{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=23\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=22\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=24\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=372\u0026view=compact"},"meta":{"pages":{"current_page":23,"next_page":24,"prev_page":22,"total_pages":372,"limit_value":10,"offset_value":220,"total_count":3718,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_177_c09_c02_c07","type":"Item","attributes":{"title":"Artifact – Rough Painted Sketch of a 46\" x 46\" painting with an image of a young calf at an archway opening to a view of Monticello hung at Jan Karon's home","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_177_c09_c02_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_177_c09_c02_c07","ref_ssm":["viu_repositories_3_resources_177_c09_c02_c07"],"id":"viu_repositories_3_resources_177_c09_c02_c07","ead_ssi":"viu_repositories_3_resources_177","_root_":"viu_repositories_3_resources_177","_nest_parent_":"viu_repositories_3_resources_177_c09_c02","parent_ssi":"viu_repositories_3_resources_177_c09_c02","parent_ssim":["viu_repositories_3_resources_177","viu_repositories_3_resources_177_c09","viu_repositories_3_resources_177_c09_c02"],"parent_ids_ssim":["viu_repositories_3_resources_177","viu_repositories_3_resources_177_c09","viu_repositories_3_resources_177_c09_c02"],"parent_unittitles_ssm":["Jan Karon papers","Jan Karon additions 3 and 4","Topical and Miscellany"],"parent_unittitles_tesim":["Jan Karon papers","Jan Karon additions 3 and 4","Topical and Miscellany"],"text":["Jan Karon papers","Jan Karon additions 3 and 4","Topical and Miscellany","Artifact – Rough Painted Sketch of a 46\" x 46\" painting with an image of a young calf at an archway opening to a view of Monticello hung at Jan Karon's home","Flat_Box 4","Artifact 3"],"title_filing_ssi":"Artifact – Rough Painted Sketch of a 46\" x 46\" painting with an image of a young calf at an archway opening to a view of Monticello hung at Jan Karon's home","title_ssm":["Artifact – Rough Painted Sketch of a 46\" x 46\" painting with an image of a young calf at an archway opening to a view of Monticello hung at Jan Karon's home"],"title_tesim":["Artifact – Rough Painted Sketch of a 46\" x 46\" painting with an image of a young calf at an archway opening to a view of Monticello hung at Jan Karon's home"],"unitdate_other_ssim":["2017 September 15"],"normalized_date_ssm":["2017"],"normalized_title_ssm":["Artifact – Rough Painted Sketch of a 46\" x 46\" painting with an image of a young calf at an archway opening to a view of Monticello hung at Jan Karon's home"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Jan Karon papers"],"extent_ssm":["1 items"],"extent_tesim":["1 items"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1014,"parent_access_restrict_tesm":["This collection is open for research use."],"parent_access_terms_tesm":["There are no use restrictions."],"date_range_isim":[2017],"containers_ssim":["Flat_Box 4","Artifact 3"],"_nest_path_":"/components#8/components#1/components#6","timestamp":"2026-05-20T23:45:23.850Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_177","ead_ssi":"viu_repositories_3_resources_177","_root_":"viu_repositories_3_resources_177","_nest_parent_":"viu_repositories_3_resources_177","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_177.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133789","title_filing_ssi":"Karon, Jan, papers","title_ssm":["Jan Karon papers"],"title_tesim":["Jan Karon papers"],"unitdate_ssm":["1918-2018","1964-2018"],"unitdate_bulk_ssim":["1964-2018"],"unitdate_inclusive_ssm":["1918-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177"],"text":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177","Jan Karon papers","Esmont (Albemarle County, Va. : Dwelling)\t","Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising","This collection is open for research use.","The restricted files contain personally identifiable information and cannot be used by patrons.","The collection is open for research use.","The Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). ","Series III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). ","Series IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). ","Series V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).","Series VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).","Series VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). ","Series VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.","Additions 3 and 4 are arranged together in four subseries: Correspondence; Topical and Miscellany; Manuscripts and Related Material; and Audiovisual and Born-Digital Materials.","This addition to the Jan Karon papers has four subseries: Esmont papers; Correspondence, chiefly to Jan Karon; Family and Personal papers; and Restricted Files.","Jan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  ","At fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. ","Karon's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.","During the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.","After their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. ","She became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.","Her daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the  \"Miami Herald\" , the  \"Charlotte Observer\" , and a stint in Central America for the  \"U.S. News and World Report\" .","In order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.","Soon, she approached the editor of  \"The Blowing Rocket\"  with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in  \"The Blowing Rocket\" . The ensuing two years of writing  the priest's story for  \"The Blowing Rocket\"  resulted in her first novel,   \"At Home in Mitford\" , published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.","The second and third Mitford novels,  \"A Light in the Window\"  and  \"These High Green Hills\" , were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of  \"At Home in Mitford\"  by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.","Jan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of  \"At Home in Mitford\"  for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  ","In 2013,  \"Somewhere Safe with Somebody Good\" , which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016,  \"Come Rain or Come Shine\"  debuting at #1 on the  \"New York Times\"  list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.","For more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in  \"The Charlotte Observer\" , August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon","All original Barbara Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.","All original Barbara Bush letters have been tranferred to the vault but copies have been kept in the Jan Karon papers.","All original Laura Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.","There are two hard drives in this collection that are currently unavailable.","Please contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. ","The born-digital items are numbered differently between the original gift and the Jan Karon additions 3 and 4, due to a change in past and current practice. Currently the numbering sequence is specific to the collection, so the various disks are numbered Disk 1-92 within this latest addition to the Jan Karon papers.","Preservation and Use copies have been created for these disks by the Accessioning Archivist.","Three disks containing the appraisal for the artwork and antiques in the Esmont house were transferred and housed in Box 137 with other disks from earlier accessions.","The Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.","These correspondents include Chelius Carter, Mary Ann Connell, Jean Ann Jones, Frances Gresham, Mary R. Minor, Maxine Moore, and Kathleen McMillan Lane; the correspondence with the Reverend Bruce McMillan has been filed with his folder in clergy correspondence.","Interviews can also be found in publicity files.","Agents include the Jeanne Drewsen Agency and Jennie Dunham. This folder is significant because it predates the Mitford series taking off and contains the advice of various editors and Jan's own musing about what to do.","These files chart the progress of the relationship between Jan Karon and her agent, from the beginning when Nancy Olson, Quail Ridge Books, Raleigh, North Carolina, referred Karon to Darhansoff (December 15, 1994 and January 18, 1995) and reveal many details about her literary career, including the transition from Lion Publishing to Penguin.","This file includes a proposal for Father Tim and Cynthia mysteries and a discussion of the publication of a journal.","Other examples of publicity written by Jan Karon can be found in the editorial correspondence associated with individual books in series one or the correspondence with publishers in this series.","Writer in Residence pieces by Jan Karon as published in the magazine; typed drafts are included in the two previous Victoria Magazine files, 1997-1998.","File includes the article describing a white tea held by Jan Karon at her Esmont home in \"Tea Time\" and \"A Room of Her Own\" in \"Victoria Magazine\"","This correspondence documents the publishing career of Jan Karon with Viking-Penguin and reveals the level of her involvement in decisions about illustrations and covers, promotion, advertising, and a host of other details. They will be most useful used in conjunction with the editorial correspondence that accompanies most book files in series one.","Includes a sermon by Bishop Harvey, June 8, 2000.","Includes a sermon by him; McMillan assisted Jan Karon with questions about information used in  Home to Holly Springs .","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Includes a card featuring a watercolor of Esmont, October 30, 2003.","Note that some greeting card folders will also contain thank you cards and postcards from friends and family.","One letter in particular, April 22, 1981, describes Jan Karon's journey to the faith that is expressed throughout her books and personal appearances.","Includes Mitford sketches and two prints of Presidents Ronald Reagan (2002) and George W. Bush by Adair (2003).","Correspondents include: Ann Baer, English author; Robin and Gerald Baliles (1940- ), former first lady and governor of Virginia; Rosalynn Carter (1927- ); Lynn A. Coffey, Appalachian folklorist; Kenneth Elzinga, professor and author (1942- ); North Carolina State Senator, Virginia Foxx (1943- ); Bill Gaither (1936- ) and Gloria Gaither (1942- ), singers and songwriters; Roxane Gilmore, professor and former first lady of Virginia; Renee Grisham, wife of John Grisham; U.S. Senator, Orrin G. Hatch (1934- ); Lady Bird Johnson, former first lady (1912-2007); Patricia Kluge (1948- ), former wife of John Kluge and vineyard owner; J.B. Lawrence, mayor of Blowing Rock, North Carolina, and Lynn Lawrence; Bill Leslie, musician; Calder Loth, architectural historian; and Tricia Thompson Lott, wife of Senator Lott.","Correspondents include:  Mark McEwen (1954- ), TV and radio personality; Martha S. McIntosh, editor of the  Jan Karon's Mitford Cookbook \u0026 Kitchen Reader ; Ruth Moose, author; Edmund Morris, author; Leanne Payne (1932-2015), author; Rose Bampton Pelletier (1907-2007), opera singer; Condoleeza Rice (1954- ), Secretary of State; Lynda Bird Johnson Robb (1944- ), former first lady of Virgina; Mark D. Rodgers, chief of staff for Senator Rick Santorum; Martha Sundquist, former first lady of Tennessee; Steve Wasserman; Martha Williamson; Lauren Winner, author; Anne R. Worrell; and Marly Youmans, author.","Also includes a letter from Harry M. Jacobs, Jr., May 6, 2005, and his wife, Bobbi Jacobs, July 6, 2014, to Jan Karon.","Includes information about a meeting held at Once Upon a Time, a bookstore in Montrose, California, in 1997.","Pages marked in \"At Home in Mitford\" include pages 3, 4, 5, 47, 68, 77, 101, 104, 114, 162, 181, 182, 207, 227, 234, 241, 259, 264, 281, 293, 297, 328, 354, 368, 373, 403, and 405.\nPages marked in \"A Common Life\" include page 6.\nPages marked in \"A New Song\" include pages 1, 34, 40, 45, 51, 67, 74, 78, 89, 117, 125, 161, 195, 206, 208, 212, 231, 235, 247, 253, 262, 263, 266, 267, 269, 285, 296, 297, 300, 385, and 399.\nPages marked in \"In This Mountain\" include pages 12, 41, 61, 80, 89, 91, 95, 97, 108, 124, 138, 139, 197, 240, 242, 262, 287, 302, 304, and 381.\nPages marked in \"Light from Heaven\" include pages 8, 15, 28, 39, 79, 106, 114, 144, 153, 213, 215, 234, 277, 366, and 383.\nPages marked in \"Shepherds Abiding\" include pages 18, 25, 88, 115, 127, 142, 164, and 245.\nPages marked in \"These High Green Hills\" include pages 2, 50, 71, 98, 102, 109, 147, 154, 158, 167, 209, 247, 259, 270, and 308.\nPages marked in \"My Hometown Growing Up in Holly Springs, Mississippi\" by Lois Swaney include pages 21, 46, 51, 59, 63, 67, 70, 88, 101, and 102.\nAlso present is a folder of inserts removed from the research books, 2006-2007.","Accompanied by notes from Jan Karon, dated October 19, 2014, \"These gloves were worn often by my grandmother, Miss Fannie, about whom I wrote the children's book  Miss Fannie's Hat.  Always wearing a smart hat and gloves, she was a faithful Methodist church-goer. She was also a faithful Democrat, though no hat was required.\"","Includes the launch of Jan Karon's facebook page (February 2014) and some facebook entries. Also chronicles her change of publishers.","This addition to MSS 16077 Jan Karon Papers contains personal and professional correspondence, and greeting cards; files and other documentation concerning the appraisal, purchase, ownership, operations and restoration of the Esmont house and estate by Jan Karon; correspondence concerning Karon's editorship of the magazine \"Response,\" including with Langston Hughes; event and memorial programs; photographs of Esmont, family and friends; invitations; fan mail; correspondence about donations and organizations; speeches or talks by Jan Karon; publicity and miscellany.","This folder contains eight items, including Jan Orth Karon's note explaining that Langston Hughes was the cousin of \"Response\" Assistant Editor, George Love. ","There are two postcards from Hughes to Jan Orth, as the editor of the magazine \"Response\" when she lived in Charlotte. Hughes expresses gladness that she is using his Chapel Hill piece, asks for six copies when it is published, sends her some photographs and biographical information, and mentions his cross-country tour (February 2, 1961). He thanks her for the copy of the magazine \"Response / 4\" and says it \"looks most attractive, and the contents intriguing\" (August 4, 1961).","Upon Hughes' return from California, in his letter of March 22, 1961, he thanks Orth for the six copies of \"Response / 3\" which he will then send to the institutions collecting his work. He describes the magazine issue as \"very handsome (and interesting)\" and says he likes \"the variety and format\" very much. He encloses a copy of \"Grandma\" (not present) for possible publication in a future issue.","Other Hughes items include: an undated photograph; a handbill for \"Black Nativity Gospel on Broadway\" by Langston Hughes with the typed note \"Festival of Two Worlds, Spoleto, Italy, June-July, 1962\"; a reprint of a short story autographed by Hughes, \"Sorrow for a Midget,\" published in \"The Literary Review\" and addressed \"For Orth\"; an undated advertisement for the record \"Tambourines to Glory\" with the word \"play\" circled and with his handwritten note \"Goes into rehearsal this week - Theatre Guild. L.H.\"","Correspondents include Jonathan Williams, John Haynes Holmes, Harvey Swados, Ralph McGill (publisher of \"The Atlanta Constitution\"), and               Sam Bradley.","This addition to the Jan Karon papers (MSS 16077)  primarily contains greeting cards and letters sent to the American novelist Jan Karon of Charlottesville, Virginia. The bulk of the cards present in this collection span the holiday seasons of 2020 and 2021. ","In 2021, Karon founded The Mitford Museum in her former elementary school in Hudson, North Carolina. A number of the greeting cards and letters included in this collection discuss the formation of this museum and its collections as well as an opening speech given by Jan Karon, invitations to parties, author visits, and lectures. ","Also included are condolence cards to Karon on the death of her daughter, Candance Freeland, in 2021. ","In addition to the greeting cards, the collection includes a sketchbook with drawings of flowers and places dated 1975, personal planning calendars for 2020 and 2021, recipe notebooks, photographs of gatherings from the 1980s and 1990s, magazine features of Jan Karon, \"Sanctuary of Beauty,\" an obituary for Candace Freeland and Jan Karon's step-father Barry Setzer, a poster highlighting the history of Esmont, which is a 100-acre estate in Albemarle County owned and restored by Karon, and a personal and beautifully illustrated book titled \"Donna: Life, Art, Garden, and Home\" about Donna Ernest. ","Box ViU2022-0119_001 contains correspondence from 2020 to 2021\nBox ViU2022-0119_002 contains correspondence from 2020 to 2022, notebooks, photographs, planners, sketchbooks and publications\nOversize Folder ViU2022-0119_001 contains the poster of Esmont","Four books were separated from the collection and transferred to Rare Books for individual cataloging. These titles were a mass trade paperback copy of \"Shepherds Abiding,\" a paperback copy of \"To Be Where You are,\" and a hardback copy of \"Bathed In Prayer.\"","Two books were removed from this addition and transferred to the Rare Books Cataloger for individual handling:","Garden Club of Virginia Historic Garden Week \"Historic Southern Albemarle\" book with a copy of a sticky note \"Esmont on the tour in 2014, the year I sold it.\" (2014)","\"Donna Life - Art - Garden - Home\" with a preface by Jan Karon about her friend, Donna Ernst. Probably an advanced reader's copy (2019). Book came with a sticky note, \"This is not the final edition. This rough edition contains typos and incorrect paragraphing with several design changes as well. Delivered final copies 12/19.\"","The DVD, \"JJR 80th Celebration\" - Photographs of the 80th Birthday of Jerry J. Richardson which accompanied a letter (October 5, 2016) from Dana Robinson, executive assistant to the owner/founder of the Carolina Panthers, Jerry Richardson, has been separated from the letter and placed in Box 137 (Disk 93) with other disks. A digital copy has not been created at this time.","There are no use restrictions.","Albert and Shirley Small Special Collections Library","Setzer family -- correspondence","Karon, Jan (Janice), 1937-","English"],"unitid_tesim":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177"],"normalized_title_ssm":["Jan Karon papers"],"collection_title_tesim":["Jan Karon papers"],"collection_ssim":["Jan Karon papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Esmont (Albemarle County, Va. : Dwelling)\t"],"geogname_ssim":["Esmont (Albemarle County, Va. : Dwelling)\t"],"creator_ssm":["Karon, Jan (Janice), 1937-"],"creator_ssim":["Karon, Jan (Janice), 1937-"],"creator_persname_ssim":["Karon, Jan (Janice), 1937-"],"creators_ssim":["Karon, Jan (Janice), 1937-"],"places_ssim":["Esmont (Albemarle County, Va. : Dwelling)\t"],"acqinfo_ssim":["The Jan Karon papers were given to the University of Virginia Library on October 2, 2014, by Jan Karon."],"access_subjects_ssim":["Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising"],"access_subjects_ssm":["Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising"],"has_online_content_ssim":["false"],"extent_ssm":["66 Cubic Feet 120 legal document boxes, 3 oversize boxes, 17 oversize folders"],"extent_tesim":["66 Cubic Feet 120 legal document boxes, 3 oversize boxes, 17 oversize folders"],"physfacet_tesim":["17 audio cassettes, 26 videocassettes, 46 disks, and 2 hard drives."],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe restricted files contain personally identifiable information and cannot be used by patrons.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use.","The restricted files contain personally identifiable information and cannot be used by patrons.","The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). \u003c/p\u003e\n","\u003cp\u003eSeries III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). \u003c/p\u003e\n","\u003cp\u003eSeries IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). \u003c/p\u003e\n","\u003cp\u003eSeries V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).\u003c/p\u003e\n","\u003cp\u003eSeries VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).\u003c/p\u003e\n","\u003cp\u003eSeries VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). \u003c/p\u003e\n","\u003cp\u003eSeries VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.\u003c/p\u003e","\u003cp\u003eAdditions 3 and 4 are arranged together in four subseries: Correspondence; Topical and Miscellany; Manuscripts and Related Material; and Audiovisual and Born-Digital Materials.\u003c/p\u003e","\u003cp\u003eThis addition to the Jan Karon papers has four subseries: Esmont papers; Correspondence, chiefly to Jan Karon; Family and Personal papers; and Restricted Files.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). ","Series III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). ","Series IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). ","Series V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).","Series VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).","Series VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). ","Series VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.","Additions 3 and 4 are arranged together in four subseries: Correspondence; Topical and Miscellany; Manuscripts and Related Material; and Audiovisual and Born-Digital Materials.","This addition to the Jan Karon papers has four subseries: Esmont papers; Correspondence, chiefly to Jan Karon; Family and Personal papers; and Restricted Files."],"bioghist_html_tesm":["\u003cp\u003eJan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  \u003c/p\u003e\n","\u003cp\u003eAt fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. \u003c/p\u003e\n","\u003cp\u003eKaron's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.\u003c/p\u003e\n","\u003cp\u003eDuring the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.\u003c/p\u003e\n","\u003cp\u003eAfter their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. \u003c/p\u003e\n","\u003cp\u003eShe became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.\u003c/p\u003e\n","\u003cp\u003eHer daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the \u003ctitle\u003e\"Miami Herald\"\u003c/title\u003e, the \u003ctitle\u003e\"Charlotte Observer\"\u003c/title\u003e, and a stint in Central America for the \u003ctitle\u003e\"U.S. News and World Report\"\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003eIn order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.\u003c/p\u003e\n","\u003cp\u003eSoon, she approached the editor of \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e. The ensuing two years of writing  the priest's story for \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e resulted in her first novel,  \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e, published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.\u003c/p\u003e\n","\u003cp\u003eThe second and third Mitford novels, \u003ctitle\u003e\"A Light in the Window\"\u003c/title\u003e and \u003ctitle\u003e\"These High Green Hills\"\u003c/title\u003e, were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.\u003c/p\u003e\n","\u003cp\u003eJan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  \u003c/p\u003e\n","\u003cp\u003eIn 2013, \u003ctitle\u003e\"Somewhere Safe with Somebody Good\"\u003c/title\u003e, which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016, \u003ctitle\u003e\"Come Rain or Come Shine\"\u003c/title\u003e debuting at #1 on the \u003ctitle\u003e\"New York Times\"\u003c/title\u003e list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.\u003c/p\u003e\n","\u003cp\u003eFor more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in \u003ctitle\u003e\"The Charlotte Observer\"\u003c/title\u003e, August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Jan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  ","At fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. ","Karon's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.","During the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.","After their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. ","She became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.","Her daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the  \"Miami Herald\" , the  \"Charlotte Observer\" , and a stint in Central America for the  \"U.S. News and World Report\" .","In order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.","Soon, she approached the editor of  \"The Blowing Rocket\"  with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in  \"The Blowing Rocket\" . The ensuing two years of writing  the priest's story for  \"The Blowing Rocket\"  resulted in her first novel,   \"At Home in Mitford\" , published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.","The second and third Mitford novels,  \"A Light in the Window\"  and  \"These High Green Hills\" , were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of  \"At Home in Mitford\"  by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.","Jan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of  \"At Home in Mitford\"  for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  ","In 2013,  \"Somewhere Safe with Somebody Good\" , which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016,  \"Come Rain or Come Shine\"  debuting at #1 on the  \"New York Times\"  list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.","For more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in  \"The Charlotte Observer\" , August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon"],"originalsloc_html_tesm":["\u003cp\u003eAll original Barbara Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.\u003c/p\u003e","\u003cp\u003eAll original Barbara Bush letters have been tranferred to the vault but copies have been kept in the Jan Karon papers.\u003c/p\u003e","\u003cp\u003eAll original Laura Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["All original Barbara Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.","All original Barbara Bush letters have been tranferred to the vault but copies have been kept in the Jan Karon papers.","All original Laura Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers."],"phystech_html_tesm":["\u003cp\u003eThere are two hard drives in this collection that are currently unavailable.\u003c/p\u003e","\u003cp\u003ePlease contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. \u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["There are two hard drives in this collection that are currently unavailable.","Please contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e","\u003cp\u003eMSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e","\u003cp\u003eMSS 16077, Jan Karon papers addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.","MSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.","MSS 16077, Jan Karon papers addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"processinfo_html_tesm":["\u003cp\u003eThe born-digital items are numbered differently between the original gift and the Jan Karon additions 3 and 4, due to a change in past and current practice. Currently the numbering sequence is specific to the collection, so the various disks are numbered Disk 1-92 within this latest addition to the Jan Karon papers.\u003c/p\u003e","\u003cp\u003ePreservation and Use copies have been created for these disks by the Accessioning Archivist.\u003c/p\u003e","\u003cp\u003eThree disks containing the appraisal for the artwork and antiques in the Esmont house were transferred and housed in Box 137 with other disks from earlier accessions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["The born-digital items are numbered differently between the original gift and the Jan Karon additions 3 and 4, due to a change in past and current practice. Currently the numbering sequence is specific to the collection, so the various disks are numbered Disk 1-92 within this latest addition to the Jan Karon papers.","Preservation and Use copies have been created for these disks by the Accessioning Archivist.","Three disks containing the appraisal for the artwork and antiques in the Esmont house were transferred and housed in Box 137 with other disks from earlier accessions."],"scopecontent_html_tesm":["\u003cp\u003eThe Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.\u003c/p\u003e","\u003cp\u003eThese correspondents include Chelius Carter, Mary Ann Connell, Jean Ann Jones, Frances Gresham, Mary R. Minor, Maxine Moore, and Kathleen McMillan Lane; the correspondence with the Reverend Bruce McMillan has been filed with his folder in clergy correspondence.\u003c/p\u003e","\u003cp\u003eInterviews can also be found in publicity files.\u003c/p\u003e","\u003cp\u003eAgents include the Jeanne Drewsen Agency and Jennie Dunham. This folder is significant because it predates the Mitford series taking off and contains the advice of various editors and Jan's own musing about what to do.\u003c/p\u003e","\u003cp\u003eThese files chart the progress of the relationship between Jan Karon and her agent, from the beginning when Nancy Olson, Quail Ridge Books, Raleigh, North Carolina, referred Karon to Darhansoff (December 15, 1994 and January 18, 1995) and reveal many details about her literary career, including the transition from Lion Publishing to Penguin.\u003c/p\u003e","\u003cp\u003eThis file includes a proposal for Father Tim and Cynthia mysteries and a discussion of the publication of a journal.\u003c/p\u003e","\u003cp\u003eOther examples of publicity written by Jan Karon can be found in the editorial correspondence associated with individual books in series one or the correspondence with publishers in this series.\u003c/p\u003e","\u003cp\u003eWriter in Residence pieces by Jan Karon as published in the magazine; typed drafts are included in the two previous Victoria Magazine files, 1997-1998.\u003c/p\u003e","\u003cp\u003eFile includes the article describing a white tea held by Jan Karon at her Esmont home in \"Tea Time\" and \"A Room of Her Own\" in \"Victoria Magazine\"\u003c/p\u003e","\u003cp\u003eThis correspondence documents the publishing career of Jan Karon with Viking-Penguin and reveals the level of her involvement in decisions about illustrations and covers, promotion, advertising, and a host of other details. They will be most useful used in conjunction with the editorial correspondence that accompanies most book files in series one.\u003c/p\u003e","\u003cp\u003eIncludes a sermon by Bishop Harvey, June 8, 2000.\u003c/p\u003e","\u003cp\u003eIncludes a sermon by him; McMillan assisted Jan Karon with questions about information used in \u003ctitle\u003eHome to Holly Springs\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eCorrespondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.\u003c/p\u003e","\u003cp\u003eCorrespondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.\u003c/p\u003e","\u003cp\u003eIncludes a card featuring a watercolor of Esmont, October 30, 2003.\u003c/p\u003e","\u003cp\u003eNote that some greeting card folders will also contain thank you cards and postcards from friends and family.\u003c/p\u003e","\u003cp\u003eOne letter in particular, April 22, 1981, describes Jan Karon's journey to the faith that is expressed throughout her books and personal appearances.\u003c/p\u003e","\u003cp\u003eIncludes Mitford sketches and two prints of Presidents Ronald Reagan (2002) and George W. Bush by Adair (2003).\u003c/p\u003e","\u003cp\u003eCorrespondents include: Ann Baer, English author; Robin and Gerald Baliles (1940- ), former first lady and governor of Virginia; Rosalynn Carter (1927- ); Lynn A. Coffey, Appalachian folklorist; Kenneth Elzinga, professor and author (1942- ); North Carolina State Senator, Virginia Foxx (1943- ); Bill Gaither (1936- ) and Gloria Gaither (1942- ), singers and songwriters; Roxane Gilmore, professor and former first lady of Virginia; Renee Grisham, wife of John Grisham; U.S. Senator, Orrin G. Hatch (1934- ); Lady Bird Johnson, former first lady (1912-2007); Patricia Kluge (1948- ), former wife of John Kluge and vineyard owner; J.B. Lawrence, mayor of Blowing Rock, North Carolina, and Lynn Lawrence; Bill Leslie, musician; Calder Loth, architectural historian; and Tricia Thompson Lott, wife of Senator Lott.\u003c/p\u003e","\u003cp\u003eCorrespondents include:  Mark McEwen (1954- ), TV and radio personality; Martha S. McIntosh, editor of the \u003ctitle\u003eJan Karon's Mitford Cookbook \u0026amp; Kitchen Reader\u003c/title\u003e; Ruth Moose, author; Edmund Morris, author; Leanne Payne (1932-2015), author; Rose Bampton Pelletier (1907-2007), opera singer; Condoleeza Rice (1954- ), Secretary of State; Lynda Bird Johnson Robb (1944- ), former first lady of Virgina; Mark D. Rodgers, chief of staff for Senator Rick Santorum; Martha Sundquist, former first lady of Tennessee; Steve Wasserman; Martha Williamson; Lauren Winner, author; Anne R. Worrell; and Marly Youmans, author.\u003c/p\u003e","\u003cp\u003eAlso includes a letter from Harry M. Jacobs, Jr., May 6, 2005, and his wife, Bobbi Jacobs, July 6, 2014, to Jan Karon.\u003c/p\u003e","\u003cp\u003eIncludes information about a meeting held at Once Upon a Time, a bookstore in Montrose, California, in 1997.\u003c/p\u003e","\u003cp\u003ePages marked in \"At Home in Mitford\" include pages 3, 4, 5, 47, 68, 77, 101, 104, 114, 162, 181, 182, 207, 227, 234, 241, 259, 264, 281, 293, 297, 328, 354, 368, 373, 403, and 405.\nPages marked in \"A Common Life\" include page 6.\nPages marked in \"A New Song\" include pages 1, 34, 40, 45, 51, 67, 74, 78, 89, 117, 125, 161, 195, 206, 208, 212, 231, 235, 247, 253, 262, 263, 266, 267, 269, 285, 296, 297, 300, 385, and 399.\nPages marked in \"In This Mountain\" include pages 12, 41, 61, 80, 89, 91, 95, 97, 108, 124, 138, 139, 197, 240, 242, 262, 287, 302, 304, and 381.\nPages marked in \"Light from Heaven\" include pages 8, 15, 28, 39, 79, 106, 114, 144, 153, 213, 215, 234, 277, 366, and 383.\nPages marked in \"Shepherds Abiding\" include pages 18, 25, 88, 115, 127, 142, 164, and 245.\nPages marked in \"These High Green Hills\" include pages 2, 50, 71, 98, 102, 109, 147, 154, 158, 167, 209, 247, 259, 270, and 308.\nPages marked in \"My Hometown Growing Up in Holly Springs, Mississippi\" by Lois Swaney include pages 21, 46, 51, 59, 63, 67, 70, 88, 101, and 102.\nAlso present is a folder of inserts removed from the research books, 2006-2007.\u003c/p\u003e","\u003cp\u003eAccompanied by notes from Jan Karon, dated October 19, 2014, \"These gloves were worn often by my grandmother, Miss Fannie, about whom I wrote the children's book \u003ctitle\u003eMiss Fannie's Hat.\u003c/title\u003e Always wearing a smart hat and gloves, she was a faithful Methodist church-goer. She was also a faithful Democrat, though no hat was required.\"\u003c/p\u003e","\u003cp\u003eIncludes the launch of Jan Karon's facebook page (February 2014) and some facebook entries. Also chronicles her change of publishers.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16077 Jan Karon Papers contains personal and professional correspondence, and greeting cards; files and other documentation concerning the appraisal, purchase, ownership, operations and restoration of the Esmont house and estate by Jan Karon; correspondence concerning Karon's editorship of the magazine \"Response,\" including with Langston Hughes; event and memorial programs; photographs of Esmont, family and friends; invitations; fan mail; correspondence about donations and organizations; speeches or talks by Jan Karon; publicity and miscellany.\u003c/p\u003e","\u003cp\u003eThis folder contains eight items, including Jan Orth Karon's note explaining that Langston Hughes was the cousin of \"Response\" Assistant Editor, George Love. \u003c/p\u003e\n","\u003cp\u003eThere are two postcards from Hughes to Jan Orth, as the editor of the magazine \"Response\" when she lived in Charlotte. Hughes expresses gladness that she is using his Chapel Hill piece, asks for six copies when it is published, sends her some photographs and biographical information, and mentions his cross-country tour (February 2, 1961). He thanks her for the copy of the magazine \"Response / 4\" and says it \"looks most attractive, and the contents intriguing\" (August 4, 1961).\u003c/p\u003e\n","\u003cp\u003eUpon Hughes' return from California, in his letter of March 22, 1961, he thanks Orth for the six copies of \"Response / 3\" which he will then send to the institutions collecting his work. He describes the magazine issue as \"very handsome (and interesting)\" and says he likes \"the variety and format\" very much. He encloses a copy of \"Grandma\" (not present) for possible publication in a future issue.\u003c/p\u003e\n","\u003cp\u003eOther Hughes items include: an undated photograph; a handbill for \"Black Nativity Gospel on Broadway\" by Langston Hughes with the typed note \"Festival of Two Worlds, Spoleto, Italy, June-July, 1962\"; a reprint of a short story autographed by Hughes, \"Sorrow for a Midget,\" published in \"The Literary Review\" and addressed \"For Orth\"; an undated advertisement for the record \"Tambourines to Glory\" with the word \"play\" circled and with his handwritten note \"Goes into rehearsal this week - Theatre Guild. L.H.\"\u003c/p\u003e","\u003cp\u003eCorrespondents include Jonathan Williams, John Haynes Holmes, Harvey Swados, Ralph McGill (publisher of \"The Atlanta Constitution\"), and               Sam Bradley.\u003c/p\u003e","\u003cp\u003eThis addition to the Jan Karon papers (MSS 16077)  primarily contains greeting cards and letters sent to the American novelist Jan Karon of Charlottesville, Virginia. The bulk of the cards present in this collection span the holiday seasons of 2020 and 2021. \u003c/p\u003e\n","\u003cp\u003eIn 2021, Karon founded The Mitford Museum in her former elementary school in Hudson, North Carolina. A number of the greeting cards and letters included in this collection discuss the formation of this museum and its collections as well as an opening speech given by Jan Karon, invitations to parties, author visits, and lectures. \u003c/p\u003e\n","\u003cp\u003eAlso included are condolence cards to Karon on the death of her daughter, Candance Freeland, in 2021. \u003c/p\u003e\n","\u003cp\u003eIn addition to the greeting cards, the collection includes a sketchbook with drawings of flowers and places dated 1975, personal planning calendars for 2020 and 2021, recipe notebooks, photographs of gatherings from the 1980s and 1990s, magazine features of Jan Karon, \"Sanctuary of Beauty,\" an obituary for Candace Freeland and Jan Karon's step-father Barry Setzer, a poster highlighting the history of Esmont, which is a 100-acre estate in Albemarle County owned and restored by Karon, and a personal and beautifully illustrated book titled \"Donna: Life, Art, Garden, and Home\" about Donna Ernest. \u003c/p\u003e\n","\u003cp\u003eBox ViU2022-0119_001 contains correspondence from 2020 to 2021\nBox ViU2022-0119_002 contains correspondence from 2020 to 2022, notebooks, photographs, planners, sketchbooks and publications\nOversize Folder ViU2022-0119_001 contains the poster of Esmont\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.","These correspondents include Chelius Carter, Mary Ann Connell, Jean Ann Jones, Frances Gresham, Mary R. Minor, Maxine Moore, and Kathleen McMillan Lane; the correspondence with the Reverend Bruce McMillan has been filed with his folder in clergy correspondence.","Interviews can also be found in publicity files.","Agents include the Jeanne Drewsen Agency and Jennie Dunham. This folder is significant because it predates the Mitford series taking off and contains the advice of various editors and Jan's own musing about what to do.","These files chart the progress of the relationship between Jan Karon and her agent, from the beginning when Nancy Olson, Quail Ridge Books, Raleigh, North Carolina, referred Karon to Darhansoff (December 15, 1994 and January 18, 1995) and reveal many details about her literary career, including the transition from Lion Publishing to Penguin.","This file includes a proposal for Father Tim and Cynthia mysteries and a discussion of the publication of a journal.","Other examples of publicity written by Jan Karon can be found in the editorial correspondence associated with individual books in series one or the correspondence with publishers in this series.","Writer in Residence pieces by Jan Karon as published in the magazine; typed drafts are included in the two previous Victoria Magazine files, 1997-1998.","File includes the article describing a white tea held by Jan Karon at her Esmont home in \"Tea Time\" and \"A Room of Her Own\" in \"Victoria Magazine\"","This correspondence documents the publishing career of Jan Karon with Viking-Penguin and reveals the level of her involvement in decisions about illustrations and covers, promotion, advertising, and a host of other details. They will be most useful used in conjunction with the editorial correspondence that accompanies most book files in series one.","Includes a sermon by Bishop Harvey, June 8, 2000.","Includes a sermon by him; McMillan assisted Jan Karon with questions about information used in  Home to Holly Springs .","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Includes a card featuring a watercolor of Esmont, October 30, 2003.","Note that some greeting card folders will also contain thank you cards and postcards from friends and family.","One letter in particular, April 22, 1981, describes Jan Karon's journey to the faith that is expressed throughout her books and personal appearances.","Includes Mitford sketches and two prints of Presidents Ronald Reagan (2002) and George W. Bush by Adair (2003).","Correspondents include: Ann Baer, English author; Robin and Gerald Baliles (1940- ), former first lady and governor of Virginia; Rosalynn Carter (1927- ); Lynn A. Coffey, Appalachian folklorist; Kenneth Elzinga, professor and author (1942- ); North Carolina State Senator, Virginia Foxx (1943- ); Bill Gaither (1936- ) and Gloria Gaither (1942- ), singers and songwriters; Roxane Gilmore, professor and former first lady of Virginia; Renee Grisham, wife of John Grisham; U.S. Senator, Orrin G. Hatch (1934- ); Lady Bird Johnson, former first lady (1912-2007); Patricia Kluge (1948- ), former wife of John Kluge and vineyard owner; J.B. Lawrence, mayor of Blowing Rock, North Carolina, and Lynn Lawrence; Bill Leslie, musician; Calder Loth, architectural historian; and Tricia Thompson Lott, wife of Senator Lott.","Correspondents include:  Mark McEwen (1954- ), TV and radio personality; Martha S. McIntosh, editor of the  Jan Karon's Mitford Cookbook \u0026 Kitchen Reader ; Ruth Moose, author; Edmund Morris, author; Leanne Payne (1932-2015), author; Rose Bampton Pelletier (1907-2007), opera singer; Condoleeza Rice (1954- ), Secretary of State; Lynda Bird Johnson Robb (1944- ), former first lady of Virgina; Mark D. Rodgers, chief of staff for Senator Rick Santorum; Martha Sundquist, former first lady of Tennessee; Steve Wasserman; Martha Williamson; Lauren Winner, author; Anne R. Worrell; and Marly Youmans, author.","Also includes a letter from Harry M. Jacobs, Jr., May 6, 2005, and his wife, Bobbi Jacobs, July 6, 2014, to Jan Karon.","Includes information about a meeting held at Once Upon a Time, a bookstore in Montrose, California, in 1997.","Pages marked in \"At Home in Mitford\" include pages 3, 4, 5, 47, 68, 77, 101, 104, 114, 162, 181, 182, 207, 227, 234, 241, 259, 264, 281, 293, 297, 328, 354, 368, 373, 403, and 405.\nPages marked in \"A Common Life\" include page 6.\nPages marked in \"A New Song\" include pages 1, 34, 40, 45, 51, 67, 74, 78, 89, 117, 125, 161, 195, 206, 208, 212, 231, 235, 247, 253, 262, 263, 266, 267, 269, 285, 296, 297, 300, 385, and 399.\nPages marked in \"In This Mountain\" include pages 12, 41, 61, 80, 89, 91, 95, 97, 108, 124, 138, 139, 197, 240, 242, 262, 287, 302, 304, and 381.\nPages marked in \"Light from Heaven\" include pages 8, 15, 28, 39, 79, 106, 114, 144, 153, 213, 215, 234, 277, 366, and 383.\nPages marked in \"Shepherds Abiding\" include pages 18, 25, 88, 115, 127, 142, 164, and 245.\nPages marked in \"These High Green Hills\" include pages 2, 50, 71, 98, 102, 109, 147, 154, 158, 167, 209, 247, 259, 270, and 308.\nPages marked in \"My Hometown Growing Up in Holly Springs, Mississippi\" by Lois Swaney include pages 21, 46, 51, 59, 63, 67, 70, 88, 101, and 102.\nAlso present is a folder of inserts removed from the research books, 2006-2007.","Accompanied by notes from Jan Karon, dated October 19, 2014, \"These gloves were worn often by my grandmother, Miss Fannie, about whom I wrote the children's book  Miss Fannie's Hat.  Always wearing a smart hat and gloves, she was a faithful Methodist church-goer. She was also a faithful Democrat, though no hat was required.\"","Includes the launch of Jan Karon's facebook page (February 2014) and some facebook entries. Also chronicles her change of publishers.","This addition to MSS 16077 Jan Karon Papers contains personal and professional correspondence, and greeting cards; files and other documentation concerning the appraisal, purchase, ownership, operations and restoration of the Esmont house and estate by Jan Karon; correspondence concerning Karon's editorship of the magazine \"Response,\" including with Langston Hughes; event and memorial programs; photographs of Esmont, family and friends; invitations; fan mail; correspondence about donations and organizations; speeches or talks by Jan Karon; publicity and miscellany.","This folder contains eight items, including Jan Orth Karon's note explaining that Langston Hughes was the cousin of \"Response\" Assistant Editor, George Love. ","There are two postcards from Hughes to Jan Orth, as the editor of the magazine \"Response\" when she lived in Charlotte. Hughes expresses gladness that she is using his Chapel Hill piece, asks for six copies when it is published, sends her some photographs and biographical information, and mentions his cross-country tour (February 2, 1961). He thanks her for the copy of the magazine \"Response / 4\" and says it \"looks most attractive, and the contents intriguing\" (August 4, 1961).","Upon Hughes' return from California, in his letter of March 22, 1961, he thanks Orth for the six copies of \"Response / 3\" which he will then send to the institutions collecting his work. He describes the magazine issue as \"very handsome (and interesting)\" and says he likes \"the variety and format\" very much. He encloses a copy of \"Grandma\" (not present) for possible publication in a future issue.","Other Hughes items include: an undated photograph; a handbill for \"Black Nativity Gospel on Broadway\" by Langston Hughes with the typed note \"Festival of Two Worlds, Spoleto, Italy, June-July, 1962\"; a reprint of a short story autographed by Hughes, \"Sorrow for a Midget,\" published in \"The Literary Review\" and addressed \"For Orth\"; an undated advertisement for the record \"Tambourines to Glory\" with the word \"play\" circled and with his handwritten note \"Goes into rehearsal this week - Theatre Guild. L.H.\"","Correspondents include Jonathan Williams, John Haynes Holmes, Harvey Swados, Ralph McGill (publisher of \"The Atlanta Constitution\"), and               Sam Bradley.","This addition to the Jan Karon papers (MSS 16077)  primarily contains greeting cards and letters sent to the American novelist Jan Karon of Charlottesville, Virginia. The bulk of the cards present in this collection span the holiday seasons of 2020 and 2021. ","In 2021, Karon founded The Mitford Museum in her former elementary school in Hudson, North Carolina. A number of the greeting cards and letters included in this collection discuss the formation of this museum and its collections as well as an opening speech given by Jan Karon, invitations to parties, author visits, and lectures. ","Also included are condolence cards to Karon on the death of her daughter, Candance Freeland, in 2021. ","In addition to the greeting cards, the collection includes a sketchbook with drawings of flowers and places dated 1975, personal planning calendars for 2020 and 2021, recipe notebooks, photographs of gatherings from the 1980s and 1990s, magazine features of Jan Karon, \"Sanctuary of Beauty,\" an obituary for Candace Freeland and Jan Karon's step-father Barry Setzer, a poster highlighting the history of Esmont, which is a 100-acre estate in Albemarle County owned and restored by Karon, and a personal and beautifully illustrated book titled \"Donna: Life, Art, Garden, and Home\" about Donna Ernest. ","Box ViU2022-0119_001 contains correspondence from 2020 to 2021\nBox ViU2022-0119_002 contains correspondence from 2020 to 2022, notebooks, photographs, planners, sketchbooks and publications\nOversize Folder ViU2022-0119_001 contains the poster of Esmont"],"separatedmaterial_html_tesm":["\u003cp\u003eFour books were separated from the collection and transferred to Rare Books for individual cataloging. These titles were a mass trade paperback copy of \"Shepherds Abiding,\" a paperback copy of \"To Be Where You are,\" and a hardback copy of \"Bathed In Prayer.\"\u003c/p\u003e","\u003cp\u003eTwo books were removed from this addition and transferred to the Rare Books Cataloger for individual handling:\u003c/p\u003e\n","\u003cp\u003eGarden Club of Virginia Historic Garden Week \"Historic Southern Albemarle\" book with a copy of a sticky note \"Esmont on the tour in 2014, the year I sold it.\" (2014)\u003c/p\u003e\n","\u003cp\u003e\"Donna Life - Art - Garden - Home\" with a preface by Jan Karon about her friend, Donna Ernst. Probably an advanced reader's copy (2019). Book came with a sticky note, \"This is not the final edition. This rough edition contains typos and incorrect paragraphing with several design changes as well. Delivered final copies 12/19.\"\u003c/p\u003e","\u003cp\u003eThe DVD, \"JJR 80th Celebration\" - Photographs of the 80th Birthday of Jerry J. Richardson which accompanied a letter (October 5, 2016) from Dana Robinson, executive assistant to the owner/founder of the Carolina Panthers, Jerry Richardson, has been separated from the letter and placed in Box 137 (Disk 93) with other disks. A digital copy has not been created at this time.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Four books were separated from the collection and transferred to Rare Books for individual cataloging. These titles were a mass trade paperback copy of \"Shepherds Abiding,\" a paperback copy of \"To Be Where You are,\" and a hardback copy of \"Bathed In Prayer.\"","Two books were removed from this addition and transferred to the Rare Books Cataloger for individual handling:","Garden Club of Virginia Historic Garden Week \"Historic Southern Albemarle\" book with a copy of a sticky note \"Esmont on the tour in 2014, the year I sold it.\" (2014)","\"Donna Life - Art - Garden - Home\" with a preface by Jan Karon about her friend, Donna Ernst. Probably an advanced reader's copy (2019). Book came with a sticky note, \"This is not the final edition. This rough edition contains typos and incorrect paragraphing with several design changes as well. Delivered final copies 12/19.\"","The DVD, \"JJR 80th Celebration\" - Photographs of the 80th Birthday of Jerry J. Richardson which accompanied a letter (October 5, 2016) from Dana Robinson, executive assistant to the owner/founder of the Carolina Panthers, Jerry Richardson, has been separated from the letter and placed in Box 137 (Disk 93) with other disks. A digital copy has not been created at this time."],"userestrict_html_tesm":["\u003cp\u003eThere are no use restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["There are no use restrictions."],"names_ssim":["Albert and Shirley Small Special Collections Library","Setzer family -- correspondence","Karon, Jan (Janice), 1937-"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_coll_ssim":["Setzer family -- correspondence"],"famname_ssim":["Setzer family -- correspondence"],"persname_ssim":["Karon, Jan (Janice), 1937-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1248,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:45:23.850Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_177_c09_c02_c07"}},{"id":"viu_repositories_3_resources_754_c01_c01_c04","type":"File","attributes":{"title":"Artifacts","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_754_c01_c01_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_754_c01_c01_c04","ref_ssm":["viu_repositories_3_resources_754_c01_c01_c04"],"id":"viu_repositories_3_resources_754_c01_c01_c04","ead_ssi":"viu_repositories_3_resources_754","_root_":"viu_repositories_3_resources_754","_nest_parent_":"viu_repositories_3_resources_754_c01_c01","parent_ssi":"viu_repositories_3_resources_754_c01_c01","parent_ssim":["viu_repositories_3_resources_754","viu_repositories_3_resources_754_c01","viu_repositories_3_resources_754_c01_c01"],"parent_ids_ssim":["viu_repositories_3_resources_754","viu_repositories_3_resources_754_c01","viu_repositories_3_resources_754_c01_c01"],"parent_unittitles_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","Physical (Analog) Materials","Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally"],"parent_unittitles_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","Physical (Analog) Materials","Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally"],"text":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","Physical (Analog) Materials","Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally","Artifacts","box 6 [RESTRICTED MATERIAL]"],"title_filing_ssi":"Artifacts","title_ssm":["Artifacts"],"title_tesim":["Artifacts"],"unitdate_other_ssim":["2017-07-08"],"normalized_date_ssm":["2017"],"normalized_title_ssm":["Artifacts"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":6,"parent_access_restrict_tesm":["The Michael McGee Donation is restricted and requires permission from the donor to view the item.","\nThe audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series."],"parent_access_terms_tesm":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"date_range_isim":[2017],"containers_ssim":["box 6 [RESTRICTED MATERIAL]"],"_nest_path_":"/components#0/components#0/components#3","timestamp":"2026-05-20T23:33:37.307Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_754","ead_ssi":"viu_repositories_3_resources_754","_root_":"viu_repositories_3_resources_754","_nest_parent_":"viu_repositories_3_resources_754","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_754.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/148780","title_filing_ssi":"The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","title_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"title_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"unitdate_ssm":["2015-01-13-2020","2017-01-03-2020"],"unitdate_bulk_ssim":["2017-01-03-2020"],"unitdate_inclusive_ssm":["2015-01-13-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16386","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/754"],"text":["MSS 16386","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/754","The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media ","The majority of the collection is open for research use.","The story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.","The original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The Michael McGee Donation is restricted and requires permission from the donor to view the item.","\nThe audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series.","Original media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Arranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.","\nThe University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:","Series 1, Physal (Analog) Materials:","\nSubseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.","\nSubseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.","\nSubseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:","\nFile 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.","\nSeries 2, Born-Digital materials:","\nSubseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018. ","\nSubseries 2, Archived web pages, 1/13/2015-2020:","\nFile 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.","\nSubseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.","\nSubseries 4, Audio files (songs on audio-cassette), 2/26/2018.","\nThe collection of Twitter data is not yet open for research, and will be made available when it is processed.","On the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.","\nAccording to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.","\nOn August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.","\nViolence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.","\nThe violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations.","For accessing rolled oversized materials (tubes 6-11):","These items are stored rolled around the exterior of the tube.","2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.","Sandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.","The sheet of Tyvek should remain on the underside/\nunmarked backing of the item.","Once these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)","Now rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center. ","The original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022.","Related materials documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:","Boggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content."," Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1.","This collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThis collection documents the events of August 11 and 12, 2017 that occurred in  Charlottesville, Virginia , and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to  Charlottesville City Hall , which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.","\nSeveral community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes  University of Virginia  students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.","\nThe Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the  July 8, 2017  KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.","\nIn the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the  August 11, 2017  torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.","\nThe Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after  August 12, 2017 . The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of  Charlottesville , and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.","\nThe other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.","\nAlso in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.","\nThe periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.","\nThe Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the  University of Virginia Library . While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.","\nThe growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.","The Physical (Analog) materials series contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains items that help to contextualize these events as part of the \"summer of hate\". Most notably, a tear gas canister used by the police was recovered from the July 8 rally. Some of the materials that capture the community's reaction to July 8 and its reaction to the planned August 12 rally include notes from a July 14 city meeting, articles about the KKK rally, a July 14 press conference release, flyers and a zine regarding the Lee and Jackson statues and the \"Unite the Right\" rally, and a printout of an online announcement from the Office of the President of the University of Virginia about the rally scheduled for August 12. There are also printed email correspondence between members of city council, and Charlottesville police officers from August 10, 2017.","\nThe Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries relates to the events and ongoings of August 11 and 12, 2017. Correspondence among Charlottesville police officers and among members of Charlottesville City Council reveal the plans, logistics, and reactions in real time to the incidents taking place on the night of August 11, 2017 when white nationalists/white supremacists gathered holding 'Tiki' torches, five of which are included in this subseries as the first 5 tube boxes. Materials included from the August 12 rally are posters and signs expressing opposition to white supremacy and fascism that were carried by counter-protesters, and artifacts like a red armband, a red flag, and a remnant of kekistan flag burned in Justice Park. There are also printed materials recovered from that day, such as flyers and programs for church services, an educational zine, an anti-fascist flyer, and a white supremacy flyer.","\nThe Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains materials created in response to the events of August 11 and 12, 2017. Most of the correspondence materials consist of letters, postcards, cards, and handmade cards from around the world expressing support and solidarity for the leaders and people of Charlottesville. These correspondence were sent from public officials, public offices, businesses, organizations, institutions, individuals, and communities. A smaller section of correspondence, titled 'other correspondence', express either support not related to August 11 and 12, severe criticism of members of Charlottesville City Council and the Charlottesville Police Department, hateful and derogatory messages towards the Mayor and Vice Mayor of Charlottesville, a particular narrative of southern history, or extreme racism towards black people and people of color, in general.","In this subseries there are printed materials that include announcements, pamphlets, flyers and programs for church services and counseling sessions, informational zines, and fascist and anti-fascist paraphernalia. There are responses from the University of Virginia, legal documents, and official reports, as well, about the events of August 11 and 12, 2017. Additionally, printed publications, like newspapers are included, as well as a double-cassette album of music dedicated to the events, the digital files of which are included in the second series, \"Born-Digital materials\".","\nThe condolence artifacts in this subseries include handmade banners, tablecloths and painted canvases, some of which are signed by communities showing support. There are also other trinkets like wrists bands and bottons sent as forms of support.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","Some materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this series contain offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Born-digital materials series consists of digital photographs, video recordings, typed narratives, archived web pages, archived tweets and twitter IDs, and digitial audio files.","\nThe Stories and audiovisual materials submitted via online collection site subseries consists of digital photographs, video recordings, and typed narratives submitted via an online portal on the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website, and include descriptive information, dates, and locations provided by the donors.","\nThe digital photographs and video recordings include documentation of KKK members and of protesters taken during the July 8 KKK rally, pictures of \"Unite the Right\" protesters, counter-protesters, and police taken during the August 12 \"Unite the Right\" rally, and pictures of events, memorials, memorabilia that document the community response to the events of August 11 and 12, 2017. The contents of these materials detail the movements of people in Charlottesville leading up to the confrontations that took place on July 8, and on August 12 at Market Street Park (formerly known as Lee Park and later Emancipation Park) when violence errupted. They also exhibit the many examples of the responses from the community of Charlottesville in the form of temporary memorials, like flowers, signs, messages written on walls.","\nThe narratives describe the personal accounts and experiences of individuals from events that occurred on August 11 and 12, 2017, and also reflections on white supremacy and violence in Charlottesville. They also document some of the emotional responses to events of August 11 and 12, 2017. This subseries also includes a small number of emails sent to University of Virginia President Teresa Sullivan.","\nThe Archived webpages subseries is divided into two separate files, each of which is a collection of archived websites. Each consists of archived websites and webpages relating to the events in Charlottesville, VA on August 11 and 12, 2017 made accessible via the provided hyperlinks.","\nThe first directs researchers to the University of Virginia Collection on Events in Charlottesville, VA, August 11-13, 2017 web archive on the Archive-It website. The second directs researchers to the web archive collection titled, \"MSS16386_WARNING_OFFENSIVECONTENT\" accessible on the ReplayWeb website. The collections include archived websites and webpages in various formats (blogs, forums, news websites, and social media) relating to the events of August 11 and 12, 2017 in Charlottesville, VA and their aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content from the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nThe Arhived tweets and Twitter datasets subseries includes archived social media that reveals some of the conversation around Charlottesville as a political focal point on Twitter. Tweets that were captured, and Tweet IDs and Twitter datasets that were harvested using Twarc, Twitter APIs, Archive-It, and webrecorder during and after August 11 and 12, 2017, and on the one-year anniversary of the \"Unite the Right\" rally are distributed across the political spectrum. A wide range of hashtags for Charlottesville, hoosagainsthate, and hoostogether were captured for the collection, as well as timelines and accounts from the university and from the city of Charlottesville. At this time this subseries is not open for research, but will be made available when it is processed.","\nThe Audio-cassette subseries consists of digital audio files from the download card that was included with the set of two audio-cassettes. The content of the audio-cassettes, and of the digital files are recorded songs created in response to the events of August 11 and 12, 2017, and were donated with a printed track listing.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nThis subseries includes two separate collections of archived webpages. One collection was captured using Archive-It web crawling tools and is accessible via Archive-It.org. The second collection was captured using Webrecorder and is accessible via ReplayWeb.page. Web content are based on user preferences and interests, and are thus adaptive, dynamic, and quickly changing. This can lead researchers to a number of challenges in viewing archived websites, including necessitating the use of multiple tools and a variety of search strategies. ","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The materials in this web archive collection on Archive-It.org contain offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nWebsites in this sub-series were captured using Archive-It web crawling tools and are being made available through Archive-It.org. These include archived websites and webpages in various formats, such as blogs, news websites, and social media related to the \"Unite the Right\" rally and its aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content created in the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","\tThe materials in this collection of webpages on ReplayWab.page contains offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nWebsites and webpages in this sub-series were captured using a tool called Webrecorder and are being made available through ReplayWeb.page. Archived content is presented in various formats relating to the events and aftermath of the \"Unite the Right\" rally held in Charlottesville, Virginia on August 11 and 12, 2017.  These include blogs, news websites, articles by the Southern Poverty Law Center, pages from the GoFundMe crowdfunding platform, pages from the Reddit and Daily Stormer discussion websites, and pages from the anonymous imageboard site 4chan. Hyperlinks to the web content created in the wake of August 11 and 12, 2017 were gathered and captured from 2017 through 2020. The November 2019 additions were due to Unicorn Riot's access to the Vimeo streaming server archive no longer being financially supported. UVA administration asked that these materials be archived.   ","\nThese materials must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The contents include recorded songs dedicated to the events of August 11 and 12, 2017. The cassette included a digital download code. The digital files can be accessed using the link in the finding aid (digital object).","Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator.","Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library","English"],"unitid_tesim":["MSS 16386","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/754"],"normalized_title_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"collection_title_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"collection_ssim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creator_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creator_corpname_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creators_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"access_terms_ssm":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"acqinfo_ssim":["Anonymous donors.\nUniversity of Virginia Library staff.\nCharlottesville residents.\nCharlottesville City hall. \nOther, Individual donors, e.g: Michael McGee, Rosemary Balister, Derek Brown, Arlyn Newcomb, Tyler Magill, Sarah Brazelton."],"access_subjects_ssim":["race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media "],"access_subjects_ssm":["race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media "],"has_online_content_ssim":["true"],"extent_ssm":["50 Cubic Feet","19.74 Gigabytes"],"extent_tesim":["50 Cubic Feet","19.74 Gigabytes"],"genreform_ssim":["Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media "],"date_range_isim":[2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe majority of the collection is open for research use.\u003c/p\u003e\n","\u003cp\u003eThe story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.\u003c/p\u003e\n","\u003cp\u003eThe original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.\u003c/p\u003e","\u003cp\u003eArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.\u003c/p\u003e\n","\u003cp\u003eMaterials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.\u003c/p\u003e","\u003cp\u003eThe Michael McGee Donation is restricted and requires permission from the donor to view the item.\u003c/p\u003e\n","\u003cp\u003e\nThe audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series.\u003c/p\u003e","\u003cp\u003eOriginal media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Access of born-digital materials - archived webpages","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The majority of the collection is open for research use.","The story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.","The original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The Michael McGee Donation is restricted and requires permission from the donor to view the item.","\nThe audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series.","Original media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'."],"arrangement_html_tesm":["\u003cp\u003eArranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.\u003c/p\u003e\n","\u003cp\u003e\nThe University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:\u003c/p\u003e\n","\u003cp\u003eSeries 1, Physal (Analog) Materials:\u003c/p\u003e\n","\u003cp\u003e\nSubseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries 2, Born-Digital materials:\u003c/p\u003e\n","\u003cp\u003e\nSubseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018. \u003c/p\u003e\n","\u003cp\u003e\nSubseries 2, Archived web pages, 1/13/2015-2020:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 4, Audio files (songs on audio-cassette), 2/26/2018.\u003c/p\u003e\n","\u003cp\u003e\nThe collection of Twitter data is not yet open for research, and will be made available when it is processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.","\nThe University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:","Series 1, Physal (Analog) Materials:","\nSubseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.","\nSubseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.","\nSubseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:","\nFile 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.","\nSeries 2, Born-Digital materials:","\nSubseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018. ","\nSubseries 2, Archived web pages, 1/13/2015-2020:","\nFile 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.","\nSubseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.","\nSubseries 4, Audio files (songs on audio-cassette), 2/26/2018.","\nThe collection of Twitter data is not yet open for research, and will be made available when it is processed."],"bioghist_html_tesm":["\u003cp\u003eOn the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.\u003c/p\u003e\n","\u003cp\u003e\nAccording to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.\u003c/p\u003e\n","\u003cp\u003e\nOn August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.\u003c/p\u003e\n","\u003cp\u003e\nViolence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.\u003c/p\u003e\n","\u003cp\u003e\nThe violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["On the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.","\nAccording to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.","\nOn August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.","\nViolence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.","\nThe violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations."],"odd_html_tesm":["\u003cp\u003eFor accessing rolled oversized materials (tubes 6-11):\u003c/p\u003e\n","\u003cp\u003eThese items are stored rolled around the exterior of the tube.\u003c/p\u003e\n","\u003cp\u003e2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.\u003c/p\u003e\n","\u003cp\u003eSandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.\u003c/p\u003e\n","\u003cp\u003eThe sheet of Tyvek should remain on the underside/\nunmarked backing of the item.\u003c/p\u003e\n","\u003cp\u003eOnce these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)\u003c/p\u003e\n","\u003cp\u003eNow rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center. \u003c/p\u003e"],"odd_heading_ssm":["Physical Access"],"odd_tesim":["For accessing rolled oversized materials (tubes 6-11):","These items are stored rolled around the exterior of the tube.","2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.","Sandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.","The sheet of Tyvek should remain on the underside/\nunmarked backing of the item.","Once these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)","Now rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16386, The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, Albert and Shirley Small Special Collections Library, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["MSS 16386, The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, Albert and Shirley Small Special Collections Library, University of Virginia"],"processinfo_html_tesm":["\u003cp\u003eThe original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated materials documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:\u003c/p\u003e\n","\u003cp\u003eBoggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content.\u003c/p\u003e\n","\u003cp\u003e Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related materials documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:","Boggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content."," Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThis collection documents the events of August 11 and 12, 2017 that occurred in \u003cgeogname\u003eCharlottesville, Virginia\u003c/geogname\u003e, and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to \u003ccorpname\u003eCharlottesville City Hall\u003c/corpname\u003e, which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.\u003c/p\u003e\n","\u003cp\u003e\nSeveral community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.\u003c/p\u003e\n","\u003cp\u003e\nThe Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the \u003cdate\u003eJuly 8, 2017\u003c/date\u003e KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.\u003c/p\u003e\n","\u003cp\u003e\nIn the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the \u003cdate\u003eAugust 11, 2017\u003c/date\u003e torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.\u003c/p\u003e\n","\u003cp\u003e\nThe Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after \u003cdate\u003eAugust 12, 2017\u003c/date\u003e. The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e, and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.\u003c/p\u003e\n","\u003cp\u003e\nThe other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.\u003c/p\u003e\n","\u003cp\u003e\nAlso in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.\u003c/p\u003e\n","\u003cp\u003e\nThe periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.\u003c/p\u003e\n","\u003cp\u003e\nThe Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the \u003ccorpname\u003eUniversity of Virginia Library\u003c/corpname\u003e. While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.\u003c/p\u003e\n","\u003cp\u003e\nThe growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.\u003c/p\u003e","\u003cp\u003eThe Physical (Analog) materials series contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThe Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains items that help to contextualize these events as part of the \"summer of hate\". Most notably, a tear gas canister used by the police was recovered from the July 8 rally. Some of the materials that capture the community's reaction to July 8 and its reaction to the planned August 12 rally include notes from a July 14 city meeting, articles about the KKK rally, a July 14 press conference release, flyers and a zine regarding the Lee and Jackson statues and the \"Unite the Right\" rally, and a printout of an online announcement from the Office of the President of the University of Virginia about the rally scheduled for August 12. There are also printed email correspondence between members of city council, and Charlottesville police officers from August 10, 2017.\u003c/p\u003e\n","\u003cp\u003e\nThe Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries relates to the events and ongoings of August 11 and 12, 2017. Correspondence among Charlottesville police officers and among members of Charlottesville City Council reveal the plans, logistics, and reactions in real time to the incidents taking place on the night of August 11, 2017 when white nationalists/white supremacists gathered holding 'Tiki' torches, five of which are included in this subseries as the first 5 tube boxes. Materials included from the August 12 rally are posters and signs expressing opposition to white supremacy and fascism that were carried by counter-protesters, and artifacts like a red armband, a red flag, and a remnant of kekistan flag burned in Justice Park. There are also printed materials recovered from that day, such as flyers and programs for church services, an educational zine, an anti-fascist flyer, and a white supremacy flyer.\u003c/p\u003e\n","\u003cp\u003e\nThe Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains materials created in response to the events of August 11 and 12, 2017. Most of the correspondence materials consist of letters, postcards, cards, and handmade cards from around the world expressing support and solidarity for the leaders and people of Charlottesville. These correspondence were sent from public officials, public offices, businesses, organizations, institutions, individuals, and communities. A smaller section of correspondence, titled 'other correspondence', express either support not related to August 11 and 12, severe criticism of members of Charlottesville City Council and the Charlottesville Police Department, hateful and derogatory messages towards the Mayor and Vice Mayor of Charlottesville, a particular narrative of southern history, or extreme racism towards black people and people of color, in general.\u003c/p\u003e\n","\u003cp\u003eIn this subseries there are printed materials that include announcements, pamphlets, flyers and programs for church services and counseling sessions, informational zines, and fascist and anti-fascist paraphernalia. There are responses from the University of Virginia, legal documents, and official reports, as well, about the events of August 11 and 12, 2017. Additionally, printed publications, like newspapers are included, as well as a double-cassette album of music dedicated to the events, the digital files of which are included in the second series, \"Born-Digital materials\".\u003c/p\u003e\n","\u003cp\u003e\nThe condolence artifacts in this subseries include handmade banners, tablecloths and painted canvases, some of which are signed by communities showing support. There are also other trinkets like wrists bands and bottons sent as forms of support.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eSome materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eThe materials in this series contain offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThe Born-digital materials series consists of digital photographs, video recordings, typed narratives, archived web pages, archived tweets and twitter IDs, and digitial audio files.\u003c/p\u003e\n","\u003cp\u003e\nThe Stories and audiovisual materials submitted via online collection site subseries consists of digital photographs, video recordings, and typed narratives submitted via an online portal on the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website, and include descriptive information, dates, and locations provided by the donors.\u003c/p\u003e\n","\u003cp\u003e\nThe digital photographs and video recordings include documentation of KKK members and of protesters taken during the July 8 KKK rally, pictures of \"Unite the Right\" protesters, counter-protesters, and police taken during the August 12 \"Unite the Right\" rally, and pictures of events, memorials, memorabilia that document the community response to the events of August 11 and 12, 2017. The contents of these materials detail the movements of people in Charlottesville leading up to the confrontations that took place on July 8, and on August 12 at Market Street Park (formerly known as Lee Park and later Emancipation Park) when violence errupted. They also exhibit the many examples of the responses from the community of Charlottesville in the form of temporary memorials, like flowers, signs, messages written on walls.\u003c/p\u003e\n","\u003cp\u003e\nThe narratives describe the personal accounts and experiences of individuals from events that occurred on August 11 and 12, 2017, and also reflections on white supremacy and violence in Charlottesville. They also document some of the emotional responses to events of August 11 and 12, 2017. This subseries also includes a small number of emails sent to University of Virginia President Teresa Sullivan.\u003c/p\u003e\n","\u003cp\u003e\nThe Archived webpages subseries is divided into two separate files, each of which is a collection of archived websites. Each consists of archived websites and webpages relating to the events in Charlottesville, VA on August 11 and 12, 2017 made accessible via the provided hyperlinks.\u003c/p\u003e\n","\u003cp\u003e\nThe first directs researchers to the University of Virginia Collection on Events in Charlottesville, VA, August 11-13, 2017 web archive on the Archive-It website. The second directs researchers to the web archive collection titled, \"MSS16386_WARNING_OFFENSIVECONTENT\" accessible on the ReplayWeb website. The collections include archived websites and webpages in various formats (blogs, forums, news websites, and social media) relating to the events of August 11 and 12, 2017 in Charlottesville, VA and their aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content from the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.\u003c/p\u003e\n","\u003cp\u003e\nThe Arhived tweets and Twitter datasets subseries includes archived social media that reveals some of the conversation around Charlottesville as a political focal point on Twitter. Tweets that were captured, and Tweet IDs and Twitter datasets that were harvested using Twarc, Twitter APIs, Archive-It, and webrecorder during and after August 11 and 12, 2017, and on the one-year anniversary of the \"Unite the Right\" rally are distributed across the political spectrum. A wide range of hashtags for Charlottesville, hoosagainsthate, and hoostogether were captured for the collection, as well as timelines and accounts from the university and from the city of Charlottesville. At this time this subseries is not open for research, but will be made available when it is processed.\u003c/p\u003e\n","\u003cp\u003e\nThe Audio-cassette subseries consists of digital audio files from the download card that was included with the set of two audio-cassettes. The content of the audio-cassettes, and of the digital files are recorded songs created in response to the events of August 11 and 12, 2017, and were donated with a printed track listing.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e\n","\u003cp\u003e\nThis subseries includes two separate collections of archived webpages. One collection was captured using Archive-It web crawling tools and is accessible via Archive-It.org. The second collection was captured using Webrecorder and is accessible via ReplayWeb.page. Web content are based on user preferences and interests, and are thus adaptive, dynamic, and quickly changing. This can lead researchers to a number of challenges in viewing archived websites, including necessitating the use of multiple tools and a variety of search strategies. \u003c/p\u003e\n","\u003cp\u003eArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.\u003c/p\u003e\n","\u003cp\u003eMaterials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.\u003c/p\u003e","\u003cp\u003eThe materials in this web archive collection on Archive-It.org contain offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nWebsites in this sub-series were captured using Archive-It web crawling tools and are being made available through Archive-It.org. These include archived websites and webpages in various formats, such as blogs, news websites, and social media related to the \"Unite the Right\" rally and its aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content created in the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.\u003c/p\u003e\n","\u003cp\u003e\nArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.\u003c/p\u003e","\u003cp\u003e\tThe materials in this collection of webpages on ReplayWab.page contains offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e\n","\u003cp\u003e\nWebsites and webpages in this sub-series were captured using a tool called Webrecorder and are being made available through ReplayWeb.page. Archived content is presented in various formats relating to the events and aftermath of the \"Unite the Right\" rally held in Charlottesville, Virginia on August 11 and 12, 2017.  These include blogs, news websites, articles by the Southern Poverty Law Center, pages from the GoFundMe crowdfunding platform, pages from the Reddit and Daily Stormer discussion websites, and pages from the anonymous imageboard site 4chan. Hyperlinks to the web content created in the wake of August 11 and 12, 2017 were gathered and captured from 2017 through 2020. The November 2019 additions were due to Unicorn Riot's access to the Vimeo streaming server archive no longer being financially supported. UVA administration asked that these materials be archived.   \u003c/p\u003e\n","\u003cp\u003e\nThese materials must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.\u003c/p\u003e","\u003cp\u003eThe contents include recorded songs dedicated to the events of August 11 and 12, 2017. The cassette included a digital download code. The digital files can be accessed using the link in the finding aid (digital object).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThis collection documents the events of August 11 and 12, 2017 that occurred in  Charlottesville, Virginia , and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to  Charlottesville City Hall , which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.","\nSeveral community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes  University of Virginia  students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.","\nThe Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the  July 8, 2017  KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.","\nIn the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the  August 11, 2017  torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.","\nThe Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after  August 12, 2017 . The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of  Charlottesville , and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.","\nThe other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.","\nAlso in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.","\nThe periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.","\nThe Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the  University of Virginia Library . While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.","\nThe growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.","The Physical (Analog) materials series contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains items that help to contextualize these events as part of the \"summer of hate\". Most notably, a tear gas canister used by the police was recovered from the July 8 rally. Some of the materials that capture the community's reaction to July 8 and its reaction to the planned August 12 rally include notes from a July 14 city meeting, articles about the KKK rally, a July 14 press conference release, flyers and a zine regarding the Lee and Jackson statues and the \"Unite the Right\" rally, and a printout of an online announcement from the Office of the President of the University of Virginia about the rally scheduled for August 12. There are also printed email correspondence between members of city council, and Charlottesville police officers from August 10, 2017.","\nThe Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries relates to the events and ongoings of August 11 and 12, 2017. Correspondence among Charlottesville police officers and among members of Charlottesville City Council reveal the plans, logistics, and reactions in real time to the incidents taking place on the night of August 11, 2017 when white nationalists/white supremacists gathered holding 'Tiki' torches, five of which are included in this subseries as the first 5 tube boxes. Materials included from the August 12 rally are posters and signs expressing opposition to white supremacy and fascism that were carried by counter-protesters, and artifacts like a red armband, a red flag, and a remnant of kekistan flag burned in Justice Park. There are also printed materials recovered from that day, such as flyers and programs for church services, an educational zine, an anti-fascist flyer, and a white supremacy flyer.","\nThe Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains materials created in response to the events of August 11 and 12, 2017. Most of the correspondence materials consist of letters, postcards, cards, and handmade cards from around the world expressing support and solidarity for the leaders and people of Charlottesville. These correspondence were sent from public officials, public offices, businesses, organizations, institutions, individuals, and communities. A smaller section of correspondence, titled 'other correspondence', express either support not related to August 11 and 12, severe criticism of members of Charlottesville City Council and the Charlottesville Police Department, hateful and derogatory messages towards the Mayor and Vice Mayor of Charlottesville, a particular narrative of southern history, or extreme racism towards black people and people of color, in general.","In this subseries there are printed materials that include announcements, pamphlets, flyers and programs for church services and counseling sessions, informational zines, and fascist and anti-fascist paraphernalia. There are responses from the University of Virginia, legal documents, and official reports, as well, about the events of August 11 and 12, 2017. Additionally, printed publications, like newspapers are included, as well as a double-cassette album of music dedicated to the events, the digital files of which are included in the second series, \"Born-Digital materials\".","\nThe condolence artifacts in this subseries include handmade banners, tablecloths and painted canvases, some of which are signed by communities showing support. There are also other trinkets like wrists bands and bottons sent as forms of support.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","Some materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this series contain offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Born-digital materials series consists of digital photographs, video recordings, typed narratives, archived web pages, archived tweets and twitter IDs, and digitial audio files.","\nThe Stories and audiovisual materials submitted via online collection site subseries consists of digital photographs, video recordings, and typed narratives submitted via an online portal on the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website, and include descriptive information, dates, and locations provided by the donors.","\nThe digital photographs and video recordings include documentation of KKK members and of protesters taken during the July 8 KKK rally, pictures of \"Unite the Right\" protesters, counter-protesters, and police taken during the August 12 \"Unite the Right\" rally, and pictures of events, memorials, memorabilia that document the community response to the events of August 11 and 12, 2017. The contents of these materials detail the movements of people in Charlottesville leading up to the confrontations that took place on July 8, and on August 12 at Market Street Park (formerly known as Lee Park and later Emancipation Park) when violence errupted. They also exhibit the many examples of the responses from the community of Charlottesville in the form of temporary memorials, like flowers, signs, messages written on walls.","\nThe narratives describe the personal accounts and experiences of individuals from events that occurred on August 11 and 12, 2017, and also reflections on white supremacy and violence in Charlottesville. They also document some of the emotional responses to events of August 11 and 12, 2017. This subseries also includes a small number of emails sent to University of Virginia President Teresa Sullivan.","\nThe Archived webpages subseries is divided into two separate files, each of which is a collection of archived websites. Each consists of archived websites and webpages relating to the events in Charlottesville, VA on August 11 and 12, 2017 made accessible via the provided hyperlinks.","\nThe first directs researchers to the University of Virginia Collection on Events in Charlottesville, VA, August 11-13, 2017 web archive on the Archive-It website. The second directs researchers to the web archive collection titled, \"MSS16386_WARNING_OFFENSIVECONTENT\" accessible on the ReplayWeb website. The collections include archived websites and webpages in various formats (blogs, forums, news websites, and social media) relating to the events of August 11 and 12, 2017 in Charlottesville, VA and their aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content from the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nThe Arhived tweets and Twitter datasets subseries includes archived social media that reveals some of the conversation around Charlottesville as a political focal point on Twitter. Tweets that were captured, and Tweet IDs and Twitter datasets that were harvested using Twarc, Twitter APIs, Archive-It, and webrecorder during and after August 11 and 12, 2017, and on the one-year anniversary of the \"Unite the Right\" rally are distributed across the political spectrum. A wide range of hashtags for Charlottesville, hoosagainsthate, and hoostogether were captured for the collection, as well as timelines and accounts from the university and from the city of Charlottesville. At this time this subseries is not open for research, but will be made available when it is processed.","\nThe Audio-cassette subseries consists of digital audio files from the download card that was included with the set of two audio-cassettes. The content of the audio-cassettes, and of the digital files are recorded songs created in response to the events of August 11 and 12, 2017, and were donated with a printed track listing.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nThis subseries includes two separate collections of archived webpages. One collection was captured using Archive-It web crawling tools and is accessible via Archive-It.org. The second collection was captured using Webrecorder and is accessible via ReplayWeb.page. Web content are based on user preferences and interests, and are thus adaptive, dynamic, and quickly changing. This can lead researchers to a number of challenges in viewing archived websites, including necessitating the use of multiple tools and a variety of search strategies. ","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The materials in this web archive collection on Archive-It.org contain offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nWebsites in this sub-series were captured using Archive-It web crawling tools and are being made available through Archive-It.org. These include archived websites and webpages in various formats, such as blogs, news websites, and social media related to the \"Unite the Right\" rally and its aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content created in the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","\tThe materials in this collection of webpages on ReplayWab.page contains offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nWebsites and webpages in this sub-series were captured using a tool called Webrecorder and are being made available through ReplayWeb.page. Archived content is presented in various formats relating to the events and aftermath of the \"Unite the Right\" rally held in Charlottesville, Virginia on August 11 and 12, 2017.  These include blogs, news websites, articles by the Southern Poverty Law Center, pages from the GoFundMe crowdfunding platform, pages from the Reddit and Daily Stormer discussion websites, and pages from the anonymous imageboard site 4chan. Hyperlinks to the web content created in the wake of August 11 and 12, 2017 were gathered and captured from 2017 through 2020. The November 2019 additions were due to Unicorn Riot's access to the Vimeo streaming server archive no longer being financially supported. UVA administration asked that these materials be archived.   ","\nThese materials must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The contents include recorded songs dedicated to the events of August 11 and 12, 2017. The cassette included a digital download code. The digital files can be accessed using the link in the finding aid (digital object)."],"userestrict_html_tesm":["\u003cp\u003eBecause of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"names_coll_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"names_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":4,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:33:37.307Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_754_c01_c01_c04"}},{"id":"viu_repositories_3_resources_754_c01_c02_c04","type":"File","attributes":{"title":"Artifacts","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_754_c01_c02_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_754_c01_c02_c04","ref_ssm":["viu_repositories_3_resources_754_c01_c02_c04"],"id":"viu_repositories_3_resources_754_c01_c02_c04","ead_ssi":"viu_repositories_3_resources_754","_root_":"viu_repositories_3_resources_754","_nest_parent_":"viu_repositories_3_resources_754_c01_c02","parent_ssi":"viu_repositories_3_resources_754_c01_c02","parent_ssim":["viu_repositories_3_resources_754","viu_repositories_3_resources_754_c01","viu_repositories_3_resources_754_c01_c02"],"parent_ids_ssim":["viu_repositories_3_resources_754","viu_repositories_3_resources_754_c01","viu_repositories_3_resources_754_c01_c02"],"parent_unittitles_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","Physical (Analog) Materials","Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally"],"parent_unittitles_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","Physical (Analog) Materials","Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally"],"text":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","Physical (Analog) Materials","Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally","Artifacts","box 1","folder 6","box 6 [RESTRICTED MATERIAL]","Tube_box 1 (torch)","Tube_box 2 (torch)","Tube_box 3 (torch)","Tube_box 4 (torch)","Tube_box 5 (torch)"],"title_filing_ssi":"Artifacts","title_ssm":["Artifacts"],"title_tesim":["Artifacts"],"unitdate_inclusive_ssm":["2017-08-11-2017-08-12"],"normalized_date_ssm":["2017"],"normalized_title_ssm":["Artifacts"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":11,"parent_access_restrict_tesm":["The Michael McGee Donation is restricted and requires permission from the donor to view the item.","\nThe audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series."],"parent_access_terms_tesm":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"date_range_isim":[2017],"containers_ssim":["box 1","folder 6","box 6 [RESTRICTED MATERIAL]","Tube_box 1 (torch)","Tube_box 2 (torch)","Tube_box 3 (torch)","Tube_box 4 (torch)","Tube_box 5 (torch)"],"_nest_path_":"/components#0/components#1/components#3","timestamp":"2026-05-20T23:33:37.307Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_754","ead_ssi":"viu_repositories_3_resources_754","_root_":"viu_repositories_3_resources_754","_nest_parent_":"viu_repositories_3_resources_754","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_754.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/148780","title_filing_ssi":"The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","title_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"title_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"unitdate_ssm":["2015-01-13-2020","2017-01-03-2020"],"unitdate_bulk_ssim":["2017-01-03-2020"],"unitdate_inclusive_ssm":["2015-01-13-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16386","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/754"],"text":["MSS 16386","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/754","The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media ","The majority of the collection is open for research use.","The story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.","The original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The Michael McGee Donation is restricted and requires permission from the donor to view the item.","\nThe audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series.","Original media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Arranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.","\nThe University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:","Series 1, Physal (Analog) Materials:","\nSubseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.","\nSubseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.","\nSubseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:","\nFile 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.","\nSeries 2, Born-Digital materials:","\nSubseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018. ","\nSubseries 2, Archived web pages, 1/13/2015-2020:","\nFile 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.","\nSubseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.","\nSubseries 4, Audio files (songs on audio-cassette), 2/26/2018.","\nThe collection of Twitter data is not yet open for research, and will be made available when it is processed.","On the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.","\nAccording to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.","\nOn August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.","\nViolence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.","\nThe violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations.","For accessing rolled oversized materials (tubes 6-11):","These items are stored rolled around the exterior of the tube.","2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.","Sandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.","The sheet of Tyvek should remain on the underside/\nunmarked backing of the item.","Once these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)","Now rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center. ","The original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022.","Related materials documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:","Boggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content."," Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1.","This collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThis collection documents the events of August 11 and 12, 2017 that occurred in  Charlottesville, Virginia , and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to  Charlottesville City Hall , which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.","\nSeveral community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes  University of Virginia  students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.","\nThe Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the  July 8, 2017  KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.","\nIn the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the  August 11, 2017  torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.","\nThe Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after  August 12, 2017 . The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of  Charlottesville , and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.","\nThe other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.","\nAlso in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.","\nThe periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.","\nThe Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the  University of Virginia Library . While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.","\nThe growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.","The Physical (Analog) materials series contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains items that help to contextualize these events as part of the \"summer of hate\". Most notably, a tear gas canister used by the police was recovered from the July 8 rally. Some of the materials that capture the community's reaction to July 8 and its reaction to the planned August 12 rally include notes from a July 14 city meeting, articles about the KKK rally, a July 14 press conference release, flyers and a zine regarding the Lee and Jackson statues and the \"Unite the Right\" rally, and a printout of an online announcement from the Office of the President of the University of Virginia about the rally scheduled for August 12. There are also printed email correspondence between members of city council, and Charlottesville police officers from August 10, 2017.","\nThe Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries relates to the events and ongoings of August 11 and 12, 2017. Correspondence among Charlottesville police officers and among members of Charlottesville City Council reveal the plans, logistics, and reactions in real time to the incidents taking place on the night of August 11, 2017 when white nationalists/white supremacists gathered holding 'Tiki' torches, five of which are included in this subseries as the first 5 tube boxes. Materials included from the August 12 rally are posters and signs expressing opposition to white supremacy and fascism that were carried by counter-protesters, and artifacts like a red armband, a red flag, and a remnant of kekistan flag burned in Justice Park. There are also printed materials recovered from that day, such as flyers and programs for church services, an educational zine, an anti-fascist flyer, and a white supremacy flyer.","\nThe Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains materials created in response to the events of August 11 and 12, 2017. Most of the correspondence materials consist of letters, postcards, cards, and handmade cards from around the world expressing support and solidarity for the leaders and people of Charlottesville. These correspondence were sent from public officials, public offices, businesses, organizations, institutions, individuals, and communities. A smaller section of correspondence, titled 'other correspondence', express either support not related to August 11 and 12, severe criticism of members of Charlottesville City Council and the Charlottesville Police Department, hateful and derogatory messages towards the Mayor and Vice Mayor of Charlottesville, a particular narrative of southern history, or extreme racism towards black people and people of color, in general.","In this subseries there are printed materials that include announcements, pamphlets, flyers and programs for church services and counseling sessions, informational zines, and fascist and anti-fascist paraphernalia. There are responses from the University of Virginia, legal documents, and official reports, as well, about the events of August 11 and 12, 2017. Additionally, printed publications, like newspapers are included, as well as a double-cassette album of music dedicated to the events, the digital files of which are included in the second series, \"Born-Digital materials\".","\nThe condolence artifacts in this subseries include handmade banners, tablecloths and painted canvases, some of which are signed by communities showing support. There are also other trinkets like wrists bands and bottons sent as forms of support.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","Some materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this series contain offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Born-digital materials series consists of digital photographs, video recordings, typed narratives, archived web pages, archived tweets and twitter IDs, and digitial audio files.","\nThe Stories and audiovisual materials submitted via online collection site subseries consists of digital photographs, video recordings, and typed narratives submitted via an online portal on the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website, and include descriptive information, dates, and locations provided by the donors.","\nThe digital photographs and video recordings include documentation of KKK members and of protesters taken during the July 8 KKK rally, pictures of \"Unite the Right\" protesters, counter-protesters, and police taken during the August 12 \"Unite the Right\" rally, and pictures of events, memorials, memorabilia that document the community response to the events of August 11 and 12, 2017. The contents of these materials detail the movements of people in Charlottesville leading up to the confrontations that took place on July 8, and on August 12 at Market Street Park (formerly known as Lee Park and later Emancipation Park) when violence errupted. They also exhibit the many examples of the responses from the community of Charlottesville in the form of temporary memorials, like flowers, signs, messages written on walls.","\nThe narratives describe the personal accounts and experiences of individuals from events that occurred on August 11 and 12, 2017, and also reflections on white supremacy and violence in Charlottesville. They also document some of the emotional responses to events of August 11 and 12, 2017. This subseries also includes a small number of emails sent to University of Virginia President Teresa Sullivan.","\nThe Archived webpages subseries is divided into two separate files, each of which is a collection of archived websites. Each consists of archived websites and webpages relating to the events in Charlottesville, VA on August 11 and 12, 2017 made accessible via the provided hyperlinks.","\nThe first directs researchers to the University of Virginia Collection on Events in Charlottesville, VA, August 11-13, 2017 web archive on the Archive-It website. The second directs researchers to the web archive collection titled, \"MSS16386_WARNING_OFFENSIVECONTENT\" accessible on the ReplayWeb website. The collections include archived websites and webpages in various formats (blogs, forums, news websites, and social media) relating to the events of August 11 and 12, 2017 in Charlottesville, VA and their aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content from the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nThe Arhived tweets and Twitter datasets subseries includes archived social media that reveals some of the conversation around Charlottesville as a political focal point on Twitter. Tweets that were captured, and Tweet IDs and Twitter datasets that were harvested using Twarc, Twitter APIs, Archive-It, and webrecorder during and after August 11 and 12, 2017, and on the one-year anniversary of the \"Unite the Right\" rally are distributed across the political spectrum. A wide range of hashtags for Charlottesville, hoosagainsthate, and hoostogether were captured for the collection, as well as timelines and accounts from the university and from the city of Charlottesville. At this time this subseries is not open for research, but will be made available when it is processed.","\nThe Audio-cassette subseries consists of digital audio files from the download card that was included with the set of two audio-cassettes. The content of the audio-cassettes, and of the digital files are recorded songs created in response to the events of August 11 and 12, 2017, and were donated with a printed track listing.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nThis subseries includes two separate collections of archived webpages. One collection was captured using Archive-It web crawling tools and is accessible via Archive-It.org. The second collection was captured using Webrecorder and is accessible via ReplayWeb.page. Web content are based on user preferences and interests, and are thus adaptive, dynamic, and quickly changing. This can lead researchers to a number of challenges in viewing archived websites, including necessitating the use of multiple tools and a variety of search strategies. ","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The materials in this web archive collection on Archive-It.org contain offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nWebsites in this sub-series were captured using Archive-It web crawling tools and are being made available through Archive-It.org. These include archived websites and webpages in various formats, such as blogs, news websites, and social media related to the \"Unite the Right\" rally and its aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content created in the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","\tThe materials in this collection of webpages on ReplayWab.page contains offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nWebsites and webpages in this sub-series were captured using a tool called Webrecorder and are being made available through ReplayWeb.page. Archived content is presented in various formats relating to the events and aftermath of the \"Unite the Right\" rally held in Charlottesville, Virginia on August 11 and 12, 2017.  These include blogs, news websites, articles by the Southern Poverty Law Center, pages from the GoFundMe crowdfunding platform, pages from the Reddit and Daily Stormer discussion websites, and pages from the anonymous imageboard site 4chan. Hyperlinks to the web content created in the wake of August 11 and 12, 2017 were gathered and captured from 2017 through 2020. The November 2019 additions were due to Unicorn Riot's access to the Vimeo streaming server archive no longer being financially supported. UVA administration asked that these materials be archived.   ","\nThese materials must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The contents include recorded songs dedicated to the events of August 11 and 12, 2017. The cassette included a digital download code. The digital files can be accessed using the link in the finding aid (digital object).","Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator.","Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library","English"],"unitid_tesim":["MSS 16386","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/754"],"normalized_title_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"collection_title_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"collection_ssim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creator_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creator_corpname_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creators_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"access_terms_ssm":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"acqinfo_ssim":["Anonymous donors.\nUniversity of Virginia Library staff.\nCharlottesville residents.\nCharlottesville City hall. \nOther, Individual donors, e.g: Michael McGee, Rosemary Balister, Derek Brown, Arlyn Newcomb, Tyler Magill, Sarah Brazelton."],"access_subjects_ssim":["race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media "],"access_subjects_ssm":["race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media "],"has_online_content_ssim":["true"],"extent_ssm":["50 Cubic Feet","19.74 Gigabytes"],"extent_tesim":["50 Cubic Feet","19.74 Gigabytes"],"genreform_ssim":["Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media "],"date_range_isim":[2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe majority of the collection is open for research use.\u003c/p\u003e\n","\u003cp\u003eThe story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.\u003c/p\u003e\n","\u003cp\u003eThe original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.\u003c/p\u003e","\u003cp\u003eArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.\u003c/p\u003e\n","\u003cp\u003eMaterials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.\u003c/p\u003e","\u003cp\u003eThe Michael McGee Donation is restricted and requires permission from the donor to view the item.\u003c/p\u003e\n","\u003cp\u003e\nThe audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series.\u003c/p\u003e","\u003cp\u003eOriginal media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Access of born-digital materials - archived webpages","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The majority of the collection is open for research use.","The story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.","The original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The Michael McGee Donation is restricted and requires permission from the donor to view the item.","\nThe audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series.","Original media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'."],"arrangement_html_tesm":["\u003cp\u003eArranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.\u003c/p\u003e\n","\u003cp\u003e\nThe University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:\u003c/p\u003e\n","\u003cp\u003eSeries 1, Physal (Analog) Materials:\u003c/p\u003e\n","\u003cp\u003e\nSubseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries 2, Born-Digital materials:\u003c/p\u003e\n","\u003cp\u003e\nSubseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018. \u003c/p\u003e\n","\u003cp\u003e\nSubseries 2, Archived web pages, 1/13/2015-2020:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 4, Audio files (songs on audio-cassette), 2/26/2018.\u003c/p\u003e\n","\u003cp\u003e\nThe collection of Twitter data is not yet open for research, and will be made available when it is processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.","\nThe University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:","Series 1, Physal (Analog) Materials:","\nSubseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.","\nSubseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.","\nSubseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:","\nFile 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.","\nSeries 2, Born-Digital materials:","\nSubseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018. ","\nSubseries 2, Archived web pages, 1/13/2015-2020:","\nFile 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.","\nSubseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.","\nSubseries 4, Audio files (songs on audio-cassette), 2/26/2018.","\nThe collection of Twitter data is not yet open for research, and will be made available when it is processed."],"bioghist_html_tesm":["\u003cp\u003eOn the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.\u003c/p\u003e\n","\u003cp\u003e\nAccording to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.\u003c/p\u003e\n","\u003cp\u003e\nOn August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.\u003c/p\u003e\n","\u003cp\u003e\nViolence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.\u003c/p\u003e\n","\u003cp\u003e\nThe violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["On the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.","\nAccording to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.","\nOn August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.","\nViolence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.","\nThe violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations."],"odd_html_tesm":["\u003cp\u003eFor accessing rolled oversized materials (tubes 6-11):\u003c/p\u003e\n","\u003cp\u003eThese items are stored rolled around the exterior of the tube.\u003c/p\u003e\n","\u003cp\u003e2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.\u003c/p\u003e\n","\u003cp\u003eSandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.\u003c/p\u003e\n","\u003cp\u003eThe sheet of Tyvek should remain on the underside/\nunmarked backing of the item.\u003c/p\u003e\n","\u003cp\u003eOnce these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)\u003c/p\u003e\n","\u003cp\u003eNow rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center. \u003c/p\u003e"],"odd_heading_ssm":["Physical Access"],"odd_tesim":["For accessing rolled oversized materials (tubes 6-11):","These items are stored rolled around the exterior of the tube.","2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.","Sandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.","The sheet of Tyvek should remain on the underside/\nunmarked backing of the item.","Once these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)","Now rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16386, The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, Albert and Shirley Small Special Collections Library, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["MSS 16386, The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, Albert and Shirley Small Special Collections Library, University of Virginia"],"processinfo_html_tesm":["\u003cp\u003eThe original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated materials documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:\u003c/p\u003e\n","\u003cp\u003eBoggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content.\u003c/p\u003e\n","\u003cp\u003e Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related materials documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:","Boggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content."," Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThis collection documents the events of August 11 and 12, 2017 that occurred in \u003cgeogname\u003eCharlottesville, Virginia\u003c/geogname\u003e, and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to \u003ccorpname\u003eCharlottesville City Hall\u003c/corpname\u003e, which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.\u003c/p\u003e\n","\u003cp\u003e\nSeveral community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.\u003c/p\u003e\n","\u003cp\u003e\nThe Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the \u003cdate\u003eJuly 8, 2017\u003c/date\u003e KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.\u003c/p\u003e\n","\u003cp\u003e\nIn the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the \u003cdate\u003eAugust 11, 2017\u003c/date\u003e torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.\u003c/p\u003e\n","\u003cp\u003e\nThe Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after \u003cdate\u003eAugust 12, 2017\u003c/date\u003e. The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e, and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.\u003c/p\u003e\n","\u003cp\u003e\nThe other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.\u003c/p\u003e\n","\u003cp\u003e\nAlso in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.\u003c/p\u003e\n","\u003cp\u003e\nThe periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.\u003c/p\u003e\n","\u003cp\u003e\nThe Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the \u003ccorpname\u003eUniversity of Virginia Library\u003c/corpname\u003e. While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.\u003c/p\u003e\n","\u003cp\u003e\nThe growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.\u003c/p\u003e","\u003cp\u003eThe Physical (Analog) materials series contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThe Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains items that help to contextualize these events as part of the \"summer of hate\". Most notably, a tear gas canister used by the police was recovered from the July 8 rally. Some of the materials that capture the community's reaction to July 8 and its reaction to the planned August 12 rally include notes from a July 14 city meeting, articles about the KKK rally, a July 14 press conference release, flyers and a zine regarding the Lee and Jackson statues and the \"Unite the Right\" rally, and a printout of an online announcement from the Office of the President of the University of Virginia about the rally scheduled for August 12. There are also printed email correspondence between members of city council, and Charlottesville police officers from August 10, 2017.\u003c/p\u003e\n","\u003cp\u003e\nThe Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries relates to the events and ongoings of August 11 and 12, 2017. Correspondence among Charlottesville police officers and among members of Charlottesville City Council reveal the plans, logistics, and reactions in real time to the incidents taking place on the night of August 11, 2017 when white nationalists/white supremacists gathered holding 'Tiki' torches, five of which are included in this subseries as the first 5 tube boxes. Materials included from the August 12 rally are posters and signs expressing opposition to white supremacy and fascism that were carried by counter-protesters, and artifacts like a red armband, a red flag, and a remnant of kekistan flag burned in Justice Park. There are also printed materials recovered from that day, such as flyers and programs for church services, an educational zine, an anti-fascist flyer, and a white supremacy flyer.\u003c/p\u003e\n","\u003cp\u003e\nThe Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains materials created in response to the events of August 11 and 12, 2017. Most of the correspondence materials consist of letters, postcards, cards, and handmade cards from around the world expressing support and solidarity for the leaders and people of Charlottesville. These correspondence were sent from public officials, public offices, businesses, organizations, institutions, individuals, and communities. A smaller section of correspondence, titled 'other correspondence', express either support not related to August 11 and 12, severe criticism of members of Charlottesville City Council and the Charlottesville Police Department, hateful and derogatory messages towards the Mayor and Vice Mayor of Charlottesville, a particular narrative of southern history, or extreme racism towards black people and people of color, in general.\u003c/p\u003e\n","\u003cp\u003eIn this subseries there are printed materials that include announcements, pamphlets, flyers and programs for church services and counseling sessions, informational zines, and fascist and anti-fascist paraphernalia. There are responses from the University of Virginia, legal documents, and official reports, as well, about the events of August 11 and 12, 2017. Additionally, printed publications, like newspapers are included, as well as a double-cassette album of music dedicated to the events, the digital files of which are included in the second series, \"Born-Digital materials\".\u003c/p\u003e\n","\u003cp\u003e\nThe condolence artifacts in this subseries include handmade banners, tablecloths and painted canvases, some of which are signed by communities showing support. There are also other trinkets like wrists bands and bottons sent as forms of support.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eSome materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eThe materials in this series contain offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThe Born-digital materials series consists of digital photographs, video recordings, typed narratives, archived web pages, archived tweets and twitter IDs, and digitial audio files.\u003c/p\u003e\n","\u003cp\u003e\nThe Stories and audiovisual materials submitted via online collection site subseries consists of digital photographs, video recordings, and typed narratives submitted via an online portal on the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website, and include descriptive information, dates, and locations provided by the donors.\u003c/p\u003e\n","\u003cp\u003e\nThe digital photographs and video recordings include documentation of KKK members and of protesters taken during the July 8 KKK rally, pictures of \"Unite the Right\" protesters, counter-protesters, and police taken during the August 12 \"Unite the Right\" rally, and pictures of events, memorials, memorabilia that document the community response to the events of August 11 and 12, 2017. The contents of these materials detail the movements of people in Charlottesville leading up to the confrontations that took place on July 8, and on August 12 at Market Street Park (formerly known as Lee Park and later Emancipation Park) when violence errupted. They also exhibit the many examples of the responses from the community of Charlottesville in the form of temporary memorials, like flowers, signs, messages written on walls.\u003c/p\u003e\n","\u003cp\u003e\nThe narratives describe the personal accounts and experiences of individuals from events that occurred on August 11 and 12, 2017, and also reflections on white supremacy and violence in Charlottesville. They also document some of the emotional responses to events of August 11 and 12, 2017. This subseries also includes a small number of emails sent to University of Virginia President Teresa Sullivan.\u003c/p\u003e\n","\u003cp\u003e\nThe Archived webpages subseries is divided into two separate files, each of which is a collection of archived websites. Each consists of archived websites and webpages relating to the events in Charlottesville, VA on August 11 and 12, 2017 made accessible via the provided hyperlinks.\u003c/p\u003e\n","\u003cp\u003e\nThe first directs researchers to the University of Virginia Collection on Events in Charlottesville, VA, August 11-13, 2017 web archive on the Archive-It website. The second directs researchers to the web archive collection titled, \"MSS16386_WARNING_OFFENSIVECONTENT\" accessible on the ReplayWeb website. The collections include archived websites and webpages in various formats (blogs, forums, news websites, and social media) relating to the events of August 11 and 12, 2017 in Charlottesville, VA and their aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content from the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.\u003c/p\u003e\n","\u003cp\u003e\nThe Arhived tweets and Twitter datasets subseries includes archived social media that reveals some of the conversation around Charlottesville as a political focal point on Twitter. Tweets that were captured, and Tweet IDs and Twitter datasets that were harvested using Twarc, Twitter APIs, Archive-It, and webrecorder during and after August 11 and 12, 2017, and on the one-year anniversary of the \"Unite the Right\" rally are distributed across the political spectrum. A wide range of hashtags for Charlottesville, hoosagainsthate, and hoostogether were captured for the collection, as well as timelines and accounts from the university and from the city of Charlottesville. At this time this subseries is not open for research, but will be made available when it is processed.\u003c/p\u003e\n","\u003cp\u003e\nThe Audio-cassette subseries consists of digital audio files from the download card that was included with the set of two audio-cassettes. The content of the audio-cassettes, and of the digital files are recorded songs created in response to the events of August 11 and 12, 2017, and were donated with a printed track listing.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e\n","\u003cp\u003e\nThis subseries includes two separate collections of archived webpages. One collection was captured using Archive-It web crawling tools and is accessible via Archive-It.org. The second collection was captured using Webrecorder and is accessible via ReplayWeb.page. Web content are based on user preferences and interests, and are thus adaptive, dynamic, and quickly changing. This can lead researchers to a number of challenges in viewing archived websites, including necessitating the use of multiple tools and a variety of search strategies. \u003c/p\u003e\n","\u003cp\u003eArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.\u003c/p\u003e\n","\u003cp\u003eMaterials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.\u003c/p\u003e","\u003cp\u003eThe materials in this web archive collection on Archive-It.org contain offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nWebsites in this sub-series were captured using Archive-It web crawling tools and are being made available through Archive-It.org. These include archived websites and webpages in various formats, such as blogs, news websites, and social media related to the \"Unite the Right\" rally and its aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content created in the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.\u003c/p\u003e\n","\u003cp\u003e\nArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.\u003c/p\u003e","\u003cp\u003e\tThe materials in this collection of webpages on ReplayWab.page contains offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e\n","\u003cp\u003e\nWebsites and webpages in this sub-series were captured using a tool called Webrecorder and are being made available through ReplayWeb.page. Archived content is presented in various formats relating to the events and aftermath of the \"Unite the Right\" rally held in Charlottesville, Virginia on August 11 and 12, 2017.  These include blogs, news websites, articles by the Southern Poverty Law Center, pages from the GoFundMe crowdfunding platform, pages from the Reddit and Daily Stormer discussion websites, and pages from the anonymous imageboard site 4chan. Hyperlinks to the web content created in the wake of August 11 and 12, 2017 were gathered and captured from 2017 through 2020. The November 2019 additions were due to Unicorn Riot's access to the Vimeo streaming server archive no longer being financially supported. UVA administration asked that these materials be archived.   \u003c/p\u003e\n","\u003cp\u003e\nThese materials must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.\u003c/p\u003e","\u003cp\u003eThe contents include recorded songs dedicated to the events of August 11 and 12, 2017. The cassette included a digital download code. The digital files can be accessed using the link in the finding aid (digital object).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThis collection documents the events of August 11 and 12, 2017 that occurred in  Charlottesville, Virginia , and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to  Charlottesville City Hall , which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.","\nSeveral community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes  University of Virginia  students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.","\nThe Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the  July 8, 2017  KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.","\nIn the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the  August 11, 2017  torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.","\nThe Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after  August 12, 2017 . The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of  Charlottesville , and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.","\nThe other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.","\nAlso in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.","\nThe periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.","\nThe Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the  University of Virginia Library . While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.","\nThe growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.","The Physical (Analog) materials series contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains items that help to contextualize these events as part of the \"summer of hate\". Most notably, a tear gas canister used by the police was recovered from the July 8 rally. Some of the materials that capture the community's reaction to July 8 and its reaction to the planned August 12 rally include notes from a July 14 city meeting, articles about the KKK rally, a July 14 press conference release, flyers and a zine regarding the Lee and Jackson statues and the \"Unite the Right\" rally, and a printout of an online announcement from the Office of the President of the University of Virginia about the rally scheduled for August 12. There are also printed email correspondence between members of city council, and Charlottesville police officers from August 10, 2017.","\nThe Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries relates to the events and ongoings of August 11 and 12, 2017. Correspondence among Charlottesville police officers and among members of Charlottesville City Council reveal the plans, logistics, and reactions in real time to the incidents taking place on the night of August 11, 2017 when white nationalists/white supremacists gathered holding 'Tiki' torches, five of which are included in this subseries as the first 5 tube boxes. Materials included from the August 12 rally are posters and signs expressing opposition to white supremacy and fascism that were carried by counter-protesters, and artifacts like a red armband, a red flag, and a remnant of kekistan flag burned in Justice Park. There are also printed materials recovered from that day, such as flyers and programs for church services, an educational zine, an anti-fascist flyer, and a white supremacy flyer.","\nThe Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains materials created in response to the events of August 11 and 12, 2017. Most of the correspondence materials consist of letters, postcards, cards, and handmade cards from around the world expressing support and solidarity for the leaders and people of Charlottesville. These correspondence were sent from public officials, public offices, businesses, organizations, institutions, individuals, and communities. A smaller section of correspondence, titled 'other correspondence', express either support not related to August 11 and 12, severe criticism of members of Charlottesville City Council and the Charlottesville Police Department, hateful and derogatory messages towards the Mayor and Vice Mayor of Charlottesville, a particular narrative of southern history, or extreme racism towards black people and people of color, in general.","In this subseries there are printed materials that include announcements, pamphlets, flyers and programs for church services and counseling sessions, informational zines, and fascist and anti-fascist paraphernalia. There are responses from the University of Virginia, legal documents, and official reports, as well, about the events of August 11 and 12, 2017. Additionally, printed publications, like newspapers are included, as well as a double-cassette album of music dedicated to the events, the digital files of which are included in the second series, \"Born-Digital materials\".","\nThe condolence artifacts in this subseries include handmade banners, tablecloths and painted canvases, some of which are signed by communities showing support. There are also other trinkets like wrists bands and bottons sent as forms of support.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","Some materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this series contain offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Born-digital materials series consists of digital photographs, video recordings, typed narratives, archived web pages, archived tweets and twitter IDs, and digitial audio files.","\nThe Stories and audiovisual materials submitted via online collection site subseries consists of digital photographs, video recordings, and typed narratives submitted via an online portal on the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website, and include descriptive information, dates, and locations provided by the donors.","\nThe digital photographs and video recordings include documentation of KKK members and of protesters taken during the July 8 KKK rally, pictures of \"Unite the Right\" protesters, counter-protesters, and police taken during the August 12 \"Unite the Right\" rally, and pictures of events, memorials, memorabilia that document the community response to the events of August 11 and 12, 2017. The contents of these materials detail the movements of people in Charlottesville leading up to the confrontations that took place on July 8, and on August 12 at Market Street Park (formerly known as Lee Park and later Emancipation Park) when violence errupted. They also exhibit the many examples of the responses from the community of Charlottesville in the form of temporary memorials, like flowers, signs, messages written on walls.","\nThe narratives describe the personal accounts and experiences of individuals from events that occurred on August 11 and 12, 2017, and also reflections on white supremacy and violence in Charlottesville. They also document some of the emotional responses to events of August 11 and 12, 2017. This subseries also includes a small number of emails sent to University of Virginia President Teresa Sullivan.","\nThe Archived webpages subseries is divided into two separate files, each of which is a collection of archived websites. Each consists of archived websites and webpages relating to the events in Charlottesville, VA on August 11 and 12, 2017 made accessible via the provided hyperlinks.","\nThe first directs researchers to the University of Virginia Collection on Events in Charlottesville, VA, August 11-13, 2017 web archive on the Archive-It website. The second directs researchers to the web archive collection titled, \"MSS16386_WARNING_OFFENSIVECONTENT\" accessible on the ReplayWeb website. The collections include archived websites and webpages in various formats (blogs, forums, news websites, and social media) relating to the events of August 11 and 12, 2017 in Charlottesville, VA and their aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content from the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nThe Arhived tweets and Twitter datasets subseries includes archived social media that reveals some of the conversation around Charlottesville as a political focal point on Twitter. Tweets that were captured, and Tweet IDs and Twitter datasets that were harvested using Twarc, Twitter APIs, Archive-It, and webrecorder during and after August 11 and 12, 2017, and on the one-year anniversary of the \"Unite the Right\" rally are distributed across the political spectrum. A wide range of hashtags for Charlottesville, hoosagainsthate, and hoostogether were captured for the collection, as well as timelines and accounts from the university and from the city of Charlottesville. At this time this subseries is not open for research, but will be made available when it is processed.","\nThe Audio-cassette subseries consists of digital audio files from the download card that was included with the set of two audio-cassettes. The content of the audio-cassettes, and of the digital files are recorded songs created in response to the events of August 11 and 12, 2017, and were donated with a printed track listing.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nThis subseries includes two separate collections of archived webpages. One collection was captured using Archive-It web crawling tools and is accessible via Archive-It.org. The second collection was captured using Webrecorder and is accessible via ReplayWeb.page. Web content are based on user preferences and interests, and are thus adaptive, dynamic, and quickly changing. This can lead researchers to a number of challenges in viewing archived websites, including necessitating the use of multiple tools and a variety of search strategies. ","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The materials in this web archive collection on Archive-It.org contain offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nWebsites in this sub-series were captured using Archive-It web crawling tools and are being made available through Archive-It.org. These include archived websites and webpages in various formats, such as blogs, news websites, and social media related to the \"Unite the Right\" rally and its aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content created in the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","\tThe materials in this collection of webpages on ReplayWab.page contains offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nWebsites and webpages in this sub-series were captured using a tool called Webrecorder and are being made available through ReplayWeb.page. Archived content is presented in various formats relating to the events and aftermath of the \"Unite the Right\" rally held in Charlottesville, Virginia on August 11 and 12, 2017.  These include blogs, news websites, articles by the Southern Poverty Law Center, pages from the GoFundMe crowdfunding platform, pages from the Reddit and Daily Stormer discussion websites, and pages from the anonymous imageboard site 4chan. Hyperlinks to the web content created in the wake of August 11 and 12, 2017 were gathered and captured from 2017 through 2020. The November 2019 additions were due to Unicorn Riot's access to the Vimeo streaming server archive no longer being financially supported. UVA administration asked that these materials be archived.   ","\nThese materials must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The contents include recorded songs dedicated to the events of August 11 and 12, 2017. The cassette included a digital download code. The digital files can be accessed using the link in the finding aid (digital object)."],"userestrict_html_tesm":["\u003cp\u003eBecause of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"names_coll_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"names_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":4,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:33:37.307Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_754_c01_c02_c04"}},{"id":"viu_repositories_3_resources_754_c01_c03_c04","type":"File","attributes":{"title":"Artifacts","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_754_c01_c03_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_754_c01_c03_c04","ref_ssm":["viu_repositories_3_resources_754_c01_c03_c04"],"id":"viu_repositories_3_resources_754_c01_c03_c04","ead_ssi":"viu_repositories_3_resources_754","_root_":"viu_repositories_3_resources_754","_nest_parent_":"viu_repositories_3_resources_754_c01_c03","parent_ssi":"viu_repositories_3_resources_754_c01_c03","parent_ssim":["viu_repositories_3_resources_754","viu_repositories_3_resources_754_c01","viu_repositories_3_resources_754_c01_c03"],"parent_ids_ssim":["viu_repositories_3_resources_754","viu_repositories_3_resources_754_c01","viu_repositories_3_resources_754_c01_c03"],"parent_unittitles_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","Physical (Analog) Materials","Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally"],"parent_unittitles_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","Physical (Analog) Materials","Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally"],"text":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","Physical (Analog) Materials","Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally","Artifacts","box 6 [RESTRICTED MATERIAL]","Artifact 1-6","box 7","Artifact 1-20","Tube_box 6 (handmade banner, signed)","Tube_box 7 (signed tablecloth)","Tube_box 8 (signed tablecloth)","Tube_box 9 (hand-painted canvas, signed)","Tube_box 10 (hand-painted canvas, signed)","Tube_box 11 (handmade banner, signed)"],"title_filing_ssi":"Artifacts","title_ssm":["Artifacts"],"title_tesim":["Artifacts"],"unitdate_inclusive_ssm":["2017-2019"],"normalized_date_ssm":["2017/2019"],"normalized_title_ssm":["Artifacts"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":20,"parent_access_restrict_tesm":["The Michael McGee Donation is restricted and requires permission from the donor to view the item.","\nThe audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series."],"parent_access_terms_tesm":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"date_range_isim":[2017,2018,2019],"containers_ssim":["box 6 [RESTRICTED MATERIAL]","Artifact 1-6","box 7","Artifact 1-20","Tube_box 6 (handmade banner, signed)","Tube_box 7 (signed tablecloth)","Tube_box 8 (signed tablecloth)","Tube_box 9 (hand-painted canvas, signed)","Tube_box 10 (hand-painted canvas, signed)","Tube_box 11 (handmade banner, signed)"],"_nest_path_":"/components#0/components#2/components#3","timestamp":"2026-05-20T23:33:37.307Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_754","ead_ssi":"viu_repositories_3_resources_754","_root_":"viu_repositories_3_resources_754","_nest_parent_":"viu_repositories_3_resources_754","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_754.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/148780","title_filing_ssi":"The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","title_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"title_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"unitdate_ssm":["2015-01-13-2020","2017-01-03-2020"],"unitdate_bulk_ssim":["2017-01-03-2020"],"unitdate_inclusive_ssm":["2015-01-13-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16386","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/754"],"text":["MSS 16386","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/754","The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media ","The majority of the collection is open for research use.","The story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.","The original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The Michael McGee Donation is restricted and requires permission from the donor to view the item.","\nThe audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series.","Original media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Arranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.","\nThe University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:","Series 1, Physal (Analog) Materials:","\nSubseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.","\nSubseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.","\nSubseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:","\nFile 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.","\nSeries 2, Born-Digital materials:","\nSubseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018. ","\nSubseries 2, Archived web pages, 1/13/2015-2020:","\nFile 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.","\nSubseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.","\nSubseries 4, Audio files (songs on audio-cassette), 2/26/2018.","\nThe collection of Twitter data is not yet open for research, and will be made available when it is processed.","On the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.","\nAccording to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.","\nOn August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.","\nViolence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.","\nThe violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations.","For accessing rolled oversized materials (tubes 6-11):","These items are stored rolled around the exterior of the tube.","2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.","Sandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.","The sheet of Tyvek should remain on the underside/\nunmarked backing of the item.","Once these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)","Now rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center. ","The original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022.","Related materials documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:","Boggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content."," Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1.","This collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThis collection documents the events of August 11 and 12, 2017 that occurred in  Charlottesville, Virginia , and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to  Charlottesville City Hall , which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.","\nSeveral community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes  University of Virginia  students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.","\nThe Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the  July 8, 2017  KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.","\nIn the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the  August 11, 2017  torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.","\nThe Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after  August 12, 2017 . The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of  Charlottesville , and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.","\nThe other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.","\nAlso in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.","\nThe periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.","\nThe Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the  University of Virginia Library . While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.","\nThe growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.","The Physical (Analog) materials series contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains items that help to contextualize these events as part of the \"summer of hate\". Most notably, a tear gas canister used by the police was recovered from the July 8 rally. Some of the materials that capture the community's reaction to July 8 and its reaction to the planned August 12 rally include notes from a July 14 city meeting, articles about the KKK rally, a July 14 press conference release, flyers and a zine regarding the Lee and Jackson statues and the \"Unite the Right\" rally, and a printout of an online announcement from the Office of the President of the University of Virginia about the rally scheduled for August 12. There are also printed email correspondence between members of city council, and Charlottesville police officers from August 10, 2017.","\nThe Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries relates to the events and ongoings of August 11 and 12, 2017. Correspondence among Charlottesville police officers and among members of Charlottesville City Council reveal the plans, logistics, and reactions in real time to the incidents taking place on the night of August 11, 2017 when white nationalists/white supremacists gathered holding 'Tiki' torches, five of which are included in this subseries as the first 5 tube boxes. Materials included from the August 12 rally are posters and signs expressing opposition to white supremacy and fascism that were carried by counter-protesters, and artifacts like a red armband, a red flag, and a remnant of kekistan flag burned in Justice Park. There are also printed materials recovered from that day, such as flyers and programs for church services, an educational zine, an anti-fascist flyer, and a white supremacy flyer.","\nThe Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains materials created in response to the events of August 11 and 12, 2017. Most of the correspondence materials consist of letters, postcards, cards, and handmade cards from around the world expressing support and solidarity for the leaders and people of Charlottesville. These correspondence were sent from public officials, public offices, businesses, organizations, institutions, individuals, and communities. A smaller section of correspondence, titled 'other correspondence', express either support not related to August 11 and 12, severe criticism of members of Charlottesville City Council and the Charlottesville Police Department, hateful and derogatory messages towards the Mayor and Vice Mayor of Charlottesville, a particular narrative of southern history, or extreme racism towards black people and people of color, in general.","In this subseries there are printed materials that include announcements, pamphlets, flyers and programs for church services and counseling sessions, informational zines, and fascist and anti-fascist paraphernalia. There are responses from the University of Virginia, legal documents, and official reports, as well, about the events of August 11 and 12, 2017. Additionally, printed publications, like newspapers are included, as well as a double-cassette album of music dedicated to the events, the digital files of which are included in the second series, \"Born-Digital materials\".","\nThe condolence artifacts in this subseries include handmade banners, tablecloths and painted canvases, some of which are signed by communities showing support. There are also other trinkets like wrists bands and bottons sent as forms of support.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","Some materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this series contain offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Born-digital materials series consists of digital photographs, video recordings, typed narratives, archived web pages, archived tweets and twitter IDs, and digitial audio files.","\nThe Stories and audiovisual materials submitted via online collection site subseries consists of digital photographs, video recordings, and typed narratives submitted via an online portal on the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website, and include descriptive information, dates, and locations provided by the donors.","\nThe digital photographs and video recordings include documentation of KKK members and of protesters taken during the July 8 KKK rally, pictures of \"Unite the Right\" protesters, counter-protesters, and police taken during the August 12 \"Unite the Right\" rally, and pictures of events, memorials, memorabilia that document the community response to the events of August 11 and 12, 2017. The contents of these materials detail the movements of people in Charlottesville leading up to the confrontations that took place on July 8, and on August 12 at Market Street Park (formerly known as Lee Park and later Emancipation Park) when violence errupted. They also exhibit the many examples of the responses from the community of Charlottesville in the form of temporary memorials, like flowers, signs, messages written on walls.","\nThe narratives describe the personal accounts and experiences of individuals from events that occurred on August 11 and 12, 2017, and also reflections on white supremacy and violence in Charlottesville. They also document some of the emotional responses to events of August 11 and 12, 2017. This subseries also includes a small number of emails sent to University of Virginia President Teresa Sullivan.","\nThe Archived webpages subseries is divided into two separate files, each of which is a collection of archived websites. Each consists of archived websites and webpages relating to the events in Charlottesville, VA on August 11 and 12, 2017 made accessible via the provided hyperlinks.","\nThe first directs researchers to the University of Virginia Collection on Events in Charlottesville, VA, August 11-13, 2017 web archive on the Archive-It website. The second directs researchers to the web archive collection titled, \"MSS16386_WARNING_OFFENSIVECONTENT\" accessible on the ReplayWeb website. The collections include archived websites and webpages in various formats (blogs, forums, news websites, and social media) relating to the events of August 11 and 12, 2017 in Charlottesville, VA and their aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content from the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nThe Arhived tweets and Twitter datasets subseries includes archived social media that reveals some of the conversation around Charlottesville as a political focal point on Twitter. Tweets that were captured, and Tweet IDs and Twitter datasets that were harvested using Twarc, Twitter APIs, Archive-It, and webrecorder during and after August 11 and 12, 2017, and on the one-year anniversary of the \"Unite the Right\" rally are distributed across the political spectrum. A wide range of hashtags for Charlottesville, hoosagainsthate, and hoostogether were captured for the collection, as well as timelines and accounts from the university and from the city of Charlottesville. At this time this subseries is not open for research, but will be made available when it is processed.","\nThe Audio-cassette subseries consists of digital audio files from the download card that was included with the set of two audio-cassettes. The content of the audio-cassettes, and of the digital files are recorded songs created in response to the events of August 11 and 12, 2017, and were donated with a printed track listing.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nThis subseries includes two separate collections of archived webpages. One collection was captured using Archive-It web crawling tools and is accessible via Archive-It.org. The second collection was captured using Webrecorder and is accessible via ReplayWeb.page. Web content are based on user preferences and interests, and are thus adaptive, dynamic, and quickly changing. This can lead researchers to a number of challenges in viewing archived websites, including necessitating the use of multiple tools and a variety of search strategies. ","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The materials in this web archive collection on Archive-It.org contain offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nWebsites in this sub-series were captured using Archive-It web crawling tools and are being made available through Archive-It.org. These include archived websites and webpages in various formats, such as blogs, news websites, and social media related to the \"Unite the Right\" rally and its aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content created in the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","\tThe materials in this collection of webpages on ReplayWab.page contains offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nWebsites and webpages in this sub-series were captured using a tool called Webrecorder and are being made available through ReplayWeb.page. Archived content is presented in various formats relating to the events and aftermath of the \"Unite the Right\" rally held in Charlottesville, Virginia on August 11 and 12, 2017.  These include blogs, news websites, articles by the Southern Poverty Law Center, pages from the GoFundMe crowdfunding platform, pages from the Reddit and Daily Stormer discussion websites, and pages from the anonymous imageboard site 4chan. Hyperlinks to the web content created in the wake of August 11 and 12, 2017 were gathered and captured from 2017 through 2020. The November 2019 additions were due to Unicorn Riot's access to the Vimeo streaming server archive no longer being financially supported. UVA administration asked that these materials be archived.   ","\nThese materials must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The contents include recorded songs dedicated to the events of August 11 and 12, 2017. The cassette included a digital download code. The digital files can be accessed using the link in the finding aid (digital object).","Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator.","Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library","English"],"unitid_tesim":["MSS 16386","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/754"],"normalized_title_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"collection_title_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"collection_ssim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creator_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creator_corpname_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creators_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"access_terms_ssm":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"acqinfo_ssim":["Anonymous donors.\nUniversity of Virginia Library staff.\nCharlottesville residents.\nCharlottesville City hall. \nOther, Individual donors, e.g: Michael McGee, Rosemary Balister, Derek Brown, Arlyn Newcomb, Tyler Magill, Sarah Brazelton."],"access_subjects_ssim":["race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media "],"access_subjects_ssm":["race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media "],"has_online_content_ssim":["true"],"extent_ssm":["50 Cubic Feet","19.74 Gigabytes"],"extent_tesim":["50 Cubic Feet","19.74 Gigabytes"],"genreform_ssim":["Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media "],"date_range_isim":[2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe majority of the collection is open for research use.\u003c/p\u003e\n","\u003cp\u003eThe story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.\u003c/p\u003e\n","\u003cp\u003eThe original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.\u003c/p\u003e","\u003cp\u003eArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.\u003c/p\u003e\n","\u003cp\u003eMaterials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.\u003c/p\u003e","\u003cp\u003eThe Michael McGee Donation is restricted and requires permission from the donor to view the item.\u003c/p\u003e\n","\u003cp\u003e\nThe audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series.\u003c/p\u003e","\u003cp\u003eOriginal media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Access of born-digital materials - archived webpages","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The majority of the collection is open for research use.","The story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.","The original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The Michael McGee Donation is restricted and requires permission from the donor to view the item.","\nThe audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series.","Original media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'."],"arrangement_html_tesm":["\u003cp\u003eArranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.\u003c/p\u003e\n","\u003cp\u003e\nThe University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:\u003c/p\u003e\n","\u003cp\u003eSeries 1, Physal (Analog) Materials:\u003c/p\u003e\n","\u003cp\u003e\nSubseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries 2, Born-Digital materials:\u003c/p\u003e\n","\u003cp\u003e\nSubseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018. \u003c/p\u003e\n","\u003cp\u003e\nSubseries 2, Archived web pages, 1/13/2015-2020:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 4, Audio files (songs on audio-cassette), 2/26/2018.\u003c/p\u003e\n","\u003cp\u003e\nThe collection of Twitter data is not yet open for research, and will be made available when it is processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.","\nThe University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:","Series 1, Physal (Analog) Materials:","\nSubseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.","\nSubseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.","\nSubseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:","\nFile 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.","\nSeries 2, Born-Digital materials:","\nSubseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018. ","\nSubseries 2, Archived web pages, 1/13/2015-2020:","\nFile 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.","\nSubseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.","\nSubseries 4, Audio files (songs on audio-cassette), 2/26/2018.","\nThe collection of Twitter data is not yet open for research, and will be made available when it is processed."],"bioghist_html_tesm":["\u003cp\u003eOn the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.\u003c/p\u003e\n","\u003cp\u003e\nAccording to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.\u003c/p\u003e\n","\u003cp\u003e\nOn August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.\u003c/p\u003e\n","\u003cp\u003e\nViolence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.\u003c/p\u003e\n","\u003cp\u003e\nThe violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["On the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.","\nAccording to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.","\nOn August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.","\nViolence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.","\nThe violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations."],"odd_html_tesm":["\u003cp\u003eFor accessing rolled oversized materials (tubes 6-11):\u003c/p\u003e\n","\u003cp\u003eThese items are stored rolled around the exterior of the tube.\u003c/p\u003e\n","\u003cp\u003e2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.\u003c/p\u003e\n","\u003cp\u003eSandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.\u003c/p\u003e\n","\u003cp\u003eThe sheet of Tyvek should remain on the underside/\nunmarked backing of the item.\u003c/p\u003e\n","\u003cp\u003eOnce these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)\u003c/p\u003e\n","\u003cp\u003eNow rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center. \u003c/p\u003e"],"odd_heading_ssm":["Physical Access"],"odd_tesim":["For accessing rolled oversized materials (tubes 6-11):","These items are stored rolled around the exterior of the tube.","2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.","Sandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.","The sheet of Tyvek should remain on the underside/\nunmarked backing of the item.","Once these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)","Now rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16386, The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, Albert and Shirley Small Special Collections Library, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["MSS 16386, The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, Albert and Shirley Small Special Collections Library, University of Virginia"],"processinfo_html_tesm":["\u003cp\u003eThe original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated materials documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:\u003c/p\u003e\n","\u003cp\u003eBoggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content.\u003c/p\u003e\n","\u003cp\u003e Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related materials documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:","Boggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content."," Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThis collection documents the events of August 11 and 12, 2017 that occurred in \u003cgeogname\u003eCharlottesville, Virginia\u003c/geogname\u003e, and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to \u003ccorpname\u003eCharlottesville City Hall\u003c/corpname\u003e, which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.\u003c/p\u003e\n","\u003cp\u003e\nSeveral community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.\u003c/p\u003e\n","\u003cp\u003e\nThe Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the \u003cdate\u003eJuly 8, 2017\u003c/date\u003e KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.\u003c/p\u003e\n","\u003cp\u003e\nIn the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the \u003cdate\u003eAugust 11, 2017\u003c/date\u003e torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.\u003c/p\u003e\n","\u003cp\u003e\nThe Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after \u003cdate\u003eAugust 12, 2017\u003c/date\u003e. The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e, and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.\u003c/p\u003e\n","\u003cp\u003e\nThe other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.\u003c/p\u003e\n","\u003cp\u003e\nAlso in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.\u003c/p\u003e\n","\u003cp\u003e\nThe periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.\u003c/p\u003e\n","\u003cp\u003e\nThe Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the \u003ccorpname\u003eUniversity of Virginia Library\u003c/corpname\u003e. While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.\u003c/p\u003e\n","\u003cp\u003e\nThe growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.\u003c/p\u003e","\u003cp\u003eThe Physical (Analog) materials series contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThe Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains items that help to contextualize these events as part of the \"summer of hate\". Most notably, a tear gas canister used by the police was recovered from the July 8 rally. Some of the materials that capture the community's reaction to July 8 and its reaction to the planned August 12 rally include notes from a July 14 city meeting, articles about the KKK rally, a July 14 press conference release, flyers and a zine regarding the Lee and Jackson statues and the \"Unite the Right\" rally, and a printout of an online announcement from the Office of the President of the University of Virginia about the rally scheduled for August 12. There are also printed email correspondence between members of city council, and Charlottesville police officers from August 10, 2017.\u003c/p\u003e\n","\u003cp\u003e\nThe Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries relates to the events and ongoings of August 11 and 12, 2017. Correspondence among Charlottesville police officers and among members of Charlottesville City Council reveal the plans, logistics, and reactions in real time to the incidents taking place on the night of August 11, 2017 when white nationalists/white supremacists gathered holding 'Tiki' torches, five of which are included in this subseries as the first 5 tube boxes. Materials included from the August 12 rally are posters and signs expressing opposition to white supremacy and fascism that were carried by counter-protesters, and artifacts like a red armband, a red flag, and a remnant of kekistan flag burned in Justice Park. There are also printed materials recovered from that day, such as flyers and programs for church services, an educational zine, an anti-fascist flyer, and a white supremacy flyer.\u003c/p\u003e\n","\u003cp\u003e\nThe Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains materials created in response to the events of August 11 and 12, 2017. Most of the correspondence materials consist of letters, postcards, cards, and handmade cards from around the world expressing support and solidarity for the leaders and people of Charlottesville. These correspondence were sent from public officials, public offices, businesses, organizations, institutions, individuals, and communities. A smaller section of correspondence, titled 'other correspondence', express either support not related to August 11 and 12, severe criticism of members of Charlottesville City Council and the Charlottesville Police Department, hateful and derogatory messages towards the Mayor and Vice Mayor of Charlottesville, a particular narrative of southern history, or extreme racism towards black people and people of color, in general.\u003c/p\u003e\n","\u003cp\u003eIn this subseries there are printed materials that include announcements, pamphlets, flyers and programs for church services and counseling sessions, informational zines, and fascist and anti-fascist paraphernalia. There are responses from the University of Virginia, legal documents, and official reports, as well, about the events of August 11 and 12, 2017. Additionally, printed publications, like newspapers are included, as well as a double-cassette album of music dedicated to the events, the digital files of which are included in the second series, \"Born-Digital materials\".\u003c/p\u003e\n","\u003cp\u003e\nThe condolence artifacts in this subseries include handmade banners, tablecloths and painted canvases, some of which are signed by communities showing support. There are also other trinkets like wrists bands and bottons sent as forms of support.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eSome materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eThe materials in this series contain offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThe Born-digital materials series consists of digital photographs, video recordings, typed narratives, archived web pages, archived tweets and twitter IDs, and digitial audio files.\u003c/p\u003e\n","\u003cp\u003e\nThe Stories and audiovisual materials submitted via online collection site subseries consists of digital photographs, video recordings, and typed narratives submitted via an online portal on the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website, and include descriptive information, dates, and locations provided by the donors.\u003c/p\u003e\n","\u003cp\u003e\nThe digital photographs and video recordings include documentation of KKK members and of protesters taken during the July 8 KKK rally, pictures of \"Unite the Right\" protesters, counter-protesters, and police taken during the August 12 \"Unite the Right\" rally, and pictures of events, memorials, memorabilia that document the community response to the events of August 11 and 12, 2017. The contents of these materials detail the movements of people in Charlottesville leading up to the confrontations that took place on July 8, and on August 12 at Market Street Park (formerly known as Lee Park and later Emancipation Park) when violence errupted. They also exhibit the many examples of the responses from the community of Charlottesville in the form of temporary memorials, like flowers, signs, messages written on walls.\u003c/p\u003e\n","\u003cp\u003e\nThe narratives describe the personal accounts and experiences of individuals from events that occurred on August 11 and 12, 2017, and also reflections on white supremacy and violence in Charlottesville. They also document some of the emotional responses to events of August 11 and 12, 2017. This subseries also includes a small number of emails sent to University of Virginia President Teresa Sullivan.\u003c/p\u003e\n","\u003cp\u003e\nThe Archived webpages subseries is divided into two separate files, each of which is a collection of archived websites. Each consists of archived websites and webpages relating to the events in Charlottesville, VA on August 11 and 12, 2017 made accessible via the provided hyperlinks.\u003c/p\u003e\n","\u003cp\u003e\nThe first directs researchers to the University of Virginia Collection on Events in Charlottesville, VA, August 11-13, 2017 web archive on the Archive-It website. The second directs researchers to the web archive collection titled, \"MSS16386_WARNING_OFFENSIVECONTENT\" accessible on the ReplayWeb website. The collections include archived websites and webpages in various formats (blogs, forums, news websites, and social media) relating to the events of August 11 and 12, 2017 in Charlottesville, VA and their aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content from the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.\u003c/p\u003e\n","\u003cp\u003e\nThe Arhived tweets and Twitter datasets subseries includes archived social media that reveals some of the conversation around Charlottesville as a political focal point on Twitter. Tweets that were captured, and Tweet IDs and Twitter datasets that were harvested using Twarc, Twitter APIs, Archive-It, and webrecorder during and after August 11 and 12, 2017, and on the one-year anniversary of the \"Unite the Right\" rally are distributed across the political spectrum. A wide range of hashtags for Charlottesville, hoosagainsthate, and hoostogether were captured for the collection, as well as timelines and accounts from the university and from the city of Charlottesville. At this time this subseries is not open for research, but will be made available when it is processed.\u003c/p\u003e\n","\u003cp\u003e\nThe Audio-cassette subseries consists of digital audio files from the download card that was included with the set of two audio-cassettes. The content of the audio-cassettes, and of the digital files are recorded songs created in response to the events of August 11 and 12, 2017, and were donated with a printed track listing.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e\n","\u003cp\u003e\nThis subseries includes two separate collections of archived webpages. One collection was captured using Archive-It web crawling tools and is accessible via Archive-It.org. The second collection was captured using Webrecorder and is accessible via ReplayWeb.page. Web content are based on user preferences and interests, and are thus adaptive, dynamic, and quickly changing. This can lead researchers to a number of challenges in viewing archived websites, including necessitating the use of multiple tools and a variety of search strategies. \u003c/p\u003e\n","\u003cp\u003eArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.\u003c/p\u003e\n","\u003cp\u003eMaterials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.\u003c/p\u003e","\u003cp\u003eThe materials in this web archive collection on Archive-It.org contain offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nWebsites in this sub-series were captured using Archive-It web crawling tools and are being made available through Archive-It.org. These include archived websites and webpages in various formats, such as blogs, news websites, and social media related to the \"Unite the Right\" rally and its aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content created in the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.\u003c/p\u003e\n","\u003cp\u003e\nArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.\u003c/p\u003e","\u003cp\u003e\tThe materials in this collection of webpages on ReplayWab.page contains offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e\n","\u003cp\u003e\nWebsites and webpages in this sub-series were captured using a tool called Webrecorder and are being made available through ReplayWeb.page. Archived content is presented in various formats relating to the events and aftermath of the \"Unite the Right\" rally held in Charlottesville, Virginia on August 11 and 12, 2017.  These include blogs, news websites, articles by the Southern Poverty Law Center, pages from the GoFundMe crowdfunding platform, pages from the Reddit and Daily Stormer discussion websites, and pages from the anonymous imageboard site 4chan. Hyperlinks to the web content created in the wake of August 11 and 12, 2017 were gathered and captured from 2017 through 2020. The November 2019 additions were due to Unicorn Riot's access to the Vimeo streaming server archive no longer being financially supported. UVA administration asked that these materials be archived.   \u003c/p\u003e\n","\u003cp\u003e\nThese materials must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.\u003c/p\u003e","\u003cp\u003eThe contents include recorded songs dedicated to the events of August 11 and 12, 2017. The cassette included a digital download code. The digital files can be accessed using the link in the finding aid (digital object).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThis collection documents the events of August 11 and 12, 2017 that occurred in  Charlottesville, Virginia , and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to  Charlottesville City Hall , which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.","\nSeveral community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes  University of Virginia  students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.","\nThe Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the  July 8, 2017  KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.","\nIn the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the  August 11, 2017  torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.","\nThe Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after  August 12, 2017 . The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of  Charlottesville , and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.","\nThe other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.","\nAlso in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.","\nThe periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.","\nThe Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the  University of Virginia Library . While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.","\nThe growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.","The Physical (Analog) materials series contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains items that help to contextualize these events as part of the \"summer of hate\". Most notably, a tear gas canister used by the police was recovered from the July 8 rally. Some of the materials that capture the community's reaction to July 8 and its reaction to the planned August 12 rally include notes from a July 14 city meeting, articles about the KKK rally, a July 14 press conference release, flyers and a zine regarding the Lee and Jackson statues and the \"Unite the Right\" rally, and a printout of an online announcement from the Office of the President of the University of Virginia about the rally scheduled for August 12. There are also printed email correspondence between members of city council, and Charlottesville police officers from August 10, 2017.","\nThe Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries relates to the events and ongoings of August 11 and 12, 2017. Correspondence among Charlottesville police officers and among members of Charlottesville City Council reveal the plans, logistics, and reactions in real time to the incidents taking place on the night of August 11, 2017 when white nationalists/white supremacists gathered holding 'Tiki' torches, five of which are included in this subseries as the first 5 tube boxes. Materials included from the August 12 rally are posters and signs expressing opposition to white supremacy and fascism that were carried by counter-protesters, and artifacts like a red armband, a red flag, and a remnant of kekistan flag burned in Justice Park. There are also printed materials recovered from that day, such as flyers and programs for church services, an educational zine, an anti-fascist flyer, and a white supremacy flyer.","\nThe Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains materials created in response to the events of August 11 and 12, 2017. Most of the correspondence materials consist of letters, postcards, cards, and handmade cards from around the world expressing support and solidarity for the leaders and people of Charlottesville. These correspondence were sent from public officials, public offices, businesses, organizations, institutions, individuals, and communities. A smaller section of correspondence, titled 'other correspondence', express either support not related to August 11 and 12, severe criticism of members of Charlottesville City Council and the Charlottesville Police Department, hateful and derogatory messages towards the Mayor and Vice Mayor of Charlottesville, a particular narrative of southern history, or extreme racism towards black people and people of color, in general.","In this subseries there are printed materials that include announcements, pamphlets, flyers and programs for church services and counseling sessions, informational zines, and fascist and anti-fascist paraphernalia. There are responses from the University of Virginia, legal documents, and official reports, as well, about the events of August 11 and 12, 2017. Additionally, printed publications, like newspapers are included, as well as a double-cassette album of music dedicated to the events, the digital files of which are included in the second series, \"Born-Digital materials\".","\nThe condolence artifacts in this subseries include handmade banners, tablecloths and painted canvases, some of which are signed by communities showing support. There are also other trinkets like wrists bands and bottons sent as forms of support.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","Some materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this series contain offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Born-digital materials series consists of digital photographs, video recordings, typed narratives, archived web pages, archived tweets and twitter IDs, and digitial audio files.","\nThe Stories and audiovisual materials submitted via online collection site subseries consists of digital photographs, video recordings, and typed narratives submitted via an online portal on the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website, and include descriptive information, dates, and locations provided by the donors.","\nThe digital photographs and video recordings include documentation of KKK members and of protesters taken during the July 8 KKK rally, pictures of \"Unite the Right\" protesters, counter-protesters, and police taken during the August 12 \"Unite the Right\" rally, and pictures of events, memorials, memorabilia that document the community response to the events of August 11 and 12, 2017. The contents of these materials detail the movements of people in Charlottesville leading up to the confrontations that took place on July 8, and on August 12 at Market Street Park (formerly known as Lee Park and later Emancipation Park) when violence errupted. They also exhibit the many examples of the responses from the community of Charlottesville in the form of temporary memorials, like flowers, signs, messages written on walls.","\nThe narratives describe the personal accounts and experiences of individuals from events that occurred on August 11 and 12, 2017, and also reflections on white supremacy and violence in Charlottesville. They also document some of the emotional responses to events of August 11 and 12, 2017. This subseries also includes a small number of emails sent to University of Virginia President Teresa Sullivan.","\nThe Archived webpages subseries is divided into two separate files, each of which is a collection of archived websites. Each consists of archived websites and webpages relating to the events in Charlottesville, VA on August 11 and 12, 2017 made accessible via the provided hyperlinks.","\nThe first directs researchers to the University of Virginia Collection on Events in Charlottesville, VA, August 11-13, 2017 web archive on the Archive-It website. The second directs researchers to the web archive collection titled, \"MSS16386_WARNING_OFFENSIVECONTENT\" accessible on the ReplayWeb website. The collections include archived websites and webpages in various formats (blogs, forums, news websites, and social media) relating to the events of August 11 and 12, 2017 in Charlottesville, VA and their aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content from the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nThe Arhived tweets and Twitter datasets subseries includes archived social media that reveals some of the conversation around Charlottesville as a political focal point on Twitter. Tweets that were captured, and Tweet IDs and Twitter datasets that were harvested using Twarc, Twitter APIs, Archive-It, and webrecorder during and after August 11 and 12, 2017, and on the one-year anniversary of the \"Unite the Right\" rally are distributed across the political spectrum. A wide range of hashtags for Charlottesville, hoosagainsthate, and hoostogether were captured for the collection, as well as timelines and accounts from the university and from the city of Charlottesville. At this time this subseries is not open for research, but will be made available when it is processed.","\nThe Audio-cassette subseries consists of digital audio files from the download card that was included with the set of two audio-cassettes. The content of the audio-cassettes, and of the digital files are recorded songs created in response to the events of August 11 and 12, 2017, and were donated with a printed track listing.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nThis subseries includes two separate collections of archived webpages. One collection was captured using Archive-It web crawling tools and is accessible via Archive-It.org. The second collection was captured using Webrecorder and is accessible via ReplayWeb.page. Web content are based on user preferences and interests, and are thus adaptive, dynamic, and quickly changing. This can lead researchers to a number of challenges in viewing archived websites, including necessitating the use of multiple tools and a variety of search strategies. ","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The materials in this web archive collection on Archive-It.org contain offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nWebsites in this sub-series were captured using Archive-It web crawling tools and are being made available through Archive-It.org. These include archived websites and webpages in various formats, such as blogs, news websites, and social media related to the \"Unite the Right\" rally and its aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content created in the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","\tThe materials in this collection of webpages on ReplayWab.page contains offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nWebsites and webpages in this sub-series were captured using a tool called Webrecorder and are being made available through ReplayWeb.page. Archived content is presented in various formats relating to the events and aftermath of the \"Unite the Right\" rally held in Charlottesville, Virginia on August 11 and 12, 2017.  These include blogs, news websites, articles by the Southern Poverty Law Center, pages from the GoFundMe crowdfunding platform, pages from the Reddit and Daily Stormer discussion websites, and pages from the anonymous imageboard site 4chan. Hyperlinks to the web content created in the wake of August 11 and 12, 2017 were gathered and captured from 2017 through 2020. The November 2019 additions were due to Unicorn Riot's access to the Vimeo streaming server archive no longer being financially supported. UVA administration asked that these materials be archived.   ","\nThese materials must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The contents include recorded songs dedicated to the events of August 11 and 12, 2017. The cassette included a digital download code. The digital files can be accessed using the link in the finding aid (digital object)."],"userestrict_html_tesm":["\u003cp\u003eBecause of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"names_coll_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"names_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":4,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:33:37.307Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_754_c01_c03_c04"}},{"id":"viu_repositories_4_resources_1620_c06","type":"Series","attributes":{"title":"Artifacts and ephemera","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1620_c06#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1620_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_1620_c06","ref_ssm":["viu_repositories_4_resources_1620_c06"],"id":"viu_repositories_4_resources_1620_c06","ead_ssi":"viu_repositories_4_resources_1620","_root_":"viu_repositories_4_resources_1620","_nest_parent_":"viu_repositories_4_resources_1620","parent_ssi":"viu_repositories_4_resources_1620","parent_ssim":["viu_repositories_4_resources_1620"],"parent_ids_ssim":["viu_repositories_4_resources_1620"],"parent_unittitles_ssm":["Black Law Students Association, Virginia Law Chapter records"],"parent_unittitles_tesim":["Black Law Students Association, Virginia Law Chapter records"],"text":["Black Law Students Association, Virginia Law Chapter records","Artifacts and ephemera","There are no restrictions on access to the items in this series.","The artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association."],"title_filing_ssi":"Artifacts and ephemera","title_ssm":["Artifacts and ephemera"],"title_tesim":["Artifacts and ephemera"],"unitdate_inclusive_ssm":["circa 1990-2020"],"normalized_date_ssm":["1990/2020"],"normalized_title_ssm":["Artifacts and ephemera"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Black Law Students Association, Virginia Law Chapter records"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":26,"parent_access_restrict_tesm":["There are no restrictions on access to the items in this collection."],"parent_access_terms_tesm":["Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content until it passes into the public domain."],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on access to the items in this series.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on access to the items in this series."],"scopecontent_html_tesm":["\u003cp\u003eThe artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association."],"_nest_path_":"/components#5","timestamp":"2026-05-24T23:23:54.730Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_1620","ead_ssi":"viu_repositories_4_resources_1620","_root_":"viu_repositories_4_resources_1620","_nest_parent_":"viu_repositories_4_resources_1620","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_1620.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/195945","title_ssm":["Black Law Students Association, Virginia Law Chapter records"],"title_tesim":["Black Law Students Association, Virginia Law Chapter records"],"unitdate_ssm":["circa 1990 - 2024"],"unitdate_inclusive_ssm":["circa 1990 - 2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.32.217","Archival Resource Key","/repositories/4/resources/1620"],"text":["RG.32.217","Archival Resource Key","/repositories/4/resources/1620","Black Law Students Association, Virginia Law Chapter records","University of Virginia. School of Law","Students","Student organization","There are no restrictions on access to the items in this collection.","There are no restrictions on access to the items in this series","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the items in this series.","The Arthur J. Morris Law Library expects to add materials to this collection.","The items in this sub-series initially existed online. Archivists strived to capture the organizational website in a state close to how it would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archival resources that might function and look different from the originals.","When using these copies of the organization's website, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists.","The administrative records are arranged into sub-series by the date BLSA transferred them to the Arthur J. Morris Law Library.","Materials are grouped into sub-series or files by event or development, which are then ordered chronologically.","On October 16, 1970, students at the University of Virginia founded the Virginia Law Chapter of the Black Law Students Association. The Chapter's initial and continuing goals are to recruit Black law students and faculty, open a candid forum between UVA Law's Black and non-Black students, assist underserved populations in the Charlottesville community, and facilitate inter-school communication between other BLSA chapters.","The Arthur J. Morris Law Library produced an online exhibit about the history of the Virginia Law Chapter of BLSA to commemorate the organization's 50th anniversary. Researchers can view the exhibit either online or at the Library.","The administrative records, scrapbooks, websites, newsletters, and artifacts in this collection document the history of the Virginia Law Chapter of the Black Law Students Association (BLSA).","This series contains some of the Virginia Law Chapter's administrative records. These may include meeting agendas and minutes, procedural documents, and other materials that document operations, planning, and decision-making in the organization.","This is a small file of materials that includes an award, event flyer, a mission statement, an officer list, and officer photographs.","This series consists of scrapbooks, yearbooks, and picture books that document the experiences and work of the Virginia Law Chapter. The content in these resources vary from year to year, but they generally include information about organization officers, photographs of chapter members, event photographs, and event announcements. ","The Arthur J. Morris Law Library has digitized some of the print resources in this series.","This is a directory that contains a collection of various digital files. Together, the files constitute a digital yearbook that documents the history of the University of Virginia's BLSA chapter in the 2001-2002 academic year.","This series consists on websites and social media pages that the Virginia Law Chapter created and shared on the Internet.","This sub-series consists of captures archivists made of the Virginia Law Chapter's main organizational website. The chapter designed the site for a public audience and it shares information about their mission, membership, officers, events, and work.","This series consists of newsletters and other resources published by the Virginia Law Chapter of the Black Law Students Association.","The Virginia Law Chapter published this newsletter to share information with its active members and alumni.","This series contains collections of items that document the Virginia Law Chapter's participation in significant historical events and developments.","These items document the Virginia Law Chapter's participation in and response to the George Floyd Protest Movement. They include an email message to the University of Virginia Law School community and an official statement commenting on events surrounding the movement. Included here, is also a call to action for Law School community to create \"a more inclusive and dynamic environment for current and future Black students, faculty, and staff.\"","The artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association.","Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content until it passes into the public domain.","Arthur J. Morris Law Library Special Collections","English"],"unitid_tesim":["RG.32.217","Archival Resource Key","/repositories/4/resources/1620"],"normalized_title_ssm":["Black Law Students Association, Virginia Law Chapter records"],"collection_title_tesim":["Black Law Students Association, Virginia Law Chapter records"],"collection_ssim":["Black Law Students Association, Virginia Law Chapter records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content until it passes into the public domain."],"acqinfo_ssim":["The Virginia Law Chapter donated most of the items in this collection to the University of Virginia's Arthur J. Morris Law Library at various dates. More information about the immediate source of acquisition of particular items is noted in other parts of this finding aid."],"access_subjects_ssim":["University of Virginia. School of Law","Students","Student organization"],"access_subjects_ssm":["University of Virginia. School of Law","Students","Student organization"],"has_online_content_ssim":["true"],"extent_ssm":["7.67 Linear Feet",".357901824 Gigabytes"],"extent_tesim":["7.67 Linear Feet",".357901824 Gigabytes"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on access to the items in this collection.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the items in this series\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the materials in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the materials in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the items in this series.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on access to the items in this collection.","There are no restrictions on access to the items in this series","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the items in this series."],"accruals_html_tesm":["\u003cp\u003eThe Arthur J. Morris Law Library expects to add materials to this collection.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["The Arthur J. Morris Law Library expects to add materials to this collection."],"appraisal_html_tesm":["\u003cp\u003eThe items in this sub-series initially existed online. Archivists strived to capture the organizational website in a state close to how it would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archival resources that might function and look different from the originals.\u003c/p\u003e\n","\u003cp\u003eWhen using these copies of the organization's website, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["The items in this sub-series initially existed online. Archivists strived to capture the organizational website in a state close to how it would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archival resources that might function and look different from the originals.","When using these copies of the organization's website, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists."],"arrangement_html_tesm":["\u003cp\u003eThe administrative records are arranged into sub-series by the date BLSA transferred them to the Arthur J. Morris Law Library.\u003c/p\u003e","\u003cp\u003eMaterials are grouped into sub-series or files by event or development, which are then ordered chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The administrative records are arranged into sub-series by the date BLSA transferred them to the Arthur J. Morris Law Library.","Materials are grouped into sub-series or files by event or development, which are then ordered chronologically."],"bioghist_html_tesm":["\u003cp\u003eOn October 16, 1970, students at the University of Virginia founded the Virginia Law Chapter of the Black Law Students Association. The Chapter's initial and continuing goals are to recruit Black law students and faculty, open a candid forum between UVA Law's Black and non-Black students, assist underserved populations in the Charlottesville community, and facilitate inter-school communication between other BLSA chapters.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["On October 16, 1970, students at the University of Virginia founded the Virginia Law Chapter of the Black Law Students Association. The Chapter's initial and continuing goals are to recruit Black law students and faculty, open a candid forum between UVA Law's Black and non-Black students, assist underserved populations in the Charlottesville community, and facilitate inter-school communication between other BLSA chapters."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Arthur J. Morris Law Library produced an online exhibit about the history of the Virginia Law Chapter of BLSA to commemorate the organization's 50th anniversary. Researchers can view the exhibit either online or at the Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Arthur J. Morris Law Library produced an online exhibit about the history of the Virginia Law Chapter of BLSA to commemorate the organization's 50th anniversary. Researchers can view the exhibit either online or at the Library."],"scopecontent_html_tesm":["\u003cp\u003eThe administrative records, scrapbooks, websites, newsletters, and artifacts in this collection document the history of the Virginia Law Chapter of the Black Law Students Association (BLSA).\u003c/p\u003e","\u003cp\u003eThis series contains some of the Virginia Law Chapter's administrative records. These may include meeting agendas and minutes, procedural documents, and other materials that document operations, planning, and decision-making in the organization.\u003c/p\u003e","\u003cp\u003eThis is a small file of materials that includes an award, event flyer, a mission statement, an officer list, and officer photographs.\u003c/p\u003e","\u003cp\u003eThis series consists of scrapbooks, yearbooks, and picture books that document the experiences and work of the Virginia Law Chapter. The content in these resources vary from year to year, but they generally include information about organization officers, photographs of chapter members, event photographs, and event announcements. \u003c/p\u003e\n","\u003cp\u003eThe Arthur J. Morris Law Library has digitized some of the print resources in this series.\u003c/p\u003e","\u003cp\u003eThis is a directory that contains a collection of various digital files. Together, the files constitute a digital yearbook that documents the history of the University of Virginia's BLSA chapter in the 2001-2002 academic year.\u003c/p\u003e","\u003cp\u003eThis series consists on websites and social media pages that the Virginia Law Chapter created and shared on the Internet.\u003c/p\u003e","\u003cp\u003eThis sub-series consists of captures archivists made of the Virginia Law Chapter's main organizational website. The chapter designed the site for a public audience and it shares information about their mission, membership, officers, events, and work.\u003c/p\u003e","\u003cp\u003eThis series consists of newsletters and other resources published by the Virginia Law Chapter of the Black Law Students Association.\u003c/p\u003e","\u003cp\u003eThe Virginia Law Chapter published this newsletter to share information with its active members and alumni.\u003c/p\u003e","\u003cp\u003eThis series contains collections of items that document the Virginia Law Chapter's participation in significant historical events and developments.\u003c/p\u003e","\u003cp\u003eThese items document the Virginia Law Chapter's participation in and response to the George Floyd Protest Movement. They include an email message to the University of Virginia Law School community and an official statement commenting on events surrounding the movement. Included here, is also a call to action for Law School community to create \"a more inclusive and dynamic environment for current and future Black students, faculty, and staff.\"\u003c/p\u003e","\u003cp\u003eThe artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The administrative records, scrapbooks, websites, newsletters, and artifacts in this collection document the history of the Virginia Law Chapter of the Black Law Students Association (BLSA).","This series contains some of the Virginia Law Chapter's administrative records. These may include meeting agendas and minutes, procedural documents, and other materials that document operations, planning, and decision-making in the organization.","This is a small file of materials that includes an award, event flyer, a mission statement, an officer list, and officer photographs.","This series consists of scrapbooks, yearbooks, and picture books that document the experiences and work of the Virginia Law Chapter. The content in these resources vary from year to year, but they generally include information about organization officers, photographs of chapter members, event photographs, and event announcements. ","The Arthur J. Morris Law Library has digitized some of the print resources in this series.","This is a directory that contains a collection of various digital files. Together, the files constitute a digital yearbook that documents the history of the University of Virginia's BLSA chapter in the 2001-2002 academic year.","This series consists on websites and social media pages that the Virginia Law Chapter created and shared on the Internet.","This sub-series consists of captures archivists made of the Virginia Law Chapter's main organizational website. The chapter designed the site for a public audience and it shares information about their mission, membership, officers, events, and work.","This series consists of newsletters and other resources published by the Virginia Law Chapter of the Black Law Students Association.","The Virginia Law Chapter published this newsletter to share information with its active members and alumni.","This series contains collections of items that document the Virginia Law Chapter's participation in significant historical events and developments.","These items document the Virginia Law Chapter's participation in and response to the George Floyd Protest Movement. They include an email message to the University of Virginia Law School community and an official statement commenting on events surrounding the movement. Included here, is also a call to action for Law School community to create \"a more inclusive and dynamic environment for current and future Black students, faculty, and staff.\"","The artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association."],"userestrict_html_tesm":["\u003cp\u003eBecause of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content until it passes into the public domain.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content until it passes into the public domain."],"names_ssim":["Arthur J. Morris Law Library Special Collections"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":9,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:23:54.730Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1620_c06"}},{"id":"viu_repositories_4_resources_1604_c03","type":"Series","attributes":{"title":"Artifacts and ephemera","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1604_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series consists of two banners showing University of Virginia School of Law logos.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1604_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_1604_c03","ref_ssm":["viu_repositories_4_resources_1604_c03"],"id":"viu_repositories_4_resources_1604_c03","ead_ssi":"viu_repositories_4_resources_1604","_root_":"viu_repositories_4_resources_1604","_nest_parent_":"viu_repositories_4_resources_1604","parent_ssi":"viu_repositories_4_resources_1604","parent_ssim":["viu_repositories_4_resources_1604"],"parent_ids_ssim":["viu_repositories_4_resources_1604"],"parent_unittitles_ssm":["Communications Office records - University of Virginia School of Law"],"parent_unittitles_tesim":["Communications Office records - University of Virginia School of Law"],"text":["Communications Office records - University of Virginia School of Law","Artifacts and ephemera","There are no restriction on access to the items in this series.","This series consists of two banners showing University of Virginia School of Law logos.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","University of Virginia staff created the items in this series, and they are the intellectual property of the University."],"title_filing_ssi":"Artifacts and ephemera","title_ssm":["Artifacts and ephemera"],"title_tesim":["Artifacts and ephemera"],"unitdate_other_ssim":["circa 2017 - 2021"],"normalized_date_ssm":["2017/2021"],"normalized_title_ssm":["Artifacts and ephemera"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Communications Office records - University of Virginia School of Law"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":140,"parent_access_restrict_tesm":["There are no restrictions on access to the materials in this collection."],"parent_access_terms_tesm":["These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","University of Virginia staff created the items in this series, and they are the intellectual property of the University."],"date_range_isim":[2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restriction on access to the items in this series.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restriction on access to the items in this series."],"scopecontent_html_tesm":["\u003cp\u003eThis series consists of two banners showing University of Virginia School of Law logos.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series consists of two banners showing University of Virginia School of Law logos."],"userestrict_html_tesm":["\u003cp\u003eThese items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e","\u003cp\u003eUniversity of Virginia staff created the items in this series, and they are the intellectual property of the University.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","University of Virginia staff created the items in this series, and they are the intellectual property of the University."],"_nest_path_":"/components#2","timestamp":"2026-05-24T23:24:32.346Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_1604","ead_ssi":"viu_repositories_4_resources_1604","_root_":"viu_repositories_4_resources_1604","_nest_parent_":"viu_repositories_4_resources_1604","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_1604.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/194593","title_ssm":["Communications Office records - University of Virginia School of Law"],"title_tesim":["Communications Office records - University of Virginia School of Law"],"unitdate_ssm":["circa 1978 - 2021"],"unitdate_inclusive_ssm":["circa 1978 - 2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.32.314","Archival Resource Key","/repositories/4/resources/1604"],"text":["RG.32.314","Archival Resource Key","/repositories/4/resources/1604","Communications Office records - University of Virginia School of Law","University of Virginia. School of Law","Law schools -- United States","There are no restrictions on access to the materials in this collection.","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the content in this series.","There are no restrictions on access to the items in this sub-series.","There are no restrictions on access to the materials in this sub-series.","There are no restrictions on access to the items in this series.","There are no restrictions on access to the materials in this sub-series.","There are no restriction on access to the items in this series.","The Arthur J. Morris Law Library expects to add materials to this collection.","These images retain the original arrangement and order created by the Office of Communications. The Office generally grouped images according to their date of creation (e.g., Fall 2002). Inside these chronological groups, pictures and slides are usually arranged by photoshoot session (e.g., images taken for the 2002 admissions packet).","This sub-series retains the original arrangement created by the Office of Communications. The Office generally brought together the production and design files for a single project and saved them on one or more optical disks. The disks were then roughly arranged into chronological groupings (e.g., 2001-2003).","The Communications Office labeled the project names on the optical disks and often included a list of files with each disk.","The Communications Office performs the following functions for the School of Law: media relations, publicity, website design, social media management, marketing, and brand management.","In addition to this collection, the following resources at the Arthur J. Morris Law Library substantially document the contributions of the Communications Office:","1. RG-32-501 Website collection - University of Virginia School of Law","2. RG-32-504 Online news and media - University of Virginia School of Law","3. RG-32-505 Newsletters and blogs of the University of Virginia School of Law","4. RG-32-506 Social media collection - University of Virginia School of Law","The records of the Communications Office document the department's contributions to the University of Virginia School of Law. The collection contains copies of printed matter produced by the office, including admissions information booklets, brochures, flyers, posters, reports, conference and symposium programs, postcards, and stationary. Also, it contains some of the resources used to produce the printed matter and other content. These include photographic slides, prints, and negatives; digital image files; and digital design and publication files. Finally, the collection contains two CD-ROMs and two banners.","The Communications Office collected and used the photographic prints, slides, negatives, and digital files in this series. They portray faculty, students, buildings, events, and other subjects related to the School.","The \"Students for Eyewitness\" file contains images of the following University of Virginia Law students from the classes of 2001 and 2002: Elizabeth R. Amory (2001), Howard Wei-How Chang (2001), Paul Henry Delaney III (2002), Cristian Myron DeFrancia (2001), Howard Hoege (2002), Leila Kashani (2001), Priscilla Lawson (2001), Amy Meyer (2001), Lisa Milot (2001), Bich-Nga H. Nguyen (2001), Lakshmi E. Paranthaman (2001), Ruth Payne (2002), Steven S. Phelan (2001), Jacqueline Sadker (2002), Sarah Shalf (2001), Daniel P. Smith (2001), Jason Trujilo (2001), and Stephen S. West (2002).","This series is divided into four sub-series:","The first sub-series consists of printed matter produced by the Communications Office including admissions information resources, brochures, flyers, posters, reports, conference and symposium programs, postcards, and stationary.","The second consists of photographic prints, slides, and negatives that the office collected for use in the content it produced.","The third consists of CD-ROMs from around the turn of the 21st century that promote the University of Virginia and its School of Law to potential student applicants.","The final subseries consists of digital files that the Communications staff created and used (e.g., word processing files, image files, publishing files, video files, web files). ","The School of Law's Communications Office produced the printed matter in this sub-series to share information about the School and market it to the public. The Office served all Law School Departments, and the printed matter documents many facets of the School's work, including admissions, career services, development, conferences, symposia, and educational programs.","The bulk of the printed matter dates from 1995 to 2020. The Communications Office also shared much of the content in these materials on the Law School website.","The Communications Office employed in-house and freelance photographers to produce the images in this sub-series. Most show students, faculty, events, and buildings related to the University of Virginia School of Law. The Office selected some images for use in printed matter and online resources created for the School.","The bulk of these images date from 2001 to 2004, and they are recorded on photographic prints, film negatives, and film slides.","In the 1990s and the 2000s, the University of Virginia occasionally produced CD-ROMs to share information and promote the University. The central university communications office and the Law School's communications office produced the CD-ROMs in this sub-series. They were designed to share information with potential student applicants. The University mailed the CD-ROMS to potential applicants, and the applicants viewed the digital content offline on their personal computers.","While producing content for the School of Law, the Communications Office created digital image, text, video, and web files. Between 2000 and 2007, the office stored many of these design and production files on the optical disks found in this sub-series (i.e., CDs and DVDs).","This series consists of two banners showing University of Virginia School of Law logos.","This collection is protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The photographs in this series are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Freelance photographers and in-house staff produced the images in this series. It is not always clear who produced which images and who owns the rights to them.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Freelance photographers and in-house staff produced the unpublished images in this series. It is not always clear who produced which ones and who owns the rights to them.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Communications staff created the items in this series, and they are the intellectual property of the University of Virginia.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Freelance photographers and in-house staff produced the unpublished images in this sub-series. It is not always clear who produced which ones and who owns the rights to them.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","University of Virginia staff created the items in this series, and they are the intellectual property of the University.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Freelance photographers and in-house staff produced the unpublished images in this sub-series. It is not always clear who produced which ones and who owns the rights to them. University of Virginia staff created the other production and design files and those files are the intellectual property of the University.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","University of Virginia staff created the items in this series, and they are the intellectual property of the University.","Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law","English"],"unitid_tesim":["RG.32.314","Archival Resource Key","/repositories/4/resources/1604"],"normalized_title_ssm":["Communications Office records - University of Virginia School of Law"],"collection_title_tesim":["Communications Office records - University of Virginia School of Law"],"collection_ssim":["Communications Office records - University of Virginia School of Law"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["University of Virginia. School of Law"],"creator_ssim":["University of Virginia. School of Law"],"creator_corpname_ssim":["University of Virginia. School of Law"],"creators_ssim":["University of Virginia. School of Law"],"access_terms_ssm":["This collection is protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["The Communications Office transferred records to the archives at various dates. More information about the immediate source of acquisition of particular items is noted in other parts of this finding aid."],"access_subjects_ssim":["University of Virginia. School of Law","Law schools -- United States"],"access_subjects_ssm":["University of Virginia. School of Law","Law schools -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["6.08 Linear Feet 12 boxes"],"extent_tesim":["6.08 Linear Feet 12 boxes"],"date_range_isim":[1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on access to the materials in this collection.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the materials in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the content in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the items in this sub-series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the materials in this sub-series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the items in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the materials in this sub-series.\u003c/p\u003e","\u003cp\u003eThere are no restriction on access to the items in this series.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on access to the materials in this collection.","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the content in this series.","There are no restrictions on access to the items in this sub-series.","There are no restrictions on access to the materials in this sub-series.","There are no restrictions on access to the items in this series.","There are no restrictions on access to the materials in this sub-series.","There are no restriction on access to the items in this series."],"accruals_html_tesm":["\u003cp\u003eThe Arthur J. Morris Law Library expects to add materials to this collection.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["The Arthur J. Morris Law Library expects to add materials to this collection."],"arrangement_html_tesm":["\u003cp\u003eThese images retain the original arrangement and order created by the Office of Communications. The Office generally grouped images according to their date of creation (e.g., Fall 2002). Inside these chronological groups, pictures and slides are usually arranged by photoshoot session (e.g., images taken for the 2002 admissions packet).\u003c/p\u003e","\u003cp\u003eThis sub-series retains the original arrangement created by the Office of Communications. The Office generally brought together the production and design files for a single project and saved them on one or more optical disks. The disks were then roughly arranged into chronological groupings (e.g., 2001-2003).\u003c/p\u003e\n","\u003cp\u003eThe Communications Office labeled the project names on the optical disks and often included a list of files with each disk.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["These images retain the original arrangement and order created by the Office of Communications. The Office generally grouped images according to their date of creation (e.g., Fall 2002). Inside these chronological groups, pictures and slides are usually arranged by photoshoot session (e.g., images taken for the 2002 admissions packet).","This sub-series retains the original arrangement created by the Office of Communications. The Office generally brought together the production and design files for a single project and saved them on one or more optical disks. The disks were then roughly arranged into chronological groupings (e.g., 2001-2003).","The Communications Office labeled the project names on the optical disks and often included a list of files with each disk."],"bioghist_html_tesm":["\u003cp\u003eThe Communications Office performs the following functions for the School of Law: media relations, publicity, website design, social media management, marketing, and brand management.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Communications Office performs the following functions for the School of Law: media relations, publicity, website design, social media management, marketing, and brand management."],"relatedmaterial_html_tesm":["\u003cp\u003eIn addition to this collection, the following resources at the Arthur J. Morris Law Library substantially document the contributions of the Communications Office:\u003c/p\u003e\n","\u003cp\u003e1. RG-32-501 Website collection - University of Virginia School of Law\u003c/p\u003e\n","\u003cp\u003e2. RG-32-504 Online news and media - University of Virginia School of Law\u003c/p\u003e\n","\u003cp\u003e3. RG-32-505 Newsletters and blogs of the University of Virginia School of Law\u003c/p\u003e\n","\u003cp\u003e4. RG-32-506 Social media collection - University of Virginia School of Law\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["In addition to this collection, the following resources at the Arthur J. Morris Law Library substantially document the contributions of the Communications Office:","1. RG-32-501 Website collection - University of Virginia School of Law","2. RG-32-504 Online news and media - University of Virginia School of Law","3. RG-32-505 Newsletters and blogs of the University of Virginia School of Law","4. RG-32-506 Social media collection - University of Virginia School of Law"],"scopecontent_html_tesm":["\u003cp\u003eThe records of the Communications Office document the department's contributions to the University of Virginia School of Law. The collection contains copies of printed matter produced by the office, including admissions information booklets, brochures, flyers, posters, reports, conference and symposium programs, postcards, and stationary. Also, it contains some of the resources used to produce the printed matter and other content. These include photographic slides, prints, and negatives; digital image files; and digital design and publication files. Finally, the collection contains two CD-ROMs and two banners.\u003c/p\u003e","\u003cp\u003eThe Communications Office collected and used the photographic prints, slides, negatives, and digital files in this series. They portray faculty, students, buildings, events, and other subjects related to the School.\u003c/p\u003e","\u003cp\u003eThe \"Students for Eyewitness\" file contains images of the following University of Virginia Law students from the classes of 2001 and 2002: Elizabeth R. Amory (2001), Howard Wei-How Chang (2001), Paul Henry Delaney III (2002), Cristian Myron DeFrancia (2001), Howard Hoege (2002), Leila Kashani (2001), Priscilla Lawson (2001), Amy Meyer (2001), Lisa Milot (2001), Bich-Nga H. Nguyen (2001), Lakshmi E. Paranthaman (2001), Ruth Payne (2002), Steven S. Phelan (2001), Jacqueline Sadker (2002), Sarah Shalf (2001), Daniel P. Smith (2001), Jason Trujilo (2001), and Stephen S. West (2002).\u003c/p\u003e","\u003cp\u003eThis series is divided into four sub-series:\u003c/p\u003e\n","\u003cp\u003eThe first sub-series consists of printed matter produced by the Communications Office including admissions information resources, brochures, flyers, posters, reports, conference and symposium programs, postcards, and stationary.\u003c/p\u003e\n","\u003cp\u003eThe second consists of photographic prints, slides, and negatives that the office collected for use in the content it produced.\u003c/p\u003e\n","\u003cp\u003eThe third consists of CD-ROMs from around the turn of the 21st century that promote the University of Virginia and its School of Law to potential student applicants.\u003c/p\u003e\n","\u003cp\u003eThe final subseries consists of digital files that the Communications staff created and used (e.g., word processing files, image files, publishing files, video files, web files). \u003c/p\u003e","\u003cp\u003eThe School of Law's Communications Office produced the printed matter in this sub-series to share information about the School and market it to the public. The Office served all Law School Departments, and the printed matter documents many facets of the School's work, including admissions, career services, development, conferences, symposia, and educational programs.\u003c/p\u003e\n","\u003cp\u003eThe bulk of the printed matter dates from 1995 to 2020. The Communications Office also shared much of the content in these materials on the Law School website.\u003c/p\u003e","\u003cp\u003eThe Communications Office employed in-house and freelance photographers to produce the images in this sub-series. Most show students, faculty, events, and buildings related to the University of Virginia School of Law. The Office selected some images for use in printed matter and online resources created for the School.\u003c/p\u003e\n","\u003cp\u003eThe bulk of these images date from 2001 to 2004, and they are recorded on photographic prints, film negatives, and film slides.\u003c/p\u003e","\u003cp\u003eIn the 1990s and the 2000s, the University of Virginia occasionally produced CD-ROMs to share information and promote the University. The central university communications office and the Law School's communications office produced the CD-ROMs in this sub-series. They were designed to share information with potential student applicants. The University mailed the CD-ROMS to potential applicants, and the applicants viewed the digital content offline on their personal computers.\u003c/p\u003e","\u003cp\u003eWhile producing content for the School of Law, the Communications Office created digital image, text, video, and web files. Between 2000 and 2007, the office stored many of these design and production files on the optical disks found in this sub-series (i.e., CDs and DVDs).\u003c/p\u003e","\u003cp\u003eThis series consists of two banners showing University of Virginia School of Law logos.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The records of the Communications Office document the department's contributions to the University of Virginia School of Law. The collection contains copies of printed matter produced by the office, including admissions information booklets, brochures, flyers, posters, reports, conference and symposium programs, postcards, and stationary. Also, it contains some of the resources used to produce the printed matter and other content. These include photographic slides, prints, and negatives; digital image files; and digital design and publication files. Finally, the collection contains two CD-ROMs and two banners.","The Communications Office collected and used the photographic prints, slides, negatives, and digital files in this series. They portray faculty, students, buildings, events, and other subjects related to the School.","The \"Students for Eyewitness\" file contains images of the following University of Virginia Law students from the classes of 2001 and 2002: Elizabeth R. Amory (2001), Howard Wei-How Chang (2001), Paul Henry Delaney III (2002), Cristian Myron DeFrancia (2001), Howard Hoege (2002), Leila Kashani (2001), Priscilla Lawson (2001), Amy Meyer (2001), Lisa Milot (2001), Bich-Nga H. Nguyen (2001), Lakshmi E. Paranthaman (2001), Ruth Payne (2002), Steven S. Phelan (2001), Jacqueline Sadker (2002), Sarah Shalf (2001), Daniel P. Smith (2001), Jason Trujilo (2001), and Stephen S. West (2002).","This series is divided into four sub-series:","The first sub-series consists of printed matter produced by the Communications Office including admissions information resources, brochures, flyers, posters, reports, conference and symposium programs, postcards, and stationary.","The second consists of photographic prints, slides, and negatives that the office collected for use in the content it produced.","The third consists of CD-ROMs from around the turn of the 21st century that promote the University of Virginia and its School of Law to potential student applicants.","The final subseries consists of digital files that the Communications staff created and used (e.g., word processing files, image files, publishing files, video files, web files). ","The School of Law's Communications Office produced the printed matter in this sub-series to share information about the School and market it to the public. The Office served all Law School Departments, and the printed matter documents many facets of the School's work, including admissions, career services, development, conferences, symposia, and educational programs.","The bulk of the printed matter dates from 1995 to 2020. The Communications Office also shared much of the content in these materials on the Law School website.","The Communications Office employed in-house and freelance photographers to produce the images in this sub-series. Most show students, faculty, events, and buildings related to the University of Virginia School of Law. The Office selected some images for use in printed matter and online resources created for the School.","The bulk of these images date from 2001 to 2004, and they are recorded on photographic prints, film negatives, and film slides.","In the 1990s and the 2000s, the University of Virginia occasionally produced CD-ROMs to share information and promote the University. The central university communications office and the Law School's communications office produced the CD-ROMs in this sub-series. They were designed to share information with potential student applicants. The University mailed the CD-ROMS to potential applicants, and the applicants viewed the digital content offline on their personal computers.","While producing content for the School of Law, the Communications Office created digital image, text, video, and web files. Between 2000 and 2007, the office stored many of these design and production files on the optical disks found in this sub-series (i.e., CDs and DVDs).","This series consists of two banners showing University of Virginia School of Law logos."],"userestrict_html_tesm":["\u003cp\u003eThis collection is protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e","\u003cp\u003eThe photographs in this series are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFreelance photographers and in-house staff produced the images in this series. It is not always clear who produced which images and who owns the rights to them.\u003c/p\u003e","\u003cp\u003eThese items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFreelance photographers and in-house staff produced the unpublished images in this series. It is not always clear who produced which ones and who owns the rights to them.\u003c/p\u003e","\u003cp\u003eThese items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eCommunications staff created the items in this series, and they are the intellectual property of the University of Virginia.\u003c/p\u003e","\u003cp\u003eThese items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFreelance photographers and in-house staff produced the unpublished images in this sub-series. It is not always clear who produced which ones and who owns the rights to them.\u003c/p\u003e","\u003cp\u003eThese items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eUniversity of Virginia staff created the items in this series, and they are the intellectual property of the University.\u003c/p\u003e","\u003cp\u003eThese items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFreelance photographers and in-house staff produced the unpublished images in this sub-series. It is not always clear who produced which ones and who owns the rights to them. University of Virginia staff created the other production and design files and those files are the intellectual property of the University.\u003c/p\u003e","\u003cp\u003eThese items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eUniversity of Virginia staff created the items in this series, and they are the intellectual property of the University.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collection is protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The photographs in this series are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Freelance photographers and in-house staff produced the images in this series. It is not always clear who produced which images and who owns the rights to them.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Freelance photographers and in-house staff produced the unpublished images in this series. It is not always clear who produced which ones and who owns the rights to them.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Communications staff created the items in this series, and they are the intellectual property of the University of Virginia.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Freelance photographers and in-house staff produced the unpublished images in this sub-series. It is not always clear who produced which ones and who owns the rights to them.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","University of Virginia staff created the items in this series, and they are the intellectual property of the University.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Freelance photographers and in-house staff produced the unpublished images in this sub-series. It is not always clear who produced which ones and who owns the rights to them. University of Virginia staff created the other production and design files and those files are the intellectual property of the University.","These items are protected by copyright and/or related rights. You are free to use these materials in any way that is permitted by the legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","University of Virginia staff created the items in this series, and they are the intellectual property of the University."],"names_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":142,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:24:32.346Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1604_c03"}},{"id":"viu_repositories_3_resources_177_c09_c02_c10","type":"File","attributes":{"title":"Artifact – T-Shirt giveaway for facebook followers, bookstores and librarians upon publication of \"To Be Where You Are\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_177_c09_c02_c10#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_177_c09_c02_c10","ref_ssm":["viu_repositories_3_resources_177_c09_c02_c10"],"id":"viu_repositories_3_resources_177_c09_c02_c10","ead_ssi":"viu_repositories_3_resources_177","_root_":"viu_repositories_3_resources_177","_nest_parent_":"viu_repositories_3_resources_177_c09_c02","parent_ssi":"viu_repositories_3_resources_177_c09_c02","parent_ssim":["viu_repositories_3_resources_177","viu_repositories_3_resources_177_c09","viu_repositories_3_resources_177_c09_c02"],"parent_ids_ssim":["viu_repositories_3_resources_177","viu_repositories_3_resources_177_c09","viu_repositories_3_resources_177_c09_c02"],"parent_unittitles_ssm":["Jan Karon papers","Jan Karon additions 3 and 4","Topical and Miscellany"],"parent_unittitles_tesim":["Jan Karon papers","Jan Karon additions 3 and 4","Topical and Miscellany"],"text":["Jan Karon papers","Jan Karon additions 3 and 4","Topical and Miscellany","Artifact – T-Shirt giveaway for facebook followers, bookstores and librarians upon publication of \"To Be Where You Are\"","box 131","folder 6"],"title_filing_ssi":"Artifact – T-Shirt giveaway for facebook followers, bookstores and librarians upon publication of \"To Be Where You Are\"","title_ssm":["Artifact – T-Shirt giveaway for facebook followers, bookstores and librarians upon publication of \"To Be Where You Are\""],"title_tesim":["Artifact – T-Shirt giveaway for facebook followers, bookstores and librarians upon publication of \"To Be Where You Are\""],"unitdate_other_ssim":["2017"],"normalized_date_ssm":["2017"],"normalized_title_ssm":["Artifact – T-Shirt giveaway for facebook followers, bookstores and librarians upon publication of \"To Be Where You Are\""],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Jan Karon papers"],"extent_ssm":["1 folder(s)"],"extent_tesim":["1 folder(s)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1017,"parent_access_restrict_tesm":["This collection is open for research use."],"parent_access_terms_tesm":["There are no use restrictions."],"date_range_isim":[2017],"containers_ssim":["box 131","folder 6"],"_nest_path_":"/components#8/components#1/components#9","timestamp":"2026-05-20T23:45:23.850Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_177","ead_ssi":"viu_repositories_3_resources_177","_root_":"viu_repositories_3_resources_177","_nest_parent_":"viu_repositories_3_resources_177","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_177.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133789","title_filing_ssi":"Karon, Jan, papers","title_ssm":["Jan Karon papers"],"title_tesim":["Jan Karon papers"],"unitdate_ssm":["1918-2018","1964-2018"],"unitdate_bulk_ssim":["1964-2018"],"unitdate_inclusive_ssm":["1918-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177"],"text":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177","Jan Karon papers","Esmont (Albemarle County, Va. : Dwelling)\t","Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising","This collection is open for research use.","The restricted files contain personally identifiable information and cannot be used by patrons.","The collection is open for research use.","The Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). ","Series III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). ","Series IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). ","Series V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).","Series VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).","Series VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). ","Series VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.","Additions 3 and 4 are arranged together in four subseries: Correspondence; Topical and Miscellany; Manuscripts and Related Material; and Audiovisual and Born-Digital Materials.","This addition to the Jan Karon papers has four subseries: Esmont papers; Correspondence, chiefly to Jan Karon; Family and Personal papers; and Restricted Files.","Jan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  ","At fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. ","Karon's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.","During the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.","After their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. ","She became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.","Her daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the  \"Miami Herald\" , the  \"Charlotte Observer\" , and a stint in Central America for the  \"U.S. News and World Report\" .","In order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.","Soon, she approached the editor of  \"The Blowing Rocket\"  with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in  \"The Blowing Rocket\" . The ensuing two years of writing  the priest's story for  \"The Blowing Rocket\"  resulted in her first novel,   \"At Home in Mitford\" , published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.","The second and third Mitford novels,  \"A Light in the Window\"  and  \"These High Green Hills\" , were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of  \"At Home in Mitford\"  by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.","Jan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of  \"At Home in Mitford\"  for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  ","In 2013,  \"Somewhere Safe with Somebody Good\" , which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016,  \"Come Rain or Come Shine\"  debuting at #1 on the  \"New York Times\"  list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.","For more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in  \"The Charlotte Observer\" , August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon","All original Barbara Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.","All original Barbara Bush letters have been tranferred to the vault but copies have been kept in the Jan Karon papers.","All original Laura Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.","There are two hard drives in this collection that are currently unavailable.","Please contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. ","The born-digital items are numbered differently between the original gift and the Jan Karon additions 3 and 4, due to a change in past and current practice. Currently the numbering sequence is specific to the collection, so the various disks are numbered Disk 1-92 within this latest addition to the Jan Karon papers.","Preservation and Use copies have been created for these disks by the Accessioning Archivist.","Three disks containing the appraisal for the artwork and antiques in the Esmont house were transferred and housed in Box 137 with other disks from earlier accessions.","The Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.","These correspondents include Chelius Carter, Mary Ann Connell, Jean Ann Jones, Frances Gresham, Mary R. Minor, Maxine Moore, and Kathleen McMillan Lane; the correspondence with the Reverend Bruce McMillan has been filed with his folder in clergy correspondence.","Interviews can also be found in publicity files.","Agents include the Jeanne Drewsen Agency and Jennie Dunham. This folder is significant because it predates the Mitford series taking off and contains the advice of various editors and Jan's own musing about what to do.","These files chart the progress of the relationship between Jan Karon and her agent, from the beginning when Nancy Olson, Quail Ridge Books, Raleigh, North Carolina, referred Karon to Darhansoff (December 15, 1994 and January 18, 1995) and reveal many details about her literary career, including the transition from Lion Publishing to Penguin.","This file includes a proposal for Father Tim and Cynthia mysteries and a discussion of the publication of a journal.","Other examples of publicity written by Jan Karon can be found in the editorial correspondence associated with individual books in series one or the correspondence with publishers in this series.","Writer in Residence pieces by Jan Karon as published in the magazine; typed drafts are included in the two previous Victoria Magazine files, 1997-1998.","File includes the article describing a white tea held by Jan Karon at her Esmont home in \"Tea Time\" and \"A Room of Her Own\" in \"Victoria Magazine\"","This correspondence documents the publishing career of Jan Karon with Viking-Penguin and reveals the level of her involvement in decisions about illustrations and covers, promotion, advertising, and a host of other details. They will be most useful used in conjunction with the editorial correspondence that accompanies most book files in series one.","Includes a sermon by Bishop Harvey, June 8, 2000.","Includes a sermon by him; McMillan assisted Jan Karon with questions about information used in  Home to Holly Springs .","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Includes a card featuring a watercolor of Esmont, October 30, 2003.","Note that some greeting card folders will also contain thank you cards and postcards from friends and family.","One letter in particular, April 22, 1981, describes Jan Karon's journey to the faith that is expressed throughout her books and personal appearances.","Includes Mitford sketches and two prints of Presidents Ronald Reagan (2002) and George W. Bush by Adair (2003).","Correspondents include: Ann Baer, English author; Robin and Gerald Baliles (1940- ), former first lady and governor of Virginia; Rosalynn Carter (1927- ); Lynn A. Coffey, Appalachian folklorist; Kenneth Elzinga, professor and author (1942- ); North Carolina State Senator, Virginia Foxx (1943- ); Bill Gaither (1936- ) and Gloria Gaither (1942- ), singers and songwriters; Roxane Gilmore, professor and former first lady of Virginia; Renee Grisham, wife of John Grisham; U.S. Senator, Orrin G. Hatch (1934- ); Lady Bird Johnson, former first lady (1912-2007); Patricia Kluge (1948- ), former wife of John Kluge and vineyard owner; J.B. Lawrence, mayor of Blowing Rock, North Carolina, and Lynn Lawrence; Bill Leslie, musician; Calder Loth, architectural historian; and Tricia Thompson Lott, wife of Senator Lott.","Correspondents include:  Mark McEwen (1954- ), TV and radio personality; Martha S. McIntosh, editor of the  Jan Karon's Mitford Cookbook \u0026 Kitchen Reader ; Ruth Moose, author; Edmund Morris, author; Leanne Payne (1932-2015), author; Rose Bampton Pelletier (1907-2007), opera singer; Condoleeza Rice (1954- ), Secretary of State; Lynda Bird Johnson Robb (1944- ), former first lady of Virgina; Mark D. Rodgers, chief of staff for Senator Rick Santorum; Martha Sundquist, former first lady of Tennessee; Steve Wasserman; Martha Williamson; Lauren Winner, author; Anne R. Worrell; and Marly Youmans, author.","Also includes a letter from Harry M. Jacobs, Jr., May 6, 2005, and his wife, Bobbi Jacobs, July 6, 2014, to Jan Karon.","Includes information about a meeting held at Once Upon a Time, a bookstore in Montrose, California, in 1997.","Pages marked in \"At Home in Mitford\" include pages 3, 4, 5, 47, 68, 77, 101, 104, 114, 162, 181, 182, 207, 227, 234, 241, 259, 264, 281, 293, 297, 328, 354, 368, 373, 403, and 405.\nPages marked in \"A Common Life\" include page 6.\nPages marked in \"A New Song\" include pages 1, 34, 40, 45, 51, 67, 74, 78, 89, 117, 125, 161, 195, 206, 208, 212, 231, 235, 247, 253, 262, 263, 266, 267, 269, 285, 296, 297, 300, 385, and 399.\nPages marked in \"In This Mountain\" include pages 12, 41, 61, 80, 89, 91, 95, 97, 108, 124, 138, 139, 197, 240, 242, 262, 287, 302, 304, and 381.\nPages marked in \"Light from Heaven\" include pages 8, 15, 28, 39, 79, 106, 114, 144, 153, 213, 215, 234, 277, 366, and 383.\nPages marked in \"Shepherds Abiding\" include pages 18, 25, 88, 115, 127, 142, 164, and 245.\nPages marked in \"These High Green Hills\" include pages 2, 50, 71, 98, 102, 109, 147, 154, 158, 167, 209, 247, 259, 270, and 308.\nPages marked in \"My Hometown Growing Up in Holly Springs, Mississippi\" by Lois Swaney include pages 21, 46, 51, 59, 63, 67, 70, 88, 101, and 102.\nAlso present is a folder of inserts removed from the research books, 2006-2007.","Accompanied by notes from Jan Karon, dated October 19, 2014, \"These gloves were worn often by my grandmother, Miss Fannie, about whom I wrote the children's book  Miss Fannie's Hat.  Always wearing a smart hat and gloves, she was a faithful Methodist church-goer. She was also a faithful Democrat, though no hat was required.\"","Includes the launch of Jan Karon's facebook page (February 2014) and some facebook entries. Also chronicles her change of publishers.","This addition to MSS 16077 Jan Karon Papers contains personal and professional correspondence, and greeting cards; files and other documentation concerning the appraisal, purchase, ownership, operations and restoration of the Esmont house and estate by Jan Karon; correspondence concerning Karon's editorship of the magazine \"Response,\" including with Langston Hughes; event and memorial programs; photographs of Esmont, family and friends; invitations; fan mail; correspondence about donations and organizations; speeches or talks by Jan Karon; publicity and miscellany.","This folder contains eight items, including Jan Orth Karon's note explaining that Langston Hughes was the cousin of \"Response\" Assistant Editor, George Love. ","There are two postcards from Hughes to Jan Orth, as the editor of the magazine \"Response\" when she lived in Charlotte. Hughes expresses gladness that she is using his Chapel Hill piece, asks for six copies when it is published, sends her some photographs and biographical information, and mentions his cross-country tour (February 2, 1961). He thanks her for the copy of the magazine \"Response / 4\" and says it \"looks most attractive, and the contents intriguing\" (August 4, 1961).","Upon Hughes' return from California, in his letter of March 22, 1961, he thanks Orth for the six copies of \"Response / 3\" which he will then send to the institutions collecting his work. He describes the magazine issue as \"very handsome (and interesting)\" and says he likes \"the variety and format\" very much. He encloses a copy of \"Grandma\" (not present) for possible publication in a future issue.","Other Hughes items include: an undated photograph; a handbill for \"Black Nativity Gospel on Broadway\" by Langston Hughes with the typed note \"Festival of Two Worlds, Spoleto, Italy, June-July, 1962\"; a reprint of a short story autographed by Hughes, \"Sorrow for a Midget,\" published in \"The Literary Review\" and addressed \"For Orth\"; an undated advertisement for the record \"Tambourines to Glory\" with the word \"play\" circled and with his handwritten note \"Goes into rehearsal this week - Theatre Guild. L.H.\"","Correspondents include Jonathan Williams, John Haynes Holmes, Harvey Swados, Ralph McGill (publisher of \"The Atlanta Constitution\"), and               Sam Bradley.","This addition to the Jan Karon papers (MSS 16077)  primarily contains greeting cards and letters sent to the American novelist Jan Karon of Charlottesville, Virginia. The bulk of the cards present in this collection span the holiday seasons of 2020 and 2021. ","In 2021, Karon founded The Mitford Museum in her former elementary school in Hudson, North Carolina. A number of the greeting cards and letters included in this collection discuss the formation of this museum and its collections as well as an opening speech given by Jan Karon, invitations to parties, author visits, and lectures. ","Also included are condolence cards to Karon on the death of her daughter, Candance Freeland, in 2021. ","In addition to the greeting cards, the collection includes a sketchbook with drawings of flowers and places dated 1975, personal planning calendars for 2020 and 2021, recipe notebooks, photographs of gatherings from the 1980s and 1990s, magazine features of Jan Karon, \"Sanctuary of Beauty,\" an obituary for Candace Freeland and Jan Karon's step-father Barry Setzer, a poster highlighting the history of Esmont, which is a 100-acre estate in Albemarle County owned and restored by Karon, and a personal and beautifully illustrated book titled \"Donna: Life, Art, Garden, and Home\" about Donna Ernest. ","Box ViU2022-0119_001 contains correspondence from 2020 to 2021\nBox ViU2022-0119_002 contains correspondence from 2020 to 2022, notebooks, photographs, planners, sketchbooks and publications\nOversize Folder ViU2022-0119_001 contains the poster of Esmont","Four books were separated from the collection and transferred to Rare Books for individual cataloging. These titles were a mass trade paperback copy of \"Shepherds Abiding,\" a paperback copy of \"To Be Where You are,\" and a hardback copy of \"Bathed In Prayer.\"","Two books were removed from this addition and transferred to the Rare Books Cataloger for individual handling:","Garden Club of Virginia Historic Garden Week \"Historic Southern Albemarle\" book with a copy of a sticky note \"Esmont on the tour in 2014, the year I sold it.\" (2014)","\"Donna Life - Art - Garden - Home\" with a preface by Jan Karon about her friend, Donna Ernst. Probably an advanced reader's copy (2019). Book came with a sticky note, \"This is not the final edition. This rough edition contains typos and incorrect paragraphing with several design changes as well. Delivered final copies 12/19.\"","The DVD, \"JJR 80th Celebration\" - Photographs of the 80th Birthday of Jerry J. Richardson which accompanied a letter (October 5, 2016) from Dana Robinson, executive assistant to the owner/founder of the Carolina Panthers, Jerry Richardson, has been separated from the letter and placed in Box 137 (Disk 93) with other disks. A digital copy has not been created at this time.","There are no use restrictions.","Albert and Shirley Small Special Collections Library","Setzer family -- correspondence","Karon, Jan (Janice), 1937-","English"],"unitid_tesim":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177"],"normalized_title_ssm":["Jan Karon papers"],"collection_title_tesim":["Jan Karon papers"],"collection_ssim":["Jan Karon papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Esmont (Albemarle County, Va. : Dwelling)\t"],"geogname_ssim":["Esmont (Albemarle County, Va. : Dwelling)\t"],"creator_ssm":["Karon, Jan (Janice), 1937-"],"creator_ssim":["Karon, Jan (Janice), 1937-"],"creator_persname_ssim":["Karon, Jan (Janice), 1937-"],"creators_ssim":["Karon, Jan (Janice), 1937-"],"places_ssim":["Esmont (Albemarle County, Va. : Dwelling)\t"],"acqinfo_ssim":["The Jan Karon papers were given to the University of Virginia Library on October 2, 2014, by Jan Karon."],"access_subjects_ssim":["Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising"],"access_subjects_ssm":["Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising"],"has_online_content_ssim":["false"],"extent_ssm":["66 Cubic Feet 120 legal document boxes, 3 oversize boxes, 17 oversize folders"],"extent_tesim":["66 Cubic Feet 120 legal document boxes, 3 oversize boxes, 17 oversize folders"],"physfacet_tesim":["17 audio cassettes, 26 videocassettes, 46 disks, and 2 hard drives."],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe restricted files contain personally identifiable information and cannot be used by patrons.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use.","The restricted files contain personally identifiable information and cannot be used by patrons.","The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). \u003c/p\u003e\n","\u003cp\u003eSeries III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). \u003c/p\u003e\n","\u003cp\u003eSeries IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). \u003c/p\u003e\n","\u003cp\u003eSeries V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).\u003c/p\u003e\n","\u003cp\u003eSeries VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).\u003c/p\u003e\n","\u003cp\u003eSeries VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). \u003c/p\u003e\n","\u003cp\u003eSeries VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.\u003c/p\u003e","\u003cp\u003eAdditions 3 and 4 are arranged together in four subseries: Correspondence; Topical and Miscellany; Manuscripts and Related Material; and Audiovisual and Born-Digital Materials.\u003c/p\u003e","\u003cp\u003eThis addition to the Jan Karon papers has four subseries: Esmont papers; Correspondence, chiefly to Jan Karon; Family and Personal papers; and Restricted Files.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). ","Series III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). ","Series IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). ","Series V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).","Series VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).","Series VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). ","Series VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.","Additions 3 and 4 are arranged together in four subseries: Correspondence; Topical and Miscellany; Manuscripts and Related Material; and Audiovisual and Born-Digital Materials.","This addition to the Jan Karon papers has four subseries: Esmont papers; Correspondence, chiefly to Jan Karon; Family and Personal papers; and Restricted Files."],"bioghist_html_tesm":["\u003cp\u003eJan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  \u003c/p\u003e\n","\u003cp\u003eAt fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. \u003c/p\u003e\n","\u003cp\u003eKaron's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.\u003c/p\u003e\n","\u003cp\u003eDuring the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.\u003c/p\u003e\n","\u003cp\u003eAfter their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. \u003c/p\u003e\n","\u003cp\u003eShe became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.\u003c/p\u003e\n","\u003cp\u003eHer daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the \u003ctitle\u003e\"Miami Herald\"\u003c/title\u003e, the \u003ctitle\u003e\"Charlotte Observer\"\u003c/title\u003e, and a stint in Central America for the \u003ctitle\u003e\"U.S. News and World Report\"\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003eIn order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.\u003c/p\u003e\n","\u003cp\u003eSoon, she approached the editor of \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e. The ensuing two years of writing  the priest's story for \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e resulted in her first novel,  \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e, published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.\u003c/p\u003e\n","\u003cp\u003eThe second and third Mitford novels, \u003ctitle\u003e\"A Light in the Window\"\u003c/title\u003e and \u003ctitle\u003e\"These High Green Hills\"\u003c/title\u003e, were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.\u003c/p\u003e\n","\u003cp\u003eJan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  \u003c/p\u003e\n","\u003cp\u003eIn 2013, \u003ctitle\u003e\"Somewhere Safe with Somebody Good\"\u003c/title\u003e, which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016, \u003ctitle\u003e\"Come Rain or Come Shine\"\u003c/title\u003e debuting at #1 on the \u003ctitle\u003e\"New York Times\"\u003c/title\u003e list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.\u003c/p\u003e\n","\u003cp\u003eFor more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in \u003ctitle\u003e\"The Charlotte Observer\"\u003c/title\u003e, August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Jan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  ","At fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. ","Karon's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.","During the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.","After their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. ","She became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.","Her daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the  \"Miami Herald\" , the  \"Charlotte Observer\" , and a stint in Central America for the  \"U.S. News and World Report\" .","In order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.","Soon, she approached the editor of  \"The Blowing Rocket\"  with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in  \"The Blowing Rocket\" . The ensuing two years of writing  the priest's story for  \"The Blowing Rocket\"  resulted in her first novel,   \"At Home in Mitford\" , published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.","The second and third Mitford novels,  \"A Light in the Window\"  and  \"These High Green Hills\" , were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of  \"At Home in Mitford\"  by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.","Jan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of  \"At Home in Mitford\"  for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  ","In 2013,  \"Somewhere Safe with Somebody Good\" , which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016,  \"Come Rain or Come Shine\"  debuting at #1 on the  \"New York Times\"  list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.","For more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in  \"The Charlotte Observer\" , August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon"],"originalsloc_html_tesm":["\u003cp\u003eAll original Barbara Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.\u003c/p\u003e","\u003cp\u003eAll original Barbara Bush letters have been tranferred to the vault but copies have been kept in the Jan Karon papers.\u003c/p\u003e","\u003cp\u003eAll original Laura Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["All original Barbara Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.","All original Barbara Bush letters have been tranferred to the vault but copies have been kept in the Jan Karon papers.","All original Laura Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers."],"phystech_html_tesm":["\u003cp\u003eThere are two hard drives in this collection that are currently unavailable.\u003c/p\u003e","\u003cp\u003ePlease contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. \u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["There are two hard drives in this collection that are currently unavailable.","Please contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e","\u003cp\u003eMSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e","\u003cp\u003eMSS 16077, Jan Karon papers addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.","MSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.","MSS 16077, Jan Karon papers addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"processinfo_html_tesm":["\u003cp\u003eThe born-digital items are numbered differently between the original gift and the Jan Karon additions 3 and 4, due to a change in past and current practice. Currently the numbering sequence is specific to the collection, so the various disks are numbered Disk 1-92 within this latest addition to the Jan Karon papers.\u003c/p\u003e","\u003cp\u003ePreservation and Use copies have been created for these disks by the Accessioning Archivist.\u003c/p\u003e","\u003cp\u003eThree disks containing the appraisal for the artwork and antiques in the Esmont house were transferred and housed in Box 137 with other disks from earlier accessions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["The born-digital items are numbered differently between the original gift and the Jan Karon additions 3 and 4, due to a change in past and current practice. Currently the numbering sequence is specific to the collection, so the various disks are numbered Disk 1-92 within this latest addition to the Jan Karon papers.","Preservation and Use copies have been created for these disks by the Accessioning Archivist.","Three disks containing the appraisal for the artwork and antiques in the Esmont house were transferred and housed in Box 137 with other disks from earlier accessions."],"scopecontent_html_tesm":["\u003cp\u003eThe Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.\u003c/p\u003e","\u003cp\u003eThese correspondents include Chelius Carter, Mary Ann Connell, Jean Ann Jones, Frances Gresham, Mary R. Minor, Maxine Moore, and Kathleen McMillan Lane; the correspondence with the Reverend Bruce McMillan has been filed with his folder in clergy correspondence.\u003c/p\u003e","\u003cp\u003eInterviews can also be found in publicity files.\u003c/p\u003e","\u003cp\u003eAgents include the Jeanne Drewsen Agency and Jennie Dunham. This folder is significant because it predates the Mitford series taking off and contains the advice of various editors and Jan's own musing about what to do.\u003c/p\u003e","\u003cp\u003eThese files chart the progress of the relationship between Jan Karon and her agent, from the beginning when Nancy Olson, Quail Ridge Books, Raleigh, North Carolina, referred Karon to Darhansoff (December 15, 1994 and January 18, 1995) and reveal many details about her literary career, including the transition from Lion Publishing to Penguin.\u003c/p\u003e","\u003cp\u003eThis file includes a proposal for Father Tim and Cynthia mysteries and a discussion of the publication of a journal.\u003c/p\u003e","\u003cp\u003eOther examples of publicity written by Jan Karon can be found in the editorial correspondence associated with individual books in series one or the correspondence with publishers in this series.\u003c/p\u003e","\u003cp\u003eWriter in Residence pieces by Jan Karon as published in the magazine; typed drafts are included in the two previous Victoria Magazine files, 1997-1998.\u003c/p\u003e","\u003cp\u003eFile includes the article describing a white tea held by Jan Karon at her Esmont home in \"Tea Time\" and \"A Room of Her Own\" in \"Victoria Magazine\"\u003c/p\u003e","\u003cp\u003eThis correspondence documents the publishing career of Jan Karon with Viking-Penguin and reveals the level of her involvement in decisions about illustrations and covers, promotion, advertising, and a host of other details. They will be most useful used in conjunction with the editorial correspondence that accompanies most book files in series one.\u003c/p\u003e","\u003cp\u003eIncludes a sermon by Bishop Harvey, June 8, 2000.\u003c/p\u003e","\u003cp\u003eIncludes a sermon by him; McMillan assisted Jan Karon with questions about information used in \u003ctitle\u003eHome to Holly Springs\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eCorrespondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.\u003c/p\u003e","\u003cp\u003eCorrespondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.\u003c/p\u003e","\u003cp\u003eIncludes a card featuring a watercolor of Esmont, October 30, 2003.\u003c/p\u003e","\u003cp\u003eNote that some greeting card folders will also contain thank you cards and postcards from friends and family.\u003c/p\u003e","\u003cp\u003eOne letter in particular, April 22, 1981, describes Jan Karon's journey to the faith that is expressed throughout her books and personal appearances.\u003c/p\u003e","\u003cp\u003eIncludes Mitford sketches and two prints of Presidents Ronald Reagan (2002) and George W. Bush by Adair (2003).\u003c/p\u003e","\u003cp\u003eCorrespondents include: Ann Baer, English author; Robin and Gerald Baliles (1940- ), former first lady and governor of Virginia; Rosalynn Carter (1927- ); Lynn A. Coffey, Appalachian folklorist; Kenneth Elzinga, professor and author (1942- ); North Carolina State Senator, Virginia Foxx (1943- ); Bill Gaither (1936- ) and Gloria Gaither (1942- ), singers and songwriters; Roxane Gilmore, professor and former first lady of Virginia; Renee Grisham, wife of John Grisham; U.S. Senator, Orrin G. Hatch (1934- ); Lady Bird Johnson, former first lady (1912-2007); Patricia Kluge (1948- ), former wife of John Kluge and vineyard owner; J.B. Lawrence, mayor of Blowing Rock, North Carolina, and Lynn Lawrence; Bill Leslie, musician; Calder Loth, architectural historian; and Tricia Thompson Lott, wife of Senator Lott.\u003c/p\u003e","\u003cp\u003eCorrespondents include:  Mark McEwen (1954- ), TV and radio personality; Martha S. McIntosh, editor of the \u003ctitle\u003eJan Karon's Mitford Cookbook \u0026amp; Kitchen Reader\u003c/title\u003e; Ruth Moose, author; Edmund Morris, author; Leanne Payne (1932-2015), author; Rose Bampton Pelletier (1907-2007), opera singer; Condoleeza Rice (1954- ), Secretary of State; Lynda Bird Johnson Robb (1944- ), former first lady of Virgina; Mark D. Rodgers, chief of staff for Senator Rick Santorum; Martha Sundquist, former first lady of Tennessee; Steve Wasserman; Martha Williamson; Lauren Winner, author; Anne R. Worrell; and Marly Youmans, author.\u003c/p\u003e","\u003cp\u003eAlso includes a letter from Harry M. Jacobs, Jr., May 6, 2005, and his wife, Bobbi Jacobs, July 6, 2014, to Jan Karon.\u003c/p\u003e","\u003cp\u003eIncludes information about a meeting held at Once Upon a Time, a bookstore in Montrose, California, in 1997.\u003c/p\u003e","\u003cp\u003ePages marked in \"At Home in Mitford\" include pages 3, 4, 5, 47, 68, 77, 101, 104, 114, 162, 181, 182, 207, 227, 234, 241, 259, 264, 281, 293, 297, 328, 354, 368, 373, 403, and 405.\nPages marked in \"A Common Life\" include page 6.\nPages marked in \"A New Song\" include pages 1, 34, 40, 45, 51, 67, 74, 78, 89, 117, 125, 161, 195, 206, 208, 212, 231, 235, 247, 253, 262, 263, 266, 267, 269, 285, 296, 297, 300, 385, and 399.\nPages marked in \"In This Mountain\" include pages 12, 41, 61, 80, 89, 91, 95, 97, 108, 124, 138, 139, 197, 240, 242, 262, 287, 302, 304, and 381.\nPages marked in \"Light from Heaven\" include pages 8, 15, 28, 39, 79, 106, 114, 144, 153, 213, 215, 234, 277, 366, and 383.\nPages marked in \"Shepherds Abiding\" include pages 18, 25, 88, 115, 127, 142, 164, and 245.\nPages marked in \"These High Green Hills\" include pages 2, 50, 71, 98, 102, 109, 147, 154, 158, 167, 209, 247, 259, 270, and 308.\nPages marked in \"My Hometown Growing Up in Holly Springs, Mississippi\" by Lois Swaney include pages 21, 46, 51, 59, 63, 67, 70, 88, 101, and 102.\nAlso present is a folder of inserts removed from the research books, 2006-2007.\u003c/p\u003e","\u003cp\u003eAccompanied by notes from Jan Karon, dated October 19, 2014, \"These gloves were worn often by my grandmother, Miss Fannie, about whom I wrote the children's book \u003ctitle\u003eMiss Fannie's Hat.\u003c/title\u003e Always wearing a smart hat and gloves, she was a faithful Methodist church-goer. She was also a faithful Democrat, though no hat was required.\"\u003c/p\u003e","\u003cp\u003eIncludes the launch of Jan Karon's facebook page (February 2014) and some facebook entries. Also chronicles her change of publishers.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16077 Jan Karon Papers contains personal and professional correspondence, and greeting cards; files and other documentation concerning the appraisal, purchase, ownership, operations and restoration of the Esmont house and estate by Jan Karon; correspondence concerning Karon's editorship of the magazine \"Response,\" including with Langston Hughes; event and memorial programs; photographs of Esmont, family and friends; invitations; fan mail; correspondence about donations and organizations; speeches or talks by Jan Karon; publicity and miscellany.\u003c/p\u003e","\u003cp\u003eThis folder contains eight items, including Jan Orth Karon's note explaining that Langston Hughes was the cousin of \"Response\" Assistant Editor, George Love. \u003c/p\u003e\n","\u003cp\u003eThere are two postcards from Hughes to Jan Orth, as the editor of the magazine \"Response\" when she lived in Charlotte. Hughes expresses gladness that she is using his Chapel Hill piece, asks for six copies when it is published, sends her some photographs and biographical information, and mentions his cross-country tour (February 2, 1961). He thanks her for the copy of the magazine \"Response / 4\" and says it \"looks most attractive, and the contents intriguing\" (August 4, 1961).\u003c/p\u003e\n","\u003cp\u003eUpon Hughes' return from California, in his letter of March 22, 1961, he thanks Orth for the six copies of \"Response / 3\" which he will then send to the institutions collecting his work. He describes the magazine issue as \"very handsome (and interesting)\" and says he likes \"the variety and format\" very much. He encloses a copy of \"Grandma\" (not present) for possible publication in a future issue.\u003c/p\u003e\n","\u003cp\u003eOther Hughes items include: an undated photograph; a handbill for \"Black Nativity Gospel on Broadway\" by Langston Hughes with the typed note \"Festival of Two Worlds, Spoleto, Italy, June-July, 1962\"; a reprint of a short story autographed by Hughes, \"Sorrow for a Midget,\" published in \"The Literary Review\" and addressed \"For Orth\"; an undated advertisement for the record \"Tambourines to Glory\" with the word \"play\" circled and with his handwritten note \"Goes into rehearsal this week - Theatre Guild. L.H.\"\u003c/p\u003e","\u003cp\u003eCorrespondents include Jonathan Williams, John Haynes Holmes, Harvey Swados, Ralph McGill (publisher of \"The Atlanta Constitution\"), and               Sam Bradley.\u003c/p\u003e","\u003cp\u003eThis addition to the Jan Karon papers (MSS 16077)  primarily contains greeting cards and letters sent to the American novelist Jan Karon of Charlottesville, Virginia. The bulk of the cards present in this collection span the holiday seasons of 2020 and 2021. \u003c/p\u003e\n","\u003cp\u003eIn 2021, Karon founded The Mitford Museum in her former elementary school in Hudson, North Carolina. A number of the greeting cards and letters included in this collection discuss the formation of this museum and its collections as well as an opening speech given by Jan Karon, invitations to parties, author visits, and lectures. \u003c/p\u003e\n","\u003cp\u003eAlso included are condolence cards to Karon on the death of her daughter, Candance Freeland, in 2021. \u003c/p\u003e\n","\u003cp\u003eIn addition to the greeting cards, the collection includes a sketchbook with drawings of flowers and places dated 1975, personal planning calendars for 2020 and 2021, recipe notebooks, photographs of gatherings from the 1980s and 1990s, magazine features of Jan Karon, \"Sanctuary of Beauty,\" an obituary for Candace Freeland and Jan Karon's step-father Barry Setzer, a poster highlighting the history of Esmont, which is a 100-acre estate in Albemarle County owned and restored by Karon, and a personal and beautifully illustrated book titled \"Donna: Life, Art, Garden, and Home\" about Donna Ernest. \u003c/p\u003e\n","\u003cp\u003eBox ViU2022-0119_001 contains correspondence from 2020 to 2021\nBox ViU2022-0119_002 contains correspondence from 2020 to 2022, notebooks, photographs, planners, sketchbooks and publications\nOversize Folder ViU2022-0119_001 contains the poster of Esmont\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.","These correspondents include Chelius Carter, Mary Ann Connell, Jean Ann Jones, Frances Gresham, Mary R. Minor, Maxine Moore, and Kathleen McMillan Lane; the correspondence with the Reverend Bruce McMillan has been filed with his folder in clergy correspondence.","Interviews can also be found in publicity files.","Agents include the Jeanne Drewsen Agency and Jennie Dunham. This folder is significant because it predates the Mitford series taking off and contains the advice of various editors and Jan's own musing about what to do.","These files chart the progress of the relationship between Jan Karon and her agent, from the beginning when Nancy Olson, Quail Ridge Books, Raleigh, North Carolina, referred Karon to Darhansoff (December 15, 1994 and January 18, 1995) and reveal many details about her literary career, including the transition from Lion Publishing to Penguin.","This file includes a proposal for Father Tim and Cynthia mysteries and a discussion of the publication of a journal.","Other examples of publicity written by Jan Karon can be found in the editorial correspondence associated with individual books in series one or the correspondence with publishers in this series.","Writer in Residence pieces by Jan Karon as published in the magazine; typed drafts are included in the two previous Victoria Magazine files, 1997-1998.","File includes the article describing a white tea held by Jan Karon at her Esmont home in \"Tea Time\" and \"A Room of Her Own\" in \"Victoria Magazine\"","This correspondence documents the publishing career of Jan Karon with Viking-Penguin and reveals the level of her involvement in decisions about illustrations and covers, promotion, advertising, and a host of other details. They will be most useful used in conjunction with the editorial correspondence that accompanies most book files in series one.","Includes a sermon by Bishop Harvey, June 8, 2000.","Includes a sermon by him; McMillan assisted Jan Karon with questions about information used in  Home to Holly Springs .","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Includes a card featuring a watercolor of Esmont, October 30, 2003.","Note that some greeting card folders will also contain thank you cards and postcards from friends and family.","One letter in particular, April 22, 1981, describes Jan Karon's journey to the faith that is expressed throughout her books and personal appearances.","Includes Mitford sketches and two prints of Presidents Ronald Reagan (2002) and George W. Bush by Adair (2003).","Correspondents include: Ann Baer, English author; Robin and Gerald Baliles (1940- ), former first lady and governor of Virginia; Rosalynn Carter (1927- ); Lynn A. Coffey, Appalachian folklorist; Kenneth Elzinga, professor and author (1942- ); North Carolina State Senator, Virginia Foxx (1943- ); Bill Gaither (1936- ) and Gloria Gaither (1942- ), singers and songwriters; Roxane Gilmore, professor and former first lady of Virginia; Renee Grisham, wife of John Grisham; U.S. Senator, Orrin G. Hatch (1934- ); Lady Bird Johnson, former first lady (1912-2007); Patricia Kluge (1948- ), former wife of John Kluge and vineyard owner; J.B. Lawrence, mayor of Blowing Rock, North Carolina, and Lynn Lawrence; Bill Leslie, musician; Calder Loth, architectural historian; and Tricia Thompson Lott, wife of Senator Lott.","Correspondents include:  Mark McEwen (1954- ), TV and radio personality; Martha S. McIntosh, editor of the  Jan Karon's Mitford Cookbook \u0026 Kitchen Reader ; Ruth Moose, author; Edmund Morris, author; Leanne Payne (1932-2015), author; Rose Bampton Pelletier (1907-2007), opera singer; Condoleeza Rice (1954- ), Secretary of State; Lynda Bird Johnson Robb (1944- ), former first lady of Virgina; Mark D. Rodgers, chief of staff for Senator Rick Santorum; Martha Sundquist, former first lady of Tennessee; Steve Wasserman; Martha Williamson; Lauren Winner, author; Anne R. Worrell; and Marly Youmans, author.","Also includes a letter from Harry M. Jacobs, Jr., May 6, 2005, and his wife, Bobbi Jacobs, July 6, 2014, to Jan Karon.","Includes information about a meeting held at Once Upon a Time, a bookstore in Montrose, California, in 1997.","Pages marked in \"At Home in Mitford\" include pages 3, 4, 5, 47, 68, 77, 101, 104, 114, 162, 181, 182, 207, 227, 234, 241, 259, 264, 281, 293, 297, 328, 354, 368, 373, 403, and 405.\nPages marked in \"A Common Life\" include page 6.\nPages marked in \"A New Song\" include pages 1, 34, 40, 45, 51, 67, 74, 78, 89, 117, 125, 161, 195, 206, 208, 212, 231, 235, 247, 253, 262, 263, 266, 267, 269, 285, 296, 297, 300, 385, and 399.\nPages marked in \"In This Mountain\" include pages 12, 41, 61, 80, 89, 91, 95, 97, 108, 124, 138, 139, 197, 240, 242, 262, 287, 302, 304, and 381.\nPages marked in \"Light from Heaven\" include pages 8, 15, 28, 39, 79, 106, 114, 144, 153, 213, 215, 234, 277, 366, and 383.\nPages marked in \"Shepherds Abiding\" include pages 18, 25, 88, 115, 127, 142, 164, and 245.\nPages marked in \"These High Green Hills\" include pages 2, 50, 71, 98, 102, 109, 147, 154, 158, 167, 209, 247, 259, 270, and 308.\nPages marked in \"My Hometown Growing Up in Holly Springs, Mississippi\" by Lois Swaney include pages 21, 46, 51, 59, 63, 67, 70, 88, 101, and 102.\nAlso present is a folder of inserts removed from the research books, 2006-2007.","Accompanied by notes from Jan Karon, dated October 19, 2014, \"These gloves were worn often by my grandmother, Miss Fannie, about whom I wrote the children's book  Miss Fannie's Hat.  Always wearing a smart hat and gloves, she was a faithful Methodist church-goer. She was also a faithful Democrat, though no hat was required.\"","Includes the launch of Jan Karon's facebook page (February 2014) and some facebook entries. Also chronicles her change of publishers.","This addition to MSS 16077 Jan Karon Papers contains personal and professional correspondence, and greeting cards; files and other documentation concerning the appraisal, purchase, ownership, operations and restoration of the Esmont house and estate by Jan Karon; correspondence concerning Karon's editorship of the magazine \"Response,\" including with Langston Hughes; event and memorial programs; photographs of Esmont, family and friends; invitations; fan mail; correspondence about donations and organizations; speeches or talks by Jan Karon; publicity and miscellany.","This folder contains eight items, including Jan Orth Karon's note explaining that Langston Hughes was the cousin of \"Response\" Assistant Editor, George Love. ","There are two postcards from Hughes to Jan Orth, as the editor of the magazine \"Response\" when she lived in Charlotte. Hughes expresses gladness that she is using his Chapel Hill piece, asks for six copies when it is published, sends her some photographs and biographical information, and mentions his cross-country tour (February 2, 1961). He thanks her for the copy of the magazine \"Response / 4\" and says it \"looks most attractive, and the contents intriguing\" (August 4, 1961).","Upon Hughes' return from California, in his letter of March 22, 1961, he thanks Orth for the six copies of \"Response / 3\" which he will then send to the institutions collecting his work. He describes the magazine issue as \"very handsome (and interesting)\" and says he likes \"the variety and format\" very much. He encloses a copy of \"Grandma\" (not present) for possible publication in a future issue.","Other Hughes items include: an undated photograph; a handbill for \"Black Nativity Gospel on Broadway\" by Langston Hughes with the typed note \"Festival of Two Worlds, Spoleto, Italy, June-July, 1962\"; a reprint of a short story autographed by Hughes, \"Sorrow for a Midget,\" published in \"The Literary Review\" and addressed \"For Orth\"; an undated advertisement for the record \"Tambourines to Glory\" with the word \"play\" circled and with his handwritten note \"Goes into rehearsal this week - Theatre Guild. L.H.\"","Correspondents include Jonathan Williams, John Haynes Holmes, Harvey Swados, Ralph McGill (publisher of \"The Atlanta Constitution\"), and               Sam Bradley.","This addition to the Jan Karon papers (MSS 16077)  primarily contains greeting cards and letters sent to the American novelist Jan Karon of Charlottesville, Virginia. The bulk of the cards present in this collection span the holiday seasons of 2020 and 2021. ","In 2021, Karon founded The Mitford Museum in her former elementary school in Hudson, North Carolina. A number of the greeting cards and letters included in this collection discuss the formation of this museum and its collections as well as an opening speech given by Jan Karon, invitations to parties, author visits, and lectures. ","Also included are condolence cards to Karon on the death of her daughter, Candance Freeland, in 2021. ","In addition to the greeting cards, the collection includes a sketchbook with drawings of flowers and places dated 1975, personal planning calendars for 2020 and 2021, recipe notebooks, photographs of gatherings from the 1980s and 1990s, magazine features of Jan Karon, \"Sanctuary of Beauty,\" an obituary for Candace Freeland and Jan Karon's step-father Barry Setzer, a poster highlighting the history of Esmont, which is a 100-acre estate in Albemarle County owned and restored by Karon, and a personal and beautifully illustrated book titled \"Donna: Life, Art, Garden, and Home\" about Donna Ernest. ","Box ViU2022-0119_001 contains correspondence from 2020 to 2021\nBox ViU2022-0119_002 contains correspondence from 2020 to 2022, notebooks, photographs, planners, sketchbooks and publications\nOversize Folder ViU2022-0119_001 contains the poster of Esmont"],"separatedmaterial_html_tesm":["\u003cp\u003eFour books were separated from the collection and transferred to Rare Books for individual cataloging. These titles were a mass trade paperback copy of \"Shepherds Abiding,\" a paperback copy of \"To Be Where You are,\" and a hardback copy of \"Bathed In Prayer.\"\u003c/p\u003e","\u003cp\u003eTwo books were removed from this addition and transferred to the Rare Books Cataloger for individual handling:\u003c/p\u003e\n","\u003cp\u003eGarden Club of Virginia Historic Garden Week \"Historic Southern Albemarle\" book with a copy of a sticky note \"Esmont on the tour in 2014, the year I sold it.\" (2014)\u003c/p\u003e\n","\u003cp\u003e\"Donna Life - Art - Garden - Home\" with a preface by Jan Karon about her friend, Donna Ernst. Probably an advanced reader's copy (2019). Book came with a sticky note, \"This is not the final edition. This rough edition contains typos and incorrect paragraphing with several design changes as well. Delivered final copies 12/19.\"\u003c/p\u003e","\u003cp\u003eThe DVD, \"JJR 80th Celebration\" - Photographs of the 80th Birthday of Jerry J. Richardson which accompanied a letter (October 5, 2016) from Dana Robinson, executive assistant to the owner/founder of the Carolina Panthers, Jerry Richardson, has been separated from the letter and placed in Box 137 (Disk 93) with other disks. A digital copy has not been created at this time.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Four books were separated from the collection and transferred to Rare Books for individual cataloging. These titles were a mass trade paperback copy of \"Shepherds Abiding,\" a paperback copy of \"To Be Where You are,\" and a hardback copy of \"Bathed In Prayer.\"","Two books were removed from this addition and transferred to the Rare Books Cataloger for individual handling:","Garden Club of Virginia Historic Garden Week \"Historic Southern Albemarle\" book with a copy of a sticky note \"Esmont on the tour in 2014, the year I sold it.\" (2014)","\"Donna Life - Art - Garden - Home\" with a preface by Jan Karon about her friend, Donna Ernst. Probably an advanced reader's copy (2019). Book came with a sticky note, \"This is not the final edition. This rough edition contains typos and incorrect paragraphing with several design changes as well. Delivered final copies 12/19.\"","The DVD, \"JJR 80th Celebration\" - Photographs of the 80th Birthday of Jerry J. Richardson which accompanied a letter (October 5, 2016) from Dana Robinson, executive assistant to the owner/founder of the Carolina Panthers, Jerry Richardson, has been separated from the letter and placed in Box 137 (Disk 93) with other disks. A digital copy has not been created at this time."],"userestrict_html_tesm":["\u003cp\u003eThere are no use restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["There are no use restrictions."],"names_ssim":["Albert and Shirley Small Special Collections Library","Setzer family -- correspondence","Karon, Jan (Janice), 1937-"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_coll_ssim":["Setzer family -- correspondence"],"famname_ssim":["Setzer family -- correspondence"],"persname_ssim":["Karon, Jan (Janice), 1937-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1248,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:45:23.850Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_177_c09_c02_c10"}},{"id":"virmu_repositories_2_resources_6_c02_c28","type":"File","attributes":{"title":"Art Records (Sales, Exhibitions)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c02_c28#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c02_c28","ref_ssm":["virmu_repositories_2_resources_6_c02_c28"],"id":"virmu_repositories_2_resources_6_c02_c28","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c02","parent_ssi":"virmu_repositories_2_resources_6_c02","parent_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c02"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c02"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02)","Series 2: Sales and Representation"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02)","Series 2: Sales and Representation"],"text":["Willie Anne Wright Artist Archives (VA-02)","Series 2: Sales and Representation","Art Records (Sales, Exhibitions)","box VA-02 Box 7","folder VA02.02.0.027"],"title_filing_ssi":"Art Records (Sales, Exhibitions)","title_ssm":["Art Records (Sales, Exhibitions)"],"title_tesim":["Art Records (Sales, Exhibitions)"],"unitdate_inclusive_ssm":["2015-2018"],"normalized_date_ssm":["2015/2018"],"normalized_title_ssm":["Art Records (Sales, Exhibitions)"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":295,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[2015,2016,2017,2018],"containers_ssim":["box VA-02 Box 7","folder VA02.02.0.027"],"_nest_path_":"/components#1/components#27","timestamp":"2026-05-21T03:48:32.418Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"text":["VA-02","/repositories/2/resources/6","Willie Anne Wright Artist Archives (VA-02)","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website .","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","This series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.","This series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.","This series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.","This series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creators_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e\n","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e\n","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e","\u003cp\u003eThis series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.\u003c/p\u003e","\u003cp\u003eThis series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.\u003c/p\u003e","\u003cp\u003eThis series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.\u003c/p\u003e","\u003cp\u003eThis series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Series Description","Series Description","Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","This series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.","This series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.","This series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.","This series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"persname_ssim":["Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:48:32.418Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c02_c28"}},{"id":"wvmturhc_repositories_2_resources_1534_c03_c04","type":"Box","attributes":{"title":"Art-Related Material (clippings, correspondence, printed material, typescripts, notes, and more. Subjects include Taylor, her art, and Mellert's management of her art posthumously. Also includes one set of two typescripts about Taylor, and other biographical materials. Also includes material from Taylor's high school days.)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1534_c03_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1534_c03_c04","ref_ssm":["wvmturhc_repositories_2_resources_1534_c03_c04"],"id":"wvmturhc_repositories_2_resources_1534_c03_c04","ead_ssi":"wvmturhc_repositories_2_resources_1534","_root_":"wvmturhc_repositories_2_resources_1534","_nest_parent_":"wvmturhc_repositories_2_resources_1534_c03","parent_ssi":"wvmturhc_repositories_2_resources_1534_c03","parent_ssim":["wvmturhc_repositories_2_resources_1534","wvmturhc_repositories_2_resources_1534_c03"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1534","wvmturhc_repositories_2_resources_1534_c03"],"parent_unittitles_ssm":["Grace Martin Taylor, Artist, Papers","Addendum of 2018-10-30, Grace Martin Taylor Papers"],"parent_unittitles_tesim":["Grace Martin Taylor, Artist, Papers","Addendum of 2018-10-30, Grace Martin Taylor Papers"],"text":["Grace Martin Taylor, Artist, Papers","Addendum of 2018-10-30, Grace Martin Taylor Papers","Art-Related Material (clippings, correspondence, printed material, typescripts, notes, and more. Subjects include Taylor, her art, and Mellert's management of her art posthumously. Also includes one set of two typescripts about Taylor, and other biographical materials. Also includes material from Taylor's high school days.)","English .","Box 16"],"title_filing_ssi":"Art-Related Material (clippings, correspondence, printed material, typescripts, notes, and more. Subjects include Taylor, her art, and Mellert's management of her art posthumously. Also includes one set of two typescripts about Taylor, and other biographical materials. Also includes material from Taylor's high school days.)","title_ssm":["Art-Related Material (clippings, correspondence, printed material, typescripts, notes, and more. Subjects include Taylor, her art, and Mellert's management of her art posthumously. Also includes one set of two typescripts about Taylor, and other biographical materials. Also includes material from Taylor's high school days.)"],"title_tesim":["Art-Related Material (clippings, correspondence, printed material, typescripts, notes, and more. Subjects include Taylor, her art, and Mellert's management of her art posthumously. Also includes one set of two typescripts about Taylor, and other biographical materials. Also includes material from Taylor's high school days.)"],"unitdate_inclusive_ssm":["1920–2017"],"normalized_date_ssm":["1920/2017"],"normalized_title_ssm":["Art-Related Material (clippings, correspondence, printed material, typescripts, notes, and more. Subjects include Taylor, her art, and Mellert's management of her art posthumously. Also includes one set of two typescripts about Taylor, and other biographical materials. Also includes material from Taylor's high school days.)"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Grace Martin Taylor, Artist, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":9,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":117,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"language_ssim":["English ."],"containers_ssim":["Box 16"],"_nest_path_":"/components#2/components#3","timestamp":"2026-05-21T01:01:19.947Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1534","ead_ssi":"wvmturhc_repositories_2_resources_1534","_root_":"wvmturhc_repositories_2_resources_1534","_nest_parent_":"wvmturhc_repositories_2_resources_1534","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1534.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195813","title_ssm":["Grace Martin Taylor, Artist, Papers"],"title_tesim":["Grace Martin Taylor, Artist, Papers"],"unitdate_ssm":["1904-2019"],"unitdate_inclusive_ssm":["1904-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3206","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1534"],"text":["A\u0026M 3206","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1534","Grace Martin Taylor, Artist, Papers","Art and artists","No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Grace Martin (Frame) Taylor (February 11, 1903 - October 1, 1995) was born in Scotts Run, near Morgantown, West Virginia.  She graduated from West Virginia University in 1929. She earned her Master of Arts there in 1949. She studied under Blanche Lazzell, West Virginia's most renowned artist, and like Lazzell, she studied under the noted abstract artist Hans Hofmann in Provincetown, Massachusetts. She also attended the Pennsylvania Academy of Fine Arts in Philadelphia.","\nHer art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. She is best characterized from the following quote of a review of her Lynn Laskin Gallery show of December 1957 in Charleston: \"Here is an artist of great seriousness of aesthetic purpose, singular individuality of style, with special strengths of inventiveness and finely-balanced painting constructions. These are paintings in which the true, serious nature of abstract art should become apparent.\"","\nAs an educator, Grace Martin Taylor taught in Charleston, WV at Mason College of Music and Fine Arts.  She began work in their art department in 1931 and would ascend to the presidency in 1956. In 1956, Mason College merged with Morris Harvey College (now University of Charleston), where Taylor would work as a professor of art till 1968.","\nGrace married Wilbur C. Frame in 1929; they had one daughter together, Lucie Anne, and later divorced. Grace then married William E. Taylor in 1951. She died in Charleston, WV.","3206, 4170","Papers of West Virginia artist Grace Martin Taylor (1903-1995) include papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist.  In addition to her work as an artist, she was also an educator who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. ","\nAddendum of 2018-10-30, Lucie Mellert Papers includes papers of Lucie Anne Mellert, Ms. Taylor's daughter.  These include award plaques, correspondence, clippings, photographs, and more, about herself and her promotion of her mother's artwork.","\nAddendum of 2018-10-30, Grace Martin Taylor Papers includes notebooks, digital files including images of artwork and videos of gallery openings and receptions, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, artifacts, and artwork; subjects include her career as an artist as well as an educator.  ","\nA grouping of 27 prints by Grace Martin Taylor were deaccessioned from this collection and transferred to the Art Museum of West Virginia University in 2011.","Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist Grace Martin Taylor.","This series includes the papers of Lucie Anne Mellert, daughter of Grace Martin Taylor. Formats include award plaques, correspondence, clippings, photographs, and more. Award plaques and paper awards (boxes 8-9 and box 21, folder 3) include awards for inclusion in various editions of  Who's Who , recognition for service to the South Charleston CVB, and more (1964, ca. 1984-2016). Correspondence includes material regarding Mellert's support of the WVU Foundation (2012-2014) and more. Clippings include coverage of Mellert's promotion of Grace Martin Taylor and her artwork (1990s-2010s). Photographs are almost exclusively color photos, many of which depict Lucie Mellert at a variety of events (mostly ca. 1990s-2010s, a few from earlier) including talks, exhibits, and more. The images include a few celebrities and prominent local figures, such as E. Gordon Gee, Senator Joe Manchin, and Gayle Manchin, as well as Grace Martin Taylor.","This series includes additional papers of Grace Martin Taylor. Formats include notebooks, digital files, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, and more. Subjects include her life, her art, promotion of her art, her education in art, and more. Highlights include a typed record of Taylor's career, compiled by Lucie Mellert in 2018 (box 12, folder 4).","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. Also included is some material regarding her daughter, Lucie Anne Mellert, and her promotion of Taylor's art.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Taylor, Grace Martin, 1903-1995","Mellert, Lucie A.","English"],"unitid_tesim":["A\u0026M 3206","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1534"],"normalized_title_ssm":["Grace Martin Taylor, Artist, Papers"],"collection_title_tesim":["Grace Martin Taylor, Artist, Papers"],"collection_ssim":["Grace Martin Taylor, Artist, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Taylor, Grace Martin, 1903-1995"],"creator_ssim":["Taylor, Grace Martin, 1903-1995"],"creator_persname_ssim":["Taylor, Grace Martin, 1903-1995"],"creators_ssim":["Taylor, Grace Martin, 1903-1995"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["10.4 Linear Feet Summary: 10 ft. 5 in. (11 document cases, 5 in. each); (1 wrapped package, 1/2 in.); (3 record cartons, 15 in. each); (2 document cases, 4 in. each); (2 document cases, 2 1/2 in. each); (1 flat storage box, 3 in.); (1 flat storage box, 3 1/2 in.); (1 flat storage box, 4 in.)","1.63 Gigabytes 23 .jpg and .iso files"],"extent_tesim":["10.4 Linear Feet Summary: 10 ft. 5 in. (11 document cases, 5 in. each); (1 wrapped package, 1/2 in.); (3 record cartons, 15 in. each); (2 document cases, 4 in. each); (2 document cases, 2 1/2 in. each); (1 flat storage box, 3 in.); (1 flat storage box, 3 1/2 in.); (1 flat storage box, 4 in.)","1.63 Gigabytes 23 .jpg and .iso files"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"bioghist_html_tesm":["\u003cp\u003eGrace Martin (Frame) Taylor (February 11, 1903 - October 1, 1995) was born in Scotts Run, near Morgantown, West Virginia.  She graduated from West Virginia University in 1929. She earned her Master of Arts there in 1949. She studied under Blanche Lazzell, West Virginia's most renowned artist, and like Lazzell, she studied under the noted abstract artist Hans Hofmann in Provincetown, Massachusetts. She also attended the Pennsylvania Academy of Fine Arts in Philadelphia.\u003c/p\u003e\n","\u003cp\u003e\nHer art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. She is best characterized from the following quote of a review of her Lynn Laskin Gallery show of December 1957 in Charleston: \"Here is an artist of great seriousness of aesthetic purpose, singular individuality of style, with special strengths of inventiveness and finely-balanced painting constructions. These are paintings in which the true, serious nature of abstract art should become apparent.\"\u003c/p\u003e\n","\u003cp\u003e\nAs an educator, Grace Martin Taylor taught in Charleston, WV at Mason College of Music and Fine Arts.  She began work in their art department in 1931 and would ascend to the presidency in 1956. In 1956, Mason College merged with Morris Harvey College (now University of Charleston), where Taylor would work as a professor of art till 1968.\u003c/p\u003e\n","\u003cp\u003e\nGrace married Wilbur C. Frame in 1929; they had one daughter together, Lucie Anne, and later divorced. Grace then married William E. Taylor in 1951. She died in Charleston, WV.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Grace Martin (Frame) Taylor (February 11, 1903 - October 1, 1995) was born in Scotts Run, near Morgantown, West Virginia.  She graduated from West Virginia University in 1929. She earned her Master of Arts there in 1949. She studied under Blanche Lazzell, West Virginia's most renowned artist, and like Lazzell, she studied under the noted abstract artist Hans Hofmann in Provincetown, Massachusetts. She also attended the Pennsylvania Academy of Fine Arts in Philadelphia.","\nHer art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. She is best characterized from the following quote of a review of her Lynn Laskin Gallery show of December 1957 in Charleston: \"Here is an artist of great seriousness of aesthetic purpose, singular individuality of style, with special strengths of inventiveness and finely-balanced painting constructions. These are paintings in which the true, serious nature of abstract art should become apparent.\"","\nAs an educator, Grace Martin Taylor taught in Charleston, WV at Mason College of Music and Fine Arts.  She began work in their art department in 1931 and would ascend to the presidency in 1956. In 1956, Mason College merged with Morris Harvey College (now University of Charleston), where Taylor would work as a professor of art till 1968.","\nGrace married Wilbur C. Frame in 1929; they had one daughter together, Lucie Anne, and later divorced. Grace then married William E. Taylor in 1951. She died in Charleston, WV."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Grace Martin Taylor, Artist, Papers, A\u0026amp;M 3206, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Grace Martin Taylor, Artist, Papers, A\u0026M 3206, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e3206, 4170\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["3206, 4170"],"scopecontent_html_tesm":["\u003cp\u003ePapers of West Virginia artist Grace Martin Taylor (1903-1995) include papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist.  In addition to her work as an artist, she was also an educator who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. \u003c/p\u003e\n","\u003cp\u003e\nAddendum of 2018-10-30, Lucie Mellert Papers includes papers of Lucie Anne Mellert, Ms. Taylor's daughter.  These include award plaques, correspondence, clippings, photographs, and more, about herself and her promotion of her mother's artwork.\u003c/p\u003e\n","\u003cp\u003e\nAddendum of 2018-10-30, Grace Martin Taylor Papers includes notebooks, digital files including images of artwork and videos of gallery openings and receptions, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, artifacts, and artwork; subjects include her career as an artist as well as an educator.  \u003c/p\u003e\n","\u003cp\u003e\nA grouping of 27 prints by Grace Martin Taylor were deaccessioned from this collection and transferred to the Art Museum of West Virginia University in 2011.\u003c/p\u003e","\u003cp\u003ePapers, news clippings, programs, photos, certificates, and artwork of West Virginia artist Grace Martin Taylor.\u003c/p\u003e","\u003cp\u003eThis series includes the papers of Lucie Anne Mellert, daughter of Grace Martin Taylor. Formats include award plaques, correspondence, clippings, photographs, and more. Award plaques and paper awards (boxes 8-9 and box 21, folder 3) include awards for inclusion in various editions of \u003ctitle\u003eWho's Who\u003c/title\u003e, recognition for service to the South Charleston CVB, and more (1964, ca. 1984-2016). Correspondence includes material regarding Mellert's support of the WVU Foundation (2012-2014) and more. Clippings include coverage of Mellert's promotion of Grace Martin Taylor and her artwork (1990s-2010s). Photographs are almost exclusively color photos, many of which depict Lucie Mellert at a variety of events (mostly ca. 1990s-2010s, a few from earlier) including talks, exhibits, and more. The images include a few celebrities and prominent local figures, such as E. Gordon Gee, Senator Joe Manchin, and Gayle Manchin, as well as Grace Martin Taylor.\u003c/p\u003e","\u003cp\u003eThis series includes additional papers of Grace Martin Taylor. Formats include notebooks, digital files, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, and more. Subjects include her life, her art, promotion of her art, her education in art, and more. Highlights include a typed record of Taylor's career, compiled by Lucie Mellert in 2018 (box 12, folder 4).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of West Virginia artist Grace Martin Taylor (1903-1995) include papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist.  In addition to her work as an artist, she was also an educator who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. ","\nAddendum of 2018-10-30, Lucie Mellert Papers includes papers of Lucie Anne Mellert, Ms. Taylor's daughter.  These include award plaques, correspondence, clippings, photographs, and more, about herself and her promotion of her mother's artwork.","\nAddendum of 2018-10-30, Grace Martin Taylor Papers includes notebooks, digital files including images of artwork and videos of gallery openings and receptions, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, artifacts, and artwork; subjects include her career as an artist as well as an educator.  ","\nA grouping of 27 prints by Grace Martin Taylor were deaccessioned from this collection and transferred to the Art Museum of West Virginia University in 2011.","Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist Grace Martin Taylor.","This series includes the papers of Lucie Anne Mellert, daughter of Grace Martin Taylor. Formats include award plaques, correspondence, clippings, photographs, and more. Award plaques and paper awards (boxes 8-9 and box 21, folder 3) include awards for inclusion in various editions of  Who's Who , recognition for service to the South Charleston CVB, and more (1964, ca. 1984-2016). Correspondence includes material regarding Mellert's support of the WVU Foundation (2012-2014) and more. Clippings include coverage of Mellert's promotion of Grace Martin Taylor and her artwork (1990s-2010s). Photographs are almost exclusively color photos, many of which depict Lucie Mellert at a variety of events (mostly ca. 1990s-2010s, a few from earlier) including talks, exhibits, and more. The images include a few celebrities and prominent local figures, such as E. Gordon Gee, Senator Joe Manchin, and Gayle Manchin, as well as Grace Martin Taylor.","This series includes additional papers of Grace Martin Taylor. Formats include notebooks, digital files, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, and more. Subjects include her life, her art, promotion of her art, her education in art, and more. Highlights include a typed record of Taylor's career, compiled by Lucie Mellert in 2018 (box 12, folder 4)."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_824b8e48b87c3ff479e96fd452f272f2\"\u003ePapers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. Also included is some material regarding her daughter, Lucie Anne Mellert, and her promotion of Taylor's art.\u003c/abstract\u003e"],"abstract_tesim":["Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. Also included is some material regarding her daughter, Lucie Anne Mellert, and her promotion of Taylor's art."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_eb41a796dfae4677cf07f3f5d635dae5\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Taylor, Grace Martin, 1903-1995","Mellert, Lucie A."],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Taylor, Grace Martin, 1903-1995","Mellert, Lucie A."],"persname_ssim":["Taylor, Grace Martin, 1903-1995","Mellert, Lucie A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":176,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:01:19.947Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1534_c03_c04"}},{"id":"virmu_repositories_2_resources_436_c02_c01","type":"File","attributes":{"title":"Art Sales","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_436_c02_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis file contains print materials that document sales of Aaron Siskind's artwork.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_436_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_436_c02_c01","ref_ssm":["virmu_repositories_2_resources_436_c02_c01"],"id":"virmu_repositories_2_resources_436_c02_c01","ead_ssi":"virmu_repositories_2_resources_436","_root_":"virmu_repositories_2_resources_436","_nest_parent_":"virmu_repositories_2_resources_436_c02","parent_ssi":"virmu_repositories_2_resources_436_c02","parent_ssim":["virmu_repositories_2_resources_436","virmu_repositories_2_resources_436_c02"],"parent_ids_ssim":["virmu_repositories_2_resources_436","virmu_repositories_2_resources_436_c02"],"parent_unittitles_ssm":["Records of the Aaron Siskind Foundation (SC-38)","Series 2: Aaron Siskind Foundation"],"parent_unittitles_tesim":["Records of the Aaron Siskind Foundation (SC-38)","Series 2: Aaron Siskind Foundation"],"text":["Records of the Aaron Siskind Foundation (SC-38)","Series 2: Aaron Siskind Foundation","Art Sales","box SC-38 Box 1","This file contains print materials that document sales of Aaron Siskind's artwork."],"title_filing_ssi":"Art Sales","title_ssm":["Art Sales"],"title_tesim":["Art Sales"],"unitdate_inclusive_ssm":["1983-2017"],"normalized_date_ssm":["1983/2017"],"normalized_title_ssm":["Art Sales"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Aaron Siskind Foundation (SC-38)"],"extent_ssm":["1 folder"],"extent_tesim":["1 folder"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":12,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"containers_ssim":["box SC-38 Box 1"],"scopecontent_html_tesm":["\u003cp\u003eThis file contains print materials that document sales of Aaron Siskind's artwork.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This file contains print materials that document sales of Aaron Siskind's artwork."],"_nest_path_":"/components#1/components#0","timestamp":"2026-05-21T03:16:36.759Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_436","ead_ssi":"virmu_repositories_2_resources_436","_root_":"virmu_repositories_2_resources_436","_nest_parent_":"virmu_repositories_2_resources_436","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_436.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/436","title_filing_ssi":"Aaron Siskind Foundation (SC-38)","title_ssm":["Records of the Aaron Siskind Foundation (SC-38)"],"title_tesim":["Records of the Aaron Siskind Foundation (SC-38)"],"unitdate_ssm":["1920-2020"],"unitdate_inclusive_ssm":["1920-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-38","/repositories/2/resources/436"],"text":["SC-38","/repositories/2/resources/436","Records of the Aaron Siskind Foundation (SC-38)","Nonprofit organizations","Photography, Abstract","The collection is open for research.","The collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1 Aaron Siskind, 1920-2020 Series 2 Aaron Siskind Foundation, 1983-2019","The VMFA Library possesses a large collection of Aaron Siskind catalogs made searchable on  Pandora . A sample of titles from this collection can be found below.","Aaron Siskind : mid-century modern First edition","Aaron Siskind : another photographic reality First edition.","Aaron Siskind","Aaron Siskind and Louis Sullivan : the Institute of Design Photo Section Project 1st ed.","Aaron Siskind : order with the tensions continuing","Interior drama : Aaron Siskind's photographs of the 1940s","Aaron Siskind 100 1st ed.","Aaron Siskind : the fragmentation of language","Aaron Siskind : toward a personal vision 1935-1955","Harlem photographs, 1932-1940","Bucks County : photographs of early architecture","Exhibition file : Aaron Siskind and abstract photography of the 1950s and 60s : miscellaneous uncataloged material","Exhibition file : Photographs by Aaron Siskind : miscellaneous uncataloged material","Artist file : miscellaneous uncataloged material","Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020. In addition, the Foundation worked to preserve and protect Siskind's artistic legacy, and fostered knowledge of and appreciation for his art through new books, exhibits, educational events and scholarly research.","Source:  Aaron Siskind Foundation collection  by the Center for Creative Photography at The University of Arizona","The collection was transferred from the Registration and Curatorial departments as materials were discovered from 2020-2022.","The Records of the Aaron Siskind Foundation (SC-38) represent part of the signifiant 2020 gift of over 8,000 photographs donated by the Foundation to VMFA. For further details on this gift, please refer to the museum's  press release .","Originals of photocopied print materials are located at the  Center for Creative Photography  at the University of Arizona.","Originals of photocopied print materials are located at the  Center for Creative Photography at the University of Arizona .","Original folder titles were retained when provided.","Aaron Siskind Foundation collection  at the Center for Creative Photography at The University of Arizona","Aaron Siskind archive  at the Center for Creative Photography at The University of Arizona","Aaron Siskind papers, 1967-1977  at the Smithsonian Archives of American Art","Aaron Siskind photographs of Harlem, circa 1932-1941  at the David M. Rubenstein Rare Book and Manuscript Library, Duke University","Guide to the Aaron Siskind photographs M2582  at the Online Archive of California","The collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020, and includes copies of Aaron Siskind's written works from the  Center for Creative Photography  and several original photographs by Siskind. Works in the collection include information on the organization's founding, bylaws, and art management, among other topics of interest. The collection's inclusive dates are 1920 to 2020. This collection contains articles, contact sheets, contracts, correspondence, media, photographs, printed materials, and reports.","This series contains essays, printed material, and photographs documenting the life and art of Aaron Siskind. Additionally, the series contains photocopies of original print materials held by the  Center for Creative Photography  at the University of Arizona.","This file contains print materials that document Siskind's life and career.","This file contains print materials that document Aaron Siskind's writings.","This file contains print materials that document the 2018 Fujifilm Square exhibition, \"Treasures of American Modern Photography: The Gilbert Collection.\"","This file contains print materials that document the 2020 Museum of Photographic Arts (MOPA) exhibition, \"Beyond the Frame: Aaron Siskind Photographs.\"","This file contains photographic materials that document the work of Aaron Siskind.","This series contains the correspondence, legal documents, and media of the Aaron Siskind Foundation. Materials within document the establishment of the foundation, its functions, and its dissolution.","This file contains print materials that document sales of Aaron Siskind's artwork.","This file contains print materials that document the creation of the Aaron Siskind Foundation through terms outlined in Siskind's will and in meetings with him.","This file contains print materials that document gifts made by the Aaron Siskind Foundation to artists and institutions.","This file contains print materials that document copyright assignments made by the Aaron Siskind Foundation and copyright requests made to the Foundation.","This file contains print materials that document the federal and state tax status of the Aaron Siskind Foundation.","This file contains print materials and CD's that document the Aaron Siskind Foundation's organization system for Siskind works in their care.","This file contains pricing reports for Siskind artworks.","This file contains the articles of incorporation and bylaws for the Aaron Siskind Foundation.","This file contains the mission statement of the Aaron Siskind Foundation.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","The collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020. Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020.","Virginia Museum of Fine Arts Archives","Aaron Siskind Foundation","Siskind, Aaron, 1903-1991","English \n.    "],"unitid_tesim":["SC-38","/repositories/2/resources/436"],"normalized_title_ssm":["Records of the Aaron Siskind Foundation (SC-38)"],"collection_title_tesim":["Records of the Aaron Siskind Foundation (SC-38)"],"collection_ssim":["Records of the Aaron Siskind Foundation (SC-38)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Aaron Siskind Foundation","Aaron Siskind Foundation"],"creator_ssim":["Aaron Siskind Foundation","Aaron Siskind Foundation"],"creator_corpname_ssim":["Aaron Siskind Foundation","Aaron Siskind Foundation"],"creators_ssim":["Aaron Siskind Foundation","Aaron Siskind Foundation"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Nonprofit organizations","Photography, Abstract"],"access_subjects_ssm":["Nonprofit organizations","Photography, Abstract"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 4 boxes; 16 folders"],"extent_tesim":["1.5 Linear Feet 4 boxes; 16 folders"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eAaron Siskind, 1920-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eAaron Siskind Foundation, 1983-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1 Aaron Siskind, 1920-2020 Series 2 Aaron Siskind Foundation, 1983-2019"],"bibliography_html_tesm":["\u003cp\u003eThe VMFA Library possesses a large collection of Aaron Siskind catalogs made searchable on \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=q5AbaJh7Tb/VMFA_LIB/X/60/502/X\"\u003ePandora\u003c/a\u003e. A sample of titles from this collection can be found below.\u003c/p\u003e","\u003cbibref\u003eAaron Siskind : mid-century modern First edition\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind : another photographic reality First edition.\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind and Louis Sullivan : the Institute of Design Photo Section Project 1st ed.\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind : order with the tensions continuing\u003c/bibref\u003e","\u003cbibref\u003eInterior drama : Aaron Siskind's photographs of the 1940s\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind 100 1st ed.\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind : the fragmentation of language\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind : toward a personal vision 1935-1955\u003c/bibref\u003e","\u003cbibref\u003eHarlem photographs, 1932-1940\u003c/bibref\u003e","\u003cbibref\u003eBucks County : photographs of early architecture\u003c/bibref\u003e","\u003cbibref\u003eExhibition file : Aaron Siskind and abstract photography of the 1950s and 60s : miscellaneous uncataloged material\u003c/bibref\u003e","\u003cbibref\u003eExhibition file : Photographs by Aaron Siskind : miscellaneous uncataloged material\u003c/bibref\u003e","\u003cbibref\u003eArtist file : miscellaneous uncataloged material\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Artist File"],"bibliography_tesim":["The VMFA Library possesses a large collection of Aaron Siskind catalogs made searchable on  Pandora . A sample of titles from this collection can be found below.","Aaron Siskind : mid-century modern First edition","Aaron Siskind : another photographic reality First edition.","Aaron Siskind","Aaron Siskind and Louis Sullivan : the Institute of Design Photo Section Project 1st ed.","Aaron Siskind : order with the tensions continuing","Interior drama : Aaron Siskind's photographs of the 1940s","Aaron Siskind 100 1st ed.","Aaron Siskind : the fragmentation of language","Aaron Siskind : toward a personal vision 1935-1955","Harlem photographs, 1932-1940","Bucks County : photographs of early architecture","Exhibition file : Aaron Siskind and abstract photography of the 1950s and 60s : miscellaneous uncataloged material","Exhibition file : Photographs by Aaron Siskind : miscellaneous uncataloged material","Artist file : miscellaneous uncataloged material"],"bioghist_html_tesm":["\u003cp\u003eAaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020. In addition, the Foundation worked to preserve and protect Siskind's artistic legacy, and fostered knowledge of and appreciation for his art through new books, exhibits, educational events and scholarly research.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329\"\u003eAaron Siskind Foundation collection\u003c/a\u003e by the Center for Creative Photography at The University of Arizona\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020. In addition, the Foundation worked to preserve and protect Siskind's artistic legacy, and fostered knowledge of and appreciation for his art through new books, exhibits, educational events and scholarly research.","Source:  Aaron Siskind Foundation collection  by the Center for Creative Photography at The University of Arizona"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Registration and Curatorial departments as materials were discovered from 2020-2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Registration and Curatorial departments as materials were discovered from 2020-2022."],"odd_html_tesm":["\u003cp\u003eThe Records of the Aaron Siskind Foundation (SC-38) represent part of the signifiant 2020 gift of over 8,000 photographs donated by the Foundation to VMFA. For further details on this gift, please refer to the museum's \u003ca href=\"https://vmfa.museum/pressroom/news/vmfa-receives-8000-photographs-aaron-siskind-foundation/\"\u003epress release\u003c/a\u003e.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The Records of the Aaron Siskind Foundation (SC-38) represent part of the signifiant 2020 gift of over 8,000 photographs donated by the Foundation to VMFA. For further details on this gift, please refer to the museum's  press release ."],"originalsloc_html_tesm":["\u003cp\u003eOriginals of photocopied print materials are located at the \u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329\"\u003eCenter for Creative Photography\u003c/a\u003e at the University of Arizona.\u003c/p\u003e","\u003cp\u003eOriginals of photocopied print materials are located at the \u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329\"\u003eCenter for Creative Photography at the University of Arizona\u003c/a\u003e.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["Originals of photocopied print materials are located at the  Center for Creative Photography  at the University of Arizona.","Originals of photocopied print materials are located at the  Center for Creative Photography at the University of Arizona ."],"prefercite_html_tesm":["\u003cp\u003eRecords of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eRecords of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eRecords of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eRecords of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Records of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.","Records of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.","Records of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.","Records of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal folder titles were retained when provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original folder titles were retained when provided."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329\"\u003eAaron Siskind Foundation collection\u003c/a\u003e at the Center for Creative Photography at The University of Arizona\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329?_gl=1*zhh2b*_ga*MjExODE1NTc0OC4xNjY4NzAwODU2*_ga_7PV3540XS3*MTY2ODcwMDg1Ni4xLjAuMTY2ODcwMDg1Ni42MC4wLjA.\"\u003eAaron Siskind archive\u003c/a\u003e at the Center for Creative Photography at The University of Arizona\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://www.aaa.si.edu/collections/aaron-siskind-papers-8470\"\u003eAaron Siskind papers, 1967-1977\u003c/a\u003e at the Smithsonian Archives of American Art\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://archives.lib.duke.edu/catalog/siskindaaron\"\u003eAaron Siskind photographs of Harlem, circa 1932-1941\u003c/a\u003e at the David M. Rubenstein Rare Book and Manuscript Library, Duke University\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://oac.cdlib.org/findaid/ark:/13030/c8n01dz9/\"\u003eGuide to the Aaron Siskind photographs M2582\u003c/a\u003e at the Online Archive of California\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Aaron Siskind Foundation collection  at the Center for Creative Photography at The University of Arizona","Aaron Siskind archive  at the Center for Creative Photography at The University of Arizona","Aaron Siskind papers, 1967-1977  at the Smithsonian Archives of American Art","Aaron Siskind photographs of Harlem, circa 1932-1941  at the David M. Rubenstein Rare Book and Manuscript Library, Duke University","Guide to the Aaron Siskind photographs M2582  at the Online Archive of California"],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020, and includes copies of Aaron Siskind's written works from the \u003ca href=\"https://ccp.arizona.edu/\"\u003eCenter for Creative Photography\u003c/a\u003e and several original photographs by Siskind. Works in the collection include information on the organization's founding, bylaws, and art management, among other topics of interest. The collection's inclusive dates are 1920 to 2020. This collection contains articles, contact sheets, contracts, correspondence, media, photographs, printed materials, and reports.\u003c/p\u003e","\u003cp\u003eThis series contains essays, printed material, and photographs documenting the life and art of Aaron Siskind. Additionally, the series contains photocopies of original print materials held by the \u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329\"\u003eCenter for Creative Photography\u003c/a\u003e at the University of Arizona.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document Siskind's life and career.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document Aaron Siskind's writings.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document the 2018 Fujifilm Square exhibition, \"Treasures of American Modern Photography: The Gilbert Collection.\"\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document the 2020 Museum of Photographic Arts (MOPA) exhibition, \"Beyond the Frame: Aaron Siskind Photographs.\"\u003c/p\u003e","\u003cp\u003eThis file contains photographic materials that document the work of Aaron Siskind.\u003c/p\u003e","\u003cp\u003eThis series contains the correspondence, legal documents, and media of the Aaron Siskind Foundation. Materials within document the establishment of the foundation, its functions, and its dissolution.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document sales of Aaron Siskind's artwork.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document the creation of the Aaron Siskind Foundation through terms outlined in Siskind's will and in meetings with him.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document gifts made by the Aaron Siskind Foundation to artists and institutions.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document copyright assignments made by the Aaron Siskind Foundation and copyright requests made to the Foundation.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document the federal and state tax status of the Aaron Siskind Foundation.\u003c/p\u003e","\u003cp\u003eThis file contains print materials and CD's that document the Aaron Siskind Foundation's organization system for Siskind works in their care.\u003c/p\u003e","\u003cp\u003eThis file contains pricing reports for Siskind artworks.\u003c/p\u003e","\u003cp\u003eThis file contains the articles of incorporation and bylaws for the Aaron Siskind Foundation.\u003c/p\u003e","\u003cp\u003eThis file contains the mission statement of the Aaron Siskind Foundation.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020, and includes copies of Aaron Siskind's written works from the  Center for Creative Photography  and several original photographs by Siskind. Works in the collection include information on the organization's founding, bylaws, and art management, among other topics of interest. The collection's inclusive dates are 1920 to 2020. This collection contains articles, contact sheets, contracts, correspondence, media, photographs, printed materials, and reports.","This series contains essays, printed material, and photographs documenting the life and art of Aaron Siskind. Additionally, the series contains photocopies of original print materials held by the  Center for Creative Photography  at the University of Arizona.","This file contains print materials that document Siskind's life and career.","This file contains print materials that document Aaron Siskind's writings.","This file contains print materials that document the 2018 Fujifilm Square exhibition, \"Treasures of American Modern Photography: The Gilbert Collection.\"","This file contains print materials that document the 2020 Museum of Photographic Arts (MOPA) exhibition, \"Beyond the Frame: Aaron Siskind Photographs.\"","This file contains photographic materials that document the work of Aaron Siskind.","This series contains the correspondence, legal documents, and media of the Aaron Siskind Foundation. Materials within document the establishment of the foundation, its functions, and its dissolution.","This file contains print materials that document sales of Aaron Siskind's artwork.","This file contains print materials that document the creation of the Aaron Siskind Foundation through terms outlined in Siskind's will and in meetings with him.","This file contains print materials that document gifts made by the Aaron Siskind Foundation to artists and institutions.","This file contains print materials that document copyright assignments made by the Aaron Siskind Foundation and copyright requests made to the Foundation.","This file contains print materials that document the federal and state tax status of the Aaron Siskind Foundation.","This file contains print materials and CD's that document the Aaron Siskind Foundation's organization system for Siskind works in their care.","This file contains pricing reports for Siskind artworks.","This file contains the articles of incorporation and bylaws for the Aaron Siskind Foundation.","This file contains the mission statement of the Aaron Siskind Foundation."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ad819fe67e8c4e98b4f28169b54e76c6\"\u003eThe collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020. Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020. Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020."],"names_coll_ssim":["Aaron Siskind Foundation","Aaron Siskind Foundation"],"names_ssim":["Virginia Museum of Fine Arts Archives","Aaron Siskind Foundation","Siskind, Aaron, 1903-1991"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Aaron Siskind Foundation"],"persname_ssim":["Siskind, Aaron, 1903-1991"],"language_ssim":["English \n.    "],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:16:36.759Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_436_c02_c01"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":15},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Brepository%5D%5B%5D=Alexandria+Library\u0026view=compact"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":884},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=compact"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation\u0026view=compact"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":146},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":35},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College\u0026view=compact"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":166},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026view=compact"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":38},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia\u0026view=compact"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":78},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Brepository%5D%5B%5D=Longwood+University\u0026view=compact"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":326},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026view=compact"}},{"attributes":{"label":"Randolph-Macon College","value":"Randolph-Macon College","hits":120},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Brepository%5D%5B%5D=Randolph-Macon+College\u0026view=compact"}},{"attributes":{"label":"The George Washington Presidential Library at Mount Vernon","value":"The George Washington Presidential Library at Mount Vernon","hits":34},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Brepository%5D%5B%5D=The+George+Washington+Presidential+Library+at+Mount+Vernon\u0026view=compact"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"1828 Catalogue Project digital image collection","value":"1828 Catalogue Project digital image collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1828+Catalogue+Project+digital+image+collection\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"1x1 Japan Exhibition Materials, 1965-2024","value":"1x1 Japan Exhibition Materials, 1965-2024","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1x1+Japan+Exhibition+Materials%2C+1965-2024\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"2016 Vice Presidential Debate Collection","value":"2016 Vice Presidential Debate Collection","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=2016+Vice+Presidential+Debate+Collection\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"50th Anniversary of African American Students in Residence Collection","value":"50th Anniversary of African American Students in Residence Collection","hits":19},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=50th+Anniversary+of+African+American+Students+in+Residence+Collection\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"A. E. Dick Howard papers","value":"A. E. Dick Howard papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+E.+Dick+Howard+papers\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"ALIVE (ALexandrians InVolved Ecumenically) Records (MS300)","value":"ALIVE (ALexandrians InVolved Ecumenically) Records (MS300)","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=ALIVE+%28ALexandrians+InVolved+Ecumenically%29+Records+%28MS300%29\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Academic Affairs: Academic Program Reviews","value":"Academic Affairs: Academic Program Reviews","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Academic+Affairs%3A+Academic+Program+Reviews\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Academic Departments  - Record Group 9","value":"Academic Departments  - Record Group 9","hits":24},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Academic+Departments++-+Record+Group+9\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Admissions Office student recruitment materials","value":"Admissions Office student recruitment materials","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Admissions+Office+student+recruitment+materials\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Albemarle Garden Club Records-Periwinkle Garden (addition 12)","value":"Albemarle Garden Club Records-Periwinkle Garden (addition 12)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Albemarle+Garden+Club+Records-Periwinkle+Garden+%28addition+12%29\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Alejandro Rodríguez Fornés (Alucho) collection","value":"Alejandro Rodríguez Fornés (Alucho) collection","hits":16},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alejandro+Rodr%C3%ADguez+Forn%C3%A9s+%28Alucho%29+collection\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/collection_ssim.json?f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"0","value":"0","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bdate_range%5D%5B%5D=0\u0026view=compact"}},{"attributes":{"label":"1500","value":"1500","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bdate_range%5D%5B%5D=1500\u0026view=compact"}},{"attributes":{"label":"1501","value":"1501","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bdate_range%5D%5B%5D=1501\u0026view=compact"}},{"attributes":{"label":"1502","value":"1502","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bdate_range%5D%5B%5D=1502\u0026view=compact"}},{"attributes":{"label":"1503","value":"1503","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bdate_range%5D%5B%5D=1503\u0026view=compact"}},{"attributes":{"label":"1504","value":"1504","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bdate_range%5D%5B%5D=1504\u0026view=compact"}},{"attributes":{"label":"1505","value":"1505","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bdate_range%5D%5B%5D=1505\u0026view=compact"}},{"attributes":{"label":"1506","value":"1506","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bdate_range%5D%5B%5D=1506\u0026view=compact"}},{"attributes":{"label":"1507","value":"1507","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bdate_range%5D%5B%5D=1507\u0026view=compact"}},{"attributes":{"label":"1508","value":"1508","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bdate_range%5D%5B%5D=1508\u0026view=compact"}},{"attributes":{"label":"1509","value":"1509","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bdate_range%5D%5B%5D=1509\u0026view=compact"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/date_range_isim.json?f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Aaron Siskind Foundation","value":"Aaron Siskind Foundation","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Aaron+Siskind+Foundation\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Abate, Kathy","value":"Abate, Kathy","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Abate%2C+Kathy\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Albemarle Garden Club (Charlottesville, Va.)","value":"Albemarle Garden Club (Charlottesville, Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Albemarle+Garden+Club+%28Charlottesville%2C+Va.%29\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Alexander, Anna Beard","value":"Alexander, Anna Beard","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alexander%2C+Anna+Beard\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Alexandria Library (Alexandria, Va.). Board","value":"Alexandria Library (Alexandria, Va.). Board","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alexandria+Library+%28Alexandria%2C+Va.%29.+Board\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Allegra, Indira","value":"Allegra, Indira","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Allegra%2C+Indira\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Allen, John C.","value":"Allen, John C.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Allen%2C+John+C.\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Alleyne, Lauren K.","value":"Alleyne, Lauren K.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alleyne%2C+Lauren+K.\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Allison, Margaret Appleton","value":"Allison, Margaret Appleton","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Allison%2C+Margaret+Appleton\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Alpha Kappa Alpha Sorority, Inc. . Nu Chi Chapter","value":"Alpha Kappa Alpha Sorority, Inc. . Nu Chi Chapter","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alpha+Kappa+Alpha+Sorority%2C+Inc.+.+Nu+Chi+Chapter\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Alpha Sigma Alpha Sorority","value":"Alpha Sigma Alpha Sorority","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alpha+Sigma+Alpha+Sorority\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/creator_ssim.json?f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":" Los Angeles Times (Firm)","value":" Los Angeles Times (Firm)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bnames%5D%5B%5D=+Los+Angeles+Times+%28Firm%29\u0026view=compact"}},{"attributes":{"label":".38 Special (Musical group)","value":".38 Special (Musical group)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bnames%5D%5B%5D=.38+Special+%28Musical+group%29\u0026view=compact"}},{"attributes":{"label":"10,000 Maniacs (Musical group)","value":"10,000 Maniacs (Musical group)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bnames%5D%5B%5D=10%2C000+Maniacs+%28Musical+group%29\u0026view=compact"}},{"attributes":{"label":"A. C. Bhaktivedanta Swami Prabhupada, 1896-1977","value":"A. C. Bhaktivedanta Swami Prabhupada, 1896-1977","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bnames%5D%5B%5D=A.+C.+Bhaktivedanta+Swami+Prabhupada%2C+1896-1977\u0026view=compact"}},{"attributes":{"label":"A.G. Lichtenstein and Associates ","value":"A.G. Lichtenstein and Associates ","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bnames%5D%5B%5D=A.G.+Lichtenstein+and+Associates+\u0026view=compact"}},{"attributes":{"label":"Aaron Siskind Foundation","value":"Aaron Siskind Foundation","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bnames%5D%5B%5D=Aaron+Siskind+Foundation\u0026view=compact"}},{"attributes":{"label":"Abate, Kathy","value":"Abate, Kathy","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bnames%5D%5B%5D=Abate%2C+Kathy\u0026view=compact"}},{"attributes":{"label":"Abbado, Claudio (1933-06-26-2014-01-20)","value":"Abbado, Claudio (1933-06-26-2014-01-20)","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bnames%5D%5B%5D=Abbado%2C+Claudio+%281933-06-26-2014-01-20%29\u0026view=compact"}},{"attributes":{"label":"Abbado, Roberto","value":"Abbado, Roberto","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bnames%5D%5B%5D=Abbado%2C+Roberto\u0026view=compact"}},{"attributes":{"label":"Abdrazakov, Ilʹdar, 1976-","value":"Abdrazakov, Ilʹdar, 1976-","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bnames%5D%5B%5D=Abdrazakov%2C+Il%CA%B9dar%2C+1976-\u0026view=compact"}},{"attributes":{"label":"Abduraimov, Behzod (1990-09-11)","value":"Abduraimov, Behzod (1990-09-11)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bnames%5D%5B%5D=Abduraimov%2C+Behzod+%281990-09-11%29\u0026view=compact"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/names_ssim.json?f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"African Americans--History.","value":"African Americans--History.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bplaces%5D%5B%5D=African+Americans--History.\u0026view=compact"}},{"attributes":{"label":"Aguaruna indigenous group","value":"Aguaruna indigenous group","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bplaces%5D%5B%5D=Aguaruna+indigenous+group\u0026view=compact"}},{"attributes":{"label":"Alexandria (Va.)","value":"Alexandria (Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bplaces%5D%5B%5D=Alexandria+%28Va.%29\u0026view=compact"}},{"attributes":{"label":"Alexandria (Va.) -- Buildings, structures, etc.","value":"Alexandria (Va.) -- Buildings, structures, etc.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bplaces%5D%5B%5D=Alexandria+%28Va.%29+--+Buildings%2C+structures%2C+etc.\u0026view=compact"}},{"attributes":{"label":"Alexandria (Va.) -- Genealogy.","value":"Alexandria (Va.) -- Genealogy.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bplaces%5D%5B%5D=Alexandria+%28Va.%29+--+Genealogy.\u0026view=compact"}},{"attributes":{"label":"Alexandria (Va.) -- History","value":"Alexandria (Va.) -- History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bplaces%5D%5B%5D=Alexandria+%28Va.%29+--+History\u0026view=compact"}},{"attributes":{"label":"Anderson, Taylor (1986-2011) -- Ishinomaki, Japan -- 2011 Great East Japan Earthquake -- 2011 Tōhoku earthquake and tsunami","value":"Anderson, Taylor (1986-2011) -- Ishinomaki, Japan -- 2011 Great East Japan Earthquake -- 2011 Tōhoku earthquake and tsunami","hits":7},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bplaces%5D%5B%5D=Anderson%2C+Taylor+%281986-2011%29+--+Ishinomaki%2C+Japan+--+2011+Great+East+Japan+Earthquake+--+2011+T%C5%8Dhoku+earthquake+and+tsunami\u0026view=compact"}},{"attributes":{"label":"Appalachian Mountains","value":"Appalachian Mountains","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bplaces%5D%5B%5D=Appalachian+Mountains\u0026view=compact"}},{"attributes":{"label":"Appalachian Region -- History","value":"Appalachian Region -- History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bplaces%5D%5B%5D=Appalachian+Region+--+History\u0026view=compact"}},{"attributes":{"label":"Appalachian Trail","value":"Appalachian Trail","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bplaces%5D%5B%5D=Appalachian+Trail\u0026view=compact"}},{"attributes":{"label":"Arizona--Description and travel","value":"Arizona--Description and travel","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Bplaces%5D%5B%5D=Arizona--Description+and+travel\u0026view=compact"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"4-H clubs -- West Virginia","value":"4-H clubs -- West Virginia","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=4-H+clubs+--+West+Virginia\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Abused children -- Services for -- Virginia -- Periodicals","value":"Abused children -- Services for -- Virginia -- Periodicals","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Abused+children+--+Services+for+--+Virginia+--+Periodicals\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Academies (Private schools)","value":"Academies (Private schools)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Academies+%28Private+schools%29\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Account books","value":"Account books","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Account+books\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Activism","value":"Activism","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Activism\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Actors -- United States -- Biography","value":"Actors -- United States -- Biography","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Actors+--+United+States+--+Biography\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Actors -- United States -- Correspondence","value":"Actors -- United States -- Correspondence","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Actors+--+United+States+--+Correspondence\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Actors -- United States -- Interviews","value":"Actors -- United States -- Interviews","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Actors+--+United+States+--+Interviews\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Administrative records","value":"Administrative records","hits":7},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Administrative+records\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Administrative reports","value":"Administrative reports","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Administrative+reports\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"attributes":{"label":"Adult education -- Societies, etc. -- Virginia","value":"Adult education -- Societies, etc. -- Virginia","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Adult+education+--+Societies%2C+etc.+--+Virginia\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Box","value":"Box","hits":59},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=Box\u0026view=compact"}},{"attributes":{"label":"Collection","value":"Collection","hits":572},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=compact"}},{"attributes":{"label":"Digital files","value":"Digital files","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=Digital+files\u0026view=compact"}},{"attributes":{"label":"File","value":"File","hits":1971},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Folder","value":"Folder","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=Folder\u0026view=compact"}},{"attributes":{"label":"Item","value":"Item","hits":550},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=Item\u0026view=compact"}},{"attributes":{"label":"Partial box","value":"Partial box","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=Partial+box\u0026view=compact"}},{"attributes":{"label":"Poster","value":"Poster","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=Poster\u0026view=compact"}},{"attributes":{"label":"Record Group","value":"Record Group","hits":9},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=Record+Group\u0026view=compact"}},{"attributes":{"label":"Record group","value":"Record group","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=Record+group\u0026view=compact"}},{"attributes":{"label":"Series","value":"Series","hits":437},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/level_ssim.json?f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"type":"facet","id":"access","attributes":{"label":"Access","items":[{"attributes":{"label":"Online access","value":"online","hits":76},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access.json?f%5Bdate_range%5D%5B%5D=2017\u0026view=compact"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=23\u0026search_field=all_fields\u0026view=compact"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=23\u0026search_field=keyword\u0026view=compact"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=23\u0026search_field=name\u0026view=compact"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=23\u0026search_field=place\u0026view=compact"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=23\u0026search_field=subject\u0026view=compact"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=23\u0026search_field=title\u0026view=compact"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=23\u0026search_field=container\u0026view=compact"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=23\u0026search_field=identifier\u0026view=compact"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=23\u0026sort=score+desc%2C+title_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=23\u0026sort=date_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=23\u0026sort=date_sort+desc\u0026view=compact"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=23\u0026sort=creator_sort+asc\u0026view=compact"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=23\u0026sort=creator_sort+desc\u0026view=compact"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=23\u0026sort=title_sort+asc\u0026view=compact"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026page=23\u0026sort=title_sort+desc\u0026view=compact"}}]}