{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=19","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=18","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=20","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=31"},"meta":{"pages":{"current_page":19,"next_page":20,"prev_page":18,"total_pages":31,"limit_value":10,"offset_value":180,"total_count":304,"first_page?":false,"last_page?":false}},"data":[{"id":"virmu_repositories_2_resources_6_c02","type":"Series","attributes":{"title":"Series 2: Sales and Representation","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c02","ref_ssm":["virmu_repositories_2_resources_6_c02"],"id":"virmu_repositories_2_resources_6_c02","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","parent_ssi":"virmu_repositories_2_resources_6","parent_ssim":["virmu_repositories_2_resources_6"],"parent_ids_ssim":["virmu_repositories_2_resources_6"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"text":["Willie Anne Wright Artist Archives (VA-02)","Series 2: Sales and Representation","English","This series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020."],"title_filing_ssi":"Series 2: Sales and Representation","title_ssm":["Series 2: Sales and Representation"],"title_tesim":["Series 2: Sales and Representation"],"unitdate_bulk_ssim":["1980-2020"],"normalized_title_ssm":["Series 2: Sales and Representation"],"component_level_isim":[1],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02)"],"extent_ssm":["32 folders 2 boxes"],"extent_tesim":["32 folders 2 boxes"],"has_online_content_ssim":["false"],"child_component_count_isi":36,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":267,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"language_ssim":["English"],"scopecontent_html_tesm":["\u003cp\u003eThis series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.\u003c/p\u003e"],"scopecontent_heading_ssm":["Series Description"],"scopecontent_tesim":["This series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020."],"_nest_path_":"/components#1","timestamp":"2026-05-21T03:48:32.418Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"text":["VA-02","/repositories/2/resources/6","Willie Anne Wright Artist Archives (VA-02)","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website .","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","This series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.","This series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.","This series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.","This series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creators_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e\n","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e\n","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e","\u003cp\u003eThis series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.\u003c/p\u003e","\u003cp\u003eThis series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.\u003c/p\u003e","\u003cp\u003eThis series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.\u003c/p\u003e","\u003cp\u003eThis series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Series Description","Series Description","Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","This series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.","This series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.","This series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.","This series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"persname_ssim":["Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:48:32.418Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c02"}},{"id":"vifgm_repositories_2_resources_98_c02","type":"Series","attributes":{"title":"Series 2: Scrapbooks","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_98_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 2: Scrapbooks, 2009-2022 includes scrapbooks covering from the club's 2009-2010 year and ending with the 50th Anniversary edition, which documents celebrations taking place in 2021 and 2022. No scrapbooks for the years 2018-2019 or 2019-2020 are included.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_98_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_98_c02","ref_ssm":["vifgm_repositories_2_resources_98_c02"],"id":"vifgm_repositories_2_resources_98_c02","ead_ssi":"vifgm_repositories_2_resources_98","_root_":"vifgm_repositories_2_resources_98","_nest_parent_":"vifgm_repositories_2_resources_98","parent_ssi":"vifgm_repositories_2_resources_98","parent_ssim":["vifgm_repositories_2_resources_98"],"parent_ids_ssim":["vifgm_repositories_2_resources_98"],"parent_unittitles_ssm":["Reston Garden Club scrapbook collection"],"parent_unittitles_tesim":["Reston Garden Club scrapbook collection"],"text":["Reston Garden Club scrapbook collection","Series 2: Scrapbooks","box 18-19","Series 2: Scrapbooks, 2009-2022 includes scrapbooks covering from the club's 2009-2010 year and ending with the 50th Anniversary edition, which documents celebrations taking place in 2021 and 2022. No scrapbooks for the years 2018-2019 or 2019-2020 are included."],"title_filing_ssi":"Series 2: Scrapbooks","title_ssm":["Series 2: Scrapbooks"],"title_tesim":["Series 2: Scrapbooks"],"unitdate_inclusive_ssm":["2009-2022"],"normalized_date_ssm":["2009/2022"],"normalized_title_ssm":["Series 2: Scrapbooks"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Reston Garden Club scrapbook collection"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":39,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"containers_ssim":["box 18-19"],"scopecontent_html_tesm":["\u003cp\u003eSeries 2: Scrapbooks, 2009-2022 includes scrapbooks covering from the club's 2009-2010 year and ending with the 50th Anniversary edition, which documents celebrations taking place in 2021 and 2022. No scrapbooks for the years 2018-2019 or 2019-2020 are included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Series 2: Scrapbooks, 2009-2022 includes scrapbooks covering from the club's 2009-2010 year and ending with the 50th Anniversary edition, which documents celebrations taking place in 2021 and 2022. No scrapbooks for the years 2018-2019 or 2019-2020 are included."],"_nest_path_":"/components#1","timestamp":"2026-05-21T05:10:52.964Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_98","ead_ssi":"vifgm_repositories_2_resources_98","_root_":"vifgm_repositories_2_resources_98","_nest_parent_":"vifgm_repositories_2_resources_98","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_98.xml","title_filing_ssi":"Reston Garden Club scrapbook collection","title_ssm":["Reston Garden Club scrapbook collection"],"title_tesim":["Reston Garden Club scrapbook collection"],"unitdate_ssm":["1970-2022"],"unitdate_inclusive_ssm":["1970-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0166","/repositories/2/resources/98"],"text":["C0166","/repositories/2/resources/98","Reston Garden Club scrapbook collection","Reston (Va.)","Virginia, Northern","Northern Virginia","Gardening","Gardening -- Societies, etc.","Scrapbooks","There are no access restrictions.","This collection is arranged into two series by date range.","Series Series 1: Scrapbooks, 1970-2009 Series 2: Scrapbooks, 2009-2022","\"About Us.\" n.d.  The Reston Garden Club  (blog). Accessed April 24, 2024. https://restongardenclub.org/.","The Reston Garden Club was founded in 1970. The club's goal is to promote home gardening, flower arranging, community beautifications and other horticultural activities in Reston, Virginia. The club meets on the first Tuesday of the month between the months of September and June, taking the summer off. The club is also involved in many community programs including \"Adopt-A-Highway\" and co-sponsoring the Reston Garden Tours as well as fundraising projects in Reston. In 2020, the club marked its 50th Anniversary, with a formal celebration taking place in October 2021 at the Hidden Creek Country Club.","The Reston Garden Club scrapbook collection was originally attached to the larger Planned Community Archives collection currently in the Special Collections and Archives. In 2009 the documents were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries. The old box and folder numbers are also included as part of the new arrangement. ","Processed in May 2009 by Emily Martin. Finding aid updated by Amanda Menjivar in November 2023.","Additional processing completed and finding aid updated by Meghan Glasbrenner in April 2024.","The Special Collections Research Center holds the  Planned Community Archives collection  and the  Greater Reston Newcomers and Neighbors Club scrapbook collection , as well as other personal papers and organization records that document  Reston, Virginia  and other  planned communities , as well as other  scrapbooks .","A collection of scrapbooks created by the Reston Garden Club containing photographs, newsletters, newspaper clippings, and other materials documenting the club's yearly activities and events. Most scrapbooks cover one season, spanning two calendar years (ex: 1993-1994), beginning with the founding of the Garden Club in 1970, with a few exceptions, notably the first which includes the club's founding and covers the years 1970-1973 and the 50th Anniversary book which documents celebrations for this event specifically which took place in 2021 and 2022. Also in the collection is the Garden Club's application to the National Capital Area Federation of Garden Clubs in 1980 and copies of \"Bulletin of The National Capital Area Federation of Garden Clubs, Inc.\"","The collection contains two series:","Series 1: Scrapbooks, 1970-2009 includes scrapbooks covering from the club's founding in 1970 through the 2008-2009 season, as well as the 1980 National Capital Area Federation of Garden Clubs application and copies of \"Bulletin of The National Capital Area Federation of Garden Clubs, Inc.\" from 1977-1978.","Series 2: Scrapbooks, 2009-2022 includes scrapbooks covering from the club's 2009-2010 year and ending with the 50th Anniversary edition, which documents celebrations taking place in 2021 and 2022. No scrapbooks for the years 2018-2019 or 2019-2020 are included.","Series 1: Scrapbooks, 1970-2009 includes scrapbooks covering from the club's founding in 1970 through the 2008-2009 season, as well as the 1980 National Capital Area Federation of Garden Clubs application and copies of \"Bulletin of The National Capital Area Federation of Garden Clubs, Inc.\" from 1977-1978.","403","404","404","405","405","405","Editions include:\n- September-October 1977\n- November-December 1977\n- January-February 1978\n- March-April 1978\n- June-July 1978","405","407","405","407","408","408","409","409","410","410","Series 2: Scrapbooks, 2009-2022 includes scrapbooks covering from the club's 2009-2010 year and ending with the 50th Anniversary edition, which documents celebrations taking place in 2021 and 2022. No scrapbooks for the years 2018-2019 or 2019-2020 are included.","Paper inserted in front page over 2015-2016 booklet for 2016-2017","Includes materials from 2021- 2022 anniversary celebration events","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of scrapbooks created by the Reston Garden Club containing photographs, newsletters, programs, newspaper clippings, and other materials documenting the club's yearly activities and events.","R 42, C 6, S 1, 5-7","George Mason University. Libraries. Special Collections Research Center","Reston Garden Club","English \n.    "],"unitid_tesim":["C0166","/repositories/2/resources/98"],"normalized_title_ssm":["Reston Garden Club scrapbook collection"],"collection_title_tesim":["Reston Garden Club scrapbook collection"],"collection_ssim":["Reston Garden Club scrapbook collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Reston (Va.)","Virginia, Northern","Northern Virginia"],"geogname_ssim":["Reston (Va.)","Virginia, Northern","Northern Virginia"],"creator_ssm":["Reston Garden Club"],"creator_ssim":["Reston Garden Club"],"creator_corpname_ssim":["Reston Garden Club"],"creators_ssim":["Reston Garden Club"],"places_ssim":["Reston (Va.)","Virginia, Northern","Northern Virginia"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Reston Garden Club from 1999-2023."],"access_subjects_ssim":["Gardening","Gardening -- Societies, etc.","Scrapbooks"],"access_subjects_ssm":["Gardening","Gardening -- Societies, etc.","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["12 Linear Feet 19 boxes"],"extent_tesim":["12 Linear Feet 19 boxes"],"genreform_ssim":["Scrapbooks"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into two series by date range.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Scrapbooks, 1970-2009\u003c/item\u003e\n      \u003citem\u003eSeries 2: Scrapbooks, 2009-2022\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into two series by date range.","Series Series 1: Scrapbooks, 1970-2009 Series 2: Scrapbooks, 2009-2022"],"bibliography_html_tesm":["\u003cp\u003e\"About Us.\" n.d. \u003ctitle\u003eThe Reston Garden Club\u003c/title\u003e (blog). Accessed April 24, 2024. https://restongardenclub.org/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"About Us.\" n.d.  The Reston Garden Club  (blog). Accessed April 24, 2024. https://restongardenclub.org/."],"bioghist_html_tesm":["\u003cp\u003eThe Reston Garden Club was founded in 1970. The club's goal is to promote home gardening, flower arranging, community beautifications and other horticultural activities in Reston, Virginia. The club meets on the first Tuesday of the month between the months of September and June, taking the summer off. The club is also involved in many community programs including \"Adopt-A-Highway\" and co-sponsoring the Reston Garden Tours as well as fundraising projects in Reston. In 2020, the club marked its 50th Anniversary, with a formal celebration taking place in October 2021 at the Hidden Creek Country Club.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Reston Garden Club was founded in 1970. The club's goal is to promote home gardening, flower arranging, community beautifications and other horticultural activities in Reston, Virginia. The club meets on the first Tuesday of the month between the months of September and June, taking the summer off. The club is also involved in many community programs including \"Adopt-A-Highway\" and co-sponsoring the Reston Garden Tours as well as fundraising projects in Reston. In 2020, the club marked its 50th Anniversary, with a formal celebration taking place in October 2021 at the Hidden Creek Country Club."],"prefercite_html_tesm":["\u003cp\u003eReston Garden Club scrapbook collection, C0166, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Reston Garden Club scrapbook collection, C0166, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe Reston Garden Club scrapbook collection was originally attached to the larger Planned Community Archives collection currently in the Special Collections and Archives. In 2009 the documents were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries. The old box and folder numbers are also included as part of the new arrangement. \u003c/p\u003e","\u003cp\u003eProcessed in May 2009 by Emily Martin. Finding aid updated by Amanda Menjivar in November 2023.\u003c/p\u003e","\u003cp\u003eAdditional processing completed and finding aid updated by Meghan Glasbrenner in April 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Reston Garden Club scrapbook collection was originally attached to the larger Planned Community Archives collection currently in the Special Collections and Archives. In 2009 the documents were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries. The old box and folder numbers are also included as part of the new arrangement. ","Processed in May 2009 by Emily Martin. Finding aid updated by Amanda Menjivar in November 2023.","Additional processing completed and finding aid updated by Meghan Glasbrenner in April 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the \u003ca href=\"https://aspace.gmu.edu/resources/c0001\"\u003ePlanned Community Archives collection\u003c/a\u003e and the \u003ca href=\"https://aspace.gmu.edu/resources/c0234\"\u003eGreater Reston Newcomers and Neighbors Club scrapbook collection\u003c/a\u003e, as well as other personal papers and organization records that document \u003ca href=\"https://aspace.gmu.edu/search?q[]=reston\u0026amp;op[]=\u0026amp;field[]=keyword\u0026amp;from_year[]=\u0026amp;to_year[]=\u0026amp;filter_fields[]=subjects\u0026amp;filter_values[]=Reston+%28Va.%29\"\u003eReston, Virginia\u003c/a\u003e and other \u003ca href=\"https://aspace.gmu.edu/search?q[]=planned+community\u0026amp;op[]=\u0026amp;field[]=keyword\u0026amp;from_year[]=\u0026amp;to_year[]=\u0026amp;filter_fields[]=subjects\u0026amp;filter_values[]=Planned+communities\"\u003eplanned communities\u003c/a\u003e, as well as other \u003ca href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=scrapbook\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003escrapbooks\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds the  Planned Community Archives collection  and the  Greater Reston Newcomers and Neighbors Club scrapbook collection , as well as other personal papers and organization records that document  Reston, Virginia  and other  planned communities , as well as other  scrapbooks ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of scrapbooks created by the Reston Garden Club containing photographs, newsletters, newspaper clippings, and other materials documenting the club's yearly activities and events. Most scrapbooks cover one season, spanning two calendar years (ex: 1993-1994), beginning with the founding of the Garden Club in 1970, with a few exceptions, notably the first which includes the club's founding and covers the years 1970-1973 and the 50th Anniversary book which documents celebrations for this event specifically which took place in 2021 and 2022. Also in the collection is the Garden Club's application to the National Capital Area Federation of Garden Clubs in 1980 and copies of \"Bulletin of The National Capital Area Federation of Garden Clubs, Inc.\"\u003c/p\u003e\n","\u003cp\u003eThe collection contains two series:\u003c/p\u003e\n","\u003cp\u003eSeries 1: Scrapbooks, 1970-2009 includes scrapbooks covering from the club's founding in 1970 through the 2008-2009 season, as well as the 1980 National Capital Area Federation of Garden Clubs application and copies of \"Bulletin of The National Capital Area Federation of Garden Clubs, Inc.\" from 1977-1978.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Scrapbooks, 2009-2022 includes scrapbooks covering from the club's 2009-2010 year and ending with the 50th Anniversary edition, which documents celebrations taking place in 2021 and 2022. No scrapbooks for the years 2018-2019 or 2019-2020 are included.\u003c/p\u003e","\u003cp\u003eSeries 1: Scrapbooks, 1970-2009 includes scrapbooks covering from the club's founding in 1970 through the 2008-2009 season, as well as the 1980 National Capital Area Federation of Garden Clubs application and copies of \"Bulletin of The National Capital Area Federation of Garden Clubs, Inc.\" from 1977-1978.\u003c/p\u003e","\u003cp\u003e403\u003c/p\u003e","\u003cp\u003e404\u003c/p\u003e","\u003cp\u003e404\u003c/p\u003e","\u003cp\u003e405\u003c/p\u003e","\u003cp\u003e405\u003c/p\u003e","\u003cp\u003e405\u003c/p\u003e","\u003cp\u003eEditions include:\n- September-October 1977\n- November-December 1977\n- January-February 1978\n- March-April 1978\n- June-July 1978\u003c/p\u003e","\u003cp\u003e405\u003c/p\u003e","\u003cp\u003e407\u003c/p\u003e","\u003cp\u003e405\u003c/p\u003e","\u003cp\u003e407\u003c/p\u003e","\u003cp\u003e408\u003c/p\u003e","\u003cp\u003e408\u003c/p\u003e","\u003cp\u003e409\u003c/p\u003e","\u003cp\u003e409\u003c/p\u003e","\u003cp\u003e410\u003c/p\u003e","\u003cp\u003e410\u003c/p\u003e","\u003cp\u003eSeries 2: Scrapbooks, 2009-2022 includes scrapbooks covering from the club's 2009-2010 year and ending with the 50th Anniversary edition, which documents celebrations taking place in 2021 and 2022. No scrapbooks for the years 2018-2019 or 2019-2020 are included.\u003c/p\u003e","\u003cp\u003ePaper inserted in front page over 2015-2016 booklet for 2016-2017\u003c/p\u003e","\u003cp\u003eIncludes materials from 2021- 2022 anniversary celebration events\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["A collection of scrapbooks created by the Reston Garden Club containing photographs, newsletters, newspaper clippings, and other materials documenting the club's yearly activities and events. Most scrapbooks cover one season, spanning two calendar years (ex: 1993-1994), beginning with the founding of the Garden Club in 1970, with a few exceptions, notably the first which includes the club's founding and covers the years 1970-1973 and the 50th Anniversary book which documents celebrations for this event specifically which took place in 2021 and 2022. Also in the collection is the Garden Club's application to the National Capital Area Federation of Garden Clubs in 1980 and copies of \"Bulletin of The National Capital Area Federation of Garden Clubs, Inc.\"","The collection contains two series:","Series 1: Scrapbooks, 1970-2009 includes scrapbooks covering from the club's founding in 1970 through the 2008-2009 season, as well as the 1980 National Capital Area Federation of Garden Clubs application and copies of \"Bulletin of The National Capital Area Federation of Garden Clubs, Inc.\" from 1977-1978.","Series 2: Scrapbooks, 2009-2022 includes scrapbooks covering from the club's 2009-2010 year and ending with the 50th Anniversary edition, which documents celebrations taking place in 2021 and 2022. No scrapbooks for the years 2018-2019 or 2019-2020 are included.","Series 1: Scrapbooks, 1970-2009 includes scrapbooks covering from the club's founding in 1970 through the 2008-2009 season, as well as the 1980 National Capital Area Federation of Garden Clubs application and copies of \"Bulletin of The National Capital Area Federation of Garden Clubs, Inc.\" from 1977-1978.","403","404","404","405","405","405","Editions include:\n- September-October 1977\n- November-December 1977\n- January-February 1978\n- March-April 1978\n- June-July 1978","405","407","405","407","408","408","409","409","410","410","Series 2: Scrapbooks, 2009-2022 includes scrapbooks covering from the club's 2009-2010 year and ending with the 50th Anniversary edition, which documents celebrations taking place in 2021 and 2022. No scrapbooks for the years 2018-2019 or 2019-2020 are included.","Paper inserted in front page over 2015-2016 booklet for 2016-2017","Includes materials from 2021- 2022 anniversary celebration events"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_153f3dbcd8301d2409d79b7c78078899\"\u003eA collection of scrapbooks created by the Reston Garden Club containing photographs, newsletters, programs, newspaper clippings, and other materials documenting the club's yearly activities and events.\u003c/abstract\u003e"],"abstract_tesim":["A collection of scrapbooks created by the Reston Garden Club containing photographs, newsletters, programs, newspaper clippings, and other materials documenting the club's yearly activities and events."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f0215e8a97fa433acfabac6cdbfde7f6\"\u003eR 42, C 6, S 1, 5-7\u003c/physloc\u003e"],"physloc_tesim":["R 42, C 6, S 1, 5-7"],"names_coll_ssim":["Reston Garden Club"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Reston Garden Club"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Reston Garden Club"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":49,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:52.964Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_98_c02"}},{"id":"viw_repositories_2_resources_2597_c02","type":"Series","attributes":{"title":"Series 3: Accession 2020.068 General papers, artifacts and audio visual materials","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2597_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eDocuments, artifacts, audio-visual materials and photographs produced by the Sinfonicron Light Opera Company from roughly 1961 to 2020. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2597_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_2597_c02","ref_ssm":["viw_repositories_2_resources_2597_c02"],"id":"viw_repositories_2_resources_2597_c02","ead_ssi":"viw_repositories_2_resources_2597","_root_":"viw_repositories_2_resources_2597","_nest_parent_":"viw_repositories_2_resources_2597","parent_ssi":"viw_repositories_2_resources_2597","parent_ssim":["viw_repositories_2_resources_2597"],"parent_ids_ssim":["viw_repositories_2_resources_2597"],"parent_unittitles_ssm":["Sinfonicron Light Opera Company records"],"parent_unittitles_tesim":["Sinfonicron Light Opera Company records"],"text":["Sinfonicron Light Opera Company records","Series 3: Accession 2020.068 General papers, artifacts and audio visual materials","This accession is unprocessed.","Documents, artifacts, audio-visual materials and photographs produced by the Sinfonicron Light Opera Company from roughly 1961 to 2020. ","Materials include publicity, programs, merchandise (t-shirts, sweatshirt, mug, insulated travel mug), organizational documents (charter, producers' account notebook), scrapbook with photographs, sheet music, and signage used at the front of the house during the performance to explain the history of the show (large foam boards and oversized cards)"],"title_filing_ssi":"Series 3: Accession 2020.068 General papers, artifacts and audio visual materials","title_ssm":["Series 3: Accession 2020.068 General papers, artifacts and audio visual materials"],"title_tesim":["Series 3: Accession 2020.068 General papers, artifacts and audio visual materials"],"unitdate_inclusive_ssm":["1961-2020"],"normalized_date_ssm":["1961/2020"],"normalized_title_ssm":["Series 3: Accession 2020.068 General papers, artifacts and audio visual materials"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["Sinfonicron Light Opera Company records"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":15,"parent_access_restrict_tesm":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"processinfo_html_tesm":["\u003cp\u003eThis accession is unprocessed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This accession is unprocessed."],"scopecontent_html_tesm":["\u003cp\u003eDocuments, artifacts, audio-visual materials and photographs produced by the Sinfonicron Light Opera Company from roughly 1961 to 2020. \u003c/p\u003e","\u003cp\u003eMaterials include publicity, programs, merchandise (t-shirts, sweatshirt, mug, insulated travel mug), organizational documents (charter, producers' account notebook), scrapbook with photographs, sheet music, and signage used at the front of the house during the performance to explain the history of the show (large foam boards and oversized cards)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Documents, artifacts, audio-visual materials and photographs produced by the Sinfonicron Light Opera Company from roughly 1961 to 2020. ","Materials include publicity, programs, merchandise (t-shirts, sweatshirt, mug, insulated travel mug), organizational documents (charter, producers' account notebook), scrapbook with photographs, sheet music, and signage used at the front of the house during the performance to explain the history of the show (large foam boards and oversized cards)"],"_nest_path_":"/components#1","timestamp":"2026-05-21T01:33:17.190Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_2597","ead_ssi":"viw_repositories_2_resources_2597","_root_":"viw_repositories_2_resources_2597","_nest_parent_":"viw_repositories_2_resources_2597","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2597.xml","title_filing_ssi":"Sinfonicron Light Opera Company records","title_ssm":["Sinfonicron Light Opera Company records"],"title_tesim":["Sinfonicron Light Opera Company records"],"unitdate_ssm":["1965-[ongoing]"],"unitdate_inclusive_ssm":["1965-[ongoing]"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 7.046","/repositories/2/resources/2597"],"text":["UA 7.046","/repositories/2/resources/2597","Sinfonicron Light Opera Company records","College of William and Mary--Students","Student Organizations--Sinfonicron Opera Company","Announcements","Photographs","Programs","Scrapbooks","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Known as the Williamsburg area's premiere Gilbert and Sullivan company, Sinfonicron is student-run on every level of production, from set design and construction, to direction, costuming and administration. Members come from William and Mary's three music fraternities, Delta Omicron, Phi Mu Alpha and Nu Kappa Epsilon, and the Theater Students Association. Sinfonicron produces one show every January on a three-year rotating schedule of two Gilbert and Sullivan shows and one non-Gilbert and Sullivan show."," Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  . Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","A portion of this collection was previously part of the University Archives Publications Collection.","Materials are in a tall Hollinger box.","Acc. 2012.006 accessioned and minimally described by Steven Bookman, University Archives Specialist, in January 2012. Acc. 2013.081 accessioned and minimally described by Steven Bookman, University Archives Specialist, in May 2013.","This accession is unprocessed.","University Archives Poster Collection; University Archives Audiovisual Collection."," Two audiocassette tapes of the 1988 production of The Mikado have been pulled from Acc. 2013.081 and were added to the University Archives Audiovisual Collection.","This collection contains clippings, programs, photographs, and other material produced by the Sinfonicron Light Opera Company at William \u0026 Mary. Included in the records are photographs of productions such as 42nd Street, City of Angels, Gondoliers, and Iolanthe. A scrapbook of programs from the first production in 1965 through 1992 is also included in this collection. Sinfonicron is a student-run company that puts on one opera production a year, usually during the Spring Semester.","Documents, artifacts, audio-visual materials and photographs produced by the Sinfonicron Light Opera Company from roughly 1961 to 2020. ","Materials include publicity, programs, merchandise (t-shirts, sweatshirt, mug, insulated travel mug), organizational documents (charter, producers' account notebook), scrapbook with photographs, sheet music, and signage used at the front of the house during the performance to explain the history of the show (large foam boards and oversized cards)","1979 Scrapbook for Patience, or the Bunthorne Bride, programs, organizational records, scripts, promotional materials","Contains publicity materials, a breastplate costume piece, and a Mikado vocal score and chorus score. The publicity materials include posters and flyers from student productions of Camelot. Also included is a 50th anniversary memory book signed by students and alumni.","Two audiocassette tapes of the 1988 production of The Mikado have been pulled from Acc. 2013.081 and were added to the University Archives Audiovisual Collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College Opera","English"],"unitid_tesim":["UA 7.046","/repositories/2/resources/2597"],"normalized_title_ssm":["Sinfonicron Light Opera Company records"],"collection_title_tesim":["Sinfonicron Light Opera Company records"],"collection_ssim":["Sinfonicron Light Opera Company records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2012.006 was hand delivered to Special Collection on 1/23/2012.  Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Students","Student Organizations--Sinfonicron Opera Company","Announcements","Photographs","Programs","Scrapbooks"],"access_subjects_ssm":["College of William and Mary--Students","Student Organizations--Sinfonicron Opera Company","Announcements","Photographs","Programs","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet"],"extent_tesim":["3 Linear Feet"],"genreform_ssim":["Announcements","Photographs","Programs","Scrapbooks"],"date_range_isim":[1965],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eKnown as the Williamsburg area's premiere Gilbert and Sullivan company, Sinfonicron is student-run on every level of production, from set design and construction, to direction, costuming and administration. Members come from William and Mary's three music fraternities, Delta Omicron, Phi Mu Alpha and Nu Kappa Epsilon, and the Theater Students Association. Sinfonicron produces one show every January on a three-year rotating schedule of two Gilbert and Sullivan shows and one non-Gilbert and Sullivan show.\u003c/p\u003e\n","\u003cp\u003e Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Sinfonicron_Opera_Company\" title=\"Sinfonicron Opera Company\"\u003e\u003c/extref\u003e. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdb.swem.wm.edu/wiki/index.php/Sinfonicron_Light_Opera_Company\" title=\"Sinfonicron Light Opera Company\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Known as the Williamsburg area's premiere Gilbert and Sullivan company, Sinfonicron is student-run on every level of production, from set design and construction, to direction, costuming and administration. Members come from William and Mary's three music fraternities, Delta Omicron, Phi Mu Alpha and Nu Kappa Epsilon, and the Theater Students Association. Sinfonicron produces one show every January on a three-year rotating schedule of two Gilbert and Sullivan shows and one non-Gilbert and Sullivan show."," Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  . Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"custodhist_html_tesm":["\u003cp\u003eA portion of this collection was previously part of the University Archives Publications Collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["A portion of this collection was previously part of the University Archives Publications Collection."],"odd_html_tesm":["\u003cp\u003eMaterials are in a tall Hollinger box.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Materials are in a tall Hollinger box."],"prefercite_html_tesm":["\u003cp\u003eSinfonicron Opera Company records, Special Collections Research Center,  William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Sinfonicron Opera Company records, Special Collections Research Center,  William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2012.006 accessioned and minimally described by Steven Bookman, University Archives Specialist, in January 2012. Acc. 2013.081 accessioned and minimally described by Steven Bookman, University Archives Specialist, in May 2013.\u003c/p\u003e","\u003cp\u003eThis accession is unprocessed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Acc. 2012.006 accessioned and minimally described by Steven Bookman, University Archives Specialist, in January 2012. Acc. 2013.081 accessioned and minimally described by Steven Bookman, University Archives Specialist, in May 2013.","This accession is unprocessed."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Poster Collection; University Archives Audiovisual Collection.\u003c/p\u003e\n","\u003cp\u003e Two audiocassette tapes of the 1988 production of The Mikado have been pulled from Acc. 2013.081 and were added to the University Archives Audiovisual Collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["University Archives Poster Collection; University Archives Audiovisual Collection."," Two audiocassette tapes of the 1988 production of The Mikado have been pulled from Acc. 2013.081 and were added to the University Archives Audiovisual Collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains clippings, programs, photographs, and other material produced by the Sinfonicron Light Opera Company at William \u0026amp; Mary. Included in the records are photographs of productions such as 42nd Street, City of Angels, Gondoliers, and Iolanthe. A scrapbook of programs from the first production in 1965 through 1992 is also included in this collection. Sinfonicron is a student-run company that puts on one opera production a year, usually during the Spring Semester.\u003c/p\u003e","\u003cp\u003eDocuments, artifacts, audio-visual materials and photographs produced by the Sinfonicron Light Opera Company from roughly 1961 to 2020. \u003c/p\u003e\n","\u003cp\u003eMaterials include publicity, programs, merchandise (t-shirts, sweatshirt, mug, insulated travel mug), organizational documents (charter, producers' account notebook), scrapbook with photographs, sheet music, and signage used at the front of the house during the performance to explain the history of the show (large foam boards and oversized cards)\u003c/p\u003e","\u003cp\u003e1979 Scrapbook for Patience, or the Bunthorne Bride, programs, organizational records, scripts, promotional materials\u003c/p\u003e","\u003cp\u003eContains publicity materials, a breastplate costume piece, and a Mikado vocal score and chorus score. The publicity materials include posters and flyers from student productions of Camelot. Also included is a 50th anniversary memory book signed by students and alumni.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains clippings, programs, photographs, and other material produced by the Sinfonicron Light Opera Company at William \u0026 Mary. Included in the records are photographs of productions such as 42nd Street, City of Angels, Gondoliers, and Iolanthe. A scrapbook of programs from the first production in 1965 through 1992 is also included in this collection. Sinfonicron is a student-run company that puts on one opera production a year, usually during the Spring Semester.","Documents, artifacts, audio-visual materials and photographs produced by the Sinfonicron Light Opera Company from roughly 1961 to 2020. ","Materials include publicity, programs, merchandise (t-shirts, sweatshirt, mug, insulated travel mug), organizational documents (charter, producers' account notebook), scrapbook with photographs, sheet music, and signage used at the front of the house during the performance to explain the history of the show (large foam boards and oversized cards)","1979 Scrapbook for Patience, or the Bunthorne Bride, programs, organizational records, scripts, promotional materials","Contains publicity materials, a breastplate costume piece, and a Mikado vocal score and chorus score. The publicity materials include posters and flyers from student productions of Camelot. Also included is a 50th anniversary memory book signed by students and alumni."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo audiocassette tapes of the 1988 production of The Mikado have been pulled from Acc. 2013.081 and were added to the University Archives Audiovisual Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two audiocassette tapes of the 1988 production of The Mikado have been pulled from Acc. 2013.081 and were added to the University Archives Audiovisual Collection."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College Opera"],"names_ssim":["Special Collections Research Center","College Opera"],"corpname_ssim":["Special Collections Research Center","College Opera"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":35,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:33:17.190Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2597_c02"}},{"id":"viw_repositories_2_resources_1149_c03","type":"Series","attributes":{"title":"Series 3: Accession 2025.038 Eduardo Marin posters","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1149_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_1149_c03","ref_ssm":["viw_repositories_2_resources_1149_c03"],"id":"viw_repositories_2_resources_1149_c03","ead_ssi":"viw_repositories_2_resources_1149","_root_":"viw_repositories_2_resources_1149","_nest_parent_":"viw_repositories_2_resources_1149","parent_ssi":"viw_repositories_2_resources_1149","parent_ssim":["viw_repositories_2_resources_1149"],"parent_ids_ssim":["viw_repositories_2_resources_1149"],"parent_unittitles_ssm":["Cuban Film Poster collection"],"parent_unittitles_tesim":["Cuban Film Poster collection"],"text":["Cuban Film Poster collection","Series 3: Accession 2025.038 Eduardo Marin posters"],"title_filing_ssi":"Series 3: Accession 2025.038 Eduardo Marin posters","title_ssm":["Series 3: Accession 2025.038 Eduardo Marin posters"],"title_tesim":["Series 3: Accession 2025.038 Eduardo Marin posters"],"unitdate_inclusive_ssm":["2019-2025"],"normalized_date_ssm":["2019/2025"],"normalized_title_ssm":["Series 3: Accession 2025.038 Eduardo Marin posters"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["Cuban Film Poster collection"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":84,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2019,2020,2021,2022,2023,2024,2025],"_nest_path_":"/components#2","timestamp":"2026-05-21T00:26:34.255Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1149","ead_ssi":"viw_repositories_2_resources_1149","_root_":"viw_repositories_2_resources_1149","_nest_parent_":"viw_repositories_2_resources_1149","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1149.xml","title_filing_ssi":"Cuban Film Poster collection","title_ssm":["Cuban Film Poster collection"],"title_tesim":["Cuban Film Poster collection"],"unitdate_ssm":["1962-2018"],"unitdate_inclusive_ssm":["1962-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00080","/repositories/2/resources/1149"],"text":["MS 00080","/repositories/2/resources/1149","Cuban Film Poster collection","Motion pictures--Cuba--History--20th century","Motion pictures--Cuba--History--21st century","Art, Cuban--21st century","Cuba--Description and travel","Cuba--History--20th century","Cuba--History--21st century","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Digital copies of the Cuban film posters can be accessed by clicking on the title of each poster shown under Collection Organization.","Posters are generally in excellent to good condition with only minor folds and one tear. \"Now!, 1965\" is fragile and may not be serviced due to flaking paint.","Accessioned and minimally processed by Benjamin Bromley in March 2011. Additional information and translations provided by students from Anne Marie Stock's class in April 2011. Acc. 2011.691 accessioned and minimally processed by Benjamin Bromley in December 2011. Acc. 2012.227 accessioned and minimally processed by Benjamin Bromley in June 2012.","Swem Library's Special Collections captured websites related to Cuban filmmakers, films, and related topics in May 2011 using the Archive-It web capture tool.","Information about related materials is available at https://archive-it.org/collections/7388bc1f-05f4-4753-8beb-ddb8e3352677","Posters, from 1962 to 2018, of feature films, documentaries, animated films, film events, and others that were produced in Cuba by Cuban artists. Posters were primarily created by using a silk screen process and were made for both Cuban and non-Cuban films.","The 10 postcards are part of the \"Coleccion de carteles de peliculas cubanas\" (Translation: Collection of posters of Cuban movies) from the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC). The postcards are film posters from the following films: Fresa y chocolate, 1993, Jau, 1987, La venganza de los haiducs, 1969, Por primera vez, 1968, El arte de tabaco, 1977, Clandestinos I, 1987, El chicuelo, 1970, Un ramo de flores y una bandera, 1981, La ultima cena, 1977, Pedro cero por ciento, 1982.","Artist: Nester Coll. Text: Muestra de filmes salvados por FIAF; cine la rampa del 15 al 30 de abril. Translation: Showing of films saved by FIAF (The International Federation of Film Archives); La Rampa Cinema; showings April 15th-30th Poster Year: 1990 General description: Charlie Chaplin in a prison uniform, nude back ground, small square of bars in left hand corner.","Artist: Pedro Luis Donéstevez. Text: Fresa y Chocolate; ICAIC, Director: Tomás Gutiérrez Alea, con: Jorge Perugorría, Vladimir Cruz Translation: Strawberry and Chocolate; Director: Tomás Gutiérrez Alea, with: Jorge Perugorría, Vladimir Cruz Director: Tomás Gutiérrez Alea Film: Fresa y Chocolate Film Year: 1993 Poster Year: 1999 General description: red and black ying/yang symbol with two blue outlined cups bordering them; yellow background.","Artist: Eduardo Muñoz Bachs. Text: XXV Aniversario Cine Movil ICAIC Translation: XXV Anniversary of the Mobile Cinema, ICAIC Poster Year: 1986 General description: Charlie Chaplin riding cardboard with one foot up and hands out as if steering a car; horn is by his left hand and he is wearing a suit with a bowler hat; colored yellow in the background.","Artist: Niko. Text: El Padrino, Coproducción italo-norteamericana, dirección: Francis Ford Coppola, con: Marlon Brando, Al Pacino, James Cann Translation: The Godfather, An Italian-North American Co-production, Directed by: Francis Ford Coppola, with: Marlon Brando, Al Pacino, James Cann Film: El padrino (The Godfather) Director: Francis Ford Coppola Film Year: 1972 Poster Year: 1974 General description: black and white coat of arms around an angle colored in holding AK 47s in both hands.","Artist: Nelson Ponce. Text: Larga Distancia; Una película de Esteban Insuasti con Zulema Clares, Alexis Dias de Villegas, Lyn Cruz, Tomas Cao; ICAIC/MINCULT/SINCOVER Translation: Long Distance; a movie by Esteban Insuasti with Zulema Clares, Alexis Dias de Villegas, Lyn Cruz, Tomas Cao; ICAIC/MINCULT/SINCOVER Film: Larga Distancia Film Year: 2010 Poster Year: 2010 General description: A girl colored in white (like the sign of a restroom) with a black airplane down her front; the background is pure black with the movie title stamped in red across her chest; signed by Insausti and Angélica Salvador Signature: \"Para todos los amigos que aman el cine, un abrazo, otro de su, siempre, Esteban\" and \"Gracias, Muchas gracias, Angélica Salvador\" Translation: \"To all of my friends who love cinema, a hug, and another, from, Esteban, always yours\" and \"Thank you, thank you so much, Angélica Salvador\".","Artist: Alfredo Rostgaard. Text: Hasta la victoria siempre; documental cubano; realizador: Santiago Alvarez Translation: Toward Victory, Always, Cuban documentary; Director: Santiago Alvarez Film: Hasta la victoria siempre Director: Santiago Alvarez Film Year: 1968 Poster Year: 1968 General description: Che Guevara; green face, pink hair and yellow background framed in thick black box.","Artist: Raul Martinez. Year: 1968 General description: there is no text present; Che with full beard frames the lower half of the poster and stars are coming out of his forehead to touch the earth drawn above him; the poster shows bright colors such as pinks, reds, blues and yellows.","Artist: Fabian. Text: 24 Encuentro el Universo Audiovisual de la Niñez Latinoamericana; 32 Festival del Nuevo cine latinoamericano, La Habana, 2 al 12 de diciembre 2010 Translation: 24th Latin American Children's Audiovisual Universe Conference; 32nd Festival of New Latin American Cinema, Havana, December 2-12, 2010. Poster Year: 2010. General description: Mario from the video game Mario-Cart climbs on top of blocks colored in bright colors; the two texts are framing his feet and he is holding a walking stick and wearing all black with a black bowler hat, dressed to look like Charlie Chaplin.","Artist: Raupa. Text: Titón: Más allá del cine; Exposición homenaje a Tomás Gutiérrez-Alea; ICAIC 2007, Museo Nacional de Bellas Artes; del 16 de noviembre al 14 de enero de 2008 Translation: Titón: Beyond the Cinema, An exposition in homage of: Tomas Gutierrez-Alea; ICAIC 2007, National Museum of Art, From the 16 of November to the 15 of January 2007 Poster Year: 2007 General Description: Tomás Gutiérrez-Alea's face appears multiple times along a strip in the middle of the posers; his body hangs down while slumping lazily in a white chair, the poser is done in a soft baby blue with black and yellow as a contrast.","Artist: Eduardo Muñoz Bachs. Text: Elpidio Valdes Contra La Policia de Nueva York, Dibujo animado cubano en colores, Dirección: Juan Padrón Translation: Elpidio Valdes Against the New York City Police, Cuban animation in color; Directed by Juan Padrón Film: Elpidio Valdes Against the New York City Police Director: Juan Padrón Film Year: 1976 Poster Year: 1995 General Description: Elpidio Valdes rides his horse, he has a sword in his hand and is fighting two uniformed police offices with clubs; the background is the city skyline in pink, with a purple sky and yellow crescent moon.","Artist: Raul Martinez Gonzales. Text: Lucia; Un film cubano de Humberto Solas, con Raquel Revuelta, Eslinda Nuñez, Adela Legra Translation: Lucia; A Cuban Film by Humberto Solas, with Raquel Revuelta, Eslinda Nuñez, Adela Legra Film: Lucia Director: Humberto Solas Poster Year: 1968 Film Year: 1968 General Description: Three images of a woman's face framed by organic curves and flowers; \"Lucia\" printed across the top of poster in large, rounded lettering; colors are yellows, pinks, oranges, blues, and green.","Artist: Antonia Fernández Reboiro. Text: El Arte del Tabaco; documental cubano en colores; direccion: Tomas Gutierrez Alea [sic]. Translation: The Art of Tabacco, Cuban documentary in color, directed by Tomás Gutíerrez-Alea Film: El Arte del Tabaco Director: Tomás Gutíerrez-Alea Film Year: 1974 Poster Year: 1977 General Description: A woman's face is framed by an arch of tobacco plants and a golden banner with the film title \"El Arte del Tabaco\"; the background is a turquoise blue and the border is alternating stripes of brown, black, and orange.","Artist: René Portocarrero. Text: Soy Cuba; Dirección: Mihail Kalatosov, Fotografia: Serguei Urusevsky; Coproduccion Cubano-Sovietica Translation: I am Cuba; Directed by: Mihail Kalatosov, Photography by: Serguei Urusevsky; Cuban-Soviet Co-production Film: Soy Cuba (Russian title: Ya Kuba) Director: Mihail Kalatosov Film Year: 1964 Poster Year: 1964 General Description: Profile of a man's face formed with an ornate graphic pattern in grey, black, and red; background is yellow with a thick two-toned blue and green border.","Artist: Niko. Text: Che, Hoy y Siempre; Documental Cubano, Director: Pedro Chaskel Translation: Che, Now and Forever Film: Che, Hoy y Siempre Director: Pedro Chaskel Film Year: 1982 Film Year: 1983 General Description: A Larg.e image of Che Gueverra's face in turquoise, blue, and white is framed by several smaller identical images in blues, oranges, reds, and white.","Artist: Niko. Text: Frenesí; Film Ingles, Dir. Alfred Hitchcocks [sic], con: Jon Finch, Barry Forster, Alec McCowen Translation: English Film, Frenzy; Dir. Alfred Hitchcock, with: Jon Finch, Barry Forster, Alec McCowen Film: Frenzy Director: Alfred Hitchcock Film Year: 1973 Poster Year: 1973 General Description: Black and white image of a man falling diagonally against a red background; title \"frenesí\" printed in white, lowercase lettering across the top, with a blue and purple striped tie encircling a green apple below it.","Artist: Not available. Text: Hemingway; Dir. Fausto Canel/1962; Documental en blanco y negro Translation: Hemingway; Dir. Fausto Canel/1962; Documentary in black and white Film: Hemingway. Director: Fausto Canel. Film Year: 1962. Poster Year: Not available. General Description: Black and white bull being speared; red ground and white background with name of film across top.","Artist: Antonio Fernández Reboiro. Text: Che, Comandante Amigo; documental cubano en colores, dir: Bernabé Hernández Translation: Che, Commander Friend; Cuban documentary in Color, dir: Bernabé Hernández Film: Che, Comandante Amigo Director: Bernabé Hernández Film Year: 1978 Poster Year: 1978 General Description: Black and orange image of Che Gueverra's face; pink background with red, white, and blue border.","Artist: Raupa. Text: El Resplandor; Un filme de Stanley Kubrick; Jack Nicholson. Translation: The Shining, A film by Stanley Kubrick; Jack Nicholson. Film: The Shining Director: Stanley Kubrick. Film Year: 1980 Poster Year: 2009. General Description: Red tricycle in bottom left corner; black background, the title \"El Resplandor\" in white all-capital block letters with white rays coming diagonally out of the bottom.","Artist: Carlos Jose. Text: Clandestinos; Filme Cubano de Fernando Peréz. Translation: The Clandestine Ones; Cuban film by Fernando Peréz Film: Clandestinos Director: Fernando Peréz. Film Year: 1987. Poster Year: Not available. General Description: Dark blue background, bottom quarter of poster is black with film title emerging from top in lowercase black and orange letters.","Artist: Julio Eloy. Text: Clandestinos; Filme Cubano en Colores; Direccion: Fernando Peréz; con Luis Alberto Garcia, Isabel Santos, Susana Peréz. Translation: The Clandestine Ones; Cuban Film in Color; Directed by Fernando Peréz; with\" Luis Alberto Garcia, Isabel Santos, Susana Peréz Film: Clandestinos. Director: Fernando Peréz. Film Year: 1987. Poster Year: 1987. General Description: Two bleeding red hearts against a black background.","Artist: Hollands. Text: El Perro Andaluz 1928; Pierre Batcheff/Simone Mareuil/Fano Mesan; Luis Buñuel/Xaume Miravitlles/Salvador Dalí; Dirección: Luis Buñuel Translation: The Andalucian Dog, 1928; Pierre Batcheff/Simone Mareuil/Fano Mesan; Luis Buñuel/Xaume Miravitlles/Salvador Dalí; Directed by Luis Buñuel Film: El Pero Andaluz (Un Chien Andalou) Director: Luis Buñuel Film Year: 1928 Poster Year: 2009. General Description: Grey background with circle split in two halves, one lighter grey and one black.","Artist: Moltó. Text: Suite Habana; Un Filme de Fernándo Peréz. Translation: Havana Suite; A Film by Fernándo Peréz. Film: Suite Habana Director: Fernándo Peréz. Film Year: 2003 Poster Year: 2003 Text on back: Premio Coral, Al Mejor Cartel, 25 Festival del Nuevo Cine Latinoamericano/2003 Translation: Grand Prize for Best Poster, 25th Fesitval of New Latin American Cinema/2003. General Description: Large black and white platform sandals in front of grey city skyline; blue background.","Artist: Nelson Garcia","Text: RTV Comercial Cubavisión ICAIC La Ciudad un Filme de Tomás Piard  Translation: RTV Comercial Cubavisión ICAIC The City a Film by Tomás Piard","Artist: René Azcuy, Text: Memorias del Subdesarrollo; film cubano, dirección: Tomas Gutierrez Alea/con: Sergio Corrieri y Daisy Granados Translation: Memories of Underdevelopment; Cuban film, directed by: Tomas Gutierrez Alea/with: Sergio Corrieri y Daisy Granados Film: Film: Memorias del Subdesarrollo Director: Tomás Gutíerrez Alea. Film Year: 1968. Poster Year: 1973. General Description: Black background with white all lowercase block text at top and white graphic at bottom.","One of two posters for the film, La Guarida del Topo, directed by Alfredo Ureta. The posters includes an inscription by Ureta. Title of film: \"La Guarida del Topo\" (The Mole's Den). Year of Film Production: 2011. Year of Production of posters: 2011. Director of Film: Alfredo Ureta. Principal Actors: Nestor Jimenez, Ketty de la Iglesia, Alberto Pujol, Rafael Lahera. Poster Artists (for Silkscreened version): Enrique Smith and Katia Hernandez.","One of two posters of the film, La Guarida del Topo, directed by Alfredo Ureta. Title of film: \"La Guarida del Topo\" (The Mole's Den). Year of Film Production: 2011. Year of Production of posters: 2011. Director of Film: Alfredo Ureta. Principal Actors: Nestor Jimenez, Ketty de la Iglesia, Alberto Pujol, Rafael Lahera.","Directed by Eduardo del Llano. Poster artist: Raupi. Signed by the film director.","Directed by Ramon Peon.","Directed by Eduardo del Llano. Poster artist: Raupi. Signed by the film director. Text: Con: Rita Montanex. Title of film: \"Romance del Palmar\"","Directed by Enrique Colina.","Directed by Enrique Colina. Text: Vecinos Documental Cubano en colores De Enrique Colina Translation: Neighbors Cuban Documentary in colors By Enrique Colina","Text: Dibujo animado cubano de Juan Padron. Translation: Cuban cartoon by Juan Padron.","Romanian animation in color, driected by Horia Steganescu and Victor Antonescu, poster artist Munoz Bachs.","Artist: Bachs. Text: con Ana Vina, Reynaldo Miravalles, Tahimi Alvarino. Directed by Luis F. Bernaza. Physical description: pink cake/building on a blue background.","Directed by Tomas Gutierrez Alea with Nelson Villagra.","Artist: Reboiro. From the Instituto Cubano del arte e industria cinematogrificos.","Artist: Marcelo Martin. Poster text: Un documental de Carlos Machado, Aram Vidal, Benny Ray, Alina Rodriguez, Daniel Vera.","Artist: Nestor Coll. Text: 19 Festival del Nuevo Cine Lantinoamericano, La Habana, Cuba, Diciembre 2-12-1997. Translation: 19th Festival of the New Latin American Cinema, Havana, Cuba December 2-12-1997","Artist: Munoz Bachs. Directed by Juan Tabio.","Text: Directed by Juan Tabio.Text: Plaf; Film Cubano; Dirección: Juan C.Tabo; Dairy Granados, Luis A. Ramirez(H), Thais Valdés Translation: Cuban Film; Director: Juan C. Tabo;  Dairy Granados, Luis A. Ramirez(H), Thais Valdés","Artist: Munoz Bachs. Directed by Orlando Rojas.","Directed by Orlando Rojas. Text: Papeles Secundarios; Coproducción Cuba España; Dirección Orlando Rojas, Con: Rosa Fornes, Juan Luis Galiardo, Luisa Pérez Nieto Translation: Supporting Roles; Coproducation Cuba Spain; Directed by: Orlando Rojas, With: Rosa Fornes, Juan Luis Galiardo, Luisa Pérez Nieto","Artist: R. Martinez.","Artist Munoz Bachs. Directed by Tomas Gutierrez Alea.","Artist: Munoz Bachs. Directed by Luis Felipe Bernaza.","Directed by Luis Felipe Bernaza. Text: De Tal Pedro Tal Astilla Con: Reinaldo Mairavales, Ana Vina, Nancy Gonzalez, Gilberto Revés. Film Cubano en colores/ Director: Luis Felipe Bernaza Translation: A Chip Off the Old Block; With Reinaldo Mairavales, Ana Vina, Nancy Gonzalez, Gilberto Revés.","Artist: Reboiro. Directed by Santiago Alvarez.","Directed by Santiago Alvarez. Text: LBJ, Documental cubano / Director: Santiago Alvarez Translation: LBJ, Cuban Documentary","Artist: Hubert Delestre. Poster is signed by the artist. Film dDirected by Tomas Gutierrez Alea.","Poster is signed by the artist. Film Directed by Tomás Gutiérrez Alea. Text: La Muerte de un Burócrata; La Habana, 1966 Una película cubana en blanco y negro con Guión de Alfredo del Cueto. Ramon F. Suárez y Tomás Gutiérrez Alea. Fotografia de Ramon F. Suarez, edicion de Mario Gonzales y música de Leo Brower. Con la actuación de Salvador Wood,  Manuel Estanillo, Silvia Planas , Gaspar de Santelices y Pedro Pablo Astorga.;  El Director Tomás Gutiérrez Alea.  Translation: The Death of a Bureaucrat; Havana, 1966 A  black and white cuban film, With:  Guión de Alfredo del Cueto. Ramon F. Suárez y Tomás Gutiérrez Alea. Photography by Ramon F. Suarez, Editing by Mario Gonzales and music by Leo Bower. Starring: Salvador Wood,  Manuel Estanillo, Silvia Planas , Gaspar de Santelices y Pedro Pablo Astorga, Director Tomás Gutiérrez Alea","Artist: Maikel.","Text: 6to Festival Internacional de Documentales \"Santiago Álvarez in Memoriam\"; Santiago de Cuba del 5 al 8 de marzo del 2005. El cine documental en el mundo contemporáneo Translation: 6to International  Documentary Festival \"In Memory of Santiago Álvarez,\"; Santiago de Cuba from the 5th to 8th of March of 2005","Artist: Munoz Bachs. Directed by Fernando Valverde.","Directed by Fernando Valverde. Text: Martín Fierro; Coproducción de Animación cubana/Argentino Colombiana Translation: Martín Fierro; Coprduction from Cuban/Argentinian/Columbian Animation","Artist: Pablo Monterrey.","Text: Diseno Contemporaneo Filmes Clássicos, Exposición de carteles Centro Cultural cinematografico ICAIC; ICAIC 201; 1960-2010 Cinemateca de Cuba 50 Translation: Contemporary Design Classic Films Poster Exhibit Cultural Center of Cinematography ICAIC","Artist: Nelson Ponce. Directed by Jorge Luis Sanchez.","Artist: Munozs Bachs.","Directed by Juan Padron Text: Filminutos","Artist: Fabian. Directed by Rebecaa Chavez.","Directed by Rebecca Chavez. Text: Che, Entre Leyendas; trilogía documental (ICAIC) Translation: Among the LEgends; Documentary (IACAIC) trilogy","Artist: Nestor Coll (Nester Coll?). Directed by Sergio Nunez.","Artist: Nelson Ponce. Directed by Juan Padron.","Directed by Juan Padron. Text: Vampiros en la Habana Translation: Vampires in Havana","Directed by Manuel Marcel. The poster artist signed \"Z-in memory of Raul Martinez.\"","Directed by Manuel Marcel. The poster artist signed \"Z-in memory of Raul Martinez.\" Text: Marzel; Una película de marzel; Musica: Luis Alberto Spineta Translation: marzel; A movie about Marzel; Music:Luis Alberto Spineta","Artist: Coll.","Text: 14 Tallen Naccional de la Crítica Cinematográfica Translation: 14th National Workshop of Film Criticism","Artist: Giselle Monzon. Directed by Oliver Stone.","Artist: Coll. Directed by Antonio Banderas.","Directed by Antonio Banderas. Text: \"El Camino de  los ingleses\" Filme España-Gran Bretaña, Dirigido por Antonio Banderas; Con: Victoria Abril, Juan Diego, Frank Perea Translation: \" The way of the English\" Spanish-Great Britain Film, Directed by Antonia Banderas; With: Victoria Abril, Juan Diego, Frank Pere","Artist: Arnulfo. Directed by Steven Spielberg.","Directed by Steven Spielberg.Text: La Lista de Schindler un film de Steven Spielberg Translation: Schindler's List, a film by Steven Spielberg","Artist: Niko. Directed by Santiago Alvarez.","Directed by Santiago Alvarez. Text: Mi Hermano Fidel, Documental cubano, dirección Santiago Alvares Translation: My Brother Fidel, Cuban Documentary; Directed by Santiago Alvares","Artist: Munoz Bachs. Directed by Fernando Perez.","Directed by Fernando Perez. Text: La Vida es Silbar. Producida por ICAIC y Wanda Distribución . Dirección: Fernando Perez, Con: Luis Alberto Garcia, Isabel Santos, Coralia Velos, Ronaldo Brito, Claudia Rojas, Joan Manuel Reyes, Bebe Perez Translation: Life is to Whistle, Production by ICAIC and Wanda Distribution; Directed by Fernando Peresz, With: Luis Alberto Garcia, Isabel Santos, Coralia Velos, Ronaldo Brito, Claudia Rojas, Joan Manuel Reyes, Bebe Perez","Artist: Reboira. Directed by Masaki Kobayashi.","Directed by Masaki Kobayashi. Text: Film Japones en cinemascope, direction: Masaki Kobayashi. con Tatsuya Nakadai, Shima Iwashite, Akira Ishihama, Premios San Giorgio y Pascinetti en el Festival de Venecia. segundo premio en el fesival cinematografico de cannes, 1963. Hara Kiri Translation: Japanese Film in sinemasope; Directed by: Masaki Kobayashi; With: Tatsuya Nakadai, Shima Iwashite, Akira Ishihama; San Giorgio and Pascinetti Award en the Venecia Festival, Second Award from the Cannes Film Festival, 1993","Artist: unknown. Text: un filme de Tomas Gutierrez Alea y Juan Carlos Tabio con Jorge Peruggoria, Vladimir Cruz y Mirta Ibarra. Translation: \na film by Tomas Gutierrez Alea and Juan Carlos Tabio with Jorge Peruggoria, Vladimir Cruz and Mirta Ibarra.","Film poster of Café Amargo, directed by Rigoberto Jiménez. Poster is signed by film producer Jorge Luis Barber.","Film poster of Café Amargo, directed by Rigoberto Jiménez. Poster is signed by film producer Jorge Luis Barber. Text:  Cazabe producciones / Estacion Central Producción Audiovisual / Odessa Films, Adela Legra, Coralia Veloz, Oneyda Hernandez, Mirelys Echenique, Yudexi de la Torre, Yunia Jerez, Janet Batista, Venecia Lanz, Carlos Alberto Mendez, Raul Copte; productores: Rigoberto Jiménez, Jorge Luis Barber; productor ejecutivo: Jorge Luis Barber; coproductores: Pedro Pancho Lborra; guion: Artruo Arango, Xenia Rivery; Musica: Juan Pinera; Director de fotografia: Jose Manuel Riera; editora: Ilka M. Valdes; Diseño de Banda Sonora: Heidy Carrazana; Sonido Director: Juan Mauel Lopez; direccion de arte: Vivian del Valle.  Translation: Cazabe production / Central Production Audiovisual Station / Odessa Films, Adela Legra, Coralia Veloz, Oneyda Hernandez, Mirelys Echenique, Yudexi de la Torre, Yunia Jerez, Janet Batista, Venecia Lanz, Carlos Alberto Mendez, Raul Copte; Produced by:  Rigoberto Jiménez, Jorge Luis Barber; Executive Producer: Jorge Luis Barber; Coproducers:  Pedro Pancho Lborra; Script: Artruo Arango, Xenia Rivery; Music: Juan Pinera; Pfotography Director: Jose Manuel Riera; Editor: llka M. Valdes; Soundtrack Design; Sound Director: uan Mauel Lopez: Art Director: Vivian del Valle","Artist: Maylin Betancourt Perez. Bohio, documental television serrana. Director: Carlos Y Rodriguez. Poster presented and signed by the director to Swem Library, 2014.","Black silkscreen on red background. Artist's proof. Signed by the artist, Samuel Riera.","Numbered 12/30 and signed by the artist, Samuel Riera.","Poster is signed by the artist, Idania del Río. Text: 7 de Septiembre, 4:00 PM, MPC, Espacio SGAE, Suite 3A, Lonja del Comercio, Habana Vieja. Translation: September 7, 4:00 PM, MPC, Espacio SGAE, Suite 3A, Lonja del Comercio, Old Havana.","Poster by aArtist: Rostgard. Directed by Santiago Alvarez.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert ","Rodriguez, Ernesto Pina","Spanish; Castilian English"],"unitid_tesim":["MS 00080","/repositories/2/resources/1149"],"normalized_title_ssm":["Cuban Film Poster collection"],"collection_title_tesim":["Cuban Film Poster collection"],"collection_ssim":["Cuban Film Poster collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Motion pictures--Cuba--History--20th century","Motion pictures--Cuba--History--21st century","Art, Cuban--21st century"],"geogname_ssim":["Motion pictures--Cuba--History--20th century","Motion pictures--Cuba--History--21st century","Art, Cuban--21st century"],"creator_ssm":["Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert "],"creator_ssim":["Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert "],"creator_persname_ssim":["Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert "],"creators_ssim":["Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert "],"places_ssim":["Motion pictures--Cuba--History--20th century","Motion pictures--Cuba--History--21st century","Art, Cuban--21st century"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2011.691 are posters of two films by director Alfredo Ureta. Acc. 2012.227 also contains postcards with images of Cuban film posters. Acc. 2016.144 is a poster of the film, Café Amargo, directed by Rigoberto Jiménez."],"access_subjects_ssim":["Cuba--Description and travel","Cuba--History--20th century","Cuba--History--21st century"],"access_subjects_ssm":["Cuba--Description and travel","Cuba--History--20th century","Cuba--History--21st century"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet"],"extent_tesim":["3 Linear Feet"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"altformavail_html_tesm":["\u003cp\u003eDigital copies of the Cuban film posters can be accessed by clicking on the title of each poster shown under Collection Organization.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Digital copies of the Cuban film posters can be accessed by clicking on the title of each poster shown under Collection Organization."],"phystech_html_tesm":["\u003cp\u003ePosters are generally in excellent to good condition with only minor folds and one tear. \"Now!, 1965\" is fragile and may not be serviced due to flaking paint.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["Posters are generally in excellent to good condition with only minor folds and one tear. \"Now!, 1965\" is fragile and may not be serviced due to flaking paint."],"prefercite_html_tesm":["\u003cp\u003eCuban Film Poster collection, Special Collections Research Center, William \u0026amp; Mary Libraies.\u003c/p\u003e"],"prefercite_tesim":["Cuban Film Poster collection, Special Collections Research Center, William \u0026 Mary Libraies."],"processinfo_html_tesm":["\u003cp\u003eAccessioned and minimally processed by Benjamin Bromley in March 2011. Additional information and translations provided by students from Anne Marie Stock's class in April 2011. Acc. 2011.691 accessioned and minimally processed by Benjamin Bromley in December 2011. Acc. 2012.227 accessioned and minimally processed by Benjamin Bromley in June 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Accessioned and minimally processed by Benjamin Bromley in March 2011. Additional information and translations provided by students from Anne Marie Stock's class in April 2011. Acc. 2011.691 accessioned and minimally processed by Benjamin Bromley in December 2011. Acc. 2012.227 accessioned and minimally processed by Benjamin Bromley in June 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSwem Library's Special Collections captured websites related to Cuban filmmakers, films, and related topics in May 2011 using the Archive-It web capture tool.\u003c/p\u003e\n","\u003cp\u003eInformation about related materials is available at https://archive-it.org/collections/7388bc1f-05f4-4753-8beb-ddb8e3352677\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Swem Library's Special Collections captured websites related to Cuban filmmakers, films, and related topics in May 2011 using the Archive-It web capture tool.","Information about related materials is available at https://archive-it.org/collections/7388bc1f-05f4-4753-8beb-ddb8e3352677"],"scopecontent_html_tesm":["\u003cp\u003ePosters, from 1962 to 2018, of feature films, documentaries, animated films, film events, and others that were produced in Cuba by Cuban artists. Posters were primarily created by using a silk screen process and were made for both Cuban and non-Cuban films.\u003c/p\u003e","\u003cp\u003eThe 10 postcards are part of the \"Coleccion de carteles de peliculas cubanas\" (Translation: Collection of posters of Cuban movies) from the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC). The postcards are film posters from the following films: Fresa y chocolate, 1993, Jau, 1987, La venganza de los haiducs, 1969, Por primera vez, 1968, El arte de tabaco, 1977, Clandestinos I, 1987, El chicuelo, 1970, Un ramo de flores y una bandera, 1981, La ultima cena, 1977, Pedro cero por ciento, 1982.\u003c/p\u003e","\u003cp\u003eArtist: Nester Coll. Text: Muestra de filmes salvados por FIAF; cine la rampa del 15 al 30 de abril. Translation: Showing of films saved by FIAF (The International Federation of Film Archives); La Rampa Cinema; showings April 15th-30th Poster Year: 1990 General description: Charlie Chaplin in a prison uniform, nude back ground, small square of bars in left hand corner.\u003c/p\u003e","\u003cp\u003eArtist: Pedro Luis Donéstevez. Text: Fresa y Chocolate; ICAIC, Director: Tomás Gutiérrez Alea, con: Jorge Perugorría, Vladimir Cruz Translation: Strawberry and Chocolate; Director: Tomás Gutiérrez Alea, with: Jorge Perugorría, Vladimir Cruz Director: Tomás Gutiérrez Alea Film: Fresa y Chocolate Film Year: 1993 Poster Year: 1999 General description: red and black ying/yang symbol with two blue outlined cups bordering them; yellow background.\u003c/p\u003e","\u003cp\u003eArtist: Eduardo Muñoz Bachs. Text: XXV Aniversario Cine Movil ICAIC Translation: XXV Anniversary of the Mobile Cinema, ICAIC Poster Year: 1986 General description: Charlie Chaplin riding cardboard with one foot up and hands out as if steering a car; horn is by his left hand and he is wearing a suit with a bowler hat; colored yellow in the background.\u003c/p\u003e","\u003cp\u003eArtist: Niko. Text: El Padrino, Coproducción italo-norteamericana, dirección: Francis Ford Coppola, con: Marlon Brando, Al Pacino, James Cann Translation: The Godfather, An Italian-North American Co-production, Directed by: Francis Ford Coppola, with: Marlon Brando, Al Pacino, James Cann Film: El padrino (The Godfather) Director: Francis Ford Coppola Film Year: 1972 Poster Year: 1974 General description: black and white coat of arms around an angle colored in holding AK 47s in both hands.\u003c/p\u003e","\u003cp\u003eArtist: Nelson Ponce. Text: Larga Distancia; Una película de Esteban Insuasti con Zulema Clares, Alexis Dias de Villegas, Lyn Cruz, Tomas Cao; ICAIC/MINCULT/SINCOVER Translation: Long Distance; a movie by Esteban Insuasti with Zulema Clares, Alexis Dias de Villegas, Lyn Cruz, Tomas Cao; ICAIC/MINCULT/SINCOVER Film: Larga Distancia Film Year: 2010 Poster Year: 2010 General description: A girl colored in white (like the sign of a restroom) with a black airplane down her front; the background is pure black with the movie title stamped in red across her chest; signed by Insausti and Angélica Salvador Signature: \"Para todos los amigos que aman el cine, un abrazo, otro de su, siempre, Esteban\" and \"Gracias, Muchas gracias, Angélica Salvador\" Translation: \"To all of my friends who love cinema, a hug, and another, from, Esteban, always yours\" and \"Thank you, thank you so much, Angélica Salvador\".\u003c/p\u003e","\u003cp\u003eArtist: Alfredo Rostgaard. Text: Hasta la victoria siempre; documental cubano; realizador: Santiago Alvarez Translation: Toward Victory, Always, Cuban documentary; Director: Santiago Alvarez Film: Hasta la victoria siempre Director: Santiago Alvarez Film Year: 1968 Poster Year: 1968 General description: Che Guevara; green face, pink hair and yellow background framed in thick black box.\u003c/p\u003e","\u003cp\u003eArtist: Raul Martinez. Year: 1968 General description: there is no text present; Che with full beard frames the lower half of the poster and stars are coming out of his forehead to touch the earth drawn above him; the poster shows bright colors such as pinks, reds, blues and yellows.\u003c/p\u003e","\u003cp\u003eArtist: Fabian. Text: 24 Encuentro el Universo Audiovisual de la Niñez Latinoamericana; 32 Festival del Nuevo cine latinoamericano, La Habana, 2 al 12 de diciembre 2010 Translation: 24th Latin American Children's Audiovisual Universe Conference; 32nd Festival of New Latin American Cinema, Havana, December 2-12, 2010. Poster Year: 2010. General description: Mario from the video game Mario-Cart climbs on top of blocks colored in bright colors; the two texts are framing his feet and he is holding a walking stick and wearing all black with a black bowler hat, dressed to look like Charlie Chaplin.\u003c/p\u003e","\u003cp\u003eArtist: Raupa. Text: Titón: Más allá del cine; Exposición homenaje a Tomás Gutiérrez-Alea; ICAIC 2007, Museo Nacional de Bellas Artes; del 16 de noviembre al 14 de enero de 2008 Translation: Titón: Beyond the Cinema, An exposition in homage of: Tomas Gutierrez-Alea; ICAIC 2007, National Museum of Art, From the 16 of November to the 15 of January 2007 Poster Year: 2007 General Description: Tomás Gutiérrez-Alea's face appears multiple times along a strip in the middle of the posers; his body hangs down while slumping lazily in a white chair, the poser is done in a soft baby blue with black and yellow as a contrast.\u003c/p\u003e","\u003cp\u003eArtist: Eduardo Muñoz Bachs. Text: Elpidio Valdes Contra La Policia de Nueva York, Dibujo animado cubano en colores, Dirección: Juan Padrón Translation: Elpidio Valdes Against the New York City Police, Cuban animation in color; Directed by Juan Padrón Film: Elpidio Valdes Against the New York City Police Director: Juan Padrón Film Year: 1976 Poster Year: 1995 General Description: Elpidio Valdes rides his horse, he has a sword in his hand and is fighting two uniformed police offices with clubs; the background is the city skyline in pink, with a purple sky and yellow crescent moon.\u003c/p\u003e","\u003cp\u003eArtist: Raul Martinez Gonzales. Text: Lucia; Un film cubano de Humberto Solas, con Raquel Revuelta, Eslinda Nuñez, Adela Legra Translation: Lucia; A Cuban Film by Humberto Solas, with Raquel Revuelta, Eslinda Nuñez, Adela Legra Film: Lucia Director: Humberto Solas Poster Year: 1968 Film Year: 1968 General Description: Three images of a woman's face framed by organic curves and flowers; \"Lucia\" printed across the top of poster in large, rounded lettering; colors are yellows, pinks, oranges, blues, and green.\u003c/p\u003e","\u003cp\u003eArtist: Antonia Fernández Reboiro. Text: El Arte del Tabaco; documental cubano en colores; direccion: Tomas Gutierrez Alea [sic]. Translation: The Art of Tabacco, Cuban documentary in color, directed by Tomás Gutíerrez-Alea Film: El Arte del Tabaco Director: Tomás Gutíerrez-Alea Film Year: 1974 Poster Year: 1977 General Description: A woman's face is framed by an arch of tobacco plants and a golden banner with the film title \"El Arte del Tabaco\"; the background is a turquoise blue and the border is alternating stripes of brown, black, and orange.\u003c/p\u003e","\u003cp\u003eArtist: René Portocarrero. Text: Soy Cuba; Dirección: Mihail Kalatosov, Fotografia: Serguei Urusevsky; Coproduccion Cubano-Sovietica Translation: I am Cuba; Directed by: Mihail Kalatosov, Photography by: Serguei Urusevsky; Cuban-Soviet Co-production Film: Soy Cuba (Russian title: Ya Kuba) Director: Mihail Kalatosov Film Year: 1964 Poster Year: 1964 General Description: Profile of a man's face formed with an ornate graphic pattern in grey, black, and red; background is yellow with a thick two-toned blue and green border.\u003c/p\u003e","\u003cp\u003eArtist: Niko. Text: Che, Hoy y Siempre; Documental Cubano, Director: Pedro Chaskel Translation: Che, Now and Forever Film: Che, Hoy y Siempre Director: Pedro Chaskel Film Year: 1982 Film Year: 1983 General Description: A Larg.e image of Che Gueverra's face in turquoise, blue, and white is framed by several smaller identical images in blues, oranges, reds, and white.\u003c/p\u003e","\u003cp\u003eArtist: Niko. Text: Frenesí; Film Ingles, Dir. Alfred Hitchcocks [sic], con: Jon Finch, Barry Forster, Alec McCowen Translation: English Film, Frenzy; Dir. Alfred Hitchcock, with: Jon Finch, Barry Forster, Alec McCowen Film: Frenzy Director: Alfred Hitchcock Film Year: 1973 Poster Year: 1973 General Description: Black and white image of a man falling diagonally against a red background; title \"frenesí\" printed in white, lowercase lettering across the top, with a blue and purple striped tie encircling a green apple below it.\u003c/p\u003e","\u003cp\u003eArtist: Not available. Text: Hemingway; Dir. Fausto Canel/1962; Documental en blanco y negro Translation: Hemingway; Dir. Fausto Canel/1962; Documentary in black and white Film: Hemingway. Director: Fausto Canel. Film Year: 1962. Poster Year: Not available. General Description: Black and white bull being speared; red ground and white background with name of film across top.\u003c/p\u003e","\u003cp\u003eArtist: Antonio Fernández Reboiro. Text: Che, Comandante Amigo; documental cubano en colores, dir: Bernabé Hernández Translation: Che, Commander Friend; Cuban documentary in Color, dir: Bernabé Hernández Film: Che, Comandante Amigo Director: Bernabé Hernández Film Year: 1978 Poster Year: 1978 General Description: Black and orange image of Che Gueverra's face; pink background with red, white, and blue border.\u003c/p\u003e","\u003cp\u003eArtist: Raupa. Text: El Resplandor; Un filme de Stanley Kubrick; Jack Nicholson. Translation: The Shining, A film by Stanley Kubrick; Jack Nicholson. Film: The Shining Director: Stanley Kubrick. Film Year: 1980 Poster Year: 2009. General Description: Red tricycle in bottom left corner; black background, the title \"El Resplandor\" in white all-capital block letters with white rays coming diagonally out of the bottom.\u003c/p\u003e","\u003cp\u003eArtist: Carlos Jose. Text: Clandestinos; Filme Cubano de Fernando Peréz. Translation: The Clandestine Ones; Cuban film by Fernando Peréz Film: Clandestinos Director: Fernando Peréz. Film Year: 1987. Poster Year: Not available. General Description: Dark blue background, bottom quarter of poster is black with film title emerging from top in lowercase black and orange letters.\u003c/p\u003e","\u003cp\u003eArtist: Julio Eloy. Text: Clandestinos; Filme Cubano en Colores; Direccion: Fernando Peréz; con Luis Alberto Garcia, Isabel Santos, Susana Peréz. Translation: The Clandestine Ones; Cuban Film in Color; Directed by Fernando Peréz; with\" Luis Alberto Garcia, Isabel Santos, Susana Peréz Film: Clandestinos. Director: Fernando Peréz. Film Year: 1987. Poster Year: 1987. General Description: Two bleeding red hearts against a black background.\u003c/p\u003e","\u003cp\u003eArtist: Hollands. Text: El Perro Andaluz 1928; Pierre Batcheff/Simone Mareuil/Fano Mesan; Luis Buñuel/Xaume Miravitlles/Salvador Dalí; Dirección: Luis Buñuel Translation: The Andalucian Dog, 1928; Pierre Batcheff/Simone Mareuil/Fano Mesan; Luis Buñuel/Xaume Miravitlles/Salvador Dalí; Directed by Luis Buñuel Film: El Pero Andaluz (Un Chien Andalou) Director: Luis Buñuel Film Year: 1928 Poster Year: 2009. General Description: Grey background with circle split in two halves, one lighter grey and one black.\u003c/p\u003e","\u003cp\u003eArtist: Moltó. Text: Suite Habana; Un Filme de Fernándo Peréz. Translation: Havana Suite; A Film by Fernándo Peréz. Film: Suite Habana Director: Fernándo Peréz. Film Year: 2003 Poster Year: 2003 Text on back: Premio Coral, Al Mejor Cartel, 25 Festival del Nuevo Cine Latinoamericano/2003 Translation: Grand Prize for Best Poster, 25th Fesitval of New Latin American Cinema/2003. General Description: Large black and white platform sandals in front of grey city skyline; blue background.\u003c/p\u003e","\u003cp\u003eArtist: Nelson Garcia\u003c/p\u003e\n","\u003cp\u003eText: RTV Comercial Cubavisión ICAIC La Ciudad un Filme de Tomás Piard  Translation: RTV Comercial Cubavisión ICAIC The City a Film by Tomás Piard\u003c/p\u003e","\u003cp\u003eArtist: René Azcuy, Text: Memorias del Subdesarrollo; film cubano, dirección: Tomas Gutierrez Alea/con: Sergio Corrieri y Daisy Granados Translation: Memories of Underdevelopment; Cuban film, directed by: Tomas Gutierrez Alea/with: Sergio Corrieri y Daisy Granados Film: Film: Memorias del Subdesarrollo Director: Tomás Gutíerrez Alea. Film Year: 1968. Poster Year: 1973. General Description: Black background with white all lowercase block text at top and white graphic at bottom.\u003c/p\u003e","\u003cp\u003eOne of two posters for the film, La Guarida del Topo, directed by Alfredo Ureta. The posters includes an inscription by Ureta. Title of film: \"La Guarida del Topo\" (The Mole's Den). Year of Film Production: 2011. Year of Production of posters: 2011. Director of Film: Alfredo Ureta. Principal Actors: Nestor Jimenez, Ketty de la Iglesia, Alberto Pujol, Rafael Lahera. Poster Artists (for Silkscreened version): Enrique Smith and Katia Hernandez.\u003c/p\u003e","\u003cp\u003eOne of two posters of the film, La Guarida del Topo, directed by Alfredo Ureta. Title of film: \"La Guarida del Topo\" (The Mole's Den). Year of Film Production: 2011. Year of Production of posters: 2011. Director of Film: Alfredo Ureta. Principal Actors: Nestor Jimenez, Ketty de la Iglesia, Alberto Pujol, Rafael Lahera.\u003c/p\u003e","\u003cp\u003eDirected by Eduardo del Llano. Poster artist: Raupi. Signed by the film director.\u003c/p\u003e","\u003cp\u003eDirected by Ramon Peon.\u003c/p\u003e\n","\u003cp\u003eDirected by Eduardo del Llano. Poster artist: Raupi. Signed by the film director. Text: Con: Rita Montanex. Title of film: \"Romance del Palmar\"\u003c/p\u003e","\u003cp\u003eDirected by Enrique Colina.\u003c/p\u003e\n","\u003cp\u003eDirected by Enrique Colina. Text: Vecinos Documental Cubano en colores De Enrique Colina Translation: Neighbors Cuban Documentary in colors By Enrique Colina\u003c/p\u003e","\u003cp\u003eText: Dibujo animado cubano de Juan Padron. Translation: Cuban cartoon by Juan Padron.\u003c/p\u003e","\u003cp\u003eRomanian animation in color, driected by Horia Steganescu and Victor Antonescu, poster artist Munoz Bachs.\u003c/p\u003e","\u003cp\u003eArtist: Bachs. Text: con Ana Vina, Reynaldo Miravalles, Tahimi Alvarino. Directed by Luis F. Bernaza. Physical description: pink cake/building on a blue background.\u003c/p\u003e","\u003cp\u003eDirected by Tomas Gutierrez Alea with Nelson Villagra.\u003c/p\u003e","\u003cp\u003eArtist: Reboiro. From the Instituto Cubano del arte e industria cinematogrificos.\u003c/p\u003e","\u003cp\u003eArtist: Marcelo Martin. Poster text: Un documental de Carlos Machado, Aram Vidal, Benny Ray, Alina Rodriguez, Daniel Vera.\u003c/p\u003e","\u003cp\u003eArtist: Nestor Coll. Text: 19 Festival del Nuevo Cine Lantinoamericano, La Habana, Cuba, Diciembre 2-12-1997. Translation: 19th Festival of the New Latin American Cinema, Havana, Cuba December 2-12-1997\u003c/p\u003e","\u003cp\u003eArtist: Munoz Bachs. Directed by Juan Tabio.\u003c/p\u003e\n","\u003cp\u003eText: Directed by Juan Tabio.Text: Plaf; Film Cubano; Dirección: Juan C.Tabo; Dairy Granados, Luis A. Ramirez(H), Thais Valdés Translation: Cuban Film; Director: Juan C. Tabo;  Dairy Granados, Luis A. Ramirez(H), Thais Valdés\u003c/p\u003e","\u003cp\u003eArtist: Munoz Bachs. Directed by Orlando Rojas.\u003c/p\u003e\n","\u003cp\u003eDirected by Orlando Rojas. Text: Papeles Secundarios; Coproducción Cuba España; Dirección Orlando Rojas, Con: Rosa Fornes, Juan Luis Galiardo, Luisa Pérez Nieto Translation: Supporting Roles; Coproducation Cuba Spain; Directed by: Orlando Rojas, With: Rosa Fornes, Juan Luis Galiardo, Luisa Pérez Nieto\u003c/p\u003e","\u003cp\u003eArtist: R. Martinez.\u003c/p\u003e","\u003cp\u003eArtist Munoz Bachs. Directed by Tomas Gutierrez Alea.\u003c/p\u003e","\u003cp\u003eArtist: Munoz Bachs. Directed by Luis Felipe Bernaza.\u003c/p\u003e\n","\u003cp\u003eDirected by Luis Felipe Bernaza. Text: De Tal Pedro Tal Astilla Con: Reinaldo Mairavales, Ana Vina, Nancy Gonzalez, Gilberto Revés. Film Cubano en colores/ Director: Luis Felipe Bernaza Translation: A Chip Off the Old Block; With Reinaldo Mairavales, Ana Vina, Nancy Gonzalez, Gilberto Revés.\u003c/p\u003e","\u003cp\u003eArtist: Reboiro. Directed by Santiago Alvarez.\u003c/p\u003e\n","\u003cp\u003eDirected by Santiago Alvarez. Text: LBJ, Documental cubano / Director: Santiago Alvarez Translation: LBJ, Cuban Documentary\u003c/p\u003e","\u003cp\u003eArtist: Hubert Delestre. Poster is signed by the artist. Film dDirected by Tomas Gutierrez Alea.\u003c/p\u003e\n","\u003cp\u003ePoster is signed by the artist. Film Directed by Tomás Gutiérrez Alea. Text: La Muerte de un Burócrata; La Habana, 1966 Una película cubana en blanco y negro con Guión de Alfredo del Cueto. Ramon F. Suárez y Tomás Gutiérrez Alea. Fotografia de Ramon F. Suarez, edicion de Mario Gonzales y música de Leo Brower. Con la actuación de Salvador Wood,  Manuel Estanillo, Silvia Planas , Gaspar de Santelices y Pedro Pablo Astorga.;  El Director Tomás Gutiérrez Alea.  Translation: The Death of a Bureaucrat; Havana, 1966 A  black and white cuban film, With:  Guión de Alfredo del Cueto. Ramon F. Suárez y Tomás Gutiérrez Alea. Photography by Ramon F. Suarez, Editing by Mario Gonzales and music by Leo Bower. Starring: Salvador Wood,  Manuel Estanillo, Silvia Planas , Gaspar de Santelices y Pedro Pablo Astorga, Director Tomás Gutiérrez Alea\u003c/p\u003e","\u003cp\u003eArtist: Maikel.\u003c/p\u003e\n","\u003cp\u003eText: 6to Festival Internacional de Documentales \"Santiago Álvarez in Memoriam\"; Santiago de Cuba del 5 al 8 de marzo del 2005. El cine documental en el mundo contemporáneo Translation: 6to International  Documentary Festival \"In Memory of Santiago Álvarez,\"; Santiago de Cuba from the 5th to 8th of March of 2005\u003c/p\u003e","\u003cp\u003eArtist: Munoz Bachs. Directed by Fernando Valverde.\u003c/p\u003e\n","\u003cp\u003eDirected by Fernando Valverde. Text: Martín Fierro; Coproducción de Animación cubana/Argentino Colombiana Translation: Martín Fierro; Coprduction from Cuban/Argentinian/Columbian Animation\u003c/p\u003e","\u003cp\u003eArtist: Pablo Monterrey.\u003c/p\u003e\n","\u003cp\u003eText: Diseno Contemporaneo Filmes Clássicos, Exposición de carteles Centro Cultural cinematografico ICAIC; ICAIC 201; 1960-2010 Cinemateca de Cuba 50 Translation: Contemporary Design Classic Films Poster Exhibit Cultural Center of Cinematography ICAIC\u003c/p\u003e","\u003cp\u003eArtist: Nelson Ponce. Directed by Jorge Luis Sanchez.\u003c/p\u003e","\u003cp\u003eArtist: Munozs Bachs.\u003c/p\u003e\n","\u003cp\u003eDirected by Juan Padron Text: Filminutos\u003c/p\u003e","\u003cp\u003eArtist: Fabian. Directed by Rebecaa Chavez.\u003c/p\u003e\n","\u003cp\u003eDirected by Rebecca Chavez. Text: Che, Entre Leyendas; trilogía documental (ICAIC) Translation: Among the LEgends; Documentary (IACAIC) trilogy\u003c/p\u003e","\u003cp\u003eArtist: Nestor Coll (Nester Coll?). Directed by Sergio Nunez.\u003c/p\u003e","\u003cp\u003eArtist: Nelson Ponce. Directed by Juan Padron.\u003c/p\u003e\n","\u003cp\u003eDirected by Juan Padron. Text: Vampiros en la Habana Translation: Vampires in Havana\u003c/p\u003e","\u003cp\u003eDirected by Manuel Marcel. The poster artist signed \"Z-in memory of Raul Martinez.\"\u003c/p\u003e\n","\u003cp\u003eDirected by Manuel Marcel. The poster artist signed \"Z-in memory of Raul Martinez.\" Text: Marzel; Una película de marzel; Musica: Luis Alberto Spineta Translation: marzel; A movie about Marzel; Music:Luis Alberto Spineta\u003c/p\u003e","\u003cp\u003eArtist: Coll.\u003c/p\u003e\n","\u003cp\u003eText: 14 Tallen Naccional de la Crítica Cinematográfica Translation: 14th National Workshop of Film Criticism\u003c/p\u003e","\u003cp\u003eArtist: Giselle Monzon. Directed by Oliver Stone.\u003c/p\u003e","\u003cp\u003eArtist: Coll. Directed by Antonio Banderas.\u003c/p\u003e\n","\u003cp\u003eDirected by Antonio Banderas. Text: \"El Camino de  los ingleses\" Filme España-Gran Bretaña, Dirigido por Antonio Banderas; Con: Victoria Abril, Juan Diego, Frank Perea Translation: \" The way of the English\" Spanish-Great Britain Film, Directed by Antonia Banderas; With: Victoria Abril, Juan Diego, Frank Pere\u003c/p\u003e","\u003cp\u003eArtist: Arnulfo. Directed by Steven Spielberg.\u003c/p\u003e\n","\u003cp\u003eDirected by Steven Spielberg.Text: La Lista de Schindler un film de Steven Spielberg Translation: Schindler's List, a film by Steven Spielberg\u003c/p\u003e","\u003cp\u003eArtist: Niko. Directed by Santiago Alvarez.\u003c/p\u003e\n","\u003cp\u003eDirected by Santiago Alvarez. Text: Mi Hermano Fidel, Documental cubano, dirección Santiago Alvares Translation: My Brother Fidel, Cuban Documentary; Directed by Santiago Alvares\u003c/p\u003e","\u003cp\u003eArtist: Munoz Bachs. Directed by Fernando Perez.\u003c/p\u003e\n","\u003cp\u003eDirected by Fernando Perez. Text: La Vida es Silbar. Producida por ICAIC y Wanda Distribución . Dirección: Fernando Perez, Con: Luis Alberto Garcia, Isabel Santos, Coralia Velos, Ronaldo Brito, Claudia Rojas, Joan Manuel Reyes, Bebe Perez Translation: Life is to Whistle, Production by ICAIC and Wanda Distribution; Directed by Fernando Peresz, With: Luis Alberto Garcia, Isabel Santos, Coralia Velos, Ronaldo Brito, Claudia Rojas, Joan Manuel Reyes, Bebe Perez\u003c/p\u003e","\u003cp\u003eArtist: Reboira. Directed by Masaki Kobayashi.\u003c/p\u003e\n","\u003cp\u003eDirected by Masaki Kobayashi. Text: Film Japones en cinemascope, direction: Masaki Kobayashi. con Tatsuya Nakadai, Shima Iwashite, Akira Ishihama, Premios San Giorgio y Pascinetti en el Festival de Venecia. segundo premio en el fesival cinematografico de cannes, 1963. Hara Kiri Translation: Japanese Film in sinemasope; Directed by: Masaki Kobayashi; With: Tatsuya Nakadai, Shima Iwashite, Akira Ishihama; San Giorgio and Pascinetti Award en the Venecia Festival, Second Award from the Cannes Film Festival, 1993\u003c/p\u003e","\u003cp\u003eArtist: unknown. Text: un filme de Tomas Gutierrez Alea y Juan Carlos Tabio con Jorge Peruggoria, Vladimir Cruz y Mirta Ibarra. Translation: \na film by Tomas Gutierrez Alea and Juan Carlos Tabio with Jorge Peruggoria, Vladimir Cruz and Mirta Ibarra.\u003c/p\u003e","\u003cp\u003eFilm poster of Café Amargo, directed by Rigoberto Jiménez. Poster is signed by film producer Jorge Luis Barber.\u003c/p\u003e\n","\u003cp\u003eFilm poster of Café Amargo, directed by Rigoberto Jiménez. Poster is signed by film producer Jorge Luis Barber. Text:  Cazabe producciones / Estacion Central Producción Audiovisual / Odessa Films, Adela Legra, Coralia Veloz, Oneyda Hernandez, Mirelys Echenique, Yudexi de la Torre, Yunia Jerez, Janet Batista, Venecia Lanz, Carlos Alberto Mendez, Raul Copte; productores: Rigoberto Jiménez, Jorge Luis Barber; productor ejecutivo: Jorge Luis Barber; coproductores: Pedro Pancho Lborra; guion: Artruo Arango, Xenia Rivery; Musica: Juan Pinera; Director de fotografia: Jose Manuel Riera; editora: Ilka M. Valdes; Diseño de Banda Sonora: Heidy Carrazana; Sonido Director: Juan Mauel Lopez; direccion de arte: Vivian del Valle.  Translation: Cazabe production / Central Production Audiovisual Station / Odessa Films, Adela Legra, Coralia Veloz, Oneyda Hernandez, Mirelys Echenique, Yudexi de la Torre, Yunia Jerez, Janet Batista, Venecia Lanz, Carlos Alberto Mendez, Raul Copte; Produced by:  Rigoberto Jiménez, Jorge Luis Barber; Executive Producer: Jorge Luis Barber; Coproducers:  Pedro Pancho Lborra; Script: Artruo Arango, Xenia Rivery; Music: Juan Pinera; Pfotography Director: Jose Manuel Riera; Editor: llka M. Valdes; Soundtrack Design; Sound Director: uan Mauel Lopez: Art Director: Vivian del Valle\u003c/p\u003e","\u003cp\u003eArtist: Maylin Betancourt Perez. Bohio, documental television serrana. Director: Carlos Y Rodriguez. Poster presented and signed by the director to Swem Library, 2014.\u003c/p\u003e","\u003cp\u003eBlack silkscreen on red background. Artist's proof. Signed by the artist, Samuel Riera.\u003c/p\u003e","\u003cp\u003eNumbered 12/30 and signed by the artist, Samuel Riera.\u003c/p\u003e","\u003cp\u003ePoster is signed by the artist, Idania del Río. Text: 7 de Septiembre, 4:00 PM, MPC, Espacio SGAE, Suite 3A, Lonja del Comercio, Habana Vieja. Translation: September 7, 4:00 PM, MPC, Espacio SGAE, Suite 3A, Lonja del Comercio, Old Havana.\u003c/p\u003e","\u003cp\u003ePoster by aArtist: Rostgard. Directed by Santiago Alvarez.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Posters, from 1962 to 2018, of feature films, documentaries, animated films, film events, and others that were produced in Cuba by Cuban artists. Posters were primarily created by using a silk screen process and were made for both Cuban and non-Cuban films.","The 10 postcards are part of the \"Coleccion de carteles de peliculas cubanas\" (Translation: Collection of posters of Cuban movies) from the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC). The postcards are film posters from the following films: Fresa y chocolate, 1993, Jau, 1987, La venganza de los haiducs, 1969, Por primera vez, 1968, El arte de tabaco, 1977, Clandestinos I, 1987, El chicuelo, 1970, Un ramo de flores y una bandera, 1981, La ultima cena, 1977, Pedro cero por ciento, 1982.","Artist: Nester Coll. Text: Muestra de filmes salvados por FIAF; cine la rampa del 15 al 30 de abril. Translation: Showing of films saved by FIAF (The International Federation of Film Archives); La Rampa Cinema; showings April 15th-30th Poster Year: 1990 General description: Charlie Chaplin in a prison uniform, nude back ground, small square of bars in left hand corner.","Artist: Pedro Luis Donéstevez. Text: Fresa y Chocolate; ICAIC, Director: Tomás Gutiérrez Alea, con: Jorge Perugorría, Vladimir Cruz Translation: Strawberry and Chocolate; Director: Tomás Gutiérrez Alea, with: Jorge Perugorría, Vladimir Cruz Director: Tomás Gutiérrez Alea Film: Fresa y Chocolate Film Year: 1993 Poster Year: 1999 General description: red and black ying/yang symbol with two blue outlined cups bordering them; yellow background.","Artist: Eduardo Muñoz Bachs. Text: XXV Aniversario Cine Movil ICAIC Translation: XXV Anniversary of the Mobile Cinema, ICAIC Poster Year: 1986 General description: Charlie Chaplin riding cardboard with one foot up and hands out as if steering a car; horn is by his left hand and he is wearing a suit with a bowler hat; colored yellow in the background.","Artist: Niko. Text: El Padrino, Coproducción italo-norteamericana, dirección: Francis Ford Coppola, con: Marlon Brando, Al Pacino, James Cann Translation: The Godfather, An Italian-North American Co-production, Directed by: Francis Ford Coppola, with: Marlon Brando, Al Pacino, James Cann Film: El padrino (The Godfather) Director: Francis Ford Coppola Film Year: 1972 Poster Year: 1974 General description: black and white coat of arms around an angle colored in holding AK 47s in both hands.","Artist: Nelson Ponce. Text: Larga Distancia; Una película de Esteban Insuasti con Zulema Clares, Alexis Dias de Villegas, Lyn Cruz, Tomas Cao; ICAIC/MINCULT/SINCOVER Translation: Long Distance; a movie by Esteban Insuasti with Zulema Clares, Alexis Dias de Villegas, Lyn Cruz, Tomas Cao; ICAIC/MINCULT/SINCOVER Film: Larga Distancia Film Year: 2010 Poster Year: 2010 General description: A girl colored in white (like the sign of a restroom) with a black airplane down her front; the background is pure black with the movie title stamped in red across her chest; signed by Insausti and Angélica Salvador Signature: \"Para todos los amigos que aman el cine, un abrazo, otro de su, siempre, Esteban\" and \"Gracias, Muchas gracias, Angélica Salvador\" Translation: \"To all of my friends who love cinema, a hug, and another, from, Esteban, always yours\" and \"Thank you, thank you so much, Angélica Salvador\".","Artist: Alfredo Rostgaard. Text: Hasta la victoria siempre; documental cubano; realizador: Santiago Alvarez Translation: Toward Victory, Always, Cuban documentary; Director: Santiago Alvarez Film: Hasta la victoria siempre Director: Santiago Alvarez Film Year: 1968 Poster Year: 1968 General description: Che Guevara; green face, pink hair and yellow background framed in thick black box.","Artist: Raul Martinez. Year: 1968 General description: there is no text present; Che with full beard frames the lower half of the poster and stars are coming out of his forehead to touch the earth drawn above him; the poster shows bright colors such as pinks, reds, blues and yellows.","Artist: Fabian. Text: 24 Encuentro el Universo Audiovisual de la Niñez Latinoamericana; 32 Festival del Nuevo cine latinoamericano, La Habana, 2 al 12 de diciembre 2010 Translation: 24th Latin American Children's Audiovisual Universe Conference; 32nd Festival of New Latin American Cinema, Havana, December 2-12, 2010. Poster Year: 2010. General description: Mario from the video game Mario-Cart climbs on top of blocks colored in bright colors; the two texts are framing his feet and he is holding a walking stick and wearing all black with a black bowler hat, dressed to look like Charlie Chaplin.","Artist: Raupa. Text: Titón: Más allá del cine; Exposición homenaje a Tomás Gutiérrez-Alea; ICAIC 2007, Museo Nacional de Bellas Artes; del 16 de noviembre al 14 de enero de 2008 Translation: Titón: Beyond the Cinema, An exposition in homage of: Tomas Gutierrez-Alea; ICAIC 2007, National Museum of Art, From the 16 of November to the 15 of January 2007 Poster Year: 2007 General Description: Tomás Gutiérrez-Alea's face appears multiple times along a strip in the middle of the posers; his body hangs down while slumping lazily in a white chair, the poser is done in a soft baby blue with black and yellow as a contrast.","Artist: Eduardo Muñoz Bachs. Text: Elpidio Valdes Contra La Policia de Nueva York, Dibujo animado cubano en colores, Dirección: Juan Padrón Translation: Elpidio Valdes Against the New York City Police, Cuban animation in color; Directed by Juan Padrón Film: Elpidio Valdes Against the New York City Police Director: Juan Padrón Film Year: 1976 Poster Year: 1995 General Description: Elpidio Valdes rides his horse, he has a sword in his hand and is fighting two uniformed police offices with clubs; the background is the city skyline in pink, with a purple sky and yellow crescent moon.","Artist: Raul Martinez Gonzales. Text: Lucia; Un film cubano de Humberto Solas, con Raquel Revuelta, Eslinda Nuñez, Adela Legra Translation: Lucia; A Cuban Film by Humberto Solas, with Raquel Revuelta, Eslinda Nuñez, Adela Legra Film: Lucia Director: Humberto Solas Poster Year: 1968 Film Year: 1968 General Description: Three images of a woman's face framed by organic curves and flowers; \"Lucia\" printed across the top of poster in large, rounded lettering; colors are yellows, pinks, oranges, blues, and green.","Artist: Antonia Fernández Reboiro. Text: El Arte del Tabaco; documental cubano en colores; direccion: Tomas Gutierrez Alea [sic]. Translation: The Art of Tabacco, Cuban documentary in color, directed by Tomás Gutíerrez-Alea Film: El Arte del Tabaco Director: Tomás Gutíerrez-Alea Film Year: 1974 Poster Year: 1977 General Description: A woman's face is framed by an arch of tobacco plants and a golden banner with the film title \"El Arte del Tabaco\"; the background is a turquoise blue and the border is alternating stripes of brown, black, and orange.","Artist: René Portocarrero. Text: Soy Cuba; Dirección: Mihail Kalatosov, Fotografia: Serguei Urusevsky; Coproduccion Cubano-Sovietica Translation: I am Cuba; Directed by: Mihail Kalatosov, Photography by: Serguei Urusevsky; Cuban-Soviet Co-production Film: Soy Cuba (Russian title: Ya Kuba) Director: Mihail Kalatosov Film Year: 1964 Poster Year: 1964 General Description: Profile of a man's face formed with an ornate graphic pattern in grey, black, and red; background is yellow with a thick two-toned blue and green border.","Artist: Niko. Text: Che, Hoy y Siempre; Documental Cubano, Director: Pedro Chaskel Translation: Che, Now and Forever Film: Che, Hoy y Siempre Director: Pedro Chaskel Film Year: 1982 Film Year: 1983 General Description: A Larg.e image of Che Gueverra's face in turquoise, blue, and white is framed by several smaller identical images in blues, oranges, reds, and white.","Artist: Niko. Text: Frenesí; Film Ingles, Dir. Alfred Hitchcocks [sic], con: Jon Finch, Barry Forster, Alec McCowen Translation: English Film, Frenzy; Dir. Alfred Hitchcock, with: Jon Finch, Barry Forster, Alec McCowen Film: Frenzy Director: Alfred Hitchcock Film Year: 1973 Poster Year: 1973 General Description: Black and white image of a man falling diagonally against a red background; title \"frenesí\" printed in white, lowercase lettering across the top, with a blue and purple striped tie encircling a green apple below it.","Artist: Not available. Text: Hemingway; Dir. Fausto Canel/1962; Documental en blanco y negro Translation: Hemingway; Dir. Fausto Canel/1962; Documentary in black and white Film: Hemingway. Director: Fausto Canel. Film Year: 1962. Poster Year: Not available. General Description: Black and white bull being speared; red ground and white background with name of film across top.","Artist: Antonio Fernández Reboiro. Text: Che, Comandante Amigo; documental cubano en colores, dir: Bernabé Hernández Translation: Che, Commander Friend; Cuban documentary in Color, dir: Bernabé Hernández Film: Che, Comandante Amigo Director: Bernabé Hernández Film Year: 1978 Poster Year: 1978 General Description: Black and orange image of Che Gueverra's face; pink background with red, white, and blue border.","Artist: Raupa. Text: El Resplandor; Un filme de Stanley Kubrick; Jack Nicholson. Translation: The Shining, A film by Stanley Kubrick; Jack Nicholson. Film: The Shining Director: Stanley Kubrick. Film Year: 1980 Poster Year: 2009. General Description: Red tricycle in bottom left corner; black background, the title \"El Resplandor\" in white all-capital block letters with white rays coming diagonally out of the bottom.","Artist: Carlos Jose. Text: Clandestinos; Filme Cubano de Fernando Peréz. Translation: The Clandestine Ones; Cuban film by Fernando Peréz Film: Clandestinos Director: Fernando Peréz. Film Year: 1987. Poster Year: Not available. General Description: Dark blue background, bottom quarter of poster is black with film title emerging from top in lowercase black and orange letters.","Artist: Julio Eloy. Text: Clandestinos; Filme Cubano en Colores; Direccion: Fernando Peréz; con Luis Alberto Garcia, Isabel Santos, Susana Peréz. Translation: The Clandestine Ones; Cuban Film in Color; Directed by Fernando Peréz; with\" Luis Alberto Garcia, Isabel Santos, Susana Peréz Film: Clandestinos. Director: Fernando Peréz. Film Year: 1987. Poster Year: 1987. General Description: Two bleeding red hearts against a black background.","Artist: Hollands. Text: El Perro Andaluz 1928; Pierre Batcheff/Simone Mareuil/Fano Mesan; Luis Buñuel/Xaume Miravitlles/Salvador Dalí; Dirección: Luis Buñuel Translation: The Andalucian Dog, 1928; Pierre Batcheff/Simone Mareuil/Fano Mesan; Luis Buñuel/Xaume Miravitlles/Salvador Dalí; Directed by Luis Buñuel Film: El Pero Andaluz (Un Chien Andalou) Director: Luis Buñuel Film Year: 1928 Poster Year: 2009. General Description: Grey background with circle split in two halves, one lighter grey and one black.","Artist: Moltó. Text: Suite Habana; Un Filme de Fernándo Peréz. Translation: Havana Suite; A Film by Fernándo Peréz. Film: Suite Habana Director: Fernándo Peréz. Film Year: 2003 Poster Year: 2003 Text on back: Premio Coral, Al Mejor Cartel, 25 Festival del Nuevo Cine Latinoamericano/2003 Translation: Grand Prize for Best Poster, 25th Fesitval of New Latin American Cinema/2003. General Description: Large black and white platform sandals in front of grey city skyline; blue background.","Artist: Nelson Garcia","Text: RTV Comercial Cubavisión ICAIC La Ciudad un Filme de Tomás Piard  Translation: RTV Comercial Cubavisión ICAIC The City a Film by Tomás Piard","Artist: René Azcuy, Text: Memorias del Subdesarrollo; film cubano, dirección: Tomas Gutierrez Alea/con: Sergio Corrieri y Daisy Granados Translation: Memories of Underdevelopment; Cuban film, directed by: Tomas Gutierrez Alea/with: Sergio Corrieri y Daisy Granados Film: Film: Memorias del Subdesarrollo Director: Tomás Gutíerrez Alea. Film Year: 1968. Poster Year: 1973. General Description: Black background with white all lowercase block text at top and white graphic at bottom.","One of two posters for the film, La Guarida del Topo, directed by Alfredo Ureta. The posters includes an inscription by Ureta. Title of film: \"La Guarida del Topo\" (The Mole's Den). Year of Film Production: 2011. Year of Production of posters: 2011. Director of Film: Alfredo Ureta. Principal Actors: Nestor Jimenez, Ketty de la Iglesia, Alberto Pujol, Rafael Lahera. Poster Artists (for Silkscreened version): Enrique Smith and Katia Hernandez.","One of two posters of the film, La Guarida del Topo, directed by Alfredo Ureta. Title of film: \"La Guarida del Topo\" (The Mole's Den). Year of Film Production: 2011. Year of Production of posters: 2011. Director of Film: Alfredo Ureta. Principal Actors: Nestor Jimenez, Ketty de la Iglesia, Alberto Pujol, Rafael Lahera.","Directed by Eduardo del Llano. Poster artist: Raupi. Signed by the film director.","Directed by Ramon Peon.","Directed by Eduardo del Llano. Poster artist: Raupi. Signed by the film director. Text: Con: Rita Montanex. Title of film: \"Romance del Palmar\"","Directed by Enrique Colina.","Directed by Enrique Colina. Text: Vecinos Documental Cubano en colores De Enrique Colina Translation: Neighbors Cuban Documentary in colors By Enrique Colina","Text: Dibujo animado cubano de Juan Padron. Translation: Cuban cartoon by Juan Padron.","Romanian animation in color, driected by Horia Steganescu and Victor Antonescu, poster artist Munoz Bachs.","Artist: Bachs. Text: con Ana Vina, Reynaldo Miravalles, Tahimi Alvarino. Directed by Luis F. Bernaza. Physical description: pink cake/building on a blue background.","Directed by Tomas Gutierrez Alea with Nelson Villagra.","Artist: Reboiro. From the Instituto Cubano del arte e industria cinematogrificos.","Artist: Marcelo Martin. Poster text: Un documental de Carlos Machado, Aram Vidal, Benny Ray, Alina Rodriguez, Daniel Vera.","Artist: Nestor Coll. Text: 19 Festival del Nuevo Cine Lantinoamericano, La Habana, Cuba, Diciembre 2-12-1997. Translation: 19th Festival of the New Latin American Cinema, Havana, Cuba December 2-12-1997","Artist: Munoz Bachs. Directed by Juan Tabio.","Text: Directed by Juan Tabio.Text: Plaf; Film Cubano; Dirección: Juan C.Tabo; Dairy Granados, Luis A. Ramirez(H), Thais Valdés Translation: Cuban Film; Director: Juan C. Tabo;  Dairy Granados, Luis A. Ramirez(H), Thais Valdés","Artist: Munoz Bachs. Directed by Orlando Rojas.","Directed by Orlando Rojas. Text: Papeles Secundarios; Coproducción Cuba España; Dirección Orlando Rojas, Con: Rosa Fornes, Juan Luis Galiardo, Luisa Pérez Nieto Translation: Supporting Roles; Coproducation Cuba Spain; Directed by: Orlando Rojas, With: Rosa Fornes, Juan Luis Galiardo, Luisa Pérez Nieto","Artist: R. Martinez.","Artist Munoz Bachs. Directed by Tomas Gutierrez Alea.","Artist: Munoz Bachs. Directed by Luis Felipe Bernaza.","Directed by Luis Felipe Bernaza. Text: De Tal Pedro Tal Astilla Con: Reinaldo Mairavales, Ana Vina, Nancy Gonzalez, Gilberto Revés. Film Cubano en colores/ Director: Luis Felipe Bernaza Translation: A Chip Off the Old Block; With Reinaldo Mairavales, Ana Vina, Nancy Gonzalez, Gilberto Revés.","Artist: Reboiro. Directed by Santiago Alvarez.","Directed by Santiago Alvarez. Text: LBJ, Documental cubano / Director: Santiago Alvarez Translation: LBJ, Cuban Documentary","Artist: Hubert Delestre. Poster is signed by the artist. Film dDirected by Tomas Gutierrez Alea.","Poster is signed by the artist. Film Directed by Tomás Gutiérrez Alea. Text: La Muerte de un Burócrata; La Habana, 1966 Una película cubana en blanco y negro con Guión de Alfredo del Cueto. Ramon F. Suárez y Tomás Gutiérrez Alea. Fotografia de Ramon F. Suarez, edicion de Mario Gonzales y música de Leo Brower. Con la actuación de Salvador Wood,  Manuel Estanillo, Silvia Planas , Gaspar de Santelices y Pedro Pablo Astorga.;  El Director Tomás Gutiérrez Alea.  Translation: The Death of a Bureaucrat; Havana, 1966 A  black and white cuban film, With:  Guión de Alfredo del Cueto. Ramon F. Suárez y Tomás Gutiérrez Alea. Photography by Ramon F. Suarez, Editing by Mario Gonzales and music by Leo Bower. Starring: Salvador Wood,  Manuel Estanillo, Silvia Planas , Gaspar de Santelices y Pedro Pablo Astorga, Director Tomás Gutiérrez Alea","Artist: Maikel.","Text: 6to Festival Internacional de Documentales \"Santiago Álvarez in Memoriam\"; Santiago de Cuba del 5 al 8 de marzo del 2005. El cine documental en el mundo contemporáneo Translation: 6to International  Documentary Festival \"In Memory of Santiago Álvarez,\"; Santiago de Cuba from the 5th to 8th of March of 2005","Artist: Munoz Bachs. Directed by Fernando Valverde.","Directed by Fernando Valverde. Text: Martín Fierro; Coproducción de Animación cubana/Argentino Colombiana Translation: Martín Fierro; Coprduction from Cuban/Argentinian/Columbian Animation","Artist: Pablo Monterrey.","Text: Diseno Contemporaneo Filmes Clássicos, Exposición de carteles Centro Cultural cinematografico ICAIC; ICAIC 201; 1960-2010 Cinemateca de Cuba 50 Translation: Contemporary Design Classic Films Poster Exhibit Cultural Center of Cinematography ICAIC","Artist: Nelson Ponce. Directed by Jorge Luis Sanchez.","Artist: Munozs Bachs.","Directed by Juan Padron Text: Filminutos","Artist: Fabian. Directed by Rebecaa Chavez.","Directed by Rebecca Chavez. Text: Che, Entre Leyendas; trilogía documental (ICAIC) Translation: Among the LEgends; Documentary (IACAIC) trilogy","Artist: Nestor Coll (Nester Coll?). Directed by Sergio Nunez.","Artist: Nelson Ponce. Directed by Juan Padron.","Directed by Juan Padron. Text: Vampiros en la Habana Translation: Vampires in Havana","Directed by Manuel Marcel. The poster artist signed \"Z-in memory of Raul Martinez.\"","Directed by Manuel Marcel. The poster artist signed \"Z-in memory of Raul Martinez.\" Text: Marzel; Una película de marzel; Musica: Luis Alberto Spineta Translation: marzel; A movie about Marzel; Music:Luis Alberto Spineta","Artist: Coll.","Text: 14 Tallen Naccional de la Crítica Cinematográfica Translation: 14th National Workshop of Film Criticism","Artist: Giselle Monzon. Directed by Oliver Stone.","Artist: Coll. Directed by Antonio Banderas.","Directed by Antonio Banderas. Text: \"El Camino de  los ingleses\" Filme España-Gran Bretaña, Dirigido por Antonio Banderas; Con: Victoria Abril, Juan Diego, Frank Perea Translation: \" The way of the English\" Spanish-Great Britain Film, Directed by Antonia Banderas; With: Victoria Abril, Juan Diego, Frank Pere","Artist: Arnulfo. Directed by Steven Spielberg.","Directed by Steven Spielberg.Text: La Lista de Schindler un film de Steven Spielberg Translation: Schindler's List, a film by Steven Spielberg","Artist: Niko. Directed by Santiago Alvarez.","Directed by Santiago Alvarez. Text: Mi Hermano Fidel, Documental cubano, dirección Santiago Alvares Translation: My Brother Fidel, Cuban Documentary; Directed by Santiago Alvares","Artist: Munoz Bachs. Directed by Fernando Perez.","Directed by Fernando Perez. Text: La Vida es Silbar. Producida por ICAIC y Wanda Distribución . Dirección: Fernando Perez, Con: Luis Alberto Garcia, Isabel Santos, Coralia Velos, Ronaldo Brito, Claudia Rojas, Joan Manuel Reyes, Bebe Perez Translation: Life is to Whistle, Production by ICAIC and Wanda Distribution; Directed by Fernando Peresz, With: Luis Alberto Garcia, Isabel Santos, Coralia Velos, Ronaldo Brito, Claudia Rojas, Joan Manuel Reyes, Bebe Perez","Artist: Reboira. Directed by Masaki Kobayashi.","Directed by Masaki Kobayashi. Text: Film Japones en cinemascope, direction: Masaki Kobayashi. con Tatsuya Nakadai, Shima Iwashite, Akira Ishihama, Premios San Giorgio y Pascinetti en el Festival de Venecia. segundo premio en el fesival cinematografico de cannes, 1963. Hara Kiri Translation: Japanese Film in sinemasope; Directed by: Masaki Kobayashi; With: Tatsuya Nakadai, Shima Iwashite, Akira Ishihama; San Giorgio and Pascinetti Award en the Venecia Festival, Second Award from the Cannes Film Festival, 1993","Artist: unknown. Text: un filme de Tomas Gutierrez Alea y Juan Carlos Tabio con Jorge Peruggoria, Vladimir Cruz y Mirta Ibarra. Translation: \na film by Tomas Gutierrez Alea and Juan Carlos Tabio with Jorge Peruggoria, Vladimir Cruz and Mirta Ibarra.","Film poster of Café Amargo, directed by Rigoberto Jiménez. Poster is signed by film producer Jorge Luis Barber.","Film poster of Café Amargo, directed by Rigoberto Jiménez. Poster is signed by film producer Jorge Luis Barber. Text:  Cazabe producciones / Estacion Central Producción Audiovisual / Odessa Films, Adela Legra, Coralia Veloz, Oneyda Hernandez, Mirelys Echenique, Yudexi de la Torre, Yunia Jerez, Janet Batista, Venecia Lanz, Carlos Alberto Mendez, Raul Copte; productores: Rigoberto Jiménez, Jorge Luis Barber; productor ejecutivo: Jorge Luis Barber; coproductores: Pedro Pancho Lborra; guion: Artruo Arango, Xenia Rivery; Musica: Juan Pinera; Director de fotografia: Jose Manuel Riera; editora: Ilka M. Valdes; Diseño de Banda Sonora: Heidy Carrazana; Sonido Director: Juan Mauel Lopez; direccion de arte: Vivian del Valle.  Translation: Cazabe production / Central Production Audiovisual Station / Odessa Films, Adela Legra, Coralia Veloz, Oneyda Hernandez, Mirelys Echenique, Yudexi de la Torre, Yunia Jerez, Janet Batista, Venecia Lanz, Carlos Alberto Mendez, Raul Copte; Produced by:  Rigoberto Jiménez, Jorge Luis Barber; Executive Producer: Jorge Luis Barber; Coproducers:  Pedro Pancho Lborra; Script: Artruo Arango, Xenia Rivery; Music: Juan Pinera; Pfotography Director: Jose Manuel Riera; Editor: llka M. Valdes; Soundtrack Design; Sound Director: uan Mauel Lopez: Art Director: Vivian del Valle","Artist: Maylin Betancourt Perez. Bohio, documental television serrana. Director: Carlos Y Rodriguez. Poster presented and signed by the director to Swem Library, 2014.","Black silkscreen on red background. Artist's proof. Signed by the artist, Samuel Riera.","Numbered 12/30 and signed by the artist, Samuel Riera.","Poster is signed by the artist, Idania del Río. Text: 7 de Septiembre, 4:00 PM, MPC, Espacio SGAE, Suite 3A, Lonja del Comercio, Habana Vieja. Translation: September 7, 4:00 PM, MPC, Espacio SGAE, Suite 3A, Lonja del Comercio, Old Havana.","Poster by aArtist: Rostgard. Directed by Santiago Alvarez."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert ","Rodriguez, Ernesto Pina"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert ","Rodriguez, Ernesto Pina"],"language_ssim":["Spanish; Castilian English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":87,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:26:34.255Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1149_c03"}},{"id":"wvmturhc_repositories_2_resources_6944_c03","type":"Series","attributes":{"title":"Series 3. Audiovisual Material","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6944_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series includes audiovisual materials that John Russo has had some part in, or has helped produced. Materials that can be found within the series include VHS cassette tapes, DVDs, a Blu Ray disc, and CDs. Many materials are autographed. Notable items within this series include a VHS copy of \u003cspan\u003eNight of the Living Dead\u003c/span\u003e (1968), as well as several CDs produced by John Russo himself.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6944_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6944_c03","ref_ssm":["wvmturhc_repositories_2_resources_6944_c03"],"id":"wvmturhc_repositories_2_resources_6944_c03","ead_ssi":"wvmturhc_repositories_2_resources_6944","_root_":"wvmturhc_repositories_2_resources_6944","_nest_parent_":"wvmturhc_repositories_2_resources_6944","parent_ssi":"wvmturhc_repositories_2_resources_6944","parent_ssim":["wvmturhc_repositories_2_resources_6944"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6944"],"parent_unittitles_ssm":["John Russo Papers"],"parent_unittitles_tesim":["John Russo Papers"],"text":["John Russo Papers","Series 3. Audiovisual Material","This series includes audiovisual materials that John Russo has had some part in, or has helped produced.  Materials that can be found within the series include VHS cassette tapes, DVDs, a Blu Ray disc, and CDs.  Many materials are autographed.  Notable items within this series include a VHS copy of  Night of the Living Dead  (1968), as well as several CDs produced by John Russo himself."],"title_filing_ssi":"Series 3. Audiovisual Material","title_ssm":["Series 3. Audiovisual Material"],"title_tesim":["Series 3. Audiovisual Material"],"unitdate_inclusive_ssm":["1985-2020"],"normalized_date_ssm":["1985/2020"],"normalized_title_ssm":["Series 3. Audiovisual Material"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["John Russo Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":16,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":62,"parent_access_restrict_tesm":["No special access restriction applies.","Audiovisual recordings must be digitized for research access. Researchers must contact the West Virginia and Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"scopecontent_html_tesm":["\u003cp\u003eThis series includes audiovisual materials that John Russo has had some part in, or has helped produced.  Materials that can be found within the series include VHS cassette tapes, DVDs, a Blu Ray disc, and CDs.  Many materials are autographed.  Notable items within this series include a VHS copy of \u003ctitle\u003e\u003cpart\u003eNight of the Living Dead\u003c/part\u003e\u003c/title\u003e (1968), as well as several CDs produced by John Russo himself.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series includes audiovisual materials that John Russo has had some part in, or has helped produced.  Materials that can be found within the series include VHS cassette tapes, DVDs, a Blu Ray disc, and CDs.  Many materials are autographed.  Notable items within this series include a VHS copy of  Night of the Living Dead  (1968), as well as several CDs produced by John Russo himself."],"_nest_path_":"/components#2","timestamp":"2026-05-21T00:40:40.177Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6944","ead_ssi":"wvmturhc_repositories_2_resources_6944","_root_":"wvmturhc_repositories_2_resources_6944","_nest_parent_":"wvmturhc_repositories_2_resources_6944","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6944.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/221249","title_ssm":["John Russo Papers"],"title_tesim":["John Russo Papers"],"unitdate_ssm":["1960-2022"],"unitdate_inclusive_ssm":["1960-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4557","Archival Resource Key","/repositories/2/resources/6944"],"text":["A\u0026M 4557","Archival Resource Key","/repositories/2/resources/6944","John Russo Papers","Horror films","Horror tales","Zombies in popular culture","No special access restriction applies.","Audiovisual recordings must be digitized for research access. Researchers must contact the West Virginia and Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Born in Clarion, Pennsylvania on September 2, 1939, John Russo is primarily a horror author and filmmaker that has been active for 50+ years in both novel and screenwriting.  Having attended West Virginia University in the early 1960s, Russo is a self-taught writer and filmmaker, and was drafted into the US Army for two years.  While attending WVU, Russo met George Romero, and the two would go on to co-author and film what would become known as  Night of the Living Dead  in January of 1967, with the film releasing in 1968.   Night of the Living Dead  popularized the presence of what we know today as \"zombies\" in popular culture due to its shocking, graphic nature at the time.  It was also the first horror film to star an African-American man, Duane Jones, as the lead actor.  After  Night of the Living Dead , Russo went on to make more horror, suspense, and thriller films on his own, including  Midnight  (1982), and also wrote  Return of the Living Dead  (1985), a cult classic continuation of the zombie concept he originally wrote for  Night of the Living Dead  in 1968.  Not only has Russo made and written films, but he has written novelizations for some of the films he has been involved in, like  Night of the Living Dead  in 1974, as well as  Return of the Living Dead  in 1977.  Russo has also written several original horror novels over the years, as well as comics set in the  Night of the Living Dead  universe. Russo has continued to write, having worked on several projects and even acted in movies like  My Uncle John is a Zombie!  (2017).","This collection includes papers, articles, audiovisual materials, and published works relating to horror writer John Russo. John Russo helped to pioneer the popularization of the \"zombie\" subgenre of horror into popular culture alongside the late George Romero through writing  Night of the Living Dead  in 1968. Russo is a graduate of West Virginia University and was born in Clarion, Pennsylvania. This collection details his 50+ year career, as well as the impact of  Night of the Living Dead  upon not just Appalachian filmmaking and art made in the Pittsburgh area, but horror filmmaking. Alongside his content relating to  Night of the Living Dead , the collection also includes some of his published and unpublished works, novels, and various films that he has taken part in.  Some notable pieces of this collection are a facsimile of the original screenplay of  Night of the Living Dead , Russo's very first typed novel manuscript for  Beer and Apathy , which was written during Russo's time at WVU, and several articles bearing the signature of film director and co-creator of  Night of the Living Dead , George Romero.","This series includes John Russo's written works that have been published into printed media or have yet to be published.  The two types of materials found within this series include typescripts for unpublished novels, as well as published novels and comics.  Most materials are autographed by John Russo.  A notable item included in this series is John Russo's first novel typescript that he wrote while attending West Virginia University in 1961,  Beer and Apathy .","This series includes screenplays written by John Russo that are meant to be turned into feature films, or have been turned into feature films already.  Includes typed screenplays and printed, published screenplays.  Most materials are autographed by John Russo.  Some notable items include copies of the screenplays of  Night of the Living Dead  (1968) and  Return of the Living Dead  (1985).","Potentially problematic due to portrayals of transgender individuals.","This series includes audiovisual materials that John Russo has had some part in, or has helped produced.  Materials that can be found within the series include VHS cassette tapes, DVDs, a Blu Ray disc, and CDs.  Many materials are autographed.  Notable items within this series include a VHS copy of  Night of the Living Dead  (1968), as well as several CDs produced by John Russo himself.","This series includes scrapbooks (in binders) filled with documents, articles, memorabilia, printed internet articles, and various other items detailing John Russo's life and work.  Notable items within this series include original articles detailing the popular culture craze that was  Night of the Living Dead  when it first premiered in 1968, a scrapbook filled with materials relating to 1985's  Return of the Living Dead , and a biographical scrapbook detailing Russo's 50+ year film career.","This series includes large cinema posters of John Russo's movie  Midnight  (1980).  One is a classic-style hand drawn version of the poster, and the other features a photographic design.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Russo, John, 1939-","English \n.    "],"unitid_tesim":["A\u0026M 4557","Archival Resource Key","/repositories/2/resources/6944"],"normalized_title_ssm":["John Russo Papers"],"collection_title_tesim":["John Russo Papers"],"collection_ssim":["John Russo Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Russo, John, 1939-","Russo, John, 1939-"],"creator_ssim":["Russo, John, 1939-","Russo, John, 1939-"],"creator_persname_ssim":["Russo, John, 1939-","Russo, John, 1939-"],"creators_ssim":["Russo, John, 1939-","Russo, John, 1939-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Purchased from Russo, John, 2021-2022."],"access_subjects_ssim":["Horror films","Horror tales","Zombies in popular culture"],"access_subjects_ssm":["Horror films","Horror tales","Zombies in popular culture"],"has_online_content_ssim":["false"],"extent_ssm":["6.05 Linear Feet 11 document cases, 5 in. each; 1 document case, 2.5 in.; 1 record carton; 15 in.; 1 oversized folder, 0.1 in."],"extent_tesim":["6.05 Linear Feet 11 document cases, 5 in. each; 1 document case, 2.5 in.; 1 record carton; 15 in.; 1 oversized folder, 0.1 in."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eAudiovisual recordings must be digitized for research access. Researchers must contact the West Virginia and Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Audiovisual recordings must be digitized for research access. Researchers must contact the West Virginia and Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eBorn in Clarion, Pennsylvania on September 2, 1939, John Russo is primarily a horror author and filmmaker that has been active for 50+ years in both novel and screenwriting.  Having attended West Virginia University in the early 1960s, Russo is a self-taught writer and filmmaker, and was drafted into the US Army for two years.  While attending WVU, Russo met George Romero, and the two would go on to co-author and film what would become known as \u003ctitle\u003e\u003cpart\u003eNight of the Living Dead\u003c/part\u003e\u003c/title\u003e in January of 1967, with the film releasing in 1968.  \u003ctitle\u003e\u003cpart\u003eNight of the Living Dead\u003c/part\u003e\u003c/title\u003e popularized the presence of what we know today as \"zombies\" in popular culture due to its shocking, graphic nature at the time.  It was also the first horror film to star an African-American man, Duane Jones, as the lead actor.  After \u003ctitle\u003e\u003cpart\u003eNight of the Living Dead\u003c/part\u003e\u003c/title\u003e, Russo went on to make more horror, suspense, and thriller films on his own, including \u003ctitle\u003e\u003cpart\u003eMidnight\u003c/part\u003e\u003c/title\u003e (1982), and also wrote \u003ctitle\u003e\u003cpart\u003eReturn of the Living Dead\u003c/part\u003e\u003c/title\u003e (1985), a cult classic continuation of the zombie concept he originally wrote for \u003ctitle\u003e\u003cpart\u003eNight of the Living Dead\u003c/part\u003e\u003c/title\u003e in 1968.  Not only has Russo made and written films, but he has written novelizations for some of the films he has been involved in, like \u003ctitle\u003e\u003cpart\u003eNight of the Living Dead\u003c/part\u003e\u003c/title\u003e in 1974, as well as \u003ctitle\u003e\u003cpart\u003eReturn of the Living Dead\u003c/part\u003e\u003c/title\u003e in 1977.  Russo has also written several original horror novels over the years, as well as comics set in the \u003ctitle\u003e\u003cpart\u003eNight of the Living Dead\u003c/part\u003e\u003c/title\u003e universe. Russo has continued to write, having worked on several projects and even acted in movies like \u003ctitle\u003e\u003cpart\u003eMy Uncle John is a Zombie!\u003c/part\u003e\u003c/title\u003e (2017).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born in Clarion, Pennsylvania on September 2, 1939, John Russo is primarily a horror author and filmmaker that has been active for 50+ years in both novel and screenwriting.  Having attended West Virginia University in the early 1960s, Russo is a self-taught writer and filmmaker, and was drafted into the US Army for two years.  While attending WVU, Russo met George Romero, and the two would go on to co-author and film what would become known as  Night of the Living Dead  in January of 1967, with the film releasing in 1968.   Night of the Living Dead  popularized the presence of what we know today as \"zombies\" in popular culture due to its shocking, graphic nature at the time.  It was also the first horror film to star an African-American man, Duane Jones, as the lead actor.  After  Night of the Living Dead , Russo went on to make more horror, suspense, and thriller films on his own, including  Midnight  (1982), and also wrote  Return of the Living Dead  (1985), a cult classic continuation of the zombie concept he originally wrote for  Night of the Living Dead  in 1968.  Not only has Russo made and written films, but he has written novelizations for some of the films he has been involved in, like  Night of the Living Dead  in 1974, as well as  Return of the Living Dead  in 1977.  Russo has also written several original horror novels over the years, as well as comics set in the  Night of the Living Dead  universe. Russo has continued to write, having worked on several projects and even acted in movies like  My Uncle John is a Zombie!  (2017)."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], John Russo Papers, A\u0026amp;M 4557, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], John Russo Papers, A\u0026M 4557, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes papers, articles, audiovisual materials, and published works relating to horror writer John Russo. John Russo helped to pioneer the popularization of the \"zombie\" subgenre of horror into popular culture alongside the late George Romero through writing \u003ctitle\u003e\u003cpart\u003eNight of the Living Dead\u003c/part\u003e\u003c/title\u003e in 1968. Russo is a graduate of West Virginia University and was born in Clarion, Pennsylvania. This collection details his 50+ year career, as well as the impact of \u003ctitle\u003e\u003cpart\u003eNight of the Living Dead\u003c/part\u003e\u003c/title\u003e upon not just Appalachian filmmaking and art made in the Pittsburgh area, but horror filmmaking. Alongside his content relating to \u003ctitle\u003e\u003cpart\u003eNight of the Living Dead\u003c/part\u003e\u003c/title\u003e, the collection also includes some of his published and unpublished works, novels, and various films that he has taken part in.  Some notable pieces of this collection are a facsimile of the original screenplay of \u003ctitle\u003e\u003cpart\u003eNight of the Living Dead\u003c/part\u003e\u003c/title\u003e, Russo's very first typed novel manuscript for \u003ctitle\u003e\u003cpart\u003eBeer and Apathy\u003c/part\u003e\u003c/title\u003e, which was written during Russo's time at WVU, and several articles bearing the signature of film director and co-creator of \u003ctitle\u003e\u003cpart\u003eNight of the Living Dead\u003c/part\u003e\u003c/title\u003e, George Romero.\u003c/p\u003e","\u003cp\u003eThis series includes John Russo's written works that have been published into printed media or have yet to be published.  The two types of materials found within this series include typescripts for unpublished novels, as well as published novels and comics.  Most materials are autographed by John Russo.  A notable item included in this series is John Russo's first novel typescript that he wrote while attending West Virginia University in 1961, \u003ctitle\u003e\u003cpart\u003eBeer and Apathy\u003c/part\u003e\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis series includes screenplays written by John Russo that are meant to be turned into feature films, or have been turned into feature films already.  Includes typed screenplays and printed, published screenplays.  Most materials are autographed by John Russo.  Some notable items include copies of the screenplays of \u003ctitle\u003e\u003cpart\u003eNight of the Living Dead\u003c/part\u003e\u003c/title\u003e (1968) and \u003ctitle\u003e\u003cpart\u003eReturn of the Living Dead\u003c/part\u003e\u003c/title\u003e (1985).\u003c/p\u003e","\u003cp\u003ePotentially problematic due to portrayals of transgender individuals.\u003c/p\u003e","\u003cp\u003eThis series includes audiovisual materials that John Russo has had some part in, or has helped produced.  Materials that can be found within the series include VHS cassette tapes, DVDs, a Blu Ray disc, and CDs.  Many materials are autographed.  Notable items within this series include a VHS copy of \u003ctitle\u003e\u003cpart\u003eNight of the Living Dead\u003c/part\u003e\u003c/title\u003e (1968), as well as several CDs produced by John Russo himself.\u003c/p\u003e","\u003cp\u003eThis series includes scrapbooks (in binders) filled with documents, articles, memorabilia, printed internet articles, and various other items detailing John Russo's life and work.  Notable items within this series include original articles detailing the popular culture craze that was \u003ctitle\u003e\u003cpart\u003eNight of the Living Dead\u003c/part\u003e\u003c/title\u003e when it first premiered in 1968, a scrapbook filled with materials relating to 1985's \u003ctitle\u003e\u003cpart\u003eReturn of the Living Dead\u003c/part\u003e\u003c/title\u003e, and a biographical scrapbook detailing Russo's 50+ year film career.\u003c/p\u003e","\u003cp\u003eThis series includes large cinema posters of John Russo's movie \u003ctitle\u003e\u003cpart\u003eMidnight\u003c/part\u003e\u003c/title\u003e (1980).  One is a classic-style hand drawn version of the poster, and the other features a photographic design.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection includes papers, articles, audiovisual materials, and published works relating to horror writer John Russo. John Russo helped to pioneer the popularization of the \"zombie\" subgenre of horror into popular culture alongside the late George Romero through writing  Night of the Living Dead  in 1968. Russo is a graduate of West Virginia University and was born in Clarion, Pennsylvania. This collection details his 50+ year career, as well as the impact of  Night of the Living Dead  upon not just Appalachian filmmaking and art made in the Pittsburgh area, but horror filmmaking. Alongside his content relating to  Night of the Living Dead , the collection also includes some of his published and unpublished works, novels, and various films that he has taken part in.  Some notable pieces of this collection are a facsimile of the original screenplay of  Night of the Living Dead , Russo's very first typed novel manuscript for  Beer and Apathy , which was written during Russo's time at WVU, and several articles bearing the signature of film director and co-creator of  Night of the Living Dead , George Romero.","This series includes John Russo's written works that have been published into printed media or have yet to be published.  The two types of materials found within this series include typescripts for unpublished novels, as well as published novels and comics.  Most materials are autographed by John Russo.  A notable item included in this series is John Russo's first novel typescript that he wrote while attending West Virginia University in 1961,  Beer and Apathy .","This series includes screenplays written by John Russo that are meant to be turned into feature films, or have been turned into feature films already.  Includes typed screenplays and printed, published screenplays.  Most materials are autographed by John Russo.  Some notable items include copies of the screenplays of  Night of the Living Dead  (1968) and  Return of the Living Dead  (1985).","Potentially problematic due to portrayals of transgender individuals.","This series includes audiovisual materials that John Russo has had some part in, or has helped produced.  Materials that can be found within the series include VHS cassette tapes, DVDs, a Blu Ray disc, and CDs.  Many materials are autographed.  Notable items within this series include a VHS copy of  Night of the Living Dead  (1968), as well as several CDs produced by John Russo himself.","This series includes scrapbooks (in binders) filled with documents, articles, memorabilia, printed internet articles, and various other items detailing John Russo's life and work.  Notable items within this series include original articles detailing the popular culture craze that was  Night of the Living Dead  when it first premiered in 1968, a scrapbook filled with materials relating to 1985's  Return of the Living Dead , and a biographical scrapbook detailing Russo's 50+ year film career.","This series includes large cinema posters of John Russo's movie  Midnight  (1980).  One is a classic-style hand drawn version of the poster, and the other features a photographic design."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_39726157500b1f071383d0c8d48af29d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Russo, John, 1939-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Russo, John, 1939-"],"persname_ssim":["Russo, John, 1939-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":89,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:40:40.177Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6944_c03"}},{"id":"wvmturhc_repositories_2_resources_6907_c03","type":"Series","attributes":{"title":"Series 3. Audiovisual Materials (Box 7)","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6907_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eMaterials include digitized photographs on CDs, recorded interviews and ceremonies, as well as an atlas on CD-ROM.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6907_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6907_c03","ref_ssm":["wvmturhc_repositories_2_resources_6907_c03"],"id":"wvmturhc_repositories_2_resources_6907_c03","ead_ssi":"wvmturhc_repositories_2_resources_6907","_root_":"wvmturhc_repositories_2_resources_6907","_nest_parent_":"wvmturhc_repositories_2_resources_6907","parent_ssi":"wvmturhc_repositories_2_resources_6907","parent_ssim":["wvmturhc_repositories_2_resources_6907"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6907"],"parent_unittitles_ssm":["Katherine G. Johnson, Mathematician, Papers"],"parent_unittitles_tesim":["Katherine G. Johnson, Mathematician, Papers"],"text":["Katherine G. Johnson, Mathematician, Papers","Series 3. Audiovisual Materials (Box 7)","Box 7","Materials include digitized photographs on CDs, recorded interviews and ceremonies, as well as an atlas on CD-ROM."],"title_filing_ssi":"Series 3. Audiovisual Materials (Box 7)","title_ssm":["Series 3. Audiovisual Materials (Box 7)"],"title_tesim":["Series 3. Audiovisual Materials (Box 7)"],"unitdate_inclusive_ssm":["2003-2019"],"normalized_date_ssm":["2003/2019"],"normalized_title_ssm":["Series 3. Audiovisual Materials (Box 7)"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Katherine G. Johnson, Mathematician, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":96,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. Copyright for photographs of Katherine Johnson for Vanity Fair magazine is not owned by the West Virginia and Regional History Center. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"containers_ssim":["Box 7"],"scopecontent_html_tesm":["\u003cp\u003eMaterials include digitized photographs on CDs, recorded interviews and ceremonies, as well as an atlas on CD-ROM.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials include digitized photographs on CDs, recorded interviews and ceremonies, as well as an atlas on CD-ROM."],"_nest_path_":"/components#2","timestamp":"2026-05-21T01:37:55.577Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6907","ead_ssi":"wvmturhc_repositories_2_resources_6907","_root_":"wvmturhc_repositories_2_resources_6907","_nest_parent_":"wvmturhc_repositories_2_resources_6907","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6907.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/209608","title_ssm":["Katherine G. Johnson, Mathematician, Papers"],"title_tesim":["Katherine G. Johnson, Mathematician, Papers"],"unitdate_ssm":["1800-2024","2016-2021"],"unitdate_bulk_ssim":["2016-2021"],"unitdate_inclusive_ssm":["1800-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4536","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6907"],"text":["A\u0026M 4536","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6907","Katherine G. Johnson, Mathematician, Papers","Women -- United States -- History","African Americans ","Mathematics","No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Katherine Goble Johnson was born in White Sulphur Springs, West Virginia on August 26, 1918. Born Creola Katherine Coleman to parents Joylette Roberta and Joshua McKinley Coleman, she was the youngest of four children. Excelling at mathematics from an early age, Katherine and her family moved to Institute, West Virginia in order for Katherine to attend high school on the campus of West Virginia State University (WVSU). Graduating from high school at the age of 14, Johnson immediately enrolled at WVSU to pursue higher education. At the age of 18 she graduated  summa cum laude  in 1937 with a double major in mathematics and French. Finding few opportunities for an African-American teenage mathematician she eventually took a job as a schoolteacher in Marion, Virginia.","After marrying her first husband, James Goble, in 1939 Katherine was selected by the president of WVSU to be one of three African Americans to integrate West Virginia University (WVU) following Governor Homer Holt's decision to desegregate public graduate schools in West Virginia. Becoming the first African-American woman to be accepted into WVU's graduate program, Johnson withdrew from classes after discovering she was pregnant, settling into motherhood and her career as a teacher over the next decade.","In 1952, after hearing from a relative about jobs working with the all-black West Area computing section at the National Advisory Committee for Aeronautics (NACA) Langley laboratory under the instruction of fellow West Virginian Dorothy Vaughan, Katherine and James moved to Newport News, Virginia and Johnson began working at Langley in the summer of 1953. First assigned to a project in the Maneuver Loads Branch of the Flight Research Division, her temporary position quickly turned permanent.","Johnson helped provide some of the math for the 1958 document  Notes on Space Technology . As NACA transformed in the National Aeronautics and Space Administration (NASA), Johnson continued to provide groundbreaking work including trajectory analysis for the 1961 Freedom 7 mission with Alan Shepard, America's first human spaceflight. Her and engineer Ted Skopinski's  Determination of Azimuth Angle at Burnout for Placing a Satellite Over a Selected Earth Position  was the first time a woman in the Flight Research Division received credit as an author of a research report. ","Over the course of her career with NASA Johnson assisted with a variety of pioneering space flight missions. She verified the flight plan of John Glenn prior to his historic orbit of the Earth in 1961, in 1969 she was part of the team that calculated where and when to launch the rocket for the Apollo 11 mission that sent the first humans to the Moon, as well as working on the space shuttle program, and authoring/coauthoring 26 research reports. Katherine Johnson retired from NASA in 1986 after 33 years at the Langley facility.","Over the years Johnson received numerous awards and recognitions for her contributions to space flight. In 2015, she was awarded the Presidential Medal of Freedom by President Barack Obama, the highest civilian award in the United States. In 2016, NASA named the Katherine G. Johnson Computational Research Facility after her. Also in 2016, Margot Lee Shetterly published  Hidden Figures: The American Dream and The Untold Story of the Black Women Mathematicians Who Helped Win the Space Race , a book about the West Area computers, including Katherine Johnson, Dorothy Vaughan, and Mary Jackson. A film based on the book and having the same title was released that same year with the movie being nominated for Best Picture at the 89th Academy Awards.","Katherine Johnson passed away on February 24, 2020 at the age of 101 at a retirement home in Newport News, Virginia. She was preceded in death by her second husband Jim Johnson in 2019, whom she married in 1959 after the death of her first husband in 1956. A memoir,  My Remarkable Journey , co-written by Johnson and her daughters, Joylette Hylick and Katherine Moore, was published posthumously in 2021.","Papers of Katherine G. Johnson. Includes assorted artifacts, family photographs, awards, honorary degrees, correspondence, and other material regarding the career and life of Katherine G. Johnson. The bulk of the collection is focused on material relating to the release of the 2016 film  Hidden Figures  while other material details Katherine Johnson's early life and her family history. Such material includes news clippings, magazine articles, and fan mail to Katherine G. Johnson.","Includes framed awards, plaques, glass awards, honorary degrees, and other resolutions and recognitions granted to Katherine G. Johnson.","Includes materials related to Katherine G. Johnson, the film  Hidden Figures , and general NASA publications. Types of material include newspaper clippings, magazine articles, pamphlets, program schedules, books, and copies of commencement speeches given by Johnson and others, among other items.","Materials include digitized photographs on CDs, recorded interviews and ceremonies, as well as an atlas on CD-ROM.","Includes mostly fan mail to Katherine Johnson, with other items including personal and family correspondence, as well as writings related to event and award ceremonies.","Includes family photographs, scrapbooks, Katherine Johnson's math tools and math book, and a Barbie doll of Katherine Johnson, among other items.","Contains four plastic squares, one broken spiral mathemathical instrument, one intact spiral, and one small paper kit containing a variety of equipment.","Contains two circle templates, one logarithmic spiral curve and booklet, one ellipse set, and two protractors.","A significant portion of these photographs are of Katherine's maternal aunt, Lelia Lowe White, and her students at Langston High School in Danville, VA.","Includes handwritten math textbook in the ledger for a business (possibly a pharmacy) owned by an ancestor of Katherine Johnson (likely Thomas H. Lowe) and several documents found inside the ledger, such as letters and a handwritten story. Other names listed in this material include Abraham North Lowe and Lee Lowe.","Invitation and program for the United States Congressional Gold Medal Ceremony in honor of Katherine Johnson, Dr. Christine Darden, Dorothy Vaughan, and Mary Jackson, as well as the same for the National Aviation Hall of Fame's 60th Annual Enshrinement Dinner \u0026 Ceremony","Permission to publish or reproduce is required from the copyright holder. Copyright for photographs of Katherine Johnson for Vanity Fair magazine is not owned by the West Virginia and Regional History Center. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","English \n.    "],"unitid_tesim":["A\u0026M 4536","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6907"],"normalized_title_ssm":["Katherine G. Johnson, Mathematician, Papers"],"collection_title_tesim":["Katherine G. Johnson, Mathematician, Papers"],"collection_ssim":["Katherine G. Johnson, Mathematician, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. Copyright for photographs of Katherine Johnson for Vanity Fair magazine is not owned by the West Virginia and Regional History Center. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Joylette G. Hylick and Katherine G. Moore, 2021-2022."],"access_subjects_ssim":["Women -- United States -- History","African Americans ","Mathematics"],"access_subjects_ssm":["Women -- United States -- History","African Americans ","Mathematics"],"has_online_content_ssim":["false"],"extent_ssm":["11.89 Linear Feet 7 record cartons, 15 in. each; 1 flat storage box, 4 in.; 1 flat storage box, 3.5 in.; 7 flat storage boxes, 3 in. each; 2 flat storage boxes, 1.5 in. each; 1 roll tube box, 4 in.; 3 unboxed items, 2.25 in. total","4.8 Gigabytes 448 files, formats include .jpg, .gif, .png, .pdf, .mp3, .ppt, .iso, .cue, .md5"],"extent_tesim":["11.89 Linear Feet 7 record cartons, 15 in. each; 1 flat storage box, 4 in.; 1 flat storage box, 3.5 in.; 7 flat storage boxes, 3 in. each; 2 flat storage boxes, 1.5 in. each; 1 roll tube box, 4 in.; 3 unboxed items, 2.25 in. total","4.8 Gigabytes 448 files, formats include .jpg, .gif, .png, .pdf, .mp3, .ppt, .iso, .cue, .md5"],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eKatherine Goble Johnson was born in White Sulphur Springs, West Virginia on August 26, 1918. Born Creola Katherine Coleman to parents Joylette Roberta and Joshua McKinley Coleman, she was the youngest of four children. Excelling at mathematics from an early age, Katherine and her family moved to Institute, West Virginia in order for Katherine to attend high school on the campus of West Virginia State University (WVSU). Graduating from high school at the age of 14, Johnson immediately enrolled at WVSU to pursue higher education. At the age of 18 she graduated \u003cemph\u003esumma cum laude\u003c/emph\u003e in 1937 with a double major in mathematics and French. Finding few opportunities for an African-American teenage mathematician she eventually took a job as a schoolteacher in Marion, Virginia.\u003c/p\u003e\n","\u003cp\u003eAfter marrying her first husband, James Goble, in 1939 Katherine was selected by the president of WVSU to be one of three African Americans to integrate West Virginia University (WVU) following Governor Homer Holt's decision to desegregate public graduate schools in West Virginia. Becoming the first African-American woman to be accepted into WVU's graduate program, Johnson withdrew from classes after discovering she was pregnant, settling into motherhood and her career as a teacher over the next decade.\u003c/p\u003e\n","\u003cp\u003eIn 1952, after hearing from a relative about jobs working with the all-black West Area computing section at the National Advisory Committee for Aeronautics (NACA) Langley laboratory under the instruction of fellow West Virginian Dorothy Vaughan, Katherine and James moved to Newport News, Virginia and Johnson began working at Langley in the summer of 1953. First assigned to a project in the Maneuver Loads Branch of the Flight Research Division, her temporary position quickly turned permanent.\u003c/p\u003e\n","\u003cp\u003eJohnson helped provide some of the math for the 1958 document \u003ctitle\u003e\u003cpart\u003eNotes on Space Technology\u003c/part\u003e\u003c/title\u003e. As NACA transformed in the National Aeronautics and Space Administration (NASA), Johnson continued to provide groundbreaking work including trajectory analysis for the 1961 Freedom 7 mission with Alan Shepard, America's first human spaceflight. Her and engineer Ted Skopinski's \u003ctitle\u003e\u003cpart\u003eDetermination of Azimuth Angle at Burnout for Placing a Satellite Over a Selected Earth Position\u003c/part\u003e\u003c/title\u003e was the first time a woman in the Flight Research Division received credit as an author of a research report. \u003c/p\u003e\n","\u003cp\u003eOver the course of her career with NASA Johnson assisted with a variety of pioneering space flight missions. She verified the flight plan of John Glenn prior to his historic orbit of the Earth in 1961, in 1969 she was part of the team that calculated where and when to launch the rocket for the Apollo 11 mission that sent the first humans to the Moon, as well as working on the space shuttle program, and authoring/coauthoring 26 research reports. Katherine Johnson retired from NASA in 1986 after 33 years at the Langley facility.\u003c/p\u003e\n","\u003cp\u003eOver the years Johnson received numerous awards and recognitions for her contributions to space flight. In 2015, she was awarded the Presidential Medal of Freedom by President Barack Obama, the highest civilian award in the United States. In 2016, NASA named the Katherine G. Johnson Computational Research Facility after her. Also in 2016, Margot Lee Shetterly published \u003ctitle\u003e\u003cpart\u003eHidden Figures: The American Dream and The Untold Story of the Black Women Mathematicians Who Helped Win the Space Race\u003c/part\u003e\u003c/title\u003e, a book about the West Area computers, including Katherine Johnson, Dorothy Vaughan, and Mary Jackson. A film based on the book and having the same title was released that same year with the movie being nominated for Best Picture at the 89th Academy Awards.\u003c/p\u003e\n","\u003cp\u003eKatherine Johnson passed away on February 24, 2020 at the age of 101 at a retirement home in Newport News, Virginia. She was preceded in death by her second husband Jim Johnson in 2019, whom she married in 1959 after the death of her first husband in 1956. A memoir, \u003ctitle\u003e\u003cpart\u003eMy Remarkable Journey\u003c/part\u003e\u003c/title\u003e, co-written by Johnson and her daughters, Joylette Hylick and Katherine Moore, was published posthumously in 2021.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Katherine Goble Johnson was born in White Sulphur Springs, West Virginia on August 26, 1918. Born Creola Katherine Coleman to parents Joylette Roberta and Joshua McKinley Coleman, she was the youngest of four children. Excelling at mathematics from an early age, Katherine and her family moved to Institute, West Virginia in order for Katherine to attend high school on the campus of West Virginia State University (WVSU). Graduating from high school at the age of 14, Johnson immediately enrolled at WVSU to pursue higher education. At the age of 18 she graduated  summa cum laude  in 1937 with a double major in mathematics and French. Finding few opportunities for an African-American teenage mathematician she eventually took a job as a schoolteacher in Marion, Virginia.","After marrying her first husband, James Goble, in 1939 Katherine was selected by the president of WVSU to be one of three African Americans to integrate West Virginia University (WVU) following Governor Homer Holt's decision to desegregate public graduate schools in West Virginia. Becoming the first African-American woman to be accepted into WVU's graduate program, Johnson withdrew from classes after discovering she was pregnant, settling into motherhood and her career as a teacher over the next decade.","In 1952, after hearing from a relative about jobs working with the all-black West Area computing section at the National Advisory Committee for Aeronautics (NACA) Langley laboratory under the instruction of fellow West Virginian Dorothy Vaughan, Katherine and James moved to Newport News, Virginia and Johnson began working at Langley in the summer of 1953. First assigned to a project in the Maneuver Loads Branch of the Flight Research Division, her temporary position quickly turned permanent.","Johnson helped provide some of the math for the 1958 document  Notes on Space Technology . As NACA transformed in the National Aeronautics and Space Administration (NASA), Johnson continued to provide groundbreaking work including trajectory analysis for the 1961 Freedom 7 mission with Alan Shepard, America's first human spaceflight. Her and engineer Ted Skopinski's  Determination of Azimuth Angle at Burnout for Placing a Satellite Over a Selected Earth Position  was the first time a woman in the Flight Research Division received credit as an author of a research report. ","Over the course of her career with NASA Johnson assisted with a variety of pioneering space flight missions. She verified the flight plan of John Glenn prior to his historic orbit of the Earth in 1961, in 1969 she was part of the team that calculated where and when to launch the rocket for the Apollo 11 mission that sent the first humans to the Moon, as well as working on the space shuttle program, and authoring/coauthoring 26 research reports. Katherine Johnson retired from NASA in 1986 after 33 years at the Langley facility.","Over the years Johnson received numerous awards and recognitions for her contributions to space flight. In 2015, she was awarded the Presidential Medal of Freedom by President Barack Obama, the highest civilian award in the United States. In 2016, NASA named the Katherine G. Johnson Computational Research Facility after her. Also in 2016, Margot Lee Shetterly published  Hidden Figures: The American Dream and The Untold Story of the Black Women Mathematicians Who Helped Win the Space Race , a book about the West Area computers, including Katherine Johnson, Dorothy Vaughan, and Mary Jackson. A film based on the book and having the same title was released that same year with the movie being nominated for Best Picture at the 89th Academy Awards.","Katherine Johnson passed away on February 24, 2020 at the age of 101 at a retirement home in Newport News, Virginia. She was preceded in death by her second husband Jim Johnson in 2019, whom she married in 1959 after the death of her first husband in 1956. A memoir,  My Remarkable Journey , co-written by Johnson and her daughters, Joylette Hylick and Katherine Moore, was published posthumously in 2021."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Katherine G. Johnson, Mathematician, Papers, A\u0026amp;M 4536, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Katherine G. Johnson, Mathematician, Papers, A\u0026M 4536, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Katherine G. Johnson. Includes assorted artifacts, family photographs, awards, honorary degrees, correspondence, and other material regarding the career and life of Katherine G. Johnson. The bulk of the collection is focused on material relating to the release of the 2016 film \u003ctitle\u003e\u003cpart\u003eHidden Figures\u003c/part\u003e\u003c/title\u003e while other material details Katherine Johnson's early life and her family history. Such material includes news clippings, magazine articles, and fan mail to Katherine G. Johnson.\u003c/p\u003e","\u003cp\u003eIncludes framed awards, plaques, glass awards, honorary degrees, and other resolutions and recognitions granted to Katherine G. Johnson.\u003c/p\u003e","\u003cp\u003eIncludes materials related to Katherine G. Johnson, the film \u003cemph\u003eHidden Figures\u003c/emph\u003e, and general NASA publications. Types of material include newspaper clippings, magazine articles, pamphlets, program schedules, books, and copies of commencement speeches given by Johnson and others, among other items.\u003c/p\u003e","\u003cp\u003eMaterials include digitized photographs on CDs, recorded interviews and ceremonies, as well as an atlas on CD-ROM.\u003c/p\u003e","\u003cp\u003eIncludes mostly fan mail to Katherine Johnson, with other items including personal and family correspondence, as well as writings related to event and award ceremonies.\u003c/p\u003e","\u003cp\u003eIncludes family photographs, scrapbooks, Katherine Johnson's math tools and math book, and a Barbie doll of Katherine Johnson, among other items.\u003c/p\u003e","\u003cp\u003eContains four plastic squares, one broken spiral mathemathical instrument, one intact spiral, and one small paper kit containing a variety of equipment.\u003c/p\u003e","\u003cp\u003eContains two circle templates, one logarithmic spiral curve and booklet, one ellipse set, and two protractors.\u003c/p\u003e","\u003cp\u003eA significant portion of these photographs are of Katherine's maternal aunt, Lelia Lowe White, and her students at Langston High School in Danville, VA.\u003c/p\u003e","\u003cp\u003eIncludes handwritten math textbook in the ledger for a business (possibly a pharmacy) owned by an ancestor of Katherine Johnson (likely Thomas H. Lowe) and several documents found inside the ledger, such as letters and a handwritten story. Other names listed in this material include Abraham North Lowe and Lee Lowe.\u003c/p\u003e","\u003cp\u003eInvitation and program for the United States Congressional Gold Medal Ceremony in honor of Katherine Johnson, Dr. Christine Darden, Dorothy Vaughan, and Mary Jackson, as well as the same for the National Aviation Hall of Fame's 60th Annual Enshrinement Dinner \u0026amp; Ceremony\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Katherine G. Johnson. Includes assorted artifacts, family photographs, awards, honorary degrees, correspondence, and other material regarding the career and life of Katherine G. Johnson. The bulk of the collection is focused on material relating to the release of the 2016 film  Hidden Figures  while other material details Katherine Johnson's early life and her family history. Such material includes news clippings, magazine articles, and fan mail to Katherine G. Johnson.","Includes framed awards, plaques, glass awards, honorary degrees, and other resolutions and recognitions granted to Katherine G. Johnson.","Includes materials related to Katherine G. Johnson, the film  Hidden Figures , and general NASA publications. Types of material include newspaper clippings, magazine articles, pamphlets, program schedules, books, and copies of commencement speeches given by Johnson and others, among other items.","Materials include digitized photographs on CDs, recorded interviews and ceremonies, as well as an atlas on CD-ROM.","Includes mostly fan mail to Katherine Johnson, with other items including personal and family correspondence, as well as writings related to event and award ceremonies.","Includes family photographs, scrapbooks, Katherine Johnson's math tools and math book, and a Barbie doll of Katherine Johnson, among other items.","Contains four plastic squares, one broken spiral mathemathical instrument, one intact spiral, and one small paper kit containing a variety of equipment.","Contains two circle templates, one logarithmic spiral curve and booklet, one ellipse set, and two protractors.","A significant portion of these photographs are of Katherine's maternal aunt, Lelia Lowe White, and her students at Langston High School in Danville, VA.","Includes handwritten math textbook in the ledger for a business (possibly a pharmacy) owned by an ancestor of Katherine Johnson (likely Thomas H. Lowe) and several documents found inside the ledger, such as letters and a handwritten story. Other names listed in this material include Abraham North Lowe and Lee Lowe.","Invitation and program for the United States Congressional Gold Medal Ceremony in honor of Katherine Johnson, Dr. Christine Darden, Dorothy Vaughan, and Mary Jackson, as well as the same for the National Aviation Hall of Fame's 60th Annual Enshrinement Dinner \u0026 Ceremony"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. Copyright for photographs of Katherine Johnson for Vanity Fair magazine is not owned by the West Virginia and Regional History Center. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. Copyright for photographs of Katherine Johnson for Vanity Fair magazine is not owned by the West Virginia and Regional History Center. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8e0ff43f3887e0be43707b95c6c03073\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":135,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:37:55.577Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6907_c03"}},{"id":"virmu_repositories_2_resources_435_c03","type":"Series","attributes":{"title":"Series 3: Biographical","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_435_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series contains correspondence, receipts, photographs, and publications that document Rubin Peacock's life and career.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_435_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_435_c03","ref_ssm":["virmu_repositories_2_resources_435_c03"],"id":"virmu_repositories_2_resources_435_c03","ead_ssi":"virmu_repositories_2_resources_435","_root_":"virmu_repositories_2_resources_435","_nest_parent_":"virmu_repositories_2_resources_435","parent_ssi":"virmu_repositories_2_resources_435","parent_ssim":["virmu_repositories_2_resources_435"],"parent_ids_ssim":["virmu_repositories_2_resources_435"],"parent_unittitles_ssm":["Rubin Peacock Artist Archives (VA-08)"],"parent_unittitles_tesim":["Rubin Peacock Artist Archives (VA-08)"],"text":["Rubin Peacock Artist Archives (VA-08)","Series 3: Biographical","This series contains correspondence, receipts, photographs, and publications that document Rubin Peacock's life and career."],"title_filing_ssi":"Series 3: Biographical","title_ssm":["Series 3: Biographical"],"title_tesim":["Series 3: Biographical"],"unitdate_inclusive_ssm":["1945-2021"],"normalized_date_ssm":["1945/2021"],"normalized_title_ssm":["Series 3: Biographical"],"component_level_isim":[1],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Rubin Peacock Artist Archives (VA-08)"],"extent_ssm":["3 boxes 3 boxes; 6 folders; 510 items"],"extent_tesim":["3 boxes 3 boxes; 6 folders; 510 items"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":14,"parent_access_restrict_tesm":["The collection is open for research. One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"scopecontent_html_tesm":["\u003cp\u003eThis series contains correspondence, receipts, photographs, and publications that document Rubin Peacock's life and career.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series contains correspondence, receipts, photographs, and publications that document Rubin Peacock's life and career."],"_nest_path_":"/components#2","timestamp":"2026-05-21T03:37:25.620Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_435","ead_ssi":"virmu_repositories_2_resources_435","_root_":"virmu_repositories_2_resources_435","_nest_parent_":"virmu_repositories_2_resources_435","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_435.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/435","title_filing_ssi":"Peacock, Rubin (VA-08)","title_ssm":["Rubin Peacock Artist Archives (VA-08)"],"title_tesim":["Rubin Peacock Artist Archives (VA-08)"],"unitdate_ssm":["1945-2021"],"unitdate_inclusive_ssm":["1945-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-08","/repositories/2/resources/435"],"text":["VA-08","/repositories/2/resources/435","Rubin Peacock Artist Archives (VA-08)","Art, American -- Virginia -- 20th century","Sculpture, American","Sculptors--United States","Bronze sculpture, American--20th century.","The collection is open for research. One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into 3 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1 Art Production, 1966-1986 Series 2 Artwork, 1969-2015 Series 3 Biographical, 1945-2021","Rubin Peacock: 50 Years of Bronze Sculpture, 2019","Recent Sculpture: Rubin Peacock: Institute of Contemporary Art of the Virginia Museum, November 24-December 31, 1980","Exhibition File: 20 Sculptors: Miscellaneous Uncataloged Material, 1982","Exhibition File: Rubin Peacock / New Sculpture: Miscellaneous Uncataloged Material, 1980","Artist File: Miscellaneous Uncataloged Material","Rubin Clifton Peacock","Born: September 8, 1941, Winston-Salem, NC","Rubin Peacock is an American sculptor whose works have been inspired by nature, ancient civilizations, and his Catawba Indian ancestry. Rubin's works are largely abstract with an emphasis on humanity's relationship with nature and the permanence of creating art with bronze.","Rubin Peacock began his career as a percussionist with a traveling rock and roll band in 1960. Using the money he earned from his music performances, Rubin pursued a Bachelor of Science and a Bachelor of Fine Arts from the University of Georgia in Athens, graduating in 1965. Upon completing his undergraduate education, Rubin went on to join the Peace Corps as an art teacher from 1965-1967, teaching students at Camp Cobbla in Jamaica and creating a scholarship for two of his students by selling his sculptures in an exhibition at the Bolivar Gallery in 1967.","After taking a brief hiatus in which he traveled throughout Central and South America to study art, Rubin returned to the United States to continue his education, graduating with a Masters of Fine Arts from Richmond Professional Institute - now Virginia Commonwealth University - in 1969. Rubin established himself in Virginia in 1969 with the purchase of an abandoned house called \"Marlboro\" that he transformed into the Aylett Art Foundry, buying his 303 Brook Road Richmond studio and gallery in 1985. Rubin regularly experimented with different modes of expression through bronze and exhibited his artwork in a variety of galleries, including his own.","Rubin has been commissioned by institutions such as The Carpenter Co., the Federal Reserve Bank of Richmond, Gunston Hall, the National Cathedral, the National Electronics Museum, and numerous private collectors, and has exhibited in galleries such as VMFA, 1708 Gallery, the Chrysler Museum of Art, Mickelson Gallery, the Sande Webster Gallery, and Sarasota's Modern Art Gallery, among others.","Sources: Collection materials;  \"Rubin Peacock: 50 Years of Bronze Sculpture\"  by Rubin Peacock","The collection was donated to the VMFA Archives by Rubin Peacock in January 2022.","In general, during processing, all publications are removed and added to the VMFA Library's holdings. Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders. Original folder titles are retained, when provided.","The collection documents the life and artwork of Rubin Peacock. The collection's inclusive dates are 1945-2021, with the bulk of the material dating from the 1960s-1990s. The collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.","This series contains film, photographs, and slides that document the production of Rubin Peacock's artwork from 1966-1986. Included in this series are photographs of sculptures such as America's Gateway, Ancestral Terrain, Ancient Arroyo, Kanawha Landscape, Pentangle, Querceta, and early works made of stone and aluminum, and locations such as the Aylett Art Foundry and 303 Brook Road.","This file contains 20 photographs and 1 slide of early stone and aluminum works, sculpture production, and Rubin's studio.","This file contains 6 frames of film and 169 photographs documenting Rubin's bronze production for sculptures such as America's Gateway, Ancestral Terrain, Pentangle, and Winged Stele, among others.","This series contains film, photographs, publications, slides, and a flash drive that document Rubin Peacock's artwork from 1969-2017. Included in this series are sculptures such as Ancestral Terrain, Block Bronze with Four Points, Courtyard Model for Three Point Bronze, Cube Series, Flaming Teepee, Obtuse Triangles, Opposing Forces, Pentangle, Reflections on the Past, Seraphic Visitor, Sphere Series, Swayed Hegemony, The King's Fool, Triad, Wedged Stele, and Winged Stele, among others, and locations such as the Cary Hill Sculpture Gardens, the Chrysler Museum of Art, and the Aylett Art Foundry.","This file contains 27 photographs, 1 oversized photograph, and 43 slides featuring sculptures such as Butterfly Chief, Seraphic Visitor, Swayed Hegemony I, and The King's Fool, among others.","This file contains 33 photographs and 1 document featuring sculptures such as Reflections on the Past and Block Bronze with Four Points, among others.","This file contains 1 photograph that features Cardplaying Duck.","This file contains 248 photographs, 30 frames of film, 19 slides, and 5 documentary materials that feature sculptures such as Ancestral Terrain, Ancient Arroyo, Querceta, Triad, Wedged Stele, and Winged Stele, among others.","This file contains 18 photographs and 2 documentary materials that feature sculptures such as Lily Pond Stele, Silhouetted Geometry, and Winged Stele, among others.","This file contains 23 photographs and 21 slides that feature sculptures such as Kanawha Landscape, among others.","This file contains 5 photographs and 4 slides.","This file contains 21 photographs that feature One Morning In The Garden and The Dove and the Snake, among others.","This file contains 19 photographs, 9 slides, and 2 documentary materials that feature sculptures such as Arch, Ascending Spirit, Broken Wing Stele, and Strong Man Stele, among others.","This series contains correspondence, receipts, photographs, and publications that document Rubin Peacock's life and career.","This file contains 9 photographs and 33 slides that document Rubin Peacock's early works and his participation in the Peace Corps at Camp Cobbla, Jamaica.","This file contains 24 photographs that document Rubin Peacock's studios and workshops.","This file contains correspondence between Rubin, his acquaintances, and his clients, including Gunston Hall, the National Electronics Museum, and the Federal Reserve Bank of Richmond, among others; newspapers, including Richmond News Leader, Richmond Times-Dispatch, Sarasota Arts Review, and Washington Post, among others; and publications such as Style Weekly, The Gunston Hall Newsletter, and Virginia Living, among others.","This file contains the correspondence and receipts of the Aylett Art Foundry. Included within this file is Rubin Peacock's notebook of patina formulas.","Rubin Peacock's notebook of patina formulas has been placed in its own envelope due to its fragile condition.","The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","This collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze.\n\nIn addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career.","Virginia Museum of Fine Arts Archives","Peacock, Rubin, 1941-","English \n,        Latin \n.    "],"unitid_tesim":["VA-08","/repositories/2/resources/435"],"normalized_title_ssm":["Rubin Peacock Artist Archives (VA-08)"],"collection_title_tesim":["Rubin Peacock Artist Archives (VA-08)"],"collection_ssim":["Rubin Peacock Artist Archives (VA-08)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"creator_ssim":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"creator_persname_ssim":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"creators_ssim":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art, American -- Virginia -- 20th century","Sculpture, American","Sculptors--United States","Bronze sculpture, American--20th century."],"access_subjects_ssm":["Art, American -- Virginia -- 20th century","Sculpture, American","Sculptors--United States","Bronze sculpture, American--20th century."],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 6 boxes; 11 folders; 1,238 items"],"extent_tesim":["1.5 Linear Feet 6 boxes; 11 folders; 1,238 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 3 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eArt Production, 1966-1986\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eArtwork, 1969-2015\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eBiographical, 1945-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 3 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1 Art Production, 1966-1986 Series 2 Artwork, 1969-2015 Series 3 Biographical, 1945-2021"],"bibliography_html_tesm":["\u003cbibref\u003eRubin Peacock: 50 Years of Bronze Sculpture, 2019\u003c/bibref\u003e","\u003cbibref\u003eRecent Sculpture: Rubin Peacock: Institute of Contemporary Art of the Virginia Museum, November 24-December 31, 1980\u003c/bibref\u003e","\u003cbibref\u003eExhibition File: 20 Sculptors: Miscellaneous Uncataloged Material, 1982\u003c/bibref\u003e","\u003cbibref\u003eExhibition File: Rubin Peacock / New Sculpture: Miscellaneous Uncataloged Material, 1980\u003c/bibref\u003e","\u003cbibref\u003eArtist File: Miscellaneous Uncataloged Material\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Artist File"],"bibliography_tesim":["Rubin Peacock: 50 Years of Bronze Sculpture, 2019","Recent Sculpture: Rubin Peacock: Institute of Contemporary Art of the Virginia Museum, November 24-December 31, 1980","Exhibition File: 20 Sculptors: Miscellaneous Uncataloged Material, 1982","Exhibition File: Rubin Peacock / New Sculpture: Miscellaneous Uncataloged Material, 1980","Artist File: Miscellaneous Uncataloged Material"],"bioghist_html_tesm":["\u003cp\u003eRubin Clifton Peacock\u003c/p\u003e\n","\u003cp\u003eBorn: September 8, 1941, Winston-Salem, NC\u003c/p\u003e\n","\u003cp\u003eRubin Peacock is an American sculptor whose works have been inspired by nature, ancient civilizations, and his Catawba Indian ancestry. Rubin's works are largely abstract with an emphasis on humanity's relationship with nature and the permanence of creating art with bronze.\u003c/p\u003e\n","\u003cp\u003eRubin Peacock began his career as a percussionist with a traveling rock and roll band in 1960. Using the money he earned from his music performances, Rubin pursued a Bachelor of Science and a Bachelor of Fine Arts from the University of Georgia in Athens, graduating in 1965. Upon completing his undergraduate education, Rubin went on to join the Peace Corps as an art teacher from 1965-1967, teaching students at Camp Cobbla in Jamaica and creating a scholarship for two of his students by selling his sculptures in an exhibition at the Bolivar Gallery in 1967.\u003c/p\u003e\n","\u003cp\u003eAfter taking a brief hiatus in which he traveled throughout Central and South America to study art, Rubin returned to the United States to continue his education, graduating with a Masters of Fine Arts from Richmond Professional Institute - now Virginia Commonwealth University - in 1969. Rubin established himself in Virginia in 1969 with the purchase of an abandoned house called \"Marlboro\" that he transformed into the Aylett Art Foundry, buying his 303 Brook Road Richmond studio and gallery in 1985. Rubin regularly experimented with different modes of expression through bronze and exhibited his artwork in a variety of galleries, including his own.\u003c/p\u003e\n","\u003cp\u003eRubin has been commissioned by institutions such as The Carpenter Co., the Federal Reserve Bank of Richmond, Gunston Hall, the National Cathedral, the National Electronics Museum, and numerous private collectors, and has exhibited in galleries such as VMFA, 1708 Gallery, the Chrysler Museum of Art, Mickelson Gallery, the Sande Webster Gallery, and Sarasota's Modern Art Gallery, among others.\u003c/p\u003e\n","\u003cp\u003eSources: Collection materials; \u003ca href=\"https://vmfashop.com/books-media/collections/rubin-peacock-50-years-of-bronze-sculpture.html\"\u003e\"Rubin Peacock: 50 Years of Bronze Sculpture\"\u003c/a\u003e by Rubin Peacock\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Rubin Clifton Peacock","Born: September 8, 1941, Winston-Salem, NC","Rubin Peacock is an American sculptor whose works have been inspired by nature, ancient civilizations, and his Catawba Indian ancestry. Rubin's works are largely abstract with an emphasis on humanity's relationship with nature and the permanence of creating art with bronze.","Rubin Peacock began his career as a percussionist with a traveling rock and roll band in 1960. Using the money he earned from his music performances, Rubin pursued a Bachelor of Science and a Bachelor of Fine Arts from the University of Georgia in Athens, graduating in 1965. Upon completing his undergraduate education, Rubin went on to join the Peace Corps as an art teacher from 1965-1967, teaching students at Camp Cobbla in Jamaica and creating a scholarship for two of his students by selling his sculptures in an exhibition at the Bolivar Gallery in 1967.","After taking a brief hiatus in which he traveled throughout Central and South America to study art, Rubin returned to the United States to continue his education, graduating with a Masters of Fine Arts from Richmond Professional Institute - now Virginia Commonwealth University - in 1969. Rubin established himself in Virginia in 1969 with the purchase of an abandoned house called \"Marlboro\" that he transformed into the Aylett Art Foundry, buying his 303 Brook Road Richmond studio and gallery in 1985. Rubin regularly experimented with different modes of expression through bronze and exhibited his artwork in a variety of galleries, including his own.","Rubin has been commissioned by institutions such as The Carpenter Co., the Federal Reserve Bank of Richmond, Gunston Hall, the National Cathedral, the National Electronics Museum, and numerous private collectors, and has exhibited in galleries such as VMFA, 1708 Gallery, the Chrysler Museum of Art, Mickelson Gallery, the Sande Webster Gallery, and Sarasota's Modern Art Gallery, among others.","Sources: Collection materials;  \"Rubin Peacock: 50 Years of Bronze Sculpture\"  by Rubin Peacock"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Rubin Peacock in January 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Rubin Peacock in January 2022."],"prefercite_html_tesm":["\u003cp\u003eRubin Peacock Artist Archives (VA-08). Gift of Rubin Peacock. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Rubin Peacock Artist Archives (VA-08). Gift of Rubin Peacock. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings. Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders. Original folder titles are retained, when provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings. Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders. Original folder titles are retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the life and artwork of Rubin Peacock. The collection's inclusive dates are 1945-2021, with the bulk of the material dating from the 1960s-1990s. The collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.\u003c/p\u003e","\u003cp\u003eThis series contains film, photographs, and slides that document the production of Rubin Peacock's artwork from 1966-1986. Included in this series are photographs of sculptures such as America's Gateway, Ancestral Terrain, Ancient Arroyo, Kanawha Landscape, Pentangle, Querceta, and early works made of stone and aluminum, and locations such as the Aylett Art Foundry and 303 Brook Road.\u003c/p\u003e","\u003cp\u003eThis file contains 20 photographs and 1 slide of early stone and aluminum works, sculpture production, and Rubin's studio.\u003c/p\u003e","\u003cp\u003eThis file contains 6 frames of film and 169 photographs documenting Rubin's bronze production for sculptures such as America's Gateway, Ancestral Terrain, Pentangle, and Winged Stele, among others.\u003c/p\u003e","\u003cp\u003eThis series contains film, photographs, publications, slides, and a flash drive that document Rubin Peacock's artwork from 1969-2017. Included in this series are sculptures such as Ancestral Terrain, Block Bronze with Four Points, Courtyard Model for Three Point Bronze, Cube Series, Flaming Teepee, Obtuse Triangles, Opposing Forces, Pentangle, Reflections on the Past, Seraphic Visitor, Sphere Series, Swayed Hegemony, The King's Fool, Triad, Wedged Stele, and Winged Stele, among others, and locations such as the Cary Hill Sculpture Gardens, the Chrysler Museum of Art, and the Aylett Art Foundry.\u003c/p\u003e","\u003cp\u003eThis file contains 27 photographs, 1 oversized photograph, and 43 slides featuring sculptures such as Butterfly Chief, Seraphic Visitor, Swayed Hegemony I, and The King's Fool, among others.\u003c/p\u003e","\u003cp\u003eThis file contains 33 photographs and 1 document featuring sculptures such as Reflections on the Past and Block Bronze with Four Points, among others.\u003c/p\u003e","\u003cp\u003eThis file contains 1 photograph that features Cardplaying Duck.\u003c/p\u003e","\u003cp\u003eThis file contains 248 photographs, 30 frames of film, 19 slides, and 5 documentary materials that feature sculptures such as Ancestral Terrain, Ancient Arroyo, Querceta, Triad, Wedged Stele, and Winged Stele, among others.\u003c/p\u003e","\u003cp\u003eThis file contains 18 photographs and 2 documentary materials that feature sculptures such as Lily Pond Stele, Silhouetted Geometry, and Winged Stele, among others.\u003c/p\u003e","\u003cp\u003eThis file contains 23 photographs and 21 slides that feature sculptures such as Kanawha Landscape, among others.\u003c/p\u003e","\u003cp\u003eThis file contains 5 photographs and 4 slides.\u003c/p\u003e","\u003cp\u003eThis file contains 21 photographs that feature One Morning In The Garden and The Dove and the Snake, among others.\u003c/p\u003e","\u003cp\u003eThis file contains 19 photographs, 9 slides, and 2 documentary materials that feature sculptures such as Arch, Ascending Spirit, Broken Wing Stele, and Strong Man Stele, among others.\u003c/p\u003e","\u003cp\u003eThis series contains correspondence, receipts, photographs, and publications that document Rubin Peacock's life and career.\u003c/p\u003e","\u003cp\u003eThis file contains 9 photographs and 33 slides that document Rubin Peacock's early works and his participation in the Peace Corps at Camp Cobbla, Jamaica.\u003c/p\u003e","\u003cp\u003eThis file contains 24 photographs that document Rubin Peacock's studios and workshops.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence between Rubin, his acquaintances, and his clients, including Gunston Hall, the National Electronics Museum, and the Federal Reserve Bank of Richmond, among others; newspapers, including Richmond News Leader, Richmond Times-Dispatch, Sarasota Arts Review, and Washington Post, among others; and publications such as Style Weekly, The Gunston Hall Newsletter, and Virginia Living, among others.\u003c/p\u003e","\u003cp\u003eThis file contains the correspondence and receipts of the Aylett Art Foundry. Included within this file is Rubin Peacock's notebook of patina formulas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection documents the life and artwork of Rubin Peacock. The collection's inclusive dates are 1945-2021, with the bulk of the material dating from the 1960s-1990s. The collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.","This series contains film, photographs, and slides that document the production of Rubin Peacock's artwork from 1966-1986. Included in this series are photographs of sculptures such as America's Gateway, Ancestral Terrain, Ancient Arroyo, Kanawha Landscape, Pentangle, Querceta, and early works made of stone and aluminum, and locations such as the Aylett Art Foundry and 303 Brook Road.","This file contains 20 photographs and 1 slide of early stone and aluminum works, sculpture production, and Rubin's studio.","This file contains 6 frames of film and 169 photographs documenting Rubin's bronze production for sculptures such as America's Gateway, Ancestral Terrain, Pentangle, and Winged Stele, among others.","This series contains film, photographs, publications, slides, and a flash drive that document Rubin Peacock's artwork from 1969-2017. Included in this series are sculptures such as Ancestral Terrain, Block Bronze with Four Points, Courtyard Model for Three Point Bronze, Cube Series, Flaming Teepee, Obtuse Triangles, Opposing Forces, Pentangle, Reflections on the Past, Seraphic Visitor, Sphere Series, Swayed Hegemony, The King's Fool, Triad, Wedged Stele, and Winged Stele, among others, and locations such as the Cary Hill Sculpture Gardens, the Chrysler Museum of Art, and the Aylett Art Foundry.","This file contains 27 photographs, 1 oversized photograph, and 43 slides featuring sculptures such as Butterfly Chief, Seraphic Visitor, Swayed Hegemony I, and The King's Fool, among others.","This file contains 33 photographs and 1 document featuring sculptures such as Reflections on the Past and Block Bronze with Four Points, among others.","This file contains 1 photograph that features Cardplaying Duck.","This file contains 248 photographs, 30 frames of film, 19 slides, and 5 documentary materials that feature sculptures such as Ancestral Terrain, Ancient Arroyo, Querceta, Triad, Wedged Stele, and Winged Stele, among others.","This file contains 18 photographs and 2 documentary materials that feature sculptures such as Lily Pond Stele, Silhouetted Geometry, and Winged Stele, among others.","This file contains 23 photographs and 21 slides that feature sculptures such as Kanawha Landscape, among others.","This file contains 5 photographs and 4 slides.","This file contains 21 photographs that feature One Morning In The Garden and The Dove and the Snake, among others.","This file contains 19 photographs, 9 slides, and 2 documentary materials that feature sculptures such as Arch, Ascending Spirit, Broken Wing Stele, and Strong Man Stele, among others.","This series contains correspondence, receipts, photographs, and publications that document Rubin Peacock's life and career.","This file contains 9 photographs and 33 slides that document Rubin Peacock's early works and his participation in the Peace Corps at Camp Cobbla, Jamaica.","This file contains 24 photographs that document Rubin Peacock's studios and workshops.","This file contains correspondence between Rubin, his acquaintances, and his clients, including Gunston Hall, the National Electronics Museum, and the Federal Reserve Bank of Richmond, among others; newspapers, including Richmond News Leader, Richmond Times-Dispatch, Sarasota Arts Review, and Washington Post, among others; and publications such as Style Weekly, The Gunston Hall Newsletter, and Virginia Living, among others.","This file contains the correspondence and receipts of the Aylett Art Foundry. Included within this file is Rubin Peacock's notebook of patina formulas."],"separatedmaterial_html_tesm":["\u003cp\u003eRubin Peacock's notebook of patina formulas has been placed in its own envelope due to its fragile condition.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Rubin Peacock's notebook of patina formulas has been placed in its own envelope due to its fragile condition."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_170051d948295468442c2d85cb740f8f\"\u003eThis collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze.\n\nIn addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze.\n\nIn addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career."],"names_ssim":["Virginia Museum of Fine Arts Archives","Peacock, Rubin, 1941-"],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"names_coll_ssim":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"persname_ssim":["Peacock, Rubin, 1941-"],"language_ssim":["English \n,        Latin \n.    "],"total_component_count_is":19,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:37:25.620Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_435_c03"}},{"id":"wvmturhc_repositories_2_resources_6383_c03","type":"Series","attributes":{"title":"Series 3. Biographical (Box 3)","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6383_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries contains a Wikipedia article detailing the life of Don Nehlen.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6383_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6383_c03","ref_ssm":["wvmturhc_repositories_2_resources_6383_c03"],"id":"wvmturhc_repositories_2_resources_6383_c03","ead_ssi":"wvmturhc_repositories_2_resources_6383","_root_":"wvmturhc_repositories_2_resources_6383","_nest_parent_":"wvmturhc_repositories_2_resources_6383","parent_ssi":"wvmturhc_repositories_2_resources_6383","parent_ssim":["wvmturhc_repositories_2_resources_6383"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6383"],"parent_unittitles_ssm":["Don Nehlen, West Virginia University Head Football Coach, Papers"],"parent_unittitles_tesim":["Don Nehlen, West Virginia University Head Football Coach, Papers"],"text":["Don Nehlen, West Virginia University Head Football Coach, Papers","Series 3. Biographical (Box 3)","Box 3","Series contains a Wikipedia article detailing the life of Don Nehlen.","Box 3 - Folder 1"],"title_filing_ssi":"Series 3. Biographical (Box 3)","title_ssm":["Series 3. Biographical (Box 3)"],"title_tesim":["Series 3. Biographical (Box 3)"],"unitdate_other_ssim":["2019 July 28"],"normalized_date_ssm":["2019"],"normalized_title_ssm":["Series 3. Biographical (Box 3)"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Don Nehlen, West Virginia University Head Football Coach, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":44,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[2019],"containers_ssim":["Box 3"],"scopecontent_html_tesm":["\u003cp\u003eSeries contains a Wikipedia article detailing the life of Don Nehlen.\u003c/p\u003e","\u003cp\u003eBox 3 - Folder 1\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series contains a Wikipedia article detailing the life of Don Nehlen.","Box 3 - Folder 1"],"_nest_path_":"/components#2","timestamp":"2026-05-21T01:24:04.686Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6383","ead_ssi":"wvmturhc_repositories_2_resources_6383","_root_":"wvmturhc_repositories_2_resources_6383","_nest_parent_":"wvmturhc_repositories_2_resources_6383","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6383.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/199295","title_ssm":["Don Nehlen, West Virginia University Head Football Coach, Papers"],"title_tesim":["Don Nehlen, West Virginia University Head Football Coach, Papers"],"unitdate_ssm":["1988-2021, undated"],"unitdate_inclusive_ssm":["1988-2021, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4312","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6383"],"text":["A\u0026M 4312","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6383","Don Nehlen, West Virginia University Head Football Coach, Papers","West Virginia University - Football.","Football coaches","No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Don Nehlen was born January 1, 1936 in Mansfield, Ohio.  He was a star athlete in high school and at Bowling Green State University.  After college, Nehlen began coaching at Canton area high schools, moving on to assistant coach positions in college football before taking the head coaching job at Bowling Green in 1968 where he compiled a 53-35-4 record over nine years.  In 1977, Bo Schembechler hired him as the quarterbacks coach at the University of Michigan.  Two years later, West Virginia University named Don Nehlen as the Mountaineers' head coach. Over his 21 year career at WVU, 1980 to 2000, Don Nehlen compiled a 149-93-4 record which includes two perfect regular season records.  He retired before the 2001 season with career record of 202 wins, at the time the 17th winningest college football coach in the history of the game.  Don Nehlen was inducted into the College Football Hall of Fame in 2005.","Papers of Donald Nehlen, Hall of Fame head football coach for the West Virginia University Mountaineers, 1980-2000. The collection includes correspondence, memorabilia, ephemera and the 2000 season Mountaineer offense playbook. There are also several reproductions, both digital and prints, of photographs from several events celebrating his career, and images of awards and honors presented to Coach Nehlen for his contribution to college football.","This series consists of photographs of awards given to Coach Nehlen, photos from the 1988 Walter Camp Awards, and Coach Nehlen's 2001 Tribute party among others. ","Awards - Box 1 - Folder 1  \n1988 Walter Camp Awards - Box 1 - Folders 2-6  \n2001 Tribute party - Box 1 - Folders 7-22  \n\"House That Don Built\" collage - Box 1 - Folder 23  \nNote from Gaston Caperton - Box 1 - Folder 24  \nPhotos of newspaper clippings - Box 1 - Folder 25  \nPhotos of Don Nehlen's watch and ring collection - Box 1 - Folder 26 ","All of these photos have been digitized for preservation. For digital versions see Series 8. Digital Files.","Series consists of the playbook for the 2000 West Virginia University football team. Also includes material related to the 48th Annual National Football Foundation and College Football Hall of Fame's Awards Dinner.","Box 2 - Folders 1-15","Series contains a Wikipedia article detailing the life of Don Nehlen.","Box 3 - Folder 1","Correspondence series includes retirement letters sent to Don Nehlen from various NCAA and NFL coaches and team owners, such as Pete Carroll, Bill Cowher, and Lou Holtz, among others. Also includes messages written for Coach Nehlen from his retirement party guestbook.","Box 3 - Folders 2-8","Comprised of notes/outlines written by Don Nehlen for various speeches regarding leadership, success, the importance of education, and religion, among other topics.","Box 3 - Folder 9","Contains one DVD from the 48th Annual National Football Foundation and College Football Hall of Fame's Awards Dinner (box 3, folder 10); four awards that were digitized and returned to Nehlen; Photographs of Don and Cath Nehlen and Championship Rings, Watches, and Award; and Photographs of Framed Newspaper, Photograph, Signed Longhorn Football, and Letter.","The artifacts series contains one miniature football with one quarter panel depicting Jeff Hostetler and his signature.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Nehlen, Don","English"],"unitid_tesim":["A\u0026M 4312","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6383"],"normalized_title_ssm":["Don Nehlen, West Virginia University Head Football Coach, Papers"],"collection_title_tesim":["Don Nehlen, West Virginia University Head Football Coach, Papers"],"collection_ssim":["Don Nehlen, West Virginia University Head Football Coach, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Nehlen, Don"],"creator_ssim":["Nehlen, Don"],"creator_persname_ssim":["Nehlen, Don"],"creators_ssim":["Nehlen, Don"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["West Virginia University - Football.","Football coaches"],"access_subjects_ssm":["West Virginia University - Football.","Football coaches"],"has_online_content_ssim":["false"],"extent_ssm":["1.7 Linear Feet 1 ft. 7 1/2 in. (3 document cases, 2 1/2 in. each); (1 index card box, 12 in.)","4.29 Gigabytes 25 files, formats include .tif, .iso, and .rw2"],"extent_tesim":["1.7 Linear Feet 1 ft. 7 1/2 in. (3 document cases, 2 1/2 in. each); (1 index card box, 12 in.)","4.29 Gigabytes 25 files, formats include .tif, .iso, and .rw2"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eDon Nehlen was born January 1, 1936 in Mansfield, Ohio.  He was a star athlete in high school and at Bowling Green State University.  After college, Nehlen began coaching at Canton area high schools, moving on to assistant coach positions in college football before taking the head coaching job at Bowling Green in 1968 where he compiled a 53-35-4 record over nine years.  In 1977, Bo Schembechler hired him as the quarterbacks coach at the University of Michigan.  Two years later, West Virginia University named Don Nehlen as the Mountaineers' head coach. Over his 21 year career at WVU, 1980 to 2000, Don Nehlen compiled a 149-93-4 record which includes two perfect regular season records.  He retired before the 2001 season with career record of 202 wins, at the time the 17th winningest college football coach in the history of the game.  Don Nehlen was inducted into the College Football Hall of Fame in 2005.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Don Nehlen was born January 1, 1936 in Mansfield, Ohio.  He was a star athlete in high school and at Bowling Green State University.  After college, Nehlen began coaching at Canton area high schools, moving on to assistant coach positions in college football before taking the head coaching job at Bowling Green in 1968 where he compiled a 53-35-4 record over nine years.  In 1977, Bo Schembechler hired him as the quarterbacks coach at the University of Michigan.  Two years later, West Virginia University named Don Nehlen as the Mountaineers' head coach. Over his 21 year career at WVU, 1980 to 2000, Don Nehlen compiled a 149-93-4 record which includes two perfect regular season records.  He retired before the 2001 season with career record of 202 wins, at the time the 17th winningest college football coach in the history of the game.  Don Nehlen was inducted into the College Football Hall of Fame in 2005."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Don Nehlen, West Virginia University Head Football Coach, Papers, A\u0026amp;M 4312, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Don Nehlen, West Virginia University Head Football Coach, Papers, A\u0026M 4312, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Donald Nehlen, Hall of Fame head football coach for the West Virginia University Mountaineers, 1980-2000. The collection includes correspondence, memorabilia, ephemera and the 2000 season Mountaineer offense playbook. There are also several reproductions, both digital and prints, of photographs from several events celebrating his career, and images of awards and honors presented to Coach Nehlen for his contribution to college football.\u003c/p\u003e","\u003cp\u003eThis series consists of photographs of awards given to Coach Nehlen, photos from the 1988 Walter Camp Awards, and Coach Nehlen's 2001 Tribute party among others. \u003c/p\u003e\n","\u003cp\u003eAwards - Box 1 - Folder 1 \u003clb\u003e\u003c/lb\u003e\n1988 Walter Camp Awards - Box 1 - Folders 2-6 \u003clb\u003e\u003c/lb\u003e\n2001 Tribute party - Box 1 - Folders 7-22 \u003clb\u003e\u003c/lb\u003e\n\"House That Don Built\" collage - Box 1 - Folder 23 \u003clb\u003e\u003c/lb\u003e\nNote from Gaston Caperton - Box 1 - Folder 24 \u003clb\u003e\u003c/lb\u003e\nPhotos of newspaper clippings - Box 1 - Folder 25 \u003clb\u003e\u003c/lb\u003e\nPhotos of Don Nehlen's watch and ring collection - Box 1 - Folder 26 \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eAll of these photos have been digitized for preservation. For digital versions see Series 8. Digital Files.\u003c/p\u003e","\u003cp\u003eSeries consists of the playbook for the 2000 West Virginia University football team. Also includes material related to the 48th Annual National Football Foundation and College Football Hall of Fame's Awards Dinner.\u003c/p\u003e\n","\u003cp\u003eBox 2 - Folders 1-15\u003c/p\u003e","\u003cp\u003eSeries contains a Wikipedia article detailing the life of Don Nehlen.\u003c/p\u003e\n","\u003cp\u003eBox 3 - Folder 1\u003c/p\u003e","\u003cp\u003eCorrespondence series includes retirement letters sent to Don Nehlen from various NCAA and NFL coaches and team owners, such as Pete Carroll, Bill Cowher, and Lou Holtz, among others. Also includes messages written for Coach Nehlen from his retirement party guestbook.\u003c/p\u003e\n","\u003cp\u003eBox 3 - Folders 2-8\u003c/p\u003e","\u003cp\u003eComprised of notes/outlines written by Don Nehlen for various speeches regarding leadership, success, the importance of education, and religion, among other topics.\u003c/p\u003e\n","\u003cp\u003eBox 3 - Folder 9\u003c/p\u003e","\u003cp\u003eContains one DVD from the 48th Annual National Football Foundation and College Football Hall of Fame's Awards Dinner (box 3, folder 10); four awards that were digitized and returned to Nehlen; Photographs of Don and Cath Nehlen and Championship Rings, Watches, and Award; and Photographs of Framed Newspaper, Photograph, Signed Longhorn Football, and Letter.\u003c/p\u003e","\u003cp\u003eThe artifacts series contains one miniature football with one quarter panel depicting Jeff Hostetler and his signature.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Donald Nehlen, Hall of Fame head football coach for the West Virginia University Mountaineers, 1980-2000. The collection includes correspondence, memorabilia, ephemera and the 2000 season Mountaineer offense playbook. There are also several reproductions, both digital and prints, of photographs from several events celebrating his career, and images of awards and honors presented to Coach Nehlen for his contribution to college football.","This series consists of photographs of awards given to Coach Nehlen, photos from the 1988 Walter Camp Awards, and Coach Nehlen's 2001 Tribute party among others. ","Awards - Box 1 - Folder 1  \n1988 Walter Camp Awards - Box 1 - Folders 2-6  \n2001 Tribute party - Box 1 - Folders 7-22  \n\"House That Don Built\" collage - Box 1 - Folder 23  \nNote from Gaston Caperton - Box 1 - Folder 24  \nPhotos of newspaper clippings - Box 1 - Folder 25  \nPhotos of Don Nehlen's watch and ring collection - Box 1 - Folder 26 ","All of these photos have been digitized for preservation. For digital versions see Series 8. Digital Files.","Series consists of the playbook for the 2000 West Virginia University football team. Also includes material related to the 48th Annual National Football Foundation and College Football Hall of Fame's Awards Dinner.","Box 2 - Folders 1-15","Series contains a Wikipedia article detailing the life of Don Nehlen.","Box 3 - Folder 1","Correspondence series includes retirement letters sent to Don Nehlen from various NCAA and NFL coaches and team owners, such as Pete Carroll, Bill Cowher, and Lou Holtz, among others. Also includes messages written for Coach Nehlen from his retirement party guestbook.","Box 3 - Folders 2-8","Comprised of notes/outlines written by Don Nehlen for various speeches regarding leadership, success, the importance of education, and religion, among other topics.","Box 3 - Folder 9","Contains one DVD from the 48th Annual National Football Foundation and College Football Hall of Fame's Awards Dinner (box 3, folder 10); four awards that were digitized and returned to Nehlen; Photographs of Don and Cath Nehlen and Championship Rings, Watches, and Award; and Photographs of Framed Newspaper, Photograph, Signed Longhorn Football, and Letter.","The artifacts series contains one miniature football with one quarter panel depicting Jeff Hostetler and his signature."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cdf19654a4531afc2a05665b81301c82\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Nehlen, Don"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Nehlen, Don"],"persname_ssim":["Nehlen, Don"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":59,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:24:04.686Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6383_c03"}},{"id":"virmu_repositories_2_resources_61_c03","type":"Series","attributes":{"title":"Series 3: Council","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_61_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_61_c03","ref_ssm":["virmu_repositories_2_resources_61_c03"],"id":"virmu_repositories_2_resources_61_c03","ead_ssi":"virmu_repositories_2_resources_61","_root_":"virmu_repositories_2_resources_61","_nest_parent_":"virmu_repositories_2_resources_61","parent_ssi":"virmu_repositories_2_resources_61","parent_ssim":["virmu_repositories_2_resources_61"],"parent_ids_ssim":["virmu_repositories_2_resources_61"],"parent_unittitles_ssm":["Collateral and Other Publications (PB-05)"],"parent_unittitles_tesim":["Collateral and Other Publications (PB-05)"],"text":["Collateral and Other Publications (PB-05)","Series 3: Council"],"title_filing_ssi":"Series 3: Council","title_ssm":["Series 3: Council"],"title_tesim":["Series 3: Council"],"unitdate_inclusive_ssm":["1955-2023"],"normalized_date_ssm":["1955/2023"],"normalized_title_ssm":["Series 3: Council"],"component_level_isim":[1],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Collateral and Other Publications (PB-05)"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":353,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"_nest_path_":"/components#2","timestamp":"2026-05-21T02:59:03.487Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_61","ead_ssi":"virmu_repositories_2_resources_61","_root_":"virmu_repositories_2_resources_61","_nest_parent_":"virmu_repositories_2_resources_61","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_61.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/61","title_filing_ssi":"Collateral and Other Publications (PB-05)","title_ssm":["Collateral and Other Publications (PB-05)"],"title_tesim":["Collateral and Other Publications (PB-05)"],"unitdate_ssm":["1952-2023"],"unitdate_inclusive_ssm":["1952-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PB-05","/repositories/2/resources/61"],"text":["PB-05","/repositories/2/resources/61","Collateral and Other Publications (PB-05)","The collection is open for research.","The collection is organized into seven series, and items are generally arranged chronologically within each series. Some series are arranged thematically and then chronologically.","Series 1 Collateral Series 2 Theater Programs Series 3 Council Series 4 Statewide Services Series 5 Gallery Guides Series 6 Marketing Series 7 ICA Reports","The collection was transferred from the Library. Accretions are added regularly when new materials are published.","Edited by Denys Sutton. Originally published in Apollo, Vol. CXXII, No. 286, December 1985.","The archives strives to retain a minimum of 3 copies of pieces of collateral and other publications.","The collection's inclusive dates are 1952-2023, however the bulk of the material dates from the 1980s-2000s. The collection contains all kinds of formats, from small catalogs to postcards to newsletters to reports.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection is part of the Publications Archive, and is comprised of archival copies of collateral and numerous other types of publications created by the museum, including theater programs, gallery guides, statewide services catalogs, marketing reports, and Council publications.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts‏. Council","Virginia Museum Theatre (Richmond, Va.)","TheatreVirginia (Richmond, Va.)","English \n.    "],"unitid_tesim":["PB-05","/repositories/2/resources/61"],"normalized_title_ssm":["Collateral and Other Publications (PB-05)"],"collection_title_tesim":["Collateral and Other Publications (PB-05)"],"collection_ssim":["Collateral and Other Publications (PB-05)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Virginia Museum of Fine Arts","Virginia Museum of Fine Arts"],"creator_ssim":["Virginia Museum of Fine Arts","Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts","Virginia Museum of Fine Arts"],"creators_ssim":["Virginia Museum of Fine Arts","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["34 Linear Feet 1,418 items and 52 boxes of uncounted items"],"extent_tesim":["34 Linear Feet 1,418 items and 52 boxes of uncounted items"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into seven series, and items are generally arranged chronologically within each series. Some series are arranged thematically and then chronologically.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eCollateral\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eTheater Programs\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eCouncil\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eStatewide Services\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eGallery Guides\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003eMarketing\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 7\u003c/label\u003e\n        \u003citem\u003eICA Reports\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into seven series, and items are generally arranged chronologically within each series. Some series are arranged thematically and then chronologically.","Series 1 Collateral Series 2 Theater Programs Series 3 Council Series 4 Statewide Services Series 5 Gallery Guides Series 6 Marketing Series 7 ICA Reports"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Library. Accretions are added regularly when new materials are published.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred from the Library. Accretions are added regularly when new materials are published."],"odd_html_tesm":["\u003cp\u003eEdited by Denys Sutton. Originally published in Apollo, Vol. CXXII, No. 286, December 1985.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Edited by Denys Sutton. Originally published in Apollo, Vol. CXXII, No. 286, December 1985."],"prefercite_html_tesm":["\u003cp\u003eCollateral and Other Publications (PB-05). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Collateral and Other Publications (PB-05). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe archives strives to retain a minimum of 3 copies of pieces of collateral and other publications.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The archives strives to retain a minimum of 3 copies of pieces of collateral and other publications."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1952-2023, however the bulk of the material dates from the 1980s-2000s. The collection contains all kinds of formats, from small catalogs to postcards to newsletters to reports.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1952-2023, however the bulk of the material dates from the 1980s-2000s. The collection contains all kinds of formats, from small catalogs to postcards to newsletters to reports."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3ea927b22cf638e403d9f28cf7dfe264\"\u003eThe collection is part of the Publications Archive, and is comprised of archival copies of collateral and numerous other types of publications created by the museum, including theater programs, gallery guides, statewide services catalogs, marketing reports, and Council publications.\u003c/abstract\u003e"],"abstract_tesim":["The collection is part of the Publications Archive, and is comprised of archival copies of collateral and numerous other types of publications created by the museum, including theater programs, gallery guides, statewide services catalogs, marketing reports, and Council publications."],"names_coll_ssim":["Virginia Museum of Fine Arts","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts‏. Council","Virginia Museum Theatre (Richmond, Va.)","TheatreVirginia (Richmond, Va.)"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts‏. Council","Virginia Museum Theatre (Richmond, Va.)","TheatreVirginia (Richmond, Va.)"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts‏. Council","Virginia Museum Theatre (Richmond, Va.)","TheatreVirginia (Richmond, Va.)"],"language_ssim":["English \n.    "],"total_component_count_is":644,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:59:03.487Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_61_c03"}},{"id":"wvmturhc_repositories_2_resources_7046_c03","type":"Series","attributes":{"title":"Series 3. Doktorski, Research and Correspondence","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7046_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series contains personal notes, incoming and outgoing letters, and academic articles pertaining to Doktorski's research for several books on New Vrindaban and Swami Bhaktipada. There is no clear connection to link specific folders of material with specific works by Doktorski.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7046_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_7046_c03","ref_ssm":["wvmturhc_repositories_2_resources_7046_c03"],"id":"wvmturhc_repositories_2_resources_7046_c03","ead_ssi":"wvmturhc_repositories_2_resources_7046","_root_":"wvmturhc_repositories_2_resources_7046","_nest_parent_":"wvmturhc_repositories_2_resources_7046","parent_ssi":"wvmturhc_repositories_2_resources_7046","parent_ssim":["wvmturhc_repositories_2_resources_7046"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_7046"],"parent_unittitles_ssm":["Henry Doktorski, Compiler, Records regarding Kirtanananda Bhaktipada Swami and the New Vrindaban Commune"],"parent_unittitles_tesim":["Henry Doktorski, Compiler, Records regarding Kirtanananda Bhaktipada Swami and the New Vrindaban Commune"],"text":["Henry Doktorski, Compiler, Records regarding Kirtanananda Bhaktipada Swami and the New Vrindaban Commune","Series 3. Doktorski, Research and Correspondence","This series contains personal notes, incoming and outgoing letters, and academic articles pertaining to Doktorski's research for several books on New Vrindaban and Swami Bhaktipada. There is no clear connection to link specific folders of material with specific works by Doktorski."],"title_filing_ssi":"Series 3. Doktorski, Research and Correspondence","title_ssm":["Series 3. Doktorski, Research and Correspondence"],"title_tesim":["Series 3. Doktorski, Research and Correspondence"],"unitdate_inclusive_ssm":["1974-2020"],"normalized_date_ssm":["1974/2020"],"normalized_title_ssm":["Series 3. Doktorski, Research and Correspondence"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Henry Doktorski, Compiler, Records regarding Kirtanananda Bhaktipada Swami and the New Vrindaban Commune"],"has_online_content_ssim":["false"],"child_component_count_isi":22,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":73,"parent_access_restrict_tesm":["Per West Virginia \u0026 Regional History Center policy, special access restrictions apply. ","Due to Personally Identifiable Information (PII), box 1 folder 14, box 10 folder 28, box 12 folder 7 and box 13 folder 24 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction.\nDue to student records, box 1 folder 4 is closed for 75 years after the date of record creation.\nDue to Protected Health Information (PHI), box 3 folder 10 is restricted for 100 years from the date of creation unless an individual grants permission to access the record or the WVRHC is given proof of death that occurred in excess of 50 years prior to the date of request. Researchers collecting summary data may submit an Access Request Form.\nDue to attorney-client privilege, box 10 folders 13 and 18 are restricted for 75 years from the date of record creation. Users may complete the Agreement for the Use of Sensitive Materials before restriction expires.\nPlease contact the West Virginia \u0026 Regional History Center reference department in advance to request access to the above-mentioned records.","All material except for Folder Oversize 1 (Series 9) are stored offsite. Please make an appointment prior to visiting.","Researchers may access digitized and born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Some audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Special licensing restrictions may apply to documentaries until December 2027. For more information, please contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"scopecontent_html_tesm":["\u003cp\u003eThis series contains personal notes, incoming and outgoing letters, and academic articles pertaining to Doktorski's research for several books on New Vrindaban and Swami Bhaktipada. There is no clear connection to link specific folders of material with specific works by Doktorski.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series contains personal notes, incoming and outgoing letters, and academic articles pertaining to Doktorski's research for several books on New Vrindaban and Swami Bhaktipada. There is no clear connection to link specific folders of material with specific works by Doktorski."],"_nest_path_":"/components#2","timestamp":"2026-05-21T00:45:52.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_7046","ead_ssi":"wvmturhc_repositories_2_resources_7046","_root_":"wvmturhc_repositories_2_resources_7046","_nest_parent_":"wvmturhc_repositories_2_resources_7046","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_7046.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/253940","title_ssm":["Henry Doktorski, Compiler, Records regarding Kirtanananda Bhaktipada Swami and the New Vrindaban Commune"],"title_tesim":["Henry Doktorski, Compiler, Records regarding Kirtanananda Bhaktipada Swami and the New Vrindaban Commune"],"unitdate_ssm":["1949-2020"],"unitdate_inclusive_ssm":["1949-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4646","Archival Resource Key","/repositories/2/resources/7046"],"text":["A\u0026M 4646","Archival Resource Key","/repositories/2/resources/7046","Henry Doktorski, Compiler, Records regarding Kirtanananda Bhaktipada Swami and the New Vrindaban Commune","Hare Krishnas","Cults -- United States","Sects -- United States","Prabhupada's Palace of Gold","Per West Virginia \u0026 Regional History Center policy, special access restrictions apply. ","Due to Personally Identifiable Information (PII), box 1 folder 14, box 10 folder 28, box 12 folder 7 and box 13 folder 24 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. \nDue to student records, box 1 folder 4 is closed for 75 years after the date of record creation. \nDue to Protected Health Information (PHI), box 3 folder 10 is restricted for 100 years from the date of creation unless an individual grants permission to access the record or the WVRHC is given proof of death that occurred in excess of 50 years prior to the date of request. Researchers collecting summary data may submit an  Access Request Form . \nDue to attorney-client privilege, box 10 folders 13 and 18 are restricted for 75 years from the date of record creation. Users may complete the Agreement for the Use of Sensitive Materials before restriction expires. \nPlease contact  the West Virginia \u0026 Regional History Center reference department  in advance to request access to the above-mentioned records.","All material except for Folder Oversize 1 (Series 9) are stored offsite. Please make an appointment prior to visiting.","Researchers may access digitized and born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Some audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Due to student records, box 1 folder 4 is closed for 75 years. \nDue to PII, box 1 folder 14 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. \nDue to Protective Health Information (PHI), box 3 folder 10 is closed for 100 years from the date of creation unless an individual grants permission to access the record or the WVRHC is given proof of death that occurred in excess of 50 years prior to the date of request. Researchers collecting summary data may submit an  Access Request Form .","Due to student records, box 1 folder 4 is closed for 75 years.","Due to PII, box 1 folder 14 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Due to Protective Health Information (PHI), box 3 folder 10 is closed for 100 years from the date of creation unless an individual grants permission to access the record or the WVRHC is given proof of death that occurred in excess of 50 years prior to the date of request. Researchers collecting summary data may submit an  Access Request Form .","Due to attorney-client privilege, box 10 folders 13 and 18 are restricted for 75 years from the date of record creation. Users may complete the Agreement for the Use of Sensitive Materials before restriction expires. \nDue to PII, box 10 folder 28, box 12 folder 7, and box 13 folder 24 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. \nResearchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Due to attorney-client privilege, box 10 folder 13 is restricted for 75 years from the date of record creation. Users may complete the Agreement for the Use of Sensitive Materials before restriction expires.","Due to attorney-client privilege, box 10 folder 18 is restricted for 75 years from the date of record creation. Users may complete the Agreement for the Use of Sensitive Materials before restriction expires.","Due to PII, box 10 folder 28 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Due to PII, box 12 folder 7 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Physical and digitized copies are available. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Due to PII, box 13 folder 24 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Researchers may access digitized and born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Some materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Some audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Some audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Some audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Some of these prints have been scanned. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Included in this series is a digital copy of one book, which researchers may access by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Includes one book that has been digitized, which researchers may access by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","This collection has been organized by series, and original folder arrangement and titles were preserved when possible.","Kirtanananda Bhaktipada Swami  (6 September 1937 - 24 October 2011) was born Keith Gordon Ham in Peekskill, New York to Marjorie (Clark) and the Reverend Francis Gordon Ham, a Baptist minister. In 1959, Bhaktipada graduated from Maryville College magna cum laude and received a Woodrow Wilson Fellowship to pursue a doctorate in American history at the University of North Carolina at Chapel Hill. Bhaktipada remained at North Carolina for three years before dropping out of school in 1961 due an alleged \"sex scandal\" involving a student.","Bhaktipada and his partner Howard Wheeler moved to New York City, where in 1966, they met A.C. Bhaktivedanta Swami Prabhupada, founder of the International Society for Krishna Consciousness (ISKCON). This religious movement is more commonly termed \"Hare Krishna\" and is a denomination of Hinduism. Bhaktipada became Bhaktivedanta's student and devotee, and later became an influential leader in the movement himself. Bhaktipada and Wheeler relocated to Marshall County, West Virginia and leased land near the town of Moundsville. Throughout the 1970s and 1980s, the land was purchased and developed as the community of New Vrindaban, with Bhaktipada as its spiritual leader.","Bhaktipada and New Vrindaban were the source of many controversies, both internally and externally. Bhaktipada was expelled by ISKCON in 1987, and New Vrindaban itself was also expelled the following year. Bhaktipada was indicted by a federal grand jury in 1990 on charges of mail fraud and racketeering. Although he was initially found guilty, his conviction was vacated on the basis of prejudicial testimony. In 1994, Bhaktipada was offered a plea bargain, which he refused. At the 1996 retrial, he ultimately pleaded guilty to one count of mail fraud and served time in jail from 1996 until 2004. He moved to India in 2008, where he died in October 2011 at age 74 after a period of illness.","Henry Doktorski  served as New Vrindaban's Music Director from 1986-1993. In 1994, Doktorski relocated to Pittsburgh, Pennsylvania to pursue his Masters Degree in Music Composition. Since then, he has performed with several symphony orchestras and performed solo accordion recitals across the country.","In 2018, Doktorski completed his first non-fiction book about Hare Krishna history,  Killing for Krishna: The Danger of Deranged Devotion . Since then, he has published eleven more books about New Vrindaban and the Hare Krishnas, which have been the subject of a seven-part podcast series. Doktorski currently resides in California.","Some materials in this collection were sourced from the New Vrindaban property; others were created by Henry Doktorski in the course of his research.","This collection contains records pertaining to the community of New Vrindaban in Marshall County, West Virginia and its founder Kirtanananda Bhaktipada Swami (Keith Gordon Ham), a member of the International Society for Krishna Consciousness (ISKCON) or \"Hare Krishna\" religious movement, until his expulsion in 1987. Compiled by Henry Doktorski, a former resident of New Vrindaban and author of several books on the subject, the collection includes records which provide insight into daily life in the commune, such as committee meeting minutes, housing contracts and behavioral guidelines for devotees. There are also audio recordings and written transcripts of meditation sessions and other spiritual practices.","The collection also delves into legal records, press coverage, court transcripts, witness testimony and evidence from multiple criminal and civil cases involving the New Vrindaban commune, several members, and its leader, Bhaktipada. Court transcripts include testimony from devotees revealing intimate details of New Vrindaban society. For example, due to the prominent role of devotee women on fundraising roadtrips, those researching the treatment of women at New Vrindaban might be interested in witness testimony from the 1991 racketeering trial.","The materials appear in a variety of formats, including papers, photographs, slides, cassettes, audio reels and artifacts, such as beads and clothing items.","This collection includes graphic crime scene photos and descriptions of domestic violence and child abuse that may be harmful or difficult to view.","Organization:","The collection is organized into twelve series.","Series 1: New Vrindaban, Records (1967-2015) – Papers related to the daily operation and organization of the New Vrindaban commune in Moundsville, West Virginia. ","Series 2: Kirtanananda Bhaktipada Swami, Personal Papers and Correspondence (1949-2011) – Essays, meditations and letters written by the Swami Bhaktipada, as well as personal papers from his childhood and early adulthood.","Series 3: Henry Doktorski, Research and Correspondence (1974-2020) – Personal notes, incoming and outgoing letters, and academic articles pertaining to Doktorski's research for several books on New Vrindaban and Swami Bhaktipada.","Series 4: Steven Bryant (Sulocana Das), Personal Papers and Correspondence (1970-1989) – Personal papers and writings about New Vrindaban by former devotee Steven Bryant prior to his murder in 1986.","Series 5: Court Records and Police Reports (1968-1999) – Legal documents and evidence from civil and criminal cases related to the Swami Bhaktipada and New Vrindaban, including racketeering, arson, and homicide.","Series 6: News Clippings (1966-2019) – Newspaper, magazine and journal articles related to the New Vrindaban commune and Swami Bhaktipada. ","Series 7: New Vrindaban and ISKCON Publications (1952-2015) – Hare Krishna associated newsletters, magazines and journals.","Series 8: Audiovisual and Digital Media (1970-2011) – Cassettes, magnetic audio tape, VHS tapes, and additional formats of meetings and religious ceremonies at New Vrindaban and religious music.","Series 9: Photographs and Slides (1970s-1990s) – Print photographs and slides depicting life in the New Vrindaban commune as well as several trips to India. ","Series 10: Artifacts – Items from the New Vrindaban commune, such as beads and clothing.","Series 11: Books and Unpublished Drafts – Books and drafts written about ISKCON and religious sects, writings by the founder of Hare Krishna, Swami Bhaktipada, Henry Doktorski, Howard Wheeler and various New Vrindaban devotees. ","Series 12: Miscellaneous","Note to researchers - Most devotees of New Vrindaban possess both a legal name and a spiritual name that are used interchangeably. Please see below for a guide to key figures:","Keith Ham (Bhaktipada Swami) – Founder and spiritual leader of New Vrindaban. \nSteve Bryant (Sulocana Dasa) – Former devotee and vocal critic of Ham/New Vrindaban until his murder in 1986. \nThomas Drescher (Tirtha Swami) – New Vrindaban devotee convicted of Bryant's murder and the murder of devotee Charles Saint Dennis. \nJane Seward Bryant (Yamuna/Jamuna Dasi) – Bryant's ex-wife. \nRalph Seward (Raghunath) – New husband of Bryant's ex-wife, Jane Seward. \nTerry Sheldon (Tapahpunja) – Devotee convicted of conspiring to murder Bryant. \nJohn Sinkowski, also known by the alias Paul MacPherson (Janmastami das) – Devotee involved in the conspiracy to murder Bryant. \nRichard \"Dick\" Dezio (Tulasi Dasa) – New Vrindaban attorney. \nDennis Gorrick (Dharmatma) – Leader of the Sankirtan trips. \nChristina Mills (Pradhana Gopika) – The only one of Gorrick's three wives to publicly accuse him of domestic abuse. \nRandal Gorby (not a devotee) – Friend of New Vrindaban who bought up property on their behalf when locals wouldn't sell to Krishnas. \nHenry Doktorski (Hrishikesh) – Former devotee who has since written several books about New Vrindaban and Bhaktipada. \nHoward Wheeler (Hayagriva) – Undergraduate student who had an affair with Bhaktipada and ultimately became a lifelong partner. \nSusan Joseph (Paurnamasi) – Wife of Wheeler (Hayagriva) in the 1980s. \nDevin Wheeler (Samba/Dharmaraja) – Son of Wheeler (Hayagriva). \nRonald Nay (Gopinath/RVC Swami) – Headmaster of New Vrindaban school and community archivist, ultimately charged with sexually abusing boys. \nArthur Villa (Kuladri Dasa) – New Vrindaban temple president from 1976-1986 and key player in the conspiracy to murder Steven Bryant. \nRichard Slavin (Radhanath Swami) – New Vrindaban swami involved in the conspiracy to murder Steven Bryant. \nPaul Ferry (Parambrahma) – Community manager \nDonald Ferry (Mahabuddhi) – Brother of Paul Ferry (Parambrahma) and accountant at New Vrindaban. \nDan Van Pelt (Devananda Dasa) – Temple commander \nJeffrey Michael Cornia (Yudhisthira) – California devotee with a minor role in the conspiracy to murder Steven Bryant. \nSteven Fitzpatrick (Sundarakara) – Director of Palace Press \nMartin Hausner (Mahatmadas) – California devotee who played a supporting role in the murder of Steven Bryant. \nMark Meberg (Madhava Ghosh) – New Vrindaban devotee involved in agriculture and real estate \nJay Matsya, originally Lee Renolds (Devamrita Swami) – New Vrindaban temple president and sankirtan leader in the late 1980s and early 1990s. \nEugene Bilyk (Ganapati Swami) – ISKCON swami and former Chicago temple president \nDaniel Reid (Daruka) – New Vrindaban accountant who assisted in the 1983 murder of Charles Saint Dennis. \nAlfred Tarantino (Ajeya Dasa/Adi Purusha Swami) – Devotee","Useful Expressions/Terminology: \nSankirtan – Donation seeking \nSankirtan Devotees/Pickers – Devotees on the road collecting donations and selling merchandise like hats and stickers. \nSomeone is \"on the pick\" – out on the road collecting \nPrasadam – Food \nLaxmi - Money","This series contains papers related to the daily operation and organization of the New Vrindaban commune in Moundsville, West Virginia.","This series contains essays and meditations written by the Swami Bhaktipada, incoming and outgoing correspondence, and personal papers from his childhood and early adulthood.","Correspondence to and from devotees in Bombay.","Correspondence to and from devotees in Canada.","Correspondence to and from devotees in Cleveland.","Correspondence to and from devotees in Africa.","This series contains personal notes, incoming and outgoing letters, and academic articles pertaining to Doktorski's research for several books on New Vrindaban and Swami Bhaktipada. There is no clear connection to link specific folders of material with specific works by Doktorski.","This series contains personal papers and writings about New Vrindaban by former devotee Steven Bryant prior to his murder in 1986.","This series contains legal documents and evidence from civil and criminal cases related to the Swami Bhaktipada and New Vrindaban, including racketeering, arson, and homicide.","Box 13 folder 12 includes graphic crime scene photos.","This folder includes graphic crime scene photos.","This series contains newspaper, magazine and journal articles related to the New Vrindaban commune and Swami Bhaktipada.","This series contains Hare Krishna associated newsletters, magazines and journals.","This series includes cassettes, magnetic audio tape, VHS tapes, and additional formats of meetings and religious ceremonies at New Vrindaban and religious music.","This series contains print photographs and slides depicting life in the New Vrindaban commune as well as several trips to India. Some of these have been scanned. The images are mostly/all unidentified.","This series contains items from the New Vrindaban commune, such as beads and clothing.","This series contains books and drafts written about ISKCON and religious sects, writings by the founder of Hare Krishna, Swami Bhaktipada, Henry Doktorski, Howard Wheeler and various New Vrindaban devotees.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Special licensing restrictions may apply to documentaries until December 2027. For more information, please contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","New Vrindaban (Commune)","International Society for Krishna Consciousness","Ham, F. Gerald, 1930-2021","Doktorski, Henry, 1956-","Bhaktipāda, Swami, 1937-2011","Bryant, Steven, 1953-1986","A. C. Bhaktivedanta Swami Prabhupada, 1896-1977","English \n.    "],"unitid_tesim":["A\u0026M 4646","Archival Resource Key","/repositories/2/resources/7046"],"normalized_title_ssm":["Henry Doktorski, Compiler, Records regarding Kirtanananda Bhaktipada Swami and the New Vrindaban Commune"],"collection_title_tesim":["Henry Doktorski, Compiler, Records regarding Kirtanananda Bhaktipada Swami and the New Vrindaban Commune"],"collection_ssim":["Henry Doktorski, Compiler, Records regarding Kirtanananda Bhaktipada Swami and the New Vrindaban Commune"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Ham, F. Gerald, 1930-2021","Doktorski, Henry, 1956-"],"creator_ssim":["Ham, F. Gerald, 1930-2021","Doktorski, Henry, 1956-"],"creator_persname_ssim":["Ham, F. Gerald, 1930-2021","Doktorski, Henry, 1956-"],"creators_ssim":["Ham, F. Gerald, 1930-2021","Doktorski, Henry, 1956-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Special licensing restrictions may apply to documentaries until December 2027. For more information, please contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"acqinfo_ssim":["Gift from Ham, F. Gerald, via Doktorski, Henry, 2017, 2021-2023."],"access_subjects_ssim":["Hare Krishnas","Cults -- United States","Sects -- United States","Prabhupada's Palace of Gold"],"access_subjects_ssm":["Hare Krishnas","Cults -- United States","Sects -- United States","Prabhupada's Palace of Gold"],"has_online_content_ssim":["false"],"extent_ssm":["54.63 Linear Feet 54 ft. 7.5 in. (42 record cartons, 15 in. each); (4 flat storage boxes, 3.5 in. each); (2 flat storage boxes, 3 in.); (1 oversized folder, 0.5 in.); (1 document case, 5 in.)"],"extent_tesim":["54.63 Linear Feet 54 ft. 7.5 in. (42 record cartons, 15 in. each); (4 flat storage boxes, 3.5 in. each); (2 flat storage boxes, 3 in.); (1 oversized folder, 0.5 in.); (1 document case, 5 in.)"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003ePer West Virginia \u0026amp; Regional History Center policy, special access restrictions apply. \u003c/p\u003e\n","\u003cp\u003eDue to Personally Identifiable Information (PII), box 1 folder 14, box 10 folder 28, box 12 folder 7 and box 13 folder 24 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nDue to student records, box 1 folder 4 is closed for 75 years after the date of record creation.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nDue to Protected Health Information (PHI), box 3 folder 10 is restricted for 100 years from the date of creation unless an individual grants permission to access the record or the WVRHC is given proof of death that occurred in excess of 50 years prior to the date of request. Researchers collecting summary data may submit an \u003ca href=\"https://wvu.libwizard.com/id/16c4c4750a7ec55c850fdcbbf951f60e\" target=\"_blank\"\u003eAccess Request Form\u003c/a\u003e.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nDue to attorney-client privilege, box 10 folders 13 and 18 are restricted for 75 years from the date of record creation. Users may complete the Agreement for the Use of Sensitive Materials before restriction expires.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nPlease contact \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003ethe West Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e in advance to request access to the above-mentioned records.\u003c/p\u003e\n","\u003cp\u003eAll material except for Folder Oversize 1 (Series 9) are stored offsite. Please make an appointment prior to visiting.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized and born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e\n","\u003cp\u003eSome audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department in advance.\u003c/p\u003e","\u003cp\u003eDue to student records, box 1 folder 4 is closed for 75 years.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nDue to PII, box 1 folder 14 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nDue to Protective Health Information (PHI), box 3 folder 10 is closed for 100 years from the date of creation unless an individual grants permission to access the record or the WVRHC is given proof of death that occurred in excess of 50 years prior to the date of request. Researchers collecting summary data may submit an \u003ca href=\"https://wvu.libwizard.com/id/16c4c4750a7ec55c850fdcbbf951f60e\" target=\"_blank\"\u003eAccess Request Form\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eDue to student records, box 1 folder 4 is closed for 75 years.\u003c/p\u003e","\u003cp\u003eDue to PII, box 1 folder 14 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eDue to Protective Health Information (PHI), box 3 folder 10 is closed for 100 years from the date of creation unless an individual grants permission to access the record or the WVRHC is given proof of death that occurred in excess of 50 years prior to the date of request. Researchers collecting summary data may submit an \u003ca href=\"https://wvu.libwizard.com/id/16c4c4750a7ec55c850fdcbbf951f60e\" target=\"_blank\"\u003eAccess Request Form\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eDue to attorney-client privilege, box 10 folders 13 and 18 are restricted for 75 years from the date of record creation. Users may complete the Agreement for the Use of Sensitive Materials before restriction expires.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nDue to PII, box 10 folder 28, box 12 folder 7, and box 13 folder 24 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nResearchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eDue to attorney-client privilege, box 10 folder 13 is restricted for 75 years from the date of record creation. Users may complete the Agreement for the Use of Sensitive Materials before restriction expires.\u003c/p\u003e","\u003cp\u003eDue to attorney-client privilege, box 10 folder 18 is restricted for 75 years from the date of record creation. Users may complete the Agreement for the Use of Sensitive Materials before restriction expires.\u003c/p\u003e","\u003cp\u003eDue to PII, box 10 folder 28 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eDue to PII, box 12 folder 7 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003ePhysical and digitized copies are available. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eDue to PII, box 13 folder 24 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized and born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e\n","\u003cp\u003eSome materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e\n","\u003cp\u003eSome audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department in advance.\u003c/p\u003e","\u003cp\u003eSome audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e\n","\u003cp\u003eSome audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eSome of these prints have been scanned. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eIncluded in this series is a digital copy of one book, which researchers may access by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eIncludes one book that has been digitized, which researchers may access by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Closed for 75 years","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Per West Virginia \u0026 Regional History Center policy, special access restrictions apply. ","Due to Personally Identifiable Information (PII), box 1 folder 14, box 10 folder 28, box 12 folder 7 and box 13 folder 24 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. \nDue to student records, box 1 folder 4 is closed for 75 years after the date of record creation. \nDue to Protected Health Information (PHI), box 3 folder 10 is restricted for 100 years from the date of creation unless an individual grants permission to access the record or the WVRHC is given proof of death that occurred in excess of 50 years prior to the date of request. Researchers collecting summary data may submit an  Access Request Form . \nDue to attorney-client privilege, box 10 folders 13 and 18 are restricted for 75 years from the date of record creation. Users may complete the Agreement for the Use of Sensitive Materials before restriction expires. \nPlease contact  the West Virginia \u0026 Regional History Center reference department  in advance to request access to the above-mentioned records.","All material except for Folder Oversize 1 (Series 9) are stored offsite. Please make an appointment prior to visiting.","Researchers may access digitized and born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Some audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Due to student records, box 1 folder 4 is closed for 75 years. \nDue to PII, box 1 folder 14 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. \nDue to Protective Health Information (PHI), box 3 folder 10 is closed for 100 years from the date of creation unless an individual grants permission to access the record or the WVRHC is given proof of death that occurred in excess of 50 years prior to the date of request. Researchers collecting summary data may submit an  Access Request Form .","Due to student records, box 1 folder 4 is closed for 75 years.","Due to PII, box 1 folder 14 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Due to Protective Health Information (PHI), box 3 folder 10 is closed for 100 years from the date of creation unless an individual grants permission to access the record or the WVRHC is given proof of death that occurred in excess of 50 years prior to the date of request. Researchers collecting summary data may submit an  Access Request Form .","Due to attorney-client privilege, box 10 folders 13 and 18 are restricted for 75 years from the date of record creation. Users may complete the Agreement for the Use of Sensitive Materials before restriction expires. \nDue to PII, box 10 folder 28, box 12 folder 7, and box 13 folder 24 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. \nResearchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Due to attorney-client privilege, box 10 folder 13 is restricted for 75 years from the date of record creation. Users may complete the Agreement for the Use of Sensitive Materials before restriction expires.","Due to attorney-client privilege, box 10 folder 18 is restricted for 75 years from the date of record creation. Users may complete the Agreement for the Use of Sensitive Materials before restriction expires.","Due to PII, box 10 folder 28 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Due to PII, box 12 folder 7 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Physical and digitized copies are available. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Due to PII, box 13 folder 24 will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Researchers may access digitized and born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Some materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Some audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Some audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Some audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Some of these prints have been scanned. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Included in this series is a digital copy of one book, which researchers may access by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Includes one book that has been digitized, which researchers may access by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"arrangement_html_tesm":["\u003cp\u003eThis collection has been organized by series, and original folder arrangement and titles were preserved when possible.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection has been organized by series, and original folder arrangement and titles were preserved when possible."],"bioghist_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eKirtanananda Bhaktipada Swami\u003c/emph\u003e (6 September 1937 - 24 October 2011) was born Keith Gordon Ham in Peekskill, New York to Marjorie (Clark) and the Reverend Francis Gordon Ham, a Baptist minister. In 1959, Bhaktipada graduated from Maryville College magna cum laude and received a Woodrow Wilson Fellowship to pursue a doctorate in American history at the University of North Carolina at Chapel Hill. Bhaktipada remained at North Carolina for three years before dropping out of school in 1961 due an alleged \"sex scandal\" involving a student.\u003c/p\u003e\n","\u003cp\u003eBhaktipada and his partner Howard Wheeler moved to New York City, where in 1966, they met A.C. Bhaktivedanta Swami Prabhupada, founder of the International Society for Krishna Consciousness (ISKCON). This religious movement is more commonly termed \"Hare Krishna\" and is a denomination of Hinduism. Bhaktipada became Bhaktivedanta's student and devotee, and later became an influential leader in the movement himself. Bhaktipada and Wheeler relocated to Marshall County, West Virginia and leased land near the town of Moundsville. Throughout the 1970s and 1980s, the land was purchased and developed as the community of New Vrindaban, with Bhaktipada as its spiritual leader.\u003c/p\u003e\n","\u003cp\u003eBhaktipada and New Vrindaban were the source of many controversies, both internally and externally. Bhaktipada was expelled by ISKCON in 1987, and New Vrindaban itself was also expelled the following year. Bhaktipada was indicted by a federal grand jury in 1990 on charges of mail fraud and racketeering. Although he was initially found guilty, his conviction was vacated on the basis of prejudicial testimony. In 1994, Bhaktipada was offered a plea bargain, which he refused. At the 1996 retrial, he ultimately pleaded guilty to one count of mail fraud and served time in jail from 1996 until 2004. He moved to India in 2008, where he died in October 2011 at age 74 after a period of illness.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eHenry Doktorski\u003c/emph\u003e served as New Vrindaban's Music Director from 1986-1993. In 1994, Doktorski relocated to Pittsburgh, Pennsylvania to pursue his Masters Degree in Music Composition. Since then, he has performed with several symphony orchestras and performed solo accordion recitals across the country.\u003c/p\u003e\n","\u003cp\u003eIn 2018, Doktorski completed his first non-fiction book about Hare Krishna history, \u003ctitle\u003eKilling for Krishna: The Danger of Deranged Devotion\u003c/title\u003e. Since then, he has published eleven more books about New Vrindaban and the Hare Krishnas, which have been the subject of a seven-part podcast series. Doktorski currently resides in California.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Kirtanananda Bhaktipada Swami  (6 September 1937 - 24 October 2011) was born Keith Gordon Ham in Peekskill, New York to Marjorie (Clark) and the Reverend Francis Gordon Ham, a Baptist minister. In 1959, Bhaktipada graduated from Maryville College magna cum laude and received a Woodrow Wilson Fellowship to pursue a doctorate in American history at the University of North Carolina at Chapel Hill. Bhaktipada remained at North Carolina for three years before dropping out of school in 1961 due an alleged \"sex scandal\" involving a student.","Bhaktipada and his partner Howard Wheeler moved to New York City, where in 1966, they met A.C. Bhaktivedanta Swami Prabhupada, founder of the International Society for Krishna Consciousness (ISKCON). This religious movement is more commonly termed \"Hare Krishna\" and is a denomination of Hinduism. Bhaktipada became Bhaktivedanta's student and devotee, and later became an influential leader in the movement himself. Bhaktipada and Wheeler relocated to Marshall County, West Virginia and leased land near the town of Moundsville. Throughout the 1970s and 1980s, the land was purchased and developed as the community of New Vrindaban, with Bhaktipada as its spiritual leader.","Bhaktipada and New Vrindaban were the source of many controversies, both internally and externally. Bhaktipada was expelled by ISKCON in 1987, and New Vrindaban itself was also expelled the following year. Bhaktipada was indicted by a federal grand jury in 1990 on charges of mail fraud and racketeering. Although he was initially found guilty, his conviction was vacated on the basis of prejudicial testimony. In 1994, Bhaktipada was offered a plea bargain, which he refused. At the 1996 retrial, he ultimately pleaded guilty to one count of mail fraud and served time in jail from 1996 until 2004. He moved to India in 2008, where he died in October 2011 at age 74 after a period of illness.","Henry Doktorski  served as New Vrindaban's Music Director from 1986-1993. In 1994, Doktorski relocated to Pittsburgh, Pennsylvania to pursue his Masters Degree in Music Composition. Since then, he has performed with several symphony orchestras and performed solo accordion recitals across the country.","In 2018, Doktorski completed his first non-fiction book about Hare Krishna history,  Killing for Krishna: The Danger of Deranged Devotion . Since then, he has published eleven more books about New Vrindaban and the Hare Krishnas, which have been the subject of a seven-part podcast series. Doktorski currently resides in California."],"custodhist_html_tesm":["\u003cp\u003eSome materials in this collection were sourced from the New Vrindaban property; others were created by Henry Doktorski in the course of his research.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Some materials in this collection were sourced from the New Vrindaban property; others were created by Henry Doktorski in the course of his research."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Henry Doktorski, Compiler, Records regarding Kirtanananda Bhaktipada Swami and the New Vrindaban Commune, A\u0026amp;M 4646, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Henry Doktorski, Compiler, Records regarding Kirtanananda Bhaktipada Swami and the New Vrindaban Commune, A\u0026M 4646, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains records pertaining to the community of New Vrindaban in Marshall County, West Virginia and its founder Kirtanananda Bhaktipada Swami (Keith Gordon Ham), a member of the International Society for Krishna Consciousness (ISKCON) or \"Hare Krishna\" religious movement, until his expulsion in 1987. Compiled by Henry Doktorski, a former resident of New Vrindaban and author of several books on the subject, the collection includes records which provide insight into daily life in the commune, such as committee meeting minutes, housing contracts and behavioral guidelines for devotees. There are also audio recordings and written transcripts of meditation sessions and other spiritual practices.\u003c/p\u003e\n","\u003cp\u003eThe collection also delves into legal records, press coverage, court transcripts, witness testimony and evidence from multiple criminal and civil cases involving the New Vrindaban commune, several members, and its leader, Bhaktipada. Court transcripts include testimony from devotees revealing intimate details of New Vrindaban society. For example, due to the prominent role of devotee women on fundraising roadtrips, those researching the treatment of women at New Vrindaban might be interested in witness testimony from the 1991 racketeering trial.\u003c/p\u003e\n","\u003cp\u003eThe materials appear in a variety of formats, including papers, photographs, slides, cassettes, audio reels and artifacts, such as beads and clothing items.\u003c/p\u003e\n","\u003cp\u003eThis collection includes graphic crime scene photos and descriptions of domestic violence and child abuse that may be harmful or difficult to view.\u003c/p\u003e\n","\u003cp\u003eOrganization:\u003c/p\u003e\n","\u003cp\u003eThe collection is organized into twelve series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: New Vrindaban, Records (1967-2015) – Papers related to the daily operation and organization of the New Vrindaban commune in Moundsville, West Virginia. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Kirtanananda Bhaktipada Swami, Personal Papers and Correspondence (1949-2011) – Essays, meditations and letters written by the Swami Bhaktipada, as well as personal papers from his childhood and early adulthood.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Henry Doktorski, Research and Correspondence (1974-2020) – Personal notes, incoming and outgoing letters, and academic articles pertaining to Doktorski's research for several books on New Vrindaban and Swami Bhaktipada.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Steven Bryant (Sulocana Das), Personal Papers and Correspondence (1970-1989) – Personal papers and writings about New Vrindaban by former devotee Steven Bryant prior to his murder in 1986.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Court Records and Police Reports (1968-1999) – Legal documents and evidence from civil and criminal cases related to the Swami Bhaktipada and New Vrindaban, including racketeering, arson, and homicide.\u003c/p\u003e\n","\u003cp\u003eSeries 6: News Clippings (1966-2019) – Newspaper, magazine and journal articles related to the New Vrindaban commune and Swami Bhaktipada. \u003c/p\u003e\n","\u003cp\u003eSeries 7: New Vrindaban and ISKCON Publications (1952-2015) – Hare Krishna associated newsletters, magazines and journals.\u003c/p\u003e\n","\u003cp\u003eSeries 8: Audiovisual and Digital Media (1970-2011) – Cassettes, magnetic audio tape, VHS tapes, and additional formats of meetings and religious ceremonies at New Vrindaban and religious music.\u003c/p\u003e\n","\u003cp\u003eSeries 9: Photographs and Slides (1970s-1990s) – Print photographs and slides depicting life in the New Vrindaban commune as well as several trips to India. \u003c/p\u003e\n","\u003cp\u003eSeries 10: Artifacts – Items from the New Vrindaban commune, such as beads and clothing.\u003c/p\u003e\n","\u003cp\u003eSeries 11: Books and Unpublished Drafts – Books and drafts written about ISKCON and religious sects, writings by the founder of Hare Krishna, Swami Bhaktipada, Henry Doktorski, Howard Wheeler and various New Vrindaban devotees. \u003c/p\u003e\n","\u003cp\u003eSeries 12: Miscellaneous\u003c/p\u003e\n","\u003cp\u003eNote to researchers - Most devotees of New Vrindaban possess both a legal name and a spiritual name that are used interchangeably. Please see below for a guide to key figures:\u003c/p\u003e\n","\u003cp\u003eKeith Ham (Bhaktipada Swami) – Founder and spiritual leader of New Vrindaban.\u003clb\u003e\u003c/lb\u003e\nSteve Bryant (Sulocana Dasa) – Former devotee and vocal critic of Ham/New Vrindaban until his murder in 1986.\u003clb\u003e\u003c/lb\u003e\nThomas Drescher (Tirtha Swami) – New Vrindaban devotee convicted of Bryant's murder and the murder of devotee Charles Saint Dennis.\u003clb\u003e\u003c/lb\u003e\nJane Seward Bryant (Yamuna/Jamuna Dasi) – Bryant's ex-wife.\u003clb\u003e\u003c/lb\u003e\nRalph Seward (Raghunath) – New husband of Bryant's ex-wife, Jane Seward.\u003clb\u003e\u003c/lb\u003e\nTerry Sheldon (Tapahpunja) – Devotee convicted of conspiring to murder Bryant.\u003clb\u003e\u003c/lb\u003e\nJohn Sinkowski, also known by the alias Paul MacPherson (Janmastami das) – Devotee involved in the conspiracy to murder Bryant.\u003clb\u003e\u003c/lb\u003e\nRichard \"Dick\" Dezio (Tulasi Dasa) – New Vrindaban attorney.\u003clb\u003e\u003c/lb\u003e\nDennis Gorrick (Dharmatma) – Leader of the Sankirtan trips.\u003clb\u003e\u003c/lb\u003e\nChristina Mills (Pradhana Gopika) – The only one of Gorrick's three wives to publicly accuse him of domestic abuse.\u003clb\u003e\u003c/lb\u003e\nRandal Gorby (not a devotee) – Friend of New Vrindaban who bought up property on their behalf when locals wouldn't sell to Krishnas.\u003clb\u003e\u003c/lb\u003e\nHenry Doktorski (Hrishikesh) – Former devotee who has since written several books about New Vrindaban and Bhaktipada.\u003clb\u003e\u003c/lb\u003e\nHoward Wheeler (Hayagriva) – Undergraduate student who had an affair with Bhaktipada and ultimately became a lifelong partner.\u003clb\u003e\u003c/lb\u003e\nSusan Joseph (Paurnamasi) – Wife of Wheeler (Hayagriva) in the 1980s.\u003clb\u003e\u003c/lb\u003e\nDevin Wheeler (Samba/Dharmaraja) – Son of Wheeler (Hayagriva).\u003clb\u003e\u003c/lb\u003e\nRonald Nay (Gopinath/RVC Swami) – Headmaster of New Vrindaban school and community archivist, ultimately charged with sexually abusing boys.\u003clb\u003e\u003c/lb\u003e\nArthur Villa (Kuladri Dasa) – New Vrindaban temple president from 1976-1986 and key player in the conspiracy to murder Steven Bryant.\u003clb\u003e\u003c/lb\u003e\nRichard Slavin (Radhanath Swami) – New Vrindaban swami involved in the conspiracy to murder Steven Bryant.\u003clb\u003e\u003c/lb\u003e\nPaul Ferry (Parambrahma) – Community manager\u003clb\u003e\u003c/lb\u003e\nDonald Ferry (Mahabuddhi) – Brother of Paul Ferry (Parambrahma) and accountant at New Vrindaban.\u003clb\u003e\u003c/lb\u003e\nDan Van Pelt (Devananda Dasa) – Temple commander\u003clb\u003e\u003c/lb\u003e\nJeffrey Michael Cornia (Yudhisthira) – California devotee with a minor role in the conspiracy to murder Steven Bryant.\u003clb\u003e\u003c/lb\u003e\nSteven Fitzpatrick (Sundarakara) – Director of Palace Press\u003clb\u003e\u003c/lb\u003e\nMartin Hausner (Mahatmadas) – California devotee who played a supporting role in the murder of Steven Bryant.\u003clb\u003e\u003c/lb\u003e\nMark Meberg (Madhava Ghosh) – New Vrindaban devotee involved in agriculture and real estate\u003clb\u003e\u003c/lb\u003e\nJay Matsya, originally Lee Renolds (Devamrita Swami) – New Vrindaban temple president and sankirtan leader in the late 1980s and early 1990s.\u003clb\u003e\u003c/lb\u003e\nEugene Bilyk (Ganapati Swami) – ISKCON swami and former Chicago temple president\u003clb\u003e\u003c/lb\u003e\nDaniel Reid (Daruka) – New Vrindaban accountant who assisted in the 1983 murder of Charles Saint Dennis.\u003clb\u003e\u003c/lb\u003e\nAlfred Tarantino (Ajeya Dasa/Adi Purusha Swami) – Devotee\u003c/p\u003e\n","\u003cp\u003eUseful Expressions/Terminology:\u003clb\u003e\u003c/lb\u003e\nSankirtan – Donation seeking\u003clb\u003e\u003c/lb\u003e\nSankirtan Devotees/Pickers – Devotees on the road collecting donations and selling merchandise like hats and stickers.\u003clb\u003e\u003c/lb\u003e\nSomeone is \"on the pick\" – out on the road collecting\u003clb\u003e\u003c/lb\u003e\nPrasadam – Food\u003clb\u003e\u003c/lb\u003e\nLaxmi - Money\u003c/p\u003e","\u003cp\u003eThis series contains papers related to the daily operation and organization of the New Vrindaban commune in Moundsville, West Virginia.\u003c/p\u003e","\u003cp\u003eThis series contains essays and meditations written by the Swami Bhaktipada, incoming and outgoing correspondence, and personal papers from his childhood and early adulthood.\u003c/p\u003e","\u003cp\u003eCorrespondence to and from devotees in Bombay.\u003c/p\u003e","\u003cp\u003eCorrespondence to and from devotees in Canada.\u003c/p\u003e","\u003cp\u003eCorrespondence to and from devotees in Cleveland.\u003c/p\u003e","\u003cp\u003eCorrespondence to and from devotees in Africa.\u003c/p\u003e","\u003cp\u003eThis series contains personal notes, incoming and outgoing letters, and academic articles pertaining to Doktorski's research for several books on New Vrindaban and Swami Bhaktipada. There is no clear connection to link specific folders of material with specific works by Doktorski.\u003c/p\u003e","\u003cp\u003eThis series contains personal papers and writings about New Vrindaban by former devotee Steven Bryant prior to his murder in 1986.\u003c/p\u003e","\u003cp\u003eThis series contains legal documents and evidence from civil and criminal cases related to the Swami Bhaktipada and New Vrindaban, including racketeering, arson, and homicide.\u003c/p\u003e\n","\u003cp\u003eBox 13 folder 12 includes graphic crime scene photos.\u003c/p\u003e","\u003cp\u003eThis folder includes graphic crime scene photos.\u003c/p\u003e","\u003cp\u003eThis series contains newspaper, magazine and journal articles related to the New Vrindaban commune and Swami Bhaktipada.\u003c/p\u003e","\u003cp\u003eThis series contains Hare Krishna associated newsletters, magazines and journals.\u003c/p\u003e","\u003cp\u003eThis series includes cassettes, magnetic audio tape, VHS tapes, and additional formats of meetings and religious ceremonies at New Vrindaban and religious music.\u003c/p\u003e","\u003cp\u003eThis series contains print photographs and slides depicting life in the New Vrindaban commune as well as several trips to India. Some of these have been scanned. The images are mostly/all unidentified.\u003c/p\u003e","\u003cp\u003eThis series contains items from the New Vrindaban commune, such as beads and clothing.\u003c/p\u003e","\u003cp\u003eThis series contains books and drafts written about ISKCON and religious sects, writings by the founder of Hare Krishna, Swami Bhaktipada, Henry Doktorski, Howard Wheeler and various New Vrindaban devotees.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains records pertaining to the community of New Vrindaban in Marshall County, West Virginia and its founder Kirtanananda Bhaktipada Swami (Keith Gordon Ham), a member of the International Society for Krishna Consciousness (ISKCON) or \"Hare Krishna\" religious movement, until his expulsion in 1987. Compiled by Henry Doktorski, a former resident of New Vrindaban and author of several books on the subject, the collection includes records which provide insight into daily life in the commune, such as committee meeting minutes, housing contracts and behavioral guidelines for devotees. There are also audio recordings and written transcripts of meditation sessions and other spiritual practices.","The collection also delves into legal records, press coverage, court transcripts, witness testimony and evidence from multiple criminal and civil cases involving the New Vrindaban commune, several members, and its leader, Bhaktipada. Court transcripts include testimony from devotees revealing intimate details of New Vrindaban society. For example, due to the prominent role of devotee women on fundraising roadtrips, those researching the treatment of women at New Vrindaban might be interested in witness testimony from the 1991 racketeering trial.","The materials appear in a variety of formats, including papers, photographs, slides, cassettes, audio reels and artifacts, such as beads and clothing items.","This collection includes graphic crime scene photos and descriptions of domestic violence and child abuse that may be harmful or difficult to view.","Organization:","The collection is organized into twelve series.","Series 1: New Vrindaban, Records (1967-2015) – Papers related to the daily operation and organization of the New Vrindaban commune in Moundsville, West Virginia. ","Series 2: Kirtanananda Bhaktipada Swami, Personal Papers and Correspondence (1949-2011) – Essays, meditations and letters written by the Swami Bhaktipada, as well as personal papers from his childhood and early adulthood.","Series 3: Henry Doktorski, Research and Correspondence (1974-2020) – Personal notes, incoming and outgoing letters, and academic articles pertaining to Doktorski's research for several books on New Vrindaban and Swami Bhaktipada.","Series 4: Steven Bryant (Sulocana Das), Personal Papers and Correspondence (1970-1989) – Personal papers and writings about New Vrindaban by former devotee Steven Bryant prior to his murder in 1986.","Series 5: Court Records and Police Reports (1968-1999) – Legal documents and evidence from civil and criminal cases related to the Swami Bhaktipada and New Vrindaban, including racketeering, arson, and homicide.","Series 6: News Clippings (1966-2019) – Newspaper, magazine and journal articles related to the New Vrindaban commune and Swami Bhaktipada. ","Series 7: New Vrindaban and ISKCON Publications (1952-2015) – Hare Krishna associated newsletters, magazines and journals.","Series 8: Audiovisual and Digital Media (1970-2011) – Cassettes, magnetic audio tape, VHS tapes, and additional formats of meetings and religious ceremonies at New Vrindaban and religious music.","Series 9: Photographs and Slides (1970s-1990s) – Print photographs and slides depicting life in the New Vrindaban commune as well as several trips to India. ","Series 10: Artifacts – Items from the New Vrindaban commune, such as beads and clothing.","Series 11: Books and Unpublished Drafts – Books and drafts written about ISKCON and religious sects, writings by the founder of Hare Krishna, Swami Bhaktipada, Henry Doktorski, Howard Wheeler and various New Vrindaban devotees. ","Series 12: Miscellaneous","Note to researchers - Most devotees of New Vrindaban possess both a legal name and a spiritual name that are used interchangeably. Please see below for a guide to key figures:","Keith Ham (Bhaktipada Swami) – Founder and spiritual leader of New Vrindaban. \nSteve Bryant (Sulocana Dasa) – Former devotee and vocal critic of Ham/New Vrindaban until his murder in 1986. \nThomas Drescher (Tirtha Swami) – New Vrindaban devotee convicted of Bryant's murder and the murder of devotee Charles Saint Dennis. \nJane Seward Bryant (Yamuna/Jamuna Dasi) – Bryant's ex-wife. \nRalph Seward (Raghunath) – New husband of Bryant's ex-wife, Jane Seward. \nTerry Sheldon (Tapahpunja) – Devotee convicted of conspiring to murder Bryant. \nJohn Sinkowski, also known by the alias Paul MacPherson (Janmastami das) – Devotee involved in the conspiracy to murder Bryant. \nRichard \"Dick\" Dezio (Tulasi Dasa) – New Vrindaban attorney. \nDennis Gorrick (Dharmatma) – Leader of the Sankirtan trips. \nChristina Mills (Pradhana Gopika) – The only one of Gorrick's three wives to publicly accuse him of domestic abuse. \nRandal Gorby (not a devotee) – Friend of New Vrindaban who bought up property on their behalf when locals wouldn't sell to Krishnas. \nHenry Doktorski (Hrishikesh) – Former devotee who has since written several books about New Vrindaban and Bhaktipada. \nHoward Wheeler (Hayagriva) – Undergraduate student who had an affair with Bhaktipada and ultimately became a lifelong partner. \nSusan Joseph (Paurnamasi) – Wife of Wheeler (Hayagriva) in the 1980s. \nDevin Wheeler (Samba/Dharmaraja) – Son of Wheeler (Hayagriva). \nRonald Nay (Gopinath/RVC Swami) – Headmaster of New Vrindaban school and community archivist, ultimately charged with sexually abusing boys. \nArthur Villa (Kuladri Dasa) – New Vrindaban temple president from 1976-1986 and key player in the conspiracy to murder Steven Bryant. \nRichard Slavin (Radhanath Swami) – New Vrindaban swami involved in the conspiracy to murder Steven Bryant. \nPaul Ferry (Parambrahma) – Community manager \nDonald Ferry (Mahabuddhi) – Brother of Paul Ferry (Parambrahma) and accountant at New Vrindaban. \nDan Van Pelt (Devananda Dasa) – Temple commander \nJeffrey Michael Cornia (Yudhisthira) – California devotee with a minor role in the conspiracy to murder Steven Bryant. \nSteven Fitzpatrick (Sundarakara) – Director of Palace Press \nMartin Hausner (Mahatmadas) – California devotee who played a supporting role in the murder of Steven Bryant. \nMark Meberg (Madhava Ghosh) – New Vrindaban devotee involved in agriculture and real estate \nJay Matsya, originally Lee Renolds (Devamrita Swami) – New Vrindaban temple president and sankirtan leader in the late 1980s and early 1990s. \nEugene Bilyk (Ganapati Swami) – ISKCON swami and former Chicago temple president \nDaniel Reid (Daruka) – New Vrindaban accountant who assisted in the 1983 murder of Charles Saint Dennis. \nAlfred Tarantino (Ajeya Dasa/Adi Purusha Swami) – Devotee","Useful Expressions/Terminology: \nSankirtan – Donation seeking \nSankirtan Devotees/Pickers – Devotees on the road collecting donations and selling merchandise like hats and stickers. \nSomeone is \"on the pick\" – out on the road collecting \nPrasadam – Food \nLaxmi - Money","This series contains papers related to the daily operation and organization of the New Vrindaban commune in Moundsville, West Virginia.","This series contains essays and meditations written by the Swami Bhaktipada, incoming and outgoing correspondence, and personal papers from his childhood and early adulthood.","Correspondence to and from devotees in Bombay.","Correspondence to and from devotees in Canada.","Correspondence to and from devotees in Cleveland.","Correspondence to and from devotees in Africa.","This series contains personal notes, incoming and outgoing letters, and academic articles pertaining to Doktorski's research for several books on New Vrindaban and Swami Bhaktipada. There is no clear connection to link specific folders of material with specific works by Doktorski.","This series contains personal papers and writings about New Vrindaban by former devotee Steven Bryant prior to his murder in 1986.","This series contains legal documents and evidence from civil and criminal cases related to the Swami Bhaktipada and New Vrindaban, including racketeering, arson, and homicide.","Box 13 folder 12 includes graphic crime scene photos.","This folder includes graphic crime scene photos.","This series contains newspaper, magazine and journal articles related to the New Vrindaban commune and Swami Bhaktipada.","This series contains Hare Krishna associated newsletters, magazines and journals.","This series includes cassettes, magnetic audio tape, VHS tapes, and additional formats of meetings and religious ceremonies at New Vrindaban and religious music.","This series contains print photographs and slides depicting life in the New Vrindaban commune as well as several trips to India. Some of these have been scanned. The images are mostly/all unidentified.","This series contains items from the New Vrindaban commune, such as beads and clothing.","This series contains books and drafts written about ISKCON and religious sects, writings by the founder of Hare Krishna, Swami Bhaktipada, Henry Doktorski, Howard Wheeler and various New Vrindaban devotees."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e\n","\u003cp\u003eSpecial licensing restrictions may apply to documentaries until December 2027. For more information, please contact the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Special licensing restrictions may apply to documentaries until December 2027. For more information, please contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ccae7e3df0983bc933d5580848fd70f8\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["New Vrindaban (Commune)","International Society for Krishna Consciousness","Ham, F. Gerald, 1930-2021","Doktorski, Henry, 1956-","Bhaktipāda, Swami, 1937-2011","Bryant, Steven, 1953-1986","A. C. Bhaktivedanta Swami Prabhupada, 1896-1977"],"names_ssim":["West Virginia and Regional History Center","New Vrindaban (Commune)","International Society for Krishna Consciousness","Ham, F. Gerald, 1930-2021","Doktorski, Henry, 1956-","Bhaktipāda, Swami, 1937-2011","Bryant, Steven, 1953-1986","A. C. Bhaktivedanta Swami Prabhupada, 1896-1977"],"corpname_ssim":["West Virginia and Regional History Center","New Vrindaban (Commune)","International Society for Krishna Consciousness"],"persname_ssim":["Ham, F. Gerald, 1930-2021","Doktorski, Henry, 1956-","Bhaktipāda, Swami, 1937-2011","Bryant, Steven, 1953-1986","A. C. Bhaktivedanta Swami Prabhupada, 1896-1977"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":305,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:45:52.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7046_c03"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":64},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":10},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":15},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=James+Madison+University"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Longwood+University"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":30},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"The George Washington Presidential Library at Mount Vernon","value":"The George Washington Presidential Library at Mount Vernon","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=The+George+Washington+Presidential+Library+at+Mount+Vernon"}},{"attributes":{"label":"University of Richmond","value":"University of Richmond","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections Dept.","hits":46},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"attributes":{"label":"Virginia Military Institute Archives","value":"Virginia Military Institute Archives","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Virginia+Military+Institute+Archives"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Alejandro Rodríguez Fornés (Alucho) collection","value":"Alejandro Rodríguez Fornés (Alucho) collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alejandro+Rodr%C3%ADguez+Forn%C3%A9s+%28Alucho%29+collection\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Alexandria Library Board Records (MS416)","value":"Alexandria Library Board Records (MS416)","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alexandria+Library+Board+Records+%28MS416%29\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Alleghany Chapter, National Society of the Daughters of the American Revolution Records,","value":"Alleghany Chapter, National Society of the Daughters of the American Revolution Records,","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alleghany+Chapter%2C+National+Society+of+the+Daughters+of+the+American+Revolution+Records%2C\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","value":"American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=American+Association+of+University+Women+%28AAUW%29+Records%2C+Harrisonburg%2C+Virginia+Branch\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"American Rhododendron Society Records","value":"American Rhododendron Society Records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=American+Rhododendron+Society+Records\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"American Society of Pediatric Nephrology records","value":"American Society of Pediatric Nephrology records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=American+Society+of+Pediatric+Nephrology+records\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Ann Magnuson, Performance Artist, Papers","value":"Ann Magnuson, Performance Artist, Papers","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Ann+Magnuson%2C+Performance+Artist%2C+Papers\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Anna P. Sokolina Architectural Collection","value":"Anna P. Sokolina Architectural Collection","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Anna+P.+Sokolina+Architectural+Collection\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Anna Schein, Collector, Feedsack Textile Bag Collection","value":"Anna Schein, Collector, Feedsack Textile Bag Collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Anna+Schein%2C+Collector%2C+Feedsack+Textile+Bag+Collection\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Appalachian Prison Book Project Records","value":"Appalachian Prison Book Project Records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Appalachian+Prison+Book+Project+Records\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Artemis Sisters Collective Records","value":"Artemis Sisters Collective Records","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Artemis+Sisters+Collective+Records\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/collection_ssim.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"0","value":"0","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Bdate_range%5D%5B%5D=0\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"1757","value":"1757","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Bdate_range%5D%5B%5D=1757\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"1758","value":"1758","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Bdate_range%5D%5B%5D=1758\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"1759","value":"1759","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Bdate_range%5D%5B%5D=1759\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"1760","value":"1760","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Bdate_range%5D%5B%5D=1760\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"1761","value":"1761","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Bdate_range%5D%5B%5D=1761\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"1762","value":"1762","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Bdate_range%5D%5B%5D=1762\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"1763","value":"1763","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Bdate_range%5D%5B%5D=1763\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"1764","value":"1764","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Bdate_range%5D%5B%5D=1764\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"1765","value":"1765","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Bdate_range%5D%5B%5D=1765\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"1766","value":"1766","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Bdate_range%5D%5B%5D=1766\u0026f%5Blevel%5D%5B%5D=Series"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/date_range_isim.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Coonts, Stephen, 1946-","value":"Coonts, Stephen, 1946-","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Coonts%2C+Stephen%2C+1946-\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Dyer, Layne Fraser","value":"Dyer, Layne Fraser","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Dyer%2C+Layne+Fraser\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","value":"Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Furious+Flower+Conference+%281st+%29+%28Location+of+meeting%3A+James+Madison+University%29.+Date+of+meeting+or+treaty+signing%3A+1994+%3A.%29\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","value":"Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Furious+Flower+Conference+%282nd+%29+%28Location+of+meeting%3A+James+Madison+University%29.+Date+of+meeting+or+treaty+signing%3A+2004+%3A.%29\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","value":"Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Furious+Flower+Conference+%283rd+%29+%28Location+of+meeting%3A+James+Madison+University%29.+Date+of+meeting+or+treaty+signing%3A+2014+%3A.%29\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"James Madison University. Furious Flower Poetry Center","value":"James Madison University. Furious Flower Poetry Center","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=James+Madison+University.+Furious+Flower+Poetry+Center\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/creator_ssim.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Aaron Siskind Foundation","value":"Aaron Siskind Foundation","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Aaron+Siskind+Foundation"}},{"attributes":{"label":"Abbado, Claudio (1933-06-26-2014-01-20)","value":"Abbado, Claudio (1933-06-26-2014-01-20)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Abbado%2C+Claudio+%281933-06-26-2014-01-20%29"}},{"attributes":{"label":"Abbado, Roberto","value":"Abbado, Roberto","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Abbado%2C+Roberto"}},{"attributes":{"label":"Abdrazakov, Ilʹdar, 1976-","value":"Abdrazakov, Ilʹdar, 1976-","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Abdrazakov%2C+Il%CA%B9dar%2C+1976-"}},{"attributes":{"label":"Abel, Yves","value":"Abel, Yves","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Abel%2C+Yves"}},{"attributes":{"label":"Adam, Adolphe","value":"Adam, Adolphe","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Adam%2C+Adolphe"}},{"attributes":{"label":"Adams, John (John Coolidge), 1947-","value":"Adams, John (John Coolidge), 1947-","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Adams%2C+John+%28John+Coolidge%29%2C+1947-"}},{"attributes":{"label":"Adams, John Luther, 1953-","value":"Adams, John Luther, 1953-","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Adams%2C+John+Luther%2C+1953-"}},{"attributes":{"label":"Adams, Mason (1919-2005)","value":"Adams, Mason (1919-2005)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Adams%2C+Mason+%281919-2005%29"}},{"attributes":{"label":"Adams, Melinda, (Political science teacher)","value":"Adams, Melinda, (Political science teacher)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Adams%2C+Melinda%2C+%28Political+science+teacher%29"}},{"attributes":{"label":"Adesina, Gbenga","value":"Adesina, Gbenga","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Adesina%2C+Gbenga"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/names_ssim.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Esmont (Albemarle County, Va. : Dwelling)\t","value":"Esmont (Albemarle County, Va. : Dwelling)\t","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Esmont+%28Albemarle+County%2C+Va.+%3A+Dwelling%29%09"}},{"attributes":{"label":"Esmont (Va.)","value":"Esmont (Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Esmont+%28Va.%29"}},{"attributes":{"label":"Medical Records","value":"Medical Records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Medical+Records"}},{"attributes":{"label":"Virginia--Social life and customs--20th century","value":"Virginia--Social life and customs--20th century","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Virginia--Social+life+and+customs--20th+century"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Art (sketches)","value":"Art (sketches)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art+%28sketches%29\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Asian American college students","value":"Asian American college students","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Asian+American+college+students\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Audiocassettes","value":"Audiocassettes","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Audiocassettes\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Basketball","value":"Basketball","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Basketball\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Children's literature in series","value":"Children's literature in series","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Children%27s+literature+in+series\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"College of William and Mary--History","value":"College of William and Mary--History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=College+of+William+and+Mary--History\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"College of William and Mary--Students--Social life and customs","value":"College of William and Mary--Students--Social life and customs","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=College+of+William+and+Mary--Students--Social+life+and+customs\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Copy editing","value":"Copy editing","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Copy+editing\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Correspondence","value":"Correspondence","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Fliers (printed matter)","value":"Fliers (printed matter)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Fliers+%28printed+matter%29\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Football","value":"Football","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Football\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"Series","value":"Series","hits":304},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/level_ssim.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"type":"facet","id":"access","attributes":{"label":"Access","items":[{"attributes":{"label":"Online access","value":"online","hits":16},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=19\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=19\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=19\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=19\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=19\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=19\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=19\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=19\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=19\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=19\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=19\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=19\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=19\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=19\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2019\u0026f%5Blevel%5D%5B%5D=Series\u0026page=19\u0026sort=title_sort+desc"}}]}