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appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections","2 copies.","Macon After Dark is a series of events hosted on campus for students that offer free late night entertainment, often including food and prizes","It is unclear whether this poster is from the fall of 2012 or the spring of 2013 advertising events for the coming fall.  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","Inquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu","Held in the Ashland Theatre.","Featuring: information about Mu Phi Epsilon and the Zeta Epsilon chapter, music performance by InTONEnation, and dessert for all attendees.","Including the additional infor Jayme Watkins the Director of Student Life.","Classism, Homophobia, Transphobia, Sexism, Racism, and Intersectionality.","2 copies.","Fall.","Rain Date: September 18th, 2017","Fall.","Fall.","Fall.","Fall.","Fall.","Featuring Dr. Seth Clabough, Dr. James Scanlon, and Dr. Jack Trammell.","Fall.","Fall.","Fall.","Fall.","Fall.","Featuring: hors d'oeuvers, silent auction and raffle, and music performance by InTONEnation.","Fall.","Fall.","Fall.","Fall.","J-Term.","With Professor Kim Gerecke, Associate Professor of Behavioral Neuroscience.","Spring.","Spring.","Spring.","Spring.","Spring.","Home Schedule: CNU, Ferrum, Lynchburg, Frostburg State, Rowan or Hobart, Shenandoah, Washington and Lee, Hampton-Sydney, Eastern Mennonite, Randolph, Guilford, and Emory and Henry.","Spring.","Spring.","\"He Named Me Malala\" directed by Davis Guggenheim.","Spring.","Spring.","Directed by Janet Hayatshahi with assistant director Ashley Snead.","Spring.","A concert with Sammy Adams.","Spring.","Students who submmited photos: Emily Bowman (1st Place Winner), Alina Pacione (2nd Place Winner), Calista Mason, Crystal J.C. McDonald, Elizabeth Majewski, Emily VC Cannon, Hallie Colonna, Julia Kinder, Katelyn Jordan, Nicholas Ravida, and Tait Buttery.","Spring.","There is information on the Higgins Academic Ceneter (HAC).","Fall.","Fall.","Fall.","Zooptopia, The Jungle Book, Captain America: Civil War, The Great Gatsby, Neighbors 2: Sorority Rising, Now You See Me 2, Purge: Election Year, Finding Dory, Ghostbusters, and Suicide Squad.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Directed by Olivia Klaers with costume designer Emily Durando.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","A concert with Sage the Gemini.","Spring.","Spring.","Featuring Dr. Peter Wallenstein.","Spring.","A film by Nancy Buirski.","Spring.","Spring.","Spring.","Spring.","Spring.","There are two of these posters.","Spring.","J-Term.","There are two of these posters.","Spring.","Fall.","Fall.","Tujae Anglin, Nana Bamfo, Nathan Baumbach, Richard Bock, Lexi Bowden, Taylor Boyd, Callie Brown, Alex Burinsky, Samantha Cameron, Jessica Caso, Brad Davis, Brae Dozier, Skye Edwards, Atticus Finn, Madison Guidry, Bar Hass, Mark Heideman, Nadhira Hill, Matt Houle, Julia Knapp, Jamie Langbein, Steven Lohrey, Madeline Monk, Tracy Moriconi, Hang Ngo, Kaeleigh Olsen, Kristin Patrick, Trang Pham, Martha Reynolds, Brittany Richie, Marcelo Roman, Haley Russ, Jung Hee Seo, Aishwarya Shrestha, Elizabeth Steiner, Brooke Thomposon, Sarena Tien, Abbey Warren, and Jenelle Whitman.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Written by Bruce Norris and directed by Jasmine Shepard.","Fall.","Fall.","Fall.","Fall.","A play by Todd Logan and directed by Richard Shavzin.","Fall.","Fall.","A film by John Pirozzi.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Marika Beale, Richard Bock, Raven Brown, Alisa Carmichael, Caroline Clary, Christian Cok, Derek Dittmar, Brae Dozier, Cory Fore, Elizabeth Forstall, Madison Guidry, Laura Haney, Emily Hewitt, Pirscilla Koirala, Fraser Mayberry, Meghan Novotny, Trang Pham, Steven Quinn, Rebecca Rediy, Marcelo Roman, Haley Russ, Natalie Schnell, Susie Snee, Stephanie Staples, Hannah Starkey, Elizabeth Steiner, Dashonte Temoney, Brooke Thompson, Boddy Trickett, Becca Waldman, Abbey Warren, Jenelle Whitman, and Most Wongsirikul.","Spring.","Spring.","Spring.","Spring.","Spring.","Movies shown: Selma, Straight Outta Compton, Crooklyn, The Intern, Hunger Games: Mockingjay Part 2, The Night Before, The Good Dinosaur, Creed, Sisters, Ride Along 2, and Star War VII: The Force Awakens.","Spring.","With Eugene Thomas Long, RMC Class of '57.","Spring.","Written by Sarah Ruhl and directed by Janet Hayatshahi.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","J-term.","Spring.","Written by Robert Harling and directed by Sydney Hinkle.","Spring.","Spring.","Spring.","Spring","Featuring Tai Wo.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Also sponsored by SAAC, AOD, and Hanover Cares.","Spring.","Spring.","Spring.","Spring.","Spring.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Event held with Office of Student Life, History Department, Sociology Department, Black Cultural Society, One Change at a Time, Iota Phi Theta Fraternity, Inc., and Alpha Kappa Alpha Sorority, Inc.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Featuring Lee Loudermilk, Chris Leggett, and Thought.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","No dates provided.","Unique Experiences: Emerging Leaders Weekend, The Foundations of Leadership Seminar, Six Core Competency Workshops, The Great Leadership Hunt, The Leadership Case Study Competiton, The Student Leadership Conference, The Dream Speak Conference, Peer Education, Community Service, The Leadership Portfolio, and The Capstone Leadership Project.","No dates provided. However, there was also a \"My Language. My Choice\" Campaign Photo Shoot in 2015, but I am unsure if this poster is from around that time as well.","\"Words Can Hurt, Understand your Impact, Take Responsibility\"","No dates provided.","There are no dates for this poster, but there are show times on a random Friday from 7pm to 10pm and on Saturday 7pm to 10pm.","There are two of these posters.","Spring","Fall","Spring","Fall","J-Term and Spring","Spring","Spring","It's oddly sticky in one place and it kind of smells?","Fall","Colleges involved include: University of Mary Washington, Randolph-Macon College, United States Naval Academy, and College of William and Mary","This calendar poster includes some of the events also listed on the Cafe Nights poster","The Fraternities included on this poster include: Theta Chi, Kappa Alpha Order, Kappa Sigma, Sigma Alpha Epsilon, Sigma Phi Epsilon, Phi Delta Theta, and Phi Kappa Sigma","Artists listed as performing include: Nicole Claybrooks, Shuyan Zhan, Duke Nuygen, Hobbes Launderville, Matt Maddox, Ethan Franz, Jasmin Young, Erin Byrne, John Farnham, Emily Winks, Alex Burgess, Christina Mitchell, Matt Zavitz, Kristen Hodge, Ethan Litvan, Raymond Ruybe","A Collection of 298 posters from different departments of Student Life.","Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College","English \n.    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The dates of events are listed from September 6-November 29 with no year listed, and the \"Approved Until\" stamp is for 5/10/13.","No date is provided on the poster, but the \"Approved Until\" date is labeled as 5/27/2013","Poster lists the winners and honorable mentions of the contest"],"odd_html_tesm":["\u003cp\u003eSome images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. \u003c/p\u003e\n","\u003cp\u003eFor users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. \u003c/p\u003e","\u003cp\u003eInquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu\u003c/p\u003e","\u003cp\u003eHeld in the Ashland Theatre.\u003c/p\u003e","\u003cp\u003eFeaturing: information about Mu Phi Epsilon and the Zeta Epsilon chapter, music performance by InTONEnation, and dessert for all attendees.\u003c/p\u003e","\u003cp\u003eIncluding the additional infor Jayme Watkins the Director of Student Life.\u003c/p\u003e","\u003cp\u003eClassism, Homophobia, Transphobia, Sexism, Racism, and Intersectionality.\u003c/p\u003e","\u003cp\u003e2 copies.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eRain Date: September 18th, 2017\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFeaturing Dr. Seth Clabough, Dr. James Scanlon, and Dr. Jack Trammell.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFeaturing: hors d'oeuvers, silent auction and raffle, and music performance by InTONEnation.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eJ-Term.\u003c/p\u003e","\u003cp\u003eWith Professor Kim Gerecke, Associate Professor of Behavioral Neuroscience.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eHome Schedule: CNU, Ferrum, Lynchburg, Frostburg State, Rowan or Hobart, Shenandoah, Washington and Lee, Hampton-Sydney, Eastern Mennonite, Randolph, Guilford, and Emory and Henry.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003e\"He Named Me Malala\" directed by Davis Guggenheim.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eDirected by Janet Hayatshahi with assistant director Ashley Snead.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eA concert with Sammy Adams.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eStudents who submmited photos: Emily Bowman (1st Place Winner), Alina Pacione (2nd Place Winner), Calista Mason, Crystal J.C. McDonald, Elizabeth Majewski, Emily VC Cannon, Hallie Colonna, Julia Kinder, Katelyn Jordan, Nicholas Ravida, and Tait Buttery.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eThere is information on the Higgins Academic Ceneter (HAC).\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eZooptopia, The Jungle Book, Captain America: Civil War, The Great Gatsby, Neighbors 2: Sorority Rising, Now You See Me 2, Purge: Election Year, Finding Dory, Ghostbusters, and Suicide Squad.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eDirected by Olivia Klaers with costume designer Emily Durando.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eA concert with Sage the Gemini.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eFeaturing Dr. Peter Wallenstein.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eA film by Nancy Buirski.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eThere are two of these posters.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eJ-Term.\u003c/p\u003e","\u003cp\u003eThere are two of these posters.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eTujae Anglin, Nana Bamfo, Nathan Baumbach, Richard Bock, Lexi Bowden, Taylor Boyd, Callie Brown, Alex Burinsky, Samantha Cameron, Jessica Caso, Brad Davis, Brae Dozier, Skye Edwards, Atticus Finn, Madison Guidry, Bar Hass, Mark Heideman, Nadhira Hill, Matt Houle, Julia Knapp, Jamie Langbein, Steven Lohrey, Madeline Monk, Tracy Moriconi, Hang Ngo, Kaeleigh Olsen, Kristin Patrick, Trang Pham, Martha Reynolds, Brittany Richie, Marcelo Roman, Haley Russ, Jung Hee Seo, Aishwarya Shrestha, Elizabeth Steiner, Brooke Thomposon, Sarena Tien, Abbey Warren, and Jenelle Whitman.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eWritten by Bruce Norris and directed by Jasmine Shepard.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eA play by Todd Logan and directed by Richard Shavzin.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eA film by John Pirozzi.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eMarika Beale, Richard Bock, Raven Brown, Alisa Carmichael, Caroline Clary, Christian Cok, Derek Dittmar, Brae Dozier, Cory Fore, Elizabeth Forstall, Madison Guidry, Laura Haney, Emily Hewitt, Pirscilla Koirala, Fraser Mayberry, Meghan Novotny, Trang Pham, Steven Quinn, Rebecca Rediy, Marcelo Roman, Haley Russ, Natalie Schnell, Susie Snee, Stephanie Staples, Hannah Starkey, Elizabeth Steiner, Dashonte Temoney, Brooke Thompson, Boddy Trickett, Becca Waldman, Abbey Warren, Jenelle Whitman, and Most Wongsirikul.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eMovies shown: Selma, Straight Outta Compton, Crooklyn, The Intern, Hunger Games: Mockingjay Part 2, The Night Before, The Good Dinosaur, Creed, Sisters, Ride Along 2, and Star War VII: The Force Awakens.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eWith Eugene Thomas Long, RMC Class of '57.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eWritten by Sarah Ruhl and directed by Janet 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Wo.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eAlso sponsored by SAAC, AOD, and Hanover Cares.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eEvent held with Office of Student Life, History Department, Sociology Department, Black Cultural Society, One Change at a Time, Iota Phi Theta Fraternity, Inc., and Alpha Kappa Alpha Sorority, Inc.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eFeaturing Lee Loudermilk, Chris Leggett, and Thought.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eNo dates provided.\u003c/p\u003e","\u003cp\u003eUnique Experiences: Emerging Leaders Weekend, The Foundations of Leadership Seminar, Six Core Competency Workshops, The Great Leadership Hunt, The Leadership Case Study Competiton, The Student Leadership Conference, The Dream Speak Conference, Peer Education, Community Service, The Leadership Portfolio, and The Capstone Leadership Project.\u003c/p\u003e","\u003cp\u003eNo dates provided. However, there was also a \"My Language. My Choice\" Campaign Photo Shoot in 2015, but I am unsure if this poster is from around that time as well.\u003c/p\u003e","\u003cp\u003e\"Words Can Hurt, Understand your Impact, Take Responsibility\"\u003c/p\u003e","\u003cp\u003eNo dates provided.\u003c/p\u003e","\u003cp\u003eThere are no dates for this poster, but there are show times on a random Friday from 7pm to 10pm and on Saturday 7pm to 10pm.\u003c/p\u003e","\u003cp\u003eThere are two of these posters.\u003c/p\u003e","\u003cp\u003eSpring\u003c/p\u003e","\u003cp\u003eFall\u003c/p\u003e","\u003cp\u003eSpring\u003c/p\u003e","\u003cp\u003eFall\u003c/p\u003e","\u003cp\u003eJ-Term and Spring\u003c/p\u003e","\u003cp\u003eSpring\u003c/p\u003e","\u003cp\u003eSpring\u003c/p\u003e","\u003cp\u003eIt's oddly sticky in one place and it kind of smells?\u003c/p\u003e","\u003cp\u003eFall\u003c/p\u003e"],"odd_heading_ssm":["Content Disclaimer","Contact Information","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["Some images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. ","For users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. ","Inquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu","Held in the Ashland Theatre.","Featuring: information about Mu Phi Epsilon and the Zeta Epsilon chapter, music performance by InTONEnation, and dessert for all attendees.","Including the additional infor Jayme Watkins the Director of Student Life.","Classism, Homophobia, Transphobia, Sexism, Racism, and Intersectionality.","2 copies.","Fall.","Rain Date: September 18th, 2017","Fall.","Fall.","Fall.","Fall.","Fall.","Featuring Dr. Seth Clabough, Dr. James Scanlon, and Dr. Jack Trammell.","Fall.","Fall.","Fall.","Fall.","Fall.","Featuring: hors d'oeuvers, silent auction and raffle, and music performance by InTONEnation.","Fall.","Fall.","Fall.","Fall.","J-Term.","With Professor Kim Gerecke, Associate Professor of Behavioral Neuroscience.","Spring.","Spring.","Spring.","Spring.","Spring.","Home Schedule: CNU, Ferrum, Lynchburg, Frostburg State, Rowan or Hobart, Shenandoah, Washington and Lee, Hampton-Sydney, Eastern Mennonite, Randolph, Guilford, and Emory and Henry.","Spring.","Spring.","\"He Named Me Malala\" directed by Davis Guggenheim.","Spring.","Spring.","Directed by Janet Hayatshahi with assistant director Ashley Snead.","Spring.","A concert with Sammy Adams.","Spring.","Students who submmited photos: Emily Bowman (1st Place Winner), Alina Pacione (2nd Place Winner), Calista Mason, Crystal J.C. McDonald, Elizabeth Majewski, Emily VC Cannon, Hallie Colonna, Julia Kinder, Katelyn Jordan, Nicholas Ravida, and Tait Buttery.","Spring.","There is information on the Higgins Academic Ceneter (HAC).","Fall.","Fall.","Fall.","Zooptopia, The Jungle Book, Captain America: Civil War, The Great Gatsby, Neighbors 2: Sorority Rising, Now You See Me 2, Purge: Election Year, Finding Dory, Ghostbusters, and Suicide Squad.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Directed by Olivia Klaers with costume designer Emily Durando.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","A concert with Sage the Gemini.","Spring.","Spring.","Featuring Dr. Peter Wallenstein.","Spring.","A film by Nancy Buirski.","Spring.","Spring.","Spring.","Spring.","Spring.","There are two of these posters.","Spring.","J-Term.","There are two of these posters.","Spring.","Fall.","Fall.","Tujae Anglin, Nana Bamfo, Nathan Baumbach, Richard Bock, Lexi Bowden, Taylor Boyd, Callie Brown, Alex Burinsky, Samantha Cameron, Jessica Caso, Brad Davis, Brae Dozier, Skye Edwards, Atticus Finn, Madison Guidry, Bar Hass, Mark Heideman, Nadhira Hill, Matt Houle, Julia Knapp, Jamie Langbein, Steven Lohrey, Madeline Monk, Tracy Moriconi, Hang Ngo, Kaeleigh Olsen, Kristin Patrick, Trang Pham, Martha Reynolds, Brittany Richie, Marcelo Roman, Haley Russ, Jung Hee Seo, Aishwarya Shrestha, Elizabeth Steiner, Brooke Thomposon, Sarena Tien, Abbey Warren, and Jenelle Whitman.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Written by Bruce Norris and directed by Jasmine Shepard.","Fall.","Fall.","Fall.","Fall.","A play by Todd Logan and directed by Richard Shavzin.","Fall.","Fall.","A film by John Pirozzi.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Marika Beale, Richard Bock, Raven Brown, Alisa Carmichael, Caroline Clary, Christian Cok, Derek Dittmar, Brae Dozier, Cory Fore, Elizabeth Forstall, Madison Guidry, Laura Haney, Emily Hewitt, Pirscilla Koirala, Fraser Mayberry, Meghan Novotny, Trang Pham, Steven Quinn, Rebecca Rediy, Marcelo Roman, Haley Russ, Natalie Schnell, Susie Snee, Stephanie Staples, Hannah Starkey, Elizabeth Steiner, Dashonte Temoney, Brooke Thompson, Boddy Trickett, Becca Waldman, Abbey Warren, Jenelle Whitman, and Most Wongsirikul.","Spring.","Spring.","Spring.","Spring.","Spring.","Movies shown: Selma, Straight Outta Compton, Crooklyn, The Intern, Hunger Games: Mockingjay Part 2, The Night Before, The Good Dinosaur, Creed, Sisters, Ride Along 2, and Star War VII: The Force Awakens.","Spring.","With Eugene Thomas Long, RMC Class of '57.","Spring.","Written by Sarah Ruhl and directed by Janet Hayatshahi.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","J-term.","Spring.","Written by Robert Harling and directed by Sydney Hinkle.","Spring.","Spring.","Spring.","Spring","Featuring Tai Wo.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Also sponsored by SAAC, AOD, and Hanover Cares.","Spring.","Spring.","Spring.","Spring.","Spring.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Event held with Office of Student Life, History Department, Sociology Department, Black Cultural Society, One Change at a Time, Iota Phi Theta Fraternity, Inc., and Alpha Kappa Alpha Sorority, Inc.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Featuring Lee Loudermilk, Chris Leggett, and Thought.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","No dates provided.","Unique Experiences: Emerging Leaders Weekend, The Foundations of Leadership Seminar, Six Core Competency Workshops, The Great Leadership Hunt, The Leadership Case Study Competiton, The Student Leadership Conference, The Dream Speak Conference, Peer Education, Community Service, The Leadership Portfolio, and The Capstone Leadership Project.","No dates provided. However, there was also a \"My Language. My Choice\" Campaign Photo Shoot in 2015, but I am unsure if this poster is from around that time as well.","\"Words Can Hurt, Understand your Impact, Take Responsibility\"","No dates provided.","There are no dates for this poster, but there are show times on a random Friday from 7pm to 10pm and on Saturday 7pm to 10pm.","There are two of these posters.","Spring","Fall","Spring","Fall","J-Term and Spring","Spring","Spring","It's oddly sticky in one place and it kind of smells?","Fall"],"prefercite_html_tesm":["\u003cp\u003e[item identification] Collection Name, Flavia Reed Owen Special Collections and Archives, McGraw-Page Library, Randolph-Macon College, Ashland, VA\u003c/p\u003e"],"prefercite_tesim":["[item identification] Collection Name, Flavia Reed Owen Special Collections and Archives, McGraw-Page Library, Randolph-Macon College, Ashland, VA"],"scopecontent_html_tesm":["\u003cp\u003eColleges involved include: University of Mary Washington, Randolph-Macon College, United States Naval Academy, and College of William and Mary\u003c/p\u003e","\u003cp\u003eThis calendar poster includes some of the events also listed on the Cafe Nights poster\u003c/p\u003e","\u003cp\u003eThe Fraternities included on this poster include: Theta Chi, Kappa Alpha Order, Kappa Sigma, Sigma Alpha Epsilon, Sigma Phi Epsilon, Phi Delta Theta, and Phi Kappa Sigma\u003c/p\u003e","\u003cp\u003eArtists listed as performing include: Nicole Claybrooks, Shuyan Zhan, Duke Nuygen, Hobbes Launderville, Matt Maddox, Ethan Franz, Jasmin Young, Erin Byrne, John Farnham, Emily Winks, Alex Burgess, Christina Mitchell, Matt Zavitz, Kristen Hodge, Ethan Litvan, Raymond Ruybe\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Colleges involved include: University of Mary Washington, Randolph-Macon College, United States Naval Academy, and College of William and Mary","This calendar poster includes some of the events also listed on the Cafe Nights poster","The Fraternities included on this poster include: Theta Chi, Kappa Alpha Order, Kappa Sigma, Sigma Alpha Epsilon, Sigma Phi Epsilon, Phi Delta Theta, and Phi Kappa Sigma","Artists listed as performing include: Nicole Claybrooks, Shuyan Zhan, Duke Nuygen, Hobbes Launderville, Matt Maddox, Ethan Franz, Jasmin Young, Erin Byrne, John Farnham, Emily Winks, Alex Burgess, Christina Mitchell, Matt Zavitz, Kristen Hodge, Ethan Litvan, Raymond Ruybe"],"abstract_html_tesm":["\u003cabstract id=\"aspace_53c3348371eb6d41be8ab849fda48484\"\u003eA Collection of 298 posters from different departments of Student Life.\u003c/abstract\u003e"],"abstract_tesim":["A Collection of 298 posters from different departments of Student Life."],"names_ssim":["Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College"],"corpname_ssim":["Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College"],"language_ssim":["English \n.    "],"total_component_count_is":310,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:33:02.115Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viasr_repositories_2_resources_13_c07_c11"}},{"id":"viu_repositories_3_resources_177_c09_c04_c81","type":"Item","attributes":{"title":"Photographs for Alderman Dinner Party at Farmington, Albemarle County, Virginia","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_177_c09_c04_c81#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_177_c09_c04_c81","ref_ssm":["viu_repositories_3_resources_177_c09_c04_c81"],"id":"viu_repositories_3_resources_177_c09_c04_c81","ead_ssi":"viu_repositories_3_resources_177","_root_":"viu_repositories_3_resources_177","_nest_parent_":"viu_repositories_3_resources_177_c09_c04","parent_ssi":"viu_repositories_3_resources_177_c09_c04","parent_ssim":["viu_repositories_3_resources_177","viu_repositories_3_resources_177_c09","viu_repositories_3_resources_177_c09_c04"],"parent_ids_ssim":["viu_repositories_3_resources_177","viu_repositories_3_resources_177_c09","viu_repositories_3_resources_177_c09_c04"],"parent_unittitles_ssm":["Jan Karon papers","Jan Karon additions 3 and 4","Born-Digital Materials"],"parent_unittitles_tesim":["Jan Karon papers","Jan Karon additions 3 and 4","Born-Digital Materials"],"text":["Jan Karon papers","Jan Karon additions 3 and 4","Born-Digital Materials","Photographs for Alderman Dinner Party at Farmington, Albemarle County, Virginia","box 137","Digital_container 92"],"title_filing_ssi":"Photographs for Alderman Dinner Party at Farmington, Albemarle County, Virginia ","title_ssm":["Photographs for Alderman Dinner Party at Farmington, Albemarle County, Virginia"],"title_tesim":["Photographs for Alderman Dinner Party at Farmington, Albemarle County, Virginia"],"unitdate_other_ssim":["2017 May 31"],"normalized_date_ssm":["2017"],"normalized_title_ssm":["Photographs for Alderman Dinner Party at Farmington, Albemarle County, Virginia"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Jan Karon papers"],"extent_ssm":["1 items"],"extent_tesim":["1 items"],"physfacet_tesim":["SanDisk Cruzer Edge USB flash drive 8 GB"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1128,"parent_access_restrict_tesm":["This collection is open for research use."],"parent_access_terms_tesm":["There are no use restrictions."],"date_range_isim":[2017],"containers_ssim":["box 137","Digital_container 92"],"_nest_path_":"/components#8/components#3/components#80","timestamp":"2026-05-20T23:45:23.850Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_177","ead_ssi":"viu_repositories_3_resources_177","_root_":"viu_repositories_3_resources_177","_nest_parent_":"viu_repositories_3_resources_177","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_177.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133789","title_filing_ssi":"Karon, Jan, papers","title_ssm":["Jan Karon papers"],"title_tesim":["Jan Karon papers"],"unitdate_ssm":["1918-2018","1964-2018"],"unitdate_bulk_ssim":["1964-2018"],"unitdate_inclusive_ssm":["1918-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177"],"text":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177","Jan Karon papers","Esmont (Albemarle County, Va. : Dwelling)\t","Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising","This collection is open for research use.","The restricted files contain personally identifiable information and cannot be used by patrons.","The collection is open for research use.","The Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). ","Series III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). ","Series IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). ","Series V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).","Series VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).","Series VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). ","Series VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.","Additions 3 and 4 are arranged together in four subseries: Correspondence; Topical and Miscellany; Manuscripts and Related Material; and Audiovisual and Born-Digital Materials.","This addition to the Jan Karon papers has four subseries: Esmont papers; Correspondence, chiefly to Jan Karon; Family and Personal papers; and Restricted Files.","Jan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  ","At fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. ","Karon's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.","During the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.","After their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. ","She became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.","Her daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the  \"Miami Herald\" , the  \"Charlotte Observer\" , and a stint in Central America for the  \"U.S. News and World Report\" .","In order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.","Soon, she approached the editor of  \"The Blowing Rocket\"  with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in  \"The Blowing Rocket\" . The ensuing two years of writing  the priest's story for  \"The Blowing Rocket\"  resulted in her first novel,   \"At Home in Mitford\" , published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.","The second and third Mitford novels,  \"A Light in the Window\"  and  \"These High Green Hills\" , were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of  \"At Home in Mitford\"  by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.","Jan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of  \"At Home in Mitford\"  for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  ","In 2013,  \"Somewhere Safe with Somebody Good\" , which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016,  \"Come Rain or Come Shine\"  debuting at #1 on the  \"New York Times\"  list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.","For more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in  \"The Charlotte Observer\" , August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon","All original Barbara Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.","All original Barbara Bush letters have been tranferred to the vault but copies have been kept in the Jan Karon papers.","All original Laura Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.","There are two hard drives in this collection that are currently unavailable.","Please contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. ","The born-digital items are numbered differently between the original gift and the Jan Karon additions 3 and 4, due to a change in past and current practice. Currently the numbering sequence is specific to the collection, so the various disks are numbered Disk 1-92 within this latest addition to the Jan Karon papers.","Preservation and Use copies have been created for these disks by the Accessioning Archivist.","Three disks containing the appraisal for the artwork and antiques in the Esmont house were transferred and housed in Box 137 with other disks from earlier accessions.","The Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.","These correspondents include Chelius Carter, Mary Ann Connell, Jean Ann Jones, Frances Gresham, Mary R. Minor, Maxine Moore, and Kathleen McMillan Lane; the correspondence with the Reverend Bruce McMillan has been filed with his folder in clergy correspondence.","Interviews can also be found in publicity files.","Agents include the Jeanne Drewsen Agency and Jennie Dunham. This folder is significant because it predates the Mitford series taking off and contains the advice of various editors and Jan's own musing about what to do.","These files chart the progress of the relationship between Jan Karon and her agent, from the beginning when Nancy Olson, Quail Ridge Books, Raleigh, North Carolina, referred Karon to Darhansoff (December 15, 1994 and January 18, 1995) and reveal many details about her literary career, including the transition from Lion Publishing to Penguin.","This file includes a proposal for Father Tim and Cynthia mysteries and a discussion of the publication of a journal.","Other examples of publicity written by Jan Karon can be found in the editorial correspondence associated with individual books in series one or the correspondence with publishers in this series.","Writer in Residence pieces by Jan Karon as published in the magazine; typed drafts are included in the two previous Victoria Magazine files, 1997-1998.","File includes the article describing a white tea held by Jan Karon at her Esmont home in \"Tea Time\" and \"A Room of Her Own\" in \"Victoria Magazine\"","This correspondence documents the publishing career of Jan Karon with Viking-Penguin and reveals the level of her involvement in decisions about illustrations and covers, promotion, advertising, and a host of other details. They will be most useful used in conjunction with the editorial correspondence that accompanies most book files in series one.","Includes a sermon by Bishop Harvey, June 8, 2000.","Includes a sermon by him; McMillan assisted Jan Karon with questions about information used in  Home to Holly Springs .","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Includes a card featuring a watercolor of Esmont, October 30, 2003.","Note that some greeting card folders will also contain thank you cards and postcards from friends and family.","One letter in particular, April 22, 1981, describes Jan Karon's journey to the faith that is expressed throughout her books and personal appearances.","Includes Mitford sketches and two prints of Presidents Ronald Reagan (2002) and George W. Bush by Adair (2003).","Correspondents include: Ann Baer, English author; Robin and Gerald Baliles (1940- ), former first lady and governor of Virginia; Rosalynn Carter (1927- ); Lynn A. Coffey, Appalachian folklorist; Kenneth Elzinga, professor and author (1942- ); North Carolina State Senator, Virginia Foxx (1943- ); Bill Gaither (1936- ) and Gloria Gaither (1942- ), singers and songwriters; Roxane Gilmore, professor and former first lady of Virginia; Renee Grisham, wife of John Grisham; U.S. Senator, Orrin G. Hatch (1934- ); Lady Bird Johnson, former first lady (1912-2007); Patricia Kluge (1948- ), former wife of John Kluge and vineyard owner; J.B. Lawrence, mayor of Blowing Rock, North Carolina, and Lynn Lawrence; Bill Leslie, musician; Calder Loth, architectural historian; and Tricia Thompson Lott, wife of Senator Lott.","Correspondents include:  Mark McEwen (1954- ), TV and radio personality; Martha S. McIntosh, editor of the  Jan Karon's Mitford Cookbook \u0026 Kitchen Reader ; Ruth Moose, author; Edmund Morris, author; Leanne Payne (1932-2015), author; Rose Bampton Pelletier (1907-2007), opera singer; Condoleeza Rice (1954- ), Secretary of State; Lynda Bird Johnson Robb (1944- ), former first lady of Virgina; Mark D. Rodgers, chief of staff for Senator Rick Santorum; Martha Sundquist, former first lady of Tennessee; Steve Wasserman; Martha Williamson; Lauren Winner, author; Anne R. Worrell; and Marly Youmans, author.","Also includes a letter from Harry M. Jacobs, Jr., May 6, 2005, and his wife, Bobbi Jacobs, July 6, 2014, to Jan Karon.","Includes information about a meeting held at Once Upon a Time, a bookstore in Montrose, California, in 1997.","Pages marked in \"At Home in Mitford\" include pages 3, 4, 5, 47, 68, 77, 101, 104, 114, 162, 181, 182, 207, 227, 234, 241, 259, 264, 281, 293, 297, 328, 354, 368, 373, 403, and 405.\nPages marked in \"A Common Life\" include page 6.\nPages marked in \"A New Song\" include pages 1, 34, 40, 45, 51, 67, 74, 78, 89, 117, 125, 161, 195, 206, 208, 212, 231, 235, 247, 253, 262, 263, 266, 267, 269, 285, 296, 297, 300, 385, and 399.\nPages marked in \"In This Mountain\" include pages 12, 41, 61, 80, 89, 91, 95, 97, 108, 124, 138, 139, 197, 240, 242, 262, 287, 302, 304, and 381.\nPages marked in \"Light from Heaven\" include pages 8, 15, 28, 39, 79, 106, 114, 144, 153, 213, 215, 234, 277, 366, and 383.\nPages marked in \"Shepherds Abiding\" include pages 18, 25, 88, 115, 127, 142, 164, and 245.\nPages marked in \"These High Green Hills\" include pages 2, 50, 71, 98, 102, 109, 147, 154, 158, 167, 209, 247, 259, 270, and 308.\nPages marked in \"My Hometown Growing Up in Holly Springs, Mississippi\" by Lois Swaney include pages 21, 46, 51, 59, 63, 67, 70, 88, 101, and 102.\nAlso present is a folder of inserts removed from the research books, 2006-2007.","Accompanied by notes from Jan Karon, dated October 19, 2014, \"These gloves were worn often by my grandmother, Miss Fannie, about whom I wrote the children's book  Miss Fannie's Hat.  Always wearing a smart hat and gloves, she was a faithful Methodist church-goer. She was also a faithful Democrat, though no hat was required.\"","Includes the launch of Jan Karon's facebook page (February 2014) and some facebook entries. Also chronicles her change of publishers.","This addition to MSS 16077 Jan Karon Papers contains personal and professional correspondence, and greeting cards; files and other documentation concerning the appraisal, purchase, ownership, operations and restoration of the Esmont house and estate by Jan Karon; correspondence concerning Karon's editorship of the magazine \"Response,\" including with Langston Hughes; event and memorial programs; photographs of Esmont, family and friends; invitations; fan mail; correspondence about donations and organizations; speeches or talks by Jan Karon; publicity and miscellany.","This folder contains eight items, including Jan Orth Karon's note explaining that Langston Hughes was the cousin of \"Response\" Assistant Editor, George Love. ","There are two postcards from Hughes to Jan Orth, as the editor of the magazine \"Response\" when she lived in Charlotte. Hughes expresses gladness that she is using his Chapel Hill piece, asks for six copies when it is published, sends her some photographs and biographical information, and mentions his cross-country tour (February 2, 1961). He thanks her for the copy of the magazine \"Response / 4\" and says it \"looks most attractive, and the contents intriguing\" (August 4, 1961).","Upon Hughes' return from California, in his letter of March 22, 1961, he thanks Orth for the six copies of \"Response / 3\" which he will then send to the institutions collecting his work. He describes the magazine issue as \"very handsome (and interesting)\" and says he likes \"the variety and format\" very much. He encloses a copy of \"Grandma\" (not present) for possible publication in a future issue.","Other Hughes items include: an undated photograph; a handbill for \"Black Nativity Gospel on Broadway\" by Langston Hughes with the typed note \"Festival of Two Worlds, Spoleto, Italy, June-July, 1962\"; a reprint of a short story autographed by Hughes, \"Sorrow for a Midget,\" published in \"The Literary Review\" and addressed \"For Orth\"; an undated advertisement for the record \"Tambourines to Glory\" with the word \"play\" circled and with his handwritten note \"Goes into rehearsal this week - Theatre Guild. L.H.\"","Correspondents include Jonathan Williams, John Haynes Holmes, Harvey Swados, Ralph McGill (publisher of \"The Atlanta Constitution\"), and               Sam Bradley.","This addition to the Jan Karon papers (MSS 16077)  primarily contains greeting cards and letters sent to the American novelist Jan Karon of Charlottesville, Virginia. The bulk of the cards present in this collection span the holiday seasons of 2020 and 2021. ","In 2021, Karon founded The Mitford Museum in her former elementary school in Hudson, North Carolina. A number of the greeting cards and letters included in this collection discuss the formation of this museum and its collections as well as an opening speech given by Jan Karon, invitations to parties, author visits, and lectures. ","Also included are condolence cards to Karon on the death of her daughter, Candance Freeland, in 2021. ","In addition to the greeting cards, the collection includes a sketchbook with drawings of flowers and places dated 1975, personal planning calendars for 2020 and 2021, recipe notebooks, photographs of gatherings from the 1980s and 1990s, magazine features of Jan Karon, \"Sanctuary of Beauty,\" an obituary for Candace Freeland and Jan Karon's step-father Barry Setzer, a poster highlighting the history of Esmont, which is a 100-acre estate in Albemarle County owned and restored by Karon, and a personal and beautifully illustrated book titled \"Donna: Life, Art, Garden, and Home\" about Donna Ernest. ","Box ViU2022-0119_001 contains correspondence from 2020 to 2021\nBox ViU2022-0119_002 contains correspondence from 2020 to 2022, notebooks, photographs, planners, sketchbooks and publications\nOversize Folder ViU2022-0119_001 contains the poster of Esmont","Four books were separated from the collection and transferred to Rare Books for individual cataloging. These titles were a mass trade paperback copy of \"Shepherds Abiding,\" a paperback copy of \"To Be Where You are,\" and a hardback copy of \"Bathed In Prayer.\"","Two books were removed from this addition and transferred to the Rare Books Cataloger for individual handling:","Garden Club of Virginia Historic Garden Week \"Historic Southern Albemarle\" book with a copy of a sticky note \"Esmont on the tour in 2014, the year I sold it.\" (2014)","\"Donna Life - Art - Garden - Home\" with a preface by Jan Karon about her friend, Donna Ernst. Probably an advanced reader's copy (2019). Book came with a sticky note, \"This is not the final edition. This rough edition contains typos and incorrect paragraphing with several design changes as well. Delivered final copies 12/19.\"","The DVD, \"JJR 80th Celebration\" - Photographs of the 80th Birthday of Jerry J. Richardson which accompanied a letter (October 5, 2016) from Dana Robinson, executive assistant to the owner/founder of the Carolina Panthers, Jerry Richardson, has been separated from the letter and placed in Box 137 (Disk 93) with other disks. A digital copy has not been created at this time.","There are no use restrictions.","Albert and Shirley Small Special Collections Library","Setzer family -- correspondence","Karon, Jan (Janice), 1937-","English"],"unitid_tesim":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177"],"normalized_title_ssm":["Jan Karon papers"],"collection_title_tesim":["Jan Karon papers"],"collection_ssim":["Jan Karon papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Esmont (Albemarle County, Va. : Dwelling)\t"],"geogname_ssim":["Esmont (Albemarle County, Va. : Dwelling)\t"],"creator_ssm":["Karon, Jan (Janice), 1937-"],"creator_ssim":["Karon, Jan (Janice), 1937-"],"creator_persname_ssim":["Karon, Jan (Janice), 1937-"],"creators_ssim":["Karon, Jan (Janice), 1937-"],"places_ssim":["Esmont (Albemarle County, Va. : Dwelling)\t"],"acqinfo_ssim":["The Jan Karon papers were given to the University of Virginia Library on October 2, 2014, by Jan Karon."],"access_subjects_ssim":["Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising"],"access_subjects_ssm":["Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising"],"has_online_content_ssim":["false"],"extent_ssm":["66 Cubic Feet 120 legal document boxes, 3 oversize boxes, 17 oversize folders"],"extent_tesim":["66 Cubic Feet 120 legal document boxes, 3 oversize boxes, 17 oversize folders"],"physfacet_tesim":["17 audio cassettes, 26 videocassettes, 46 disks, and 2 hard drives."],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe restricted files contain personally identifiable information and cannot be used by patrons.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use.","The restricted files contain personally identifiable information and cannot be used by patrons.","The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). \u003c/p\u003e\n","\u003cp\u003eSeries III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). \u003c/p\u003e\n","\u003cp\u003eSeries IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). \u003c/p\u003e\n","\u003cp\u003eSeries V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).\u003c/p\u003e\n","\u003cp\u003eSeries VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).\u003c/p\u003e\n","\u003cp\u003eSeries VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). \u003c/p\u003e\n","\u003cp\u003eSeries VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.\u003c/p\u003e","\u003cp\u003eAdditions 3 and 4 are arranged together in four subseries: Correspondence; Topical and Miscellany; Manuscripts and Related Material; and Audiovisual and Born-Digital Materials.\u003c/p\u003e","\u003cp\u003eThis addition to the Jan Karon papers has four subseries: Esmont papers; Correspondence, chiefly to Jan Karon; Family and Personal papers; and Restricted Files.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). ","Series III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). ","Series IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). ","Series V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).","Series VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).","Series VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). ","Series VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.","Additions 3 and 4 are arranged together in four subseries: Correspondence; Topical and Miscellany; Manuscripts and Related Material; and Audiovisual and Born-Digital Materials.","This addition to the Jan Karon papers has four subseries: Esmont papers; Correspondence, chiefly to Jan Karon; Family and Personal papers; and Restricted Files."],"bioghist_html_tesm":["\u003cp\u003eJan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  \u003c/p\u003e\n","\u003cp\u003eAt fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. \u003c/p\u003e\n","\u003cp\u003eKaron's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.\u003c/p\u003e\n","\u003cp\u003eDuring the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.\u003c/p\u003e\n","\u003cp\u003eAfter their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. \u003c/p\u003e\n","\u003cp\u003eShe became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.\u003c/p\u003e\n","\u003cp\u003eHer daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the \u003ctitle\u003e\"Miami Herald\"\u003c/title\u003e, the \u003ctitle\u003e\"Charlotte Observer\"\u003c/title\u003e, and a stint in Central America for the \u003ctitle\u003e\"U.S. News and World Report\"\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003eIn order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.\u003c/p\u003e\n","\u003cp\u003eSoon, she approached the editor of \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e. The ensuing two years of writing  the priest's story for \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e resulted in her first novel,  \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e, published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.\u003c/p\u003e\n","\u003cp\u003eThe second and third Mitford novels, \u003ctitle\u003e\"A Light in the Window\"\u003c/title\u003e and \u003ctitle\u003e\"These High Green Hills\"\u003c/title\u003e, were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.\u003c/p\u003e\n","\u003cp\u003eJan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  \u003c/p\u003e\n","\u003cp\u003eIn 2013, \u003ctitle\u003e\"Somewhere Safe with Somebody Good\"\u003c/title\u003e, which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016, \u003ctitle\u003e\"Come Rain or Come Shine\"\u003c/title\u003e debuting at #1 on the \u003ctitle\u003e\"New York Times\"\u003c/title\u003e list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.\u003c/p\u003e\n","\u003cp\u003eFor more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in \u003ctitle\u003e\"The Charlotte Observer\"\u003c/title\u003e, August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Jan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  ","At fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. ","Karon's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.","During the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.","After their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. ","She became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.","Her daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the  \"Miami Herald\" , the  \"Charlotte Observer\" , and a stint in Central America for the  \"U.S. News and World Report\" .","In order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.","Soon, she approached the editor of  \"The Blowing Rocket\"  with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in  \"The Blowing Rocket\" . The ensuing two years of writing  the priest's story for  \"The Blowing Rocket\"  resulted in her first novel,   \"At Home in Mitford\" , published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.","The second and third Mitford novels,  \"A Light in the Window\"  and  \"These High Green Hills\" , were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of  \"At Home in Mitford\"  by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.","Jan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of  \"At Home in Mitford\"  for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  ","In 2013,  \"Somewhere Safe with Somebody Good\" , which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016,  \"Come Rain or Come Shine\"  debuting at #1 on the  \"New York Times\"  list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.","For more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in  \"The Charlotte Observer\" , August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon"],"originalsloc_html_tesm":["\u003cp\u003eAll original Barbara Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.\u003c/p\u003e","\u003cp\u003eAll original Barbara Bush letters have been tranferred to the vault but copies have been kept in the Jan Karon papers.\u003c/p\u003e","\u003cp\u003eAll original Laura Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["All original Barbara Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.","All original Barbara Bush letters have been tranferred to the vault but copies have been kept in the Jan Karon papers.","All original Laura Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers."],"phystech_html_tesm":["\u003cp\u003eThere are two hard drives in this collection that are currently unavailable.\u003c/p\u003e","\u003cp\u003ePlease contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. \u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["There are two hard drives in this collection that are currently unavailable.","Please contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e","\u003cp\u003eMSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e","\u003cp\u003eMSS 16077, Jan Karon papers addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.","MSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.","MSS 16077, Jan Karon papers addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"processinfo_html_tesm":["\u003cp\u003eThe born-digital items are numbered differently between the original gift and the Jan Karon additions 3 and 4, due to a change in past and current practice. Currently the numbering sequence is specific to the collection, so the various disks are numbered Disk 1-92 within this latest addition to the Jan Karon papers.\u003c/p\u003e","\u003cp\u003ePreservation and Use copies have been created for these disks by the Accessioning Archivist.\u003c/p\u003e","\u003cp\u003eThree disks containing the appraisal for the artwork and antiques in the Esmont house were transferred and housed in Box 137 with other disks from earlier accessions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["The born-digital items are numbered differently between the original gift and the Jan Karon additions 3 and 4, due to a change in past and current practice. Currently the numbering sequence is specific to the collection, so the various disks are numbered Disk 1-92 within this latest addition to the Jan Karon papers.","Preservation and Use copies have been created for these disks by the Accessioning Archivist.","Three disks containing the appraisal for the artwork and antiques in the Esmont house were transferred and housed in Box 137 with other disks from earlier accessions."],"scopecontent_html_tesm":["\u003cp\u003eThe Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.\u003c/p\u003e","\u003cp\u003eThese correspondents include Chelius Carter, Mary Ann Connell, Jean Ann Jones, Frances Gresham, Mary R. Minor, Maxine Moore, and Kathleen McMillan Lane; the correspondence with the Reverend Bruce McMillan has been filed with his folder in clergy correspondence.\u003c/p\u003e","\u003cp\u003eInterviews can also be found in publicity files.\u003c/p\u003e","\u003cp\u003eAgents include the Jeanne Drewsen Agency and Jennie Dunham. This folder is significant because it predates the Mitford series taking off and contains the advice of various editors and Jan's own musing about what to do.\u003c/p\u003e","\u003cp\u003eThese files chart the progress of the relationship between Jan Karon and her agent, from the beginning when Nancy Olson, Quail Ridge Books, Raleigh, North Carolina, referred Karon to Darhansoff (December 15, 1994 and January 18, 1995) and reveal many details about her literary career, including the transition from Lion Publishing to Penguin.\u003c/p\u003e","\u003cp\u003eThis file includes a proposal for Father Tim and Cynthia mysteries and a discussion of the publication of a journal.\u003c/p\u003e","\u003cp\u003eOther examples of publicity written by Jan Karon can be found in the editorial correspondence associated with individual books in series one or the correspondence with publishers in this series.\u003c/p\u003e","\u003cp\u003eWriter in Residence pieces by Jan Karon as published in the magazine; typed drafts are included in the two previous Victoria Magazine files, 1997-1998.\u003c/p\u003e","\u003cp\u003eFile includes the article describing a white tea held by Jan Karon at her Esmont home in \"Tea Time\" and \"A Room of Her Own\" in \"Victoria Magazine\"\u003c/p\u003e","\u003cp\u003eThis correspondence documents the publishing career of Jan Karon with Viking-Penguin and reveals the level of her involvement in decisions about illustrations and covers, promotion, advertising, and a host of other details. They will be most useful used in conjunction with the editorial correspondence that accompanies most book files in series one.\u003c/p\u003e","\u003cp\u003eIncludes a sermon by Bishop Harvey, June 8, 2000.\u003c/p\u003e","\u003cp\u003eIncludes a sermon by him; McMillan assisted Jan Karon with questions about information used in \u003ctitle\u003eHome to Holly Springs\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eCorrespondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.\u003c/p\u003e","\u003cp\u003eCorrespondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.\u003c/p\u003e","\u003cp\u003eIncludes a card featuring a watercolor of Esmont, October 30, 2003.\u003c/p\u003e","\u003cp\u003eNote that some greeting card folders will also contain thank you cards and postcards from friends and family.\u003c/p\u003e","\u003cp\u003eOne letter in particular, April 22, 1981, describes Jan Karon's journey to the faith that is expressed throughout her books and personal appearances.\u003c/p\u003e","\u003cp\u003eIncludes Mitford sketches and two prints of Presidents Ronald Reagan (2002) and George W. Bush by Adair (2003).\u003c/p\u003e","\u003cp\u003eCorrespondents include: Ann Baer, English author; Robin and Gerald Baliles (1940- ), former first lady and governor of Virginia; Rosalynn Carter (1927- ); Lynn A. Coffey, Appalachian folklorist; Kenneth Elzinga, professor and author (1942- ); North Carolina State Senator, Virginia Foxx (1943- ); Bill Gaither (1936- ) and Gloria Gaither (1942- ), singers and songwriters; Roxane Gilmore, professor and former first lady of Virginia; Renee Grisham, wife of John Grisham; U.S. Senator, Orrin G. Hatch (1934- ); Lady Bird Johnson, former first lady (1912-2007); Patricia Kluge (1948- ), former wife of John Kluge and vineyard owner; J.B. Lawrence, mayor of Blowing Rock, North Carolina, and Lynn Lawrence; Bill Leslie, musician; Calder Loth, architectural historian; and Tricia Thompson Lott, wife of Senator Lott.\u003c/p\u003e","\u003cp\u003eCorrespondents include:  Mark McEwen (1954- ), TV and radio personality; Martha S. McIntosh, editor of the \u003ctitle\u003eJan Karon's Mitford Cookbook \u0026amp; Kitchen Reader\u003c/title\u003e; Ruth Moose, author; Edmund Morris, author; Leanne Payne (1932-2015), author; Rose Bampton Pelletier (1907-2007), opera singer; Condoleeza Rice (1954- ), Secretary of State; Lynda Bird Johnson Robb (1944- ), former first lady of Virgina; Mark D. Rodgers, chief of staff for Senator Rick Santorum; Martha Sundquist, former first lady of Tennessee; Steve Wasserman; Martha Williamson; Lauren Winner, author; Anne R. Worrell; and Marly Youmans, author.\u003c/p\u003e","\u003cp\u003eAlso includes a letter from Harry M. Jacobs, Jr., May 6, 2005, and his wife, Bobbi Jacobs, July 6, 2014, to Jan Karon.\u003c/p\u003e","\u003cp\u003eIncludes information about a meeting held at Once Upon a Time, a bookstore in Montrose, California, in 1997.\u003c/p\u003e","\u003cp\u003ePages marked in \"At Home in Mitford\" include pages 3, 4, 5, 47, 68, 77, 101, 104, 114, 162, 181, 182, 207, 227, 234, 241, 259, 264, 281, 293, 297, 328, 354, 368, 373, 403, and 405.\nPages marked in \"A Common Life\" include page 6.\nPages marked in \"A New Song\" include pages 1, 34, 40, 45, 51, 67, 74, 78, 89, 117, 125, 161, 195, 206, 208, 212, 231, 235, 247, 253, 262, 263, 266, 267, 269, 285, 296, 297, 300, 385, and 399.\nPages marked in \"In This Mountain\" include pages 12, 41, 61, 80, 89, 91, 95, 97, 108, 124, 138, 139, 197, 240, 242, 262, 287, 302, 304, and 381.\nPages marked in \"Light from Heaven\" include pages 8, 15, 28, 39, 79, 106, 114, 144, 153, 213, 215, 234, 277, 366, and 383.\nPages marked in \"Shepherds Abiding\" include pages 18, 25, 88, 115, 127, 142, 164, and 245.\nPages marked in \"These High Green Hills\" include pages 2, 50, 71, 98, 102, 109, 147, 154, 158, 167, 209, 247, 259, 270, and 308.\nPages marked in \"My Hometown Growing Up in Holly Springs, Mississippi\" by Lois Swaney include pages 21, 46, 51, 59, 63, 67, 70, 88, 101, and 102.\nAlso present is a folder of inserts removed from the research books, 2006-2007.\u003c/p\u003e","\u003cp\u003eAccompanied by notes from Jan Karon, dated October 19, 2014, \"These gloves were worn often by my grandmother, Miss Fannie, about whom I wrote the children's book \u003ctitle\u003eMiss Fannie's Hat.\u003c/title\u003e Always wearing a smart hat and gloves, she was a faithful Methodist church-goer. She was also a faithful Democrat, though no hat was required.\"\u003c/p\u003e","\u003cp\u003eIncludes the launch of Jan Karon's facebook page (February 2014) and some facebook entries. Also chronicles her change of publishers.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16077 Jan Karon Papers contains personal and professional correspondence, and greeting cards; files and other documentation concerning the appraisal, purchase, ownership, operations and restoration of the Esmont house and estate by Jan Karon; correspondence concerning Karon's editorship of the magazine \"Response,\" including with Langston Hughes; event and memorial programs; photographs of Esmont, family and friends; invitations; fan mail; correspondence about donations and organizations; speeches or talks by Jan Karon; publicity and miscellany.\u003c/p\u003e","\u003cp\u003eThis folder contains eight items, including Jan Orth Karon's note explaining that Langston Hughes was the cousin of \"Response\" Assistant Editor, George Love. \u003c/p\u003e\n","\u003cp\u003eThere are two postcards from Hughes to Jan Orth, as the editor of the magazine \"Response\" when she lived in Charlotte. Hughes expresses gladness that she is using his Chapel Hill piece, asks for six copies when it is published, sends her some photographs and biographical information, and mentions his cross-country tour (February 2, 1961). He thanks her for the copy of the magazine \"Response / 4\" and says it \"looks most attractive, and the contents intriguing\" (August 4, 1961).\u003c/p\u003e\n","\u003cp\u003eUpon Hughes' return from California, in his letter of March 22, 1961, he thanks Orth for the six copies of \"Response / 3\" which he will then send to the institutions collecting his work. He describes the magazine issue as \"very handsome (and interesting)\" and says he likes \"the variety and format\" very much. He encloses a copy of \"Grandma\" (not present) for possible publication in a future issue.\u003c/p\u003e\n","\u003cp\u003eOther Hughes items include: an undated photograph; a handbill for \"Black Nativity Gospel on Broadway\" by Langston Hughes with the typed note \"Festival of Two Worlds, Spoleto, Italy, June-July, 1962\"; a reprint of a short story autographed by Hughes, \"Sorrow for a Midget,\" published in \"The Literary Review\" and addressed \"For Orth\"; an undated advertisement for the record \"Tambourines to Glory\" with the word \"play\" circled and with his handwritten note \"Goes into rehearsal this week - Theatre Guild. L.H.\"\u003c/p\u003e","\u003cp\u003eCorrespondents include Jonathan Williams, John Haynes Holmes, Harvey Swados, Ralph McGill (publisher of \"The Atlanta Constitution\"), and               Sam Bradley.\u003c/p\u003e","\u003cp\u003eThis addition to the Jan Karon papers (MSS 16077)  primarily contains greeting cards and letters sent to the American novelist Jan Karon of Charlottesville, Virginia. The bulk of the cards present in this collection span the holiday seasons of 2020 and 2021. \u003c/p\u003e\n","\u003cp\u003eIn 2021, Karon founded The Mitford Museum in her former elementary school in Hudson, North Carolina. A number of the greeting cards and letters included in this collection discuss the formation of this museum and its collections as well as an opening speech given by Jan Karon, invitations to parties, author visits, and lectures. \u003c/p\u003e\n","\u003cp\u003eAlso included are condolence cards to Karon on the death of her daughter, Candance Freeland, in 2021. \u003c/p\u003e\n","\u003cp\u003eIn addition to the greeting cards, the collection includes a sketchbook with drawings of flowers and places dated 1975, personal planning calendars for 2020 and 2021, recipe notebooks, photographs of gatherings from the 1980s and 1990s, magazine features of Jan Karon, \"Sanctuary of Beauty,\" an obituary for Candace Freeland and Jan Karon's step-father Barry Setzer, a poster highlighting the history of Esmont, which is a 100-acre estate in Albemarle County owned and restored by Karon, and a personal and beautifully illustrated book titled \"Donna: Life, Art, Garden, and Home\" about Donna Ernest. \u003c/p\u003e\n","\u003cp\u003eBox ViU2022-0119_001 contains correspondence from 2020 to 2021\nBox ViU2022-0119_002 contains correspondence from 2020 to 2022, notebooks, photographs, planners, sketchbooks and publications\nOversize Folder ViU2022-0119_001 contains the poster of Esmont\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.","These correspondents include Chelius Carter, Mary Ann Connell, Jean Ann Jones, Frances Gresham, Mary R. Minor, Maxine Moore, and Kathleen McMillan Lane; the correspondence with the Reverend Bruce McMillan has been filed with his folder in clergy correspondence.","Interviews can also be found in publicity files.","Agents include the Jeanne Drewsen Agency and Jennie Dunham. This folder is significant because it predates the Mitford series taking off and contains the advice of various editors and Jan's own musing about what to do.","These files chart the progress of the relationship between Jan Karon and her agent, from the beginning when Nancy Olson, Quail Ridge Books, Raleigh, North Carolina, referred Karon to Darhansoff (December 15, 1994 and January 18, 1995) and reveal many details about her literary career, including the transition from Lion Publishing to Penguin.","This file includes a proposal for Father Tim and Cynthia mysteries and a discussion of the publication of a journal.","Other examples of publicity written by Jan Karon can be found in the editorial correspondence associated with individual books in series one or the correspondence with publishers in this series.","Writer in Residence pieces by Jan Karon as published in the magazine; typed drafts are included in the two previous Victoria Magazine files, 1997-1998.","File includes the article describing a white tea held by Jan Karon at her Esmont home in \"Tea Time\" and \"A Room of Her Own\" in \"Victoria Magazine\"","This correspondence documents the publishing career of Jan Karon with Viking-Penguin and reveals the level of her involvement in decisions about illustrations and covers, promotion, advertising, and a host of other details. They will be most useful used in conjunction with the editorial correspondence that accompanies most book files in series one.","Includes a sermon by Bishop Harvey, June 8, 2000.","Includes a sermon by him; McMillan assisted Jan Karon with questions about information used in  Home to Holly Springs .","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Includes a card featuring a watercolor of Esmont, October 30, 2003.","Note that some greeting card folders will also contain thank you cards and postcards from friends and family.","One letter in particular, April 22, 1981, describes Jan Karon's journey to the faith that is expressed throughout her books and personal appearances.","Includes Mitford sketches and two prints of Presidents Ronald Reagan (2002) and George W. Bush by Adair (2003).","Correspondents include: Ann Baer, English author; Robin and Gerald Baliles (1940- ), former first lady and governor of Virginia; Rosalynn Carter (1927- ); Lynn A. Coffey, Appalachian folklorist; Kenneth Elzinga, professor and author (1942- ); North Carolina State Senator, Virginia Foxx (1943- ); Bill Gaither (1936- ) and Gloria Gaither (1942- ), singers and songwriters; Roxane Gilmore, professor and former first lady of Virginia; Renee Grisham, wife of John Grisham; U.S. Senator, Orrin G. Hatch (1934- ); Lady Bird Johnson, former first lady (1912-2007); Patricia Kluge (1948- ), former wife of John Kluge and vineyard owner; J.B. Lawrence, mayor of Blowing Rock, North Carolina, and Lynn Lawrence; Bill Leslie, musician; Calder Loth, architectural historian; and Tricia Thompson Lott, wife of Senator Lott.","Correspondents include:  Mark McEwen (1954- ), TV and radio personality; Martha S. McIntosh, editor of the  Jan Karon's Mitford Cookbook \u0026 Kitchen Reader ; Ruth Moose, author; Edmund Morris, author; Leanne Payne (1932-2015), author; Rose Bampton Pelletier (1907-2007), opera singer; Condoleeza Rice (1954- ), Secretary of State; Lynda Bird Johnson Robb (1944- ), former first lady of Virgina; Mark D. Rodgers, chief of staff for Senator Rick Santorum; Martha Sundquist, former first lady of Tennessee; Steve Wasserman; Martha Williamson; Lauren Winner, author; Anne R. Worrell; and Marly Youmans, author.","Also includes a letter from Harry M. Jacobs, Jr., May 6, 2005, and his wife, Bobbi Jacobs, July 6, 2014, to Jan Karon.","Includes information about a meeting held at Once Upon a Time, a bookstore in Montrose, California, in 1997.","Pages marked in \"At Home in Mitford\" include pages 3, 4, 5, 47, 68, 77, 101, 104, 114, 162, 181, 182, 207, 227, 234, 241, 259, 264, 281, 293, 297, 328, 354, 368, 373, 403, and 405.\nPages marked in \"A Common Life\" include page 6.\nPages marked in \"A New Song\" include pages 1, 34, 40, 45, 51, 67, 74, 78, 89, 117, 125, 161, 195, 206, 208, 212, 231, 235, 247, 253, 262, 263, 266, 267, 269, 285, 296, 297, 300, 385, and 399.\nPages marked in \"In This Mountain\" include pages 12, 41, 61, 80, 89, 91, 95, 97, 108, 124, 138, 139, 197, 240, 242, 262, 287, 302, 304, and 381.\nPages marked in \"Light from Heaven\" include pages 8, 15, 28, 39, 79, 106, 114, 144, 153, 213, 215, 234, 277, 366, and 383.\nPages marked in \"Shepherds Abiding\" include pages 18, 25, 88, 115, 127, 142, 164, and 245.\nPages marked in \"These High Green Hills\" include pages 2, 50, 71, 98, 102, 109, 147, 154, 158, 167, 209, 247, 259, 270, and 308.\nPages marked in \"My Hometown Growing Up in Holly Springs, Mississippi\" by Lois Swaney include pages 21, 46, 51, 59, 63, 67, 70, 88, 101, and 102.\nAlso present is a folder of inserts removed from the research books, 2006-2007.","Accompanied by notes from Jan Karon, dated October 19, 2014, \"These gloves were worn often by my grandmother, Miss Fannie, about whom I wrote the children's book  Miss Fannie's Hat.  Always wearing a smart hat and gloves, she was a faithful Methodist church-goer. She was also a faithful Democrat, though no hat was required.\"","Includes the launch of Jan Karon's facebook page (February 2014) and some facebook entries. Also chronicles her change of publishers.","This addition to MSS 16077 Jan Karon Papers contains personal and professional correspondence, and greeting cards; files and other documentation concerning the appraisal, purchase, ownership, operations and restoration of the Esmont house and estate by Jan Karon; correspondence concerning Karon's editorship of the magazine \"Response,\" including with Langston Hughes; event and memorial programs; photographs of Esmont, family and friends; invitations; fan mail; correspondence about donations and organizations; speeches or talks by Jan Karon; publicity and miscellany.","This folder contains eight items, including Jan Orth Karon's note explaining that Langston Hughes was the cousin of \"Response\" Assistant Editor, George Love. ","There are two postcards from Hughes to Jan Orth, as the editor of the magazine \"Response\" when she lived in Charlotte. Hughes expresses gladness that she is using his Chapel Hill piece, asks for six copies when it is published, sends her some photographs and biographical information, and mentions his cross-country tour (February 2, 1961). He thanks her for the copy of the magazine \"Response / 4\" and says it \"looks most attractive, and the contents intriguing\" (August 4, 1961).","Upon Hughes' return from California, in his letter of March 22, 1961, he thanks Orth for the six copies of \"Response / 3\" which he will then send to the institutions collecting his work. He describes the magazine issue as \"very handsome (and interesting)\" and says he likes \"the variety and format\" very much. He encloses a copy of \"Grandma\" (not present) for possible publication in a future issue.","Other Hughes items include: an undated photograph; a handbill for \"Black Nativity Gospel on Broadway\" by Langston Hughes with the typed note \"Festival of Two Worlds, Spoleto, Italy, June-July, 1962\"; a reprint of a short story autographed by Hughes, \"Sorrow for a Midget,\" published in \"The Literary Review\" and addressed \"For Orth\"; an undated advertisement for the record \"Tambourines to Glory\" with the word \"play\" circled and with his handwritten note \"Goes into rehearsal this week - Theatre Guild. L.H.\"","Correspondents include Jonathan Williams, John Haynes Holmes, Harvey Swados, Ralph McGill (publisher of \"The Atlanta Constitution\"), and               Sam Bradley.","This addition to the Jan Karon papers (MSS 16077)  primarily contains greeting cards and letters sent to the American novelist Jan Karon of Charlottesville, Virginia. The bulk of the cards present in this collection span the holiday seasons of 2020 and 2021. ","In 2021, Karon founded The Mitford Museum in her former elementary school in Hudson, North Carolina. A number of the greeting cards and letters included in this collection discuss the formation of this museum and its collections as well as an opening speech given by Jan Karon, invitations to parties, author visits, and lectures. ","Also included are condolence cards to Karon on the death of her daughter, Candance Freeland, in 2021. ","In addition to the greeting cards, the collection includes a sketchbook with drawings of flowers and places dated 1975, personal planning calendars for 2020 and 2021, recipe notebooks, photographs of gatherings from the 1980s and 1990s, magazine features of Jan Karon, \"Sanctuary of Beauty,\" an obituary for Candace Freeland and Jan Karon's step-father Barry Setzer, a poster highlighting the history of Esmont, which is a 100-acre estate in Albemarle County owned and restored by Karon, and a personal and beautifully illustrated book titled \"Donna: Life, Art, Garden, and Home\" about Donna Ernest. ","Box ViU2022-0119_001 contains correspondence from 2020 to 2021\nBox ViU2022-0119_002 contains correspondence from 2020 to 2022, notebooks, photographs, planners, sketchbooks and publications\nOversize Folder ViU2022-0119_001 contains the poster of Esmont"],"separatedmaterial_html_tesm":["\u003cp\u003eFour books were separated from the collection and transferred to Rare Books for individual cataloging. These titles were a mass trade paperback copy of \"Shepherds Abiding,\" a paperback copy of \"To Be Where You are,\" and a hardback copy of \"Bathed In Prayer.\"\u003c/p\u003e","\u003cp\u003eTwo books were removed from this addition and transferred to the Rare Books Cataloger for individual handling:\u003c/p\u003e\n","\u003cp\u003eGarden Club of Virginia Historic Garden Week \"Historic Southern Albemarle\" book with a copy of a sticky note \"Esmont on the tour in 2014, the year I sold it.\" (2014)\u003c/p\u003e\n","\u003cp\u003e\"Donna Life - Art - Garden - Home\" with a preface by Jan Karon about her friend, Donna Ernst. Probably an advanced reader's copy (2019). Book came with a sticky note, \"This is not the final edition. This rough edition contains typos and incorrect paragraphing with several design changes as well. Delivered final copies 12/19.\"\u003c/p\u003e","\u003cp\u003eThe DVD, \"JJR 80th Celebration\" - Photographs of the 80th Birthday of Jerry J. Richardson which accompanied a letter (October 5, 2016) from Dana Robinson, executive assistant to the owner/founder of the Carolina Panthers, Jerry Richardson, has been separated from the letter and placed in Box 137 (Disk 93) with other disks. A digital copy has not been created at this time.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Four books were separated from the collection and transferred to Rare Books for individual cataloging. These titles were a mass trade paperback copy of \"Shepherds Abiding,\" a paperback copy of \"To Be Where You are,\" and a hardback copy of \"Bathed In Prayer.\"","Two books were removed from this addition and transferred to the Rare Books Cataloger for individual handling:","Garden Club of Virginia Historic Garden Week \"Historic Southern Albemarle\" book with a copy of a sticky note \"Esmont on the tour in 2014, the year I sold it.\" (2014)","\"Donna Life - Art - Garden - Home\" with a preface by Jan Karon about her friend, Donna Ernst. Probably an advanced reader's copy (2019). Book came with a sticky note, \"This is not the final edition. This rough edition contains typos and incorrect paragraphing with several design changes as well. Delivered final copies 12/19.\"","The DVD, \"JJR 80th Celebration\" - Photographs of the 80th Birthday of Jerry J. Richardson which accompanied a letter (October 5, 2016) from Dana Robinson, executive assistant to the owner/founder of the Carolina Panthers, Jerry Richardson, has been separated from the letter and placed in Box 137 (Disk 93) with other disks. A digital copy has not been created at this time."],"userestrict_html_tesm":["\u003cp\u003eThere are no use restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["There are no use restrictions."],"names_ssim":["Albert and Shirley Small Special Collections Library","Setzer family -- correspondence","Karon, Jan (Janice), 1937-"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_coll_ssim":["Setzer family -- correspondence"],"famname_ssim":["Setzer family -- correspondence"],"persname_ssim":["Karon, Jan (Janice), 1937-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1248,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:45:23.850Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_177_c09_c04_c81"}},{"id":"viw_repositories_2_resources_9973_c01_c02","type":"Item","attributes":{"title":"Portfolio Carrier","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9973_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9973_c01_c02","ref_ssm":["viw_repositories_2_resources_9973_c01_c02"],"id":"viw_repositories_2_resources_9973_c01_c02","ead_ssi":"viw_repositories_2_resources_9973","_root_":"viw_repositories_2_resources_9973","_nest_parent_":"viw_repositories_2_resources_9973_c01","parent_ssi":"viw_repositories_2_resources_9973_c01","parent_ssim":["viw_repositories_2_resources_9973","viw_repositories_2_resources_9973_c01"],"parent_ids_ssim":["viw_repositories_2_resources_9973","viw_repositories_2_resources_9973_c01"],"parent_unittitles_ssm":["Clásicos Restaurados posters","Series I. Accession 2018.212: Clásicos Restaurados del Cine Latinoamericano Posters"],"parent_unittitles_tesim":["Clásicos Restaurados posters","Series I. Accession 2018.212: Clásicos Restaurados del Cine Latinoamericano Posters"],"text":["Clásicos Restaurados posters","Series I. Accession 2018.212: Clásicos Restaurados del Cine Latinoamericano Posters","Portfolio Carrier","Spanish; Castilian","Oversize Folder 12"],"title_filing_ssi":"Portfolio Carrier","title_ssm":["Portfolio Carrier"],"title_tesim":["Portfolio Carrier"],"unitdate_other_ssim":["2017"],"normalized_date_ssm":["2017"],"normalized_title_ssm":["Portfolio Carrier"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Clásicos Restaurados posters"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":3,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2017],"acqinfo_ssim":["Acc. 2018.212"],"language_ssim":["Spanish; Castilian"],"containers_ssim":["Oversize Folder 12"],"_nest_path_":"/components#0/components#1","timestamp":"2026-05-21T14:22:09.553Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9973","ead_ssi":"viw_repositories_2_resources_9973","_root_":"viw_repositories_2_resources_9973","_nest_parent_":"viw_repositories_2_resources_9973","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9973.xml","title_filing_ssi":"Clásicos Restaurados posters","title_ssm":["Clásicos Restaurados posters"],"title_tesim":["Clásicos Restaurados posters"],"unitdate_ssm":["2017"],"unitdate_other_ssim":["2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00413","/repositories/2/resources/9973"],"text":["MS 00413","/repositories/2/resources/9973","Clásicos Restaurados posters","Art, Cuban--21st century","Cuba","Film posters, Cuban","Art","Cuba-- History and Culture","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Collection is arranged by Accession with posters and other items listed under each accession.","The collection contains ten restored posters for classic Cuban films.","Translation: Restored Classics of Latin American Cinema Posters. 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With Sergio Carrieri y Daysi Granados, about the homonymous novel by Edmundo Desnoes.","Artist: Alberto (Tinti) Nodarse","Text: Filme cubano de Pastor Vego, Retrato de Teresa 1979, con Daisy Granados y Adolfo Llauradó Translation: Cuban film by Pastor Vego, Portrait of Teresa 1979, con Diasy Granados y Adolfo Llauradó.","Artist: Aljeandro R. Fornés (Alucho)","Text: Direccion T.G. Alea, con Jose Antonio Rodriguez, Raul Pomares, Reynaldo Miravalles, Armando Bianchi, Veronica Lynn, Cuba 1971. Translation: Directed by: T.G. Alea; With:  Jose Antonio Rodriguez, Raul Pomares, Reynaldo Miravalles, Armando Bianchi, Veronica Lynn, Cuba 1971.","Artist: Patricio Herrera Vega","Text: Lucía 1968, Un filme cubano de Humberto Solás, Raquel Revuelta, Eduardo Moure, Eslinda Nunez, Ramos Brito, Adela Legra, Adolfo Llaurado Translation; Lucía 1968, A cuban film from Humberto Solás; Raquel Revuelta, Eduardo Moure, Eslinda Nunez, Ramos Brito, Adela Legra, Adolfo Llaurado","Artist: Raúl Valdés (Raupa)","Text: Cubano film en colores, Dirección Juan Carlos Tabo, Con: Rosita Fornes, Isabel Santos, Maria Balmased, Ramon Velos. Translation: Cuban film in color. Director: Juan Carlos Tabo, With: Rosita Fornes, Isabel Santos, Maria Balmased, Ramon Velos.","Artist: Marwin Sánchez","Text: Film Chileno en blanco y negro. 1969, Direccion: Aldo Francia, Reparto de actores: Hugo Carcamo, Sara Astica, Liliana Cabrera, Marcelo Hidalgo, Rigoberto Rojo, Pedro Manuel Alvarez. Translation: Chilaen Film in white and black. 1969; Directed by: Aldo Francia. Cast of Actores:  Hugo Carcamo, Sara Astica, Liliana Cabrera, Marcelo Hidalgo, Rigoberto Rojo, Pedro Manuel Alvarez.","Artist: Indania del Río","Text: Chile 1973, Dir. Raul Ruiz, con Bélgica Castro y Luis Alarcon Translation: Chile 1973 Director: Raul Ruiz, With: Bélgica Castro y Luis Alarcon","Artist: Nelson Ponce","Text: Dirigido por Luis Puenzo, Actúan: Hector Alterio, Norma Aleandro, Chunchuna Villafane Translation: Directed by  Luis Puenzo; Acting by: Héctor Alterio, Norma Aleandro , Chunchuna Villafane","Artist: Michele Miyares Holands","Text: Una película Argentino-Fracesa año 1988, Escrita y Dirigida por Fernando Pino Slanas, con las actuaciones de Susu Pecoraro, Miguel A. Sola, Philippe Leotard  Translation: An Argentinian-French Film, Year: 1988, Written and Directed by Fernando Pino Slanas; With acting by: Susu Pecoraro, Miguel A. Sola, Philippe Leotard","Artist: Giselle Monzón","Text: Enrique Lucero, Salvador Sánchez, Ernesto Gómez Cruz; Un Filme de Felipe Cazals Translation: Enrique Lucero, Salvador Sanchez, Ernesto Gomes Cruz. A Film by Felipe Cazals","Artist: Roberto Ramos Mori","Text: Tiempo de Morir, una perlicula de Arturo Ripsteins; Marga Lopez, Jorge Martines de Hoyos, Enrique Rocha, Alfredo Legal Translation: Time to Die, a Film by Arturo Ripsteins; Marga Lopez, Jorge Martines de Hoyos, Enrique Rocha, Alfredo Legal","Artist: Claudio Sotolongo","Text: Direccion: Mario Peixoto, Olga Breno, Tatiana Rey, Raul Schnoor, Basil 1931","Artist: Liz Capote","Text: Tierra en Trance, una película de Glauber Rocha, Con Jardel Filho/ Paulo Autran, José Leugoy Translation: Entranced World, a film by  Glauber Rocha, With: Jardel Filho/ Paulo Autran, José Leugoy","Artist: Edel Rodríguez (Mola)","Artist: Edel Rodríguez (Mola) Text: Dirección: Víctor Gaviria Colombia 1990 Translation: Director: Víctor Gaviria Colombia 1990","Artist: Javier Gonzáles Borbolla","Text: Una película de Lisandro Duque Colombia 1986; Marcela Agudelo, Armando Gutierrez Translation: A film by Lisandro Duque, Columbia 1986; Marcela Agudelo, Armando Gutierrez","Series is arranged in alphabetical order by poster title after the brochure listing.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English Spanish; Castilian"],"unitid_tesim":["MS 00413","/repositories/2/resources/9973"],"normalized_title_ssm":["Clásicos Restaurados posters"],"collection_title_tesim":["Clásicos Restaurados posters"],"collection_ssim":["Clásicos Restaurados posters"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Art, Cuban--21st century","Cuba"],"geogname_ssim":["Art, Cuban--21st century","Cuba"],"places_ssim":["Art, Cuban--21st century","Cuba"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Film posters, Cuban","Art","Cuba-- History and Culture"],"access_subjects_ssm":["Film posters, Cuban","Art","Cuba-- History and Culture"],"has_online_content_ssim":["false"],"extent_ssm":["2.17 Linear Feet One oversized folder."],"extent_tesim":["2.17 Linear Feet One oversized folder."],"date_range_isim":[2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged by Accession with posters and other items listed under each accession.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged by Accession with posters and other items listed under each accession."],"prefercite_html_tesm":["\u003cp\u003eClásicos Restaurados posters, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Clásicos Restaurados posters, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains ten restored posters for classic Cuban films.\u003c/p\u003e","\u003cp\u003eTranslation: Restored Classics of Latin American Cinema Posters. This film poster collection features the work of some of Cuba's most renowned graphic artists. Each creator designed an image to accompany one of the internationally renowned Latin American films restored in recent years. The posters are arranged as listed on the collection brochure included in the portfolio.\u003c/p\u003e","\u003cp\u003eThe brochure features thumbnails of both the original and 2017 posters for 15 classic Cuban films. Equipo de trabajo (work team): Idea original y produccion: Yumey Besu Payo, Asesoria: Sara Vega Miche, Consultores: Ivan Giroud, Luciano Castillo, Diseno: Nelson Ponce, Audiovisual: Eureka Creativos. (These folders only contain the 2017 posters.) Brochure unfolds flat.\u003c/p\u003e","\u003cp\u003eArtist: Fabián Muñoz\u003c/p\u003e\n","\u003cp\u003eText: Memorias del Subdesarrollo, film de Tomás Gutiérrez Alea. Con Sergio Corrieri y Daysi Granados, sobre la novela homónima de Edmundo Desnoes Translation: Memories of Underdevelopment, film by Tomas Gutierrez Alea. With Sergio Carrieri y Daysi Granados, about the homonymous novel by Edmundo Desnoes.\u003c/p\u003e","\u003cp\u003eArtist: Alberto (Tinti) Nodarse\u003c/p\u003e\n","\u003cp\u003eText: Filme cubano de Pastor Vego, Retrato de Teresa 1979, con Daisy Granados y Adolfo Llauradó Translation: Cuban film by Pastor Vego, Portrait of Teresa 1979, con Diasy Granados y Adolfo Llauradó.\u003c/p\u003e","\u003cp\u003eArtist: Aljeandro R. Fornés (Alucho)\u003c/p\u003e\n","\u003cp\u003eText: Direccion T.G. Alea, con Jose Antonio Rodriguez, Raul Pomares, Reynaldo Miravalles, Armando Bianchi, Veronica Lynn, Cuba 1971. Translation: Directed by: T.G. Alea; With:  Jose Antonio Rodriguez, Raul Pomares, Reynaldo Miravalles, Armando Bianchi, Veronica Lynn, Cuba 1971.\u003c/p\u003e","\u003cp\u003eArtist: Patricio Herrera Vega\u003c/p\u003e\n","\u003cp\u003eText: Lucía 1968, Un filme cubano de Humberto Solás, Raquel Revuelta, Eduardo Moure, Eslinda Nunez, Ramos Brito, Adela Legra, Adolfo Llaurado Translation; Lucía 1968, A cuban film from Humberto Solás; Raquel Revuelta, Eduardo Moure, Eslinda Nunez, Ramos Brito, Adela Legra, Adolfo Llaurado\u003c/p\u003e","\u003cp\u003eArtist: Raúl Valdés (Raupa)\u003c/p\u003e\n","\u003cp\u003eText: Cubano film en colores, Dirección Juan Carlos Tabo, Con: Rosita Fornes, Isabel Santos, Maria Balmased, Ramon Velos. Translation: Cuban film in color. Director: Juan Carlos Tabo, With: Rosita Fornes, Isabel Santos, Maria Balmased, Ramon Velos.\u003c/p\u003e","\u003cp\u003eArtist: Marwin Sánchez\u003c/p\u003e\n","\u003cp\u003eText: Film Chileno en blanco y negro. 1969, Direccion: Aldo Francia, Reparto de actores: Hugo Carcamo, Sara Astica, Liliana Cabrera, Marcelo Hidalgo, Rigoberto Rojo, Pedro Manuel Alvarez. Translation: Chilaen Film in white and black. 1969; Directed by: Aldo Francia. Cast of Actores:  Hugo Carcamo, Sara Astica, Liliana Cabrera, Marcelo Hidalgo, Rigoberto Rojo, Pedro Manuel Alvarez.\u003c/p\u003e","\u003cp\u003eArtist: Indania del Río\u003c/p\u003e\n","\u003cp\u003eText: Chile 1973, Dir. Raul Ruiz, con Bélgica Castro y Luis Alarcon Translation: Chile 1973 Director: Raul Ruiz, With: Bélgica Castro y Luis Alarcon\u003c/p\u003e","\u003cp\u003eArtist: Nelson Ponce\u003c/p\u003e\n","\u003cp\u003eText: Dirigido por Luis Puenzo, Actúan: Hector Alterio, Norma Aleandro, Chunchuna Villafane Translation: Directed by  Luis Puenzo; Acting by: Héctor Alterio, Norma Aleandro , Chunchuna Villafane\u003c/p\u003e","\u003cp\u003eArtist: Michele Miyares Holands\u003c/p\u003e\n","\u003cp\u003eText: Una película Argentino-Fracesa año 1988, Escrita y Dirigida por Fernando Pino Slanas, con las actuaciones de Susu Pecoraro, Miguel A. Sola, Philippe Leotard  Translation: An Argentinian-French Film, Year: 1988, Written and Directed by Fernando Pino Slanas; With acting by: Susu Pecoraro, Miguel A. Sola, Philippe Leotard\u003c/p\u003e","\u003cp\u003eArtist: Giselle Monzón\u003c/p\u003e\n","\u003cp\u003eText: Enrique Lucero, Salvador Sánchez, Ernesto Gómez Cruz; Un Filme de Felipe Cazals Translation: Enrique Lucero, Salvador Sanchez, Ernesto Gomes Cruz. A Film by Felipe Cazals\u003c/p\u003e","\u003cp\u003eArtist: Roberto Ramos Mori\u003c/p\u003e\n","\u003cp\u003eText: Tiempo de Morir, una perlicula de Arturo Ripsteins; Marga Lopez, Jorge Martines de Hoyos, Enrique Rocha, Alfredo Legal Translation: Time to Die, a Film by Arturo Ripsteins; Marga Lopez, Jorge Martines de Hoyos, Enrique Rocha, Alfredo Legal\u003c/p\u003e","\u003cp\u003eArtist: Claudio Sotolongo\u003c/p\u003e\n","\u003cp\u003eText: Direccion: Mario Peixoto, Olga Breno, Tatiana Rey, Raul Schnoor, Basil 1931\u003c/p\u003e","\u003cp\u003eArtist: Liz Capote\u003c/p\u003e\n","\u003cp\u003eText: Tierra en Trance, una película de Glauber Rocha, Con Jardel Filho/ Paulo Autran, José Leugoy Translation: Entranced World, a film by  Glauber Rocha, With: Jardel Filho/ Paulo Autran, José Leugoy\u003c/p\u003e","\u003cp\u003eArtist: Edel Rodríguez (Mola)\u003c/p\u003e\n","\u003cp\u003eArtist: Edel Rodríguez (Mola) Text: Dirección: Víctor Gaviria Colombia 1990 Translation: Director: Víctor Gaviria Colombia 1990\u003c/p\u003e","\u003cp\u003eArtist: Javier Gonzáles Borbolla\u003c/p\u003e\n","\u003cp\u003eText: Una película de Lisandro Duque Colombia 1986; Marcela Agudelo, Armando Gutierrez Translation: A film by Lisandro Duque, Columbia 1986; Marcela Agudelo, Armando Gutierrez\u003c/p\u003e","\u003cp\u003eSeries is arranged in alphabetical order by poster title after the brochure listing.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains ten restored posters for classic Cuban films.","Translation: Restored Classics of Latin American Cinema Posters. This film poster collection features the work of some of Cuba's most renowned graphic artists. Each creator designed an image to accompany one of the internationally renowned Latin American films restored in recent years. The posters are arranged as listed on the collection brochure included in the portfolio.","The brochure features thumbnails of both the original and 2017 posters for 15 classic Cuban films. Equipo de trabajo (work team): Idea original y produccion: Yumey Besu Payo, Asesoria: Sara Vega Miche, Consultores: Ivan Giroud, Luciano Castillo, Diseno: Nelson Ponce, Audiovisual: Eureka Creativos. (These folders only contain the 2017 posters.) Brochure unfolds flat.","Artist: Fabián Muñoz","Text: Memorias del Subdesarrollo, film de Tomás Gutiérrez Alea. Con Sergio Corrieri y Daysi Granados, sobre la novela homónima de Edmundo Desnoes Translation: Memories of Underdevelopment, film by Tomas Gutierrez Alea. With Sergio Carrieri y Daysi Granados, about the homonymous novel by Edmundo Desnoes.","Artist: Alberto (Tinti) Nodarse","Text: Filme cubano de Pastor Vego, Retrato de Teresa 1979, con Daisy Granados y Adolfo Llauradó Translation: Cuban film by Pastor Vego, Portrait of Teresa 1979, con Diasy Granados y Adolfo Llauradó.","Artist: Aljeandro R. Fornés (Alucho)","Text: Direccion T.G. Alea, con Jose Antonio Rodriguez, Raul Pomares, Reynaldo Miravalles, Armando Bianchi, Veronica Lynn, Cuba 1971. Translation: Directed by: T.G. Alea; With:  Jose Antonio Rodriguez, Raul Pomares, Reynaldo Miravalles, Armando Bianchi, Veronica Lynn, Cuba 1971.","Artist: Patricio Herrera Vega","Text: Lucía 1968, Un filme cubano de Humberto Solás, Raquel Revuelta, Eduardo Moure, Eslinda Nunez, Ramos Brito, Adela Legra, Adolfo Llaurado Translation; Lucía 1968, A cuban film from Humberto Solás; Raquel Revuelta, Eduardo Moure, Eslinda Nunez, Ramos Brito, Adela Legra, Adolfo Llaurado","Artist: Raúl Valdés (Raupa)","Text: Cubano film en colores, Dirección Juan Carlos Tabo, Con: Rosita Fornes, Isabel Santos, Maria Balmased, Ramon Velos. Translation: Cuban film in color. Director: Juan Carlos Tabo, With: Rosita Fornes, Isabel Santos, Maria Balmased, Ramon Velos.","Artist: Marwin Sánchez","Text: Film Chileno en blanco y negro. 1969, Direccion: Aldo Francia, Reparto de actores: Hugo Carcamo, Sara Astica, Liliana Cabrera, Marcelo Hidalgo, Rigoberto Rojo, Pedro Manuel Alvarez. Translation: Chilaen Film in white and black. 1969; Directed by: Aldo Francia. Cast of Actores:  Hugo Carcamo, Sara Astica, Liliana Cabrera, Marcelo Hidalgo, Rigoberto Rojo, Pedro Manuel Alvarez.","Artist: Indania del Río","Text: Chile 1973, Dir. Raul Ruiz, con Bélgica Castro y Luis Alarcon Translation: Chile 1973 Director: Raul Ruiz, With: Bélgica Castro y Luis Alarcon","Artist: Nelson Ponce","Text: Dirigido por Luis Puenzo, Actúan: Hector Alterio, Norma Aleandro, Chunchuna Villafane Translation: Directed by  Luis Puenzo; Acting by: Héctor Alterio, Norma Aleandro , Chunchuna Villafane","Artist: Michele Miyares Holands","Text: Una película Argentino-Fracesa año 1988, Escrita y Dirigida por Fernando Pino Slanas, con las actuaciones de Susu Pecoraro, Miguel A. Sola, Philippe Leotard  Translation: An Argentinian-French Film, Year: 1988, Written and Directed by Fernando Pino Slanas; With acting by: Susu Pecoraro, Miguel A. Sola, Philippe Leotard","Artist: Giselle Monzón","Text: Enrique Lucero, Salvador Sánchez, Ernesto Gómez Cruz; Un Filme de Felipe Cazals Translation: Enrique Lucero, Salvador Sanchez, Ernesto Gomes Cruz. A Film by Felipe Cazals","Artist: Roberto Ramos Mori","Text: Tiempo de Morir, una perlicula de Arturo Ripsteins; Marga Lopez, Jorge Martines de Hoyos, Enrique Rocha, Alfredo Legal Translation: Time to Die, a Film by Arturo Ripsteins; Marga Lopez, Jorge Martines de Hoyos, Enrique Rocha, Alfredo Legal","Artist: Claudio Sotolongo","Text: Direccion: Mario Peixoto, Olga Breno, Tatiana Rey, Raul Schnoor, Basil 1931","Artist: Liz Capote","Text: Tierra en Trance, una película de Glauber Rocha, Con Jardel Filho/ Paulo Autran, José Leugoy Translation: Entranced World, a film by  Glauber Rocha, With: Jardel Filho/ Paulo Autran, José Leugoy","Artist: Edel Rodríguez (Mola)","Artist: Edel Rodríguez (Mola) Text: Dirección: Víctor Gaviria Colombia 1990 Translation: Director: Víctor Gaviria Colombia 1990","Artist: Javier Gonzáles Borbolla","Text: Una película de Lisandro Duque Colombia 1986; Marcela Agudelo, Armando Gutierrez Translation: A film by Lisandro Duque, Columbia 1986; Marcela Agudelo, Armando Gutierrez","Series is arranged in alphabetical order by poster title after the brochure listing."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":34,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:22:09.553Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9973_c01_c02"}},{"id":"viasr_repositories_2_resources_1_c35_c01","type":"Item","attributes":{"title":"\"\"Prayer in the Desert\" Theme of Third-Annual Ira Andrews Lecture\" Article.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viasr_repositories_2_resources_1_c35_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viasr_repositories_2_resources_1_c35_c01","ref_ssm":["viasr_repositories_2_resources_1_c35_c01"],"id":"viasr_repositories_2_resources_1_c35_c01","ead_ssi":"viasr_repositories_2_resources_1","_root_":"viasr_repositories_2_resources_1","_nest_parent_":"viasr_repositories_2_resources_1_c35","parent_ssi":"viasr_repositories_2_resources_1_c35","parent_ssim":["viasr_repositories_2_resources_1","viasr_repositories_2_resources_1_c35"],"parent_ids_ssim":["viasr_repositories_2_resources_1","viasr_repositories_2_resources_1_c35"],"parent_unittitles_ssm":["RMC Faculty, Staff, and Alumni Files","Andrews, Ira Lee, Jr. Alumnus. 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Page removed from bound copy, page 11/12","From Spring 2015 Volume 87 Number 1","Unclear what the source is, but pages 604-606","From Summer/Fall 2015 Volume 87 Number 2","Original from Fall 2017 Volume 89 Number 2, printed copy posted 2017-12-19","From the 2011-2012 Year in Review page 7","Some images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. ","For users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. 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These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. ","For users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. ","Inquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu","Financial Aid Counselor beginning August 1980","First employed August of 1988 as a Visiting Assistant Professor","Was a Board of Trustees member from 1988-1992","Albertson was the recipient of the Barbara Sylvia Doggett Scholarship and the Linda Whitcomb Scholarship","Exact years of employment are unknown.  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Unclear which date is accurate","20 photos total","First woman Trustee"],"prefercite_html_tesm":["\u003cp\u003e[item identification] Collection Name, Flavia Reed Owen Special Collections and Archives, McGraw-Page Library, Randolph-Macon College, Ashland, VA\u003c/p\u003e"],"prefercite_tesim":["[item identification] Collection Name, Flavia Reed Owen Special Collections and Archives, McGraw-Page Library, Randolph-Macon College, Ashland, VA"],"processinfo_html_tesm":["\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003eincluded in this folder are the original newspaper as well as a scanned paper copy of relevant portions of the original newspaper\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["2 copies","included in this folder are the original newspaper as well as a scanned paper copy of relevant portions of the original newspaper"],"relatedmaterial_html_tesm":["\u003cp\u003eContextual information about W.B. 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The year is unknown."],"scopecontent_html_tesm":["\u003cp\u003eLetters between Adams and Moreland discussing the possibility of meeting up for dinner as a result of Adams' job search to teach English at a college/university\u003c/p\u003e","\u003cp\u003eNewspaper article clipping discussing Adams being the youngest person ever elected to Emporia City Council\u003c/p\u003e","\u003cp\u003eEntire specialty publication newspaper issue is held in this file, article specific to Allen is on page 3.\u003c/p\u003e","\u003cp\u003eEmail correspondence regarding Linda Altman transitioning from full-time Human Resources Generalist to part-time Human Resource Specialist effective July 1, 2024 (2024-07-01)\u003c/p\u003e","\u003cp\u003eEmail notification sent to community members reporting on the passing of Professor Emeritus Rachel N. Anderson\u003c/p\u003e","\u003cp\u003eA letter from Henry M. 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The other half of the page is a class photo for 1890, with Beauchamp labeled as #2 in the photograph.\u003c/p\u003e","\u003cp\u003eWalter Hines Page, the grandson of Walter Hines Page the previous namesake of the library\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Letters between Adams and Moreland discussing the possibility of meeting up for dinner as a result of Adams' job search to teach English at a college/university","Newspaper article clipping discussing Adams being the youngest person ever elected to Emporia City Council","Entire specialty publication newspaper issue is held in this file, article specific to Allen is on page 3.","Email correspondence regarding Linda Altman transitioning from full-time Human Resources Generalist to part-time Human Resource Specialist effective July 1, 2024 (2024-07-01)","Email notification sent to community members reporting on the passing of Professor Emeritus Rachel N. 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Digital and print poster.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8183_c11_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8183_c11_c14","ref_ssm":["viw_repositories_2_resources_8183_c11_c14"],"id":"viw_repositories_2_resources_8183_c11_c14","ead_ssi":"viw_repositories_2_resources_8183","_root_":"viw_repositories_2_resources_8183","_nest_parent_":"viw_repositories_2_resources_8183_c11","parent_ssi":"viw_repositories_2_resources_8183_c11","parent_ssim":["viw_repositories_2_resources_8183","viw_repositories_2_resources_8183_c11"],"parent_ids_ssim":["viw_repositories_2_resources_8183","viw_repositories_2_resources_8183_c11"],"parent_unittitles_ssm":["Alejandro Rodríguez Fornés (Alucho) collection","Series 11: Posters"],"parent_unittitles_tesim":["Alejandro Rodríguez Fornés (Alucho) collection","Series 11: Posters"],"text":["Alejandro Rodríguez Fornés (Alucho) collection","Series 11: Posters","Premio Casa","Spanish; Castilian","Oversize Folder 3","object 2","Theme: Premio Literario Casa de las Americas. Theme translation: Casa de las Americas Literary Prize. Novela. Enero 16 al 26. Estudios sobre la presencia negra en la America y el Caribe contemporaneous. (Translation: Novel. January 16 to 26. Studies on the black presence in the contemporaneous America and the Caribbean.) Poster artist: Alucho. Digital and print poster."],"title_filing_ssi":"Premio Casa","title_ssm":["Premio Casa"],"title_tesim":["Premio Casa"],"unitdate_other_ssim":["2017"],"normalized_date_ssm":["2017"],"normalized_title_ssm":["Premio Casa"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Alejandro Rodríguez Fornés (Alucho) collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":102,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Low resolution images may be made available for public usage online; high resolution images will be retained for archival purposes and for servicing to approved patrons. Interested patrons must seek permission to reproduce/distribute from Alucho. Library staff will put patrons in contact with Alucho; permissions and associated charges will be negotiated and collected by Alucho. After permission is granted, Special Collections staff will assist with the logistics in delivering the high resolution images."],"date_range_isim":[2017],"language_ssim":["Spanish; Castilian"],"containers_ssim":["Oversize Folder 3","object 2"],"scopecontent_html_tesm":["\u003cp\u003eTheme: Premio Literario Casa de las Americas. Theme translation: Casa de las Americas Literary Prize. Novela. Enero 16 al 26. Estudios sobre la presencia negra en la America y el Caribe contemporaneous. (Translation: Novel. January 16 to 26. Studies on the black presence in the contemporaneous America and the Caribbean.) Poster artist: Alucho. Digital and print poster.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Theme: Premio Literario Casa de las Americas. Theme translation: Casa de las Americas Literary Prize. Novela. Enero 16 al 26. Estudios sobre la presencia negra en la America y el Caribe contemporaneous. (Translation: Novel. January 16 to 26. Studies on the black presence in the contemporaneous America and the Caribbean.) Poster artist: Alucho. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into series by year and then listed alphabetically.","Born in Havana in 1984, Alejandro Rodríguez Fornés \"Alucho,\" is a prolific graphic designer and an important figure in the use of emerging technologies and digital art in Cuban graphic design. He graduated from Havana's Instituto Superior de Diseño in 2008. He has worked as a designer for the magazines Literatura y Arte Unión and La Jiribilla, the publishers Gente Nueva and Abril, and the International School of Film and Television in San Antonio de los Baños, as well as the Cuban Institute of Art and Cinematography. His work has been featured in international festivals in Mexico, Bolivia, Ecuador, Turkey, Spain, and Russia among others, and he has participated in exhibitions in Cuba and abroad. In 2014, he won the Bronze Medal at the 13th biennial International Poster Festival in Mexico. He is a member of the National Union of Writers and Authors of Cuba (UNEAC) and currently works in the office of Images and Communication at the Casa de las Américas. ","Source: (2017, December 1). Carteles de Alucho, Retrieved from https://libraries.wm.edu/exhibits/carteles-de-alucho","Preservation copies of digital materials are TIFs. Most digital posters may be accessed via Omeka, and high resolution versions can be viewed in the reading room. At least 72 hours advanced notice required for access of high resolution versions and other digital posters.","Graphic art posters in physical and digital form by Alejandro Rodríguez Fornés, known as Alucho. The theme of the posters is primarily film-related and include commemorative posters for Cuban films and or for film festivals. Many are signed by the artist.","Digital poster.","Digital poster.","Digital poster.","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Title translation: Twilight. Poster design by Alucho. Film is directed by Juan Pablo Daranas Molina. Digital and printed poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Theme: Festival de Arte y Literatura Cubana. Theme translation: Festival of Cuban Art and Literature. Poster design by Alucho. The festival was held May 26-28 at the University of Puerto Rico featuring expositions, movies, talks, and books. Digital and print poster","Digital poster","Happy Together/Felices Juntos, Proyecto XII Bienal de La Habana. Poster artist: Alucho. Digital and print poster","Title translation: The Road of Life. A documentary by Isabel Santos. ICAIC. Poster Artist: Alucho. Poster features a black uniformed figure in front of the sun and a red sky as a woman walks on a zigzag path toward him with headstones to either side. Digital and print poster.","Title translation: The Road of Life. A documentary by Isabel Santos. ICAIC. Poster Artist: Alucho. Poster features a black shoeprint on a white background with red footprints over it in an X shape. Digital and print poster.","Title translation: Theft of the Pigs. Poster design by Alucho. A work by Arelardo Estorino. Digital and print poster.","Title translation: On the Wait. Poster design by Alucho. \"In the Espera\" narrates through the voices of experienced architects, the experiences of a group of neighbors of the buildings López Serrano and the house of the writer Renee Méndez Capote, the problem of architectural deterioration in El Vedado. Source: http://muestrajoven.cult.cu/filmes/en-la-espera/","Digital and print poster.","Title translation: Tribute to Charles Chaplin. Poster design by Alucho, 2015. A tribute to the 55th Anniversary of cinematics in Cuba. Digital and print poster.","Title translation: Tribute to Charles Chaplin. 55 Aniversario Cinemateca de Cuba / 55th Anniversary Cuban Cinema. Poster Artist: Alucho. Digital and print poster.","Digital poster.","Theme: Fátima: O El Parque de la Fraternidad. Theme translation: Fatima, or the Fraternity Park. Poster design by Alucho. The movie is about a woman trapped in a man's body who finds herself in trouble when she falls in love with Vaseline, a pimp. Source: http://www.sensacine.com/peliculas/pelicula-233695/. Written by Fidel Orta based on the story by Miguel Barnet. Directed by Jorge Perugorria. Digital and print poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Theme: Saberes y Expresiones Artisticas de los Pueblos Indigenas de America en el Horizonte del Buen Vivir. Theme translation: Knowledge and Artistic Expressions of the Indigenous Peoples of America in the Horizon of Living Well. 11-14 Octubre 2016. Il Coloquio Internacional de Estudios Sobre Culturas Originarias de America. Casa de la Americas. (Translation: 11-14 October 2016. The International Colloquium on Studies on Cultures Originating in America. House of the Americas.) Poster artist: Alucho. Digital and print poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Theme: Chivo Que Rompe Tambo. Theme translation: Goat Who Breaks the Drum. Poster artist: Alucho. Digital and print poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Title translation: Severe Secret. Poster artist: Alucho. Violeta Producciones. Digital and print poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Two 9 x 10 inch seriagraph posters by Alejandro Rodríguez Fornés (Alucho) titled \"Amor Odio.\" ","The first is a predomantly orange mosquito-like design with a series number of XIV/XXV and a penciled number on the back that reads 4082-04tj. ","The second poster is the same design with a flyswatter imposed on top in purple and orange. The second poster has series number 37/50, and has an inscription in the bottom right reading \"Sean Waple Seattle, WA.\" The number 4082-04e5 on the back.","Digital poster.","Poster artist: Alucho. Digital and print poster.","Title translation: Cuba Mystery: Finding Your Own Whale. Poster Artist: Alucho. Digital and print poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Theme: Una Pelea Cubana Contra los Demonios. Theme translation: A Cuban Fight Against the Demons. Director/Direccion: T.G. Alea. With Jose Antonio Rodriguez, Raul Pomares, Reynaldo Miravalles, Armando Bianchi, Veronica Lynn. Cuba 1971. Clasicos Restaurados. Poster artist: Alucho. Digital and print poster.","Theme: Premio Literario Casa de las Americas. Theme translation: Casa de las Americas Literary Prize. Novela. Enero 16 al 26. Estudios sobre la presencia negra en la America y el Caribe contemporaneous. (Translation: Novel. January 16 to 26. Studies on the black presence in the contemporaneous America and the Caribbean.) Poster artist: Alucho. Digital and print poster.","Title translation: Cuban ArtsArtes de Cuba - From the Island to the World. Poster artist: Alucho. Digital and print poster.","Digital poster and print poster.","Title translation: Jazz Club. Poster displays production information. Poster artist: Alucho. Image depicts a set of black and white piano keys spiraling inward with white text and film logos in the bottom left corner. Digital and print poster.","Title translation: Jazz Club. A film by Una pelicula de Esteban Insausti. ICAIC. Programa Ibermedia. Poster artist: Alucho. Image depicts an apple fading into a piano. Digital and print poster.","Digital poster and print poster.","Digital and print poster.","Digital poster.","Theme: Premio de Musicología Casa de la Americas x Coloquio Internacional de Musicología. Theme translation: Musicology Award, House of the Americas and International Musicology Colloquium. Homenaje a Argeliers Leon en su centenario. 12 al 16 de Marzo. (Translation: Tribute to Argeliers Leon in his centenary. March 12 to 16.) Poster artist: Alucho. Digital and print poster.","Digital poster.","Digital poster.","Digital poster.","Poster art (two copies) and program booklet for the William and Mary Global Film Festival, held February 15-18, 2018. Print posters have been signed and dated by the artist, Alucho. Digital and print poster.","Digital poster.","Low resolution images may be made available for public usage online; high resolution images will be retained for archival purposes and for servicing to approved patrons. Interested patrons must seek permission to reproduce/distribute from Alucho. Library staff will put patrons in contact with Alucho; permissions and associated charges will be negotiated and collected by Alucho. After permission is granted, Special Collections staff will assist with the logistics in delivering the high resolution images.","Special Collections Research Center","Alucho (Alejandro Rodríguez Fornés)","Spanish; Castilian"],"unitid_tesim":["MS 00118","/repositories/2/resources/8183"],"normalized_title_ssm":["Alejandro Rodríguez Fornés (Alucho) collection"],"collection_title_tesim":["Alejandro Rodríguez Fornés (Alucho) collection"],"collection_ssim":["Alejandro Rodríguez Fornés (Alucho) collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Art, Cuban--21st century"],"geogname_ssim":["Art, Cuban--21st century"],"creator_ssm":["Alucho (Alejandro Rodríguez Fornés)"],"creator_ssim":["Alucho (Alejandro Rodríguez Fornés)"],"creator_persname_ssim":["Alucho (Alejandro Rodríguez Fornés)"],"creators_ssim":["Alucho (Alejandro Rodríguez Fornés)"],"places_ssim":["Art, Cuban--21st century"],"access_terms_ssm":["Low resolution images may be made available for public usage online; high resolution images will be retained for archival purposes and for servicing to approved patrons. Interested patrons must seek permission to reproduce/distribute from Alucho. Library staff will put patrons in contact with Alucho; permissions and associated charges will be negotiated and collected by Alucho. After permission is granted, Special Collections staff will assist with the logistics in delivering the high resolution images."],"acqinfo_ssim":["Acc. 2018.020 includes five Analog posters created by Alejandro Rodriguez Fornes, \"Alucho\": The Red Panther, Saberes y Expresiones, Una Pelea Cubana Contra Los Demonios, Chivo Que Rompe Tambo, and Casa de las Americas. Acc. 2018.211 includes the following posters also by Alejandro Rodriguez Fornes, \"Alucho\": The Clash Day, Club de Jazz, Permio de Musicologia, Cuba Mistery: Finding Your Own Whale, and Celia Cruz, Oversea. Acc. 2018.020 and Acc. 2018.218 includes digital forms of many posters already in the collection and the posters that were featured in the Carteles de Alucho exhibit in the Botetourt Gallery. Acc. 2019.113 includes the physical and digital posters Domingo and Ciclo de Pensamento Social Caribeño."],"access_subjects_ssim":["Film posters, Cuban","Film festivals","Film festival programs"],"access_subjects_ssm":["Film posters, Cuban","Film festivals","Film festival programs"],"has_online_content_ssim":["false"],"extent_ssm":["3.00 Linear Feet","21.1 Gigabytes"],"extent_tesim":["3.00 Linear Feet","21.1 Gigabytes"],"date_range_isim":[2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into series by year and then listed alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into series by year and then listed alphabetically."],"bioghist_html_tesm":["\u003cp\u003eBorn in Havana in 1984, Alejandro Rodríguez Fornés \"Alucho,\" is a prolific graphic designer and an important figure in the use of emerging technologies and digital art in Cuban graphic design. He graduated from Havana's Instituto Superior de Diseño in 2008. He has worked as a designer for the magazines Literatura y Arte Unión and La Jiribilla, the publishers Gente Nueva and Abril, and the International School of Film and Television in San Antonio de los Baños, as well as the Cuban Institute of Art and Cinematography. His work has been featured in international festivals in Mexico, Bolivia, Ecuador, Turkey, Spain, and Russia among others, and he has participated in exhibitions in Cuba and abroad. In 2014, he won the Bronze Medal at the 13th biennial International Poster Festival in Mexico. He is a member of the National Union of Writers and Authors of Cuba (UNEAC) and currently works in the office of Images and Communication at the Casa de las Américas. \u003c/p\u003e\n","\u003cp\u003eSource: (2017, December 1). Carteles de Alucho, Retrieved from https://libraries.wm.edu/exhibits/carteles-de-alucho\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born in Havana in 1984, Alejandro Rodríguez Fornés \"Alucho,\" is a prolific graphic designer and an important figure in the use of emerging technologies and digital art in Cuban graphic design. He graduated from Havana's Instituto Superior de Diseño in 2008. He has worked as a designer for the magazines Literatura y Arte Unión and La Jiribilla, the publishers Gente Nueva and Abril, and the International School of Film and Television in San Antonio de los Baños, as well as the Cuban Institute of Art and Cinematography. His work has been featured in international festivals in Mexico, Bolivia, Ecuador, Turkey, Spain, and Russia among others, and he has participated in exhibitions in Cuba and abroad. In 2014, he won the Bronze Medal at the 13th biennial International Poster Festival in Mexico. He is a member of the National Union of Writers and Authors of Cuba (UNEAC) and currently works in the office of Images and Communication at the Casa de las Américas. ","Source: (2017, December 1). Carteles de Alucho, Retrieved from https://libraries.wm.edu/exhibits/carteles-de-alucho"],"phystech_html_tesm":["\u003cp\u003ePreservation copies of digital materials are TIFs. Most digital posters may be accessed via Omeka, and high resolution versions can be viewed in the reading room. At least 72 hours advanced notice required for access of high resolution versions and other digital posters.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Preservation copies of digital materials are TIFs. Most digital posters may be accessed via Omeka, and high resolution versions can be viewed in the reading room. At least 72 hours advanced notice required for access of high resolution versions and other digital posters."],"prefercite_html_tesm":["\u003cp\u003eAlejandro Rodríguez Fornés (Alucho) Collection, Special Collections Research Center, Swem Library, College of William and Mary\u003c/p\u003e"],"prefercite_tesim":["Alejandro Rodríguez Fornés (Alucho) Collection, Special Collections Research Center, Swem Library, College of William and Mary"],"scopecontent_html_tesm":["\u003cp\u003eGraphic art posters in physical and digital form by Alejandro Rodríguez Fornés, known as Alucho. The theme of the posters is primarily film-related and include commemorative posters for Cuban films and or for film festivals. Many are signed by the artist.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eTitle translation: Twilight. Poster design by Alucho. Film is directed by Juan Pablo Daranas Molina. Digital and printed poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eTheme: Festival de Arte y Literatura Cubana. Theme translation: Festival of Cuban Art and Literature. Poster design by Alucho. The festival was held May 26-28 at the University of Puerto Rico featuring expositions, movies, talks, and books. Digital and print poster\u003c/p\u003e","\u003cp\u003eDigital poster\u003c/p\u003e","\u003cp\u003eHappy Together/Felices Juntos, Proyecto XII Bienal de La Habana. Poster artist: Alucho. Digital and print poster\u003c/p\u003e","\u003cp\u003eTitle translation: The Road of Life. A documentary by Isabel Santos. ICAIC. Poster Artist: Alucho. Poster features a black uniformed figure in front of the sun and a red sky as a woman walks on a zigzag path toward him with headstones to either side. Digital and print poster.\u003c/p\u003e","\u003cp\u003eTitle translation: The Road of Life. A documentary by Isabel Santos. ICAIC. Poster Artist: Alucho. Poster features a black shoeprint on a white background with red footprints over it in an X shape. Digital and print poster.\u003c/p\u003e","\u003cp\u003eTitle translation: Theft of the Pigs. Poster design by Alucho. A work by Arelardo Estorino. Digital and print poster.\u003c/p\u003e","\u003cp\u003eTitle translation: On the Wait. Poster design by Alucho. \"In the Espera\" narrates through the voices of experienced architects, the experiences of a group of neighbors of the buildings López Serrano and the house of the writer Renee Méndez Capote, the problem of architectural deterioration in El Vedado. Source: http://muestrajoven.cult.cu/filmes/en-la-espera/\u003c/p\u003e\n","\u003cp\u003eDigital and print poster.\u003c/p\u003e","\u003cp\u003eTitle translation: Tribute to Charles Chaplin. Poster design by Alucho, 2015. A tribute to the 55th Anniversary of cinematics in Cuba. Digital and print poster.\u003c/p\u003e","\u003cp\u003eTitle translation: Tribute to Charles Chaplin. 55 Aniversario Cinemateca de Cuba / 55th Anniversary Cuban Cinema. Poster Artist: Alucho. Digital and print poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eTheme: Fátima: O El Parque de la Fraternidad. Theme translation: Fatima, or the Fraternity Park. Poster design by Alucho. The movie is about a woman trapped in a man's body who finds herself in trouble when she falls in love with Vaseline, a pimp. Source: http://www.sensacine.com/peliculas/pelicula-233695/. Written by Fidel Orta based on the story by Miguel Barnet. Directed by Jorge Perugorria. Digital and print poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eTheme: Saberes y Expresiones Artisticas de los Pueblos Indigenas de America en el Horizonte del Buen Vivir. Theme translation: Knowledge and Artistic Expressions of the Indigenous Peoples of America in the Horizon of Living Well. 11-14 Octubre 2016. Il Coloquio Internacional de Estudios Sobre Culturas Originarias de America. Casa de la Americas. (Translation: 11-14 October 2016. The International Colloquium on Studies on Cultures Originating in America. House of the Americas.) Poster artist: Alucho. Digital and print poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eTheme: Chivo Que Rompe Tambo. Theme translation: Goat Who Breaks the Drum. Poster artist: Alucho. Digital and print poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eTitle translation: Severe Secret. Poster artist: Alucho. Violeta Producciones. Digital and print poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eTwo 9 x 10 inch seriagraph posters by Alejandro Rodríguez Fornés (Alucho) titled \"Amor Odio.\" \u003c/p\u003e\n","\u003cp\u003eThe first is a predomantly orange mosquito-like design with a series number of XIV/XXV and a penciled number on the back that reads 4082-04tj. \u003c/p\u003e\n","\u003cp\u003eThe second poster is the same design with a flyswatter imposed on top in purple and orange. The second poster has series number 37/50, and has an inscription in the bottom right reading \"Sean Waple Seattle, WA.\" The number 4082-04e5 on the back.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003ePoster artist: Alucho. Digital and print poster.\u003c/p\u003e","\u003cp\u003eTitle translation: Cuba Mystery: Finding Your Own Whale. Poster Artist: Alucho. Digital and print poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eTheme: Una Pelea Cubana Contra los Demonios. Theme translation: A Cuban Fight Against the Demons. Director/Direccion: T.G. Alea. With Jose Antonio Rodriguez, Raul Pomares, Reynaldo Miravalles, Armando Bianchi, Veronica Lynn. Cuba 1971. Clasicos Restaurados. Poster artist: Alucho. Digital and print poster.\u003c/p\u003e","\u003cp\u003eTheme: Premio Literario Casa de las Americas. Theme translation: Casa de las Americas Literary Prize. Novela. Enero 16 al 26. Estudios sobre la presencia negra en la America y el Caribe contemporaneous. (Translation: Novel. January 16 to 26. Studies on the black presence in the contemporaneous America and the Caribbean.) Poster artist: Alucho. Digital and print poster.\u003c/p\u003e","\u003cp\u003eTitle translation: Cuban ArtsArtes de Cuba - From the Island to the World. Poster artist: Alucho. Digital and print poster.\u003c/p\u003e","\u003cp\u003eDigital poster and print poster.\u003c/p\u003e","\u003cp\u003eTitle translation: Jazz Club. Poster displays production information. Poster artist: Alucho. Image depicts a set of black and white piano keys spiraling inward with white text and film logos in the bottom left corner. Digital and print poster.\u003c/p\u003e","\u003cp\u003eTitle translation: Jazz Club. A film by Una pelicula de Esteban Insausti. ICAIC. Programa Ibermedia. Poster artist: Alucho. Image depicts an apple fading into a piano. Digital and print poster.\u003c/p\u003e","\u003cp\u003eDigital poster and print poster.\u003c/p\u003e","\u003cp\u003eDigital and print poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eTheme: Premio de Musicología Casa de la Americas x Coloquio Internacional de Musicología. Theme translation: Musicology Award, House of the Americas and International Musicology Colloquium. Homenaje a Argeliers Leon en su centenario. 12 al 16 de Marzo. (Translation: Tribute to Argeliers Leon in his centenary. March 12 to 16.) Poster artist: Alucho. Digital and print poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e","\u003cp\u003ePoster art (two copies) and program booklet for the William and Mary Global Film Festival, held February 15-18, 2018. Print posters have been signed and dated by the artist, Alucho. Digital and print poster.\u003c/p\u003e","\u003cp\u003eDigital poster.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Graphic art posters in physical and digital form by Alejandro Rodríguez Fornés, known as Alucho. The theme of the posters is primarily film-related and include commemorative posters for Cuban films and or for film festivals. Many are signed by the artist.","Digital poster.","Digital poster.","Digital poster.","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Title translation: Twilight. Poster design by Alucho. Film is directed by Juan Pablo Daranas Molina. Digital and printed poster","Digital poster","Digital poster","Digital poster","Digital poster","Digital poster","Theme: Festival de Arte y Literatura Cubana. Theme translation: Festival of Cuban Art and Literature. Poster design by Alucho. The festival was held May 26-28 at the University of Puerto Rico featuring expositions, movies, talks, and books. Digital and print poster","Digital poster","Happy Together/Felices Juntos, Proyecto XII Bienal de La Habana. Poster artist: Alucho. Digital and print poster","Title translation: The Road of Life. A documentary by Isabel Santos. ICAIC. Poster Artist: Alucho. Poster features a black uniformed figure in front of the sun and a red sky as a woman walks on a zigzag path toward him with headstones to either side. Digital and print poster.","Title translation: The Road of Life. A documentary by Isabel Santos. ICAIC. Poster Artist: Alucho. Poster features a black shoeprint on a white background with red footprints over it in an X shape. Digital and print poster.","Title translation: Theft of the Pigs. Poster design by Alucho. A work by Arelardo Estorino. Digital and print poster.","Title translation: On the Wait. Poster design by Alucho. \"In the Espera\" narrates through the voices of experienced architects, the experiences of a group of neighbors of the buildings López Serrano and the house of the writer Renee Méndez Capote, the problem of architectural deterioration in El Vedado. Source: http://muestrajoven.cult.cu/filmes/en-la-espera/","Digital and print poster.","Title translation: Tribute to Charles Chaplin. Poster design by Alucho, 2015. A tribute to the 55th Anniversary of cinematics in Cuba. Digital and print poster.","Title translation: Tribute to Charles Chaplin. 55 Aniversario Cinemateca de Cuba / 55th Anniversary Cuban Cinema. Poster Artist: Alucho. Digital and print poster.","Digital poster.","Theme: Fátima: O El Parque de la Fraternidad. Theme translation: Fatima, or the Fraternity Park. Poster design by Alucho. The movie is about a woman trapped in a man's body who finds herself in trouble when she falls in love with Vaseline, a pimp. Source: http://www.sensacine.com/peliculas/pelicula-233695/. Written by Fidel Orta based on the story by Miguel Barnet. Directed by Jorge Perugorria. Digital and print poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Theme: Saberes y Expresiones Artisticas de los Pueblos Indigenas de America en el Horizonte del Buen Vivir. Theme translation: Knowledge and Artistic Expressions of the Indigenous Peoples of America in the Horizon of Living Well. 11-14 Octubre 2016. Il Coloquio Internacional de Estudios Sobre Culturas Originarias de America. Casa de la Americas. (Translation: 11-14 October 2016. The International Colloquium on Studies on Cultures Originating in America. House of the Americas.) Poster artist: Alucho. Digital and print poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Theme: Chivo Que Rompe Tambo. Theme translation: Goat Who Breaks the Drum. Poster artist: Alucho. Digital and print poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Title translation: Severe Secret. Poster artist: Alucho. Violeta Producciones. Digital and print poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Two 9 x 10 inch seriagraph posters by Alejandro Rodríguez Fornés (Alucho) titled \"Amor Odio.\" ","The first is a predomantly orange mosquito-like design with a series number of XIV/XXV and a penciled number on the back that reads 4082-04tj. ","The second poster is the same design with a flyswatter imposed on top in purple and orange. The second poster has series number 37/50, and has an inscription in the bottom right reading \"Sean Waple Seattle, WA.\" The number 4082-04e5 on the back.","Digital poster.","Poster artist: Alucho. Digital and print poster.","Title translation: Cuba Mystery: Finding Your Own Whale. Poster Artist: Alucho. Digital and print poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Digital poster.","Theme: Una Pelea Cubana Contra los Demonios. Theme translation: A Cuban Fight Against the Demons. Director/Direccion: T.G. Alea. With Jose Antonio Rodriguez, Raul Pomares, Reynaldo Miravalles, Armando Bianchi, Veronica Lynn. Cuba 1971. Clasicos Restaurados. Poster artist: Alucho. Digital and print poster.","Theme: Premio Literario Casa de las Americas. Theme translation: Casa de las Americas Literary Prize. Novela. Enero 16 al 26. Estudios sobre la presencia negra en la America y el Caribe contemporaneous. (Translation: Novel. January 16 to 26. Studies on the black presence in the contemporaneous America and the Caribbean.) Poster artist: Alucho. Digital and print poster.","Title translation: Cuban ArtsArtes de Cuba - From the Island to the World. Poster artist: Alucho. Digital and print poster.","Digital poster and print poster.","Title translation: Jazz Club. Poster displays production information. Poster artist: Alucho. Image depicts a set of black and white piano keys spiraling inward with white text and film logos in the bottom left corner. Digital and print poster.","Title translation: Jazz Club. A film by Una pelicula de Esteban Insausti. ICAIC. Programa Ibermedia. Poster artist: Alucho. Image depicts an apple fading into a piano. Digital and print poster.","Digital poster and print poster.","Digital and print poster.","Digital poster.","Theme: Premio de Musicología Casa de la Americas x Coloquio Internacional de Musicología. Theme translation: Musicology Award, House of the Americas and International Musicology Colloquium. Homenaje a Argeliers Leon en su centenario. 12 al 16 de Marzo. (Translation: Tribute to Argeliers Leon in his centenary. March 12 to 16.) Poster artist: Alucho. Digital and print poster.","Digital poster.","Digital poster.","Digital poster.","Poster art (two copies) and program booklet for the William and Mary Global Film Festival, held February 15-18, 2018. Print posters have been signed and dated by the artist, Alucho. Digital and print poster.","Digital poster."],"userestrict_html_tesm":["\u003cp\u003eLow resolution images may be made available for public usage online; high resolution images will be retained for archival purposes and for servicing to approved patrons. Interested patrons must seek permission to reproduce/distribute from Alucho. Library staff will put patrons in contact with Alucho; permissions and associated charges will be negotiated and collected by Alucho. After permission is granted, Special Collections staff will assist with the logistics in delivering the high resolution images.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Low resolution images may be made available for public usage online; high resolution images will be retained for archival purposes and for servicing to approved patrons. Interested patrons must seek permission to reproduce/distribute from Alucho. Library staff will put patrons in contact with Alucho; permissions and associated charges will be negotiated and collected by Alucho. After permission is granted, Special Collections staff will assist with the logistics in delivering the high resolution images."],"names_ssim":["Special Collections Research Center","Alucho (Alejandro Rodríguez Fornés)"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Alucho (Alejandro Rodríguez Fornés)"],"language_ssim":["Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":122,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T13:57:27.156Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8183_c11_c14"}},{"id":"viw_repositories_2_resources_853_c02_c08","type":"Item","attributes":{"title":"President","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_853_c02_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_853_c02_c08","ref_ssm":["viw_repositories_2_resources_853_c02_c08"],"id":"viw_repositories_2_resources_853_c02_c08","ead_ssi":"viw_repositories_2_resources_853","_root_":"viw_repositories_2_resources_853","_nest_parent_":"viw_repositories_2_resources_853_c02","parent_ssi":"viw_repositories_2_resources_853_c02","parent_ssim":["viw_repositories_2_resources_853","viw_repositories_2_resources_853_c02"],"parent_ids_ssim":["viw_repositories_2_resources_853","viw_repositories_2_resources_853_c02"],"parent_unittitles_ssm":["University Archives Web Archive Collection","Administration"],"parent_unittitles_tesim":["University Archives Web Archive Collection","Administration"],"text":["University Archives Web Archive Collection","Administration","President"],"title_filing_ssi":"President","title_ssm":["President"],"title_tesim":["President"],"unitdate_inclusive_ssm":["2015-2021"],"normalized_date_ssm":["2015/2021"],"normalized_title_ssm":["President"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["University Archives Web Archive Collection"],"extent_ssm":["1 item"],"extent_tesim":["1 item"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":63,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2015,2016,2017,2018,2019,2020,2021],"_nest_path_":"/components#1/components#7","timestamp":"2026-05-21T11:35:34.069Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_853","ead_ssi":"viw_repositories_2_resources_853","_root_":"viw_repositories_2_resources_853","_nest_parent_":"viw_repositories_2_resources_853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_853.xml","title_filing_ssi":"University Archives Web Archive Collection","title_ssm":["University Archives Web Archive Collection"],"title_tesim":["University Archives Web Archive Collection"],"unitdate_ssm":["2015-ongoing"],"unitdate_inclusive_ssm":["2015-ongoing"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 392","/repositories/2/resources/853"],"text":["UA 392","/repositories/2/resources/853","University Archives Web Archive Collection","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged in twelve series: Academics, Administration, Athletics, Campus Issues, Events, Facilities \u0026 Buildings, News \u0026 Publications, Offices, Organizations, Student Life, Todd W. Weaver Collection, and W\u0026M Alumni.","Websites for this collections were selected for their representation of the College of William \u0026 Mary and their documentation of the interests and activities of the students, faculty, staff, alumni, and leadership.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","A collection of harvested websites for the institutional history and records of The College of William and Mary.","Special Collections Research Center","College of William and Mary.","Omohundro Institute of Early American History and Culture","Virginia Institute of Marine Science","English"],"unitid_tesim":["UA 392","/repositories/2/resources/853"],"normalized_title_ssm":["University Archives Web Archive Collection"],"collection_title_tesim":["University Archives Web Archive Collection"],"collection_ssim":["University Archives Web Archive Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Web harvesting with Archive-It."],"has_online_content_ssim":["false"],"extent_ssm":["351 Items"],"extent_tesim":["351 Items"],"date_range_isim":[2015],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in twelve series: Academics, Administration, Athletics, Campus Issues, Events, Facilities \u0026amp; Buildings, News \u0026amp; Publications, Offices, Organizations, Student Life, Todd W. Weaver Collection, and W\u0026amp;M Alumni.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged in twelve series: Academics, Administration, Athletics, Campus Issues, Events, Facilities \u0026 Buildings, News \u0026 Publications, Offices, Organizations, Student Life, Todd W. Weaver Collection, and W\u0026M Alumni."],"scopecontent_html_tesm":["\u003cp\u003eWebsites for this collections were selected for their representation of the College of William \u0026amp; Mary and their documentation of the interests and activities of the students, faculty, staff, alumni, and leadership.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Websites for this collections were selected for their representation of the College of William \u0026 Mary and their documentation of the interests and activities of the students, faculty, staff, alumni, and leadership."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6c7c5601f0895be13f28035aed98b5d0\"\u003eA collection of harvested websites for the institutional history and records of The College of William and Mary.\u003c/abstract\u003e"],"abstract_tesim":["A collection of harvested websites for the institutional history and records of The College of William and Mary."],"names_coll_ssim":["College of William and Mary.","Omohundro Institute of Early American History and Culture","Virginia Institute of Marine Science"],"names_ssim":["Special Collections Research Center","College of William and Mary.","Omohundro Institute of Early American History and Culture","Virginia Institute of Marine Science"],"corpname_ssim":["Special Collections Research Center","College of William and Mary.","Omohundro Institute of Early American History and Culture","Virginia Institute of Marine Science"],"language_ssim":["English"],"total_component_count_is":417,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T11:35:34.069Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_853_c02_c08"}},{"id":"viu_repositories_4_resources_915_c03_c22_c01","type":"Item","attributes":{"title":"Presidential Powers (Prakash)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_915_c03_c22_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_915_c03_c22_c01","ref_ssm":["viu_repositories_4_resources_915_c03_c22_c01"],"id":"viu_repositories_4_resources_915_c03_c22_c01","ead_ssi":"viu_repositories_4_resources_915","_root_":"viu_repositories_4_resources_915","_nest_parent_":"viu_repositories_4_resources_915_c03_c22","parent_ssi":"viu_repositories_4_resources_915_c03_c22","parent_ssim":["viu_repositories_4_resources_915","viu_repositories_4_resources_915_c03","viu_repositories_4_resources_915_c03_c22"],"parent_ids_ssim":["viu_repositories_4_resources_915","viu_repositories_4_resources_915_c03","viu_repositories_4_resources_915_c03_c22"],"parent_unittitles_ssm":["Law examinations - University of Virginia School of Law","III. Examinations hosted online","Item dated 2017/2018"],"parent_unittitles_tesim":["Law examinations - University of Virginia School of Law","III. Examinations hosted online","Item dated 2017/2018"],"text":["Law examinations - University of Virginia School of Law","III. Examinations hosted online","Item dated 2017/2018","Presidential Powers (Prakash)"],"title_filing_ssi":"Presidential Powers (Prakash)","title_ssm":["Presidential Powers (Prakash)"],"title_tesim":["Presidential Powers (Prakash)"],"unitdate_other_ssim":["2017, Fall"],"normalized_date_ssm":["2017"],"normalized_title_ssm":["Presidential Powers (Prakash)"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Law examinations - University of Virginia School of Law"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1816,"parent_access_restrict_tesm":["The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid."],"parent_access_terms_tesm":["Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia."],"digital_objects_ssm":["{\"label\":\"Examinations_Hosted_Online_UVA_Law_Library_1996_2018\",\"href\":\"virginia.edu.viul.e0fe5b54-798e-11ee-af86-4ea842a5d5da\"}"],"date_range_isim":[2017],"_nest_path_":"/components#2/components#21/components#0","timestamp":"2026-05-24T23:24:18.661Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_915","ead_ssi":"viu_repositories_4_resources_915","_root_":"viu_repositories_4_resources_915","_nest_parent_":"viu_repositories_4_resources_915","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_915.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/165355","title_ssm":["Law examinations - University of Virginia School of Law"],"title_tesim":["Law examinations - University of Virginia School of Law"],"unitdate_ssm":["1890-2018"],"unitdate_inclusive_ssm":["1890-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.32.401","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/915"],"text":["RG.32.401","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/915","Law examinations - University of Virginia School of Law","Law  -- Examinations, questions, etc.","Law  -- Study and teaching","The conditions governing access vary across the collection. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","There are no access restrictions for the examination answers in this file. The University of Virginia removed all of the information in these items that would identify the students who wrote them.","There are no access restrictions for the examination answers in this file. The University of Virginia removed all of the information in these items that would identify the students who wrote them.","The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","The professor, John Calvin Jeffries, has opened access to this examiniation to all law students. Students do not need his explicit written permission to view it in the special collections reading room.","The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","The Law Library arranged this collection into the following three series and ordered them chronologically:","I. Unbound examinations;","II. Bound examinations;","III. Examinations hosted online.","The examinations in this series are arranged in chronological order by the date they were administered to students.","Bound volumes are arranged in chronological order. Generally, a single volume contains all of the examinations that the Law Library collected for one academic year. Inside the volumes, examinations are usually arranged in alphabetical order by the name of the course.","The examinations are arranged into files by academic year.","Researchers will find more examples of University of Virginia School of Law examinations in the following publications:","1. Anderson Bros. (Charlottesville, Va.). Law Examinations. Revised and corrected ed. Anderson Bros, 1891.","2. Anderson Bros. (Charlottesville, Va.), and Thomas Randolph Keith. Law Examinations, Embracing, Examination Papers From the Year 1869 to 1894. 4th ed. Anderson Bros, 1894.","This collection consists of examinations that the University of Virginia Law School administered to students between 1890 and 2018. It also includes a few examples of examination answers.","The examinations exist in diverse media formats. Most of them are printed on paper, and most printed examinations are bound together into volumes. The other examinations were born digital and were initially made available to students online or on digital media (e.g., CDs, DVDs).","This series contains unbound print and CD copies of examinations given at the University of Virginia School of Law. The names of the professors who administered the examinations are given in parentheses with the name of the course.","J.H.A. Smith, a University of Virginia School of Law alum from the Class of 1899, signed these examinations.","Gordon M. Buck signed this examination.","Edwin B. Jones signed this examination. Jones was an alum of the University of Virginia School of Law, Class of 1900.","Nelson A. Bryan, University of Virginia (UVA) School of Law Class of 1930, signed one of the examination books. Linwood Mercer Smith, UVA School of Law Class of 1929, signed the other book.","Harry K. Benham, University of Virginia School of Law Class of 1930, signed this examination book.","W. Donald Beard, University of Virginia School of Law Class of 1930, signed this examination book.","Frank M. Tinkham, University of Virginia School of Law Class of 1931, signed this examination book.","Homer C. Reynolds, University of Virginia School of Law Class 1938, signed this examination.","This file consists of 30 University of Virginia School of Law examinations that the Arthur J. Morris Law Library collected at its circulation desk. The Library made most of these items available on reserve for law students.","Between 1952 and 2004, the University of Virginia Law Library created 47 bound volumes of past examinations given in Law School courses. Most volumes contain tables of contents that list the name of the courses, the date of the examination, and the name of the instructor. Course instructors periodically transferred the examinations to the Library so that students could use them as study materials. The Library kept the examinations on reserve and classified them with the \"VL 13\" number until 2018.","The bound examination book for Fall 1984-Spring 1985 (Item ID: 3305355-10001) was missing from the Law Library as of 2024.","From around 1996 and 2018, the University of Virginia Law Library hosted online copies of past examinations given in Law School courses. Some course instructors periodically transferred them to the Library so that students could use them as study materials. The examinations are in the .doc, .docx, .pdf, and .wpd file formats.","Because of the nature of this collection, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law","English"],"unitid_tesim":["RG.32.401","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/915"],"normalized_title_ssm":["Law examinations - University of Virginia School of Law"],"collection_title_tesim":["Law examinations - University of Virginia School of Law"],"collection_ssim":["Law examinations - University of Virginia School of Law"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["University of Virginia. School of Law"],"creator_ssim":["University of Virginia. School of Law"],"creator_corpname_ssim":["University of Virginia. School of Law"],"creators_ssim":["University of Virginia. School of Law"],"access_terms_ssm":["Because of the nature of this collection, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia."],"acqinfo_ssim":["RG-32-401 contains examinations from different sources.","The items in Series I came to the Library from various sources including donations, purchases, and internal transfers. Most of them were at one time stored in a \"memorabilia file drawer\" or the Law Library's front circulation office. ","Series II consists of bound examinations that the Law Library transferred from its reserve collection to its special collections department around 2018.","Series III consists of digital examinations that the Law Library transferred from an online environment to its special collections department around 2018. "],"access_subjects_ssim":["Law  -- Examinations, questions, etc.","Law  -- Study and teaching"],"access_subjects_ssm":["Law  -- Examinations, questions, etc.","Law  -- Study and teaching"],"has_online_content_ssim":["true"],"extent_ssm":[".5 Cubic Feet 1 archival box","47 Volumes",".096 Gigabytes"],"extent_tesim":[".5 Cubic Feet 1 archival box","47 Volumes",".096 Gigabytes"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe conditions governing access vary across the collection. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.\u003c/p\u003e\n","\u003cp\u003eA few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.\u003c/p\u003e","\u003cp\u003eThe conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.\u003c/p\u003e\n","\u003cp\u003eA few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.\u003c/p\u003e","\u003cp\u003eThere are no access restrictions for the examination answers in this file. The University of Virginia removed all of the information in these items that would identify the students who wrote them.\u003c/p\u003e","\u003cp\u003eThere are no access restrictions for the examination answers in this file. The University of Virginia removed all of the information in these items that would identify the students who wrote them.\u003c/p\u003e","\u003cp\u003eThe conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.\u003c/p\u003e\n","\u003cp\u003eA few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.\u003c/p\u003e","\u003cp\u003eThe professor, John Calvin Jeffries, has opened access to this examiniation to all law students. Students do not need his explicit written permission to view it in the special collections reading room.\u003c/p\u003e","\u003cp\u003eThe conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.\u003c/p\u003e\n","\u003cp\u003eA few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The conditions governing access vary across the collection. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","There are no access restrictions for the examination answers in this file. The University of Virginia removed all of the information in these items that would identify the students who wrote them.","There are no access restrictions for the examination answers in this file. The University of Virginia removed all of the information in these items that would identify the students who wrote them.","The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","The professor, John Calvin Jeffries, has opened access to this examiniation to all law students. Students do not need his explicit written permission to view it in the special collections reading room.","The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid."],"arrangement_html_tesm":["\u003cp\u003eThe Law Library arranged this collection into the following three series and ordered them chronologically:\u003c/p\u003e\n","\u003cp\u003eI. Unbound examinations;\u003c/p\u003e\n","\u003cp\u003eII. Bound examinations;\u003c/p\u003e\n","\u003cp\u003eIII. Examinations hosted online.\u003c/p\u003e","\u003cp\u003eThe examinations in this series are arranged in chronological order by the date they were administered to students.\u003c/p\u003e","\u003cp\u003eBound volumes are arranged in chronological order. Generally, a single volume contains all of the examinations that the Law Library collected for one academic year. Inside the volumes, examinations are usually arranged in alphabetical order by the name of the course.\u003c/p\u003e","\u003cp\u003eThe examinations are arranged into files by academic year.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The Law Library arranged this collection into the following three series and ordered them chronologically:","I. Unbound examinations;","II. Bound examinations;","III. Examinations hosted online.","The examinations in this series are arranged in chronological order by the date they were administered to students.","Bound volumes are arranged in chronological order. Generally, a single volume contains all of the examinations that the Law Library collected for one academic year. Inside the volumes, examinations are usually arranged in alphabetical order by the name of the course.","The examinations are arranged into files by academic year."],"relatedmaterial_html_tesm":["\u003cp\u003eResearchers will find more examples of University of Virginia School of Law examinations in the following publications:\u003c/p\u003e\n","\u003cp\u003e1. Anderson Bros. (Charlottesville, Va.). Law Examinations. Revised and corrected ed. Anderson Bros, 1891.\u003c/p\u003e\n","\u003cp\u003e2. Anderson Bros. (Charlottesville, Va.), and Thomas Randolph Keith. Law Examinations, Embracing, Examination Papers From the Year 1869 to 1894. 4th ed. Anderson Bros, 1894.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Researchers will find more examples of University of Virginia School of Law examinations in the following publications:","1. Anderson Bros. (Charlottesville, Va.). Law Examinations. Revised and corrected ed. Anderson Bros, 1891.","2. Anderson Bros. (Charlottesville, Va.), and Thomas Randolph Keith. Law Examinations, Embracing, Examination Papers From the Year 1869 to 1894. 4th ed. Anderson Bros, 1894."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of examinations that the University of Virginia Law School administered to students between 1890 and 2018. It also includes a few examples of examination answers.\u003c/p\u003e\n","\u003cp\u003eThe examinations exist in diverse media formats. Most of them are printed on paper, and most printed examinations are bound together into volumes. The other examinations were born digital and were initially made available to students online or on digital media (e.g., CDs, DVDs).\u003c/p\u003e","\u003cp\u003eThis series contains unbound print and CD copies of examinations given at the University of Virginia School of Law. The names of the professors who administered the examinations are given in parentheses with the name of the course.\u003c/p\u003e","\u003cp\u003eJ.H.A. Smith, a University of Virginia School of Law alum from the Class of 1899, signed these examinations.\u003c/p\u003e","\u003cp\u003eGordon M. Buck signed this examination.\u003c/p\u003e","\u003cp\u003eEdwin B. Jones signed this examination. Jones was an alum of the University of Virginia School of Law, Class of 1900.\u003c/p\u003e","\u003cp\u003eNelson A. Bryan, University of Virginia (UVA) School of Law Class of 1930, signed one of the examination books. Linwood Mercer Smith, UVA School of Law Class of 1929, signed the other book.\u003c/p\u003e","\u003cp\u003eHarry K. Benham, University of Virginia School of Law Class of 1930, signed this examination book.\u003c/p\u003e","\u003cp\u003eW. Donald Beard, University of Virginia School of Law Class of 1930, signed this examination book.\u003c/p\u003e","\u003cp\u003eFrank M. Tinkham, University of Virginia School of Law Class of 1931, signed this examination book.\u003c/p\u003e","\u003cp\u003eHomer C. Reynolds, University of Virginia School of Law Class 1938, signed this examination.\u003c/p\u003e","\u003cp\u003eThis file consists of 30 University of Virginia School of Law examinations that the Arthur J. Morris Law Library collected at its circulation desk. The Library made most of these items available on reserve for law students.\u003c/p\u003e","\u003cp\u003eBetween 1952 and 2004, the University of Virginia Law Library created 47 bound volumes of past examinations given in Law School courses. Most volumes contain tables of contents that list the name of the courses, the date of the examination, and the name of the instructor. Course instructors periodically transferred the examinations to the Library so that students could use them as study materials. The Library kept the examinations on reserve and classified them with the \"VL 13\" number until 2018.\u003c/p\u003e\n","\u003cp\u003eThe bound examination book for Fall 1984-Spring 1985 (Item ID: 3305355-10001) was missing from the Law Library as of 2024.\u003c/p\u003e","\u003cp\u003eFrom around 1996 and 2018, the University of Virginia Law Library hosted online copies of past examinations given in Law School courses. Some course instructors periodically transferred them to the Library so that students could use them as study materials. The examinations are in the .doc, .docx, .pdf, and .wpd file formats.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of examinations that the University of Virginia Law School administered to students between 1890 and 2018. It also includes a few examples of examination answers.","The examinations exist in diverse media formats. Most of them are printed on paper, and most printed examinations are bound together into volumes. The other examinations were born digital and were initially made available to students online or on digital media (e.g., CDs, DVDs).","This series contains unbound print and CD copies of examinations given at the University of Virginia School of Law. The names of the professors who administered the examinations are given in parentheses with the name of the course.","J.H.A. Smith, a University of Virginia School of Law alum from the Class of 1899, signed these examinations.","Gordon M. Buck signed this examination.","Edwin B. Jones signed this examination. Jones was an alum of the University of Virginia School of Law, Class of 1900.","Nelson A. Bryan, University of Virginia (UVA) School of Law Class of 1930, signed one of the examination books. Linwood Mercer Smith, UVA School of Law Class of 1929, signed the other book.","Harry K. Benham, University of Virginia School of Law Class of 1930, signed this examination book.","W. Donald Beard, University of Virginia School of Law Class of 1930, signed this examination book.","Frank M. Tinkham, University of Virginia School of Law Class of 1931, signed this examination book.","Homer C. Reynolds, University of Virginia School of Law Class 1938, signed this examination.","This file consists of 30 University of Virginia School of Law examinations that the Arthur J. Morris Law Library collected at its circulation desk. The Library made most of these items available on reserve for law students.","Between 1952 and 2004, the University of Virginia Law Library created 47 bound volumes of past examinations given in Law School courses. Most volumes contain tables of contents that list the name of the courses, the date of the examination, and the name of the instructor. Course instructors periodically transferred the examinations to the Library so that students could use them as study materials. The Library kept the examinations on reserve and classified them with the \"VL 13\" number until 2018.","The bound examination book for Fall 1984-Spring 1985 (Item ID: 3305355-10001) was missing from the Law Library as of 2024.","From around 1996 and 2018, the University of Virginia Law Library hosted online copies of past examinations given in Law School courses. Some course instructors periodically transferred them to the Library so that students could use them as study materials. The examinations are in the .doc, .docx, .pdf, and .wpd file formats."],"userestrict_html_tesm":["\u003cp\u003eBecause of the nature of this collection, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.\u003c/p\u003e","\u003cp\u003eBecause of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.\u003c/p\u003e","\u003cp\u003eBecause of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.\u003c/p\u003e","\u003cp\u003eBecause of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Because of the nature of this collection, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia."],"names_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1816,"online_item_count_is":111,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:24:18.661Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_915_c03_c22_c01"}},{"id":"viw_repositories_2_resources_853_c02_c25","type":"Item","attributes":{"title":"Presidential Reflections","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_853_c02_c25#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_853_c02_c25","ref_ssm":["viw_repositories_2_resources_853_c02_c25"],"id":"viw_repositories_2_resources_853_c02_c25","ead_ssi":"viw_repositories_2_resources_853","_root_":"viw_repositories_2_resources_853","_nest_parent_":"viw_repositories_2_resources_853_c02","parent_ssi":"viw_repositories_2_resources_853_c02","parent_ssim":["viw_repositories_2_resources_853","viw_repositories_2_resources_853_c02"],"parent_ids_ssim":["viw_repositories_2_resources_853","viw_repositories_2_resources_853_c02"],"parent_unittitles_ssm":["University Archives Web Archive Collection","Administration"],"parent_unittitles_tesim":["University Archives Web Archive Collection","Administration"],"text":["University Archives Web Archive Collection","Administration","Presidential Reflections"],"title_filing_ssi":"Presidential Reflections","title_ssm":["Presidential Reflections"],"title_tesim":["Presidential Reflections"],"unitdate_inclusive_ssm":["2017-2021"],"normalized_date_ssm":["2017/2021"],"normalized_title_ssm":["Presidential Reflections"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["University Archives Web Archive Collection"],"extent_ssm":["1 item"],"extent_tesim":["1 item"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":80,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2017,2018,2019,2020,2021],"_nest_path_":"/components#1/components#24","timestamp":"2026-05-21T11:35:34.069Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_853","ead_ssi":"viw_repositories_2_resources_853","_root_":"viw_repositories_2_resources_853","_nest_parent_":"viw_repositories_2_resources_853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_853.xml","title_filing_ssi":"University Archives Web Archive Collection","title_ssm":["University Archives Web Archive Collection"],"title_tesim":["University Archives Web Archive Collection"],"unitdate_ssm":["2015-ongoing"],"unitdate_inclusive_ssm":["2015-ongoing"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 392","/repositories/2/resources/853"],"text":["UA 392","/repositories/2/resources/853","University Archives Web Archive Collection","Collection is open to all researchers. 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