{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2018\u0026facet.page=2\u0026page=21","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2018\u0026facet.page=2\u0026page=20","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2018\u0026facet.page=2\u0026page=22","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2018\u0026facet.page=2\u0026page=331"},"meta":{"pages":{"current_page":21,"next_page":22,"prev_page":20,"total_pages":331,"limit_value":10,"offset_value":200,"total_count":3305,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_6950","type":"collection","attributes":{"title":"Artemis Sisters Collective Records, 1980/2024, bulk 1980/1994","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6950#creator","type":"document_value","attributes":{"value":"Flynn, Michele","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6950#abstract_or_scope","type":"document_value","attributes":{"value":"The Artemis Sisters Collective was a local Morgantown, West Virginia feminist collective formed in September 1982 for the purpose of promoting women's empowerment through creative, political, and social engagement. The bulk of materials range in dates from 1980 to 1987 and include information regarding the SisterSpace Collective, various women's defense committees, musical acts, and social activism. Materials include posters, pamphlets, correspondence, cassette tapes, meeting minutes, flyers, press releases, photographs and t-shirts.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6950#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_6950","ead_ssi":"wvmturhc_repositories_2_resources_6950","_root_":"wvmturhc_repositories_2_resources_6950","_nest_parent_":"wvmturhc_repositories_2_resources_6950","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6950.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/221760","title_ssm":["Artemis Sisters Collective Records"],"title_tesim":["Artemis Sisters Collective Records"],"unitdate_ssm":["1980-1994, 2016-2024, and undated","1980-1994"],"unitdate_inclusive_ssm":["1980-1994, 2016-2024, and undated"],"unitdate_bulk_ssim":["1980-1994"],"normalized_date_ssm":["1980/2024, bulk 1980/1994"],"normalized_title_ssm":["Artemis Sisters Collective Records, 1980/2024, bulk 1980/1994"],"text":["Artemis Sisters Collective Records, 1980/2024, bulk 1980/1994","A\u0026M 4561","Archival Resource Key","/repositories/2/resources/6950","Women political activists","Women in community organization","Human rights advocacy","West Virginia Feminist Activist and Women's History Collection","Music and musicians.","This collection is open for research.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","The Artemis Sisters Collective was a feminist collective formed in September 1982 after an informal network of women had worked together to produce the Holly Near concert which was part of a Women and Health conference in Morgantown. Due to the enthusiasm generated by the concert, the Artemis Sisters decided to continue creating events featuring women's music in the Morgantown area. By combining creative, political, and social engagements the Artemis Sisters sought to promote women's empowerment.","The early years of the collective were focused on sponsoring events featuring musicians, comedians, poets, and story tellers. Some musical acts and entertainers included Holly Near, Robin Flowers and Company, Robin Tyler, Sweet Honey and the Rock, ALIVE!, Hazel Dickens, and Deidre McCalla.","Almost immediately upon the group's formation, efforts were made to engage with the community politically and socially. Besides their interest in promoting creative and social pursuits, the Artemis Sisters became involved with political issues through committees and projects, including the Lorraine Momen Defense Committee, Stop Abuse of Womyn Project, Committee for Individual Rights, Justice in the House, People for Justice, Elizabeth Strickland Defense Committee, and the Linda Conway Defense Committee.","Members of the Artemis Sisters began their foray into activism with the Lorraine Momen Defense Committee in 1983, which sought to defend Lorraine Momen against the charge of murder of her husband, Wayman Momen, based upon the evidence of domestic abuse and self-defense. The Defense Committee engaged in community education activities to increase public awareness of family violence through leafletting, public meetings, media work, outreach, and event sponsoring. This committee developed into the Stop Abuse of Womyn Project (SAW) to support women facing violence more generally and educate the public on issues such as sexual assault, pornography, and domestic violence.","Artemis members ran a radio show, Something About the Women, focused on curating playlists of women's music, interviewing women from West Virginia, and reporting current events pertaining to women's lives. Something About the Women was aired on the West Virginia University student radio station and was instrumental in spreading news about Artemis activities among the University community.","Additionally, a gathering space and lending library called SisterSpace Collective was opened on December 3rd, 1983, to focus on creating spaces where women could learn and engage with other women in the community regardless of race, age, class, or sexual preference. The Sisterspace Collective was housed at 235 High Street in Morgantown and promoted and engaged with a wide variety of activities including hosting the Gay Alcoholics Anonymous and Gay and Lesbian Alliance (GALA) student group, Lesbian Incest \u0026 Rape Survivors Group and Gay Alanon. Although created by members of the Artemis Sisters, SisterSpace eventually became its own independent organization while maintaining close connections with Artemis due to the substantial number of women who were involved in both operations. The SisterSpace Collective worked with the National Organization for Women, Retired School Employees Association, Womens' Studies Program, West Virginia University School of Social Work, some members of the West Virginia Education Association, Womens' Information Center, and the Citizens' Action Group. They also collaborated with the local Morgantown Woman to Woman, Inc. group to host a Women's Help Line.","The Committee for Individual Rights was formed by the Artemis Sisters in response to the 1983 Opinion by West Virginia Attorney General, Chauncey Browning, that rumor and reputation may be used as criteria in determining fitness of schoolteachers. In 1986, the Artemis Sisters worked with GALA of West Virginia University in its hosting of the first West Virginia Gay and Lesbian Conference in West Virginia. The People for Justice Committee sought to support Betty Justice in her candidacy for the West Virginia House of Delegates.","In 1987, after almost four years of operation, the SisterSpace Collective chose to close its doors due to a lack of volunteers, library users, and meeting attendance. Despite the shuttering of the Artemis Collective upon the closing of SisterSpace, the members of the intertwined committees and collectives remained in contact and held reunions in 1990, 1993, and 2016.","This collection documents the activities of the Artemis Sisters Collective through their various committees, collectives, and projects between 1982 and 1987. Additional materials outside of this date range document reunions and research.","The bulk of material relates to activities sponsored and hosted by the Artemis Sisters, including musical acts, study groups, and educational sessions. Of particular interest are their efforts in spreading awareness about individual rights, LGBT+ rights, women's rights, domestic abuse, and sexual violence.","Materials include posters, pamphlets, correspondence, cassette tapes, meeting minutes, flyers, press releases, photographs, and t-shirts.","The collection is divided into six series:","Series 1. Photographs: This series contains photographs from Artemis Sister activities and reunions.","Series 2. Concert Materials: This series contains correspondence, flyers, posters, and newspaper clippings regarding the various musical acts sponsored by the Artemis Sisters.\n  \nSeries 3. Activism: This series contains information regarding the Artemis Sisters' various committees and collectives that sought to raise awareness about domestic abuse, sexual violence, and individual rights.","Series 4. General: This series contains materials detailing information about the Artemis Sisters and their reunions. Included in this series is information about the SisterSpace Collective.","Series 5. Radio Show Recordings: This series contains radio show recordings of musical acts and interviews.","Series 6. Ephemera: This series contains printed t-shirts created for various Artemis Sister activities. It also includes an addendum of 2023 October 16, including a ceramic sign hung in the Artemis Collective's Sisterspace Collective on High Street in downtown Morgantown.","Series 7. Interviews [Born-Digital Materials]: Addendum of 2023 November 14 includes oral history recordings gathered by West Virginia University doctoral student Celia Faux of the following individuals: Carrie Koeturius, Cynthia (Cindy) Williams, Diana Keena (née Murrell), Evelyn Tomaszewski and Ilene Klein, Judith Gold Stitzel, and Michele Flynn.","Published interviews in Series 7. Interviews [Born-Digital Materials], are under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. The creator retains the copyright of their interview, but the West Virginia and Regional History Center may make it and other material available to the general public for educational and noncommercial purposes, with proper attribution. Other interviews in that series do not yet have deeds of gift/release forms, so they cannot be published.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","The Artemis Sisters Collective was a local Morgantown, West Virginia feminist collective formed in September 1982 for the purpose of promoting women's empowerment through creative, political, and social engagement. The bulk of materials range in dates from 1980 to 1987 and include information regarding the SisterSpace Collective, various women's defense committees, musical acts, and social activism. Materials include posters, pamphlets, correspondence, cassette tapes, meeting minutes, flyers, press releases, photographs and t-shirts.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Flynn, Michele","Klein, Ilene","Koeturius, Carrie","Williams, Cindy","Faux, Celia","Keena, Diana","Tomaszewski, Evelyn","English\n."],"collection_title_tesim":["Artemis Sisters Collective Records, 1980/2024, bulk 1980/1994"],"collection_ssim":["Artemis Sisters Collective Records, 1980/2024, bulk 1980/1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4561","Archival Resource Key","/repositories/2/resources/6950"],"unitid_tesim":["A\u0026M 4561","Archival Resource Key","/repositories/2/resources/6950"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Flynn, Michele","Klein, Ilene","Koeturius, Carrie","Williams, Cindy","Faux, Celia","Keena, Diana","Tomaszewski, Evelyn"],"creator_ssim":["Flynn, Michele","Klein, Ilene","Koeturius, Carrie","Williams, Cindy","Faux, Celia","Keena, Diana","Tomaszewski, Evelyn"],"creator_persname_ssim":["Flynn, Michele","Klein, Ilene","Koeturius, Carrie","Williams, Cindy","Faux, Celia","Keena, Diana","Tomaszewski, Evelyn"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Flynn, Michele","Klein, Ilene","Koeturius, Carrie","Williams, Cindy","Faux, Celia","Keena, Diana","Tomaszewski, Evelyn","West Virginia and Regional History Center"],"access_terms_ssm":["Published interviews in Series 7. Interviews [Born-Digital Materials], are under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. The creator retains the copyright of their interview, but the West Virginia and Regional History Center may make it and other material available to the general public for educational and noncommercial purposes, with proper attribution. Other interviews in that series do not yet have deeds of gift/release forms, so they cannot be published.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift of Flynn, Michele; Koeturius, Carrie; Williams, Cindy; Klein, Ilene; and Transue, Judith, 2022 October 24","Gift of Ilene Klein, 2023 October 16","Gift of Celia Faux, 2023 November 14"],"access_subjects_ssim":["Women political activists","Women in community organization","Human rights advocacy","West Virginia Feminist Activist and Women's History Collection","Music and musicians."],"access_subjects_ssm":["Women political activists","Women in community organization","Human rights advocacy","West Virginia Feminist Activist and Women's History Collection","Music and musicians."],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 1 document case, 5 in.; 1 document case, 2.5 in.; 1 flat storage box, 1.5 in.; 1 flat storage box, 3 in.","1.60 Gigabytes 18 files, including .mp4, .doc, .m4a"],"extent_tesim":["1 Linear Feet 1 document case, 5 in.; 1 document case, 2.5 in.; 1 flat storage box, 1.5 in.; 1 flat storage box, 3 in.","1.60 Gigabytes 18 files, including .mp4, .doc, .m4a"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"bioghist_html_tesm":["\u003cp\u003eThe Artemis Sisters Collective was a feminist collective formed in September 1982 after an informal network of women had worked together to produce the Holly Near concert which was part of a Women and Health conference in Morgantown. Due to the enthusiasm generated by the concert, the Artemis Sisters decided to continue creating events featuring women's music in the Morgantown area. By combining creative, political, and social engagements the Artemis Sisters sought to promote women's empowerment.  \u003c/p\u003e","\u003cp\u003eThe early years of the collective were focused on sponsoring events featuring musicians, comedians, poets, and story tellers. Some musical acts and entertainers included Holly Near, Robin Flowers and Company, Robin Tyler, Sweet Honey and the Rock, ALIVE!, Hazel Dickens, and Deidre McCalla.  \u003c/p\u003e","\u003cp\u003eAlmost immediately upon the group's formation, efforts were made to engage with the community politically and socially. Besides their interest in promoting creative and social pursuits, the Artemis Sisters became involved with political issues through committees and projects, including the Lorraine Momen Defense Committee, Stop Abuse of Womyn Project, Committee for Individual Rights, Justice in the House, People for Justice, Elizabeth Strickland Defense Committee, and the Linda Conway Defense Committee.  \u003c/p\u003e","\u003cp\u003eMembers of the Artemis Sisters began their foray into activism with the Lorraine Momen Defense Committee in 1983, which sought to defend Lorraine Momen against the charge of murder of her husband, Wayman Momen, based upon the evidence of domestic abuse and self-defense. The Defense Committee engaged in community education activities to increase public awareness of family violence through leafletting, public meetings, media work, outreach, and event sponsoring. This committee developed into the Stop Abuse of Womyn Project (SAW) to support women facing violence more generally and educate the public on issues such as sexual assault, pornography, and domestic violence.  \u003c/p\u003e","\u003cp\u003eArtemis members ran a radio show, \u003ctitle\u003e\u003cpart\u003eSomething About the Women\u003c/part\u003e\u003c/title\u003e, focused on curating playlists of women's music, interviewing women from West Virginia, and reporting current events pertaining to women's lives. Something About the Women was aired on the West Virginia University student radio station and was instrumental in spreading news about Artemis activities among the University community.  \u003c/p\u003e","\u003cp\u003eAdditionally, a gathering space and lending library called SisterSpace Collective was opened on December 3rd, 1983, to focus on creating spaces where women could learn and engage with other women in the community regardless of race, age, class, or sexual preference. The Sisterspace Collective was housed at 235 High Street in Morgantown and promoted and engaged with a wide variety of activities including hosting the Gay Alcoholics Anonymous and Gay and Lesbian Alliance (GALA) student group, Lesbian Incest \u0026amp; Rape Survivors Group and Gay Alanon. Although created by members of the Artemis Sisters, SisterSpace eventually became its own independent organization while maintaining close connections with Artemis due to the substantial number of women who were involved in both operations. The SisterSpace Collective worked with the National Organization for Women, Retired School Employees Association, Womens' Studies Program, West Virginia University School of Social Work, some members of the West Virginia Education Association, Womens' Information Center, and the Citizens' Action Group. They also collaborated with the local Morgantown Woman to Woman, Inc. group to host a Women's Help Line. \u003c/p\u003e","\u003cp\u003eThe Committee for Individual Rights was formed by the Artemis Sisters in response to the 1983 Opinion by West Virginia Attorney General, Chauncey Browning, that rumor and reputation may be used as criteria in determining fitness of schoolteachers. In 1986, the Artemis Sisters worked with GALA of West Virginia University in its hosting of the first West Virginia Gay and Lesbian Conference in West Virginia. The People for Justice Committee sought to support Betty Justice in her candidacy for the West Virginia House of Delegates. \u003c/p\u003e","\u003cp\u003eIn 1987, after almost four years of operation, the SisterSpace Collective chose to close its doors due to a lack of volunteers, library users, and meeting attendance. Despite the shuttering of the Artemis Collective upon the closing of SisterSpace, the members of the intertwined committees and collectives remained in contact and held reunions in 1990, 1993, and 2016. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Artemis Sisters Collective was a feminist collective formed in September 1982 after an informal network of women had worked together to produce the Holly Near concert which was part of a Women and Health conference in Morgantown. Due to the enthusiasm generated by the concert, the Artemis Sisters decided to continue creating events featuring women's music in the Morgantown area. By combining creative, political, and social engagements the Artemis Sisters sought to promote women's empowerment.","The early years of the collective were focused on sponsoring events featuring musicians, comedians, poets, and story tellers. Some musical acts and entertainers included Holly Near, Robin Flowers and Company, Robin Tyler, Sweet Honey and the Rock, ALIVE!, Hazel Dickens, and Deidre McCalla.","Almost immediately upon the group's formation, efforts were made to engage with the community politically and socially. Besides their interest in promoting creative and social pursuits, the Artemis Sisters became involved with political issues through committees and projects, including the Lorraine Momen Defense Committee, Stop Abuse of Womyn Project, Committee for Individual Rights, Justice in the House, People for Justice, Elizabeth Strickland Defense Committee, and the Linda Conway Defense Committee.","Members of the Artemis Sisters began their foray into activism with the Lorraine Momen Defense Committee in 1983, which sought to defend Lorraine Momen against the charge of murder of her husband, Wayman Momen, based upon the evidence of domestic abuse and self-defense. The Defense Committee engaged in community education activities to increase public awareness of family violence through leafletting, public meetings, media work, outreach, and event sponsoring. This committee developed into the Stop Abuse of Womyn Project (SAW) to support women facing violence more generally and educate the public on issues such as sexual assault, pornography, and domestic violence.","Artemis members ran a radio show, Something About the Women, focused on curating playlists of women's music, interviewing women from West Virginia, and reporting current events pertaining to women's lives. Something About the Women was aired on the West Virginia University student radio station and was instrumental in spreading news about Artemis activities among the University community.","Additionally, a gathering space and lending library called SisterSpace Collective was opened on December 3rd, 1983, to focus on creating spaces where women could learn and engage with other women in the community regardless of race, age, class, or sexual preference. The Sisterspace Collective was housed at 235 High Street in Morgantown and promoted and engaged with a wide variety of activities including hosting the Gay Alcoholics Anonymous and Gay and Lesbian Alliance (GALA) student group, Lesbian Incest \u0026 Rape Survivors Group and Gay Alanon. Although created by members of the Artemis Sisters, SisterSpace eventually became its own independent organization while maintaining close connections with Artemis due to the substantial number of women who were involved in both operations. The SisterSpace Collective worked with the National Organization for Women, Retired School Employees Association, Womens' Studies Program, West Virginia University School of Social Work, some members of the West Virginia Education Association, Womens' Information Center, and the Citizens' Action Group. They also collaborated with the local Morgantown Woman to Woman, Inc. group to host a Women's Help Line.","The Committee for Individual Rights was formed by the Artemis Sisters in response to the 1983 Opinion by West Virginia Attorney General, Chauncey Browning, that rumor and reputation may be used as criteria in determining fitness of schoolteachers. In 1986, the Artemis Sisters worked with GALA of West Virginia University in its hosting of the first West Virginia Gay and Lesbian Conference in West Virginia. The People for Justice Committee sought to support Betty Justice in her candidacy for the West Virginia House of Delegates.","In 1987, after almost four years of operation, the SisterSpace Collective chose to close its doors due to a lack of volunteers, library users, and meeting attendance. Despite the shuttering of the Artemis Collective upon the closing of SisterSpace, the members of the intertwined committees and collectives remained in contact and held reunions in 1990, 1993, and 2016."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Artemis Sisters Collective Records, A\u0026amp;M 4561, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Artemis Sisters Collective Records, A\u0026M 4561, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the activities of the Artemis Sisters Collective through their various committees, collectives, and projects between 1982 and 1987. Additional materials outside of this date range document reunions and research.  \u003c/p\u003e","\u003cp\u003eThe bulk of material relates to activities sponsored and hosted by the Artemis Sisters, including musical acts, study groups, and educational sessions. Of particular interest are their efforts in spreading awareness about individual rights, LGBT+ rights, women's rights, domestic abuse, and sexual violence.    \u003c/p\u003e","\u003cp\u003eMaterials include posters, pamphlets, correspondence, cassette tapes, meeting minutes, flyers, press releases, photographs, and t-shirts.  \u003c/p\u003e","\u003cp\u003eThe collection is divided into six series: \u003c/p\u003e","\u003cp\u003eSeries 1. Photographs: This series contains photographs from Artemis Sister activities and reunions.   \u003c/p\u003e","\u003cp\u003eSeries 2. Concert Materials: This series contains correspondence, flyers, posters, and newspaper clippings regarding the various musical acts sponsored by the Artemis Sisters.\n  \nSeries 3. Activism: This series contains information regarding the Artemis Sisters' various committees and collectives that sought to raise awareness about domestic abuse, sexual violence, and individual rights.   \u003c/p\u003e","\u003cp\u003eSeries 4. General: This series contains materials detailing information about the Artemis Sisters and their reunions. Included in this series is information about the SisterSpace Collective.  \u003c/p\u003e","\u003cp\u003eSeries 5. Radio Show Recordings: This series contains radio show recordings of musical acts and interviews.  \u003c/p\u003e","\u003cp\u003eSeries 6. Ephemera: This series contains printed t-shirts created for various Artemis Sister activities. It also includes an addendum of 2023 October 16, including a ceramic sign hung in the Artemis Collective's Sisterspace Collective on High Street in downtown Morgantown.  \u003c/p\u003e","\u003cp\u003eSeries 7. Interviews [Born-Digital Materials]: Addendum of 2023 November 14 includes oral history recordings gathered by West Virginia University doctoral student Celia Faux of the following individuals: Carrie Koeturius, Cynthia (Cindy) Williams, Diana Keena (née Murrell), Evelyn Tomaszewski and Ilene Klein, Judith Gold Stitzel, and Michele Flynn.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the activities of the Artemis Sisters Collective through their various committees, collectives, and projects between 1982 and 1987. Additional materials outside of this date range document reunions and research.","The bulk of material relates to activities sponsored and hosted by the Artemis Sisters, including musical acts, study groups, and educational sessions. Of particular interest are their efforts in spreading awareness about individual rights, LGBT+ rights, women's rights, domestic abuse, and sexual violence.","Materials include posters, pamphlets, correspondence, cassette tapes, meeting minutes, flyers, press releases, photographs, and t-shirts.","The collection is divided into six series:","Series 1. Photographs: This series contains photographs from Artemis Sister activities and reunions.","Series 2. Concert Materials: This series contains correspondence, flyers, posters, and newspaper clippings regarding the various musical acts sponsored by the Artemis Sisters.\n  \nSeries 3. Activism: This series contains information regarding the Artemis Sisters' various committees and collectives that sought to raise awareness about domestic abuse, sexual violence, and individual rights.","Series 4. General: This series contains materials detailing information about the Artemis Sisters and their reunions. Included in this series is information about the SisterSpace Collective.","Series 5. Radio Show Recordings: This series contains radio show recordings of musical acts and interviews.","Series 6. Ephemera: This series contains printed t-shirts created for various Artemis Sister activities. It also includes an addendum of 2023 October 16, including a ceramic sign hung in the Artemis Collective's Sisterspace Collective on High Street in downtown Morgantown.","Series 7. Interviews [Born-Digital Materials]: Addendum of 2023 November 14 includes oral history recordings gathered by West Virginia University doctoral student Celia Faux of the following individuals: Carrie Koeturius, Cynthia (Cindy) Williams, Diana Keena (née Murrell), Evelyn Tomaszewski and Ilene Klein, Judith Gold Stitzel, and Michele Flynn."],"userestrict_html_tesm":["\u003cp\u003ePublished interviews in Series 7. Interviews [Born-Digital Materials], are under a Creative Commons \u003ca href=\"https://creativecommons.org/licenses/by-nc-sa/3.0/deed.en\" target=\"_blank\"\u003eAttribution-NonCommercial-ShareAlike 3.0 Unported License\u003c/a\u003e. The creator retains the copyright of their interview, but the West Virginia and Regional History Center may make it and other material available to the general public for educational and noncommercial purposes, with proper attribution. Other interviews in that series do not yet have deeds of gift/release forms, so they cannot be published.\u003c/p\u003e","\u003cp\u003e\nPermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Published interviews in Series 7. Interviews [Born-Digital Materials], are under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. The creator retains the copyright of their interview, but the West Virginia and Regional History Center may make it and other material available to the general public for educational and noncommercial purposes, with proper attribution. Other interviews in that series do not yet have deeds of gift/release forms, so they cannot be published.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0b91a6dbe6c66d53d006a90b9eaad359\"\u003eThe Artemis Sisters Collective was a local Morgantown, West Virginia feminist collective formed in September 1982 for the purpose of promoting women's empowerment through creative, political, and social engagement. The bulk of materials range in dates from 1980 to 1987 and include information regarding the SisterSpace Collective, various women's defense committees, musical acts, and social activism. Materials include posters, pamphlets, correspondence, cassette tapes, meeting minutes, flyers, press releases, photographs and t-shirts.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Artemis Sisters Collective was a local Morgantown, West Virginia feminist collective formed in September 1982 for the purpose of promoting women's empowerment through creative, political, and social engagement. The bulk of materials range in dates from 1980 to 1987 and include information regarding the SisterSpace Collective, various women's defense committees, musical acts, and social activism. Materials include posters, pamphlets, correspondence, cassette tapes, meeting minutes, flyers, press releases, photographs and t-shirts."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3daa89f9a0c1b1f455c024ec3d4497d2\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Flynn, Michele","Klein, Ilene","Koeturius, Carrie","Williams, Cindy","Faux, Celia","Keena, Diana","Tomaszewski, Evelyn"],"names_coll_ssim":["Flynn, Michele","Klein, Ilene","Koeturius, Carrie","Williams, Cindy"],"names_ssim":["West Virginia and Regional History Center","Flynn, Michele","Klein, Ilene","Koeturius, Carrie","Williams, Cindy","Faux, Celia","Keena, Diana","Tomaszewski, Evelyn"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":47,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-10T18:04:16.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6950","ead_ssi":"wvmturhc_repositories_2_resources_6950","_root_":"wvmturhc_repositories_2_resources_6950","_nest_parent_":"wvmturhc_repositories_2_resources_6950","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6950.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/221760","title_ssm":["Artemis Sisters Collective Records"],"title_tesim":["Artemis Sisters Collective Records"],"unitdate_ssm":["1980-1994, 2016-2024, and undated","1980-1994"],"unitdate_inclusive_ssm":["1980-1994, 2016-2024, and undated"],"unitdate_bulk_ssim":["1980-1994"],"normalized_date_ssm":["1980/2024, bulk 1980/1994"],"normalized_title_ssm":["Artemis Sisters Collective Records, 1980/2024, bulk 1980/1994"],"text":["Artemis Sisters Collective Records, 1980/2024, bulk 1980/1994","A\u0026M 4561","Archival Resource Key","/repositories/2/resources/6950","Women political activists","Women in community organization","Human rights advocacy","West Virginia Feminist Activist and Women's History Collection","Music and musicians.","This collection is open for research.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","The Artemis Sisters Collective was a feminist collective formed in September 1982 after an informal network of women had worked together to produce the Holly Near concert which was part of a Women and Health conference in Morgantown. Due to the enthusiasm generated by the concert, the Artemis Sisters decided to continue creating events featuring women's music in the Morgantown area. By combining creative, political, and social engagements the Artemis Sisters sought to promote women's empowerment.","The early years of the collective were focused on sponsoring events featuring musicians, comedians, poets, and story tellers. Some musical acts and entertainers included Holly Near, Robin Flowers and Company, Robin Tyler, Sweet Honey and the Rock, ALIVE!, Hazel Dickens, and Deidre McCalla.","Almost immediately upon the group's formation, efforts were made to engage with the community politically and socially. Besides their interest in promoting creative and social pursuits, the Artemis Sisters became involved with political issues through committees and projects, including the Lorraine Momen Defense Committee, Stop Abuse of Womyn Project, Committee for Individual Rights, Justice in the House, People for Justice, Elizabeth Strickland Defense Committee, and the Linda Conway Defense Committee.","Members of the Artemis Sisters began their foray into activism with the Lorraine Momen Defense Committee in 1983, which sought to defend Lorraine Momen against the charge of murder of her husband, Wayman Momen, based upon the evidence of domestic abuse and self-defense. The Defense Committee engaged in community education activities to increase public awareness of family violence through leafletting, public meetings, media work, outreach, and event sponsoring. This committee developed into the Stop Abuse of Womyn Project (SAW) to support women facing violence more generally and educate the public on issues such as sexual assault, pornography, and domestic violence.","Artemis members ran a radio show, Something About the Women, focused on curating playlists of women's music, interviewing women from West Virginia, and reporting current events pertaining to women's lives. Something About the Women was aired on the West Virginia University student radio station and was instrumental in spreading news about Artemis activities among the University community.","Additionally, a gathering space and lending library called SisterSpace Collective was opened on December 3rd, 1983, to focus on creating spaces where women could learn and engage with other women in the community regardless of race, age, class, or sexual preference. The Sisterspace Collective was housed at 235 High Street in Morgantown and promoted and engaged with a wide variety of activities including hosting the Gay Alcoholics Anonymous and Gay and Lesbian Alliance (GALA) student group, Lesbian Incest \u0026 Rape Survivors Group and Gay Alanon. Although created by members of the Artemis Sisters, SisterSpace eventually became its own independent organization while maintaining close connections with Artemis due to the substantial number of women who were involved in both operations. The SisterSpace Collective worked with the National Organization for Women, Retired School Employees Association, Womens' Studies Program, West Virginia University School of Social Work, some members of the West Virginia Education Association, Womens' Information Center, and the Citizens' Action Group. They also collaborated with the local Morgantown Woman to Woman, Inc. group to host a Women's Help Line.","The Committee for Individual Rights was formed by the Artemis Sisters in response to the 1983 Opinion by West Virginia Attorney General, Chauncey Browning, that rumor and reputation may be used as criteria in determining fitness of schoolteachers. In 1986, the Artemis Sisters worked with GALA of West Virginia University in its hosting of the first West Virginia Gay and Lesbian Conference in West Virginia. The People for Justice Committee sought to support Betty Justice in her candidacy for the West Virginia House of Delegates.","In 1987, after almost four years of operation, the SisterSpace Collective chose to close its doors due to a lack of volunteers, library users, and meeting attendance. Despite the shuttering of the Artemis Collective upon the closing of SisterSpace, the members of the intertwined committees and collectives remained in contact and held reunions in 1990, 1993, and 2016.","This collection documents the activities of the Artemis Sisters Collective through their various committees, collectives, and projects between 1982 and 1987. Additional materials outside of this date range document reunions and research.","The bulk of material relates to activities sponsored and hosted by the Artemis Sisters, including musical acts, study groups, and educational sessions. Of particular interest are their efforts in spreading awareness about individual rights, LGBT+ rights, women's rights, domestic abuse, and sexual violence.","Materials include posters, pamphlets, correspondence, cassette tapes, meeting minutes, flyers, press releases, photographs, and t-shirts.","The collection is divided into six series:","Series 1. Photographs: This series contains photographs from Artemis Sister activities and reunions.","Series 2. Concert Materials: This series contains correspondence, flyers, posters, and newspaper clippings regarding the various musical acts sponsored by the Artemis Sisters.\n  \nSeries 3. Activism: This series contains information regarding the Artemis Sisters' various committees and collectives that sought to raise awareness about domestic abuse, sexual violence, and individual rights.","Series 4. General: This series contains materials detailing information about the Artemis Sisters and their reunions. Included in this series is information about the SisterSpace Collective.","Series 5. Radio Show Recordings: This series contains radio show recordings of musical acts and interviews.","Series 6. Ephemera: This series contains printed t-shirts created for various Artemis Sister activities. It also includes an addendum of 2023 October 16, including a ceramic sign hung in the Artemis Collective's Sisterspace Collective on High Street in downtown Morgantown.","Series 7. Interviews [Born-Digital Materials]: Addendum of 2023 November 14 includes oral history recordings gathered by West Virginia University doctoral student Celia Faux of the following individuals: Carrie Koeturius, Cynthia (Cindy) Williams, Diana Keena (née Murrell), Evelyn Tomaszewski and Ilene Klein, Judith Gold Stitzel, and Michele Flynn.","Published interviews in Series 7. Interviews [Born-Digital Materials], are under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. The creator retains the copyright of their interview, but the West Virginia and Regional History Center may make it and other material available to the general public for educational and noncommercial purposes, with proper attribution. Other interviews in that series do not yet have deeds of gift/release forms, so they cannot be published.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","The Artemis Sisters Collective was a local Morgantown, West Virginia feminist collective formed in September 1982 for the purpose of promoting women's empowerment through creative, political, and social engagement. The bulk of materials range in dates from 1980 to 1987 and include information regarding the SisterSpace Collective, various women's defense committees, musical acts, and social activism. Materials include posters, pamphlets, correspondence, cassette tapes, meeting minutes, flyers, press releases, photographs and t-shirts.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Flynn, Michele","Klein, Ilene","Koeturius, Carrie","Williams, Cindy","Faux, Celia","Keena, Diana","Tomaszewski, Evelyn","English\n."],"collection_title_tesim":["Artemis Sisters Collective Records, 1980/2024, bulk 1980/1994"],"collection_ssim":["Artemis Sisters Collective Records, 1980/2024, bulk 1980/1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4561","Archival Resource Key","/repositories/2/resources/6950"],"unitid_tesim":["A\u0026M 4561","Archival Resource Key","/repositories/2/resources/6950"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Flynn, Michele","Klein, Ilene","Koeturius, Carrie","Williams, Cindy","Faux, Celia","Keena, Diana","Tomaszewski, Evelyn"],"creator_ssim":["Flynn, Michele","Klein, Ilene","Koeturius, Carrie","Williams, Cindy","Faux, Celia","Keena, Diana","Tomaszewski, Evelyn"],"creator_persname_ssim":["Flynn, Michele","Klein, Ilene","Koeturius, Carrie","Williams, Cindy","Faux, Celia","Keena, Diana","Tomaszewski, Evelyn"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Flynn, Michele","Klein, Ilene","Koeturius, Carrie","Williams, Cindy","Faux, Celia","Keena, Diana","Tomaszewski, Evelyn","West Virginia and Regional History Center"],"access_terms_ssm":["Published interviews in Series 7. Interviews [Born-Digital Materials], are under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. The creator retains the copyright of their interview, but the West Virginia and Regional History Center may make it and other material available to the general public for educational and noncommercial purposes, with proper attribution. Other interviews in that series do not yet have deeds of gift/release forms, so they cannot be published.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift of Flynn, Michele; Koeturius, Carrie; Williams, Cindy; Klein, Ilene; and Transue, Judith, 2022 October 24","Gift of Ilene Klein, 2023 October 16","Gift of Celia Faux, 2023 November 14"],"access_subjects_ssim":["Women political activists","Women in community organization","Human rights advocacy","West Virginia Feminist Activist and Women's History Collection","Music and musicians."],"access_subjects_ssm":["Women political activists","Women in community organization","Human rights advocacy","West Virginia Feminist Activist and Women's History Collection","Music and musicians."],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 1 document case, 5 in.; 1 document case, 2.5 in.; 1 flat storage box, 1.5 in.; 1 flat storage box, 3 in.","1.60 Gigabytes 18 files, including .mp4, .doc, .m4a"],"extent_tesim":["1 Linear Feet 1 document case, 5 in.; 1 document case, 2.5 in.; 1 flat storage box, 1.5 in.; 1 flat storage box, 3 in.","1.60 Gigabytes 18 files, including .mp4, .doc, .m4a"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"bioghist_html_tesm":["\u003cp\u003eThe Artemis Sisters Collective was a feminist collective formed in September 1982 after an informal network of women had worked together to produce the Holly Near concert which was part of a Women and Health conference in Morgantown. Due to the enthusiasm generated by the concert, the Artemis Sisters decided to continue creating events featuring women's music in the Morgantown area. By combining creative, political, and social engagements the Artemis Sisters sought to promote women's empowerment.  \u003c/p\u003e","\u003cp\u003eThe early years of the collective were focused on sponsoring events featuring musicians, comedians, poets, and story tellers. Some musical acts and entertainers included Holly Near, Robin Flowers and Company, Robin Tyler, Sweet Honey and the Rock, ALIVE!, Hazel Dickens, and Deidre McCalla.  \u003c/p\u003e","\u003cp\u003eAlmost immediately upon the group's formation, efforts were made to engage with the community politically and socially. Besides their interest in promoting creative and social pursuits, the Artemis Sisters became involved with political issues through committees and projects, including the Lorraine Momen Defense Committee, Stop Abuse of Womyn Project, Committee for Individual Rights, Justice in the House, People for Justice, Elizabeth Strickland Defense Committee, and the Linda Conway Defense Committee.  \u003c/p\u003e","\u003cp\u003eMembers of the Artemis Sisters began their foray into activism with the Lorraine Momen Defense Committee in 1983, which sought to defend Lorraine Momen against the charge of murder of her husband, Wayman Momen, based upon the evidence of domestic abuse and self-defense. The Defense Committee engaged in community education activities to increase public awareness of family violence through leafletting, public meetings, media work, outreach, and event sponsoring. This committee developed into the Stop Abuse of Womyn Project (SAW) to support women facing violence more generally and educate the public on issues such as sexual assault, pornography, and domestic violence.  \u003c/p\u003e","\u003cp\u003eArtemis members ran a radio show, \u003ctitle\u003e\u003cpart\u003eSomething About the Women\u003c/part\u003e\u003c/title\u003e, focused on curating playlists of women's music, interviewing women from West Virginia, and reporting current events pertaining to women's lives. Something About the Women was aired on the West Virginia University student radio station and was instrumental in spreading news about Artemis activities among the University community.  \u003c/p\u003e","\u003cp\u003eAdditionally, a gathering space and lending library called SisterSpace Collective was opened on December 3rd, 1983, to focus on creating spaces where women could learn and engage with other women in the community regardless of race, age, class, or sexual preference. The Sisterspace Collective was housed at 235 High Street in Morgantown and promoted and engaged with a wide variety of activities including hosting the Gay Alcoholics Anonymous and Gay and Lesbian Alliance (GALA) student group, Lesbian Incest \u0026amp; Rape Survivors Group and Gay Alanon. Although created by members of the Artemis Sisters, SisterSpace eventually became its own independent organization while maintaining close connections with Artemis due to the substantial number of women who were involved in both operations. The SisterSpace Collective worked with the National Organization for Women, Retired School Employees Association, Womens' Studies Program, West Virginia University School of Social Work, some members of the West Virginia Education Association, Womens' Information Center, and the Citizens' Action Group. They also collaborated with the local Morgantown Woman to Woman, Inc. group to host a Women's Help Line. \u003c/p\u003e","\u003cp\u003eThe Committee for Individual Rights was formed by the Artemis Sisters in response to the 1983 Opinion by West Virginia Attorney General, Chauncey Browning, that rumor and reputation may be used as criteria in determining fitness of schoolteachers. In 1986, the Artemis Sisters worked with GALA of West Virginia University in its hosting of the first West Virginia Gay and Lesbian Conference in West Virginia. The People for Justice Committee sought to support Betty Justice in her candidacy for the West Virginia House of Delegates. \u003c/p\u003e","\u003cp\u003eIn 1987, after almost four years of operation, the SisterSpace Collective chose to close its doors due to a lack of volunteers, library users, and meeting attendance. Despite the shuttering of the Artemis Collective upon the closing of SisterSpace, the members of the intertwined committees and collectives remained in contact and held reunions in 1990, 1993, and 2016. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Artemis Sisters Collective was a feminist collective formed in September 1982 after an informal network of women had worked together to produce the Holly Near concert which was part of a Women and Health conference in Morgantown. Due to the enthusiasm generated by the concert, the Artemis Sisters decided to continue creating events featuring women's music in the Morgantown area. By combining creative, political, and social engagements the Artemis Sisters sought to promote women's empowerment.","The early years of the collective were focused on sponsoring events featuring musicians, comedians, poets, and story tellers. Some musical acts and entertainers included Holly Near, Robin Flowers and Company, Robin Tyler, Sweet Honey and the Rock, ALIVE!, Hazel Dickens, and Deidre McCalla.","Almost immediately upon the group's formation, efforts were made to engage with the community politically and socially. Besides their interest in promoting creative and social pursuits, the Artemis Sisters became involved with political issues through committees and projects, including the Lorraine Momen Defense Committee, Stop Abuse of Womyn Project, Committee for Individual Rights, Justice in the House, People for Justice, Elizabeth Strickland Defense Committee, and the Linda Conway Defense Committee.","Members of the Artemis Sisters began their foray into activism with the Lorraine Momen Defense Committee in 1983, which sought to defend Lorraine Momen against the charge of murder of her husband, Wayman Momen, based upon the evidence of domestic abuse and self-defense. The Defense Committee engaged in community education activities to increase public awareness of family violence through leafletting, public meetings, media work, outreach, and event sponsoring. This committee developed into the Stop Abuse of Womyn Project (SAW) to support women facing violence more generally and educate the public on issues such as sexual assault, pornography, and domestic violence.","Artemis members ran a radio show, Something About the Women, focused on curating playlists of women's music, interviewing women from West Virginia, and reporting current events pertaining to women's lives. Something About the Women was aired on the West Virginia University student radio station and was instrumental in spreading news about Artemis activities among the University community.","Additionally, a gathering space and lending library called SisterSpace Collective was opened on December 3rd, 1983, to focus on creating spaces where women could learn and engage with other women in the community regardless of race, age, class, or sexual preference. The Sisterspace Collective was housed at 235 High Street in Morgantown and promoted and engaged with a wide variety of activities including hosting the Gay Alcoholics Anonymous and Gay and Lesbian Alliance (GALA) student group, Lesbian Incest \u0026 Rape Survivors Group and Gay Alanon. Although created by members of the Artemis Sisters, SisterSpace eventually became its own independent organization while maintaining close connections with Artemis due to the substantial number of women who were involved in both operations. The SisterSpace Collective worked with the National Organization for Women, Retired School Employees Association, Womens' Studies Program, West Virginia University School of Social Work, some members of the West Virginia Education Association, Womens' Information Center, and the Citizens' Action Group. They also collaborated with the local Morgantown Woman to Woman, Inc. group to host a Women's Help Line.","The Committee for Individual Rights was formed by the Artemis Sisters in response to the 1983 Opinion by West Virginia Attorney General, Chauncey Browning, that rumor and reputation may be used as criteria in determining fitness of schoolteachers. In 1986, the Artemis Sisters worked with GALA of West Virginia University in its hosting of the first West Virginia Gay and Lesbian Conference in West Virginia. The People for Justice Committee sought to support Betty Justice in her candidacy for the West Virginia House of Delegates.","In 1987, after almost four years of operation, the SisterSpace Collective chose to close its doors due to a lack of volunteers, library users, and meeting attendance. Despite the shuttering of the Artemis Collective upon the closing of SisterSpace, the members of the intertwined committees and collectives remained in contact and held reunions in 1990, 1993, and 2016."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Artemis Sisters Collective Records, A\u0026amp;M 4561, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Artemis Sisters Collective Records, A\u0026M 4561, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the activities of the Artemis Sisters Collective through their various committees, collectives, and projects between 1982 and 1987. Additional materials outside of this date range document reunions and research.  \u003c/p\u003e","\u003cp\u003eThe bulk of material relates to activities sponsored and hosted by the Artemis Sisters, including musical acts, study groups, and educational sessions. Of particular interest are their efforts in spreading awareness about individual rights, LGBT+ rights, women's rights, domestic abuse, and sexual violence.    \u003c/p\u003e","\u003cp\u003eMaterials include posters, pamphlets, correspondence, cassette tapes, meeting minutes, flyers, press releases, photographs, and t-shirts.  \u003c/p\u003e","\u003cp\u003eThe collection is divided into six series: \u003c/p\u003e","\u003cp\u003eSeries 1. Photographs: This series contains photographs from Artemis Sister activities and reunions.   \u003c/p\u003e","\u003cp\u003eSeries 2. Concert Materials: This series contains correspondence, flyers, posters, and newspaper clippings regarding the various musical acts sponsored by the Artemis Sisters.\n  \nSeries 3. Activism: This series contains information regarding the Artemis Sisters' various committees and collectives that sought to raise awareness about domestic abuse, sexual violence, and individual rights.   \u003c/p\u003e","\u003cp\u003eSeries 4. General: This series contains materials detailing information about the Artemis Sisters and their reunions. Included in this series is information about the SisterSpace Collective.  \u003c/p\u003e","\u003cp\u003eSeries 5. Radio Show Recordings: This series contains radio show recordings of musical acts and interviews.  \u003c/p\u003e","\u003cp\u003eSeries 6. Ephemera: This series contains printed t-shirts created for various Artemis Sister activities. It also includes an addendum of 2023 October 16, including a ceramic sign hung in the Artemis Collective's Sisterspace Collective on High Street in downtown Morgantown.  \u003c/p\u003e","\u003cp\u003eSeries 7. Interviews [Born-Digital Materials]: Addendum of 2023 November 14 includes oral history recordings gathered by West Virginia University doctoral student Celia Faux of the following individuals: Carrie Koeturius, Cynthia (Cindy) Williams, Diana Keena (née Murrell), Evelyn Tomaszewski and Ilene Klein, Judith Gold Stitzel, and Michele Flynn.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the activities of the Artemis Sisters Collective through their various committees, collectives, and projects between 1982 and 1987. Additional materials outside of this date range document reunions and research.","The bulk of material relates to activities sponsored and hosted by the Artemis Sisters, including musical acts, study groups, and educational sessions. Of particular interest are their efforts in spreading awareness about individual rights, LGBT+ rights, women's rights, domestic abuse, and sexual violence.","Materials include posters, pamphlets, correspondence, cassette tapes, meeting minutes, flyers, press releases, photographs, and t-shirts.","The collection is divided into six series:","Series 1. Photographs: This series contains photographs from Artemis Sister activities and reunions.","Series 2. Concert Materials: This series contains correspondence, flyers, posters, and newspaper clippings regarding the various musical acts sponsored by the Artemis Sisters.\n  \nSeries 3. Activism: This series contains information regarding the Artemis Sisters' various committees and collectives that sought to raise awareness about domestic abuse, sexual violence, and individual rights.","Series 4. General: This series contains materials detailing information about the Artemis Sisters and their reunions. Included in this series is information about the SisterSpace Collective.","Series 5. Radio Show Recordings: This series contains radio show recordings of musical acts and interviews.","Series 6. Ephemera: This series contains printed t-shirts created for various Artemis Sister activities. It also includes an addendum of 2023 October 16, including a ceramic sign hung in the Artemis Collective's Sisterspace Collective on High Street in downtown Morgantown.","Series 7. Interviews [Born-Digital Materials]: Addendum of 2023 November 14 includes oral history recordings gathered by West Virginia University doctoral student Celia Faux of the following individuals: Carrie Koeturius, Cynthia (Cindy) Williams, Diana Keena (née Murrell), Evelyn Tomaszewski and Ilene Klein, Judith Gold Stitzel, and Michele Flynn."],"userestrict_html_tesm":["\u003cp\u003ePublished interviews in Series 7. Interviews [Born-Digital Materials], are under a Creative Commons \u003ca href=\"https://creativecommons.org/licenses/by-nc-sa/3.0/deed.en\" target=\"_blank\"\u003eAttribution-NonCommercial-ShareAlike 3.0 Unported License\u003c/a\u003e. The creator retains the copyright of their interview, but the West Virginia and Regional History Center may make it and other material available to the general public for educational and noncommercial purposes, with proper attribution. Other interviews in that series do not yet have deeds of gift/release forms, so they cannot be published.\u003c/p\u003e","\u003cp\u003e\nPermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Published interviews in Series 7. Interviews [Born-Digital Materials], are under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. The creator retains the copyright of their interview, but the West Virginia and Regional History Center may make it and other material available to the general public for educational and noncommercial purposes, with proper attribution. Other interviews in that series do not yet have deeds of gift/release forms, so they cannot be published.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0b91a6dbe6c66d53d006a90b9eaad359\"\u003eThe Artemis Sisters Collective was a local Morgantown, West Virginia feminist collective formed in September 1982 for the purpose of promoting women's empowerment through creative, political, and social engagement. The bulk of materials range in dates from 1980 to 1987 and include information regarding the SisterSpace Collective, various women's defense committees, musical acts, and social activism. Materials include posters, pamphlets, correspondence, cassette tapes, meeting minutes, flyers, press releases, photographs and t-shirts.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Artemis Sisters Collective was a local Morgantown, West Virginia feminist collective formed in September 1982 for the purpose of promoting women's empowerment through creative, political, and social engagement. The bulk of materials range in dates from 1980 to 1987 and include information regarding the SisterSpace Collective, various women's defense committees, musical acts, and social activism. Materials include posters, pamphlets, correspondence, cassette tapes, meeting minutes, flyers, press releases, photographs and t-shirts."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3daa89f9a0c1b1f455c024ec3d4497d2\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Flynn, Michele","Klein, Ilene","Koeturius, Carrie","Williams, Cindy","Faux, Celia","Keena, Diana","Tomaszewski, Evelyn"],"names_coll_ssim":["Flynn, Michele","Klein, Ilene","Koeturius, Carrie","Williams, Cindy"],"names_ssim":["West Virginia and Regional History Center","Flynn, Michele","Klein, Ilene","Koeturius, Carrie","Williams, Cindy","Faux, Celia","Keena, Diana","Tomaszewski, Evelyn"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":47,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-10T18:04:16.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6950"}},{"id":"viw_repositories_2_resources_8183_c12_c01","type":"Item","attributes":{"title":"Artes de Cuba - From the Island to the World, 2018","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8183_c12_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTitle translation: Cuban ArtsArtes de Cuba - From the Island to the World. Poster artist: Alucho. Digital and print poster.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8183_c12_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8183_c12_c01","ref_ssm":["viw_repositories_2_resources_8183_c12_c01"],"id":"viw_repositories_2_resources_8183_c12_c01","ead_ssi":"viw_repositories_2_resources_8183","_root_":"viw_repositories_2_resources_8183","_nest_parent_":"viw_repositories_2_resources_8183_c12","parent_ssi":"viw_repositories_2_resources_8183_c12","parent_ssim":["Alejandro Rodríguez Fornés (Alucho) collection, 2014/2019","Series 12: Posters, 2018"],"parent_ids_ssim":["viw_repositories_2_resources_8183","viw_repositories_2_resources_8183_c12"],"title_filing_ssi":"Artes de Cuba - From the Island to the World","title_ssm":["Artes de Cuba - From the Island to the World"],"title_tesim":["Artes de Cuba - From the Island to the World"],"normalized_title_ssm":["Artes de Cuba - From the Island to the World, 2018"],"text":["Artes de Cuba - From the Island to the World, 2018","Alejandro Rodríguez Fornés (Alucho) collection, 2014/2019","Series 12: Posters, 2018","Oversize Folder 4","object 2","Spanish; Castilian","Title translation: Cuban ArtsArtes de Cuba - From the Island to the World. Poster artist: Alucho. Digital and print poster."],"parent_unittitles_ssm":["Alejandro Rodríguez Fornés (Alucho) collection, 2014/2019","Series 12: Posters, 2018"],"parent_unittitles_tesim":["Alejandro Rodríguez Fornés (Alucho) collection, 2014/2019","Series 12: Posters, 2018"],"normalized_date_ssm":["2018"],"unitdate_other_ssim":["2018"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":104,"repository_ssim":["College of William and Mary"],"collection_ssim":["Alejandro Rodríguez Fornés (Alucho) collection, 2014/2019"],"containers_ssim":["Oversize Folder 4","object 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Low resolution images may be made available for public usage online; high resolution images will be retained for archival purposes and for servicing to approved patrons. Interested patrons must seek permission to reproduce/distribute from Alucho. Library staff will put patrons in contact with Alucho; permissions and associated charges will be negotiated and collected by Alucho. After permission is granted, Special Collections staff will assist with the logistics in delivering the high resolution images."],"language_ssim":["Spanish; Castilian"],"date_range_isim":[2018],"scopecontent_html_tesm":["\u003cp\u003eTitle translation: Cuban ArtsArtes de Cuba - From the Island to the World. Poster artist: Alucho. Digital and print poster.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Title translation: Cuban ArtsArtes de Cuba - From the Island to the World. Poster artist: Alucho. Digital and print poster."],"_nest_path_":"/components#11/components#0","timestamp":"2026-08-14T23:03:51.294Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8183","ead_ssi":"viw_repositories_2_resources_8183","_root_":"viw_repositories_2_resources_8183","_nest_parent_":"viw_repositories_2_resources_8183","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8183.xml","title_ssm":["Alejandro Rodríguez Fornés (Alucho) collection"],"title_tesim":["Alejandro Rodríguez Fornés (Alucho) collection"],"unitdate_ssm":["Circa 2014-2019"],"unitdate_inclusive_ssm":["Circa 2014-2019"],"normalized_date_ssm":["2014/2019"],"normalized_title_ssm":["Alejandro Rodríguez Fornés (Alucho) collection, 2014/2019"],"text":["Alejandro Rodríguez Fornés (Alucho) collection, 2014/2019","MS 00118","/repositories/2/resources/8183","Art, Cuban--21st century","Film posters, Cuban","Film festivals","Film festival programs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into series by year and then listed alphabetically.","Born in Havana in 1984, Alejandro Rodríguez Fornés \"Alucho,\" is a prolific graphic designer and an important figure in the use of emerging technologies and digital art in Cuban graphic design. He graduated from Havana's Instituto Superior de Diseño in 2008. He has worked as a designer for the magazines Literatura y Arte Unión and La Jiribilla, the publishers Gente Nueva and Abril, and the International School of Film and Television in San Antonio de los Baños, as well as the Cuban Institute of Art and Cinematography. His work has been featured in international festivals in Mexico, Bolivia, Ecuador, Turkey, Spain, and Russia among others, and he has participated in exhibitions in Cuba and abroad. In 2014, he won the Bronze Medal at the 13th biennial International Poster Festival in Mexico. He is a member of the National Union of Writers and Authors of Cuba (UNEAC) and currently works in the office of Images and Communication at the Casa de las Américas.","Source: (2017, December 1). Carteles de Alucho, Retrieved from https://libraries.wm.edu/exhibits/carteles-de-alucho","Preservation copies of digital materials are TIFs. Most digital posters may be accessed via Omeka, and high resolution versions can be viewed in the reading room. At least 72 hours advanced notice required for access of high resolution versions and other digital posters.","Graphic art posters in physical and digital form by Alejandro Rodríguez Fornés, known as Alucho. The theme of the posters is primarily film-related and include commemorative posters for Cuban films and or for film festivals. Many are signed by the artist.","Low resolution images may be made available for public usage online; high resolution images will be retained for archival purposes and for servicing to approved patrons. Interested patrons must seek permission to reproduce/distribute from Alucho. Library staff will put patrons in contact with Alucho; permissions and associated charges will be negotiated and collected by Alucho. After permission is granted, Special Collections staff will assist with the logistics in delivering the high resolution images.","Special Collections Research Center","Alucho (Alejandro Rodríguez Fornés)","Spanish; Castilian"],"collection_title_tesim":["Alejandro Rodríguez Fornés (Alucho) collection, 2014/2019"],"collection_ssim":["Alejandro Rodríguez Fornés (Alucho) collection, 2014/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00118","/repositories/2/resources/8183"],"unitid_tesim":["MS 00118","/repositories/2/resources/8183"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Art, Cuban--21st century"],"geogname_ssim":["Art, Cuban--21st century"],"places_ssim":["Art, Cuban--21st century"],"creator_ssm":["Alucho (Alejandro Rodríguez Fornés)"],"creator_ssim":["Alucho (Alejandro Rodríguez Fornés)"],"creator_persname_ssim":["Alucho (Alejandro Rodríguez Fornés)"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Alucho (Alejandro Rodríguez Fornés)","Special Collections Research Center"],"access_terms_ssm":["Low resolution images may be made available for public usage online; high resolution images will be retained for archival purposes and for servicing to approved patrons. Interested patrons must seek permission to reproduce/distribute from Alucho. Library staff will put patrons in contact with Alucho; permissions and associated charges will be negotiated and collected by Alucho. After permission is granted, Special Collections staff will assist with the logistics in delivering the high resolution images."],"acqinfo_ssim":["Acc. 2018.020 includes five Analog posters created by Alejandro Rodriguez Fornes, \"Alucho\": The Red Panther, Saberes y Expresiones, Una Pelea Cubana Contra Los Demonios, Chivo Que Rompe Tambo, and Casa de las Americas. Acc. 2018.211 includes the following posters also by Alejandro Rodriguez Fornes, \"Alucho\": The Clash Day, Club de Jazz, Permio de Musicologia, Cuba Mistery: Finding Your Own Whale, and Celia Cruz, Oversea. Acc. 2018.020 and Acc. 2018.218 includes digital forms of many posters already in the collection and the posters that were featured in the Carteles de Alucho exhibit in the Botetourt Gallery. Acc. 2019.113 includes the physical and digital posters Domingo and Ciclo de Pensamento Social Caribeño."],"access_subjects_ssim":["Film posters, Cuban","Film festivals","Film festival programs"],"access_subjects_ssm":["Film posters, Cuban","Film festivals","Film festival programs"],"has_online_content_ssim":["false"],"extent_ssm":["3.00 Linear Feet","21.1 Gigabytes"],"extent_tesim":["3.00 Linear Feet","21.1 Gigabytes"],"date_range_isim":[2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into series by year and then listed alphabetically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into series by year and then listed alphabetically."],"bioghist_html_tesm":["\u003cp\u003eBorn in Havana in 1984, Alejandro Rodríguez Fornés \"Alucho,\" is a prolific graphic designer and an important figure in the use of emerging technologies and digital art in Cuban graphic design. He graduated from Havana's Instituto Superior de Diseño in 2008. He has worked as a designer for the magazines Literatura y Arte Unión and La Jiribilla, the publishers Gente Nueva and Abril, and the International School of Film and Television in San Antonio de los Baños, as well as the Cuban Institute of Art and Cinematography. His work has been featured in international festivals in Mexico, Bolivia, Ecuador, Turkey, Spain, and Russia among others, and he has participated in exhibitions in Cuba and abroad. In 2014, he won the Bronze Medal at the 13th biennial International Poster Festival in Mexico. He is a member of the National Union of Writers and Authors of Cuba (UNEAC) and currently works in the office of Images and Communication at the Casa de las Américas. \u003c/p\u003e","\u003cp\u003eSource: (2017, December 1). Carteles de Alucho, Retrieved from https://libraries.wm.edu/exhibits/carteles-de-alucho\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born in Havana in 1984, Alejandro Rodríguez Fornés \"Alucho,\" is a prolific graphic designer and an important figure in the use of emerging technologies and digital art in Cuban graphic design. He graduated from Havana's Instituto Superior de Diseño in 2008. He has worked as a designer for the magazines Literatura y Arte Unión and La Jiribilla, the publishers Gente Nueva and Abril, and the International School of Film and Television in San Antonio de los Baños, as well as the Cuban Institute of Art and Cinematography. His work has been featured in international festivals in Mexico, Bolivia, Ecuador, Turkey, Spain, and Russia among others, and he has participated in exhibitions in Cuba and abroad. In 2014, he won the Bronze Medal at the 13th biennial International Poster Festival in Mexico. He is a member of the National Union of Writers and Authors of Cuba (UNEAC) and currently works in the office of Images and Communication at the Casa de las Américas.","Source: (2017, December 1). Carteles de Alucho, Retrieved from https://libraries.wm.edu/exhibits/carteles-de-alucho"],"phystech_html_tesm":["\u003cp\u003ePreservation copies of digital materials are TIFs. Most digital posters may be accessed via Omeka, and high resolution versions can be viewed in the reading room. At least 72 hours advanced notice required for access of high resolution versions and other digital posters.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Preservation copies of digital materials are TIFs. Most digital posters may be accessed via Omeka, and high resolution versions can be viewed in the reading room. At least 72 hours advanced notice required for access of high resolution versions and other digital posters."],"prefercite_html_tesm":["\u003cp\u003eAlejandro Rodríguez Fornés (Alucho) Collection, Special Collections Research Center, Swem Library, College of William and Mary\u003c/p\u003e  "],"prefercite_tesim":["Alejandro Rodríguez Fornés (Alucho) Collection, Special Collections Research Center, Swem Library, College of William and Mary"],"scopecontent_html_tesm":["\u003cp\u003eGraphic art posters in physical and digital form by Alejandro Rodríguez Fornés, known as Alucho. The theme of the posters is primarily film-related and include commemorative posters for Cuban films and or for film festivals. Many are signed by the artist.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Graphic art posters in physical and digital form by Alejandro Rodríguez Fornés, known as Alucho. The theme of the posters is primarily film-related and include commemorative posters for Cuban films and or for film festivals. Many are signed by the artist."],"userestrict_html_tesm":["\u003cp\u003eLow resolution images may be made available for public usage online; high resolution images will be retained for archival purposes and for servicing to approved patrons. Interested patrons must seek permission to reproduce/distribute from Alucho. Library staff will put patrons in contact with Alucho; permissions and associated charges will be negotiated and collected by Alucho. After permission is granted, Special Collections staff will assist with the logistics in delivering the high resolution images.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Low resolution images may be made available for public usage online; high resolution images will be retained for archival purposes and for servicing to approved patrons. Interested patrons must seek permission to reproduce/distribute from Alucho. Library staff will put patrons in contact with Alucho; permissions and associated charges will be negotiated and collected by Alucho. After permission is granted, Special Collections staff will assist with the logistics in delivering the high resolution images."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Alucho (Alejandro Rodríguez Fornés)"],"names_ssim":["Special Collections Research Center","Alucho (Alejandro Rodríguez Fornés)"],"language_ssim":["Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":122,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:03:51.294Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8183_c12_c01"}},{"id":"wvmturhc_repositories_2_resources_1846_c02_c02_c30","type":"File","attributes":{"title":"Arthurdale Heritage, Inc., 1984/2025","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1846_c02_c02_c30#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1846_c02_c02_c30","ref_ssm":["wvmturhc_repositories_2_resources_1846_c02_c02_c30"],"id":"wvmturhc_repositories_2_resources_1846_c02_c02_c30","ead_ssi":"wvmturhc_repositories_2_resources_1846","_root_":"wvmturhc_repositories_2_resources_1846","_nest_parent_":"wvmturhc_repositories_2_resources_1846_c02_c02","parent_ssi":"wvmturhc_repositories_2_resources_1846_c02_c02","parent_ssim":["Dr. Barbara Howe, Professor, Papers, 1856/2025, bulk 1964/2025","Series 2. Historical / Cultural, 1856/2025, bulk 1977/2021","Sub-Series 2. Organizations, 1856/2025, bulk 1980/2019"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1846","wvmturhc_repositories_2_resources_1846_c02","wvmturhc_repositories_2_resources_1846_c02_c02"],"title_filing_ssi":"Arthurdale Heritage, Inc.","title_ssm":["Arthurdale Heritage, Inc."],"title_tesim":["Arthurdale Heritage, Inc."],"normalized_title_ssm":["Arthurdale Heritage, Inc., 1984/2025"],"text":["Arthurdale Heritage, Inc., 1984/2025","Dr. Barbara Howe, Professor, Papers, 1856/2025, bulk 1964/2025","Series 2. Historical / Cultural, 1856/2025, bulk 1977/2021","Sub-Series 2. Organizations, 1856/2025, bulk 1980/2019","Box 9","Folder 49a-49b"],"parent_unittitles_ssm":["Dr. Barbara Howe, Professor, Papers, 1856/2025, bulk 1964/2025","Series 2. Historical / Cultural, 1856/2025, bulk 1977/2021","Sub-Series 2. Organizations, 1856/2025, bulk 1980/2019"],"parent_unittitles_tesim":["Dr. Barbara Howe, Professor, Papers, 1856/2025, bulk 1964/2025","Series 2. Historical / Cultural, 1856/2025, bulk 1977/2021","Sub-Series 2. Organizations, 1856/2025, bulk 1980/2019"],"normalized_date_ssm":["1984/2025"],"unitdate_inclusive_ssm":["1984-2025 and undated"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":308,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Dr. Barbara Howe, Professor, Papers, 1856/2025, bulk 1964/2025"],"containers_ssim":["Box 9","Folder 49a-49b"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"_nest_path_":"/components#1/components#1/components#29","timestamp":"2026-09-01T16:09:24.514Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1846","ead_ssi":"wvmturhc_repositories_2_resources_1846","_root_":"wvmturhc_repositories_2_resources_1846","_nest_parent_":"wvmturhc_repositories_2_resources_1846","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1846.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196024","title_ssm":["Dr. Barbara Howe, Professor, Papers"],"title_tesim":["Dr. Barbara Howe, Professor, Papers"],"unitdate_ssm":["1856-2025 and undated","1964-2025"],"unitdate_inclusive_ssm":["1856-2025 and undated"],"unitdate_bulk_ssim":["1964-2025"],"normalized_date_ssm":["1856/2025, bulk 1964/2025"],"normalized_title_ssm":["Dr. Barbara Howe, Professor, Papers, 1856/2025, bulk 1964/2025"],"text":["Dr. Barbara Howe, Professor, Papers, 1856/2025, bulk 1964/2025","A\u0026M 3469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1846","West Virginia -- Politics and government","Morgantown (W. Va.)","Historic preservation","Environmental Justice","Historic sites--West Virginia","Historic distrcits--West Virginia","No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Dr. Barbara Howe was employed at West Virginia University in several different positions between 1980 and her retirement in 2009, including associate professor of history, head of the public history program, and director of the Center for Women's Studies.  She was raised in Cincinnati, Ohio, where she graduated from the University of Cincinnati with a B.A. in history and a B.S. in education in 1969. She received her Master of Arts degree in history from the University of Wisconsin-Milwaukee.","Upon graduation with her Ph.D. in history from Temple University in Philadelphia, Pennsylvania, in 1976, she worked as a a regional preservation officer for the Ohio Historic Preservation Office at Heidelberg College in Tiffin, Ohio. In 1980, she joined the faculty of the Department of History at West Virginia University, where she developed and led the Public History Program. Between 1998 and 2008, Howe led the WVU Center for Women's Studies as director. She retired from WVU in 2009 as associate professor emerita of history.","Addendums from 2012 to 2025 have been consolidated due to the relation of materials and can be found in boxes 7-26.","This collection contains materials created or collected by Dr. Barbara Howe while in various roles at the Eberly College of Arts and Sciences in the Department of History and Center for Women's Studies (now the Center for Women's and Gender Studies) at West Virginia University (WVU) and after her retirement in the 2000s. It is divided into series and sub-series based upon the subject matter of the material:","Series 1. Environmental","Series 2. Historical / Cultural","- Sub-Series 1. Historic Places","- Sub-Series 2. Organizations","- Sub-Series 3. Events / Programs","- Sub-Series 4. Business Directories, Maps, and Travel Guides","- Sub-Series 5. Oral Histories","Series 3. Socio-political","- Sub-Series 1. Political Campaigns","- Sub-Series 2. Local and State Government Organizations","- Sub-Series 3. Non-Governmental Organizations","- Sub-Series 4. Events / Programs","Series 4. West Virginia University","- Sub-Series 1. Historic Places","- Sub-Series 2. General","- Sub-Series 3. Events / Programs","Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area.","Materials include advertisements, books, brochures, business cards, cassette tapes, CDs, correspondence, a DVD, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, obituaries, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, various other ephemera, and a VHS tape.","The addendum of 2026 Feburary 13 includes papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Dr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies","Howe, Barbara J.","English\n."],"collection_title_tesim":["Dr. Barbara Howe, Professor, Papers, 1856/2025, bulk 1964/2025"],"collection_ssim":["Dr. Barbara Howe, Professor, Papers, 1856/2025, bulk 1964/2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1846"],"unitid_tesim":["A\u0026M 3469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1846"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["West Virginia -- Politics and government","Morgantown (W. Va.)"],"geogname_ssim":["West Virginia -- Politics and government","Morgantown (W. Va.)"],"places_ssim":["West Virginia -- Politics and government","Morgantown (W. Va.)"],"creator_ssm":["Howe, Barbara J.","West Virginia University"],"creator_ssim":["Howe, Barbara J.","West Virginia University"],"creator_persname_ssim":["Howe, Barbara J."],"creator_corpname_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies"],"creators_ssim":["Howe, Barbara J.","West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Transfer from West Virginia University (WVU) Center for Women's Studies, Howe, Barbara, 2004 October 14","Gifts of Howe, Barbara, 2004-2008","Transfers from unknown entity, Howe, Barbara, 2012-2014","Gifts of Howe, Barbara, 2015-2025"],"access_subjects_ssim":["Historic preservation","Environmental Justice","Historic sites--West Virginia","Historic distrcits--West Virginia"],"access_subjects_ssm":["Historic preservation","Environmental Justice","Historic sites--West Virginia","Historic distrcits--West Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["21.2 Linear Feet 14 record cartons, 15 in. each; 8 flat storage boxes, 3 in. each; 4 flat storage boxes, 1.5 in. each; 2 document cases, 5 in. each; 1 document case, 2.5 in; 1 multi-divider box, 1 in.; 9 oversize folders, 0.1 in. each","9.7 Gigabytes 24 files (9 .docx files, 3 .cue files, 3 .iso files, 3 .md5 files, 3 .pdf files, 1 .csv file, 1 .MDB file, 1 .ppt file)"],"extent_tesim":["21.2 Linear Feet 14 record cartons, 15 in. each; 8 flat storage boxes, 3 in. each; 4 flat storage boxes, 1.5 in. each; 2 document cases, 5 in. each; 1 document case, 2.5 in; 1 multi-divider box, 1 in.; 9 oversize folders, 0.1 in. each","9.7 Gigabytes 24 files (9 .docx files, 3 .cue files, 3 .iso files, 3 .md5 files, 3 .pdf files, 1 .csv file, 1 .MDB file, 1 .ppt file)"],"date_range_isim":[1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"bioghist_html_tesm":["\u003cp\u003eDr. Barbara Howe was employed at West Virginia University in several different positions between 1980 and her retirement in 2009, including associate professor of history, head of the public history program, and director of the Center for Women's Studies.  She was raised in Cincinnati, Ohio, where she graduated from the University of Cincinnati with a B.A. in history and a B.S. in education in 1969. She received her Master of Arts degree in history from the University of Wisconsin-Milwaukee.\u003c/p\u003e","\u003cp\u003eUpon graduation with her Ph.D. in history from Temple University in Philadelphia, Pennsylvania, in 1976, she worked as a a regional preservation officer for the Ohio Historic Preservation Office at Heidelberg College in Tiffin, Ohio. In 1980, she joined the faculty of the Department of History at West Virginia University, where she developed and led the Public History Program. Between 1998 and 2008, Howe led the WVU Center for Women's Studies as director. She retired from WVU in 2009 as associate professor emerita of history. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Barbara Howe was employed at West Virginia University in several different positions between 1980 and her retirement in 2009, including associate professor of history, head of the public history program, and director of the Center for Women's Studies.  She was raised in Cincinnati, Ohio, where she graduated from the University of Cincinnati with a B.A. in history and a B.S. in education in 1969. She received her Master of Arts degree in history from the University of Wisconsin-Milwaukee.","Upon graduation with her Ph.D. in history from Temple University in Philadelphia, Pennsylvania, in 1976, she worked as a a regional preservation officer for the Ohio Historic Preservation Office at Heidelberg College in Tiffin, Ohio. In 1980, she joined the faculty of the Department of History at West Virginia University, where she developed and led the Public History Program. Between 1998 and 2008, Howe led the WVU Center for Women's Studies as director. She retired from WVU in 2009 as associate professor emerita of history."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Dr. Barbara Howe, Professor, Papers, A\u0026amp;M 3469, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Dr. Barbara Howe, Professor, Papers, A\u0026M 3469, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eAddendums from 2012 to 2025 have been consolidated due to the relation of materials and can be found in boxes 7-26.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Addendums from 2012 to 2025 have been consolidated due to the relation of materials and can be found in boxes 7-26."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials created or collected by Dr. Barbara Howe while in various roles at the Eberly College of Arts and Sciences in the Department of History and Center for Women's Studies (now the Center for Women's and Gender Studies) at West Virginia University (WVU) and after her retirement in the 2000s. It is divided into series and sub-series based upon the subject matter of the material: \u003c/p\u003e","\u003cp\u003eSeries 1. Environmental\u003c/p\u003e","\u003cp\u003eSeries 2. Historical / Cultural\u003c/p\u003e","\u003cp\u003e- Sub-Series 1. Historic Places\u003c/p\u003e","\u003cp\u003e- Sub-Series 2. Organizations\u003c/p\u003e","\u003cp\u003e- Sub-Series 3. Events / Programs\u003c/p\u003e","\u003cp\u003e- Sub-Series 4. Business Directories, Maps, and Travel Guides\u003c/p\u003e","\u003cp\u003e- Sub-Series 5. Oral Histories\u003c/p\u003e","\u003cp\u003eSeries 3. Socio-political\u003c/p\u003e","\u003cp\u003e- Sub-Series 1. Political Campaigns\u003c/p\u003e","\u003cp\u003e- Sub-Series 2. Local and State Government Organizations\u003c/p\u003e","\u003cp\u003e- Sub-Series 3. Non-Governmental Organizations \u003c/p\u003e","\u003cp\u003e- Sub-Series 4. Events / Programs\u003c/p\u003e","\u003cp\u003eSeries 4. West Virginia University \u003c/p\u003e","\u003cp\u003e- Sub-Series 1. Historic Places\u003c/p\u003e","\u003cp\u003e- Sub-Series 2. General\u003c/p\u003e","\u003cp\u003e- Sub-Series 3. Events / Programs\u003c/p\u003e","\u003cp\u003ePrevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area. \u003c/p\u003e","\u003cp\u003eMaterials include advertisements, books, brochures, business cards, cassette tapes, CDs, correspondence, a DVD, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, obituaries, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, various other ephemera, and a VHS tape.\u003c/p\u003e","\u003cp\u003eThe addendum of 2026 Feburary 13 includes papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials created or collected by Dr. Barbara Howe while in various roles at the Eberly College of Arts and Sciences in the Department of History and Center for Women's Studies (now the Center for Women's and Gender Studies) at West Virginia University (WVU) and after her retirement in the 2000s. It is divided into series and sub-series based upon the subject matter of the material:","Series 1. Environmental","Series 2. Historical / Cultural","- Sub-Series 1. Historic Places","- Sub-Series 2. Organizations","- Sub-Series 3. Events / Programs","- Sub-Series 4. Business Directories, Maps, and Travel Guides","- Sub-Series 5. Oral Histories","Series 3. Socio-political","- Sub-Series 1. Political Campaigns","- Sub-Series 2. Local and State Government Organizations","- Sub-Series 3. Non-Governmental Organizations","- Sub-Series 4. Events / Programs","Series 4. West Virginia University","- Sub-Series 1. Historic Places","- Sub-Series 2. General","- Sub-Series 3. Events / Programs","Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area.","Materials include advertisements, books, brochures, business cards, cassette tapes, CDs, correspondence, a DVD, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, obituaries, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, various other ephemera, and a VHS tape.","The addendum of 2026 Feburary 13 includes papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_52212eb4d28e02606d931e410095563b\"\u003eDr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area.\u003c/abstract\u003e\n    "],"abstract_tesim":["Dr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_570b23530518e390c6848160c139cd3b\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies"],"names_coll_ssim":["West Virginia University","West Virginia University. Center for Women's Studies","Howe, Barbara J."],"persname_ssim":["Howe, Barbara J."],"names_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies","Howe, Barbara J."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":957,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-01T16:09:24.514Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1846_c02_c02_c30"}},{"id":"vino_repositories_3_resources_62","type":"collection","attributes":{"title":"Arthur George Williams Papers, 1936/1945","creator":{"id":"https://arvasarchive.org/catalog/vino_repositories_3_resources_62#creator","type":"document_value","attributes":{"value":"Williams, Arthur George","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_3_resources_62#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection contains a black and white photograph of Arthur George Williams, Professor of Modern Languages at the Norfolk Division of the College of William and Mary, in his study as well as a letter written during World War II about giving guns from the war to a friend in the United States. It is unclear if the letter relates to Professor Williams.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_3_resources_62#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vino_repositories_3_resources_62","ead_ssi":"vino_repositories_3_resources_62","_root_":"vino_repositories_3_resources_62","_nest_parent_":"vino_repositories_3_resources_62","ead_source_url_ssi":"data/oai/ODU/repositories_3_resources_62.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/3/resources/62","title_filing_ssi":"Williams, Arthur George","title_ssm":["Arthur George Williams Papers"],"title_tesim":["Arthur George Williams Papers"],"unitdate_ssm":["1936-1945","Date acquired: 12/13/2018"],"unitdate_inclusive_ssm":["1936-1945"],"unitdate_other_ssim":["Date acquired: 12/13/2018"],"normalized_date_ssm":["1936/1945"],"normalized_title_ssm":["Arthur George Williams Papers, 1936/1945"],"text":["Arthur George Williams Papers, 1936/1945","RG 17-4B3","/repositories/3/resources/62","World War, 1939-1945","photographs","Open to researchers without restrictions.","Arthur George Williams was Professor of Modern Languages at the Norfolk Division of the College of William \u0026 Mary from 1931 to 1938. He received his bachelor of arts and master of arts from Roanoke College and another master of arts from University of Chicago. Before coming to the Norfolk Division, Williams was also Professor of Modern Languages at the College of William and Mary from 1918-1930 and the Head of the Modern Languages Department at the short-lived Atlantic University (Virginia Beach) in 1930.","Note written by","The letter and photograph were previously owned by the Goochland County Historical Society before being sent to William \u0026 Mary, which was then given to Special Collections and Univeristy Archives.","The collection was accessioned and minimally processed by Steven Bookman, University Archivist, in December 2018.","The collection contains a black and white photograph of Arthur George Williams, Professor of Modern Languages at the Norfolk Division of the College of William and Mary, in his study as well as a letter written during World War II about giving guns from the war to a friend in the United States. It is unclear if the letter relates to Professor Williams.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","ODU University Archives","College of William and Mary. Norfolk Division","Williams, Arthur George","English"],"collection_title_tesim":["Arthur George Williams Papers, 1936/1945"],"collection_ssim":["Arthur George Williams Papers, 1936/1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 17-4B3","/repositories/3/resources/62"],"unitid_tesim":["RG 17-4B3","/repositories/3/resources/62"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Williams, Arthur George"],"creator_ssim":["Williams, Arthur George"],"creator_persname_ssim":["Williams, Arthur George"],"creator_corpname_ssim":["ODU University Archives","College of William and Mary. Norfolk Division"],"creators_ssim":["Williams, Arthur George","ODU University Archives","College of William and Mary. Norfolk Division"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Jay Gaidmore, William \u0026 Mary, Gift","Acc. 2018.039 was received by Special Collections and University Archives from the donor via U.S.P.S. on 12/12/2018."],"access_subjects_ssim":["World War, 1939-1945","photographs"],"access_subjects_ssm":["World War, 1939-1945","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.05 Linear Feet","1 folder folders"],"extent_tesim":["0.05 Linear Feet","1 folder folders"],"genreform_ssim":["photographs"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,2018],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"bioghist_html_tesm":["\u003cp\u003eArthur George Williams was Professor of Modern Languages at the Norfolk Division of the College of William \u0026amp; Mary from 1931 to 1938. He received his bachelor of arts and master of arts from Roanoke College and another master of arts from University of Chicago. Before coming to the Norfolk Division, Williams was also Professor of Modern Languages at the College of William and Mary from 1918-1930 and the Head of the Modern Languages Department at the short-lived Atlantic University (Virginia Beach) in 1930.\u003c/p\u003e","\u003cp\u003eNote written by \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Arthur George Williams was Professor of Modern Languages at the Norfolk Division of the College of William \u0026 Mary from 1931 to 1938. He received his bachelor of arts and master of arts from Roanoke College and another master of arts from University of Chicago. Before coming to the Norfolk Division, Williams was also Professor of Modern Languages at the College of William and Mary from 1918-1930 and the Head of the Modern Languages Department at the short-lived Atlantic University (Virginia Beach) in 1930.","Note written by"],"custodhist_html_tesm":["\u003cp\u003eThe letter and photograph were previously owned by the Goochland County Historical Society before being sent to William \u0026amp; Mary, which was then given to Special Collections and Univeristy Archives.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The letter and photograph were previously owned by the Goochland County Historical Society before being sent to William \u0026 Mary, which was then given to Special Collections and Univeristy Archives."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Arthur George Williams Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Arthur George Williams Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was accessioned and minimally processed by Steven Bookman, University Archivist, in December 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was accessioned and minimally processed by Steven Bookman, University Archivist, in December 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains a black and white photograph of Arthur George Williams, Professor of Modern Languages at the Norfolk Division of the College of William and Mary, in his study as well as a letter written during World War II about giving guns from the war to a friend in the United States. It is unclear if the letter relates to Professor Williams.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains a black and white photograph of Arthur George Williams, Professor of Modern Languages at the Norfolk Division of the College of William and Mary, in his study as well as a letter written during World War II about giving guns from the war to a friend in the United States. It is unclear if the letter relates to Professor Williams."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"corpname_ssim":["ODU University Archives","College of William and Mary. Norfolk Division"],"names_coll_ssim":["College of William and Mary. Norfolk Division"],"persname_ssim":["Williams, Arthur George"],"names_ssim":["ODU University Archives","College of William and Mary. 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Norfolk Division"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Jay Gaidmore, William \u0026 Mary, Gift","Acc. 2018.039 was received by Special Collections and University Archives from the donor via U.S.P.S. on 12/12/2018."],"access_subjects_ssim":["World War, 1939-1945","photographs"],"access_subjects_ssm":["World War, 1939-1945","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.05 Linear Feet","1 folder folders"],"extent_tesim":["0.05 Linear Feet","1 folder folders"],"genreform_ssim":["photographs"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,2018],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"bioghist_html_tesm":["\u003cp\u003eArthur George Williams was Professor of Modern Languages at the Norfolk Division of the College of William \u0026amp; Mary from 1931 to 1938. He received his bachelor of arts and master of arts from Roanoke College and another master of arts from University of Chicago. Before coming to the Norfolk Division, Williams was also Professor of Modern Languages at the College of William and Mary from 1918-1930 and the Head of the Modern Languages Department at the short-lived Atlantic University (Virginia Beach) in 1930.\u003c/p\u003e","\u003cp\u003eNote written by \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Arthur George Williams was Professor of Modern Languages at the Norfolk Division of the College of William \u0026 Mary from 1931 to 1938. He received his bachelor of arts and master of arts from Roanoke College and another master of arts from University of Chicago. Before coming to the Norfolk Division, Williams was also Professor of Modern Languages at the College of William and Mary from 1918-1930 and the Head of the Modern Languages Department at the short-lived Atlantic University (Virginia Beach) in 1930.","Note written by"],"custodhist_html_tesm":["\u003cp\u003eThe letter and photograph were previously owned by the Goochland County Historical Society before being sent to William \u0026amp; Mary, which was then given to Special Collections and Univeristy Archives.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The letter and photograph were previously owned by the Goochland County Historical Society before being sent to William \u0026 Mary, which was then given to Special Collections and Univeristy Archives."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Arthur George Williams Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Arthur George Williams Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was accessioned and minimally processed by Steven Bookman, University Archivist, in December 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was accessioned and minimally processed by Steven Bookman, University Archivist, in December 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains a black and white photograph of Arthur George Williams, Professor of Modern Languages at the Norfolk Division of the College of William and Mary, in his study as well as a letter written during World War II about giving guns from the war to a friend in the United States. It is unclear if the letter relates to Professor Williams.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains a black and white photograph of Arthur George Williams, Professor of Modern Languages at the Norfolk Division of the College of William and Mary, in his study as well as a letter written during World War II about giving guns from the war to a friend in the United States. It is unclear if the letter relates to Professor Williams."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"corpname_ssim":["ODU University Archives","College of William and Mary. Norfolk Division"],"names_coll_ssim":["College of William and Mary. Norfolk Division"],"persname_ssim":["Williams, Arthur George"],"names_ssim":["ODU University Archives","College of William and Mary. Norfolk Division","Williams, Arthur George"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:39:21.092Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_3_resources_62"}},{"id":"wvmturhc_repositories_2_resources_7060","type":"collection","attributes":{"title":"Arthur Jacknowitz Faculty Papers, 1954/2019","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7060#creator","type":"document_value","attributes":{"value":"Jacknowitz, Linda","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7060#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains the personal and professional papers of longtime West Virginia University School of Pharmacy professor Dr. Arthur \"Art\" Jacknowitz. Notable materials include course materials, original drafts, article reprints, lecture notes, and correspondence. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7060#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_7060","ead_ssi":"wvmturhc_repositories_2_resources_7060","_root_":"wvmturhc_repositories_2_resources_7060","_nest_parent_":"wvmturhc_repositories_2_resources_7060","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_7060.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/255453","title_ssm":["Arthur Jacknowitz Faculty Papers"],"title_tesim":["Arthur Jacknowitz Faculty Papers"],"unitdate_ssm":["1954-2019"],"unitdate_inclusive_ssm":["1954-2019"],"normalized_date_ssm":["1954/2019"],"normalized_title_ssm":["Arthur Jacknowitz Faculty Papers, 1954/2019"],"text":["Arthur Jacknowitz Faculty Papers, 1954/2019","A\u0026M 4660","Archival Resource Key","/repositories/2/resources/7060","Pharmacy -- History","Pharmacy -- Study and teaching","Pharmacists","Box 2, folder 19, closed for 75 years due to student records.","Dr. Arthur Jacknowitz (1944-2019), a native of Brooklyn, New York, joined the West Virginia University School of Pharmacy in 1974. He was chair of the Department of Clinical Pharmacy for almost 16 years, from 1985-2001. Prior to this, he was director of the University's Drug Information Center. In 1988 his efforts to disseminate drug information to consumers and health professionals won him the University's Heebink Award for Outstanding State Service.","In 2001, to recognize his more than a quarter of a century of teaching, scholarship and service, a former student endowed a Distinguished Chair in his honor - Jacknowitz was named its first occupant.","In 2004, the WVU School of Pharmacy Alumni Association conferred honorary alumnus status on him. That same year, he was named WVU's Most Loyal Faculty Mountaineer.","Jacknowitz was an academic advisor to more than 260 pre-pharmacy and pharmacy honors students. In recognition of these sustained efforts, the WVU Honors College named him Faculty Advisor of 2012, and he was inducted into the WVU Health Sciences Center Academy of Excellence in Teaching and Learning.","Jacknowitz retired after 38 years of service to WVU but remained an engaged member of the University community. At the School of Pharmacy, he continued to mentor students, coordinated its student ambassador program and was a member of the School of Pharmacy Visiting Committee. After serving on the WVU Retiree Association Steering Committee, he then served as the association's founding chair. In retirement, he became a member of the WVU Art Museum's founding class of volunteer docents. The WVU Creative Arts Center Visiting Committee honored him and his wife Linda - awarding them the College's 2019 Alison Deem Distinguished Friends Award.","Jacknowitz authored or coauthored more than 100 scientific and technical articles and abstracts, and as many presentations. He was a monthly columnist for several years for the US Pharmacist, a recipient of the Merck, Sharp and Dohme Award for Outstanding Achievement in the Profession of Pharmacy, and for more than a quarter of a century, he was on the editorial board of the Drug Information Journal. He served two five-year terms as a member of the United States Pharmacopeia USP Convention's Gastroenterology Expert Committee. He is one of only 22 healthcare professionals nationwide to serve on the 2010-2015 Medicare Model Guidelines Expert Panel, where he and his panel of colleagues received the 2011 United States Pharmacopeial Convention (USP) Award for Innovative Response to a Public Health Challenge. At the time of his death, he was serving a seventh three-year term on The National Association of Boards of Pharmacy Licensure Test Review Committee. He is one of only 25 pharmacy practitioners and educators nationwide to achieve this recognition.","Adapted from the following article:","(2019 April 22). \"SoP professor emeritus, loyal WVU supporter, passes away\". School of Pharmacy News.","The creator's original folder titles were preserved while processessing this collection.","This collection contains the personal and professional papers of longtime West Virginia University School of Pharmacy professor Dr. Arthur \"Art\" Jacknowitz. Notable materials include course materials, original drafts, article reprints, lecture notes, and correspondence.","The collection also includes several framed awards and plaques, as well as a variety of scientific journals and trade publications. Highlights include Jacknowitz's diploma from the Philadelphia College of Pharmacy, materials from WVU School of Pharmacy's Continuing Education Program for Pharmacists and memorabilia from Jacknowitz's Chair in Clinical Pharmacy dedication ceremony.","The collection is organized into six series.","Series include:","Series 1. Teaching and Evaluation Papers, 1973-2018 (boxes 1-3): Materials relating to Jacknowitz's teaching career, such as course notes, handouts and overhead slides, faculty activities reports, annual reviews and notices of appointment.","Series 2. Research, Scholarship and Service, 1971-2016 (boxes 4 and 5): Materials relating to Jacknowitz's career advancement such as CVs, pamphlets from professional organizations and symposiums, Jacknowitz's published articles and drafts, and lectures and presentations.","Series 3. Personal Correspondence and Memorabilia, 1954-2019 (boxes 6 and 7): Cards and letters from former students and peers, memorabilia from Jacknowitz's school days, news clippings and photographs.","Series 4. General WVU Papers, 1982-2018 (box 8): Papers relating to Jacknowitz's WVU affiliations outside the School of Pharmacy, including the WVU Retirees Association and the WVU Art Museum.","Series 5. Publications, 1980s-2000s (boxes 8 and 9): Medical and pharmacy related trade magazines and academic journals not authored by Jacknowitz, including Pharmacy Times and U.S. Pharmacist Hospital Edition.","Series 6. Awards, Plaques and Certificates, 1974-2012 (boxes 10 and 11)","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","West Virginia University. School of Pharmacy","Jacknowitz, Linda","Jacknowitz, Arthur I.","English\n."],"collection_title_tesim":["Arthur Jacknowitz Faculty Papers, 1954/2019"],"collection_ssim":["Arthur Jacknowitz Faculty Papers, 1954/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4660","Archival Resource Key","/repositories/2/resources/7060"],"unitid_tesim":["A\u0026M 4660","Archival Resource Key","/repositories/2/resources/7060"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Jacknowitz, Linda","Jacknowitz, Arthur I."],"creator_ssim":["Jacknowitz, Linda","Jacknowitz, Arthur I."],"creator_persname_ssim":["Jacknowitz, Linda","Jacknowitz, Arthur I."],"creator_corpname_ssim":["West Virginia and Regional History Center","West Virginia University. School of Pharmacy"],"creators_ssim":["Jacknowitz, Linda","Jacknowitz, Arthur I.","West Virginia and Regional History Center","West Virginia University. School of Pharmacy"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Linda Jacknowitz, June 10, 2020."],"access_subjects_ssim":["Pharmacy -- History","Pharmacy -- Study and teaching","Pharmacists"],"access_subjects_ssm":["Pharmacy -- History","Pharmacy -- Study and teaching","Pharmacists"],"has_online_content_ssim":["false"],"extent_ssm":["12.75 Linear Feet 12 ft. 9 in. (10 record cartons, 15 in. each); (1 flat storage box, 3 in.)"],"extent_tesim":["12.75 Linear Feet 12 ft. 9 in. (10 record cartons, 15 in. each); (1 flat storage box, 3 in.)"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eBox 2, folder 19, closed for 75 years due to student records.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Box 2, folder 19, closed for 75 years due to student records."],"bioghist_html_tesm":["\u003cp\u003eDr. Arthur Jacknowitz (1944-2019), a native of Brooklyn, New York, joined the West Virginia University School of Pharmacy in 1974. He was chair of the Department of Clinical Pharmacy for almost 16 years, from 1985-2001. Prior to this, he was director of the University's Drug Information Center. In 1988 his efforts to disseminate drug information to consumers and health professionals won him the University's Heebink Award for Outstanding State Service.\u003c/p\u003e","\u003cp\u003eIn 2001, to recognize his more than a quarter of a century of teaching, scholarship and service, a former student endowed a Distinguished Chair in his honor - Jacknowitz was named its first occupant.\u003c/p\u003e","\u003cp\u003eIn 2004, the WVU School of Pharmacy Alumni Association conferred honorary alumnus status on him. That same year, he was named WVU's Most Loyal Faculty Mountaineer. \u003c/p\u003e","\u003cp\u003eJacknowitz was an academic advisor to more than 260 pre-pharmacy and pharmacy honors students. In recognition of these sustained efforts, the WVU Honors College named him Faculty Advisor of 2012, and he was inducted into the WVU Health Sciences Center Academy of Excellence in Teaching and Learning.\u003c/p\u003e","\u003cp\u003eJacknowitz retired after 38 years of service to WVU but remained an engaged member of the University community. At the School of Pharmacy, he continued to mentor students, coordinated its student ambassador program and was a member of the School of Pharmacy Visiting Committee. After serving on the WVU Retiree Association Steering Committee, he then served as the association's founding chair. In retirement, he became a member of the WVU Art Museum's founding class of volunteer docents. The WVU Creative Arts Center Visiting Committee honored him and his wife Linda - awarding them the College's 2019 Alison Deem Distinguished Friends Award.\u003c/p\u003e","\u003cp\u003eJacknowitz authored or coauthored more than 100 scientific and technical articles and abstracts, and as many presentations. He was a monthly columnist for several years for the \u003ctitle\u003eUS Pharmacist,\u003c/title\u003e a recipient of the Merck, Sharp and Dohme Award for Outstanding Achievement in the Profession of Pharmacy, and for more than a quarter of a century, he was on the editorial board of the \u003ctitle\u003eDrug Information Journal.\u003c/title\u003e He served two five-year terms as a member of the United States Pharmacopeia USP Convention's Gastroenterology Expert Committee. He is one of only 22 healthcare professionals nationwide to serve on the 2010-2015 Medicare Model Guidelines Expert Panel, where he and his panel of colleagues received the 2011 United States Pharmacopeial Convention (USP) Award for Innovative Response to a Public Health Challenge. At the time of his death, he was serving a seventh three-year term on The National Association of Boards of Pharmacy Licensure Test Review Committee. He is one of only 25 pharmacy practitioners and educators nationwide to achieve this recognition.\u003c/p\u003e","\u003cp\u003eAdapted from the following article:\u003c/p\u003e","\u003cp\u003e(2019 April 22). \u003ca href=\"https://medicine.hsc.wvu.edu/News/Story?headline=sop-professor-emeritus-loyal-wvu-supporter-passes-away\" target=\"_blank\"\u003e\"SoP professor emeritus, loyal WVU supporter, passes away\"\u003c/a\u003e. School of Pharmacy News.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Arthur Jacknowitz (1944-2019), a native of Brooklyn, New York, joined the West Virginia University School of Pharmacy in 1974. He was chair of the Department of Clinical Pharmacy for almost 16 years, from 1985-2001. Prior to this, he was director of the University's Drug Information Center. In 1988 his efforts to disseminate drug information to consumers and health professionals won him the University's Heebink Award for Outstanding State Service.","In 2001, to recognize his more than a quarter of a century of teaching, scholarship and service, a former student endowed a Distinguished Chair in his honor - Jacknowitz was named its first occupant.","In 2004, the WVU School of Pharmacy Alumni Association conferred honorary alumnus status on him. That same year, he was named WVU's Most Loyal Faculty Mountaineer.","Jacknowitz was an academic advisor to more than 260 pre-pharmacy and pharmacy honors students. In recognition of these sustained efforts, the WVU Honors College named him Faculty Advisor of 2012, and he was inducted into the WVU Health Sciences Center Academy of Excellence in Teaching and Learning.","Jacknowitz retired after 38 years of service to WVU but remained an engaged member of the University community. At the School of Pharmacy, he continued to mentor students, coordinated its student ambassador program and was a member of the School of Pharmacy Visiting Committee. After serving on the WVU Retiree Association Steering Committee, he then served as the association's founding chair. In retirement, he became a member of the WVU Art Museum's founding class of volunteer docents. The WVU Creative Arts Center Visiting Committee honored him and his wife Linda - awarding them the College's 2019 Alison Deem Distinguished Friends Award.","Jacknowitz authored or coauthored more than 100 scientific and technical articles and abstracts, and as many presentations. He was a monthly columnist for several years for the US Pharmacist, a recipient of the Merck, Sharp and Dohme Award for Outstanding Achievement in the Profession of Pharmacy, and for more than a quarter of a century, he was on the editorial board of the Drug Information Journal. He served two five-year terms as a member of the United States Pharmacopeia USP Convention's Gastroenterology Expert Committee. He is one of only 22 healthcare professionals nationwide to serve on the 2010-2015 Medicare Model Guidelines Expert Panel, where he and his panel of colleagues received the 2011 United States Pharmacopeial Convention (USP) Award for Innovative Response to a Public Health Challenge. At the time of his death, he was serving a seventh three-year term on The National Association of Boards of Pharmacy Licensure Test Review Committee. He is one of only 25 pharmacy practitioners and educators nationwide to achieve this recognition.","Adapted from the following article:","(2019 April 22). \"SoP professor emeritus, loyal WVU supporter, passes away\". School of Pharmacy News."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Arthur Jacknowitz Faculty Papers, A\u0026amp;M 4660, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Arthur Jacknowitz Faculty Papers, A\u0026M 4660, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe creator's original folder titles were preserved while processessing this collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The creator's original folder titles were preserved while processessing this collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the personal and professional papers of longtime West Virginia University School of Pharmacy professor Dr. Arthur \"Art\" Jacknowitz. Notable materials include course materials, original drafts, article reprints, lecture notes, and correspondence. \u003c/p\u003e","\u003cp\u003eThe collection also includes several framed awards and plaques, as well as a variety of scientific journals and trade publications. Highlights include Jacknowitz's diploma from the Philadelphia College of Pharmacy, materials from WVU School of Pharmacy's Continuing Education Program for Pharmacists and memorabilia from Jacknowitz's Chair in Clinical Pharmacy dedication ceremony.\u003c/p\u003e","\u003cp\u003eThe collection is organized into six series.\u003c/p\u003e","\u003cp\u003eSeries include:\u003c/p\u003e","\u003cp\u003eSeries 1. Teaching and Evaluation Papers, 1973-2018 (boxes 1-3): Materials relating to Jacknowitz's teaching career, such as course notes, handouts and overhead slides, faculty activities reports, annual reviews and notices of appointment.\u003c/p\u003e","\u003cp\u003eSeries 2. Research, Scholarship and Service, 1971-2016 (boxes 4 and 5): Materials relating to Jacknowitz's career advancement such as CVs, pamphlets from professional organizations and symposiums, Jacknowitz's published articles and drafts, and lectures and presentations. \u003c/p\u003e","\u003cp\u003eSeries 3. Personal Correspondence and Memorabilia, 1954-2019 (boxes 6 and 7): Cards and letters from former students and peers, memorabilia from Jacknowitz's school days, news clippings and photographs.\u003c/p\u003e","\u003cp\u003eSeries 4. General WVU Papers, 1982-2018 (box 8): Papers relating to Jacknowitz's WVU affiliations outside the School of Pharmacy, including the WVU Retirees Association and the WVU Art Museum.\u003c/p\u003e","\u003cp\u003eSeries 5. Publications, 1980s-2000s (boxes 8 and 9): Medical and pharmacy related trade magazines and academic journals not authored by Jacknowitz, including \u003ctitle\u003ePharmacy Times\u003c/title\u003e and \u003ctitle\u003eU.S. Pharmacist Hospital Edition\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eSeries 6. Awards, Plaques and Certificates, 1974-2012 (boxes 10 and 11)\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the personal and professional papers of longtime West Virginia University School of Pharmacy professor Dr. Arthur \"Art\" Jacknowitz. Notable materials include course materials, original drafts, article reprints, lecture notes, and correspondence.","The collection also includes several framed awards and plaques, as well as a variety of scientific journals and trade publications. Highlights include Jacknowitz's diploma from the Philadelphia College of Pharmacy, materials from WVU School of Pharmacy's Continuing Education Program for Pharmacists and memorabilia from Jacknowitz's Chair in Clinical Pharmacy dedication ceremony.","The collection is organized into six series.","Series include:","Series 1. Teaching and Evaluation Papers, 1973-2018 (boxes 1-3): Materials relating to Jacknowitz's teaching career, such as course notes, handouts and overhead slides, faculty activities reports, annual reviews and notices of appointment.","Series 2. Research, Scholarship and Service, 1971-2016 (boxes 4 and 5): Materials relating to Jacknowitz's career advancement such as CVs, pamphlets from professional organizations and symposiums, Jacknowitz's published articles and drafts, and lectures and presentations.","Series 3. Personal Correspondence and Memorabilia, 1954-2019 (boxes 6 and 7): Cards and letters from former students and peers, memorabilia from Jacknowitz's school days, news clippings and photographs.","Series 4. General WVU Papers, 1982-2018 (box 8): Papers relating to Jacknowitz's WVU affiliations outside the School of Pharmacy, including the WVU Retirees Association and the WVU Art Museum.","Series 5. Publications, 1980s-2000s (boxes 8 and 9): Medical and pharmacy related trade magazines and academic journals not authored by Jacknowitz, including Pharmacy Times and U.S. Pharmacist Hospital Edition.","Series 6. Awards, Plaques and Certificates, 1974-2012 (boxes 10 and 11)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b06ecd2c502fe6d9e994dd6cc4077a88\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. School of Pharmacy"],"names_coll_ssim":["West Virginia University. School of Pharmacy","Jacknowitz, Linda"],"persname_ssim":["Jacknowitz, Linda","Jacknowitz, Arthur I."],"names_ssim":["West Virginia and Regional History Center","West Virginia University. School of Pharmacy","Jacknowitz, Linda","Jacknowitz, Arthur I."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-10T19:00:43.315Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_7060","ead_ssi":"wvmturhc_repositories_2_resources_7060","_root_":"wvmturhc_repositories_2_resources_7060","_nest_parent_":"wvmturhc_repositories_2_resources_7060","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_7060.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/255453","title_ssm":["Arthur Jacknowitz Faculty Papers"],"title_tesim":["Arthur Jacknowitz Faculty Papers"],"unitdate_ssm":["1954-2019"],"unitdate_inclusive_ssm":["1954-2019"],"normalized_date_ssm":["1954/2019"],"normalized_title_ssm":["Arthur Jacknowitz Faculty Papers, 1954/2019"],"text":["Arthur Jacknowitz Faculty Papers, 1954/2019","A\u0026M 4660","Archival Resource Key","/repositories/2/resources/7060","Pharmacy -- History","Pharmacy -- Study and teaching","Pharmacists","Box 2, folder 19, closed for 75 years due to student records.","Dr. Arthur Jacknowitz (1944-2019), a native of Brooklyn, New York, joined the West Virginia University School of Pharmacy in 1974. He was chair of the Department of Clinical Pharmacy for almost 16 years, from 1985-2001. Prior to this, he was director of the University's Drug Information Center. In 1988 his efforts to disseminate drug information to consumers and health professionals won him the University's Heebink Award for Outstanding State Service.","In 2001, to recognize his more than a quarter of a century of teaching, scholarship and service, a former student endowed a Distinguished Chair in his honor - Jacknowitz was named its first occupant.","In 2004, the WVU School of Pharmacy Alumni Association conferred honorary alumnus status on him. That same year, he was named WVU's Most Loyal Faculty Mountaineer.","Jacknowitz was an academic advisor to more than 260 pre-pharmacy and pharmacy honors students. In recognition of these sustained efforts, the WVU Honors College named him Faculty Advisor of 2012, and he was inducted into the WVU Health Sciences Center Academy of Excellence in Teaching and Learning.","Jacknowitz retired after 38 years of service to WVU but remained an engaged member of the University community. At the School of Pharmacy, he continued to mentor students, coordinated its student ambassador program and was a member of the School of Pharmacy Visiting Committee. After serving on the WVU Retiree Association Steering Committee, he then served as the association's founding chair. In retirement, he became a member of the WVU Art Museum's founding class of volunteer docents. The WVU Creative Arts Center Visiting Committee honored him and his wife Linda - awarding them the College's 2019 Alison Deem Distinguished Friends Award.","Jacknowitz authored or coauthored more than 100 scientific and technical articles and abstracts, and as many presentations. He was a monthly columnist for several years for the US Pharmacist, a recipient of the Merck, Sharp and Dohme Award for Outstanding Achievement in the Profession of Pharmacy, and for more than a quarter of a century, he was on the editorial board of the Drug Information Journal. He served two five-year terms as a member of the United States Pharmacopeia USP Convention's Gastroenterology Expert Committee. He is one of only 22 healthcare professionals nationwide to serve on the 2010-2015 Medicare Model Guidelines Expert Panel, where he and his panel of colleagues received the 2011 United States Pharmacopeial Convention (USP) Award for Innovative Response to a Public Health Challenge. At the time of his death, he was serving a seventh three-year term on The National Association of Boards of Pharmacy Licensure Test Review Committee. He is one of only 25 pharmacy practitioners and educators nationwide to achieve this recognition.","Adapted from the following article:","(2019 April 22). \"SoP professor emeritus, loyal WVU supporter, passes away\". School of Pharmacy News.","The creator's original folder titles were preserved while processessing this collection.","This collection contains the personal and professional papers of longtime West Virginia University School of Pharmacy professor Dr. Arthur \"Art\" Jacknowitz. Notable materials include course materials, original drafts, article reprints, lecture notes, and correspondence.","The collection also includes several framed awards and plaques, as well as a variety of scientific journals and trade publications. Highlights include Jacknowitz's diploma from the Philadelphia College of Pharmacy, materials from WVU School of Pharmacy's Continuing Education Program for Pharmacists and memorabilia from Jacknowitz's Chair in Clinical Pharmacy dedication ceremony.","The collection is organized into six series.","Series include:","Series 1. Teaching and Evaluation Papers, 1973-2018 (boxes 1-3): Materials relating to Jacknowitz's teaching career, such as course notes, handouts and overhead slides, faculty activities reports, annual reviews and notices of appointment.","Series 2. Research, Scholarship and Service, 1971-2016 (boxes 4 and 5): Materials relating to Jacknowitz's career advancement such as CVs, pamphlets from professional organizations and symposiums, Jacknowitz's published articles and drafts, and lectures and presentations.","Series 3. Personal Correspondence and Memorabilia, 1954-2019 (boxes 6 and 7): Cards and letters from former students and peers, memorabilia from Jacknowitz's school days, news clippings and photographs.","Series 4. General WVU Papers, 1982-2018 (box 8): Papers relating to Jacknowitz's WVU affiliations outside the School of Pharmacy, including the WVU Retirees Association and the WVU Art Museum.","Series 5. Publications, 1980s-2000s (boxes 8 and 9): Medical and pharmacy related trade magazines and academic journals not authored by Jacknowitz, including Pharmacy Times and U.S. Pharmacist Hospital Edition.","Series 6. Awards, Plaques and Certificates, 1974-2012 (boxes 10 and 11)","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","West Virginia University. School of Pharmacy","Jacknowitz, Linda","Jacknowitz, Arthur I.","English\n."],"collection_title_tesim":["Arthur Jacknowitz Faculty Papers, 1954/2019"],"collection_ssim":["Arthur Jacknowitz Faculty Papers, 1954/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4660","Archival Resource Key","/repositories/2/resources/7060"],"unitid_tesim":["A\u0026M 4660","Archival Resource Key","/repositories/2/resources/7060"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Jacknowitz, Linda","Jacknowitz, Arthur I."],"creator_ssim":["Jacknowitz, Linda","Jacknowitz, Arthur I."],"creator_persname_ssim":["Jacknowitz, Linda","Jacknowitz, Arthur I."],"creator_corpname_ssim":["West Virginia and Regional History Center","West Virginia University. School of Pharmacy"],"creators_ssim":["Jacknowitz, Linda","Jacknowitz, Arthur I.","West Virginia and Regional History Center","West Virginia University. School of Pharmacy"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Linda Jacknowitz, June 10, 2020."],"access_subjects_ssim":["Pharmacy -- History","Pharmacy -- Study and teaching","Pharmacists"],"access_subjects_ssm":["Pharmacy -- History","Pharmacy -- Study and teaching","Pharmacists"],"has_online_content_ssim":["false"],"extent_ssm":["12.75 Linear Feet 12 ft. 9 in. (10 record cartons, 15 in. each); (1 flat storage box, 3 in.)"],"extent_tesim":["12.75 Linear Feet 12 ft. 9 in. (10 record cartons, 15 in. each); (1 flat storage box, 3 in.)"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eBox 2, folder 19, closed for 75 years due to student records.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Box 2, folder 19, closed for 75 years due to student records."],"bioghist_html_tesm":["\u003cp\u003eDr. Arthur Jacknowitz (1944-2019), a native of Brooklyn, New York, joined the West Virginia University School of Pharmacy in 1974. He was chair of the Department of Clinical Pharmacy for almost 16 years, from 1985-2001. Prior to this, he was director of the University's Drug Information Center. In 1988 his efforts to disseminate drug information to consumers and health professionals won him the University's Heebink Award for Outstanding State Service.\u003c/p\u003e","\u003cp\u003eIn 2001, to recognize his more than a quarter of a century of teaching, scholarship and service, a former student endowed a Distinguished Chair in his honor - Jacknowitz was named its first occupant.\u003c/p\u003e","\u003cp\u003eIn 2004, the WVU School of Pharmacy Alumni Association conferred honorary alumnus status on him. That same year, he was named WVU's Most Loyal Faculty Mountaineer. \u003c/p\u003e","\u003cp\u003eJacknowitz was an academic advisor to more than 260 pre-pharmacy and pharmacy honors students. In recognition of these sustained efforts, the WVU Honors College named him Faculty Advisor of 2012, and he was inducted into the WVU Health Sciences Center Academy of Excellence in Teaching and Learning.\u003c/p\u003e","\u003cp\u003eJacknowitz retired after 38 years of service to WVU but remained an engaged member of the University community. At the School of Pharmacy, he continued to mentor students, coordinated its student ambassador program and was a member of the School of Pharmacy Visiting Committee. After serving on the WVU Retiree Association Steering Committee, he then served as the association's founding chair. In retirement, he became a member of the WVU Art Museum's founding class of volunteer docents. The WVU Creative Arts Center Visiting Committee honored him and his wife Linda - awarding them the College's 2019 Alison Deem Distinguished Friends Award.\u003c/p\u003e","\u003cp\u003eJacknowitz authored or coauthored more than 100 scientific and technical articles and abstracts, and as many presentations. He was a monthly columnist for several years for the \u003ctitle\u003eUS Pharmacist,\u003c/title\u003e a recipient of the Merck, Sharp and Dohme Award for Outstanding Achievement in the Profession of Pharmacy, and for more than a quarter of a century, he was on the editorial board of the \u003ctitle\u003eDrug Information Journal.\u003c/title\u003e He served two five-year terms as a member of the United States Pharmacopeia USP Convention's Gastroenterology Expert Committee. He is one of only 22 healthcare professionals nationwide to serve on the 2010-2015 Medicare Model Guidelines Expert Panel, where he and his panel of colleagues received the 2011 United States Pharmacopeial Convention (USP) Award for Innovative Response to a Public Health Challenge. At the time of his death, he was serving a seventh three-year term on The National Association of Boards of Pharmacy Licensure Test Review Committee. He is one of only 25 pharmacy practitioners and educators nationwide to achieve this recognition.\u003c/p\u003e","\u003cp\u003eAdapted from the following article:\u003c/p\u003e","\u003cp\u003e(2019 April 22). \u003ca href=\"https://medicine.hsc.wvu.edu/News/Story?headline=sop-professor-emeritus-loyal-wvu-supporter-passes-away\" target=\"_blank\"\u003e\"SoP professor emeritus, loyal WVU supporter, passes away\"\u003c/a\u003e. School of Pharmacy News.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Arthur Jacknowitz (1944-2019), a native of Brooklyn, New York, joined the West Virginia University School of Pharmacy in 1974. He was chair of the Department of Clinical Pharmacy for almost 16 years, from 1985-2001. Prior to this, he was director of the University's Drug Information Center. In 1988 his efforts to disseminate drug information to consumers and health professionals won him the University's Heebink Award for Outstanding State Service.","In 2001, to recognize his more than a quarter of a century of teaching, scholarship and service, a former student endowed a Distinguished Chair in his honor - Jacknowitz was named its first occupant.","In 2004, the WVU School of Pharmacy Alumni Association conferred honorary alumnus status on him. That same year, he was named WVU's Most Loyal Faculty Mountaineer.","Jacknowitz was an academic advisor to more than 260 pre-pharmacy and pharmacy honors students. In recognition of these sustained efforts, the WVU Honors College named him Faculty Advisor of 2012, and he was inducted into the WVU Health Sciences Center Academy of Excellence in Teaching and Learning.","Jacknowitz retired after 38 years of service to WVU but remained an engaged member of the University community. At the School of Pharmacy, he continued to mentor students, coordinated its student ambassador program and was a member of the School of Pharmacy Visiting Committee. After serving on the WVU Retiree Association Steering Committee, he then served as the association's founding chair. In retirement, he became a member of the WVU Art Museum's founding class of volunteer docents. The WVU Creative Arts Center Visiting Committee honored him and his wife Linda - awarding them the College's 2019 Alison Deem Distinguished Friends Award.","Jacknowitz authored or coauthored more than 100 scientific and technical articles and abstracts, and as many presentations. He was a monthly columnist for several years for the US Pharmacist, a recipient of the Merck, Sharp and Dohme Award for Outstanding Achievement in the Profession of Pharmacy, and for more than a quarter of a century, he was on the editorial board of the Drug Information Journal. He served two five-year terms as a member of the United States Pharmacopeia USP Convention's Gastroenterology Expert Committee. He is one of only 22 healthcare professionals nationwide to serve on the 2010-2015 Medicare Model Guidelines Expert Panel, where he and his panel of colleagues received the 2011 United States Pharmacopeial Convention (USP) Award for Innovative Response to a Public Health Challenge. At the time of his death, he was serving a seventh three-year term on The National Association of Boards of Pharmacy Licensure Test Review Committee. He is one of only 25 pharmacy practitioners and educators nationwide to achieve this recognition.","Adapted from the following article:","(2019 April 22). \"SoP professor emeritus, loyal WVU supporter, passes away\". School of Pharmacy News."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Arthur Jacknowitz Faculty Papers, A\u0026amp;M 4660, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Arthur Jacknowitz Faculty Papers, A\u0026M 4660, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe creator's original folder titles were preserved while processessing this collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The creator's original folder titles were preserved while processessing this collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the personal and professional papers of longtime West Virginia University School of Pharmacy professor Dr. Arthur \"Art\" Jacknowitz. Notable materials include course materials, original drafts, article reprints, lecture notes, and correspondence. \u003c/p\u003e","\u003cp\u003eThe collection also includes several framed awards and plaques, as well as a variety of scientific journals and trade publications. Highlights include Jacknowitz's diploma from the Philadelphia College of Pharmacy, materials from WVU School of Pharmacy's Continuing Education Program for Pharmacists and memorabilia from Jacknowitz's Chair in Clinical Pharmacy dedication ceremony.\u003c/p\u003e","\u003cp\u003eThe collection is organized into six series.\u003c/p\u003e","\u003cp\u003eSeries include:\u003c/p\u003e","\u003cp\u003eSeries 1. Teaching and Evaluation Papers, 1973-2018 (boxes 1-3): Materials relating to Jacknowitz's teaching career, such as course notes, handouts and overhead slides, faculty activities reports, annual reviews and notices of appointment.\u003c/p\u003e","\u003cp\u003eSeries 2. Research, Scholarship and Service, 1971-2016 (boxes 4 and 5): Materials relating to Jacknowitz's career advancement such as CVs, pamphlets from professional organizations and symposiums, Jacknowitz's published articles and drafts, and lectures and presentations. \u003c/p\u003e","\u003cp\u003eSeries 3. Personal Correspondence and Memorabilia, 1954-2019 (boxes 6 and 7): Cards and letters from former students and peers, memorabilia from Jacknowitz's school days, news clippings and photographs.\u003c/p\u003e","\u003cp\u003eSeries 4. General WVU Papers, 1982-2018 (box 8): Papers relating to Jacknowitz's WVU affiliations outside the School of Pharmacy, including the WVU Retirees Association and the WVU Art Museum.\u003c/p\u003e","\u003cp\u003eSeries 5. Publications, 1980s-2000s (boxes 8 and 9): Medical and pharmacy related trade magazines and academic journals not authored by Jacknowitz, including \u003ctitle\u003ePharmacy Times\u003c/title\u003e and \u003ctitle\u003eU.S. Pharmacist Hospital Edition\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eSeries 6. Awards, Plaques and Certificates, 1974-2012 (boxes 10 and 11)\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the personal and professional papers of longtime West Virginia University School of Pharmacy professor Dr. Arthur \"Art\" Jacknowitz. Notable materials include course materials, original drafts, article reprints, lecture notes, and correspondence.","The collection also includes several framed awards and plaques, as well as a variety of scientific journals and trade publications. Highlights include Jacknowitz's diploma from the Philadelphia College of Pharmacy, materials from WVU School of Pharmacy's Continuing Education Program for Pharmacists and memorabilia from Jacknowitz's Chair in Clinical Pharmacy dedication ceremony.","The collection is organized into six series.","Series include:","Series 1. Teaching and Evaluation Papers, 1973-2018 (boxes 1-3): Materials relating to Jacknowitz's teaching career, such as course notes, handouts and overhead slides, faculty activities reports, annual reviews and notices of appointment.","Series 2. Research, Scholarship and Service, 1971-2016 (boxes 4 and 5): Materials relating to Jacknowitz's career advancement such as CVs, pamphlets from professional organizations and symposiums, Jacknowitz's published articles and drafts, and lectures and presentations.","Series 3. Personal Correspondence and Memorabilia, 1954-2019 (boxes 6 and 7): Cards and letters from former students and peers, memorabilia from Jacknowitz's school days, news clippings and photographs.","Series 4. General WVU Papers, 1982-2018 (box 8): Papers relating to Jacknowitz's WVU affiliations outside the School of Pharmacy, including the WVU Retirees Association and the WVU Art Museum.","Series 5. Publications, 1980s-2000s (boxes 8 and 9): Medical and pharmacy related trade magazines and academic journals not authored by Jacknowitz, including Pharmacy Times and U.S. Pharmacist Hospital Edition.","Series 6. Awards, Plaques and Certificates, 1974-2012 (boxes 10 and 11)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b06ecd2c502fe6d9e994dd6cc4077a88\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. School of Pharmacy"],"names_coll_ssim":["West Virginia University. School of Pharmacy","Jacknowitz, Linda"],"persname_ssim":["Jacknowitz, Linda","Jacknowitz, Arthur I."],"names_ssim":["West Virginia and Regional History Center","West Virginia University. 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Article from newspaper Richmond Times-Dispatch"],"parent_unittitles_ssm":["Methodist Files, 1784/2024","People and Subjects"],"parent_unittitles_tesim":["Methodist Files, 1784/2024","People and Subjects"],"normalized_date_ssm":["2018"],"unitdate_other_ssim":["2018-11-10"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":223,"repository_ssim":["Randolph-Macon College"],"collection_ssim":["Methodist Files, 1784/2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections"],"access_subjects_ssim":["Newspaper Article","Doug Childers","Richmond Times-Dispatch"],"access_subjects_ssm":["Newspaper Article","Doug Childers","Richmond Times-Dispatch"],"date_range_isim":[2018],"scopecontent_html_tesm":["\u003cp\u003eOriginal. 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These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. \u003c/p\u003e","\u003cp\u003eFor users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. \u003c/p\u003e  ","\u003cp\u003eInquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu\u003c/p\u003e  "],"odd_heading_ssm":["Content Disclaimer","Contact Information"],"odd_tesim":["Some images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency.","For users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials.","Inquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu"],"prefercite_html_tesm":["\u003cp\u003e[item identification] Collection Name, Flavia Reed Owen Special Collections and Archives, McGraw-Page Library, Randolph-Macon College, Ashland, VA\u003c/p\u003e  "],"prefercite_tesim":["[item identification] Collection Name, Flavia Reed Owen Special Collections and Archives, McGraw-Page Library, Randolph-Macon College, Ashland, VA"],"corpname_ssim":["Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College"],"names_ssim":["Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College"],"language_ssim":["English\n."],"total_component_count_is":306,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:29:03.904Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viasr_repositories_2_resources_9_c01_c222"}},{"id":"wvmturhc_repositories_2_resources_2161_c02_c02","type":"Sub-Series","attributes":{"title":"Articles, 1948/2018","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2161_c02_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis subseries includes newspaper clippings and articles. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"scopecontent_html_tesm":["\u003cp\u003eThis subseries includes newspaper clippings and articles. The newspaper clippings are mostly articles written by Henry for the South Charleston Free Press, of which he was editor. 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Henry Papers, 1890/2025","A\u0026M 3720","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2161","Charleston (W. Va.)","Winter Olympics","Olympics","Railroads -- West Virginia","Sports journalism","No special access restriction applies.","Researchers may access born digital and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","From the Biographical Note in the Rene A. Henry Papers, College of William and Mary Special Collections (link in External Documents):","Rene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.","He was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.","Rene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to 1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001.","Henry has been a member of the Academy of Motion Picture Arts \u0026 Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.","Additional information on Rene Henry may be found on his website (link in External Documents).","Historical material compiled by Rene A. Henry, documenting the history of South Charleston, West Virginia; Henry's family; the West Virginia University football team; and his career in public relations and sports marketing. An addendum of 2013-10-29 includes biographical material, correspondence, articles, clippings, scripts, photographs, and motion pictures pertaining to Henry, his work in sports journalism, and the WVU Mountaineers. An addendum of 2017-09-30 contains numbered prints of artworks (1970-1975). 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Addendum of 2021/07/31, Olympic Games Scrapbooks, Memorabilia, and Other Material\nAddendum of 2024/04/04, Photocopies of Articles, Pitch Packet, and Other Material, circa 1980s-2024 and undated\nAddendum of 2024-2025, Correspondence, Writings, Family Papers, and Other Material, circa 1930s-2020s and undated\nAddendum of 2025 July 2, Assorted Correspondence and Photocopies of Articles, circa 1950s-2020s and undated","Books authored by Rene A. Henry separated to the book collection:\nCommunicating In A Crisis: A Guide For Management; 2008\nCustomer Service: The Cornerstone of Success; 2013\nMarketing Public Relations; 1995\nOffsides; 2001\nThe Iron Indians; 2011\nYou'd Better Have A Hose If You Want To Put Out The Fire; 2000","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Historical material compiled by Rene A. Henry, documenting the history of South Charleston, WV; Henry's family; the West Virginia University football team; and his career in public relations and sports marketing.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Federal Writers' Project","West Virginia Mountaineers (Football team)","Henry, Rene A.","English\n."],"collection_title_tesim":["Rene A. Henry Papers, 1890/2025"],"collection_ssim":["Rene A. 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Henry Papers, College of William and Mary Special Collections (link in External Documents):\u003c/p\u003e","\u003cp\u003eRene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.\u003c/p\u003e","\u003cp\u003eHe was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.\u003c/p\u003e","\u003cp\u003eRene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to 1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001.\u003c/p\u003e","\u003cp\u003eHenry has been a member of the Academy of Motion Picture Arts \u0026amp; Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.\u003c/p\u003e","\u003cp\u003eAdditional information on Rene Henry may be found on his website (link in External Documents).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["From the Biographical Note in the Rene A. Henry Papers, College of William and Mary Special Collections (link in External Documents):","Rene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.","He was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.","Rene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to 1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001.","Henry has been a member of the Academy of Motion Picture Arts \u0026 Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.","Additional information on Rene Henry may be found on his website (link in External Documents)."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Rene A. Henry Papers, A\u0026amp;M 3720, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Rene A. Henry Papers, A\u0026M 3720, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eHistorical material compiled by Rene A. Henry, documenting the history of South Charleston, West Virginia; Henry's family; the West Virginia University football team; and his career in public relations and sports marketing. An addendum of 2013-10-29 includes biographical material, correspondence, articles, clippings, scripts, photographs, and motion pictures pertaining to Henry, his work in sports journalism, and the WVU Mountaineers. An addendum of 2017-09-30 contains numbered prints of artworks (1970-1975). An addendum of 2018/01/19 contains photographs, publications, and other material (1910–2017). An addendum of 2021/07/31 includes scrapbooks and memorabilia from the Olympic Games and other athletic events as well as other material (1939-2005).\u003c/p\u003e","\u003cp\u003eSeries include:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Initial Acquisition, 1950, 2013, and undated\u003clb\u003e\u003c/lb\u003e\nSeries 2. Addendum of 2013/10/29, Writings, Photographs, and Motion Pictures, 1919-2018 and undated\u003clb\u003e\u003c/lb\u003e\nSeries 3. Addendum of 2017/04/18, Postcards and Collectibles, 1910–2016\u003clb\u003e\u003c/lb\u003e\nSeries 4. Addendum of 2017/09/30, Artworks, 1970-1975, and undated\u003clb\u003e\u003c/lb\u003e\nSeries 5. Addendum of 2018/01/19, Photographs, Publications, and Other Material, 1910–2017\u003clb\u003e\u003c/lb\u003e\nSeries 6. Addendum of 2021/07/31, Olympic Games Scrapbooks, Memorabilia, and Other Material\u003clb\u003e\u003c/lb\u003e\nAddendum of 2024/04/04, Photocopies of Articles, Pitch Packet, and Other Material, circa 1980s-2024 and undated\u003clb\u003e\u003c/lb\u003e\nAddendum of 2024-2025, Correspondence, Writings, Family Papers, and Other Material, circa 1930s-2020s and undated\u003clb\u003e\u003c/lb\u003e\nAddendum of 2025 July 2, Assorted Correspondence and Photocopies of Articles, circa 1950s-2020s and undated\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Historical material compiled by Rene A. Henry, documenting the history of South Charleston, West Virginia; Henry's family; the West Virginia University football team; and his career in public relations and sports marketing. An addendum of 2013-10-29 includes biographical material, correspondence, articles, clippings, scripts, photographs, and motion pictures pertaining to Henry, his work in sports journalism, and the WVU Mountaineers. An addendum of 2017-09-30 contains numbered prints of artworks (1970-1975). An addendum of 2018/01/19 contains photographs, publications, and other material (1910–2017). An addendum of 2021/07/31 includes scrapbooks and memorabilia from the Olympic Games and other athletic events as well as other material (1939-2005).","Series include:\nSeries 1. Initial Acquisition, 1950, 2013, and undated\nSeries 2. Addendum of 2013/10/29, Writings, Photographs, and Motion Pictures, 1919-2018 and undated\nSeries 3. Addendum of 2017/04/18, Postcards and Collectibles, 1910–2016\nSeries 4. Addendum of 2017/09/30, Artworks, 1970-1975, and undated\nSeries 5. Addendum of 2018/01/19, Photographs, Publications, and Other Material, 1910–2017\nSeries 6. Addendum of 2021/07/31, Olympic Games Scrapbooks, Memorabilia, and Other Material\nAddendum of 2024/04/04, Photocopies of Articles, Pitch Packet, and Other Material, circa 1980s-2024 and undated\nAddendum of 2024-2025, Correspondence, Writings, Family Papers, and Other Material, circa 1930s-2020s and undated\nAddendum of 2025 July 2, Assorted Correspondence and Photocopies of Articles, circa 1950s-2020s and undated"],"separatedmaterial_html_tesm":["\u003cp\u003eBooks authored by Rene A. Henry separated to the book collection:\u003clb\u003e\u003c/lb\u003e\nCommunicating In A Crisis: A Guide For Management; 2008\u003clb\u003e\u003c/lb\u003e\nCustomer Service: The Cornerstone of Success; 2013\u003clb\u003e\u003c/lb\u003e\nMarketing Public Relations; 1995\u003clb\u003e\u003c/lb\u003e\nOffsides; 2001\u003clb\u003e\u003c/lb\u003e\nThe Iron Indians; 2011\u003clb\u003e\u003c/lb\u003e\nYou'd Better Have A Hose If You Want To Put Out The Fire; 2000\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books authored by Rene A. Henry separated to the book collection:\nCommunicating In A Crisis: A Guide For Management; 2008\nCustomer Service: The Cornerstone of Success; 2013\nMarketing Public Relations; 1995\nOffsides; 2001\nThe Iron Indians; 2011\nYou'd Better Have A Hose If You Want To Put Out The Fire; 2000"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2e3ce379534c1e734c27ba03db54666a\"\u003eHistorical material compiled by Rene A. Henry, documenting the history of South Charleston, WV; Henry's family; the West Virginia University football team; and his career in public relations and sports marketing.\u003c/abstract\u003e\n    "],"abstract_tesim":["Historical material compiled by Rene A. Henry, documenting the history of South Charleston, WV; Henry's family; the West Virginia University football team; and his career in public relations and sports marketing."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e571a1e292610aae3dd80994f62b6149\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Federal Writers' Project","West Virginia Mountaineers (Football team)"],"names_coll_ssim":["Federal Writers' Project","West Virginia Mountaineers (Football team)","Henry, Rene A.","Henry, Rene A."],"persname_ssim":["Henry, Rene A."],"names_ssim":["West Virginia and Regional History Center","Federal Writers' Project","West Virginia Mountaineers (Football team)","Henry, Rene A."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:08:12.086Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2161_c02_c02"}},{"id":"virmu_repositories_2_resources_6_c05_c03_c15","type":"File","attributes":{"title":"Articles and Exhibitions, 1944/2019","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c05_c03_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c05_c03_c15","ref_ssm":["virmu_repositories_2_resources_6_c05_c03_c15"],"id":"virmu_repositories_2_resources_6_c05_c03_c15","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c05_c03","parent_ssi":"virmu_repositories_2_resources_6_c05_c03","parent_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020","Sub-Series 6.3: Magazines, 1944/2020"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c05","virmu_repositories_2_resources_6_c05_c03"],"title_filing_ssi":"Articles and Exhibitions","title_ssm":["Articles and Exhibitions"],"title_tesim":["Articles and Exhibitions"],"normalized_title_ssm":["Articles and Exhibitions, 1944/2019"],"text":["Articles and Exhibitions, 1944/2019","Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020","Sub-Series 6.3: Magazines, 1944/2020","box VA-02 Box 38","folder VA02.06.3.013"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020","Sub-Series 6.3: Magazines, 1944/2020"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020","Sub-Series 6.3: Magazines, 1944/2020"],"normalized_date_ssm":["1944/2019"],"unitdate_inclusive_ssm":["1944-2019"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":693,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"containers_ssim":["box VA-02 Box 38","folder VA02.06.3.013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"_nest_path_":"/components#4/components#2/components#14","timestamp":"2026-08-14T22:42:01.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"normalized_date_ssm":["1944/2021"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"text":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","VA-02","/repositories/2/resources/6","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website.","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wright, Willie Anne","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wright, Willie Anne"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c05_c03_c15"}},{"id":"virmu_repositories_2_resources_6_c05_c03_c14","type":"File","attributes":{"title":"Articles and Exhibitions, 1967/2019","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c05_c03_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c05_c03_c14","ref_ssm":["virmu_repositories_2_resources_6_c05_c03_c14"],"id":"virmu_repositories_2_resources_6_c05_c03_c14","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c05_c03","parent_ssi":"virmu_repositories_2_resources_6_c05_c03","parent_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020","Sub-Series 6.3: Magazines, 1944/2020"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c05","virmu_repositories_2_resources_6_c05_c03"],"title_filing_ssi":"Articles and Exhibitions","title_ssm":["Articles and Exhibitions"],"title_tesim":["Articles and Exhibitions"],"normalized_title_ssm":["Articles and Exhibitions, 1967/2019"],"text":["Articles and Exhibitions, 1967/2019","Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020","Sub-Series 6.3: Magazines, 1944/2020","box VA-02 Box 38","folder VA02.06.3.012"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020","Sub-Series 6.3: Magazines, 1944/2020"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020","Sub-Series 6.3: Magazines, 1944/2020"],"normalized_date_ssm":["1967/2019"],"unitdate_inclusive_ssm":["1967-2019"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":692,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"containers_ssim":["box VA-02 Box 38","folder VA02.06.3.012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"_nest_path_":"/components#4/components#2/components#13","timestamp":"2026-08-14T22:42:01.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"normalized_date_ssm":["1944/2021"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"text":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","VA-02","/repositories/2/resources/6","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website.","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wright, Willie Anne","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wright, Willie Anne"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c05_c03_c14"}},{"id":"virmu_repositories_2_resources_15986_c06_c01","type":"File","attributes":{"title":"Articles and Interviews, 1974/2023","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_15986_c06_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_15986_c06_c01","ref_ssm":["virmu_repositories_2_resources_15986_c06_c01"],"id":"virmu_repositories_2_resources_15986_c06_c01","ead_ssi":"virmu_repositories_2_resources_15986","_root_":"virmu_repositories_2_resources_15986","_nest_parent_":"virmu_repositories_2_resources_15986_c06","parent_ssi":"virmu_repositories_2_resources_15986_c06","parent_ssim":["Marsha Polier Artist Archives (VA-13), 1968/2023","Series 6: Publications, 1974/2023"],"parent_ids_ssim":["virmu_repositories_2_resources_15986","virmu_repositories_2_resources_15986_c06"],"title_filing_ssi":"Articles and Interviews","title_ssm":["Articles and Interviews"],"title_tesim":["Articles and Interviews"],"normalized_title_ssm":["Articles and Interviews, 1974/2023"],"text":["Articles and Interviews, 1974/2023","Marsha Polier Artist Archives (VA-13), 1968/2023","Series 6: Publications, 1974/2023","box VA-13 Box 1","folder VA13.06.0.001"],"parent_unittitles_ssm":["Marsha Polier Artist Archives (VA-13), 1968/2023","Series 6: Publications, 1974/2023"],"parent_unittitles_tesim":["Marsha Polier Artist Archives (VA-13), 1968/2023","Series 6: Publications, 1974/2023"],"normalized_date_ssm":["1974/2023"],"unitdate_inclusive_ssm":["1974-2023"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":21,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Marsha Polier Artist Archives (VA-13), 1968/2023"],"containers_ssim":["box VA-13 Box 1","folder VA13.06.0.001"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Open for Research: The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"_nest_path_":"/components#5/components#0","timestamp":"2026-08-14T22:40:21.394Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_15986","ead_ssi":"virmu_repositories_2_resources_15986","_root_":"virmu_repositories_2_resources_15986","_nest_parent_":"virmu_repositories_2_resources_15986","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_15986.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/15986","title_filing_ssi":"Polier, Marsha (VA-13)","title_ssm":["Marsha Polier Artist Archives (VA-13)"],"title_tesim":["Marsha Polier Artist Archives (VA-13)"],"unitdate_ssm":["1968-2023"],"unitdate_inclusive_ssm":["1968-2023"],"normalized_date_ssm":["1968/2023"],"normalized_title_ssm":["Marsha Polier Artist Archives (VA-13), 1968/2023"],"text":["Marsha Polier Artist Archives (VA-13), 1968/2023","VA-13","/repositories/2/resources/15986","Women artists.","Artists -- Virginia","Photography, Artistic","Open for Research: The collection is open for research.","The collection is organized into 6 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","In 1972 Marsha Polier Grossman graduated from VCU with a BFA from the Department of Communication Arts and Design. Thus, well prepared as a graphic designer, she has put her education to use as an illustrator for the Division of State Planning and Community Affairs, as an assistant art director for an advertising agency, as an instructor of photography at the Virginia Museum of Fine Arts, as a freelance photographer, and as a part-time graphic designer for Philip Morris U.S.A.","Early in the 1970s she simply started dabbling with watercolors on her own photographs, and was so pleased with the results that she began to explore the procedure in earnest. The diversity of the medium intrigues Marsha, and she feels that she has only begun to tap its potential. Sometimes she experiments with oils, pastels, or crayons, but watercolor remains her favorite medium because of its translucent quality and the control that she can maintain with brushes.","Marsha has distinguished herself in the fine art of hand colored photography. Her work has been published both nationally and internationally.","Source: \"VCU School of the Arts, Alumni Edition 1\"","The collection was donated to the VMFA Archives by Marsha Polier in October 2023.","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","The collection consists of correspondence, ephemera, newspapers, and postcards that document Grossman's life and career.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Born in 1949, Marsha Polier Grossman has held a long career acting in various artistic roles, such as graphic designer, photographer, and instructor, to name a few. In the 1970s and 1980s, Grossman frequently exhibited at the Virginia Museum of Fine Arts, alongside other prominent Virginia photographers. 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Items with no date are generally placed at the end at each series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 6 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series."],"bioghist_html_tesm":["\u003cp\u003eIn 1972 Marsha Polier Grossman graduated from VCU with a BFA from the Department of Communication Arts and Design. 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Gift of Marsha Polier. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of correspondence, ephemera, newspapers, and postcards that document Grossman's life and career.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of correspondence, ephemera, newspapers, and postcards that document Grossman's life and career."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c40a73731030f0bccd99894fe4221b9d\"\u003eBorn in 1949, Marsha Polier Grossman has held a long career acting in various artistic roles, such as graphic designer, photographer, and instructor, to name a few. In the 1970s and 1980s, Grossman frequently exhibited at the Virginia Museum of Fine Arts, alongside other prominent Virginia photographers. Her collection includes examples of her artwork, correspondence with other artists, and information on exhibitions in which she was a participant.\u003c/abstract\u003e\n    "],"abstract_tesim":["Born in 1949, Marsha Polier Grossman has held a long career acting in various artistic roles, such as graphic designer, photographer, and instructor, to name a few. 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