{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2018\u0026facet.page=2\u0026page=326","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2018\u0026facet.page=2\u0026page=325","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2018\u0026facet.page=2\u0026page=327","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2018\u0026facet.page=2\u0026page=331"},"meta":{"pages":{"current_page":326,"next_page":327,"prev_page":325,"total_pages":331,"limit_value":10,"offset_value":3250,"total_count":3305,"first_page?":false,"last_page?":false}},"data":[{"id":"virmu_repositories_2_resources_6","type":"collection","attributes":{"title":"Willie Anne Wright Artist Archives (VA-02), 1944/2021","creator":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6#creator","type":"document_value","attributes":{"value":"Wright, Willie Anne","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6#abstract_or_scope","type":"document_value","attributes":{"value":"The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6#breadcrumbs","type":"document_value","attributes":{"value":{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"normalized_date_ssm":["1944/2021"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"text":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","VA-02","/repositories/2/resources/6","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website.","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n Exhibition Files, 1964-2021\n \n \n Series 2\n Sales and Representation, 1980-2020\n \n \n Series 3\n Working Files, 1958-2019\n \n \n Series 4\n Photography, 1966-2019\n \n \n Series 5\n Cameras, 1976-1978\n \n \n Series 6\n Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wright, Willie Anne","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e ","\u003clist type=\"deflist\"\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 1\u003c/label\u003e\n \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 2\u003c/label\u003e\n \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 3\u003c/label\u003e\n \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 4\u003c/label\u003e\n \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 5\u003c/label\u003e\n \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 6\u003c/label\u003e\n \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n \u003c/defitem\u003e\n \u003c/list\u003e\n "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n Exhibition Files, 1964-2021\n \n \n Series 2\n Sales and Representation, 1980-2020\n \n \n Series 3\n Working Files, 1958-2019\n \n \n Series 4\n Photography, 1966-2019\n \n \n Series 5\n Cameras, 1976-1978\n \n \n Series 6\n Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e "],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e\n "],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wright, Willie Anne"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"normalized_date_ssm":["1944/2021"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"text":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","VA-02","/repositories/2/resources/6","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website.","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n Exhibition Files, 1964-2021\n \n \n Series 2\n Sales and Representation, 1980-2020\n \n \n Series 3\n Working Files, 1958-2019\n \n \n Series 4\n Photography, 1966-2019\n \n \n Series 5\n Cameras, 1976-1978\n \n \n Series 6\n Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wright, Willie Anne","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e ","\u003clist type=\"deflist\"\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 1\u003c/label\u003e\n \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 2\u003c/label\u003e\n \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 3\u003c/label\u003e\n \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 4\u003c/label\u003e\n \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 5\u003c/label\u003e\n \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 6\u003c/label\u003e\n \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n \u003c/defitem\u003e\n \u003c/list\u003e\n "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n Exhibition Files, 1964-2021\n \n \n Series 2\n Sales and Representation, 1980-2020\n \n \n Series 3\n Working Files, 1958-2019\n \n \n Series 4\n Photography, 1966-2019\n \n \n Series 5\n Cameras, 1976-1978\n \n \n Series 6\n Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e "],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e\n "],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wright, Willie Anne"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6"}},{"id":"viur_repositories_4_resources_154_c01_c01","type":"File","attributes":{"title":"Willis A. Shell, 1958/2020","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_154_c01_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eFolder 1 contains items pertaining to Willis Shell, including obituaries, an advance photo print from the \u003cspan\u003eRichmond Times-Dispatch\u003c/span\u003e, and newspaper clippings and a copy of the paperwork donating Shell's body to science.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_154_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_154_c01_c01","ref_ssm":["viur_repositories_4_resources_154_c01_c01"],"id":"viur_repositories_4_resources_154_c01_c01","ead_ssi":"viur_repositories_4_resources_154","_root_":"viur_repositories_4_resources_154","_nest_parent_":"viur_repositories_4_resources_154_c01","parent_ssi":"viur_repositories_4_resources_154_c01","parent_ssim":["Willis \u0026 Eleanor Shell Collection, 1952/1977","Personal Information, 1958/2020"],"parent_ids_ssim":["viur_repositories_4_resources_154","viur_repositories_4_resources_154_c01"],"title_filing_ssi":"Willis A. Shell","title_ssm":["Willis A. Shell"],"title_tesim":["Willis A. Shell"],"normalized_title_ssm":["Willis A. Shell, 1958/2020"],"text":["Willis A. Shell, 1958/2020","Willis \u0026 Eleanor Shell Collection, 1952/1977","Personal Information, 1958/2020","box 1","folder 1","Shell","Folder 1 contains items pertaining to Willis Shell, including obituaries, an advance photo print from the Richmond Times-Dispatch, and newspaper clippings and a copy of the paperwork donating Shell's body to science."],"parent_unittitles_ssm":["Willis \u0026 Eleanor Shell Collection, 1952/1977","Personal Information, 1958/2020"],"parent_unittitles_tesim":["Willis \u0026 Eleanor Shell Collection, 1952/1977","Personal Information, 1958/2020"],"normalized_date_ssm":["1958/2020"],"unitdate_inclusive_ssm":["1958-2020"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":2,"repository_ssim":["University of Richmond"],"collection_ssim":["Willis \u0026 Eleanor Shell Collection, 1952/1977"],"containers_ssim":["box 1","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"parent_access_restrict_tesm":["There are no restrictions on accessing material in this collection."],"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"famname_ssim":["Shell"],"names_ssim":["Shell"],"date_range_isim":[1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"scopecontent_html_tesm":["\u003cp\u003eFolder 1 contains items pertaining to Willis Shell, including obituaries, an advance photo print from the \u003ctitle\u003eRichmond Times-Dispatch\u003c/title\u003e, and newspaper clippings and a copy of the paperwork donating \u003cfamname\u003eShell\u003c/famname\u003e's body to science.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder 1 contains items pertaining to Willis Shell, including obituaries, an advance photo print from the Richmond Times-Dispatch, and newspaper clippings and a copy of the paperwork donating Shell's body to science."],"_nest_path_":"/components#0/components#0","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_154","ead_ssi":"viur_repositories_4_resources_154","_root_":"viur_repositories_4_resources_154","_nest_parent_":"viur_repositories_4_resources_154","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_154.xml","title_ssm":["Willis \u0026 Eleanor Shell Collection"],"title_tesim":["Willis \u0026 Eleanor Shell Collection"],"unitdate_ssm":["1952-1977"],"unitdate_bulk_ssim":["1952-1977"],"normalized_date_ssm":["1952/1977"],"normalized_title_ssm":["Willis \u0026 Eleanor Shell Collection, 1952/1977"],"text":["Willis \u0026 Eleanor Shell Collection, 1952/1977","MS.47","/repositories/4/resources/154","Richmond (Va.)","Personal correspondence","Photographs","Pamphlets","Clippings","There are no restrictions on accessing material in this collection.","This collection is arranged into 3 series: \n\nSeries 1: Personal Information\nSeries 2: Print Matters\nSeries 3: Christmas Cards","Willis Andrew Shell, Jr., was born in Lenoir, North Carolina on 1 Jun 1905 to Willis Andrew Shell and Bertha Weathersbee Shell, who was a noted Tidewater artist from Norfolk, VA. He was a student at the University of Richmond in 1926, though it is not clear if he graduated. In 1938, Willis A. Shell married Eleanor Roberts, with whom he would start the Attic Press from their home at 311 W. Franklin St. in Richmond, VA. While it is unclear how he managed to get his 2000-pound 1840 Washington hand press, a Christmas present from his wife, into the attic of his home, it stayed there until they moved in 1958 to 2113 Hanover Ave. in Richmond VA.  Besides co-owning and operating the Attic Press with Eleanor, Willis A. Shell also worked at the William Byrd Press from 1933-1971. He started at the William Byrd Press in February of 1933 as a salesman and then as a book designer, working there until he retired in September 1971 as the Vice President in charge of sales for Richmond, VA. Eleanor graduated from Parsons School of Design and worked as an illustrator for the Richmond New Leader, where she developed a regular art feature for the Sunday Times-Dispatch from 1935-1950.","His first handmade book was The Night After Christmas. Willis and Eleanor worked together and separately on projects. For example, for the book An Allegorical ABC Book About Father Junipero Serra, published in 1977, Willis printed the book, and Eleanor provided the illustrations. A printing proof from this book is included in the collection. There are booklets and pamphlets from the Attic Press and the William Byrd Press included within this collection and over thirty other books and pamphlets from other publishers. In addition, this collection contains copies of the obituaries of Willis and Eleanor Shell, memories of Willis and Eleanor Shell written by her niece, Margaret Roberts Thomas, and ephemera, booklets, and pamphlets relating to Willis A. Shell and his publishing companies. Due to the quality of his work, Willis A. Shell quickly became a respected printer and illustrator. In 1952 he produced three of the five entries from Richmond, VA for a 1952 Southeastern Library Association competition. These five entries were part of the total of 16 volumes designated as the best in Southern book production. Another interesting proof in this collection is a book created in nine days for Colonial Williamsburg. The combination of Eleanor's reputation as an illustrator and Willis' unique book design and printing led to the commission from Colonial Williamsburg to produce a book about Williamsburg crafts to present to Queen Elizabeth during her 1954 visit. One book he designed while at William Byrd Press was David John Mays' Edmund Pendleton, which won a Pulitzer Prize. Shell was also a charter member of the Bibliographic Society of the University of Virginia. He also served as chairman of the Special Collections Committee at the Richmond Public Library and was a member of the Rotunda Club, the Advertising Federation of America, the Virginia Museum of Fine Arts, and the Virginia Historical Society. Eleanor was a member of the Woman's Club, the Friends of Richmond Public Library, the Virginia Bibliographical Society, and the Associates of the James Branch Cabell Library.","Due to their ties to the print and illustration community, the Shell collection also holds a variety of materials created by friends, including Christmas cards from both David Clinger and Warren Chappell, both noted figures in their own fields and donors to the Galvin Rare Book Room collections. The Shell's Christmas cards, like many other ones in the collection, were completely handmade; each year, they would design, print, and illustrate each card. After a noted and remarkable life, Eleanor Shell passed away February 26, 1974, and Willis A. Shell, Jr. passed away on March 14, 1989.","This collection arrived as a single unit with the majority of materials mixed together. The processor decided to separate by related materials and by chronological order with the Christmas cards.","An item level inventory can be made available by reaching out to archives@richmond.edu.","MS-35 David Clinger Collection","The Willis \u0026 Eleanor Shell Collection holds booklets, pamphlets, print proofs and other items relating to the illustrator and printer, Willis A. Shell, Jr., and his wife and business and artistic partner, Eleanor Roberts Shell. Shell, Jr., was a miniature bookmaker, illustrator, and printer from Richmond, VA. The Shells founded The Attic Press while Willis Shell, Jr., also worked at The William Byrd Press from 1933-1977. Materials include illustration mock-ups, print advertisements, Attic Press materials, and personal Christmas cards from friends and fellow illustrators, including David Clinger and Warren Chappell.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","The items within this collection pertain to Willis A. \u0026 Eleanor Shell. Both Willis and Eleanor were illustrators, and Willis specialized in designing and printing books and in miniature books.","University of Richmond","Attic Press","William Byrd Press","Parsons School of Design","William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)","Shell","Shell, Willis Andrew, 1905-1989","Willis Andrew Shell, Jr.","Eleanor Roberts","David John Mays","David Clinger","Warren Chappell","Shell, Eleanor Roberts, -1974","English"],"collection_title_tesim":["Willis \u0026 Eleanor Shell Collection, 1952/1977"],"collection_ssim":["Willis \u0026 Eleanor Shell Collection, 1952/1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.47","/repositories/4/resources/154"],"unitid_tesim":["MS.47","/repositories/4/resources/154"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Richmond (Va.)"],"geogname_ssim":["Richmond (Va.)"],"places_ssim":["Richmond (Va.)"],"creator_ssm":["Shell, Willis Andrew, 1905-1989"],"creator_ssim":["Shell, Willis Andrew, 1905-1989"],"creator_persname_ssim":["Shell, Willis Andrew, 1905-1989","Willis Andrew Shell, Jr.","Eleanor Roberts","David John Mays","David Clinger","Warren Chappell","Shell, Eleanor Roberts, -1974"],"creator_corpname_ssim":["University of Richmond","Attic Press","William Byrd Press","Parsons School of Design","William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)"],"creator_famname_ssim":["Shell"],"creators_ssim":["Shell, Willis Andrew, 1905-1989","Willis Andrew Shell, Jr.","Eleanor Roberts","David John Mays","David Clinger","Warren Chappell","Shell, Eleanor Roberts, -1974","University of Richmond","Attic Press","William Byrd Press","Parsons School of Design","William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)","Shell"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This collection was donated by Margaret Roberts Thomas, niece of Eleanor Roberts Shell."],"access_subjects_ssim":["Personal correspondence","Photographs","Pamphlets","Clippings"],"access_subjects_ssm":["Personal correspondence","Photographs","Pamphlets","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"genreform_ssim":["Personal correspondence","Photographs","Pamphlets","Clippings"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on accessing material in this collection.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on accessing material in this collection."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 3 series: \n\u003cul\u003e\n\u003cli\u003eSeries 1: Personal Information\u003c/li\u003e\n\u003cli\u003eSeries 2: Print Matters\u003c/li\u003e\n\u003cli\u003eSeries 3: Christmas Cards\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 3 series: \n\nSeries 1: Personal Information\nSeries 2: Print Matters\nSeries 3: Christmas Cards"],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eWillis Andrew Shell, Jr.\u003c/persname\u003e, was born in \u003cgeogname\u003eLenoir, North Carolina\u003c/geogname\u003e on \u003cdate\u003e1 Jun 1905\u003c/date\u003e to Willis Andrew Shell and Bertha Weathersbee Shell, who was a noted Tidewater artist from Norfolk, VA. He was a student at the University of Richmond in 1926, though it is not clear if he graduated. In 1938, Willis A. Shell married \u003cpersname\u003eEleanor Roberts\u003c/persname\u003e, with whom he would start the \u003ccorpname\u003eAttic Press\u003c/corpname\u003e from their home at 311 W. Franklin St. in Richmond, VA. While it is unclear how he managed to get his 2000-pound 1840 Washington hand press, a Christmas present from his wife, into the attic of his home, it stayed there until they moved in 1958 to 2113 Hanover Ave. in Richmond VA.  Besides co-owning and operating the Attic Press with Eleanor, Willis A. Shell also worked at the \u003ccorpname\u003eWilliam Byrd Press\u003c/corpname\u003e from 1933-1971. He started at the William Byrd Press in February of 1933 as a salesman and then as a book designer, working there until he retired in \u003cdate\u003eSeptember 1971\u003c/date\u003e as the Vice President in charge of sales for Richmond, VA. Eleanor graduated from \u003ccorpname\u003eParsons School of Design\u003c/corpname\u003e and worked as an \u003coccupation\u003eillustrator\u003c/occupation\u003e for the \u003ctitle\u003eRichmond New Leader\u003c/title\u003e, where she developed a regular art feature for the Sunday \u003ctitle\u003eTimes-Dispatch\u003c/title\u003e from 1935-1950. \u003c/p\u003e","\u003cp\u003eHis first handmade book was \u003ctitle\u003eThe Night After Christmas\u003c/title\u003e. Willis and Eleanor worked together and separately on projects. For example, for the book \u003ctitle\u003eAn Allegorical ABC Book About Father Junipero Serra\u003c/title\u003e, published in \u003cdate\u003e1977\u003c/date\u003e, Willis printed the book, and Eleanor provided the illustrations. A printing proof from this book is included in the collection. There are booklets and pamphlets from the Attic Press and the William Byrd Press included within this collection and over thirty other books and pamphlets from other publishers. In addition, this collection contains copies of the obituaries of Willis and Eleanor Shell, memories of Willis and Eleanor Shell written by her niece, Margaret Roberts Thomas, and ephemera, booklets, and pamphlets relating to Willis A. Shell and his publishing companies. Due to the quality of his work, Willis A. Shell quickly became a respected printer and illustrator. In 1952 he produced three of the five entries from Richmond, VA for a 1952 Southeastern Library Association competition. These five entries were part of the total of 16 volumes designated as the best in Southern book production. Another interesting proof in this collection is a book created in nine days for Colonial Williamsburg. The combination of Eleanor's reputation as an illustrator and Willis' unique book design and printing led to the commission from Colonial Williamsburg to produce a book about Williamsburg crafts to present to Queen Elizabeth during her 1954 visit. One book he designed while at William Byrd Press was \u003cpersname\u003eDavid John Mays\u003c/persname\u003e' \u003ctitle\u003eEdmund Pendleton\u003c/title\u003e, which won a Pulitzer Prize. Shell was also a charter member of the Bibliographic Society of the University of Virginia. He also served as chairman of the Special Collections Committee at the Richmond Public Library and was a member of the Rotunda Club, the Advertising Federation of America, the Virginia Museum of Fine Arts, and the Virginia Historical Society. Eleanor was a member of the Woman's Club, the Friends of Richmond Public Library, the Virginia Bibliographical Society, and the Associates of the James Branch Cabell Library. \u003c/p\u003e","\u003cp\u003eDue to their ties to the print and illustration community, the \u003cfamname\u003eShell\u003c/famname\u003e collection also holds a variety of materials created by friends, including Christmas cards from both \u003cpersname\u003eDavid Clinger\u003c/persname\u003e and \u003cpersname\u003eWarren Chappell\u003c/persname\u003e, both noted figures in their own fields and donors to the Galvin Rare Book Room collections. The Shell's Christmas cards, like many other ones in the collection, were completely handmade; each year, they would design, print, and illustrate each card. After a noted and remarkable life, Eleanor Shell passed away February 26, 1974, and Willis A. Shell, Jr. passed away on March 14, 1989. \u003c/p\u003e "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Willis Andrew Shell, Jr., was born in Lenoir, North Carolina on 1 Jun 1905 to Willis Andrew Shell and Bertha Weathersbee Shell, who was a noted Tidewater artist from Norfolk, VA. He was a student at the University of Richmond in 1926, though it is not clear if he graduated. In 1938, Willis A. Shell married Eleanor Roberts, with whom he would start the Attic Press from their home at 311 W. Franklin St. in Richmond, VA. While it is unclear how he managed to get his 2000-pound 1840 Washington hand press, a Christmas present from his wife, into the attic of his home, it stayed there until they moved in 1958 to 2113 Hanover Ave. in Richmond VA.  Besides co-owning and operating the Attic Press with Eleanor, Willis A. Shell also worked at the William Byrd Press from 1933-1971. He started at the William Byrd Press in February of 1933 as a salesman and then as a book designer, working there until he retired in September 1971 as the Vice President in charge of sales for Richmond, VA. Eleanor graduated from Parsons School of Design and worked as an illustrator for the Richmond New Leader, where she developed a regular art feature for the Sunday Times-Dispatch from 1935-1950.","His first handmade book was The Night After Christmas. Willis and Eleanor worked together and separately on projects. For example, for the book An Allegorical ABC Book About Father Junipero Serra, published in 1977, Willis printed the book, and Eleanor provided the illustrations. A printing proof from this book is included in the collection. There are booklets and pamphlets from the Attic Press and the William Byrd Press included within this collection and over thirty other books and pamphlets from other publishers. In addition, this collection contains copies of the obituaries of Willis and Eleanor Shell, memories of Willis and Eleanor Shell written by her niece, Margaret Roberts Thomas, and ephemera, booklets, and pamphlets relating to Willis A. Shell and his publishing companies. Due to the quality of his work, Willis A. Shell quickly became a respected printer and illustrator. In 1952 he produced three of the five entries from Richmond, VA for a 1952 Southeastern Library Association competition. These five entries were part of the total of 16 volumes designated as the best in Southern book production. Another interesting proof in this collection is a book created in nine days for Colonial Williamsburg. The combination of Eleanor's reputation as an illustrator and Willis' unique book design and printing led to the commission from Colonial Williamsburg to produce a book about Williamsburg crafts to present to Queen Elizabeth during her 1954 visit. One book he designed while at William Byrd Press was David John Mays' Edmund Pendleton, which won a Pulitzer Prize. Shell was also a charter member of the Bibliographic Society of the University of Virginia. He also served as chairman of the Special Collections Committee at the Richmond Public Library and was a member of the Rotunda Club, the Advertising Federation of America, the Virginia Museum of Fine Arts, and the Virginia Historical Society. Eleanor was a member of the Woman's Club, the Friends of Richmond Public Library, the Virginia Bibliographical Society, and the Associates of the James Branch Cabell Library.","Due to their ties to the print and illustration community, the Shell collection also holds a variety of materials created by friends, including Christmas cards from both David Clinger and Warren Chappell, both noted figures in their own fields and donors to the Galvin Rare Book Room collections. The Shell's Christmas cards, like many other ones in the collection, were completely handmade; each year, they would design, print, and illustrate each card. After a noted and remarkable life, Eleanor Shell passed away February 26, 1974, and Willis A. Shell, Jr. passed away on March 14, 1989."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-47, Willis \u0026amp; Eleanor Shell Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e "],"prefercite_tesim":["[Box Number, Folder Number], MS-47, Willis \u0026 Eleanor Shell Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"processinfo_html_tesm":["\u003cp\u003eThis collection arrived as a single unit with the majority of materials mixed together. The processor decided to separate by related materials and by chronological order with the Christmas cards.\u003c/p\u003e","\u003cp\u003eAn item level inventory can be made available by reaching out to archives@richmond.edu.\u003c/p\u003e "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection arrived as a single unit with the majority of materials mixed together. The processor decided to separate by related materials and by chronological order with the Christmas cards.","An item level inventory can be made available by reaching out to archives@richmond.edu."],"relatedmaterial_html_tesm":["\u003cp\u003eMS-35 David Clinger Collection\u003c/p\u003e "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS-35 David Clinger Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe Willis \u0026amp; Eleanor Shell Collection holds booklets, pamphlets, print proofs and other items relating to the illustrator and printer, Willis A. Shell, Jr., and his wife and business and artistic partner, Eleanor Roberts Shell. Shell, Jr., was a miniature bookmaker, illustrator, and printer from Richmond, VA. The Shells founded The Attic Press while Willis Shell, Jr., also worked at The William Byrd Press from 1933-1977. Materials include illustration mock-ups, print advertisements, Attic Press materials, and personal Christmas cards from friends and fellow illustrators, including David Clinger and Warren Chappell.\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Willis \u0026 Eleanor Shell Collection holds booklets, pamphlets, print proofs and other items relating to the illustrator and printer, Willis A. Shell, Jr., and his wife and business and artistic partner, Eleanor Roberts Shell. Shell, Jr., was a miniature bookmaker, illustrator, and printer from Richmond, VA. The Shells founded The Attic Press while Willis Shell, Jr., also worked at The William Byrd Press from 1933-1977. Materials include illustration mock-ups, print advertisements, Attic Press materials, and personal Christmas cards from friends and fellow illustrators, including David Clinger and Warren Chappell."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_86a3585121957f4c302faa3b9b0cc017\"\u003eThe items within this collection pertain to Willis A. \u0026amp; Eleanor Shell. Both Willis and Eleanor were illustrators, and Willis specialized in designing and printing books and in miniature books.\u003c/abstract\u003e\n "],"abstract_tesim":["The items within this collection pertain to Willis A. \u0026 Eleanor Shell. Both Willis and Eleanor were illustrators, and Willis specialized in designing and printing books and in miniature books."],"corpname_ssim":["University of Richmond","Attic Press","William Byrd Press","Parsons School of Design","William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)"],"names_coll_ssim":["William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)","Shell, Eleanor Roberts, -1974"],"famname_ssim":["Shell"],"persname_ssim":["Shell, Willis Andrew, 1905-1989","Willis Andrew Shell, Jr.","Eleanor Roberts","David John Mays","David Clinger","Warren Chappell","Shell, Eleanor Roberts, -1974"],"names_ssim":["University of Richmond","Attic Press","William Byrd Press","Parsons School of Design","William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)","Shell","Shell, Willis Andrew, 1905-1989","Willis Andrew Shell, Jr.","Eleanor Roberts","David John Mays","David Clinger","Warren Chappell","Shell, Eleanor Roberts, -1974"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":223,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_154_c01_c01"}},{"id":"viw_repositories_2_resources_9022_c07_c02_c03_c04","type":"File","attributes":{"title":"Willis, Sylvia Shearin Full Interview, 2018","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9022_c07_c02_c03_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The interview was later transcribed by Marriya Schwarz. The interview took place during the evening of 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the volume is somewhat low. There is some interference due to people filing in and out of the Williamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin Willis discussed her experiences with education within Williamsburg-James City County Schools, primarily her experiences with Bruton Heights School and later James Blair High School after integration in 1966. She reflected on the differences between the two schools. She also discussed her experiences with the different teaching at both schools and minority teaching. Towards the end of the interview, she also discussed her experiences with historically black colleges, as well as the educational experiences of her two daughters. For clarity and as requested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the transcription.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9022_c07_c02_c03_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9022_c07_c02_c03_c04","ref_ssm":["viw_repositories_2_resources_9022_c07_c02_c03_c04"],"id":"viw_repositories_2_resources_9022_c07_c02_c03_c04","ead_ssi":"viw_repositories_2_resources_9022","_root_":"viw_repositories_2_resources_9022","_nest_parent_":"viw_repositories_2_resources_9022_c07_c02_c03","parent_ssi":"viw_repositories_2_resources_9022_c07_c02_c03","parent_ssim":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","Series 7: Acc. 2018.229, 2018","WDP 2018 - Student Final Projects, 2018","Schwarz, Marriya Final Project, 2018"],"parent_ids_ssim":["viw_repositories_2_resources_9022","viw_repositories_2_resources_9022_c07","viw_repositories_2_resources_9022_c07_c02","viw_repositories_2_resources_9022_c07_c02_c03"],"title_filing_ssi":"Willis, Sylvia Shearin Full Interview","title_ssm":["Willis, Sylvia Shearin Full Interview"],"title_tesim":["Willis, Sylvia Shearin Full Interview"],"normalized_title_ssm":["Willis, Sylvia Shearin Full Interview, 2018"],"text":["Willis, Sylvia Shearin Full Interview, 2018","Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","Series 7: Acc. 2018.229, 2018","WDP 2018 - Student Final Projects, 2018","Schwarz, Marriya Final Project, 2018","This interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.","The content of this note was taken from the headnote created by the interview team."],"parent_unittitles_ssm":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","Series 7: Acc. 2018.229, 2018","WDP 2018 - Student Final Projects, 2018","Schwarz, Marriya Final Project, 2018"],"parent_unittitles_tesim":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","Series 7: Acc. 2018.229, 2018","WDP 2018 - Student Final Projects, 2018","Schwarz, Marriya Final Project, 2018"],"normalized_date_ssm":["2018"],"unitdate_other_ssim":["2018"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[4],"sort_isi":910,"repository_ssim":["College of William and Mary"],"collection_ssim":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Portions of this collection may be restricted for privacy reasons. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2018],"scopecontent_html_tesm":["\u003cp\u003eThis interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.","The content of this note was taken from the headnote created by the interview team."],"_nest_path_":"/components#6/components#1/components#2/components#3","timestamp":"2026-08-14T23:04:42.104Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9022","ead_ssi":"viw_repositories_2_resources_9022","_root_":"viw_repositories_2_resources_9022","_nest_parent_":"viw_repositories_2_resources_9022","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9022.xml","title_filing_ssi":"Williamsburg Documentary Project","title_ssm":["Williamsburg Documentary Project"],"title_tesim":["Williamsburg Documentary Project"],"unitdate_ssm":["Circa 1930-2015","2008-2015"],"unitdate_inclusive_ssm":["Circa 1930-2015"],"unitdate_bulk_ssim":["2008-2015"],"normalized_date_ssm":["1930/2015, bulk 2008/2015"],"normalized_title_ssm":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015"],"text":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","UA 351","/repositories/2/resources/9022","Williamsburg (Va.)--History","Williamsburg (Va.)--Maps","Williamsburg (Va.)--Newspapers","College of William and Mary--History--20th century","Colonial Williamsburg Foundation--History","Interviews","Williamsburg, Battle of, Williamsburg, Va., 1862","Clippings (information artifacts)","Photographs","Transcripts","Newsletters","Portions of this collection may be restricted for privacy reasons. 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Nichol."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","American Studies Program","Economic Development"],"names_coll_ssim":["Economic Development"],"persname_ssim":["Blayton, James Blaine, Sr., (Dr.)","Casey, Carlton","Glosson, Sarah","Arthur Knight","Doyle, Margetta Hirsch (Margetta Hirsch Doyle)","Etheridge, Jeanne","Willard Gilley","George Greenia","Heacox, Thomas (Thomas Lee), 1943-2024","Lois Hornsby","Louise Lambert Kale","Langton, Helen","Ann Ward Little, Daughter of Archibald F. 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The interview took place during the evening of 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the volume is somewhat low. There is some interference due to people filing in and out of the Williamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin Willis discussed her experiences with education within Williamsburg-James City County Schools, primarily her experiences with Bruton Heights School and later James Blair High School after integration in 1966. She reflected on the differences between the two schools. She also discussed her experiences with the different teaching at both schools and minority teaching. Towards the end of the interview, she also discussed her experiences with historically black colleges, as well as the educational experiences of her two daughters. For clarity and as requested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the transcription.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9022_c07_c02_c03_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9022_c07_c02_c03_c05","ref_ssm":["viw_repositories_2_resources_9022_c07_c02_c03_c05"],"id":"viw_repositories_2_resources_9022_c07_c02_c03_c05","ead_ssi":"viw_repositories_2_resources_9022","_root_":"viw_repositories_2_resources_9022","_nest_parent_":"viw_repositories_2_resources_9022_c07_c02_c03","parent_ssi":"viw_repositories_2_resources_9022_c07_c02_c03","parent_ssim":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","Series 7: Acc. 2018.229, 2018","WDP 2018 - Student Final Projects, 2018","Schwarz, Marriya Final Project, 2018"],"parent_ids_ssim":["viw_repositories_2_resources_9022","viw_repositories_2_resources_9022_c07","viw_repositories_2_resources_9022_c07_c02","viw_repositories_2_resources_9022_c07_c02_c03"],"title_filing_ssi":"Willis, Sylvia Shearin Transcript","title_ssm":["Willis, Sylvia Shearin Transcript"],"title_tesim":["Willis, Sylvia Shearin Transcript"],"normalized_title_ssm":["Willis, Sylvia Shearin Transcript, 2018"],"text":["Willis, Sylvia Shearin Transcript, 2018","Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","Series 7: Acc. 2018.229, 2018","WDP 2018 - Student Final Projects, 2018","Schwarz, Marriya Final Project, 2018","This interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.","The content of this note was taken from the headnote created by the interview team."],"parent_unittitles_ssm":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","Series 7: Acc. 2018.229, 2018","WDP 2018 - Student Final Projects, 2018","Schwarz, Marriya Final Project, 2018"],"parent_unittitles_tesim":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","Series 7: Acc. 2018.229, 2018","WDP 2018 - Student Final Projects, 2018","Schwarz, Marriya Final Project, 2018"],"normalized_date_ssm":["2018"],"unitdate_other_ssim":["2018"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[4],"sort_isi":911,"repository_ssim":["College of William and Mary"],"collection_ssim":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Portions of this collection may be restricted for privacy reasons. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. 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There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.","The content of this note was taken from the headnote created by the interview team."],"_nest_path_":"/components#6/components#1/components#2/components#4","timestamp":"2026-08-14T23:04:42.104Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9022","ead_ssi":"viw_repositories_2_resources_9022","_root_":"viw_repositories_2_resources_9022","_nest_parent_":"viw_repositories_2_resources_9022","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9022.xml","title_filing_ssi":"Williamsburg Documentary Project","title_ssm":["Williamsburg Documentary Project"],"title_tesim":["Williamsburg Documentary Project"],"unitdate_ssm":["Circa 1930-2015","2008-2015"],"unitdate_inclusive_ssm":["Circa 1930-2015"],"unitdate_bulk_ssim":["2008-2015"],"normalized_date_ssm":["1930/2015, bulk 2008/2015"],"normalized_title_ssm":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015"],"text":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","UA 351","/repositories/2/resources/9022","Williamsburg (Va.)--History","Williamsburg (Va.)--Maps","Williamsburg (Va.)--Newspapers","College of William and Mary--History--20th century","Colonial Williamsburg Foundation--History","Interviews","Williamsburg, Battle of, Williamsburg, Va., 1862","Clippings (information artifacts)","Photographs","Transcripts","Newsletters","Portions of this collection may be restricted for privacy reasons. 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Nichol."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","American Studies Program","Economic Development"],"names_coll_ssim":["Economic Development"],"persname_ssim":["Blayton, James Blaine, Sr., (Dr.)","Casey, Carlton","Glosson, Sarah","Arthur Knight","Doyle, Margetta Hirsch (Margetta Hirsch Doyle)","Etheridge, Jeanne","Willard Gilley","George Greenia","Heacox, Thomas (Thomas Lee), 1943-2024","Lois Hornsby","Louise Lambert Kale","Langton, Helen","Ann Ward Little, Daughter of Archibald F. 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Some items are personal papers including newspaper articles, belonging to Will Molineux. The photograph collection documents Williamsburg, Virginia, including James City County and York County. Subjects include people, places, buildings, events, Colonial Williamsburg as well as the College of William \u0026amp; Mary.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8897#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8897","ead_ssi":"viw_repositories_2_resources_8897","_root_":"viw_repositories_2_resources_8897","_nest_parent_":"viw_repositories_2_resources_8897","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8897.xml","title_filing_ssi":"Will Molineux collection","title_ssm":["Will Molineux collection"],"title_tesim":["Will Molineux collection"],"unitdate_ssm":["1952-2025"],"unitdate_inclusive_ssm":["1952-2025"],"normalized_date_ssm":["1952/2025"],"normalized_title_ssm":["Will Molineux collection, 1952/2025"],"text":["Will Molineux collection, 1952/2025","MS 00042","/repositories/2/resources/8897","James City County (Va.)--History--20th century","Jamestown (Va.)--History--20th century","Williamsburg (Va.)--City Council","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs","Eastern State Hospital (Va.)--History","Jamestown 350th Anniversary","Jamestown Festival (1957)","Buttons (information artifacts)","Church bulletins","Maps","Newspapers","Photographs","Programs","Reports","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into six series.","Mss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009.","Collection contains items donated by Will Molineux, primarily through the Williamsburg Historic Records Association. Some items are personal papers including newspaper articles, belonging to Will Molineux. The photograph collection documents Williamsburg, Virginia, including James City County and York County. Subjects include people, places, buildings, events, Colonial Williamsburg as well as the College of William \u0026 Mary.","Mss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County","College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church","Molineux, Will","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. 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Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009."],"scopecontent_html_tesm":["\u003cp\u003eCollection contains items donated by Will Molineux, primarily through the Williamsburg Historic Records Association. Some items are personal papers including newspaper articles, belonging to Will Molineux. The photograph collection documents Williamsburg, Virginia, including James City County and York County. Subjects include people, places, buildings, events, Colonial Williamsburg as well as the College of William \u0026amp; Mary.\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection contains items donated by Will Molineux, primarily through the Williamsburg Historic Records Association. Some items are personal papers including newspaper articles, belonging to Will Molineux. The photograph collection documents Williamsburg, Virginia, including James City County and York County. Subjects include people, places, buildings, events, Colonial Williamsburg as well as the College of William \u0026 Mary."],"separatedmaterial_html_tesm":["\u003cp\u003eMss. 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Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009.","Collection contains items donated by Will Molineux, primarily through the Williamsburg Historic Records Association. Some items are personal papers including newspaper articles, belonging to Will Molineux. The photograph collection documents Williamsburg, Virginia, including James City County and York County. Subjects include people, places, buildings, events, Colonial Williamsburg as well as the College of William \u0026 Mary.","Mss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. 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Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County","College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church"],"names_coll_ssim":["College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973"],"persname_ssim":["Molineux, Will","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973"],"names_ssim":["Special Collections Research Center","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County","College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church","Molineux, Will","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":940,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:04:37.104Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8897"}},{"id":"vihdsc_repositories_2_resources_2_c05_c15","type":"File","attributes":{"title":"Wilson Speeches and Writings: Born-Digital Items (1 of 3), 2010/2018","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihdsc_repositories_2_resources_2_c05_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihdsc_repositories_2_resources_2_c05_c15","ref_ssm":["vihdsc_repositories_2_resources_2_c05_c15"],"id":"vihdsc_repositories_2_resources_2_c05_c15","ead_ssi":"vihdsc_repositories_2_resources_2","_root_":"vihdsc_repositories_2_resources_2","_nest_parent_":"vihdsc_repositories_2_resources_2_c05","parent_ssi":"vihdsc_repositories_2_resources_2_c05","parent_ssim":["Samuel Vaughan Wilson Papers, 1945/2017","Series V: Speeches and Writings by Sam Wilson"],"parent_ids_ssim":["vihdsc_repositories_2_resources_2","vihdsc_repositories_2_resources_2_c05"],"title_filing_ssi":"Wilson Speeches and Writings: Born-Digital Items (1 of 3)","title_ssm":["Wilson Speeches and Writings: Born-Digital Items (1 of 3)"],"title_tesim":["Wilson Speeches and Writings: Born-Digital Items (1 of 3)"],"normalized_title_ssm":["Wilson Speeches and Writings: Born-Digital Items (1 of 3), 2010/2018"],"text":["Wilson Speeches and Writings: Born-Digital Items (1 of 3), 2010/2018","Samuel Vaughan Wilson Papers, 1945/2017","Series V: Speeches and Writings by Sam Wilson","English.","This record contains a folder forwarded from General Sam Wilson's son, Jack, who was a frequent editor and collaborator with his father. This record was emailed as a zipped file to General Wilson's wife, Susi, who then forwarded them via email to Ryan Pemberton, head of the Wilson Center, who then emailed them to the H-SC Archives. Once unzipped, a logical disk image of the files was created. Bulk Extractor Reports were run to identify sensitive information, and saved in a separate folder. The three folders found here represent the unzipped file folder as received, the logical disk image of file folder created with FTK Imager, and the Bulk Extractor Reports Created after scanning all files. MD5 Checksums for each folder are also included."],"parent_unittitles_ssm":["Samuel Vaughan Wilson Papers, 1945/2017","Series V: Speeches and Writings by Sam Wilson"],"parent_unittitles_tesim":["Samuel Vaughan Wilson Papers, 1945/2017","Series V: Speeches and Writings by Sam Wilson"],"normalized_date_ssm":["2010/2018"],"unitdate_inclusive_ssm":["2010/2018"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":2358,"repository_ssim":["Hampden-Sydney College"],"collection_ssim":["Samuel Vaughan Wilson Papers, 1945/2017"],"extent_ssm":["14.351 Megabytes"],"extent_tesim":["14.351 Megabytes"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"parent_access_terms_tesm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"language_ssim":["English."],"date_range_isim":[2010,2011,2012,2013,2014,2015,2016,2017,2018],"custodhist_html_tesm":["\u003cp\u003eThis record contains a folder forwarded from General Sam Wilson's son, Jack, who was a frequent editor and collaborator with his father. This record was emailed as a zipped file to General Wilson's wife, Susi, who then forwarded them via email to Ryan Pemberton, head of the Wilson Center, who then emailed them to the H-SC Archives. Once unzipped, a logical disk image of the files was created. Bulk Extractor Reports were run to identify sensitive information, and saved in a separate folder. The three folders found here represent the unzipped file folder as received, the logical disk image of file folder created with FTK Imager, and the Bulk Extractor Reports Created after scanning all files. MD5 Checksums for each folder are also included.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["This record contains a folder forwarded from General Sam Wilson's son, Jack, who was a frequent editor and collaborator with his father. This record was emailed as a zipped file to General Wilson's wife, Susi, who then forwarded them via email to Ryan Pemberton, head of the Wilson Center, who then emailed them to the H-SC Archives. Once unzipped, a logical disk image of the files was created. Bulk Extractor Reports were run to identify sensitive information, and saved in a separate folder. The three folders found here represent the unzipped file folder as received, the logical disk image of file folder created with FTK Imager, and the Bulk Extractor Reports Created after scanning all files. MD5 Checksums for each folder are also included."],"_nest_path_":"/components#4/components#14","timestamp":"2026-08-14T22:36:33.766Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihdsc_repositories_2_resources_2","ead_ssi":"vihdsc_repositories_2_resources_2","_root_":"vihdsc_repositories_2_resources_2","_nest_parent_":"vihdsc_repositories_2_resources_2","ead_source_url_ssi":"data/oai/HSC/repositories_2_resources_2.xml","aspace_url_ssi":"http://archivespace.hsc.edu:8081/ark:/45832/41","title_filing_ssi":"Samuel Vaughan Wilson Papers","title_ssm":["Samuel Vaughan Wilson Papers"],"title_tesim":["Samuel Vaughan Wilson Papers"],"unitdate_ssm":["1945/2017"],"unitdate_inclusive_ssm":["1945/2017"],"normalized_date_ssm":["1945/2017"],"normalized_title_ssm":["Samuel Vaughan Wilson Papers, 1945/2017"],"text":["Samuel Vaughan Wilson Papers, 1945/2017","SC.000101","Prince Edward County (Va.)","Hampden-Sydney College","United States Army","Military history","Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.","This collection is divided into 11 Series: \n\n01: Wilson genealogy, family papers, and biographical material, 1780/2017\n02: Miscellaneous subjects related to Wilson's life and career\n03: World War II and Vietnam\n04: Wilson correspondence and other papers\n05: Speeches and writings\n06: Financial papers\n07: Miscellaneous writings and publications\n08: Teaching and course materials\n09: Photographs and scrapbooks\n10: Audiovisual materials\n11: Memorabilia and oversize items","General Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.","Wilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.","During World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.","After the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.","In the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.","In the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.","Sam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.","After retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.","In 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.","After retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93.","Sam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military.","Processed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February.","This collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000.","The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.","Hampden-Sydney College Archives \u0026 Special Collections","Wilson, Samuel (Samuel Vaughan)","English\n."],"collection_title_tesim":["Samuel Vaughan Wilson Papers, 1945/2017"],"collection_ssim":["Samuel Vaughan Wilson Papers, 1945/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.000101"],"unitid_tesim":["SC.000101"],"repository_ssm":["Hampden-Sydney College"],"repository_ssim":["Hampden-Sydney College"],"geogname_ssm":["Prince Edward County (Va.)","Hampden-Sydney College"],"geogname_ssim":["Prince Edward County (Va.)","Hampden-Sydney College"],"places_ssim":["Prince Edward County (Va.)","Hampden-Sydney College"],"creator_persname_ssim":["Wilson, Samuel (Samuel Vaughan)"],"creator_corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"creators_ssim":["Wilson, Samuel (Samuel Vaughan)","Hampden-Sydney College Archives \u0026 Special Collections"],"access_terms_ssm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"access_subjects_ssim":["United States Army","Military history"],"access_subjects_ssm":["United States Army","Military history"],"has_online_content_ssim":["false"],"extent_ssm":["140 Linear Feet 270 boxes"],"extent_tesim":["140 Linear Feet 270 boxes"],"genreform_ssim":["Military history"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Access to Materials"],"accessrestrict_tesim":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 11 Series: \u003cbr\u003e\n\u003cbr\u003e\n01: Wilson genealogy, family papers, and biographical material, 1780/2017\u003cbr\u003e\n02: Miscellaneous subjects related to Wilson's life and career\u003cbr\u003e\n03: World War II and Vietnam\u003cbr\u003e\n04: Wilson correspondence and other papers\u003cbr\u003e\n05: Speeches and writings\u003cbr\u003e\n06: Financial papers\u003cbr\u003e\n07: Miscellaneous writings and publications\u003cbr\u003e\n08: Teaching and course materials\u003cbr\u003e\n09: Photographs and scrapbooks\u003cbr\u003e\n10: Audiovisual materials\u003cbr\u003e\n11: Memorabilia and oversize items\u003c/p\u003e "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into 11 Series: \n\n01: Wilson genealogy, family papers, and biographical material, 1780/2017\n02: Miscellaneous subjects related to Wilson's life and career\n03: World War II and Vietnam\n04: Wilson correspondence and other papers\n05: Speeches and writings\n06: Financial papers\n07: Miscellaneous writings and publications\n08: Teaching and course materials\n09: Photographs and scrapbooks\n10: Audiovisual materials\n11: Memorabilia and oversize items"],"bioghist_html_tesm":["\u003cp\u003eGeneral Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine. \u003c/p\u003e","\u003cp\u003eWilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.\u003c/p\u003e","\u003cp\u003eDuring World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.\u003c/p\u003e","\u003cp\u003eAfter the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.\u003c/p\u003e","\u003cp\u003eIn the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.\u003c/p\u003e","\u003cp\u003eIn the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.\u003c/p\u003e","\u003cp\u003eSam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.\u003c/p\u003e","\u003cp\u003eAfter retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm. \u003c/p\u003e","\u003cp\u003eIn 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.\u003c/p\u003e","\u003cp\u003eAfter retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93. \u003c/p\u003e","\u003cp\u003eSam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military.\u003c/p\u003e "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["General Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.","Wilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.","During World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.","After the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.","In the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.","In the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.","Sam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.","After retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.","In 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.","After retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93.","Sam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Samuel Vaughan Wilson Papers, SC 000101, Hampden-Sydney College Archives\nand Special Collections, Hampden-Sydney, VA\u003c/p\u003e "],"prefercite_tesim":["[Identification of item], Samuel Vaughan Wilson Papers, SC 000101, Hampden-Sydney College Archives\nand Special Collections, Hampden-Sydney, VA"],"processinfo_html_tesm":["\u003cp\u003eProcessed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February.\u003c/p\u003e "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000.\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000."],"userestrict_html_tesm":["\u003cp\u003eThe nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.\u003c/p\u003e","\u003cp\u003eThe materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\u003c/p\u003e","\u003cp\u003eThis collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.\u003c/p\u003e "],"userestrict_heading_ssm":["Use of these materials"],"userestrict_tesim":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"persname_ssim":["Wilson, Samuel (Samuel Vaughan)"],"names_coll_ssim":["Wilson, Samuel (Samuel Vaughan)"],"names_ssim":["Hampden-Sydney College Archives \u0026 Special Collections","Wilson, Samuel (Samuel Vaughan)"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4080,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:33.766Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihdsc_repositories_2_resources_2_c05_c15"}},{"id":"vihdsc_repositories_2_resources_2_c05_c16","type":"File","attributes":{"title":"Wilson Speeches and Writings: Born-Digital Items (2 of 3), 2009/2021","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihdsc_repositories_2_resources_2_c05_c16#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihdsc_repositories_2_resources_2_c05_c16","ref_ssm":["vihdsc_repositories_2_resources_2_c05_c16"],"id":"vihdsc_repositories_2_resources_2_c05_c16","ead_ssi":"vihdsc_repositories_2_resources_2","_root_":"vihdsc_repositories_2_resources_2","_nest_parent_":"vihdsc_repositories_2_resources_2_c05","parent_ssi":"vihdsc_repositories_2_resources_2_c05","parent_ssim":["Samuel Vaughan Wilson Papers, 1945/2017","Series V: Speeches and Writings by Sam Wilson"],"parent_ids_ssim":["vihdsc_repositories_2_resources_2","vihdsc_repositories_2_resources_2_c05"],"title_filing_ssi":"Wilson Speeches and Writings: Born-Digital Items (2 of 3)","title_ssm":["Wilson Speeches and Writings: Born-Digital Items (2 of 3)"],"title_tesim":["Wilson Speeches and Writings: Born-Digital Items (2 of 3)"],"normalized_title_ssm":["Wilson Speeches and Writings: Born-Digital Items (2 of 3), 2009/2021"],"text":["Wilson Speeches and Writings: Born-Digital Items (2 of 3), 2009/2021","Samuel Vaughan Wilson Papers, 1945/2017","Series V: Speeches and Writings by Sam Wilson","English.","This folder contains additional born-digital items provided for the Samuel Vaughan Wilson Papers by General Sam's widow, Susi. The contents of this folder were downloaded from a dropbox account owned by Susi Wilson on 10/01/2021. The contents have not been examined at the item level. This record was downloaded as a zip file from Dropbox. Once unzipped, a logical disk image of the files was created. Bulk Extractor and Brunnhilde Reports were run to identify sensitive information, and saved in a separate folder. The three folders found here represent the unzipped file folder as received, the logical disk image of file folder created with FTK Imager, and the Bulk Extractor and Brunnhilde Reports created after scanning all files."],"parent_unittitles_ssm":["Samuel Vaughan Wilson Papers, 1945/2017","Series V: Speeches and Writings by Sam Wilson"],"parent_unittitles_tesim":["Samuel Vaughan Wilson Papers, 1945/2017","Series V: Speeches and Writings by Sam Wilson"],"normalized_date_ssm":["2009/2021"],"unitdate_inclusive_ssm":["2009/2021"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":2359,"repository_ssim":["Hampden-Sydney College"],"collection_ssim":["Samuel Vaughan Wilson Papers, 1945/2017"],"extent_ssm":["5.328338 Gigabytes"],"extent_tesim":["5.328338 Gigabytes"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"parent_access_terms_tesm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"language_ssim":["English."],"date_range_isim":[2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"custodhist_html_tesm":["\u003cp\u003eThis folder contains additional born-digital items provided for the Samuel Vaughan Wilson Papers by General Sam's widow, Susi. The contents of this folder were downloaded from a dropbox account owned by Susi Wilson on 10/01/2021. The contents have not been examined at the item level. This record was downloaded as a zip file from Dropbox. Once unzipped, a logical disk image of the files was created. Bulk Extractor and Brunnhilde Reports were run to identify sensitive information, and saved in a separate folder. The three folders found here represent the unzipped file folder as received, the logical disk image of file folder created with FTK Imager, and the Bulk Extractor and Brunnhilde Reports created after scanning all files.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["This folder contains additional born-digital items provided for the Samuel Vaughan Wilson Papers by General Sam's widow, Susi. The contents of this folder were downloaded from a dropbox account owned by Susi Wilson on 10/01/2021. The contents have not been examined at the item level. This record was downloaded as a zip file from Dropbox. Once unzipped, a logical disk image of the files was created. Bulk Extractor and Brunnhilde Reports were run to identify sensitive information, and saved in a separate folder. The three folders found here represent the unzipped file folder as received, the logical disk image of file folder created with FTK Imager, and the Bulk Extractor and Brunnhilde Reports created after scanning all files."],"_nest_path_":"/components#4/components#15","timestamp":"2026-08-14T22:36:33.766Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihdsc_repositories_2_resources_2","ead_ssi":"vihdsc_repositories_2_resources_2","_root_":"vihdsc_repositories_2_resources_2","_nest_parent_":"vihdsc_repositories_2_resources_2","ead_source_url_ssi":"data/oai/HSC/repositories_2_resources_2.xml","aspace_url_ssi":"http://archivespace.hsc.edu:8081/ark:/45832/41","title_filing_ssi":"Samuel Vaughan Wilson Papers","title_ssm":["Samuel Vaughan Wilson Papers"],"title_tesim":["Samuel Vaughan Wilson Papers"],"unitdate_ssm":["1945/2017"],"unitdate_inclusive_ssm":["1945/2017"],"normalized_date_ssm":["1945/2017"],"normalized_title_ssm":["Samuel Vaughan Wilson Papers, 1945/2017"],"text":["Samuel Vaughan Wilson Papers, 1945/2017","SC.000101","Prince Edward County (Va.)","Hampden-Sydney College","United States Army","Military history","Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.","This collection is divided into 11 Series: \n\n01: Wilson genealogy, family papers, and biographical material, 1780/2017\n02: Miscellaneous subjects related to Wilson's life and career\n03: World War II and Vietnam\n04: Wilson correspondence and other papers\n05: Speeches and writings\n06: Financial papers\n07: Miscellaneous writings and publications\n08: Teaching and course materials\n09: Photographs and scrapbooks\n10: Audiovisual materials\n11: Memorabilia and oversize items","General Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.","Wilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.","During World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.","After the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.","In the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.","In the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.","Sam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.","After retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.","In 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.","After retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93.","Sam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military.","Processed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February.","This collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000.","The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.","Hampden-Sydney College Archives \u0026 Special Collections","Wilson, Samuel (Samuel Vaughan)","English\n."],"collection_title_tesim":["Samuel Vaughan Wilson Papers, 1945/2017"],"collection_ssim":["Samuel Vaughan Wilson Papers, 1945/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.000101"],"unitid_tesim":["SC.000101"],"repository_ssm":["Hampden-Sydney College"],"repository_ssim":["Hampden-Sydney College"],"geogname_ssm":["Prince Edward County (Va.)","Hampden-Sydney College"],"geogname_ssim":["Prince Edward County (Va.)","Hampden-Sydney College"],"places_ssim":["Prince Edward County (Va.)","Hampden-Sydney College"],"creator_persname_ssim":["Wilson, Samuel (Samuel Vaughan)"],"creator_corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"creators_ssim":["Wilson, Samuel (Samuel Vaughan)","Hampden-Sydney College Archives \u0026 Special Collections"],"access_terms_ssm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"access_subjects_ssim":["United States Army","Military history"],"access_subjects_ssm":["United States Army","Military history"],"has_online_content_ssim":["false"],"extent_ssm":["140 Linear Feet 270 boxes"],"extent_tesim":["140 Linear Feet 270 boxes"],"genreform_ssim":["Military history"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Access to Materials"],"accessrestrict_tesim":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 11 Series: \u003cbr\u003e\n\u003cbr\u003e\n01: Wilson genealogy, family papers, and biographical material, 1780/2017\u003cbr\u003e\n02: Miscellaneous subjects related to Wilson's life and career\u003cbr\u003e\n03: World War II and Vietnam\u003cbr\u003e\n04: Wilson correspondence and other papers\u003cbr\u003e\n05: Speeches and writings\u003cbr\u003e\n06: Financial papers\u003cbr\u003e\n07: Miscellaneous writings and publications\u003cbr\u003e\n08: Teaching and course materials\u003cbr\u003e\n09: Photographs and scrapbooks\u003cbr\u003e\n10: Audiovisual materials\u003cbr\u003e\n11: Memorabilia and oversize items\u003c/p\u003e "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into 11 Series: \n\n01: Wilson genealogy, family papers, and biographical material, 1780/2017\n02: Miscellaneous subjects related to Wilson's life and career\n03: World War II and Vietnam\n04: Wilson correspondence and other papers\n05: Speeches and writings\n06: Financial papers\n07: Miscellaneous writings and publications\n08: Teaching and course materials\n09: Photographs and scrapbooks\n10: Audiovisual materials\n11: Memorabilia and oversize items"],"bioghist_html_tesm":["\u003cp\u003eGeneral Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine. \u003c/p\u003e","\u003cp\u003eWilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.\u003c/p\u003e","\u003cp\u003eDuring World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.\u003c/p\u003e","\u003cp\u003eAfter the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.\u003c/p\u003e","\u003cp\u003eIn the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.\u003c/p\u003e","\u003cp\u003eIn the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.\u003c/p\u003e","\u003cp\u003eSam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.\u003c/p\u003e","\u003cp\u003eAfter retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm. \u003c/p\u003e","\u003cp\u003eIn 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.\u003c/p\u003e","\u003cp\u003eAfter retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93. \u003c/p\u003e","\u003cp\u003eSam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military.\u003c/p\u003e "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["General Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.","Wilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.","During World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.","After the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.","In the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.","In the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.","Sam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.","After retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.","In 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.","After retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93.","Sam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Samuel Vaughan Wilson Papers, SC 000101, Hampden-Sydney College Archives\nand Special Collections, Hampden-Sydney, VA\u003c/p\u003e "],"prefercite_tesim":["[Identification of item], Samuel Vaughan Wilson Papers, SC 000101, Hampden-Sydney College Archives\nand Special Collections, Hampden-Sydney, VA"],"processinfo_html_tesm":["\u003cp\u003eProcessed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February.\u003c/p\u003e "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000.\u003c/p\u003e "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000."],"userestrict_html_tesm":["\u003cp\u003eThe nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.\u003c/p\u003e","\u003cp\u003eThe materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\u003c/p\u003e","\u003cp\u003eThis collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.\u003c/p\u003e "],"userestrict_heading_ssm":["Use of these materials"],"userestrict_tesim":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"persname_ssim":["Wilson, Samuel (Samuel Vaughan)"],"names_coll_ssim":["Wilson, Samuel (Samuel Vaughan)"],"names_ssim":["Hampden-Sydney College Archives \u0026 Special Collections","Wilson, Samuel (Samuel Vaughan)"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4080,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:33.766Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihdsc_repositories_2_resources_2_c05_c16"}},{"id":"vifgm_repositories_2_resources_639_c02_c56","type":"File","attributes":{"title":"Winter Graduation, 2018","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_639_c02_c56#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_639_c02_c56","ref_ssm":["vifgm_repositories_2_resources_639_c02_c56"],"id":"vifgm_repositories_2_resources_639_c02_c56","ead_ssi":"vifgm_repositories_2_resources_639","_root_":"vifgm_repositories_2_resources_639","_nest_parent_":"vifgm_repositories_2_resources_639_c02","parent_ssi":"vifgm_repositories_2_resources_639_c02","parent_ssim":["George Mason University publications, 1959","Series 2: Commencement Programs and Publications for University Events, 1961/2023"],"parent_ids_ssim":["vifgm_repositories_2_resources_639","vifgm_repositories_2_resources_639_c02"],"title_filing_ssi":"Winter Graduation","title_ssm":["Winter Graduation"],"title_tesim":["Winter Graduation"],"normalized_title_ssm":["Winter Graduation, 2018"],"text":["Winter Graduation, 2018","George Mason University publications, 1959","Series 2: Commencement Programs and Publications for University Events, 1961/2023","box 6","folder 10"],"parent_unittitles_ssm":["George Mason University publications, 1959","Series 2: Commencement Programs and Publications for University Events, 1961/2023"],"parent_unittitles_tesim":["George Mason University publications, 1959","Series 2: Commencement Programs and Publications for University Events, 1961/2023"],"normalized_date_ssm":["2018"],"unitdate_other_ssim":["2018"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":329,"repository_ssim":["George Mason University"],"collection_ssim":["George Mason University publications, 1959"],"containers_ssim":["box 6","folder 10"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no restrictions."],"date_range_isim":[2018],"_nest_path_":"/components#1/components#55","timestamp":"2026-08-14T22:35:13.746Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_639","ead_ssi":"vifgm_repositories_2_resources_639","_root_":"vifgm_repositories_2_resources_639","_nest_parent_":"vifgm_repositories_2_resources_639","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_639.xml","title_filing_ssi":"George Mason University publications","title_ssm":["George Mason University publications"],"title_tesim":["George Mason University publications"],"unitdate_ssm":["1959-2020s"],"unitdate_inclusive_ssm":["1959-2020s"],"normalized_date_ssm":["1959"],"normalized_title_ssm":["George Mason University publications, 1959"],"text":["George Mason University publications, 1959","R0153","/repositories/2/resources/639","Education, Higher","Education, Higher -- Virginia","There are no restrictions.","The collection is organized according to the following series:","Series 1: University catalogs and class schedules","Series 2: Publications pertaining to Commencement and other events at George Mason","Series 3: Magazines and journals","Series 4: Newsletters and other news publications","Series 5: Statistical and annual reports","Series 6: Telephone directories","Series 7: University faculty and student handbooks and other faculty and student-related publications","Series 8: Brochures and prospectuses","Within each series the materials are arranged chronilogically by title of publication.","George Mason University began operation under the name \"University College of the University of Virginia\" in the fall of 1957 in an 8-room former elementary school in Bailey's Crossroads. The original student body consisted of 17 young men and women from local high schools. The college was renamed \"George Mason College\" in late 1959 and moved to its first permanent campus at Fairfax during the fall of 1964. George Mason College became independent of the University of Virginia on April 7, 1972 and was renamed George Mason University. In 1979 George Mason's acquisition of the International School of Law in Arlington was approved by the Virginia Legislature, creating the George Mason University School of Law (now known as the Antonin Scalia Law School) upon the Arlington Campus (know known as Mason Square Campus). Today's Science and Technology Campus near Manassas, Virginia was established in 1997, and Mason Korea, located in the Incheon Global Campus, began operations in 2014. Enrollment at all campuses combined totaled over 40,000 in 2024.","Nearly all early official George Mason publications (from the late 1950s until 1972) were designed and printed by the University of Virginia at Charlottesville. They prominently displayed the University of Virginia seal (often on the front cover and title page). These publications included the George Mason College catalog (known as the \"Virginia Record\") and Schedule of Classes publications. Other publications that were more \"local\" in nature, such as telephone directories, George Mason College newsletters, reports, and publications prduced for Mason students, staff, faculty, and the public displayed the University of Virginia logos and language much less. After April 1972 the University of Virginia seal and references disappeared, altogether, as George Mason University became an independent entity with its own identity.","Some recurring publications designed to announce class offerings, codify university regulations and policies, report statistical data and university news, and other reference sources are no longer printed (beginning around 2009) and are now published and accessed on-line via the university website (www.gmu.edu).","Some materials were transferred directly to Special Collections Research Center from various George Mason University units, particularly University Relations (later Office of University Branding), the Office of the Registrar, and the College of Arts and Sciences (now the College of Humanities and Social Sciences and the College of Science) beginning around the late 1960s. Some of the materials were initially placed on Reserve for in-library use and then transferred to Special Collections, once they were superceded by newer versions of the title. Other materials were acquired by SCRC staff as they were published and disseminated.","George Mason University Office of University Relations newsclipping and press release records","George Mason University photograph collection","George Mason University student publications","Broadside student newspapers","The George Mason University publications consist of serial publications, both short and long-running conceived and published under the authority of George Mason University or its previous iteration, George Mason College of the University of Virginia. The types of publications include schedules, catalogs, statistical reports, directories, handbooks, brochures, journals, and magazines created and disseminated from 1959 to date. Several recurring publications designed to announce class offerings, codify university regulations and policies, report statistical data and university news, and other reference sources are no longer printed (beginning around 2009) and are now published and accessed on-line via the university website (www.gmu.edu).","The collection is organized according to the following series:","Series 1: University catalogs and class schedules","Series 2: Publications pertaining to Commencement and other events at George Mason","Series 3: Magazines and journals","Series 4: Newsletters and other news publications","Series 5: Statistical and annual reports","Series 6: Telephone directories","Series 7: University faculty and student handbooks and other faculty and student-related publications","Series 8: Brochures and prospectuses","Within each series the materials are arranged chronilogically by title of publication.","The George Mason University publications consist of serial publications, both short and long-running conceived and published under the authority of George Mason University or its previous iteration, George Mason College of the University of Virginia. The types of publications include schedules, catalogs, statistical reports, directories, handbooks, brochures, journals, and magazines created and disseminated from 1959 to date.","SCRC storage area, Row 93.","George Mason University. Libraries. Special Collections Research Center","George Mason University","English"],"collection_title_tesim":["George Mason University publications, 1959"],"collection_ssim":["George Mason University publications, 1959"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0153","/repositories/2/resources/639"],"unitid_tesim":["R0153","/repositories/2/resources/639"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University"],"access_subjects_ssim":["Education, Higher","Education, Higher -- Virginia"],"access_subjects_ssm":["Education, Higher","Education, Higher -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["55 Linear Feet"],"extent_tesim":["55 Linear Feet"],"physfacet_tesim":["106 containers"],"date_range_isim":[1959],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized according to the following series:\u003c/p\u003e","\u003cp\u003eSeries 1: University catalogs and class schedules\u003c/p\u003e","\u003cp\u003eSeries 2: Publications pertaining to Commencement and other events at George Mason\u003c/p\u003e","\u003cp\u003eSeries 3: Magazines and journals\u003c/p\u003e","\u003cp\u003eSeries 4: Newsletters and other news publications\u003c/p\u003e","\u003cp\u003eSeries 5: Statistical and annual reports\u003c/p\u003e","\u003cp\u003eSeries 6: Telephone directories\u003c/p\u003e","\u003cp\u003eSeries 7: University faculty and student handbooks and other faculty and student-related publications\u003c/p\u003e","\u003cp\u003eSeries 8: Brochures and prospectuses\u003c/p\u003e","\u003cp\u003eWithin each series the materials are arranged chronilogically by title of publication. \u003c/p\u003e "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized according to the following series:","Series 1: University catalogs and class schedules","Series 2: Publications pertaining to Commencement and other events at George Mason","Series 3: Magazines and journals","Series 4: Newsletters and other news publications","Series 5: Statistical and annual reports","Series 6: Telephone directories","Series 7: University faculty and student handbooks and other faculty and student-related publications","Series 8: Brochures and prospectuses","Within each series the materials are arranged chronilogically by title of publication."],"bioghist_html_tesm":["\u003cp\u003eGeorge Mason University began operation under the name \"University College of the University of Virginia\" in the fall of 1957 in an 8-room former elementary school in Bailey's Crossroads. The original student body consisted of 17 young men and women from local high schools. The college was renamed \"George Mason College\" in late 1959 and moved to its first permanent campus at Fairfax during the fall of 1964. George Mason College became independent of the University of Virginia on April 7, 1972 and was renamed George Mason University. In 1979 George Mason's acquisition of the International School of Law in Arlington was approved by the Virginia Legislature, creating the George Mason University School of Law (now known as the Antonin Scalia Law School) upon the Arlington Campus (know known as Mason Square Campus). Today's Science and Technology Campus near Manassas, Virginia was established in 1997, and Mason Korea, located in the Incheon Global Campus, began operations in 2014. Enrollment at all campuses combined totaled over 40,000 in 2024. \u003c/p\u003e","\u003cp\u003eNearly all early official George Mason publications (from the late 1950s until 1972) were designed and printed by the University of Virginia at Charlottesville. They prominently displayed the University of Virginia seal (often on the front cover and title page). These publications included the George Mason College catalog (known as the \"Virginia Record\") and Schedule of Classes publications. Other publications that were more \"local\" in nature, such as telephone directories, George Mason College newsletters, reports, and publications prduced for Mason students, staff, faculty, and the public displayed the University of Virginia logos and language much less. After April 1972 the University of Virginia seal and references disappeared, altogether, as George Mason University became an independent entity with its own identity. \u003c/p\u003e","\u003cp\u003eSome recurring publications designed to announce class offerings, codify university regulations and policies, report statistical data and university news, and other reference sources are no longer printed (beginning around 2009) and are now published and accessed on-line via the university website (www.gmu.edu). \u003c/p\u003e "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["George Mason University began operation under the name \"University College of the University of Virginia\" in the fall of 1957 in an 8-room former elementary school in Bailey's Crossroads. The original student body consisted of 17 young men and women from local high schools. The college was renamed \"George Mason College\" in late 1959 and moved to its first permanent campus at Fairfax during the fall of 1964. George Mason College became independent of the University of Virginia on April 7, 1972 and was renamed George Mason University. In 1979 George Mason's acquisition of the International School of Law in Arlington was approved by the Virginia Legislature, creating the George Mason University School of Law (now known as the Antonin Scalia Law School) upon the Arlington Campus (know known as Mason Square Campus). Today's Science and Technology Campus near Manassas, Virginia was established in 1997, and Mason Korea, located in the Incheon Global Campus, began operations in 2014. Enrollment at all campuses combined totaled over 40,000 in 2024.","Nearly all early official George Mason publications (from the late 1950s until 1972) were designed and printed by the University of Virginia at Charlottesville. They prominently displayed the University of Virginia seal (often on the front cover and title page). These publications included the George Mason College catalog (known as the \"Virginia Record\") and Schedule of Classes publications. Other publications that were more \"local\" in nature, such as telephone directories, George Mason College newsletters, reports, and publications prduced for Mason students, staff, faculty, and the public displayed the University of Virginia logos and language much less. After April 1972 the University of Virginia seal and references disappeared, altogether, as George Mason University became an independent entity with its own identity.","Some recurring publications designed to announce class offerings, codify university regulations and policies, report statistical data and university news, and other reference sources are no longer printed (beginning around 2009) and are now published and accessed on-line via the university website (www.gmu.edu)."],"custodhist_html_tesm":["\u003cp\u003eSome materials were transferred directly to Special Collections Research Center from various George Mason University units, particularly University Relations (later Office of University Branding), the Office of the Registrar, and the College of Arts and Sciences (now the College of Humanities and Social Sciences and the College of Science) beginning around the late 1960s. Some of the materials were initially placed on Reserve for in-library use and then transferred to Special Collections, once they were superceded by newer versions of the title. Other materials were acquired by SCRC staff as they were published and disseminated.\u003c/p\u003e "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Some materials were transferred directly to Special Collections Research Center from various George Mason University units, particularly University Relations (later Office of University Branding), the Office of the Registrar, and the College of Arts and Sciences (now the College of Humanities and Social Sciences and the College of Science) beginning around the late 1960s. Some of the materials were initially placed on Reserve for in-library use and then transferred to Special Collections, once they were superceded by newer versions of the title. Other materials were acquired by SCRC staff as they were published and disseminated."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University publications, #R0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e "],"prefercite_tesim":["George Mason University publications, #R0153, Special Collections Research Center, George Mason University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/r0004\"\u003eGeorge Mason University Office of University Relations newsclipping and press release records\u003c/extref\u003e \u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/r0120\"\u003eGeorge Mason University photograph collection\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/r0154\"\u003eGeorge Mason University student publications\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/r0128\"\u003eBroadside student newspapers\u003c/extref\u003e\u003c/p\u003e "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George Mason University Office of University Relations newsclipping and press release records","George Mason University photograph collection","George Mason University student publications","Broadside student newspapers"],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University publications consist of serial publications, both short and long-running conceived and published under the authority of George Mason University or its previous iteration, George Mason College of the University of Virginia. 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(Thomas), Jr.","Pomeroy, Loren","Tarrega, Francisco","Dvorak, Antonin","Marlbrook, Chamber Players","Bach, Johann Sebastian","Watanabe, Shuko","Petty, Byron","Futral, Elizabeth","Leath, Nate","Powers, Jack","Min, Sarah","Parker, Gregory","Parrish, Bill","Matheson, Kevin","Matheson, Bryan","Easter III, Wallace","Streeper, Emily","Parrish, William","Overfield-Zook, Kathleen","Cowden, Tracy","Yen, Ting-Ting","McArdle, Jaime","Escher Quartet","Vieaux, Jason","Barnett-Hart, Adam","Boyd, Aaron","Lapointe, Pierre","Speltz, Brook","Dobbins, Christopher","Jones, Martin","Vosbein Magee Big Band","Billias, Anna","Melamed, Issac","Whedon, Ben","Burnett, Jake","Huntley, Kathryn","Jue, Allison","Roth, Lisa","Yin, Xiaoxia","Gorman, Eliie","McDonnell, Ryan","Chu, Coralie","Tangri, Mohini","Fykes, Erin","Thompson, Elizabeth","Wells, Caleigh","Higgins, Camilla","Lewis, Bennett F. O.","Eckhardt, Louie","Thomas, Omar","Washington and Lee University. Marlbrook Chamber Players","Sanders, Irwin T. (Irwin Taylor)","Williams, Tom","Shakespeare, William","Gary, Dana","Levy, Jemma Alix","Sandberg, Stephanie","Lanuza, Celeste","Comerford, Shaleigh","Monroe, Nafeesa","Mish, Robert W. H., III","Benjamin, Darnell Pierre","Summers, Patrick","The materials in this collection are mostly in English."],"collection_title_tesim":["Academic Departments - Record Group 9"],"collection_ssim":["Academic Departments - Record Group 9"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["WLU.RG.0009","/repositories/5/resources/261"],"unitid_tesim":["WLU.RG.0009","/repositories/5/resources/261"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Washington and Lee University"],"creator_ssim":["Washington and Lee University"],"creator_persname_ssim":["Kahn, Lee","Ruffner, William Henry","Ashworth, Jennifer","McAhren, Robert W. 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(Irwin Taylor)","Williams, Tom","Shakespeare, William","Gary, Dana","Levy, Jemma Alix","Sandberg, Stephanie","Lanuza, Celeste","Comerford, Shaleigh","Monroe, Nafeesa","Mish, Robert W. H., III","Benjamin, Darnell Pierre","Summers, Patrick"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","Washington and Lee University. Art Department","Washington and Lee University. Journalism Laboratory Press","Washington and Lee University. Department of Athletics","Lee Memorial Association","Washington and Lee University. Department of Athletics. Football","Philobiblon. A Magazine for Book Collectors","Herbert Reichner Verlag","Washington and Lee University. Phi Beta Kappa","Washington and Lee University. Phi Kappa Psi","Confederate States of America. Army. 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Washington and Lee University (Washington and Lee University)","Concert Guild","Cantatrici. Washington and Lee University. Women's Choir (Washington and Lee University )","University-Shenandoah. Symphony Orchestra","University Bluegrass Ensemble. Washington and Lee University (Washington and Lee University)","Washington and Lee University. Lenfest Center for the Arts","University Orchestra . Washington and Lee University (Washington and Lee University )","Southeastern Composers' League","Chamber Winds. Washington and Lee University (Washington and Lee University )","Washington and Lee University. Department of Theater, Dance, and Film Studies"],"creators_ssim":["Kahn, Lee","Ruffner, William Henry","Ashworth, Jennifer","McAhren, Robert W. (Robert Willard)","Delaney, Theodore C., Jr., Dr.","Novack, David Robert","McCloud, Anece F.","African Americans. 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Journalism Department","Washington and Lee University. Alumni Office","University of Virginia","Washington and Lee University. School of Law","Washington and Lee University. Cyrus Hall McCormick Library","Washington and Lee University. Department of Music","Washington and Lee University. Williams School of Commerce, Economics and Politics","Washington and Lee University. Trustees","Virginia Press Association","Men's Glee Club . Washington and Lee University (Washington and Lee University )","SONOKLECT","University Jazz Ensemble. Washington and Lee University (Washington and Lee University)","University String Ensemble. Washington and Lee University (Washington and Lee University )","University Wind Ensemble. Washington and Lee University (Washington and Lee University )","University Singers. Washington and Lee University (Washington and Lee University)","Concert Guild","Cantatrici. Washington and Lee University. Women's Choir (Washington and Lee University )","University-Shenandoah. 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Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["x Linear Feet"],"extent_tesim":["x Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.wlu.edu/handle/11021/33032\"\u003eView materials from this collection online via W\u0026amp;L's Digital Archive\u003c/a\u003e\u003c/p\u003e "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["View materials from this collection online via W\u0026L's Digital Archive"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Record Group 9: Academic Departments, Special Collections and Archives, James G. 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