{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2018\u0026facet.page=2\u0026page=17","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2018\u0026facet.page=2\u0026page=16","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2018\u0026facet.page=2\u0026page=18","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2018\u0026facet.page=2\u0026page=331"},"meta":{"pages":{"current_page":17,"next_page":18,"prev_page":16,"total_pages":331,"limit_value":10,"offset_value":160,"total_count":3305,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_6226","type":"collection","attributes":{"title":"Ancella Bickley, Historian, Research Papers regarding African-Americans, 1775/2018, bulk 1970/2011","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6226#creator","type":"document_value","attributes":{"value":"Bickley, Ancella R.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6226#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection documents the research, public service, and life of Ancella Bickley, writer, educator, speaker, and historian. Includes writings, research materials, and more, focusing on the history of African Americans in West Virginia and the black experience in West Virginia. Collected research materials are predominantly facsimiles. Printed formats include correspondence, clippings, interview transcripts, typescript writings, publications, pamphlets, ephemera, speeches, articles, military records, and more. Other formats include photographs, slides, and audiocassettes. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6226#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_6226","ead_ssi":"wvmturhc_repositories_2_resources_6226","_root_":"wvmturhc_repositories_2_resources_6226","_nest_parent_":"wvmturhc_repositories_2_resources_6226","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6226.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/209044","title_ssm":["Ancella Bickley, Historian, Research Papers regarding African-Americans"],"title_tesim":["Ancella Bickley, Historian, Research Papers regarding African-Americans"],"unitdate_ssm":["1775-2018 (Includes facsimiles)","1970-2011"],"unitdate_inclusive_ssm":["1775-2018 (Includes facsimiles)"],"unitdate_bulk_ssim":["1970-2011"],"normalized_date_ssm":["1775/2018, bulk 1970/2011"],"normalized_title_ssm":["Ancella Bickley, Historian, Research Papers regarding African-Americans, 1775/2018, bulk 1970/2011"],"text":["Ancella Bickley, Historian, Research Papers regarding African-Americans, 1775/2018, bulk 1970/2011","A\u0026M 4208","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6226","African American women","Slavery -- West Virginia","Education -- West Virginia","African Americans -- Segregation -- West Virginia","School integration -- West Virginia","Underground Railroad -- West Virginia","Underground Railroad -- Ohio","African American Churches -- West Virginia","African American teachers -- West Virginia","African Americans  -- Education -- West Virginia","African Americans -- Genealogy","West Virginia Feminist Activist and Women's History Collection","Requires signed form for box 1, folders 8, 16, and 17, since special access restriction applies due to PII.","Dr. Ancella Radford Bickley, author, historian, and educator, grew up in segregated Huntington, West Virginia, where she was born in 1930.  She graduated from Douglass High School in 1947 and went on to attend West Virginia State College, graduating magna cum laude in 1950 with a degree in English.  She was the first full time black student at Marshall University and received her master's degree in English in 1954.  She received her Ed.D. in English from West Virginia University in 1974.  Dr. Bickley was a teacher at all educational levels and was Vice-President for Academic Affairs at West Virginia State College where she retired in 1986.  She continued to research, write, and speak from her retirement home in Florida where she lived with her husband Nelson.  Some of her accolades include the Mountain State Bar Association's Distinguished Citizen Award, 1978; the National Education Association's The Carter G. Woodson Memorial Award, 1980; West Virginia Woman of the Year, 1984; the West Virginia State College Alumnus of the Year, 1988; and was a Rockefeller Foundation Scholar at Marshall University in 1999.","Dr. Bickley was a prolific speaker and in addtion to the speeches, she authored many stories, plays, and articles.  In 1997, she published Our Mount Vernons to identify sites significant to West Virginia black history.","With Lynda Ann Ewen, she co-edited Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman, published by Ohio University Press. She has written stories and articles for publications including West Virginia cultural magazine, Goldenseal. She wrote a history of the West Virginia Schools for the Colored Deaf and Blind.","Bickley, Ancella Collection. Materials relating to African-American history including annual West Virginia Conferences on Black History, 1908-1996. 3 boxes. Ms2003-182, at the West Virginia State Archives.","Marshall University Oral History Collection, Accession Number 1973/01.0064, also includes the oral history transcripts in this collection's addendum of 2017/02/09.","This collection documents the research, public service, and life of Ancella Bickley, writer, educator, speaker, and historian. Includes writings, research materials, and more, focusing on the history of African Americans in West Virginia and the black experience in West Virginia. Collected research materials are predominantly facsimiles.  Printed formats include correspondence, clippings, interview transcripts, typescript writings, publications, pamphlets, ephemera, speeches, articles, military records, and more.  Other formats include photographs, slides, and audiocassettes.","Subjects include Dr. Bickley's writings, which include plays, speeches, and short stories as well as her historical books, articles and other publications; collected materials from Dr. Bickley's historical research on the history of African Americans in West Virginia; and personal papers. Her research materials include papers grouped sometimes by county, sometimes by individual, sometimes by subject. Subjects of her research include slavery, education, churches, biography and genealogy, literature, and more.  Specific subjects include the Underground Railroad, James McHenry Jones, genealogy, Carter G. Woodson, Mollie Gabe, West Virginia Colored Institute/West Virginia State College, John W. Davis, black high schools, school integration, and more. Counties and their cities with specific focus include Cabell, Kanawha, and Jefferson.  Some documents treating slavery and the Underground Railroad include Ohio from which Cabell County blacks, including Bickley's ancestors, migrated.","Colleagues with whom she corresponded include Judith Stitzel, Nelson Barnett, Maureen Crockett (with whom she co-wrote at least one play), and many more. Of significance is correspondence between Carter G. Woodson and his sister, Bessie Woodson Yancey; and letters and a signed photo from Alex Haley.","Writings, research background, and drafts of Dr. Bickley's works found within the collection include: Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman, \"Midwifery in West Virginia\" (1990), Honoring our Past: Proceedings of the First Two Conferences on West Virginia's Black History, History of the West Virginia State Teachers' Association (1979), In Spite of Obstacles: a History of the West Virginia Schools for the Colored Deaf and Blind, 1926-1955, Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia, a short story collection \"Turn Left at the Desert,\" ... to be black in Fayette, and plays: Two Saint Say, Mother Love, Tangled Threads (with Maureen Crockett), Wade in the Water, and seven Goldenseal articles. \nGrant applications and other documents pertaining to her work with the Humanities Council of West Virginia are included in the collection. Other documents describe her work with the Kanawha County Board of Education, EcoTheater, Berea College's Black Mountain Youth Leadership program, and various professional organizations.   \nPersonal papers include material about her husband Nelson R. Bickley and his military career, diplomas, transcripts, photographs of a party she held, and more.","Addendum of 2017/02/09 (boxes 11 and 12) includes papers of Dr. Ancella R. Bickley, with a few papers of her daughter Ancella Livers. Formats include interview transcripts, correspondence, clippings, typescript writings, publications, cassettes, and more. Most of these materials are transcripts of oral histories pertaining to a collaborative project undertaken by Dr. Bickley and Dr. Rita Wicks-Nelson about black teachers and their memories of school integration in West Virginia in affiliation with the Center for the Study of Ethnicity and Gender in Appalachia at Marshall University.","Abbreviations used in the Contents List:\nAB - Ancella Bickley\nWVSC - West Virginia State College\nNB - Nelson Bickley\nMTG - Memphis Tennessee Garrison\nJMJ - J. McHenry Jones\nNEA - National Education Association\nNCTE - National Council of Teachers of English\nMo So Lit Club - Matrons and Maids Social and Literary Club, McDowell County, WV\nUGRR - Underground Railroad\nMU - Marshall University\nWVU - West Virginia University\nCGW - Carter G. Woodson\nRW-N  - Rita Wicks-Nelson","Items not held in the WVRHC collection which were sent to the Rare Books Curator:\n\n1969/70 edition of \"The Black Student at WVU\" \nBulletin of West Virginia State College, Series 21, no. 1, June 1933. \"Why Choose West Virginia State College\"\nBickley, A. R., Carter, G. W. M. F. I., \u0026 Marshall University, H. W. V. D. A. (1997). Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia. [Huntington, WV] : [Carter G. Woodson Memorial Foundation of Huntington and the Drinko Academy at Marshall University].\nBooklet, \"History of African-American Miners in Appalachian Coal Fields: Black History Month, February, 2000\"","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","West Virginia State College (Institute, W. Va.)","Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958","English"],"collection_title_tesim":["Ancella Bickley, Historian, Research Papers regarding African-Americans, 1775/2018, bulk 1970/2011"],"collection_ssim":["Ancella Bickley, Historian, Research Papers regarding African-Americans, 1775/2018, bulk 1970/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4208","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6226"],"unitid_tesim":["A\u0026M 4208","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6226"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-"],"creator_ssim":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-"],"creator_persname_ssim":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958"],"creator_corpname_ssim":["West Virginia and Regional History Center","West Virginia State College (Institute, W. Va.)"],"creators_ssim":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958","West Virginia and Regional History Center","West Virginia State College (Institute, W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["African American women","Slavery -- West Virginia","Education -- West Virginia","African Americans -- Segregation -- West Virginia","School integration -- West Virginia","Underground Railroad -- West Virginia","Underground Railroad -- Ohio","African American Churches -- West Virginia","African American teachers -- West Virginia","African Americans  -- Education -- West Virginia","African Americans -- Genealogy","West Virginia Feminist Activist and Women's History Collection"],"access_subjects_ssm":["African American women","Slavery -- West Virginia","Education -- West Virginia","African Americans -- Segregation -- West Virginia","School integration -- West Virginia","Underground Railroad -- West Virginia","Underground Railroad -- Ohio","African American Churches -- West Virginia","African American teachers -- West Virginia","African Americans  -- Education -- West Virginia","African Americans -- Genealogy","West Virginia Feminist Activist and Women's History Collection"],"has_online_content_ssim":["false"],"extent_ssm":["13.1 Linear Feet 13 ft. 1/2 in. (9 record cartons, 15 in. each); (3 document cases, 5 in. each); (2 document cases, 2 1/2 in. each); (1 flat storage box, 1 1/2 in.)"],"extent_tesim":["13.1 Linear Feet 13 ft. 1/2 in. 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She graduated from Douglass High School in 1947 and went on to attend West Virginia State College, graduating magna cum laude in 1950 with a degree in English.  She was the first full time black student at Marshall University and received her master's degree in English in 1954.  She received her Ed.D. in English from West Virginia University in 1974.  Dr. Bickley was a teacher at all educational levels and was Vice-President for Academic Affairs at West Virginia State College where she retired in 1986.  She continued to research, write, and speak from her retirement home in Florida where she lived with her husband Nelson.  Some of her accolades include the Mountain State Bar Association's Distinguished Citizen Award, 1978; the National Education Association's The Carter G. Woodson Memorial Award, 1980; West Virginia Woman of the Year, 1984; the West Virginia State College Alumnus of the Year, 1988; and was a Rockefeller Foundation Scholar at Marshall University in 1999.\u003c/p\u003e","\u003cp\u003eDr. Bickley was a prolific speaker and in addtion to the speeches, she authored many stories, plays, and articles.  In 1997, she published \u003ctitle\u003eOur Mount Vernons\u003c/title\u003e to identify sites significant to West Virginia black history.\u003c/p\u003e","\u003cp\u003eWith Lynda Ann Ewen, she co-edited \u003ctitle\u003eMemphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman\u003c/title\u003e, published by Ohio University Press. She has written stories and articles for publications including West Virginia cultural magazine, \u003ctitle\u003eGoldenseal\u003c/title\u003e. She wrote a history of the West Virginia Schools for the Colored Deaf and Blind.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Dr. Ancella Radford Bickley, author, historian, and educator, grew up in segregated Huntington, West Virginia, where she was born in 1930.  She graduated from Douglass High School in 1947 and went on to attend West Virginia State College, graduating magna cum laude in 1950 with a degree in English.  She was the first full time black student at Marshall University and received her master's degree in English in 1954.  She received her Ed.D. in English from West Virginia University in 1974.  Dr. Bickley was a teacher at all educational levels and was Vice-President for Academic Affairs at West Virginia State College where she retired in 1986.  She continued to research, write, and speak from her retirement home in Florida where she lived with her husband Nelson.  Some of her accolades include the Mountain State Bar Association's Distinguished Citizen Award, 1978; the National Education Association's The Carter G. Woodson Memorial Award, 1980; West Virginia Woman of the Year, 1984; the West Virginia State College Alumnus of the Year, 1988; and was a Rockefeller Foundation Scholar at Marshall University in 1999.","Dr. Bickley was a prolific speaker and in addtion to the speeches, she authored many stories, plays, and articles.  In 1997, she published Our Mount Vernons to identify sites significant to West Virginia black history.","With Lynda Ann Ewen, she co-edited Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman, published by Ohio University Press. She has written stories and articles for publications including West Virginia cultural magazine, Goldenseal. She wrote a history of the West Virginia Schools for the Colored Deaf and Blind."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Ancella Bickley, Historian, Research Papers regarding African-Americans, A\u0026amp;M 4208, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Ancella Bickley, Historian, Research Papers regarding African-Americans, A\u0026M 4208, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eBickley, Ancella Collection. Materials relating to African-American history including annual West Virginia Conferences on Black History, 1908-1996. 3 boxes. Ms2003-182, at the West Virginia State Archives.\u003c/p\u003e","\u003cp\u003eMarshall University Oral History Collection, Accession Number 1973/01.0064, also includes the oral history transcripts in this collection's addendum of 2017/02/09.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bickley, Ancella Collection. Materials relating to African-American history including annual West Virginia Conferences on Black History, 1908-1996. 3 boxes. Ms2003-182, at the West Virginia State Archives.","Marshall University Oral History Collection, Accession Number 1973/01.0064, also includes the oral history transcripts in this collection's addendum of 2017/02/09."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the research, public service, and life of Ancella Bickley, writer, educator, speaker, and historian. Includes writings, research materials, and more, focusing on the history of African Americans in West Virginia and the black experience in West Virginia. Collected research materials are predominantly facsimiles.  Printed formats include correspondence, clippings, interview transcripts, typescript writings, publications, pamphlets, ephemera, speeches, articles, military records, and more.  Other formats include photographs, slides, and audiocassettes. \u003c/p\u003e","\u003cp\u003eSubjects include Dr. Bickley's writings, which include plays, speeches, and short stories as well as her historical books, articles and other publications; collected materials from Dr. Bickley's historical research on the history of African Americans in West Virginia; and personal papers. Her research materials include papers grouped sometimes by county, sometimes by individual, sometimes by subject. Subjects of her research include slavery, education, churches, biography and genealogy, literature, and more.  Specific subjects include the Underground Railroad, James McHenry Jones, genealogy, Carter G. Woodson, Mollie Gabe, West Virginia Colored Institute/West Virginia State College, John W. Davis, black high schools, school integration, and more. Counties and their cities with specific focus include Cabell, Kanawha, and Jefferson.  Some documents treating slavery and the Underground Railroad include Ohio from which Cabell County blacks, including Bickley's ancestors, migrated.\u003c/p\u003e","\u003cp\u003eColleagues with whom she corresponded include Judith Stitzel, Nelson Barnett, Maureen Crockett (with whom she co-wrote at least one play), and many more. Of significance is correspondence between Carter G. Woodson and his sister, Bessie Woodson Yancey; and letters and a signed photo from Alex Haley.  \u003c/p\u003e","\u003cp\u003eWritings, research background, and drafts of Dr. Bickley's works found within the collection include: \u003ctitle\u003eMemphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman\u003c/title\u003e, \"Midwifery in West Virginia\" (1990), \u003ctitle\u003eHonoring our Past: Proceedings of the First Two Conferences on West Virginia's Black History\u003c/title\u003e, \u003ctitle\u003eHistory of the West Virginia State Teachers' Association\u003c/title\u003e (1979), \u003ctitle\u003eIn Spite of Obstacles: a History of the West Virginia Schools for the Colored Deaf and Blind, 1926-1955\u003c/title\u003e, \u003ctitle\u003eOur Mount Vernons: historic register listings of sites significant to the Black history of West Virginia\u003c/title\u003e, a short story collection \"Turn Left at the Desert,\" \u003ctitle\u003e... to be black in Fayette\u003c/title\u003e, and plays: \u003ctitle\u003eTwo Saint Say\u003c/title\u003e, \u003ctitle\u003eMother Love\u003c/title\u003e, \u003ctitle\u003eTangled Threads\u003c/title\u003e (with Maureen Crockett), \u003ctitle\u003eWade in the Water\u003c/title\u003e, and seven \u003ctitle\u003eGoldenseal\u003c/title\u003e articles. \nGrant applications and other documents pertaining to her work with the Humanities Council of West Virginia are included in the collection. Other documents describe her work with the Kanawha County Board of Education, EcoTheater, Berea College's Black Mountain Youth Leadership program, and various professional organizations.   \nPersonal papers include material about her husband Nelson R. Bickley and his military career, diplomas, transcripts, photographs of a party she held, and more. \u003c/p\u003e","\u003cp\u003eAddendum of 2017/02/09 (boxes 11 and 12) includes papers of Dr. Ancella R. Bickley, with a few papers of her daughter Ancella Livers. Formats include interview transcripts, correspondence, clippings, typescript writings, publications, cassettes, and more. Most of these materials are transcripts of oral histories pertaining to a collaborative project undertaken by Dr. Bickley and Dr. Rita Wicks-Nelson about black teachers and their memories of school integration in West Virginia in affiliation with the Center for the Study of Ethnicity and Gender in Appalachia at Marshall University.\u003c/p\u003e","\u003cp\u003eAbbreviations used in the Contents List:\u003clb\u003e\u003c/lb\u003e\nAB - Ancella Bickley\u003clb\u003e\u003c/lb\u003e\nWVSC - West Virginia State College\u003clb\u003e\u003c/lb\u003e\nNB - Nelson Bickley\u003clb\u003e\u003c/lb\u003e\nMTG - Memphis Tennessee Garrison\u003clb\u003e\u003c/lb\u003e\nJMJ - J. McHenry Jones\u003clb\u003e\u003c/lb\u003e\nNEA - National Education Association\u003clb\u003e\u003c/lb\u003e\nNCTE - National Council of Teachers of English\u003clb\u003e\u003c/lb\u003e\nMo So Lit Club - Matrons and Maids Social and Literary Club, McDowell County, WV\u003clb\u003e\u003c/lb\u003e\nUGRR - Underground Railroad\u003clb\u003e\u003c/lb\u003e\nMU - Marshall University\u003clb\u003e\u003c/lb\u003e\nWVU - West Virginia University\u003clb\u003e\u003c/lb\u003e\nCGW - Carter G. Woodson\u003clb\u003e\u003c/lb\u003e\nRW-N  - Rita Wicks-Nelson\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the research, public service, and life of Ancella Bickley, writer, educator, speaker, and historian. Includes writings, research materials, and more, focusing on the history of African Americans in West Virginia and the black experience in West Virginia. Collected research materials are predominantly facsimiles.  Printed formats include correspondence, clippings, interview transcripts, typescript writings, publications, pamphlets, ephemera, speeches, articles, military records, and more.  Other formats include photographs, slides, and audiocassettes.","Subjects include Dr. Bickley's writings, which include plays, speeches, and short stories as well as her historical books, articles and other publications; collected materials from Dr. Bickley's historical research on the history of African Americans in West Virginia; and personal papers. Her research materials include papers grouped sometimes by county, sometimes by individual, sometimes by subject. Subjects of her research include slavery, education, churches, biography and genealogy, literature, and more.  Specific subjects include the Underground Railroad, James McHenry Jones, genealogy, Carter G. Woodson, Mollie Gabe, West Virginia Colored Institute/West Virginia State College, John W. Davis, black high schools, school integration, and more. Counties and their cities with specific focus include Cabell, Kanawha, and Jefferson.  Some documents treating slavery and the Underground Railroad include Ohio from which Cabell County blacks, including Bickley's ancestors, migrated.","Colleagues with whom she corresponded include Judith Stitzel, Nelson Barnett, Maureen Crockett (with whom she co-wrote at least one play), and many more. Of significance is correspondence between Carter G. Woodson and his sister, Bessie Woodson Yancey; and letters and a signed photo from Alex Haley.","Writings, research background, and drafts of Dr. Bickley's works found within the collection include: Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman, \"Midwifery in West Virginia\" (1990), Honoring our Past: Proceedings of the First Two Conferences on West Virginia's Black History, History of the West Virginia State Teachers' Association (1979), In Spite of Obstacles: a History of the West Virginia Schools for the Colored Deaf and Blind, 1926-1955, Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia, a short story collection \"Turn Left at the Desert,\" ... to be black in Fayette, and plays: Two Saint Say, Mother Love, Tangled Threads (with Maureen Crockett), Wade in the Water, and seven Goldenseal articles. \nGrant applications and other documents pertaining to her work with the Humanities Council of West Virginia are included in the collection. Other documents describe her work with the Kanawha County Board of Education, EcoTheater, Berea College's Black Mountain Youth Leadership program, and various professional organizations.   \nPersonal papers include material about her husband Nelson R. Bickley and his military career, diplomas, transcripts, photographs of a party she held, and more.","Addendum of 2017/02/09 (boxes 11 and 12) includes papers of Dr. Ancella R. Bickley, with a few papers of her daughter Ancella Livers. Formats include interview transcripts, correspondence, clippings, typescript writings, publications, cassettes, and more. Most of these materials are transcripts of oral histories pertaining to a collaborative project undertaken by Dr. Bickley and Dr. Rita Wicks-Nelson about black teachers and their memories of school integration in West Virginia in affiliation with the Center for the Study of Ethnicity and Gender in Appalachia at Marshall University.","Abbreviations used in the Contents List:\nAB - Ancella Bickley\nWVSC - West Virginia State College\nNB - Nelson Bickley\nMTG - Memphis Tennessee Garrison\nJMJ - J. McHenry Jones\nNEA - National Education Association\nNCTE - National Council of Teachers of English\nMo So Lit Club - Matrons and Maids Social and Literary Club, McDowell County, WV\nUGRR - Underground Railroad\nMU - Marshall University\nWVU - West Virginia University\nCGW - Carter G. Woodson\nRW-N  - Rita Wicks-Nelson"],"separatedmaterial_html_tesm":["\u003cp\u003eItems not held in the WVRHC collection which were sent to the Rare Books Curator:\n\u003clb\u003e\u003c/lb\u003e\n1969/70 edition of \"The Black Student at WVU\" \u003clb\u003e\u003c/lb\u003e\nBulletin of West Virginia State College, Series 21, no. 1, June 1933. \"Why Choose West Virginia State College\"\u003clb\u003e\u003c/lb\u003e\nBickley, A. R., Carter, G. W. M. F. I., \u0026amp; Marshall University, H. W. V. D. A. (1997). \u003ctitle\u003eOur Mount Vernons: historic register listings of sites significant to the Black history of West Virginia\u003c/title\u003e. [Huntington, WV] : [Carter G. Woodson Memorial Foundation of Huntington and the Drinko Academy at Marshall University].\u003clb\u003e\u003c/lb\u003e\nBooklet, \"History of African-American Miners in Appalachian Coal Fields: Black History Month, February, 2000\"\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Items not held in the WVRHC collection which were sent to the Rare Books Curator:\n\n1969/70 edition of \"The Black Student at WVU\" \nBulletin of West Virginia State College, Series 21, no. 1, June 1933. \"Why Choose West Virginia State College\"\nBickley, A. R., Carter, G. W. M. F. I., \u0026 Marshall University, H. W. V. D. A. (1997). Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia. [Huntington, WV] : [Carter G. Woodson Memorial Foundation of Huntington and the Drinko Academy at Marshall University].\nBooklet, \"History of African-American Miners in Appalachian Coal Fields: Black History Month, February, 2000\""],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6f25abedabab5822a513e8a3ea47bb48\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia State College (Institute, W. Va.)"],"names_coll_ssim":["West Virginia State College (Institute, W. Va.)","Bickley, Ancella R.","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958"],"persname_ssim":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958"],"names_ssim":["West Virginia and Regional History Center","West Virginia State College (Institute, W. Va.)","Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":502,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:10:58.969Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6226","ead_ssi":"wvmturhc_repositories_2_resources_6226","_root_":"wvmturhc_repositories_2_resources_6226","_nest_parent_":"wvmturhc_repositories_2_resources_6226","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6226.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/209044","title_ssm":["Ancella Bickley, Historian, Research Papers regarding African-Americans"],"title_tesim":["Ancella Bickley, Historian, Research Papers regarding African-Americans"],"unitdate_ssm":["1775-2018 (Includes facsimiles)","1970-2011"],"unitdate_inclusive_ssm":["1775-2018 (Includes facsimiles)"],"unitdate_bulk_ssim":["1970-2011"],"normalized_date_ssm":["1775/2018, bulk 1970/2011"],"normalized_title_ssm":["Ancella Bickley, Historian, Research Papers regarding African-Americans, 1775/2018, bulk 1970/2011"],"text":["Ancella Bickley, Historian, Research Papers regarding African-Americans, 1775/2018, bulk 1970/2011","A\u0026M 4208","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6226","African American women","Slavery -- West Virginia","Education -- West Virginia","African Americans -- Segregation -- West Virginia","School integration -- West Virginia","Underground Railroad -- West Virginia","Underground Railroad -- Ohio","African American Churches -- West Virginia","African American teachers -- West Virginia","African Americans  -- Education -- West Virginia","African Americans -- Genealogy","West Virginia Feminist Activist and Women's History Collection","Requires signed form for box 1, folders 8, 16, and 17, since special access restriction applies due to PII.","Dr. Ancella Radford Bickley, author, historian, and educator, grew up in segregated Huntington, West Virginia, where she was born in 1930.  She graduated from Douglass High School in 1947 and went on to attend West Virginia State College, graduating magna cum laude in 1950 with a degree in English.  She was the first full time black student at Marshall University and received her master's degree in English in 1954.  She received her Ed.D. in English from West Virginia University in 1974.  Dr. Bickley was a teacher at all educational levels and was Vice-President for Academic Affairs at West Virginia State College where she retired in 1986.  She continued to research, write, and speak from her retirement home in Florida where she lived with her husband Nelson.  Some of her accolades include the Mountain State Bar Association's Distinguished Citizen Award, 1978; the National Education Association's The Carter G. Woodson Memorial Award, 1980; West Virginia Woman of the Year, 1984; the West Virginia State College Alumnus of the Year, 1988; and was a Rockefeller Foundation Scholar at Marshall University in 1999.","Dr. Bickley was a prolific speaker and in addtion to the speeches, she authored many stories, plays, and articles.  In 1997, she published Our Mount Vernons to identify sites significant to West Virginia black history.","With Lynda Ann Ewen, she co-edited Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman, published by Ohio University Press. She has written stories and articles for publications including West Virginia cultural magazine, Goldenseal. She wrote a history of the West Virginia Schools for the Colored Deaf and Blind.","Bickley, Ancella Collection. Materials relating to African-American history including annual West Virginia Conferences on Black History, 1908-1996. 3 boxes. Ms2003-182, at the West Virginia State Archives.","Marshall University Oral History Collection, Accession Number 1973/01.0064, also includes the oral history transcripts in this collection's addendum of 2017/02/09.","This collection documents the research, public service, and life of Ancella Bickley, writer, educator, speaker, and historian. Includes writings, research materials, and more, focusing on the history of African Americans in West Virginia and the black experience in West Virginia. Collected research materials are predominantly facsimiles.  Printed formats include correspondence, clippings, interview transcripts, typescript writings, publications, pamphlets, ephemera, speeches, articles, military records, and more.  Other formats include photographs, slides, and audiocassettes.","Subjects include Dr. Bickley's writings, which include plays, speeches, and short stories as well as her historical books, articles and other publications; collected materials from Dr. Bickley's historical research on the history of African Americans in West Virginia; and personal papers. Her research materials include papers grouped sometimes by county, sometimes by individual, sometimes by subject. Subjects of her research include slavery, education, churches, biography and genealogy, literature, and more.  Specific subjects include the Underground Railroad, James McHenry Jones, genealogy, Carter G. Woodson, Mollie Gabe, West Virginia Colored Institute/West Virginia State College, John W. Davis, black high schools, school integration, and more. Counties and their cities with specific focus include Cabell, Kanawha, and Jefferson.  Some documents treating slavery and the Underground Railroad include Ohio from which Cabell County blacks, including Bickley's ancestors, migrated.","Colleagues with whom she corresponded include Judith Stitzel, Nelson Barnett, Maureen Crockett (with whom she co-wrote at least one play), and many more. Of significance is correspondence between Carter G. Woodson and his sister, Bessie Woodson Yancey; and letters and a signed photo from Alex Haley.","Writings, research background, and drafts of Dr. Bickley's works found within the collection include: Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman, \"Midwifery in West Virginia\" (1990), Honoring our Past: Proceedings of the First Two Conferences on West Virginia's Black History, History of the West Virginia State Teachers' Association (1979), In Spite of Obstacles: a History of the West Virginia Schools for the Colored Deaf and Blind, 1926-1955, Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia, a short story collection \"Turn Left at the Desert,\" ... to be black in Fayette, and plays: Two Saint Say, Mother Love, Tangled Threads (with Maureen Crockett), Wade in the Water, and seven Goldenseal articles. \nGrant applications and other documents pertaining to her work with the Humanities Council of West Virginia are included in the collection. Other documents describe her work with the Kanawha County Board of Education, EcoTheater, Berea College's Black Mountain Youth Leadership program, and various professional organizations.   \nPersonal papers include material about her husband Nelson R. Bickley and his military career, diplomas, transcripts, photographs of a party she held, and more.","Addendum of 2017/02/09 (boxes 11 and 12) includes papers of Dr. Ancella R. Bickley, with a few papers of her daughter Ancella Livers. Formats include interview transcripts, correspondence, clippings, typescript writings, publications, cassettes, and more. Most of these materials are transcripts of oral histories pertaining to a collaborative project undertaken by Dr. Bickley and Dr. Rita Wicks-Nelson about black teachers and their memories of school integration in West Virginia in affiliation with the Center for the Study of Ethnicity and Gender in Appalachia at Marshall University.","Abbreviations used in the Contents List:\nAB - Ancella Bickley\nWVSC - West Virginia State College\nNB - Nelson Bickley\nMTG - Memphis Tennessee Garrison\nJMJ - J. McHenry Jones\nNEA - National Education Association\nNCTE - National Council of Teachers of English\nMo So Lit Club - Matrons and Maids Social and Literary Club, McDowell County, WV\nUGRR - Underground Railroad\nMU - Marshall University\nWVU - West Virginia University\nCGW - Carter G. Woodson\nRW-N  - Rita Wicks-Nelson","Items not held in the WVRHC collection which were sent to the Rare Books Curator:\n\n1969/70 edition of \"The Black Student at WVU\" \nBulletin of West Virginia State College, Series 21, no. 1, June 1933. \"Why Choose West Virginia State College\"\nBickley, A. R., Carter, G. W. M. F. I., \u0026 Marshall University, H. W. V. D. A. (1997). Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia. [Huntington, WV] : [Carter G. Woodson Memorial Foundation of Huntington and the Drinko Academy at Marshall University].\nBooklet, \"History of African-American Miners in Appalachian Coal Fields: Black History Month, February, 2000\"","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","West Virginia State College (Institute, W. Va.)","Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958","English"],"collection_title_tesim":["Ancella Bickley, Historian, Research Papers regarding African-Americans, 1775/2018, bulk 1970/2011"],"collection_ssim":["Ancella Bickley, Historian, Research Papers regarding African-Americans, 1775/2018, bulk 1970/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4208","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6226"],"unitid_tesim":["A\u0026M 4208","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6226"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-"],"creator_ssim":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-"],"creator_persname_ssim":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958"],"creator_corpname_ssim":["West Virginia and Regional History Center","West Virginia State College (Institute, W. Va.)"],"creators_ssim":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958","West Virginia and Regional History Center","West Virginia State College (Institute, W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["African American women","Slavery -- West Virginia","Education -- West Virginia","African Americans -- Segregation -- West Virginia","School integration -- West Virginia","Underground Railroad -- West Virginia","Underground Railroad -- Ohio","African American Churches -- West Virginia","African American teachers -- West Virginia","African Americans  -- Education -- West Virginia","African Americans -- Genealogy","West Virginia Feminist Activist and Women's History Collection"],"access_subjects_ssm":["African American women","Slavery -- West Virginia","Education -- West Virginia","African Americans -- Segregation -- West Virginia","School integration -- West Virginia","Underground Railroad -- West Virginia","Underground Railroad -- Ohio","African American Churches -- West Virginia","African American teachers -- West Virginia","African Americans  -- Education -- West Virginia","African Americans -- Genealogy","West Virginia Feminist Activist and Women's History Collection"],"has_online_content_ssim":["false"],"extent_ssm":["13.1 Linear Feet 13 ft. 1/2 in. 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She graduated from Douglass High School in 1947 and went on to attend West Virginia State College, graduating magna cum laude in 1950 with a degree in English.  She was the first full time black student at Marshall University and received her master's degree in English in 1954.  She received her Ed.D. in English from West Virginia University in 1974.  Dr. Bickley was a teacher at all educational levels and was Vice-President for Academic Affairs at West Virginia State College where she retired in 1986.  She continued to research, write, and speak from her retirement home in Florida where she lived with her husband Nelson.  Some of her accolades include the Mountain State Bar Association's Distinguished Citizen Award, 1978; the National Education Association's The Carter G. Woodson Memorial Award, 1980; West Virginia Woman of the Year, 1984; the West Virginia State College Alumnus of the Year, 1988; and was a Rockefeller Foundation Scholar at Marshall University in 1999.\u003c/p\u003e","\u003cp\u003eDr. Bickley was a prolific speaker and in addtion to the speeches, she authored many stories, plays, and articles.  In 1997, she published \u003ctitle\u003eOur Mount Vernons\u003c/title\u003e to identify sites significant to West Virginia black history.\u003c/p\u003e","\u003cp\u003eWith Lynda Ann Ewen, she co-edited \u003ctitle\u003eMemphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman\u003c/title\u003e, published by Ohio University Press. She has written stories and articles for publications including West Virginia cultural magazine, \u003ctitle\u003eGoldenseal\u003c/title\u003e. She wrote a history of the West Virginia Schools for the Colored Deaf and Blind.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Dr. Ancella Radford Bickley, author, historian, and educator, grew up in segregated Huntington, West Virginia, where she was born in 1930.  She graduated from Douglass High School in 1947 and went on to attend West Virginia State College, graduating magna cum laude in 1950 with a degree in English.  She was the first full time black student at Marshall University and received her master's degree in English in 1954.  She received her Ed.D. in English from West Virginia University in 1974.  Dr. Bickley was a teacher at all educational levels and was Vice-President for Academic Affairs at West Virginia State College where she retired in 1986.  She continued to research, write, and speak from her retirement home in Florida where she lived with her husband Nelson.  Some of her accolades include the Mountain State Bar Association's Distinguished Citizen Award, 1978; the National Education Association's The Carter G. Woodson Memorial Award, 1980; West Virginia Woman of the Year, 1984; the West Virginia State College Alumnus of the Year, 1988; and was a Rockefeller Foundation Scholar at Marshall University in 1999.","Dr. Bickley was a prolific speaker and in addtion to the speeches, she authored many stories, plays, and articles.  In 1997, she published Our Mount Vernons to identify sites significant to West Virginia black history.","With Lynda Ann Ewen, she co-edited Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman, published by Ohio University Press. She has written stories and articles for publications including West Virginia cultural magazine, Goldenseal. She wrote a history of the West Virginia Schools for the Colored Deaf and Blind."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Ancella Bickley, Historian, Research Papers regarding African-Americans, A\u0026amp;M 4208, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Ancella Bickley, Historian, Research Papers regarding African-Americans, A\u0026M 4208, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eBickley, Ancella Collection. Materials relating to African-American history including annual West Virginia Conferences on Black History, 1908-1996. 3 boxes. Ms2003-182, at the West Virginia State Archives.\u003c/p\u003e","\u003cp\u003eMarshall University Oral History Collection, Accession Number 1973/01.0064, also includes the oral history transcripts in this collection's addendum of 2017/02/09.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bickley, Ancella Collection. Materials relating to African-American history including annual West Virginia Conferences on Black History, 1908-1996. 3 boxes. Ms2003-182, at the West Virginia State Archives.","Marshall University Oral History Collection, Accession Number 1973/01.0064, also includes the oral history transcripts in this collection's addendum of 2017/02/09."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the research, public service, and life of Ancella Bickley, writer, educator, speaker, and historian. Includes writings, research materials, and more, focusing on the history of African Americans in West Virginia and the black experience in West Virginia. Collected research materials are predominantly facsimiles.  Printed formats include correspondence, clippings, interview transcripts, typescript writings, publications, pamphlets, ephemera, speeches, articles, military records, and more.  Other formats include photographs, slides, and audiocassettes. \u003c/p\u003e","\u003cp\u003eSubjects include Dr. Bickley's writings, which include plays, speeches, and short stories as well as her historical books, articles and other publications; collected materials from Dr. Bickley's historical research on the history of African Americans in West Virginia; and personal papers. Her research materials include papers grouped sometimes by county, sometimes by individual, sometimes by subject. Subjects of her research include slavery, education, churches, biography and genealogy, literature, and more.  Specific subjects include the Underground Railroad, James McHenry Jones, genealogy, Carter G. Woodson, Mollie Gabe, West Virginia Colored Institute/West Virginia State College, John W. Davis, black high schools, school integration, and more. Counties and their cities with specific focus include Cabell, Kanawha, and Jefferson.  Some documents treating slavery and the Underground Railroad include Ohio from which Cabell County blacks, including Bickley's ancestors, migrated.\u003c/p\u003e","\u003cp\u003eColleagues with whom she corresponded include Judith Stitzel, Nelson Barnett, Maureen Crockett (with whom she co-wrote at least one play), and many more. Of significance is correspondence between Carter G. Woodson and his sister, Bessie Woodson Yancey; and letters and a signed photo from Alex Haley.  \u003c/p\u003e","\u003cp\u003eWritings, research background, and drafts of Dr. Bickley's works found within the collection include: \u003ctitle\u003eMemphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman\u003c/title\u003e, \"Midwifery in West Virginia\" (1990), \u003ctitle\u003eHonoring our Past: Proceedings of the First Two Conferences on West Virginia's Black History\u003c/title\u003e, \u003ctitle\u003eHistory of the West Virginia State Teachers' Association\u003c/title\u003e (1979), \u003ctitle\u003eIn Spite of Obstacles: a History of the West Virginia Schools for the Colored Deaf and Blind, 1926-1955\u003c/title\u003e, \u003ctitle\u003eOur Mount Vernons: historic register listings of sites significant to the Black history of West Virginia\u003c/title\u003e, a short story collection \"Turn Left at the Desert,\" \u003ctitle\u003e... to be black in Fayette\u003c/title\u003e, and plays: \u003ctitle\u003eTwo Saint Say\u003c/title\u003e, \u003ctitle\u003eMother Love\u003c/title\u003e, \u003ctitle\u003eTangled Threads\u003c/title\u003e (with Maureen Crockett), \u003ctitle\u003eWade in the Water\u003c/title\u003e, and seven \u003ctitle\u003eGoldenseal\u003c/title\u003e articles. \nGrant applications and other documents pertaining to her work with the Humanities Council of West Virginia are included in the collection. Other documents describe her work with the Kanawha County Board of Education, EcoTheater, Berea College's Black Mountain Youth Leadership program, and various professional organizations.   \nPersonal papers include material about her husband Nelson R. Bickley and his military career, diplomas, transcripts, photographs of a party she held, and more. \u003c/p\u003e","\u003cp\u003eAddendum of 2017/02/09 (boxes 11 and 12) includes papers of Dr. Ancella R. Bickley, with a few papers of her daughter Ancella Livers. Formats include interview transcripts, correspondence, clippings, typescript writings, publications, cassettes, and more. Most of these materials are transcripts of oral histories pertaining to a collaborative project undertaken by Dr. Bickley and Dr. Rita Wicks-Nelson about black teachers and their memories of school integration in West Virginia in affiliation with the Center for the Study of Ethnicity and Gender in Appalachia at Marshall University.\u003c/p\u003e","\u003cp\u003eAbbreviations used in the Contents List:\u003clb\u003e\u003c/lb\u003e\nAB - Ancella Bickley\u003clb\u003e\u003c/lb\u003e\nWVSC - West Virginia State College\u003clb\u003e\u003c/lb\u003e\nNB - Nelson Bickley\u003clb\u003e\u003c/lb\u003e\nMTG - Memphis Tennessee Garrison\u003clb\u003e\u003c/lb\u003e\nJMJ - J. McHenry Jones\u003clb\u003e\u003c/lb\u003e\nNEA - National Education Association\u003clb\u003e\u003c/lb\u003e\nNCTE - National Council of Teachers of English\u003clb\u003e\u003c/lb\u003e\nMo So Lit Club - Matrons and Maids Social and Literary Club, McDowell County, WV\u003clb\u003e\u003c/lb\u003e\nUGRR - Underground Railroad\u003clb\u003e\u003c/lb\u003e\nMU - Marshall University\u003clb\u003e\u003c/lb\u003e\nWVU - West Virginia University\u003clb\u003e\u003c/lb\u003e\nCGW - Carter G. Woodson\u003clb\u003e\u003c/lb\u003e\nRW-N  - Rita Wicks-Nelson\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the research, public service, and life of Ancella Bickley, writer, educator, speaker, and historian. Includes writings, research materials, and more, focusing on the history of African Americans in West Virginia and the black experience in West Virginia. Collected research materials are predominantly facsimiles.  Printed formats include correspondence, clippings, interview transcripts, typescript writings, publications, pamphlets, ephemera, speeches, articles, military records, and more.  Other formats include photographs, slides, and audiocassettes.","Subjects include Dr. Bickley's writings, which include plays, speeches, and short stories as well as her historical books, articles and other publications; collected materials from Dr. Bickley's historical research on the history of African Americans in West Virginia; and personal papers. Her research materials include papers grouped sometimes by county, sometimes by individual, sometimes by subject. Subjects of her research include slavery, education, churches, biography and genealogy, literature, and more.  Specific subjects include the Underground Railroad, James McHenry Jones, genealogy, Carter G. Woodson, Mollie Gabe, West Virginia Colored Institute/West Virginia State College, John W. Davis, black high schools, school integration, and more. Counties and their cities with specific focus include Cabell, Kanawha, and Jefferson.  Some documents treating slavery and the Underground Railroad include Ohio from which Cabell County blacks, including Bickley's ancestors, migrated.","Colleagues with whom she corresponded include Judith Stitzel, Nelson Barnett, Maureen Crockett (with whom she co-wrote at least one play), and many more. Of significance is correspondence between Carter G. Woodson and his sister, Bessie Woodson Yancey; and letters and a signed photo from Alex Haley.","Writings, research background, and drafts of Dr. Bickley's works found within the collection include: Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman, \"Midwifery in West Virginia\" (1990), Honoring our Past: Proceedings of the First Two Conferences on West Virginia's Black History, History of the West Virginia State Teachers' Association (1979), In Spite of Obstacles: a History of the West Virginia Schools for the Colored Deaf and Blind, 1926-1955, Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia, a short story collection \"Turn Left at the Desert,\" ... to be black in Fayette, and plays: Two Saint Say, Mother Love, Tangled Threads (with Maureen Crockett), Wade in the Water, and seven Goldenseal articles. \nGrant applications and other documents pertaining to her work with the Humanities Council of West Virginia are included in the collection. Other documents describe her work with the Kanawha County Board of Education, EcoTheater, Berea College's Black Mountain Youth Leadership program, and various professional organizations.   \nPersonal papers include material about her husband Nelson R. Bickley and his military career, diplomas, transcripts, photographs of a party she held, and more.","Addendum of 2017/02/09 (boxes 11 and 12) includes papers of Dr. Ancella R. Bickley, with a few papers of her daughter Ancella Livers. Formats include interview transcripts, correspondence, clippings, typescript writings, publications, cassettes, and more. Most of these materials are transcripts of oral histories pertaining to a collaborative project undertaken by Dr. Bickley and Dr. Rita Wicks-Nelson about black teachers and their memories of school integration in West Virginia in affiliation with the Center for the Study of Ethnicity and Gender in Appalachia at Marshall University.","Abbreviations used in the Contents List:\nAB - Ancella Bickley\nWVSC - West Virginia State College\nNB - Nelson Bickley\nMTG - Memphis Tennessee Garrison\nJMJ - J. McHenry Jones\nNEA - National Education Association\nNCTE - National Council of Teachers of English\nMo So Lit Club - Matrons and Maids Social and Literary Club, McDowell County, WV\nUGRR - Underground Railroad\nMU - Marshall University\nWVU - West Virginia University\nCGW - Carter G. Woodson\nRW-N  - Rita Wicks-Nelson"],"separatedmaterial_html_tesm":["\u003cp\u003eItems not held in the WVRHC collection which were sent to the Rare Books Curator:\n\u003clb\u003e\u003c/lb\u003e\n1969/70 edition of \"The Black Student at WVU\" \u003clb\u003e\u003c/lb\u003e\nBulletin of West Virginia State College, Series 21, no. 1, June 1933. \"Why Choose West Virginia State College\"\u003clb\u003e\u003c/lb\u003e\nBickley, A. R., Carter, G. W. M. F. I., \u0026amp; Marshall University, H. W. V. D. A. (1997). \u003ctitle\u003eOur Mount Vernons: historic register listings of sites significant to the Black history of West Virginia\u003c/title\u003e. [Huntington, WV] : [Carter G. Woodson Memorial Foundation of Huntington and the Drinko Academy at Marshall University].\u003clb\u003e\u003c/lb\u003e\nBooklet, \"History of African-American Miners in Appalachian Coal Fields: Black History Month, February, 2000\"\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Items not held in the WVRHC collection which were sent to the Rare Books Curator:\n\n1969/70 edition of \"The Black Student at WVU\" \nBulletin of West Virginia State College, Series 21, no. 1, June 1933. \"Why Choose West Virginia State College\"\nBickley, A. R., Carter, G. W. M. F. I., \u0026 Marshall University, H. W. V. D. A. (1997). Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia. [Huntington, WV] : [Carter G. Woodson Memorial Foundation of Huntington and the Drinko Academy at Marshall University].\nBooklet, \"History of African-American Miners in Appalachian Coal Fields: Black History Month, February, 2000\""],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6f25abedabab5822a513e8a3ea47bb48\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia State College (Institute, W. Va.)"],"names_coll_ssim":["West Virginia State College (Institute, W. Va.)","Bickley, Ancella R.","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958"],"persname_ssim":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958"],"names_ssim":["West Virginia and Regional History Center","West Virginia State College (Institute, W. Va.)","Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":502,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:10:58.969Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6226"}},{"id":"viw_repositories_2_resources_8399_c09","type":"File","attributes":{"title":"Ancestry Passports, 2018","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8399_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8399_c09","ref_ssm":["viw_repositories_2_resources_8399_c09"],"id":"viw_repositories_2_resources_8399_c09","ead_ssi":"viw_repositories_2_resources_8399","_root_":"viw_repositories_2_resources_8399","_nest_parent_":"viw_repositories_2_resources_8399","parent_ssi":"viw_repositories_2_resources_8399","parent_ssim":["Braun-Jung Family papers, 1850/2018"],"parent_ids_ssim":["viw_repositories_2_resources_8399"],"title_filing_ssi":"Ancestry Passports","title_ssm":["Ancestry Passports"],"title_tesim":["Ancestry Passports"],"normalized_title_ssm":["Ancestry Passports, 2018"],"text":["Ancestry Passports, 2018","Braun-Jung Family papers, 1850/2018","CD-ROM 1"],"parent_unittitles_ssm":["Braun-Jung Family papers, 1850/2018"],"parent_unittitles_tesim":["Braun-Jung Family papers, 1850/2018"],"normalized_date_ssm":["2018"],"unitdate_other_ssim":["2018 June 14"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":9,"repository_ssim":["College of William and Mary"],"collection_ssim":["Braun-Jung Family papers, 1850/2018"],"containers_ssim":["CD-ROM 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2018],"_nest_path_":"/components#8","timestamp":"2026-08-14T23:03:51.294Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8399","ead_ssi":"viw_repositories_2_resources_8399","_root_":"viw_repositories_2_resources_8399","_nest_parent_":"viw_repositories_2_resources_8399","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8399.xml","title_filing_ssi":"Braun-Jung Family papers","title_ssm":["Braun-Jung Family papers"],"title_tesim":["Braun-Jung Family papers"],"unitdate_ssm":["circa 1850-2018"],"unitdate_inclusive_ssm":["circa 1850-2018"],"normalized_date_ssm":["1850/2018"],"normalized_title_ssm":["Braun-Jung Family papers, 1850/2018"],"text":["Braun-Jung Family papers, 1850/2018","MS 00276","/repositories/2/resources/8399","Germany--Social conditions","World War, 1939-1945","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Collection of letters and documents of the Braun and Jung families from the 19th and 20th centuries. The earliest documents are a prenuptial agreement, dowry agreement, and will from the middle 1800's (photocopies). The documents are in German, but an English translation accompanies most items. The collection includes a \"Familien Stammbuch\" or family genealogy book along with two ancestry passports for Gunter Braun and Ernst Jung.  They were used to prove familial background in Nazi Germany.","Also included letters and drawings from Fritz Braun to his granddaughter, Frauke Elber, then aged 5-6 years old. Fritz, a World War I veteran, was drafted into the Nazi Army in 1944 at the age of 52. After the end of the war he was sent to a denazification camp. The dates of those letters range from 1946-1947, written in German with translations, and are filled with detailed drawings of animals, scenery, and flowers.","Related to the collection are two books, \"I Remember...A Bridge Too Far\" and \"The Tall Man in the Dark Suit\", both written by Frauke Elber.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Elber, Frauke","Braun, Fritz","English\n      German"],"collection_title_tesim":["Braun-Jung Family papers, 1850/2018"],"collection_ssim":["Braun-Jung Family papers, 1850/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00276","/repositories/2/resources/8399"],"unitid_tesim":["MS 00276","/repositories/2/resources/8399"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Germany--Social conditions"],"geogname_ssim":["Germany--Social conditions"],"places_ssim":["Germany--Social conditions"],"creator_ssm":["Elber, Frauke"],"creator_ssim":["Elber, Frauke"],"creator_persname_ssim":["Elber, Frauke","Braun, Fritz"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Elber, Frauke","Braun, Fritz","Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["World War, 1939-1945"],"access_subjects_ssm":["World War, 1939-1945"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet"],"extent_tesim":["0.25 Linear Feet"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eBraun-Jung Family Papers, Special Collections Research Center, W\u0026amp;M Libraries, William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Braun-Jung Family Papers, Special Collections Research Center, W\u0026M Libraries, William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eCollection of letters and documents of the Braun and Jung families from the 19th and 20th centuries. The earliest documents are a prenuptial agreement, dowry agreement, and will from the middle 1800's (photocopies). The documents are in German, but an English translation accompanies most items. The collection includes a \"Familien Stammbuch\" or family genealogy book along with two ancestry passports for Gunter Braun and Ernst Jung.  They were used to prove familial background in Nazi Germany. \u003c/p\u003e","\u003cp\u003eAlso included letters and drawings from Fritz Braun to his granddaughter, Frauke Elber, then aged 5-6 years old. Fritz, a World War I veteran, was drafted into the Nazi Army in 1944 at the age of 52. After the end of the war he was sent to a denazification camp. The dates of those letters range from 1946-1947, written in German with translations, and are filled with detailed drawings of animals, scenery, and flowers. \u003c/p\u003e","\u003cp\u003eRelated to the collection are two books, \"I Remember...A Bridge Too Far\" and \"The Tall Man in the Dark Suit\", both written by Frauke Elber.   \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection of letters and documents of the Braun and Jung families from the 19th and 20th centuries. The earliest documents are a prenuptial agreement, dowry agreement, and will from the middle 1800's (photocopies). The documents are in German, but an English translation accompanies most items. The collection includes a \"Familien Stammbuch\" or family genealogy book along with two ancestry passports for Gunter Braun and Ernst Jung.  They were used to prove familial background in Nazi Germany.","Also included letters and drawings from Fritz Braun to his granddaughter, Frauke Elber, then aged 5-6 years old. Fritz, a World War I veteran, was drafted into the Nazi Army in 1944 at the age of 52. After the end of the war he was sent to a denazification camp. The dates of those letters range from 1946-1947, written in German with translations, and are filled with detailed drawings of animals, scenery, and flowers.","Related to the collection are two books, \"I Remember...A Bridge Too Far\" and \"The Tall Man in the Dark Suit\", both written by Frauke Elber."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Elber, Frauke","Braun, Fritz"],"names_coll_ssim":["Elber, Frauke","Braun, Fritz"],"names_ssim":["Special Collections Research Center","Elber, Frauke","Braun, Fritz"],"language_ssim":["English\n      German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:03:51.294Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8399_c09"}},{"id":"viw_repositories_2_resources_8363_c26","type":"File","attributes":{"title":"Andrew Ojeda Oral History Interview, 2018","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8363_c26#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eOral history conducted for the Living the Legacy: 50th Anniversary of African Americans in Residence commemoration. Andrew Ojeda arrived at William \u0026amp; Mary in 2008. During his time at William \u0026amp; Mary, Ojeda worked as a research assistant and fellow on the Lemon Project, a research initiative on the College's role in perpetuating slavery and racial discrimination. Additionally, he was involved with Alma Mater Productions and a sitcom called Ghostburg on William \u0026amp; Mary TV. After graduating with a Bachelors of Arts in American Studies in 2012, Ojeda pursued a Master's degree in the same field at the University of New York. He went on to work for Colonial Williamsburg, researching the Transatlantic slave trade. Ojeda later joined investment company Morning Star and now works in sales for an asset management company in Chicago. Currently, he serves on the William \u0026amp; Mary Chicago alumni board. In his interview, Ojeda says William \u0026amp; Mary caught his attention due to its \"strong academic reputation.\" After his rejection from the school's football team, Ojeda was forced to find a new college identity. Consequently, William \u0026amp; Mary lead him to discover his \"true self.\" Through working with the Lemon Project, taking mentors like Jody Allen and Betsy Slavach, forming close friendships with fellow students, and taking academically enriching classes, Ojeda found an academic niche in the school's community and learned more about his own racial identity. His college education attuned him to injustices in communities beyond his own and generated his passion for improving race relations. He stresses the importance of having \"difficult\" conversations to create change and claims his greatest regret is not engaging in those conversations with different organizations at the College. Ojeda discusses his post-grad trajectory into sales and attributes his success to his liberal arts background. Finally, Ojeda's involvement with the Chicago board shows his continued support for the College. He hopes William \u0026amp; Mary's future includes increased diversity and representation for marginalized communities.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8363_c26#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8363_c26","ref_ssm":["viw_repositories_2_resources_8363_c26"],"id":"viw_repositories_2_resources_8363_c26","ead_ssi":"viw_repositories_2_resources_8363","_root_":"viw_repositories_2_resources_8363","_nest_parent_":"viw_repositories_2_resources_8363","parent_ssi":"viw_repositories_2_resources_8363","parent_ssim":["50th Anniversary of African American Students in Residence Collection, 2017/2018"],"parent_ids_ssim":["viw_repositories_2_resources_8363"],"title_filing_ssi":"Andrew Ojeda Oral History Interview","title_ssm":["Andrew Ojeda Oral History Interview"],"title_tesim":["Andrew Ojeda Oral History Interview"],"normalized_title_ssm":["Andrew Ojeda Oral History Interview, 2018"],"text":["Andrew Ojeda Oral History Interview, 2018","50th Anniversary of African American Students in Residence Collection, 2017/2018","Oral history conducted for the Living the Legacy: 50th Anniversary of African Americans in Residence commemoration. Andrew Ojeda arrived at William \u0026 Mary in 2008. During his time at William \u0026 Mary, Ojeda worked as a research assistant and fellow on the Lemon Project, a research initiative on the College's role in perpetuating slavery and racial discrimination. Additionally, he was involved with Alma Mater Productions and a sitcom called Ghostburg on William \u0026 Mary TV. After graduating with a Bachelors of Arts in American Studies in 2012, Ojeda pursued a Master's degree in the same field at the University of New York. He went on to work for Colonial Williamsburg, researching the Transatlantic slave trade. Ojeda later joined investment company Morning Star and now works in sales for an asset management company in Chicago. Currently, he serves on the William \u0026 Mary Chicago alumni board. 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Ojeda later joined investment company Morning Star and now works in sales for an asset management company in Chicago. Currently, he serves on the William \u0026 Mary Chicago alumni board. In his interview, Ojeda says William \u0026 Mary caught his attention due to its \"strong academic reputation.\" After his rejection from the school's football team, Ojeda was forced to find a new college identity. Consequently, William \u0026 Mary lead him to discover his \"true self.\" Through working with the Lemon Project, taking mentors like Jody Allen and Betsy Slavach, forming close friendships with fellow students, and taking academically enriching classes, Ojeda found an academic niche in the school's community and learned more about his own racial identity. His college education attuned him to injustices in communities beyond his own and generated his passion for improving race relations. He stresses the importance of having \"difficult\" conversations to create change and claims his greatest regret is not engaging in those conversations with different organizations at the College. Ojeda discusses his post-grad trajectory into sales and attributes his success to his liberal arts background. Finally, Ojeda's involvement with the Chicago board shows his continued support for the College. 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The School's communications department published these files on Law School websites and third-party platforms such as YouTube and SoundCloud.","The recordings document events at the School of Law, including lectures, symposia, commencement ceremonies, student orientations, moot court competitions, and alum meetings. Also, some recordings shared and promoted the work of the Law School community with remote tours, podcasts, special-interest stories, mock classes, and interviews with faculty and students. Together, these files document the day-to-day life of the School during the time period covered, and the School's public response to significant historical developments (e.g., the 2008 financial crisis, the 2017 Unite the Right Rally, and the COVID-19 pandemic).","Most of the materials in this collection are digital video and audio files. However, it also includes .pdf, .docx, and .html files containing related transcripts and news articles. Some audio and video files published by the communications department are missing, but transcripts for many of those missing files are included in this collection.","The resolution and quality of the video and audio files in this collection varies. Archivists downloaded many of the files directly from the Internet, or they were produced using early digital recording devices."],"userestrict_html_tesm":["\u003cp\u003eBecause of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia."],"corpname_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law"],"names_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1313,"online_item_count_is":22,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-09T00:00:42.801Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1492_c15_c70"}},{"id":"viblbv_repositories_2_resources_2232","type":"collection","attributes":{"title":"Anna P. Sokolina Architectural Collection, 1924/2019","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2232#creator","type":"document_value","attributes":{"value":"Sokolina, Anna P.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2232#abstract_or_scope","type":"document_value","attributes":{"value":"Anna P. Sokolina is an architectural historian. The majority of the collection consists of her publications, professional documentation, conferences participation, exhibit catalogs, teaching materials, and materials related to her involvement in the International Archive of Women in Architecture.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2232#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2232","ead_ssi":"viblbv_repositories_2_resources_2232","_root_":"viblbv_repositories_2_resources_2232","_nest_parent_":"viblbv_repositories_2_resources_2232","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2232.xml","title_filing_ssi":"Sokolina, Anna P. Architectural Collection","title_ssm":["Anna P. Sokolina Architectural Collection"],"title_tesim":["Anna P. Sokolina Architectural Collection"],"unitdate_ssm":["1924-2019"],"unitdate_inclusive_ssm":["1924-2019"],"normalized_date_ssm":["1924/2019"],"normalized_title_ssm":["Anna P. Sokolina Architectural Collection, 1924/2019"],"text":["Anna P. Sokolina Architectural Collection, 1924/2019","Ms.2002.051","History of Women in Architecture","Women -- History","International Archive of Women in Architecture (IAWA)","Collection is open to research.","The collection is arranged five series, each of which is arranged in chronological order.","Anna Sokolina was born in St. Petersburg (Leningrad). In 1980 she received her Masters in Architecture degree from the Moscow Architectural Institute and in 1992 her Ph.D. from the Russian Academic Research Institute for the Theory of Architecture and Urban Design. In 2001, Sokolina completed the Certificate Program in Arts Administration at New York University SCPS Department of Arts, Sciences and Humanities. She interned at the Art Commission of the City of New York; the Cooper-Hewitt National Design Museum, Smithsonian Institution; and the Solomon R. Guggenheim Museum New York.","Since 1986, Sokolina has worked on various architectural exhibitions. The first, entitled \"Concepts of Soviet Architecture 1917-1987\" held in West Berlin, was developed by the Central Academic Research Institute for the Theory of Architecture and Urban Design in partnership with the Shchusev Museum of Architecture in Moscow and the Janus Foundation in Berlin. Following the fall of the USSR, Sokolina worked on international exhibitions for the Moscow Young Architects Association. In 1992-93, she curated traveling exhibitions \"New Architectural Concepts from Moscow\" at Green Berlin Hall, Germany, and at the Ecole d'Architecture de Strasbourg, France; and in 1994, \"Art Russia\" at the Gallery Buergerhaus (City Hall) Groebenzell, Germany. Sokolina was also the curator/director of the Tabakman Museum in Hudson, NY. Her responsibilities included: the inauguration of the museum's eight galleries totaling 9,000 square feet, several permanent exhibitions and an art shop. From 1996-99 as an independent curator, Sokolina organized art exhibitions at the Steiner Foundation in Harlemville, NY, the New York Open Center in Soho, and at the American Education Center in Rego Park, NY. From 2000-2002 Sokolina was co-curator to a touring exhibition \"Journeys of the Imagination: From the former Soviet Union to the United States\" at Exhibits USA, Mid-America Arts Alliance. She volunteers for the Metropolitan Museum of Art's Education Department.","Sokolina has also edited a monographic anthology, Architecture and Anthroposophy, in which twenty-seven distinguished subject specialists wrote chapters on philosophically and spiritually inspired trends in organic architecture and art of the 20th century. In 2002 Sokolina started working on a collaborative non-profit project, Russian Art 1860-1940 in Western Collections, Information Database on the Internet funded by a number of donors including the S.R. Guggenheim Foundation, the Ministry of Culture of the Russian Federation, the Judith Rothschild Foundation, and Galerie Gmurzynska in Cologne. The project aims to develop a web-based bilingual database of information on Russian art to serve as a resource for educational and scholarly research, and for national and international exchange of knowledge. As of 2007, Sokolina is an assistant professor at the Architecture and Interior Design at Miami University in Ohio.","The guide to the Anna P. Sokolina Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the Anna P. Sokolina Architectural Collection was performed in 2002. Additional materials were integrated into the collection in December 2007 and in October 2016.","The majority of the collection consists of publications written by Anna Sokolina featured in books, magazines and newspapers in Germany, Russia, and the United States. The collection also contains her professional documentation, conferences in which Sokolina participated, and some conference papers that Sokolina was invited to present. The collection also includes catalogs from exhibitions that she curated while working at various museums starting in 1997, materials related to her involvement as honorary advisor to the International Archive of Women in Architecture (IAWA), syllabi, teaching materials, dissertation, thesis, research, and artwork.","The following items - a poetry book, doctoral dissertation three books by Sokolina and two containing chapters by Sokolina - were cataloged in the on-line library catalog Addison and transferred to the Rare Book Collection:","Arkhitektura Zapada. [Ocherki] Red. Kollegi'i'a: S.O. Khan-Magomedov (otv. red.) [i dr.]. [Moscow]: Stroǐizdat, 1972-1987. (Sokolina has chapter, \"Charles Moore: Theory and Practice\") Call number: NA680 .A76","Problemy istorii arkhitektury: tezisy dokladov : vseso'i'uzna'i'a nauchna'i'a konferen't'si'i'a, Suzdal'. Moscow: VNIITAG Goskomarkhitektury, 1990. (Sokolina has 3-page portion, \"The Concept of Tradition in East German Architecture, 1945-1990\") Call number: NA190 .P76 1990","Sokolina, Anna.  Osvoenie tradi't'siǐ v arkhitekture GDR: teori'i'a i istor i'ia arkhitektury restavra't'si'ia pam'iatnikov arkhitektury. 1991. (doctoral dissertation) Call number: NA1089 .S65 1991","Sokolina, Anna. Stikhi (Poems), New York: TELEX, 1998. Call number: PG3549.S63 S75 1998","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Anna P. Sokolina is an architectural historian. The majority of the collection consists of her publications, professional documentation, conferences participation, exhibit catalogs, teaching materials, and materials related to her involvement in the International Archive of Women in Architecture.","Special Collections and University Archives, Virginia Tech","Sokolina, Anna P.","The materials in the collection are in English."],"collection_title_tesim":["Anna P. Sokolina Architectural Collection, 1924/2019"],"collection_ssim":["Anna P. Sokolina Architectural Collection, 1924/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2002.051"],"unitid_tesim":["Ms.2002.051"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Sokolina, Anna P."],"creator_ssim":["Sokolina, Anna P."],"creator_persname_ssim":["Sokolina, Anna P."],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Sokolina, Anna P.","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Anna P. Sokolina Architectural Collection was donated to the IAWA at Special Collections in June 2002 by its creator. Additions were made to the collection in October 2003, November 2005, and October 2007."],"access_subjects_ssim":["History of Women in Architecture","Women -- History","International Archive of Women in Architecture (IAWA)"],"access_subjects_ssm":["History of Women in Architecture","Women -- History","International Archive of Women in Architecture (IAWA)"],"has_online_content_ssim":["false"],"extent_ssm":["5.2 Cubic Feet 6 boxes; 2 oversize folders"],"extent_tesim":["5.2 Cubic Feet 6 boxes; 2 oversize folders"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged five series, each of which is arranged in chronological order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged five series, each of which is arranged in chronological order."],"bioghist_html_tesm":["\u003cp\u003eAnna Sokolina was born in St. Petersburg (Leningrad). In 1980 she received her Masters in Architecture degree from the Moscow Architectural Institute and in 1992 her Ph.D. from the Russian Academic Research Institute for the Theory of Architecture and Urban Design. In 2001, Sokolina completed the Certificate Program in Arts Administration at New York University SCPS Department of Arts, Sciences and Humanities. She interned at the Art Commission of the City of New York; the Cooper-Hewitt National Design Museum, Smithsonian Institution; and the Solomon R. Guggenheim Museum New York. \u003c/p\u003e","\u003cp\u003eSince 1986, Sokolina has worked on various architectural exhibitions. The first, entitled \"Concepts of Soviet Architecture 1917-1987\" held in West Berlin, was developed by the Central Academic Research Institute for the Theory of Architecture and Urban Design in partnership with the Shchusev Museum of Architecture in Moscow and the Janus Foundation in Berlin. Following the fall of the USSR, Sokolina worked on international exhibitions for the Moscow Young Architects Association. In 1992-93, she curated traveling exhibitions \"New Architectural Concepts from Moscow\" at Green Berlin Hall, Germany, and at the Ecole d'Architecture de Strasbourg, France; and in 1994, \"Art Russia\" at the Gallery Buergerhaus (City Hall) Groebenzell, Germany. Sokolina was also the curator/director of the Tabakman Museum in Hudson, NY. Her responsibilities included: the inauguration of the museum's eight galleries totaling 9,000 square feet, several permanent exhibitions and an art shop. From 1996-99 as an independent curator, Sokolina organized art exhibitions at the Steiner Foundation in Harlemville, NY, the New York Open Center in Soho, and at the American Education Center in Rego Park, NY. From 2000-2002 Sokolina was co-curator to a touring exhibition \"Journeys of the Imagination: From the former Soviet Union to the United States\" at Exhibits USA, Mid-America Arts Alliance. She volunteers for the Metropolitan Museum of Art's Education Department. \u003c/p\u003e","\u003cp\u003eSokolina has also edited a monographic anthology, \u003ctitle render=\"italic\"\u003eArchitecture and Anthroposophy\u003c/title\u003e, in which twenty-seven distinguished subject specialists wrote chapters on philosophically and spiritually inspired trends in organic architecture and art of the 20th century. In 2002 Sokolina started working on a collaborative non-profit project, Russian Art 1860-1940 in Western Collections, Information Database on the Internet funded by a number of donors including the S.R. Guggenheim Foundation, the Ministry of Culture of the Russian Federation, the Judith Rothschild Foundation, and Galerie Gmurzynska in Cologne. The project aims to develop a web-based bilingual database of information on Russian art to serve as a resource for educational and scholarly research, and for national and international exchange of knowledge. As of 2007, Sokolina is an assistant professor at the Architecture and Interior Design at Miami University in Ohio. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Anna Sokolina was born in St. Petersburg (Leningrad). In 1980 she received her Masters in Architecture degree from the Moscow Architectural Institute and in 1992 her Ph.D. from the Russian Academic Research Institute for the Theory of Architecture and Urban Design. In 2001, Sokolina completed the Certificate Program in Arts Administration at New York University SCPS Department of Arts, Sciences and Humanities. She interned at the Art Commission of the City of New York; the Cooper-Hewitt National Design Museum, Smithsonian Institution; and the Solomon R. Guggenheim Museum New York.","Since 1986, Sokolina has worked on various architectural exhibitions. The first, entitled \"Concepts of Soviet Architecture 1917-1987\" held in West Berlin, was developed by the Central Academic Research Institute for the Theory of Architecture and Urban Design in partnership with the Shchusev Museum of Architecture in Moscow and the Janus Foundation in Berlin. Following the fall of the USSR, Sokolina worked on international exhibitions for the Moscow Young Architects Association. In 1992-93, she curated traveling exhibitions \"New Architectural Concepts from Moscow\" at Green Berlin Hall, Germany, and at the Ecole d'Architecture de Strasbourg, France; and in 1994, \"Art Russia\" at the Gallery Buergerhaus (City Hall) Groebenzell, Germany. Sokolina was also the curator/director of the Tabakman Museum in Hudson, NY. Her responsibilities included: the inauguration of the museum's eight galleries totaling 9,000 square feet, several permanent exhibitions and an art shop. From 1996-99 as an independent curator, Sokolina organized art exhibitions at the Steiner Foundation in Harlemville, NY, the New York Open Center in Soho, and at the American Education Center in Rego Park, NY. From 2000-2002 Sokolina was co-curator to a touring exhibition \"Journeys of the Imagination: From the former Soviet Union to the United States\" at Exhibits USA, Mid-America Arts Alliance. She volunteers for the Metropolitan Museum of Art's Education Department.","Sokolina has also edited a monographic anthology, Architecture and Anthroposophy, in which twenty-seven distinguished subject specialists wrote chapters on philosophically and spiritually inspired trends in organic architecture and art of the 20th century. In 2002 Sokolina started working on a collaborative non-profit project, Russian Art 1860-1940 in Western Collections, Information Database on the Internet funded by a number of donors including the S.R. Guggenheim Foundation, the Ministry of Culture of the Russian Federation, the Judith Rothschild Foundation, and Galerie Gmurzynska in Cologne. The project aims to develop a web-based bilingual database of information on Russian art to serve as a resource for educational and scholarly research, and for national and international exchange of knowledge. As of 2007, Sokolina is an assistant professor at the Architecture and Interior Design at Miami University in Ohio."],"odd_html_tesm":["\u003cp\u003eThe guide to the Anna P. Sokolina Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Anna P. Sokolina Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"prefercite_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Anna P. Sokolina Architectural Collection was performed in 2002. Additional materials were integrated into the collection in December 2007 and in October 2016.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Anna P. Sokolina Architectural Collection was performed in 2002. Additional materials were integrated into the collection in December 2007 and in October 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe majority of the collection consists of publications written by Anna Sokolina featured in books, magazines and newspapers in Germany, Russia, and the United States. The collection also contains her professional documentation, conferences in which Sokolina participated, and some conference papers that Sokolina was invited to present. The collection also includes catalogs from exhibitions that she curated while working at various museums starting in 1997, materials related to her involvement as honorary advisor to the International Archive of Women in Architecture (IAWA), syllabi, teaching materials, dissertation, thesis, research, and artwork.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The majority of the collection consists of publications written by Anna Sokolina featured in books, magazines and newspapers in Germany, Russia, and the United States. The collection also contains her professional documentation, conferences in which Sokolina participated, and some conference papers that Sokolina was invited to present. The collection also includes catalogs from exhibitions that she curated while working at various museums starting in 1997, materials related to her involvement as honorary advisor to the International Archive of Women in Architecture (IAWA), syllabi, teaching materials, dissertation, thesis, research, and artwork."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following items - a poetry book, doctoral dissertation three books by Sokolina and two containing chapters by Sokolina - were cataloged in the on-line library catalog \u003cextref href=\"http://addison.vt.edu/\" title=\"Addison\"\u003eAddison\u003c/extref\u003e and transferred to the Rare Book Collection: \u003c/p\u003e","\u003cp\u003eArkhitektura Zapada. [Ocherki] Red. Kollegi'i'a: S.O. Khan-Magomedov (otv. red.) [i dr.]. [Moscow]: Stroǐizdat, 1972-1987. (Sokolina has chapter, \"Charles Moore: Theory and Practice\") Call number: NA680 .A76 \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003e Problemy istorii arkhitektury: tezisy dokladov : vseso'i'uzna'i'a nauchna'i'a konferen't'si'i'a, Suzdal'.\u003c/emph\u003e Moscow: VNIITAG Goskomarkhitektury, 1990. (Sokolina has 3-page portion, \"The Concept of Tradition in East German Architecture, 1945-1990\") Call number: NA190 .P76 1990 \u003c/p\u003e","\u003cp\u003eSokolina, Anna. \u003cemph render=\"underline\"\u003e Osvoenie tradi't'siǐ v arkhitekture GDR: teori'i'a i istor i'ia arkhitektury restavra't'si'ia pam'iatnikov arkhitektury.\u003c/emph\u003e 1991. (doctoral dissertation) Call number: NA1089 .S65 1991 \u003c/p\u003e","\u003cp\u003eSokolina, Anna. \u003cemph render=\"underline\"\u003eStikhi (Poems)\u003c/emph\u003e, New York: TELEX, 1998. Call number: PG3549.S63 S75 1998 \u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["The following items - a poetry book, doctoral dissertation three books by Sokolina and two containing chapters by Sokolina - were cataloged in the on-line library catalog Addison and transferred to the Rare Book Collection:","Arkhitektura Zapada. [Ocherki] Red. Kollegi'i'a: S.O. Khan-Magomedov (otv. red.) [i dr.]. [Moscow]: Stroǐizdat, 1972-1987. (Sokolina has chapter, \"Charles Moore: Theory and Practice\") Call number: NA680 .A76","Problemy istorii arkhitektury: tezisy dokladov : vseso'i'uzna'i'a nauchna'i'a konferen't'si'i'a, Suzdal'. Moscow: VNIITAG Goskomarkhitektury, 1990. (Sokolina has 3-page portion, \"The Concept of Tradition in East German Architecture, 1945-1990\") Call number: NA190 .P76 1990","Sokolina, Anna.  Osvoenie tradi't'siǐ v arkhitekture GDR: teori'i'a i istor i'ia arkhitektury restavra't'si'ia pam'iatnikov arkhitektury. 1991. (doctoral dissertation) Call number: NA1089 .S65 1991","Sokolina, Anna. Stikhi (Poems), New York: TELEX, 1998. Call number: PG3549.S63 S75 1998"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55ca25af68e73897f58f543b9a238773\" label=\"Abstract\"\u003eAnna P. Sokolina is an architectural historian. The majority of the collection consists of her publications, professional documentation, conferences participation, exhibit catalogs, teaching materials, and materials related to her involvement in the International Archive of Women in Architecture.\u003c/abstract\u003e\n    "],"abstract_tesim":["Anna P. Sokolina is an architectural historian. The majority of the collection consists of her publications, professional documentation, conferences participation, exhibit catalogs, teaching materials, and materials related to her involvement in the International Archive of Women in Architecture."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Sokolina, Anna P."],"names_coll_ssim":["Sokolina, Anna P."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Sokolina, Anna P."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":85,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2232","ead_ssi":"viblbv_repositories_2_resources_2232","_root_":"viblbv_repositories_2_resources_2232","_nest_parent_":"viblbv_repositories_2_resources_2232","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2232.xml","title_filing_ssi":"Sokolina, Anna P. Architectural Collection","title_ssm":["Anna P. Sokolina Architectural Collection"],"title_tesim":["Anna P. Sokolina Architectural Collection"],"unitdate_ssm":["1924-2019"],"unitdate_inclusive_ssm":["1924-2019"],"normalized_date_ssm":["1924/2019"],"normalized_title_ssm":["Anna P. Sokolina Architectural Collection, 1924/2019"],"text":["Anna P. Sokolina Architectural Collection, 1924/2019","Ms.2002.051","History of Women in Architecture","Women -- History","International Archive of Women in Architecture (IAWA)","Collection is open to research.","The collection is arranged five series, each of which is arranged in chronological order.","Anna Sokolina was born in St. Petersburg (Leningrad). In 1980 she received her Masters in Architecture degree from the Moscow Architectural Institute and in 1992 her Ph.D. from the Russian Academic Research Institute for the Theory of Architecture and Urban Design. In 2001, Sokolina completed the Certificate Program in Arts Administration at New York University SCPS Department of Arts, Sciences and Humanities. She interned at the Art Commission of the City of New York; the Cooper-Hewitt National Design Museum, Smithsonian Institution; and the Solomon R. Guggenheim Museum New York.","Since 1986, Sokolina has worked on various architectural exhibitions. The first, entitled \"Concepts of Soviet Architecture 1917-1987\" held in West Berlin, was developed by the Central Academic Research Institute for the Theory of Architecture and Urban Design in partnership with the Shchusev Museum of Architecture in Moscow and the Janus Foundation in Berlin. Following the fall of the USSR, Sokolina worked on international exhibitions for the Moscow Young Architects Association. In 1992-93, she curated traveling exhibitions \"New Architectural Concepts from Moscow\" at Green Berlin Hall, Germany, and at the Ecole d'Architecture de Strasbourg, France; and in 1994, \"Art Russia\" at the Gallery Buergerhaus (City Hall) Groebenzell, Germany. Sokolina was also the curator/director of the Tabakman Museum in Hudson, NY. Her responsibilities included: the inauguration of the museum's eight galleries totaling 9,000 square feet, several permanent exhibitions and an art shop. From 1996-99 as an independent curator, Sokolina organized art exhibitions at the Steiner Foundation in Harlemville, NY, the New York Open Center in Soho, and at the American Education Center in Rego Park, NY. From 2000-2002 Sokolina was co-curator to a touring exhibition \"Journeys of the Imagination: From the former Soviet Union to the United States\" at Exhibits USA, Mid-America Arts Alliance. She volunteers for the Metropolitan Museum of Art's Education Department.","Sokolina has also edited a monographic anthology, Architecture and Anthroposophy, in which twenty-seven distinguished subject specialists wrote chapters on philosophically and spiritually inspired trends in organic architecture and art of the 20th century. In 2002 Sokolina started working on a collaborative non-profit project, Russian Art 1860-1940 in Western Collections, Information Database on the Internet funded by a number of donors including the S.R. Guggenheim Foundation, the Ministry of Culture of the Russian Federation, the Judith Rothschild Foundation, and Galerie Gmurzynska in Cologne. The project aims to develop a web-based bilingual database of information on Russian art to serve as a resource for educational and scholarly research, and for national and international exchange of knowledge. As of 2007, Sokolina is an assistant professor at the Architecture and Interior Design at Miami University in Ohio.","The guide to the Anna P. Sokolina Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the Anna P. Sokolina Architectural Collection was performed in 2002. Additional materials were integrated into the collection in December 2007 and in October 2016.","The majority of the collection consists of publications written by Anna Sokolina featured in books, magazines and newspapers in Germany, Russia, and the United States. The collection also contains her professional documentation, conferences in which Sokolina participated, and some conference papers that Sokolina was invited to present. The collection also includes catalogs from exhibitions that she curated while working at various museums starting in 1997, materials related to her involvement as honorary advisor to the International Archive of Women in Architecture (IAWA), syllabi, teaching materials, dissertation, thesis, research, and artwork.","The following items - a poetry book, doctoral dissertation three books by Sokolina and two containing chapters by Sokolina - were cataloged in the on-line library catalog Addison and transferred to the Rare Book Collection:","Arkhitektura Zapada. [Ocherki] Red. Kollegi'i'a: S.O. Khan-Magomedov (otv. red.) [i dr.]. [Moscow]: Stroǐizdat, 1972-1987. (Sokolina has chapter, \"Charles Moore: Theory and Practice\") Call number: NA680 .A76","Problemy istorii arkhitektury: tezisy dokladov : vseso'i'uzna'i'a nauchna'i'a konferen't'si'i'a, Suzdal'. Moscow: VNIITAG Goskomarkhitektury, 1990. (Sokolina has 3-page portion, \"The Concept of Tradition in East German Architecture, 1945-1990\") Call number: NA190 .P76 1990","Sokolina, Anna.  Osvoenie tradi't'siǐ v arkhitekture GDR: teori'i'a i istor i'ia arkhitektury restavra't'si'ia pam'iatnikov arkhitektury. 1991. (doctoral dissertation) Call number: NA1089 .S65 1991","Sokolina, Anna. Stikhi (Poems), New York: TELEX, 1998. Call number: PG3549.S63 S75 1998","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Anna P. Sokolina is an architectural historian. The majority of the collection consists of her publications, professional documentation, conferences participation, exhibit catalogs, teaching materials, and materials related to her involvement in the International Archive of Women in Architecture.","Special Collections and University Archives, Virginia Tech","Sokolina, Anna P.","The materials in the collection are in English."],"collection_title_tesim":["Anna P. Sokolina Architectural Collection, 1924/2019"],"collection_ssim":["Anna P. Sokolina Architectural Collection, 1924/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2002.051"],"unitid_tesim":["Ms.2002.051"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Sokolina, Anna P."],"creator_ssim":["Sokolina, Anna P."],"creator_persname_ssim":["Sokolina, Anna P."],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Sokolina, Anna P.","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Anna P. Sokolina Architectural Collection was donated to the IAWA at Special Collections in June 2002 by its creator. Additions were made to the collection in October 2003, November 2005, and October 2007."],"access_subjects_ssim":["History of Women in Architecture","Women -- History","International Archive of Women in Architecture (IAWA)"],"access_subjects_ssm":["History of Women in Architecture","Women -- History","International Archive of Women in Architecture (IAWA)"],"has_online_content_ssim":["false"],"extent_ssm":["5.2 Cubic Feet 6 boxes; 2 oversize folders"],"extent_tesim":["5.2 Cubic Feet 6 boxes; 2 oversize folders"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged five series, each of which is arranged in chronological order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged five series, each of which is arranged in chronological order."],"bioghist_html_tesm":["\u003cp\u003eAnna Sokolina was born in St. Petersburg (Leningrad). In 1980 she received her Masters in Architecture degree from the Moscow Architectural Institute and in 1992 her Ph.D. from the Russian Academic Research Institute for the Theory of Architecture and Urban Design. In 2001, Sokolina completed the Certificate Program in Arts Administration at New York University SCPS Department of Arts, Sciences and Humanities. She interned at the Art Commission of the City of New York; the Cooper-Hewitt National Design Museum, Smithsonian Institution; and the Solomon R. Guggenheim Museum New York. \u003c/p\u003e","\u003cp\u003eSince 1986, Sokolina has worked on various architectural exhibitions. The first, entitled \"Concepts of Soviet Architecture 1917-1987\" held in West Berlin, was developed by the Central Academic Research Institute for the Theory of Architecture and Urban Design in partnership with the Shchusev Museum of Architecture in Moscow and the Janus Foundation in Berlin. Following the fall of the USSR, Sokolina worked on international exhibitions for the Moscow Young Architects Association. In 1992-93, she curated traveling exhibitions \"New Architectural Concepts from Moscow\" at Green Berlin Hall, Germany, and at the Ecole d'Architecture de Strasbourg, France; and in 1994, \"Art Russia\" at the Gallery Buergerhaus (City Hall) Groebenzell, Germany. Sokolina was also the curator/director of the Tabakman Museum in Hudson, NY. Her responsibilities included: the inauguration of the museum's eight galleries totaling 9,000 square feet, several permanent exhibitions and an art shop. From 1996-99 as an independent curator, Sokolina organized art exhibitions at the Steiner Foundation in Harlemville, NY, the New York Open Center in Soho, and at the American Education Center in Rego Park, NY. From 2000-2002 Sokolina was co-curator to a touring exhibition \"Journeys of the Imagination: From the former Soviet Union to the United States\" at Exhibits USA, Mid-America Arts Alliance. She volunteers for the Metropolitan Museum of Art's Education Department. \u003c/p\u003e","\u003cp\u003eSokolina has also edited a monographic anthology, \u003ctitle render=\"italic\"\u003eArchitecture and Anthroposophy\u003c/title\u003e, in which twenty-seven distinguished subject specialists wrote chapters on philosophically and spiritually inspired trends in organic architecture and art of the 20th century. In 2002 Sokolina started working on a collaborative non-profit project, Russian Art 1860-1940 in Western Collections, Information Database on the Internet funded by a number of donors including the S.R. Guggenheim Foundation, the Ministry of Culture of the Russian Federation, the Judith Rothschild Foundation, and Galerie Gmurzynska in Cologne. The project aims to develop a web-based bilingual database of information on Russian art to serve as a resource for educational and scholarly research, and for national and international exchange of knowledge. As of 2007, Sokolina is an assistant professor at the Architecture and Interior Design at Miami University in Ohio. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Anna Sokolina was born in St. Petersburg (Leningrad). In 1980 she received her Masters in Architecture degree from the Moscow Architectural Institute and in 1992 her Ph.D. from the Russian Academic Research Institute for the Theory of Architecture and Urban Design. In 2001, Sokolina completed the Certificate Program in Arts Administration at New York University SCPS Department of Arts, Sciences and Humanities. She interned at the Art Commission of the City of New York; the Cooper-Hewitt National Design Museum, Smithsonian Institution; and the Solomon R. Guggenheim Museum New York.","Since 1986, Sokolina has worked on various architectural exhibitions. The first, entitled \"Concepts of Soviet Architecture 1917-1987\" held in West Berlin, was developed by the Central Academic Research Institute for the Theory of Architecture and Urban Design in partnership with the Shchusev Museum of Architecture in Moscow and the Janus Foundation in Berlin. Following the fall of the USSR, Sokolina worked on international exhibitions for the Moscow Young Architects Association. In 1992-93, she curated traveling exhibitions \"New Architectural Concepts from Moscow\" at Green Berlin Hall, Germany, and at the Ecole d'Architecture de Strasbourg, France; and in 1994, \"Art Russia\" at the Gallery Buergerhaus (City Hall) Groebenzell, Germany. Sokolina was also the curator/director of the Tabakman Museum in Hudson, NY. Her responsibilities included: the inauguration of the museum's eight galleries totaling 9,000 square feet, several permanent exhibitions and an art shop. From 1996-99 as an independent curator, Sokolina organized art exhibitions at the Steiner Foundation in Harlemville, NY, the New York Open Center in Soho, and at the American Education Center in Rego Park, NY. From 2000-2002 Sokolina was co-curator to a touring exhibition \"Journeys of the Imagination: From the former Soviet Union to the United States\" at Exhibits USA, Mid-America Arts Alliance. She volunteers for the Metropolitan Museum of Art's Education Department.","Sokolina has also edited a monographic anthology, Architecture and Anthroposophy, in which twenty-seven distinguished subject specialists wrote chapters on philosophically and spiritually inspired trends in organic architecture and art of the 20th century. In 2002 Sokolina started working on a collaborative non-profit project, Russian Art 1860-1940 in Western Collections, Information Database on the Internet funded by a number of donors including the S.R. Guggenheim Foundation, the Ministry of Culture of the Russian Federation, the Judith Rothschild Foundation, and Galerie Gmurzynska in Cologne. The project aims to develop a web-based bilingual database of information on Russian art to serve as a resource for educational and scholarly research, and for national and international exchange of knowledge. As of 2007, Sokolina is an assistant professor at the Architecture and Interior Design at Miami University in Ohio."],"odd_html_tesm":["\u003cp\u003eThe guide to the Anna P. Sokolina Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Anna P. Sokolina Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"prefercite_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Anna P. Sokolina Architectural Collection was performed in 2002. Additional materials were integrated into the collection in December 2007 and in October 2016.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Anna P. Sokolina Architectural Collection was performed in 2002. Additional materials were integrated into the collection in December 2007 and in October 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe majority of the collection consists of publications written by Anna Sokolina featured in books, magazines and newspapers in Germany, Russia, and the United States. The collection also contains her professional documentation, conferences in which Sokolina participated, and some conference papers that Sokolina was invited to present. The collection also includes catalogs from exhibitions that she curated while working at various museums starting in 1997, materials related to her involvement as honorary advisor to the International Archive of Women in Architecture (IAWA), syllabi, teaching materials, dissertation, thesis, research, and artwork.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The majority of the collection consists of publications written by Anna Sokolina featured in books, magazines and newspapers in Germany, Russia, and the United States. The collection also contains her professional documentation, conferences in which Sokolina participated, and some conference papers that Sokolina was invited to present. The collection also includes catalogs from exhibitions that she curated while working at various museums starting in 1997, materials related to her involvement as honorary advisor to the International Archive of Women in Architecture (IAWA), syllabi, teaching materials, dissertation, thesis, research, and artwork."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following items - a poetry book, doctoral dissertation three books by Sokolina and two containing chapters by Sokolina - were cataloged in the on-line library catalog \u003cextref href=\"http://addison.vt.edu/\" title=\"Addison\"\u003eAddison\u003c/extref\u003e and transferred to the Rare Book Collection: \u003c/p\u003e","\u003cp\u003eArkhitektura Zapada. [Ocherki] Red. Kollegi'i'a: S.O. Khan-Magomedov (otv. red.) [i dr.]. [Moscow]: Stroǐizdat, 1972-1987. (Sokolina has chapter, \"Charles Moore: Theory and Practice\") Call number: NA680 .A76 \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003e Problemy istorii arkhitektury: tezisy dokladov : vseso'i'uzna'i'a nauchna'i'a konferen't'si'i'a, Suzdal'.\u003c/emph\u003e Moscow: VNIITAG Goskomarkhitektury, 1990. (Sokolina has 3-page portion, \"The Concept of Tradition in East German Architecture, 1945-1990\") Call number: NA190 .P76 1990 \u003c/p\u003e","\u003cp\u003eSokolina, Anna. \u003cemph render=\"underline\"\u003e Osvoenie tradi't'siǐ v arkhitekture GDR: teori'i'a i istor i'ia arkhitektury restavra't'si'ia pam'iatnikov arkhitektury.\u003c/emph\u003e 1991. (doctoral dissertation) Call number: NA1089 .S65 1991 \u003c/p\u003e","\u003cp\u003eSokolina, Anna. \u003cemph render=\"underline\"\u003eStikhi (Poems)\u003c/emph\u003e, New York: TELEX, 1998. Call number: PG3549.S63 S75 1998 \u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["The following items - a poetry book, doctoral dissertation three books by Sokolina and two containing chapters by Sokolina - were cataloged in the on-line library catalog Addison and transferred to the Rare Book Collection:","Arkhitektura Zapada. [Ocherki] Red. Kollegi'i'a: S.O. Khan-Magomedov (otv. red.) [i dr.]. [Moscow]: Stroǐizdat, 1972-1987. (Sokolina has chapter, \"Charles Moore: Theory and Practice\") Call number: NA680 .A76","Problemy istorii arkhitektury: tezisy dokladov : vseso'i'uzna'i'a nauchna'i'a konferen't'si'i'a, Suzdal'. Moscow: VNIITAG Goskomarkhitektury, 1990. (Sokolina has 3-page portion, \"The Concept of Tradition in East German Architecture, 1945-1990\") Call number: NA190 .P76 1990","Sokolina, Anna.  Osvoenie tradi't'siǐ v arkhitekture GDR: teori'i'a i istor i'ia arkhitektury restavra't'si'ia pam'iatnikov arkhitektury. 1991. (doctoral dissertation) Call number: NA1089 .S65 1991","Sokolina, Anna. Stikhi (Poems), New York: TELEX, 1998. Call number: PG3549.S63 S75 1998"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55ca25af68e73897f58f543b9a238773\" label=\"Abstract\"\u003eAnna P. Sokolina is an architectural historian. The majority of the collection consists of her publications, professional documentation, conferences participation, exhibit catalogs, teaching materials, and materials related to her involvement in the International Archive of Women in Architecture.\u003c/abstract\u003e\n    "],"abstract_tesim":["Anna P. Sokolina is an architectural historian. The majority of the collection consists of her publications, professional documentation, conferences participation, exhibit catalogs, teaching materials, and materials related to her involvement in the International Archive of Women in Architecture."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Sokolina, Anna P."],"names_coll_ssim":["Sokolina, Anna P."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Sokolina, Anna P."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":85,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2232"}},{"id":"viw_repositories_2_resources_9440_c01_c04","type":"File","attributes":{"title":"Ann Buckles Oral History Interview, 2018","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9440_c01_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eOral history conducted for the 100 Years of Coeducation commemoration. Ann Buckles arrived at William \u0026amp; Mary in 1949. During her time at the College, she acted in a series of plays and joined Pi Beta Phi. After graduating in 1951 with a Bachelors of Arts in Theatre, Buckles moved to New York to continue her acting career, acting in various plays, on Broadway, and in commercials. Then, she joined a spiritual movement entitled \"Moral Re-Armament\" for seven years. Shortly thereafter, Buckles worked as the Director of Public Relations for Harper's Bazaar and served as an Alcoholics Anonymous Counselor. Buckles later returned to acting in plays and on television. In her interview, Buckles recalls how she initially traveled to William \u0026amp; Mary to act in a play called \"The Common Glory.\" Her experience convinced her to transfer to the College in 1949 to pursue a degree in Theatre. She reminisces on her positive memories both with the theatre department and with her sorority, Pi Beta Phi. She stresses that the mentorship she received from Althea Hunt was integral in her growth as an actor at the College. Buckles describes her career post-William \u0026amp; Mary through different anecdotes and asides. In particular, she often returns to a movement she joined called Moral Re-Armament, which she remained a part of for seven years. The movement's \"four standards\" of honesty, purity, unselfishness, and love have guided her throughout her career and life choices, and she credits these standards for her success. While Buckles has criticisms for the contemporary state of William \u0026amp; Mary, she still holds her college education responsible for her continued success.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9440_c01_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9440_c01_c04","ref_ssm":["viw_repositories_2_resources_9440_c01_c04"],"id":"viw_repositories_2_resources_9440_c01_c04","ead_ssi":"viw_repositories_2_resources_9440","_root_":"viw_repositories_2_resources_9440","_nest_parent_":"viw_repositories_2_resources_9440_c01","parent_ssi":"viw_repositories_2_resources_9440_c01","parent_ssim":["William \u0026 Mary Women: 100 Years of Co-education collection, 2015/2018","Series I. Oral History interviews"],"parent_ids_ssim":["viw_repositories_2_resources_9440","viw_repositories_2_resources_9440_c01"],"title_filing_ssi":"Ann Buckles Oral History Interview","title_ssm":["Ann Buckles Oral History Interview"],"title_tesim":["Ann Buckles Oral History Interview"],"normalized_title_ssm":["Ann Buckles Oral History Interview, 2018"],"text":["Ann Buckles Oral History Interview, 2018","William \u0026 Mary Women: 100 Years of Co-education collection, 2015/2018","Series I. Oral History interviews","Oral history conducted for the 100 Years of Coeducation commemoration. Ann Buckles arrived at William \u0026 Mary in 1949. During her time at the College, she acted in a series of plays and joined Pi Beta Phi. After graduating in 1951 with a Bachelors of Arts in Theatre, Buckles moved to New York to continue her acting career, acting in various plays, on Broadway, and in commercials. Then, she joined a spiritual movement entitled \"Moral Re-Armament\" for seven years. Shortly thereafter, Buckles worked as the Director of Public Relations for Harper's Bazaar and served as an Alcoholics Anonymous Counselor. Buckles later returned to acting in plays and on television. In her interview, Buckles recalls how she initially traveled to William \u0026 Mary to act in a play called \"The Common Glory.\" Her experience convinced her to transfer to the College in 1949 to pursue a degree in Theatre. She reminisces on her positive memories both with the theatre department and with her sorority, Pi Beta Phi. She stresses that the mentorship she received from Althea Hunt was integral in her growth as an actor at the College. Buckles describes her career post-William \u0026 Mary through different anecdotes and asides. In particular, she often returns to a movement she joined called Moral Re-Armament, which she remained a part of for seven years. The movement's \"four standards\" of honesty, purity, unselfishness, and love have guided her throughout her career and life choices, and she credits these standards for her success. While Buckles has criticisms for the contemporary state of William \u0026 Mary, she still holds her college education responsible for her continued success."],"parent_unittitles_ssm":["William \u0026 Mary Women: 100 Years of Co-education collection, 2015/2018","Series I. Oral History interviews"],"parent_unittitles_tesim":["William \u0026 Mary Women: 100 Years of Co-education collection, 2015/2018","Series I. Oral History interviews"],"normalized_date_ssm":["2018"],"unitdate_other_ssim":["2018 November 19"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":5,"repository_ssim":["College of William and Mary"],"collection_ssim":["William \u0026 Mary Women: 100 Years of Co-education collection, 2015/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2018],"scopecontent_html_tesm":["\u003cp\u003eOral history conducted for the 100 Years of Coeducation commemoration. Ann Buckles arrived at William \u0026amp; Mary in 1949. During her time at the College, she acted in a series of plays and joined Pi Beta Phi. After graduating in 1951 with a Bachelors of Arts in Theatre, Buckles moved to New York to continue her acting career, acting in various plays, on Broadway, and in commercials. Then, she joined a spiritual movement entitled \"Moral Re-Armament\" for seven years. Shortly thereafter, Buckles worked as the Director of Public Relations for Harper's Bazaar and served as an Alcoholics Anonymous Counselor. Buckles later returned to acting in plays and on television. In her interview, Buckles recalls how she initially traveled to William \u0026amp; Mary to act in a play called \"The Common Glory.\" Her experience convinced her to transfer to the College in 1949 to pursue a degree in Theatre. She reminisces on her positive memories both with the theatre department and with her sorority, Pi Beta Phi. She stresses that the mentorship she received from Althea Hunt was integral in her growth as an actor at the College. Buckles describes her career post-William \u0026amp; Mary through different anecdotes and asides. In particular, she often returns to a movement she joined called Moral Re-Armament, which she remained a part of for seven years. The movement's \"four standards\" of honesty, purity, unselfishness, and love have guided her throughout her career and life choices, and she credits these standards for her success. While Buckles has criticisms for the contemporary state of William \u0026amp; Mary, she still holds her college education responsible for her continued success.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Oral history conducted for the 100 Years of Coeducation commemoration. Ann Buckles arrived at William \u0026 Mary in 1949. During her time at the College, she acted in a series of plays and joined Pi Beta Phi. After graduating in 1951 with a Bachelors of Arts in Theatre, Buckles moved to New York to continue her acting career, acting in various plays, on Broadway, and in commercials. Then, she joined a spiritual movement entitled \"Moral Re-Armament\" for seven years. Shortly thereafter, Buckles worked as the Director of Public Relations for Harper's Bazaar and served as an Alcoholics Anonymous Counselor. Buckles later returned to acting in plays and on television. In her interview, Buckles recalls how she initially traveled to William \u0026 Mary to act in a play called \"The Common Glory.\" Her experience convinced her to transfer to the College in 1949 to pursue a degree in Theatre. She reminisces on her positive memories both with the theatre department and with her sorority, Pi Beta Phi. She stresses that the mentorship she received from Althea Hunt was integral in her growth as an actor at the College. Buckles describes her career post-William \u0026 Mary through different anecdotes and asides. In particular, she often returns to a movement she joined called Moral Re-Armament, which she remained a part of for seven years. The movement's \"four standards\" of honesty, purity, unselfishness, and love have guided her throughout her career and life choices, and she credits these standards for her success. While Buckles has criticisms for the contemporary state of William \u0026 Mary, she still holds her college education responsible for her continued success."],"_nest_path_":"/components#0/components#3","timestamp":"2026-08-18T00:00:53.449Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9440","ead_ssi":"viw_repositories_2_resources_9440","_root_":"viw_repositories_2_resources_9440","_nest_parent_":"viw_repositories_2_resources_9440","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9440.xml","title_filing_ssi":"William \u0026 Mary Women: 100 Years of Coeducation collection","title_ssm":["William \u0026 Mary Women: 100 Years of Co-education collection"],"title_tesim":["William \u0026 Mary Women: 100 Years of Co-education collection"],"unitdate_ssm":["2015-2018"],"unitdate_inclusive_ssm":["2015-2018"],"normalized_date_ssm":["2015/2018"],"normalized_title_ssm":["William \u0026 Mary Women: 100 Years of Co-education collection, 2015/2018"],"text":["William \u0026 Mary Women: 100 Years of Co-education collection, 2015/2018","UA 394","/repositories/2/resources/9440","Oral histories","College life","Women college students","Posters","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged by accession. The finding aid may be updated to reflect new aquisitions to the collection.","Correspondence, budget plans, and other documents that correspond with the planning for the 100th Anniversary of Women.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["William \u0026 Mary Women: 100 Years of Co-education collection, 2015/2018"],"collection_ssim":["William \u0026 Mary Women: 100 Years of Co-education collection, 2015/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 394","/repositories/2/resources/9440"],"unitid_tesim":["UA 394","/repositories/2/resources/9440"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["The materials were transferred from William \u0026 Mary Office of the President."],"access_subjects_ssim":["Oral histories","College life","Women college students","Posters"],"access_subjects_ssm":["Oral histories","College life","Women college students","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["1 Gigabytes",".2 Linear Feet 1 legal size folder"],"extent_tesim":["1 Gigabytes",".2 Linear Feet 1 legal size folder"],"genreform_ssim":["Posters"],"date_range_isim":[2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by accession. The finding aid may be updated to reflect new aquisitions to the collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by accession. The finding aid may be updated to reflect new aquisitions to the collection."],"prefercite_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Women: 100 Years of Co-education collection, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e  "],"prefercite_tesim":["William \u0026 Mary Women: 100 Years of Co-education collection, Special Collections Research Center, William \u0026 Mary Libraries"],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, budget plans, and other documents that correspond with the planning for the 100th Anniversary of Women.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Correspondence, budget plans, and other documents that correspond with the planning for the 100th Anniversary of Women."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":51,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-18T00:00:53.449Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9440_c01_c04"}},{"id":"vihart_repositories_4_resources_594_c07_c15","type":"File","attributes":{"title":"Anniversaries, 1979/2024","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_594_c07_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_594_c07_c15","ref_ssm":["vihart_repositories_4_resources_594_c07_c15"],"id":"vihart_repositories_4_resources_594_c07_c15","ead_ssi":"vihart_repositories_4_resources_594","_root_":"vihart_repositories_4_resources_594","_nest_parent_":"vihart_repositories_4_resources_594_c07","parent_ssi":"vihart_repositories_4_resources_594_c07","parent_ssim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929/2025","2025-0909 Accession, 1979/2025"],"parent_ids_ssim":["vihart_repositories_4_resources_594","vihart_repositories_4_resources_594_c07"],"title_filing_ssi":"Anniversaries","title_ssm":["Anniversaries"],"title_tesim":["Anniversaries"],"normalized_title_ssm":["Anniversaries, 1979/2024"],"text":["Anniversaries, 1979/2024","American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929/2025","2025-0909 Accession, 1979/2025","box 28","folder 13"],"parent_unittitles_ssm":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929/2025","2025-0909 Accession, 1979/2025"],"parent_unittitles_tesim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929/2025","2025-0909 Accession, 1979/2025"],"normalized_date_ssm":["1979/2024"],"unitdate_inclusive_ssm":["1979-2024"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":291,"repository_ssim":["James Madison University"],"collection_ssim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929/2025"],"containers_ssim":["box 28","folder 13"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"_nest_path_":"/components#6/components#14","timestamp":"2026-08-14T22:36:09.969Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_594","ead_ssi":"vihart_repositories_4_resources_594","_root_":"vihart_repositories_4_resources_594","_nest_parent_":"vihart_repositories_4_resources_594","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_594.xml","title_ssm":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"title_tesim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"unitdate_ssm":["1929-2025"],"unitdate_inclusive_ssm":["1929-2025"],"normalized_date_ssm":["1929/2025"],"normalized_title_ssm":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929/2025"],"text":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929/2025","SC 0211","/repositories/4/resources/594","Women college graduates -- Virginia -- Harrisonburg -- Societies, etc","Women in education -- Virginia -- Harrisonburg -- History","Women -- Virginia -- Harrisonburg -- Societies and clubs","Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)","Collection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection.","The collection is arranged into seven series:","Administrative Files, 1929-2015\n      Financial Files, 1969-2007\n      Causes, Activism, and Education, 1965-2008\n      Publications, 1968-2011\n      Conventions and Programming, 1968-2017\n      Scrapbooks, Photographs, and Ephemera, 1929-2011\n      2025-0909 Accession, 1979-2025","\"Our History.\" American Association of University Women, https://history.aauw.org/ (accessed September 19, 2019).","The American Association of University Women (AAUW) was founded on November 28, 1881 when Marion Talbot and Ellen Richards met in Boston, Massachusetts along with 15 alumnae representing eight colleges. The aim of this first meeting was to discuss the needs of college-educated women and to broaden opportunities and assist women in higher education. The organization is nonpartisan and nonprofit with more than 170,000 members. The mission of AAUW is \"to advance gender equity for women through research, education, and advocacy.\" Membership in AAUW is open to anyone holding a two-year associate degree or higher from an accredited college or university, or equivalent.","The Harrisonburg branch of AAUW was founded on April 15, 1929 in Alumnae Hall on the campus of the State Teachers College at Harrisonburg (now James Madison University). The branch was organized with 15 charter members including Virginia Harnsberger, librarian at the State Teachers College, who was elected its first president. During the 1940s, the branch established and provided continued support for the Virginia Harnsberger Memorial Fund to furnish the Children's Room at the new Rockingham Public Library. In addition to membership dues, the recipe book Recipes of the Shenandoah Valley, first published in 1959, served as a primary funding source for branch activities and outreach. Since 1975, the branch has held regular book club meetings. Current branch initiatives include equal rights and equal pay advocacy as well as voter registration. In partnership with JMU, the branch organizes \"Girls Can,\" an annual STEM conference and career fair for middle school girls.","The Harrisonburg branch of AAUW officially disbanded on July 1, 2025.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2019. This collection was previously cataloged as SC 5036.","During this time, the collection was also reprocessed in order to simplify the intellectual arrangement, increase discoverability through better description, and better stabilize  the materials through physical rehousing. Significant changes to the collection include the weeding of bank statements, canceled checks and check stubs, receipts, and deposit slips. Their research value is minimal and furthermore the financial activities of AAUW are documented in the bound account books and membership files which were retained. Additionally, duplicate materials, primarily multiple copies of newsletters and publications, were also discarded.","Loose copies of the Harrisonburg Branch Yearbook and branch newsletters, originally associated with the 1929-1947 scrapbook, were filed with like materials in Series 1 and Series 4 respectively.","When the collection was originally processed in September 2012, the pages of the 1929-1947 scrapbook were separated from the boards and photocopied. The original scrapbook, boards, pages, and photocopied pages are all retained.","The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2017, document the activities of Harrisonburg's local AAUW branch and include administrative records, meeting minutes, bylaws, membership records, financial files, publications and newsletters, annual conference materials, scrapbooks, ephemera, and photographs.","Researchers should note that while there is a discrete series for Financial Files, other series, specifically Administrative Files, also contain documents related to the financial goings-on of AAUW. Cross-referencing related series is encouraged. Similarly, the absence of a Correspondence series does not denote a lack of correspondence. In fact, correspondence is likely located in most series.","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch document the activities of Harrisonburg's local AAUW branch and include administrative records, financial files, publications, annual conference materials, scrapbooks, and photographs.","James Madison University Libraries Special Collections","American Association of University Women. Harrisonburg Branch","American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History","English"],"collection_title_tesim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929/2025"],"collection_ssim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929/2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0211","/repositories/4/resources/594"],"unitid_tesim":["SC 0211","/repositories/4/resources/594"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["American Association of University Women. Harrisonburg Branch"],"creator_ssim":["American Association of University Women. Harrisonburg Branch"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","American Association of University Women. Harrisonburg Branch","American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History"],"creators_ssim":["James Madison University Libraries Special Collections","American Association of University Women. Harrisonburg Branch","American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated in five separate accessions between 2011 and 2025."],"access_subjects_ssim":["Women college graduates -- Virginia -- Harrisonburg -- Societies, etc","Women in education -- Virginia -- Harrisonburg -- History","Women -- Virginia -- Harrisonburg -- Societies and clubs","Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)"],"access_subjects_ssm":["Women college graduates -- Virginia -- Harrisonburg -- Societies, etc","Women in education -- Virginia -- Harrisonburg -- History","Women -- Virginia -- Harrisonburg -- Societies and clubs","Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)"],"has_online_content_ssim":["false"],"extent_ssm":["9.89 cubic feet 29 boxes"],"extent_tesim":["9.89 cubic feet 29 boxes"],"genreform_ssim":["Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)"],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into seven series:\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eAdministrative Files, 1929-2015\u003c/item\u003e\n      \u003citem\u003eFinancial Files, 1969-2007\u003c/item\u003e\n      \u003citem\u003eCauses, Activism, and Education, 1965-2008\u003c/item\u003e\n      \u003citem\u003ePublications, 1968-2011\u003c/item\u003e\n      \u003citem\u003eConventions and Programming, 1968-2017\u003c/item\u003e\n      \u003citem\u003eScrapbooks, Photographs, and Ephemera, 1929-2011\u003c/item\u003e\n      \u003citem\u003e2025-0909 Accession, 1979-2025\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into seven series:","Administrative Files, 1929-2015\n      Financial Files, 1969-2007\n      Causes, Activism, and Education, 1965-2008\n      Publications, 1968-2011\n      Conventions and Programming, 1968-2017\n      Scrapbooks, Photographs, and Ephemera, 1929-2011\n      2025-0909 Accession, 1979-2025"],"bibliography_html_tesm":["\u003cbibref\u003e\"Our History.\" American Association of University Women, https://history.aauw.org/ (accessed September 19, 2019).\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Our History.\" American Association of University Women, https://history.aauw.org/ (accessed September 19, 2019)."],"bioghist_html_tesm":["\u003cp\u003eThe American Association of University Women (AAUW) was founded on November 28, 1881 when Marion Talbot and Ellen Richards met in Boston, Massachusetts along with 15 alumnae representing eight colleges. The aim of this first meeting was to discuss the needs of college-educated women and to broaden opportunities and assist women in higher education. The organization is nonpartisan and nonprofit with more than 170,000 members. The mission of AAUW is \"to advance gender equity for women through research, education, and advocacy.\" Membership in AAUW is open to anyone holding a two-year associate degree or higher from an accredited college or university, or equivalent. \u003c/p\u003e","\u003cp\u003eThe Harrisonburg branch of AAUW was founded on April 15, 1929 in Alumnae Hall on the campus of the State Teachers College at Harrisonburg (now James Madison University). The branch was organized with 15 charter members including Virginia Harnsberger, librarian at the State Teachers College, who was elected its first president. During the 1940s, the branch established and provided continued support for the Virginia Harnsberger Memorial Fund to furnish the Children's Room at the new Rockingham Public Library. In addition to membership dues, the recipe book \u003cemph render=\"italic\"\u003eRecipes of the Shenandoah Valley\u003c/emph\u003e, first published in 1959, served as a primary funding source for branch activities and outreach. Since 1975, the branch has held regular book club meetings. Current branch initiatives include equal rights and equal pay advocacy as well as voter registration. In partnership with JMU, the branch organizes \"Girls Can,\" an annual STEM conference and career fair for middle school girls.\u003c/p\u003e","\u003cp\u003eThe Harrisonburg branch of AAUW officially disbanded on July 1, 2025.\u003c/p\u003e  "],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The American Association of University Women (AAUW) was founded on November 28, 1881 when Marion Talbot and Ellen Richards met in Boston, Massachusetts along with 15 alumnae representing eight colleges. The aim of this first meeting was to discuss the needs of college-educated women and to broaden opportunities and assist women in higher education. The organization is nonpartisan and nonprofit with more than 170,000 members. The mission of AAUW is \"to advance gender equity for women through research, education, and advocacy.\" Membership in AAUW is open to anyone holding a two-year associate degree or higher from an accredited college or university, or equivalent.","The Harrisonburg branch of AAUW was founded on April 15, 1929 in Alumnae Hall on the campus of the State Teachers College at Harrisonburg (now James Madison University). The branch was organized with 15 charter members including Virginia Harnsberger, librarian at the State Teachers College, who was elected its first president. During the 1940s, the branch established and provided continued support for the Virginia Harnsberger Memorial Fund to furnish the Children's Room at the new Rockingham Public Library. In addition to membership dues, the recipe book Recipes of the Shenandoah Valley, first published in 1959, served as a primary funding source for branch activities and outreach. Since 1975, the branch has held regular book club meetings. Current branch initiatives include equal rights and equal pay advocacy as well as voter registration. In partnership with JMU, the branch organizes \"Girls Can,\" an annual STEM conference and career fair for middle school girls.","The Harrisonburg branch of AAUW officially disbanded on July 1, 2025."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2025, SC 0211, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2025, SC 0211, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2019. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 5036.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eDuring this time, the collection was also reprocessed in order to simplify the intellectual arrangement, increase discoverability through better description, and better stabilize  the materials through physical rehousing. Significant changes to the collection include the weeding of bank statements, canceled checks and check stubs, receipts, and deposit slips. Their research value is minimal and furthermore the financial activities of AAUW are documented in the bound account books and membership files which were retained. Additionally, duplicate materials, primarily multiple copies of newsletters and publications, were also discarded.\u003c/p\u003e","\u003cp\u003eLoose copies of the Harrisonburg Branch Yearbook and branch newsletters, originally associated with the 1929-1947 scrapbook, were filed with like materials in Series 1 and Series 4 respectively.\u003c/p\u003e","\u003cp\u003eWhen the collection was originally processed in September 2012, the pages of the 1929-1947 scrapbook were separated from the boards and photocopied. The original scrapbook, boards, pages, and photocopied pages are all retained.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2019. This collection was previously cataloged as SC 5036.","During this time, the collection was also reprocessed in order to simplify the intellectual arrangement, increase discoverability through better description, and better stabilize  the materials through physical rehousing. Significant changes to the collection include the weeding of bank statements, canceled checks and check stubs, receipts, and deposit slips. Their research value is minimal and furthermore the financial activities of AAUW are documented in the bound account books and membership files which were retained. Additionally, duplicate materials, primarily multiple copies of newsletters and publications, were also discarded.","Loose copies of the Harrisonburg Branch Yearbook and branch newsletters, originally associated with the 1929-1947 scrapbook, were filed with like materials in Series 1 and Series 4 respectively.","When the collection was originally processed in September 2012, the pages of the 1929-1947 scrapbook were separated from the boards and photocopied. The original scrapbook, boards, pages, and photocopied pages are all retained."],"scopecontent_html_tesm":["\u003cp\u003eThe American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2017, document the activities of Harrisonburg's local AAUW branch and include administrative records, meeting minutes, bylaws, membership records, financial files, publications and newsletters, annual conference materials, scrapbooks, ephemera, and photographs.\u003c/p\u003e","\u003cp\u003eResearchers should note that while there is a discrete series for Financial Files, other series, specifically Administrative Files, also contain documents related to the financial goings-on of AAUW. Cross-referencing related series is encouraged. Similarly, the absence of a Correspondence series does not denote a lack of correspondence. In fact, correspondence is likely located in most series.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2017, document the activities of Harrisonburg's local AAUW branch and include administrative records, meeting minutes, bylaws, membership records, financial files, publications and newsletters, annual conference materials, scrapbooks, ephemera, and photographs.","Researchers should note that while there is a discrete series for Financial Files, other series, specifically Administrative Files, also contain documents related to the financial goings-on of AAUW. Cross-referencing related series is encouraged. Similarly, the absence of a Correspondence series does not denote a lack of correspondence. In fact, correspondence is likely located in most series."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a851f3b5686ab7d4771a1162809cbb0b\"\u003eThe American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch document the activities of Harrisonburg's local AAUW branch and include administrative records, financial files, publications, annual conference materials, scrapbooks, and photographs.\u003c/abstract\u003e\n    "],"abstract_tesim":["The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch document the activities of Harrisonburg's local AAUW branch and include administrative records, financial files, publications, annual conference materials, scrapbooks, and photographs."],"corpname_ssim":["James Madison University Libraries Special Collections","American Association of University Women. Harrisonburg Branch","American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History"],"names_coll_ssim":["American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History"],"names_ssim":["James Madison University Libraries Special Collections","American Association of University Women. Harrisonburg Branch","American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":302,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:09.969Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_594_c07_c15"}},{"id":"wvmturhc_repositories_2_resources_6480_c02_c06","type":"Item","attributes":{"title":"\"Ann Magnuson: 2018 Inductee, West Virginia Music Hall of Fame\" poster, 2018","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6480_c02_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6480_c02_c06","ref_ssm":["wvmturhc_repositories_2_resources_6480_c02_c06"],"id":"wvmturhc_repositories_2_resources_6480_c02_c06","ead_ssi":"wvmturhc_repositories_2_resources_6480","_root_":"wvmturhc_repositories_2_resources_6480","_nest_parent_":"wvmturhc_repositories_2_resources_6480_c02","parent_ssi":"wvmturhc_repositories_2_resources_6480_c02","parent_ssim":["Ann Magnuson, Performance Artist, Papers, 1973/2024","Series 2. Performance and Other Posters (box 6), 1991/2018"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6480","wvmturhc_repositories_2_resources_6480_c02"],"title_filing_ssi":"\"Ann Magnuson: 2018 Inductee, West Virginia Music Hall of Fame\" poster","title_ssm":["\"Ann Magnuson: 2018 Inductee, West Virginia Music Hall of Fame\" poster"],"title_tesim":["\"Ann Magnuson: 2018 Inductee, West Virginia Music Hall of Fame\" poster"],"normalized_title_ssm":["\"Ann Magnuson: 2018 Inductee, West Virginia Music Hall of Fame\" poster, 2018"],"text":["\"Ann Magnuson: 2018 Inductee, West Virginia Music Hall of Fame\" poster, 2018","Ann Magnuson, Performance Artist, Papers, 1973/2024","Series 2. Performance and Other Posters (box 6), 1991/2018","Box 6","Object 6"],"parent_unittitles_ssm":["Ann Magnuson, Performance Artist, Papers, 1973/2024","Series 2. Performance and Other Posters (box 6), 1991/2018"],"parent_unittitles_tesim":["Ann Magnuson, Performance Artist, Papers, 1973/2024","Series 2. Performance and Other Posters (box 6), 1991/2018"],"normalized_date_ssm":["2018"],"unitdate_other_ssim":["2018"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":49,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Ann Magnuson, Performance Artist, Papers, 1973/2024"],"containers_ssim":["Box 6","Object 6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"parent_access_terms_tesm":["The donor of this collection has transferred rights to the intellectual property they created to the Center, except that any scripted or written material authored by Ann Magnuson can be used for research only. For more information regarding permission to publish or reproduce, please contact the West Virginia and Regional History Center."],"date_range_isim":[2018],"_nest_path_":"/components#1/components#5","timestamp":"2026-08-14T23:11:21.075Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6480","ead_ssi":"wvmturhc_repositories_2_resources_6480","_root_":"wvmturhc_repositories_2_resources_6480","_nest_parent_":"wvmturhc_repositories_2_resources_6480","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6480.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/199379","title_ssm":["Ann Magnuson, Performance Artist, Papers"],"title_tesim":["Ann Magnuson, Performance Artist, Papers"],"unitdate_ssm":["circa 1973-2024"],"unitdate_inclusive_ssm":["circa 1973-2024"],"normalized_date_ssm":["1973/2024"],"normalized_title_ssm":["Ann Magnuson, Performance Artist, Papers, 1973/2024"],"text":["Ann Magnuson, Performance Artist, Papers, 1973/2024","A\u0026M 4387","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6480","Women performance artists","Art and artists","Performance art","West Virginia Feminist Activist and Women's History Collection","No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Ann Magnuson, born and raised in Charleston, West Virginia, is known for her surreal dreamscapes presented in both song and spoken word, with an eclectic resume that traverses the entertainment landscape like few others. She is a multi-media interdisciplinary performer, writer, and artist who has acted in film, theater, and television, written for various publications, and made visual art.","She fronted the indie cult band Bongwater and has released many solo albums. A notable single, \"Ghost Cat,\" about monsters from her native West Virginia, was released in 2023 and features harmonica by Nashville legend Charlie McCoy.","She has presented her original performance art pieces at institutions worldwide including the Whitney Museum, The Museum of Modern Art, Lincoln Center for the Performing Arts, BAM, LACMA, MOCA, The Hammer Museum, REDCAT, The Walker Art Center, The Andy Warhol Museum, The Portland Institute for Contemporary Art, and in places as far flung as Tokyo's Sogetsu Hall and The Ice Hotel inside Sweden's Arctic Circle.","After studying theatre and cinema in London, she worked in New York City with the Ensemble Studio Theater, managed the infamous Club 57, and rubbed elbows with Keith Haring, Jean-Michel Basquiat, and Andy Warhol.","Ann appeared with David Bowie in \"The Hunger,\" starred in \"Making Mr. Right\" opposite John Malkovich and was a series regular in the ABC sitcom \"Anything but Love\" with Jamie Lee Curtis. She held a recurring role in the Amazon series \"The Man in the High Castle.\" She famously dropped the F-Bomb on Sir Patrick Stewart in \"Picard.\"","She received a BFA, Theater and Cinema from Denison University, an Honorary Doctorate from West Virginia University, is a 2018 Inductee of the West Virginia Music Hall of Fame, was Guest Curator of MOMA's exhibit \"Club 57: Film, Performance, and Art in the East Village, 1978–1983\", and established The Club 57 Society while curating and performing in two wildly successful events at Zebulon co-hosted by The Broad Museum in connection with their Keith Haring retrospective.","More detailed information and current projects can be found on Ann's official website","(Adapted from \"Bio.\" Ann Magnuson Official Website. Accessed January, 2024.)","Publications, sound recordings, and other material documenting the career of Ann Magnuson, an actress, performance artist, and nightclub performer who grew up in Charleston, West Virginia.  She worked at Club 57 in New York, a gathering place for artists such as Keith Haring and Kenny Scharf.","Includes:","Series 1. Publications and Excerpts, boxes 1-5, 1983-2018\nSeries 2. Performance and Other Posters, box 6, 1991-2018\nSeries 3. Performance Programs and Related Material, box 7, 1981-2017\nSeries 4. Audiovisual Material, box 7, 1995-2016\nSeries 5. Ephemera and Other Material, box 7, ca. 1973-1987, 2018-2019\nSeries 6. Addenda of 2020-2021, box 8 and oversize, 1984-2020","The addendum of 2025 January 24 includes postcards and prints commemorating Magnuson's feature film Making Mr. Right and other projects, a flexi disc vinyl record of \"The Revolutions per Movie Players Present Music from the Movie 'Wild in the Streets,'\" a 2025 Club 57 calendar, and other material (Box 8, Folder 8).","The donor of this collection has transferred rights to the intellectual property they created to the Center, except that any scripted or written material authored by Ann Magnuson can be used for research only. For more information regarding permission to publish or reproduce, please contact the West Virginia and Regional History Center.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Magnuson, Ann","English\n."],"collection_title_tesim":["Ann Magnuson, Performance Artist, Papers, 1973/2024"],"collection_ssim":["Ann Magnuson, Performance Artist, Papers, 1973/2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4387","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6480"],"unitid_tesim":["A\u0026M 4387","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6480"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Women performance artists"],"geogname_ssim":["Women performance artists"],"places_ssim":["Women performance artists"],"creator_ssm":["Magnuson, Ann"],"creator_ssim":["Magnuson, Ann"],"creator_persname_ssim":["Magnuson, Ann"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Magnuson, Ann","West Virginia and Regional History Center"],"access_terms_ssm":["The donor of this collection has transferred rights to the intellectual property they created to the Center, except that any scripted or written material authored by Ann Magnuson can be used for research only. For more information regarding permission to publish or reproduce, please contact the West Virginia and Regional History Center."],"access_subjects_ssim":["Art and artists","Performance art","West Virginia Feminist Activist and Women's History Collection"],"access_subjects_ssm":["Art and artists","Performance art","West Virginia Feminist Activist and Women's History Collection"],"has_online_content_ssim":["false"],"extent_ssm":["2.34 Linear Feet 2 ft. 4 in. (2 document cases, 5 in.; 1 flat storage box, 1.5 in.; 2 flat storage boxes, 3.5 in. each; 3 storage boxes, 3 in. each; 1 oversize folder, 0.01 in.)","3.05 Gigabytes 77 files, formats include .wav, .docx, .mp4, .jpg, .html, .png"],"extent_tesim":["2.34 Linear Feet 2 ft. 4 in. (2 document cases, 5 in.; 1 flat storage box, 1.5 in.; 2 flat storage boxes, 3.5 in. each; 3 storage boxes, 3 in. each; 1 oversize folder, 0.01 in.)","3.05 Gigabytes 77 files, formats include .wav, .docx, .mp4, .jpg, .html, .png"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003ethe West Virginia \u0026amp; Regional History Center reference department.\u003c/a\u003e\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"bioghist_html_tesm":["\u003cp\u003eAnn Magnuson, born and raised in Charleston, West Virginia, is known for her surreal dreamscapes presented in both song and spoken word, with an eclectic resume that traverses the entertainment landscape like few others. She is a multi-media interdisciplinary performer, writer, and artist who has acted in film, theater, and television, written for various publications, and made visual art. \u003c/p\u003e","\u003cp\u003eShe fronted the indie cult band Bongwater and has released many solo albums. A notable single, \"Ghost Cat,\" about monsters from her native West Virginia, was released in 2023 and features harmonica by Nashville legend Charlie McCoy. \u003c/p\u003e","\u003cp\u003eShe has presented her original performance art pieces at institutions worldwide including the Whitney Museum, The Museum of Modern Art, Lincoln Center for the Performing Arts, BAM, LACMA, MOCA, The Hammer Museum, REDCAT, The Walker Art Center, The Andy Warhol Museum, The Portland Institute for Contemporary Art, and in places as far flung as Tokyo's Sogetsu Hall and The Ice Hotel inside Sweden's Arctic Circle. \u003c/p\u003e","\u003cp\u003eAfter studying theatre and cinema in London, she worked in New York City with the Ensemble Studio Theater, managed the infamous Club 57, and rubbed elbows with Keith Haring, Jean-Michel Basquiat, and Andy Warhol.  \u003c/p\u003e","\u003cp\u003eAnn appeared with David Bowie in \"The Hunger,\" starred in \"Making Mr. Right\" opposite John Malkovich and was a series regular in the ABC sitcom \"Anything but Love\" with Jamie Lee Curtis. She held a recurring role in the Amazon series \"The Man in the High Castle.\" She famously dropped the F-Bomb on Sir Patrick Stewart in \"Picard.\"  \u003c/p\u003e","\u003cp\u003eShe received a BFA, Theater and Cinema from Denison University, an Honorary Doctorate from West Virginia University, is a 2018 Inductee of the West Virginia Music Hall of Fame, was Guest Curator of MOMA's exhibit \"Club 57: Film, Performance, and Art in the East Village, 1978–1983\", and established The Club 57 Society while curating and performing in two wildly successful events at Zebulon co-hosted by The Broad Museum in connection with their Keith Haring retrospective.\u003c/p\u003e","\u003cp\u003eMore detailed information and current projects can be found on \u003ca href=\"https://annmagnuson.com\" target=\"_blank\"\u003eAnn's official website\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e(Adapted from \"\u003ca href=\"https://annmagnuson.com/bio/\" target=\"_blank\"\u003eBio.\u003c/a\u003e\" Ann Magnuson Official Website. Accessed January, 2024.)\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ann Magnuson, born and raised in Charleston, West Virginia, is known for her surreal dreamscapes presented in both song and spoken word, with an eclectic resume that traverses the entertainment landscape like few others. She is a multi-media interdisciplinary performer, writer, and artist who has acted in film, theater, and television, written for various publications, and made visual art.","She fronted the indie cult band Bongwater and has released many solo albums. A notable single, \"Ghost Cat,\" about monsters from her native West Virginia, was released in 2023 and features harmonica by Nashville legend Charlie McCoy.","She has presented her original performance art pieces at institutions worldwide including the Whitney Museum, The Museum of Modern Art, Lincoln Center for the Performing Arts, BAM, LACMA, MOCA, The Hammer Museum, REDCAT, The Walker Art Center, The Andy Warhol Museum, The Portland Institute for Contemporary Art, and in places as far flung as Tokyo's Sogetsu Hall and The Ice Hotel inside Sweden's Arctic Circle.","After studying theatre and cinema in London, she worked in New York City with the Ensemble Studio Theater, managed the infamous Club 57, and rubbed elbows with Keith Haring, Jean-Michel Basquiat, and Andy Warhol.","Ann appeared with David Bowie in \"The Hunger,\" starred in \"Making Mr. Right\" opposite John Malkovich and was a series regular in the ABC sitcom \"Anything but Love\" with Jamie Lee Curtis. She held a recurring role in the Amazon series \"The Man in the High Castle.\" She famously dropped the F-Bomb on Sir Patrick Stewart in \"Picard.\"","She received a BFA, Theater and Cinema from Denison University, an Honorary Doctorate from West Virginia University, is a 2018 Inductee of the West Virginia Music Hall of Fame, was Guest Curator of MOMA's exhibit \"Club 57: Film, Performance, and Art in the East Village, 1978–1983\", and established The Club 57 Society while curating and performing in two wildly successful events at Zebulon co-hosted by The Broad Museum in connection with their Keith Haring retrospective.","More detailed information and current projects can be found on Ann's official website","(Adapted from \"Bio.\" Ann Magnuson Official Website. Accessed January, 2024.)"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Ann Magnuson, Performance Artist, Papers, A\u0026amp;M 4387, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Ann Magnuson, Performance Artist, Papers, A\u0026M 4387, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePublications, sound recordings, and other material documenting the career of Ann Magnuson, an actress, performance artist, and nightclub performer who grew up in Charleston, West Virginia.  She worked at Club 57 in New York, a gathering place for artists such as Keith Haring and Kenny Scharf.\u003c/p\u003e","\u003cp\u003eIncludes:\u003c/p\u003e","\u003cp\u003eSeries 1. Publications and Excerpts, boxes 1-5, 1983-2018\u003clb\u003e\u003c/lb\u003e\nSeries 2. Performance and Other Posters, box 6, 1991-2018\u003clb\u003e\u003c/lb\u003e\nSeries 3. Performance Programs and Related Material, box 7, 1981-2017\u003clb\u003e\u003c/lb\u003e\nSeries 4. Audiovisual Material, box 7, 1995-2016\u003clb\u003e\u003c/lb\u003e\nSeries 5. Ephemera and Other Material, box 7, ca. 1973-1987, 2018-2019\u003clb\u003e\u003c/lb\u003e\nSeries 6. Addenda of 2020-2021, box 8 and oversize, 1984-2020\u003c/p\u003e","\u003cp\u003eThe addendum of 2025 January 24 includes postcards and prints commemorating Magnuson's feature film \u003ctitle\u003e\u003cpart\u003eMaking Mr. Right\u003c/part\u003e\u003c/title\u003e and other projects, a flexi disc vinyl record of \"The Revolutions per Movie Players Present Music from the Movie 'Wild in the Streets,'\" a 2025 Club 57 calendar, and other material (Box 8, Folder 8).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publications, sound recordings, and other material documenting the career of Ann Magnuson, an actress, performance artist, and nightclub performer who grew up in Charleston, West Virginia.  She worked at Club 57 in New York, a gathering place for artists such as Keith Haring and Kenny Scharf.","Includes:","Series 1. Publications and Excerpts, boxes 1-5, 1983-2018\nSeries 2. Performance and Other Posters, box 6, 1991-2018\nSeries 3. Performance Programs and Related Material, box 7, 1981-2017\nSeries 4. Audiovisual Material, box 7, 1995-2016\nSeries 5. Ephemera and Other Material, box 7, ca. 1973-1987, 2018-2019\nSeries 6. Addenda of 2020-2021, box 8 and oversize, 1984-2020","The addendum of 2025 January 24 includes postcards and prints commemorating Magnuson's feature film Making Mr. Right and other projects, a flexi disc vinyl record of \"The Revolutions per Movie Players Present Music from the Movie 'Wild in the Streets,'\" a 2025 Club 57 calendar, and other material (Box 8, Folder 8)."],"userestrict_html_tesm":["\u003cp\u003eThe donor of this collection has transferred rights to the intellectual property they created to the Center, except that any scripted or written material authored by Ann Magnuson can be used for research only. For more information regarding permission to publish or reproduce, please contact the West Virginia and Regional History Center.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The donor of this collection has transferred rights to the intellectual property they created to the Center, except that any scripted or written material authored by Ann Magnuson can be used for research only. For more information regarding permission to publish or reproduce, please contact the West Virginia and Regional History Center."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5ded4c9c5c9bec9f98491a5c03173724\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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She is a multi-media interdisciplinary performer, writer, and artist who has acted in film, theater, and television, written for various publications, and made visual art.","She fronted the indie cult band Bongwater and has released many solo albums. A notable single, \"Ghost Cat,\" about monsters from her native West Virginia, was released in 2023 and features harmonica by Nashville legend Charlie McCoy.","She has presented her original performance art pieces at institutions worldwide including the Whitney Museum, The Museum of Modern Art, Lincoln Center for the Performing Arts, BAM, LACMA, MOCA, The Hammer Museum, REDCAT, The Walker Art Center, The Andy Warhol Museum, The Portland Institute for Contemporary Art, and in places as far flung as Tokyo's Sogetsu Hall and The Ice Hotel inside Sweden's Arctic Circle.","After studying theatre and cinema in London, she worked in New York City with the Ensemble Studio Theater, managed the infamous Club 57, and rubbed elbows with Keith Haring, Jean-Michel Basquiat, and Andy Warhol.","Ann appeared with David Bowie in \"The Hunger,\" starred in \"Making Mr. Right\" opposite John Malkovich and was a series regular in the ABC sitcom \"Anything but Love\" with Jamie Lee Curtis. She held a recurring role in the Amazon series \"The Man in the High Castle.\" She famously dropped the F-Bomb on Sir Patrick Stewart in \"Picard.\"","She received a BFA, Theater and Cinema from Denison University, an Honorary Doctorate from West Virginia University, is a 2018 Inductee of the West Virginia Music Hall of Fame, was Guest Curator of MOMA's exhibit \"Club 57: Film, Performance, and Art in the East Village, 1978–1983\", and established The Club 57 Society while curating and performing in two wildly successful events at Zebulon co-hosted by The Broad Museum in connection with their Keith Haring retrospective.","More detailed information and current projects can be found on Ann's official website","(Adapted from \"Bio.\" Ann Magnuson Official Website. Accessed January, 2024.)","Publications, sound recordings, and other material documenting the career of Ann Magnuson, an actress, performance artist, and nightclub performer who grew up in Charleston, West Virginia.  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For more information regarding permission to publish or reproduce, please contact the West Virginia and Regional History Center."],"access_subjects_ssim":["Art and artists","Performance art","West Virginia Feminist Activist and Women's History Collection"],"access_subjects_ssm":["Art and artists","Performance art","West Virginia Feminist Activist and Women's History Collection"],"has_online_content_ssim":["false"],"extent_ssm":["2.34 Linear Feet 2 ft. 4 in. (2 document cases, 5 in.; 1 flat storage box, 1.5 in.; 2 flat storage boxes, 3.5 in. each; 3 storage boxes, 3 in. each; 1 oversize folder, 0.01 in.)","3.05 Gigabytes 77 files, formats include .wav, .docx, .mp4, .jpg, .html, .png"],"extent_tesim":["2.34 Linear Feet 2 ft. 4 in. (2 document cases, 5 in.; 1 flat storage box, 1.5 in.; 2 flat storage boxes, 3.5 in. each; 3 storage boxes, 3 in. each; 1 oversize folder, 0.01 in.)","3.05 Gigabytes 77 files, formats include .wav, .docx, .mp4, .jpg, .html, .png"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003ethe West Virginia \u0026amp; Regional History Center reference department.\u003c/a\u003e\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"bioghist_html_tesm":["\u003cp\u003eAnn Magnuson, born and raised in Charleston, West Virginia, is known for her surreal dreamscapes presented in both song and spoken word, with an eclectic resume that traverses the entertainment landscape like few others. 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She held a recurring role in the Amazon series \"The Man in the High Castle.\" She famously dropped the F-Bomb on Sir Patrick Stewart in \"Picard.\"","She received a BFA, Theater and Cinema from Denison University, an Honorary Doctorate from West Virginia University, is a 2018 Inductee of the West Virginia Music Hall of Fame, was Guest Curator of MOMA's exhibit \"Club 57: Film, Performance, and Art in the East Village, 1978–1983\", and established The Club 57 Society while curating and performing in two wildly successful events at Zebulon co-hosted by The Broad Museum in connection with their Keith Haring retrospective.","More detailed information and current projects can be found on Ann's official website","(Adapted from \"Bio.\" Ann Magnuson Official Website. Accessed January, 2024.)"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Ann Magnuson, Performance Artist, Papers, A\u0026amp;M 4387, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Ann Magnuson, Performance Artist, Papers, A\u0026M 4387, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePublications, sound recordings, and other material documenting the career of Ann Magnuson, an actress, performance artist, and nightclub performer who grew up in Charleston, West Virginia.  She worked at Club 57 in New York, a gathering place for artists such as Keith Haring and Kenny Scharf.\u003c/p\u003e","\u003cp\u003eIncludes:\u003c/p\u003e","\u003cp\u003eSeries 1. Publications and Excerpts, boxes 1-5, 1983-2018\u003clb\u003e\u003c/lb\u003e\nSeries 2. Performance and Other Posters, box 6, 1991-2018\u003clb\u003e\u003c/lb\u003e\nSeries 3. Performance Programs and Related Material, box 7, 1981-2017\u003clb\u003e\u003c/lb\u003e\nSeries 4. Audiovisual Material, box 7, 1995-2016\u003clb\u003e\u003c/lb\u003e\nSeries 5. Ephemera and Other Material, box 7, ca. 1973-1987, 2018-2019\u003clb\u003e\u003c/lb\u003e\nSeries 6. Addenda of 2020-2021, box 8 and oversize, 1984-2020\u003c/p\u003e","\u003cp\u003eThe addendum of 2025 January 24 includes postcards and prints commemorating Magnuson's feature film \u003ctitle\u003e\u003cpart\u003eMaking Mr. Right\u003c/part\u003e\u003c/title\u003e and other projects, a flexi disc vinyl record of \"The Revolutions per Movie Players Present Music from the Movie 'Wild in the Streets,'\" a 2025 Club 57 calendar, and other material (Box 8, Folder 8).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publications, sound recordings, and other material documenting the career of Ann Magnuson, an actress, performance artist, and nightclub performer who grew up in Charleston, West Virginia.  She worked at Club 57 in New York, a gathering place for artists such as Keith Haring and Kenny Scharf.","Includes:","Series 1. Publications and Excerpts, boxes 1-5, 1983-2018\nSeries 2. Performance and Other Posters, box 6, 1991-2018\nSeries 3. Performance Programs and Related Material, box 7, 1981-2017\nSeries 4. Audiovisual Material, box 7, 1995-2016\nSeries 5. Ephemera and Other Material, box 7, ca. 1973-1987, 2018-2019\nSeries 6. Addenda of 2020-2021, box 8 and oversize, 1984-2020","The addendum of 2025 January 24 includes postcards and prints commemorating Magnuson's feature film Making Mr. Right and other projects, a flexi disc vinyl record of \"The Revolutions per Movie Players Present Music from the Movie 'Wild in the Streets,'\" a 2025 Club 57 calendar, and other material (Box 8, Folder 8)."],"userestrict_html_tesm":["\u003cp\u003eThe donor of this collection has transferred rights to the intellectual property they created to the Center, except that any scripted or written material authored by Ann Magnuson can be used for research only. For more information regarding permission to publish or reproduce, please contact the West Virginia and Regional History Center.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The donor of this collection has transferred rights to the intellectual property they created to the Center, except that any scripted or written material authored by Ann Magnuson can be used for research only. For more information regarding permission to publish or reproduce, please contact the West Virginia and Regional History Center."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5ded4c9c5c9bec9f98491a5c03173724\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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She is a multi-media interdisciplinary performer, writer, and artist who has acted in film, theater, and television, written for various publications, and made visual art.","She fronted the indie cult band Bongwater and has released many solo albums. A notable single, \"Ghost Cat,\" about monsters from her native West Virginia, was released in 2023 and features harmonica by Nashville legend Charlie McCoy.","She has presented her original performance art pieces at institutions worldwide including the Whitney Museum, The Museum of Modern Art, Lincoln Center for the Performing Arts, BAM, LACMA, MOCA, The Hammer Museum, REDCAT, The Walker Art Center, The Andy Warhol Museum, The Portland Institute for Contemporary Art, and in places as far flung as Tokyo's Sogetsu Hall and The Ice Hotel inside Sweden's Arctic Circle.","After studying theatre and cinema in London, she worked in New York City with the Ensemble Studio Theater, managed the infamous Club 57, and rubbed elbows with Keith Haring, Jean-Michel Basquiat, and Andy Warhol.","Ann appeared with David Bowie in \"The Hunger,\" starred in \"Making Mr. Right\" opposite John Malkovich and was a series regular in the ABC sitcom \"Anything but Love\" with Jamie Lee Curtis. She held a recurring role in the Amazon series \"The Man in the High Castle.\" She famously dropped the F-Bomb on Sir Patrick Stewart in \"Picard.\"","She received a BFA, Theater and Cinema from Denison University, an Honorary Doctorate from West Virginia University, is a 2018 Inductee of the West Virginia Music Hall of Fame, was Guest Curator of MOMA's exhibit \"Club 57: Film, Performance, and Art in the East Village, 1978–1983\", and established The Club 57 Society while curating and performing in two wildly successful events at Zebulon co-hosted by The Broad Museum in connection with their Keith Haring retrospective.","More detailed information and current projects can be found on Ann's official website","(Adapted from \"Bio.\" Ann Magnuson Official Website. Accessed January, 2024.)","Publications, sound recordings, and other material documenting the career of Ann Magnuson, an actress, performance artist, and nightclub performer who grew up in Charleston, West Virginia.  She worked at Club 57 in New York, a gathering place for artists such as Keith Haring and Kenny Scharf.","Includes:","Series 1. Publications and Excerpts, boxes 1-5, 1983-2018\nSeries 2. Performance and Other Posters, box 6, 1991-2018\nSeries 3. Performance Programs and Related Material, box 7, 1981-2017\nSeries 4. Audiovisual Material, box 7, 1995-2016\nSeries 5. Ephemera and Other Material, box 7, ca. 1973-1987, 2018-2019\nSeries 6. 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(2 document cases, 5 in.; 1 flat storage box, 1.5 in.; 2 flat storage boxes, 3.5 in. each; 3 storage boxes, 3 in. each; 1 oversize folder, 0.01 in.)","3.05 Gigabytes 77 files, formats include .wav, .docx, .mp4, .jpg, .html, .png"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003ethe West Virginia \u0026amp; Regional History Center reference department.\u003c/a\u003e\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"bioghist_html_tesm":["\u003cp\u003eAnn Magnuson, born and raised in Charleston, West Virginia, is known for her surreal dreamscapes presented in both song and spoken word, with an eclectic resume that traverses the entertainment landscape like few others. She is a multi-media interdisciplinary performer, writer, and artist who has acted in film, theater, and television, written for various publications, and made visual art. \u003c/p\u003e","\u003cp\u003eShe fronted the indie cult band Bongwater and has released many solo albums. A notable single, \"Ghost Cat,\" about monsters from her native West Virginia, was released in 2023 and features harmonica by Nashville legend Charlie McCoy. \u003c/p\u003e","\u003cp\u003eShe has presented her original performance art pieces at institutions worldwide including the Whitney Museum, The Museum of Modern Art, Lincoln Center for the Performing Arts, BAM, LACMA, MOCA, The Hammer Museum, REDCAT, The Walker Art Center, The Andy Warhol Museum, The Portland Institute for Contemporary Art, and in places as far flung as Tokyo's Sogetsu Hall and The Ice Hotel inside Sweden's Arctic Circle. \u003c/p\u003e","\u003cp\u003eAfter studying theatre and cinema in London, she worked in New York City with the Ensemble Studio Theater, managed the infamous Club 57, and rubbed elbows with Keith Haring, Jean-Michel Basquiat, and Andy Warhol.  \u003c/p\u003e","\u003cp\u003eAnn appeared with David Bowie in \"The Hunger,\" starred in \"Making Mr. Right\" opposite John Malkovich and was a series regular in the ABC sitcom \"Anything but Love\" with Jamie Lee Curtis. She held a recurring role in the Amazon series \"The Man in the High Castle.\" She famously dropped the F-Bomb on Sir Patrick Stewart in \"Picard.\"  \u003c/p\u003e","\u003cp\u003eShe received a BFA, Theater and Cinema from Denison University, an Honorary Doctorate from West Virginia University, is a 2018 Inductee of the West Virginia Music Hall of Fame, was Guest Curator of MOMA's exhibit \"Club 57: Film, Performance, and Art in the East Village, 1978–1983\", and established The Club 57 Society while curating and performing in two wildly successful events at Zebulon co-hosted by The Broad Museum in connection with their Keith Haring retrospective.\u003c/p\u003e","\u003cp\u003eMore detailed information and current projects can be found on \u003ca href=\"https://annmagnuson.com\" target=\"_blank\"\u003eAnn's official website\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e(Adapted from \"\u003ca href=\"https://annmagnuson.com/bio/\" target=\"_blank\"\u003eBio.\u003c/a\u003e\" Ann Magnuson Official Website. Accessed January, 2024.)\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ann Magnuson, born and raised in Charleston, West Virginia, is known for her surreal dreamscapes presented in both song and spoken word, with an eclectic resume that traverses the entertainment landscape like few others. She is a multi-media interdisciplinary performer, writer, and artist who has acted in film, theater, and television, written for various publications, and made visual art.","She fronted the indie cult band Bongwater and has released many solo albums. A notable single, \"Ghost Cat,\" about monsters from her native West Virginia, was released in 2023 and features harmonica by Nashville legend Charlie McCoy.","She has presented her original performance art pieces at institutions worldwide including the Whitney Museum, The Museum of Modern Art, Lincoln Center for the Performing Arts, BAM, LACMA, MOCA, The Hammer Museum, REDCAT, The Walker Art Center, The Andy Warhol Museum, The Portland Institute for Contemporary Art, and in places as far flung as Tokyo's Sogetsu Hall and The Ice Hotel inside Sweden's Arctic Circle.","After studying theatre and cinema in London, she worked in New York City with the Ensemble Studio Theater, managed the infamous Club 57, and rubbed elbows with Keith Haring, Jean-Michel Basquiat, and Andy Warhol.","Ann appeared with David Bowie in \"The Hunger,\" starred in \"Making Mr. Right\" opposite John Malkovich and was a series regular in the ABC sitcom \"Anything but Love\" with Jamie Lee Curtis. She held a recurring role in the Amazon series \"The Man in the High Castle.\" She famously dropped the F-Bomb on Sir Patrick Stewart in \"Picard.\"","She received a BFA, Theater and Cinema from Denison University, an Honorary Doctorate from West Virginia University, is a 2018 Inductee of the West Virginia Music Hall of Fame, was Guest Curator of MOMA's exhibit \"Club 57: Film, Performance, and Art in the East Village, 1978–1983\", and established The Club 57 Society while curating and performing in two wildly successful events at Zebulon co-hosted by The Broad Museum in connection with their Keith Haring retrospective.","More detailed information and current projects can be found on Ann's official website","(Adapted from \"Bio.\" Ann Magnuson Official Website. Accessed January, 2024.)"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Ann Magnuson, Performance Artist, Papers, A\u0026amp;M 4387, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Ann Magnuson, Performance Artist, Papers, A\u0026M 4387, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePublications, sound recordings, and other material documenting the career of Ann Magnuson, an actress, performance artist, and nightclub performer who grew up in Charleston, West Virginia.  She worked at Club 57 in New York, a gathering place for artists such as Keith Haring and Kenny Scharf.\u003c/p\u003e","\u003cp\u003eIncludes:\u003c/p\u003e","\u003cp\u003eSeries 1. Publications and Excerpts, boxes 1-5, 1983-2018\u003clb\u003e\u003c/lb\u003e\nSeries 2. Performance and Other Posters, box 6, 1991-2018\u003clb\u003e\u003c/lb\u003e\nSeries 3. Performance Programs and Related Material, box 7, 1981-2017\u003clb\u003e\u003c/lb\u003e\nSeries 4. Audiovisual Material, box 7, 1995-2016\u003clb\u003e\u003c/lb\u003e\nSeries 5. Ephemera and Other Material, box 7, ca. 1973-1987, 2018-2019\u003clb\u003e\u003c/lb\u003e\nSeries 6. Addenda of 2020-2021, box 8 and oversize, 1984-2020\u003c/p\u003e","\u003cp\u003eThe addendum of 2025 January 24 includes postcards and prints commemorating Magnuson's feature film \u003ctitle\u003e\u003cpart\u003eMaking Mr. Right\u003c/part\u003e\u003c/title\u003e and other projects, a flexi disc vinyl record of \"The Revolutions per Movie Players Present Music from the Movie 'Wild in the Streets,'\" a 2025 Club 57 calendar, and other material (Box 8, Folder 8).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publications, sound recordings, and other material documenting the career of Ann Magnuson, an actress, performance artist, and nightclub performer who grew up in Charleston, West Virginia.  She worked at Club 57 in New York, a gathering place for artists such as Keith Haring and Kenny Scharf.","Includes:","Series 1. Publications and Excerpts, boxes 1-5, 1983-2018\nSeries 2. Performance and Other Posters, box 6, 1991-2018\nSeries 3. Performance Programs and Related Material, box 7, 1981-2017\nSeries 4. Audiovisual Material, box 7, 1995-2016\nSeries 5. Ephemera and Other Material, box 7, ca. 1973-1987, 2018-2019\nSeries 6. Addenda of 2020-2021, box 8 and oversize, 1984-2020","The addendum of 2025 January 24 includes postcards and prints commemorating Magnuson's feature film Making Mr. Right and other projects, a flexi disc vinyl record of \"The Revolutions per Movie Players Present Music from the Movie 'Wild in the Streets,'\" a 2025 Club 57 calendar, and other material (Box 8, Folder 8)."],"userestrict_html_tesm":["\u003cp\u003eThe donor of this collection has transferred rights to the intellectual property they created to the Center, except that any scripted or written material authored by Ann Magnuson can be used for research only. For more information regarding permission to publish or reproduce, please contact the West Virginia and Regional History Center.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The donor of this collection has transferred rights to the intellectual property they created to the Center, except that any scripted or written material authored by Ann Magnuson can be used for research only. For more information regarding permission to publish or reproduce, please contact the West Virginia and Regional History Center."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5ded4c9c5c9bec9f98491a5c03173724\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"language_ssim":["English"],"date_range_isim":[2018],"_nest_path_":"/components#4/components#0","timestamp":"2026-08-14T23:03:51.294Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8364","ead_ssi":"viw_repositories_2_resources_8364","_root_":"viw_repositories_2_resources_8364","_nest_parent_":"viw_repositories_2_resources_8364","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8364.xml","title_filing_ssi":"Office of President Katherine A. 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