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A Special Collections Research Center staff member must review the collection for restricted material before any researchers may use the collection. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which William \u0026 Mary assumes no responsibility.","The Office of the President W. Taylor Reveley III records includes four series: Series I. Correspondence, Series II. Subject Files, Series III.Artifacts and oversize materials and Series IV.Restricted materials.","W. Taylor Reveley, III (Walter Taylor Reveley, III) was the twenty-seventh president of William \u0026 Mary from 2008-2018. He served as the interim president of William \u0026 Mary after the resignation of President Gene R. Nichol on February 12, 2008, and was appointed President by the Board of Visitors on September 5, 2008. Reveley was the first interim president since Benjamin S. Ewell to be named President of William \u0026 Mary. From 1998 to 2008, Reveley served as dean of William \u0026 Mary's Marshall–Wythe School of Law and was the John Stewart Bryan Professor of Jurisprudence at the Law School.","Reveley received his A.B. in politics from Princeton University's Woodrow Wilson School of Public and International Affairs in 1965. Afterward, he attended law school at the University of Virginia, receiving his Juris Doctorate (JD) in 1968, and clerked for Justice William J. Brennan, Jr. in 1969. He has  studied and written about the constitutional division of the war powers between the President and Congress of the United States. Reveley is the author of War Powers of the President and Congress: Who Holds the Arrows and Olive Branch? (University of Virginia Press, 1981).","Before joining William \u0026 Mary, Reveley practiced law for many years at Hunton \u0026 Williams, specializing in energy matters, specifically involving commercial nuclear power. He was the managing partner of the firm for nine years. Reveley has also spent a significant amount of time on non-profit organizations, serving on many education and cultural boards, including Princeton University, the Union Theological Seminary in Virginia, St. Christopher's School, Andrew W. Mellon Foundation, JSTOR, the Carnegie Endowment for International Peace, Virginia Museum of Fine Arts, Virginia Historical Society, Virginia Foundation for the Humanities, Richmond Symphony, and the Presbyterian Church (USA) Foundation.","The Office of the President W. Taylor Reveley, III records will be updated to reflect new descriptions and acquisitions to the collection. Please consult William \u0026 Mary Special Collections Research Center (SCRC) staff at spcoll@wm.edu for further details.","Office of the President Gene R. Nichol (UA 2.20).","The Office of the President W. Taylor Reveley III records includes e-mail correspondence, letters, cards, subject files, speeches and other papers from the administration of William \u0026 Mary's twenty-seventh president, W. Taylor Reveley, III.","The correspondence series primarily contains e-mails to and from W. Taylor Reveley and multiple parties discussing matters relating to the administrative activities at William \u0026 Mary.","Subject files consists of speech drafts, letters, printed materials, emails and photographs documenting specific William \u0026 Mary related events, and administrative issues. The series is arranged alphabetically. The series is arranged chronologically by date.","Contains papers related to Black Lives Matter and the Charlottesville Unite the Right rally","Contains papers related to Black Lives Matter and the Charlottesville Unite the Right rally","Contains papers related to Black Lives Matter and the Charlottesville Unite the Right rally","Papers related to William \u0026 Mary gardens","File contains remarks and notes made by W. Taylor Reveley III","File contains remarks and notes made by W. Taylor Reveley III","File contains remarks and notes made by W. Taylor Reveley III","Includes programs, fliers, emails, and brochures documening various events attended by W. 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For further information please consult SCRC staff."],"access_subjects_ssim":["College of William and Mary--Presidents","College presidents--Virginia","College presidents","Charter Day","College of William and Mary--Commencement","College of William and Mary--History--21st century","College of William and Mary--University Development","Correspondence","Publications","Reports"],"access_subjects_ssm":["College of William and Mary--Presidents","College presidents--Virginia","College presidents","Charter Day","College of William and Mary--Commencement","College of William and Mary--History--21st century","College of William and Mary--University Development","Correspondence","Publications","Reports"],"has_online_content_ssim":["false"],"extent_ssm":["42.58 Linear Feet 100 Hollinger boxes. Includes 1 oversize box."],"extent_tesim":["42.58 Linear Feet 100 Hollinger boxes. Includes 1 oversize box."],"genreform_ssim":["Correspondence","Publications","Reports"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection contains material which may be restricted related to personnel matters, student records, or other reasons. A Special Collections Research Center staff member must review the collection for restricted material before any researchers may use the collection. Consult a staff member for assistance. 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From 1998 to 2008, Reveley served as dean of William \u0026amp; Mary's Marshall–Wythe School of Law and was the John Stewart Bryan Professor of Jurisprudence at the Law School.\u003c/p\u003e\n","\u003cp\u003eReveley received his A.B. in politics from Princeton University's Woodrow Wilson School of Public and International Affairs in 1965. Afterward, he attended law school at the University of Virginia, receiving his Juris Doctorate (JD) in 1968, and clerked for Justice William J. Brennan, Jr. in 1969. He has  studied and written about the constitutional division of the war powers between the President and Congress of the United States. Reveley is the author of War Powers of the President and Congress: Who Holds the Arrows and Olive Branch? (University of Virginia Press, 1981).\u003c/p\u003e\n","\u003cp\u003eBefore joining William \u0026amp; Mary, Reveley practiced law for many years at Hunton \u0026amp; Williams, specializing in energy matters, specifically involving commercial nuclear power. He was the managing partner of the firm for nine years. Reveley has also spent a significant amount of time on non-profit organizations, serving on many education and cultural boards, including Princeton University, the Union Theological Seminary in Virginia, St. Christopher's School, Andrew W. Mellon Foundation, JSTOR, the Carnegie Endowment for International Peace, Virginia Museum of Fine Arts, Virginia Historical Society, Virginia Foundation for the Humanities, Richmond Symphony, and the Presbyterian Church (USA) Foundation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["W. Taylor Reveley, III (Walter Taylor Reveley, III) was the twenty-seventh president of William \u0026 Mary from 2008-2018. He served as the interim president of William \u0026 Mary after the resignation of President Gene R. Nichol on February 12, 2008, and was appointed President by the Board of Visitors on September 5, 2008. Reveley was the first interim president since Benjamin S. Ewell to be named President of William \u0026 Mary. From 1998 to 2008, Reveley served as dean of William \u0026 Mary's Marshall–Wythe School of Law and was the John Stewart Bryan Professor of Jurisprudence at the Law School.","Reveley received his A.B. in politics from Princeton University's Woodrow Wilson School of Public and International Affairs in 1965. Afterward, he attended law school at the University of Virginia, receiving his Juris Doctorate (JD) in 1968, and clerked for Justice William J. Brennan, Jr. in 1969. He has  studied and written about the constitutional division of the war powers between the President and Congress of the United States. Reveley is the author of War Powers of the President and Congress: Who Holds the Arrows and Olive Branch? (University of Virginia Press, 1981).","Before joining William \u0026 Mary, Reveley practiced law for many years at Hunton \u0026 Williams, specializing in energy matters, specifically involving commercial nuclear power. He was the managing partner of the firm for nine years. Reveley has also spent a significant amount of time on non-profit organizations, serving on many education and cultural boards, including Princeton University, the Union Theological Seminary in Virginia, St. Christopher's School, Andrew W. 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Taylor Reveley, III records will be updated to reflect new descriptions and acquisitions to the collection. Please consult William \u0026 Mary Special Collections Research Center (SCRC) staff at spcoll@wm.edu for further details."],"relatedmaterial_html_tesm":["\u003cp\u003eOffice of the President Gene R. Nichol (UA 2.20).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Office of the President Gene R. Nichol (UA 2.20)."],"scopecontent_html_tesm":["\u003cp\u003eThe Office of the President W. Taylor Reveley III records includes e-mail correspondence, letters, cards, subject files, speeches and other papers from the administration of William \u0026amp; Mary's twenty-seventh president, W. Taylor Reveley, III.\u003c/p\u003e","\u003cp\u003eThe correspondence series primarily contains e-mails to and from W. 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Taylor Reveley and multiple parties discussing matters relating to the administrative activities at William \u0026 Mary.","Subject files consists of speech drafts, letters, printed materials, emails and photographs documenting specific William \u0026 Mary related events, and administrative issues. The series is arranged alphabetically. The series is arranged chronologically by date.","Contains papers related to Black Lives Matter and the Charlottesville Unite the Right rally","Contains papers related to Black Lives Matter and the Charlottesville Unite the Right rally","Contains papers related to Black Lives Matter and the Charlottesville Unite the Right rally","Papers related to William \u0026 Mary gardens","File contains remarks and notes made by W. Taylor Reveley III","File contains remarks and notes made by W. Taylor Reveley III","File contains remarks and notes made by W. Taylor Reveley III","Includes programs, fliers, emails, and brochures documening various events attended by W. Taylor Reveley","Includes programs, fliers, emails, and brochures documening various events attended by W. Taylor Reveley","Includes programs, fliers, emails, and brochures documening various events attended by W. Taylor Reveley","Series includes ephemeral artifacts and papers belonging to W. Taylor Reveley III. Materials are arranged alphabetically.","Series contains confidential materials. Please see Special Collections and Research Center (SCRC) staff for further information."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026amp; Mary Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"names_coll_ssim":["College of William and Mary. Board of Visitors","College of William and Mary. College of Arts and Sciences","College of William and Mary. Office of the President"],"names_ssim":["Special Collections Research Center","Office of the President","College of William and Mary. 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It lists and provides links to articles, videos, and other media highlighting the work of the School's alumni. The links generally point to media produced by outlets outside of the University of Virginia, including newspapers, blogs, and television news networks.","Individuals using the archive can filter this resource by year. Whenever possible, archivists at the University of Virginia have tried to capture and preserve the media linked to Alumni in the News. However, many of these items could not be captured and preserved either because they were behind a paywall or they were no longer made available online by their hosts. "],"title_filing_ssi":"Alumni in the News","title_ssm":["Alumni in the News"],"title_tesim":["Alumni in the News"],"unitdate_inclusive_ssm":["2009-2022"],"normalized_date_ssm":["2009/2022"],"normalized_title_ssm":["Alumni in the News"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Digital media collection - University of Virginia School of Law"],"extent_ssm":["10.959077888 Gigabytes"],"extent_tesim":["10.959077888 Gigabytes"],"has_online_content_ssim":["true"],"child_component_count_isi":1,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"parent_access_restrict_tesm":["There are no restrictions on access to the materials in this series."],"parent_access_terms_tesm":["Because of the nature of this series, copyright status varies across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia."],"date_range_isim":[2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"acqinfo_ssim":["Staff members at the University of Virginia Law Library periodically capture the Alumni in the News collection from the Internet."],"scopecontent_html_tesm":["\u003cp\u003eThe University of Virginia School of Law maintains the \"Alumni in the News\" resource on its website. It lists and provides links to articles, videos, and other media highlighting the work of the School's alumni. 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"],"_nest_path_":"/components#0/components#0","timestamp":"2026-06-04T07:09:57.636Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_1492","ead_ssi":"viu_repositories_4_resources_1492","_root_":"viu_repositories_4_resources_1492","_nest_parent_":"viu_repositories_4_resources_1492","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_1492.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/188982","title_ssm":["Digital media collection - University of Virginia School of Law"],"title_tesim":["Digital media collection - University of Virginia School of Law"],"unitdate_ssm":["2001-2023"],"unitdate_inclusive_ssm":["2001-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.32.504","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/1492"],"text":["RG.32.504","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/1492","Digital media collection - University of Virginia School of Law","Law schools -- United States","University of Virginia. School of Law","The materials in this collection have no access restrictions.","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the recordings in this series.","The materials in this series initially existed as web pages linked to the School of Law website. Archivists strive to capture the School of Law's online resources and preserve them in a state close to how they would have appeared to users when they were live. However, to overcome technological limitations and to allow for sustainable preservation, archivists often made appraisal decisions that resulted in archived websites that function and look different from the originals. For example, when the School of Law media archive was too large to crawl and preserve as a single resource, archivists divided it into facets and crawled each part separately.","When using the web archives in this collection, researchers should know that these resources are not identical copies of the original websites. Instead, they are close representations shaped by the appraisal decisions of archivists.","Archivists at the University of Virginia Law Library divided the Online Video and Audio Archive into smaller annual collections of recordings, except from 2006 to 2009. They made these divisions to facilitate preservation and access.","This resource consists of digital media produced and curated by the University of Virginia School of Law's communications department. These include mp3 audio files and web archives of online news and media collections. Together, the materials in this collection document the wide-ranging work of the School of Law and provides evidence of how the School presents itself to the world.","This series consists of online media collections that the University of Virginia School of Law curated and disseminated online. They generally consist of news articles, videos, and sound recordings. These materials document the School of Law's wide-ranging work and provide evidence of how the School presents itself to the broader world.","The University of Virginia School of Law maintains the \"Alumni in the News\" resource on its website. It lists and provides links to articles, videos, and other media highlighting the work of the School's alumni. The links generally point to media produced by outlets outside of the University of Virginia, including newspapers, blogs, and television news networks.","Individuals using the archive can filter this resource by year. Whenever possible, archivists at the University of Virginia have tried to capture and preserve the media linked to Alumni in the News. However, many of these items could not be captured and preserved either because they were behind a paywall or they were no longer made available online by their hosts. ","The University of Virginia School of Law maintains the \"Faculty in the News\" resource on its website. It lists and provides links to articles, videos, and other media highlighting the work of the School's faculty. The links generally point to media produced by outlets outside of the University of Virginia, including newspapers, blogs, and television news networks.","The search and filter tools that were features in the original resource were not archived. Also, archivists did not capture and preserve the external media linked to this resource.","This item was created during a crawl of the University of Virginia School of Law's Faculty in the News archive. It contains links to articles and other content published online from 2001 to July 2023.","The University of Virginia School of Law maintains a public archive of news articles on its website that documents and promotes the School's work. It largely consists of stories authored by the School of Law's Communications and Media Relations department. They cover a wide range of topics including, but not limited to, faculty research, student life, major events, alumni/alumnae activities, accolades, curricular developments, and significant policy changes.","The School of Law's Communications and Media Relations department added features to the archive that facilitate research. Individuals using the archive can filter articles by either year or topic. This resource does not include sound recordings and videos that originally were linked to the news archive. Researchers can access copies of these materials in the School of Law's related Video and Audio Archive.","This item was created during a crawl of the University of Virginia School of Law Online News Archive. It contains news articles published online from 2006 to April 13, 2023.","The University of Virginia School of Law maintains a public archive of videos and audio recordings on its website that documents and promotes the School's work. The archive includes recordings of interviews, lectures, commencement celebrations, and significant events. Also, it links to podcast recordings and promotional videos created by staff and faculty affiliated with the School of Law.","The recordings in this archive were originally hosted on various online platforms, including YouTube and SoundCloud. However, researchers can access the recordings locally without using these platforms.","The School of Law's Communications and Media Relations Department added features to the archive that facilitate access and research. The department included brief descriptions of most of the recordings in the archive and sometimes provided copies of recording transcripts. The University of Virginia Law Library did not capture the topical filters in the original archive, and that feature does not work in the materials described here.","This series consists of audio files that the Law School's Communications department created and/or curated. The files contain recordings of lectures, panels, commemorations, and other events at the Law School dating from around 2005 to 2022. The School made these files available to the general public on its website.","Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this collection, copyright status might vary across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property that it owns in the name of The Rector and Visitors of the University of Virginia.","Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law","English"],"unitid_tesim":["RG.32.504","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/1492"],"normalized_title_ssm":["Digital media collection - University of Virginia School of Law"],"collection_title_tesim":["Digital media collection - University of Virginia School of Law"],"collection_ssim":["Digital media collection - University of Virginia School of Law"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["University of Virginia. School of Law"],"creator_ssim":["University of Virginia. School of Law"],"creator_corpname_ssim":["University of Virginia. School of Law"],"creators_ssim":["University of Virginia. School of Law"],"access_terms_ssm":["Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia."],"acqinfo_ssim":["The materials in this collection were transferred to the Arthur J. Morris Law Library at various times from different sources. More specific information about the immediate source of acquisition of items is recorded in other parts of this finding aid (e.g., series-level notes)."],"access_subjects_ssim":["Law schools -- United States","University of Virginia. School of Law"],"access_subjects_ssm":["Law schools -- United States","University of Virginia. School of Law"],"has_online_content_ssim":["true"],"extent_ssm":["402.822 Gigabytes"],"extent_tesim":["402.822 Gigabytes"],"date_range_isim":[2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe materials in this collection have no access restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the materials in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the recordings in this series.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The materials in this collection have no access restrictions.","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the recordings in this series."],"appraisal_html_tesm":["\u003cp\u003eThe materials in this series initially existed as web pages linked to the School of Law website. Archivists strive to capture the School of Law's online resources and preserve them in a state close to how they would have appeared to users when they were live. However, to overcome technological limitations and to allow for sustainable preservation, archivists often made appraisal decisions that resulted in archived websites that function and look different from the originals. For example, when the School of Law media archive was too large to crawl and preserve as a single resource, archivists divided it into facets and crawled each part separately.\u003c/p\u003e\n","\u003cp\u003eWhen using the web archives in this collection, researchers should know that these resources are not identical copies of the original websites. Instead, they are close representations shaped by the appraisal decisions of archivists.\u003c/p\u003e","\u003cp\u003eArchivists at the University of Virginia Law Library divided the Online Video and Audio Archive into smaller annual collections of recordings, except from 2006 to 2009. They made these divisions to facilitate preservation and access.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal","Appraisal"],"appraisal_tesim":["The materials in this series initially existed as web pages linked to the School of Law website. Archivists strive to capture the School of Law's online resources and preserve them in a state close to how they would have appeared to users when they were live. However, to overcome technological limitations and to allow for sustainable preservation, archivists often made appraisal decisions that resulted in archived websites that function and look different from the originals. For example, when the School of Law media archive was too large to crawl and preserve as a single resource, archivists divided it into facets and crawled each part separately.","When using the web archives in this collection, researchers should know that these resources are not identical copies of the original websites. Instead, they are close representations shaped by the appraisal decisions of archivists.","Archivists at the University of Virginia Law Library divided the Online Video and Audio Archive into smaller annual collections of recordings, except from 2006 to 2009. They made these divisions to facilitate preservation and access."],"scopecontent_html_tesm":["\u003cp\u003eThis resource consists of digital media produced and curated by the University of Virginia School of Law's communications department. These include mp3 audio files and web archives of online news and media collections. Together, the materials in this collection document the wide-ranging work of the School of Law and provides evidence of how the School presents itself to the world.\u003c/p\u003e","\u003cp\u003eThis series consists of online media collections that the University of Virginia School of Law curated and disseminated online. They generally consist of news articles, videos, and sound recordings. These materials document the School of Law's wide-ranging work and provide evidence of how the School presents itself to the broader world.\u003c/p\u003e","\u003cp\u003eThe University of Virginia School of Law maintains the \"Alumni in the News\" resource on its website. It lists and provides links to articles, videos, and other media highlighting the work of the School's alumni. The links generally point to media produced by outlets outside of the University of Virginia, including newspapers, blogs, and television news networks.\u003c/p\u003e\n","\u003cp\u003eIndividuals using the archive can filter this resource by year. Whenever possible, archivists at the University of Virginia have tried to capture and preserve the media linked to Alumni in the News. However, many of these items could not be captured and preserved either because they were behind a paywall or they were no longer made available online by their hosts. \u003c/p\u003e","\u003cp\u003eThe University of Virginia School of Law maintains the \"Faculty in the News\" resource on its website. It lists and provides links to articles, videos, and other media highlighting the work of the School's faculty. The links generally point to media produced by outlets outside of the University of Virginia, including newspapers, blogs, and television news networks.\u003c/p\u003e\n","\u003cp\u003eThe search and filter tools that were features in the original resource were not archived. Also, archivists did not capture and preserve the external media linked to this resource.\u003c/p\u003e","\u003cp\u003eThis item was created during a crawl of the University of Virginia School of Law's Faculty in the News archive. It contains links to articles and other content published online from 2001 to July 2023.\u003c/p\u003e","\u003cp\u003eThe University of Virginia School of Law maintains a public archive of news articles on its website that documents and promotes the School's work. It largely consists of stories authored by the School of Law's Communications and Media Relations department. They cover a wide range of topics including, but not limited to, faculty research, student life, major events, alumni/alumnae activities, accolades, curricular developments, and significant policy changes.\u003c/p\u003e\n","\u003cp\u003eThe School of Law's Communications and Media Relations department added features to the archive that facilitate research. Individuals using the archive can filter articles by either year or topic. This resource does not include sound recordings and videos that originally were linked to the news archive. Researchers can access copies of these materials in the School of Law's related Video and Audio Archive.\u003c/p\u003e","\u003cp\u003eThis item was created during a crawl of the University of Virginia School of Law Online News Archive. It contains news articles published online from 2006 to April 13, 2023.\u003c/p\u003e","\u003cp\u003eThe University of Virginia School of Law maintains a public archive of videos and audio recordings on its website that documents and promotes the School's work. The archive includes recordings of interviews, lectures, commencement celebrations, and significant events. Also, it links to podcast recordings and promotional videos created by staff and faculty affiliated with the School of Law.\u003c/p\u003e\n","\u003cp\u003eThe recordings in this archive were originally hosted on various online platforms, including YouTube and SoundCloud. However, researchers can access the recordings locally without using these platforms.\u003c/p\u003e\n","\u003cp\u003eThe School of Law's Communications and Media Relations Department added features to the archive that facilitate access and research. The department included brief descriptions of most of the recordings in the archive and sometimes provided copies of recording transcripts. The University of Virginia Law Library did not capture the topical filters in the original archive, and that feature does not work in the materials described here.\u003c/p\u003e","\u003cp\u003eThis series consists of audio files that the Law School's Communications department created and/or curated. The files contain recordings of lectures, panels, commemorations, and other events at the Law School dating from around 2005 to 2022. The School made these files available to the general public on its website.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This resource consists of digital media produced and curated by the University of Virginia School of Law's communications department. These include mp3 audio files and web archives of online news and media collections. Together, the materials in this collection document the wide-ranging work of the School of Law and provides evidence of how the School presents itself to the world.","This series consists of online media collections that the University of Virginia School of Law curated and disseminated online. They generally consist of news articles, videos, and sound recordings. These materials document the School of Law's wide-ranging work and provide evidence of how the School presents itself to the broader world.","The University of Virginia School of Law maintains the \"Alumni in the News\" resource on its website. It lists and provides links to articles, videos, and other media highlighting the work of the School's alumni. The links generally point to media produced by outlets outside of the University of Virginia, including newspapers, blogs, and television news networks.","Individuals using the archive can filter this resource by year. Whenever possible, archivists at the University of Virginia have tried to capture and preserve the media linked to Alumni in the News. However, many of these items could not be captured and preserved either because they were behind a paywall or they were no longer made available online by their hosts. ","The University of Virginia School of Law maintains the \"Faculty in the News\" resource on its website. It lists and provides links to articles, videos, and other media highlighting the work of the School's faculty. The links generally point to media produced by outlets outside of the University of Virginia, including newspapers, blogs, and television news networks.","The search and filter tools that were features in the original resource were not archived. Also, archivists did not capture and preserve the external media linked to this resource.","This item was created during a crawl of the University of Virginia School of Law's Faculty in the News archive. It contains links to articles and other content published online from 2001 to July 2023.","The University of Virginia School of Law maintains a public archive of news articles on its website that documents and promotes the School's work. It largely consists of stories authored by the School of Law's Communications and Media Relations department. They cover a wide range of topics including, but not limited to, faculty research, student life, major events, alumni/alumnae activities, accolades, curricular developments, and significant policy changes.","The School of Law's Communications and Media Relations department added features to the archive that facilitate research. Individuals using the archive can filter articles by either year or topic. This resource does not include sound recordings and videos that originally were linked to the news archive. Researchers can access copies of these materials in the School of Law's related Video and Audio Archive.","This item was created during a crawl of the University of Virginia School of Law Online News Archive. It contains news articles published online from 2006 to April 13, 2023.","The University of Virginia School of Law maintains a public archive of videos and audio recordings on its website that documents and promotes the School's work. The archive includes recordings of interviews, lectures, commencement celebrations, and significant events. Also, it links to podcast recordings and promotional videos created by staff and faculty affiliated with the School of Law.","The recordings in this archive were originally hosted on various online platforms, including YouTube and SoundCloud. However, researchers can access the recordings locally without using these platforms.","The School of Law's Communications and Media Relations Department added features to the archive that facilitate access and research. The department included brief descriptions of most of the recordings in the archive and sometimes provided copies of recording transcripts. The University of Virginia Law Library did not capture the topical filters in the original archive, and that feature does not work in the materials described here.","This series consists of audio files that the Law School's Communications department created and/or curated. The files contain recordings of lectures, panels, commemorations, and other events at the Law School dating from around 2005 to 2022. The School made these files available to the general public on its website."],"userestrict_html_tesm":["\u003cp\u003eBecause of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.\u003c/p\u003e","\u003cp\u003eBecause of the nature of this series, copyright status varies across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.\u003c/p\u003e","\u003cp\u003eBecause of the nature of this collection, copyright status might vary across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property that it owns in the name of The Rector and Visitors of the University of Virginia.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this collection, copyright status might vary across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property that it owns in the name of The Rector and Visitors of the University of Virginia."],"names_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":24,"online_item_count_is":18,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-04T07:09:57.636Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1492_c01_c01"}},{"id":"viw_repositories_2_resources_2347_c02_c15","type":"File","attributes":{"title":"Alumni lifelong ties","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2347_c02_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_2347_c02_c15","ref_ssm":["viw_repositories_2_resources_2347_c02_c15"],"id":"viw_repositories_2_resources_2347_c02_c15","ead_ssi":"viw_repositories_2_resources_2347","_root_":"viw_repositories_2_resources_2347","_nest_parent_":"viw_repositories_2_resources_2347_c02","parent_ssi":"viw_repositories_2_resources_2347_c02","parent_ssim":["viw_repositories_2_resources_2347","viw_repositories_2_resources_2347_c02"],"parent_ids_ssim":["viw_repositories_2_resources_2347","viw_repositories_2_resources_2347_c02"],"parent_unittitles_ssm":["Office of the President W. Taylor Reveley, III records","Series II. Subject files"],"parent_unittitles_tesim":["Office of the President W. Taylor Reveley, III records","Series II. Subject files"],"text":["Office of the President W. Taylor Reveley, III records","Series II. Subject files","Alumni lifelong ties","Box 53","folder 354"],"title_filing_ssi":"Alumni lifelong ties","title_ssm":["Alumni lifelong ties"],"title_tesim":["Alumni lifelong ties"],"unitdate_inclusive_ssm":["2009-2018"],"normalized_date_ssm":["2009/2018"],"normalized_title_ssm":["Alumni lifelong ties"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Office of the President W. Taylor Reveley, III records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":356,"parent_access_restrict_tesm":["This collection contains material which may be restricted related to personnel matters, student records, or other reasons. A Special Collections Research Center staff member must review the collection for restricted material before any researchers may use the collection. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which William \u0026 Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"date_range_isim":[2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"containers_ssim":["Box 53","folder 354"],"_nest_path_":"/components#1/components#14","timestamp":"2026-05-21T11:42:14.909Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_2347","ead_ssi":"viw_repositories_2_resources_2347","_root_":"viw_repositories_2_resources_2347","_nest_parent_":"viw_repositories_2_resources_2347","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2347.xml","title_filing_ssi":"Office of the President W. Taylor Reveley, III records","title_ssm":["Office of the President W. Taylor Reveley, III records"],"title_tesim":["Office of the President W. Taylor Reveley, III records"],"unitdate_ssm":["1966-2019"],"unitdate_inclusive_ssm":["1966-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 2.23","/repositories/2/resources/2347"],"text":["UA 2.23","/repositories/2/resources/2347","Office of the President W. Taylor Reveley, III records","College of William and Mary--Presidents","College presidents--Virginia","College presidents","Charter Day","College of William and Mary--Commencement","College of William and Mary--History--21st century","College of William and Mary--University Development","Correspondence","Publications","Reports","This collection contains material which may be restricted related to personnel matters, student records, or other reasons. A Special Collections Research Center staff member must review the collection for restricted material before any researchers may use the collection. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which William \u0026 Mary assumes no responsibility.","The Office of the President W. Taylor Reveley III records includes four series: Series I. Correspondence, Series II. Subject Files, Series III.Artifacts and oversize materials and Series IV.Restricted materials.","W. Taylor Reveley, III (Walter Taylor Reveley, III) was the twenty-seventh president of William \u0026 Mary from 2008-2018. He served as the interim president of William \u0026 Mary after the resignation of President Gene R. Nichol on February 12, 2008, and was appointed President by the Board of Visitors on September 5, 2008. Reveley was the first interim president since Benjamin S. Ewell to be named President of William \u0026 Mary. From 1998 to 2008, Reveley served as dean of William \u0026 Mary's Marshall–Wythe School of Law and was the John Stewart Bryan Professor of Jurisprudence at the Law School.","Reveley received his A.B. in politics from Princeton University's Woodrow Wilson School of Public and International Affairs in 1965. Afterward, he attended law school at the University of Virginia, receiving his Juris Doctorate (JD) in 1968, and clerked for Justice William J. Brennan, Jr. in 1969. He has  studied and written about the constitutional division of the war powers between the President and Congress of the United States. Reveley is the author of War Powers of the President and Congress: Who Holds the Arrows and Olive Branch? (University of Virginia Press, 1981).","Before joining William \u0026 Mary, Reveley practiced law for many years at Hunton \u0026 Williams, specializing in energy matters, specifically involving commercial nuclear power. He was the managing partner of the firm for nine years. Reveley has also spent a significant amount of time on non-profit organizations, serving on many education and cultural boards, including Princeton University, the Union Theological Seminary in Virginia, St. Christopher's School, Andrew W. Mellon Foundation, JSTOR, the Carnegie Endowment for International Peace, Virginia Museum of Fine Arts, Virginia Historical Society, Virginia Foundation for the Humanities, Richmond Symphony, and the Presbyterian Church (USA) Foundation.","The Office of the President W. Taylor Reveley, III records will be updated to reflect new descriptions and acquisitions to the collection. Please consult William \u0026 Mary Special Collections Research Center (SCRC) staff at spcoll@wm.edu for further details.","Office of the President Gene R. Nichol (UA 2.20).","The Office of the President W. Taylor Reveley III records includes e-mail correspondence, letters, cards, subject files, speeches and other papers from the administration of William \u0026 Mary's twenty-seventh president, W. Taylor Reveley, III.","The correspondence series primarily contains e-mails to and from W. Taylor Reveley and multiple parties discussing matters relating to the administrative activities at William \u0026 Mary.","Subject files consists of speech drafts, letters, printed materials, emails and photographs documenting specific William \u0026 Mary related events, and administrative issues. The series is arranged alphabetically. The series is arranged chronologically by date.","Contains papers related to Black Lives Matter and the Charlottesville Unite the Right rally","Contains papers related to Black Lives Matter and the Charlottesville Unite the Right rally","Contains papers related to Black Lives Matter and the Charlottesville Unite the Right rally","Papers related to William \u0026 Mary gardens","File contains remarks and notes made by W. Taylor Reveley III","File contains remarks and notes made by W. Taylor Reveley III","File contains remarks and notes made by W. Taylor Reveley III","Includes programs, fliers, emails, and brochures documening various events attended by W. Taylor Reveley","Includes programs, fliers, emails, and brochures documening various events attended by W. Taylor Reveley","Includes programs, fliers, emails, and brochures documening various events attended by W. Taylor Reveley","Series includes ephemeral artifacts and papers belonging to W. Taylor Reveley III. Materials are arranged alphabetically.","Series contains confidential materials. Please see Special Collections and Research Center (SCRC) staff for further information.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries.","Special Collections Research Center","Office of the President","College of William and Mary. Board of Visitors","College of William and Mary. College of Arts and Sciences","College of William and Mary. Office of the President","Reveley, W. Taylor, III","English"],"unitid_tesim":["UA 2.23","/repositories/2/resources/2347"],"normalized_title_ssm":["Office of the President W. Taylor Reveley, III records"],"collection_title_tesim":["Office of the President W. Taylor Reveley, III records"],"collection_ssim":["Office of the President W. Taylor Reveley, III records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Reveley, W. Taylor, III","Office of the President"],"creator_ssim":["Reveley, W. Taylor, III","Office of the President"],"creator_persname_ssim":["Reveley, W. Taylor, III"],"creator_corpname_ssim":["Office of the President"],"creators_ssim":["Reveley, W. Taylor, III","Office of the President"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"acqinfo_ssim":["Accession 2010.425-2015.052 was transferred to the Special Collections Research Center (SCRC) by the William \u0026 Mary Office of the President, Carla Costello through Facilities Management beginning on August 4, 2010. Accession 2020.007 was transferred to the SCRC by W. Taylor Reveley, III, President Emeritus and John Stewart Bryan Professor of Jurisprudence on January 17, 2020. For further information please consult SCRC staff."],"access_subjects_ssim":["College of William and Mary--Presidents","College presidents--Virginia","College presidents","Charter Day","College of William and Mary--Commencement","College of William and Mary--History--21st century","College of William and Mary--University Development","Correspondence","Publications","Reports"],"access_subjects_ssm":["College of William and Mary--Presidents","College presidents--Virginia","College presidents","Charter Day","College of William and Mary--Commencement","College of William and Mary--History--21st century","College of William and Mary--University Development","Correspondence","Publications","Reports"],"has_online_content_ssim":["false"],"extent_ssm":["42.58 Linear Feet 100 Hollinger boxes. Includes 1 oversize box."],"extent_tesim":["42.58 Linear Feet 100 Hollinger boxes. Includes 1 oversize box."],"genreform_ssim":["Correspondence","Publications","Reports"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection contains material which may be restricted related to personnel matters, student records, or other reasons. A Special Collections Research Center staff member must review the collection for restricted material before any researchers may use the collection. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which William \u0026amp; Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection contains material which may be restricted related to personnel matters, student records, or other reasons. A Special Collections Research Center staff member must review the collection for restricted material before any researchers may use the collection. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which William \u0026 Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe Office of the President W. Taylor Reveley III records includes four series: Series I. Correspondence, Series II. Subject Files, Series III.Artifacts and oversize materials and Series IV.Restricted materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Office of the President W. Taylor Reveley III records includes four series: Series I. Correspondence, Series II. Subject Files, Series III.Artifacts and oversize materials and Series IV.Restricted materials."],"bioghist_html_tesm":["\u003cp\u003eW. Taylor Reveley, III (Walter Taylor Reveley, III) was the twenty-seventh president of William \u0026amp; Mary from 2008-2018. He served as the interim president of William \u0026amp; Mary after the resignation of President Gene R. Nichol on February 12, 2008, and was appointed President by the Board of Visitors on September 5, 2008. Reveley was the first interim president since Benjamin S. Ewell to be named President of William \u0026amp; Mary. From 1998 to 2008, Reveley served as dean of William \u0026amp; Mary's Marshall–Wythe School of Law and was the John Stewart Bryan Professor of Jurisprudence at the Law School.\u003c/p\u003e\n","\u003cp\u003eReveley received his A.B. in politics from Princeton University's Woodrow Wilson School of Public and International Affairs in 1965. Afterward, he attended law school at the University of Virginia, receiving his Juris Doctorate (JD) in 1968, and clerked for Justice William J. Brennan, Jr. in 1969. He has  studied and written about the constitutional division of the war powers between the President and Congress of the United States. Reveley is the author of War Powers of the President and Congress: Who Holds the Arrows and Olive Branch? (University of Virginia Press, 1981).\u003c/p\u003e\n","\u003cp\u003eBefore joining William \u0026amp; Mary, Reveley practiced law for many years at Hunton \u0026amp; Williams, specializing in energy matters, specifically involving commercial nuclear power. He was the managing partner of the firm for nine years. Reveley has also spent a significant amount of time on non-profit organizations, serving on many education and cultural boards, including Princeton University, the Union Theological Seminary in Virginia, St. Christopher's School, Andrew W. Mellon Foundation, JSTOR, the Carnegie Endowment for International Peace, Virginia Museum of Fine Arts, Virginia Historical Society, Virginia Foundation for the Humanities, Richmond Symphony, and the Presbyterian Church (USA) Foundation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["W. Taylor Reveley, III (Walter Taylor Reveley, III) was the twenty-seventh president of William \u0026 Mary from 2008-2018. He served as the interim president of William \u0026 Mary after the resignation of President Gene R. Nichol on February 12, 2008, and was appointed President by the Board of Visitors on September 5, 2008. Reveley was the first interim president since Benjamin S. Ewell to be named President of William \u0026 Mary. From 1998 to 2008, Reveley served as dean of William \u0026 Mary's Marshall–Wythe School of Law and was the John Stewart Bryan Professor of Jurisprudence at the Law School.","Reveley received his A.B. in politics from Princeton University's Woodrow Wilson School of Public and International Affairs in 1965. Afterward, he attended law school at the University of Virginia, receiving his Juris Doctorate (JD) in 1968, and clerked for Justice William J. Brennan, Jr. in 1969. He has  studied and written about the constitutional division of the war powers between the President and Congress of the United States. Reveley is the author of War Powers of the President and Congress: Who Holds the Arrows and Olive Branch? (University of Virginia Press, 1981).","Before joining William \u0026 Mary, Reveley practiced law for many years at Hunton \u0026 Williams, specializing in energy matters, specifically involving commercial nuclear power. He was the managing partner of the firm for nine years. Reveley has also spent a significant amount of time on non-profit organizations, serving on many education and cultural boards, including Princeton University, the Union Theological Seminary in Virginia, St. Christopher's School, Andrew W. Mellon Foundation, JSTOR, the Carnegie Endowment for International Peace, Virginia Museum of Fine Arts, Virginia Historical Society, Virginia Foundation for the Humanities, Richmond Symphony, and the Presbyterian Church (USA) Foundation."],"prefercite_html_tesm":["\u003cp\u003eOffice of the President W. Taylor Reveley III records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Office of the President W. Taylor Reveley III records, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe Office of the President W. Taylor Reveley, III records will be updated to reflect new descriptions and acquisitions to the collection. Please consult William \u0026amp; Mary Special Collections Research Center (SCRC) staff at spcoll@wm.edu for further details.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Office of the President W. Taylor Reveley, III records will be updated to reflect new descriptions and acquisitions to the collection. Please consult William \u0026 Mary Special Collections Research Center (SCRC) staff at spcoll@wm.edu for further details."],"relatedmaterial_html_tesm":["\u003cp\u003eOffice of the President Gene R. Nichol (UA 2.20).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Office of the President Gene R. Nichol (UA 2.20)."],"scopecontent_html_tesm":["\u003cp\u003eThe Office of the President W. Taylor Reveley III records includes e-mail correspondence, letters, cards, subject files, speeches and other papers from the administration of William \u0026amp; Mary's twenty-seventh president, W. Taylor Reveley, III.\u003c/p\u003e","\u003cp\u003eThe correspondence series primarily contains e-mails to and from W. 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Please see Special Collections and Research Center (SCRC) staff for further information.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Office of the President W. Taylor Reveley III records includes e-mail correspondence, letters, cards, subject files, speeches and other papers from the administration of William \u0026 Mary's twenty-seventh president, W. Taylor Reveley, III.","The correspondence series primarily contains e-mails to and from W. Taylor Reveley and multiple parties discussing matters relating to the administrative activities at William \u0026 Mary.","Subject files consists of speech drafts, letters, printed materials, emails and photographs documenting specific William \u0026 Mary related events, and administrative issues. The series is arranged alphabetically. The series is arranged chronologically by date.","Contains papers related to Black Lives Matter and the Charlottesville Unite the Right rally","Contains papers related to Black Lives Matter and the Charlottesville Unite the Right rally","Contains papers related to Black Lives Matter and the Charlottesville Unite the Right rally","Papers related to William \u0026 Mary gardens","File contains remarks and notes made by W. Taylor Reveley III","File contains remarks and notes made by W. Taylor Reveley III","File contains remarks and notes made by W. Taylor Reveley III","Includes programs, fliers, emails, and brochures documening various events attended by W. Taylor Reveley","Includes programs, fliers, emails, and brochures documening various events attended by W. Taylor Reveley","Includes programs, fliers, emails, and brochures documening various events attended by W. Taylor Reveley","Series includes ephemeral artifacts and papers belonging to W. Taylor Reveley III. Materials are arranged alphabetically.","Series contains confidential materials. Please see Special Collections and Research Center (SCRC) staff for further information."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026amp; Mary Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"names_coll_ssim":["College of William and Mary. Board of Visitors","College of William and Mary. College of Arts and Sciences","College of William and Mary. Office of the President"],"names_ssim":["Special Collections Research Center","Office of the President","College of William and Mary. 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The collection was transferred to Special Collections in November of 2022."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Barbara McKnight Benham Papers, 1966-2021, SC 0338, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Barbara McKnight Benham Papers, 1966-2021, SC 0338, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Barbara McKnight Benham Papers, 1966-2021, comprise five folders of materials related to Madison College sorority life, campus events, and alumni associated events. 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The collection focuses primarily on McKnight's student experience as a member of the Alpha Sigma Tau sorority with correspondence, photographs, and invitations giving insight to campus life from 1966-1970. ","Alumni materials include email correspondence between the Alpha Sigma Tau class of 1970 updating the current whereabouts of each member. Included in the collection are correspondence with Barbara McKnight including application information, commencement planning, athletic banquets, and announcements for the class of 1970. Additionally, there are handmade pamphlets and invitations for Alpha Sigma Tau events and photographs from class day productions put on by the sorority."],"separatedmaterial_html_tesm":["\u003cp\u003eUniversity publications were separated and added to existing serials holdings.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["University publications were separated and added to existing serials holdings."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library.For more information, contact the Special Collections Library Reference Desk (library-special@jmu..\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library.For more information, contact the Special Collections Library Reference Desk (library-special@jmu.."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ba2aebeeb9d552c938db91bb0219e95c\"\u003eThe Barbara McKnight Benham Papers, 1966-2021, comprise materials related to Madison College sorority life, campus events, and alumni associated events. The collection focuses primarily on McKnight's student experience as a member of the Alpha Sigma Tau sorority with correspondence, photographs, and invitations giving insight to campus life from 1966-1970.\u003c/abstract\u003e"],"abstract_tesim":["The Barbara McKnight Benham Papers, 1966-2021, comprise materials related to Madison College sorority life, campus events, and alumni associated events. The collection focuses primarily on McKnight's student experience as a member of the Alpha Sigma Tau sorority with correspondence, photographs, and invitations giving insight to campus life from 1966-1970."],"names_coll_ssim":["James Madison University. Alumni Association","Madison College -- Students","Madison College -- History","James Madison University -- History"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Alumni Association","Madison College -- Students","Madison College -- History","James Madison University -- History","Benham, Barbara McKnight, 1948-2022"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Alumni Association","Madison College -- Students","Madison College -- History","James Madison University -- History"],"persname_ssim":["Benham, Barbara McKnight, 1948-2022"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:39.142Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_712_c05"}},{"id":"viblbv_repositories_2_resources_3429_c01_c15","type":"File","attributes":{"title":"Alumni Reunion, DC","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3429_c01_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3429_c01_c15","ref_ssm":["viblbv_repositories_2_resources_3429_c01_c15"],"id":"viblbv_repositories_2_resources_3429_c01_c15","ead_ssi":"viblbv_repositories_2_resources_3429","_root_":"viblbv_repositories_2_resources_3429","_nest_parent_":"viblbv_repositories_2_resources_3429_c01","parent_ssi":"viblbv_repositories_2_resources_3429_c01","parent_ssim":["viblbv_repositories_2_resources_3429","viblbv_repositories_2_resources_3429_c01"],"parent_ids_ssim":["viblbv_repositories_2_resources_3429","viblbv_repositories_2_resources_3429_c01"],"parent_unittitles_ssm":["Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson","Series I: Subject Files"],"parent_unittitles_tesim":["Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson","Series I: Subject Files"],"text":["Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson","Series I: Subject Files","Alumni Reunion, DC","box 1","folder 15"],"title_filing_ssi":"Alumni Reunion, DC","title_ssm":["Alumni Reunion, DC"],"title_tesim":["Alumni Reunion, DC"],"unitdate_other_ssim":["2017-05-13"],"normalized_date_ssm":["2017"],"normalized_title_ssm":["Alumni Reunion, DC"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":16,"parent_access_restrict_tesm":["The collection is open for research, except box 19, which is restricted."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[2017],"containers_ssim":["box 1","folder 15"],"_nest_path_":"/components#0/components#14","timestamp":"2026-06-10T07:13:01.249Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3429","ead_ssi":"viblbv_repositories_2_resources_3429","_root_":"viblbv_repositories_2_resources_3429","_nest_parent_":"viblbv_repositories_2_resources_3429","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3429.xml","title_filing_ssi":"Johnson, Cynda Ann, Records of the Office of the Dean of Virginia Tech Carilion School of Medicine","title_ssm":["Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson"],"title_tesim":["Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson"],"unitdate_ssm":["2008-2018"],"unitdate_inclusive_ssm":["2008-2018"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["RG.46.01.01","/repositories/2/resources/3429"],"text":["RG.46.01.01","/repositories/2/resources/3429","Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson","Faculty and staff","Medicine","University History","University Archives","The collection is open for research, except box 19, which is restricted.","This collection is organized by type into the following series:","Series I: Subject Files, which is arranged alphabetically Series II: Publications Series III: Plaques Series IV: Personal Items","Cynda Ann Johnson became the founding dean of the Virginia Tech Carilion School of Medicine (VTCSOM) in 2008. During her tenure, VTCSOM became the ninth accredited college at the university. All graduating classes earned 100% match rate to residency programs and exceeded the national mean score on Step 1 and Step 2 licensing exams. She also established the first Department of Interprofessionalism within U.S. medical schools.","Johnson earned her bachelor's from Stanford University, master's in business administration from the University of Kansas, and M.D. from the University of California, Los Angeles. She was professor and head of the Department of Family Medicine, professor in the Department of Community and Behavioral Medicine, and director of the Family Care Center at the University Iowa. She then served as dean of the Brody School of Medicine and Sr. Associate Vice Chancellor for Clinical and Translational Research  at East Carolina University, where she also led the development of the Center for Health Disparities Research.","Source:","Cynda Ann Johnson honored with emerita status, Virginia Tech News, April 22, 2019.","The guide to the Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the The Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson, RG 46/1/1 commenced in July 2019 and completed in August 2019.","The Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson contains office files from Cynda Ann Johnson, the founding dean of the Virginia Tech Carilion School of Medicine (VTCSOM). This collection includes four series, dating 2008 through 2018. ","Series I: Subject Files contain office information, travel information, and the School of Medicine's class information. The series also contains a flash drive, which is currently restricted.","Series II: Publications includes some reports and magazines published by Carilion as well as by local magazines, foundations, or other medical schools. ","Series III: Plaques includes an award to VTCSOM for program excellence for 2015-2016 and a proclamation from Carlion Clinic about International Clean Hands Week 2010. ","Series IV: Personal Items includes Johnson's personal papers, cards, and correspondence.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains office files from Cynda Ann Johnson, the founding dean of the Virginia Tech Carilion School of Medicine (VTCSOM). This collection includes office information, travel information, the School of Medicine's class information, reports and magazines, plaques, and personal papers, cards, and correspondence.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Johnson, Cynda Ann","The materials in the collection are in English."],"unitid_tesim":["RG.46.01.01","/repositories/2/resources/3429"],"normalized_title_ssm":["Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson"],"collection_title_tesim":["Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson"],"collection_ssim":["Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Johnson, Cynda Ann"],"creator_ssim":["Johnson, Cynda Ann"],"creator_persname_ssim":["Johnson, Cynda Ann"],"creators_ssim":["Johnson, Cynda Ann"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson, RG 46/1/1 was transferred to Special Collections and University Archives in 2019."],"access_subjects_ssim":["Faculty and staff","Medicine","University History","University Archives"],"access_subjects_ssm":["Faculty and staff","Medicine","University History","University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["24.3 Cubic Feet 19 boxes"],"extent_tesim":["24.3 Cubic Feet 19 boxes"],"date_range_isim":[2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research, except box 19, which is restricted.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research, except box 19, which is restricted."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized by type into the following series:\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eSeries I: Subject Files, which is arranged alphabetically\u003c/item\u003e\n\u003citem\u003eSeries II: Publications\u003c/item\u003e\n\u003citem\u003eSeries III: Plaques\u003c/item\u003e\n\u003citem\u003eSeries IV: Personal Items\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized by type into the following series:","Series I: Subject Files, which is arranged alphabetically Series II: Publications Series III: Plaques Series IV: Personal Items"],"bioghist_html_tesm":["\u003cp\u003eCynda Ann Johnson became the founding dean of the Virginia Tech Carilion School of Medicine (VTCSOM) in 2008. During her tenure, VTCSOM became the ninth accredited college at the university. All graduating classes earned 100% match rate to residency programs and exceeded the national mean score on Step 1 and Step 2 licensing exams. She also established the first Department of Interprofessionalism within U.S. medical schools.\u003c/p\u003e\n","\u003cp\u003eJohnson earned her bachelor's from Stanford University, master's in business administration from the University of Kansas, and M.D. from the University of California, Los Angeles. She was professor and head of the Department of Family Medicine, professor in the Department of Community and Behavioral Medicine, and director of the Family Care Center at the University Iowa. She then served as dean of the Brody School of Medicine and Sr. Associate Vice Chancellor for Clinical and Translational Research  at East Carolina University, where she also led the development of the Center for Health Disparities Research.\u003c/p\u003e\n","\u003cp\u003eSource:\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://vtnews.vt.edu/articles/2019/04/vtcsom-cyndajohnsonemerita.html\" target=\"_blank\"\u003eCynda Ann Johnson honored with emerita status, Virginia Tech News, April 22, 2019.\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Cynda Ann Johnson became the founding dean of the Virginia Tech Carilion School of Medicine (VTCSOM) in 2008. During her tenure, VTCSOM became the ninth accredited college at the university. All graduating classes earned 100% match rate to residency programs and exceeded the national mean score on Step 1 and Step 2 licensing exams. She also established the first Department of Interprofessionalism within U.S. medical schools.","Johnson earned her bachelor's from Stanford University, master's in business administration from the University of Kansas, and M.D. from the University of California, Los Angeles. She was professor and head of the Department of Family Medicine, professor in the Department of Community and Behavioral Medicine, and director of the Family Care Center at the University Iowa. She then served as dean of the Brody School of Medicine and Sr. Associate Vice Chancellor for Clinical and Translational Research  at East Carolina University, where she also led the development of the Center for Health Disparities Research.","Source:","Cynda Ann Johnson honored with emerita status, Virginia Tech News, April 22, 2019."],"odd_html_tesm":["\u003cp\u003eThe guide to the Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson, RG 46/1/1, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson, RG 46/1/1, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the The Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson, RG 46/1/1 commenced in July 2019 and completed in August 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the The Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson, RG 46/1/1 commenced in July 2019 and completed in August 2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson contains office files from Cynda Ann Johnson, the founding dean of the Virginia Tech Carilion School of Medicine (VTCSOM). This collection includes four series, dating 2008 through 2018. \u003c/p\u003e\n","\u003cp\u003eSeries I: Subject Files contain office information, travel information, and the School of Medicine's class information. The series also contains a flash drive, which is currently restricted.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publications includes some reports and magazines published by Carilion as well as by local magazines, foundations, or other medical schools. \u003c/p\u003e\n","\u003cp\u003eSeries III: Plaques includes an award to VTCSOM for program excellence for 2015-2016 and a proclamation from Carlion Clinic about International Clean Hands Week 2010. \u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Items includes Johnson's personal papers, cards, and correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson contains office files from Cynda Ann Johnson, the founding dean of the Virginia Tech Carilion School of Medicine (VTCSOM). This collection includes four series, dating 2008 through 2018. ","Series I: Subject Files contain office information, travel information, and the School of Medicine's class information. The series also contains a flash drive, which is currently restricted.","Series II: Publications includes some reports and magazines published by Carilion as well as by local magazines, foundations, or other medical schools. ","Series III: Plaques includes an award to VTCSOM for program excellence for 2015-2016 and a proclamation from Carlion Clinic about International Clean Hands Week 2010. ","Series IV: Personal Items includes Johnson's personal papers, cards, and correspondence."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d50cab7303d65d0bc8d125055cc932bd\" label=\"Abstract\"\u003eThis collection contains office files from Cynda Ann Johnson, the founding dean of the Virginia Tech Carilion School of Medicine (VTCSOM). This collection includes office information, travel information, the School of Medicine's class information, reports and magazines, plaques, and personal papers, cards, and correspondence.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains office files from Cynda Ann Johnson, the founding dean of the Virginia Tech Carilion School of Medicine (VTCSOM). This collection includes office information, travel information, the School of Medicine's class information, reports and magazines, plaques, and personal papers, cards, and correspondence."],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Johnson, Cynda Ann"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Johnson, Cynda Ann"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":857,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-10T07:13:01.249Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3429_c01_c15"}},{"id":"viasr_repositories_2_resources_1_c22_c01","type":"Item","attributes":{"title":"\"Alumnus Grateful for R-MC Education and Faculty\" Article.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viasr_repositories_2_resources_1_c22_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viasr_repositories_2_resources_1_c22_c01","ref_ssm":["viasr_repositories_2_resources_1_c22_c01"],"id":"viasr_repositories_2_resources_1_c22_c01","ead_ssi":"viasr_repositories_2_resources_1","_root_":"viasr_repositories_2_resources_1","_nest_parent_":"viasr_repositories_2_resources_1_c22","parent_ssi":"viasr_repositories_2_resources_1_c22","parent_ssim":["viasr_repositories_2_resources_1","viasr_repositories_2_resources_1_c22"],"parent_ids_ssim":["viasr_repositories_2_resources_1","viasr_repositories_2_resources_1_c22"],"parent_unittitles_ssm":["RMC Faculty, Staff, and Alumni Files","Alston, William Bradford II. Alumnus."],"parent_unittitles_tesim":["RMC Faculty, Staff, and Alumni Files","Alston, William Bradford II. Alumnus."],"text":["RMC Faculty, Staff, and Alumni Files","Alston, William Bradford II. Alumnus.","\"Alumnus Grateful for R-MC Education and Faculty\" Article.","William Bradford Alston II","R-MC Alumni"],"title_filing_ssi":"\"Alumnus Grateful for R-MC Education and Faculty\" Article.","title_ssm":["\"Alumnus Grateful for R-MC Education and Faculty\" Article."],"title_tesim":["\"Alumnus Grateful for R-MC Education and Faculty\" Article."],"unitdate_other_ssim":["2017-01-09"],"normalized_date_ssm":["2017"],"normalized_title_ssm":["\"Alumnus Grateful for R-MC Education and Faculty\" Article."],"component_level_isim":[2],"repository_ssim":["Randolph-Macon College"],"collection_ssim":["RMC Faculty, Staff, and Alumni Files"],"extent_ssm":["3 Sheets"],"extent_tesim":["3 Sheets"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":42,"parent_access_restrict_tesm":["Collection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections"],"date_range_isim":[2017],"access_subjects_ssim":["William Bradford Alston II","R-MC Alumni"],"access_subjects_ssm":["William Bradford Alston II","R-MC Alumni"],"_nest_path_":"/components#21/components#0","timestamp":"2026-05-24T23:33:02.115Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viasr_repositories_2_resources_1","ead_ssi":"viasr_repositories_2_resources_1","_root_":"viasr_repositories_2_resources_1","_nest_parent_":"viasr_repositories_2_resources_1","ead_source_url_ssi":"data/oai/RMC/repositories_2_resources_1.xml","title_filing_ssi":"RMC Faculty, Staff, and Alumni Files","title_ssm":["RMC Faculty, Staff, and Alumni Files"],"title_tesim":["RMC Faculty, Staff, and Alumni Files"],"unitdate_ssm":["1818-2024"],"unitdate_inclusive_ssm":["1818-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RMC.00013"],"text":["RMC.00013","RMC Faculty, Staff, and Alumni Files","Collection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections","From Spring 2013 Volume 85 Number 1","From Summer 2013 Volume 85 Number 2","From Volume 89 Number 2 - Inferred to be from Fall 2017 issue","Page 33/34 cut from perhaps an Alumni Magazine or a President's Report, no date","From Summer 2013 Volume 85 Number 2","Article copied from bound version of the 2012-2013: A Year In Review, page 16","From Fall 2017 Volume 89 Number 2 page 27","Perhaps from a President's Report, no date shown.  Page removed from bound copy, page 11/12","From Spring 2015 Volume 87 Number 1","Unclear what the source is, but pages 604-606","From Summer/Fall 2015 Volume 87 Number 2","Original from Fall 2017 Volume 89 Number 2, printed copy posted 2017-12-19","From the 2011-2012 Year in Review page 7","Some images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. ","For users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. ","Inquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu","Financial Aid Counselor beginning August 1980","First employed August of 1988 as a Visiting Assistant Professor","Was a Board of Trustees member from 1988-1992","Albertson was the recipient of the Barbara Sylvia Doggett Scholarship and the Linda Whitcomb Scholarship","Exact years of employment are unknown.  Was the recipient of the Isaac Newton Vaughan Professorship in History from 1908-1917","Some confusion on whether he completed his degree in 1861 or 1862, but conferral of the degree happened in 1862","Diploma does not have year, but is signed by Olin, implying Baird graduated between 1834-1836 when Olin was president","2 copies","2 copies","Original March letter dated 1942, response dated 1943. Unclear which date is accurate","20 photos total","First woman Trustee","2 copies","included in this folder are the original newspaper as well as a scanned paper copy of relevant portions of the original newspaper","Contextual information about W.B. Beauchamp provided by Judee Showalter was sourced from \"Sketches and Portraits of the Virginia Conference\" page 405.  The year is unknown.","Letters between Adams and Moreland discussing the possibility of meeting up for dinner as a result of Adams' job search to teach English at a college/university","Newspaper article clipping discussing Adams being the youngest person ever elected to Emporia City Council","Entire specialty publication newspaper issue is held in this file, article specific to Allen is on page 3.","Email correspondence regarding Linda Altman transitioning from full-time Human Resources Generalist to part-time Human Resource Specialist effective July 1, 2024 (2024-07-01)","Email notification sent to community members reporting on the passing of Professor Emeritus Rachel N. Anderson","A letter from Henry M. Carter Jr. to Armistead requesting Armistead to serve as an Alumni Area Agent for the Annual Loyalty Fund Committee","2 letters from Moreland to Sitterding-Carneal-Davis Company, Inc. and Messrs. Ruffin and Payne, Inc. with an included request for cost estimates on window and door furnishings","A note to a Mrs. Evans passed on from 'Carol' requesting Evans to return a call from a Mrs. Ward at the Washington Post, presumably regarding Bailey's obituary","one letter regarding Ball's illness, one related to his army status","Memo references attachments that don't appear to have been included/attached in Bane's file.","Letter from Judee Showalter to H. Gilmer Beauchamp thanking him for the donation of W.B. Beauchamp's certificate and providing some additional information about him","Half page lists \"W.B. Beauchamp, Virginia\" under the degree graduates for A.B. in the session of 1889-1890.  The other half of the page is a class photo for 1890, with Beauchamp labeled as #2 in the photograph.","Walter Hines Page, the grandson of Walter Hines Page the previous namesake of the library","Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College","English \n.    "],"unitid_tesim":["RMC.00013"],"normalized_title_ssm":["RMC Faculty, Staff, and Alumni Files"],"collection_title_tesim":["RMC Faculty, Staff, and Alumni Files"],"collection_ssim":["RMC Faculty, Staff, and Alumni Files"],"repository_ssm":["Randolph-Macon College"],"repository_ssim":["Randolph-Macon College"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet"],"extent_tesim":["15 Linear Feet"],"date_range_isim":[1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections"],"bioghist_html_tesm":["\u003cp\u003eFrom Spring 2013 Volume 85 Number 1\u003c/p\u003e","\u003cp\u003eFrom Summer 2013 Volume 85 Number 2\u003c/p\u003e","\u003cp\u003eFrom Volume 89 Number 2 - Inferred to be from Fall 2017 issue\u003c/p\u003e","\u003cp\u003ePage 33/34 cut from perhaps an Alumni Magazine or a President's Report, no date\u003c/p\u003e","\u003cp\u003eFrom Summer 2013 Volume 85 Number 2\u003c/p\u003e","\u003cp\u003eArticle copied from bound version of the 2012-2013: A Year In Review, page 16\u003c/p\u003e","\u003cp\u003eFrom Fall 2017 Volume 89 Number 2 page 27\u003c/p\u003e","\u003cp\u003ePerhaps from a President's Report, no date shown.  Page removed from bound copy, page 11/12\u003c/p\u003e","\u003cp\u003eFrom Spring 2015 Volume 87 Number 1\u003c/p\u003e","\u003cp\u003eUnclear what the source is, but pages 604-606\u003c/p\u003e","\u003cp\u003eFrom Summer/Fall 2015 Volume 87 Number 2\u003c/p\u003e","\u003cp\u003eOriginal from Fall 2017 Volume 89 Number 2, printed copy posted 2017-12-19\u003c/p\u003e","\u003cp\u003eFrom the 2011-2012 Year in Review page 7\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["From Spring 2013 Volume 85 Number 1","From Summer 2013 Volume 85 Number 2","From Volume 89 Number 2 - Inferred to be from Fall 2017 issue","Page 33/34 cut from perhaps an Alumni Magazine or a President's Report, no date","From Summer 2013 Volume 85 Number 2","Article copied from bound version of the 2012-2013: A Year In Review, page 16","From Fall 2017 Volume 89 Number 2 page 27","Perhaps from a President's Report, no date shown.  Page removed from bound copy, page 11/12","From Spring 2015 Volume 87 Number 1","Unclear what the source is, but pages 604-606","From Summer/Fall 2015 Volume 87 Number 2","Original from Fall 2017 Volume 89 Number 2, printed copy posted 2017-12-19","From the 2011-2012 Year in Review page 7"],"odd_html_tesm":["\u003cp\u003eSome images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. \u003c/p\u003e\n","\u003cp\u003eFor users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. \u003c/p\u003e","\u003cp\u003eInquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu\u003c/p\u003e","\u003cp\u003eFinancial Aid Counselor beginning August 1980\u003c/p\u003e","\u003cp\u003eFirst employed August of 1988 as a Visiting Assistant Professor\u003c/p\u003e","\u003cp\u003eWas a Board of Trustees member from 1988-1992\u003c/p\u003e","\u003cp\u003eAlbertson was the recipient of the Barbara Sylvia Doggett Scholarship and the Linda Whitcomb Scholarship\u003c/p\u003e","\u003cp\u003eExact years of employment are unknown.  Was the recipient of the Isaac Newton Vaughan Professorship in History from 1908-1917\u003c/p\u003e","\u003cp\u003eSome confusion on whether he completed his degree in 1861 or 1862, but conferral of the degree happened in 1862\u003c/p\u003e","\u003cp\u003eDiploma does not have year, but is signed by Olin, implying Baird graduated between 1834-1836 when Olin was president\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003eOriginal March letter dated 1942, response dated 1943. Unclear which date is accurate\u003c/p\u003e","\u003cp\u003e20 photos total\u003c/p\u003e","\u003cp\u003eFirst woman Trustee\u003c/p\u003e"],"odd_heading_ssm":["Content Disclaimer","Contact Information","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["Some images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. ","For users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. ","Inquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu","Financial Aid Counselor beginning August 1980","First employed August of 1988 as a Visiting Assistant Professor","Was a Board of Trustees member from 1988-1992","Albertson was the recipient of the Barbara Sylvia Doggett Scholarship and the Linda Whitcomb Scholarship","Exact years of employment are unknown.  Was the recipient of the Isaac Newton Vaughan Professorship in History from 1908-1917","Some confusion on whether he completed his degree in 1861 or 1862, but conferral of the degree happened in 1862","Diploma does not have year, but is signed by Olin, implying Baird graduated between 1834-1836 when Olin was president","2 copies","2 copies","Original March letter dated 1942, response dated 1943. Unclear which date is accurate","20 photos total","First woman Trustee"],"prefercite_html_tesm":["\u003cp\u003e[item identification] Collection Name, Flavia Reed Owen Special Collections and Archives, McGraw-Page Library, Randolph-Macon College, Ashland, VA\u003c/p\u003e"],"prefercite_tesim":["[item identification] Collection Name, Flavia Reed Owen Special Collections and Archives, McGraw-Page Library, Randolph-Macon College, Ashland, VA"],"processinfo_html_tesm":["\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003eincluded in this folder are the original newspaper as well as a scanned paper copy of relevant portions of the original newspaper\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["2 copies","included in this folder are the original newspaper as well as a scanned paper copy of relevant portions of the original newspaper"],"relatedmaterial_html_tesm":["\u003cp\u003eContextual information about W.B. Beauchamp provided by Judee Showalter was sourced from \"Sketches and Portraits of the Virginia Conference\" page 405.  The year is unknown.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Contextual information about W.B. Beauchamp provided by Judee Showalter was sourced from \"Sketches and Portraits of the Virginia Conference\" page 405.  The year is unknown."],"scopecontent_html_tesm":["\u003cp\u003eLetters between Adams and Moreland discussing the possibility of meeting up for dinner as a result of Adams' job search to teach English at a college/university\u003c/p\u003e","\u003cp\u003eNewspaper article clipping discussing Adams being the youngest person ever elected to Emporia City Council\u003c/p\u003e","\u003cp\u003eEntire specialty publication newspaper issue is held in this file, article specific to Allen is on page 3.\u003c/p\u003e","\u003cp\u003eEmail correspondence regarding Linda Altman transitioning from full-time Human Resources Generalist to part-time Human Resource Specialist effective July 1, 2024 (2024-07-01)\u003c/p\u003e","\u003cp\u003eEmail notification sent to community members reporting on the passing of Professor Emeritus Rachel N. Anderson\u003c/p\u003e","\u003cp\u003eA letter from Henry M. Carter Jr. to Armistead requesting Armistead to serve as an Alumni Area Agent for the Annual Loyalty Fund Committee\u003c/p\u003e","\u003cp\u003e2 letters from Moreland to Sitterding-Carneal-Davis Company, Inc. and Messrs. Ruffin and Payne, Inc. with an included request for cost estimates on window and door furnishings\u003c/p\u003e","\u003cp\u003eA note to a Mrs. Evans passed on from 'Carol' requesting Evans to return a call from a Mrs. Ward at the Washington Post, presumably regarding Bailey's obituary\u003c/p\u003e","\u003cp\u003eone letter regarding Ball's illness, one related to his army status\u003c/p\u003e","\u003cp\u003eMemo references attachments that don't appear to have been included/attached in Bane's file.\u003c/p\u003e","\u003cp\u003eLetter from Judee Showalter to H. Gilmer Beauchamp thanking him for the donation of W.B. Beauchamp's certificate and providing some additional information about him\u003c/p\u003e","\u003cp\u003eHalf page lists \"W.B. Beauchamp, Virginia\" under the degree graduates for A.B. in the session of 1889-1890.  The other half of the page is a class photo for 1890, with Beauchamp labeled as #2 in the photograph.\u003c/p\u003e","\u003cp\u003eWalter Hines Page, the grandson of Walter Hines Page the previous namesake of the library\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Letters between Adams and Moreland discussing the possibility of meeting up for dinner as a result of Adams' job search to teach English at a college/university","Newspaper article clipping discussing Adams being the youngest person ever elected to Emporia City Council","Entire specialty publication newspaper issue is held in this file, article specific to Allen is on page 3.","Email correspondence regarding Linda Altman transitioning from full-time Human Resources Generalist to part-time Human Resource Specialist effective July 1, 2024 (2024-07-01)","Email notification sent to community members reporting on the passing of Professor Emeritus Rachel N. Anderson","A letter from Henry M. Carter Jr. to Armistead requesting Armistead to serve as an Alumni Area Agent for the Annual Loyalty Fund Committee","2 letters from Moreland to Sitterding-Carneal-Davis Company, Inc. and Messrs. Ruffin and Payne, Inc. with an included request for cost estimates on window and door furnishings","A note to a Mrs. Evans passed on from 'Carol' requesting Evans to return a call from a Mrs. Ward at the Washington Post, presumably regarding Bailey's obituary","one letter regarding Ball's illness, one related to his army status","Memo references attachments that don't appear to have been included/attached in Bane's file.","Letter from Judee Showalter to H. Gilmer Beauchamp thanking him for the donation of W.B. Beauchamp's certificate and providing some additional information about him","Half page lists \"W.B. Beauchamp, Virginia\" under the degree graduates for A.B. in the session of 1889-1890.  The other half of the page is a class photo for 1890, with Beauchamp labeled as #2 in the photograph.","Walter Hines Page, the grandson of Walter Hines Page the previous namesake of the library"],"names_ssim":["Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College"],"corpname_ssim":["Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College"],"language_ssim":["English \n.    "],"total_component_count_is":2092,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:33:02.115Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viasr_repositories_2_resources_1_c22_c01"}},{"id":"viw_repositories_2_resources_1149_c03_c02","type":"Item","attributes":{"title":"A Mano Sin Permiso","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1149_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_1149_c03_c02","ref_ssm":["viw_repositories_2_resources_1149_c03_c02"],"id":"viw_repositories_2_resources_1149_c03_c02","ead_ssi":"viw_repositories_2_resources_1149","_root_":"viw_repositories_2_resources_1149","_nest_parent_":"viw_repositories_2_resources_1149_c03","parent_ssi":"viw_repositories_2_resources_1149_c03","parent_ssim":["viw_repositories_2_resources_1149","viw_repositories_2_resources_1149_c03"],"parent_ids_ssim":["viw_repositories_2_resources_1149","viw_repositories_2_resources_1149_c03"],"parent_unittitles_ssm":["Cuban Film Poster collection","Series 3: Accession 2025.038 Eduardo Marin posters"],"parent_unittitles_tesim":["Cuban Film Poster collection","Series 3: Accession 2025.038 Eduardo Marin posters"],"text":["Cuban Film Poster collection","Series 3: Accession 2025.038 Eduardo Marin posters","A Mano Sin Permiso","Oversize_Folder 13"],"title_filing_ssi":"A Mano Sin Permiso","title_ssm":["A Mano Sin Permiso"],"title_tesim":["A Mano Sin Permiso"],"unitdate_inclusive_ssm":["Circa 1982-2019"],"normalized_date_ssm":["1982/2019"],"normalized_title_ssm":["A Mano Sin Permiso"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Cuban Film Poster collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":86,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"containers_ssim":["Oversize_Folder 13"],"_nest_path_":"/components#2/components#1","timestamp":"2026-05-21T00:26:34.255Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1149","ead_ssi":"viw_repositories_2_resources_1149","_root_":"viw_repositories_2_resources_1149","_nest_parent_":"viw_repositories_2_resources_1149","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1149.xml","title_filing_ssi":"Cuban Film Poster collection","title_ssm":["Cuban Film Poster collection"],"title_tesim":["Cuban Film Poster collection"],"unitdate_ssm":["1962-2018"],"unitdate_inclusive_ssm":["1962-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00080","/repositories/2/resources/1149"],"text":["MS 00080","/repositories/2/resources/1149","Cuban Film Poster collection","Motion pictures--Cuba--History--20th century","Motion pictures--Cuba--History--21st century","Art, Cuban--21st century","Cuba--Description and travel","Cuba--History--20th century","Cuba--History--21st century","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Digital copies of the Cuban film posters can be accessed by clicking on the title of each poster shown under Collection Organization.","Posters are generally in excellent to good condition with only minor folds and one tear. \"Now!, 1965\" is fragile and may not be serviced due to flaking paint.","Accessioned and minimally processed by Benjamin Bromley in March 2011. Additional information and translations provided by students from Anne Marie Stock's class in April 2011. Acc. 2011.691 accessioned and minimally processed by Benjamin Bromley in December 2011. Acc. 2012.227 accessioned and minimally processed by Benjamin Bromley in June 2012.","Swem Library's Special Collections captured websites related to Cuban filmmakers, films, and related topics in May 2011 using the Archive-It web capture tool.","Information about related materials is available at https://archive-it.org/collections/7388bc1f-05f4-4753-8beb-ddb8e3352677","Posters, from 1962 to 2018, of feature films, documentaries, animated films, film events, and others that were produced in Cuba by Cuban artists. Posters were primarily created by using a silk screen process and were made for both Cuban and non-Cuban films.","The 10 postcards are part of the \"Coleccion de carteles de peliculas cubanas\" (Translation: Collection of posters of Cuban movies) from the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC). The postcards are film posters from the following films: Fresa y chocolate, 1993, Jau, 1987, La venganza de los haiducs, 1969, Por primera vez, 1968, El arte de tabaco, 1977, Clandestinos I, 1987, El chicuelo, 1970, Un ramo de flores y una bandera, 1981, La ultima cena, 1977, Pedro cero por ciento, 1982.","Artist: Nester Coll. Text: Muestra de filmes salvados por FIAF; cine la rampa del 15 al 30 de abril. Translation: Showing of films saved by FIAF (The International Federation of Film Archives); La Rampa Cinema; showings April 15th-30th Poster Year: 1990 General description: Charlie Chaplin in a prison uniform, nude back ground, small square of bars in left hand corner.","Artist: Pedro Luis Donéstevez. Text: Fresa y Chocolate; ICAIC, Director: Tomás Gutiérrez Alea, con: Jorge Perugorría, Vladimir Cruz Translation: Strawberry and Chocolate; Director: Tomás Gutiérrez Alea, with: Jorge Perugorría, Vladimir Cruz Director: Tomás Gutiérrez Alea Film: Fresa y Chocolate Film Year: 1993 Poster Year: 1999 General description: red and black ying/yang symbol with two blue outlined cups bordering them; yellow background.","Artist: Eduardo Muñoz Bachs. Text: XXV Aniversario Cine Movil ICAIC Translation: XXV Anniversary of the Mobile Cinema, ICAIC Poster Year: 1986 General description: Charlie Chaplin riding cardboard with one foot up and hands out as if steering a car; horn is by his left hand and he is wearing a suit with a bowler hat; colored yellow in the background.","Artist: Niko. Text: El Padrino, Coproducción italo-norteamericana, dirección: Francis Ford Coppola, con: Marlon Brando, Al Pacino, James Cann Translation: The Godfather, An Italian-North American Co-production, Directed by: Francis Ford Coppola, with: Marlon Brando, Al Pacino, James Cann Film: El padrino (The Godfather) Director: Francis Ford Coppola Film Year: 1972 Poster Year: 1974 General description: black and white coat of arms around an angle colored in holding AK 47s in both hands.","Artist: Nelson Ponce. Text: Larga Distancia; Una película de Esteban Insuasti con Zulema Clares, Alexis Dias de Villegas, Lyn Cruz, Tomas Cao; ICAIC/MINCULT/SINCOVER Translation: Long Distance; a movie by Esteban Insuasti with Zulema Clares, Alexis Dias de Villegas, Lyn Cruz, Tomas Cao; ICAIC/MINCULT/SINCOVER Film: Larga Distancia Film Year: 2010 Poster Year: 2010 General description: A girl colored in white (like the sign of a restroom) with a black airplane down her front; the background is pure black with the movie title stamped in red across her chest; signed by Insausti and Angélica Salvador Signature: \"Para todos los amigos que aman el cine, un abrazo, otro de su, siempre, Esteban\" and \"Gracias, Muchas gracias, Angélica Salvador\" Translation: \"To all of my friends who love cinema, a hug, and another, from, Esteban, always yours\" and \"Thank you, thank you so much, Angélica Salvador\".","Artist: Alfredo Rostgaard. Text: Hasta la victoria siempre; documental cubano; realizador: Santiago Alvarez Translation: Toward Victory, Always, Cuban documentary; Director: Santiago Alvarez Film: Hasta la victoria siempre Director: Santiago Alvarez Film Year: 1968 Poster Year: 1968 General description: Che Guevara; green face, pink hair and yellow background framed in thick black box.","Artist: Raul Martinez. Year: 1968 General description: there is no text present; Che with full beard frames the lower half of the poster and stars are coming out of his forehead to touch the earth drawn above him; the poster shows bright colors such as pinks, reds, blues and yellows.","Artist: Fabian. Text: 24 Encuentro el Universo Audiovisual de la Niñez Latinoamericana; 32 Festival del Nuevo cine latinoamericano, La Habana, 2 al 12 de diciembre 2010 Translation: 24th Latin American Children's Audiovisual Universe Conference; 32nd Festival of New Latin American Cinema, Havana, December 2-12, 2010. Poster Year: 2010. General description: Mario from the video game Mario-Cart climbs on top of blocks colored in bright colors; the two texts are framing his feet and he is holding a walking stick and wearing all black with a black bowler hat, dressed to look like Charlie Chaplin.","Artist: Raupa. Text: Titón: Más allá del cine; Exposición homenaje a Tomás Gutiérrez-Alea; ICAIC 2007, Museo Nacional de Bellas Artes; del 16 de noviembre al 14 de enero de 2008 Translation: Titón: Beyond the Cinema, An exposition in homage of: Tomas Gutierrez-Alea; ICAIC 2007, National Museum of Art, From the 16 of November to the 15 of January 2007 Poster Year: 2007 General Description: Tomás Gutiérrez-Alea's face appears multiple times along a strip in the middle of the posers; his body hangs down while slumping lazily in a white chair, the poser is done in a soft baby blue with black and yellow as a contrast.","Artist: Eduardo Muñoz Bachs. Text: Elpidio Valdes Contra La Policia de Nueva York, Dibujo animado cubano en colores, Dirección: Juan Padrón Translation: Elpidio Valdes Against the New York City Police, Cuban animation in color; Directed by Juan Padrón Film: Elpidio Valdes Against the New York City Police Director: Juan Padrón Film Year: 1976 Poster Year: 1995 General Description: Elpidio Valdes rides his horse, he has a sword in his hand and is fighting two uniformed police offices with clubs; the background is the city skyline in pink, with a purple sky and yellow crescent moon.","Artist: Raul Martinez Gonzales. Text: Lucia; Un film cubano de Humberto Solas, con Raquel Revuelta, Eslinda Nuñez, Adela Legra Translation: Lucia; A Cuban Film by Humberto Solas, with Raquel Revuelta, Eslinda Nuñez, Adela Legra Film: Lucia Director: Humberto Solas Poster Year: 1968 Film Year: 1968 General Description: Three images of a woman's face framed by organic curves and flowers; \"Lucia\" printed across the top of poster in large, rounded lettering; colors are yellows, pinks, oranges, blues, and green.","Artist: Antonia Fernández Reboiro. Text: El Arte del Tabaco; documental cubano en colores; direccion: Tomas Gutierrez Alea [sic]. Translation: The Art of Tabacco, Cuban documentary in color, directed by Tomás Gutíerrez-Alea Film: El Arte del Tabaco Director: Tomás Gutíerrez-Alea Film Year: 1974 Poster Year: 1977 General Description: A woman's face is framed by an arch of tobacco plants and a golden banner with the film title \"El Arte del Tabaco\"; the background is a turquoise blue and the border is alternating stripes of brown, black, and orange.","Artist: René Portocarrero. Text: Soy Cuba; Dirección: Mihail Kalatosov, Fotografia: Serguei Urusevsky; Coproduccion Cubano-Sovietica Translation: I am Cuba; Directed by: Mihail Kalatosov, Photography by: Serguei Urusevsky; Cuban-Soviet Co-production Film: Soy Cuba (Russian title: Ya Kuba) Director: Mihail Kalatosov Film Year: 1964 Poster Year: 1964 General Description: Profile of a man's face formed with an ornate graphic pattern in grey, black, and red; background is yellow with a thick two-toned blue and green border.","Artist: Niko. Text: Che, Hoy y Siempre; Documental Cubano, Director: Pedro Chaskel Translation: Che, Now and Forever Film: Che, Hoy y Siempre Director: Pedro Chaskel Film Year: 1982 Film Year: 1983 General Description: A Larg.e image of Che Gueverra's face in turquoise, blue, and white is framed by several smaller identical images in blues, oranges, reds, and white.","Artist: Niko. Text: Frenesí; Film Ingles, Dir. Alfred Hitchcocks [sic], con: Jon Finch, Barry Forster, Alec McCowen Translation: English Film, Frenzy; Dir. Alfred Hitchcock, with: Jon Finch, Barry Forster, Alec McCowen Film: Frenzy Director: Alfred Hitchcock Film Year: 1973 Poster Year: 1973 General Description: Black and white image of a man falling diagonally against a red background; title \"frenesí\" printed in white, lowercase lettering across the top, with a blue and purple striped tie encircling a green apple below it.","Artist: Not available. Text: Hemingway; Dir. Fausto Canel/1962; Documental en blanco y negro Translation: Hemingway; Dir. Fausto Canel/1962; Documentary in black and white Film: Hemingway. Director: Fausto Canel. Film Year: 1962. Poster Year: Not available. General Description: Black and white bull being speared; red ground and white background with name of film across top.","Artist: Antonio Fernández Reboiro. Text: Che, Comandante Amigo; documental cubano en colores, dir: Bernabé Hernández Translation: Che, Commander Friend; Cuban documentary in Color, dir: Bernabé Hernández Film: Che, Comandante Amigo Director: Bernabé Hernández Film Year: 1978 Poster Year: 1978 General Description: Black and orange image of Che Gueverra's face; pink background with red, white, and blue border.","Artist: Raupa. Text: El Resplandor; Un filme de Stanley Kubrick; Jack Nicholson. Translation: The Shining, A film by Stanley Kubrick; Jack Nicholson. Film: The Shining Director: Stanley Kubrick. Film Year: 1980 Poster Year: 2009. General Description: Red tricycle in bottom left corner; black background, the title \"El Resplandor\" in white all-capital block letters with white rays coming diagonally out of the bottom.","Artist: Carlos Jose. Text: Clandestinos; Filme Cubano de Fernando Peréz. Translation: The Clandestine Ones; Cuban film by Fernando Peréz Film: Clandestinos Director: Fernando Peréz. Film Year: 1987. Poster Year: Not available. General Description: Dark blue background, bottom quarter of poster is black with film title emerging from top in lowercase black and orange letters.","Artist: Julio Eloy. Text: Clandestinos; Filme Cubano en Colores; Direccion: Fernando Peréz; con Luis Alberto Garcia, Isabel Santos, Susana Peréz. Translation: The Clandestine Ones; Cuban Film in Color; Directed by Fernando Peréz; with\" Luis Alberto Garcia, Isabel Santos, Susana Peréz Film: Clandestinos. Director: Fernando Peréz. Film Year: 1987. Poster Year: 1987. General Description: Two bleeding red hearts against a black background.","Artist: Hollands. Text: El Perro Andaluz 1928; Pierre Batcheff/Simone Mareuil/Fano Mesan; Luis Buñuel/Xaume Miravitlles/Salvador Dalí; Dirección: Luis Buñuel Translation: The Andalucian Dog, 1928; Pierre Batcheff/Simone Mareuil/Fano Mesan; Luis Buñuel/Xaume Miravitlles/Salvador Dalí; Directed by Luis Buñuel Film: El Pero Andaluz (Un Chien Andalou) Director: Luis Buñuel Film Year: 1928 Poster Year: 2009. General Description: Grey background with circle split in two halves, one lighter grey and one black.","Artist: Moltó. Text: Suite Habana; Un Filme de Fernándo Peréz. Translation: Havana Suite; A Film by Fernándo Peréz. Film: Suite Habana Director: Fernándo Peréz. Film Year: 2003 Poster Year: 2003 Text on back: Premio Coral, Al Mejor Cartel, 25 Festival del Nuevo Cine Latinoamericano/2003 Translation: Grand Prize for Best Poster, 25th Fesitval of New Latin American Cinema/2003. General Description: Large black and white platform sandals in front of grey city skyline; blue background.","Artist: Nelson Garcia","Text: RTV Comercial Cubavisión ICAIC La Ciudad un Filme de Tomás Piard  Translation: RTV Comercial Cubavisión ICAIC The City a Film by Tomás Piard","Artist: René Azcuy, Text: Memorias del Subdesarrollo; film cubano, dirección: Tomas Gutierrez Alea/con: Sergio Corrieri y Daisy Granados Translation: Memories of Underdevelopment; Cuban film, directed by: Tomas Gutierrez Alea/with: Sergio Corrieri y Daisy Granados Film: Film: Memorias del Subdesarrollo Director: Tomás Gutíerrez Alea. Film Year: 1968. Poster Year: 1973. General Description: Black background with white all lowercase block text at top and white graphic at bottom.","One of two posters for the film, La Guarida del Topo, directed by Alfredo Ureta. The posters includes an inscription by Ureta. Title of film: \"La Guarida del Topo\" (The Mole's Den). Year of Film Production: 2011. Year of Production of posters: 2011. Director of Film: Alfredo Ureta. Principal Actors: Nestor Jimenez, Ketty de la Iglesia, Alberto Pujol, Rafael Lahera. Poster Artists (for Silkscreened version): Enrique Smith and Katia Hernandez.","One of two posters of the film, La Guarida del Topo, directed by Alfredo Ureta. Title of film: \"La Guarida del Topo\" (The Mole's Den). Year of Film Production: 2011. Year of Production of posters: 2011. Director of Film: Alfredo Ureta. Principal Actors: Nestor Jimenez, Ketty de la Iglesia, Alberto Pujol, Rafael Lahera.","Directed by Eduardo del Llano. Poster artist: Raupi. Signed by the film director.","Directed by Ramon Peon.","Directed by Eduardo del Llano. Poster artist: Raupi. Signed by the film director. Text: Con: Rita Montanex. Title of film: \"Romance del Palmar\"","Directed by Enrique Colina.","Directed by Enrique Colina. Text: Vecinos Documental Cubano en colores De Enrique Colina Translation: Neighbors Cuban Documentary in colors By Enrique Colina","Text: Dibujo animado cubano de Juan Padron. Translation: Cuban cartoon by Juan Padron.","Romanian animation in color, driected by Horia Steganescu and Victor Antonescu, poster artist Munoz Bachs.","Artist: Bachs. Text: con Ana Vina, Reynaldo Miravalles, Tahimi Alvarino. Directed by Luis F. Bernaza. Physical description: pink cake/building on a blue background.","Directed by Tomas Gutierrez Alea with Nelson Villagra.","Artist: Reboiro. From the Instituto Cubano del arte e industria cinematogrificos.","Artist: Marcelo Martin. Poster text: Un documental de Carlos Machado, Aram Vidal, Benny Ray, Alina Rodriguez, Daniel Vera.","Artist: Nestor Coll. Text: 19 Festival del Nuevo Cine Lantinoamericano, La Habana, Cuba, Diciembre 2-12-1997. Translation: 19th Festival of the New Latin American Cinema, Havana, Cuba December 2-12-1997","Artist: Munoz Bachs. Directed by Juan Tabio.","Text: Directed by Juan Tabio.Text: Plaf; Film Cubano; Dirección: Juan C.Tabo; Dairy Granados, Luis A. Ramirez(H), Thais Valdés Translation: Cuban Film; Director: Juan C. Tabo;  Dairy Granados, Luis A. Ramirez(H), Thais Valdés","Artist: Munoz Bachs. Directed by Orlando Rojas.","Directed by Orlando Rojas. Text: Papeles Secundarios; Coproducción Cuba España; Dirección Orlando Rojas, Con: Rosa Fornes, Juan Luis Galiardo, Luisa Pérez Nieto Translation: Supporting Roles; Coproducation Cuba Spain; Directed by: Orlando Rojas, With: Rosa Fornes, Juan Luis Galiardo, Luisa Pérez Nieto","Artist: R. Martinez.","Artist Munoz Bachs. Directed by Tomas Gutierrez Alea.","Artist: Munoz Bachs. Directed by Luis Felipe Bernaza.","Directed by Luis Felipe Bernaza. Text: De Tal Pedro Tal Astilla Con: Reinaldo Mairavales, Ana Vina, Nancy Gonzalez, Gilberto Revés. Film Cubano en colores/ Director: Luis Felipe Bernaza Translation: A Chip Off the Old Block; With Reinaldo Mairavales, Ana Vina, Nancy Gonzalez, Gilberto Revés.","Artist: Reboiro. Directed by Santiago Alvarez.","Directed by Santiago Alvarez. Text: LBJ, Documental cubano / Director: Santiago Alvarez Translation: LBJ, Cuban Documentary","Artist: Hubert Delestre. Poster is signed by the artist. Film dDirected by Tomas Gutierrez Alea.","Poster is signed by the artist. Film Directed by Tomás Gutiérrez Alea. Text: La Muerte de un Burócrata; La Habana, 1966 Una película cubana en blanco y negro con Guión de Alfredo del Cueto. Ramon F. Suárez y Tomás Gutiérrez Alea. Fotografia de Ramon F. Suarez, edicion de Mario Gonzales y música de Leo Brower. Con la actuación de Salvador Wood,  Manuel Estanillo, Silvia Planas , Gaspar de Santelices y Pedro Pablo Astorga.;  El Director Tomás Gutiérrez Alea.  Translation: The Death of a Bureaucrat; Havana, 1966 A  black and white cuban film, With:  Guión de Alfredo del Cueto. Ramon F. Suárez y Tomás Gutiérrez Alea. Photography by Ramon F. Suarez, Editing by Mario Gonzales and music by Leo Bower. Starring: Salvador Wood,  Manuel Estanillo, Silvia Planas , Gaspar de Santelices y Pedro Pablo Astorga, Director Tomás Gutiérrez Alea","Artist: Maikel.","Text: 6to Festival Internacional de Documentales \"Santiago Álvarez in Memoriam\"; Santiago de Cuba del 5 al 8 de marzo del 2005. El cine documental en el mundo contemporáneo Translation: 6to International  Documentary Festival \"In Memory of Santiago Álvarez,\"; Santiago de Cuba from the 5th to 8th of March of 2005","Artist: Munoz Bachs. Directed by Fernando Valverde.","Directed by Fernando Valverde. Text: Martín Fierro; Coproducción de Animación cubana/Argentino Colombiana Translation: Martín Fierro; Coprduction from Cuban/Argentinian/Columbian Animation","Artist: Pablo Monterrey.","Text: Diseno Contemporaneo Filmes Clássicos, Exposición de carteles Centro Cultural cinematografico ICAIC; ICAIC 201; 1960-2010 Cinemateca de Cuba 50 Translation: Contemporary Design Classic Films Poster Exhibit Cultural Center of Cinematography ICAIC","Artist: Nelson Ponce. Directed by Jorge Luis Sanchez.","Artist: Munozs Bachs.","Directed by Juan Padron Text: Filminutos","Artist: Fabian. Directed by Rebecaa Chavez.","Directed by Rebecca Chavez. Text: Che, Entre Leyendas; trilogía documental (ICAIC) Translation: Among the LEgends; Documentary (IACAIC) trilogy","Artist: Nestor Coll (Nester Coll?). Directed by Sergio Nunez.","Artist: Nelson Ponce. Directed by Juan Padron.","Directed by Juan Padron. Text: Vampiros en la Habana Translation: Vampires in Havana","Directed by Manuel Marcel. The poster artist signed \"Z-in memory of Raul Martinez.\"","Directed by Manuel Marcel. The poster artist signed \"Z-in memory of Raul Martinez.\" Text: Marzel; Una película de marzel; Musica: Luis Alberto Spineta Translation: marzel; A movie about Marzel; Music:Luis Alberto Spineta","Artist: Coll.","Text: 14 Tallen Naccional de la Crítica Cinematográfica Translation: 14th National Workshop of Film Criticism","Artist: Giselle Monzon. Directed by Oliver Stone.","Artist: Coll. Directed by Antonio Banderas.","Directed by Antonio Banderas. Text: \"El Camino de  los ingleses\" Filme España-Gran Bretaña, Dirigido por Antonio Banderas; Con: Victoria Abril, Juan Diego, Frank Perea Translation: \" The way of the English\" Spanish-Great Britain Film, Directed by Antonia Banderas; With: Victoria Abril, Juan Diego, Frank Pere","Artist: Arnulfo. Directed by Steven Spielberg.","Directed by Steven Spielberg.Text: La Lista de Schindler un film de Steven Spielberg Translation: Schindler's List, a film by Steven Spielberg","Artist: Niko. Directed by Santiago Alvarez.","Directed by Santiago Alvarez. Text: Mi Hermano Fidel, Documental cubano, dirección Santiago Alvares Translation: My Brother Fidel, Cuban Documentary; Directed by Santiago Alvares","Artist: Munoz Bachs. Directed by Fernando Perez.","Directed by Fernando Perez. Text: La Vida es Silbar. Producida por ICAIC y Wanda Distribución . Dirección: Fernando Perez, Con: Luis Alberto Garcia, Isabel Santos, Coralia Velos, Ronaldo Brito, Claudia Rojas, Joan Manuel Reyes, Bebe Perez Translation: Life is to Whistle, Production by ICAIC and Wanda Distribution; Directed by Fernando Peresz, With: Luis Alberto Garcia, Isabel Santos, Coralia Velos, Ronaldo Brito, Claudia Rojas, Joan Manuel Reyes, Bebe Perez","Artist: Reboira. Directed by Masaki Kobayashi.","Directed by Masaki Kobayashi. Text: Film Japones en cinemascope, direction: Masaki Kobayashi. con Tatsuya Nakadai, Shima Iwashite, Akira Ishihama, Premios San Giorgio y Pascinetti en el Festival de Venecia. segundo premio en el fesival cinematografico de cannes, 1963. Hara Kiri Translation: Japanese Film in sinemasope; Directed by: Masaki Kobayashi; With: Tatsuya Nakadai, Shima Iwashite, Akira Ishihama; San Giorgio and Pascinetti Award en the Venecia Festival, Second Award from the Cannes Film Festival, 1993","Artist: unknown. Text: un filme de Tomas Gutierrez Alea y Juan Carlos Tabio con Jorge Peruggoria, Vladimir Cruz y Mirta Ibarra. Translation: \na film by Tomas Gutierrez Alea and Juan Carlos Tabio with Jorge Peruggoria, Vladimir Cruz and Mirta Ibarra.","Film poster of Café Amargo, directed by Rigoberto Jiménez. Poster is signed by film producer Jorge Luis Barber.","Film poster of Café Amargo, directed by Rigoberto Jiménez. Poster is signed by film producer Jorge Luis Barber. Text:  Cazabe producciones / Estacion Central Producción Audiovisual / Odessa Films, Adela Legra, Coralia Veloz, Oneyda Hernandez, Mirelys Echenique, Yudexi de la Torre, Yunia Jerez, Janet Batista, Venecia Lanz, Carlos Alberto Mendez, Raul Copte; productores: Rigoberto Jiménez, Jorge Luis Barber; productor ejecutivo: Jorge Luis Barber; coproductores: Pedro Pancho Lborra; guion: Artruo Arango, Xenia Rivery; Musica: Juan Pinera; Director de fotografia: Jose Manuel Riera; editora: Ilka M. Valdes; Diseño de Banda Sonora: Heidy Carrazana; Sonido Director: Juan Mauel Lopez; direccion de arte: Vivian del Valle.  Translation: Cazabe production / Central Production Audiovisual Station / Odessa Films, Adela Legra, Coralia Veloz, Oneyda Hernandez, Mirelys Echenique, Yudexi de la Torre, Yunia Jerez, Janet Batista, Venecia Lanz, Carlos Alberto Mendez, Raul Copte; Produced by:  Rigoberto Jiménez, Jorge Luis Barber; Executive Producer: Jorge Luis Barber; Coproducers:  Pedro Pancho Lborra; Script: Artruo Arango, Xenia Rivery; Music: Juan Pinera; Pfotography Director: Jose Manuel Riera; Editor: llka M. Valdes; Soundtrack Design; Sound Director: uan Mauel Lopez: Art Director: Vivian del Valle","Artist: Maylin Betancourt Perez. Bohio, documental television serrana. Director: Carlos Y Rodriguez. Poster presented and signed by the director to Swem Library, 2014.","Black silkscreen on red background. Artist's proof. Signed by the artist, Samuel Riera.","Numbered 12/30 and signed by the artist, Samuel Riera.","Poster is signed by the artist, Idania del Río. Text: 7 de Septiembre, 4:00 PM, MPC, Espacio SGAE, Suite 3A, Lonja del Comercio, Habana Vieja. Translation: September 7, 4:00 PM, MPC, Espacio SGAE, Suite 3A, Lonja del Comercio, Old Havana.","Poster by aArtist: Rostgard. Directed by Santiago Alvarez.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert ","Rodriguez, Ernesto Pina","Spanish; Castilian English"],"unitid_tesim":["MS 00080","/repositories/2/resources/1149"],"normalized_title_ssm":["Cuban Film Poster collection"],"collection_title_tesim":["Cuban Film Poster collection"],"collection_ssim":["Cuban Film Poster collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Motion pictures--Cuba--History--20th century","Motion pictures--Cuba--History--21st century","Art, Cuban--21st century"],"geogname_ssim":["Motion pictures--Cuba--History--20th century","Motion pictures--Cuba--History--21st century","Art, Cuban--21st century"],"creator_ssm":["Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert "],"creator_ssim":["Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert "],"creator_persname_ssim":["Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert "],"creators_ssim":["Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert "],"places_ssim":["Motion pictures--Cuba--History--20th century","Motion pictures--Cuba--History--21st century","Art, Cuban--21st century"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2011.691 are posters of two films by director Alfredo Ureta. Acc. 2012.227 also contains postcards with images of Cuban film posters. Acc. 2016.144 is a poster of the film, Café Amargo, directed by Rigoberto Jiménez."],"access_subjects_ssim":["Cuba--Description and travel","Cuba--History--20th century","Cuba--History--21st century"],"access_subjects_ssm":["Cuba--Description and travel","Cuba--History--20th century","Cuba--History--21st century"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet"],"extent_tesim":["3 Linear Feet"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"altformavail_html_tesm":["\u003cp\u003eDigital copies of the Cuban film posters can be accessed by clicking on the title of each poster shown under Collection Organization.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Digital copies of the Cuban film posters can be accessed by clicking on the title of each poster shown under Collection Organization."],"phystech_html_tesm":["\u003cp\u003ePosters are generally in excellent to good condition with only minor folds and one tear. \"Now!, 1965\" is fragile and may not be serviced due to flaking paint.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["Posters are generally in excellent to good condition with only minor folds and one tear. \"Now!, 1965\" is fragile and may not be serviced due to flaking paint."],"prefercite_html_tesm":["\u003cp\u003eCuban Film Poster collection, Special Collections Research Center, William \u0026amp; Mary Libraies.\u003c/p\u003e"],"prefercite_tesim":["Cuban Film Poster collection, Special Collections Research Center, William \u0026 Mary Libraies."],"processinfo_html_tesm":["\u003cp\u003eAccessioned and minimally processed by Benjamin Bromley in March 2011. Additional information and translations provided by students from Anne Marie Stock's class in April 2011. Acc. 2011.691 accessioned and minimally processed by Benjamin Bromley in December 2011. Acc. 2012.227 accessioned and minimally processed by Benjamin Bromley in June 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Accessioned and minimally processed by Benjamin Bromley in March 2011. Additional information and translations provided by students from Anne Marie Stock's class in April 2011. Acc. 2011.691 accessioned and minimally processed by Benjamin Bromley in December 2011. Acc. 2012.227 accessioned and minimally processed by Benjamin Bromley in June 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSwem Library's Special Collections captured websites related to Cuban filmmakers, films, and related topics in May 2011 using the Archive-It web capture tool.\u003c/p\u003e\n","\u003cp\u003eInformation about related materials is available at https://archive-it.org/collections/7388bc1f-05f4-4753-8beb-ddb8e3352677\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Swem Library's Special Collections captured websites related to Cuban filmmakers, films, and related topics in May 2011 using the Archive-It web capture tool.","Information about related materials is available at https://archive-it.org/collections/7388bc1f-05f4-4753-8beb-ddb8e3352677"],"scopecontent_html_tesm":["\u003cp\u003ePosters, from 1962 to 2018, of feature films, documentaries, animated films, film events, and others that were produced in Cuba by Cuban artists. Posters were primarily created by using a silk screen process and were made for both Cuban and non-Cuban films.\u003c/p\u003e","\u003cp\u003eThe 10 postcards are part of the \"Coleccion de carteles de peliculas cubanas\" (Translation: Collection of posters of Cuban movies) from the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC). The postcards are film posters from the following films: Fresa y chocolate, 1993, Jau, 1987, La venganza de los haiducs, 1969, Por primera vez, 1968, El arte de tabaco, 1977, Clandestinos I, 1987, El chicuelo, 1970, Un ramo de flores y una bandera, 1981, La ultima cena, 1977, Pedro cero por ciento, 1982.\u003c/p\u003e","\u003cp\u003eArtist: Nester Coll. Text: Muestra de filmes salvados por FIAF; cine la rampa del 15 al 30 de abril. Translation: Showing of films saved by FIAF (The International Federation of Film Archives); La Rampa Cinema; showings April 15th-30th Poster Year: 1990 General description: Charlie Chaplin in a prison uniform, nude back ground, small square of bars in left hand corner.\u003c/p\u003e","\u003cp\u003eArtist: Pedro Luis Donéstevez. Text: Fresa y Chocolate; ICAIC, Director: Tomás Gutiérrez Alea, con: Jorge Perugorría, Vladimir Cruz Translation: Strawberry and Chocolate; Director: Tomás Gutiérrez Alea, with: Jorge Perugorría, Vladimir Cruz Director: Tomás Gutiérrez Alea Film: Fresa y Chocolate Film Year: 1993 Poster Year: 1999 General description: red and black ying/yang symbol with two blue outlined cups bordering them; yellow background.\u003c/p\u003e","\u003cp\u003eArtist: Eduardo Muñoz Bachs. Text: XXV Aniversario Cine Movil ICAIC Translation: XXV Anniversary of the Mobile Cinema, ICAIC Poster Year: 1986 General description: Charlie Chaplin riding cardboard with one foot up and hands out as if steering a car; horn is by his left hand and he is wearing a suit with a bowler hat; colored yellow in the background.\u003c/p\u003e","\u003cp\u003eArtist: Niko. Text: El Padrino, Coproducción italo-norteamericana, dirección: Francis Ford Coppola, con: Marlon Brando, Al Pacino, James Cann Translation: The Godfather, An Italian-North American Co-production, Directed by: Francis Ford Coppola, with: Marlon Brando, Al Pacino, James Cann Film: El padrino (The Godfather) Director: Francis Ford Coppola Film Year: 1972 Poster Year: 1974 General description: black and white coat of arms around an angle colored in holding AK 47s in both hands.\u003c/p\u003e","\u003cp\u003eArtist: Nelson Ponce. Text: Larga Distancia; Una película de Esteban Insuasti con Zulema Clares, Alexis Dias de Villegas, Lyn Cruz, Tomas Cao; ICAIC/MINCULT/SINCOVER Translation: Long Distance; a movie by Esteban Insuasti with Zulema Clares, Alexis Dias de Villegas, Lyn Cruz, Tomas Cao; ICAIC/MINCULT/SINCOVER Film: Larga Distancia Film Year: 2010 Poster Year: 2010 General description: A girl colored in white (like the sign of a restroom) with a black airplane down her front; the background is pure black with the movie title stamped in red across her chest; signed by Insausti and Angélica Salvador Signature: \"Para todos los amigos que aman el cine, un abrazo, otro de su, siempre, Esteban\" and \"Gracias, Muchas gracias, Angélica Salvador\" Translation: \"To all of my friends who love cinema, a hug, and another, from, Esteban, always yours\" and \"Thank you, thank you so much, Angélica Salvador\".\u003c/p\u003e","\u003cp\u003eArtist: Alfredo Rostgaard. Text: Hasta la victoria siempre; documental cubano; realizador: Santiago Alvarez Translation: Toward Victory, Always, Cuban documentary; Director: Santiago Alvarez Film: Hasta la victoria siempre Director: Santiago Alvarez Film Year: 1968 Poster Year: 1968 General description: Che Guevara; green face, pink hair and yellow background framed in thick black box.\u003c/p\u003e","\u003cp\u003eArtist: Raul Martinez. Year: 1968 General description: there is no text present; Che with full beard frames the lower half of the poster and stars are coming out of his forehead to touch the earth drawn above him; the poster shows bright colors such as pinks, reds, blues and yellows.\u003c/p\u003e","\u003cp\u003eArtist: Fabian. Text: 24 Encuentro el Universo Audiovisual de la Niñez Latinoamericana; 32 Festival del Nuevo cine latinoamericano, La Habana, 2 al 12 de diciembre 2010 Translation: 24th Latin American Children's Audiovisual Universe Conference; 32nd Festival of New Latin American Cinema, Havana, December 2-12, 2010. Poster Year: 2010. General description: Mario from the video game Mario-Cart climbs on top of blocks colored in bright colors; the two texts are framing his feet and he is holding a walking stick and wearing all black with a black bowler hat, dressed to look like Charlie Chaplin.\u003c/p\u003e","\u003cp\u003eArtist: Raupa. Text: Titón: Más allá del cine; Exposición homenaje a Tomás Gutiérrez-Alea; ICAIC 2007, Museo Nacional de Bellas Artes; del 16 de noviembre al 14 de enero de 2008 Translation: Titón: Beyond the Cinema, An exposition in homage of: Tomas Gutierrez-Alea; ICAIC 2007, National Museum of Art, From the 16 of November to the 15 of January 2007 Poster Year: 2007 General Description: Tomás Gutiérrez-Alea's face appears multiple times along a strip in the middle of the posers; his body hangs down while slumping lazily in a white chair, the poser is done in a soft baby blue with black and yellow as a contrast.\u003c/p\u003e","\u003cp\u003eArtist: Eduardo Muñoz Bachs. Text: Elpidio Valdes Contra La Policia de Nueva York, Dibujo animado cubano en colores, Dirección: Juan Padrón Translation: Elpidio Valdes Against the New York City Police, Cuban animation in color; Directed by Juan Padrón Film: Elpidio Valdes Against the New York City Police Director: Juan Padrón Film Year: 1976 Poster Year: 1995 General Description: Elpidio Valdes rides his horse, he has a sword in his hand and is fighting two uniformed police offices with clubs; the background is the city skyline in pink, with a purple sky and yellow crescent moon.\u003c/p\u003e","\u003cp\u003eArtist: Raul Martinez Gonzales. Text: Lucia; Un film cubano de Humberto Solas, con Raquel Revuelta, Eslinda Nuñez, Adela Legra Translation: Lucia; A Cuban Film by Humberto Solas, with Raquel Revuelta, Eslinda Nuñez, Adela Legra Film: Lucia Director: Humberto Solas Poster Year: 1968 Film Year: 1968 General Description: Three images of a woman's face framed by organic curves and flowers; \"Lucia\" printed across the top of poster in large, rounded lettering; colors are yellows, pinks, oranges, blues, and green.\u003c/p\u003e","\u003cp\u003eArtist: Antonia Fernández Reboiro. Text: El Arte del Tabaco; documental cubano en colores; direccion: Tomas Gutierrez Alea [sic]. Translation: The Art of Tabacco, Cuban documentary in color, directed by Tomás Gutíerrez-Alea Film: El Arte del Tabaco Director: Tomás Gutíerrez-Alea Film Year: 1974 Poster Year: 1977 General Description: A woman's face is framed by an arch of tobacco plants and a golden banner with the film title \"El Arte del Tabaco\"; the background is a turquoise blue and the border is alternating stripes of brown, black, and orange.\u003c/p\u003e","\u003cp\u003eArtist: René Portocarrero. Text: Soy Cuba; Dirección: Mihail Kalatosov, Fotografia: Serguei Urusevsky; Coproduccion Cubano-Sovietica Translation: I am Cuba; Directed by: Mihail Kalatosov, Photography by: Serguei Urusevsky; Cuban-Soviet Co-production Film: Soy Cuba (Russian title: Ya Kuba) Director: Mihail Kalatosov Film Year: 1964 Poster Year: 1964 General Description: Profile of a man's face formed with an ornate graphic pattern in grey, black, and red; background is yellow with a thick two-toned blue and green border.\u003c/p\u003e","\u003cp\u003eArtist: Niko. Text: Che, Hoy y Siempre; Documental Cubano, Director: Pedro Chaskel Translation: Che, Now and Forever Film: Che, Hoy y Siempre Director: Pedro Chaskel Film Year: 1982 Film Year: 1983 General Description: A Larg.e image of Che Gueverra's face in turquoise, blue, and white is framed by several smaller identical images in blues, oranges, reds, and white.\u003c/p\u003e","\u003cp\u003eArtist: Niko. Text: Frenesí; Film Ingles, Dir. Alfred Hitchcocks [sic], con: Jon Finch, Barry Forster, Alec McCowen Translation: English Film, Frenzy; Dir. Alfred Hitchcock, with: Jon Finch, Barry Forster, Alec McCowen Film: Frenzy Director: Alfred Hitchcock Film Year: 1973 Poster Year: 1973 General Description: Black and white image of a man falling diagonally against a red background; title \"frenesí\" printed in white, lowercase lettering across the top, with a blue and purple striped tie encircling a green apple below it.\u003c/p\u003e","\u003cp\u003eArtist: Not available. Text: Hemingway; Dir. Fausto Canel/1962; Documental en blanco y negro Translation: Hemingway; Dir. Fausto Canel/1962; Documentary in black and white Film: Hemingway. Director: Fausto Canel. Film Year: 1962. Poster Year: Not available. General Description: Black and white bull being speared; red ground and white background with name of film across top.\u003c/p\u003e","\u003cp\u003eArtist: Antonio Fernández Reboiro. Text: Che, Comandante Amigo; documental cubano en colores, dir: Bernabé Hernández Translation: Che, Commander Friend; Cuban documentary in Color, dir: Bernabé Hernández Film: Che, Comandante Amigo Director: Bernabé Hernández Film Year: 1978 Poster Year: 1978 General Description: Black and orange image of Che Gueverra's face; pink background with red, white, and blue border.\u003c/p\u003e","\u003cp\u003eArtist: Raupa. Text: El Resplandor; Un filme de Stanley Kubrick; Jack Nicholson. Translation: The Shining, A film by Stanley Kubrick; Jack Nicholson. Film: The Shining Director: Stanley Kubrick. Film Year: 1980 Poster Year: 2009. General Description: Red tricycle in bottom left corner; black background, the title \"El Resplandor\" in white all-capital block letters with white rays coming diagonally out of the bottom.\u003c/p\u003e","\u003cp\u003eArtist: Carlos Jose. Text: Clandestinos; Filme Cubano de Fernando Peréz. Translation: The Clandestine Ones; Cuban film by Fernando Peréz Film: Clandestinos Director: Fernando Peréz. Film Year: 1987. Poster Year: Not available. General Description: Dark blue background, bottom quarter of poster is black with film title emerging from top in lowercase black and orange letters.\u003c/p\u003e","\u003cp\u003eArtist: Julio Eloy. Text: Clandestinos; Filme Cubano en Colores; Direccion: Fernando Peréz; con Luis Alberto Garcia, Isabel Santos, Susana Peréz. Translation: The Clandestine Ones; Cuban Film in Color; Directed by Fernando Peréz; with\" Luis Alberto Garcia, Isabel Santos, Susana Peréz Film: Clandestinos. Director: Fernando Peréz. Film Year: 1987. Poster Year: 1987. General Description: Two bleeding red hearts against a black background.\u003c/p\u003e","\u003cp\u003eArtist: Hollands. Text: El Perro Andaluz 1928; Pierre Batcheff/Simone Mareuil/Fano Mesan; Luis Buñuel/Xaume Miravitlles/Salvador Dalí; Dirección: Luis Buñuel Translation: The Andalucian Dog, 1928; Pierre Batcheff/Simone Mareuil/Fano Mesan; Luis Buñuel/Xaume Miravitlles/Salvador Dalí; Directed by Luis Buñuel Film: El Pero Andaluz (Un Chien Andalou) Director: Luis Buñuel Film Year: 1928 Poster Year: 2009. General Description: Grey background with circle split in two halves, one lighter grey and one black.\u003c/p\u003e","\u003cp\u003eArtist: Moltó. Text: Suite Habana; Un Filme de Fernándo Peréz. Translation: Havana Suite; A Film by Fernándo Peréz. Film: Suite Habana Director: Fernándo Peréz. Film Year: 2003 Poster Year: 2003 Text on back: Premio Coral, Al Mejor Cartel, 25 Festival del Nuevo Cine Latinoamericano/2003 Translation: Grand Prize for Best Poster, 25th Fesitval of New Latin American Cinema/2003. General Description: Large black and white platform sandals in front of grey city skyline; blue background.\u003c/p\u003e","\u003cp\u003eArtist: Nelson Garcia\u003c/p\u003e\n","\u003cp\u003eText: RTV Comercial Cubavisión ICAIC La Ciudad un Filme de Tomás Piard  Translation: RTV Comercial Cubavisión ICAIC The City a Film by Tomás Piard\u003c/p\u003e","\u003cp\u003eArtist: René Azcuy, Text: Memorias del Subdesarrollo; film cubano, dirección: Tomas Gutierrez Alea/con: Sergio Corrieri y Daisy Granados Translation: Memories of Underdevelopment; Cuban film, directed by: Tomas Gutierrez Alea/with: Sergio Corrieri y Daisy Granados Film: Film: Memorias del Subdesarrollo Director: Tomás Gutíerrez Alea. Film Year: 1968. Poster Year: 1973. General Description: Black background with white all lowercase block text at top and white graphic at bottom.\u003c/p\u003e","\u003cp\u003eOne of two posters for the film, La Guarida del Topo, directed by Alfredo Ureta. The posters includes an inscription by Ureta. Title of film: \"La Guarida del Topo\" (The Mole's Den). Year of Film Production: 2011. Year of Production of posters: 2011. Director of Film: Alfredo Ureta. Principal Actors: Nestor Jimenez, Ketty de la Iglesia, Alberto Pujol, Rafael Lahera. Poster Artists (for Silkscreened version): Enrique Smith and Katia Hernandez.\u003c/p\u003e","\u003cp\u003eOne of two posters of the film, La Guarida del Topo, directed by Alfredo Ureta. Title of film: \"La Guarida del Topo\" (The Mole's Den). Year of Film Production: 2011. Year of Production of posters: 2011. Director of Film: Alfredo Ureta. Principal Actors: Nestor Jimenez, Ketty de la Iglesia, Alberto Pujol, Rafael Lahera.\u003c/p\u003e","\u003cp\u003eDirected by Eduardo del Llano. Poster artist: Raupi. Signed by the film director.\u003c/p\u003e","\u003cp\u003eDirected by Ramon Peon.\u003c/p\u003e\n","\u003cp\u003eDirected by Eduardo del Llano. Poster artist: Raupi. Signed by the film director. Text: Con: Rita Montanex. Title of film: \"Romance del Palmar\"\u003c/p\u003e","\u003cp\u003eDirected by Enrique Colina.\u003c/p\u003e\n","\u003cp\u003eDirected by Enrique Colina. Text: Vecinos Documental Cubano en colores De Enrique Colina Translation: Neighbors Cuban Documentary in colors By Enrique Colina\u003c/p\u003e","\u003cp\u003eText: Dibujo animado cubano de Juan Padron. Translation: Cuban cartoon by Juan Padron.\u003c/p\u003e","\u003cp\u003eRomanian animation in color, driected by Horia Steganescu and Victor Antonescu, poster artist Munoz Bachs.\u003c/p\u003e","\u003cp\u003eArtist: Bachs. Text: con Ana Vina, Reynaldo Miravalles, Tahimi Alvarino. Directed by Luis F. Bernaza. Physical description: pink cake/building on a blue background.\u003c/p\u003e","\u003cp\u003eDirected by Tomas Gutierrez Alea with Nelson Villagra.\u003c/p\u003e","\u003cp\u003eArtist: Reboiro. From the Instituto Cubano del arte e industria cinematogrificos.\u003c/p\u003e","\u003cp\u003eArtist: Marcelo Martin. Poster text: Un documental de Carlos Machado, Aram Vidal, Benny Ray, Alina Rodriguez, Daniel Vera.\u003c/p\u003e","\u003cp\u003eArtist: Nestor Coll. Text: 19 Festival del Nuevo Cine Lantinoamericano, La Habana, Cuba, Diciembre 2-12-1997. Translation: 19th Festival of the New Latin American Cinema, Havana, Cuba December 2-12-1997\u003c/p\u003e","\u003cp\u003eArtist: Munoz Bachs. Directed by Juan Tabio.\u003c/p\u003e\n","\u003cp\u003eText: Directed by Juan Tabio.Text: Plaf; Film Cubano; Dirección: Juan C.Tabo; Dairy Granados, Luis A. Ramirez(H), Thais Valdés Translation: Cuban Film; Director: Juan C. Tabo;  Dairy Granados, Luis A. Ramirez(H), Thais Valdés\u003c/p\u003e","\u003cp\u003eArtist: Munoz Bachs. Directed by Orlando Rojas.\u003c/p\u003e\n","\u003cp\u003eDirected by Orlando Rojas. Text: Papeles Secundarios; Coproducción Cuba España; Dirección Orlando Rojas, Con: Rosa Fornes, Juan Luis Galiardo, Luisa Pérez Nieto Translation: Supporting Roles; Coproducation Cuba Spain; Directed by: Orlando Rojas, With: Rosa Fornes, Juan Luis Galiardo, Luisa Pérez Nieto\u003c/p\u003e","\u003cp\u003eArtist: R. Martinez.\u003c/p\u003e","\u003cp\u003eArtist Munoz Bachs. Directed by Tomas Gutierrez Alea.\u003c/p\u003e","\u003cp\u003eArtist: Munoz Bachs. Directed by Luis Felipe Bernaza.\u003c/p\u003e\n","\u003cp\u003eDirected by Luis Felipe Bernaza. Text: De Tal Pedro Tal Astilla Con: Reinaldo Mairavales, Ana Vina, Nancy Gonzalez, Gilberto Revés. Film Cubano en colores/ Director: Luis Felipe Bernaza Translation: A Chip Off the Old Block; With Reinaldo Mairavales, Ana Vina, Nancy Gonzalez, Gilberto Revés.\u003c/p\u003e","\u003cp\u003eArtist: Reboiro. Directed by Santiago Alvarez.\u003c/p\u003e\n","\u003cp\u003eDirected by Santiago Alvarez. Text: LBJ, Documental cubano / Director: Santiago Alvarez Translation: LBJ, Cuban Documentary\u003c/p\u003e","\u003cp\u003eArtist: Hubert Delestre. Poster is signed by the artist. Film dDirected by Tomas Gutierrez Alea.\u003c/p\u003e\n","\u003cp\u003ePoster is signed by the artist. Film Directed by Tomás Gutiérrez Alea. Text: La Muerte de un Burócrata; La Habana, 1966 Una película cubana en blanco y negro con Guión de Alfredo del Cueto. Ramon F. Suárez y Tomás Gutiérrez Alea. Fotografia de Ramon F. Suarez, edicion de Mario Gonzales y música de Leo Brower. Con la actuación de Salvador Wood,  Manuel Estanillo, Silvia Planas , Gaspar de Santelices y Pedro Pablo Astorga.;  El Director Tomás Gutiérrez Alea.  Translation: The Death of a Bureaucrat; Havana, 1966 A  black and white cuban film, With:  Guión de Alfredo del Cueto. Ramon F. Suárez y Tomás Gutiérrez Alea. Photography by Ramon F. Suarez, Editing by Mario Gonzales and music by Leo Bower. Starring: Salvador Wood,  Manuel Estanillo, Silvia Planas , Gaspar de Santelices y Pedro Pablo Astorga, Director Tomás Gutiérrez Alea\u003c/p\u003e","\u003cp\u003eArtist: Maikel.\u003c/p\u003e\n","\u003cp\u003eText: 6to Festival Internacional de Documentales \"Santiago Álvarez in Memoriam\"; Santiago de Cuba del 5 al 8 de marzo del 2005. El cine documental en el mundo contemporáneo Translation: 6to International  Documentary Festival \"In Memory of Santiago Álvarez,\"; Santiago de Cuba from the 5th to 8th of March of 2005\u003c/p\u003e","\u003cp\u003eArtist: Munoz Bachs. Directed by Fernando Valverde.\u003c/p\u003e\n","\u003cp\u003eDirected by Fernando Valverde. Text: Martín Fierro; Coproducción de Animación cubana/Argentino Colombiana Translation: Martín Fierro; Coprduction from Cuban/Argentinian/Columbian Animation\u003c/p\u003e","\u003cp\u003eArtist: Pablo Monterrey.\u003c/p\u003e\n","\u003cp\u003eText: Diseno Contemporaneo Filmes Clássicos, Exposición de carteles Centro Cultural cinematografico ICAIC; ICAIC 201; 1960-2010 Cinemateca de Cuba 50 Translation: Contemporary Design Classic Films Poster Exhibit Cultural Center of Cinematography ICAIC\u003c/p\u003e","\u003cp\u003eArtist: Nelson Ponce. Directed by Jorge Luis Sanchez.\u003c/p\u003e","\u003cp\u003eArtist: Munozs Bachs.\u003c/p\u003e\n","\u003cp\u003eDirected by Juan Padron Text: Filminutos\u003c/p\u003e","\u003cp\u003eArtist: Fabian. Directed by Rebecaa Chavez.\u003c/p\u003e\n","\u003cp\u003eDirected by Rebecca Chavez. Text: Che, Entre Leyendas; trilogía documental (ICAIC) Translation: Among the LEgends; Documentary (IACAIC) trilogy\u003c/p\u003e","\u003cp\u003eArtist: Nestor Coll (Nester Coll?). Directed by Sergio Nunez.\u003c/p\u003e","\u003cp\u003eArtist: Nelson Ponce. Directed by Juan Padron.\u003c/p\u003e\n","\u003cp\u003eDirected by Juan Padron. Text: Vampiros en la Habana Translation: Vampires in Havana\u003c/p\u003e","\u003cp\u003eDirected by Manuel Marcel. The poster artist signed \"Z-in memory of Raul Martinez.\"\u003c/p\u003e\n","\u003cp\u003eDirected by Manuel Marcel. The poster artist signed \"Z-in memory of Raul Martinez.\" Text: Marzel; Una película de marzel; Musica: Luis Alberto Spineta Translation: marzel; A movie about Marzel; Music:Luis Alberto Spineta\u003c/p\u003e","\u003cp\u003eArtist: Coll.\u003c/p\u003e\n","\u003cp\u003eText: 14 Tallen Naccional de la Crítica Cinematográfica Translation: 14th National Workshop of Film Criticism\u003c/p\u003e","\u003cp\u003eArtist: Giselle Monzon. Directed by Oliver Stone.\u003c/p\u003e","\u003cp\u003eArtist: Coll. Directed by Antonio Banderas.\u003c/p\u003e\n","\u003cp\u003eDirected by Antonio Banderas. Text: \"El Camino de  los ingleses\" Filme España-Gran Bretaña, Dirigido por Antonio Banderas; Con: Victoria Abril, Juan Diego, Frank Perea Translation: \" The way of the English\" Spanish-Great Britain Film, Directed by Antonia Banderas; With: Victoria Abril, Juan Diego, Frank Pere\u003c/p\u003e","\u003cp\u003eArtist: Arnulfo. Directed by Steven Spielberg.\u003c/p\u003e\n","\u003cp\u003eDirected by Steven Spielberg.Text: La Lista de Schindler un film de Steven Spielberg Translation: Schindler's List, a film by Steven Spielberg\u003c/p\u003e","\u003cp\u003eArtist: Niko. Directed by Santiago Alvarez.\u003c/p\u003e\n","\u003cp\u003eDirected by Santiago Alvarez. Text: Mi Hermano Fidel, Documental cubano, dirección Santiago Alvares Translation: My Brother Fidel, Cuban Documentary; Directed by Santiago Alvares\u003c/p\u003e","\u003cp\u003eArtist: Munoz Bachs. Directed by Fernando Perez.\u003c/p\u003e\n","\u003cp\u003eDirected by Fernando Perez. Text: La Vida es Silbar. Producida por ICAIC y Wanda Distribución . Dirección: Fernando Perez, Con: Luis Alberto Garcia, Isabel Santos, Coralia Velos, Ronaldo Brito, Claudia Rojas, Joan Manuel Reyes, Bebe Perez Translation: Life is to Whistle, Production by ICAIC and Wanda Distribution; Directed by Fernando Peresz, With: Luis Alberto Garcia, Isabel Santos, Coralia Velos, Ronaldo Brito, Claudia Rojas, Joan Manuel Reyes, Bebe Perez\u003c/p\u003e","\u003cp\u003eArtist: Reboira. Directed by Masaki Kobayashi.\u003c/p\u003e\n","\u003cp\u003eDirected by Masaki Kobayashi. Text: Film Japones en cinemascope, direction: Masaki Kobayashi. con Tatsuya Nakadai, Shima Iwashite, Akira Ishihama, Premios San Giorgio y Pascinetti en el Festival de Venecia. segundo premio en el fesival cinematografico de cannes, 1963. Hara Kiri Translation: Japanese Film in sinemasope; Directed by: Masaki Kobayashi; With: Tatsuya Nakadai, Shima Iwashite, Akira Ishihama; San Giorgio and Pascinetti Award en the Venecia Festival, Second Award from the Cannes Film Festival, 1993\u003c/p\u003e","\u003cp\u003eArtist: unknown. Text: un filme de Tomas Gutierrez Alea y Juan Carlos Tabio con Jorge Peruggoria, Vladimir Cruz y Mirta Ibarra. Translation: \na film by Tomas Gutierrez Alea and Juan Carlos Tabio with Jorge Peruggoria, Vladimir Cruz and Mirta Ibarra.\u003c/p\u003e","\u003cp\u003eFilm poster of Café Amargo, directed by Rigoberto Jiménez. Poster is signed by film producer Jorge Luis Barber.\u003c/p\u003e\n","\u003cp\u003eFilm poster of Café Amargo, directed by Rigoberto Jiménez. Poster is signed by film producer Jorge Luis Barber. Text:  Cazabe producciones / Estacion Central Producción Audiovisual / Odessa Films, Adela Legra, Coralia Veloz, Oneyda Hernandez, Mirelys Echenique, Yudexi de la Torre, Yunia Jerez, Janet Batista, Venecia Lanz, Carlos Alberto Mendez, Raul Copte; productores: Rigoberto Jiménez, Jorge Luis Barber; productor ejecutivo: Jorge Luis Barber; coproductores: Pedro Pancho Lborra; guion: Artruo Arango, Xenia Rivery; Musica: Juan Pinera; Director de fotografia: Jose Manuel Riera; editora: Ilka M. Valdes; Diseño de Banda Sonora: Heidy Carrazana; Sonido Director: Juan Mauel Lopez; direccion de arte: Vivian del Valle.  Translation: Cazabe production / Central Production Audiovisual Station / Odessa Films, Adela Legra, Coralia Veloz, Oneyda Hernandez, Mirelys Echenique, Yudexi de la Torre, Yunia Jerez, Janet Batista, Venecia Lanz, Carlos Alberto Mendez, Raul Copte; Produced by:  Rigoberto Jiménez, Jorge Luis Barber; Executive Producer: Jorge Luis Barber; Coproducers:  Pedro Pancho Lborra; Script: Artruo Arango, Xenia Rivery; Music: Juan Pinera; Pfotography Director: Jose Manuel Riera; Editor: llka M. Valdes; Soundtrack Design; Sound Director: uan Mauel Lopez: Art Director: Vivian del Valle\u003c/p\u003e","\u003cp\u003eArtist: Maylin Betancourt Perez. Bohio, documental television serrana. Director: Carlos Y Rodriguez. Poster presented and signed by the director to Swem Library, 2014.\u003c/p\u003e","\u003cp\u003eBlack silkscreen on red background. Artist's proof. Signed by the artist, Samuel Riera.\u003c/p\u003e","\u003cp\u003eNumbered 12/30 and signed by the artist, Samuel Riera.\u003c/p\u003e","\u003cp\u003ePoster is signed by the artist, Idania del Río. Text: 7 de Septiembre, 4:00 PM, MPC, Espacio SGAE, Suite 3A, Lonja del Comercio, Habana Vieja. Translation: September 7, 4:00 PM, MPC, Espacio SGAE, Suite 3A, Lonja del Comercio, Old Havana.\u003c/p\u003e","\u003cp\u003ePoster by aArtist: Rostgard. Directed by Santiago Alvarez.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Posters, from 1962 to 2018, of feature films, documentaries, animated films, film events, and others that were produced in Cuba by Cuban artists. Posters were primarily created by using a silk screen process and were made for both Cuban and non-Cuban films.","The 10 postcards are part of the \"Coleccion de carteles de peliculas cubanas\" (Translation: Collection of posters of Cuban movies) from the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC). The postcards are film posters from the following films: Fresa y chocolate, 1993, Jau, 1987, La venganza de los haiducs, 1969, Por primera vez, 1968, El arte de tabaco, 1977, Clandestinos I, 1987, El chicuelo, 1970, Un ramo de flores y una bandera, 1981, La ultima cena, 1977, Pedro cero por ciento, 1982.","Artist: Nester Coll. Text: Muestra de filmes salvados por FIAF; cine la rampa del 15 al 30 de abril. Translation: Showing of films saved by FIAF (The International Federation of Film Archives); La Rampa Cinema; showings April 15th-30th Poster Year: 1990 General description: Charlie Chaplin in a prison uniform, nude back ground, small square of bars in left hand corner.","Artist: Pedro Luis Donéstevez. Text: Fresa y Chocolate; ICAIC, Director: Tomás Gutiérrez Alea, con: Jorge Perugorría, Vladimir Cruz Translation: Strawberry and Chocolate; Director: Tomás Gutiérrez Alea, with: Jorge Perugorría, Vladimir Cruz Director: Tomás Gutiérrez Alea Film: Fresa y Chocolate Film Year: 1993 Poster Year: 1999 General description: red and black ying/yang symbol with two blue outlined cups bordering them; yellow background.","Artist: Eduardo Muñoz Bachs. Text: XXV Aniversario Cine Movil ICAIC Translation: XXV Anniversary of the Mobile Cinema, ICAIC Poster Year: 1986 General description: Charlie Chaplin riding cardboard with one foot up and hands out as if steering a car; horn is by his left hand and he is wearing a suit with a bowler hat; colored yellow in the background.","Artist: Niko. Text: El Padrino, Coproducción italo-norteamericana, dirección: Francis Ford Coppola, con: Marlon Brando, Al Pacino, James Cann Translation: The Godfather, An Italian-North American Co-production, Directed by: Francis Ford Coppola, with: Marlon Brando, Al Pacino, James Cann Film: El padrino (The Godfather) Director: Francis Ford Coppola Film Year: 1972 Poster Year: 1974 General description: black and white coat of arms around an angle colored in holding AK 47s in both hands.","Artist: Nelson Ponce. Text: Larga Distancia; Una película de Esteban Insuasti con Zulema Clares, Alexis Dias de Villegas, Lyn Cruz, Tomas Cao; ICAIC/MINCULT/SINCOVER Translation: Long Distance; a movie by Esteban Insuasti with Zulema Clares, Alexis Dias de Villegas, Lyn Cruz, Tomas Cao; ICAIC/MINCULT/SINCOVER Film: Larga Distancia Film Year: 2010 Poster Year: 2010 General description: A girl colored in white (like the sign of a restroom) with a black airplane down her front; the background is pure black with the movie title stamped in red across her chest; signed by Insausti and Angélica Salvador Signature: \"Para todos los amigos que aman el cine, un abrazo, otro de su, siempre, Esteban\" and \"Gracias, Muchas gracias, Angélica Salvador\" Translation: \"To all of my friends who love cinema, a hug, and another, from, Esteban, always yours\" and \"Thank you, thank you so much, Angélica Salvador\".","Artist: Alfredo Rostgaard. Text: Hasta la victoria siempre; documental cubano; realizador: Santiago Alvarez Translation: Toward Victory, Always, Cuban documentary; Director: Santiago Alvarez Film: Hasta la victoria siempre Director: Santiago Alvarez Film Year: 1968 Poster Year: 1968 General description: Che Guevara; green face, pink hair and yellow background framed in thick black box.","Artist: Raul Martinez. Year: 1968 General description: there is no text present; Che with full beard frames the lower half of the poster and stars are coming out of his forehead to touch the earth drawn above him; the poster shows bright colors such as pinks, reds, blues and yellows.","Artist: Fabian. Text: 24 Encuentro el Universo Audiovisual de la Niñez Latinoamericana; 32 Festival del Nuevo cine latinoamericano, La Habana, 2 al 12 de diciembre 2010 Translation: 24th Latin American Children's Audiovisual Universe Conference; 32nd Festival of New Latin American Cinema, Havana, December 2-12, 2010. Poster Year: 2010. General description: Mario from the video game Mario-Cart climbs on top of blocks colored in bright colors; the two texts are framing his feet and he is holding a walking stick and wearing all black with a black bowler hat, dressed to look like Charlie Chaplin.","Artist: Raupa. Text: Titón: Más allá del cine; Exposición homenaje a Tomás Gutiérrez-Alea; ICAIC 2007, Museo Nacional de Bellas Artes; del 16 de noviembre al 14 de enero de 2008 Translation: Titón: Beyond the Cinema, An exposition in homage of: Tomas Gutierrez-Alea; ICAIC 2007, National Museum of Art, From the 16 of November to the 15 of January 2007 Poster Year: 2007 General Description: Tomás Gutiérrez-Alea's face appears multiple times along a strip in the middle of the posers; his body hangs down while slumping lazily in a white chair, the poser is done in a soft baby blue with black and yellow as a contrast.","Artist: Eduardo Muñoz Bachs. Text: Elpidio Valdes Contra La Policia de Nueva York, Dibujo animado cubano en colores, Dirección: Juan Padrón Translation: Elpidio Valdes Against the New York City Police, Cuban animation in color; Directed by Juan Padrón Film: Elpidio Valdes Against the New York City Police Director: Juan Padrón Film Year: 1976 Poster Year: 1995 General Description: Elpidio Valdes rides his horse, he has a sword in his hand and is fighting two uniformed police offices with clubs; the background is the city skyline in pink, with a purple sky and yellow crescent moon.","Artist: Raul Martinez Gonzales. Text: Lucia; Un film cubano de Humberto Solas, con Raquel Revuelta, Eslinda Nuñez, Adela Legra Translation: Lucia; A Cuban Film by Humberto Solas, with Raquel Revuelta, Eslinda Nuñez, Adela Legra Film: Lucia Director: Humberto Solas Poster Year: 1968 Film Year: 1968 General Description: Three images of a woman's face framed by organic curves and flowers; \"Lucia\" printed across the top of poster in large, rounded lettering; colors are yellows, pinks, oranges, blues, and green.","Artist: Antonia Fernández Reboiro. Text: El Arte del Tabaco; documental cubano en colores; direccion: Tomas Gutierrez Alea [sic]. Translation: The Art of Tabacco, Cuban documentary in color, directed by Tomás Gutíerrez-Alea Film: El Arte del Tabaco Director: Tomás Gutíerrez-Alea Film Year: 1974 Poster Year: 1977 General Description: A woman's face is framed by an arch of tobacco plants and a golden banner with the film title \"El Arte del Tabaco\"; the background is a turquoise blue and the border is alternating stripes of brown, black, and orange.","Artist: René Portocarrero. Text: Soy Cuba; Dirección: Mihail Kalatosov, Fotografia: Serguei Urusevsky; Coproduccion Cubano-Sovietica Translation: I am Cuba; Directed by: Mihail Kalatosov, Photography by: Serguei Urusevsky; Cuban-Soviet Co-production Film: Soy Cuba (Russian title: Ya Kuba) Director: Mihail Kalatosov Film Year: 1964 Poster Year: 1964 General Description: Profile of a man's face formed with an ornate graphic pattern in grey, black, and red; background is yellow with a thick two-toned blue and green border.","Artist: Niko. Text: Che, Hoy y Siempre; Documental Cubano, Director: Pedro Chaskel Translation: Che, Now and Forever Film: Che, Hoy y Siempre Director: Pedro Chaskel Film Year: 1982 Film Year: 1983 General Description: A Larg.e image of Che Gueverra's face in turquoise, blue, and white is framed by several smaller identical images in blues, oranges, reds, and white.","Artist: Niko. Text: Frenesí; Film Ingles, Dir. Alfred Hitchcocks [sic], con: Jon Finch, Barry Forster, Alec McCowen Translation: English Film, Frenzy; Dir. Alfred Hitchcock, with: Jon Finch, Barry Forster, Alec McCowen Film: Frenzy Director: Alfred Hitchcock Film Year: 1973 Poster Year: 1973 General Description: Black and white image of a man falling diagonally against a red background; title \"frenesí\" printed in white, lowercase lettering across the top, with a blue and purple striped tie encircling a green apple below it.","Artist: Not available. Text: Hemingway; Dir. Fausto Canel/1962; Documental en blanco y negro Translation: Hemingway; Dir. Fausto Canel/1962; Documentary in black and white Film: Hemingway. Director: Fausto Canel. Film Year: 1962. Poster Year: Not available. General Description: Black and white bull being speared; red ground and white background with name of film across top.","Artist: Antonio Fernández Reboiro. Text: Che, Comandante Amigo; documental cubano en colores, dir: Bernabé Hernández Translation: Che, Commander Friend; Cuban documentary in Color, dir: Bernabé Hernández Film: Che, Comandante Amigo Director: Bernabé Hernández Film Year: 1978 Poster Year: 1978 General Description: Black and orange image of Che Gueverra's face; pink background with red, white, and blue border.","Artist: Raupa. Text: El Resplandor; Un filme de Stanley Kubrick; Jack Nicholson. Translation: The Shining, A film by Stanley Kubrick; Jack Nicholson. Film: The Shining Director: Stanley Kubrick. Film Year: 1980 Poster Year: 2009. General Description: Red tricycle in bottom left corner; black background, the title \"El Resplandor\" in white all-capital block letters with white rays coming diagonally out of the bottom.","Artist: Carlos Jose. Text: Clandestinos; Filme Cubano de Fernando Peréz. Translation: The Clandestine Ones; Cuban film by Fernando Peréz Film: Clandestinos Director: Fernando Peréz. Film Year: 1987. Poster Year: Not available. General Description: Dark blue background, bottom quarter of poster is black with film title emerging from top in lowercase black and orange letters.","Artist: Julio Eloy. Text: Clandestinos; Filme Cubano en Colores; Direccion: Fernando Peréz; con Luis Alberto Garcia, Isabel Santos, Susana Peréz. Translation: The Clandestine Ones; Cuban Film in Color; Directed by Fernando Peréz; with\" Luis Alberto Garcia, Isabel Santos, Susana Peréz Film: Clandestinos. Director: Fernando Peréz. Film Year: 1987. Poster Year: 1987. General Description: Two bleeding red hearts against a black background.","Artist: Hollands. Text: El Perro Andaluz 1928; Pierre Batcheff/Simone Mareuil/Fano Mesan; Luis Buñuel/Xaume Miravitlles/Salvador Dalí; Dirección: Luis Buñuel Translation: The Andalucian Dog, 1928; Pierre Batcheff/Simone Mareuil/Fano Mesan; Luis Buñuel/Xaume Miravitlles/Salvador Dalí; Directed by Luis Buñuel Film: El Pero Andaluz (Un Chien Andalou) Director: Luis Buñuel Film Year: 1928 Poster Year: 2009. General Description: Grey background with circle split in two halves, one lighter grey and one black.","Artist: Moltó. Text: Suite Habana; Un Filme de Fernándo Peréz. Translation: Havana Suite; A Film by Fernándo Peréz. Film: Suite Habana Director: Fernándo Peréz. Film Year: 2003 Poster Year: 2003 Text on back: Premio Coral, Al Mejor Cartel, 25 Festival del Nuevo Cine Latinoamericano/2003 Translation: Grand Prize for Best Poster, 25th Fesitval of New Latin American Cinema/2003. General Description: Large black and white platform sandals in front of grey city skyline; blue background.","Artist: Nelson Garcia","Text: RTV Comercial Cubavisión ICAIC La Ciudad un Filme de Tomás Piard  Translation: RTV Comercial Cubavisión ICAIC The City a Film by Tomás Piard","Artist: René Azcuy, Text: Memorias del Subdesarrollo; film cubano, dirección: Tomas Gutierrez Alea/con: Sergio Corrieri y Daisy Granados Translation: Memories of Underdevelopment; Cuban film, directed by: Tomas Gutierrez Alea/with: Sergio Corrieri y Daisy Granados Film: Film: Memorias del Subdesarrollo Director: Tomás Gutíerrez Alea. Film Year: 1968. Poster Year: 1973. General Description: Black background with white all lowercase block text at top and white graphic at bottom.","One of two posters for the film, La Guarida del Topo, directed by Alfredo Ureta. The posters includes an inscription by Ureta. Title of film: \"La Guarida del Topo\" (The Mole's Den). Year of Film Production: 2011. Year of Production of posters: 2011. Director of Film: Alfredo Ureta. Principal Actors: Nestor Jimenez, Ketty de la Iglesia, Alberto Pujol, Rafael Lahera. Poster Artists (for Silkscreened version): Enrique Smith and Katia Hernandez.","One of two posters of the film, La Guarida del Topo, directed by Alfredo Ureta. Title of film: \"La Guarida del Topo\" (The Mole's Den). Year of Film Production: 2011. Year of Production of posters: 2011. Director of Film: Alfredo Ureta. Principal Actors: Nestor Jimenez, Ketty de la Iglesia, Alberto Pujol, Rafael Lahera.","Directed by Eduardo del Llano. Poster artist: Raupi. Signed by the film director.","Directed by Ramon Peon.","Directed by Eduardo del Llano. Poster artist: Raupi. Signed by the film director. Text: Con: Rita Montanex. Title of film: \"Romance del Palmar\"","Directed by Enrique Colina.","Directed by Enrique Colina. Text: Vecinos Documental Cubano en colores De Enrique Colina Translation: Neighbors Cuban Documentary in colors By Enrique Colina","Text: Dibujo animado cubano de Juan Padron. Translation: Cuban cartoon by Juan Padron.","Romanian animation in color, driected by Horia Steganescu and Victor Antonescu, poster artist Munoz Bachs.","Artist: Bachs. Text: con Ana Vina, Reynaldo Miravalles, Tahimi Alvarino. Directed by Luis F. Bernaza. Physical description: pink cake/building on a blue background.","Directed by Tomas Gutierrez Alea with Nelson Villagra.","Artist: Reboiro. From the Instituto Cubano del arte e industria cinematogrificos.","Artist: Marcelo Martin. Poster text: Un documental de Carlos Machado, Aram Vidal, Benny Ray, Alina Rodriguez, Daniel Vera.","Artist: Nestor Coll. Text: 19 Festival del Nuevo Cine Lantinoamericano, La Habana, Cuba, Diciembre 2-12-1997. Translation: 19th Festival of the New Latin American Cinema, Havana, Cuba December 2-12-1997","Artist: Munoz Bachs. Directed by Juan Tabio.","Text: Directed by Juan Tabio.Text: Plaf; Film Cubano; Dirección: Juan C.Tabo; Dairy Granados, Luis A. Ramirez(H), Thais Valdés Translation: Cuban Film; Director: Juan C. Tabo;  Dairy Granados, Luis A. Ramirez(H), Thais Valdés","Artist: Munoz Bachs. Directed by Orlando Rojas.","Directed by Orlando Rojas. Text: Papeles Secundarios; Coproducción Cuba España; Dirección Orlando Rojas, Con: Rosa Fornes, Juan Luis Galiardo, Luisa Pérez Nieto Translation: Supporting Roles; Coproducation Cuba Spain; Directed by: Orlando Rojas, With: Rosa Fornes, Juan Luis Galiardo, Luisa Pérez Nieto","Artist: R. Martinez.","Artist Munoz Bachs. Directed by Tomas Gutierrez Alea.","Artist: Munoz Bachs. Directed by Luis Felipe Bernaza.","Directed by Luis Felipe Bernaza. Text: De Tal Pedro Tal Astilla Con: Reinaldo Mairavales, Ana Vina, Nancy Gonzalez, Gilberto Revés. Film Cubano en colores/ Director: Luis Felipe Bernaza Translation: A Chip Off the Old Block; With Reinaldo Mairavales, Ana Vina, Nancy Gonzalez, Gilberto Revés.","Artist: Reboiro. Directed by Santiago Alvarez.","Directed by Santiago Alvarez. Text: LBJ, Documental cubano / Director: Santiago Alvarez Translation: LBJ, Cuban Documentary","Artist: Hubert Delestre. Poster is signed by the artist. Film dDirected by Tomas Gutierrez Alea.","Poster is signed by the artist. Film Directed by Tomás Gutiérrez Alea. Text: La Muerte de un Burócrata; La Habana, 1966 Una película cubana en blanco y negro con Guión de Alfredo del Cueto. Ramon F. Suárez y Tomás Gutiérrez Alea. Fotografia de Ramon F. Suarez, edicion de Mario Gonzales y música de Leo Brower. Con la actuación de Salvador Wood,  Manuel Estanillo, Silvia Planas , Gaspar de Santelices y Pedro Pablo Astorga.;  El Director Tomás Gutiérrez Alea.  Translation: The Death of a Bureaucrat; Havana, 1966 A  black and white cuban film, With:  Guión de Alfredo del Cueto. Ramon F. Suárez y Tomás Gutiérrez Alea. Photography by Ramon F. Suarez, Editing by Mario Gonzales and music by Leo Bower. Starring: Salvador Wood,  Manuel Estanillo, Silvia Planas , Gaspar de Santelices y Pedro Pablo Astorga, Director Tomás Gutiérrez Alea","Artist: Maikel.","Text: 6to Festival Internacional de Documentales \"Santiago Álvarez in Memoriam\"; Santiago de Cuba del 5 al 8 de marzo del 2005. El cine documental en el mundo contemporáneo Translation: 6to International  Documentary Festival \"In Memory of Santiago Álvarez,\"; Santiago de Cuba from the 5th to 8th of March of 2005","Artist: Munoz Bachs. Directed by Fernando Valverde.","Directed by Fernando Valverde. Text: Martín Fierro; Coproducción de Animación cubana/Argentino Colombiana Translation: Martín Fierro; Coprduction from Cuban/Argentinian/Columbian Animation","Artist: Pablo Monterrey.","Text: Diseno Contemporaneo Filmes Clássicos, Exposición de carteles Centro Cultural cinematografico ICAIC; ICAIC 201; 1960-2010 Cinemateca de Cuba 50 Translation: Contemporary Design Classic Films Poster Exhibit Cultural Center of Cinematography ICAIC","Artist: Nelson Ponce. Directed by Jorge Luis Sanchez.","Artist: Munozs Bachs.","Directed by Juan Padron Text: Filminutos","Artist: Fabian. Directed by Rebecaa Chavez.","Directed by Rebecca Chavez. Text: Che, Entre Leyendas; trilogía documental (ICAIC) Translation: Among the LEgends; Documentary (IACAIC) trilogy","Artist: Nestor Coll (Nester Coll?). Directed by Sergio Nunez.","Artist: Nelson Ponce. Directed by Juan Padron.","Directed by Juan Padron. Text: Vampiros en la Habana Translation: Vampires in Havana","Directed by Manuel Marcel. The poster artist signed \"Z-in memory of Raul Martinez.\"","Directed by Manuel Marcel. The poster artist signed \"Z-in memory of Raul Martinez.\" Text: Marzel; Una película de marzel; Musica: Luis Alberto Spineta Translation: marzel; A movie about Marzel; Music:Luis Alberto Spineta","Artist: Coll.","Text: 14 Tallen Naccional de la Crítica Cinematográfica Translation: 14th National Workshop of Film Criticism","Artist: Giselle Monzon. Directed by Oliver Stone.","Artist: Coll. Directed by Antonio Banderas.","Directed by Antonio Banderas. Text: \"El Camino de  los ingleses\" Filme España-Gran Bretaña, Dirigido por Antonio Banderas; Con: Victoria Abril, Juan Diego, Frank Perea Translation: \" The way of the English\" Spanish-Great Britain Film, Directed by Antonia Banderas; With: Victoria Abril, Juan Diego, Frank Pere","Artist: Arnulfo. Directed by Steven Spielberg.","Directed by Steven Spielberg.Text: La Lista de Schindler un film de Steven Spielberg Translation: Schindler's List, a film by Steven Spielberg","Artist: Niko. Directed by Santiago Alvarez.","Directed by Santiago Alvarez. Text: Mi Hermano Fidel, Documental cubano, dirección Santiago Alvares Translation: My Brother Fidel, Cuban Documentary; Directed by Santiago Alvares","Artist: Munoz Bachs. Directed by Fernando Perez.","Directed by Fernando Perez. Text: La Vida es Silbar. Producida por ICAIC y Wanda Distribución . Dirección: Fernando Perez, Con: Luis Alberto Garcia, Isabel Santos, Coralia Velos, Ronaldo Brito, Claudia Rojas, Joan Manuel Reyes, Bebe Perez Translation: Life is to Whistle, Production by ICAIC and Wanda Distribution; Directed by Fernando Peresz, With: Luis Alberto Garcia, Isabel Santos, Coralia Velos, Ronaldo Brito, Claudia Rojas, Joan Manuel Reyes, Bebe Perez","Artist: Reboira. Directed by Masaki Kobayashi.","Directed by Masaki Kobayashi. Text: Film Japones en cinemascope, direction: Masaki Kobayashi. con Tatsuya Nakadai, Shima Iwashite, Akira Ishihama, Premios San Giorgio y Pascinetti en el Festival de Venecia. segundo premio en el fesival cinematografico de cannes, 1963. Hara Kiri Translation: Japanese Film in sinemasope; Directed by: Masaki Kobayashi; With: Tatsuya Nakadai, Shima Iwashite, Akira Ishihama; San Giorgio and Pascinetti Award en the Venecia Festival, Second Award from the Cannes Film Festival, 1993","Artist: unknown. Text: un filme de Tomas Gutierrez Alea y Juan Carlos Tabio con Jorge Peruggoria, Vladimir Cruz y Mirta Ibarra. Translation: \na film by Tomas Gutierrez Alea and Juan Carlos Tabio with Jorge Peruggoria, Vladimir Cruz and Mirta Ibarra.","Film poster of Café Amargo, directed by Rigoberto Jiménez. Poster is signed by film producer Jorge Luis Barber.","Film poster of Café Amargo, directed by Rigoberto Jiménez. Poster is signed by film producer Jorge Luis Barber. Text:  Cazabe producciones / Estacion Central Producción Audiovisual / Odessa Films, Adela Legra, Coralia Veloz, Oneyda Hernandez, Mirelys Echenique, Yudexi de la Torre, Yunia Jerez, Janet Batista, Venecia Lanz, Carlos Alberto Mendez, Raul Copte; productores: Rigoberto Jiménez, Jorge Luis Barber; productor ejecutivo: Jorge Luis Barber; coproductores: Pedro Pancho Lborra; guion: Artruo Arango, Xenia Rivery; Musica: Juan Pinera; Director de fotografia: Jose Manuel Riera; editora: Ilka M. Valdes; Diseño de Banda Sonora: Heidy Carrazana; Sonido Director: Juan Mauel Lopez; direccion de arte: Vivian del Valle.  Translation: Cazabe production / Central Production Audiovisual Station / Odessa Films, Adela Legra, Coralia Veloz, Oneyda Hernandez, Mirelys Echenique, Yudexi de la Torre, Yunia Jerez, Janet Batista, Venecia Lanz, Carlos Alberto Mendez, Raul Copte; Produced by:  Rigoberto Jiménez, Jorge Luis Barber; Executive Producer: Jorge Luis Barber; Coproducers:  Pedro Pancho Lborra; Script: Artruo Arango, Xenia Rivery; Music: Juan Pinera; Pfotography Director: Jose Manuel Riera; Editor: llka M. Valdes; Soundtrack Design; Sound Director: uan Mauel Lopez: Art Director: Vivian del Valle","Artist: Maylin Betancourt Perez. Bohio, documental television serrana. Director: Carlos Y Rodriguez. Poster presented and signed by the director to Swem Library, 2014.","Black silkscreen on red background. Artist's proof. Signed by the artist, Samuel Riera.","Numbered 12/30 and signed by the artist, Samuel Riera.","Poster is signed by the artist, Idania del Río. Text: 7 de Septiembre, 4:00 PM, MPC, Espacio SGAE, Suite 3A, Lonja del Comercio, Habana Vieja. Translation: September 7, 4:00 PM, MPC, Espacio SGAE, Suite 3A, Lonja del Comercio, Old Havana.","Poster by aArtist: Rostgard. Directed by Santiago Alvarez."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert ","Rodriguez, Ernesto Pina"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert ","Rodriguez, Ernesto Pina"],"language_ssim":["Spanish; Castilian English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":87,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:26:34.255Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1149_c03_c02"}},{"id":"viu_repositories_3_resources_1397_c47","type":"File","attributes":{"title":"A Map of the University Grounds on the Eve of the Rotunda Fire","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1397_c47#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1397_c47","ref_ssm":["viu_repositories_3_resources_1397_c47"],"id":"viu_repositories_3_resources_1397_c47","ead_ssi":"viu_repositories_3_resources_1397","_root_":"viu_repositories_3_resources_1397","_nest_parent_":"viu_repositories_3_resources_1397","parent_ssi":"viu_repositories_3_resources_1397","parent_ssim":["viu_repositories_3_resources_1397"],"parent_ids_ssim":["viu_repositories_3_resources_1397"],"parent_unittitles_ssm":["Alexander G. 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