","Rossiĭskiĭ nat︠s︡ionalʹnyĭ orkestr","Concert Chorale of New York","Philadelphia Boys Choir","Sankt-Peterburgskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Tokyo College of Music Symphony Orchestra","Chorus Viennensis","Wiener Sängerknaben","New York Grand Opera Company. New York Grand Opera ","Metropolitan Opera (New York, N.Y.). Orchestra","Mariinskiĭ teatr (1991- ). Orkestr","Collegium vocale (Ghent, Belgium)","Chapelle royale de Paris (Musical group)","Robert Shaw Choral Institute. Singers","Theodore Presser Company","Arnold Schoenburg Choir (Vienna)","The United States Navy Band","Sea Chanters Chorus","Cathedral of St. John the Divine (New York, N.Y.). Chorister Boys","Zhong yang min zu yue tuan (Beijing, China)","Atlanta Symphony Orchestra","Deutsches Symphonie-Orchester Berlin","Sibelius-Akatemia (Helsinki, Finland). Sinfoniaorkesteri","Atlanta Symphony Chamber Chorus","London Sinfonietta","Dallas Symphony Chorus","Mendelssohn Choir of Pittsburgh","Metropolitan Opera (New York, N.Y.). Chorus","Budapesti Fesztiválzenekar","Bach Collegium Japan","University of Puerto Rico Centennial Chorus","Westchester Philharmonic","Manhattan Philharmonic","Russian Chamber Chorus of New York","Fathy Salama Orchestra","The Scott Choral Artists of New York City","Sweet Honey in the Rock","Musica Sacra Chorus and Orchestra","Kremerata Baltica (Musical group)","Schweizerisches Festspielorchester","American Academy in Berlin","Orquesta Sinfónica Simón Bolívar","Thurgood Marshall Academy for Learning and Social Change (Harlem, New York, N.Y.)","Mariinskiĭ teatr (1991- ). Khor","Weill Music Institute ","Brooklyn Philharmonic Symphony Orchestra","New York City Opera. Orchestra","Marilyn Horne Foundation","Orchestra barocca di Venezia","Chapelle de Québec","Orfeón Pamplonés","Saitō Kinen Ōkesutora","NHK Symphony Orchestra Tokyo","Tafelmusik Baroque Orchestra","Morgan State University. Choir","Manhattan Symphony Orchestra","Chorus la Preghiera","Europa galante (Musical group)","World Orchestra for Peace","Monteverdi Choir","Ensemble de Metales de Venezuela","West-Eastern Divan Orchestra","English Concert (Musical group)","Studio de musique ancienne de Montréal","Ensemble Matheus","PALS Children's Chorus","Manhattan Girls Chorus","Arcangelo . Arcangelo (Ensemble)","New York Choral Artists","Brooklyn Youth Chorus","Rochester Philharmonic Orchestra","Winnipeg Symphony Orchestra","Beogradska filharmonija","Teatro regio (Turin, Italy). Coro","Mahler Chamber Orchestra","Tallis Scholars","Fretwork","Distinguished Concerts International New York. DCINY","St. Michael's Church (New York, N.Y.)","Curtis Opera Theatre","Orlando Consort","Dover Quartet","Atlanta Symphony Chorus","Philharmonia Baroque Orchestra","World Projects Corporation","Trio Mediaeval","Richard Tucker Music Foundation","Accademia Bizantina","Il Pomo d'Oro","Hespèrion XXI (Musical group)","Le Concert des Nations","TENET (Musical group)","Quicksilver (Baroque music group)","MasterVoices (Musical group)","Cappella Mediterránea","Concerto italiano (Musical group)","Lorelei Ensemble","Cherry Orchard Festival Foundation","Akademie für Alte Musik Berlin","University Singers. Washington and Lee University (Washington and Lee University)","Bard Music Festival. Chorale","Opus 3 Artists","Arpeggiata (Musical group)","Accademia di Santa Cecilia. Orchestra","Guo jia da ju yuan (Beijing, China). Guan xian yue tuan","Bayerisches Staatsorchester","Bayerische Staatsoper München","Bayerische Staatsoper München. Chor","Emerson String Quartet","Les Violons du Roy","Pražský filharmonický sbor","New York Baroque Incorporated. NYBI","Clarion Choir","Jean \u0026 Jula Goldwurm Memorial Foundation","National Youth Orchestra of the United States of America. NYO-USA","Juilliard School","Juilliard Orchestra","Apollo's Fire (Musical group)","Gerda Lissner foundation","The Liederkranz Foundation","El Mundo","Concerto Köln (Musical group)","The Crossing","Arts florissants (Musical group)","Frederic Chopin International Competition","Lincoln Center for the Performing Arts","Alice Tully Hall (New York, N.Y.)","Chamber Music Society of Lincoln Center","Philharmonica Chamber Orchestra","Queens Symphony Orchestra","American Ballet Theatre","Greek Choral Society","The Canticum Novum Singers","National Chorale","The St. Paul Chamber Orchestra ","Westminster Choir","Israel Philharmonic Orchestra","BBC Concert Orchestra","The Central Band of the Royal Air Force","Red Star Red Army Chorus and Dance Ensemble","Russian State Symphony Orchestra","Lark String Quartet","Imperial Bells Ensemble of China","New York City Opera Children's Chorus","City of Birmingham Symphony Orchestra","Berlin Philharmonic Piano Quartet","Orchestra of the Royal Opera House, Covent Garden","London Symphony Chorus","Rutgers University Kirkpatrick Choir","Orchestra of the Age of Englightenment","Bartók Quartet. The Bartók Quartet","Gabrieli Quartet","Cleveland Quartet","Beaux Arts Trio","Orion String Quartet","Bill T. Jones/Arnie Zane and Company","Miami String Quartet","Alvin Ailey American Dance Theater","Royal Opera House","Gesher Theatre","The Abbey Theatre","Bolshoi Ballet","National Theatre of Scotland (Glasgow, Scotland, United Kingdom)","New Orleans Own Hot 8 Brass Band","The Blind Boys of Alabama","Théâtre des Bouffes du Nord","Royal Shakespeare Company (Stratford-upon-Avon, England)","Mariinsky Ballet","Paris Opera Ballet","Jiangsu Yancheng Acrobatic Company","Ninagawa Company","Shakespeare's Globe","Takarazuka Revue","Metropolitan Opera","Ballet Nacional de Cuba","John Curry Skating Company","Mitzi E. Newhouse Theater","Lincoln Center Theater (New York, N.Y.)","Lincoln Center Jazz Orchestra","David H. Koch Theater","New York City Opera","Teatro Nuovo","Vivian Beaumont Theater","Strouss, Henry  (Henry Strouss III ), Class of 1961","Paderewski, Ignace Jan, 1860-1941","Toscanini, Arturo, 1867-1957","Heifetz, Jascha, 1901-1987","Williamson, John Finley, 1887-1964","Rachmaninoff, Sergei, 1873-1943","Enesco, Georges, 1881-1955","Menuhin, Yehudi, 1916-1999","Perlea, Jonel, 1900-1970","Sándor, György, 1912-2005","Scherman, Thomas (Thomas Kielty) (19170212-19790514)","Jonson, William (19721121)","Karajan, Herbert von (1908-04-05-1989-07-16)","Stravinsky, Igor, 1882-1971","Craft, Robert (Robert Lawson) (1923-10-20-2015-11-10)","Bernstein, Leonard, 1918-1990","Horszowski, Mieczyslaw (18920623-19930522)","Nixon, Marni (1930-02-22-2016-07-24)","Ross, Hugh (Hugh Cuthbert Melville), 1898-1990","Springmann, Fague","Bach, Johann Sebastian, 1685-1750","Dunn, Thomas, 1925-2008","Korn, Richard, 1908-1981","Whittemore, Arthur Austin (1916-10-23-1984-10-23)","Lowe, Jack (Jack Warren), 1917-1996","Steinberg, William (Hans Wilhelm), 1899-1978","Haydn, Joseph (Franz Joseph), 1732-1809","Bruckner, Anton (Josef Anton), 1824-1896","Gluck, Christoph Willibald, Ritter von, 1714-1787","Remoortel, Edouard van, 1926-1977","Hillis, Margaret, 1921-1998","Oxenburg, Allen Sven (1927-07-10-1992-07-02)","Nilsson, Birgit (19180517-20051225)","Shaw, Robert (Robert Lawson), 1916-1999","Casals, Pablo, 1876-1973","Schneider, Alexander, 1908-1993","Szell, George, 1897-1970","Firkušný, Rudolf, 1912-1994","Mozart, Wolfgang Amadeus (1756-1791)","Mahler, Gustav, 1860-1911","Lawrence, Robert, 1912-1981","Gardelli, Lamberto (19151108-19980717)","Costa, Mary","Simionato, Giulietta (19100512-20100505)","Istomin, Eugene (1925-11-26-2001-10-10)","Stern, Isaac, 1920-2001","Rose, Leonard (19180727-19841116)","Hurok, Sol, 1888-1974","Iglesias, Olga","Díaz, Justino ([1939-01-29,1940-01-29])","Serkin, Rudolf, 1903-1991","Beethoven, Ludwig van, 1770-1827","Richter-Haaser, Hans, 1912-1980","Lynn, George, 1915-1989","Verrett, Shirley (1931-05-31-2010-11-05)","Waldman, Frederic (1903-04-17-1995-12-01)","Handel, George Frideric, 1685-1759","Forrester, Maureen","Dorati, Antal (1906-04-09-1988-11-13)","Harper, Heather (Heather Mary) (1930-05-08-2019-04-22)","Du Pré, Jacqueline, 1945-1987","Gedda, Nicolai (1925-07-11-2017-01-08)","Gorr, Rita (1926-02-18-2012-01-22)","Elgar, Anne","Uppman, Theodor, 1920-2005","Leinsdorf, Erich, 1912-1993","Frank, Claude, 1925-2014","Brahms, Johannes, 1833-1897","Stokowski, Leopold (Leopold Anthony), 1882-1977","Katz, David (1924-1987)","Serebrier, José, 1938-","Gerstman, Felix, -1967","Jenkins, Newell (1915-02-08-1996-12-21)","Lee, T. Charles, 1914-1994","Warfield, William (1920-01-22-2002-08-25)","Woodside, Lyndon","Silverstein, Joseph (Joseph Harry), 1932-2015","Eskin, Jules (Jules Louis) (1931-10-20-2016-11-15)","Laredo, Jaime","Curtin, Phyllis (1921-12-03-2016-06-05)","Valletti, Cesare","Reardon, John, 1930-1988","Ormandy, Eugene, 1899-1985","Walter, F. Austin","Bjoner, Ingrid","Rossini, Gioacchino, 1792-1868","Arroyo, Martina (19360202)","Chookasian, Lili (1921-08-01-2012-04-10)","Bergonzi, Carlo (19240713-20140725)","Kertész, István, 1929-1973","Ilosfalvy, Róbert, 1927-2009","Ashkenazy, Vladimir (Vladimir Davidovich), 1937-","Piatigorsky, Gregor, 1903-1976","Koni︠u︡s, I︠U︡. (I︠U︡liĭ), 1869-1942","Oliver, John, 1939-2018","DeVaron, Lorna Cooke, 1921-2018","Strauss, Eduard, 1910-1969","Koller, Dagmar","Kraeutler, Walter","Strauss, Johann, 1825-1899","Ghiaurov, Nicolai, 1929-2004","Wolff, Beverly","Debussy, Claude (Achille-Claude), 1862-1918","Donizetti, Gaetano (Domenico Gaetano Maria), 1797-1848","Lewis, Henry, 1932-1996","Cava, Carlo (1928-08-16-2018-09-01)","Souliotis, Elena, 1943-2004","Jones, Gwyneth, 1936-","Cherubini, Luigi, 1760-1842","Bottion, Aldo","Tree, Michael, 1934-2018","Parnas, Leslie (1931-11-11-2022-02-01)","Glickman, Loren","Rudolf, Max, 1902-1995","Hoffman, Jay K.","Kiviniemi, Aimo J., 1918-2009","Jenness, Phyllis, 1922-","Brooks, Patricia (Patricia Anne), 1933-1993","Carringer, Walter (2006-10-22)","Giaiotti, Bonaldo (1932-12-25-2018-06-12)","Arrau, Claudio, 1903-1991","Wilson, Charles M., 1931-2019","Sills, Beverly (1929-05-25-2007-07-02)","Fischer-Dieskau, Dietrich, 1925-2012","Moore, Gerald Martin","Schumann, Robert (Robert Alexander), 1810-1856","Paskalis, Kostas","Gamson, Arnold","Caballé, Montserrat (Maria de Montserrat Viviana Concepción) (1933-04-12-2018-10-06)","Schubert, Franz","Schwarzkopf, Elisabeth (Olga Maria Elisabeth Friederike) (1915-12-09-[2006-08-02,2006-08-03])","Crochet, Evelyne","Haitink, Bernard (Bernard Johan Herman), 1929-2021","Henkemans, Hans (19131223-19951229)","Mehta, Zubin (19360429)","Cliburn, Van, 1934-2013","Adler, Murray","Lowenthal, Jerome (19320211)","Laurence, Eileen","Khanzadian, Vahan","Prince-Joseph, Bruce, 1925-2015","Kaplan, Abraham, 1931-","Böhm, Karl, 1894-1981","Richter, Karl, 1926-1981","Halem, Victor von (1940-03-26)","Gilles, Marie-Louise","Kesteren, John van, 1921-2008","Boky, Colette","Sawallisch, Wolfgang, 1923-2013","Slovák, Ladislav, 1919-1999","Dvorak, Antonin","Smetana, Bedřich, 1824-1884","Smith, Gregg (1931-08-21-2016-07-12)","Self, William","Solomon, Izler, 1910-1987","Ricci, Ruggiero, 1918-2012","Webern, Anton (Anton Friedrich Wilhelm von), 1883-1945","Cillario, Carlo Felice (19150207-20071213)","Callas, Maria, 1923-1977","Milanov, Zinka (1906-05-17-1989-05-30)","Ravel, Maurice (Joseph Maurice), 1875-1937","Falla, Manuel de, 1876-1946","Glière, Reinhold Morit︠s︡evich, 1875-1956","Weissenberg, Alexis (Alexis Sigismond) (1929-07-26-2012-01-08)","Ferras, Christian, 1933-1982","Verdi, Giuseppe","Ross, Elinor, 1926-2020","Vogt, Richard","Otterloo, Willem van (19071227-19780727)","Franck, César (César-Auguste-Jean-Guillaume-Hubert), 1822-1890","Newmark, John (1904-06-12-1991-10-17)","Tucci, Gabriella (1929-08-04-2020-07-09)","Baker, Janet, 1933-","Duval, Pierre, (Tenor)","Talvela, Martti (19350204-19890722)","Bonynge, Richard (1930-09-29)","Sutherland, Joan (Joan Alston), 1926-2010","Fischer, Annie (1914-07-05-1995-04-11)","Francescatti, Zino (Zino René-Charles), 1902-1991","Walton, William (William Turner), 1902-1983","Tchaikovsky, Peter Ilich, 1840-1893","Mandac, Evelyn","Litton, James H.","McCollum, John","Berberian, Ara (1930-05-14-2005-02-21)","Cleva, Fausto (19020517-19710806)","Tebaldi, Renata (1922-02-01-2004-12-19)","Saciuk, Andrzej","Previn, André (André George), 1929-2019","Novaes, Guiomar (1895-02-28-1979-03-07)","Tyler, Veronica","Paray, Paul, 1886-1979","Entremont, Philippe (1934-06-07)","Smith, William, 1924-1993","Wagner, Richard, 1813-1883","Sollberger, Sophie, 1934-","Bonazzi, Elaine (1936?-2019-01-29)","Sokol, Thomas A., 1929-","Shetler, Norman","Kubelík, Rafael, 1914-1996","Janáček, Leoš, 1854-1928","Weber, Carl Maria von (Carl Maria Friedrich Ernst von), 1786-1826","Hindemith, Paul, 1895-1963","Endich, Saramae","Milnes, Sherrill (19350110)","Munch, Charles, 1891-1968","Jochum, Eugen (19021101-19870326)","Svetlanov, Yevgeny, 1928-2002","Rostropovich, Mstislav, 1927-2007","Mussorgsky, Modest Petrovich, 1839-1881","Shostakovich, Maxim, 1938-","Sokolov, Grigoriĭ, 1950-","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975","Giulini, Carlo Maria (1914-05-09-2005-06-14)","Barenboim, Daniel, 1942-","Zukerman, Pinchas, 1948-","Allen, Betty, 1927-2009","Markevitch, Igor, 1912-1983","Strauss, Richard, 1864-1949","Killmer, Nancy","Garniez, Nancy","Villa-Lobos, Heitor (1887-03-05-1959-11-17)","Rorem, Ned, 1923-2022","Tilson Thomas, Michael, 1944-","Wolf, Hugo (Hugo Filipp Jakob), 1860-1903","Boulez, Pierre, 1925-2016","Lane, Louis (Louis G.) (1923-12-25-2016-02-15)","Semkow, Jerzy, 1928-2014","Skrowaczewski, Stanisław (Stanisław Paweł Stefan Jan Sebastian), 1923-2017","Trautwein, George William (1927)","Winograd, Arthur (1920-04-22-2010-04-22)","Solti, Georg, 1912-1997","Mazer, Henry, 1918-2002","Scovotti, Jeanette","Simon, Joanna, 1940-","Riegel, Kenneth (19380419)","Patrick, Julian, 1927-2009","Cortez, Viorica (1935-12-26)","Cochran, William (1943-06-23)","Carmeli, Boris (1928-04-23-2009-07-31)","Horne, Marilyn (1934-01-16)","Lupu, Radu, 1945-2022","Price, Leontyne (Mary Violet Leontyne) (1927-02-10)","Garvey, David, 1922-1995","Simon, Stephen (Stephen Anthony), 1937-2013","Morell, Barry","Estes, Simon (1938-02-02)","Blegen, Judith (19410427)","Steffan, Sofia","Quilico, Louis","Lo Monaco, Jerome (1925-2002)","Walker, Mallory (1935-05-22)","Nelson, John, 1941-","Cassilly, Richard, 1927-1998","Ellis, Brent","Ostendorf, John, 1945-","Berlioz, Hector, 1803-1869","Parsons, Geoffrey (Geoffrey Penwill) (1929-06-15-1995-01-26)","Zanetti, Miguel","Katz, Martin (Martin E.), 1945-","Burrows, Stuart (1933-02-07)","Stella, Antonietta (19290315)","Manuguerra, Matteo (1924-10-05-1998-08-23)","Carter, Elliott (Elliott Cook), 1908-2012","Dougherty, Lee","Dale, Clamma (1948-07-04)","Tal, Josef, 1910-2008","Bloch, Ernest, 1880-1959","Maazel, Lorin, 1930-2014","Siepi, Cesare (19230210-20100705)","Veasey, Josephine (1930-07-10-2022-02-22)","Savoie, Robert, 1927-2007","Soyer, Roger (1939-09-01)","Gniewek, Raymond, 1931-","Brozzesi, Franco","Plishka, Paul, 1941-","Aks, Harold","Abbado, Claudio (1933-06-26-2014-01-20)","Mravinsky, Yevgeny, 1903-1988","Tretʹi︠a︡kov, Viktor, 1946-","Arkhipova, Irina, 1925-2010","Westenburg, Richard","Bogard, Carole","Collins, Daniel, (Countertenor)","Bressler, Charles (1926-04-01-1996-11-28)","Anderson, Richard, (Bass)","Bruson, Renato (19360113)","Eda-Pierre, Christiane (1932-03-24-2020-09-06)","West, Jon Fredric, 1952-","Di Stefano, Giuseppe, 1921-2008","Sutherland, Robert, (Pianist)","Ludwig, Christa (1928-03-16-2021-04-24)","Pruett, Jérôme","Barzin, Leon (1900-11-27-1999-08-29)","Glaze, Gary","Masur, Kurt (1927-07-18-2015-12-19)","Lorenz, Siegfried, 1945-","Reger, Max, 1873-1916","Magad, Samuel, 1932-","Zeitlin, Ralph William","Still, Ray (19200312-20140312)","Hesse, Ruth","Ulfung, Ragnar (Ragnar Sigurd), 1927-","Hamari, Julia (19421121)","McCoy, Seth, 1928-1997","Ceccato, Aldo","Hollander, Lorin, 1944-","Bamert, Matthias (19420705)","Page, Robert (Robert Elza), 1927-2016","Kurtz, Eugene, 1923-2006","Lewis, William (William L.), 1931-","Perlman, Itzhak, 1945-","Comissiona, Sergiu (1928-20050305)","Prokofiev, Sergey (Sergey Sergeyevich), 1891-1953","Menuhin, Hephzibah, 1920-1981","Kraus, Alfredo","Elvira, Pablo, 1937-2000","Akiyama, Kazuyoshi, 1941-","Davenny-Wyner, Susan","De Cormier, Robert (Robert Romeo) (1922-01-07-2017-11-07)","Brendel, Alfred (1931-01-05)","Boutry, Roger (1932-02-27-2019-09-07)","Mendelssohn-Bartholdy, Felix, 1809-1847","Schröder-Feinen, Ursula","Tyl, Noel, 1936-","Copland, Aaron, 1900-1990","Rabbai, Joseph","Anagnost, Dino","Scotto, Renata, 1934-","Madden, Donald, 1933-1983","Aler, John (19491004)","Burchinal, Frederick (1948-12-07)","Harris, Roy, 1898-1979","Quivar, Florence (1944-03-03)","Davis, Eileen, (Mezzo-soprano)","Leonhard, Monika, 1942-","Kussmaul, Rainer","Hahn, Klaus-Peter, 1944-","Domingo, Plácido, 1941-","Bumbry, Grace, 1937-2023","Bergquist, Eleanor","Chudy, Natalya","Rampal, Jean-Pierre, 1922-2000","Zukerman, Eugenia","Sanders, Samuel (19370627-19990709)","Lauridsen, Beverly (1945-1994)","Armstrong, Sheila (19420813)","Davis, Colin (Colin Rex), 1927-2013","Ozawa, Seiji, 1935-","Liszt, Franz, 1811-1886","Larrocha, Alicia de (1923-05-23-2009)","Bailey, Norman (Norman Stanley), 1933-2021","Martin, Janis (Janis Lenere) (19390816-20141214)","Ottley, Jerold D. (Jerold Don) (1934-04-07)","Ripplinger, Donald (Donald Hilton) (1927)","Schreiner, Alexander, 1901-1987","Cundick, Robert (Robert Milton), 1926-2016","Longhurst, John (1940)","Levine, James, 1943-2021","Ewing, Maria (Maria Louise) (1950-03-27-2022-01-09)","Flummerfelt, Joseph (Joseph Ross) (1937-02-24-2019-03-01)","Minton, Yvonne (19381204)","Ward, David, 1922-1983","Dam, José van (1940-08-25)","Froschauer, Helmuth (1933-09-22-2019-08-18)","Tomowa-Sintow, Anna, 1941-","Baltsa, Agnes (1944-11-19)","Krenn, Werner","Freni, Mirella, 1935-2020","Cossotto, Fiorenza (19350422)","Beattie, Herbert, 1926-2019","Careccia, Franco","Lee, Lou Ann","Taylor, Rose (Rose Audrey) (19450401-20130914)","Gilels, Emil (1916-10-19-1985-10-14)","Rintzler, Marius","Swing, Peter Gram","Brooks, Tamara (1941-09-11-2012-05-19)","Hanson, Donald, (Conductor)","Waldhans, Jiři, 1923-1995","Bělohlávek, Jiří (1946-02-24-2017-05-31)","Krajný, Boris (1945-11-28)","Wagner, Roger, 1914-1992","Hendricks, Barbara (1948-11-20)","Albin, Gene (Gene V.), 1934-","Lebherz, Louis","Hurwood, Bonnie","Haywood, Lorna","Love, Shirley (1940-01-06)","Norman, Jerold","Smith, Malcolm, 1933-","Mickelson, Randolph","Masini, Gianfranco","Kenny, Yvonne (19501125)","Palmer, Felicity (19440406)","Gelber, Bruno-Leonardo, 1941-","Levitt, Arthur, 1931- ","Weill, Sandy","Wolfensohn, James D.","Bass, Robert, 1953-2008","Randolph, David (19141221-20100512)","Goodwin, John Daly","Carneiro, Joana, 1976-","Coorey, Matthew, 1973-","Johns, Kynan","Lehner, Manfred Hermann","Zhang, Xian, 1973-","Rattle, Simon, 1955-","Carey, Eric","Roset, Julie","Switzer, Erika","Kreisler, Fritz, 1875-1962","Lamson, Carl (1878-11-27-1966-03)","Gould, Morton, 1913-1996","Burton, Philip (Philip Henry), 1904-1995","Geer, Will (1902-03-09-1978-04-22)","Rodgers, Gaby","Martin, Ian, 1912-1981","O'Casey, Sean, 1880-1964","Parisot, Aldo (Aldo Simões) (1918-09-30-2018-12-29)","Sorel, Claudette, 1932-1999","Rudié, Robert (1919-2012-03-04)","Kempff, Wilhelm, 1895-1991","Druian, Rafael (19220120-20020906)","Robison, Paula (1941-06-08)","Isepp, Martin","Prey, Hermann, 1929-1998","Edwards, Ryan","Pfitzner, Hans (Hans Erich), 1869-1949","Gagnon, Roland","Hirst, Grayson","Belling, Susan","Porrello, Joseph","Metcalf, William, 1934-1997","Giovaninetti, Reynald","Floyd, Alpha","Kubiak, Teresa, 1937-","Howell, Gwynne (Gwynne Richard) (19380613)","Von Stade, Frederica (19450601)","Berman, Lazar (19300226-20050206)","Busoni, Ferruccio, 1866-1924","Popp, Lucia (1939-11-12-1993-11-16)","Glinka, M. I. (Mikhail Ivanovich), 1804-1857","Scriabin, Aleksandr Nikolayevich, 1872-1915","Vishnevskai︠a︡, Galina (Galina Pavlovna), 1926-2012","Knie, Roberta (1938-03-13-2017-03-16)","Demus, Jörg (Jörg Wolfgang), 1928-2019","Sousa, John Philip, 1854-1932","Brion, Keith (1933-07-09)","Nagel, Robert (Robert Earl) (1924-9-29-2016-06-05)","Swallow, John (John Warner), 1924-2012","Watts, Andre (1946-06-20-2023-07-12)","Weikl, Bernd (1942-07-29)","Söderström, Elisabeth (Anna Elisabeth), 1927-2009","Grobe, Donald (1929-12-16-1986-04-01)","Zoghby, Linda","Massenet, Jules, 1842-1912","Martinovich, Boris","Kniplová, Naděžda (1932-04-18-2020-01-14)","Schoenberg, Arnold, 1874-1951","Gottschalk, Louis Moreau","List, Eugene, 1918-1985","Savant, Victor","Shookhoff, William","Tenzi, Fausto","Verdejo, Awilda","Estes, Richard, 1948-","Ricciarelli, Katia (1946-01-16)","Hinds, Ruby","Gonzalez, Dalmacio (1945-05-12)","Johns, William, 1940-","Davis, Osceola","Muti, Riccardo (1941-07-28)","Buchanan, Isobel","Varady, Julia","Suzuki, Hidetaro, 1937-","Mroz, Leonard (Leonard Andrzej)","Gulyás, Dénes (1954)","Kazaras, Peter (1956)","Maurice, Glenda (1939-12-16-2013-4-16)","Britton, David, (Tenor)","Opalach, Jan (19500902)","Devia, Mariella (1948)","Delibes, Léo (Clément Philibert Léo), 1836-1891","Rao, Doreen","Bernard, Annabelle","Hancock, Gerre (Gerre Edward), 1934-2012","Castro Alberty, Margarita","Yarrow, Peter, 1938-","Stookey, Paul (Noel Paul), 1937-","Travers, Mary (Mary Allin), 1936-2009","Moore, Undine S. (Undine Smith) (1904-08-25-1989-02-06)","Halley, Paul (1952)","Randall, Tony (1920-02-26-2004-05-17)","Boito, Arrigo, 1842-1918","Andrade, Rosario","Rice, Laura Brooks","Hong, Hei-Kyung","deVaughn, Alteouise","Creech, Philip (1950-06-01)","Woodley, Arthur (1949)","Margalit, Israela (1944)","Behrens, Hildegard (1937-02-09-2009-08-18)","Vejzović, Dunja, 1943-","Dvorský, Peter, 1951-","Bogart, John-Paul (1952-09-17)","Sessions, Roger (Roger Huntington), 1896-1985","Spierer, Léon","Atzmon, Moshe","Patanè, Giuseppe, 1932-1989","Krilovici, Marina","Blake, Rockwell (1951-01-10)","Renzetti, Donato, 1950-","Burns, Stephen, 1959-","Phillips, Daniel (1960)","Phillips, Todd, (Violinist)","Anderson, June, 1952-","Roloff, Roger","Tokody, Ilona","Crafts, Edward","Barker, Charles","Rogoff, Rony","Ginastera, Alberto, 1916-1983","Boozer, Brenda","Weikert, Ralf","Cuberli, Lella (1945-09-29)","Merritt, Chris (Chris Allan), 1952-","Davis, Andrew, 1944-","Kahane, Jeffrey, 1956-","Gielen, Michael (Michael Andreas), 1927-2019","Kramer, Jonathan D. (Jonathan Donald), 1942-2004","Putnam, Ashley (1952-08-10)","Masterson, Valerie","Marriner, Neville (1924-04-15-2016-10-02)","Kocsis, Zoltán (1952-05-30-2016-11-06)","Pollini, Maurizio, 1942-","Neumann, Václav, 1920-1995","Leech, Richard, (Tenor)","Wilson, Neil, 1956-2000","Slatkin, Leonard (Leonard Edward) (1944-09-01)","Elgar, Edward (1857-06-02-1934-02-23)","Adams, John (John Coolidge), 1947-","Comet, Catherine","Montgomery, Kenneth","Thomas, Ambroise (Charles Louis Ambroise), 1811-1896","Rolandi, Gianna","McCauley, Barry (1950-06-25-2001-10-10)","Mack, John (John W.) (1927-10-30-2006-07-23)","Majeske, Daniel (Daniel Harold) (1932-09-17-1993-12-01)","Geber, Stephen","Vernon, Robert, (Violist)","Monk, Allan (19420819)","Dimitrova, Gena Macheva, 1941-2005","Stoltzman, Richard (1942-07-12)","Miranda, Sharon Moe","Marková, Jiřina","Wenkel, Ortrun","Dutoit, Charles (19361007)","Petkov, Dimitŭr, 1938-","Tennstedt, Klaus, 1926-1998","Cappuccilli, Piero (19291109-20050712)","Jones, Gwendolyn, (Mezzo-soprano)","Mackerras, Charles, 1925-2010","Gall, Jeffrey (1950-09-19)","Honegger, Arthur (Oscar-Arthur), 1892-1955","Marier, Theodore (Theodore Norman) (1912-10-17-2001-02-24)","Blahušiaková, Magdaléna","Sylvester, Michael, 1955-","Kusnjer, Ivan, 1951-","Leppard, Raymond (Raymond John) (1927-08-11-2019-10-22)","Kavrakos, Dimitri","Troyanos, Tatiana (1938-09-12)","Berg, Alban, 1885-1935","Hagegård, Håkan (1945-11-25)","Battle, Kathleen","Neikrug, Marc (Marc Edward), 1946-","Jin, Li, 1969-","Bruch, Max (Max Christian Friedrich), 1838-1920","Conlon, James, 1950-","Chailly, Riccardo, 1953-","Mintz, Shlomo, 1957-","Ameling, Elly (19340208)","Bouleyn, Kathryn","Lalo, Édouard (Édouard-Victoire-Antoine), 1823-1892","Vento, Marc, 1936-","Ciurca, Cleopatra","Myers, Lorna","Cole, Vinson (1950-11-21)","Jacobs, René (1946)","Taylor, Janice","Albert, Donnie Ray","Schafer, R. Murray (Raymond Murray) (1933-07-18-2021-08-14)","Dohnányi, Christoph von","Valentin, Dave (1952-04-29-2017-03-08)","Mauceri, John (1945-09-12)","Jordan, Armin (1932-04-09-2006-09-20)","Holliger, Heinz (1939-05-21)","Faulkner, Julia","Wheeler, Kimball (194u)","Chopin, Frédéric (Frédéric François), 1810-1849","Lloyd Webber, Andrew, 1948-","McGovern, Maureen (Maureen Therese) (1949-07-27)","Hillyer, Kazuko","Caddick, David","Turnbull, Walter J. , Dr.","Penderecki, Krzysztof (Krzysztof Eugeniusz), 1933-2020","Ma, Yo-Yo, 1955-","Strugała, Tadeusz, 1935-","Szymanowski, Karol, 1882-1937","Di Domenico, Dino","Wild, Earl (19151126-20100123)","Dešpalj, Pavle (1934-06-18)","Dešpalj, Valter","Sorkočević, Luka, 1734-1789","Beňačková-Čápová, Gabriela (1944-03-25)","Glassman, Allan","Dutilleux, Henri, 1916-2013","Milcheva, Aleksandrina (19340927)","Curry, Diane","Lamberti, Giorgio, 1938-","Gordon, David, 1947-","Toradze, Alexander","St. Clair, Carl (Carl Ray) (19520605)","Verrot, Pascal, 1959-","Hines, Jerome, 1921-2003","Harrell, Lynn (1944-01-30-2020-04-27)","Vivaldi, Antonio, 1678-1741","Lutosławski, Witold, 1913-1994","Parker, Jon Kimura, 1959-","Britten, Benjamin (Edward Benjamin), 1913-1976","Zimmermann, Frank Peter (1965)","Bizet, Georges (Georges Alexandre César Léopold), 1838-1875","Mehlig, Karl","Barber, Samuel (Samuel Osborne), 1910-1981","Matthus, Siegfried (1934-04-13)","Hauschild, Wolf-Dieter, 1937-","Licad, Cecile, 1961-","Walker, Charles Dodsley (1920-03-16-2015-03-21)","Barron, Jennifer","Burgess, Mary, (Mezzo-soprano)","Frager, Malcolm (19350115-19910620)","Schmidl, Peter","Henze, Hans Werner, 1926-2012","Bychkov, Semyon, 1952-","Fauré, Gabriel (Gabriel Urbain), 1845-1924","Kodály, Zoltán, 1882-1967","Larson, Sophia","McNair, Sylvia, (Soprano)","Cohen, Franklin, 1946-","Glass, Philip (1937-01-31)","Meyerbeer, Giacomo, 1791-1864","Slade, Frances F.","Mims, Marilyn, 1962-","Damrosch, Leopold, 1832-1885","Kalt, Frederic","Poppen, Diemut","Lester, Richard, 1959-","Giordano, Umberto, 1867-1948","Polozov, Vi︠a︡cheslav","Salvadori, Antonio, 1949-2006","Salonen, Esa-Pekka, 1958-","Lin, Cho-Liang, 1960-","Blomdahl, Karl-Birger, 1916-1968","Nielsen, Carl, 1865-1931","Ochman, Wiesław (1937-02-06)","Foster, Lawrence, 1941-","Labèque, Katia ([1950-03-03,1950-03-11])","Labèque, Marielle (1952-03-06)","Dukas, Paul (Paul Abraham), 1865-1935","Spohr, Louis, 1784-1859","Ben-Haim, Paul, 1897-1984","Temirkanov, I︠U︡. (19381210)","Pavlovsky, Eduardo A. (Eduardo Alejo) (1933-12-10-2015-10-04)","Quipildor, Zamba","Warrick-Smith, Pamela","Ramírez, Ariel (1921-09-21-2010-02-18)","Poulenc, Francis (Francis Jean Marcel), 1899-1963","Zinman, David (19460709)","Bunin, Stanislav, 1966-","Glazunov, Aleksandr Konstantinovich, 1865-1936","Bellini, Vincenzo, 1801-1835","Tumagian, Eduard","Giacomini, Giuseppe (1940-09-07-2021-07-28)","Todisco, Nunzio","Brister, Wanda","Marton, Eva (1943-06-18)","Cairns, Christine","Rouillon, Philippe","Meier, Waltraud (19560109)","Oldham, Arthur (Arthur William), 1926-2003","Roark-Strummer, Linda (1952)","D'Intino, Luciana (1959)","Folse, Bart","Coni, Paolo","Millo, Aprile","Perahia, Murray (1947-04-19)","Ax, Emanuel (19490608)","Norman, Jessye (1945-09-15-2019-09-30)","Deibler, Seán","Persichetti, Vincent (Vincent Ludwig), 1915-1987","Bronfman, Yefim (1958-04-10)","Lourié, Arthur (Arthur Vincent), 1892-1966","Midori, 1971-","Miller, Gary, (Conductor)","Marc, Alessandra","Sinopoli, Giuseppe (1946-11-02-2001-04-21)","Herbig, Gunther (1931-11-30)","Chmura, Gabriel (1946)","Schuman, Patricia, 1954-","Mentzer, Susanne (19570121)","Stairs, Michael (Michael Ondon) (2018-08-11)","Uchida, Mitsuko, 1948-","Finley, David-Marc","Kulko, Oleg","Järvi, Neeme (1937-06-07)","Kitaenko, Dmitriĭ (Dmitriĭ Georgievich) (19400818)","Viardo, Vladimir, 1949-","Catalani, Alfredo, 1854-1893","Tortelier, Paul, 1914-1990","Chung, Kyung-Wha, 1948-","Wernick, Richard (Richard F.), 1934-","Wagenaar, Johan, 1862-1941","Argerich, Martha, 1941-","Sylvan, Sanford (Sanford Mead) (1953-12-19-2019-01-29)","Hvorostovsky, Dmitri (Dmitri Aleksandrovich) (1962-10-16-2017-11-22)","Arkadʹev, M. A. (Mikhail Aleksandrovich) (1958-03-15)","Johnson, Sigrid","Stewart, Thomas, 1928-2006","Awerbuch (2001-08-26)","Giles, James, 1967-","Brooks, Muriel (1921)","Eschenbach, Christoph (19400220)","Serkin, Peter (Peter Adolf), 1947-2020","Janicello, Mark (1962-11-03)","Rowland, Martile","Mora, Fernando de la (1958-06-07)","Romani, Felice, 1788-1865","Vaughan Williams, Ralph (1872-1958)","Fassabaender, Brigitte (1939)","Rands, Bernard (1934-03-02)","Sotin, Hans (1939-09-10)","Imai, Nobuko (1943)","Wakasugi, Hiroshi, 1935-2009","Miki, Minoru, 1930-2011","Blackwell, Harolyn","Tippett, Micheal  (1905-01-02-1998-01-08)","Ravina, Oscar","Pritchard, Lee H. ","McCartney, Paul (19420618)","Davis, Carl, 1936-","Jansons, Mariss (Mariss Ivars Georgs), 1943-2019","Zimmerman, Frank Peter  (1965-02-27)","DePreist, James (James Anderson), 1936-2013","Heltay, Laszlo","Kaiser, Amy","Charbonneau, Pierre, 1944-","Swensen, Robert (1961)","Fleming, Renée (19590214)","Rozhdestvensky, Sasha (1970)","Leoncavallo, Ruggiero, 1858-1919","Dessì, Daniela (1957-05-14-2016-08-20)","Takemitsu, Tōru (1930-10-08-1996-02-22)","Schuman, William, 1910-1992","Westhoven, Krine, Jr. (1931-03-07-1997-07-30)","Welser-Möst, Franz (19600816)","Corigliano, John (John Paul), 1938-","Hayes, David, 1963-","Gabbiani, Roberto","Columbus, Christopher","Sparfeld, Ethelyn ","Davies, Peter Maxwell, 1934-2016","Orff, Carl, 1895-1982","Dent, Karl","Pletnev, Mikhail, 1957-","Feinburg , Alan","Ran, Shulamit, 1949-","Kisin, Evgeniĭ, 1971-","Schwarz, Gerard, 1947-","Paul, Thomas, 1934-","Kunde, Gregory (1954)","Moosdorf, Otto-Georg","Kalichstein, Joseph (1946-01-15-2022-03-31)","Vaness, Carol (1952-07-27)","Hellekant, Charlotte","Berio, Luciano, 1925-2003","Ohlsson, Garrick (19480403)","Pasternack, Benjamin","Grenke, David","Burenin, V. (Viktor), 1841-1926","Klein, Gideon, 1919-1945","Ullmann, Viktor (18980101-19441018)","Hamilton, Robert G.","Lipovšek, Marjana (1946)","Starker, Janos (1924-07-05-2013-04-28)","Akigishi, Hirohisa, 1962-","Hirokami, Junʼichi, 1958-","Weill, Kurt (Julian Kurt), 1900-1950","Marschik, Peter (1958)","Esposito, Valeria, 1961-","Rossi, Gaetano, 1774-1855","Goerke, Christine","Luxon, Benjamin (19370324)","Royer, Alphonse, 1803-1875","La Selva, Vincent (1929-09-17-2017-10-09)","Walsh, Mary","Vaëz, Gustav (1812-12-06-1862-03-12)","Williams, Janet, 1965-","Larmore, Jennifer (1958-06-21)","Sacchéro, Giacomo","D'Auria, Diego","Futral, Elizabeth","Cross, Gregory (1960)","Voigt, Deborah","Stone, William (1944-03-12)","Humphrey, Jon, (Tenor)","Borland, William, (Baritone)","López-Cobos, Jesús (1940-02-25-2018-03-02)","Schiff, András (19531221)","Bartoli, Cecilia (19660604)","Gergiev, Valeriĭ, 1953-","Herreweghe, Philippe","Maw, Nicholas (John Nicholas) (19351105-20090519)","Mørk, Truls, 1961-","Nordheim, Arne (1931-06-20-2010-06-05)","Simpson, Marietta (1954)","Grossman, Jerry (Jerry Michael) (1950-12-15)","Price, Margaret, 1941-2011","Ouzounian, Michael","Campo, Eduardo del","Milliet, Paul, 1848-1924","Tomšič-Srebotnjak, Dubravka, 1940-","Hampson, Thomas (19550628)","Focile, Nuccia (1959)","Leĭferkus, Sergeĭ (Sergeĭ Petrovich), 1946-","Uhlenhopp, John","Borodina, Olʹga","McNally, Terrence (1939-11-03-2020-03-24)","Krása, Hans, 1899-1944","Hunt Lieberson, Lorraine, 1954-2006","Cooper, Imogen ([1949-08-28,1949-08-29])","Morrell, Gareth, 1956-","Gershwin, George, 1898-1937","Galway, James (1939-12-08)","Liebermann, Lowell (19610222)","Guelfi, Carlo","Solzhenitsyn, Ignat","Terfel, Bryn (19651109)","Josefowicz, Leila, 1977-","Mercadante, Saverio (Giuseppe Saverio Raffaele), 1795-1870","Kremer, Gidon, 1947-","Ganassi, Sonia (1967)","Di Renzi, Richard","Eaglen, Jane (1960-04-04)","Sweet, Sharon","Hadley, Jerry (1952-06-16-2007-07-18)","Miles, Alastair (1961-07-11)","Rogé, Pascal (19510406)","Collard, Jean-Philippe, 1948-","Frank, Pamela (1967-06-20)","Ortner, Erwin, 1947-","Grant Murphy, Heidi (1966)","Cage, John (John Milton) (1912-09-05-1992-08-12)","Labelle, Dominique (1960)","Hart, Mary Ann","Tharp, Steven","Clement, Richard","West, Jayne","Maddalena, James (1954)","Studer, Cheryl (19551024)","Chafin, Robert, 1963-","Dillon, Martin","Chang, Sarah (1980-12-10)","Zacharias, Christian (19500427)","Shaham, Gil, 1971-","Mackenzie, Norman, (Pianist, Conductor)","Bonney, Barbara (1956-04-14)","Otter, Anne Sofie von (1955-05-09)","Sabbatini, Giuseppe","Hughes, Raymond (1952)","Harnoncourt, Nikolaus (1929-12-06-2016-03-05)","Orgonasova, Luba (1961-01-22)","Remmert, Birgit","Mills, Mary (Mary Elizabeth Mills) (1964)","Ragin, Derek Lee","Williams, Bradley (1965)","Schaldenbrand, Christopher","Bär, Olaf, 1957-","Siukola, Heikki","Connell, Elizabeth","Argento, Dominick (1927-10-27-2019-02-20)","Oue, Eiji (1956-10-03)","Bingxu, Hu","Song, Fei, 1969-","Wu, Yuxia","Gunn, Nathan","Upshaw, Dawn (19600717)","Margison, Richard, 1953-","Ansell, Steven","Chausow , Robert","Fricker, Daniel","Reiser, Niki","Bollag, Josef","Clift, Karen","Zimerman, Krystian (1956-12)","Gatti, Daniele, 1961-","Stutzmann, Nathalie (1965)","Schäfer, Christine, 1965-","Siegel, Jeffrey","Haza, Luis","Tetzlaff, Christian, 1966-","Martin, Douglas, (Musician)","Kasarova, Vesselina (19650718)","Bell, Joshua, 1967-","Grieg, Edvard, 1843-1907","Rimsky-Korsakov, Nikolay, 1844-1908","Berg, Nathan, 1972-","Flanigan, Lauren","Poretsky, Susana","Ward, Perry","Ikaia-Purdy, Keith","Simpson, Gary (Robert Gary), 1959-","Ligeti, György, 1923-2006","Vengerov, Maksim (1974-08-20)","Panula, Jorma (1930-08-10)","Ziesak, Ruth (1963)","Salerno-Sonnenberg, Nadja (1961-01-10)","Hough, Stephen, 1961-","Wigglesworth, Mark, 1964-","Ziegler, Delores","Holzmair, Wolfgang, 1952-","Ainsley, John Mark (19630709)","Meoni, Giovanni","Amiliato, Fabio","Tan, Dun, 1957-","Sviridov, Georgiĭ, 1915-1998","Gilad, Jonathan","Larsson, Anna, (Contralto) (1966-09-10)","Grossmann, Agnes, (Choral conductor)","Isaac, Heinrich, approximately 1450-1517","Delfs, Andreas","Babbitt, Milton","Banse, Juliane, 1965-","Järvi, Paavo, 1962-","Ledbetter, Victor","Brewer, Christine, 1960-","Silja, Anja (19400417)","Forbis, Clifton","Alexander, Roberta (1949-03-03)","Mutter, Anne-Sophie, 1963-","Scribner, Norman (Norman Orville) (19360225-20150322)","Costanzo, Anthony Roth","Bostridge, Ian (1964)","Brown, Timothy, (Horn player)","Morales, Ricardo, (Clarinetist) (1972)","Marchini, Italo (1953)","Relyea, John","Swenson, Ruth Ann (1959-08-25)","Smith, Hugh, (Tenor)","Putilin, Nikolaĭ (Nikolaĭ Georgievich), 1954-","Thomas, Indra","Blythe, Stephanie (1970)","Bernstein, Richard, (Bass-baritone) (1966-07-30)","Brubeck, Dave (1920-12-06-2012-12-05)","Moody, James, 1925-2010","Brubeck, Chris (19520319)","Krall, Diana (Diana Jean) (1964-11-16)","Redman, Joshua (1969-02-01)","Vonk, Hans","Maultsby, Nancy","Peterson, Dean","Thibaudet, Jean-Yves, 1961-","Ponchielli, Amilcare, 1834-1886","Valayre, Sylvie (19641010)","Day, Kathryn","Robertson, David, 1958-","Znaider, Nikolaj, 1975-","Freire, Nelson (1944-10-18-2021-11-01)","Phelps, Cynthia","Young, Rebecca, (Violist)","Gubaidulina, Sofia, 1931-","Esperian, Kallen","Gazale, Alberto","Welch-Babidge, Jennifer","Knussen, Oliver (Stuart Oliver) (1952-06-12-2018-07-08)","Lundy, Nancy Allen","Olsen, Stanford","Oswald, Mark","Chen, Robert","Guleghina, Maria (1959-08-09)","Pons, Juan (19460808)","Urmana, Violeta (1959/1961)","Kowalijow, Vitalij","Young, Thomas, 1962-","Takezawa, Kyoko, 1966-","Siff, Ira (1946-02-15)","Stoyanova, Krassimira","Makarina, Olga","Giordani, Marcello (1963-01-25-2019-10-05)","Polenzani, Matthew (1968)","Sharp, William, (Baritone) (19510601)","Metallo, Vincent","Lafontaine, Timothy ","Grant, Jason, 1970-","Barr, Frank","Wilson-Johnson, David (1950-11-16)","Watson, Janice, 1964-","Lang, Petra (1962-11-29)","Gruber, H. K. (Heinz Karl) (19430103)","Tanguy, Eric (19680127)","Williams, John (John Towner), 1932-","Davidson, David r.  (1948-2009)","Liao, Changyong, 1968-","Rouse, Christopher (Christopher Chapman), 1949-2019","Hersch, Michael, 1971-","Pape, René (1964-09-04)","Bolcom, William (William Elden) (1938-05-26)","Schmidt, Frank Willi, 1967-","Chang, Han-Na (19821223)","Bashmet, I︠U︡riĭ (I︠U︡riĭ Abramovich) (1953)","Shen, Hsueh-Yung, 1952-","Parloff, Michael","Zuber, Gregory","Takova, Darina","Shtoda, Daniil (Daniil Aleksandrovich) (19770213)","Chaignaud, Jean-Luc","Fischer, Iván (1951-01-20)","DiDonato, Joyce (1970)","George, Vance","Ullmann, Marcus","Gauvin, Karina (1966~)","Schreier, Peter (Peter Max) (1935-07-29-2019-12-25)","Rucker, Mark, (Singer)","Licitra, Salvatore, 1968-2011","Figueroa, Rafael, 1961-","Chan, David, (Violinist)","Eanet, Nick","Strauss, Josef, 1827-1870","Blaze, Robin (19710111)","Kooy, Peter (1954-09-17)","Türk, Gerd","Suzuki, Masaaki, 1954-","Nonoshita, Yukari","Ramey, Samuel (1942-03-28)","Gao, Ding","van Kley, Susan","Zerbe, Monica","Fischer, Julia, 1983-","Graham, Susan, 1960-","Zeffiri, Mario","Baptista, Cyro (1950-12-23)","Stott, Kathryn (Kathryn Linda) (1958-12-10)","D'Rivera, Paquito, 1948-","Matta, Nilson","Suadin, I Nyoman","Whitman, Thomas, 1960-","Laurendeau, Jean","Anderson, Valdine","Acevedo, Carmen","Figueroa, Guillermo, 1953-","Pérez, Jossie","Martínez, Ana María, 1968-","Chandler-Eteme, Janice","Jones, Ann Elizabeth Howard","Moore-Brown, Marilyn","Chama, José Eduardo","Potenza, Rossana","Casanova, Francisco, (Tenor)","Aimard, Pierre-Laurent, 1957-","Boreĭko, Andreĭ, 1957-","Crider, Michèle (1963)","Kitic, Milena","Golesorkhi, Anooshah","Spano, Robert (Robert V.) (1961-05-07)","Polegato, Brett (19680509)","Douvas, Elaine","Szkafarowsky, Stefan ","Tiboris, Peter","Terentʹeva, Nina","Brown, Angela M. (Angela Marie), 1963-","Edwards, Iwan, 1937-2022","Murzaev, Sergeĭ","Gubskiĭ, Mikhail","Pavlovskai︠a︡, Tatʹi︠a︡na","Repin, Vadim (1971-08-31)","Grimaud, Hélène, 1969-","Pintscher, Matthias (1971-01-29)","Montalvo, Marisol","Robbins, Julien (1950-11-14)","Taylor, James, 1966-","Rilling, Helmuth (19330529)","Petersen, Marlis (1968-02-03)","Birtwistle, Harrison (1934-07-15-2022-04-18)","Lortie, Louis, 1959-","Lachenmann, Helmut (1935-11-27)","Courtney, James, 1946-","Wong, Deborah","Kraevsky, Natalya","Kavakos, Leonidas (1967)","Giordano, Massimo (1971-02-19)","Gutiérrez, Eglise","Chung, Myung-Whun, 1953-","Delavan, Mark","Bartolini, Lando","Easton, Richard, 1933-2019","Rees, Roger, 1944-2015","Margiono, Charlotte","Studebaker, Thomas, 1970-","Sousa, Vasco","Guerreiro, Luis","Neto, António","Ruela, João Pedro","Mariza (19731216)","N'Dour, Youssou (19591001)","Salama, Fathy","Dehn, Ellie","Johnson, Heather, (Mezzo-soprano) ([1971,1972])","Chingari, Marco","Lieberson, Peter, 1946-2011","Röschmann, Dorothea (1967-06-17)","Bravo, Fabiana (1969)","Baransky, Pavel","Sunnegårdh, Erika","Lang, Lang, (Pianist)","Korchak, Dmitriĭ (Dmitriĭ Mikhaĭlovich), 1979-","Fabiano, Michael (19840508)","Saxton, Shirley Johnson","Maillard, Carol","Casel, Nitanju Bolade","Barnwell, Ysaye M.","Kisfauldy, Ors","Dohmen, Albert","Zeller, Richard","Hite, William","Pannill, Judith","Angel, Ryland","Wuorinen, Charles","Tritle, Kent (1960-09-26)","Donose, Ruxandra, 1964-","McPherson, Robert, (Tenor)","Ford, Bruce (1956-08-15)","Cornetti, Marianne","Moore, Latonia (1979)","Filianoti, Giuseppe, 1974-","Li, Yundi (1982-10-07)","Adès, Thomas (Thomas Joseph Edmund) (1971-03-01)","Piazzolla, Astor (1921-03-11-1992-07-05)","Korngold, Erich Wolfgang, 1897-1957","Magalhaes, Amadeu","Lucas, Filipe","Zaccaria, Davide","Pontes, Dulce (Dulce José) (1969-04-08)","Feiteira, Paulo","Stockhausen, Karlheinz, 1928-2007","DeYoung, Michelle (1968)","Miller, Joe, 1965-","Malvar-Ruiz, Fernando (1968-07-11)","Kissinger, Henry, 1923-","Eugenides, Jeffrey (Jeffrey Kent) (1960-03-08)","Henckel von Donnersmarck, Florian, 1973-","Schlöndorff, Volker (1939-03-31)","Mehretu, Julie, 1970-","Dudamel, Gustavo (19810126)","Quasthoff, Thomas (1959-11-09)","Lindberg, Magnus (Magnus Gustaf Adolf), 1958-","Milliken, Catherine","Maldoom, Royston","Fink, Bernarda (1959)","Brandes, Christine","Soboleva, Irina","Petrenko, Pavel","Petrenko, Andrei","Duparc, Henri, 1848-1933","Ketting, Otto, 1935-2012","Furlanetto, Ferruccio (1949-05-16)","Jessop, Craig D.","Johnson-Huff, Ann","Drafall, Robert W.","Teraoka-Brady, Carolyn","Bernhardt, Valerie","Snyder, Dan","Dominick, John, III","Ciavaglia, Michael A. ","Manucharyan, Yeghishe","Harler, Alan (1940-04-10)","Vasta, Stephen (Steve) Francis","Kirschner, Ann J.","Lowry, Robert, 1826-1899","Glaser, Pamela","Covo, Bettina, 1956-","Biss, Jonathan (1980-09-18)","Stomsvik, Diana","Kachanov, Nikolai","Galuzine, Vladimir","Daurov, Adrian","Schönberg, Claude-Michel (19440506)","McBroom, Amanda (1947-08-09)","Wallace, Randall, 1949-","Simon, Carly (19450625)","Mcferrin, David","Ein-Habar, Eyal","Anger, Ain","Vargas, Ramon, 1960-","Callegari, Daniele","Pieczonka, Adrianne, 1963-","Stringer, Howard, 1942-","Mares, Luca","Cabrino, Guiseppe","Vincenzo, Alessandra Di","Galligioni, Francesco","Sbrogiò, Alessandro","Ökrös, Oszkár, 1957-","Lendvay, József, 1974-","Lendvay, József","Gritton, Susan (19650831)","Romey, Kathy Saltzman","Nolen, Laura Vlasak","Di Giacomo, Julianna, 1975-","Kožená, Magdalena (1973)","Owens, Eric, 1970-","Friedrich, Eberhard (1958)","Hummel, Johann Nepomuk, 1778-1837","Daniels, David, 1966-","Joshua, Rosemary (1964-10-16)","Labadie, Bernard, 1963-","Damrau, Diana (1971-05-31)","Grove, Jill","Vänskä, Osmo, 1953-","Niemelä, Hannu, 1954-","Hyökki, Matti, 1946-","Nisula, Päivi","Karnéus, Katarina","Claycomb, Laura (1968-08-23)","Anton̦enko, Aleksandrs, 1975-","Frühbeck de Burgos, Rafael (19330915-20140611)","Fernández, Igor Ijurra","Berkun Menaker, Dianne","Kalagina, Anastasia","Alagna, Roberto","Veronesi, Alberto (1967)","Mascagni, Pietro, 1863-1945","Alsop, Marin (1956-10-16)","Thomas, Vaneese","De Haas, Darius","Stifelman, Leslie","Lewis-Evans, Kecia","Goerne, Matthias, 1967-","Griffey, Anthony Dean, 1967-","Vallet, Pierre, (Conductor)","O'Neill, Simon, 1971-","Hahn, Hilary","Mena, Juanjo, 1965-","Higdon, Jennifer, 1962-","Batiashvili, Lisa, 1979-","Taigi, Chiara","Nelsons, Andris (1978-11-18)","Van der Linde, Clint, 1976-","Nicholls, Rachel, (Soprano)","Blažíková, Hana (19801202)","Wolfe, Duain","Lee, Josephine, 1975-","Martineau, Malcolm (19600203)","Schade, Michael (1965-01-23)","Schwartz, Sylvia, 1982-","Gabrieli, Giovanni, approximately 1554-1612","Nagano, Kent (Kent George), 1951-","Dessay, Natalie, 1965-","Trifonov, Daniil (Daniil Olegovich), 1991-","Clark, Katerina","Amar, Tarik Youssef Cyril, 1969-","Wortman, Richard (19380324)","Matthewman, Gary","Bondarenko, Andriĭ (Andriĭ Volodymyrovych), 1987-","Luisi, Fabio (1959-01-17)","Harbison, John (John Harris) (1938-12-20)","Rice, Christine","Goode, Richard (1943-06-01)","Bicket, Harry (1960)","Purcell, Henry, 1659-1695","Biber, Heinrich Ignaz Franz, 1644-1704","Bennett, Mark, (Trumpeter)","Scholl, Andreas (19671110)","Kaufmann, Jonas (1969-07-10)","Gheorghiu, Angela (1965-09-07)","Barnum, Donald","Walker, Danielle","Lully, Jean-Baptiste, 1632-1687","Fasch, Johann Friedrich, 1688-1758","Lamon, Jeanne (1949-08-14-2021-06-20)","Robinson, James","Falby, Doreen","Polochick, Edward","Conway, Eric, Dr.","Bagwell, James","Ketelson, Kyle (1971)","Morris, James (1947-01-10)","Cutler, Eric","Rebeka, Marina, 1980-","Jurowski, Vladimir, 1972-","Bellemer, John G.","Johnson, Anita, (Vocalist)","Cooke, Sasha","Phan, Nicholas (1979-01-03)","Phillips, Susanna, 1981-","Yamadate, Fuyuki","Singer, Gregory","Kimura, Mineko","Matsubara, Yuko","John, Emily","Chase, Constance","Biondi, Fabio (1961-03-15)","Locatelli, Pietro Antonio, 1695-1764","Nardini, Pietro, 1722-1793","Genaux, Vivica (1969-07-10)","Heras-Casado, Pablo (1977-11-21)","Denk, Jeremy (1970-05-16)","Norrington, Roger (1934-03-16)","Pluhar, Christina (1965)","Andueza, Raquel","Galeazzi, Lucilla (19501224)","Merula, Tarquinio, -1665","Davies, Neal (1965)","Guillon, Damien (1981)","O'Connor, Kelley","Wilson, Harold","Baetge, Noah","Shapiro, Mark","Sandel-Pantaleo, Leann","Rowley, Jennifer, (Soprano)","Sorenson, Garrett","Schasching, Rudolf","Henschel, Jane, 1950-","Stemme, Nina (1966)","Giovannini, Antonio, 1980-","Feola, Rosa","Respighi, Ottorino, 1879-1936","Martucci, Giuseppe, 1856-1909","Măcelaru, Cristian, 1980-","Solti, Valerie","Quantz, Johann Joachim, 1697-1773","Frederick, King of Prussia, II, 1712-1786","Pahud, Emmanuel, 1970-","Meister , Elisabeth","Rose, Matthew, (Bass)","Spyres, Michael","Gardiner, John Eliot (19430420)","Johnston, Jennifer","Barton, Jamie ([1981, 1982])","Meade, Angela","Pallesen, Nicholas","Caldarella, Juan","Scarpino, Alejandro, 1904-1970","Castro, Giancarlo, 1980-","Clamor, Thomas","Chávez, Carlos (Chávez Ramírez), 1899-1978","Orbón, Julián, 1925-1991","Revueltas, Silvestre (José Silvestre Revueltas Sánchez), 1899-1940","Colon, Gaspar","Alvarez, Idwer","Benzecry, Esteban (19700413)","Lindsey, Kate","Marcon, Andrea (1963)","Fusek, Anna","Favaro, Michele","Genini, Giulia","Bovo, Daniele","Bardon, Patricia (1964)","Rae, Brenda","Pisaroni, Luca, 1975-","Lippert, Herbert, 1957-","Suppé, Franz von, 1819-1895","Widmann, Jörg (1973-06-19)","Jackson, Christopher (Christopher O.), 1960-2007","Palestrina, Giovanni Pierluigi da, 1525?-1594","Démettre, Claire-Lise, 1986-","Paugam, Laurence","Pernoo, Jérôme (1972)","Cangemi, Veronica (19641010)","Spinosi, Jean-Christophe, 1964-","Botstein, Leon (1946-12-14)","Wilson, Tamara, (Soprano)","Wittmoser, Carsten","Icochea, Andy Icochea","Thielemann, Christian, 1959-","Yang, Jonathan Jun","Lee, Kate Xintong","Baldwin, Alec, 1958-","Mat︠s︡uev, Denis, 1975-","Oesterle, Michelle","Chacón-Cruz, Arturo, 1977-","Borchev, Nikolay","Watson, Katherine, (Soprano)","Ibragimova, Alina (Alina Rinatovna), 1985-","Cohen, Jonathan (Jonathan Frank)","Hirai, Hideaki","Cerutti, Joe","Tsuji, Hideyuki ","Lunghi, Francesca","Satake, Naomi","Stucky, Steven (Steven Edward) (1949-11-07-2016-02-14)","Boulianne, Julie, (Mezzo-soprano)","Savall, Jordi (19410801)","Egarr, Richard, 1963-","Phillips, Peter, 1953-","Blachly, Alexander (1944-11-13)","Mattila, Karita","Dobracheva, Ėvelina","Hanson, Howard, 1896-1981","Christie, Michael, 1974-","Mickelthwate, Alexander","Pershall, David","Costello, Stephen, 1981-","Chauvet, Géraldine","Haas, Georg Friedrich (1953-08-16)","Lučić, Željko, 1968-","Tang, Muhai, 1949-","Coote, Alice (19680510)","Devin, Anna","Christy, Anna","Nézet-Séguin, Yannick, 1975-","Connolly, Sarah (Sarah Patricia) (19630613)","Zobel, David","Kaiser, Joseph (1977-10-14)","DeShong, Elizabeth","Guthrie, Arlo (Arlo Davy) (1947-07-10-)","Fenoglio, Claudio","Osborn, John, (Tenor) (1972-05-16)","Salsi, Luca, 1975-","Noseda, Gianandrea (1964)","Fang, Ying","Arbo, Rani","Diawara, Fatoumata (1982)","Aurelio","Olatuja, Alicia","Bakhtouridze, Mzia","Abdrazakov, Ilʹdar, 1976-","Skorokhodov, Sergeĭ, 1974-","Kolosova, Alisa, 1987-","Netrebko, Anna (Anna I︠U︡rʹevna) (1971-09-18)","Andsnes, Leif Ove, 1970-","Gerhaher, Christian (1969-07-24)","Brownlee, Lawrence (1972-11-24)","Cabell, Nicole (1977-10-17)","Benini, Maurizio","Schuller, Gunther (Gunther Alexander) (1925-11-22-2015-06-21)","Byrd, William, 1539 or 1540-1623","Ichise, Reiko","Tunnicliffe, Richard","Morikawa, Asako","Boothby, Richard, 1955-","Weckmann, Matthias, 1616?-1674","Bezuidenhout, Kristian (1979)","Barkmin, Gun-Brit","Serdi︠u︡k, Nadezhda (1975)","Matochkina, Yulia","Ganbaatar, Aruinbaatar","Masleev, Dmitry, 1988-","Ionițǎ, Andrei, 1994-","Michalek, David","Karlowicz, Mieczyslaw (1876-1909)","Beczala, Piotr (1968)","Lunn, Joanne ([1973,1975])","Ivashchenko, Dimitry","Vogel, Eva","Dasch, Annette, 1976-","Griffith, Jonathan","Shumate, Penelope ","Chapa, Claudia","McVeigh, John","Rutenberg, Craig","Scarlatti, Domenico, 1685-1757","Vinikour, Jory, 1963-","Bull, John, -1628.","Bradley, Michelle","Gaertner, Michael ","Morlot, Ludovic, 1973-","Covington, Conner Gray, 1987-","Venner, Matthew","Dobell, Mark","Smith, Angus","Greig, Donald","Melton, Heidi","McGegan, Nicholas","Link, Joel","Lee, Bryan","Pajaro-van de Stadt, Milena","Shaw, Camden","Noda, Ken","Rivera, Jessica, (Soprano)","Ford, Nmon","Gere, Richard (Richard Tiffany), 1949-","Baruch, Wayne","Gayton, Charles","Vinke, Stefan","Ganenko, Tatiana","Drury, Patricia","Pakaluk, Michael S.","Clarke, Colin R.","Gibbs, Deborah Lee","Millar, Cynthia, (Ondes Martenot player)","Friman, Anna Maria","Fuglseth, Linn Andrea","Opheim, Berit, 1967-","Fisch, Asher (1965)","Karloski, Helen","Richardson, Alex, (Tenor)","Cutlip, Philip","Dantone, Ottavio","Mullova, Viktorii︠a︡, 1959-","Beilman, Benjamin","Emelʹi︠a︡nychev, Maksim, 1988-","Palazzo, Manuel","Camarena, Javier (1976~)","Witt, Gregor, 1968-","Glander, Matthias","Baier, Mathias, 1982-","Vlatković, Radovan (1962)","Brandl, Wolfram","Deyneka, Yulia (1982)","Tokcan, Yurdal, 1966-","Psonis, Dimitris","Güngör, Hakan, 1973-","Sarikouyoumdjian, Haïg","Greenleaf, Jolle","Mealy, Robert","Andrijeski, Julie","Sperling, Ted","Dŭrvarova, Elmira (1954)","Mathew, George, (Conductor)","Baráth, Emőke, 1985-","Bridelli, Giuseppina, 1986-","Karthäuser, Sophie (1975)","Boesch, Florian","García Alarcón, Leonardo (1976)","Lexa, Olivier","Alessandrini, Rinaldo (1960)","Buchbinder, Rudolf, 1946-","Skride, Baiba","Krijgh, Harriet, 1991-","Moser, Elsbeth","Mehta, Bejun ([1968-06-29,1969])","Willer, Beth","Luganskiĭ, Nikolaĭ (Nikolaĭ Lʹvovich), 1972-","Padmore, Mark (Mark Joseph) (19610308)","Forck, Bernhard","Grey, Mark, 1967-","Wyers, Giselle","Lynch, Shane","Boers, Geoffrey (Geoffrey Paul)","Hatteberg, Kent Eugene","Kühmeier, Genia","Scheen, Céline (1976)","Capezzuto, Vincenzo","Pappano, Antonio, 1959-","Hannigan, Barbara (1971)","Jia, Lü, 1964-","Zhang, Haochen, 1990-","Chest, John","Check, Jennifer","Fujimura, Mihoko","Sierra, Nadine, 1988-","Luisotti, Nicola (19611126)","Jansen, Janine  (1978)","Stein, Avi","Zhu, Beiliang, 1985-","Weaver, Charles","Deutsch, Helmut (1945-12-24)","Schultz, Golda","Wong, Lisa, 1969-","Van Horn, Christian (1978)","Schmitt, Maximilian","Davies, Iestyn (1979-09-16)","Harvey, Joélle","Petrenko, Kirill (1972)","Müller-Schott, Daniel, 1976-","Brower, Angela","Müller, Hanna-Elisabeth, 1985-","Eckhoff, Sören","Jones, Simon (1950-07-27)","Kenny, Elizabeth","Jones, Robert, active 1597-1615","Dowland, John, 1563?-1626","Nylund, Camilla (1968-06-11)","Rees, Andrew, (Tenor)","Dirvanauskaitė, Giedrė","Watkins, Paul, 1970-","Dutton, Lawrence (1954-05-09)","Setzer, Philip, 1951-","Drucker, Eugene, 1952-","Faust, Isabelle, 1972-","Giguère, Pascale","Rachvelishvili, Anita, 1984-","Gražinytė-Tyla, Mirga, 1986-","Ehnes, James, 1976-","Ruggles, Carl, 1876-1971","Yende, Pretty, 1985-","Lehár, Franz, 1870-1948","Tauber, Richard, 1891-1948","Kálmán, Emmerich, 1882-1953","Rieder, Jochen (1970)","Tamestit, Antoine, 1979-","Richardot, Lucile","Armiliato, Marco","Vasilek, Lukáš, 1980-","Kulman, Elisabeth (19730628)","Karg, Christiane (1980)","Saïtkoulov, Roustem","Manasherov, Miriam","Soltani, Kian (1992)","Flórez, Juan Diego, 1973-","Scalera, Vincent","Conti, Francesco, 1681 or 1682-1732","Cano, Jennifer Johnson","Hantaï, Pierre, 1964-","Beyer, Amandine","Orliński, Jakub Józef, 1990-","Nosky, Aisslinn","Woods, Alexander, (Violinist)","Miller, Kyle, 1986-","Seltzer, Ezra","Zebley, Charles","Lislevand, Rolf (1961)","Pierlot, Philippe, 1958-","Kraemer, Manfred (1960-10-27)","Engle, Marie","Fischer, Ádám, 1949-","Levit, Igor, 1987-","Rondeau, Jean, 1991-","Muhly, Nico (1981-08-26)","Lisiecki, Jan, 1995-","Wang, Yuja (19870210)","Capuçon, Gautier (1981)","Tynan, Ailish","Fox, Steven, 1978-","Brook, Matthew","Tritschler, Robin","Teuscher, Lydia, 1975-","Buxtehude, Dietrich, 1637-1707","Tsuji, Nobuyuki (1988-09-13)","Satie, Erik, 1866-1925","Marais, Marin, 1656-1728","Visée, Robert de","Dunford, Thomas, 1988-","Maclary, Edward","Grimaldi, Erika, 1980-","Amarù, Chiara, 1984-","Angelini, Michele (1982)","Leonard, Isabel","Schachtner, Benno, 1984-","Garanča, Elīna, 1976-","Stadlen, Sam","Levine, Joanna","Ashton, Emily","Abduraimov, Behzod (1990-09-11)","Blue, Angel (Angel Joy), 1984-","Gaffigan, James, 1979-","Oropesa, Lisette","Petrenko, Vasiliĭ (Vasiliĭ Ėduardovich), 1976-","d'Alessio, Giulio","Scheid, Edson","Rossi, Stefano, (Violinist)","Minasi, Ludovico, 1984-","Tosti, F. Paolo (Francesco Paolo), 1846-1916","Baillieu, James","Nilsson, Lars David, 1966-","Mattei, Peter, 1965-","Foster, Tom","Zachow, Friedrich Wilhelm, 1663-1712","Froberger, Johann Jacob, 1616-1667","Mattheson, Johann, 1681-1764","Kim, Stephen","Mackey, Steven, 1956-","Zanocco, Gianpiero","Torri, Pietro, approximately 1650-1737","Hallenberg, Ann","Hailstork, Adolphus C. (Adolphus Cunningham) (1941-04-17)","Marsalis, Branford (Branford Iweanya) (1960-08-26)","Mälkki, Susanna (1969-03-13)","Dinnerstein, Simone (Simone Andréa) (19720918)","Thurman, Uma (1970-04-29)","Aucoin, Matthew, 1990-","Coleman, Valerie, 1970-","Wilkins, Thomas, (Conductor)","Fullana, Francisco","Sorrell, Jeannette","Uccellini, Marco, approximately 1603-1680","Zetlan, Jennifer","Petrie, Heather","Holcomb, Bernard, 1983-","Lagasca, Enrio","Christophers, Harry (1953)","Filsell, Jeremy (Jeremy Daniell) (1964-04-10)","Sly, Philippe","Prégardien, Julian, 1984-","Cargill, Karen","Quist, Amanda","Dixon, Rodrick (1966-06-22)","Ustvolʹskai︠a︡, Galina Ivanovna, 1919-2006","Corrette, Michel, 1707-1795","Telemann, Georg Philipp, 1681-1767","Bihan, Marie Lambert-Le","Mobley, Reginald","Hadelich, Augustin (1984)","Zweden, Jaap van (19601212)","Bell, Isaiah","Austin, Justin","Bradford, Lucia","Kyslytsya, Sergiy","Fortner, Sullivan (Sullivan Joseph) (1986-12-29)","Feinstein, Michael (Michael Jay) (1956-09-07)","Smith, Robert F. (Robert Frederick), 1962-","Walker, George (George Theophilus), 1922-2018","Bach, Carl Philipp Emanuel, 1714-1788","Isserlis, Steven, 1958-","Pachelbel, Johann, 1653-1706","Jovanovich, Brandon","Frank, Gabriela Lena (1972)","Dueñas, María","Meyers, Anne Akiko, 1970-","Márquez, Arturo, 1950-","Schumann, Clara, 1819-1896","Price, Florence (Florence Beatrice), 1887-1953","Rana, Beatrice, 1993-","Norman, Andrew, 1979-","Bendix-Balgley, Noah, 1984-","Key, Frances Scott (1779-1843)","Shani, Lahav, 1989-","Imber, Naphtali Herz, 1856-1909","Xi, Wang, 1978-","Freedman, Daryl","Schoonhoven, Kyle van","McIntyre, Jana","Parrish, Joseph","Hunt, Sophia","Woolsey, Midge","Buialski, Vladyslav","Shrut, Arlene","Chase, Claire (Claire Rose), 1978-","Vustin, Aleksandr, 1943-2020","Silvestrov, Valentyn (1937)","Savino, Richard","Ellis, Jennifer, (Soprano)","Snaidas, Nell","LaMotte, Adam","Kuchar, Theodore (1960)","Khristenko, Stanislav, 1984-","Stankovych, I︠E︡. (I︠E︡vhen), 1942-","Villalon, Elena","Persson, Miah (1969-05-27)","De Bique, Jeanine","Manna, Gennaro, 1715-1779","Alston, Charlotte Blake","Zhang, Meigui","Nally, Donald, 1960-","Adams, John Luther, 1953-","Thompson, Sumner","Langlois de Swarte, Théotime","Christie, William (William Lincoln) (1944-12-19)","Senaillé, Jean Baptiste, approximately 1688-1730","Leclair, Jean-Marie, 1697-1764","Charpentier, Marc-Antoine, 1643-1704","Bach, Johann Sebastian","Sodergren, Mikki","Donato, Emily","Giebler, Brian L. (Brian Louis), 1986-","Palumbo, Donald","Kelsey, Quinn","Ernesto Pena Laguna, Luis (1983)","Cutting, Hugh","Sousa, Dinis","Cronin, Hilary","Denbee, Sarah","Horak-Hallett, Bethany","Clarke, Samantha","Ponsford-Hill, Ali","Lombardi, Federica","Desandre, Lea, 1993-","Monteverdi, Claudio (Claudio Giovanni Antonio), 1567-1643","Kapsperger, Giovanni Girolamo, 1580-1651","Karadaglić, Miloš, 1983-","Marcello, Alessandro Ignazio (1673-1747)","Boccherini, Luigi, 1743-1805","Haji, Andrew","Hopkins, Joshua, 1978-","Amereau, Avery","Snouffer, Lauren (1988-03-30)","Crowe, Lucy","Cohen, Aryeh Nussbaum","Massey, Clifton","Wilson, Steve (Steven Caldicott)","Lemper, Ute, 1963-","Norin-Kuehn, Deborah","Sousa, John Philip","Kaplan, Allan R., 1948-","Maltby, Richard (Richard Eldridge), 1914-1991","Grundman, Clare (Clare Ewing), 1913-1996","Naldi, Ronald","Babbitt, Beth","Meyer, Marlene","Dymit, Thomas","Diana, William","Portnoy, Donald","Wyatt, Larry","Christie, Laury","Kim, David, (Violinist) (1963)","McGarrity, Evelyn","Furumoto, Kimo","Else, Peter","Markin, Tracey","Blank, Johanne ","Thomas, Elmer","Borodin, Aleksandr Porfirʹevich, 1833-1887","Fagen, Arthur (1951)","Doo-Wan, Kim","Loveless, Wendell P.","Paredes, Marcos","Dowell, Anthony","Kirkland, Gelsey","Baryshnikov, Mikhail, 1948-","Tudor, Antony, 1908-1987","Tcherkassky, Marianna","Schafer, Richard William","Harvey, Cynthia, 1957-","Martínez, Enrique, 1926-1998","Minz, Alexander","Makarova, Natalia, 1940-","Barbee, Victor","Robbins, Jerome (Jerome Wilson) (1918-10-11-1998-07-29)","Loring, Eugene, 1911-1982","Ivanov, Lev (Lev Ivanovich), 1834-1901","Gregory, Cynthia","Bujones, Fernando, 1955-2005","Petipa, Marius, 1818-1910","Stevenson, Ben, 1937-","Lanchbery, John (1923-05-15-[2003-02-26,2003-02-27])","Balanchine, George (1904-01-22-1983-04-30)","Tetley, Glen","De Mille, Agnes (1905-09-18-1993-10-06)","Ashton, Frederick, 1904-1988","Messac, Magali","Spizzo, Christine","Khalfouni, Dominique","Barker, Alan, (Conductor) (William Alan) (1938-02-05)","Houlton, Lise","Petit, Roland, 1924-2011","Anastos, Peter (19480223)","MacMillan, Kenneth (1932-07-02-1989-01-08)","Browne, Leslie","La Fosse, Robert","Jaffe, Susan, 1962-","Van Hamel, Martine, 1945-","Fonseca, Peter","Yeager, Cheryl","McFall, John J.","Cunningham, Merce (1919-04-16-2009-07-26)","von Lovenskjold, Hermann","Bournonville, August","Fokine, Michel","Eglevsky, Andre","Tharp, Twyla","Saint-Leon, Arthur","Armitage, Karole","Vainonen, Vasily","Minkus, Ludwig (1826-1917)","Gorsky, Alexander","Tippet, Clark","Kern, Jerome","Riley, Terry","Hyman, Dick","Sinatra, Frank","Morris, Mark","Massine, Leonide","Dove, Ulysses","Goleizovsky, Kasyan","Smuin, Michael","Kylian, Jiri","Lander, Harald","Blair, David","McKenzie, Kevin","Wasserstein, Wendy","Lubovitch, Lar","Styne, Jule","Coralli, Jean","Perrot, Jules","Kudelka, James","Hunsberger, Donald","Rebel, Jean-Fery","Wolfram, WIlliam","Everly, Jack","Holmes, Anna-Marie","Adam, Adolphe","Pugni, Cesare","Ratmansky, Alexei Osipovich (1968)","Nijinska, Bronislava","De Valois, Ninette","Gomes, Marcelo","Bond, Gemma","Béjart, Maurice","Roudenko, Vladimir","Spacagna, Maria (1951)","Lloyd, David  (1920-2013)","Kraft, Jean (1927-2021)","Campori, Angelo (1934-2013)","McCray, James (1938-2018)","Gilmore, John (1950-1994)","Rosenbaum, Harold (1950)","Gottlieb, Gordon (1948)","Schnittke, Alfred (1934-1998)","Rutter, John Milford, Sir (1945)","Velis, Andrea (1932-1994)","Ellington, Duke (1899-1974)","Elias, Rosalind ([1929-03-13,1930-03-13]-2020-05-03)","Booth, Philip (1942)","Sidlin, Murry (1940)","Mccorvey, Everett (1957)","Boyd, Liona","Lightfoot, Gordon (Gordon Meredith) (1938-11-17-2023-05-01)","Arnold Steinhardt","John Dalley","David Soyer","Treger, Charles, 1935-","Laurence Lesser","Theo Adam","Bella Davidovich","Joan Savage","Mary Law","Anatoly Bazhalkin","Nikolai Maiboroda","Anatoli Zaitchenko","Nikolai Nizienko","Michelangelo Veltri","Vladimir Ovchinikov","Katarina Dalayman","Janet Westrick","Felicity Lott","Anthony Piccolo","Jean-Philippe Rameau","Nai-Yuan Hu","Valery Polyansky","Vladimir Spivakov","Edward Downes","Gounod, Charles, 1818-1893","Jan Dismas Zelenka","Bohuslav Martinů","Vladimir Fedoseyev","Patrick Gardner","Theo Verbey","Lise de la Salle","Manfred Honeck","Matthew Truscott","Paul Lewis","Edward Gardner","James Ehnes","Wadsworth, Charles (Charles William) (1929-05-21)","Sargon, Merja","Yajima, Hiroko","Pears, Peter, 1910-1986","Beach, Amy, 1867-1944","Berkeley, Lennox (Lennox Randall Francis), 1903-1989","Browning, John, 1933-2003","De Peyer, Gervase, 1926-2017","Arner, Leonard","Fournier, Pierre, 1906-1986","Schippers, Thomas (19300309-19771216)","Fortunato, D'Anna (1945-02-21)","Mendenhall, Judy","Angeles, Victoria de los (19231101-20050114)","Sylar, Sherry","Schub, André-Michel (1952-12-26)","Jolley, David (19481220)","Kavafian, Ani (1948-05-10)","Bolet, Jorge (19141115-19901016)","Pollak,  Carolyn","Buswell, James, 1946-","Bae, Ik-Hwan, 1956-2014","Luvisi, Lee, 1937-","Routch, Robert (1948-08-12)","Siebert, Renée","Brehm, Alvin (1925-02-08-2014-11-22)","Carroll, Edward, 1953-","Fujiwara, Hamao","Trampler, Walter (19150825-19970927)","Bourgue, Maurice (1939-11-06)","Ellis, Osian (Osian Gwynn) (1928-02-08-2021-01-06)","Rosen, Nathaniel","Wincenc, Carol (Carol S.) (19490629)","Reed, Bruce","Thompson, Arthur, 1942-2004","Bunnell, Jane","Hoch, Beverly","Suk, Josef (1929-08-08-2011-07-06)","Kavafian, Ida","Tuckwell, Barry (Barry Emmanuel) (1931-03-05-2020-01-16)","Bennett, Richard Rodney (1936-03-29-2012-12-24)","Dicterow, Glenn","Smukler, Laurie","Corea, Chick (1941-06-12-2021-02-09)","Martin, Marvis","Gutiérrez, Horacio, 1948-","Swensen, Joseph (Joseph Anton), 1960-","Cooper, Kenneth, 1941-","Sherry, Fred (1948-10-27)","Shub, Andre-Michel","Picker, Tobias, 1954-","Nickrenz, Scott","Girard, Valerie","Danielpour, Richard (1956-01-28)","Martin, Marya","Thompson, Marcus, 1946-","Brey, Carter (1954-09-19)","Neubauer, Paul, 1962-","Zori, Carmit","Kang, Dong-Suk (1954-04-28)","Arm, Theodore","Marangella, Joel","Heineman, Sue","Palmer, Todd","Fedele, David, 1966-","Shifrin, David (19500202)","Ingraham, Paul","Myers, Philip, 1949-","Millard, Christopher, 1952-","Fink, Katherine","McDuffie, Robert","Peskanov, Mark (1956-08-30)","Taylor, Stephen, (Oboist) (1949)","Smylie, Dennis","Webster, Michael, 1945-","Saffer, Lisa","Feller, Bart","Wilson, Ransom (1951-10-25)","Bloom, Claire (Patricia Claire), 1931-","Carlisle, Robert, (Horn player)","Coletti, Paul","Turković, Milan","Ellis, Randall","Adolphe, Bruce (1955)","Stevens, Thomas, 1938-2018","Godburn, Dennis","Yoshida, Ayako","Hoffman, Gary, 1956-","Sitkovetsky, Dmitry, 1954-","Bryn-Julson, Phyllis (1945-02-05)","Anderson, Kelly","Dunn, Susan, (Soprano) (Susan R.) (1954-07-23)","Hanslowe, Theodora","Feidman, Giora (1936)","Bachmann, Maria, (Violinist)","Hoffman, Toby (1958-09-12)","Winograd, Peter","McDermott, Anne-Marie, 1963-","Yoo, Scott","Morelli, Frank, 1951-","Kashkashian, Kim (1952-08-31)","White, Robert, 1936 October 27-","Sinta, Donald (Donald Joseph) (1937-06-16)","Redgrave, Lynn, 1943-2010","Smith, Philip, (Trumpeter)","Golub, David","Thomas, Ronald (Ronald B.), 1954-","Levin, Ida","Huang, Hsin-Yun","O'Connor, Tara Helen","Hill, Mark, (Oboe player)","Douglas, Barry, 1960-","Mentzner, Susanne","Lucey, Frances","Dlugoszewski, Lucia, 1925-2000","Taylor, David (David Michael), 1944-","Purvis, William (19480710)","Kay, Alan R. (Alan R.)","Montone, Jennifer","Gekker, Chris (Paul Christopher) (1954-01-18)","Hagner, Viviane (1977)","Ngwenyama, Nokuthula","Kim, Soovin","Schmidt, Wolfgang Emanuel (1971)","McGill, Anthony (Anthony Barrone) (1979-07-17)","Fain, Tim","Shao, Sophie","Scarlata, Randall","Frautschi, Jennifer","Pridemore, Patrick A.","Meyer, Edgar, (Bassist) (1960-11-24)","Ali-Zadeh, Franghiz, 1947-","Tcherepnin, Alexander, 1899-1977","Schifrin, Lalo, 1932-","Chausson, Amédée-Ernest (1855-1899)","Arensky, Anton, 1861-1906","Coleridge-Taylor, Samuel, 1875-1912","Marsalis, Wynton (1961-10-18)","Ailey, Alvin (1931-1989)","Homberger, Christoph (1962)","Isaacs, Jeremy, Sir (1932)","Arye, Yevgeny (1947-2022)","Demidov, Israel (1957)","Sobol, Joshua (1939)","Chervinsky, Adam (1938)","Morrison, Conall (1996)","Crossan, Gerald","Friel, Brian (1929-2015)","Levin, Robert (1947)","Henschel, Dietrich (1967)","Grigorovich, Yuri (1927)","Vasiliev, Vladimir (1940)","Khachaturian, Aram Ilyich (1903-1978)","Jamison, Judith (1943)","Benjamin, Avi (1959)","Taymor, Julie (1952)","Goldenthal, Elliot (1954)","Gardner, John Champlin (1933-1982)","Tiffany, John (1971)","Cumming, Alan (1965)","Euripides (480 BC-406 BC)","Pountney, David, CBE (1947)","Sloane, Steven (1958)","Otelli, Claudio (1960)","Zimmerman, Bernd Alois (1918-1970)","Fiennes, Ralph (1962)","Neeson, Liam (1952)","Beckett, Samuel (1906-1989)","Hammond, John Paul (1942)","Brook, Peter, CBE (1925-2022)","Bawab, Dima (1981)","Goold, Rupert (1972)","Gale, Mariah (1979)","Troughton, Samuel John (1977)","Shakespeare, William","Somova, Alina Alekseevna (1985)","Shchedrin, Rodion Konstantinovich (1932)","Farr, David (1969)","Hicks, Greg (1953)","Miyamoto, Amon (1958)","Ito, Chihiro (1982)","Fukuoka, Yutaka","D'silva, Darrell (1964)","Bailey, Lucy","Bausch, Pina (1940-2009)","Hengelbrock, Thomas (1958)","Wesseling, Maria Ricarda (1969)","Shi-Zheng, Chen (1963)","Albarn, David, OBE (1968)","Klinichev, Pavel (1974)","Messiaen, Oliver (1908-1992)","Ninagawa, Yukio (1935-2016)","Abe, Umitaro (1977)","Miyazawa, Rie (1973)","Podalydès, Denis (1963)","Coin, Christophe (1958)","Rénéric, Pascal (1976)","Molière (1622-1673)","Munby, Jonathan","Maxwell, Jules (1965)","Pryce, Jonathan (1947)","Uegaki, Satoshi","Mine, Saori","Kander, John (1927)","Vaziev, Makhar (1961)","Maillot, Jean-Christophe (1960)","MacNeil, Cornell, 1922-2011","Peters, Roberta, 1930-2017","Corena, Fernando, 1916-1984","Merrill, Robert, 1917-2004","Edelmann, Otto, 1917-2003","Harshaw, Margaret, 1909-1997","Vickers, Jon (19261029-20150710)","Puccini, Giacomo, 1858-1924","Roberti, Margherita, 1925-2021","Colzani, Anselmo, 1918-2006","Rysanek, Leonie, 1926-1998","De Paolis, Alessio, 1893-1964","Yakobson, Leonid, 1904-1975","Della Casa, Lisa, 1919-2012","Shirley, George, 1934-","Tozzi, Giorgio","Tucker, Richard, 1913-1975","Kónya, Sándor, 1923-2002","Crespin, Régine, 1927-2007","Dooley, William, 1932-2019","McCracken, James, 1926-1988","Thomas, Jess, 1927-1993","Uzunov, Dimiter, 1922-1985","Kabaivanska, Raina, 1934-","D'Angelo, Gianna, 1929-2013","Casei, Nedda, 1932-2020","Campora, Giuseppe, 1923-2004","London, George, 1920-1985","Offenbach, Jacques","Alexander, John, 1923-1990","Cassel, Walter (1910-05-15-2000-07-03)","Sereni, Mario, 1928-2015","Amara, Lucine (1927-03-01)","Cernei, Elena, 1924-2000","Dunn, Mignon (1931-06-17)","Resnik, Regina, 1922-2013","Stratas, Teresa","Raimondi, Gianni, 1923-2008","Nuotio, Pekka, 1929-1989","Cilea, Francesco (1866-1950)","Peerce, Jan, 1904-1984","Anthony, Charles (Calogero Antonio Caruso) (1929-2012)","Evans, Geraint (1922-1992)","Macurdy, John (1929-03-18-2020-05-07)","Caballé, Montserrat (1933-2018)","Levy, Marvin David, 1932-2015","Collier, Marie (1927-1971)","Hernandez, Amalia, 1917-2000","Bosabalian, Luisa (1936-1998)","Boatwright, McHenry, 1928-1994","Bing, Rudolf (Rudolf Franz Joseph), 1902-1997","Olvis, William (William Edward) (1928-02-12-1998-11-27)","Nagy, Robert, 1929-2008","Fenn, Jean","Prevedi, Bruno","Panerai, Rolando (1924-2019)","Zanasi, Mario, 1927-2000","Lombard, Alain (19401004)","Morel, Jean (Jean Paul), 1903-1975","Warfield, Sandra","Lippert, Marion (1939-)","Fonteyn, Margot (1919-1991)","Hérold, Ferdinand (1791-1833)","Park, Merle (1937- )","Coleman, MIchael (1940-","Nureyev, Rudolf Khametovich (1938-1993)","Sibley, Antoinette (1939- )","Forst, Judith (1943- )","Strasfogel, Ignace (1909-1994)","Cossa, Dominic (1935-05-13)","Naghiu, Octaviano","Brilioth, Helge (1931-1998)","Stripling, Jan (1942-2017)","Cragun, Richard (1944-2012)","Borkh, Inge ([1917-05-26,1921-05-26]-2018-08-26)","Dobriansky, Andrij","Sullivan, Dan, 1940-","Di Giuseppe, Enrico, 1932-2005","Gramm, Donald, 1927-1983","Castel, Nico (1931-2015)","Chéreau, Patrice (1944-2013)","Couden, Sara","Dexter, John (1925-1990)","Norden , Betsy (1945)","Lazarev, Alexander Nikolayevich (1945)","Ognivtsev, Aleksander (1920-1981)","Simonov, Yuri Ivanovich (1941)","Nesterenko, Yevgeny Yevgenievich (1938-2021)","Mansurov, Fuat (1928-2010)","Ermler, Mark Fridrikhovich (1932-2002)","Vedernikov, Alexander Filippovich (1927-2018)","Molchanov, Kiril Vladimirovich (1922-1982)","Kord, Kazimierz (1930-2021)","Harwood, Elizabeth (1938-1990)","Plasson, Michel (1933)","Hanson, Victor Herrick  (1933-2005)","Gavazzeni, Gianandrea (1909-1996)","Woitach, Richard","Hunter, Rita (1933-08-13-2001-04-29)","Farley, Carole (1946)","Mauti-Nunziata, Elena (1946)","Pritchard, John Michael, Sir (1921-1989)","Alonso, Alicia (1920-2019)","Araújo, Loipa (1941)","Grey, Beryl, CBE (1927-2022)","Rudel, Julius (1921-2014)","Moldoveanu, Eugenia (1944)","Wixell, Ingvar (1931-2011)","Simmons, Calvin Eugene (1950-1982)","Humperdinck, Engelbert (1854-1921)","Jarvi, Naami (1937)","Maag, Ernst Peter Johannes (1919-2001)","Obraztsova, Elena Vasilyevna (1939-2015)","McIntyre, Donald, Sir (1934)","White, Thomas S.","Cranko, John Cyril (1927-1973)","Shicoff, Neil (1949)","Jones, Isola (1949)","Tchakarov, Emil (1948)","Ponichelli, Amilcare (1834-1886)","Nicola, Rescigno (1916-2008)","Tajo, Italo (1915-1993)","Stilwell, Richard (1942)","Rendall, David (1948)","Santi, Nello","Panov, Valery Mateevich (1938)","Dostoevsky, Fyodor Mikhailovich (1821-1881)","Malfitano, Catherine","Cotrubas, Ileana (1939)","Bybee, Ariel (1943-2018)","Kohn, Eugene ","Capecchi, Renato (1923-1998)","Tate, Jeffrey Philip, Sir (1943-2017)","Żylis-Gara, Teresa (1930-2021)","Mauro, Ermanno (1939)","Rosenthal, Manuel (1904-2003)","Maliponte, Adriana (1938)","Bernardi, Mario (1930-2013)","Raffanti, Dano (1948)","Valente, Benita (1934)","Janowski, Marek (1939)","Elder, Mark","Walker, Sarah Elizabeth Royle, CBE (1943)","van Allan, Richard, CBE (1935-2008)","Davies, Arthur (1941-2018)","Rawnsley, John (1950)","Davies, Noel (1945-2008)","Müller, Edoardo ","Carlson, Lenus (1945)","Fulton, Thomas (1949-1994)","Daniels, Barbara (1946)","Conrad, Barbara Smith (1937-2017)","Johnson, Camellia (1953-2015)","Navarro, Luis Antonio García (1941-2001)","Baskerville, Priscilla (1962)","Merritt, Myra","Zandonai, Riccardo (1883-1944)","Stivender, David (1933-1990)","Montarsolo, Paolo (1925-2006)","Palacio, Ernesto (1946)","Patsalas, Constantin (1943-1989)","Parker, Charlie \"Bird\" (1920-1955)","Altmeyer, Jeannine (1948)","Meier, Johanna (1938)","Perick, Christof","Fournet, Jean (1913-2008)","Badea, Christian (1947)","Di Franco, Loretta (1942)","Kleiber, Carlos (1930-2004)","Kotoski, Dawn (1966)","Pinnock, Trevor David, CBE (1946)","Mitchell, Leona (1949)","Panni, Marcello (1940)","Cheek, John, 1948-","Martinucci, Nicola (1941)","Cambreling, Sylvain (1948)","Christin, Judith (1948)","Salminen, Matti (1945)","Araiza, Francisco (1950)","Moll, Kurt (1938-2017)","Ajmone-Marson, Guido","Saccani, Rico (1952)","Rosenshein, Neil (1947)","Kout, Jiří","Croft, Dwayne","Fiore, John","Ferden, Bruce (1949-1993)","Glass, Phillip (1937)","Neblett, Carol Lee (1946-2017)","Marin, Ion (1960)","Michael, Hermann (1937-2005)","Donath, Helen Jeanette (1940)","Rizzi, Carlo","Praticò, Bruno","Rootering, Jan-Hendrik (1950)","Pulley, Emily Ann (1967)","Villarroel González, Verónica","Chernov, Vladimir Nikolaïevitch (1953)","Oren, Daniel (1955)","Croft, Richard","Graves, Denyce","Dennis, Betty","Loukianetz, Victoria (1966)","Atherton, David","Del Carlo, John","Hager, Leopold (1935)","Bedford, Steuart John Rudolf, CBE (1939-2021)","Corbelli, Alessandro","Krauss, Clemens","Young, Simone","de Billy, Bertrand","Titov, Alexander","Gruzin, Boris","Kit, Mikhail","Agache, Alexandru","Floyd, Carlisle","Rost, Andrea","Campanella, Bruno","Weigle, Sebastian","Mescheriakova, Marina","Wolf-Ferrari, Ermanno ","Halévy, Fromental ","Viotti, Marcello ","Furlanetto, Ferruccio ","Summers, Patrick","Alfano, Franco ","Auguin, Philippe ","Gallardo-Domâs, Cristina ","Bergeson, Scott","Miklósa, Erika ","Haider, Friedrich","Botha, Johan","Kovalevska, Maija","Frittoli, Barbara","Carosi, Micaela ","Jordan, Philippe","Langrée, Louis","Ataneli, Lado","Chaslin, Frédéric","Vassallo, Franco","Runnicles, Donald","Petrenko, Mikhail","Villaume, Emmanuel","Abbado, Roberto","Smith, Robert Dean","Galouzine, Vladimir","Anzolini, Dante","Alvarez, Carlos","Schrott, Erwin","Gilbert, Alan","Finley, Gerald","Racette, Patricia","Seiffert, Peter","de Niese, Danielle","Frizza, Riccardo","Gagnidze, George","Pidò, Evelino","Bullock, Susan","Keenan, John","Calleja, Joseph","Gilmore, Rachele","Keenlyside, Simon","Abel, Yves","Ono, Kazushi","Uusitalo, Juha","Phillips, Lori","Fournillier, Patrick","Rizzi Brignoli, Roberto","Capitanucci, Fabio","Grigolo, Vittorio","Smelkov, Pavel","Álvarez, Marcelo","Lee, Yonghoon","Degout, Stéphane","Nielsen, Erik","Poplavskaya, Marina","Held, Alan","Walker, Antony","Royal, Kate","Carignani, Paolo","Kwiecien, Mariusz","Altinoglu, Alain","Franck, Mikko","de Biasio, Roberto","Morris, Jay Hunter","Westbroek, Eva-Maria","Inouye, Derrick","Gould, Stephen","Amonov, Avgust","Luna, Audrey","Radvanovsky, Sondra Dee (1969)","Ettinger, Dan","Theorin, Iréne","Mariotti, Michele (1979)","Cura, José","Zifchak, Maria","Byström, Malin","Ranzani, Stefano","He, Hui","Yoncheva, Sonya (1981)","Meli, Francesco (1980)","Krasteva, Nadia (1976)","Zajick, Dolora (1952)","Koenigs, Lothar (1965)","Madore, Elliot (1987)","Lanchas, Valeriano (1976)","van den Heever, Elza (1979)","Opolais, Kristine (1979)","Sherratt, Brindley (1965)","Mazzola, Enrique","Chichon, Karel Mark, OBE (1971)","Skelton, Stuart (1968)","Monastyrska, Liudmyla Viktorivna","Gubanova, Ekaterina (1979)","Dyka, Oksana (1978)","Robinson, Morris (Morris D.) (1969-03-18)","Làrusdóttir, Dísella (1977)","Mumford, Tamara","Debus, Johannes (1974)","Siegel, Gerhard (1963)","Morandi, Pier Giorgio (1958)","Vogt, Klaus Florian (1970)","Ticciati, Robin, OBE (1983)","Volle, Michael (1960)","Hartig, Anita (1983)","Morley, Erin (1980)","Bignamini, Jader (1976)","Bižić, David (1975)","Pomakov, Robert (1981)","Stare, Ward (1982)","Mattsey, Jeff","Allen, Thomas Boaz, Sir (1944)","Lattimore, Margaret","Colaneri, Joseph","Hindoyan, Domingo Garcia (1980)","D'Arcangelo, Ildebrande (1969)","Plachetka, Adam (1985)","Majeski, Amanda (1984)","Castronovo, Charles (1975)","Pérez, Ailyn (1979)","Mavlyanov, Najmiddin (1979)","Naouri, Laurent (1964)","Wellber, Omer Meir (1981)","Margaine, Clémentine (1984)","Nánási, Henrik","Farnes, Richard (1964)","Colclough, Craig","Park, Hera Hyesang","Manacorda, Antonello (1970)","Kamensek, Karen (1970)","Blake, Aaron","Eyvazov, Yusif (1977)","Davidsen, Lise (1987)","Lewek, Kathryn (1983)","Hymel, Bryan (1979)","Nikitin, Evgeny Igorevich","Selig, Franz-Josef (1962)","Erraught, Tara (1986)","Liverman, Will (1988)","Blanchard, Terrence (1962)","Rustioni, Daniele (1983)","Carter, Nicholas","Clayton, Allan, MBE (1981)","Dean, Brett (1961)","Baikoff, Erika","Ward, Duncan","Gamba, Michele (1983)","Maestri, Ambrogio (1970)","Hamlin, Spencer","Groissböck, Günther (1976)","Buratto, Eleanora (1982)","Guggeis, Thomas (1993)","Konieczny, Tomasz (1972)","Gigliotti, Eve","Belosselskiy, Dmitry Stanislavovich (1975)","Chioldi, Michael (1970)","Herrera, Nancy Fabiola","Catán Porteny, Daniel (1949-2011)","Furrer, Patrick","Buszewski, Piotr (1992)","Stikhina, Elena (1986)","Lyniv, Oksana (1978)","Pankratova, Elena","Kowaljow, Vitalij","Grigoryan, Juliana","Jagde, Brian (1980)","Golovatenko, Igor","Schweizer, David","Masur, Richard (1948)","Walken, Christopher (1943)","Le Roux, Madeleine (1946)","Shapiro, Mel (1937)","Moriarty, Michael (1941)","Hines, Mainer Patrick (1930-1985)","Mason , Marsha (1942)","Southern, Richard (1903-1989)","Adams, Mason (1919-2005)","Miratti, Tony (1946)","Vestoff, Virginia (1939-1982)","Moody, Michael Dorn","Nichols, Mike (1931-2014)","Rudd, Paul Ryan (1940-2010)","Sweet, Dolph (1920-1985)","Harewood, Dorian (1950)","Rabe, David (1940)","Mosher, Gregory (1949)","Goldstein, Steven (1963)","Huffman, Felicity (1962)","Silverstein, Sheldon Allan (1930-1999)","Mamet, David (1947)","Balaban, Robert Elmer (1945)","Conroy, Frances (1953)","Buono, Cara (1971)","Nelson, Richard John (1950)","Bishop, Kelly (1944)","Channing, Stockard (1944)","Pearlman, Stephen (1935-1998)","Guare, John (1938)","Bishop, André (1948)","Alexander, Jane (1939)","McDormand, Frances (1957)","Vickery, John (1950)","Davis, Clifton (1945)","McGiver, Boris (1962)","Stoppard, Tom, Sir (1937)","Alexander, Terry (1947)","Heckart, Eileen (1919-2001)","Mastrantonio, Mary Elizabeth (1958)","Donaghy, Tom","Chenoweth, Kristin (1968)","Fuller, Penny (1937)","Gets, Malcolm (1964)","Finn, William (1952)","Stroman, Susan (1954)","Stackpole, Dana (1966)","Hingston, Sean Martin (1965)","Antoon, Jason (1971)","Weidman, John (1946)","Sutherland, Donald (1935-2024)","O'Hare, Denis (1962)","Margulies, Julianna (1966)","Baitz, Jon Robin (1961)","Kani, John (1942)","Bihl, Esmeralda","Seane, Warona","James, Nikki M. (1981)","Ticotin, Nancy  (1957)","Bavan, Yolande (1942)","Lachiusa, Michael John (1962)","Baker, Becky Ann (1953)","Harelik, Mark (1951)","Hecht, Jessica (1965)","Greenberg, Richard (1958)","Aspillaga, Vanessa (1972)","Brown, Blair (1946)","Clayburgh, Jill (1944-2010)","Ruhl, Sarah (1974)","Schreiber, Pablo (1978)","Shinn, Christopher (1975)","Kudisch, Marc (2024)","Belcon, Natalia Venetia (1969)","Kelly, David Patrick (1951)","Flaherty, Stephen (1960)","Lavin, Linda (1937)","Houdyshell, Jayne (1953)","Bartlett, Peter (1942)","Rudnick, Paul (1957)","McMartin, John (1929-2016)","Rebhorn, James (1948-2014)","Eli, Robert","Haigle, Noah (1978)","Gleason, Joanna (1950)","Foster, Hunter (1969)","Cervantes, Miguel (1976)","Frankel, Scott David (1963)","Davidson, Jeremy (1971)","Mays, Jefferson (1965)","Hogan, Robert (1933-2021)","Rogers, J.T. (1968)","Keenan-Bolger, Celia (1978)","Saito, James (1955)","Yaegashi, James (1972)","Lane, Diane (1965)","Shalhoub, Tony (1953)","Rankin, Gayle (1989)","Doran, Bathsheba","Plunkett, Stephen (1976)","Breen, Patrick (1960)","Pankow, John (1955)","Parnell, Peter","Ehle, Jennifer (1969)","McDonough, Ann (1949)","Murphy, Sally (1962)","Harmon, Joshua","Clemens, Adelaide (1989)","Chanler-Berat, Adam (1986)","Larroquette, John (1947)","Donovan, Edmund (1990)","Hellman, Nina (1967)","Ivey, Judith (1951)","Hunter, Samuel D. (1981)","Marylouise, Burke (1941)","Watkins, Brian","Coiro, Rhys (1979)","Bunin, Keith (1971)","Jones, Candrice","Testa, Mary (1955)","Baker, Dylan (1959)","Müller-Brühl, Helmut Peter (1933-2012)","Bach, Johann Christian Friedrich (1732-1795)","Mozart, Franz Xaver Wolfgang (1791-1844)","Dichter, Misha, 1945-","Glover, Jane, Dame (1949)","Kalmar, Carlos (1958)","Paganini, Nicolò, 1782-1840","Golijov, Osvaldo (1960)","Manze, Andrew (1965)","Halls, Matthew","Barnatan, Inon, 1979-","Zender, Johannes Wolfgang (1936-2019)","Schachter, Michael","Hughes, Langston (James Mercer Langston) (1901-1967)","Foss, Lukas, 1922-2009","Wallenstein, Alfred (18981007-19830208)","del Tredici, David Walter (1937-2023)","Wiłkomirska, Wanda (1929-2018)","Munroe, Lorne (1924-2020)","Zeltser, Mark Efimovich (1947)","Postnikova, Viktoria (1944)","Taneyev, Sergei Ivanovich (1856-1915)","Jones, Jennifer, (Mezzo-soprano)","Shiokawa, Yūko (1946)","Kim, Earl (1920-1998)","Weller, Walter (1939-2015)","Davies, Ryland (1943-2023)","Curzon, Clifford Michael, Sir (1907-1982)","Blackshaw, Christian Charles (1949)","Drucker, Stanley (1929-02-04-2022-12-19)","Newland, Larry","Carter, Elliott (1908-2012)","Gitlis, Ivry (1922-2020)","Duruflé, Maurice (1902-1986)","Haendel, Ida (1928-2020)","Barton, Randolph","Sondheim, Stephen, 1930-2021","Subramaniam, Lakshminarayana  (1947)","Bussotti, Sylvano (1931-2021)","Vinzing, Ute (1936)","Turnovsky, Martin (1928-2021)","Novák, Vítězslav Augustín Rudolf (1870-1949)","Druckman, Jacob (1928-1996)","Husa, Karel (1921-2016)","Cherkassy, Shura (1909-1995)","Rubinstein, Anton Grigoryevich (1829-1894)","Sanderling, Kurt (1912-2011)","Meneses, Antônio (1957)","Zwilich, Ellen Taafe (1939)","Wolfe, Julia (1958)","Ortiz, Cristina (1958)","Stenhammar, Carl Wilhelm Eugen (1871-1927)","Levi, Yoel (1950)","Pedrotti, Carlo (1817-1893)","Hétu, Jacques (1938-2010)","Mácal, Zdeněk  (1936-2023)","Kabalevsky, Dmitry Borisovich (1904-1987)","Oistrakh, Igor","Keene, Christopher, 1946-1995","Virsaladze, Eliso (1942)","Gutman, Natalia Grigoryevna (1942)","Flor, Claus Peter (1953)","Schiff, Heinrich (1951-2016)","Sheng, Bright (1955)","Davies, Dennis Russell (1944)","Kolb, Barbara (1939)","Gavrilov, Andrei (1955)","Pratt, Awadagin (1966)","Tubin, Eduard (1905-1982)","Baxtresser, Jeanne (1947)","Diadkova, Larissa Ivanova (1954)","Tamberg, Eino (1930-2010)","Feltsman, Vladimir Oskarovich (1952)","Katzer, Georg (1935-2019)","Piston, Walter Hamor, Jr. (1894-1976)","McFerrin, Robert Keith (1950)","Ling, Jahja (1951)","Perle, George (1915-2009)","Kirchner, Leon, 1919-2009","Thompson, Randall (1899-04-21-1984-07-09)","Wilson, Olly Woodrow, Jr. (1937-2018)","Asawa, Brian (1966-2016)","Little, Tasmin Elizabeth (1965)","Thomson, Virgil (1986-1989)","Westerfield, Richard","Suwanai, Akiko (1972)","Zorn, John, 1953-","Schwantner, Joseph Clyde (1943-03-22)","Canteloube de Malaret, Marie-Joseph (1879-1957)","Dam-Jensen, Inger (1964)","MacMillan, James Loy, Sir (1959)","Daugherty, Michael (1954)","Staples, Sheryl (1968)","Biller, Georg Christoph (1955-2022)","Leonskaja, Elisabeth (1945)","Frank, Martin (1890-1974)","Kirchschlager, Angelika (1965)","Pollet, Françoise (1949)","Say, Fazıl (1970)","Volodos, Arcadi (1972)","Wiens, Edith (1950)","Turrin, Joseph (1947)","Paasikivi-Ilves, Lilli Katriina (1965)","Kernis, Aaron Jay (1960)","Covey-Crump, Rogers (1944)","Hartke, Stephen Paul (1952)","Cedolins, Fiorenza (1966)","Weilerstein, Alisa (1982)","Tovey, Bramwell (1953-2022)","Puts, Kevin Matthew (1972)","Moser, Johannes (1979)","Grantham, Donald (1947)","Egner, Philip (1870-1956)","Shenyang (1984)","Gavrylyuk, Alexander (1984)","Plummer, Christopher (1929-2021)","Kriiku, Kari (1960)","Chin, Unsuk (1961)","Storgårds, John Gunnar Rafael (1963)","Adolphe, Julia (1988)","Auerbach, Lera (1973)","Davies, Tansy (1973)","Weilerstein, Joshua (1987)","Gersen, Joshua","Grosvenor, Benjamin (1992)","Þorvaldsdóttir, Anna Sigríður (1977)","Tao, Conrad Yiwen (1994)","Slobodeniouk, Dima (1975)","Gomyo, Karen","Rouvali, Santtu-Matias (1985)","Martinaitytė, Žibuoklė (1973)","Chen, Ray (1989)","Schulhoff, Erwin (1894-1942)","Pinto-Correira, Andreia","Lim, Yunchan (2004)","Berlin, Irving, 1888-1989","Merman, Ethel, 1908-1984","Yarnell, Bruce, 1935-1973","Venuta, Benay, 1910-1995","Kasha, Lawrence","Wayne, David","Treigle, Norman","Guadagno, Anton","Crader, Jeannine","Rodgers, Richard","Layton, Joe","Henderson, Florence","Irving, Robert, 1913-1991","Frohlich, Jean-Pierre","Corsaro, Frank, 1924-2017","Novoa, Salvador, 1937-2021","Patane, Franco, 1908-1968","Niska, Maralin, 1926-2016","Peress, Maurice, 1930-2017","Peterson, Kurt","Mallory, Victoria, 1948-2014","Molese, Michele, 1928-1989","Malas, Spiro, 1933-2019","Mester, Jorge, 1935-","Bible, Frances, 1919-2001","Susskind, Walter, 1913-1980","Morelli, Giuseppe, 1907-2000","Chapman, William, 1923-2012","Theyard, Harry, 1929-","Devlin, Michael, 1942-","Hale, Robert, 1933-2023","Ledbetter, William, 1961-","Lankston, John, 1934-2018","Reimueller, Ross, 1938-1987","Galvany, Marisa","Menotti, Gian Carlo","Darrenkamp, John","Martelli, Luigi","Delius, Frederick","Roy, Will","Roe, Charles","Palló, Imre, 1941-","Branson Gray, George","Taylor, Richard","Wells, Patricia","Ballard, Earline","Somogi, Judith, 1937-1988","Bertini, Gary, 1927-2005","Caldwell, Sarah, 1924-2006","Sarabia, Guillermo, 1937-1985","Musgrave, Thea, 1928-","Clarey, Cynthia, 1949-","DeRenzi, Victor","McKee, Richard","Grey, Joel, 1932-","Loewe, Frederick, 1901-1988","Burton, Richard, 1925-1984","Ebersole, Christine, 1953-","Stapp, Olivia","Bröcheler, John, 1945-","de Almeida, Antonio, 1928-1997","Grice, Garry","Weise, Klaus, 1936-2022","Eisler, David, 1955-1992","Esham, Faith, 1948-","Kelm, Linda, 1944-2016","Siciliani, Alessandro, 1952-","Knighton, Elizabeth","Flint, Mark, 1954-2012","Vergara, Victoria","Grayson, Robert","Robson, Christopher, 1953-","Senn, Marta","Garrison, Jon, 1944-","Dickson, Stephen, 1951-1991","Rescigno, Joseph, 1945-","Faix Brown, Winifred","Boncompagni, Elio, 1933-2019","Shirvis, Barbara","von Flotow, Friedrich, 1812-1883","Woods, Sheryl","Blitzstein, Marc, 1905-1964","Hunter, Laurie Anne","Munro, Leigh","McNeil, Dennis, 1960-","Marsee, Susanne, 1941-","Ajmone-Marsan, Guido, 1947-2014","Alexeyev, Valery","West, Stephen","Duerr, Robert, 1954-","Sorensen, Joel","von Einem, Gottfried, 1918-2007","Manahan, George, 1952-","Castle, Joyce, 1939-","Nolen, Timothy, 1941-2023","Mosteller, Steven","Ketelsen, Kyle, 1971-","Pendatchanska, Alexandrina, 1970-","Adamo, Mark, 1962-","Martins, Peter, 1946-","Pereira, Erica","Peiffer, Allen","Reichard, Daniel","Kay, Hershy, 1919-1981","Prince, Robert, 1929-2007","Strayhorn, Billy, 1915-1967","Cohen, Brad","Dovhan, Stefania, 1979-","Feldman, Morton, 1926-1987","Schwartz, Stephen, 1948-","Pärt, Arvo, 1935-","Mercurio, Steven","Scappucci, Speranza (1973)","Müller, Rufus (1959)","Boehler, Matt","Duncan, Tyler","Wang, Yunpeng","Levin, Ira","Cokorinos, Philip","Braunfels, Walter (1882-1954)","Crutchfield, Will (1957)","Gish, Allison","Jordheim, Alisa","van Heyningen, Erik","Ball, William, 1931-1991","O'Sullivan, Michael, 1934-1971","Maxwell, Roberta, 1941-","Rabb, Ellis, 1930-1998","Harris, Rosemary, 1927-","Walker, Sydney, 1921-1994","Williams, Tennessee","Farentino, James, 1938-2012","Conolly, Patricia, 1933-","Leonard, Hugh, 1926-2009","Freedman, Gerald, 1927-2020","Harris, Julie, 1925-2013","Durning, Charles, 1923-2012","Milner, Ron, 1938-2004","Schultz,  Michael, 1938-","Turman, Glynn, 1947-","Strindberg, August, 1849-1912","Caldwell, Zoe, 1933-2020","Elizondo, Héctor, 1936-","Burr, Anne, 1918-2003","Papp, Joseph, 1921-1991","Parsons, Estelle, 1927-","Lombard, Michael, 1934-2020","Gunn, Bill, 1934-1989","Williams, Dick Anthony, 1934-2012","Brown, Graham, 1924-2011","Ibsen, Henrik, 1828-1906","Skagestad, Tormod, 1920-1997","Ullmann, Liv, 1938-","Waterston, Sam, 1940-","Pinero, Arthur Wing, 1855-1934","Antoon, A. J., 1944-1992","Hurt, Mary Beth, 1946-","Streep, Meryl, 1949-","Rudman, Michael, 1939-2023","Shaw, George Bernard, 1856-1950","Gordon, Ruth, 1896-1985","O'Shea, Milo, 1926-2013","Brecht, Bertolt, 1898-1956","Foreman, Richard, 1937-","Bosco, Philip, 1930-2018","Kava, Caroline, 1949-","Chekhov, Anton, 1860-1904","Serban, Andrei, 1943-","Aeschylus, 525-456 BC","Zakkai, Jamil","Barry, Philip, 1896-1949","Danner, Blythe, 1943-","Herrmann, Edward, 1943-2014","Converse, Frank, 1938-","Anglim, Philip, 1952-","Anderman, Maureen, 1946-","Allen, Woody, 1935-","Grosbard, Ulu, 1929-2012","Arthur, Bea, 1922-2009","Weston, Jack, 1924-1996","Porter, Cole, 1891-1964","Uggams, Leslie, 1943-","Edelman, Gregg, 1958-","Vichi, Gerry","Chayefsky, Paddy, 1923-1981","Armus, Sidney, 1924-2002","Zaks, Jerry, 1946-","Evers, Brian, 1942-","Lagomarsino, Ron, 1951-","Curry, Tim, 1946-","Pappas, Evan","Sherwood, Robert, 1896-1955","Gutierrez, Gerald, 1950-2003","Hytner, Nicholas, 1956-","Hayden, Michael, 1963-","Barbour, James, 1966-","Nunn, Trevor, 1940-","Dundas, Jennifer, 1971-","Frierson, Andrea","Hellman, Lillian, 1905-1984","O'Brien, Jack, 1939-","Kerwin, Brian, 1949-","Kline, Kevin, 1947-","Atkinson, Jayne, 1959-","Brown, Jason Robert, 1970-","Prince, Harold, 1928-2019","Carmello, Carolee, 1962-","Carver, Brent, 1951-2020","Sheridan, Richard Brinsley, 1751-1816","Lamos, Mark, 1946-","Bergl, Emily, 1975-","Guettel, Adam, 1964-","Sher, Bartlett, 1959-","Clark, Victoria, 1959-","Morrison, Matthew, 1978-","O'Hara, Kelli, 1976-","O'Byrne, Brian, 1967-","Cullum, John, 1930-","Cerveris, Michael, 1960-","Plimpton, Martha, 1970-","Szot, Paulo, 1969-","Wolfe, George, 1954-","Wright, Jeffrey, 1965-","Stafford, Nick, 1959-","Elliott, Marianne, 1966-","Morris, Tom, 1964-","Klein, Tessa","Taylor, Holland, 1943-","Klein, Benjamin Endsley","White, Julie, 1961-","Lapine, James, 1949-","Fontana, Santino, 1982-","Akhtar, Ayad, 1970-","Hughes, Doug, 1955-","Pasquale, Steven, 1976-","Lim, Teresa Avia","Lerner, Alan Jay, 1918-1986","Smith, Paul Slade","Ambrose, Lauren, 1978-","Zarrett, Lee","Hadden-Paton, Harry, 1981-","Benanti, Laura, 1979-","Schenkkan, Robert, 1953-","Rauch, Bill, 1962-","Cox, Brian, 1946-","Coleman, Grantham, 1990-","Cusack, Carmen, 1971-","Gardner, Danny, 1982-","Wilder, Thornton, 1897-1975","Blain-Cruz, Lileana","Meredith, James Vincent, 1971-","Soo, Phillipa, 1990-","Donica, Jordan, 1994-","Harding, Daniel, 1975-","Cullen, Joseph","Halsey, Simon, 1958-","Huber, Gerold, 1969-","English"],"unitid_tesim":["WLU.Coll.0778","/repositories/5/resources/1140"],"normalized_title_ssm":["Henry Strouss Performing Arts collection"],"collection_title_tesim":["Henry Strouss Performing Arts collection"],"collection_ssim":["Henry Strouss Performing Arts collection"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Strouss, Henry  (Henry Strouss III ), Class of 1961"],"creator_ssim":["Strouss, Henry  (Henry Strouss III ), Class of 1961"],"creator_persname_ssim":["Strouss, Henry  (Henry Strouss III ), Class of 1961"],"creators_ssim":["Strouss, Henry  (Henry Strouss III ), Class of 1961"],"access_terms_ssm":["Access to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection"],"access_subjects_ssim":["Theater"],"access_subjects_ssm":["Theater"],"has_online_content_ssim":["false"],"extent_ssm":["15 Cubic Feet"],"extent_tesim":["15 Cubic Feet"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"bioghist_html_tesm":["\u003cp\u003eFor the benefit of the National Conference of Christians and Jews\u003c/p\u003e","\u003cp\u003eFor the benefit of both American and Russian War Charities\u003c/p\u003e","\u003cp\u003eFirst New York appearance in 3 years\u003c/p\u003e","\u003cp\u003eFirst American tour of the Berlin Philharmonic. Articles and flyer record protests in response to the manager's and director's previous Nazi membership.\u003c/p\u003e","\u003cp\u003eNoted: Because of the demand for tickets, another concert with Stravisky was scheduled for January 23rd.\u003c/p\u003e","\u003cp\u003eIn commemoration of the 250th anniversary of Pergolesi's birth\u003c/p\u003e","\u003cp\u003eThe orchestra's first appearance outside of Puerto Rico\u003c/p\u003e","\u003cp\u003eA gala recital for the benefit of the National Committee Against Discrimination in Housing\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras, Noted: because of illness, soloist Joseph Silverstein was replaced by Jaime Laredo\u003c/p\u003e","\u003cp\u003eCelebrating the 30th Anniversary Season of Eugene Ormandy as Music Director\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour\u003c/p\u003e","\u003cp\u003eOpening night of the production.\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eFinal program in a special series of four concerts, \"The Viennese School\"\u003c/p\u003e","\u003cp\u003eFinal event in the Hurok Sunday series\u003c/p\u003e","\u003cp\u003eOpening concert in the Hurok International Series \"A\".\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eCelebrating the 75th Anniversary of Ithaca College\u003c/p\u003e","\u003cp\u003eGala Performance. Maria Callas and Zinka Milanov, who both formerly played the titular role, attended the performance and received much applause. In contrast, Elena Suliotis was criticized for her performance and the audience was torn between cheering and booing.\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eIn appreciation of Harald A. Lowen (1897-1968), Executive Secretary 1958-1968\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eOpening concert in the Hurok International Series \"A\"\u003c/p\u003e","\u003cp\u003eIn memory of Charles Munch\u003c/p\u003e","\u003cp\u003eFourth Event in the Hurok International Series B\u003c/p\u003e","\u003cp\u003eFifth Event in the Hurok International Series B\u003c/p\u003e","\u003cp\u003eSixth Event in the Hurok International Series B\u003c/p\u003e","\u003cp\u003eCommemorating the 200th Anniversary of the birth of Ludwig Van Beethoven\u003c/p\u003e","\u003cp\u003eSecond Concert in Series\u003c/p\u003e","\u003cp\u003eAnnual Patron-Sponsor Concert\u003c/p\u003e","\u003cp\u003ePart of the Series of Stars\u003c/p\u003e","\u003cp\u003eNicolai Gedda was ill and unable to perform the role of Arnold, replaced by Jerome Lo Monaco and Mallory Walker spliting the role.\u003c/p\u003e","\u003cp\u003ePart of the Series of Stars\u003c/p\u003e","\u003cp\u003ePart of the Series of Stars\u003c/p\u003e","\u003cp\u003eA Metropolitan Opera Guild Benefit Concert\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eConcert in memory of David Oistrakh.\u003c/p\u003e","\u003cp\u003ePart of the Series of Stars\u003c/p\u003e","\u003cp\u003eIn honor of Aaron Copland's 75th birthday.\u003c/p\u003e","\u003cp\u003eLorin Maazel, the conductor, was unable to perform due to an injury and was replaced by Edo de Waart for the concert. The second half of the concert was changed from The Rite of Spring by Stravinsky to Symphony No. 2 in D Major, Opus 73 by Brahms.\u003c/p\u003e","\u003cp\u003eA British Salute to the American Bicentennial and The Seventh Concert in the Mozart Concerto Festival\u003c/p\u003e","\u003cp\u003ePart of the bicentennial celebration of the United States\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eThe concert was in memory of Fred Norring.\u003c/p\u003e","\u003cp\u003eFor the 150th anniversary of Beethovan's death.\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras. The concert replaced the one originally announced for the Czech Philharmonic, which had to cancel its American tour.\u003c/p\u003e","\u003cp\u003eThe Annual Patrons' and Sponsors' Concert\u003c/p\u003e","\u003cp\u003eIncludes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.\u003c/p\u003e","\u003cp\u003eThe Fiftieth Anniversary Season of the Cleveland Orchestra. Part of the International Festival of Visiting Orchestras.\u003c/p\u003e","\u003cp\u003eFifth Event in the Hurok International Series A.\u003c/p\u003e","\u003cp\u003eFourth Concert in the Series \"Art of the Lied\"\u003c/p\u003e","\u003cp\u003eDue to injury, Chicago Symphony Orchestra's conductor, Sir Georg Solti, was unable to conduct, so the concert was led by the assistant conductor Henry Mazer. The previous day he was replaced by Margaret Hillis.\u003c/p\u003e","\u003cp\u003eA gala concert performance for the benefit of the production fund of Friends of French Opera.\u003c/p\u003e","\u003cp\u003eHonoring the 150th Anniversary of Louis Moreau Gottschalk (Born in New Orleans on May 8, 1829)\u003c/p\u003e","\u003cp\u003eSinger Julia Hamari was unable to perform and was replaced by Florence Quivar.\u003c/p\u003e","\u003cp\u003eMontserrat Caballé withdrew to receive medical treatment in Spain and was replaced by Awilda Verdejo. Nicolai Gedda also withdrew due to illness and was replaced by Richard Estes.\u003c/p\u003e","\u003cp\u003eAn all Copland program in honor of Aaron Copland's 80th birthday.\u003c/p\u003e","\u003cp\u003eThe program order was reversed, Bartók's Concerto for Orchestra was played first followed by Bruckner's Symphony No. 4.\u003c/p\u003e","\u003cp\u003eScenes from the Life of a Martyr, by Undine Smith Moore, premiered in New York in memory of Martin Luther King Jr.\u003c/p\u003e","\u003cp\u003ePart of the Gala Rossini Opera Festival.\u003c/p\u003e","\u003cp\u003ePart of the Gala Rossini Opera Festival. Due to illness, Montserrat Caballe was replaced by June Anderson in the role of Semiramide.\u003c/p\u003e","\u003cp\u003eDue to illness, Edward J. Crafts was unable to perform the role of Duke Robert and was replaced by James Stith. The role of the Messenger was sung by William Drake.\u003c/p\u003e","\u003cp\u003eIn honor of the 100th anniversary of the composer's death.\u003c/p\u003e","\u003cp\u003ePart of the Gala Rossini Opera Festival\u003c/p\u003e","\u003cp\u003ePart of the French Opéra-Comique Festival\u003c/p\u003e","\u003cp\u003eGala Sixtieth Anniversary Benefit Concert.\u003c/p\u003e","\u003cp\u003eThe performance of Mahler's Symphony No. 4 was dedicated to the memory of Michael Ries.\u003c/p\u003e","\u003cp\u003ePart of the French Opéra Comique Festival.\u003c/p\u003e","\u003cp\u003ePart of the Handel Opera Festival\u003c/p\u003e","\u003cp\u003ePart of the Handel Opera Festival.\u003c/p\u003e","\u003cp\u003eThe performance of Berg's Seven Early Songs commemorates the 100th anniversary of the composer's birth.\u003c/p\u003e","\u003cp\u003ePerformed on the 300th anniversary of the composer's birth and part of the Handel Opera Festival.\u003c/p\u003e","\u003cp\u003eThis was the US debut of Jin Li. Part of the program is missing, which tells that the orchestra performed 2 Pieces for Small Orchestra: 1. On Hearing the First Cuckoo in Spring (1912) by Frederick Delius and Variations on an Original Theme, Op. 36, \"Enigma\" (1899) by Edward Elgar after the intermission.\u003c/p\u003e","\u003cp\u003ePart of The Choral Celebration of Bach.\u003c/p\u003e","\u003cp\u003ePart of the Handel Opera Festival.\u003c/p\u003e","\u003cp\u003eThe Berg works are being performed in honor of the 100th anniversary of his birth.\u003c/p\u003e","\u003cp\u003eBecause of a recent illness limiting Mr. Ozawa's rehearsal time, Dvorák's Symphony No. 7 was replaced by Tchaikovsky's Symphony No. 6 in the program.\u003c/p\u003e","\u003cp\u003eFor the benefit of Emmaus, which serves New York City's homeless.\u003c/p\u003e","\u003cp\u003eThis concert was dedicated to the memory of Karol Szymanowski.\u003c/p\u003e","\u003cp\u003eA benefit to celebrate the fifteenth anniversary of Opera Orchestra of New York.\u003c/p\u003e","\u003cp\u003eCelebrating the 60th birthday of Mstislav Rostropovich\u003c/p\u003e","\u003cp\u003e35th Anniversary Concert\u003c/p\u003e","\u003cp\u003eRudolf Serkin was unable to preform as previously announced due to illness and was replaced by Malcolm Frager.\u003c/p\u003e","\u003cp\u003eSylvia McNair replaced Sophia Larson for this performance.\u003c/p\u003e","\u003cp\u003eIt is noted that Aprile Millo, who played Maddalena di Coigny, dedicated her performance to the memory of her father, Giovanni Millo, who was known for his portrayal of the title role.\u003c/p\u003e","\u003cp\u003eThis concert is presented by the Jerusalem Foundation in honor of the 40th Anniversary of the State of Israel.\u003c/p\u003e","\u003cp\u003eA New York International Festival of the Arts event\u003c/p\u003e","\u003cp\u003eA New York International Festival of the Arts event\u003c/p\u003e","\u003cp\u003eDue to a death in the family, Seiji Ozawa was unable to conduct and was replaced by David Zinman. The program was changed from Mahler's Symphony No. 9 to Mahler's Symphony No. 1 and Chopin's Piano Concerto No. 1.\u003c/p\u003e","\u003cp\u003eGiuseppe Giacomini was replaced by Nunzio Todisco and Michael Shell was replaced by Wanda Brister for the performance.\u003c/p\u003e","\u003cp\u003eSeiji Ozawa was unable to conduct due to illness and was replaced by André Previn.\u003c/p\u003e","\u003cp\u003eThis performance is dedicated to the memory of Dr. Hugh Ross, for more than 60 years as the Music Director of the Schola Cantorum of New York.\u003c/p\u003e","\u003cp\u003eThe grandfather clock and black cat, originally meant to be Philippe Huttenlocher, was played by David Evitts.\u003c/p\u003e","\u003cp\u003eThese performances were dedicated to the memory of Leonard Bernstein (Auguest 25, 1918 - October 14, 1990)\u003c/p\u003e","\u003cp\u003eMozart's Piano Concerto No. 19 was changed to his Piano Concerto No. 26. The orchestra recognized the recent death of Aaron Copland (1900-1990) by including a commemerative performance of the Variations on a Shaker Melody (Simple Gifts) from Copland's ballet Appalachian Spring.\u003c/p\u003e","\u003cp\u003eCopland's Quintet (\"The promise of living\") from Act I of the opera \"The Tender Land\" was performed in memory of his recent passing.\u003c/p\u003e","\u003cp\u003eInsert: Mara Zampierni indisposed, role of Elizabette to be played by Martile Rowland\u003c/p\u003e","\u003cp\u003eInsert: Role of Killian will by sung by Gerald Dolter. Prince Ottokar will be sung by Gregory Rahming. Please Note: This Opera involves hubnting and shooting prowess. Ther will be several gunshots during the performance.\u003c/p\u003e","\u003cp\u003eCommemorating the quincentenary of the Christopher Columbus Voyage\u003c/p\u003e","\u003cp\u003eInsert: Saint Ludmila Description\u003c/p\u003e","\u003cp\u003eMusic from concentration camp Terezin, also known as Theresienstadt\u003c/p\u003e","\u003cp\u003eNote: \"This performance is dedicated to Alice Tully, whose love and support of the arts is legendary. Her presence in the center box at Opera Orchestra's concerts will be greatly missed. We are grateful for her warmth and friendship\"\u003c/p\u003e","\u003cp\u003eNote: \"Celebrating Seiji Ozawa's Twentieth Anniversary Season as Music Director of the Boston Symphony Orchestra\"\u003c/p\u003e","\u003cp\u003eInsert: \"Aprile Millo was involved in an automobile accident in Italy and has sustained injuries from which she is recovering, but which have forced her to withdrawl from Caterina Cornaro. Martile Rowland will sing the title role. She performed as Caterina in a preview performance last tuesday evening in Princeton University's Richardson Auditorium\"\u003c/p\u003e","\u003cp\u003eInsert: Garrick Ohlsson will replace Evgeny Kissin as soloist in the Schumann Piano Concerto at this evening's performance by The Philadelphia Orchestra. Mr. Kissin has cancelled his appearance due to the flu. Carnegie Hall is grateful to Mr. Ohlsson for agreeing to appear on such short notice.\u003c/p\u003e","\u003cp\u003einsert: HEROD will be sung by baritone Eduardo Del Campo (as opossed to Yuri Mazurok\u003c/p\u003e","\u003cp\u003eInsert: John Uhlenhopp as Lykov, Martin Dillon as Bomelii, Svetlana Furdui as The Housemaid\u003c/p\u003e","\u003cp\u003eInsert: JohnAler forced to cancel due to illness, tenor Carl Halvorson takes his place\u003c/p\u003e","\u003cp\u003eInsert: Due to illness, Carol Vaness was replaced by Sharon Sweet. This is Sharon Sweet's Carnegie Hall debut.\u003c/p\u003e","\u003cp\u003eInsert: \"Carnegie Hall joins Seiji Ozawa and the Vienna Philharmonic Orchestra in mourning thr loss of our friend, the distinguished composer Toru Takemitsu, who passed away Feburary 20th, 1996. In his memory, his work Requiem for String Orchestra will open tonight's program\"\u003c/p\u003e","\u003cp\u003e\"This performance is dedicated with affection and admiration to the memory of Robert E. Wagenfeld\"\u003c/p\u003e","\u003cp\u003eInsert: La Damnation de Faust Description\u003c/p\u003e","\u003cp\u003eInsert: Beethoven in New York, Chamber orchestra of Europe, Sponsored by the BOC Group\u003c/p\u003e","\u003cp\u003eInsert: \"Samuel Ramey will not sing the role of Roger in OONY's presentation of Verdi's Jerusalem. Mr. Ramey has canceled because of illness.\" Gary Simpson to Play Roger, Perry Ward to Play Count of Toulouse, Luiz-Ottavio Faria to play Emir.\u003c/p\u003e","\u003cp\u003eThis performance was dedicated to the memory of Richard deVaultier (1916-1988).\u003c/p\u003e","\u003cp\u003eInsert: Pianist Ivo Pogorelich had to withdraw from the performance and was replaced by André Watts.\u003c/p\u003e","\u003cp\u003eInsert: Tenor Thomas Moser had to withdraw from the performance due to illness and was replaced by Jon Fredric West.\u003c/p\u003e","\u003cp\u003eNotations for Orchestra by Pierre Boulez performed in honor of the composer's 75th birthday.\u003c/p\u003e","\u003cp\u003eInsert: Soprano Jane Eaglen was unable to perform the role of La Gioconda and was replaced by Sylvie Valayre\u003c/p\u003e","\u003cp\u003eConcert to celebrate the 70th birthday of Lorin Maazel\u003c/p\u003e","\u003cp\u003eInsert: \"Tonights performance is dedicated to the memory of Alfredo Kraus and Pablo Elvira who sang La favorita so beautifully with Opera Orchestra in 1975\"\u003c/p\u003e","\u003cp\u003eJohn Williams \"For Seiji!\" New York premire. Celebrating Mstisalv Rostropovich's 75th Birthday.\u003c/p\u003e","\u003cp\u003eChristopher Rouse's \"Rapture\" New York Premiere. Michael Hersch's \"Symphony No. 2\" New York Premiere.\u003c/p\u003e","\u003cp\u003eIncludes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.\u003c/p\u003e","\u003cp\u003eIn commemoration of the 200th anniversary of the birth of Hector Berlioz\u003c/p\u003e","\u003cp\u003eThis performance is dedictaed to the memory of Robert E. Wagenfeld\u003c/p\u003e","\u003cp\u003eIn loving memory of Robert J. Harth 1956-06-13 -- 2004-01-30. The 2003-2004 season is dedicated to the memory of Robert J. Harth , who led Carnegie Hall as Executive and Artistic Director from September 2001 until January 2004.\u003c/p\u003e","\u003cp\u003eThis evening's performance is dedicated to the memory of Frederic Bradlee, a long-time friend and supporter of Opera Orchestra.\u003c/p\u003e","\u003cp\u003eThe 50th Concert of the Met Orchestra at Carnegie Hall\u003c/p\u003e","\u003cp\u003eRevised Program: Please note that Michelle DeYoung will be perfroming this afternoon in place of Natalie Dessay who has withdrawn because of bronchitis.\u003c/p\u003e","\u003cp\u003eIn memory of Stephen M. Kellen, and honorary citizen of the city of Berlin and an honorary member of the Berliner Philharmoniker\u003c/p\u003e","\u003cp\u003eThis concert is dedicated to the memory of John Forbes, a longtime member of the St. Cecilia Chorus.\u003c/p\u003e","\u003cp\u003eThis concert is dedicated to the memory of Charlotte Kirschner (1922-2005)\u003c/p\u003e","\u003cp\u003eAnnotation: \"Obraztsova did not appear\"  refers to mezzo-soprano Elena Obraztsova)\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003ePlease note that Andris Nelsons will conduct this concert in place of James Levine, who continues to suffer ill effects from a recent procedure addressing his continuing back issues. Andris Nelsons appears this evening courtesy of the Metropolitan Opera.\u003c/p\u003e","\u003cp\u003eNote under Daniil Trifonov: Grand Prize and Gold Medal, Piano, XIV International Tchaikovsky Competition\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eInsert: The role of MLLE. JOUVENOT will be sung this evening by soprano DANIELLE WALKER\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eMarking the Bicentennial of Wagner's Birth\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003ePlease note that Lorin Maazel is unable to conduct this evening's concert due to illness. Carnegie Hall and the Munich Philharmonic Orchestra are immensely grateful to Fabio Luisi for agreeing to conduct in his place. Mr. Luisi appears at Carnegie Hall courtesy of the Metropolitan Opera.\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003ePlease note that Anna Netrebko will be performing in place of Elīna Garanča, who has withdrawn due to illness. The revised program is included below. Carnegie Hall and the Metropolitan Opera wish to express their gratitude to Ms. Netrebko for graciously agreeing to perform on very short notice.\u003c/p\u003e","\u003cp\u003eNote: Donor performed in chorus\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003ePart of The Song Continues 2017\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eNoted: the Adoramus te from the Mass Proper was replaced by Penitentes orate, a Mozarabic prayer from the 11th century\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic, Noted: Though soprano Anna Simboli is currently suffering from a minor illness, she will perform the roles of Amore and Damigella this evening\u003c/p\u003e","\u003cp\u003eConcert dedicated to ASO principal clarinet Laura Flax (1994-2017)\u003c/p\u003e","\u003cp\u003eNoted: Susanna Phillips was unable to perform, replaced by Jennifer Check\u003c/p\u003e","\u003cp\u003eNoted: Pene Pati (Tenor), Rachel Willis-Sørensen (Soprano), and Matthew Curran (Bass) were added to the performance\u003c/p\u003e","\u003cp\u003eChristian Van Horn, 2018 Richard Tucker Award Winner\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eInsert: Bio of Jonathan Biss \"Due to an injury, pianist Paul Lewis has regretfully withdrawn from this evening's performance. Pianist Jonathan Biss will perform in his place.\"\u003c/p\u003e","\u003cp\u003eThis concert is dedicated to the memory of André Previn (1929-2019), whose artistry and warm personality throughout his brilliant and multifaceted career brought joy to countless music lovers worldwide.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eInsert: \"Chief Conductor Mariss Jansons has fallen ill and is unable to conduct this evening's performance. Carnegie Hall and the Bavarian Radio Symphony Orchestra are grateful to Vasily Petrenko, who has agreeded to conduct in his place.\"\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eInsert: Yannick Nézet-Séguin conducts the Vienna Philharmonic Orchestra in place of Valery Gergiev.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eInsert: Joseph Beutel Bio\u003c/p\u003e","\u003cp\u003eInsert: \"Please note that due to illness, tenor Andrew Staples is unable to perform this evening. Joshua Blue will perform in his place.\u003c/p\u003e","\u003cp\u003eHosted by Richard Gere\u003c/p\u003e","\u003cp\u003eTicket Information: Parquet Mid, $67.20, For up-to-date information about health and safety, visit carnegiehall.org/SafetyChecklist. Section PARQ Row/Box S Seat 22\u003c/p\u003e","\u003cp\u003eInsert: This performance will be heard around the world! This concert will be broadcast live on Classical New York 105.9 FM WQXR and streamed online as part of the Carnegie Hall Live series. Before you silence your phones, tell your friends to listen in. Relive the concert anytime at wqxr.org and carnegiehall.org/wqxr.\u003c/p\u003e","\u003cp\u003eInsert 1: \"Actor, director, screenwriter and producer Live Schreiber joins the Lviv National Philharmonic Orchestra of Ukraine as host for this evening's performance. Special thanks to CAMI Music for its generous support of this event.\" Insert 2: \"Olena Zelenska, First Lady of Ukraine. I am grateful to Carnegie Hall and to every person in the United States for their support of people in Ukraine. The Olena Zelenska Foundation is working to transform this support into systemic help for millions of Ukrainians whose lives have been affected in the aftermath of the full-scale Russian invasion. The war against Ukraine leaves civilians without electricity and heat in the face of winter. It bombs hospitals and schools. It turns childhood into orphanhood. It aims at life itself. Ukraine has resisted it for almost a year now. Unfortunately, the longer the war goes on, the more people become its victims, and the more support they need. We recover people's lives through humanitarian aid, medicine, and education to make the entire country's future possible. For more information on our programs, please visit (QR CODE) Will you stand with us?\"\u003c/p\u003e","\u003cp\u003eThis performance was Bruce Liu's New York Recital Debut. He was the First Prize Winner of the 18th International Chopin Piano Competition (2021).\u003c/p\u003e","\u003cp\u003eInsert: \"Please note that Nadine Sierra has withdrawn from this concert due to illness. Soprano Lisette Oropesa will perform in her place.\" Contains Lisette Oropesa's bio.\u003c/p\u003e","\u003cp\u003eInserts are idenitcal: \"Richard Tucker Music Foundation Presents Gala 2023\" Includes the evening's set.\u003c/p\u003e","\u003cp\u003eInsert: \"Have a drink on us!\" a redeemable coupon for a beverage at Carnegie Hall, website link to leanr about more \"extras\"\u003c/p\u003e","\u003cp\u003e\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"\u003c/p\u003e","\u003cp\u003e\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"\u003c/p\u003e","\u003cp\u003eInsert: Bio of Kirsten Sollek, Contralto\u003c/p\u003e","\u003cp\u003eAnnotation: \"Hilarious!\"\u003c/p\u003e","\u003cp\u003eTicket: Section: Tier 1 Row/Box: 33 Seat: 5. Concert Three. Price: $281.00 Name: Fung Section: Blavatnik Family First Tier\u003c/p\u003e","\u003cp\u003eInsert: Kimo Furumoto will conduct the first half of tonight's concert, replacing Gerhard Samuel who is indisposed. Elmer Thomas conducts the second half of the program.\u003c/p\u003e","\u003cp\u003eInsert: \"Film \u0026amp; Music\" \"Scenes from Ivan the Terrible\"\u003c/p\u003e","\u003cp\u003e\"The management regrets to announce that due to injuries, we are unable to present THEME AND VARIATIONS this evening. The program will be: JARDIN ANIME (pause) Pas de Trois from THE GUARDS OF AMAGER (intermission) GISELLE\"\u003c/p\u003e","\u003cp\u003e\"MIKHAIL BARYSHNIKOV has suffered an injury and is unable to dance this evening. Other Dancers will be performed by: SUSAN JAFFE and ROBERT LA FOSSE. The leading dancers in THEME AND VARIATIONS will be: CHERYL YEAGER and PETER FONSECA\"\u003c/p\u003e","\u003cp\u003e\"Gesley Kirklan is unable to dance this evening. The role of \"La Sylphide\" will be performed by Marianna Tcherkassky.\"\u003c/p\u003e","\u003cp\u003e\"Cynthia Gregrory is injured and is unable to dance this evening. \"Cinderella\" will be danced by Cheryl Yeager. \"A Masked Lady\" will be Elaine Kudo. In act 1, Scene 2, the soloist danced in \"Spring\" will be Alina Hernandez; in \"Winter\" it wil be Carla Stallings. In act 3, A Merchant's \"Three Daughters\" will be Christine Spizzo, Nancy Raffa, and Suzanne Goldman\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of The Leaves are Fading, please note the following cast changes: Amanda McKerrow replaces Leslie Browne. Kevin McKenzie Replaces Robert La Fosse. Chrisa Keramidas replaces Amanda McKerrow. John Turjoman replaces John Gardner. In Anastasia, the role of \"Anna Anderson\" will be performed by Martine Van Hamel\u003c/p\u003e","\u003cp\u003e\"Robert La Fosse is unable to perform this evening.\"\u003c/p\u003e","\u003cp\u003eContains a newspaper article on \"The Mollino Room\"\u003c/p\u003e","\u003cp\u003eContains a newspaper article about the performance\u003c/p\u003e","\u003cp\u003e\"Due to injuries in the Company, The Informer can not be presented this evening. Bruch Violin Concert No. 1 will be performed in its place.\"\u003c/p\u003e","\u003cp\u003e\"Susan Jaffe is injured and unable to perform. Kitri, Lroenzo's daughter will be danced by Cheryl Yeager\"\u003c/p\u003e","\u003cp\u003e\"Due to an injury, State of Grace will not be performed this evening. Cruel World will be danced in its place\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Don Quixote, the Flower Girls will be Isabella Boylston and Misty Copeland and the Gypsy Couple will be Isadora Loyola and Luis Ribgorda.\"\u003c/p\u003e","\u003cp\u003eRichard Westenburg signature\u003c/p\u003e","\u003cp\u003eRichard Westenburg signature\u003c/p\u003e","\u003cp\u003ePamphlet for the 50th Anniversary of Great Performers\u003c/p\u003e","\u003cp\u003eDue to Illness, Davone Tines was unable to perfom. Soloman Howard sang in his place.\u003c/p\u003e","\u003cp\u003eTenth Anniversary Season\u003c/p\u003e","\u003cp\u003eInsert: \"At these concerts, Marvis Martin, soprano, will replace Frederica von Stade.\" Some of the numbers have been altered from the original program. Contains a bio for Marvis Martin and a Translation of Henri Duparc's \"Extase\" (En: Ecstacy) from the original French into English\u003c/p\u003e","\u003cp\u003e\"Tonight's performance is dedicated to the Lincoln Center for Performing Arts on the occasion of its 25th anniversary.\" News Article: \"Music: Chamber Society\" by Bernard Holland, a review of the Friday evening program.\u003c/p\u003e","\u003cp\u003e\"This event is part of American Music Week which is sponsered by the American Music Center\"\u003c/p\u003e","\u003cp\u003eNewspaper Article: \"Chamber: Del Tredici\"\u003c/p\u003e","\u003cp\u003eInsert: Typed Version of Program (Addition of an intermission, addition of a mozart piece, switch in order)\u003c/p\u003e","\u003cp\u003eInsert: \"For the Chamber Music Society's performances on December 4 and 6, David Schiff will conduct the world premiere of his \"Solus Rex.\" Please not that INTERMISSION will follow the performance of \"Solus Rex.\"  We regret that Robert Routch is unable to perform on these concerts because of illness. Micheal Ishii will play Horn III in the Dvorak Serenade and David Jolley will replace Mr. Routch in the Dvorak Serenade and the Poulenc Sextet.\u003c/p\u003e","\u003cp\u003eAnnotation indicates Brahams' Sonata was replaced with a Schubert piece\u003c/p\u003e","\u003cp\u003eAnnotation indicates André Watts was replaced by Lee Luvisi on Piano and the Grieg Sonata was replaced by Barhms' G Major Op 78\u003c/p\u003e","\u003cp\u003eInsert: Christòpheren Nomura Bio (replace Hermann Prey late notice due to illness)\u003c/p\u003e","\u003cp\u003eInsert and Annotaion: Mark Kaplan and Toby Hoffman appear to replace Thomas Kehetmair and Ruth Killius\u003c/p\u003e","\u003cp\u003eIncludes Program Insert: \"For tonight's performance, MICHAEL SCHADE will be replaced by WILLIAM KENDALL\"\u003c/p\u003e","\u003cp\u003ePerformances on 1998-07-14, 1998-07-15, 1998-07-18, and 1998-07-19 in Hebrew, performances on 1998-07-16, 1998-07-17 in Russian.\u003c/p\u003e","\u003cp\u003eProgram Note: \"According to performance practice of this period, the violinists and violists will stand while playing during the performance of the symphonies on all programs.\"\u003c/p\u003e","\u003cp\u003eProgram Insert: \"Please note the following cast change for this perofrmance of Little Humpbacked Horse: The role of The Humpbacked Horse will be danced by Grigory Popov.   The role of Gavrilo will be danced by Maxim Zyuzin.  The Horses and the Seahorses will be danced by Kamil Yangurazov \u0026amp; Andrey Soloviev\u003c/p\u003e","\u003cp\u003eThree separate concerts included in program.  First concert (2015-07-15, 2015-07-18) is a performance of Richard Strauss' Daphne arranged for concert.  Second concert (2015-07-16) is Oliver Messiaen and Antonin Dvorak.  Third concert (2015-07-17) is Beethoven's Pastoral symphony and Strauss' Symphonia Domestica.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Die Walkuere, the wole of Bruennhilde will be sung by Margaret Harshaw, replacing Birgit Nilsson, who is indisposed. The role of Sieglinde will be sung by Gladys Kuchta.\"\u003c/p\u003e","\u003cp\u003eCornell MacNeil replaces Anselmo Colzani as Rigoletto\u003c/p\u003e","\u003cp\u003eNew Production\u003c/p\u003e","\u003cp\u003eSigned by  Jesús López-Cobos, Bonaldo Giaiotti, Sherill Milnes, and Luciano Pavarotti\u003c/p\u003e","\u003cp\u003eNot an operatic program; rather, a list of members of the benefit committee for a 1980-02-04 performance of \"Un Ballo In Maschera,\" whose program does not appear in this collection.  Strouss is listed alongside his wife as a member of the benefit committee.\u003c/p\u003e","\u003cp\u003eProgram Insert: \"For this evening's performance of TOSCA the role of Cavaradossi will be sung by Ermanno Mauro, replacing Giacomo Giacomini\u003c/p\u003e","\u003cp\u003eProgram insert: In this evening's performance of \"Il Barbiere di Siviglia\", the role of Rosina will be sung by Gail Dubinbaum, replacing Julia Hamari, who is ill.\u003c/p\u003e","\u003cp\u003eProgram insert: Simon Estes, who is singing the role of Porgy, dislocated his knee in the final dress rehearsal of \"Porgy and Bess\" on Monday.  As a result, he will perform this evening on crutches, necessitating some changes in the original staging.\u003c/p\u003e","\u003cp\u003eNote from H. Strouss: \"Clarie says the misprints in the program could make it a collector's item.  Actually more than two errors - but I don't remember all of them (First - Porgy + Bess).\u003c/p\u003e","\u003cp\u003eProgram insert: \"In the evening's performance of 'Porgy and Bess,' the role of Bess will be sung by Priscilla Baskerville, replacing Roberta Alexander, who is ill. \"   There are signatures from Priscilla Baskerville and another, indecipherable.\u003c/p\u003e","\u003cp\u003eProgram insert: \"In this evening's performance of 'La Traviata,' the role of Violetta will be sung by Diana Soviero, replacing Anna Tomowa-Sintow, who is ill, and the role of Alfredo will be sung by Neil Rosenshein, replacing Dano Raffanti, who is also ill.\u003c/p\u003e","\u003cp\u003eProgram insert: \"The conductor for this evening's performance of LA TRAVIATA will be Richard Woitach, replacing Carlos Kleiber, who is ill.\u003c/p\u003e","\u003cp\u003eProgram insert: \"Please note the following program change: the soprano soloist will be Cheryl Studer, replacing Carol Vaness, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Le Nozze di Figaro the role of Don Basilio will be sung by Bernard Fitch, replacing Greg Fedderly, who is ill, and the role fo Don Curzio will be sun by Anthony Laciura, replacing Tony Stevenson, who is ill.\u003c/p\u003e","\u003cp\u003eIldar Abdrazakov's debut performance\u003c/p\u003e","\u003cp\u003eMetropolitan Opera Premiere\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Aida the role of Radamès will be sung by Franco Farina, replacing Marco Berti, who is ill\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Ernani Angela Meade will make her Metropolitan Opera debut as Elvira, replacing Sondra Radvanovsky, who is ill.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of The Gambler the role of the General will be sung by Vladimir Ognovenko, replacing Segei Aleksashkin, who is ill.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Un Ballo in Maschera the role of Gustavo will be sung by Ramon Vargas, replacing Salvatore Licitra, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"The Metropolitan Opera is grateful to Marcello Giordani, who will be singing the role of Pinkerton in this evening's performance of Madama Butterfly, replacing Roberto Aronica, who is ill. Earlier today, Mr. Giordani sang the title role in La Damnation de Faust, making this a rare double appearance in one day.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Tristan und Isolde the role of Isolde will be sung by Linda Watson, replacing Katarina Dalayman, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Les Contes d'Hoffmann, Rachele Gilmore will be making her Met debut in the role of Olympia, replacing Kathleen Kim. The role of Giulietta will be sung by Laura Vlasak Nolen, replacing Ekaterina Gubanova, and the Four Servants will be sung by Joel Sorensen, replacing Alan ke. Ms. Kim, Ms. Gubanova, and Mr. ke are ill.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Attila, the role of Foresto will be sung by Russell Thomas, replacing Ramón Vargas, who is ill, and the role of Uldino will be sung by Eduardo Valdes\u003c/p\u003e","\u003cp\u003e\"Marilyn Horne will host today's Grand Finals Concert, replacing Joyce DiDonato, whose flight to New York was cancelled due to bad weather.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Der Fliegende Holländer, Lori Phillips will make her Metropolitan Opera debut as Senta, replacing Deborah Voigt, who is ill.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Romeo et Juliette, the role of Juliette will be sung by Hei-Kyung Hong, replacing Angela Gheorghiu, who is ill.\"\u003c/p\u003e","\u003cp\u003eMet Opera premiere\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Tosca, the role of Scarpia will be sung by Bryn Terfel, replacing James Morris, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Don Giovanni, the title role will be sung by Peter Mattei, replacing Mariusz Kwiecien, who has injured his back.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of The Enchanted Island, the role of Prospero will be sung by Anthony Roth Costanzo, replacing David Daniels, who is ill. The role of Ferdinand will be sung by Jeffrey Mandelbam, replacing Mr. Costanzo\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Gotterdammerung, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Die Walkure, the role of Siegmund will be sung by Stuart Skelton, replacing Jonas Kaufmann, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Siegfried, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In  tonight's performance of Otello, Avgust Amonov will make his Metropolitan Opera debut in the title role, replacing Johan Botha, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Les Troyens the role of Coreobus will be sung by Stephen Gaertner, replacing Dwayne Croft, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"Salvatore Cordella will make his Metropolitan Opera debut as Leicester in this evening's performance of Maria Stuarda, replacing Matthew Polenzani, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"Due to the configuration of scenery backstage, the first intermission of this performance of Turandot will last approximately 45 minutes\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Die Meistersinger von Nurnberg, the role of Sxtus Beckmesser will be sung by Martin Gantner, replacing Johannes Martin Kranzle, who is ill; and the role of Fritz Kothner will be sung by Ryan McKinny, replacing Mr. Gantner.\"\u003c/p\u003e","\u003cp\u003eProgram Insert: \"In this afternoon's performance of Anna Bolena, the roleof Giovanna Seymour will be sung by Milijana Nikolic, replacing Jamie Barton, who is ill.\"\u003c/p\u003e","\u003cp\u003eNote from H. Strouss: \"This is important program.  Placido Domingo resigned from Met do [sic] to accusations of sexual misconduct.  This gave a young singer a chance.\"  Program insert: \"In tonight's performance of Macbeth, Craig Colclough will make his Met debut in the title role.\"\u003c/p\u003e","\u003cp\u003eThis program is a catalog of livestreamed and radio performances of the Met Opera during the 2019-20 season.  It is unclear how many, if any, performances took place during Covid-19 pandemic.  Placido Domingo is also listed (incorrectly) as performing in a number of performances, even after his resignation\u003c/p\u003e","\u003cp\u003eNote from H. Strouss: \"Last event before COVID shutdown\"\u003c/p\u003e","\u003cp\u003eProgram Insert entitled \"We Stand with Ukraine\"\u003c/p\u003e","\u003cp\u003eProgram Insert entitled \"We Stand with Ukraine\"\u003c/p\u003e","\u003cp\u003eProgram Insert: \"In today's performance of Peter Grimes, Laura Wilde makes her Met debut in the role of Ellen Orford.\u003c/p\u003e","\u003cp\u003eProgram Insert: \"In today's performance of Norma, the title role will be sung by Helena Dix\"\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eProgram Notice: \"The Philharmonic-Symphony Society of New York notes with great sorrow the death of our esteemed colleague Aaron Copland...\"\u003c/p\u003e","\u003cp\u003eProgram Note: \"These performances are dedicated to the memory of Laureate Conductor Leonard Bernstein, whose legendary conducting debut with the New York Philharmonic took place on November 14, 1943.\"\u003c/p\u003e","\u003cp\u003e\"In this performance of Madama Butterfly the role of Madama Butterfly will be sung by Maralin Niska\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Mefistofele the role of Faust will be sung by Harry Theyard\"\u003c/p\u003e","\u003cp\u003eJune Anderson's debut performance\u003c/p\u003e","\u003cp\u003ePlease note the following cast changes due to injury. Symphony in C Third Movement: Samantha Allen will dance in place of Yvonne Borree. Fourth Movement: Stacey Calvert will dance in place of Samantha Allen\u003c/p\u003e","\u003cp\u003eEpisodes Guest Conductor: David Briskin. Please note the following cast changes, due to illness and injury. Vienna Waltzes: Joaquin De Luz will dance in place of Damian Woetzel\u003c/p\u003e","\u003cp\u003ePlease note the following cast change, due to illness and injry. Ana Sophia Scheller will dance in place of Carrie Lee Riggins\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Varya usually played by Priscilla Smith will be played by Suzanne Collins\"\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Flan usually played by John Cunningham will be played by Brian Evers and the role of Detective usually played by Brian Evers will be played by David Little\"\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Enoch Snow Jr. usually played by Duane Boutte will be played by Steven Ochoa\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Lt. Buzz Adams usually played by George Merrick will be played by Nick Mayo\"\u003c/p\u003e","\u003cp\u003e\"WarHorse Welcomes to the Company Tessa Klein\"\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Cary Grant usually played by Tony Yazbeck will be played by Danny Gardner\"\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Homer usually played by Julian Rozzel, Jr. will be played by Tyrone Mitchell Henderson\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical 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Charities","First New York appearance in 3 years","First American tour of the Berlin Philharmonic. Articles and flyer record protests in response to the manager's and director's previous Nazi membership.","Noted: Because of the demand for tickets, another concert with Stravisky was scheduled for January 23rd.","In commemoration of the 250th anniversary of Pergolesi's birth","The orchestra's first appearance outside of Puerto Rico","A gala recital for the benefit of the National Committee Against Discrimination in Housing","Part of the International Festival of Visiting Orchestras, Noted: because of illness, soloist Joseph Silverstein was replaced by Jaime Laredo","Celebrating the 30th Anniversary Season of Eugene Ormandy as Music Director","Part of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour","Part of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour","Opening night of the production.","Part of the International Festival of Visiting Orchestras","Final program in a special series of four concerts, \"The Viennese School\"","Final event in the Hurok Sunday series","Opening concert in the Hurok International Series \"A\".","Part of the International Festival of Visiting Orchestras","Part of the International Festival of Visiting Orchestras","Celebrating the 75th Anniversary of Ithaca College","Gala Performance. Maria Callas and Zinka Milanov, who both formerly played the titular role, attended the performance and received much applause. In contrast, Elena Suliotis was criticized for her performance and the audience was torn between cheering and booing.","Part of the International Festival of Visiting Orchestras","In appreciation of Harald A. Lowen (1897-1968), Executive Secretary 1958-1968","Part of the International Festival of Visiting Orchestras","Opening concert in the Hurok International Series \"A\"","In memory of Charles Munch","Fourth Event in the Hurok International Series B","Fifth Event in the Hurok International Series B","Sixth Event in the Hurok International Series B","Commemorating the 200th Anniversary of the birth of Ludwig Van Beethoven","Second Concert in Series","Annual Patron-Sponsor Concert","Part of the Series of Stars","Nicolai Gedda was ill and unable to perform the role of Arnold, replaced by Jerome Lo Monaco and Mallory Walker spliting the role.","Part of the Series of Stars","Part of the Series of Stars","A Metropolitan Opera Guild Benefit Concert","Part of the International Festival of Visiting Orchestras","Part of the International Festival of Visiting Orchestras","Concert in memory of David Oistrakh.","Part of the Series of Stars","In honor of Aaron Copland's 75th birthday.","Lorin Maazel, the conductor, was unable to perform due to an injury and was replaced by Edo de Waart for the concert. The second half of the concert was changed from The Rite of Spring by Stravinsky to Symphony No. 2 in D Major, Opus 73 by Brahms.","A British Salute to the American Bicentennial and The Seventh Concert in the Mozart Concerto Festival","Part of the bicentennial celebration of the United States","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the International Festival of Visiting Orchestras","The concert was in memory of Fred Norring.","For the 150th anniversary of Beethovan's death.","Part of the International Festival of Visiting Orchestras. The concert replaced the one originally announced for the Czech Philharmonic, which had to cancel its American tour.","The Annual Patrons' and Sponsors' Concert","Includes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.","The Fiftieth Anniversary Season of the Cleveland Orchestra. Part of the International Festival of Visiting Orchestras.","Fifth Event in the Hurok International Series A.","Fourth Concert in the Series \"Art of the Lied\"","Due to injury, Chicago Symphony Orchestra's conductor, Sir Georg Solti, was unable to conduct, so the concert was led by the assistant conductor Henry Mazer. The previous day he was replaced by Margaret Hillis.","A gala concert performance for the benefit of the production fund of Friends of French Opera.","Honoring the 150th Anniversary of Louis Moreau Gottschalk (Born in New Orleans on May 8, 1829)","Singer Julia Hamari was unable to perform and was replaced by Florence Quivar.","Montserrat Caballé withdrew to receive medical treatment in Spain and was replaced by Awilda Verdejo. Nicolai Gedda also withdrew due to illness and was replaced by Richard Estes.","An all Copland program in honor of Aaron Copland's 80th birthday.","The program order was reversed, Bartók's Concerto for Orchestra was played first followed by Bruckner's Symphony No. 4.","Scenes from the Life of a Martyr, by Undine Smith Moore, premiered in New York in memory of Martin Luther King Jr.","Part of the Gala Rossini Opera Festival.","Part of the Gala Rossini Opera Festival. Due to illness, Montserrat Caballe was replaced by June Anderson in the role of Semiramide.","Due to illness, Edward J. Crafts was unable to perform the role of Duke Robert and was replaced by James Stith. The role of the Messenger was sung by William Drake.","In honor of the 100th anniversary of the composer's death.","Part of the Gala Rossini Opera Festival","Part of the French Opéra-Comique Festival","Gala Sixtieth Anniversary Benefit Concert.","The performance of Mahler's Symphony No. 4 was dedicated to the memory of Michael Ries.","Part of the French Opéra Comique Festival.","Part of the Handel Opera Festival","Part of the Handel Opera Festival.","The performance of Berg's Seven Early Songs commemorates the 100th anniversary of the composer's birth.","Performed on the 300th anniversary of the composer's birth and part of the Handel Opera Festival.","This was the US debut of Jin Li. Part of the program is missing, which tells that the orchestra performed 2 Pieces for Small Orchestra: 1. On Hearing the First Cuckoo in Spring (1912) by Frederick Delius and Variations on an Original Theme, Op. 36, \"Enigma\" (1899) by Edward Elgar after the intermission.","Part of The Choral Celebration of Bach.","Part of the Handel Opera Festival.","The Berg works are being performed in honor of the 100th anniversary of his birth.","Because of a recent illness limiting Mr. Ozawa's rehearsal time, Dvorák's Symphony No. 7 was replaced by Tchaikovsky's Symphony No. 6 in the program.","For the benefit of Emmaus, which serves New York City's homeless.","This concert was dedicated to the memory of Karol Szymanowski.","A benefit to celebrate the fifteenth anniversary of Opera Orchestra of New York.","Celebrating the 60th birthday of Mstislav Rostropovich","35th Anniversary Concert","Rudolf Serkin was unable to preform as previously announced due to illness and was replaced by Malcolm Frager.","Sylvia McNair replaced Sophia Larson for this performance.","It is noted that Aprile Millo, who played Maddalena di Coigny, dedicated her performance to the memory of her father, Giovanni Millo, who was known for his portrayal of the title role.","This concert is presented by the Jerusalem Foundation in honor of the 40th Anniversary of the State of Israel.","A New York International Festival of the Arts event","A New York International Festival of the Arts event","Due to a death in the family, Seiji Ozawa was unable to conduct and was replaced by David Zinman. The program was changed from Mahler's Symphony No. 9 to Mahler's Symphony No. 1 and Chopin's Piano Concerto No. 1.","Giuseppe Giacomini was replaced by Nunzio Todisco and Michael Shell was replaced by Wanda Brister for the performance.","Seiji Ozawa was unable to conduct due to illness and was replaced by André Previn.","This performance is dedicated to the memory of Dr. Hugh Ross, for more than 60 years as the Music Director of the Schola Cantorum of New York.","The grandfather clock and black cat, originally meant to be Philippe Huttenlocher, was played by David Evitts.","These performances were dedicated to the memory of Leonard Bernstein (Auguest 25, 1918 - October 14, 1990)","Mozart's Piano Concerto No. 19 was changed to his Piano Concerto No. 26. The orchestra recognized the recent death of Aaron Copland (1900-1990) by including a commemerative performance of the Variations on a Shaker Melody (Simple Gifts) from Copland's ballet Appalachian Spring.","Copland's Quintet (\"The promise of living\") from Act I of the opera \"The Tender Land\" was performed in memory of his recent passing.","Insert: Mara Zampierni indisposed, role of Elizabette to be played by Martile Rowland","Insert: Role of Killian will by sung by Gerald Dolter. Prince Ottokar will be sung by Gregory Rahming. Please Note: This Opera involves hubnting and shooting prowess. Ther will be several gunshots during the performance.","Commemorating the quincentenary of the Christopher Columbus Voyage","Insert: Saint Ludmila Description","Music from concentration camp Terezin, also known as Theresienstadt","Note: \"This performance is dedicated to Alice Tully, whose love and support of the arts is legendary. Her presence in the center box at Opera Orchestra's concerts will be greatly missed. We are grateful for her warmth and friendship\"","Note: \"Celebrating Seiji Ozawa's Twentieth Anniversary Season as Music Director of the Boston Symphony Orchestra\"","Insert: \"Aprile Millo was involved in an automobile accident in Italy and has sustained injuries from which she is recovering, but which have forced her to withdrawl from Caterina Cornaro. Martile Rowland will sing the title role. She performed as Caterina in a preview performance last tuesday evening in Princeton University's Richardson Auditorium\"","Insert: Garrick Ohlsson will replace Evgeny Kissin as soloist in the Schumann Piano Concerto at this evening's performance by The Philadelphia Orchestra. Mr. Kissin has cancelled his appearance due to the flu. Carnegie Hall is grateful to Mr. Ohlsson for agreeing to appear on such short notice.","insert: HEROD will be sung by baritone Eduardo Del Campo (as opossed to Yuri Mazurok","Insert: John Uhlenhopp as Lykov, Martin Dillon as Bomelii, Svetlana Furdui as The Housemaid","Insert: JohnAler forced to cancel due to illness, tenor Carl Halvorson takes his place","Insert: Due to illness, Carol Vaness was replaced by Sharon Sweet. This is Sharon Sweet's Carnegie Hall debut.","Insert: \"Carnegie Hall joins Seiji Ozawa and the Vienna Philharmonic Orchestra in mourning thr loss of our friend, the distinguished composer Toru Takemitsu, who passed away Feburary 20th, 1996. In his memory, his work Requiem for String Orchestra will open tonight's program\"","\"This performance is dedicated with affection and admiration to the memory of Robert E. Wagenfeld\"","Insert: La Damnation de Faust Description","Insert: Beethoven in New York, Chamber orchestra of Europe, Sponsored by the BOC Group","Insert: \"Samuel Ramey will not sing the role of Roger in OONY's presentation of Verdi's Jerusalem. Mr. Ramey has canceled because of illness.\" Gary Simpson to Play Roger, Perry Ward to Play Count of Toulouse, Luiz-Ottavio Faria to play Emir.","This performance was dedicated to the memory of Richard deVaultier (1916-1988).","Insert: Pianist Ivo Pogorelich had to withdraw from the performance and was replaced by André Watts.","Insert: Tenor Thomas Moser had to withdraw from the performance due to illness and was replaced by Jon Fredric West.","Notations for Orchestra by Pierre Boulez performed in honor of the composer's 75th birthday.","Insert: Soprano Jane Eaglen was unable to perform the role of La Gioconda and was replaced by Sylvie Valayre","Concert to celebrate the 70th birthday of Lorin Maazel","Insert: \"Tonights performance is dedicated to the memory of Alfredo Kraus and Pablo Elvira who sang La favorita so beautifully with Opera Orchestra in 1975\"","John Williams \"For Seiji!\" New York premire. Celebrating Mstisalv Rostropovich's 75th Birthday.","Christopher Rouse's \"Rapture\" New York Premiere. Michael Hersch's \"Symphony No. 2\" New York Premiere.","Includes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.","In commemoration of the 200th anniversary of the birth of Hector Berlioz","This performance is dedictaed to the memory of Robert E. Wagenfeld","In loving memory of Robert J. Harth 1956-06-13 -- 2004-01-30. The 2003-2004 season is dedicated to the memory of Robert J. Harth , who led Carnegie Hall as Executive and Artistic Director from September 2001 until January 2004.","This evening's performance is dedicated to the memory of Frederic Bradlee, a long-time friend and supporter of Opera Orchestra.","The 50th Concert of the Met Orchestra at Carnegie Hall","Revised Program: Please note that Michelle DeYoung will be perfroming this afternoon in place of Natalie Dessay who has withdrawn because of bronchitis.","In memory of Stephen M. Kellen, and honorary citizen of the city of Berlin and an honorary member of the Berliner Philharmoniker","This concert is dedicated to the memory of John Forbes, a longtime member of the St. Cecilia Chorus.","This concert is dedicated to the memory of Charlotte Kirschner (1922-2005)","Annotation: \"Obraztsova did not appear\"  refers to mezzo-soprano Elena Obraztsova)","Open Working Rehearsal","Please note that Andris Nelsons will conduct this concert in place of James Levine, who continues to suffer ill effects from a recent procedure addressing his continuing back issues. Andris Nelsons appears this evening courtesy of the Metropolitan Opera.","Note under Daniil Trifonov: Grand Prize and Gold Medal, Piano, XIV International Tchaikovsky Competition","Open Working Rehearsal","Insert: The role of MLLE. JOUVENOT will be sung this evening by soprano DANIELLE WALKER","Open Working Rehearsal","Open Working Rehearsal","Open Working Rehearsal","Open Working Rehearsal","Marking the Bicentennial of Wagner's Birth","Open Working Rehearsal","Please note that Lorin Maazel is unable to conduct this evening's concert due to illness. Carnegie Hall and the Munich Philharmonic Orchestra are immensely grateful to Fabio Luisi for agreeing to conduct in his place. Mr. Luisi appears at Carnegie Hall courtesy of the Metropolitan Opera.","Open Working Rehearsal","Please note that Anna Netrebko will be performing in place of Elīna Garanča, who has withdrawn due to illness. The revised program is included below. Carnegie Hall and the Metropolitan Opera wish to express their gratitude to Ms. Netrebko for graciously agreeing to perform on very short notice.","Note: Donor performed in chorus","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Part of The Song Continues 2017","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Noted: the Adoramus te from the Mass Proper was replaced by Penitentes orate, a Mozarabic prayer from the 11th century","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic, Noted: Though soprano Anna Simboli is currently suffering from a minor illness, she will perform the roles of Amore and Damigella this evening","Concert dedicated to ASO principal clarinet Laura Flax (1994-2017)","Noted: Susanna Phillips was unable to perform, replaced by Jennifer Check","Noted: Pene Pati (Tenor), Rachel Willis-Sørensen (Soprano), and Matthew Curran (Bass) were added to the performance","Christian Van Horn, 2018 Richard Tucker Award Winner","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Bio of Jonathan Biss \"Due to an injury, pianist Paul Lewis has regretfully withdrawn from this evening's performance. Pianist Jonathan Biss will perform in his place.\"","This concert is dedicated to the memory of André Previn (1929-2019), whose artistry and warm personality throughout his brilliant and multifaceted career brought joy to countless music lovers worldwide.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: \"Chief Conductor Mariss Jansons has fallen ill and is unable to conduct this evening's performance. Carnegie Hall and the Bavarian Radio Symphony Orchestra are grateful to Vasily Petrenko, who has agreeded to conduct in his place.\"","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Yannick Nézet-Séguin conducts the Vienna Philharmonic Orchestra in place of Valery Gergiev.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Joseph Beutel Bio","Insert: \"Please note that due to illness, tenor Andrew Staples is unable to perform this evening. Joshua Blue will perform in his place.","Hosted by Richard Gere","Ticket Information: Parquet Mid, $67.20, For up-to-date information about health and safety, visit carnegiehall.org/SafetyChecklist. Section PARQ Row/Box S Seat 22","Insert: This performance will be heard around the world! This concert will be broadcast live on Classical New York 105.9 FM WQXR and streamed online as part of the Carnegie Hall Live series. Before you silence your phones, tell your friends to listen in. Relive the concert anytime at wqxr.org and carnegiehall.org/wqxr.","Insert 1: \"Actor, director, screenwriter and producer Live Schreiber joins the Lviv National Philharmonic Orchestra of Ukraine as host for this evening's performance. Special thanks to CAMI Music for its generous support of this event.\" Insert 2: \"Olena Zelenska, First Lady of Ukraine. I am grateful to Carnegie Hall and to every person in the United States for their support of people in Ukraine. The Olena Zelenska Foundation is working to transform this support into systemic help for millions of Ukrainians whose lives have been affected in the aftermath of the full-scale Russian invasion. The war against Ukraine leaves civilians without electricity and heat in the face of winter. It bombs hospitals and schools. It turns childhood into orphanhood. It aims at life itself. Ukraine has resisted it for almost a year now. Unfortunately, the longer the war goes on, the more people become its victims, and the more support they need. We recover people's lives through humanitarian aid, medicine, and education to make the entire country's future possible. For more information on our programs, please visit (QR CODE) Will you stand with us?\"","This performance was Bruce Liu's New York Recital Debut. He was the First Prize Winner of the 18th International Chopin Piano Competition (2021).","Insert: \"Please note that Nadine Sierra has withdrawn from this concert due to illness. Soprano Lisette Oropesa will perform in her place.\" Contains Lisette Oropesa's bio.","Inserts are idenitcal: \"Richard Tucker Music Foundation Presents Gala 2023\" Includes the evening's set.","Insert: \"Have a drink on us!\" a redeemable coupon for a beverage at Carnegie Hall, website link to leanr about more \"extras\"","\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"","\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"","Insert: Bio of Kirsten Sollek, Contralto","Annotation: \"Hilarious!\"","Ticket: Section: Tier 1 Row/Box: 33 Seat: 5. Concert Three. Price: $281.00 Name: Fung Section: Blavatnik Family First Tier","Insert: Kimo Furumoto will conduct the first half of tonight's concert, replacing Gerhard Samuel who is indisposed. Elmer Thomas conducts the second half of the program.","Insert: \"Film \u0026 Music\" \"Scenes from Ivan the Terrible\"","\"The management regrets to announce that due to injuries, we are unable to present THEME AND VARIATIONS this evening. The program will be: JARDIN ANIME (pause) Pas de Trois from THE GUARDS OF AMAGER (intermission) GISELLE\"","\"MIKHAIL BARYSHNIKOV has suffered an injury and is unable to dance this evening. Other Dancers will be performed by: SUSAN JAFFE and ROBERT LA FOSSE. The leading dancers in THEME AND VARIATIONS will be: CHERYL YEAGER and PETER FONSECA\"","\"Gesley Kirklan is unable to dance this evening. The role of \"La Sylphide\" will be performed by Marianna Tcherkassky.\"","\"Cynthia Gregrory is injured and is unable to dance this evening. \"Cinderella\" will be danced by Cheryl Yeager. \"A Masked Lady\" will be Elaine Kudo. In act 1, Scene 2, the soloist danced in \"Spring\" will be Alina Hernandez; in \"Winter\" it wil be Carla Stallings. In act 3, A Merchant's \"Three Daughters\" will be Christine Spizzo, Nancy Raffa, and Suzanne Goldman","\"In this evening's performance of The Leaves are Fading, please note the following cast changes: Amanda McKerrow replaces Leslie Browne. Kevin McKenzie Replaces Robert La Fosse. Chrisa Keramidas replaces Amanda McKerrow. John Turjoman replaces John Gardner. In Anastasia, the role of \"Anna Anderson\" will be performed by Martine Van Hamel","\"Robert La Fosse is unable to perform this evening.\"","Contains a newspaper article on \"The Mollino Room\"","Contains a newspaper article about the performance","\"Due to injuries in the Company, The Informer can not be presented this evening. Bruch Violin Concert No. 1 will be performed in its place.\"","\"Susan Jaffe is injured and unable to perform. Kitri, Lroenzo's daughter will be danced by Cheryl Yeager\"","\"Due to an injury, State of Grace will not be performed this evening. Cruel World will be danced in its place\"","\"In this evening's performance of Don Quixote, the Flower Girls will be Isabella Boylston and Misty Copeland and the Gypsy Couple will be Isadora Loyola and Luis Ribgorda.\"","Richard Westenburg signature","Richard Westenburg signature","Pamphlet for the 50th Anniversary of Great Performers","Due to Illness, Davone Tines was unable to perfom. Soloman Howard sang in his place.","Tenth Anniversary Season","Insert: \"At these concerts, Marvis Martin, soprano, will replace Frederica von Stade.\" Some of the numbers have been altered from the original program. Contains a bio for Marvis Martin and a Translation of Henri Duparc's \"Extase\" (En: Ecstacy) from the original French into English","\"Tonight's performance is dedicated to the Lincoln Center for Performing Arts on the occasion of its 25th anniversary.\" News Article: \"Music: Chamber Society\" by Bernard Holland, a review of the Friday evening program.","\"This event is part of American Music Week which is sponsered by the American Music Center\"","Newspaper Article: \"Chamber: Del Tredici\"","Insert: Typed Version of Program (Addition of an intermission, addition of a mozart piece, switch in order)","Insert: \"For the Chamber Music Society's performances on December 4 and 6, David Schiff will conduct the world premiere of his \"Solus Rex.\" Please not that INTERMISSION will follow the performance of \"Solus Rex.\"  We regret that Robert Routch is unable to perform on these concerts because of illness. Micheal Ishii will play Horn III in the Dvorak Serenade and David Jolley will replace Mr. Routch in the Dvorak Serenade and the Poulenc Sextet.","Annotation indicates Brahams' Sonata was replaced with a Schubert piece","Annotation indicates André Watts was replaced by Lee Luvisi on Piano and the Grieg Sonata was replaced by Barhms' G Major Op 78","Insert: Christòpheren Nomura Bio (replace Hermann Prey late notice due to illness)","Insert and Annotaion: Mark Kaplan and Toby Hoffman appear to replace Thomas Kehetmair and Ruth Killius","Includes Program Insert: \"For tonight's performance, MICHAEL SCHADE will be replaced by WILLIAM KENDALL\"","Performances on 1998-07-14, 1998-07-15, 1998-07-18, and 1998-07-19 in Hebrew, performances on 1998-07-16, 1998-07-17 in Russian.","Program Note: \"According to performance practice of this period, the violinists and violists will stand while playing during the performance of the symphonies on all programs.\"","Program Insert: \"Please note the following cast change for this perofrmance of Little Humpbacked Horse: The role of The Humpbacked Horse will be danced by Grigory Popov.   The role of Gavrilo will be danced by Maxim Zyuzin.  The Horses and the Seahorses will be danced by Kamil Yangurazov \u0026 Andrey Soloviev","Three separate concerts included in program.  First concert (2015-07-15, 2015-07-18) is a performance of Richard Strauss' Daphne arranged for concert.  Second concert (2015-07-16) is Oliver Messiaen and Antonin Dvorak.  Third concert (2015-07-17) is Beethoven's Pastoral symphony and Strauss' Symphonia Domestica.","\"In this evening's performance of Die Walkuere, the wole of Bruennhilde will be sung by Margaret Harshaw, replacing Birgit Nilsson, who is indisposed. The role of Sieglinde will be sung by Gladys Kuchta.\"","Cornell MacNeil replaces Anselmo Colzani as Rigoletto","New Production","Signed by  Jesús López-Cobos, Bonaldo Giaiotti, Sherill Milnes, and Luciano Pavarotti","Not an operatic program; rather, a list of members of the benefit committee for a 1980-02-04 performance of \"Un Ballo In Maschera,\" whose program does not appear in this collection.  Strouss is listed alongside his wife as a member of the benefit committee.","Program Insert: \"For this evening's performance of TOSCA the role of Cavaradossi will be sung by Ermanno Mauro, replacing Giacomo Giacomini","Program insert: In this evening's performance of \"Il Barbiere di Siviglia\", the role of Rosina will be sung by Gail Dubinbaum, replacing Julia Hamari, who is ill.","Program insert: Simon Estes, who is singing the role of Porgy, dislocated his knee in the final dress rehearsal of \"Porgy and Bess\" on Monday.  As a result, he will perform this evening on crutches, necessitating some changes in the original staging.","Note from H. Strouss: \"Clarie says the misprints in the program could make it a collector's item.  Actually more than two errors - but I don't remember all of them (First - Porgy + Bess).","Program insert: \"In the evening's performance of 'Porgy and Bess,' the role of Bess will be sung by Priscilla Baskerville, replacing Roberta Alexander, who is ill. \"   There are signatures from Priscilla Baskerville and another, indecipherable.","Program insert: \"In this evening's performance of 'La Traviata,' the role of Violetta will be sung by Diana Soviero, replacing Anna Tomowa-Sintow, who is ill, and the role of Alfredo will be sung by Neil Rosenshein, replacing Dano Raffanti, who is also ill.","Program insert: \"The conductor for this evening's performance of LA TRAVIATA will be Richard Woitach, replacing Carlos Kleiber, who is ill.","Program insert: \"Please note the following program change: the soprano soloist will be Cheryl Studer, replacing Carol Vaness, who is ill.\"","\"In this evening's performance of Le Nozze di Figaro the role of Don Basilio will be sung by Bernard Fitch, replacing Greg Fedderly, who is ill, and the role fo Don Curzio will be sun by Anthony Laciura, replacing Tony Stevenson, who is ill.","Ildar Abdrazakov's debut performance","Metropolitan Opera Premiere","\"In this evening's performance of Aida the role of Radamès will be sung by Franco Farina, replacing Marco Berti, who is ill","\"In this evening's performance of Ernani Angela Meade will make her Metropolitan Opera debut as Elvira, replacing Sondra Radvanovsky, who is ill.","\"In this evening's performance of The Gambler the role of the General will be sung by Vladimir Ognovenko, replacing Segei Aleksashkin, who is ill.","\"In this evening's performance of Un Ballo in Maschera the role of Gustavo will be sung by Ramon Vargas, replacing Salvatore Licitra, who is ill.\"","\"The Metropolitan Opera is grateful to Marcello Giordani, who will be singing the role of Pinkerton in this evening's performance of Madama Butterfly, replacing Roberto Aronica, who is ill. Earlier today, Mr. Giordani sang the title role in La Damnation de Faust, making this a rare double appearance in one day.\"","\"In this evening's performance of Tristan und Isolde the role of Isolde will be sung by Linda Watson, replacing Katarina Dalayman, who is ill.\"","\"In this evening's performance of Les Contes d'Hoffmann, Rachele Gilmore will be making her Met debut in the role of Olympia, replacing Kathleen Kim. The role of Giulietta will be sung by Laura Vlasak Nolen, replacing Ekaterina Gubanova, and the Four Servants will be sung by Joel Sorensen, replacing Alan ke. Ms. Kim, Ms. Gubanova, and Mr. ke are ill.","\"In this evening's performance of Attila, the role of Foresto will be sung by Russell Thomas, replacing Ramón Vargas, who is ill, and the role of Uldino will be sung by Eduardo Valdes","\"Marilyn Horne will host today's Grand Finals Concert, replacing Joyce DiDonato, whose flight to New York was cancelled due to bad weather.\"","\"In this evening's performance of Der Fliegende Holländer, Lori Phillips will make her Metropolitan Opera debut as Senta, replacing Deborah Voigt, who is ill.","\"In this evening's performance of Romeo et Juliette, the role of Juliette will be sung by Hei-Kyung Hong, replacing Angela Gheorghiu, who is ill.\"","Met Opera premiere","\"In this evening's performance of Tosca, the role of Scarpia will be sung by Bryn Terfel, replacing James Morris, who is ill.\"","\"In this evening's performance of Don Giovanni, the title role will be sung by Peter Mattei, replacing Mariusz Kwiecien, who has injured his back.\"","\"In this evening's performance of The Enchanted Island, the role of Prospero will be sung by Anthony Roth Costanzo, replacing David Daniels, who is ill. The role of Ferdinand will be sung by Jeffrey Mandelbam, replacing Mr. Costanzo\"","\"In this evening's performance of Gotterdammerung, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"","\"In this evening's performance of Die Walkure, the role of Siegmund will be sung by Stuart Skelton, replacing Jonas Kaufmann, who is ill.\"","\"In this evening's performance of Siegfried, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"","\"In  tonight's performance of Otello, Avgust Amonov will make his Metropolitan Opera debut in the title role, replacing Johan Botha, who is ill.\"","\"In this evening's performance of Les Troyens the role of Coreobus will be sung by Stephen Gaertner, replacing Dwayne Croft, who is ill.\"","\"Salvatore Cordella will make his Metropolitan Opera debut as Leicester in this evening's performance of Maria Stuarda, replacing Matthew Polenzani, who is ill.\"","\"Due to the configuration of scenery backstage, the first intermission of this performance of Turandot will last approximately 45 minutes\"","\"In this evening's performance of Die Meistersinger von Nurnberg, the role of Sxtus Beckmesser will be sung by Martin Gantner, replacing Johannes Martin Kranzle, who is ill; and the role of Fritz Kothner will be sung by Ryan McKinny, replacing Mr. Gantner.\"","Program Insert: \"In this afternoon's performance of Anna Bolena, the roleof Giovanna Seymour will be sung by Milijana Nikolic, replacing Jamie Barton, who is ill.\"","Note from H. Strouss: \"This is important program.  Placido Domingo resigned from Met do [sic] to accusations of sexual misconduct.  This gave a young singer a chance.\"  Program insert: \"In tonight's performance of Macbeth, Craig Colclough will make his Met debut in the title role.\"","This program is a catalog of livestreamed and radio performances of the Met Opera during the 2019-20 season.  It is unclear how many, if any, performances took place during Covid-19 pandemic.  Placido Domingo is also listed (incorrectly) as performing in a number of performances, even after his resignation","Note from H. Strouss: \"Last event before COVID shutdown\"","Program Insert entitled \"We Stand with Ukraine\"","Program Insert entitled \"We Stand with Ukraine\"","Program Insert: \"In today's performance of Peter Grimes, Laura Wilde makes her Met debut in the role of Ellen Orford.","Program Insert: \"In today's performance of Norma, the title role will be sung by Helena Dix\"","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Program Notice: \"The Philharmonic-Symphony Society of New York notes with great sorrow the death of our esteemed colleague Aaron Copland...\"","Program Note: \"These performances are dedicated to the memory of Laureate Conductor Leonard Bernstein, whose legendary conducting debut with the New York Philharmonic took place on November 14, 1943.\"","\"In this performance of Madama Butterfly the role of Madama Butterfly will be sung by Maralin Niska\"","\"In this evening's performance of Mefistofele the role of Faust will be sung by Harry Theyard\"","June Anderson's debut performance","Please note the following cast changes due to injury. Symphony in C Third Movement: Samantha Allen will dance in place of Yvonne Borree. Fourth Movement: Stacey Calvert will dance in place of Samantha Allen","Episodes Guest Conductor: David Briskin. Please note the following cast changes, due to illness and injury. Vienna Waltzes: Joaquin De Luz will dance in place of Damian Woetzel","Please note the following cast change, due to illness and injry. Ana Sophia Scheller will dance in place of Carrie Lee Riggins","\"At this performance the role of Varya usually played by Priscilla Smith will be played by Suzanne Collins\"","\"At this performance the role of Flan usually played by John Cunningham will be played by Brian Evers and the role of Detective usually played by Brian Evers will be played by David Little\"","\"At this performance the role of Enoch Snow Jr. usually played by Duane Boutte will be played by Steven Ochoa","\"At this performance the role of Lt. Buzz Adams usually played by George Merrick will be played by Nick Mayo\"","\"WarHorse Welcomes to the Company Tessa Klein\"","\"At this performance the role of Cary Grant usually played by Tony Yazbeck will be played by Danny Gardner\"","\"At this performance the role of Homer usually played by Julian Rozzel, Jr. will be played by Tyrone Mitchell Henderson\""],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item], [Date of Item]. Henry Strouss Performing Arts Collection, WLU-Coll-0778, [Series number and name], [Box number], [Folder title and number]. Washington and Lee University Library Special Collections and Archives, Lexington, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item], [Date of Item]. Henry Strouss Performing Arts Collection, WLU-Coll-0778, [Series number and name], [Box number], [Folder title and number]. Washington and Lee University Library Special Collections and Archives, Lexington, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eIncludes 2 partial programs and photocopied newspaper articles about the event.\u003c/p\u003e","\u003cp\u003eIncludes newspaper articles and protest flyer\u003c/p\u003e","\u003cp\u003eIncludes additional program detailing Stravinsky's concerts at Carnegie Hall and Town Hall.\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the performance\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the performance and Latin insert\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the performance and The Orchestra of America program\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the performance and Pittsburgh Symphony Orchestra program\u003c/p\u003e","\u003cp\u003eIncludes ticket stub\u003c/p\u003e","\u003cp\u003eAnnotation on program cover: \"I met Pablo afterwards!\"\u003c/p\u003e","\u003cp\u003eProgam signed by Pablo Casals, Rudolf Serkin, Olga Iglesias, and Justino Diaz\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Both programs signed by Shirley Verrett\u003c/p\u003e","\u003cp\u003eProgram signed by Maureen Forrester\u003c/p\u003e","\u003cp\u003eProgram signed by Heather Harper and Jacqueline du Pré\u003c/p\u003e","\u003cp\u003eIncludes an insert of program notes\u003c/p\u003e","\u003cp\u003eIncludes an insert of program notes\u003c/p\u003e","\u003cp\u003eIncludes torn out advertisement page\u003c/p\u003e","\u003cp\u003eIncludes an insert on the Oratorio Society of New York and a newspaper review of the concert.\u003c/p\u003e","\u003cp\u003eAnnotation on back cover: \"Boston Symphony very good Brahms #2\"\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes texts \u0026amp; translations pamphlet and an insert about the Cleveland Orchestra\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the concert\u003c/p\u003e","\u003cp\u003eIncludes inserts about the Cleveland Orchestra and photocopies of newspaper articles with photos from the concert\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes a sheet with the English translation of Hungarian text based on Psalm 55 and a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert. Annotation in the program notes that The Young Person's Guide to the Orchestra by Britten may have been played in closing\u003c/p\u003e","\u003cp\u003eIncludes a photocopied newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes German text and English translations insert for Mahler's piece as well as a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes signatures of Gerald Moore and Dietrich Fischer-Dieskau\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the performance.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet with \"A Letter to Our Subscribers from Enrich Leinsdorf\"\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a photocopy of a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes 3 newspaper articles reviewing the concert, 1 praising Elena Suliotis' recent role as Abigaille in \"Nabucco,\" 2 recent articles from another issue, and a note marking the program which reads, \"Almost a riot. Can be found on YouTube.\"\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes handwritten annotations. About Gliere's Symphony No. 3 in B Minor: \"exciting, great movement, playful.\" About Debussy's \"Ibèria,\" No. 2 from Images for Orchestra: uncertain.\u003c/p\u003e","\u003cp\u003eIncludes a texts and translations pamphlet from Mahler Symphony No. 4 in G Major\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludeas a newspaper article reviewing the concert and a texts and translations insert.\u003c/p\u003e","\u003cp\u003eIncludes a photocopy of a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert outlining the highlights of next season.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert and an insert correcting program texts and translations.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes a newspaper article reviewing the concert. One program is also signed, \"Sincerely, Leontyne Price.\"\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes two complete programs and a third partial program. Inlcudes an insert correcting the program and an insert about the New Jersey Symphony Orchestra. The two complete programs is signed by Henry Lewis and Marilyn Horne. Includes another partial program with written Hebrew annotations.\u003c/p\u003e","\u003cp\u003eIncludes photocopies of a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles noting the cast change and reviewing the concert. Program is annotated to note the change.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a texts and translations pamphlet.\u003c/p\u003e","\u003cp\u003eIncludes a 2nd smaller program\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the performance.\u003c/p\u003e","\u003cp\u003eIncludes newspaper articles reviewing the concert. Program includes annotations in Hebrew.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert with texts and translations.\u003c/p\u003e","\u003cp\u003eMissing a newspaper article referenced in a note: \"Music: Radiating Luster\" from the New York Times.\u003c/p\u003e","\u003cp\u003eIncludes an insert from the American Symphony Orchestra. Program is signed by Aaron Copland.\u003c/p\u003e","\u003cp\u003eIncludes an insert describing a conductor and program change.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an annotation in Hebrew.\u003c/p\u003e","\u003cp\u003eContains a written annotation that the Wagner Taunhauser Overture was played.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. One is autographed, \"Pete: This one you should have heard! Richard Westenburg,\" \"All things to Pete, Herbert Beattie,\" \"Franco Careccia,\" and \"With thanks, Lou Ann Lee.\" The other is autographed, \"Richard Westenburg\" and \"Thanks [unknown], Franco Careccia.\"\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate prorgam.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program book.\u003c/p\u003e","\u003cp\u003eIncludes an insert for the evening of the 28th.\u003c/p\u003e","\u003cp\u003eOutlines five performances in the coming 1961-62 season and their accompanying guest soloists: November 8, 1961 with Whittemore and Lowe, duo-pianists, December 6, 1961 with Robert Rudié, violinist, Virginia Babikian, Soprano, Louise Parker, Contralto, and Don Yule, Baritone, January 10, 1962 with Claudette Sorel, pianist, and Assunta Dell'Aquila, harpist, February 14, 1962 with Aldo Parisot, and March 14, 1962 with Maureen Forrester, Contralto.\u003c/p\u003e","\u003cp\u003eIncludes a booklet on the Cleveland Orchestra's records.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a program inset that corrects the conductor for later concerts.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article describing the change of conductor and reviewing the concert as well as a newspaper article describing the previous performance and change of conductor.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the performance.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert detailing the change in performers.\u003c/p\u003e","\u003cp\u003eIncludes a note that the composer of the pieces performed is the conductor.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert revising the program order.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncluides an insert about June Anderson.\u003c/p\u003e","\u003cp\u003eIncluides an insert about cast substitutions.\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a flyer of other concerts in the Handel Opera Festival.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an inset about the Cleveland Orchestra's 1985-86 season and a ticket for the performance bought at The Russian Tea Room.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eOne of the ad pages contains handwritten notes saying: \"Pete and Jo: We went to this concert and then to a Thai restaurant. Peter,\" \"Pete this is the fur. Jana,\" \"Hello there! Had a great time at Watty's performance and with everyone afterwards. It's about time, we got you both. Lucas,\" \"W\"\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eThere is an insert correcting that the name listed in the program to sing the Primo Cantore should read Randall Hartness.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eProgram for a working rehearsal.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet listing the performers in this concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert with the updated program.\u003c/p\u003e","\u003cp\u003eIncludes an insert describing program changes.\u003c/p\u003e","\u003cp\u003eIncludes an insert about the New York City Gay Men's Chorus holiday celebration.\u003c/p\u003e","\u003cp\u003eIncludes two inserts detailing the changes in programming.\u003c/p\u003e","\u003cp\u003eInsert Included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program book.\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eNew York Times Article included: \"The Met Opera Orchestra Without the Met Opera\"\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eNews Article included: \"Opera Musicians Can Share the Stage\" by Anthony Tommasini\u003c/p\u003e","\u003cp\u003eNew York Times News Article included:\"Music Review: Savoring Mahler in a Nanosecond World\" by Bernard Holland\u003c/p\u003e","\u003cp\u003eNews Article included: \"Pied Piper Who Leads March Out of the Hall\" by Anthony Tommasini\u003c/p\u003e","\u003cp\u003eNews Article included: \"Music Review: An Orchestra's Piquant Reminders of Postwar Berlin\" by James R. Oestreich\u003c/p\u003e","\u003cp\u003eNews Article included: \"Music Review: Enter Another Dazzling Mezzo\" by Anthony Tommasini\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eIncludes a text and translation booklet.\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included.\u003c/p\u003e","\u003cp\u003eInsert included. Program annotated to indicate change in performers\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eIncludes an insert for the evening of the 28th.\u003c/p\u003e","\u003cp\u003eContains a text and translations booklet\u003c/p\u003e","\u003cp\u003eRevised program included.\u003c/p\u003e","\u003cp\u003eIncludes a text and translation booklet\u003c/p\u003e","\u003cp\u003eIncludes a text and translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a text and translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an isert denoting cast change with additional information on performer\u003c/p\u003e","\u003cp\u003eIncludes text and translation booklet\u003c/p\u003e","\u003cp\u003eIncludes a note from the donor (Henry Strouss)\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003etexts pamphlet included\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003eIncudes a duplicate program.\u003c/p\u003e","\u003cp\u003ePerformance ticket included\u003c/p\u003e","\u003cp\u003eCarnegie Hall Playbill \u0026amp; separate Richard Tucker Foundation program included\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Festival overview\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003ePerformance ticket included\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eCarnegie Hall Playbill \u0026amp; separate ASO program included\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003eCarnegie Hall Playbill \u0026amp; separate Richard Tucker Foundation program included\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003econtains German translation booklet\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an Insert\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an insert with a conductor change and Vasily Petrenko bio\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an insert with a conductor change and Yannick Nézet-Séguin bio\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an Insert\u003c/p\u003e","\u003cp\u003eIncludes an Insert with cast change\u003c/p\u003e","\u003cp\u003eContains a ticket for the evening's performance\u003c/p\u003e","\u003cp\u003eIncludes an insert about broadcasting and upcoming performances\u003c/p\u003e","\u003cp\u003eIncludes 2 inserts\u003c/p\u003e","\u003cp\u003eIncludes Texts and Translations Booklet\u003c/p\u003e","\u003cp\u003eIncludes an Insert\u003c/p\u003e","\u003cp\u003eIncludes Texts and Translations Booklet\u003c/p\u003e","\u003cp\u003eIncludes 2 inserts. One is stapled to the program.\u003c/p\u003e","\u003cp\u003eIncludes an insert and a Texts and Translation Booklet\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eIncludes a cursive pencil annotation beside Paul Hindemith's Overture to The Flying Dutchman as Played by Bad Spa Orchestra at 7 AM by the Well with Jeremias Sergiani-Velázquez and Yurika Mok on violins, Mila Milisavljevic on viola and Susannah Chapman on cello\u003c/p\u003e","\u003cp\u003eIncludes a ticket\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eIncludes a revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes two insert, revised program and cast list\u003c/p\u003e","\u003cp\u003eContains a Calendar of Events for March 1986\u003c/p\u003e","\u003cp\u003eContains an advertisement for the Los Angeles Philharmonic\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eAnnotation\u003c/p\u003e","\u003cp\u003eProgram marked with blue ink finger print\u003c/p\u003e","\u003cp\u003eProgram contains a crude rough sketch of an open piano and a closed piano\u003c/p\u003e","\u003cp\u003eAnnotation\u003c/p\u003e","\u003cp\u003eProgram marked with partial black and pink ink finger prints\u003c/p\u003e","\u003cp\u003eContains an insert\u003c/p\u003e","\u003cp\u003eIncludes a News Article\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article\u003c/p\u003e","\u003cp\u003eIncludes an Insert\u003c/p\u003e","\u003cp\u003eIncludes markings near May 2, 1993.\u003c/p\u003e","\u003cp\u003eIncludes pen annotation\u003c/p\u003e","\u003cp\u003eIncludes pen annotation\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eIncludes an Insert and an annotation\u003c/p\u003e","\u003cp\u003eIncludes Texts and Translations Booklet\u003c/p\u003e","\u003cp\u003eContains an insert - updated program\u003c/p\u003e","\u003cp\u003eContains a signature from George Shirley\u003c/p\u003e","\u003cp\u003eContains a signature from Theodor Uppman\u003c/p\u003e","\u003cp\u003eContains a signature from Justino Diaz\u003c/p\u003e","\u003cp\u003eContains signatures from Gianna D'Angelo and Nedda Casei\u003c/p\u003e","\u003cp\u003eContains a signature from Renata Tebaldi\u003c/p\u003e","\u003cp\u003eContains signatures from John Alexander and William Dooley\u003c/p\u003e","\u003cp\u003eContains signatures from John Alexander and William Dooley\u003c/p\u003e","\u003cp\u003eContains signatures from Mary Costa and Rosalind Elias\u003c/p\u003e","\u003cp\u003eContains a signature from William Dooley\u003c/p\u003e","\u003cp\u003eContains a newspaper article about the performance\u003c/p\u003e","\u003cp\u003eContains a signature from Jon Vickers\u003c/p\u003e","\u003cp\u003eContains a signature from Cornell MacNeil\u003c/p\u003e","\u003cp\u003eContains signatures from Martina Arroyo and Elena Cernei\u003c/p\u003e","\u003cp\u003eContains signatures fro Cornell MacNeil, Roberta Peters, Bonaldo Giaiotti, and Mignon Dunn\u003c/p\u003e","\u003cp\u003eContains a signature from Teresa Stratas\u003c/p\u003e","\u003cp\u003eContains a signature from Mirella Freni\u003c/p\u003e","\u003cp\u003eContains signatures from Mirella Freni, one signature illegible\u003c/p\u003e","\u003cp\u003eContains signatures from\u003c/p\u003e","\u003cp\u003eContains signatures from Carlo Bergonzi and Nedda Casei. One illegible signature\u003c/p\u003e","\u003cp\u003eContains signatures from Jon Vickers, Morley Meredith, and two illegible signatures\u003c/p\u003e","\u003cp\u003eContains signatures from Jon Vickers and Leonie Rysanek\u003c/p\u003e","\u003cp\u003eIncludes a signature from James McCracken\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article about the performance\u003c/p\u003e","\u003cp\u003eIncludes an Insert: In this evening's performance of Die Zauberfloete, the role of the Queen of the Night will be sung by Christine Duetekom replacing Roberta Peters, who is indisposed; Belen Amparan will sing the role of the third lady replacing Nedda Casei who is indisposed\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes signatures from Theodor Uppmann and Nedda Casei\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles about the performance\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles about the performance\u003c/p\u003e","\u003cp\u003eHelge Brilioth's debut, Includes 3 inserts\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article about the performance\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles about the performance\u003c/p\u003e","\u003cp\u003eIncludes signatures from several cast members\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article about the performance\u003c/p\u003e","\u003cp\u003eIncludes 5 \"New Production\" Pamphlets\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article on the performance\u003c/p\u003e","\u003cp\u003eIncldues a signature from Montserrat Caballe\u003c/p\u003e","\u003cp\u003eIncludes an Insert - 15% off Tickets to Elektra\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes two inserts, an advertisement for open Philharmonic rehersals and a pamphlet for the Save the Met Broadcasts Campaign\u003c/p\u003e","\u003cp\u003eIncludes an insert, a pamphlet thanking the Met Opera's Benefit Committee\u003c/p\u003e","\u003cp\u003eIncludes an insert, a pamphlet thanking the Met Opera's Benefit Committee\u003c/p\u003e","\u003cp\u003eIncludes an insert, a pamphlet thanking the Met Opera's Benefit Committee\u003c/p\u003e","\u003cp\u003eIncludes an insert, an advertisement to meet Kiri Te Kanawa\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updating program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes personal notes from Henry Strouss\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet celebrating the opera's premiere and thanking the Gala Committee\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, additional program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an advertisement for a trivia event during the opera's first intermission\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes a handwritten note from Henry Strouss\u003c/p\u003e","\u003cp\u003eIncludes a handwritten note from Henry Strouss\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes an article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes an article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes signatures from Richard Taylor, Samuel Ramey, and Patricia Wells\u003c/p\u003e","\u003cp\u003eIncludes a signature from Cynthia Clarey\u003c/p\u003e","\u003cp\u003eIncludes a signature from June Anderson\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncldues an article titled \"Parsons is shattering as Mert\"\u003c/p\u003e","\u003cp\u003eIncludes an article from Joseph Papp titled \"The Real Threepenny Opera\"\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, a list of actors playing the citizens of New Salem and Springfield\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes two inserts, an article on Tessa Klein and an updated program\u003c/p\u003e","\u003cp\u003eOpening Performance\u003c/p\u003e","\u003cp\u003eOpening Performance\u003c/p\u003e","\u003cp\u003eIncludes an insert, cast list\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, \"The 25th Anniversary of the Fall of the Berlin Wall\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Both programs signed by Shirley Verrett","Program signed by Maureen Forrester","Program signed by Heather Harper and Jacqueline du Pré","Includes an insert of program notes","Includes an insert of program notes","Includes torn out advertisement page","Includes an insert on the Oratorio Society of New York and a newspaper review of the concert.","Annotation on back cover: \"Boston Symphony very good Brahms #2\"","Includes a duplicate program. Includes texts \u0026 translations pamphlet and an insert about the Cleveland Orchestra","Includes newspaper review of the concert","Includes inserts about the Cleveland Orchestra and photocopies of newspaper articles with photos from the concert","Includes a duplicate program. Includes a sheet with the English translation of Hungarian text based on Psalm 55 and a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert. Annotation in the program notes that The Young Person's Guide to the Orchestra by Britten may have been played in closing","Includes a photocopied newspaper article reviewing the concert.","Includes a duplicate program. Includes German text and English translations insert for Mahler's piece as well as a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes signatures of Gerald Moore and Dietrich Fischer-Dieskau","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the performance.","Includes a pamphlet with \"A Letter to Our Subscribers from Enrich Leinsdorf\"","Includes a newspaper article reviewing the concert.","Includes a photocopy of a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes 3 newspaper articles reviewing the concert, 1 praising Elena Suliotis' recent role as Abigaille in \"Nabucco,\" 2 recent articles from another issue, and a note marking the program which reads, \"Almost a riot. Can be found on YouTube.\"","Includes a duplicate program. Includes handwritten annotations. About Gliere's Symphony No. 3 in B Minor: \"exciting, great movement, playful.\" About Debussy's \"Ibèria,\" No. 2 from Images for Orchestra: uncertain.","Includes a texts and translations pamphlet from Mahler Symphony No. 4 in G Major","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includeas a newspaper article reviewing the concert and a texts and translations insert.","Includes a photocopy of a newspaper article reviewing the concert.","Includes an insert outlining the highlights of next season.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a duplicate program.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert and an insert correcting program texts and translations.","Includes a duplicate program.","Includes a duplicate program. Includes a newspaper article reviewing the concert. One program is also signed, \"Sincerely, Leontyne Price.\"","Includes a newspaper article reviewing the concert.","Includes two complete programs and a third partial program. Inlcudes an insert correcting the program and an insert about the New Jersey Symphony Orchestra. The two complete programs is signed by Henry Lewis and Marilyn Horne. Includes another partial program with written Hebrew annotations.","Includes photocopies of a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles noting the cast change and reviewing the concert. Program is annotated to note the change.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles reviewing the concert.","Includes a texts and translations pamphlet.","Includes a 2nd smaller program","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the performance.","Includes newspaper articles reviewing the concert. Program includes annotations in Hebrew.","Includes a newspaper article reviewing the concert.","Includes an insert with texts and translations.","Missing a newspaper article referenced in a note: \"Music: Radiating Luster\" from the New York Times.","Includes an insert from the American Symphony Orchestra. Program is signed by Aaron Copland.","Includes an insert describing a conductor and program change.","Includes a newspaper article reviewing the concert.","Includes an annotation in Hebrew.","Contains a written annotation that the Wagner Taunhauser Overture was played.","Includes a duplicate program. One is autographed, \"Pete: This one you should have heard! Richard Westenburg,\" \"All things to Pete, Herbert Beattie,\" \"Franco Careccia,\" and \"With thanks, Lou Ann Lee.\" The other is autographed, \"Richard Westenburg\" and \"Thanks [unknown], Franco Careccia.\"","Includes a newspaper article reviewing the concert.","Includes a duplicate program.","Includes a duplicate program.","Includes a duplicate prorgam.","Includes a duplicate program book.","Includes an insert for the evening of the 28th.","Outlines five performances in the coming 1961-62 season and their accompanying guest soloists: November 8, 1961 with Whittemore and Lowe, duo-pianists, December 6, 1961 with Robert Rudié, violinist, Virginia Babikian, Soprano, Louise Parker, Contralto, and Don Yule, Baritone, January 10, 1962 with Claudette Sorel, pianist, and Assunta Dell'Aquila, harpist, February 14, 1962 with Aldo Parisot, and March 14, 1962 with Maureen Forrester, Contralto.","Includes a booklet on the Cleveland Orchestra's records.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a program inset that corrects the conductor for later concerts.","Includes a newspaper article describing the change of conductor and reviewing the concert as well as a newspaper article describing the previous performance and change of conductor.","Includes a newspaper article reviewing the performance.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an insert detailing the change in performers.","Includes a note that the composer of the pieces performed is the conductor.","Includes a newspaper article reviewing the concert.","Includes an insert revising the program order.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles reviewing the concert.","Incluides an insert about June Anderson.","Incluides an insert about cast substitutions.","Includes two newspaper articles reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a flyer of other concerts in the Handel Opera Festival.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an inset about the Cleveland Orchestra's 1985-86 season and a ticket for the performance bought at The Russian Tea Room.","Includes a duplicate program.","One of the ad pages contains handwritten notes saying: \"Pete and Jo: We went to this concert and then to a Thai restaurant. Peter,\" \"Pete this is the fur. Jana,\" \"Hello there! Had a great time at Watty's performance and with everyone afterwards. It's about time, we got you both. Lucas,\" \"W\"","Includes a newspaper article reviewing the concert.","There is an insert correcting that the name listed in the program to sing the Primo Cantore should read Randall Hartness.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Program for a working rehearsal.","Includes a pamphlet listing the performers in this concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an insert with the updated program.","Includes an insert describing program changes.","Includes an insert about the New York City Gay Men's Chorus holiday celebration.","Includes two inserts detailing the changes in programming.","Insert Included","Insert included","Includes a duplicate program book.","Insert included","Insert included","New York Times Article included: \"The Met Opera Orchestra Without the Met Opera\"","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Includes a duplicate program.","News Article included: \"Opera Musicians Can Share the Stage\" by Anthony Tommasini","New York Times News Article included:\"Music Review: Savoring Mahler in a Nanosecond World\" by Bernard Holland","News Article included: \"Pied Piper Who Leads March Out of the Hall\" by Anthony Tommasini","News Article included: \"Music Review: An Orchestra's Piquant Reminders of Postwar Berlin\" by James R. Oestreich","News Article included: \"Music Review: Enter Another Dazzling Mezzo\" by Anthony Tommasini","Insert included","Includes a text and translation booklet.","Insert included","Insert included.","Insert included. Program annotated to indicate change in performers","Insert included","Includes an insert for the evening of the 28th.","Contains a text and translations booklet","Revised program included.","Includes a text and translation booklet","Includes a text and translations booklet","Includes a text and translations booklet","Includes an isert denoting cast change with additional information on performer","Includes text and translation booklet","Includes a note from the donor (Henry Strouss)","Includes a duplicate program.","texts \u0026 translations pamphlet included","open working rehearsal","texts pamphlet included","texts \u0026 translations pamphlet included","texts \u0026 translations pamphlet included","Incudes a duplicate program.","Performance ticket included","Carnegie Hall Playbill \u0026 separate Richard Tucker Foundation program included","open working rehearsal","Includes a duplicate program.","Includes a duplicate program.","open working rehearsal","Includes a duplicate program. Festival overview","Includes a duplicate program.","open working rehearsal","Includes a duplicate program.","Performance ticket included","texts \u0026 translations pamphlet included","Includes a duplicate program.","Carnegie Hall Playbill \u0026 separate ASO program included","texts \u0026 translations pamphlet included","Carnegie Hall Playbill \u0026 separate Richard Tucker Foundation program included","open working rehearsal","contains German translation booklet","open working rehearsal","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an Insert","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an insert with a conductor change and Vasily Petrenko bio","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an insert with a conductor change and Yannick Nézet-Séguin bio","Includes a Texts and Translations booklet","Includes an Insert","Includes an Insert with cast change","Contains a ticket for the evening's performance","Includes an insert about broadcasting and upcoming performances","Includes 2 inserts","Includes Texts and Translations Booklet","Includes an Insert","Includes Texts and Translations Booklet","Includes 2 inserts. One is stapled to the program.","Includes an insert and a Texts and Translation Booklet","Includes an insert","Includes a cursive pencil annotation beside Paul Hindemith's Overture to The Flying Dutchman as Played by Bad Spa Orchestra at 7 AM by the Well with Jeremias Sergiani-Velázquez and Yurika Mok on violins, Mila Milisavljevic on viola and Susannah Chapman on cello","Includes a ticket","Includes an insert","Includes an insert","Includes a revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes a newspaper article","Includes a newspaper article","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes two insert, revised program and cast list","Contains a Calendar of Events for March 1986","Contains an advertisement for the Los Angeles Philharmonic","Includes an insert","Annotation","Program marked with blue ink finger print","Program contains a crude rough sketch of an open piano and a closed piano","Annotation","Program marked with partial black and pink ink finger prints","Contains an insert","Includes a News Article","Includes a newspaper article","Includes an Insert","Includes markings near May 2, 1993.","Includes pen annotation","Includes pen annotation","Includes an insert","Includes an Insert and an annotation","Includes Texts and Translations Booklet","Contains an insert - updated program","Contains a signature from George Shirley","Contains a signature from Theodor Uppman","Contains a signature from Justino Diaz","Contains signatures from Gianna D'Angelo and Nedda Casei","Contains a signature from Renata Tebaldi","Contains signatures from John Alexander and William Dooley","Contains signatures from John Alexander and William Dooley","Contains signatures from Mary Costa and Rosalind Elias","Contains a signature from William Dooley","Contains a newspaper article about the performance","Contains a signature from Jon Vickers","Contains a signature from Cornell MacNeil","Contains signatures from Martina Arroyo and Elena Cernei","Contains signatures fro Cornell MacNeil, Roberta Peters, Bonaldo Giaiotti, and Mignon Dunn","Contains a signature from Teresa Stratas","Contains a signature from Mirella Freni","Contains signatures from Mirella Freni, one signature illegible","Contains signatures from","Contains signatures from Carlo Bergonzi and Nedda Casei. One illegible signature","Contains signatures from Jon Vickers, Morley Meredith, and two illegible signatures","Contains signatures from Jon Vickers and Leonie Rysanek","Includes a signature from James McCracken","Includes a newspaper article about the performance","Includes an Insert: In this evening's performance of Die Zauberfloete, the role of the Queen of the Night will be sung by Christine Duetekom replacing Roberta Peters, who is indisposed; Belen Amparan will sing the role of the third lady replacing Nedda Casei who is indisposed","Includes a newspaper article covering the performance","Includes signatures from Theodor Uppmann and Nedda Casei","Includes two newspaper articles about the performance","Includes two newspaper articles about the performance","Helge Brilioth's debut, Includes 3 inserts","Includes a newspaper article about the performance","Includes two newspaper articles about the performance","Includes signatures from several cast members","Includes a newspaper article about the performance","Includes 5 \"New Production\" Pamphlets","Includes a newspaper article on the performance","Incldues a signature from Montserrat Caballe","Includes an Insert - 15% off Tickets to Elektra","Includes an insert, updated program","Includes two inserts, an advertisement for open Philharmonic rehersals and a pamphlet for the Save the Met Broadcasts Campaign","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, an advertisement to meet Kiri Te Kanawa","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updating program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes personal notes from Henry Strouss","Includes a pamphlet celebrating the opera's premiere and thanking the Gala Committee","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, additional program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an advertisement for a trivia event during the opera's first intermission","Includes an insert, updated program","Includes a handwritten note from Henry Strouss","Includes a handwritten note from Henry Strouss","Includes an insert, updated program","Includes an insert, updated program","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes an article covering the performance","Includes an article covering the performance","Includes signatures from Richard Taylor, Samuel Ramey, and Patricia Wells","Includes a signature from Cynthia Clarey","Includes a signature from June Anderson","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Incldues an article titled \"Parsons is shattering as Mert\"","Includes an article from Joseph Papp titled \"The Real Threepenny Opera\"","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, a list of actors playing the citizens of New Salem and Springfield","Includes an insert, updated program","Includes an insert, updated program","Includes two inserts, an article on Tessa Klein and an updated program","Opening Performance","Opening Performance","Includes an insert, cast list","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, \"The 25th Anniversary of the Fall of the Berlin Wall\""],"userestrict_html_tesm":["\u003cp\u003eAccess to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Access to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Carnegie Hall (New York, N.Y.)","Wetzler Orchestra ","Philharmonic Society of New York","NBC Symphony Orchestra","Westminster Symphonic Choir","Little Orchestra Society","Choral Art Society","Berliner Philharmoniker","Columbia Symphony Orchestra","New York Philharmonic","Schola Cantorum (Musical group)","University of Maryland Choir","Orchestra of America","Pittsburgh Symphony Orchestra","American Opera Society","Festival Casals. Orchestra","Cleveland Orchestra. Chorus","Cleveland Orchestra","American Symphony Orchestra (New York, N.Y.)","Musica Aeterna Orchestra","Musica Aeterna Chorus","BBC Symphony Orchestra","Friends of French Opera","Boston Symphony Orchestra","Clarion Music Society","Oratorio Society of New York","Philadelphia Orchestra Association","Rutgers University. Choir","London Symphony Orchestra","Wiener Johann Strauss-Orchester","The New School","Cincinnati Symphony Orchestra","LaSalle Quartet","Concertgebouworkest","Los Angeles Philharmonic Orchestra","Collegiate Chorale","Wiener Philharmoniker","Münchener Bach-Orchester","Münchener Bach-Chor","Wiener Symphoniker","Česká filharmonie","New England Conservatory Chorus","Dessoff Choirs","Bayerischer Rundfunk. Orchester","Gosudarstvennyĭ simfonicheskiĭ orkestr SSSR","English Chamber Orchestra","Minnesota Orchestra","Hartford Symphony Orchestra","Hartford Symphony Chorale","Chicago Symphony Orchestra","New Jersey Symphony Orchestra","Chicago Symphony Chorus","Handel Society of New York","Opera Orchestra of New York","Pro Arte Festival Orchestra","Tizmoret ha-filharmonit ha-Yiśreʼelit","Leningradskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Musica Sacra (Musical group : New York, N.Y.)","Metropolitan Opera Guild","National Orchestral Association (U.S.)","Gewandhausorchester Leipzig","Detroit Symphony Orchestra","Baltimore Symphony Orchestra","New York Choral Society","Musique de la Garde républicaine de Paris","Stuttgarter Klaviertrio","Byrne Camp Chorale","Mendelssohn Club of Philadelphia","Mormon Tabernacle Choir","Orchestre de Paris","Wiener Singverein","Státní filharmonie Brno","Pražský komorní orchestr","Roger Wagner Chorale","Sacred Music Society (New York, N.Y.)","Orchestra of St. Luke's","Staatskapelle Berlin","St. Cecilia Orchestra","St. Cecilia Chorus","Tanglewood Festival Chorus","National Symphony Orchestra (New York, N.Y.)","Yale Concert Band","Wayne State University. Symphonic Chorus","Indianapolis Symphony Orchestra","Peter, Paul, and Mary (Musical group)","Cathedral of St. John the Divine (New York, N.Y.). Choir","United States Military Academy. Band","American Chamber Orchestra","Curtis Student Orchestra","St. Louis Symphony Orchestra","St. Louis Symphony Chorus","Orchestre symphonique de Montréal","London Philharmonic Orchestra","Symfonický orchestr hlavního města Prahy FOK","Worcester Chorus","Royal Philharmonic Orchestra","Rotterdams Philharmonisch Orkest","Radio-Symphonie-Orchester Berlin","Toronto Symphony","Illapu (Musical group)","Fortaleza (Musical group)","Münchner Philharmoniker","Orchestre de la Suisse romande","Boys' Choir of Harlem","Filharmonia Krakowska","Zagrebačka filharmonija","Hallé Orchestra","Chamber Orchestra of Europe","Stuttgarter Philharmoniker","Canterbury Choral Society","Staatskapelle Dresden","Princeton Pro Musica","Sveriges radios symfoniorkester","Orchestre philharmonique de Monte-Carlo","Jerusalem Symphony Orchestra","Guarneri Quartet","Buffalo Philharmonic Orchestra","SWR Radio-Sinfonieorchester Stuttgart","San Francisco Symphony Orchestra","Orchestre de Paris. Chœur","Pro Arte Chorale","Choral Arts Society of Philadelphia","New York City Gay Men's Chorus","Academy of St. Martin-in-the-Fields","Philharmonia Orchestra","National Arts Centre. Orchestra","Orchestre national d'Île-de-France","Dale Warland Singers","Piano Teachers Congress of New York","Filharmoniske selskap (Oslo, Norway). Orkester","Robert Shaw Festival Singers","Robert Shaw Festival Chorus","State Symphonic Kapelle of Moscow","Philadelphia Singers. Chorale","Orchestra and Chorus of Teatro Alla Scala","Concert Choir . of the St. Louis Children's Choirs","Rossiĭskiĭ nat︠s︡ionalʹnyĭ orkestr","Concert Chorale of New York","Philadelphia Boys Choir","Sankt-Peterburgskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Tokyo College of Music Symphony Orchestra","Chorus Viennensis","Wiener Sängerknaben","New York Grand Opera Company. New York Grand Opera ","Metropolitan Opera (New York, N.Y.). Orchestra","Mariinskiĭ teatr (1991- ). Orkestr","Collegium vocale (Ghent, Belgium)","Chapelle royale de Paris (Musical group)","Robert Shaw Choral Institute. Singers","Theodore Presser Company","Arnold Schoenburg Choir (Vienna)","The United States Navy Band","Sea Chanters Chorus","Cathedral of St. John the Divine (New York, N.Y.). Chorister Boys","Zhong yang min zu yue tuan (Beijing, China)","Atlanta Symphony Orchestra","Deutsches Symphonie-Orchester Berlin","Sibelius-Akatemia (Helsinki, Finland). Sinfoniaorkesteri","Atlanta Symphony Chamber Chorus","London Sinfonietta","Dallas Symphony Chorus","Mendelssohn Choir of Pittsburgh","Metropolitan Opera (New York, N.Y.). Chorus","Budapesti Fesztiválzenekar","Bach Collegium Japan","University of Puerto Rico Centennial Chorus","Westchester Philharmonic","Manhattan Philharmonic","Russian Chamber Chorus of New York","Fathy Salama Orchestra","The Scott Choral Artists of New York City","Sweet Honey in the Rock","Musica Sacra Chorus and Orchestra","Kremerata Baltica (Musical group)","Schweizerisches Festspielorchester","American Academy in Berlin","Orquesta Sinfónica Simón Bolívar","Thurgood Marshall Academy for Learning and Social Change (Harlem, New York, N.Y.)","Mariinskiĭ teatr (1991- ). Khor","Weill Music Institute ","Brooklyn Philharmonic Symphony Orchestra","New York City Opera. Orchestra","Marilyn Horne Foundation","Orchestra barocca di Venezia","Chapelle de Québec","Orfeón Pamplonés","Saitō Kinen Ōkesutora","NHK Symphony Orchestra Tokyo","Tafelmusik Baroque Orchestra","Morgan State University. Choir","Manhattan Symphony Orchestra","Chorus la Preghiera","Europa galante (Musical group)","World Orchestra for Peace","Monteverdi Choir","Ensemble de Metales de Venezuela","West-Eastern Divan Orchestra","English Concert (Musical group)","Studio de musique ancienne de Montréal","Ensemble Matheus","PALS Children's Chorus","Manhattan Girls Chorus","Arcangelo . Arcangelo (Ensemble)","New York Choral Artists","Brooklyn Youth Chorus","Rochester Philharmonic Orchestra","Winnipeg Symphony Orchestra","Beogradska filharmonija","Teatro regio (Turin, Italy). Coro","Mahler Chamber Orchestra","Tallis Scholars","Fretwork","Distinguished Concerts International New York. DCINY","St. Michael's Church (New York, N.Y.)","Curtis Opera Theatre","Orlando Consort","Dover Quartet","Atlanta Symphony Chorus","Philharmonia Baroque Orchestra","World Projects Corporation","Trio Mediaeval","Richard Tucker Music Foundation","Accademia Bizantina","Il Pomo d'Oro","Hespèrion XXI (Musical group)","Le Concert des Nations","TENET (Musical group)","Quicksilver (Baroque music group)","MasterVoices (Musical group)","Cappella Mediterránea","Concerto italiano (Musical group)","Lorelei Ensemble","Cherry Orchard Festival Foundation","Akademie für Alte Musik Berlin","University Singers. Washington and Lee University (Washington and Lee University)","Bard Music Festival. Chorale","Opus 3 Artists","Arpeggiata (Musical group)","Accademia di Santa Cecilia. Orchestra","Guo jia da ju yuan (Beijing, China). Guan xian yue tuan","Bayerisches Staatsorchester","Bayerische Staatsoper München","Bayerische Staatsoper München. Chor","Emerson String Quartet","Les Violons du Roy","Pražský filharmonický sbor","New York Baroque Incorporated. NYBI","Clarion Choir","Jean \u0026 Jula Goldwurm Memorial Foundation","National Youth Orchestra of the United States of America. NYO-USA","Juilliard School","Juilliard Orchestra","Apollo's Fire (Musical group)","Gerda Lissner foundation","The Liederkranz Foundation","El Mundo","Concerto Köln (Musical group)","The Crossing","Arts florissants (Musical group)","Frederic Chopin International Competition","Lincoln Center for the Performing Arts","Alice Tully Hall (New York, N.Y.)","Chamber Music Society of Lincoln Center","Philharmonica Chamber Orchestra","Queens Symphony Orchestra","American Ballet Theatre","Greek Choral Society","The Canticum Novum Singers","National Chorale","The St. Paul Chamber Orchestra ","Westminster Choir","Israel Philharmonic Orchestra","BBC Concert Orchestra","The Central Band of the Royal Air Force","Red Star Red Army Chorus and Dance Ensemble","Russian State Symphony Orchestra","Lark String Quartet","Imperial Bells Ensemble of China","New York City Opera Children's Chorus","City of Birmingham Symphony Orchestra","Berlin Philharmonic Piano Quartet","Orchestra of the Royal Opera House, Covent Garden","London Symphony Chorus","Rutgers University Kirkpatrick Choir","Orchestra of the Age of Englightenment","Bartók Quartet. The Bartók Quartet","Gabrieli Quartet","Cleveland Quartet","Beaux Arts Trio","Orion String Quartet","Bill T. Jones/Arnie Zane and Company","Miami String Quartet","Alvin Ailey American Dance Theater","Royal Opera House","Gesher Theatre","The Abbey Theatre","Bolshoi Ballet","National Theatre of Scotland (Glasgow, Scotland, United Kingdom)","New Orleans Own Hot 8 Brass Band","The Blind Boys of Alabama","Théâtre des Bouffes du Nord","Royal Shakespeare Company (Stratford-upon-Avon, England)","Mariinsky Ballet","Paris Opera Ballet","Jiangsu Yancheng Acrobatic Company","Ninagawa Company","Shakespeare's Globe","Takarazuka Revue","Metropolitan Opera","Ballet Nacional de Cuba","John Curry Skating Company","Mitzi E. Newhouse Theater","Lincoln Center Theater (New York, N.Y.)","Lincoln Center Jazz Orchestra","David H. Koch Theater","New York City Opera","Teatro Nuovo","Vivian Beaumont Theater","Strouss, Henry  (Henry Strouss III ), Class of 1961","Paderewski, Ignace Jan, 1860-1941","Toscanini, Arturo, 1867-1957","Heifetz, Jascha, 1901-1987","Williamson, John Finley, 1887-1964","Rachmaninoff, Sergei, 1873-1943","Enesco, Georges, 1881-1955","Menuhin, Yehudi, 1916-1999","Perlea, Jonel, 1900-1970","Sándor, György, 1912-2005","Scherman, Thomas (Thomas Kielty) (19170212-19790514)","Jonson, William (19721121)","Karajan, Herbert von (1908-04-05-1989-07-16)","Stravinsky, Igor, 1882-1971","Craft, Robert (Robert Lawson) (1923-10-20-2015-11-10)","Bernstein, Leonard, 1918-1990","Horszowski, Mieczyslaw (18920623-19930522)","Nixon, Marni (1930-02-22-2016-07-24)","Ross, Hugh (Hugh Cuthbert Melville), 1898-1990","Springmann, Fague","Bach, Johann Sebastian, 1685-1750","Dunn, Thomas, 1925-2008","Korn, Richard, 1908-1981","Whittemore, Arthur Austin (1916-10-23-1984-10-23)","Lowe, Jack (Jack Warren), 1917-1996","Steinberg, William (Hans Wilhelm), 1899-1978","Haydn, Joseph (Franz Joseph), 1732-1809","Bruckner, Anton (Josef Anton), 1824-1896","Gluck, Christoph Willibald, Ritter von, 1714-1787","Remoortel, Edouard van, 1926-1977","Hillis, Margaret, 1921-1998","Oxenburg, Allen Sven (1927-07-10-1992-07-02)","Nilsson, Birgit (19180517-20051225)","Shaw, Robert (Robert Lawson), 1916-1999","Casals, Pablo, 1876-1973","Schneider, Alexander, 1908-1993","Szell, George, 1897-1970","Firkušný, Rudolf, 1912-1994","Mozart, Wolfgang Amadeus (1756-1791)","Mahler, Gustav, 1860-1911","Lawrence, Robert, 1912-1981","Gardelli, Lamberto (19151108-19980717)","Costa, Mary","Simionato, Giulietta (19100512-20100505)","Istomin, Eugene (1925-11-26-2001-10-10)","Stern, Isaac, 1920-2001","Rose, Leonard (19180727-19841116)","Hurok, Sol, 1888-1974","Iglesias, Olga","Díaz, Justino ([1939-01-29,1940-01-29])","Serkin, Rudolf, 1903-1991","Beethoven, Ludwig van, 1770-1827","Richter-Haaser, Hans, 1912-1980","Lynn, George, 1915-1989","Verrett, Shirley (1931-05-31-2010-11-05)","Waldman, Frederic (1903-04-17-1995-12-01)","Handel, George Frideric, 1685-1759","Forrester, Maureen","Dorati, Antal (1906-04-09-1988-11-13)","Harper, Heather (Heather Mary) (1930-05-08-2019-04-22)","Du Pré, Jacqueline, 1945-1987","Gedda, Nicolai (1925-07-11-2017-01-08)","Gorr, Rita (1926-02-18-2012-01-22)","Elgar, Anne","Uppman, Theodor, 1920-2005","Leinsdorf, Erich, 1912-1993","Frank, Claude, 1925-2014","Brahms, Johannes, 1833-1897","Stokowski, Leopold (Leopold Anthony), 1882-1977","Katz, David (1924-1987)","Serebrier, José, 1938-","Gerstman, Felix, -1967","Jenkins, Newell (1915-02-08-1996-12-21)","Lee, T. Charles, 1914-1994","Warfield, William (1920-01-22-2002-08-25)","Woodside, Lyndon","Silverstein, Joseph (Joseph Harry), 1932-2015","Eskin, Jules (Jules Louis) (1931-10-20-2016-11-15)","Laredo, Jaime","Curtin, Phyllis (1921-12-03-2016-06-05)","Valletti, Cesare","Reardon, John, 1930-1988","Ormandy, Eugene, 1899-1985","Walter, F. Austin","Bjoner, Ingrid","Rossini, Gioacchino, 1792-1868","Arroyo, Martina (19360202)","Chookasian, Lili (1921-08-01-2012-04-10)","Bergonzi, Carlo (19240713-20140725)","Kertész, István, 1929-1973","Ilosfalvy, Róbert, 1927-2009","Ashkenazy, Vladimir (Vladimir Davidovich), 1937-","Piatigorsky, Gregor, 1903-1976","Koni︠u︡s, I︠U︡. (I︠U︡liĭ), 1869-1942","Oliver, John, 1939-2018","DeVaron, Lorna Cooke, 1921-2018","Strauss, Eduard, 1910-1969","Koller, Dagmar","Kraeutler, Walter","Strauss, Johann, 1825-1899","Ghiaurov, Nicolai, 1929-2004","Wolff, Beverly","Debussy, Claude (Achille-Claude), 1862-1918","Donizetti, Gaetano (Domenico Gaetano Maria), 1797-1848","Lewis, Henry, 1932-1996","Cava, Carlo (1928-08-16-2018-09-01)","Souliotis, Elena, 1943-2004","Jones, Gwyneth, 1936-","Cherubini, Luigi, 1760-1842","Bottion, Aldo","Tree, Michael, 1934-2018","Parnas, Leslie (1931-11-11-2022-02-01)","Glickman, Loren","Rudolf, Max, 1902-1995","Hoffman, Jay K.","Kiviniemi, Aimo J., 1918-2009","Jenness, Phyllis, 1922-","Brooks, Patricia (Patricia Anne), 1933-1993","Carringer, Walter (2006-10-22)","Giaiotti, Bonaldo (1932-12-25-2018-06-12)","Arrau, Claudio, 1903-1991","Wilson, Charles M., 1931-2019","Sills, Beverly (1929-05-25-2007-07-02)","Fischer-Dieskau, Dietrich, 1925-2012","Moore, Gerald Martin","Schumann, Robert (Robert Alexander), 1810-1856","Paskalis, Kostas","Gamson, Arnold","Caballé, Montserrat (Maria de Montserrat Viviana Concepción) (1933-04-12-2018-10-06)","Schubert, Franz","Schwarzkopf, Elisabeth (Olga Maria Elisabeth Friederike) (1915-12-09-[2006-08-02,2006-08-03])","Crochet, Evelyne","Haitink, Bernard (Bernard Johan Herman), 1929-2021","Henkemans, Hans (19131223-19951229)","Mehta, Zubin (19360429)","Cliburn, Van, 1934-2013","Adler, Murray","Lowenthal, Jerome (19320211)","Laurence, Eileen","Khanzadian, Vahan","Prince-Joseph, Bruce, 1925-2015","Kaplan, Abraham, 1931-","Böhm, Karl, 1894-1981","Richter, Karl, 1926-1981","Halem, Victor von (1940-03-26)","Gilles, Marie-Louise","Kesteren, John van, 1921-2008","Boky, Colette","Sawallisch, Wolfgang, 1923-2013","Slovák, Ladislav, 1919-1999","Dvorak, Antonin","Smetana, Bedřich, 1824-1884","Smith, Gregg (1931-08-21-2016-07-12)","Self, William","Solomon, Izler, 1910-1987","Ricci, Ruggiero, 1918-2012","Webern, Anton (Anton Friedrich Wilhelm von), 1883-1945","Cillario, Carlo Felice (19150207-20071213)","Callas, Maria, 1923-1977","Milanov, Zinka (1906-05-17-1989-05-30)","Ravel, Maurice (Joseph Maurice), 1875-1937","Falla, Manuel de, 1876-1946","Glière, Reinhold Morit︠s︡evich, 1875-1956","Weissenberg, Alexis (Alexis Sigismond) (1929-07-26-2012-01-08)","Ferras, Christian, 1933-1982","Verdi, Giuseppe","Ross, Elinor, 1926-2020","Vogt, Richard","Otterloo, Willem van (19071227-19780727)","Franck, César (César-Auguste-Jean-Guillaume-Hubert), 1822-1890","Newmark, John (1904-06-12-1991-10-17)","Tucci, Gabriella (1929-08-04-2020-07-09)","Baker, Janet, 1933-","Duval, Pierre, (Tenor)","Talvela, Martti (19350204-19890722)","Bonynge, Richard (1930-09-29)","Sutherland, Joan (Joan Alston), 1926-2010","Fischer, Annie (1914-07-05-1995-04-11)","Francescatti, Zino (Zino René-Charles), 1902-1991","Walton, William (William Turner), 1902-1983","Tchaikovsky, Peter Ilich, 1840-1893","Mandac, Evelyn","Litton, James H.","McCollum, John","Berberian, Ara (1930-05-14-2005-02-21)","Cleva, Fausto (19020517-19710806)","Tebaldi, Renata (1922-02-01-2004-12-19)","Saciuk, Andrzej","Previn, André (André George), 1929-2019","Novaes, Guiomar (1895-02-28-1979-03-07)","Tyler, Veronica","Paray, Paul, 1886-1979","Entremont, Philippe (1934-06-07)","Smith, William, 1924-1993","Wagner, Richard, 1813-1883","Sollberger, Sophie, 1934-","Bonazzi, Elaine (1936?-2019-01-29)","Sokol, Thomas A., 1929-","Shetler, Norman","Kubelík, Rafael, 1914-1996","Janáček, Leoš, 1854-1928","Weber, Carl Maria von (Carl Maria Friedrich Ernst von), 1786-1826","Hindemith, Paul, 1895-1963","Endich, Saramae","Milnes, Sherrill (19350110)","Munch, Charles, 1891-1968","Jochum, Eugen (19021101-19870326)","Svetlanov, Yevgeny, 1928-2002","Rostropovich, Mstislav, 1927-2007","Mussorgsky, Modest Petrovich, 1839-1881","Shostakovich, Maxim, 1938-","Sokolov, Grigoriĭ, 1950-","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975","Giulini, Carlo Maria (1914-05-09-2005-06-14)","Barenboim, Daniel, 1942-","Zukerman, Pinchas, 1948-","Allen, Betty, 1927-2009","Markevitch, Igor, 1912-1983","Strauss, Richard, 1864-1949","Killmer, Nancy","Garniez, Nancy","Villa-Lobos, Heitor (1887-03-05-1959-11-17)","Rorem, Ned, 1923-2022","Tilson Thomas, Michael, 1944-","Wolf, Hugo (Hugo Filipp Jakob), 1860-1903","Boulez, Pierre, 1925-2016","Lane, Louis (Louis G.) (1923-12-25-2016-02-15)","Semkow, Jerzy, 1928-2014","Skrowaczewski, Stanisław (Stanisław Paweł Stefan Jan Sebastian), 1923-2017","Trautwein, George William (1927)","Winograd, Arthur (1920-04-22-2010-04-22)","Solti, Georg, 1912-1997","Mazer, Henry, 1918-2002","Scovotti, Jeanette","Simon, Joanna, 1940-","Riegel, Kenneth (19380419)","Patrick, Julian, 1927-2009","Cortez, Viorica (1935-12-26)","Cochran, William (1943-06-23)","Carmeli, Boris (1928-04-23-2009-07-31)","Horne, Marilyn (1934-01-16)","Lupu, Radu, 1945-2022","Price, Leontyne (Mary Violet Leontyne) (1927-02-10)","Garvey, David, 1922-1995","Simon, Stephen (Stephen Anthony), 1937-2013","Morell, Barry","Estes, Simon (1938-02-02)","Blegen, Judith (19410427)","Steffan, Sofia","Quilico, Louis","Lo Monaco, Jerome (1925-2002)","Walker, Mallory (1935-05-22)","Nelson, John, 1941-","Cassilly, Richard, 1927-1998","Ellis, Brent","Ostendorf, John, 1945-","Berlioz, Hector, 1803-1869","Parsons, Geoffrey (Geoffrey Penwill) (1929-06-15-1995-01-26)","Zanetti, Miguel","Katz, Martin (Martin E.), 1945-","Burrows, Stuart (1933-02-07)","Stella, Antonietta (19290315)","Manuguerra, Matteo (1924-10-05-1998-08-23)","Carter, Elliott (Elliott Cook), 1908-2012","Dougherty, Lee","Dale, Clamma (1948-07-04)","Tal, Josef, 1910-2008","Bloch, Ernest, 1880-1959","Maazel, Lorin, 1930-2014","Siepi, Cesare (19230210-20100705)","Veasey, Josephine (1930-07-10-2022-02-22)","Savoie, Robert, 1927-2007","Soyer, Roger (1939-09-01)","Gniewek, Raymond, 1931-","Brozzesi, Franco","Plishka, Paul, 1941-","Aks, Harold","Abbado, Claudio (1933-06-26-2014-01-20)","Mravinsky, Yevgeny, 1903-1988","Tretʹi︠a︡kov, Viktor, 1946-","Arkhipova, Irina, 1925-2010","Westenburg, Richard","Bogard, Carole","Collins, Daniel, (Countertenor)","Bressler, Charles (1926-04-01-1996-11-28)","Anderson, Richard, (Bass)","Bruson, Renato (19360113)","Eda-Pierre, Christiane (1932-03-24-2020-09-06)","West, Jon Fredric, 1952-","Di Stefano, Giuseppe, 1921-2008","Sutherland, Robert, (Pianist)","Ludwig, Christa (1928-03-16-2021-04-24)","Pruett, Jérôme","Barzin, Leon (1900-11-27-1999-08-29)","Glaze, Gary","Masur, Kurt (1927-07-18-2015-12-19)","Lorenz, Siegfried, 1945-","Reger, Max, 1873-1916","Magad, Samuel, 1932-","Zeitlin, Ralph William","Still, Ray (19200312-20140312)","Hesse, Ruth","Ulfung, Ragnar (Ragnar Sigurd), 1927-","Hamari, Julia (19421121)","McCoy, Seth, 1928-1997","Ceccato, Aldo","Hollander, Lorin, 1944-","Bamert, Matthias (19420705)","Page, Robert (Robert Elza), 1927-2016","Kurtz, Eugene, 1923-2006","Lewis, William (William L.), 1931-","Perlman, Itzhak, 1945-","Comissiona, Sergiu (1928-20050305)","Prokofiev, Sergey (Sergey Sergeyevich), 1891-1953","Menuhin, Hephzibah, 1920-1981","Kraus, Alfredo","Elvira, Pablo, 1937-2000","Akiyama, Kazuyoshi, 1941-","Davenny-Wyner, Susan","De Cormier, Robert (Robert Romeo) (1922-01-07-2017-11-07)","Brendel, Alfred (1931-01-05)","Boutry, Roger (1932-02-27-2019-09-07)","Mendelssohn-Bartholdy, Felix, 1809-1847","Schröder-Feinen, Ursula","Tyl, Noel, 1936-","Copland, Aaron, 1900-1990","Rabbai, Joseph","Anagnost, Dino","Scotto, Renata, 1934-","Madden, Donald, 1933-1983","Aler, John (19491004)","Burchinal, Frederick (1948-12-07)","Harris, Roy, 1898-1979","Quivar, Florence (1944-03-03)","Davis, Eileen, (Mezzo-soprano)","Leonhard, Monika, 1942-","Kussmaul, Rainer","Hahn, Klaus-Peter, 1944-","Domingo, Plácido, 1941-","Bumbry, Grace, 1937-2023","Bergquist, Eleanor","Chudy, Natalya","Rampal, Jean-Pierre, 1922-2000","Zukerman, Eugenia","Sanders, Samuel (19370627-19990709)","Lauridsen, Beverly (1945-1994)","Armstrong, Sheila (19420813)","Davis, Colin (Colin Rex), 1927-2013","Ozawa, Seiji, 1935-","Liszt, Franz, 1811-1886","Larrocha, Alicia de (1923-05-23-2009)","Bailey, Norman (Norman Stanley), 1933-2021","Martin, Janis (Janis Lenere) (19390816-20141214)","Ottley, Jerold D. (Jerold Don) (1934-04-07)","Ripplinger, Donald (Donald Hilton) (1927)","Schreiner, Alexander, 1901-1987","Cundick, Robert (Robert Milton), 1926-2016","Longhurst, John (1940)","Levine, James, 1943-2021","Ewing, Maria (Maria Louise) (1950-03-27-2022-01-09)","Flummerfelt, Joseph (Joseph Ross) (1937-02-24-2019-03-01)","Minton, Yvonne (19381204)","Ward, David, 1922-1983","Dam, José van (1940-08-25)","Froschauer, Helmuth (1933-09-22-2019-08-18)","Tomowa-Sintow, Anna, 1941-","Baltsa, Agnes (1944-11-19)","Krenn, Werner","Freni, Mirella, 1935-2020","Cossotto, Fiorenza (19350422)","Beattie, Herbert, 1926-2019","Careccia, Franco","Lee, Lou Ann","Taylor, Rose (Rose Audrey) (19450401-20130914)","Gilels, Emil (1916-10-19-1985-10-14)","Rintzler, Marius","Swing, Peter Gram","Brooks, Tamara (1941-09-11-2012-05-19)","Hanson, Donald, (Conductor)","Waldhans, Jiři, 1923-1995","Bělohlávek, Jiří (1946-02-24-2017-05-31)","Krajný, Boris (1945-11-28)","Wagner, Roger, 1914-1992","Hendricks, Barbara (1948-11-20)","Albin, Gene (Gene V.), 1934-","Lebherz, Louis","Hurwood, Bonnie","Haywood, Lorna","Love, Shirley (1940-01-06)","Norman, Jerold","Smith, Malcolm, 1933-","Mickelson, Randolph","Masini, Gianfranco","Kenny, Yvonne (19501125)","Palmer, Felicity (19440406)","Gelber, Bruno-Leonardo, 1941-","Levitt, Arthur, 1931- ","Weill, Sandy","Wolfensohn, James D.","Bass, Robert, 1953-2008","Randolph, David (19141221-20100512)","Goodwin, John Daly","Carneiro, Joana, 1976-","Coorey, Matthew, 1973-","Johns, Kynan","Lehner, Manfred Hermann","Zhang, Xian, 1973-","Rattle, Simon, 1955-","Carey, Eric","Roset, Julie","Switzer, Erika","Kreisler, Fritz, 1875-1962","Lamson, Carl (1878-11-27-1966-03)","Gould, Morton, 1913-1996","Burton, Philip (Philip Henry), 1904-1995","Geer, Will (1902-03-09-1978-04-22)","Rodgers, Gaby","Martin, Ian, 1912-1981","O'Casey, Sean, 1880-1964","Parisot, Aldo (Aldo Simões) (1918-09-30-2018-12-29)","Sorel, Claudette, 1932-1999","Rudié, Robert (1919-2012-03-04)","Kempff, Wilhelm, 1895-1991","Druian, Rafael (19220120-20020906)","Robison, Paula (1941-06-08)","Isepp, Martin","Prey, Hermann, 1929-1998","Edwards, Ryan","Pfitzner, Hans (Hans Erich), 1869-1949","Gagnon, Roland","Hirst, Grayson","Belling, Susan","Porrello, Joseph","Metcalf, William, 1934-1997","Giovaninetti, Reynald","Floyd, Alpha","Kubiak, Teresa, 1937-","Howell, Gwynne (Gwynne Richard) (19380613)","Von Stade, Frederica (19450601)","Berman, Lazar (19300226-20050206)","Busoni, Ferruccio, 1866-1924","Popp, Lucia (1939-11-12-1993-11-16)","Glinka, M. I. (Mikhail Ivanovich), 1804-1857","Scriabin, Aleksandr Nikolayevich, 1872-1915","Vishnevskai︠a︡, Galina (Galina Pavlovna), 1926-2012","Knie, Roberta (1938-03-13-2017-03-16)","Demus, Jörg (Jörg Wolfgang), 1928-2019","Sousa, John Philip, 1854-1932","Brion, Keith (1933-07-09)","Nagel, Robert (Robert Earl) (1924-9-29-2016-06-05)","Swallow, John (John Warner), 1924-2012","Watts, Andre (1946-06-20-2023-07-12)","Weikl, Bernd (1942-07-29)","Söderström, Elisabeth (Anna Elisabeth), 1927-2009","Grobe, Donald (1929-12-16-1986-04-01)","Zoghby, Linda","Massenet, Jules, 1842-1912","Martinovich, Boris","Kniplová, Naděžda (1932-04-18-2020-01-14)","Schoenberg, Arnold, 1874-1951","Gottschalk, Louis Moreau","List, Eugene, 1918-1985","Savant, Victor","Shookhoff, William","Tenzi, Fausto","Verdejo, Awilda","Estes, Richard, 1948-","Ricciarelli, Katia (1946-01-16)","Hinds, Ruby","Gonzalez, Dalmacio (1945-05-12)","Johns, William, 1940-","Davis, Osceola","Muti, Riccardo (1941-07-28)","Buchanan, Isobel","Varady, Julia","Suzuki, Hidetaro, 1937-","Mroz, Leonard (Leonard Andrzej)","Gulyás, Dénes (1954)","Kazaras, Peter (1956)","Maurice, Glenda (1939-12-16-2013-4-16)","Britton, David, (Tenor)","Opalach, Jan (19500902)","Devia, Mariella (1948)","Delibes, Léo (Clément Philibert Léo), 1836-1891","Rao, Doreen","Bernard, Annabelle","Hancock, Gerre (Gerre Edward), 1934-2012","Castro Alberty, Margarita","Yarrow, Peter, 1938-","Stookey, Paul (Noel Paul), 1937-","Travers, Mary (Mary Allin), 1936-2009","Moore, Undine S. (Undine Smith) (1904-08-25-1989-02-06)","Halley, Paul (1952)","Randall, Tony (1920-02-26-2004-05-17)","Boito, Arrigo, 1842-1918","Andrade, Rosario","Rice, Laura Brooks","Hong, Hei-Kyung","deVaughn, Alteouise","Creech, Philip (1950-06-01)","Woodley, Arthur (1949)","Margalit, Israela (1944)","Behrens, Hildegard (1937-02-09-2009-08-18)","Vejzović, Dunja, 1943-","Dvorský, Peter, 1951-","Bogart, John-Paul (1952-09-17)","Sessions, Roger (Roger Huntington), 1896-1985","Spierer, Léon","Atzmon, Moshe","Patanè, Giuseppe, 1932-1989","Krilovici, Marina","Blake, Rockwell (1951-01-10)","Renzetti, Donato, 1950-","Burns, Stephen, 1959-","Phillips, Daniel (1960)","Phillips, Todd, (Violinist)","Anderson, June, 1952-","Roloff, Roger","Tokody, Ilona","Crafts, Edward","Barker, Charles","Rogoff, Rony","Ginastera, Alberto, 1916-1983","Boozer, Brenda","Weikert, Ralf","Cuberli, Lella (1945-09-29)","Merritt, Chris (Chris Allan), 1952-","Davis, Andrew, 1944-","Kahane, Jeffrey, 1956-","Gielen, Michael (Michael Andreas), 1927-2019","Kramer, Jonathan D. (Jonathan Donald), 1942-2004","Putnam, Ashley (1952-08-10)","Masterson, Valerie","Marriner, Neville (1924-04-15-2016-10-02)","Kocsis, Zoltán (1952-05-30-2016-11-06)","Pollini, Maurizio, 1942-","Neumann, Václav, 1920-1995","Leech, Richard, (Tenor)","Wilson, Neil, 1956-2000","Slatkin, Leonard (Leonard Edward) (1944-09-01)","Elgar, Edward (1857-06-02-1934-02-23)","Adams, John (John Coolidge), 1947-","Comet, Catherine","Montgomery, Kenneth","Thomas, Ambroise (Charles Louis Ambroise), 1811-1896","Rolandi, Gianna","McCauley, Barry (1950-06-25-2001-10-10)","Mack, John (John W.) (1927-10-30-2006-07-23)","Majeske, Daniel (Daniel Harold) (1932-09-17-1993-12-01)","Geber, Stephen","Vernon, Robert, (Violist)","Monk, Allan (19420819)","Dimitrova, Gena Macheva, 1941-2005","Stoltzman, Richard (1942-07-12)","Miranda, Sharon Moe","Marková, Jiřina","Wenkel, Ortrun","Dutoit, Charles (19361007)","Petkov, Dimitŭr, 1938-","Tennstedt, Klaus, 1926-1998","Cappuccilli, Piero (19291109-20050712)","Jones, Gwendolyn, (Mezzo-soprano)","Mackerras, Charles, 1925-2010","Gall, Jeffrey (1950-09-19)","Honegger, Arthur (Oscar-Arthur), 1892-1955","Marier, Theodore (Theodore Norman) (1912-10-17-2001-02-24)","Blahušiaková, Magdaléna","Sylvester, Michael, 1955-","Kusnjer, Ivan, 1951-","Leppard, Raymond (Raymond John) (1927-08-11-2019-10-22)","Kavrakos, Dimitri","Troyanos, Tatiana (1938-09-12)","Berg, Alban, 1885-1935","Hagegård, Håkan (1945-11-25)","Battle, Kathleen","Neikrug, Marc (Marc Edward), 1946-","Jin, Li, 1969-","Bruch, Max (Max Christian Friedrich), 1838-1920","Conlon, James, 1950-","Chailly, Riccardo, 1953-","Mintz, Shlomo, 1957-","Ameling, Elly (19340208)","Bouleyn, Kathryn","Lalo, Édouard (Édouard-Victoire-Antoine), 1823-1892","Vento, Marc, 1936-","Ciurca, Cleopatra","Myers, Lorna","Cole, Vinson (1950-11-21)","Jacobs, René (1946)","Taylor, Janice","Albert, Donnie Ray","Schafer, R. Murray (Raymond Murray) (1933-07-18-2021-08-14)","Dohnányi, Christoph von","Valentin, Dave (1952-04-29-2017-03-08)","Mauceri, John (1945-09-12)","Jordan, Armin (1932-04-09-2006-09-20)","Holliger, Heinz (1939-05-21)","Faulkner, Julia","Wheeler, Kimball (194u)","Chopin, Frédéric (Frédéric François), 1810-1849","Lloyd Webber, Andrew, 1948-","McGovern, Maureen (Maureen Therese) (1949-07-27)","Hillyer, Kazuko","Caddick, David","Turnbull, Walter J. , Dr.","Penderecki, Krzysztof (Krzysztof Eugeniusz), 1933-2020","Ma, Yo-Yo, 1955-","Strugała, Tadeusz, 1935-","Szymanowski, Karol, 1882-1937","Di Domenico, Dino","Wild, Earl (19151126-20100123)","Dešpalj, Pavle (1934-06-18)","Dešpalj, Valter","Sorkočević, Luka, 1734-1789","Beňačková-Čápová, Gabriela (1944-03-25)","Glassman, Allan","Dutilleux, Henri, 1916-2013","Milcheva, Aleksandrina (19340927)","Curry, Diane","Lamberti, Giorgio, 1938-","Gordon, David, 1947-","Toradze, Alexander","St. Clair, Carl (Carl Ray) (19520605)","Verrot, Pascal, 1959-","Hines, Jerome, 1921-2003","Harrell, Lynn (1944-01-30-2020-04-27)","Vivaldi, Antonio, 1678-1741","Lutosławski, Witold, 1913-1994","Parker, Jon Kimura, 1959-","Britten, Benjamin (Edward Benjamin), 1913-1976","Zimmermann, Frank Peter (1965)","Bizet, Georges (Georges Alexandre César Léopold), 1838-1875","Mehlig, Karl","Barber, Samuel (Samuel Osborne), 1910-1981","Matthus, Siegfried (1934-04-13)","Hauschild, Wolf-Dieter, 1937-","Licad, Cecile, 1961-","Walker, Charles Dodsley (1920-03-16-2015-03-21)","Barron, Jennifer","Burgess, Mary, (Mezzo-soprano)","Frager, Malcolm (19350115-19910620)","Schmidl, Peter","Henze, Hans Werner, 1926-2012","Bychkov, Semyon, 1952-","Fauré, Gabriel (Gabriel Urbain), 1845-1924","Kodály, Zoltán, 1882-1967","Larson, Sophia","McNair, Sylvia, (Soprano)","Cohen, Franklin, 1946-","Glass, Philip (1937-01-31)","Meyerbeer, Giacomo, 1791-1864","Slade, Frances F.","Mims, Marilyn, 1962-","Damrosch, Leopold, 1832-1885","Kalt, Frederic","Poppen, Diemut","Lester, Richard, 1959-","Giordano, Umberto, 1867-1948","Polozov, Vi︠a︡cheslav","Salvadori, Antonio, 1949-2006","Salonen, Esa-Pekka, 1958-","Lin, Cho-Liang, 1960-","Blomdahl, Karl-Birger, 1916-1968","Nielsen, Carl, 1865-1931","Ochman, Wiesław (1937-02-06)","Foster, Lawrence, 1941-","Labèque, Katia ([1950-03-03,1950-03-11])","Labèque, Marielle (1952-03-06)","Dukas, Paul (Paul Abraham), 1865-1935","Spohr, Louis, 1784-1859","Ben-Haim, Paul, 1897-1984","Temirkanov, I︠U︡. (19381210)","Pavlovsky, Eduardo A. (Eduardo Alejo) (1933-12-10-2015-10-04)","Quipildor, Zamba","Warrick-Smith, Pamela","Ramírez, Ariel (1921-09-21-2010-02-18)","Poulenc, Francis (Francis Jean Marcel), 1899-1963","Zinman, David (19460709)","Bunin, Stanislav, 1966-","Glazunov, Aleksandr Konstantinovich, 1865-1936","Bellini, Vincenzo, 1801-1835","Tumagian, Eduard","Giacomini, Giuseppe (1940-09-07-2021-07-28)","Todisco, Nunzio","Brister, Wanda","Marton, Eva (1943-06-18)","Cairns, Christine","Rouillon, Philippe","Meier, Waltraud (19560109)","Oldham, Arthur (Arthur William), 1926-2003","Roark-Strummer, Linda (1952)","D'Intino, Luciana (1959)","Folse, Bart","Coni, Paolo","Millo, Aprile","Perahia, Murray (1947-04-19)","Ax, Emanuel (19490608)","Norman, Jessye (1945-09-15-2019-09-30)","Deibler, Seán","Persichetti, Vincent (Vincent Ludwig), 1915-1987","Bronfman, Yefim (1958-04-10)","Lourié, Arthur (Arthur Vincent), 1892-1966","Midori, 1971-","Miller, Gary, (Conductor)","Marc, Alessandra","Sinopoli, Giuseppe (1946-11-02-2001-04-21)","Herbig, Gunther (1931-11-30)","Chmura, Gabriel (1946)","Schuman, Patricia, 1954-","Mentzer, Susanne (19570121)","Stairs, Michael (Michael Ondon) (2018-08-11)","Uchida, Mitsuko, 1948-","Finley, David-Marc","Kulko, Oleg","Järvi, Neeme (1937-06-07)","Kitaenko, Dmitriĭ (Dmitriĭ Georgievich) (19400818)","Viardo, Vladimir, 1949-","Catalani, Alfredo, 1854-1893","Tortelier, Paul, 1914-1990","Chung, Kyung-Wha, 1948-","Wernick, Richard (Richard F.), 1934-","Wagenaar, Johan, 1862-1941","Argerich, Martha, 1941-","Sylvan, Sanford (Sanford Mead) (1953-12-19-2019-01-29)","Hvorostovsky, Dmitri (Dmitri Aleksandrovich) (1962-10-16-2017-11-22)","Arkadʹev, M. A. (Mikhail Aleksandrovich) (1958-03-15)","Johnson, Sigrid","Stewart, Thomas, 1928-2006","Awerbuch (2001-08-26)","Giles, James, 1967-","Brooks, Muriel (1921)","Eschenbach, Christoph (19400220)","Serkin, Peter (Peter Adolf), 1947-2020","Janicello, Mark (1962-11-03)","Rowland, Martile","Mora, Fernando de la (1958-06-07)","Romani, Felice, 1788-1865","Vaughan Williams, Ralph (1872-1958)","Fassabaender, Brigitte (1939)","Rands, Bernard (1934-03-02)","Sotin, Hans (1939-09-10)","Imai, Nobuko (1943)","Wakasugi, Hiroshi, 1935-2009","Miki, Minoru, 1930-2011","Blackwell, Harolyn","Tippett, Micheal  (1905-01-02-1998-01-08)","Ravina, Oscar","Pritchard, Lee H. ","McCartney, Paul (19420618)","Davis, Carl, 1936-","Jansons, Mariss (Mariss Ivars Georgs), 1943-2019","Zimmerman, Frank Peter  (1965-02-27)","DePreist, James (James Anderson), 1936-2013","Heltay, Laszlo","Kaiser, Amy","Charbonneau, Pierre, 1944-","Swensen, Robert (1961)","Fleming, Renée (19590214)","Rozhdestvensky, Sasha (1970)","Leoncavallo, Ruggiero, 1858-1919","Dessì, Daniela (1957-05-14-2016-08-20)","Takemitsu, Tōru (1930-10-08-1996-02-22)","Schuman, William, 1910-1992","Westhoven, Krine, Jr. (1931-03-07-1997-07-30)","Welser-Möst, Franz (19600816)","Corigliano, John (John Paul), 1938-","Hayes, David, 1963-","Gabbiani, Roberto","Columbus, Christopher","Sparfeld, Ethelyn ","Davies, Peter Maxwell, 1934-2016","Orff, Carl, 1895-1982","Dent, Karl","Pletnev, Mikhail, 1957-","Feinburg , Alan","Ran, Shulamit, 1949-","Kisin, Evgeniĭ, 1971-","Schwarz, Gerard, 1947-","Paul, Thomas, 1934-","Kunde, Gregory (1954)","Moosdorf, Otto-Georg","Kalichstein, Joseph (1946-01-15-2022-03-31)","Vaness, Carol (1952-07-27)","Hellekant, Charlotte","Berio, Luciano, 1925-2003","Ohlsson, Garrick (19480403)","Pasternack, Benjamin","Grenke, David","Burenin, V. (Viktor), 1841-1926","Klein, Gideon, 1919-1945","Ullmann, Viktor (18980101-19441018)","Hamilton, Robert G.","Lipovšek, Marjana (1946)","Starker, Janos (1924-07-05-2013-04-28)","Akigishi, Hirohisa, 1962-","Hirokami, Junʼichi, 1958-","Weill, Kurt (Julian Kurt), 1900-1950","Marschik, Peter (1958)","Esposito, Valeria, 1961-","Rossi, Gaetano, 1774-1855","Goerke, Christine","Luxon, Benjamin (19370324)","Royer, Alphonse, 1803-1875","La Selva, Vincent (1929-09-17-2017-10-09)","Walsh, Mary","Vaëz, Gustav (1812-12-06-1862-03-12)","Williams, Janet, 1965-","Larmore, Jennifer (1958-06-21)","Sacchéro, Giacomo","D'Auria, Diego","Futral, Elizabeth","Cross, Gregory (1960)","Voigt, Deborah","Stone, William (1944-03-12)","Humphrey, Jon, (Tenor)","Borland, William, (Baritone)","López-Cobos, Jesús (1940-02-25-2018-03-02)","Schiff, András (19531221)","Bartoli, Cecilia (19660604)","Gergiev, Valeriĭ, 1953-","Herreweghe, Philippe","Maw, Nicholas (John Nicholas) (19351105-20090519)","Mørk, Truls, 1961-","Nordheim, Arne (1931-06-20-2010-06-05)","Simpson, Marietta (1954)","Grossman, Jerry (Jerry Michael) (1950-12-15)","Price, Margaret, 1941-2011","Ouzounian, Michael","Campo, Eduardo del","Milliet, Paul, 1848-1924","Tomšič-Srebotnjak, Dubravka, 1940-","Hampson, Thomas (19550628)","Focile, Nuccia (1959)","Leĭferkus, Sergeĭ (Sergeĭ Petrovich), 1946-","Uhlenhopp, John","Borodina, Olʹga","McNally, Terrence (1939-11-03-2020-03-24)","Krása, Hans, 1899-1944","Hunt Lieberson, Lorraine, 1954-2006","Cooper, Imogen ([1949-08-28,1949-08-29])","Morrell, Gareth, 1956-","Gershwin, George, 1898-1937","Galway, James (1939-12-08)","Liebermann, Lowell (19610222)","Guelfi, Carlo","Solzhenitsyn, Ignat","Terfel, Bryn (19651109)","Josefowicz, Leila, 1977-","Mercadante, Saverio (Giuseppe Saverio Raffaele), 1795-1870","Kremer, Gidon, 1947-","Ganassi, Sonia (1967)","Di Renzi, Richard","Eaglen, Jane (1960-04-04)","Sweet, Sharon","Hadley, Jerry (1952-06-16-2007-07-18)","Miles, Alastair (1961-07-11)","Rogé, Pascal (19510406)","Collard, Jean-Philippe, 1948-","Frank, Pamela (1967-06-20)","Ortner, Erwin, 1947-","Grant Murphy, Heidi (1966)","Cage, John (John Milton) (1912-09-05-1992-08-12)","Labelle, Dominique (1960)","Hart, Mary Ann","Tharp, Steven","Clement, Richard","West, Jayne","Maddalena, James (1954)","Studer, Cheryl (19551024)","Chafin, Robert, 1963-","Dillon, Martin","Chang, Sarah (1980-12-10)","Zacharias, Christian (19500427)","Shaham, Gil, 1971-","Mackenzie, Norman, (Pianist, Conductor)","Bonney, Barbara (1956-04-14)","Otter, Anne Sofie von (1955-05-09)","Sabbatini, Giuseppe","Hughes, Raymond (1952)","Harnoncourt, Nikolaus (1929-12-06-2016-03-05)","Orgonasova, Luba (1961-01-22)","Remmert, Birgit","Mills, Mary (Mary Elizabeth Mills) (1964)","Ragin, Derek Lee","Williams, Bradley (1965)","Schaldenbrand, Christopher","Bär, Olaf, 1957-","Siukola, Heikki","Connell, Elizabeth","Argento, Dominick (1927-10-27-2019-02-20)","Oue, Eiji (1956-10-03)","Bingxu, Hu","Song, Fei, 1969-","Wu, Yuxia","Gunn, Nathan","Upshaw, Dawn (19600717)","Margison, Richard, 1953-","Ansell, Steven","Chausow , Robert","Fricker, Daniel","Reiser, Niki","Bollag, Josef","Clift, Karen","Zimerman, Krystian (1956-12)","Gatti, Daniele, 1961-","Stutzmann, Nathalie (1965)","Schäfer, Christine, 1965-","Siegel, Jeffrey","Haza, Luis","Tetzlaff, Christian, 1966-","Martin, Douglas, (Musician)","Kasarova, Vesselina (19650718)","Bell, Joshua, 1967-","Grieg, Edvard, 1843-1907","Rimsky-Korsakov, Nikolay, 1844-1908","Berg, Nathan, 1972-","Flanigan, Lauren","Poretsky, Susana","Ward, Perry","Ikaia-Purdy, Keith","Simpson, Gary (Robert Gary), 1959-","Ligeti, György, 1923-2006","Vengerov, Maksim (1974-08-20)","Panula, Jorma (1930-08-10)","Ziesak, Ruth (1963)","Salerno-Sonnenberg, Nadja (1961-01-10)","Hough, Stephen, 1961-","Wigglesworth, Mark, 1964-","Ziegler, Delores","Holzmair, Wolfgang, 1952-","Ainsley, John Mark (19630709)","Meoni, Giovanni","Amiliato, Fabio","Tan, Dun, 1957-","Sviridov, Georgiĭ, 1915-1998","Gilad, Jonathan","Larsson, Anna, (Contralto) (1966-09-10)","Grossmann, Agnes, (Choral conductor)","Isaac, Heinrich, approximately 1450-1517","Delfs, Andreas","Babbitt, Milton","Banse, Juliane, 1965-","Järvi, Paavo, 1962-","Ledbetter, Victor","Brewer, Christine, 1960-","Silja, Anja (19400417)","Forbis, Clifton","Alexander, Roberta (1949-03-03)","Mutter, Anne-Sophie, 1963-","Scribner, Norman (Norman Orville) (19360225-20150322)","Costanzo, Anthony Roth","Bostridge, Ian (1964)","Brown, Timothy, (Horn player)","Morales, Ricardo, (Clarinetist) (1972)","Marchini, Italo (1953)","Relyea, John","Swenson, Ruth Ann (1959-08-25)","Smith, Hugh, (Tenor)","Putilin, Nikolaĭ (Nikolaĭ Georgievich), 1954-","Thomas, Indra","Blythe, Stephanie (1970)","Bernstein, Richard, (Bass-baritone) (1966-07-30)","Brubeck, Dave (1920-12-06-2012-12-05)","Moody, James, 1925-2010","Brubeck, Chris (19520319)","Krall, Diana (Diana Jean) (1964-11-16)","Redman, Joshua (1969-02-01)","Vonk, Hans","Maultsby, Nancy","Peterson, Dean","Thibaudet, Jean-Yves, 1961-","Ponchielli, Amilcare, 1834-1886","Valayre, Sylvie (19641010)","Day, Kathryn","Robertson, David, 1958-","Znaider, Nikolaj, 1975-","Freire, Nelson (1944-10-18-2021-11-01)","Phelps, Cynthia","Young, Rebecca, (Violist)","Gubaidulina, Sofia, 1931-","Esperian, Kallen","Gazale, Alberto","Welch-Babidge, Jennifer","Knussen, Oliver (Stuart Oliver) (1952-06-12-2018-07-08)","Lundy, Nancy Allen","Olsen, Stanford","Oswald, Mark","Chen, Robert","Guleghina, Maria (1959-08-09)","Pons, Juan (19460808)","Urmana, Violeta (1959/1961)","Kowalijow, Vitalij","Young, Thomas, 1962-","Takezawa, Kyoko, 1966-","Siff, Ira (1946-02-15)","Stoyanova, Krassimira","Makarina, Olga","Giordani, Marcello (1963-01-25-2019-10-05)","Polenzani, Matthew (1968)","Sharp, William, (Baritone) (19510601)","Metallo, Vincent","Lafontaine, Timothy ","Grant, Jason, 1970-","Barr, Frank","Wilson-Johnson, David (1950-11-16)","Watson, Janice, 1964-","Lang, Petra (1962-11-29)","Gruber, H. K. (Heinz Karl) (19430103)","Tanguy, Eric (19680127)","Williams, John (John Towner), 1932-","Davidson, David r.  (1948-2009)","Liao, Changyong, 1968-","Rouse, Christopher (Christopher Chapman), 1949-2019","Hersch, Michael, 1971-","Pape, René (1964-09-04)","Bolcom, William (William Elden) (1938-05-26)","Schmidt, Frank Willi, 1967-","Chang, Han-Na (19821223)","Bashmet, I︠U︡riĭ (I︠U︡riĭ Abramovich) (1953)","Shen, Hsueh-Yung, 1952-","Parloff, Michael","Zuber, Gregory","Takova, Darina","Shtoda, Daniil (Daniil Aleksandrovich) (19770213)","Chaignaud, Jean-Luc","Fischer, Iván (1951-01-20)","DiDonato, Joyce (1970)","George, Vance","Ullmann, Marcus","Gauvin, Karina (1966~)","Schreier, Peter (Peter Max) (1935-07-29-2019-12-25)","Rucker, Mark, (Singer)","Licitra, Salvatore, 1968-2011","Figueroa, Rafael, 1961-","Chan, David, (Violinist)","Eanet, Nick","Strauss, Josef, 1827-1870","Blaze, Robin (19710111)","Kooy, Peter (1954-09-17)","Türk, Gerd","Suzuki, Masaaki, 1954-","Nonoshita, Yukari","Ramey, Samuel (1942-03-28)","Gao, Ding","van Kley, Susan","Zerbe, Monica","Fischer, Julia, 1983-","Graham, Susan, 1960-","Zeffiri, Mario","Baptista, Cyro (1950-12-23)","Stott, Kathryn (Kathryn Linda) (1958-12-10)","D'Rivera, Paquito, 1948-","Matta, Nilson","Suadin, I Nyoman","Whitman, Thomas, 1960-","Laurendeau, Jean","Anderson, Valdine","Acevedo, Carmen","Figueroa, Guillermo, 1953-","Pérez, Jossie","Martínez, Ana María, 1968-","Chandler-Eteme, Janice","Jones, Ann Elizabeth Howard","Moore-Brown, Marilyn","Chama, José Eduardo","Potenza, Rossana","Casanova, Francisco, (Tenor)","Aimard, Pierre-Laurent, 1957-","Boreĭko, Andreĭ, 1957-","Crider, Michèle (1963)","Kitic, Milena","Golesorkhi, Anooshah","Spano, Robert (Robert V.) (1961-05-07)","Polegato, Brett (19680509)","Douvas, Elaine","Szkafarowsky, Stefan ","Tiboris, Peter","Terentʹeva, Nina","Brown, Angela M. (Angela Marie), 1963-","Edwards, Iwan, 1937-2022","Murzaev, Sergeĭ","Gubskiĭ, Mikhail","Pavlovskai︠a︡, Tatʹi︠a︡na","Repin, Vadim (1971-08-31)","Grimaud, Hélène, 1969-","Pintscher, Matthias (1971-01-29)","Montalvo, Marisol","Robbins, Julien (1950-11-14)","Taylor, James, 1966-","Rilling, Helmuth (19330529)","Petersen, Marlis (1968-02-03)","Birtwistle, Harrison (1934-07-15-2022-04-18)","Lortie, Louis, 1959-","Lachenmann, Helmut (1935-11-27)","Courtney, James, 1946-","Wong, Deborah","Kraevsky, Natalya","Kavakos, Leonidas (1967)","Giordano, Massimo (1971-02-19)","Gutiérrez, Eglise","Chung, Myung-Whun, 1953-","Delavan, Mark","Bartolini, Lando","Easton, Richard, 1933-2019","Rees, Roger, 1944-2015","Margiono, Charlotte","Studebaker, Thomas, 1970-","Sousa, Vasco","Guerreiro, Luis","Neto, António","Ruela, João Pedro","Mariza (19731216)","N'Dour, Youssou (19591001)","Salama, Fathy","Dehn, Ellie","Johnson, Heather, (Mezzo-soprano) ([1971,1972])","Chingari, Marco","Lieberson, Peter, 1946-2011","Röschmann, Dorothea (1967-06-17)","Bravo, Fabiana (1969)","Baransky, Pavel","Sunnegårdh, Erika","Lang, Lang, (Pianist)","Korchak, Dmitriĭ (Dmitriĭ Mikhaĭlovich), 1979-","Fabiano, Michael (19840508)","Saxton, Shirley Johnson","Maillard, Carol","Casel, Nitanju Bolade","Barnwell, Ysaye M.","Kisfauldy, Ors","Dohmen, Albert","Zeller, Richard","Hite, William","Pannill, Judith","Angel, Ryland","Wuorinen, Charles","Tritle, Kent (1960-09-26)","Donose, Ruxandra, 1964-","McPherson, Robert, (Tenor)","Ford, Bruce (1956-08-15)","Cornetti, Marianne","Moore, Latonia (1979)","Filianoti, Giuseppe, 1974-","Li, Yundi (1982-10-07)","Adès, Thomas (Thomas Joseph Edmund) (1971-03-01)","Piazzolla, Astor (1921-03-11-1992-07-05)","Korngold, Erich Wolfgang, 1897-1957","Magalhaes, Amadeu","Lucas, Filipe","Zaccaria, Davide","Pontes, Dulce (Dulce José) (1969-04-08)","Feiteira, Paulo","Stockhausen, Karlheinz, 1928-2007","DeYoung, Michelle (1968)","Miller, Joe, 1965-","Malvar-Ruiz, Fernando (1968-07-11)","Kissinger, Henry, 1923-","Eugenides, Jeffrey (Jeffrey Kent) (1960-03-08)","Henckel von Donnersmarck, Florian, 1973-","Schlöndorff, Volker (1939-03-31)","Mehretu, Julie, 1970-","Dudamel, Gustavo (19810126)","Quasthoff, Thomas (1959-11-09)","Lindberg, Magnus (Magnus Gustaf Adolf), 1958-","Milliken, Catherine","Maldoom, Royston","Fink, Bernarda (1959)","Brandes, Christine","Soboleva, Irina","Petrenko, Pavel","Petrenko, Andrei","Duparc, Henri, 1848-1933","Ketting, Otto, 1935-2012","Furlanetto, Ferruccio (1949-05-16)","Jessop, Craig D.","Johnson-Huff, Ann","Drafall, Robert W.","Teraoka-Brady, Carolyn","Bernhardt, Valerie","Snyder, Dan","Dominick, John, III","Ciavaglia, Michael A. ","Manucharyan, Yeghishe","Harler, Alan (1940-04-10)","Vasta, Stephen (Steve) Francis","Kirschner, Ann J.","Lowry, Robert, 1826-1899","Glaser, Pamela","Covo, Bettina, 1956-","Biss, Jonathan (1980-09-18)","Stomsvik, Diana","Kachanov, Nikolai","Galuzine, Vladimir","Daurov, Adrian","Schönberg, Claude-Michel (19440506)","McBroom, Amanda (1947-08-09)","Wallace, Randall, 1949-","Simon, Carly (19450625)","Mcferrin, David","Ein-Habar, Eyal","Anger, Ain","Vargas, Ramon, 1960-","Callegari, Daniele","Pieczonka, Adrianne, 1963-","Stringer, Howard, 1942-","Mares, Luca","Cabrino, Guiseppe","Vincenzo, Alessandra Di","Galligioni, Francesco","Sbrogiò, Alessandro","Ökrös, Oszkár, 1957-","Lendvay, József, 1974-","Lendvay, József","Gritton, Susan (19650831)","Romey, Kathy Saltzman","Nolen, Laura Vlasak","Di Giacomo, Julianna, 1975-","Kožená, Magdalena (1973)","Owens, Eric, 1970-","Friedrich, Eberhard (1958)","Hummel, Johann Nepomuk, 1778-1837","Daniels, David, 1966-","Joshua, Rosemary (1964-10-16)","Labadie, Bernard, 1963-","Damrau, Diana (1971-05-31)","Grove, Jill","Vänskä, Osmo, 1953-","Niemelä, Hannu, 1954-","Hyökki, Matti, 1946-","Nisula, Päivi","Karnéus, Katarina","Claycomb, Laura (1968-08-23)","Anton̦enko, Aleksandrs, 1975-","Frühbeck de Burgos, Rafael (19330915-20140611)","Fernández, Igor Ijurra","Berkun Menaker, Dianne","Kalagina, Anastasia","Alagna, Roberto","Veronesi, Alberto (1967)","Mascagni, Pietro, 1863-1945","Alsop, Marin (1956-10-16)","Thomas, Vaneese","De Haas, Darius","Stifelman, Leslie","Lewis-Evans, Kecia","Goerne, Matthias, 1967-","Griffey, Anthony Dean, 1967-","Vallet, Pierre, (Conductor)","O'Neill, Simon, 1971-","Hahn, Hilary","Mena, Juanjo, 1965-","Higdon, Jennifer, 1962-","Batiashvili, Lisa, 1979-","Taigi, Chiara","Nelsons, Andris (1978-11-18)","Van der Linde, Clint, 1976-","Nicholls, Rachel, (Soprano)","Blažíková, Hana (19801202)","Wolfe, Duain","Lee, Josephine, 1975-","Martineau, Malcolm (19600203)","Schade, Michael (1965-01-23)","Schwartz, Sylvia, 1982-","Gabrieli, Giovanni, approximately 1554-1612","Nagano, Kent (Kent George), 1951-","Dessay, Natalie, 1965-","Trifonov, Daniil (Daniil Olegovich), 1991-","Clark, Katerina","Amar, Tarik Youssef Cyril, 1969-","Wortman, Richard (19380324)","Matthewman, Gary","Bondarenko, Andriĭ (Andriĭ Volodymyrovych), 1987-","Luisi, Fabio (1959-01-17)","Harbison, John (John Harris) (1938-12-20)","Rice, Christine","Goode, Richard (1943-06-01)","Bicket, Harry (1960)","Purcell, Henry, 1659-1695","Biber, Heinrich Ignaz Franz, 1644-1704","Bennett, Mark, (Trumpeter)","Scholl, Andreas (19671110)","Kaufmann, Jonas (1969-07-10)","Gheorghiu, Angela (1965-09-07)","Barnum, Donald","Walker, Danielle","Lully, Jean-Baptiste, 1632-1687","Fasch, Johann Friedrich, 1688-1758","Lamon, Jeanne (1949-08-14-2021-06-20)","Robinson, James","Falby, Doreen","Polochick, Edward","Conway, Eric, Dr.","Bagwell, James","Ketelson, Kyle (1971)","Morris, James (1947-01-10)","Cutler, Eric","Rebeka, Marina, 1980-","Jurowski, Vladimir, 1972-","Bellemer, John G.","Johnson, Anita, (Vocalist)","Cooke, Sasha","Phan, Nicholas (1979-01-03)","Phillips, Susanna, 1981-","Yamadate, Fuyuki","Singer, Gregory","Kimura, Mineko","Matsubara, Yuko","John, Emily","Chase, Constance","Biondi, Fabio (1961-03-15)","Locatelli, Pietro Antonio, 1695-1764","Nardini, Pietro, 1722-1793","Genaux, Vivica (1969-07-10)","Heras-Casado, Pablo (1977-11-21)","Denk, Jeremy (1970-05-16)","Norrington, Roger (1934-03-16)","Pluhar, Christina (1965)","Andueza, Raquel","Galeazzi, Lucilla (19501224)","Merula, Tarquinio, -1665","Davies, Neal (1965)","Guillon, Damien (1981)","O'Connor, Kelley","Wilson, Harold","Baetge, Noah","Shapiro, Mark","Sandel-Pantaleo, Leann","Rowley, Jennifer, (Soprano)","Sorenson, Garrett","Schasching, Rudolf","Henschel, Jane, 1950-","Stemme, Nina (1966)","Giovannini, Antonio, 1980-","Feola, Rosa","Respighi, Ottorino, 1879-1936","Martucci, Giuseppe, 1856-1909","Măcelaru, Cristian, 1980-","Solti, Valerie","Quantz, Johann Joachim, 1697-1773","Frederick, King of Prussia, II, 1712-1786","Pahud, Emmanuel, 1970-","Meister , Elisabeth","Rose, Matthew, (Bass)","Spyres, Michael","Gardiner, John Eliot (19430420)","Johnston, Jennifer","Barton, Jamie ([1981, 1982])","Meade, Angela","Pallesen, Nicholas","Caldarella, Juan","Scarpino, Alejandro, 1904-1970","Castro, Giancarlo, 1980-","Clamor, Thomas","Chávez, Carlos (Chávez Ramírez), 1899-1978","Orbón, Julián, 1925-1991","Revueltas, Silvestre (José Silvestre Revueltas Sánchez), 1899-1940","Colon, Gaspar","Alvarez, Idwer","Benzecry, Esteban (19700413)","Lindsey, Kate","Marcon, Andrea (1963)","Fusek, Anna","Favaro, Michele","Genini, Giulia","Bovo, Daniele","Bardon, Patricia (1964)","Rae, Brenda","Pisaroni, Luca, 1975-","Lippert, Herbert, 1957-","Suppé, Franz von, 1819-1895","Widmann, Jörg (1973-06-19)","Jackson, Christopher (Christopher O.), 1960-2007","Palestrina, Giovanni Pierluigi da, 1525?-1594","Démettre, Claire-Lise, 1986-","Paugam, Laurence","Pernoo, Jérôme (1972)","Cangemi, Veronica (19641010)","Spinosi, Jean-Christophe, 1964-","Botstein, Leon (1946-12-14)","Wilson, Tamara, (Soprano)","Wittmoser, Carsten","Icochea, Andy Icochea","Thielemann, Christian, 1959-","Yang, Jonathan Jun","Lee, Kate Xintong","Baldwin, Alec, 1958-","Mat︠s︡uev, Denis, 1975-","Oesterle, Michelle","Chacón-Cruz, Arturo, 1977-","Borchev, Nikolay","Watson, Katherine, (Soprano)","Ibragimova, Alina (Alina Rinatovna), 1985-","Cohen, Jonathan (Jonathan Frank)","Hirai, Hideaki","Cerutti, Joe","Tsuji, Hideyuki ","Lunghi, Francesca","Satake, Naomi","Stucky, Steven (Steven Edward) (1949-11-07-2016-02-14)","Boulianne, Julie, (Mezzo-soprano)","Savall, Jordi (19410801)","Egarr, Richard, 1963-","Phillips, Peter, 1953-","Blachly, Alexander (1944-11-13)","Mattila, Karita","Dobracheva, Ėvelina","Hanson, Howard, 1896-1981","Christie, Michael, 1974-","Mickelthwate, Alexander","Pershall, David","Costello, Stephen, 1981-","Chauvet, Géraldine","Haas, Georg Friedrich (1953-08-16)","Lučić, Željko, 1968-","Tang, Muhai, 1949-","Coote, Alice (19680510)","Devin, Anna","Christy, Anna","Nézet-Séguin, Yannick, 1975-","Connolly, Sarah (Sarah Patricia) (19630613)","Zobel, David","Kaiser, Joseph (1977-10-14)","DeShong, Elizabeth","Guthrie, Arlo (Arlo Davy) (1947-07-10-)","Fenoglio, Claudio","Osborn, John, (Tenor) (1972-05-16)","Salsi, Luca, 1975-","Noseda, Gianandrea (1964)","Fang, Ying","Arbo, Rani","Diawara, Fatoumata (1982)","Aurelio","Olatuja, Alicia","Bakhtouridze, Mzia","Abdrazakov, Ilʹdar, 1976-","Skorokhodov, Sergeĭ, 1974-","Kolosova, Alisa, 1987-","Netrebko, Anna (Anna I︠U︡rʹevna) (1971-09-18)","Andsnes, Leif Ove, 1970-","Gerhaher, Christian (1969-07-24)","Brownlee, Lawrence (1972-11-24)","Cabell, Nicole (1977-10-17)","Benini, Maurizio","Schuller, Gunther (Gunther Alexander) (1925-11-22-2015-06-21)","Byrd, William, 1539 or 1540-1623","Ichise, Reiko","Tunnicliffe, Richard","Morikawa, Asako","Boothby, Richard, 1955-","Weckmann, Matthias, 1616?-1674","Bezuidenhout, Kristian (1979)","Barkmin, Gun-Brit","Serdi︠u︡k, Nadezhda (1975)","Matochkina, Yulia","Ganbaatar, Aruinbaatar","Masleev, Dmitry, 1988-","Ionițǎ, Andrei, 1994-","Michalek, David","Karlowicz, Mieczyslaw (1876-1909)","Beczala, Piotr (1968)","Lunn, Joanne ([1973,1975])","Ivashchenko, Dimitry","Vogel, Eva","Dasch, Annette, 1976-","Griffith, Jonathan","Shumate, Penelope ","Chapa, Claudia","McVeigh, John","Rutenberg, Craig","Scarlatti, Domenico, 1685-1757","Vinikour, Jory, 1963-","Bull, John, -1628.","Bradley, Michelle","Gaertner, Michael ","Morlot, Ludovic, 1973-","Covington, Conner Gray, 1987-","Venner, Matthew","Dobell, Mark","Smith, Angus","Greig, Donald","Melton, Heidi","McGegan, Nicholas","Link, Joel","Lee, Bryan","Pajaro-van de Stadt, Milena","Shaw, Camden","Noda, Ken","Rivera, Jessica, (Soprano)","Ford, Nmon","Gere, Richard (Richard Tiffany), 1949-","Baruch, Wayne","Gayton, Charles","Vinke, Stefan","Ganenko, Tatiana","Drury, Patricia","Pakaluk, Michael S.","Clarke, Colin R.","Gibbs, Deborah Lee","Millar, Cynthia, (Ondes Martenot player)","Friman, Anna Maria","Fuglseth, Linn Andrea","Opheim, Berit, 1967-","Fisch, Asher (1965)","Karloski, Helen","Richardson, Alex, (Tenor)","Cutlip, Philip","Dantone, Ottavio","Mullova, Viktorii︠a︡, 1959-","Beilman, Benjamin","Emelʹi︠a︡nychev, Maksim, 1988-","Palazzo, Manuel","Camarena, Javier (1976~)","Witt, Gregor, 1968-","Glander, Matthias","Baier, Mathias, 1982-","Vlatković, Radovan (1962)","Brandl, Wolfram","Deyneka, Yulia (1982)","Tokcan, Yurdal, 1966-","Psonis, Dimitris","Güngör, Hakan, 1973-","Sarikouyoumdjian, Haïg","Greenleaf, Jolle","Mealy, Robert","Andrijeski, Julie","Sperling, Ted","Dŭrvarova, Elmira (1954)","Mathew, George, (Conductor)","Baráth, Emőke, 1985-","Bridelli, Giuseppina, 1986-","Karthäuser, Sophie (1975)","Boesch, Florian","García Alarcón, Leonardo (1976)","Lexa, Olivier","Alessandrini, Rinaldo (1960)","Buchbinder, Rudolf, 1946-","Skride, Baiba","Krijgh, Harriet, 1991-","Moser, Elsbeth","Mehta, Bejun ([1968-06-29,1969])","Willer, Beth","Luganskiĭ, Nikolaĭ (Nikolaĭ Lʹvovich), 1972-","Padmore, Mark (Mark Joseph) (19610308)","Forck, Bernhard","Grey, Mark, 1967-","Wyers, Giselle","Lynch, Shane","Boers, Geoffrey (Geoffrey Paul)","Hatteberg, Kent Eugene","Kühmeier, Genia","Scheen, Céline (1976)","Capezzuto, Vincenzo","Pappano, Antonio, 1959-","Hannigan, Barbara (1971)","Jia, Lü, 1964-","Zhang, Haochen, 1990-","Chest, John","Check, Jennifer","Fujimura, Mihoko","Sierra, Nadine, 1988-","Luisotti, Nicola (19611126)","Jansen, Janine  (1978)","Stein, Avi","Zhu, Beiliang, 1985-","Weaver, Charles","Deutsch, Helmut (1945-12-24)","Schultz, Golda","Wong, Lisa, 1969-","Van Horn, Christian (1978)","Schmitt, Maximilian","Davies, Iestyn (1979-09-16)","Harvey, Joélle","Petrenko, Kirill (1972)","Müller-Schott, Daniel, 1976-","Brower, Angela","Müller, Hanna-Elisabeth, 1985-","Eckhoff, Sören","Jones, Simon (1950-07-27)","Kenny, Elizabeth","Jones, Robert, active 1597-1615","Dowland, John, 1563?-1626","Nylund, Camilla (1968-06-11)","Rees, Andrew, (Tenor)","Dirvanauskaitė, Giedrė","Watkins, Paul, 1970-","Dutton, Lawrence (1954-05-09)","Setzer, Philip, 1951-","Drucker, Eugene, 1952-","Faust, Isabelle, 1972-","Giguère, Pascale","Rachvelishvili, Anita, 1984-","Gražinytė-Tyla, Mirga, 1986-","Ehnes, James, 1976-","Ruggles, Carl, 1876-1971","Yende, Pretty, 1985-","Lehár, Franz, 1870-1948","Tauber, Richard, 1891-1948","Kálmán, Emmerich, 1882-1953","Rieder, Jochen (1970)","Tamestit, Antoine, 1979-","Richardot, Lucile","Armiliato, Marco","Vasilek, Lukáš, 1980-","Kulman, Elisabeth (19730628)","Karg, Christiane (1980)","Saïtkoulov, Roustem","Manasherov, Miriam","Soltani, Kian (1992)","Flórez, Juan Diego, 1973-","Scalera, Vincent","Conti, Francesco, 1681 or 1682-1732","Cano, Jennifer Johnson","Hantaï, Pierre, 1964-","Beyer, Amandine","Orliński, Jakub Józef, 1990-","Nosky, Aisslinn","Woods, Alexander, (Violinist)","Miller, Kyle, 1986-","Seltzer, Ezra","Zebley, Charles","Lislevand, Rolf (1961)","Pierlot, Philippe, 1958-","Kraemer, Manfred (1960-10-27)","Engle, Marie","Fischer, Ádám, 1949-","Levit, Igor, 1987-","Rondeau, Jean, 1991-","Muhly, Nico (1981-08-26)","Lisiecki, Jan, 1995-","Wang, Yuja (19870210)","Capuçon, Gautier (1981)","Tynan, Ailish","Fox, Steven, 1978-","Brook, Matthew","Tritschler, Robin","Teuscher, Lydia, 1975-","Buxtehude, Dietrich, 1637-1707","Tsuji, Nobuyuki (1988-09-13)","Satie, Erik, 1866-1925","Marais, Marin, 1656-1728","Visée, Robert de","Dunford, Thomas, 1988-","Maclary, Edward","Grimaldi, Erika, 1980-","Amarù, Chiara, 1984-","Angelini, Michele (1982)","Leonard, Isabel","Schachtner, Benno, 1984-","Garanča, Elīna, 1976-","Stadlen, Sam","Levine, Joanna","Ashton, Emily","Abduraimov, Behzod (1990-09-11)","Blue, Angel (Angel Joy), 1984-","Gaffigan, James, 1979-","Oropesa, Lisette","Petrenko, Vasiliĭ (Vasiliĭ Ėduardovich), 1976-","d'Alessio, Giulio","Scheid, Edson","Rossi, Stefano, (Violinist)","Minasi, Ludovico, 1984-","Tosti, F. Paolo (Francesco Paolo), 1846-1916","Baillieu, James","Nilsson, Lars David, 1966-","Mattei, Peter, 1965-","Foster, Tom","Zachow, Friedrich Wilhelm, 1663-1712","Froberger, Johann Jacob, 1616-1667","Mattheson, Johann, 1681-1764","Kim, Stephen","Mackey, Steven, 1956-","Zanocco, Gianpiero","Torri, Pietro, approximately 1650-1737","Hallenberg, Ann","Hailstork, Adolphus C. (Adolphus Cunningham) (1941-04-17)","Marsalis, Branford (Branford Iweanya) (1960-08-26)","Mälkki, Susanna (1969-03-13)","Dinnerstein, Simone (Simone Andréa) (19720918)","Thurman, Uma (1970-04-29)","Aucoin, Matthew, 1990-","Coleman, Valerie, 1970-","Wilkins, Thomas, (Conductor)","Fullana, Francisco","Sorrell, Jeannette","Uccellini, Marco, approximately 1603-1680","Zetlan, Jennifer","Petrie, Heather","Holcomb, Bernard, 1983-","Lagasca, Enrio","Christophers, Harry (1953)","Filsell, Jeremy (Jeremy Daniell) (1964-04-10)","Sly, Philippe","Prégardien, Julian, 1984-","Cargill, Karen","Quist, Amanda","Dixon, Rodrick (1966-06-22)","Ustvolʹskai︠a︡, Galina Ivanovna, 1919-2006","Corrette, Michel, 1707-1795","Telemann, Georg Philipp, 1681-1767","Bihan, Marie Lambert-Le","Mobley, Reginald","Hadelich, Augustin (1984)","Zweden, Jaap van (19601212)","Bell, Isaiah","Austin, Justin","Bradford, Lucia","Kyslytsya, Sergiy","Fortner, Sullivan (Sullivan Joseph) (1986-12-29)","Feinstein, Michael (Michael Jay) (1956-09-07)","Smith, Robert F. (Robert Frederick), 1962-","Walker, George (George Theophilus), 1922-2018","Bach, Carl Philipp Emanuel, 1714-1788","Isserlis, Steven, 1958-","Pachelbel, Johann, 1653-1706","Jovanovich, Brandon","Frank, Gabriela Lena (1972)","Dueñas, María","Meyers, Anne Akiko, 1970-","Márquez, Arturo, 1950-","Schumann, Clara, 1819-1896","Price, Florence (Florence Beatrice), 1887-1953","Rana, Beatrice, 1993-","Norman, Andrew, 1979-","Bendix-Balgley, Noah, 1984-","Key, Frances Scott (1779-1843)","Shani, Lahav, 1989-","Imber, Naphtali Herz, 1856-1909","Xi, Wang, 1978-","Freedman, Daryl","Schoonhoven, Kyle van","McIntyre, Jana","Parrish, Joseph","Hunt, Sophia","Woolsey, Midge","Buialski, Vladyslav","Shrut, Arlene","Chase, Claire (Claire Rose), 1978-","Vustin, Aleksandr, 1943-2020","Silvestrov, Valentyn (1937)","Savino, Richard","Ellis, Jennifer, (Soprano)","Snaidas, Nell","LaMotte, Adam","Kuchar, Theodore (1960)","Khristenko, Stanislav, 1984-","Stankovych, I︠E︡. (I︠E︡vhen), 1942-","Villalon, Elena","Persson, Miah (1969-05-27)","De Bique, Jeanine","Manna, Gennaro, 1715-1779","Alston, Charlotte Blake","Zhang, Meigui","Nally, Donald, 1960-","Adams, John Luther, 1953-","Thompson, Sumner","Langlois de Swarte, Théotime","Christie, William (William Lincoln) (1944-12-19)","Senaillé, Jean Baptiste, approximately 1688-1730","Leclair, Jean-Marie, 1697-1764","Charpentier, Marc-Antoine, 1643-1704","Bach, Johann Sebastian","Sodergren, Mikki","Donato, Emily","Giebler, Brian L. (Brian Louis), 1986-","Palumbo, Donald","Kelsey, Quinn","Ernesto Pena Laguna, Luis (1983)","Cutting, Hugh","Sousa, Dinis","Cronin, Hilary","Denbee, Sarah","Horak-Hallett, Bethany","Clarke, Samantha","Ponsford-Hill, Ali","Lombardi, Federica","Desandre, Lea, 1993-","Monteverdi, Claudio (Claudio Giovanni Antonio), 1567-1643","Kapsperger, Giovanni Girolamo, 1580-1651","Karadaglić, Miloš, 1983-","Marcello, Alessandro Ignazio (1673-1747)","Boccherini, Luigi, 1743-1805","Haji, Andrew","Hopkins, Joshua, 1978-","Amereau, Avery","Snouffer, Lauren (1988-03-30)","Crowe, Lucy","Cohen, Aryeh Nussbaum","Massey, Clifton","Wilson, Steve (Steven Caldicott)","Lemper, Ute, 1963-","Norin-Kuehn, Deborah","Sousa, John Philip","Kaplan, Allan R., 1948-","Maltby, Richard (Richard Eldridge), 1914-1991","Grundman, Clare (Clare Ewing), 1913-1996","Naldi, Ronald","Babbitt, Beth","Meyer, Marlene","Dymit, Thomas","Diana, William","Portnoy, Donald","Wyatt, Larry","Christie, Laury","Kim, David, (Violinist) (1963)","McGarrity, Evelyn","Furumoto, Kimo","Else, Peter","Markin, Tracey","Blank, Johanne ","Thomas, Elmer","Borodin, Aleksandr Porfirʹevich, 1833-1887","Fagen, Arthur (1951)","Doo-Wan, Kim","Loveless, Wendell P.","Paredes, Marcos","Dowell, Anthony","Kirkland, Gelsey","Baryshnikov, Mikhail, 1948-","Tudor, Antony, 1908-1987","Tcherkassky, Marianna","Schafer, Richard William","Harvey, Cynthia, 1957-","Martínez, Enrique, 1926-1998","Minz, Alexander","Makarova, Natalia, 1940-","Barbee, Victor","Robbins, Jerome (Jerome Wilson) (1918-10-11-1998-07-29)","Loring, Eugene, 1911-1982","Ivanov, Lev (Lev Ivanovich), 1834-1901","Gregory, Cynthia","Bujones, Fernando, 1955-2005","Petipa, Marius, 1818-1910","Stevenson, Ben, 1937-","Lanchbery, John (1923-05-15-[2003-02-26,2003-02-27])","Balanchine, George (1904-01-22-1983-04-30)","Tetley, Glen","De Mille, Agnes (1905-09-18-1993-10-06)","Ashton, Frederick, 1904-1988","Messac, Magali","Spizzo, Christine","Khalfouni, Dominique","Barker, Alan, (Conductor) (William Alan) (1938-02-05)","Houlton, Lise","Petit, Roland, 1924-2011","Anastos, Peter (19480223)","MacMillan, Kenneth (1932-07-02-1989-01-08)","Browne, Leslie","La Fosse, Robert","Jaffe, Susan, 1962-","Van Hamel, Martine, 1945-","Fonseca, Peter","Yeager, Cheryl","McFall, John J.","Cunningham, Merce (1919-04-16-2009-07-26)","von Lovenskjold, Hermann","Bournonville, August","Fokine, Michel","Eglevsky, Andre","Tharp, Twyla","Saint-Leon, Arthur","Armitage, Karole","Vainonen, Vasily","Minkus, Ludwig (1826-1917)","Gorsky, Alexander","Tippet, Clark","Kern, Jerome","Riley, Terry","Hyman, Dick","Sinatra, Frank","Morris, Mark","Massine, Leonide","Dove, Ulysses","Goleizovsky, Kasyan","Smuin, Michael","Kylian, Jiri","Lander, Harald","Blair, David","McKenzie, Kevin","Wasserstein, Wendy","Lubovitch, Lar","Styne, Jule","Coralli, Jean","Perrot, Jules","Kudelka, James","Hunsberger, Donald","Rebel, Jean-Fery","Wolfram, WIlliam","Everly, Jack","Holmes, Anna-Marie","Adam, Adolphe","Pugni, Cesare","Ratmansky, Alexei Osipovich (1968)","Nijinska, Bronislava","De Valois, Ninette","Gomes, Marcelo","Bond, Gemma","Béjart, Maurice","Roudenko, Vladimir","Spacagna, Maria (1951)","Lloyd, David  (1920-2013)","Kraft, Jean (1927-2021)","Campori, Angelo (1934-2013)","McCray, James (1938-2018)","Gilmore, John (1950-1994)","Rosenbaum, Harold (1950)","Gottlieb, Gordon (1948)","Schnittke, Alfred (1934-1998)","Rutter, John Milford, Sir (1945)","Velis, Andrea (1932-1994)","Ellington, Duke (1899-1974)","Elias, Rosalind ([1929-03-13,1930-03-13]-2020-05-03)","Booth, Philip (1942)","Sidlin, Murry (1940)","Mccorvey, Everett (1957)","Boyd, Liona","Lightfoot, Gordon (Gordon Meredith) (1938-11-17-2023-05-01)","Arnold Steinhardt","John Dalley","David Soyer","Treger, Charles, 1935-","Laurence Lesser","Theo Adam","Bella Davidovich","Joan Savage","Mary Law","Anatoly Bazhalkin","Nikolai Maiboroda","Anatoli Zaitchenko","Nikolai Nizienko","Michelangelo Veltri","Vladimir Ovchinikov","Katarina Dalayman","Janet Westrick","Felicity Lott","Anthony Piccolo","Jean-Philippe Rameau","Nai-Yuan Hu","Valery Polyansky","Vladimir Spivakov","Edward Downes","Gounod, Charles, 1818-1893","Jan Dismas Zelenka","Bohuslav Martinů","Vladimir Fedoseyev","Patrick Gardner","Theo Verbey","Lise de la Salle","Manfred Honeck","Matthew Truscott","Paul Lewis","Edward Gardner","James Ehnes","Wadsworth, Charles (Charles William) (1929-05-21)","Sargon, Merja","Yajima, Hiroko","Pears, Peter, 1910-1986","Beach, Amy, 1867-1944","Berkeley, Lennox (Lennox Randall Francis), 1903-1989","Browning, John, 1933-2003","De Peyer, Gervase, 1926-2017","Arner, Leonard","Fournier, Pierre, 1906-1986","Schippers, Thomas (19300309-19771216)","Fortunato, D'Anna (1945-02-21)","Mendenhall, Judy","Angeles, Victoria de los (19231101-20050114)","Sylar, Sherry","Schub, André-Michel (1952-12-26)","Jolley, David (19481220)","Kavafian, Ani (1948-05-10)","Bolet, Jorge (19141115-19901016)","Pollak,  Carolyn","Buswell, James, 1946-","Bae, Ik-Hwan, 1956-2014","Luvisi, Lee, 1937-","Routch, Robert (1948-08-12)","Siebert, Renée","Brehm, Alvin (1925-02-08-2014-11-22)","Carroll, Edward, 1953-","Fujiwara, Hamao","Trampler, Walter (19150825-19970927)","Bourgue, Maurice (1939-11-06)","Ellis, Osian (Osian Gwynn) (1928-02-08-2021-01-06)","Rosen, Nathaniel","Wincenc, Carol (Carol S.) (19490629)","Reed, Bruce","Thompson, Arthur, 1942-2004","Bunnell, Jane","Hoch, Beverly","Suk, Josef (1929-08-08-2011-07-06)","Kavafian, Ida","Tuckwell, Barry (Barry Emmanuel) (1931-03-05-2020-01-16)","Bennett, Richard Rodney (1936-03-29-2012-12-24)","Dicterow, Glenn","Smukler, Laurie","Corea, Chick (1941-06-12-2021-02-09)","Martin, Marvis","Gutiérrez, Horacio, 1948-","Swensen, Joseph (Joseph Anton), 1960-","Cooper, Kenneth, 1941-","Sherry, Fred (1948-10-27)","Shub, Andre-Michel","Picker, Tobias, 1954-","Nickrenz, Scott","Girard, Valerie","Danielpour, Richard (1956-01-28)","Martin, Marya","Thompson, Marcus, 1946-","Brey, Carter (1954-09-19)","Neubauer, Paul, 1962-","Zori, Carmit","Kang, Dong-Suk (1954-04-28)","Arm, Theodore","Marangella, Joel","Heineman, Sue","Palmer, Todd","Fedele, David, 1966-","Shifrin, David (19500202)","Ingraham, Paul","Myers, Philip, 1949-","Millard, Christopher, 1952-","Fink, Katherine","McDuffie, Robert","Peskanov, Mark (1956-08-30)","Taylor, Stephen, (Oboist) (1949)","Smylie, Dennis","Webster, Michael, 1945-","Saffer, Lisa","Feller, Bart","Wilson, Ransom (1951-10-25)","Bloom, Claire (Patricia Claire), 1931-","Carlisle, Robert, (Horn player)","Coletti, Paul","Turković, Milan","Ellis, Randall","Adolphe, Bruce (1955)","Stevens, Thomas, 1938-2018","Godburn, Dennis","Yoshida, Ayako","Hoffman, Gary, 1956-","Sitkovetsky, Dmitry, 1954-","Bryn-Julson, Phyllis (1945-02-05)","Anderson, Kelly","Dunn, Susan, (Soprano) (Susan R.) (1954-07-23)","Hanslowe, Theodora","Feidman, Giora (1936)","Bachmann, Maria, (Violinist)","Hoffman, Toby (1958-09-12)","Winograd, Peter","McDermott, Anne-Marie, 1963-","Yoo, Scott","Morelli, Frank, 1951-","Kashkashian, Kim (1952-08-31)","White, Robert, 1936 October 27-","Sinta, Donald (Donald Joseph) (1937-06-16)","Redgrave, Lynn, 1943-2010","Smith, Philip, (Trumpeter)","Golub, David","Thomas, Ronald (Ronald B.), 1954-","Levin, Ida","Huang, Hsin-Yun","O'Connor, Tara Helen","Hill, Mark, (Oboe player)","Douglas, Barry, 1960-","Mentzner, Susanne","Lucey, Frances","Dlugoszewski, Lucia, 1925-2000","Taylor, David (David Michael), 1944-","Purvis, William (19480710)","Kay, Alan R. (Alan R.)","Montone, Jennifer","Gekker, Chris (Paul Christopher) (1954-01-18)","Hagner, Viviane (1977)","Ngwenyama, Nokuthula","Kim, Soovin","Schmidt, Wolfgang Emanuel (1971)","McGill, Anthony (Anthony Barrone) (1979-07-17)","Fain, Tim","Shao, Sophie","Scarlata, Randall","Frautschi, Jennifer","Pridemore, Patrick A.","Meyer, Edgar, (Bassist) (1960-11-24)","Ali-Zadeh, Franghiz, 1947-","Tcherepnin, Alexander, 1899-1977","Schifrin, Lalo, 1932-","Chausson, Amédée-Ernest (1855-1899)","Arensky, Anton, 1861-1906","Coleridge-Taylor, Samuel, 1875-1912","Marsalis, Wynton (1961-10-18)","Ailey, Alvin (1931-1989)","Homberger, Christoph (1962)","Isaacs, Jeremy, Sir (1932)","Arye, Yevgeny (1947-2022)","Demidov, Israel (1957)","Sobol, Joshua (1939)","Chervinsky, Adam (1938)","Morrison, Conall (1996)","Crossan, Gerald","Friel, Brian (1929-2015)","Levin, Robert (1947)","Henschel, Dietrich (1967)","Grigorovich, Yuri (1927)","Vasiliev, Vladimir (1940)","Khachaturian, Aram Ilyich (1903-1978)","Jamison, Judith (1943)","Benjamin, Avi (1959)","Taymor, Julie (1952)","Goldenthal, Elliot (1954)","Gardner, John Champlin (1933-1982)","Tiffany, John (1971)","Cumming, Alan (1965)","Euripides (480 BC-406 BC)","Pountney, David, CBE (1947)","Sloane, Steven (1958)","Otelli, Claudio (1960)","Zimmerman, Bernd Alois (1918-1970)","Fiennes, Ralph (1962)","Neeson, Liam (1952)","Beckett, Samuel (1906-1989)","Hammond, John Paul (1942)","Brook, Peter, CBE (1925-2022)","Bawab, Dima (1981)","Goold, Rupert (1972)","Gale, Mariah (1979)","Troughton, Samuel John (1977)","Shakespeare, William","Somova, Alina Alekseevna (1985)","Shchedrin, Rodion Konstantinovich (1932)","Farr, David (1969)","Hicks, Greg (1953)","Miyamoto, Amon (1958)","Ito, Chihiro (1982)","Fukuoka, Yutaka","D'silva, Darrell (1964)","Bailey, Lucy","Bausch, Pina (1940-2009)","Hengelbrock, Thomas (1958)","Wesseling, Maria Ricarda (1969)","Shi-Zheng, Chen (1963)","Albarn, David, OBE (1968)","Klinichev, Pavel (1974)","Messiaen, Oliver (1908-1992)","Ninagawa, Yukio (1935-2016)","Abe, Umitaro (1977)","Miyazawa, Rie (1973)","Podalydès, Denis (1963)","Coin, Christophe (1958)","Rénéric, Pascal (1976)","Molière (1622-1673)","Munby, Jonathan","Maxwell, Jules (1965)","Pryce, Jonathan (1947)","Uegaki, Satoshi","Mine, Saori","Kander, John (1927)","Vaziev, Makhar (1961)","Maillot, Jean-Christophe (1960)","MacNeil, Cornell, 1922-2011","Peters, Roberta, 1930-2017","Corena, Fernando, 1916-1984","Merrill, Robert, 1917-2004","Edelmann, Otto, 1917-2003","Harshaw, Margaret, 1909-1997","Vickers, Jon (19261029-20150710)","Puccini, Giacomo, 1858-1924","Roberti, Margherita, 1925-2021","Colzani, Anselmo, 1918-2006","Rysanek, Leonie, 1926-1998","De Paolis, Alessio, 1893-1964","Yakobson, Leonid, 1904-1975","Della Casa, Lisa, 1919-2012","Shirley, George, 1934-","Tozzi, Giorgio","Tucker, Richard, 1913-1975","Kónya, Sándor, 1923-2002","Crespin, Régine, 1927-2007","Dooley, William, 1932-2019","McCracken, James, 1926-1988","Thomas, Jess, 1927-1993","Uzunov, Dimiter, 1922-1985","Kabaivanska, Raina, 1934-","D'Angelo, Gianna, 1929-2013","Casei, Nedda, 1932-2020","Campora, Giuseppe, 1923-2004","London, George, 1920-1985","Offenbach, Jacques","Alexander, John, 1923-1990","Cassel, Walter (1910-05-15-2000-07-03)","Sereni, Mario, 1928-2015","Amara, Lucine (1927-03-01)","Cernei, Elena, 1924-2000","Dunn, Mignon (1931-06-17)","Resnik, Regina, 1922-2013","Stratas, Teresa","Raimondi, Gianni, 1923-2008","Nuotio, Pekka, 1929-1989","Cilea, Francesco (1866-1950)","Peerce, Jan, 1904-1984","Anthony, Charles (Calogero Antonio Caruso) (1929-2012)","Evans, Geraint (1922-1992)","Macurdy, John (1929-03-18-2020-05-07)","Caballé, Montserrat (1933-2018)","Levy, Marvin David, 1932-2015","Collier, Marie (1927-1971)","Hernandez, Amalia, 1917-2000","Bosabalian, Luisa (1936-1998)","Boatwright, McHenry, 1928-1994","Bing, Rudolf (Rudolf Franz Joseph), 1902-1997","Olvis, William (William Edward) (1928-02-12-1998-11-27)","Nagy, Robert, 1929-2008","Fenn, Jean","Prevedi, Bruno","Panerai, Rolando (1924-2019)","Zanasi, Mario, 1927-2000","Lombard, Alain (19401004)","Morel, Jean (Jean Paul), 1903-1975","Warfield, Sandra","Lippert, Marion (1939-)","Fonteyn, Margot (1919-1991)","Hérold, Ferdinand (1791-1833)","Park, Merle (1937- )","Coleman, MIchael (1940-","Nureyev, Rudolf Khametovich (1938-1993)","Sibley, Antoinette (1939- )","Forst, Judith (1943- )","Strasfogel, Ignace (1909-1994)","Cossa, Dominic (1935-05-13)","Naghiu, Octaviano","Brilioth, Helge (1931-1998)","Stripling, Jan (1942-2017)","Cragun, Richard (1944-2012)","Borkh, Inge ([1917-05-26,1921-05-26]-2018-08-26)","Dobriansky, Andrij","Sullivan, Dan, 1940-","Di Giuseppe, Enrico, 1932-2005","Gramm, Donald, 1927-1983","Castel, Nico (1931-2015)","Chéreau, Patrice (1944-2013)","Couden, Sara","Dexter, John (1925-1990)","Norden , Betsy (1945)","Lazarev, Alexander Nikolayevich (1945)","Ognivtsev, Aleksander (1920-1981)","Simonov, Yuri Ivanovich (1941)","Nesterenko, Yevgeny Yevgenievich (1938-2021)","Mansurov, Fuat (1928-2010)","Ermler, Mark Fridrikhovich (1932-2002)","Vedernikov, Alexander Filippovich (1927-2018)","Molchanov, Kiril Vladimirovich (1922-1982)","Kord, Kazimierz (1930-2021)","Harwood, Elizabeth (1938-1990)","Plasson, Michel (1933)","Hanson, Victor Herrick  (1933-2005)","Gavazzeni, Gianandrea (1909-1996)","Woitach, Richard","Hunter, Rita (1933-08-13-2001-04-29)","Farley, Carole (1946)","Mauti-Nunziata, Elena (1946)","Pritchard, John Michael, Sir (1921-1989)","Alonso, Alicia (1920-2019)","Araújo, Loipa (1941)","Grey, Beryl, CBE (1927-2022)","Rudel, Julius (1921-2014)","Moldoveanu, Eugenia (1944)","Wixell, Ingvar (1931-2011)","Simmons, Calvin Eugene (1950-1982)","Humperdinck, Engelbert (1854-1921)","Jarvi, Naami (1937)","Maag, Ernst Peter Johannes (1919-2001)","Obraztsova, Elena Vasilyevna (1939-2015)","McIntyre, Donald, Sir (1934)","White, Thomas S.","Cranko, John Cyril (1927-1973)","Shicoff, Neil (1949)","Jones, Isola (1949)","Tchakarov, Emil (1948)","Ponichelli, Amilcare (1834-1886)","Nicola, Rescigno (1916-2008)","Tajo, Italo (1915-1993)","Stilwell, Richard (1942)","Rendall, David (1948)","Santi, Nello","Panov, Valery Mateevich (1938)","Dostoevsky, Fyodor Mikhailovich (1821-1881)","Malfitano, Catherine","Cotrubas, Ileana (1939)","Bybee, Ariel (1943-2018)","Kohn, Eugene ","Capecchi, Renato (1923-1998)","Tate, Jeffrey Philip, Sir (1943-2017)","Żylis-Gara, Teresa (1930-2021)","Mauro, Ermanno (1939)","Rosenthal, Manuel (1904-2003)","Maliponte, Adriana (1938)","Bernardi, Mario (1930-2013)","Raffanti, Dano (1948)","Valente, Benita (1934)","Janowski, Marek (1939)","Elder, Mark","Walker, Sarah Elizabeth Royle, CBE (1943)","van Allan, Richard, CBE (1935-2008)","Davies, Arthur (1941-2018)","Rawnsley, John (1950)","Davies, Noel (1945-2008)","Müller, Edoardo ","Carlson, Lenus (1945)","Fulton, Thomas (1949-1994)","Daniels, Barbara (1946)","Conrad, Barbara Smith (1937-2017)","Johnson, Camellia (1953-2015)","Navarro, Luis Antonio García (1941-2001)","Baskerville, Priscilla (1962)","Merritt, Myra","Zandonai, Riccardo (1883-1944)","Stivender, David (1933-1990)","Montarsolo, Paolo (1925-2006)","Palacio, Ernesto (1946)","Patsalas, Constantin (1943-1989)","Parker, Charlie \"Bird\" (1920-1955)","Altmeyer, Jeannine (1948)","Meier, Johanna (1938)","Perick, Christof","Fournet, Jean (1913-2008)","Badea, Christian (1947)","Di Franco, Loretta (1942)","Kleiber, Carlos (1930-2004)","Kotoski, Dawn (1966)","Pinnock, Trevor David, CBE (1946)","Mitchell, Leona (1949)","Panni, Marcello (1940)","Cheek, John, 1948-","Martinucci, Nicola (1941)","Cambreling, Sylvain (1948)","Christin, Judith (1948)","Salminen, Matti (1945)","Araiza, Francisco (1950)","Moll, Kurt (1938-2017)","Ajmone-Marson, Guido","Saccani, Rico (1952)","Rosenshein, Neil (1947)","Kout, Jiří","Croft, Dwayne","Fiore, John","Ferden, Bruce (1949-1993)","Glass, Phillip (1937)","Neblett, Carol Lee (1946-2017)","Marin, Ion (1960)","Michael, Hermann (1937-2005)","Donath, Helen Jeanette (1940)","Rizzi, Carlo","Praticò, Bruno","Rootering, Jan-Hendrik (1950)","Pulley, Emily Ann (1967)","Villarroel González, Verónica","Chernov, Vladimir Nikolaïevitch (1953)","Oren, Daniel (1955)","Croft, Richard","Graves, Denyce","Dennis, Betty","Loukianetz, Victoria (1966)","Atherton, David","Del Carlo, John","Hager, Leopold (1935)","Bedford, Steuart John Rudolf, CBE (1939-2021)","Corbelli, Alessandro","Krauss, Clemens","Young, Simone","de Billy, Bertrand","Titov, Alexander","Gruzin, Boris","Kit, Mikhail","Agache, Alexandru","Floyd, Carlisle","Rost, Andrea","Campanella, Bruno","Weigle, Sebastian","Mescheriakova, Marina","Wolf-Ferrari, Ermanno ","Halévy, Fromental ","Viotti, Marcello ","Furlanetto, Ferruccio ","Summers, Patrick","Alfano, Franco ","Auguin, Philippe ","Gallardo-Domâs, Cristina ","Bergeson, Scott","Miklósa, Erika ","Haider, Friedrich","Botha, Johan","Kovalevska, Maija","Frittoli, Barbara","Carosi, Micaela ","Jordan, Philippe","Langrée, Louis","Ataneli, Lado","Chaslin, Frédéric","Vassallo, Franco","Runnicles, Donald","Petrenko, Mikhail","Villaume, Emmanuel","Abbado, Roberto","Smith, Robert Dean","Galouzine, Vladimir","Anzolini, Dante","Alvarez, Carlos","Schrott, Erwin","Gilbert, Alan","Finley, Gerald","Racette, Patricia","Seiffert, Peter","de Niese, Danielle","Frizza, Riccardo","Gagnidze, George","Pidò, Evelino","Bullock, Susan","Keenan, John","Calleja, Joseph","Gilmore, Rachele","Keenlyside, Simon","Abel, Yves","Ono, Kazushi","Uusitalo, Juha","Phillips, Lori","Fournillier, Patrick","Rizzi Brignoli, Roberto","Capitanucci, Fabio","Grigolo, Vittorio","Smelkov, Pavel","Álvarez, Marcelo","Lee, Yonghoon","Degout, Stéphane","Nielsen, Erik","Poplavskaya, Marina","Held, Alan","Walker, Antony","Royal, Kate","Carignani, Paolo","Kwiecien, Mariusz","Altinoglu, Alain","Franck, Mikko","de Biasio, Roberto","Morris, Jay Hunter","Westbroek, Eva-Maria","Inouye, Derrick","Gould, Stephen","Amonov, Avgust","Luna, Audrey","Radvanovsky, Sondra Dee (1969)","Ettinger, Dan","Theorin, Iréne","Mariotti, Michele (1979)","Cura, José","Zifchak, Maria","Byström, Malin","Ranzani, Stefano","He, Hui","Yoncheva, Sonya (1981)","Meli, Francesco (1980)","Krasteva, Nadia (1976)","Zajick, Dolora (1952)","Koenigs, Lothar (1965)","Madore, Elliot (1987)","Lanchas, Valeriano (1976)","van den Heever, Elza (1979)","Opolais, Kristine (1979)","Sherratt, Brindley (1965)","Mazzola, Enrique","Chichon, Karel Mark, OBE (1971)","Skelton, Stuart (1968)","Monastyrska, Liudmyla Viktorivna","Gubanova, Ekaterina (1979)","Dyka, Oksana (1978)","Robinson, Morris (Morris D.) (1969-03-18)","Làrusdóttir, Dísella (1977)","Mumford, Tamara","Debus, Johannes (1974)","Siegel, Gerhard (1963)","Morandi, Pier Giorgio (1958)","Vogt, Klaus Florian (1970)","Ticciati, Robin, OBE (1983)","Volle, Michael (1960)","Hartig, Anita (1983)","Morley, Erin (1980)","Bignamini, Jader (1976)","Bižić, David (1975)","Pomakov, Robert (1981)","Stare, Ward (1982)","Mattsey, Jeff","Allen, Thomas Boaz, Sir (1944)","Lattimore, Margaret","Colaneri, Joseph","Hindoyan, Domingo Garcia (1980)","D'Arcangelo, Ildebrande (1969)","Plachetka, Adam (1985)","Majeski, Amanda (1984)","Castronovo, Charles (1975)","Pérez, Ailyn (1979)","Mavlyanov, Najmiddin (1979)","Naouri, Laurent (1964)","Wellber, Omer Meir (1981)","Margaine, Clémentine (1984)","Nánási, Henrik","Farnes, Richard (1964)","Colclough, Craig","Park, Hera Hyesang","Manacorda, Antonello (1970)","Kamensek, Karen (1970)","Blake, Aaron","Eyvazov, Yusif (1977)","Davidsen, Lise (1987)","Lewek, Kathryn (1983)","Hymel, Bryan (1979)","Nikitin, Evgeny Igorevich","Selig, Franz-Josef (1962)","Erraught, Tara (1986)","Liverman, Will (1988)","Blanchard, Terrence (1962)","Rustioni, Daniele (1983)","Carter, Nicholas","Clayton, Allan, MBE (1981)","Dean, Brett (1961)","Baikoff, Erika","Ward, Duncan","Gamba, Michele (1983)","Maestri, Ambrogio (1970)","Hamlin, Spencer","Groissböck, Günther (1976)","Buratto, Eleanora (1982)","Guggeis, Thomas (1993)","Konieczny, Tomasz (1972)","Gigliotti, Eve","Belosselskiy, Dmitry Stanislavovich (1975)","Chioldi, Michael (1970)","Herrera, Nancy Fabiola","Catán Porteny, Daniel (1949-2011)","Furrer, Patrick","Buszewski, Piotr (1992)","Stikhina, Elena (1986)","Lyniv, Oksana (1978)","Pankratova, Elena","Kowaljow, Vitalij","Grigoryan, Juliana","Jagde, Brian (1980)","Golovatenko, Igor","Schweizer, David","Masur, Richard (1948)","Walken, Christopher (1943)","Le Roux, Madeleine (1946)","Shapiro, Mel (1937)","Moriarty, Michael (1941)","Hines, Mainer Patrick (1930-1985)","Mason , Marsha (1942)","Southern, Richard (1903-1989)","Adams, Mason (1919-2005)","Miratti, Tony (1946)","Vestoff, Virginia (1939-1982)","Moody, Michael Dorn","Nichols, Mike (1931-2014)","Rudd, Paul Ryan (1940-2010)","Sweet, Dolph (1920-1985)","Harewood, Dorian (1950)","Rabe, David (1940)","Mosher, Gregory (1949)","Goldstein, Steven (1963)","Huffman, Felicity (1962)","Silverstein, Sheldon Allan (1930-1999)","Mamet, David (1947)","Balaban, Robert Elmer (1945)","Conroy, Frances (1953)","Buono, Cara (1971)","Nelson, Richard John (1950)","Bishop, Kelly (1944)","Channing, Stockard (1944)","Pearlman, Stephen (1935-1998)","Guare, John (1938)","Bishop, André (1948)","Alexander, Jane (1939)","McDormand, Frances (1957)","Vickery, John (1950)","Davis, Clifton (1945)","McGiver, Boris (1962)","Stoppard, Tom, Sir (1937)","Alexander, Terry (1947)","Heckart, Eileen (1919-2001)","Mastrantonio, Mary Elizabeth (1958)","Donaghy, Tom","Chenoweth, Kristin (1968)","Fuller, Penny (1937)","Gets, Malcolm (1964)","Finn, William (1952)","Stroman, Susan (1954)","Stackpole, Dana (1966)","Hingston, Sean Martin (1965)","Antoon, Jason (1971)","Weidman, John (1946)","Sutherland, Donald (1935-2024)","O'Hare, Denis (1962)","Margulies, Julianna (1966)","Baitz, Jon Robin (1961)","Kani, John (1942)","Bihl, Esmeralda","Seane, Warona","James, Nikki M. (1981)","Ticotin, Nancy  (1957)","Bavan, Yolande (1942)","Lachiusa, Michael John (1962)","Baker, Becky Ann (1953)","Harelik, Mark (1951)","Hecht, Jessica (1965)","Greenberg, Richard (1958)","Aspillaga, Vanessa (1972)","Brown, Blair (1946)","Clayburgh, Jill (1944-2010)","Ruhl, Sarah (1974)","Schreiber, Pablo (1978)","Shinn, Christopher (1975)","Kudisch, Marc (2024)","Belcon, Natalia Venetia (1969)","Kelly, David Patrick (1951)","Flaherty, Stephen (1960)","Lavin, Linda (1937)","Houdyshell, Jayne (1953)","Bartlett, Peter (1942)","Rudnick, Paul (1957)","McMartin, John (1929-2016)","Rebhorn, James (1948-2014)","Eli, Robert","Haigle, Noah (1978)","Gleason, Joanna (1950)","Foster, Hunter (1969)","Cervantes, Miguel (1976)","Frankel, Scott David (1963)","Davidson, Jeremy (1971)","Mays, Jefferson (1965)","Hogan, Robert (1933-2021)","Rogers, J.T. (1968)","Keenan-Bolger, Celia (1978)","Saito, James (1955)","Yaegashi, James (1972)","Lane, Diane (1965)","Shalhoub, Tony (1953)","Rankin, Gayle (1989)","Doran, Bathsheba","Plunkett, Stephen (1976)","Breen, Patrick (1960)","Pankow, John (1955)","Parnell, Peter","Ehle, Jennifer (1969)","McDonough, Ann (1949)","Murphy, Sally (1962)","Harmon, Joshua","Clemens, Adelaide (1989)","Chanler-Berat, Adam (1986)","Larroquette, John (1947)","Donovan, Edmund (1990)","Hellman, Nina (1967)","Ivey, Judith (1951)","Hunter, Samuel D. (1981)","Marylouise, Burke (1941)","Watkins, Brian","Coiro, Rhys (1979)","Bunin, Keith (1971)","Jones, Candrice","Testa, Mary (1955)","Baker, Dylan (1959)","Müller-Brühl, Helmut Peter (1933-2012)","Bach, Johann Christian Friedrich (1732-1795)","Mozart, Franz Xaver Wolfgang (1791-1844)","Dichter, Misha, 1945-","Glover, Jane, Dame (1949)","Kalmar, Carlos (1958)","Paganini, Nicolò, 1782-1840","Golijov, Osvaldo (1960)","Manze, Andrew (1965)","Halls, Matthew","Barnatan, Inon, 1979-","Zender, Johannes Wolfgang (1936-2019)","Schachter, Michael","Hughes, Langston (James Mercer Langston) (1901-1967)","Foss, Lukas, 1922-2009","Wallenstein, Alfred (18981007-19830208)","del Tredici, David Walter (1937-2023)","Wiłkomirska, Wanda (1929-2018)","Munroe, Lorne (1924-2020)","Zeltser, Mark Efimovich (1947)","Postnikova, Viktoria (1944)","Taneyev, Sergei Ivanovich (1856-1915)","Jones, Jennifer, (Mezzo-soprano)","Shiokawa, Yūko (1946)","Kim, Earl (1920-1998)","Weller, Walter (1939-2015)","Davies, Ryland (1943-2023)","Curzon, Clifford Michael, Sir (1907-1982)","Blackshaw, Christian Charles (1949)","Drucker, Stanley (1929-02-04-2022-12-19)","Newland, Larry","Carter, Elliott (1908-2012)","Gitlis, Ivry (1922-2020)","Duruflé, Maurice (1902-1986)","Haendel, Ida (1928-2020)","Barton, Randolph","Sondheim, Stephen, 1930-2021","Subramaniam, Lakshminarayana  (1947)","Bussotti, Sylvano (1931-2021)","Vinzing, Ute (1936)","Turnovsky, Martin (1928-2021)","Novák, Vítězslav Augustín Rudolf (1870-1949)","Druckman, Jacob (1928-1996)","Husa, Karel (1921-2016)","Cherkassy, Shura (1909-1995)","Rubinstein, Anton Grigoryevich (1829-1894)","Sanderling, Kurt (1912-2011)","Meneses, Antônio (1957)","Zwilich, Ellen Taafe (1939)","Wolfe, Julia (1958)","Ortiz, Cristina (1958)","Stenhammar, Carl Wilhelm Eugen (1871-1927)","Levi, Yoel (1950)","Pedrotti, Carlo (1817-1893)","Hétu, Jacques (1938-2010)","Mácal, Zdeněk  (1936-2023)","Kabalevsky, Dmitry Borisovich (1904-1987)","Oistrakh, Igor","Keene, Christopher, 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Charles, 1914-1994","Warfield, William (1920-01-22-2002-08-25)","Woodside, Lyndon","Silverstein, Joseph (Joseph Harry), 1932-2015","Eskin, Jules (Jules Louis) (1931-10-20-2016-11-15)","Laredo, Jaime","Curtin, Phyllis (1921-12-03-2016-06-05)","Valletti, Cesare","Reardon, John, 1930-1988","Ormandy, Eugene, 1899-1985","Walter, F. Austin","Bjoner, Ingrid","Rossini, Gioacchino, 1792-1868","Arroyo, Martina (19360202)","Chookasian, Lili (1921-08-01-2012-04-10)","Bergonzi, Carlo (19240713-20140725)","Kertész, István, 1929-1973","Ilosfalvy, Róbert, 1927-2009","Ashkenazy, Vladimir (Vladimir Davidovich), 1937-","Piatigorsky, Gregor, 1903-1976","Koni︠u︡s, I︠U︡. (I︠U︡liĭ), 1869-1942","Oliver, John, 1939-2018","DeVaron, Lorna Cooke, 1921-2018","Strauss, Eduard, 1910-1969","Koller, Dagmar","Kraeutler, Walter","Strauss, Johann, 1825-1899","Ghiaurov, Nicolai, 1929-2004","Wolff, Beverly","Debussy, Claude (Achille-Claude), 1862-1918","Donizetti, Gaetano (Domenico Gaetano Maria), 1797-1848","Lewis, Henry, 1932-1996","Cava, Carlo (1928-08-16-2018-09-01)","Souliotis, Elena, 1943-2004","Jones, Gwyneth, 1936-","Cherubini, Luigi, 1760-1842","Bottion, Aldo","Tree, Michael, 1934-2018","Parnas, Leslie (1931-11-11-2022-02-01)","Glickman, Loren","Rudolf, Max, 1902-1995","Hoffman, Jay K.","Kiviniemi, Aimo J., 1918-2009","Jenness, Phyllis, 1922-","Brooks, Patricia (Patricia Anne), 1933-1993","Carringer, Walter (2006-10-22)","Giaiotti, Bonaldo (1932-12-25-2018-06-12)","Arrau, Claudio, 1903-1991","Wilson, Charles M., 1931-2019","Sills, Beverly (1929-05-25-2007-07-02)","Fischer-Dieskau, Dietrich, 1925-2012","Moore, Gerald Martin","Schumann, Robert (Robert Alexander), 1810-1856","Paskalis, Kostas","Gamson, Arnold","Caballé, Montserrat (Maria de Montserrat Viviana Concepción) (1933-04-12-2018-10-06)","Schubert, Franz","Schwarzkopf, Elisabeth (Olga Maria Elisabeth Friederike) (1915-12-09-[2006-08-02,2006-08-03])","Crochet, Evelyne","Haitink, Bernard (Bernard Johan Herman), 1929-2021","Henkemans, Hans (19131223-19951229)","Mehta, Zubin (19360429)","Cliburn, Van, 1934-2013","Adler, Murray","Lowenthal, Jerome (19320211)","Laurence, Eileen","Khanzadian, Vahan","Prince-Joseph, Bruce, 1925-2015","Kaplan, Abraham, 1931-","Böhm, Karl, 1894-1981","Richter, Karl, 1926-1981","Halem, Victor von (1940-03-26)","Gilles, Marie-Louise","Kesteren, John van, 1921-2008","Boky, Colette","Sawallisch, Wolfgang, 1923-2013","Slovák, Ladislav, 1919-1999","Dvorak, Antonin","Smetana, Bedřich, 1824-1884","Smith, Gregg (1931-08-21-2016-07-12)","Self, William","Solomon, Izler, 1910-1987","Ricci, Ruggiero, 1918-2012","Webern, Anton (Anton Friedrich Wilhelm von), 1883-1945","Cillario, Carlo Felice (19150207-20071213)","Callas, Maria, 1923-1977","Milanov, Zinka (1906-05-17-1989-05-30)","Ravel, Maurice (Joseph Maurice), 1875-1937","Falla, Manuel de, 1876-1946","Glière, Reinhold Morit︠s︡evich, 1875-1956","Weissenberg, Alexis (Alexis Sigismond) (1929-07-26-2012-01-08)","Ferras, Christian, 1933-1982","Verdi, Giuseppe","Ross, Elinor, 1926-2020","Vogt, Richard","Otterloo, Willem van (19071227-19780727)","Franck, César (César-Auguste-Jean-Guillaume-Hubert), 1822-1890","Newmark, John (1904-06-12-1991-10-17)","Tucci, Gabriella (1929-08-04-2020-07-09)","Baker, Janet, 1933-","Duval, Pierre, (Tenor)","Talvela, Martti (19350204-19890722)","Bonynge, Richard (1930-09-29)","Sutherland, Joan (Joan Alston), 1926-2010","Fischer, Annie (1914-07-05-1995-04-11)","Francescatti, Zino (Zino René-Charles), 1902-1991","Walton, William (William Turner), 1902-1983","Tchaikovsky, Peter Ilich, 1840-1893","Mandac, Evelyn","Litton, James H.","McCollum, John","Berberian, Ara (1930-05-14-2005-02-21)","Cleva, Fausto (19020517-19710806)","Tebaldi, Renata (1922-02-01-2004-12-19)","Saciuk, Andrzej","Previn, André (André George), 1929-2019","Novaes, Guiomar (1895-02-28-1979-03-07)","Tyler, Veronica","Paray, Paul, 1886-1979","Entremont, Philippe (1934-06-07)","Smith, William, 1924-1993","Wagner, Richard, 1813-1883","Sollberger, Sophie, 1934-","Bonazzi, Elaine (1936?-2019-01-29)","Sokol, Thomas A., 1929-","Shetler, Norman","Kubelík, Rafael, 1914-1996","Janáček, Leoš, 1854-1928","Weber, Carl Maria von (Carl Maria Friedrich Ernst von), 1786-1826","Hindemith, Paul, 1895-1963","Endich, Saramae","Milnes, Sherrill (19350110)","Munch, Charles, 1891-1968","Jochum, Eugen (19021101-19870326)","Svetlanov, Yevgeny, 1928-2002","Rostropovich, Mstislav, 1927-2007","Mussorgsky, Modest Petrovich, 1839-1881","Shostakovich, Maxim, 1938-","Sokolov, Grigoriĭ, 1950-","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975","Giulini, Carlo Maria (1914-05-09-2005-06-14)","Barenboim, Daniel, 1942-","Zukerman, Pinchas, 1948-","Allen, Betty, 1927-2009","Markevitch, Igor, 1912-1983","Strauss, Richard, 1864-1949","Killmer, Nancy","Garniez, Nancy","Villa-Lobos, Heitor (1887-03-05-1959-11-17)","Rorem, Ned, 1923-2022","Tilson Thomas, Michael, 1944-","Wolf, Hugo (Hugo Filipp Jakob), 1860-1903","Boulez, Pierre, 1925-2016","Lane, Louis (Louis G.) (1923-12-25-2016-02-15)","Semkow, Jerzy, 1928-2014","Skrowaczewski, Stanisław (Stanisław Paweł Stefan Jan Sebastian), 1923-2017","Trautwein, George William (1927)","Winograd, Arthur (1920-04-22-2010-04-22)","Solti, Georg, 1912-1997","Mazer, Henry, 1918-2002","Scovotti, Jeanette","Simon, Joanna, 1940-","Riegel, Kenneth (19380419)","Patrick, Julian, 1927-2009","Cortez, Viorica (1935-12-26)","Cochran, William (1943-06-23)","Carmeli, Boris (1928-04-23-2009-07-31)","Horne, Marilyn (1934-01-16)","Lupu, Radu, 1945-2022","Price, Leontyne (Mary Violet Leontyne) (1927-02-10)","Garvey, David, 1922-1995","Simon, Stephen (Stephen Anthony), 1937-2013","Morell, Barry","Estes, Simon (1938-02-02)","Blegen, Judith (19410427)","Steffan, Sofia","Quilico, Louis","Lo Monaco, Jerome (1925-2002)","Walker, Mallory (1935-05-22)","Nelson, John, 1941-","Cassilly, Richard, 1927-1998","Ellis, Brent","Ostendorf, John, 1945-","Berlioz, Hector, 1803-1869","Parsons, Geoffrey (Geoffrey Penwill) (1929-06-15-1995-01-26)","Zanetti, Miguel","Katz, Martin (Martin E.), 1945-","Burrows, Stuart (1933-02-07)","Stella, Antonietta (19290315)","Manuguerra, Matteo (1924-10-05-1998-08-23)","Carter, Elliott (Elliott Cook), 1908-2012","Dougherty, Lee","Dale, Clamma (1948-07-04)","Tal, Josef, 1910-2008","Bloch, Ernest, 1880-1959","Maazel, Lorin, 1930-2014","Siepi, Cesare (19230210-20100705)","Veasey, Josephine (1930-07-10-2022-02-22)","Savoie, Robert, 1927-2007","Soyer, Roger (1939-09-01)","Gniewek, Raymond, 1931-","Brozzesi, Franco","Plishka, Paul, 1941-","Aks, Harold","Abbado, Claudio (1933-06-26-2014-01-20)","Mravinsky, Yevgeny, 1903-1988","Tretʹi︠a︡kov, Viktor, 1946-","Arkhipova, Irina, 1925-2010","Westenburg, Richard","Bogard, Carole","Collins, Daniel, (Countertenor)","Bressler, Charles (1926-04-01-1996-11-28)","Anderson, Richard, (Bass)","Bruson, Renato (19360113)","Eda-Pierre, Christiane (1932-03-24-2020-09-06)","West, Jon Fredric, 1952-","Di Stefano, Giuseppe, 1921-2008","Sutherland, Robert, (Pianist)","Ludwig, Christa (1928-03-16-2021-04-24)","Pruett, Jérôme","Barzin, Leon (1900-11-27-1999-08-29)","Glaze, Gary","Masur, Kurt (1927-07-18-2015-12-19)","Lorenz, Siegfried, 1945-","Reger, Max, 1873-1916","Magad, Samuel, 1932-","Zeitlin, Ralph William","Still, Ray (19200312-20140312)","Hesse, Ruth","Ulfung, Ragnar (Ragnar Sigurd), 1927-","Hamari, Julia (19421121)","McCoy, Seth, 1928-1997","Ceccato, Aldo","Hollander, Lorin, 1944-","Bamert, Matthias (19420705)","Page, Robert (Robert Elza), 1927-2016","Kurtz, Eugene, 1923-2006","Lewis, William (William L.), 1931-","Perlman, Itzhak, 1945-","Comissiona, Sergiu (1928-20050305)","Prokofiev, Sergey (Sergey Sergeyevich), 1891-1953","Menuhin, Hephzibah, 1920-1981","Kraus, Alfredo","Elvira, Pablo, 1937-2000","Akiyama, Kazuyoshi, 1941-","Davenny-Wyner, Susan","De Cormier, Robert (Robert Romeo) (1922-01-07-2017-11-07)","Brendel, Alfred (1931-01-05)","Boutry, Roger (1932-02-27-2019-09-07)","Mendelssohn-Bartholdy, Felix, 1809-1847","Schröder-Feinen, Ursula","Tyl, Noel, 1936-","Copland, Aaron, 1900-1990","Rabbai, Joseph","Anagnost, Dino","Scotto, Renata, 1934-","Madden, Donald, 1933-1983","Aler, John (19491004)","Burchinal, Frederick (1948-12-07)","Harris, Roy, 1898-1979","Quivar, Florence (1944-03-03)","Davis, Eileen, (Mezzo-soprano)","Leonhard, Monika, 1942-","Kussmaul, Rainer","Hahn, Klaus-Peter, 1944-","Domingo, Plácido, 1941-","Bumbry, Grace, 1937-2023","Bergquist, Eleanor","Chudy, Natalya","Rampal, Jean-Pierre, 1922-2000","Zukerman, Eugenia","Sanders, Samuel (19370627-19990709)","Lauridsen, Beverly (1945-1994)","Armstrong, Sheila (19420813)","Davis, Colin (Colin Rex), 1927-2013","Ozawa, Seiji, 1935-","Liszt, Franz, 1811-1886","Larrocha, Alicia de (1923-05-23-2009)","Bailey, Norman (Norman Stanley), 1933-2021","Martin, Janis (Janis Lenere) (19390816-20141214)","Ottley, Jerold D. (Jerold Don) (1934-04-07)","Ripplinger, Donald (Donald Hilton) (1927)","Schreiner, Alexander, 1901-1987","Cundick, Robert (Robert Milton), 1926-2016","Longhurst, John (1940)","Levine, James, 1943-2021","Ewing, Maria (Maria Louise) (1950-03-27-2022-01-09)","Flummerfelt, Joseph (Joseph Ross) (1937-02-24-2019-03-01)","Minton, Yvonne (19381204)","Ward, David, 1922-1983","Dam, José van (1940-08-25)","Froschauer, Helmuth (1933-09-22-2019-08-18)","Tomowa-Sintow, Anna, 1941-","Baltsa, Agnes (1944-11-19)","Krenn, Werner","Freni, Mirella, 1935-2020","Cossotto, Fiorenza (19350422)","Beattie, Herbert, 1926-2019","Careccia, Franco","Lee, Lou Ann","Taylor, Rose (Rose Audrey) (19450401-20130914)","Gilels, Emil (1916-10-19-1985-10-14)","Rintzler, Marius","Swing, Peter Gram","Brooks, Tamara (1941-09-11-2012-05-19)","Hanson, Donald, (Conductor)","Waldhans, Jiři, 1923-1995","Bělohlávek, Jiří (1946-02-24-2017-05-31)","Krajný, Boris (1945-11-28)","Wagner, Roger, 1914-1992","Hendricks, Barbara (1948-11-20)","Albin, Gene (Gene V.), 1934-","Lebherz, Louis","Hurwood, Bonnie","Haywood, Lorna","Love, Shirley (1940-01-06)","Norman, Jerold","Smith, Malcolm, 1933-","Mickelson, Randolph","Masini, Gianfranco","Kenny, Yvonne (19501125)","Palmer, Felicity (19440406)","Gelber, Bruno-Leonardo, 1941-","Levitt, Arthur, 1931- ","Weill, Sandy","Wolfensohn, James D.","Bass, Robert, 1953-2008","Randolph, David (19141221-20100512)","Goodwin, John Daly","Carneiro, Joana, 1976-","Coorey, Matthew, 1973-","Johns, Kynan","Lehner, Manfred Hermann","Zhang, Xian, 1973-","Rattle, Simon, 1955-","Carey, Eric","Roset, Julie","Switzer, Erika","Kreisler, Fritz, 1875-1962","Lamson, Carl (1878-11-27-1966-03)","Gould, Morton, 1913-1996","Burton, Philip (Philip Henry), 1904-1995","Geer, Will (1902-03-09-1978-04-22)","Rodgers, Gaby","Martin, Ian, 1912-1981","O'Casey, Sean, 1880-1964","Parisot, Aldo (Aldo Simões) (1918-09-30-2018-12-29)","Sorel, Claudette, 1932-1999","Rudié, Robert (1919-2012-03-04)","Kempff, Wilhelm, 1895-1991","Druian, Rafael (19220120-20020906)","Robison, Paula (1941-06-08)","Isepp, Martin","Prey, Hermann, 1929-1998","Edwards, Ryan","Pfitzner, Hans (Hans Erich), 1869-1949","Gagnon, Roland","Hirst, Grayson","Belling, Susan","Porrello, Joseph","Metcalf, William, 1934-1997","Giovaninetti, Reynald","Floyd, Alpha","Kubiak, Teresa, 1937-","Howell, Gwynne (Gwynne Richard) (19380613)","Von Stade, Frederica (19450601)","Berman, Lazar (19300226-20050206)","Busoni, Ferruccio, 1866-1924","Popp, Lucia (1939-11-12-1993-11-16)","Glinka, M. I. (Mikhail Ivanovich), 1804-1857","Scriabin, Aleksandr Nikolayevich, 1872-1915","Vishnevskai︠a︡, Galina (Galina Pavlovna), 1926-2012","Knie, Roberta (1938-03-13-2017-03-16)","Demus, Jörg (Jörg Wolfgang), 1928-2019","Sousa, John Philip, 1854-1932","Brion, Keith (1933-07-09)","Nagel, Robert (Robert Earl) (1924-9-29-2016-06-05)","Swallow, John (John Warner), 1924-2012","Watts, Andre (1946-06-20-2023-07-12)","Weikl, Bernd (1942-07-29)","Söderström, Elisabeth (Anna Elisabeth), 1927-2009","Grobe, Donald (1929-12-16-1986-04-01)","Zoghby, Linda","Massenet, Jules, 1842-1912","Martinovich, Boris","Kniplová, Naděžda (1932-04-18-2020-01-14)","Schoenberg, Arnold, 1874-1951","Gottschalk, Louis Moreau","List, Eugene, 1918-1985","Savant, Victor","Shookhoff, William","Tenzi, Fausto","Verdejo, Awilda","Estes, Richard, 1948-","Ricciarelli, Katia (1946-01-16)","Hinds, Ruby","Gonzalez, Dalmacio (1945-05-12)","Johns, William, 1940-","Davis, Osceola","Muti, Riccardo (1941-07-28)","Buchanan, Isobel","Varady, Julia","Suzuki, Hidetaro, 1937-","Mroz, Leonard (Leonard Andrzej)","Gulyás, Dénes (1954)","Kazaras, Peter (1956)","Maurice, Glenda (1939-12-16-2013-4-16)","Britton, David, (Tenor)","Opalach, Jan (19500902)","Devia, Mariella (1948)","Delibes, Léo (Clément Philibert Léo), 1836-1891","Rao, Doreen","Bernard, Annabelle","Hancock, Gerre (Gerre Edward), 1934-2012","Castro Alberty, Margarita","Yarrow, Peter, 1938-","Stookey, Paul (Noel Paul), 1937-","Travers, Mary (Mary Allin), 1936-2009","Moore, Undine S. (Undine Smith) (1904-08-25-1989-02-06)","Halley, Paul (1952)","Randall, Tony (1920-02-26-2004-05-17)","Boito, Arrigo, 1842-1918","Andrade, Rosario","Rice, Laura Brooks","Hong, Hei-Kyung","deVaughn, Alteouise","Creech, Philip (1950-06-01)","Woodley, Arthur (1949)","Margalit, Israela (1944)","Behrens, Hildegard (1937-02-09-2009-08-18)","Vejzović, Dunja, 1943-","Dvorský, Peter, 1951-","Bogart, John-Paul (1952-09-17)","Sessions, Roger (Roger Huntington), 1896-1985","Spierer, Léon","Atzmon, Moshe","Patanè, Giuseppe, 1932-1989","Krilovici, Marina","Blake, Rockwell (1951-01-10)","Renzetti, Donato, 1950-","Burns, Stephen, 1959-","Phillips, Daniel (1960)","Phillips, Todd, (Violinist)","Anderson, June, 1952-","Roloff, Roger","Tokody, Ilona","Crafts, Edward","Barker, Charles","Rogoff, Rony","Ginastera, Alberto, 1916-1983","Boozer, Brenda","Weikert, Ralf","Cuberli, Lella (1945-09-29)","Merritt, Chris (Chris Allan), 1952-","Davis, Andrew, 1944-","Kahane, Jeffrey, 1956-","Gielen, Michael (Michael Andreas), 1927-2019","Kramer, Jonathan D. (Jonathan Donald), 1942-2004","Putnam, Ashley (1952-08-10)","Masterson, Valerie","Marriner, Neville (1924-04-15-2016-10-02)","Kocsis, Zoltán (1952-05-30-2016-11-06)","Pollini, Maurizio, 1942-","Neumann, Václav, 1920-1995","Leech, Richard, (Tenor)","Wilson, Neil, 1956-2000","Slatkin, Leonard (Leonard Edward) (1944-09-01)","Elgar, Edward (1857-06-02-1934-02-23)","Adams, John (John Coolidge), 1947-","Comet, Catherine","Montgomery, Kenneth","Thomas, Ambroise (Charles Louis Ambroise), 1811-1896","Rolandi, Gianna","McCauley, Barry (1950-06-25-2001-10-10)","Mack, John (John W.) (1927-10-30-2006-07-23)","Majeske, Daniel (Daniel Harold) (1932-09-17-1993-12-01)","Geber, Stephen","Vernon, Robert, (Violist)","Monk, Allan (19420819)","Dimitrova, Gena Macheva, 1941-2005","Stoltzman, Richard (1942-07-12)","Miranda, Sharon Moe","Marková, Jiřina","Wenkel, Ortrun","Dutoit, Charles (19361007)","Petkov, Dimitŭr, 1938-","Tennstedt, Klaus, 1926-1998","Cappuccilli, Piero (19291109-20050712)","Jones, Gwendolyn, (Mezzo-soprano)","Mackerras, Charles, 1925-2010","Gall, Jeffrey (1950-09-19)","Honegger, Arthur (Oscar-Arthur), 1892-1955","Marier, Theodore (Theodore Norman) (1912-10-17-2001-02-24)","Blahušiaková, Magdaléna","Sylvester, Michael, 1955-","Kusnjer, Ivan, 1951-","Leppard, Raymond (Raymond John) (1927-08-11-2019-10-22)","Kavrakos, Dimitri","Troyanos, Tatiana (1938-09-12)","Berg, Alban, 1885-1935","Hagegård, Håkan (1945-11-25)","Battle, Kathleen","Neikrug, Marc (Marc Edward), 1946-","Jin, Li, 1969-","Bruch, Max (Max Christian Friedrich), 1838-1920","Conlon, James, 1950-","Chailly, Riccardo, 1953-","Mintz, Shlomo, 1957-","Ameling, Elly (19340208)","Bouleyn, Kathryn","Lalo, Édouard (Édouard-Victoire-Antoine), 1823-1892","Vento, Marc, 1936-","Ciurca, Cleopatra","Myers, Lorna","Cole, Vinson (1950-11-21)","Jacobs, René (1946)","Taylor, Janice","Albert, Donnie Ray","Schafer, R. Murray (Raymond Murray) (1933-07-18-2021-08-14)","Dohnányi, Christoph von","Valentin, Dave (1952-04-29-2017-03-08)","Mauceri, John (1945-09-12)","Jordan, Armin (1932-04-09-2006-09-20)","Holliger, Heinz (1939-05-21)","Faulkner, Julia","Wheeler, Kimball (194u)","Chopin, Frédéric (Frédéric François), 1810-1849","Lloyd Webber, Andrew, 1948-","McGovern, Maureen (Maureen Therese) (1949-07-27)","Hillyer, Kazuko","Caddick, David","Turnbull, Walter J. , Dr.","Penderecki, Krzysztof (Krzysztof Eugeniusz), 1933-2020","Ma, Yo-Yo, 1955-","Strugała, Tadeusz, 1935-","Szymanowski, Karol, 1882-1937","Di Domenico, Dino","Wild, Earl (19151126-20100123)","Dešpalj, Pavle (1934-06-18)","Dešpalj, Valter","Sorkočević, Luka, 1734-1789","Beňačková-Čápová, Gabriela (1944-03-25)","Glassman, Allan","Dutilleux, Henri, 1916-2013","Milcheva, Aleksandrina (19340927)","Curry, Diane","Lamberti, Giorgio, 1938-","Gordon, David, 1947-","Toradze, Alexander","St. Clair, Carl (Carl Ray) (19520605)","Verrot, Pascal, 1959-","Hines, Jerome, 1921-2003","Harrell, Lynn (1944-01-30-2020-04-27)","Vivaldi, Antonio, 1678-1741","Lutosławski, Witold, 1913-1994","Parker, Jon Kimura, 1959-","Britten, Benjamin (Edward Benjamin), 1913-1976","Zimmermann, Frank Peter (1965)","Bizet, Georges (Georges Alexandre César Léopold), 1838-1875","Mehlig, Karl","Barber, Samuel (Samuel Osborne), 1910-1981","Matthus, Siegfried (1934-04-13)","Hauschild, Wolf-Dieter, 1937-","Licad, Cecile, 1961-","Walker, Charles Dodsley (1920-03-16-2015-03-21)","Barron, Jennifer","Burgess, Mary, (Mezzo-soprano)","Frager, Malcolm (19350115-19910620)","Schmidl, Peter","Henze, Hans Werner, 1926-2012","Bychkov, Semyon, 1952-","Fauré, Gabriel (Gabriel Urbain), 1845-1924","Kodály, Zoltán, 1882-1967","Larson, Sophia","McNair, Sylvia, (Soprano)","Cohen, Franklin, 1946-","Glass, Philip (1937-01-31)","Meyerbeer, Giacomo, 1791-1864","Slade, Frances F.","Mims, Marilyn, 1962-","Damrosch, Leopold, 1832-1885","Kalt, Frederic","Poppen, Diemut","Lester, Richard, 1959-","Giordano, Umberto, 1867-1948","Polozov, Vi︠a︡cheslav","Salvadori, Antonio, 1949-2006","Salonen, Esa-Pekka, 1958-","Lin, Cho-Liang, 1960-","Blomdahl, Karl-Birger, 1916-1968","Nielsen, Carl, 1865-1931","Ochman, Wiesław (1937-02-06)","Foster, Lawrence, 1941-","Labèque, Katia ([1950-03-03,1950-03-11])","Labèque, Marielle (1952-03-06)","Dukas, Paul (Paul Abraham), 1865-1935","Spohr, Louis, 1784-1859","Ben-Haim, Paul, 1897-1984","Temirkanov, I︠U︡. (19381210)","Pavlovsky, Eduardo A. (Eduardo Alejo) (1933-12-10-2015-10-04)","Quipildor, Zamba","Warrick-Smith, Pamela","Ramírez, Ariel (1921-09-21-2010-02-18)","Poulenc, Francis (Francis Jean Marcel), 1899-1963","Zinman, David (19460709)","Bunin, Stanislav, 1966-","Glazunov, Aleksandr Konstantinovich, 1865-1936","Bellini, Vincenzo, 1801-1835","Tumagian, Eduard","Giacomini, Giuseppe (1940-09-07-2021-07-28)","Todisco, Nunzio","Brister, Wanda","Marton, Eva (1943-06-18)","Cairns, Christine","Rouillon, Philippe","Meier, Waltraud (19560109)","Oldham, Arthur (Arthur William), 1926-2003","Roark-Strummer, Linda (1952)","D'Intino, Luciana (1959)","Folse, Bart","Coni, Paolo","Millo, Aprile","Perahia, Murray (1947-04-19)","Ax, Emanuel (19490608)","Norman, Jessye (1945-09-15-2019-09-30)","Deibler, Seán","Persichetti, Vincent (Vincent Ludwig), 1915-1987","Bronfman, Yefim (1958-04-10)","Lourié, Arthur (Arthur Vincent), 1892-1966","Midori, 1971-","Miller, Gary, (Conductor)","Marc, Alessandra","Sinopoli, Giuseppe (1946-11-02-2001-04-21)","Herbig, Gunther (1931-11-30)","Chmura, Gabriel (1946)","Schuman, Patricia, 1954-","Mentzer, Susanne (19570121)","Stairs, Michael (Michael Ondon) (2018-08-11)","Uchida, Mitsuko, 1948-","Finley, David-Marc","Kulko, Oleg","Järvi, Neeme (1937-06-07)","Kitaenko, Dmitriĭ (Dmitriĭ Georgievich) (19400818)","Viardo, Vladimir, 1949-","Catalani, Alfredo, 1854-1893","Tortelier, Paul, 1914-1990","Chung, Kyung-Wha, 1948-","Wernick, Richard (Richard F.), 1934-","Wagenaar, Johan, 1862-1941","Argerich, Martha, 1941-","Sylvan, Sanford (Sanford Mead) (1953-12-19-2019-01-29)","Hvorostovsky, Dmitri (Dmitri Aleksandrovich) (1962-10-16-2017-11-22)","Arkadʹev, M. A. (Mikhail Aleksandrovich) (1958-03-15)","Johnson, Sigrid","Stewart, Thomas, 1928-2006","Awerbuch (2001-08-26)","Giles, James, 1967-","Brooks, Muriel (1921)","Eschenbach, Christoph (19400220)","Serkin, Peter (Peter Adolf), 1947-2020","Janicello, Mark (1962-11-03)","Rowland, Martile","Mora, Fernando de la (1958-06-07)","Romani, Felice, 1788-1865","Vaughan Williams, Ralph (1872-1958)","Fassabaender, Brigitte (1939)","Rands, Bernard (1934-03-02)","Sotin, Hans (1939-09-10)","Imai, Nobuko (1943)","Wakasugi, Hiroshi, 1935-2009","Miki, Minoru, 1930-2011","Blackwell, Harolyn","Tippett, Micheal  (1905-01-02-1998-01-08)","Ravina, Oscar","Pritchard, Lee H. ","McCartney, Paul (19420618)","Davis, Carl, 1936-","Jansons, Mariss (Mariss Ivars Georgs), 1943-2019","Zimmerman, Frank Peter  (1965-02-27)","DePreist, James (James Anderson), 1936-2013","Heltay, Laszlo","Kaiser, Amy","Charbonneau, Pierre, 1944-","Swensen, Robert (1961)","Fleming, Renée (19590214)","Rozhdestvensky, Sasha (1970)","Leoncavallo, Ruggiero, 1858-1919","Dessì, Daniela (1957-05-14-2016-08-20)","Takemitsu, Tōru (1930-10-08-1996-02-22)","Schuman, William, 1910-1992","Westhoven, Krine, Jr. (1931-03-07-1997-07-30)","Welser-Möst, Franz (19600816)","Corigliano, John (John Paul), 1938-","Hayes, David, 1963-","Gabbiani, Roberto","Columbus, Christopher","Sparfeld, Ethelyn ","Davies, Peter Maxwell, 1934-2016","Orff, Carl, 1895-1982","Dent, Karl","Pletnev, Mikhail, 1957-","Feinburg , Alan","Ran, Shulamit, 1949-","Kisin, Evgeniĭ, 1971-","Schwarz, Gerard, 1947-","Paul, Thomas, 1934-","Kunde, Gregory (1954)","Moosdorf, Otto-Georg","Kalichstein, Joseph (1946-01-15-2022-03-31)","Vaness, Carol (1952-07-27)","Hellekant, Charlotte","Berio, Luciano, 1925-2003","Ohlsson, Garrick (19480403)","Pasternack, Benjamin","Grenke, David","Burenin, V. (Viktor), 1841-1926","Klein, Gideon, 1919-1945","Ullmann, Viktor (18980101-19441018)","Hamilton, Robert G.","Lipovšek, Marjana (1946)","Starker, Janos (1924-07-05-2013-04-28)","Akigishi, Hirohisa, 1962-","Hirokami, Junʼichi, 1958-","Weill, Kurt (Julian Kurt), 1900-1950","Marschik, Peter (1958)","Esposito, Valeria, 1961-","Rossi, Gaetano, 1774-1855","Goerke, Christine","Luxon, Benjamin (19370324)","Royer, Alphonse, 1803-1875","La Selva, Vincent (1929-09-17-2017-10-09)","Walsh, Mary","Vaëz, Gustav (1812-12-06-1862-03-12)","Williams, Janet, 1965-","Larmore, Jennifer (1958-06-21)","Sacchéro, Giacomo","D'Auria, Diego","Futral, Elizabeth","Cross, Gregory (1960)","Voigt, Deborah","Stone, William (1944-03-12)","Humphrey, Jon, (Tenor)","Borland, William, (Baritone)","López-Cobos, Jesús (1940-02-25-2018-03-02)","Schiff, András (19531221)","Bartoli, Cecilia (19660604)","Gergiev, Valeriĭ, 1953-","Herreweghe, Philippe","Maw, Nicholas (John Nicholas) (19351105-20090519)","Mørk, Truls, 1961-","Nordheim, Arne (1931-06-20-2010-06-05)","Simpson, Marietta (1954)","Grossman, Jerry (Jerry Michael) (1950-12-15)","Price, Margaret, 1941-2011","Ouzounian, Michael","Campo, Eduardo del","Milliet, Paul, 1848-1924","Tomšič-Srebotnjak, Dubravka, 1940-","Hampson, Thomas (19550628)","Focile, Nuccia (1959)","Leĭferkus, Sergeĭ (Sergeĭ Petrovich), 1946-","Uhlenhopp, John","Borodina, Olʹga","McNally, Terrence (1939-11-03-2020-03-24)","Krása, Hans, 1899-1944","Hunt Lieberson, Lorraine, 1954-2006","Cooper, Imogen ([1949-08-28,1949-08-29])","Morrell, Gareth, 1956-","Gershwin, George, 1898-1937","Galway, James (1939-12-08)","Liebermann, Lowell (19610222)","Guelfi, Carlo","Solzhenitsyn, Ignat","Terfel, Bryn (19651109)","Josefowicz, Leila, 1977-","Mercadante, Saverio (Giuseppe Saverio Raffaele), 1795-1870","Kremer, Gidon, 1947-","Ganassi, Sonia (1967)","Di Renzi, Richard","Eaglen, Jane (1960-04-04)","Sweet, Sharon","Hadley, Jerry (1952-06-16-2007-07-18)","Miles, Alastair (1961-07-11)","Rogé, Pascal (19510406)","Collard, Jean-Philippe, 1948-","Frank, Pamela (1967-06-20)","Ortner, Erwin, 1947-","Grant Murphy, Heidi (1966)","Cage, John (John Milton) (1912-09-05-1992-08-12)","Labelle, Dominique (1960)","Hart, Mary Ann","Tharp, Steven","Clement, Richard","West, Jayne","Maddalena, James (1954)","Studer, Cheryl (19551024)","Chafin, Robert, 1963-","Dillon, Martin","Chang, Sarah (1980-12-10)","Zacharias, Christian (19500427)","Shaham, Gil, 1971-","Mackenzie, Norman, (Pianist, Conductor)","Bonney, Barbara (1956-04-14)","Otter, Anne Sofie von (1955-05-09)","Sabbatini, Giuseppe","Hughes, Raymond (1952)","Harnoncourt, Nikolaus (1929-12-06-2016-03-05)","Orgonasova, Luba (1961-01-22)","Remmert, Birgit","Mills, Mary (Mary Elizabeth Mills) (1964)","Ragin, Derek Lee","Williams, Bradley (1965)","Schaldenbrand, Christopher","Bär, Olaf, 1957-","Siukola, Heikki","Connell, Elizabeth","Argento, Dominick (1927-10-27-2019-02-20)","Oue, Eiji (1956-10-03)","Bingxu, Hu","Song, Fei, 1969-","Wu, Yuxia","Gunn, Nathan","Upshaw, Dawn (19600717)","Margison, Richard, 1953-","Ansell, Steven","Chausow , Robert","Fricker, Daniel","Reiser, Niki","Bollag, Josef","Clift, Karen","Zimerman, Krystian (1956-12)","Gatti, Daniele, 1961-","Stutzmann, Nathalie (1965)","Schäfer, Christine, 1965-","Siegel, Jeffrey","Haza, Luis","Tetzlaff, Christian, 1966-","Martin, Douglas, (Musician)","Kasarova, Vesselina (19650718)","Bell, Joshua, 1967-","Grieg, Edvard, 1843-1907","Rimsky-Korsakov, Nikolay, 1844-1908","Berg, Nathan, 1972-","Flanigan, Lauren","Poretsky, Susana","Ward, Perry","Ikaia-Purdy, Keith","Simpson, Gary (Robert Gary), 1959-","Ligeti, György, 1923-2006","Vengerov, Maksim (1974-08-20)","Panula, Jorma (1930-08-10)","Ziesak, Ruth (1963)","Salerno-Sonnenberg, Nadja (1961-01-10)","Hough, Stephen, 1961-","Wigglesworth, Mark, 1964-","Ziegler, Delores","Holzmair, Wolfgang, 1952-","Ainsley, John Mark (19630709)","Meoni, Giovanni","Amiliato, Fabio","Tan, Dun, 1957-","Sviridov, Georgiĭ, 1915-1998","Gilad, Jonathan","Larsson, Anna, (Contralto) (1966-09-10)","Grossmann, Agnes, (Choral conductor)","Isaac, Heinrich, approximately 1450-1517","Delfs, Andreas","Babbitt, Milton","Banse, Juliane, 1965-","Järvi, Paavo, 1962-","Ledbetter, Victor","Brewer, Christine, 1960-","Silja, Anja (19400417)","Forbis, Clifton","Alexander, Roberta (1949-03-03)","Mutter, Anne-Sophie, 1963-","Scribner, Norman (Norman Orville) (19360225-20150322)","Costanzo, Anthony Roth","Bostridge, Ian (1964)","Brown, Timothy, (Horn player)","Morales, Ricardo, (Clarinetist) (1972)","Marchini, Italo (1953)","Relyea, John","Swenson, Ruth Ann (1959-08-25)","Smith, Hugh, (Tenor)","Putilin, Nikolaĭ (Nikolaĭ Georgievich), 1954-","Thomas, Indra","Blythe, Stephanie (1970)","Bernstein, Richard, (Bass-baritone) (1966-07-30)","Brubeck, Dave (1920-12-06-2012-12-05)","Moody, James, 1925-2010","Brubeck, Chris (19520319)","Krall, Diana (Diana Jean) (1964-11-16)","Redman, Joshua (1969-02-01)","Vonk, Hans","Maultsby, Nancy","Peterson, Dean","Thibaudet, Jean-Yves, 1961-","Ponchielli, Amilcare, 1834-1886","Valayre, Sylvie (19641010)","Day, Kathryn","Robertson, David, 1958-","Znaider, Nikolaj, 1975-","Freire, Nelson (1944-10-18-2021-11-01)","Phelps, Cynthia","Young, Rebecca, (Violist)","Gubaidulina, Sofia, 1931-","Esperian, Kallen","Gazale, Alberto","Welch-Babidge, Jennifer","Knussen, Oliver (Stuart Oliver) (1952-06-12-2018-07-08)","Lundy, Nancy Allen","Olsen, Stanford","Oswald, Mark","Chen, Robert","Guleghina, Maria (1959-08-09)","Pons, Juan (19460808)","Urmana, Violeta (1959/1961)","Kowalijow, Vitalij","Young, Thomas, 1962-","Takezawa, Kyoko, 1966-","Siff, Ira (1946-02-15)","Stoyanova, Krassimira","Makarina, Olga","Giordani, Marcello (1963-01-25-2019-10-05)","Polenzani, Matthew (1968)","Sharp, William, (Baritone) (19510601)","Metallo, Vincent","Lafontaine, Timothy ","Grant, Jason, 1970-","Barr, Frank","Wilson-Johnson, David (1950-11-16)","Watson, Janice, 1964-","Lang, Petra (1962-11-29)","Gruber, H. K. (Heinz Karl) (19430103)","Tanguy, Eric (19680127)","Williams, John (John Towner), 1932-","Davidson, David r.  (1948-2009)","Liao, Changyong, 1968-","Rouse, Christopher (Christopher Chapman), 1949-2019","Hersch, Michael, 1971-","Pape, René (1964-09-04)","Bolcom, William (William Elden) (1938-05-26)","Schmidt, Frank Willi, 1967-","Chang, Han-Na (19821223)","Bashmet, I︠U︡riĭ (I︠U︡riĭ Abramovich) (1953)","Shen, Hsueh-Yung, 1952-","Parloff, Michael","Zuber, Gregory","Takova, Darina","Shtoda, Daniil (Daniil Aleksandrovich) (19770213)","Chaignaud, Jean-Luc","Fischer, Iván (1951-01-20)","DiDonato, Joyce (1970)","George, Vance","Ullmann, Marcus","Gauvin, Karina (1966~)","Schreier, Peter (Peter Max) (1935-07-29-2019-12-25)","Rucker, Mark, (Singer)","Licitra, Salvatore, 1968-2011","Figueroa, Rafael, 1961-","Chan, David, (Violinist)","Eanet, Nick","Strauss, Josef, 1827-1870","Blaze, Robin (19710111)","Kooy, Peter (1954-09-17)","Türk, Gerd","Suzuki, Masaaki, 1954-","Nonoshita, Yukari","Ramey, Samuel (1942-03-28)","Gao, Ding","van Kley, Susan","Zerbe, Monica","Fischer, Julia, 1983-","Graham, Susan, 1960-","Zeffiri, Mario","Baptista, Cyro (1950-12-23)","Stott, Kathryn (Kathryn Linda) (1958-12-10)","D'Rivera, Paquito, 1948-","Matta, Nilson","Suadin, I Nyoman","Whitman, Thomas, 1960-","Laurendeau, Jean","Anderson, Valdine","Acevedo, Carmen","Figueroa, Guillermo, 1953-","Pérez, Jossie","Martínez, Ana María, 1968-","Chandler-Eteme, Janice","Jones, Ann Elizabeth Howard","Moore-Brown, Marilyn","Chama, José Eduardo","Potenza, Rossana","Casanova, Francisco, (Tenor)","Aimard, Pierre-Laurent, 1957-","Boreĭko, Andreĭ, 1957-","Crider, Michèle (1963)","Kitic, Milena","Golesorkhi, Anooshah","Spano, Robert (Robert V.) (1961-05-07)","Polegato, Brett (19680509)","Douvas, Elaine","Szkafarowsky, Stefan ","Tiboris, Peter","Terentʹeva, Nina","Brown, Angela M. (Angela Marie), 1963-","Edwards, Iwan, 1937-2022","Murzaev, Sergeĭ","Gubskiĭ, Mikhail","Pavlovskai︠a︡, Tatʹi︠a︡na","Repin, Vadim (1971-08-31)","Grimaud, Hélène, 1969-","Pintscher, Matthias (1971-01-29)","Montalvo, Marisol","Robbins, Julien (1950-11-14)","Taylor, James, 1966-","Rilling, Helmuth (19330529)","Petersen, Marlis (1968-02-03)","Birtwistle, Harrison (1934-07-15-2022-04-18)","Lortie, Louis, 1959-","Lachenmann, Helmut (1935-11-27)","Courtney, James, 1946-","Wong, Deborah","Kraevsky, Natalya","Kavakos, Leonidas (1967)","Giordano, Massimo (1971-02-19)","Gutiérrez, Eglise","Chung, Myung-Whun, 1953-","Delavan, Mark","Bartolini, Lando","Easton, Richard, 1933-2019","Rees, Roger, 1944-2015","Margiono, Charlotte","Studebaker, Thomas, 1970-","Sousa, Vasco","Guerreiro, Luis","Neto, António","Ruela, João Pedro","Mariza (19731216)","N'Dour, Youssou (19591001)","Salama, Fathy","Dehn, Ellie","Johnson, Heather, (Mezzo-soprano) ([1971,1972])","Chingari, Marco","Lieberson, Peter, 1946-2011","Röschmann, Dorothea (1967-06-17)","Bravo, Fabiana (1969)","Baransky, Pavel","Sunnegårdh, Erika","Lang, Lang, (Pianist)","Korchak, Dmitriĭ (Dmitriĭ Mikhaĭlovich), 1979-","Fabiano, Michael (19840508)","Saxton, Shirley Johnson","Maillard, Carol","Casel, Nitanju Bolade","Barnwell, Ysaye M.","Kisfauldy, Ors","Dohmen, Albert","Zeller, Richard","Hite, William","Pannill, Judith","Angel, Ryland","Wuorinen, Charles","Tritle, Kent (1960-09-26)","Donose, Ruxandra, 1964-","McPherson, Robert, (Tenor)","Ford, Bruce (1956-08-15)","Cornetti, Marianne","Moore, Latonia (1979)","Filianoti, Giuseppe, 1974-","Li, Yundi (1982-10-07)","Adès, Thomas (Thomas Joseph Edmund) (1971-03-01)","Piazzolla, Astor (1921-03-11-1992-07-05)","Korngold, Erich Wolfgang, 1897-1957","Magalhaes, Amadeu","Lucas, Filipe","Zaccaria, Davide","Pontes, Dulce (Dulce José) (1969-04-08)","Feiteira, Paulo","Stockhausen, Karlheinz, 1928-2007","DeYoung, Michelle (1968)","Miller, Joe, 1965-","Malvar-Ruiz, Fernando (1968-07-11)","Kissinger, Henry, 1923-","Eugenides, Jeffrey (Jeffrey Kent) (1960-03-08)","Henckel von Donnersmarck, Florian, 1973-","Schlöndorff, Volker (1939-03-31)","Mehretu, Julie, 1970-","Dudamel, Gustavo (19810126)","Quasthoff, Thomas (1959-11-09)","Lindberg, Magnus (Magnus Gustaf Adolf), 1958-","Milliken, Catherine","Maldoom, Royston","Fink, Bernarda (1959)","Brandes, Christine","Soboleva, Irina","Petrenko, Pavel","Petrenko, Andrei","Duparc, Henri, 1848-1933","Ketting, Otto, 1935-2012","Furlanetto, Ferruccio (1949-05-16)","Jessop, Craig D.","Johnson-Huff, Ann","Drafall, Robert W.","Teraoka-Brady, Carolyn","Bernhardt, Valerie","Snyder, Dan","Dominick, John, III","Ciavaglia, Michael A. ","Manucharyan, Yeghishe","Harler, Alan (1940-04-10)","Vasta, Stephen (Steve) Francis","Kirschner, Ann J.","Lowry, Robert, 1826-1899","Glaser, Pamela","Covo, Bettina, 1956-","Biss, Jonathan (1980-09-18)","Stomsvik, Diana","Kachanov, Nikolai","Galuzine, Vladimir","Daurov, Adrian","Schönberg, Claude-Michel (19440506)","McBroom, Amanda (1947-08-09)","Wallace, Randall, 1949-","Simon, Carly (19450625)","Mcferrin, David","Ein-Habar, Eyal","Anger, Ain","Vargas, Ramon, 1960-","Callegari, Daniele","Pieczonka, Adrianne, 1963-","Stringer, Howard, 1942-","Mares, Luca","Cabrino, Guiseppe","Vincenzo, Alessandra Di","Galligioni, Francesco","Sbrogiò, Alessandro","Ökrös, Oszkár, 1957-","Lendvay, József, 1974-","Lendvay, József","Gritton, Susan (19650831)","Romey, Kathy Saltzman","Nolen, Laura Vlasak","Di Giacomo, Julianna, 1975-","Kožená, Magdalena (1973)","Owens, Eric, 1970-","Friedrich, Eberhard (1958)","Hummel, Johann Nepomuk, 1778-1837","Daniels, David, 1966-","Joshua, Rosemary (1964-10-16)","Labadie, Bernard, 1963-","Damrau, Diana (1971-05-31)","Grove, Jill","Vänskä, Osmo, 1953-","Niemelä, Hannu, 1954-","Hyökki, Matti, 1946-","Nisula, Päivi","Karnéus, Katarina","Claycomb, Laura (1968-08-23)","Anton̦enko, Aleksandrs, 1975-","Frühbeck de Burgos, Rafael (19330915-20140611)","Fernández, Igor Ijurra","Berkun Menaker, Dianne","Kalagina, Anastasia","Alagna, Roberto","Veronesi, Alberto (1967)","Mascagni, Pietro, 1863-1945","Alsop, Marin (1956-10-16)","Thomas, Vaneese","De Haas, Darius","Stifelman, Leslie","Lewis-Evans, Kecia","Goerne, Matthias, 1967-","Griffey, Anthony Dean, 1967-","Vallet, Pierre, (Conductor)","O'Neill, Simon, 1971-","Hahn, Hilary","Mena, Juanjo, 1965-","Higdon, Jennifer, 1962-","Batiashvili, Lisa, 1979-","Taigi, Chiara","Nelsons, Andris (1978-11-18)","Van der Linde, Clint, 1976-","Nicholls, Rachel, (Soprano)","Blažíková, Hana (19801202)","Wolfe, Duain","Lee, Josephine, 1975-","Martineau, Malcolm (19600203)","Schade, Michael (1965-01-23)","Schwartz, Sylvia, 1982-","Gabrieli, Giovanni, approximately 1554-1612","Nagano, Kent (Kent George), 1951-","Dessay, Natalie, 1965-","Trifonov, Daniil (Daniil Olegovich), 1991-","Clark, Katerina","Amar, Tarik Youssef Cyril, 1969-","Wortman, Richard (19380324)","Matthewman, Gary","Bondarenko, Andriĭ (Andriĭ Volodymyrovych), 1987-","Luisi, Fabio (1959-01-17)","Harbison, John (John Harris) (1938-12-20)","Rice, Christine","Goode, Richard (1943-06-01)","Bicket, Harry (1960)","Purcell, Henry, 1659-1695","Biber, Heinrich Ignaz Franz, 1644-1704","Bennett, Mark, (Trumpeter)","Scholl, Andreas (19671110)","Kaufmann, Jonas (1969-07-10)","Gheorghiu, Angela (1965-09-07)","Barnum, Donald","Walker, Danielle","Lully, Jean-Baptiste, 1632-1687","Fasch, Johann Friedrich, 1688-1758","Lamon, Jeanne (1949-08-14-2021-06-20)","Robinson, James","Falby, Doreen","Polochick, Edward","Conway, Eric, Dr.","Bagwell, James","Ketelson, Kyle (1971)","Morris, James (1947-01-10)","Cutler, Eric","Rebeka, Marina, 1980-","Jurowski, Vladimir, 1972-","Bellemer, John G.","Johnson, Anita, (Vocalist)","Cooke, Sasha","Phan, Nicholas (1979-01-03)","Phillips, Susanna, 1981-","Yamadate, Fuyuki","Singer, Gregory","Kimura, Mineko","Matsubara, Yuko","John, Emily","Chase, Constance","Biondi, Fabio (1961-03-15)","Locatelli, Pietro Antonio, 1695-1764","Nardini, Pietro, 1722-1793","Genaux, Vivica (1969-07-10)","Heras-Casado, Pablo (1977-11-21)","Denk, Jeremy (1970-05-16)","Norrington, Roger (1934-03-16)","Pluhar, Christina (1965)","Andueza, Raquel","Galeazzi, Lucilla (19501224)","Merula, Tarquinio, -1665","Davies, Neal (1965)","Guillon, Damien (1981)","O'Connor, Kelley","Wilson, Harold","Baetge, Noah","Shapiro, Mark","Sandel-Pantaleo, Leann","Rowley, Jennifer, (Soprano)","Sorenson, Garrett","Schasching, Rudolf","Henschel, Jane, 1950-","Stemme, Nina (1966)","Giovannini, Antonio, 1980-","Feola, Rosa","Respighi, Ottorino, 1879-1936","Martucci, Giuseppe, 1856-1909","Măcelaru, Cristian, 1980-","Solti, Valerie","Quantz, Johann Joachim, 1697-1773","Frederick, King of Prussia, II, 1712-1786","Pahud, Emmanuel, 1970-","Meister , Elisabeth","Rose, Matthew, (Bass)","Spyres, Michael","Gardiner, John Eliot (19430420)","Johnston, Jennifer","Barton, Jamie ([1981, 1982])","Meade, Angela","Pallesen, Nicholas","Caldarella, Juan","Scarpino, Alejandro, 1904-1970","Castro, Giancarlo, 1980-","Clamor, Thomas","Chávez, Carlos (Chávez Ramírez), 1899-1978","Orbón, Julián, 1925-1991","Revueltas, Silvestre (José Silvestre Revueltas Sánchez), 1899-1940","Colon, Gaspar","Alvarez, Idwer","Benzecry, Esteban (19700413)","Lindsey, Kate","Marcon, Andrea (1963)","Fusek, Anna","Favaro, Michele","Genini, Giulia","Bovo, Daniele","Bardon, Patricia (1964)","Rae, Brenda","Pisaroni, Luca, 1975-","Lippert, Herbert, 1957-","Suppé, Franz von, 1819-1895","Widmann, Jörg (1973-06-19)","Jackson, Christopher (Christopher O.), 1960-2007","Palestrina, Giovanni Pierluigi da, 1525?-1594","Démettre, Claire-Lise, 1986-","Paugam, Laurence","Pernoo, Jérôme (1972)","Cangemi, Veronica (19641010)","Spinosi, Jean-Christophe, 1964-","Botstein, Leon (1946-12-14)","Wilson, Tamara, (Soprano)","Wittmoser, Carsten","Icochea, Andy Icochea","Thielemann, Christian, 1959-","Yang, Jonathan Jun","Lee, Kate Xintong","Baldwin, Alec, 1958-","Mat︠s︡uev, Denis, 1975-","Oesterle, Michelle","Chacón-Cruz, Arturo, 1977-","Borchev, Nikolay","Watson, Katherine, (Soprano)","Ibragimova, Alina (Alina Rinatovna), 1985-","Cohen, Jonathan (Jonathan Frank)","Hirai, Hideaki","Cerutti, Joe","Tsuji, Hideyuki ","Lunghi, Francesca","Satake, Naomi","Stucky, Steven (Steven Edward) (1949-11-07-2016-02-14)","Boulianne, Julie, (Mezzo-soprano)","Savall, Jordi (19410801)","Egarr, Richard, 1963-","Phillips, Peter, 1953-","Blachly, Alexander (1944-11-13)","Mattila, Karita","Dobracheva, Ėvelina","Hanson, Howard, 1896-1981","Christie, Michael, 1974-","Mickelthwate, Alexander","Pershall, David","Costello, Stephen, 1981-","Chauvet, Géraldine","Haas, Georg Friedrich (1953-08-16)","Lučić, Željko, 1968-","Tang, Muhai, 1949-","Coote, Alice (19680510)","Devin, Anna","Christy, Anna","Nézet-Séguin, Yannick, 1975-","Connolly, Sarah (Sarah Patricia) (19630613)","Zobel, David","Kaiser, Joseph (1977-10-14)","DeShong, Elizabeth","Guthrie, Arlo (Arlo Davy) (1947-07-10-)","Fenoglio, Claudio","Osborn, John, (Tenor) (1972-05-16)","Salsi, Luca, 1975-","Noseda, Gianandrea (1964)","Fang, Ying","Arbo, Rani","Diawara, Fatoumata (1982)","Aurelio","Olatuja, Alicia","Bakhtouridze, Mzia","Abdrazakov, Ilʹdar, 1976-","Skorokhodov, Sergeĭ, 1974-","Kolosova, Alisa, 1987-","Netrebko, Anna (Anna I︠U︡rʹevna) (1971-09-18)","Andsnes, Leif Ove, 1970-","Gerhaher, Christian (1969-07-24)","Brownlee, Lawrence (1972-11-24)","Cabell, Nicole (1977-10-17)","Benini, Maurizio","Schuller, Gunther (Gunther Alexander) (1925-11-22-2015-06-21)","Byrd, William, 1539 or 1540-1623","Ichise, Reiko","Tunnicliffe, Richard","Morikawa, Asako","Boothby, Richard, 1955-","Weckmann, Matthias, 1616?-1674","Bezuidenhout, Kristian (1979)","Barkmin, Gun-Brit","Serdi︠u︡k, Nadezhda (1975)","Matochkina, Yulia","Ganbaatar, Aruinbaatar","Masleev, Dmitry, 1988-","Ionițǎ, Andrei, 1994-","Michalek, David","Karlowicz, Mieczyslaw (1876-1909)","Beczala, Piotr (1968)","Lunn, Joanne ([1973,1975])","Ivashchenko, Dimitry","Vogel, Eva","Dasch, Annette, 1976-","Griffith, Jonathan","Shumate, Penelope ","Chapa, Claudia","McVeigh, John","Rutenberg, Craig","Scarlatti, Domenico, 1685-1757","Vinikour, Jory, 1963-","Bull, John, -1628.","Bradley, Michelle","Gaertner, Michael ","Morlot, Ludovic, 1973-","Covington, Conner Gray, 1987-","Venner, Matthew","Dobell, Mark","Smith, Angus","Greig, Donald","Melton, Heidi","McGegan, Nicholas","Link, Joel","Lee, Bryan","Pajaro-van de Stadt, Milena","Shaw, Camden","Noda, Ken","Rivera, Jessica, (Soprano)","Ford, Nmon","Gere, Richard (Richard Tiffany), 1949-","Baruch, Wayne","Gayton, Charles","Vinke, Stefan","Ganenko, Tatiana","Drury, Patricia","Pakaluk, Michael S.","Clarke, Colin R.","Gibbs, Deborah Lee","Millar, Cynthia, (Ondes Martenot player)","Friman, Anna Maria","Fuglseth, Linn Andrea","Opheim, Berit, 1967-","Fisch, Asher (1965)","Karloski, Helen","Richardson, Alex, (Tenor)","Cutlip, Philip","Dantone, Ottavio","Mullova, Viktorii︠a︡, 1959-","Beilman, Benjamin","Emelʹi︠a︡nychev, Maksim, 1988-","Palazzo, Manuel","Camarena, Javier (1976~)","Witt, Gregor, 1968-","Glander, Matthias","Baier, Mathias, 1982-","Vlatković, Radovan (1962)","Brandl, Wolfram","Deyneka, Yulia (1982)","Tokcan, Yurdal, 1966-","Psonis, Dimitris","Güngör, Hakan, 1973-","Sarikouyoumdjian, Haïg","Greenleaf, Jolle","Mealy, Robert","Andrijeski, Julie","Sperling, Ted","Dŭrvarova, Elmira (1954)","Mathew, George, (Conductor)","Baráth, Emőke, 1985-","Bridelli, Giuseppina, 1986-","Karthäuser, Sophie (1975)","Boesch, Florian","García Alarcón, Leonardo (1976)","Lexa, Olivier","Alessandrini, Rinaldo (1960)","Buchbinder, Rudolf, 1946-","Skride, Baiba","Krijgh, Harriet, 1991-","Moser, Elsbeth","Mehta, Bejun ([1968-06-29,1969])","Willer, Beth","Luganskiĭ, Nikolaĭ (Nikolaĭ Lʹvovich), 1972-","Padmore, Mark (Mark Joseph) (19610308)","Forck, Bernhard","Grey, Mark, 1967-","Wyers, Giselle","Lynch, Shane","Boers, Geoffrey (Geoffrey Paul)","Hatteberg, Kent Eugene","Kühmeier, Genia","Scheen, Céline (1976)","Capezzuto, Vincenzo","Pappano, Antonio, 1959-","Hannigan, Barbara (1971)","Jia, Lü, 1964-","Zhang, Haochen, 1990-","Chest, John","Check, Jennifer","Fujimura, Mihoko","Sierra, Nadine, 1988-","Luisotti, Nicola (19611126)","Jansen, Janine  (1978)","Stein, Avi","Zhu, Beiliang, 1985-","Weaver, Charles","Deutsch, Helmut (1945-12-24)","Schultz, Golda","Wong, Lisa, 1969-","Van Horn, Christian (1978)","Schmitt, Maximilian","Davies, Iestyn (1979-09-16)","Harvey, Joélle","Petrenko, Kirill (1972)","Müller-Schott, Daniel, 1976-","Brower, Angela","Müller, Hanna-Elisabeth, 1985-","Eckhoff, Sören","Jones, Simon (1950-07-27)","Kenny, Elizabeth","Jones, Robert, active 1597-1615","Dowland, John, 1563?-1626","Nylund, Camilla (1968-06-11)","Rees, Andrew, (Tenor)","Dirvanauskaitė, Giedrė","Watkins, Paul, 1970-","Dutton, Lawrence (1954-05-09)","Setzer, Philip, 1951-","Drucker, Eugene, 1952-","Faust, Isabelle, 1972-","Giguère, Pascale","Rachvelishvili, Anita, 1984-","Gražinytė-Tyla, Mirga, 1986-","Ehnes, James, 1976-","Ruggles, Carl, 1876-1971","Yende, Pretty, 1985-","Lehár, Franz, 1870-1948","Tauber, Richard, 1891-1948","Kálmán, Emmerich, 1882-1953","Rieder, Jochen (1970)","Tamestit, Antoine, 1979-","Richardot, Lucile","Armiliato, Marco","Vasilek, Lukáš, 1980-","Kulman, Elisabeth (19730628)","Karg, Christiane (1980)","Saïtkoulov, Roustem","Manasherov, Miriam","Soltani, Kian (1992)","Flórez, Juan Diego, 1973-","Scalera, Vincent","Conti, Francesco, 1681 or 1682-1732","Cano, Jennifer Johnson","Hantaï, Pierre, 1964-","Beyer, Amandine","Orliński, Jakub Józef, 1990-","Nosky, Aisslinn","Woods, Alexander, (Violinist)","Miller, Kyle, 1986-","Seltzer, Ezra","Zebley, Charles","Lislevand, Rolf (1961)","Pierlot, Philippe, 1958-","Kraemer, Manfred (1960-10-27)","Engle, Marie","Fischer, Ádám, 1949-","Levit, Igor, 1987-","Rondeau, Jean, 1991-","Muhly, Nico (1981-08-26)","Lisiecki, Jan, 1995-","Wang, Yuja (19870210)","Capuçon, Gautier (1981)","Tynan, Ailish","Fox, Steven, 1978-","Brook, Matthew","Tritschler, Robin","Teuscher, Lydia, 1975-","Buxtehude, Dietrich, 1637-1707","Tsuji, Nobuyuki (1988-09-13)","Satie, Erik, 1866-1925","Marais, Marin, 1656-1728","Visée, Robert de","Dunford, Thomas, 1988-","Maclary, Edward","Grimaldi, Erika, 1980-","Amarù, Chiara, 1984-","Angelini, Michele (1982)","Leonard, Isabel","Schachtner, Benno, 1984-","Garanča, Elīna, 1976-","Stadlen, Sam","Levine, Joanna","Ashton, Emily","Abduraimov, Behzod (1990-09-11)","Blue, Angel (Angel Joy), 1984-","Gaffigan, James, 1979-","Oropesa, Lisette","Petrenko, Vasiliĭ (Vasiliĭ Ėduardovich), 1976-","d'Alessio, Giulio","Scheid, Edson","Rossi, Stefano, (Violinist)","Minasi, Ludovico, 1984-","Tosti, F. Paolo (Francesco Paolo), 1846-1916","Baillieu, James","Nilsson, Lars David, 1966-","Mattei, Peter, 1965-","Foster, Tom","Zachow, Friedrich Wilhelm, 1663-1712","Froberger, Johann Jacob, 1616-1667","Mattheson, Johann, 1681-1764","Kim, Stephen","Mackey, Steven, 1956-","Zanocco, Gianpiero","Torri, Pietro, approximately 1650-1737","Hallenberg, Ann","Hailstork, Adolphus C. (Adolphus Cunningham) (1941-04-17)","Marsalis, Branford (Branford Iweanya) (1960-08-26)","Mälkki, Susanna (1969-03-13)","Dinnerstein, Simone (Simone Andréa) (19720918)","Thurman, Uma (1970-04-29)","Aucoin, Matthew, 1990-","Coleman, Valerie, 1970-","Wilkins, Thomas, (Conductor)","Fullana, Francisco","Sorrell, Jeannette","Uccellini, Marco, approximately 1603-1680","Zetlan, Jennifer","Petrie, Heather","Holcomb, Bernard, 1983-","Lagasca, Enrio","Christophers, Harry (1953)","Filsell, Jeremy (Jeremy Daniell) (1964-04-10)","Sly, Philippe","Prégardien, Julian, 1984-","Cargill, Karen","Quist, Amanda","Dixon, Rodrick (1966-06-22)","Ustvolʹskai︠a︡, Galina Ivanovna, 1919-2006","Corrette, Michel, 1707-1795","Telemann, Georg Philipp, 1681-1767","Bihan, Marie Lambert-Le","Mobley, Reginald","Hadelich, Augustin (1984)","Zweden, Jaap van (19601212)","Bell, Isaiah","Austin, Justin","Bradford, Lucia","Kyslytsya, Sergiy","Fortner, Sullivan (Sullivan Joseph) (1986-12-29)","Feinstein, Michael (Michael Jay) (1956-09-07)","Smith, Robert F. (Robert Frederick), 1962-","Walker, George (George Theophilus), 1922-2018","Bach, Carl Philipp Emanuel, 1714-1788","Isserlis, Steven, 1958-","Pachelbel, Johann, 1653-1706","Jovanovich, Brandon","Frank, Gabriela Lena (1972)","Dueñas, María","Meyers, Anne Akiko, 1970-","Márquez, Arturo, 1950-","Schumann, Clara, 1819-1896","Price, Florence (Florence Beatrice), 1887-1953","Rana, Beatrice, 1993-","Norman, Andrew, 1979-","Bendix-Balgley, Noah, 1984-","Key, Frances Scott (1779-1843)","Shani, Lahav, 1989-","Imber, Naphtali Herz, 1856-1909","Xi, Wang, 1978-","Freedman, Daryl","Schoonhoven, Kyle van","McIntyre, Jana","Parrish, Joseph","Hunt, Sophia","Woolsey, Midge","Buialski, Vladyslav","Shrut, Arlene","Chase, Claire (Claire Rose), 1978-","Vustin, Aleksandr, 1943-2020","Silvestrov, Valentyn (1937)","Savino, Richard","Ellis, Jennifer, (Soprano)","Snaidas, Nell","LaMotte, Adam","Kuchar, Theodore (1960)","Khristenko, Stanislav, 1984-","Stankovych, I︠E︡. (I︠E︡vhen), 1942-","Villalon, Elena","Persson, Miah (1969-05-27)","De Bique, Jeanine","Manna, Gennaro, 1715-1779","Alston, Charlotte Blake","Zhang, Meigui","Nally, Donald, 1960-","Adams, John Luther, 1953-","Thompson, Sumner","Langlois de Swarte, Théotime","Christie, William (William Lincoln) (1944-12-19)","Senaillé, Jean Baptiste, approximately 1688-1730","Leclair, Jean-Marie, 1697-1764","Charpentier, Marc-Antoine, 1643-1704","Bach, Johann Sebastian","Sodergren, Mikki","Donato, Emily","Giebler, Brian L. (Brian Louis), 1986-","Palumbo, Donald","Kelsey, Quinn","Ernesto Pena Laguna, Luis (1983)","Cutting, Hugh","Sousa, Dinis","Cronin, Hilary","Denbee, Sarah","Horak-Hallett, Bethany","Clarke, Samantha","Ponsford-Hill, Ali","Lombardi, Federica","Desandre, Lea, 1993-","Monteverdi, Claudio (Claudio Giovanni Antonio), 1567-1643","Kapsperger, Giovanni Girolamo, 1580-1651","Karadaglić, Miloš, 1983-","Marcello, Alessandro Ignazio (1673-1747)","Boccherini, Luigi, 1743-1805","Haji, Andrew","Hopkins, Joshua, 1978-","Amereau, Avery","Snouffer, Lauren (1988-03-30)","Crowe, Lucy","Cohen, Aryeh Nussbaum","Massey, Clifton","Wilson, Steve (Steven Caldicott)","Lemper, Ute, 1963-","Norin-Kuehn, Deborah","Sousa, John Philip","Kaplan, Allan R., 1948-","Maltby, Richard (Richard Eldridge), 1914-1991","Grundman, Clare (Clare Ewing), 1913-1996","Naldi, Ronald","Babbitt, Beth","Meyer, Marlene","Dymit, Thomas","Diana, William","Portnoy, Donald","Wyatt, Larry","Christie, Laury","Kim, David, (Violinist) (1963)","McGarrity, Evelyn","Furumoto, Kimo","Else, Peter","Markin, Tracey","Blank, Johanne ","Thomas, Elmer","Borodin, Aleksandr Porfirʹevich, 1833-1887","Fagen, Arthur (1951)","Doo-Wan, Kim","Loveless, Wendell P.","Paredes, Marcos","Dowell, Anthony","Kirkland, Gelsey","Baryshnikov, Mikhail, 1948-","Tudor, Antony, 1908-1987","Tcherkassky, Marianna","Schafer, Richard William","Harvey, Cynthia, 1957-","Martínez, Enrique, 1926-1998","Minz, Alexander","Makarova, Natalia, 1940-","Barbee, Victor","Robbins, Jerome (Jerome Wilson) (1918-10-11-1998-07-29)","Loring, Eugene, 1911-1982","Ivanov, Lev (Lev Ivanovich), 1834-1901","Gregory, Cynthia","Bujones, Fernando, 1955-2005","Petipa, Marius, 1818-1910","Stevenson, Ben, 1937-","Lanchbery, John (1923-05-15-[2003-02-26,2003-02-27])","Balanchine, George (1904-01-22-1983-04-30)","Tetley, Glen","De Mille, Agnes (1905-09-18-1993-10-06)","Ashton, Frederick, 1904-1988","Messac, Magali","Spizzo, Christine","Khalfouni, Dominique","Barker, Alan, (Conductor) (William Alan) (1938-02-05)","Houlton, Lise","Petit, Roland, 1924-2011","Anastos, Peter (19480223)","MacMillan, Kenneth (1932-07-02-1989-01-08)","Browne, Leslie","La Fosse, Robert","Jaffe, Susan, 1962-","Van Hamel, Martine, 1945-","Fonseca, Peter","Yeager, Cheryl","McFall, John J.","Cunningham, Merce (1919-04-16-2009-07-26)","von Lovenskjold, Hermann","Bournonville, August","Fokine, Michel","Eglevsky, Andre","Tharp, Twyla","Saint-Leon, Arthur","Armitage, Karole","Vainonen, Vasily","Minkus, Ludwig (1826-1917)","Gorsky, Alexander","Tippet, Clark","Kern, Jerome","Riley, Terry","Hyman, Dick","Sinatra, Frank","Morris, Mark","Massine, Leonide","Dove, Ulysses","Goleizovsky, Kasyan","Smuin, Michael","Kylian, Jiri","Lander, Harald","Blair, David","McKenzie, Kevin","Wasserstein, Wendy","Lubovitch, Lar","Styne, Jule","Coralli, Jean","Perrot, Jules","Kudelka, James","Hunsberger, Donald","Rebel, Jean-Fery","Wolfram, WIlliam","Everly, Jack","Holmes, Anna-Marie","Adam, Adolphe","Pugni, Cesare","Ratmansky, Alexei Osipovich (1968)","Nijinska, Bronislava","De Valois, Ninette","Gomes, Marcelo","Bond, Gemma","Béjart, Maurice","Roudenko, Vladimir","Spacagna, Maria (1951)","Lloyd, David  (1920-2013)","Kraft, Jean (1927-2021)","Campori, Angelo (1934-2013)","McCray, James (1938-2018)","Gilmore, John (1950-1994)","Rosenbaum, Harold (1950)","Gottlieb, Gordon (1948)","Schnittke, Alfred (1934-1998)","Rutter, John Milford, Sir (1945)","Velis, Andrea (1932-1994)","Ellington, Duke (1899-1974)","Elias, Rosalind ([1929-03-13,1930-03-13]-2020-05-03)","Booth, Philip (1942)","Sidlin, Murry (1940)","Mccorvey, Everett (1957)","Boyd, Liona","Lightfoot, Gordon (Gordon Meredith) (1938-11-17-2023-05-01)","Arnold Steinhardt","John Dalley","David Soyer","Treger, Charles, 1935-","Laurence Lesser","Theo Adam","Bella Davidovich","Joan Savage","Mary Law","Anatoly Bazhalkin","Nikolai Maiboroda","Anatoli Zaitchenko","Nikolai Nizienko","Michelangelo Veltri","Vladimir Ovchinikov","Katarina Dalayman","Janet Westrick","Felicity Lott","Anthony Piccolo","Jean-Philippe Rameau","Nai-Yuan Hu","Valery Polyansky","Vladimir Spivakov","Edward Downes","Gounod, Charles, 1818-1893","Jan Dismas Zelenka","Bohuslav Martinů","Vladimir Fedoseyev","Patrick Gardner","Theo Verbey","Lise de la Salle","Manfred Honeck","Matthew Truscott","Paul Lewis","Edward Gardner","James Ehnes","Wadsworth, Charles (Charles William) (1929-05-21)","Sargon, Merja","Yajima, Hiroko","Pears, Peter, 1910-1986","Beach, Amy, 1867-1944","Berkeley, Lennox (Lennox Randall Francis), 1903-1989","Browning, John, 1933-2003","De Peyer, Gervase, 1926-2017","Arner, Leonard","Fournier, Pierre, 1906-1986","Schippers, Thomas (19300309-19771216)","Fortunato, D'Anna (1945-02-21)","Mendenhall, Judy","Angeles, Victoria de los (19231101-20050114)","Sylar, Sherry","Schub, André-Michel (1952-12-26)","Jolley, David (19481220)","Kavafian, Ani (1948-05-10)","Bolet, Jorge (19141115-19901016)","Pollak,  Carolyn","Buswell, James, 1946-","Bae, Ik-Hwan, 1956-2014","Luvisi, Lee, 1937-","Routch, Robert (1948-08-12)","Siebert, Renée","Brehm, Alvin (1925-02-08-2014-11-22)","Carroll, Edward, 1953-","Fujiwara, Hamao","Trampler, Walter (19150825-19970927)","Bourgue, Maurice (1939-11-06)","Ellis, Osian (Osian Gwynn) (1928-02-08-2021-01-06)","Rosen, Nathaniel","Wincenc, Carol (Carol S.) (19490629)","Reed, Bruce","Thompson, Arthur, 1942-2004","Bunnell, Jane","Hoch, Beverly","Suk, Josef (1929-08-08-2011-07-06)","Kavafian, Ida","Tuckwell, Barry (Barry Emmanuel) (1931-03-05-2020-01-16)","Bennett, Richard Rodney (1936-03-29-2012-12-24)","Dicterow, Glenn","Smukler, Laurie","Corea, Chick (1941-06-12-2021-02-09)","Martin, Marvis","Gutiérrez, Horacio, 1948-","Swensen, Joseph (Joseph Anton), 1960-","Cooper, Kenneth, 1941-","Sherry, Fred (1948-10-27)","Shub, Andre-Michel","Picker, Tobias, 1954-","Nickrenz, Scott","Girard, Valerie","Danielpour, Richard (1956-01-28)","Martin, Marya","Thompson, Marcus, 1946-","Brey, Carter (1954-09-19)","Neubauer, Paul, 1962-","Zori, Carmit","Kang, Dong-Suk (1954-04-28)","Arm, Theodore","Marangella, Joel","Heineman, Sue","Palmer, Todd","Fedele, David, 1966-","Shifrin, David (19500202)","Ingraham, Paul","Myers, Philip, 1949-","Millard, Christopher, 1952-","Fink, Katherine","McDuffie, Robert","Peskanov, Mark (1956-08-30)","Taylor, Stephen, (Oboist) (1949)","Smylie, Dennis","Webster, Michael, 1945-","Saffer, Lisa","Feller, Bart","Wilson, Ransom (1951-10-25)","Bloom, Claire (Patricia Claire), 1931-","Carlisle, Robert, (Horn player)","Coletti, Paul","Turković, Milan","Ellis, Randall","Adolphe, Bruce (1955)","Stevens, Thomas, 1938-2018","Godburn, Dennis","Yoshida, Ayako","Hoffman, Gary, 1956-","Sitkovetsky, Dmitry, 1954-","Bryn-Julson, Phyllis (1945-02-05)","Anderson, Kelly","Dunn, Susan, (Soprano) (Susan R.) (1954-07-23)","Hanslowe, Theodora","Feidman, Giora (1936)","Bachmann, Maria, (Violinist)","Hoffman, Toby (1958-09-12)","Winograd, Peter","McDermott, Anne-Marie, 1963-","Yoo, Scott","Morelli, Frank, 1951-","Kashkashian, Kim (1952-08-31)","White, Robert, 1936 October 27-","Sinta, Donald (Donald Joseph) (1937-06-16)","Redgrave, Lynn, 1943-2010","Smith, Philip, (Trumpeter)","Golub, David","Thomas, Ronald (Ronald B.), 1954-","Levin, Ida","Huang, Hsin-Yun","O'Connor, Tara Helen","Hill, Mark, (Oboe player)","Douglas, Barry, 1960-","Mentzner, Susanne","Lucey, Frances","Dlugoszewski, Lucia, 1925-2000","Taylor, David (David Michael), 1944-","Purvis, William (19480710)","Kay, Alan R. (Alan R.)","Montone, Jennifer","Gekker, Chris (Paul Christopher) (1954-01-18)","Hagner, Viviane (1977)","Ngwenyama, Nokuthula","Kim, Soovin","Schmidt, Wolfgang Emanuel (1971)","McGill, Anthony (Anthony Barrone) (1979-07-17)","Fain, Tim","Shao, Sophie","Scarlata, Randall","Frautschi, Jennifer","Pridemore, Patrick A.","Meyer, Edgar, (Bassist) (1960-11-24)","Ali-Zadeh, Franghiz, 1947-","Tcherepnin, Alexander, 1899-1977","Schifrin, Lalo, 1932-","Chausson, Amédée-Ernest (1855-1899)","Arensky, Anton, 1861-1906","Coleridge-Taylor, Samuel, 1875-1912","Marsalis, Wynton (1961-10-18)","Ailey, Alvin (1931-1989)","Homberger, Christoph (1962)","Isaacs, Jeremy, Sir (1932)","Arye, Yevgeny (1947-2022)","Demidov, Israel (1957)","Sobol, Joshua (1939)","Chervinsky, Adam (1938)","Morrison, Conall (1996)","Crossan, Gerald","Friel, Brian (1929-2015)","Levin, Robert (1947)","Henschel, Dietrich (1967)","Grigorovich, Yuri (1927)","Vasiliev, Vladimir (1940)","Khachaturian, Aram Ilyich (1903-1978)","Jamison, Judith (1943)","Benjamin, Avi (1959)","Taymor, Julie (1952)","Goldenthal, Elliot (1954)","Gardner, John Champlin (1933-1982)","Tiffany, John (1971)","Cumming, Alan (1965)","Euripides (480 BC-406 BC)","Pountney, David, CBE (1947)","Sloane, Steven (1958)","Otelli, Claudio (1960)","Zimmerman, Bernd Alois (1918-1970)","Fiennes, Ralph (1962)","Neeson, Liam (1952)","Beckett, Samuel (1906-1989)","Hammond, John Paul (1942)","Brook, Peter, CBE (1925-2022)","Bawab, Dima (1981)","Goold, Rupert (1972)","Gale, Mariah (1979)","Troughton, Samuel John (1977)","Shakespeare, William","Somova, Alina Alekseevna (1985)","Shchedrin, Rodion Konstantinovich (1932)","Farr, David (1969)","Hicks, Greg (1953)","Miyamoto, Amon (1958)","Ito, Chihiro (1982)","Fukuoka, Yutaka","D'silva, Darrell (1964)","Bailey, Lucy","Bausch, Pina (1940-2009)","Hengelbrock, Thomas (1958)","Wesseling, Maria Ricarda (1969)","Shi-Zheng, Chen (1963)","Albarn, David, OBE (1968)","Klinichev, Pavel (1974)","Messiaen, Oliver (1908-1992)","Ninagawa, Yukio (1935-2016)","Abe, Umitaro (1977)","Miyazawa, Rie (1973)","Podalydès, Denis (1963)","Coin, Christophe (1958)","Rénéric, Pascal (1976)","Molière (1622-1673)","Munby, Jonathan","Maxwell, Jules (1965)","Pryce, Jonathan (1947)","Uegaki, Satoshi","Mine, Saori","Kander, John (1927)","Vaziev, Makhar (1961)","Maillot, Jean-Christophe (1960)","MacNeil, Cornell, 1922-2011","Peters, Roberta, 1930-2017","Corena, Fernando, 1916-1984","Merrill, Robert, 1917-2004","Edelmann, Otto, 1917-2003","Harshaw, Margaret, 1909-1997","Vickers, Jon (19261029-20150710)","Puccini, Giacomo, 1858-1924","Roberti, Margherita, 1925-2021","Colzani, Anselmo, 1918-2006","Rysanek, Leonie, 1926-1998","De Paolis, Alessio, 1893-1964","Yakobson, Leonid, 1904-1975","Della Casa, Lisa, 1919-2012","Shirley, George, 1934-","Tozzi, Giorgio","Tucker, Richard, 1913-1975","Kónya, Sándor, 1923-2002","Crespin, Régine, 1927-2007","Dooley, William, 1932-2019","McCracken, James, 1926-1988","Thomas, Jess, 1927-1993","Uzunov, Dimiter, 1922-1985","Kabaivanska, Raina, 1934-","D'Angelo, Gianna, 1929-2013","Casei, Nedda, 1932-2020","Campora, Giuseppe, 1923-2004","London, George, 1920-1985","Offenbach, Jacques","Alexander, John, 1923-1990","Cassel, Walter (1910-05-15-2000-07-03)","Sereni, Mario, 1928-2015","Amara, Lucine (1927-03-01)","Cernei, Elena, 1924-2000","Dunn, Mignon (1931-06-17)","Resnik, Regina, 1922-2013","Stratas, Teresa","Raimondi, Gianni, 1923-2008","Nuotio, Pekka, 1929-1989","Cilea, Francesco (1866-1950)","Peerce, Jan, 1904-1984","Anthony, Charles (Calogero Antonio Caruso) (1929-2012)","Evans, Geraint (1922-1992)","Macurdy, John (1929-03-18-2020-05-07)","Caballé, Montserrat (1933-2018)","Levy, Marvin David, 1932-2015","Collier, Marie (1927-1971)","Hernandez, Amalia, 1917-2000","Bosabalian, Luisa (1936-1998)","Boatwright, McHenry, 1928-1994","Bing, Rudolf (Rudolf Franz Joseph), 1902-1997","Olvis, William (William Edward) (1928-02-12-1998-11-27)","Nagy, Robert, 1929-2008","Fenn, Jean","Prevedi, Bruno","Panerai, Rolando (1924-2019)","Zanasi, Mario, 1927-2000","Lombard, Alain (19401004)","Morel, Jean (Jean Paul), 1903-1975","Warfield, Sandra","Lippert, Marion (1939-)","Fonteyn, Margot (1919-1991)","Hérold, Ferdinand (1791-1833)","Park, Merle (1937- )","Coleman, MIchael (1940-","Nureyev, Rudolf Khametovich (1938-1993)","Sibley, Antoinette (1939- )","Forst, Judith (1943- )","Strasfogel, Ignace (1909-1994)","Cossa, Dominic (1935-05-13)","Naghiu, Octaviano","Brilioth, Helge (1931-1998)","Stripling, Jan (1942-2017)","Cragun, Richard (1944-2012)","Borkh, Inge ([1917-05-26,1921-05-26]-2018-08-26)","Dobriansky, Andrij","Sullivan, Dan, 1940-","Di Giuseppe, Enrico, 1932-2005","Gramm, Donald, 1927-1983","Castel, Nico (1931-2015)","Chéreau, Patrice (1944-2013)","Couden, Sara","Dexter, John (1925-1990)","Norden , Betsy (1945)","Lazarev, Alexander Nikolayevich (1945)","Ognivtsev, Aleksander (1920-1981)","Simonov, Yuri Ivanovich (1941)","Nesterenko, Yevgeny Yevgenievich (1938-2021)","Mansurov, Fuat (1928-2010)","Ermler, Mark Fridrikhovich (1932-2002)","Vedernikov, Alexander Filippovich (1927-2018)","Molchanov, Kiril Vladimirovich (1922-1982)","Kord, Kazimierz (1930-2021)","Harwood, Elizabeth (1938-1990)","Plasson, Michel (1933)","Hanson, Victor Herrick  (1933-2005)","Gavazzeni, Gianandrea (1909-1996)","Woitach, Richard","Hunter, Rita (1933-08-13-2001-04-29)","Farley, Carole (1946)","Mauti-Nunziata, Elena (1946)","Pritchard, John Michael, Sir (1921-1989)","Alonso, Alicia (1920-2019)","Araújo, Loipa (1941)","Grey, Beryl, CBE (1927-2022)","Rudel, Julius (1921-2014)","Moldoveanu, Eugenia (1944)","Wixell, Ingvar (1931-2011)","Simmons, Calvin Eugene (1950-1982)","Humperdinck, Engelbert (1854-1921)","Jarvi, Naami (1937)","Maag, Ernst Peter Johannes (1919-2001)","Obraztsova, Elena Vasilyevna (1939-2015)","McIntyre, Donald, Sir (1934)","White, Thomas S.","Cranko, John Cyril (1927-1973)","Shicoff, Neil (1949)","Jones, Isola (1949)","Tchakarov, Emil (1948)","Ponichelli, Amilcare (1834-1886)","Nicola, Rescigno (1916-2008)","Tajo, Italo (1915-1993)","Stilwell, Richard (1942)","Rendall, David (1948)","Santi, Nello","Panov, Valery Mateevich (1938)","Dostoevsky, Fyodor Mikhailovich (1821-1881)","Malfitano, Catherine","Cotrubas, Ileana (1939)","Bybee, Ariel (1943-2018)","Kohn, Eugene ","Capecchi, Renato (1923-1998)","Tate, Jeffrey Philip, Sir (1943-2017)","Żylis-Gara, Teresa (1930-2021)","Mauro, Ermanno (1939)","Rosenthal, Manuel (1904-2003)","Maliponte, Adriana (1938)","Bernardi, Mario (1930-2013)","Raffanti, Dano (1948)","Valente, Benita (1934)","Janowski, Marek (1939)","Elder, Mark","Walker, Sarah Elizabeth Royle, CBE (1943)","van Allan, Richard, CBE (1935-2008)","Davies, Arthur (1941-2018)","Rawnsley, John (1950)","Davies, Noel (1945-2008)","Müller, Edoardo ","Carlson, Lenus (1945)","Fulton, Thomas (1949-1994)","Daniels, Barbara (1946)","Conrad, Barbara Smith (1937-2017)","Johnson, Camellia (1953-2015)","Navarro, Luis Antonio García (1941-2001)","Baskerville, Priscilla (1962)","Merritt, Myra","Zandonai, Riccardo (1883-1944)","Stivender, David (1933-1990)","Montarsolo, Paolo (1925-2006)","Palacio, Ernesto (1946)","Patsalas, Constantin (1943-1989)","Parker, Charlie \"Bird\" (1920-1955)","Altmeyer, Jeannine (1948)","Meier, Johanna (1938)","Perick, Christof","Fournet, Jean (1913-2008)","Badea, Christian (1947)","Di Franco, Loretta (1942)","Kleiber, Carlos (1930-2004)","Kotoski, Dawn (1966)","Pinnock, Trevor David, CBE (1946)","Mitchell, Leona (1949)","Panni, Marcello (1940)","Cheek, John, 1948-","Martinucci, Nicola (1941)","Cambreling, Sylvain (1948)","Christin, Judith (1948)","Salminen, Matti (1945)","Araiza, Francisco (1950)","Moll, Kurt (1938-2017)","Ajmone-Marson, Guido","Saccani, Rico (1952)","Rosenshein, Neil (1947)","Kout, Jiří","Croft, Dwayne","Fiore, John","Ferden, Bruce (1949-1993)","Glass, Phillip (1937)","Neblett, Carol Lee (1946-2017)","Marin, Ion (1960)","Michael, Hermann (1937-2005)","Donath, Helen Jeanette (1940)","Rizzi, Carlo","Praticò, Bruno","Rootering, Jan-Hendrik (1950)","Pulley, Emily Ann (1967)","Villarroel González, Verónica","Chernov, Vladimir Nikolaïevitch (1953)","Oren, Daniel (1955)","Croft, Richard","Graves, Denyce","Dennis, Betty","Loukianetz, Victoria (1966)","Atherton, David","Del Carlo, John","Hager, Leopold (1935)","Bedford, Steuart John Rudolf, CBE (1939-2021)","Corbelli, Alessandro","Krauss, Clemens","Young, Simone","de Billy, Bertrand","Titov, Alexander","Gruzin, Boris","Kit, Mikhail","Agache, Alexandru","Floyd, Carlisle","Rost, Andrea","Campanella, Bruno","Weigle, Sebastian","Mescheriakova, Marina","Wolf-Ferrari, Ermanno ","Halévy, Fromental ","Viotti, Marcello ","Furlanetto, Ferruccio ","Summers, Patrick","Alfano, Franco ","Auguin, Philippe ","Gallardo-Domâs, Cristina ","Bergeson, Scott","Miklósa, Erika ","Haider, Friedrich","Botha, Johan","Kovalevska, Maija","Frittoli, Barbara","Carosi, Micaela ","Jordan, Philippe","Langrée, Louis","Ataneli, Lado","Chaslin, Frédéric","Vassallo, Franco","Runnicles, Donald","Petrenko, Mikhail","Villaume, Emmanuel","Abbado, Roberto","Smith, Robert Dean","Galouzine, Vladimir","Anzolini, Dante","Alvarez, Carlos","Schrott, Erwin","Gilbert, Alan","Finley, Gerald","Racette, Patricia","Seiffert, Peter","de Niese, Danielle","Frizza, Riccardo","Gagnidze, George","Pidò, Evelino","Bullock, Susan","Keenan, John","Calleja, Joseph","Gilmore, Rachele","Keenlyside, Simon","Abel, Yves","Ono, Kazushi","Uusitalo, Juha","Phillips, Lori","Fournillier, Patrick","Rizzi Brignoli, Roberto","Capitanucci, Fabio","Grigolo, Vittorio","Smelkov, Pavel","Álvarez, Marcelo","Lee, Yonghoon","Degout, Stéphane","Nielsen, Erik","Poplavskaya, Marina","Held, Alan","Walker, Antony","Royal, Kate","Carignani, Paolo","Kwiecien, Mariusz","Altinoglu, Alain","Franck, Mikko","de Biasio, Roberto","Morris, Jay Hunter","Westbroek, Eva-Maria","Inouye, Derrick","Gould, Stephen","Amonov, Avgust","Luna, Audrey","Radvanovsky, Sondra Dee (1969)","Ettinger, Dan","Theorin, Iréne","Mariotti, Michele (1979)","Cura, José","Zifchak, Maria","Byström, Malin","Ranzani, Stefano","He, Hui","Yoncheva, Sonya (1981)","Meli, Francesco (1980)","Krasteva, Nadia (1976)","Zajick, Dolora (1952)","Koenigs, Lothar (1965)","Madore, Elliot (1987)","Lanchas, Valeriano (1976)","van den Heever, Elza (1979)","Opolais, Kristine (1979)","Sherratt, Brindley (1965)","Mazzola, Enrique","Chichon, Karel Mark, OBE (1971)","Skelton, Stuart (1968)","Monastyrska, Liudmyla Viktorivna","Gubanova, Ekaterina (1979)","Dyka, Oksana (1978)","Robinson, Morris (Morris D.) (1969-03-18)","Làrusdóttir, Dísella (1977)","Mumford, Tamara","Debus, Johannes (1974)","Siegel, Gerhard (1963)","Morandi, Pier Giorgio (1958)","Vogt, Klaus Florian (1970)","Ticciati, Robin, OBE (1983)","Volle, Michael (1960)","Hartig, Anita (1983)","Morley, Erin (1980)","Bignamini, Jader (1976)","Bižić, David (1975)","Pomakov, Robert (1981)","Stare, Ward (1982)","Mattsey, Jeff","Allen, Thomas Boaz, Sir (1944)","Lattimore, Margaret","Colaneri, Joseph","Hindoyan, Domingo Garcia (1980)","D'Arcangelo, Ildebrande (1969)","Plachetka, Adam (1985)","Majeski, Amanda (1984)","Castronovo, Charles (1975)","Pérez, Ailyn (1979)","Mavlyanov, Najmiddin (1979)","Naouri, Laurent (1964)","Wellber, Omer Meir (1981)","Margaine, Clémentine (1984)","Nánási, Henrik","Farnes, Richard (1964)","Colclough, Craig","Park, Hera Hyesang","Manacorda, Antonello (1970)","Kamensek, Karen (1970)","Blake, Aaron","Eyvazov, Yusif (1977)","Davidsen, Lise (1987)","Lewek, Kathryn (1983)","Hymel, Bryan (1979)","Nikitin, Evgeny Igorevich","Selig, Franz-Josef (1962)","Erraught, Tara (1986)","Liverman, Will (1988)","Blanchard, Terrence (1962)","Rustioni, Daniele (1983)","Carter, Nicholas","Clayton, Allan, MBE (1981)","Dean, Brett (1961)","Baikoff, Erika","Ward, Duncan","Gamba, Michele (1983)","Maestri, Ambrogio (1970)","Hamlin, Spencer","Groissböck, Günther (1976)","Buratto, Eleanora (1982)","Guggeis, Thomas (1993)","Konieczny, Tomasz (1972)","Gigliotti, Eve","Belosselskiy, Dmitry Stanislavovich (1975)","Chioldi, Michael (1970)","Herrera, Nancy Fabiola","Catán Porteny, Daniel (1949-2011)","Furrer, Patrick","Buszewski, Piotr (1992)","Stikhina, Elena (1986)","Lyniv, Oksana (1978)","Pankratova, Elena","Kowaljow, Vitalij","Grigoryan, Juliana","Jagde, Brian (1980)","Golovatenko, Igor","Schweizer, David","Masur, Richard (1948)","Walken, Christopher (1943)","Le Roux, Madeleine (1946)","Shapiro, Mel (1937)","Moriarty, Michael (1941)","Hines, Mainer Patrick (1930-1985)","Mason , Marsha (1942)","Southern, Richard (1903-1989)","Adams, Mason (1919-2005)","Miratti, Tony (1946)","Vestoff, Virginia (1939-1982)","Moody, Michael Dorn","Nichols, Mike (1931-2014)","Rudd, Paul Ryan (1940-2010)","Sweet, Dolph (1920-1985)","Harewood, Dorian (1950)","Rabe, David (1940)","Mosher, Gregory (1949)","Goldstein, Steven (1963)","Huffman, Felicity (1962)","Silverstein, Sheldon Allan (1930-1999)","Mamet, David (1947)","Balaban, Robert Elmer (1945)","Conroy, Frances (1953)","Buono, Cara (1971)","Nelson, Richard John (1950)","Bishop, Kelly (1944)","Channing, Stockard (1944)","Pearlman, Stephen (1935-1998)","Guare, John (1938)","Bishop, André (1948)","Alexander, Jane (1939)","McDormand, Frances (1957)","Vickery, John (1950)","Davis, Clifton (1945)","McGiver, Boris (1962)","Stoppard, Tom, Sir (1937)","Alexander, Terry (1947)","Heckart, Eileen (1919-2001)","Mastrantonio, Mary Elizabeth (1958)","Donaghy, Tom","Chenoweth, Kristin (1968)","Fuller, Penny (1937)","Gets, Malcolm (1964)","Finn, William (1952)","Stroman, Susan (1954)","Stackpole, Dana (1966)","Hingston, Sean Martin (1965)","Antoon, Jason (1971)","Weidman, John (1946)","Sutherland, Donald (1935-2024)","O'Hare, Denis (1962)","Margulies, Julianna (1966)","Baitz, Jon Robin (1961)","Kani, John (1942)","Bihl, Esmeralda","Seane, Warona","James, Nikki M. (1981)","Ticotin, Nancy  (1957)","Bavan, Yolande (1942)","Lachiusa, Michael John (1962)","Baker, Becky Ann (1953)","Harelik, Mark (1951)","Hecht, Jessica (1965)","Greenberg, Richard (1958)","Aspillaga, Vanessa (1972)","Brown, Blair (1946)","Clayburgh, Jill (1944-2010)","Ruhl, Sarah (1974)","Schreiber, Pablo (1978)","Shinn, Christopher (1975)","Kudisch, Marc (2024)","Belcon, Natalia Venetia (1969)","Kelly, David Patrick (1951)","Flaherty, Stephen (1960)","Lavin, Linda (1937)","Houdyshell, Jayne (1953)","Bartlett, Peter (1942)","Rudnick, Paul (1957)","McMartin, John (1929-2016)","Rebhorn, James (1948-2014)","Eli, Robert","Haigle, Noah (1978)","Gleason, Joanna (1950)","Foster, Hunter (1969)","Cervantes, Miguel (1976)","Frankel, Scott David (1963)","Davidson, Jeremy (1971)","Mays, Jefferson (1965)","Hogan, Robert (1933-2021)","Rogers, J.T. (1968)","Keenan-Bolger, Celia (1978)","Saito, James (1955)","Yaegashi, James (1972)","Lane, Diane (1965)","Shalhoub, Tony (1953)","Rankin, Gayle (1989)","Doran, Bathsheba","Plunkett, Stephen (1976)","Breen, Patrick (1960)","Pankow, John (1955)","Parnell, Peter","Ehle, Jennifer (1969)","McDonough, Ann (1949)","Murphy, Sally (1962)","Harmon, Joshua","Clemens, Adelaide (1989)","Chanler-Berat, Adam (1986)","Larroquette, John (1947)","Donovan, Edmund (1990)","Hellman, Nina (1967)","Ivey, Judith (1951)","Hunter, Samuel D. 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