{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=File\u0026page=11","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=File\u0026page=10","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=File\u0026page=12","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=File\u0026page=197"},"meta":{"pages":{"current_page":11,"next_page":12,"prev_page":10,"total_pages":197,"limit_value":10,"offset_value":100,"total_count":1967,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_1846_c02_c02_c30","type":"File","attributes":{"title":"Arthurdale Heritage, Inc., 1984/2025","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1846_c02_c02_c30#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1846_c02_c02_c30","ref_ssm":["wvmturhc_repositories_2_resources_1846_c02_c02_c30"],"id":"wvmturhc_repositories_2_resources_1846_c02_c02_c30","ead_ssi":"wvmturhc_repositories_2_resources_1846","_root_":"wvmturhc_repositories_2_resources_1846","_nest_parent_":"wvmturhc_repositories_2_resources_1846_c02_c02","parent_ssi":"wvmturhc_repositories_2_resources_1846_c02_c02","parent_ssim":["Dr. Barbara Howe, Professor, Papers, 1856/2025, bulk 1964/2025","Series 2. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"_nest_path_":"/components#1/components#1/components#29","timestamp":"2026-07-23T21:55:18.921Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1846","ead_ssi":"wvmturhc_repositories_2_resources_1846","_root_":"wvmturhc_repositories_2_resources_1846","_nest_parent_":"wvmturhc_repositories_2_resources_1846","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1846.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196024","title_ssm":["Dr. Barbara Howe, Professor, Papers"],"title_tesim":["Dr. Barbara Howe, Professor, Papers"],"unitdate_ssm":["1856-2025 and undated","1964-2025"],"unitdate_inclusive_ssm":["1856-2025 and undated"],"unitdate_bulk_ssim":["1964-2025"],"normalized_date_ssm":["1856/2025, bulk 1964/2025"],"normalized_title_ssm":["Dr. Barbara Howe, Professor, Papers, 1856/2025, bulk 1964/2025"],"text":["Dr. Barbara Howe, Professor, Papers, 1856/2025, bulk 1964/2025","A\u0026M 3469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1846","Morgantown (W. Va.)","Historic preservation","Environmental Justice","Historic sites--West Virginia","Historic distrcits--West Virginia","West Virginia - Politics and government.","No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Dr. Barbara Howe was employed at West Virginia University in several different positions between 1980 and her retirement in 2009, including associate professor of history, head of the public history program, and director of the Center for Women's Studies.  She was raised in Cincinnati, Ohio, where she graduated from the University of Cincinnati with a B.A. in history and a B.S. in education in 1969. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Dr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","West Virginia University","West Virginia University. 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In 1980, she joined the faculty of the Department of History at West Virginia University, where she developed and led the Public History Program. Between 1998 and 2008, Howe led the WVU Center for Women's Studies as director. 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Historic Places\u003c/p\u003e","\u003cp\u003e- Sub-Series 2. General\u003c/p\u003e","\u003cp\u003e- Sub-Series 3. Events / Programs\u003c/p\u003e","\u003cp\u003ePrevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area. \u003c/p\u003e","\u003cp\u003eMaterials include advertisements, books, brochures, business cards, cassette tapes, CDs, correspondence, a DVD, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, obituaries, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, various other ephemera, and a VHS tape.\u003c/p\u003e","\u003cp\u003eThe addendum of 2026 Feburary 13 includes papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials created or collected by Dr. Barbara Howe while in various roles at the Eberly College of Arts and Sciences in the Department of History and Center for Women's Studies (now the Center for Women's and Gender Studies) at West Virginia University (WVU) and after her retirement in the 2000s. It is divided into series and sub-series based upon the subject matter of the material:","Series 1. Environmental","Series 2. Historical / Cultural","- Sub-Series 1. Historic Places","- Sub-Series 2. Organizations","- Sub-Series 3. Events / Programs","- Sub-Series 4. Business Directories, Maps, and Travel Guides","- Sub-Series 5. Oral Histories","Series 3. Socio-political","- Sub-Series 1. Political Campaigns","- Sub-Series 2. Local and State Government Organizations","- Sub-Series 3. Non-Governmental Organizations","- Sub-Series 4. Events / Programs","Series 4. West Virginia University","- Sub-Series 1. Historic Places","- Sub-Series 2. General","- Sub-Series 3. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_52212eb4d28e02606d931e410095563b\"\u003eDr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area.\u003c/abstract\u003e\n    "],"abstract_tesim":["Dr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_570b23530518e390c6848160c139cd3b\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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Center for Women's Studies","Howe, Barbara J."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":957,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:55:18.921Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1846_c02_c02_c30"}},{"id":"virmu_repositories_2_resources_6_c05_c03_c15","type":"File","attributes":{"title":"Articles and Exhibitions, 1944/2019","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c05_c03_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c05_c03_c15","ref_ssm":["virmu_repositories_2_resources_6_c05_c03_c15"],"id":"virmu_repositories_2_resources_6_c05_c03_c15","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c05_c03","parent_ssi":"virmu_repositories_2_resources_6_c05_c03","parent_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020","Sub-Series 6.3: Magazines, 1944/2020"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c05","virmu_repositories_2_resources_6_c05_c03"],"title_filing_ssi":"Articles and Exhibitions","title_ssm":["Articles and Exhibitions"],"title_tesim":["Articles and Exhibitions"],"normalized_title_ssm":["Articles and Exhibitions, 1944/2019"],"text":["Articles and Exhibitions, 1944/2019","Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020","Sub-Series 6.3: Magazines, 1944/2020","box VA-02 Box 38","folder VA02.06.3.013"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020","Sub-Series 6.3: Magazines, 1944/2020"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020","Sub-Series 6.3: Magazines, 1944/2020"],"normalized_date_ssm":["1944/2019"],"unitdate_inclusive_ssm":["1944-2019"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":693,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"containers_ssim":["box VA-02 Box 38","folder VA02.06.3.013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"_nest_path_":"/components#4/components#2/components#14","timestamp":"2026-07-28T00:00:58.267Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"normalized_date_ssm":["1944/2021"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"text":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","VA-02","/repositories/2/resources/6","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website.","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wright, Willie Anne","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wright, Willie Anne"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-28T00:00:58.267Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c05_c03_c15"}},{"id":"virmu_repositories_2_resources_6_c05_c03_c14","type":"File","attributes":{"title":"Articles and Exhibitions, 1967/2019","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c05_c03_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c05_c03_c14","ref_ssm":["virmu_repositories_2_resources_6_c05_c03_c14"],"id":"virmu_repositories_2_resources_6_c05_c03_c14","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c05_c03","parent_ssi":"virmu_repositories_2_resources_6_c05_c03","parent_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020","Sub-Series 6.3: Magazines, 1944/2020"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c05","virmu_repositories_2_resources_6_c05_c03"],"title_filing_ssi":"Articles and Exhibitions","title_ssm":["Articles and Exhibitions"],"title_tesim":["Articles and Exhibitions"],"normalized_title_ssm":["Articles and Exhibitions, 1967/2019"],"text":["Articles and Exhibitions, 1967/2019","Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020","Sub-Series 6.3: Magazines, 1944/2020","box VA-02 Box 38","folder VA02.06.3.012"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020","Sub-Series 6.3: Magazines, 1944/2020"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020","Sub-Series 6.3: Magazines, 1944/2020"],"normalized_date_ssm":["1967/2019"],"unitdate_inclusive_ssm":["1967-2019"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":692,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"containers_ssim":["box VA-02 Box 38","folder VA02.06.3.012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"_nest_path_":"/components#4/components#2/components#13","timestamp":"2026-07-28T00:00:58.267Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"normalized_date_ssm":["1944/2021"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"text":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","VA-02","/repositories/2/resources/6","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website.","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wright, Willie Anne","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wright, Willie Anne"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-28T00:00:58.267Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c05_c03_c14"}},{"id":"virmu_repositories_2_resources_15986_c06_c01","type":"File","attributes":{"title":"Articles and Interviews, 1974/2023","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_15986_c06_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_15986_c06_c01","ref_ssm":["virmu_repositories_2_resources_15986_c06_c01"],"id":"virmu_repositories_2_resources_15986_c06_c01","ead_ssi":"virmu_repositories_2_resources_15986","_root_":"virmu_repositories_2_resources_15986","_nest_parent_":"virmu_repositories_2_resources_15986_c06","parent_ssi":"virmu_repositories_2_resources_15986_c06","parent_ssim":["Marsha Polier Artist Archives (VA-13), 1968/2023","Series 6: Publications, 1974/2023"],"parent_ids_ssim":["virmu_repositories_2_resources_15986","virmu_repositories_2_resources_15986_c06"],"title_filing_ssi":"Articles and Interviews","title_ssm":["Articles and Interviews"],"title_tesim":["Articles and Interviews"],"normalized_title_ssm":["Articles and Interviews, 1974/2023"],"text":["Articles and Interviews, 1974/2023","Marsha Polier Artist Archives (VA-13), 1968/2023","Series 6: Publications, 1974/2023","box VA-13 Box 1","folder VA13.06.0.001"],"parent_unittitles_ssm":["Marsha Polier Artist Archives (VA-13), 1968/2023","Series 6: Publications, 1974/2023"],"parent_unittitles_tesim":["Marsha Polier Artist Archives (VA-13), 1968/2023","Series 6: Publications, 1974/2023"],"normalized_date_ssm":["1974/2023"],"unitdate_inclusive_ssm":["1974-2023"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":21,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Marsha Polier Artist Archives (VA-13), 1968/2023"],"containers_ssim":["box VA-13 Box 1","folder VA13.06.0.001"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Open for Research: The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"_nest_path_":"/components#5/components#0","timestamp":"2026-07-23T21:26:42.306Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_15986","ead_ssi":"virmu_repositories_2_resources_15986","_root_":"virmu_repositories_2_resources_15986","_nest_parent_":"virmu_repositories_2_resources_15986","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_15986.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/15986","title_filing_ssi":"Polier, Marsha (VA-13)","title_ssm":["Marsha Polier Artist Archives (VA-13)"],"title_tesim":["Marsha Polier Artist Archives (VA-13)"],"unitdate_ssm":["1968-2023"],"unitdate_inclusive_ssm":["1968-2023"],"normalized_date_ssm":["1968/2023"],"normalized_title_ssm":["Marsha Polier Artist Archives (VA-13), 1968/2023"],"text":["Marsha Polier Artist Archives (VA-13), 1968/2023","VA-13","/repositories/2/resources/15986","Women artists.","Artists -- Virginia","Photography, Artistic","Open for Research: The collection is open for research.","The collection is organized into 6 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","In 1972 Marsha Polier Grossman graduated from VCU with a BFA from the Department of Communication Arts and Design. Thus, well prepared as a graphic designer, she has put her education to use as an illustrator for the Division of State Planning and Community Affairs, as an assistant art director for an advertising agency, as an instructor of photography at the Virginia Museum of Fine Arts, as a freelance photographer, and as a part-time graphic designer for Philip Morris U.S.A.","Early in the 1970s she simply started dabbling with watercolors on her own photographs, and was so pleased with the results that she began to explore the procedure in earnest. The diversity of the medium intrigues Marsha, and she feels that she has only begun to tap its potential. Sometimes she experiments with oils, pastels, or crayons, but watercolor remains her favorite medium because of its translucent quality and the control that she can maintain with brushes.","Marsha has distinguished herself in the fine art of hand colored photography. Her work has been published both nationally and internationally.","Source: \"VCU School of the Arts, Alumni Edition 1\"","The collection was donated to the VMFA Archives by Marsha Polier in October 2023.","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","The collection consists of correspondence, ephemera, newspapers, and postcards that document Grossman's life and career.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Born in 1949, Marsha Polier Grossman has held a long career acting in various artistic roles, such as graphic designer, photographer, and instructor, to name a few. In the 1970s and 1980s, Grossman frequently exhibited at the Virginia Museum of Fine Arts, alongside other prominent Virginia photographers. Her collection includes examples of her artwork, correspondence with other artists, and information on exhibitions in which she was a participant.","Virginia Museum of Fine Arts Archives","Polier-Grossman, Marsha","English\n."],"collection_title_tesim":["Marsha Polier Artist Archives (VA-13), 1968/2023"],"collection_ssim":["Marsha Polier Artist Archives (VA-13), 1968/2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-13","/repositories/2/resources/15986"],"unitid_tesim":["VA-13","/repositories/2/resources/15986"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Polier-Grossman, Marsha"],"creator_ssim":["Polier-Grossman, Marsha"],"creator_persname_ssim":["Polier-Grossman, Marsha"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives"],"creators_ssim":["Polier-Grossman, Marsha","Virginia Museum of Fine Arts Archives"],"access_terms_ssm":["The collection is subject to all copyright laws. 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Items with no date are generally placed at the end at each series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 6 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series."],"bioghist_html_tesm":["\u003cp\u003eIn 1972 Marsha Polier Grossman graduated from VCU with a BFA from the Department of Communication Arts and Design. Thus, well prepared as a graphic designer, she has put her education to use as an illustrator for the Division of State Planning and Community Affairs, as an assistant art director for an advertising agency, as an instructor of photography at the Virginia Museum of Fine Arts, as a freelance photographer, and as a part-time graphic designer for Philip Morris U.S.A. \u003c/p\u003e","\u003cp\u003eEarly in the 1970s she simply started dabbling with watercolors on her own photographs, and was so pleased with the results that she began to explore the procedure in earnest. The diversity of the medium intrigues Marsha, and she feels that she has only begun to tap its potential. Sometimes she experiments with oils, pastels, or crayons, but watercolor remains her favorite medium because of its translucent quality and the control that she can maintain with brushes. \u003c/p\u003e","\u003cp\u003eMarsha has distinguished herself in the fine art of hand colored photography. Her work has been published both nationally and internationally. \u003c/p\u003e","\u003cp\u003eSource: \"VCU School of the Arts, Alumni Edition 1\" \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In 1972 Marsha Polier Grossman graduated from VCU with a BFA from the Department of Communication Arts and Design. Thus, well prepared as a graphic designer, she has put her education to use as an illustrator for the Division of State Planning and Community Affairs, as an assistant art director for an advertising agency, as an instructor of photography at the Virginia Museum of Fine Arts, as a freelance photographer, and as a part-time graphic designer for Philip Morris U.S.A.","Early in the 1970s she simply started dabbling with watercolors on her own photographs, and was so pleased with the results that she began to explore the procedure in earnest. The diversity of the medium intrigues Marsha, and she feels that she has only begun to tap its potential. Sometimes she experiments with oils, pastels, or crayons, but watercolor remains her favorite medium because of its translucent quality and the control that she can maintain with brushes.","Marsha has distinguished herself in the fine art of hand colored photography. Her work has been published both nationally and internationally.","Source: \"VCU School of the Arts, Alumni Edition 1\""],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Marsha Polier in October 2023.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Marsha Polier in October 2023."],"prefercite_html_tesm":["\u003cp\u003eMarsha Polier Artist Archives (VA-13). Gift of Marsha Polier. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Marsha Polier Artist Archives (VA-13). Gift of Marsha Polier. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of correspondence, ephemera, newspapers, and postcards that document Grossman's life and career.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of correspondence, ephemera, newspapers, and postcards that document Grossman's life and career."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c40a73731030f0bccd99894fe4221b9d\"\u003eBorn in 1949, Marsha Polier Grossman has held a long career acting in various artistic roles, such as graphic designer, photographer, and instructor, to name a few. In the 1970s and 1980s, Grossman frequently exhibited at the Virginia Museum of Fine Arts, alongside other prominent Virginia photographers. Her collection includes examples of her artwork, correspondence with other artists, and information on exhibitions in which she was a participant.\u003c/abstract\u003e\n    "],"abstract_tesim":["Born in 1949, Marsha Polier Grossman has held a long career acting in various artistic roles, such as graphic designer, photographer, and instructor, to name a few. In the 1970s and 1980s, Grossman frequently exhibited at the Virginia Museum of Fine Arts, alongside other prominent Virginia photographers. Her collection includes examples of her artwork, correspondence with other artists, and information on exhibitions in which she was a participant."],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"persname_ssim":["Polier-Grossman, Marsha"],"names_ssim":["Virginia Museum of Fine Arts Archives","Polier-Grossman, Marsha"],"language_ssim":["English\n."],"total_component_count_is":23,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:26:42.306Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_15986_c06_c01"}},{"id":"viw_repositories_2_resources_10011_c01_c01","type":"File","attributes":{"title":"Articles and programs, 2007/2021","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_10011_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_10011_c01_c01","ref_ssm":["viw_repositories_2_resources_10011_c01_c01"],"id":"viw_repositories_2_resources_10011_c01_c01","ead_ssi":"viw_repositories_2_resources_10011","_root_":"viw_repositories_2_resources_10011","_nest_parent_":"viw_repositories_2_resources_10011_c01","parent_ssi":"viw_repositories_2_resources_10011_c01","parent_ssim":["Williamsburg Bird Club records, 1966/2024","Series I. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"_nest_path_":"/components#0/components#0","timestamp":"2026-07-23T21:47:27.798Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_10011","ead_ssi":"viw_repositories_2_resources_10011","_root_":"viw_repositories_2_resources_10011","_nest_parent_":"viw_repositories_2_resources_10011","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_10011.xml","title_filing_ssi":"Williamsburg Bird Club records","title_ssm":["Williamsburg Bird Club records"],"title_tesim":["Williamsburg Bird Club records"],"unitdate_ssm":["1966-2024"],"unitdate_inclusive_ssm":["1966-2024"],"normalized_date_ssm":["1966/2024"],"normalized_title_ssm":["Williamsburg Bird Club records, 1966/2024"],"text":["Williamsburg Bird Club records, 1966/2024","MS 00420","/repositories/2/resources/10011","Wildlife conservation--United States","Collection is open to all researchers. 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Hardesty, Jr., Papers, 1834/2019","Series 23. West Virginia University Papers (boxes 69-71), 1995/2019"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_3843","wvmturhc_repositories_2_resources_3843_c23"],"title_filing_ssi":"Articles from the West Virginia Law Review by Hardesty","title_ssm":["Articles from the West Virginia Law Review by Hardesty"],"title_tesim":["Articles from the West Virginia Law Review by Hardesty"],"normalized_title_ssm":["Articles from the West Virginia Law Review by Hardesty, 2016/2017"],"text":["Articles from the West Virginia Law Review by Hardesty, 2016/2017","West Virginia University, President David C. Hardesty, Jr., Papers, 1834/2019","Series 23. West Virginia University Papers (boxes 69-71), 1995/2019","Box 70","Folder 6","English."],"parent_unittitles_ssm":["West Virginia University, President David C. Hardesty, Jr., Papers, 1834/2019","Series 23. West Virginia University Papers (boxes 69-71), 1995/2019"],"parent_unittitles_tesim":["West Virginia University, President David C. Hardesty, Jr., Papers, 1834/2019","Series 23. West Virginia University Papers (boxes 69-71), 1995/2019"],"normalized_date_ssm":["2016/2017"],"unitdate_inclusive_ssm":["2016-2017"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":820,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["West Virginia University, President David C. Hardesty, Jr., Papers, 1834/2019"],"containers_ssim":["Box 70","Folder 6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Special access restriction applies.","Part of this collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"language_ssim":["English."],"date_range_isim":[2016,2017],"_nest_path_":"/components#22/components#23","timestamp":"2026-07-23T21:56:58.353Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3843","ead_ssi":"wvmturhc_repositories_2_resources_3843","_root_":"wvmturhc_repositories_2_resources_3843","_nest_parent_":"wvmturhc_repositories_2_resources_3843","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3843.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/209188","title_ssm":["West Virginia University, President David C. Hardesty, Jr., Papers"],"title_tesim":["West Virginia University, President David C. Hardesty, Jr., Papers"],"unitdate_ssm":["1834-2019"],"unitdate_inclusive_ssm":["1834-2019"],"normalized_date_ssm":["1834/2019"],"normalized_title_ssm":["West Virginia University, President David C. Hardesty, Jr., Papers, 1834/2019"],"text":["West Virginia University, President David C. Hardesty, Jr., Papers, 1834/2019","A\u0026M 5114","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3843","West Virginia -- Politics and government","West Virginia University. Presidency","West Virginia University. President (Hardesty, David C.)","Special access restriction applies.","Part of this collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","David C. Hardesty, Jr. holds degrees from West Virginia University, Oxford University (which he attended as a Rhodes Scholar), and Harvard Law School. He also attended advanced courses in higher education leadership and decision theory at Harvard University.","Hardesty was the 21st president and CEO of West Virginia University from 1995-2007. While president, he served as chair of WVU Hospitals, Inc. and United Health System. WVU is a multi-campus public research university with comprehensive health sciences education. It enrolled approximately 35,000 students on all of its campuses in his last year as president.","While President, Hardesty led efforts to develop more than 25 student centered programs, including the first faculty led residential colleges in the university's history. These efforts resulted in rapid expansion of the university student body. He also led efforts to focus WVU's research programs, establish the world's first forensic science and biometrics degrees, increase the university's outreach and service activities, and create a new hospital system. WVU achieved a national reputation in the science of biometrics during his presidency. The health system he chaired expanded to become the largest in West Virginia.","While serving as president, Hardesty was a member of the National Security Higher Education Advisory Board; Chairman of the National 4-H Council; a director and officer in the Big East Conference; and a member of the Bowl Championship Series Presidential Oversight Committee. He was a founding director of the Blanchette Rockefeller Neurosciences Institute.","Prior to becoming president of WVU, Hardesty engaged in the private practice of law in Charleston with Bowles Rice for 19 years and served as State Tax Commissioner during Senator John D. Rockefeller IV's first term as governor of West Virginia (1977-80).","Hardesty is a former member of the Board of Directors of Consol Energy, Inc., and is Of Counsel to the law firm of Bowles Rice. He has previously been a member of and chaired several charitable, civic, economic development, business, and education related boards.","Mr. Hardesty is the recipient of several honorary degrees and citations, including designation as a Distinguished West Virginian, West Virginian of the Year by the West Virginia Society of Washington, D.C., induction into the West Virginia Business Hall of Fame, induction into The National 4-H Hall of Fame, receipt of The National Distinguished Eagle Scout Award, and designation as a Graduate of Distinction by the West Virginia Education Alliance.","In 2009, the Festival of Ideas speakers' series at WVU was endowed and named in honor of Hardesty, who helped to found the series in 1966 when he was student body president. An annual lecture at the WVU Cancer Center is also named in his honor.","Hardesty is a frequent speaker on subjects related to the legal profession, higher education, and leadership. He and his wife, Susan, are co-authors of Leading the Public University, Essays, Speeches and Commentary, published for West Virginia University by the WVU Press (2007). He has facilitated retreats and other meetings of boards and community groups for over three decades.","(Adapted from \"David C. Hardesty, Jr.\" David C. Hardesty, Jr. | College of Law | West Virginia University. March 2017. Accessed July 05, 2019.)","Papers of President David C. Hardesty, Jr. of West Virginia University. Before becoming President of West Virginia University, Hardesty was a lawyer and partner of Bowles, Rice, McDavid, Graff \u0026 Love (1973-1994) and West Virginia Tax Commissioner (1977-1980), among various other positions. After finishing his 12-year term as West Virginia University President (1995-2007), Hardesty was a Professor of Law at the West Virginia University College of Law (2007-2018). Some of the series titles in the addendum of 2019/09/03, including series 21-30, repeat some of the earlier series titles (e.g. both Series 7 and Series 21 are titled \"Student Papers\").","Includes:\nSeries 1. Inauguration and Inception of Presidency, 1995-1996, boxes 1-2\nSeries 2. Publications and Reports, 1963-2004, boxes 3-5\nSeries 3. Athletics, 1995-2004, box 6\nSeries 4. Clipping Notebooks, 1995-2007, boxes 7-16\nSeries 5. Audio-Visual Material, 1989-2005, boxes 17-19 \nSeries 6. Oversize Posters, Newspapers, and Other Material, 1966-2004, boxes 20-21","Addenda of 2007/04/18, 2016/12/02, 2018/08/01, 2018/10/10, and 2019/09/03:\nSeries 7. Student Papers, 1964-1973, 1993-2015, boxes 22-23\nSeries 8. Career, 1970-2014, boxes 24-26\nSeries 9. West Virginia University Papers, 1900, 1929, 1965-2016, boxes 27-31\nSeries 10. Family Papers, 1906-2016, box 32\nSeries 11. Susan Hardesty Papers, 1962-2015, box 32\nSeries 12. Photographs, 1900-2016, boxes 33-34\nSeries 13. Awards, 1962-2008, boxes 35-37\nSeries 14. Clinton Inauguration, 1992-1993, box 38\nSeries 15. Artifacts, ca. 1990s-2013, boxes 39-40\nSeries 16. Gold \u0026 Blue Travelers, 1989-2010, boxes 41-55, unboxed\nSeries 17. Framed Items, 1961-2010, boxes 56-60\nSeries 18. Oversize Newspapers, Papers, and Other Material, ca. 1940s-2011, boxes 61-66\nSeries 19. Audio-Visual Material, Digital and Analog, 1995-2014, box 67\nSeries 20. Miscellaneous, 1838, 1930-1963, 1997-2016, box 68","Addenda of 2006/02/20 and 2019/09/03:\nSeries 21. Student Papers, 1969, box 69\nSeries 22. Career, 1979-1981, 2006-2019, box 69\nSeries 23. West Virginia University Papers, 1995-2019, boxes 69-71\nSeries 24. Susan Hardesty Papers, 1986-2018, boxes 71-72\nSeries 25. Family Papers, 1969, 1989-2018, box 72\nSeries 26. Photographs, 1982, 2014, undated, box 72\nSeries 27. Gold \u0026 Blue Travelers, 2015-2016, undated, box 72\nSeries 28. Miscellaneous, 2016-2019, undated, box 72\nSeries 29. Artifacts, 2017-2019, undated, box 73\nSeries 30. Audio-Visual Material, 1952, 1973-2008, box 74\nSeries 31. Books, 1834-1923, 1964, 2007, undated, boxes 75-76","One vhs tape of demonstrations on the campus of West Virginia University in May 1970 in response to the shootings at Kent State University during Vietnam War protests; separated to the VHS - DVD collection. It is cataloged under no. 109.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","West Virginia University.  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Please make an appointment prior to visiting.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies.","Part of this collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"bioghist_html_tesm":["\u003cp\u003eDavid C. Hardesty, Jr. holds degrees from West Virginia University, Oxford University (which he attended as a Rhodes Scholar), and Harvard Law School. He also attended advanced courses in higher education leadership and decision theory at Harvard University.\u003c/p\u003e","\u003cp\u003eHardesty was the 21st president and CEO of West Virginia University from 1995-2007. While president, he served as chair of WVU Hospitals, Inc. and United Health System. WVU is a multi-campus public research university with comprehensive health sciences education. It enrolled approximately 35,000 students on all of its campuses in his last year as president.\u003c/p\u003e","\u003cp\u003eWhile President, Hardesty led efforts to develop more than 25 student centered programs, including the first faculty led residential colleges in the university's history. These efforts resulted in rapid expansion of the university student body. He also led efforts to focus WVU's research programs, establish the world's first forensic science and biometrics degrees, increase the university's outreach and service activities, and create a new hospital system. WVU achieved a national reputation in the science of biometrics during his presidency. The health system he chaired expanded to become the largest in West Virginia.\u003c/p\u003e","\u003cp\u003eWhile serving as president, Hardesty was a member of the National Security Higher Education Advisory Board; Chairman of the National 4-H Council; a director and officer in the Big East Conference; and a member of the Bowl Championship Series Presidential Oversight Committee. He was a founding director of the Blanchette Rockefeller Neurosciences Institute.\u003c/p\u003e","\u003cp\u003ePrior to becoming president of WVU, Hardesty engaged in the private practice of law in Charleston with Bowles Rice for 19 years and served as State Tax Commissioner during Senator John D. Rockefeller IV's first term as governor of West Virginia (1977-80).\u003c/p\u003e","\u003cp\u003eHardesty is a former member of the Board of Directors of Consol Energy, Inc., and is Of Counsel to the law firm of Bowles Rice. He has previously been a member of and chaired several charitable, civic, economic development, business, and education related boards.\u003c/p\u003e","\u003cp\u003eMr. Hardesty is the recipient of several honorary degrees and citations, including designation as a Distinguished West Virginian, West Virginian of the Year by the West Virginia Society of Washington, D.C., induction into the West Virginia Business Hall of Fame, induction into The National 4-H Hall of Fame, receipt of The National Distinguished Eagle Scout Award, and designation as a Graduate of Distinction by the West Virginia Education Alliance.\u003c/p\u003e","\u003cp\u003eIn 2009, the Festival of Ideas speakers' series at WVU was endowed and named in honor of Hardesty, who helped to found the series in 1966 when he was student body president. An annual lecture at the WVU Cancer Center is also named in his honor.\u003c/p\u003e","\u003cp\u003eHardesty is a frequent speaker on subjects related to the legal profession, higher education, and leadership. He and his wife, Susan, are co-authors of Leading the Public University, Essays, Speeches and Commentary, published for West Virginia University by the WVU Press (2007). He has facilitated retreats and other meetings of boards and community groups for over three decades.\u003c/p\u003e","\u003cp\u003e(Adapted from \"\u003ca href=\"https://www.law.wvu.edu/people/david-c-hardesty-jr/\" target=\"_blank\"\u003eDavid C. Hardesty, Jr.\u003c/a\u003e\" David C. Hardesty, Jr. | College of Law | West Virginia University. March 2017. Accessed July 05, 2019.)\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["David C. Hardesty, Jr. holds degrees from West Virginia University, Oxford University (which he attended as a Rhodes Scholar), and Harvard Law School. He also attended advanced courses in higher education leadership and decision theory at Harvard University.","Hardesty was the 21st president and CEO of West Virginia University from 1995-2007. While president, he served as chair of WVU Hospitals, Inc. and United Health System. WVU is a multi-campus public research university with comprehensive health sciences education. It enrolled approximately 35,000 students on all of its campuses in his last year as president.","While President, Hardesty led efforts to develop more than 25 student centered programs, including the first faculty led residential colleges in the university's history. These efforts resulted in rapid expansion of the university student body. He also led efforts to focus WVU's research programs, establish the world's first forensic science and biometrics degrees, increase the university's outreach and service activities, and create a new hospital system. WVU achieved a national reputation in the science of biometrics during his presidency. The health system he chaired expanded to become the largest in West Virginia.","While serving as president, Hardesty was a member of the National Security Higher Education Advisory Board; Chairman of the National 4-H Council; a director and officer in the Big East Conference; and a member of the Bowl Championship Series Presidential Oversight Committee. He was a founding director of the Blanchette Rockefeller Neurosciences Institute.","Prior to becoming president of WVU, Hardesty engaged in the private practice of law in Charleston with Bowles Rice for 19 years and served as State Tax Commissioner during Senator John D. Rockefeller IV's first term as governor of West Virginia (1977-80).","Hardesty is a former member of the Board of Directors of Consol Energy, Inc., and is Of Counsel to the law firm of Bowles Rice. He has previously been a member of and chaired several charitable, civic, economic development, business, and education related boards.","Mr. Hardesty is the recipient of several honorary degrees and citations, including designation as a Distinguished West Virginian, West Virginian of the Year by the West Virginia Society of Washington, D.C., induction into the West Virginia Business Hall of Fame, induction into The National 4-H Hall of Fame, receipt of The National Distinguished Eagle Scout Award, and designation as a Graduate of Distinction by the West Virginia Education Alliance.","In 2009, the Festival of Ideas speakers' series at WVU was endowed and named in honor of Hardesty, who helped to found the series in 1966 when he was student body president. An annual lecture at the WVU Cancer Center is also named in his honor.","Hardesty is a frequent speaker on subjects related to the legal profession, higher education, and leadership. He and his wife, Susan, are co-authors of Leading the Public University, Essays, Speeches and Commentary, published for West Virginia University by the WVU Press (2007). He has facilitated retreats and other meetings of boards and community groups for over three decades.","(Adapted from \"David C. Hardesty, Jr.\" David C. Hardesty, Jr. | College of Law | West Virginia University. March 2017. Accessed July 05, 2019.)"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, President David C. Hardesty, Jr., Papers, A\u0026amp;M 5114, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, President David C. Hardesty, Jr., Papers, A\u0026M 5114, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of President David C. Hardesty, Jr. of West Virginia University. Before becoming President of West Virginia University, Hardesty was a lawyer and partner of Bowles, Rice, McDavid, Graff \u0026amp; Love (1973-1994) and West Virginia Tax Commissioner (1977-1980), among various other positions. After finishing his 12-year term as West Virginia University President (1995-2007), Hardesty was a Professor of Law at the West Virginia University College of Law (2007-2018). Some of the series titles in the addendum of 2019/09/03, including series 21-30, repeat some of the earlier series titles (e.g. both Series 7 and Series 21 are titled \"Student Papers\").\u003c/p\u003e","\u003cp\u003eIncludes:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Inauguration and Inception of Presidency, 1995-1996, boxes 1-2\u003clb\u003e\u003c/lb\u003e\nSeries 2. Publications and Reports, 1963-2004, boxes 3-5\u003clb\u003e\u003c/lb\u003e\nSeries 3. Athletics, 1995-2004, box 6\u003clb\u003e\u003c/lb\u003e\nSeries 4. Clipping Notebooks, 1995-2007, boxes 7-16\u003clb\u003e\u003c/lb\u003e\nSeries 5. Audio-Visual Material, 1989-2005, boxes 17-19\u003clb\u003e\u003c/lb\u003e \nSeries 6. Oversize Posters, Newspapers, and Other Material, 1966-2004, boxes 20-21\u003c/p\u003e","\u003cp\u003eAddenda of 2007/04/18, 2016/12/02, 2018/08/01, 2018/10/10, and 2019/09/03:\u003clb\u003e\u003c/lb\u003e\nSeries 7. Student Papers, 1964-1973, 1993-2015, boxes 22-23\u003clb\u003e\u003c/lb\u003e\nSeries 8. Career, 1970-2014, boxes 24-26\u003clb\u003e\u003c/lb\u003e\nSeries 9. West Virginia University Papers, 1900, 1929, 1965-2016, boxes 27-31\u003clb\u003e\u003c/lb\u003e\nSeries 10. Family Papers, 1906-2016, box 32\u003clb\u003e\u003c/lb\u003e\nSeries 11. Susan Hardesty Papers, 1962-2015, box 32\u003clb\u003e\u003c/lb\u003e\nSeries 12. Photographs, 1900-2016, boxes 33-34\u003clb\u003e\u003c/lb\u003e\nSeries 13. Awards, 1962-2008, boxes 35-37\u003clb\u003e\u003c/lb\u003e\nSeries 14. Clinton Inauguration, 1992-1993, box 38\u003clb\u003e\u003c/lb\u003e\nSeries 15. Artifacts, ca. 1990s-2013, boxes 39-40\u003clb\u003e\u003c/lb\u003e\nSeries 16. Gold \u0026amp; Blue Travelers, 1989-2010, boxes 41-55, unboxed\u003clb\u003e\u003c/lb\u003e\nSeries 17. Framed Items, 1961-2010, boxes 56-60\u003clb\u003e\u003c/lb\u003e\nSeries 18. Oversize Newspapers, Papers, and Other Material, ca. 1940s-2011, boxes 61-66\u003clb\u003e\u003c/lb\u003e\nSeries 19. Audio-Visual Material, Digital and Analog, 1995-2014, box 67\u003clb\u003e\u003c/lb\u003e\nSeries 20. Miscellaneous, 1838, 1930-1963, 1997-2016, box 68\u003c/p\u003e","\u003cp\u003eAddenda of 2006/02/20 and 2019/09/03:\u003clb\u003e\u003c/lb\u003e\nSeries 21. Student Papers, 1969, box 69\u003clb\u003e\u003c/lb\u003e\nSeries 22. Career, 1979-1981, 2006-2019, box 69\u003clb\u003e\u003c/lb\u003e\nSeries 23. West Virginia University Papers, 1995-2019, boxes 69-71\u003clb\u003e\u003c/lb\u003e\nSeries 24. Susan Hardesty Papers, 1986-2018, boxes 71-72\u003clb\u003e\u003c/lb\u003e\nSeries 25. Family Papers, 1969, 1989-2018, box 72\u003clb\u003e\u003c/lb\u003e\nSeries 26. Photographs, 1982, 2014, undated, box 72\u003clb\u003e\u003c/lb\u003e\nSeries 27. Gold \u0026amp; Blue Travelers, 2015-2016, undated, box 72\u003clb\u003e\u003c/lb\u003e\nSeries 28. Miscellaneous, 2016-2019, undated, box 72\u003clb\u003e\u003c/lb\u003e\nSeries 29. Artifacts, 2017-2019, undated, box 73\u003clb\u003e\u003c/lb\u003e\nSeries 30. Audio-Visual Material, 1952, 1973-2008, box 74\u003clb\u003e\u003c/lb\u003e\nSeries 31. Books, 1834-1923, 1964, 2007, undated, boxes 75-76\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of President David C. Hardesty, Jr. of West Virginia University. Before becoming President of West Virginia University, Hardesty was a lawyer and partner of Bowles, Rice, McDavid, Graff \u0026 Love (1973-1994) and West Virginia Tax Commissioner (1977-1980), among various other positions. After finishing his 12-year term as West Virginia University President (1995-2007), Hardesty was a Professor of Law at the West Virginia University College of Law (2007-2018). Some of the series titles in the addendum of 2019/09/03, including series 21-30, repeat some of the earlier series titles (e.g. both Series 7 and Series 21 are titled \"Student Papers\").","Includes:\nSeries 1. Inauguration and Inception of Presidency, 1995-1996, boxes 1-2\nSeries 2. Publications and Reports, 1963-2004, boxes 3-5\nSeries 3. Athletics, 1995-2004, box 6\nSeries 4. Clipping Notebooks, 1995-2007, boxes 7-16\nSeries 5. Audio-Visual Material, 1989-2005, boxes 17-19 \nSeries 6. Oversize Posters, Newspapers, and Other Material, 1966-2004, boxes 20-21","Addenda of 2007/04/18, 2016/12/02, 2018/08/01, 2018/10/10, and 2019/09/03:\nSeries 7. Student Papers, 1964-1973, 1993-2015, boxes 22-23\nSeries 8. Career, 1970-2014, boxes 24-26\nSeries 9. West Virginia University Papers, 1900, 1929, 1965-2016, boxes 27-31\nSeries 10. Family Papers, 1906-2016, box 32\nSeries 11. Susan Hardesty Papers, 1962-2015, box 32\nSeries 12. Photographs, 1900-2016, boxes 33-34\nSeries 13. Awards, 1962-2008, boxes 35-37\nSeries 14. Clinton Inauguration, 1992-1993, box 38\nSeries 15. Artifacts, ca. 1990s-2013, boxes 39-40\nSeries 16. Gold \u0026 Blue Travelers, 1989-2010, boxes 41-55, unboxed\nSeries 17. Framed Items, 1961-2010, boxes 56-60\nSeries 18. Oversize Newspapers, Papers, and Other Material, ca. 1940s-2011, boxes 61-66\nSeries 19. Audio-Visual Material, Digital and Analog, 1995-2014, box 67\nSeries 20. Miscellaneous, 1838, 1930-1963, 1997-2016, box 68","Addenda of 2006/02/20 and 2019/09/03:\nSeries 21. Student Papers, 1969, box 69\nSeries 22. Career, 1979-1981, 2006-2019, box 69\nSeries 23. West Virginia University Papers, 1995-2019, boxes 69-71\nSeries 24. Susan Hardesty Papers, 1986-2018, boxes 71-72\nSeries 25. Family Papers, 1969, 1989-2018, box 72\nSeries 26. Photographs, 1982, 2014, undated, box 72\nSeries 27. Gold \u0026 Blue Travelers, 2015-2016, undated, box 72\nSeries 28. Miscellaneous, 2016-2019, undated, box 72\nSeries 29. Artifacts, 2017-2019, undated, box 73\nSeries 30. Audio-Visual Material, 1952, 1973-2008, box 74\nSeries 31. Books, 1834-1923, 1964, 2007, undated, boxes 75-76"],"separatedmaterial_html_tesm":["\u003cp\u003eOne vhs tape of demonstrations on the campus of West Virginia University in May 1970 in response to the shootings at Kent State University during Vietnam War protests; separated to the VHS - DVD collection. It is cataloged under no. 109.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["One vhs tape of demonstrations on the campus of West Virginia University in May 1970 in response to the shootings at Kent State University during Vietnam War protests; separated to the VHS - DVD collection. It is cataloged under no. 109."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c3f81de8da7ff14d04b533a9e73122fd\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University.  President"],"names_coll_ssim":["West Virginia University.  President","Hardesty, David C., Jr."],"persname_ssim":["Hardesty, David C., Jr."],"names_ssim":["West Virginia and Regional History Center","West Virginia University.  President","Hardesty, David C., Jr."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":917,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:56:58.353Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3843_c23_c24"}},{"id":"viu_repositories_3_resources_754_c01_c01_c04","type":"File","attributes":{"title":"Artifacts, 2017","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_754_c01_c01_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_754_c01_c01_c04","ref_ssm":["viu_repositories_3_resources_754_c01_c01_c04"],"id":"viu_repositories_3_resources_754_c01_c01_c04","ead_ssi":"viu_repositories_3_resources_754","_root_":"viu_repositories_3_resources_754","_nest_parent_":"viu_repositories_3_resources_754_c01_c01","parent_ssi":"viu_repositories_3_resources_754_c01_c01","parent_ssim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020","Physical (Analog) Materials, 2017/2018","Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally, 2017"],"parent_ids_ssim":["viu_repositories_3_resources_754","viu_repositories_3_resources_754_c01","viu_repositories_3_resources_754_c01_c01"],"title_filing_ssi":"Artifacts","title_ssm":["Artifacts"],"title_tesim":["Artifacts"],"normalized_title_ssm":["Artifacts, 2017"],"text":["Artifacts, 2017","The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020","Physical (Analog) Materials, 2017/2018","Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally, 2017","box 6 [RESTRICTED MATERIAL]"],"parent_unittitles_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020","Physical (Analog) Materials, 2017/2018","Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally, 2017"],"parent_unittitles_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020","Physical (Analog) Materials, 2017/2018","Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally, 2017"],"normalized_date_ssm":["2017"],"unitdate_other_ssim":["2017-07-08"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":6,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020"],"containers_ssim":["box 6 [RESTRICTED MATERIAL]"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The Michael McGee Donation is restricted and requires permission from the donor to view the item.","The audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series."],"parent_access_terms_tesm":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"date_range_isim":[2017],"_nest_path_":"/components#0/components#0/components#3","timestamp":"2026-07-23T21:41:18.571Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_754","ead_ssi":"viu_repositories_3_resources_754","_root_":"viu_repositories_3_resources_754","_nest_parent_":"viu_repositories_3_resources_754","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_754.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/148780","title_filing_ssi":"The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","title_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"title_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"unitdate_ssm":["2015-01-13-2020","2017-01-03-2020"],"unitdate_inclusive_ssm":["2015-01-13-2020"],"unitdate_bulk_ssim":["2017-01-03-2020"],"normalized_date_ssm":["2015/2020, bulk 2017/2020"],"normalized_title_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020"],"text":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020","MSS 16386","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/754","race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media","The majority of the collection is open for research use.","The story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.","The original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","Arranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.","The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:","Series 1, Physal (Analog) Materials:","Subseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:","File 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.","Subseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:","File 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.","Subseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:","File 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.","Series 2, Born-Digital materials:","Subseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018.","Subseries 2, Archived web pages, 1/13/2015-2020:","File 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.","Subseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.","Subseries 4, Audio files (songs on audio-cassette), 2/26/2018.","The collection of Twitter data is not yet open for research, and will be made available when it is processed.","On the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.","According to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.","On August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.","Violence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.","The violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations.","For accessing rolled oversized materials (tubes 6-11):","These items are stored rolled around the exterior of the tube.","2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.","Sandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.","The sheet of Tyvek should remain on the underside/\nunmarked backing of the item.","Once these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)","Now rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center.","The original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022.","documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:","Boggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content.","Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1.","This collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection documents the events of August 11 and 12, 2017 that occurred in Charlottesville, Virginia, and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to Charlottesville City Hall, which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.","Several community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes University of Virginia students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.","The Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the July 8, 2017 KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.","In the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the August 11, 2017 torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.","The Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after August 12, 2017. The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of Charlottesville, and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.","The other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.","Also in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.","The periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.","The Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the University of Virginia Library. While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.","The growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.","Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator.","Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library","English"],"collection_title_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020"],"collection_ssim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16386","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/754"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creator_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"access_terms_ssm":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"acqinfo_ssim":["Anonymous donors.\nUniversity of Virginia Library staff.\nCharlottesville residents.\nCharlottesville City hall. \nOther, Individual donors, e.g: Michael McGee, Rosemary Balister, Derek Brown, Arlyn Newcomb, Tyler Magill, Sarah Brazelton."],"access_subjects_ssim":["race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media"],"access_subjects_ssm":["race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media"],"has_online_content_ssim":["true"],"extent_ssm":["50 Cubic Feet","19.74 Gigabytes"],"extent_tesim":["50 Cubic Feet","19.74 Gigabytes"],"genreform_ssim":["Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media"],"date_range_isim":[2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe majority of the collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.\u003c/p\u003e","\u003cp\u003eThe original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.\u003c/p\u003e  ","\u003cp\u003eArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.\u003c/p\u003e","\u003cp\u003eMaterials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access","Access of born-digital materials - archived webpages"],"accessrestrict_tesim":["The majority of the collection is open for research use.","The story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.","The original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching."],"arrangement_html_tesm":["\u003cp\u003eArranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.\u003c/p\u003e","\u003cp\u003e\nThe University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:\u003c/p\u003e","\u003cp\u003eSeries 1, Physal (Analog) Materials:\u003c/p\u003e","\u003cp\u003e\nSubseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:\u003c/p\u003e","\u003cp\u003e\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.\u003c/p\u003e","\u003cp\u003e\nSubseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:\u003c/p\u003e","\u003cp\u003e\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.\u003c/p\u003e","\u003cp\u003e\nSubseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:\u003c/p\u003e","\u003cp\u003e\nFile 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.\u003c/p\u003e","\u003cp\u003e\nSeries 2, Born-Digital materials:\u003c/p\u003e","\u003cp\u003e\nSubseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018. \u003c/p\u003e","\u003cp\u003e\nSubseries 2, Archived web pages, 1/13/2015-2020:\u003c/p\u003e","\u003cp\u003e\nFile 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.\u003c/p\u003e","\u003cp\u003e\nSubseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.\u003c/p\u003e","\u003cp\u003e\nSubseries 4, Audio files (songs on audio-cassette), 2/26/2018.\u003c/p\u003e","\u003cp\u003e\nThe collection of Twitter data is not yet open for research, and will be made available when it is processed.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.","The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:","Series 1, Physal (Analog) Materials:","Subseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:","File 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.","Subseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:","File 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.","Subseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:","File 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.","Series 2, Born-Digital materials:","Subseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018.","Subseries 2, Archived web pages, 1/13/2015-2020:","File 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.","Subseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.","Subseries 4, Audio files (songs on audio-cassette), 2/26/2018.","The collection of Twitter data is not yet open for research, and will be made available when it is processed."],"bioghist_html_tesm":["\u003cp\u003eOn the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.\u003c/p\u003e","\u003cp\u003e\nAccording to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.\u003c/p\u003e","\u003cp\u003e\nOn August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.\u003c/p\u003e","\u003cp\u003e\nViolence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.\u003c/p\u003e","\u003cp\u003e\nThe violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["On the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.","According to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.","On August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.","Violence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.","The violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations."],"odd_html_tesm":["\u003cp\u003eFor accessing rolled oversized materials (tubes 6-11):\u003c/p\u003e","\u003cp\u003eThese items are stored rolled around the exterior of the tube.\u003c/p\u003e","\u003cp\u003e2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.\u003c/p\u003e","\u003cp\u003eSandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.\u003c/p\u003e","\u003cp\u003eThe sheet of Tyvek should remain on the underside/\nunmarked backing of the item.\u003c/p\u003e","\u003cp\u003eOnce these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)\u003c/p\u003e","\u003cp\u003eNow rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center. \u003c/p\u003e  "],"odd_heading_ssm":["Physical Access"],"odd_tesim":["For accessing rolled oversized materials (tubes 6-11):","These items are stored rolled around the exterior of the tube.","2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.","Sandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.","The sheet of Tyvek should remain on the underside/\nunmarked backing of the item.","Once these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)","Now rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center."],"prefercite_html_tesm":["\u003cp\u003eMSS 16386, The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, Albert and Shirley Small Special Collections Library, University of Virginia\u003c/p\u003e  "],"prefercite_tesim":["MSS 16386, The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, Albert and Shirley Small Special Collections Library, University of Virginia"],"processinfo_html_tesm":["\u003cp\u003eThe original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022."],"relatedmaterial_html_tesm":["\u003cp\u003edocumenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:\u003c/p\u003e","\u003cp\u003eBoggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content.\u003c/p\u003e","\u003cp\u003e Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:","Boggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content.","Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003e\nThis collection documents the events of August 11 and 12, 2017 that occurred in \u003cgeogname\u003eCharlottesville, Virginia\u003c/geogname\u003e, and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to \u003ccorpname\u003eCharlottesville City Hall\u003c/corpname\u003e, which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.\u003c/p\u003e","\u003cp\u003e\nSeveral community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.\u003c/p\u003e","\u003cp\u003e\nThe Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the \u003cdate\u003eJuly 8, 2017\u003c/date\u003e KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.\u003c/p\u003e","\u003cp\u003e\nIn the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the \u003cdate\u003eAugust 11, 2017\u003c/date\u003e torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.\u003c/p\u003e","\u003cp\u003e\nThe Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after \u003cdate\u003eAugust 12, 2017\u003c/date\u003e. The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e, and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.\u003c/p\u003e","\u003cp\u003e\nThe other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.\u003c/p\u003e","\u003cp\u003e\nAlso in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.\u003c/p\u003e","\u003cp\u003e\nThe periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.\u003c/p\u003e","\u003cp\u003e\nThe Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the \u003ccorpname\u003eUniversity of Virginia Library\u003c/corpname\u003e. While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.\u003c/p\u003e","\u003cp\u003e\nThe growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection documents the events of August 11 and 12, 2017 that occurred in Charlottesville, Virginia, and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to Charlottesville City Hall, which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.","Several community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes University of Virginia students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.","The Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the July 8, 2017 KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.","In the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the August 11, 2017 torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.","The Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after August 12, 2017. The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of Charlottesville, and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.","The other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.","Also in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.","The periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.","The Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the University of Virginia Library. While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.","The growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017."],"userestrict_html_tesm":["\u003cp\u003eBecause of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"names_coll_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"names_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":4,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:41:18.571Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_754_c01_c01_c04"}},{"id":"viu_repositories_3_resources_754_c01_c02_c04","type":"File","attributes":{"title":"Artifacts, 2017","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_754_c01_c02_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_754_c01_c02_c04","ref_ssm":["viu_repositories_3_resources_754_c01_c02_c04"],"id":"viu_repositories_3_resources_754_c01_c02_c04","ead_ssi":"viu_repositories_3_resources_754","_root_":"viu_repositories_3_resources_754","_nest_parent_":"viu_repositories_3_resources_754_c01_c02","parent_ssi":"viu_repositories_3_resources_754_c01_c02","parent_ssim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020","Physical (Analog) Materials, 2017/2018","Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally, 2017"],"parent_ids_ssim":["viu_repositories_3_resources_754","viu_repositories_3_resources_754_c01","viu_repositories_3_resources_754_c01_c02"],"title_filing_ssi":"Artifacts","title_ssm":["Artifacts"],"title_tesim":["Artifacts"],"normalized_title_ssm":["Artifacts, 2017"],"text":["Artifacts, 2017","The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020","Physical (Analog) Materials, 2017/2018","Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally, 2017","box 1","folder 6","box 6 [RESTRICTED MATERIAL]","Tube_box 1 (torch)","Tube_box 2 (torch)","Tube_box 3 (torch)","Tube_box 4 (torch)","Tube_box 5 (torch)"],"parent_unittitles_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020","Physical (Analog) Materials, 2017/2018","Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally, 2017"],"parent_unittitles_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020","Physical (Analog) Materials, 2017/2018","Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally, 2017"],"normalized_date_ssm":["2017"],"unitdate_inclusive_ssm":["2017-08-11-2017-08-12"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":11,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020"],"containers_ssim":["box 1","folder 6","box 6 [RESTRICTED MATERIAL]","Tube_box 1 (torch)","Tube_box 2 (torch)","Tube_box 3 (torch)","Tube_box 4 (torch)","Tube_box 5 (torch)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The Michael McGee Donation is restricted and requires permission from the donor to view the item.","The audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series."],"parent_access_terms_tesm":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"date_range_isim":[2017],"_nest_path_":"/components#0/components#1/components#3","timestamp":"2026-07-23T21:41:18.571Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_754","ead_ssi":"viu_repositories_3_resources_754","_root_":"viu_repositories_3_resources_754","_nest_parent_":"viu_repositories_3_resources_754","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_754.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/148780","title_filing_ssi":"The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","title_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"title_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"unitdate_ssm":["2015-01-13-2020","2017-01-03-2020"],"unitdate_inclusive_ssm":["2015-01-13-2020"],"unitdate_bulk_ssim":["2017-01-03-2020"],"normalized_date_ssm":["2015/2020, bulk 2017/2020"],"normalized_title_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020"],"text":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020","MSS 16386","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/754","race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media","The majority of the collection is open for research use.","The story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.","The original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","Arranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.","The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:","Series 1, Physal (Analog) Materials:","Subseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:","File 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.","Subseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:","File 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.","Subseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:","File 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.","Series 2, Born-Digital materials:","Subseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018.","Subseries 2, Archived web pages, 1/13/2015-2020:","File 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.","Subseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.","Subseries 4, Audio files (songs on audio-cassette), 2/26/2018.","The collection of Twitter data is not yet open for research, and will be made available when it is processed.","On the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.","According to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.","On August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.","Violence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.","The violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations.","For accessing rolled oversized materials (tubes 6-11):","These items are stored rolled around the exterior of the tube.","2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.","Sandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.","The sheet of Tyvek should remain on the underside/\nunmarked backing of the item.","Once these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)","Now rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center.","The original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022.","documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:","Boggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content.","Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1.","This collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection documents the events of August 11 and 12, 2017 that occurred in Charlottesville, Virginia, and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to Charlottesville City Hall, which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.","Several community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes University of Virginia students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.","The Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the July 8, 2017 KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.","In the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the August 11, 2017 torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.","The Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after August 12, 2017. The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of Charlottesville, and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.","The other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.","Also in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.","The periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.","The Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the University of Virginia Library. While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.","The growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.","Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator.","Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). 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Date of meeting or treaty signing: (2017 :.)"],"creator_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"access_terms_ssm":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"acqinfo_ssim":["Anonymous donors.\nUniversity of Virginia Library staff.\nCharlottesville residents.\nCharlottesville City hall. \nOther, Individual donors, e.g: Michael McGee, Rosemary Balister, Derek Brown, Arlyn Newcomb, Tyler Magill, Sarah Brazelton."],"access_subjects_ssim":["race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media"],"access_subjects_ssm":["race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media"],"has_online_content_ssim":["true"],"extent_ssm":["50 Cubic Feet","19.74 Gigabytes"],"extent_tesim":["50 Cubic Feet","19.74 Gigabytes"],"genreform_ssim":["Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media"],"date_range_isim":[2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe majority of the collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.\u003c/p\u003e","\u003cp\u003eThe original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.\u003c/p\u003e  ","\u003cp\u003eArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.\u003c/p\u003e","\u003cp\u003eMaterials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access","Access of born-digital materials - archived webpages"],"accessrestrict_tesim":["The majority of the collection is open for research use.","The story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.","The original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching."],"arrangement_html_tesm":["\u003cp\u003eArranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.\u003c/p\u003e","\u003cp\u003e\nThe University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:\u003c/p\u003e","\u003cp\u003eSeries 1, Physal (Analog) Materials:\u003c/p\u003e","\u003cp\u003e\nSubseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:\u003c/p\u003e","\u003cp\u003e\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.\u003c/p\u003e","\u003cp\u003e\nSubseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:\u003c/p\u003e","\u003cp\u003e\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.\u003c/p\u003e","\u003cp\u003e\nSubseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:\u003c/p\u003e","\u003cp\u003e\nFile 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.\u003c/p\u003e","\u003cp\u003e\nSeries 2, Born-Digital materials:\u003c/p\u003e","\u003cp\u003e\nSubseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018. \u003c/p\u003e","\u003cp\u003e\nSubseries 2, Archived web pages, 1/13/2015-2020:\u003c/p\u003e","\u003cp\u003e\nFile 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.\u003c/p\u003e","\u003cp\u003e\nSubseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.\u003c/p\u003e","\u003cp\u003e\nSubseries 4, Audio files (songs on audio-cassette), 2/26/2018.\u003c/p\u003e","\u003cp\u003e\nThe collection of Twitter data is not yet open for research, and will be made available when it is processed.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.","The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:","Series 1, Physal (Analog) Materials:","Subseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:","File 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.","Subseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:","File 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.","Subseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:","File 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.","Series 2, Born-Digital materials:","Subseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018.","Subseries 2, Archived web pages, 1/13/2015-2020:","File 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.","Subseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.","Subseries 4, Audio files (songs on audio-cassette), 2/26/2018.","The collection of Twitter data is not yet open for research, and will be made available when it is processed."],"bioghist_html_tesm":["\u003cp\u003eOn the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.\u003c/p\u003e","\u003cp\u003e\nAccording to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.\u003c/p\u003e","\u003cp\u003e\nOn August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.\u003c/p\u003e","\u003cp\u003e\nViolence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.\u003c/p\u003e","\u003cp\u003e\nThe violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["On the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.","According to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.","On August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.","Violence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.","The violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations."],"odd_html_tesm":["\u003cp\u003eFor accessing rolled oversized materials (tubes 6-11):\u003c/p\u003e","\u003cp\u003eThese items are stored rolled around the exterior of the tube.\u003c/p\u003e","\u003cp\u003e2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.\u003c/p\u003e","\u003cp\u003eSandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.\u003c/p\u003e","\u003cp\u003eThe sheet of Tyvek should remain on the underside/\nunmarked backing of the item.\u003c/p\u003e","\u003cp\u003eOnce these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)\u003c/p\u003e","\u003cp\u003eNow rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center. \u003c/p\u003e  "],"odd_heading_ssm":["Physical Access"],"odd_tesim":["For accessing rolled oversized materials (tubes 6-11):","These items are stored rolled around the exterior of the tube.","2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.","Sandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.","The sheet of Tyvek should remain on the underside/\nunmarked backing of the item.","Once these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)","Now rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center."],"prefercite_html_tesm":["\u003cp\u003eMSS 16386, The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, Albert and Shirley Small Special Collections Library, University of Virginia\u003c/p\u003e  "],"prefercite_tesim":["MSS 16386, The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, Albert and Shirley Small Special Collections Library, University of Virginia"],"processinfo_html_tesm":["\u003cp\u003eThe original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022."],"relatedmaterial_html_tesm":["\u003cp\u003edocumenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:\u003c/p\u003e","\u003cp\u003eBoggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content.\u003c/p\u003e","\u003cp\u003e Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:","Boggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content.","Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003e\nThis collection documents the events of August 11 and 12, 2017 that occurred in \u003cgeogname\u003eCharlottesville, Virginia\u003c/geogname\u003e, and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to \u003ccorpname\u003eCharlottesville City Hall\u003c/corpname\u003e, which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.\u003c/p\u003e","\u003cp\u003e\nSeveral community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.\u003c/p\u003e","\u003cp\u003e\nThe Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the \u003cdate\u003eJuly 8, 2017\u003c/date\u003e KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.\u003c/p\u003e","\u003cp\u003e\nIn the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the \u003cdate\u003eAugust 11, 2017\u003c/date\u003e torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.\u003c/p\u003e","\u003cp\u003e\nThe Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after \u003cdate\u003eAugust 12, 2017\u003c/date\u003e. The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e, and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.\u003c/p\u003e","\u003cp\u003e\nThe other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.\u003c/p\u003e","\u003cp\u003e\nAlso in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.\u003c/p\u003e","\u003cp\u003e\nThe periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.\u003c/p\u003e","\u003cp\u003e\nThe Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the \u003ccorpname\u003eUniversity of Virginia Library\u003c/corpname\u003e. While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.\u003c/p\u003e","\u003cp\u003e\nThe growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection documents the events of August 11 and 12, 2017 that occurred in Charlottesville, Virginia, and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to Charlottesville City Hall, which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.","Several community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes University of Virginia students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.","The Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the July 8, 2017 KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.","In the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the August 11, 2017 torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.","The Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after August 12, 2017. The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of Charlottesville, and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.","The other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.","Also in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.","The periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.","The Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the University of Virginia Library. While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.","The growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017."],"userestrict_html_tesm":["\u003cp\u003eBecause of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"names_coll_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"names_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":4,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:41:18.571Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_754_c01_c02_c04"}},{"id":"viu_repositories_3_resources_754_c01_c03_c04","type":"File","attributes":{"title":"Artifacts, 2017/2019","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_754_c01_c03_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_754_c01_c03_c04","ref_ssm":["viu_repositories_3_resources_754_c01_c03_c04"],"id":"viu_repositories_3_resources_754_c01_c03_c04","ead_ssi":"viu_repositories_3_resources_754","_root_":"viu_repositories_3_resources_754","_nest_parent_":"viu_repositories_3_resources_754_c01_c03","parent_ssi":"viu_repositories_3_resources_754_c01_c03","parent_ssim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020","Physical (Analog) Materials, 2017/2018","Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally, 2017/2020"],"parent_ids_ssim":["viu_repositories_3_resources_754","viu_repositories_3_resources_754_c01","viu_repositories_3_resources_754_c01_c03"],"title_filing_ssi":"Artifacts","title_ssm":["Artifacts"],"title_tesim":["Artifacts"],"normalized_title_ssm":["Artifacts, 2017/2019"],"text":["Artifacts, 2017/2019","The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020","Physical (Analog) Materials, 2017/2018","Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally, 2017/2020","box 6 [RESTRICTED MATERIAL]","Artifact 1-6","box 7","Artifact 1-20","Tube_box 6 (handmade banner, signed)","Tube_box 7 (signed tablecloth)","Tube_box 8 (signed tablecloth)","Tube_box 9 (hand-painted canvas, signed)","Tube_box 10 (hand-painted canvas, signed)","Tube_box 11 (handmade banner, signed)"],"parent_unittitles_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020","Physical (Analog) Materials, 2017/2018","Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally, 2017/2020"],"parent_unittitles_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020","Physical (Analog) Materials, 2017/2018","Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally, 2017/2020"],"normalized_date_ssm":["2017/2019"],"unitdate_inclusive_ssm":["2017-2019"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":20,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020"],"containers_ssim":["box 6 [RESTRICTED MATERIAL]","Artifact 1-6","box 7","Artifact 1-20","Tube_box 6 (handmade banner, signed)","Tube_box 7 (signed tablecloth)","Tube_box 8 (signed tablecloth)","Tube_box 9 (hand-painted canvas, signed)","Tube_box 10 (hand-painted canvas, signed)","Tube_box 11 (handmade banner, signed)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The Michael McGee Donation is restricted and requires permission from the donor to view the item.","The audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series."],"parent_access_terms_tesm":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"date_range_isim":[2017,2018,2019],"_nest_path_":"/components#0/components#2/components#3","timestamp":"2026-07-23T21:41:18.571Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_754","ead_ssi":"viu_repositories_3_resources_754","_root_":"viu_repositories_3_resources_754","_nest_parent_":"viu_repositories_3_resources_754","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_754.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/148780","title_filing_ssi":"The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","title_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"title_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"unitdate_ssm":["2015-01-13-2020","2017-01-03-2020"],"unitdate_inclusive_ssm":["2015-01-13-2020"],"unitdate_bulk_ssim":["2017-01-03-2020"],"normalized_date_ssm":["2015/2020, bulk 2017/2020"],"normalized_title_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020"],"text":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020","MSS 16386","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/754","race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media","The majority of the collection is open for research use.","The story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.","The original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","Arranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.","The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:","Series 1, Physal (Analog) Materials:","Subseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:","File 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.","Subseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:","File 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.","Subseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:","File 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.","Series 2, Born-Digital materials:","Subseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018.","Subseries 2, Archived web pages, 1/13/2015-2020:","File 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.","Subseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.","Subseries 4, Audio files (songs on audio-cassette), 2/26/2018.","The collection of Twitter data is not yet open for research, and will be made available when it is processed.","On the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.","According to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.","On August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.","Violence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.","The violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations.","For accessing rolled oversized materials (tubes 6-11):","These items are stored rolled around the exterior of the tube.","2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.","Sandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.","The sheet of Tyvek should remain on the underside/\nunmarked backing of the item.","Once these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)","Now rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center.","The original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022.","documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:","Boggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content.","Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1.","This collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection documents the events of August 11 and 12, 2017 that occurred in Charlottesville, Virginia, and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to Charlottesville City Hall, which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.","Several community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes University of Virginia students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.","The Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the July 8, 2017 KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.","In the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the August 11, 2017 torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.","The Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after August 12, 2017. The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of Charlottesville, and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.","The other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.","Also in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.","The periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.","The Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the University of Virginia Library. While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.","The growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.","Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator.","Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library","English"],"collection_title_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020"],"collection_ssim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, 2015/2020, bulk 2017/2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16386","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/754"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creator_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"access_terms_ssm":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"acqinfo_ssim":["Anonymous donors.\nUniversity of Virginia Library staff.\nCharlottesville residents.\nCharlottesville City hall. \nOther, Individual donors, e.g: Michael McGee, Rosemary Balister, Derek Brown, Arlyn Newcomb, Tyler Magill, Sarah Brazelton."],"access_subjects_ssim":["race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media"],"access_subjects_ssm":["race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media"],"has_online_content_ssim":["true"],"extent_ssm":["50 Cubic Feet","19.74 Gigabytes"],"extent_tesim":["50 Cubic Feet","19.74 Gigabytes"],"genreform_ssim":["Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media"],"date_range_isim":[2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe majority of the collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.\u003c/p\u003e","\u003cp\u003eThe original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.\u003c/p\u003e  ","\u003cp\u003eArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.\u003c/p\u003e","\u003cp\u003eMaterials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access","Access of born-digital materials - archived webpages"],"accessrestrict_tesim":["The majority of the collection is open for research use.","The story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.","The original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching."],"arrangement_html_tesm":["\u003cp\u003eArranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.\u003c/p\u003e","\u003cp\u003e\nThe University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:\u003c/p\u003e","\u003cp\u003eSeries 1, Physal (Analog) Materials:\u003c/p\u003e","\u003cp\u003e\nSubseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:\u003c/p\u003e","\u003cp\u003e\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.\u003c/p\u003e","\u003cp\u003e\nSubseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:\u003c/p\u003e","\u003cp\u003e\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.\u003c/p\u003e","\u003cp\u003e\nSubseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:\u003c/p\u003e","\u003cp\u003e\nFile 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.\u003c/p\u003e","\u003cp\u003e\nSeries 2, Born-Digital materials:\u003c/p\u003e","\u003cp\u003e\nSubseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018. \u003c/p\u003e","\u003cp\u003e\nSubseries 2, Archived web pages, 1/13/2015-2020:\u003c/p\u003e","\u003cp\u003e\nFile 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.\u003c/p\u003e","\u003cp\u003e\nSubseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.\u003c/p\u003e","\u003cp\u003e\nSubseries 4, Audio files (songs on audio-cassette), 2/26/2018.\u003c/p\u003e","\u003cp\u003e\nThe collection of Twitter data is not yet open for research, and will be made available when it is processed.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.","The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:","Series 1, Physal (Analog) Materials:","Subseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:","File 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.","Subseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:","File 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.","Subseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:","File 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.","Series 2, Born-Digital materials:","Subseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018.","Subseries 2, Archived web pages, 1/13/2015-2020:","File 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.","Subseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.","Subseries 4, Audio files (songs on audio-cassette), 2/26/2018.","The collection of Twitter data is not yet open for research, and will be made available when it is processed."],"bioghist_html_tesm":["\u003cp\u003eOn the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.\u003c/p\u003e","\u003cp\u003e\nAccording to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.\u003c/p\u003e","\u003cp\u003e\nOn August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.\u003c/p\u003e","\u003cp\u003e\nViolence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.\u003c/p\u003e","\u003cp\u003e\nThe violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["On the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.","According to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.","On August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.","Violence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.","The violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations."],"odd_html_tesm":["\u003cp\u003eFor accessing rolled oversized materials (tubes 6-11):\u003c/p\u003e","\u003cp\u003eThese items are stored rolled around the exterior of the tube.\u003c/p\u003e","\u003cp\u003e2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.\u003c/p\u003e","\u003cp\u003eSandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.\u003c/p\u003e","\u003cp\u003eThe sheet of Tyvek should remain on the underside/\nunmarked backing of the item.\u003c/p\u003e","\u003cp\u003eOnce these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)\u003c/p\u003e","\u003cp\u003eNow rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center. \u003c/p\u003e  "],"odd_heading_ssm":["Physical Access"],"odd_tesim":["For accessing rolled oversized materials (tubes 6-11):","These items are stored rolled around the exterior of the tube.","2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.","Sandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.","The sheet of Tyvek should remain on the underside/\nunmarked backing of the item.","Once these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)","Now rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center."],"prefercite_html_tesm":["\u003cp\u003eMSS 16386, The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, Albert and Shirley Small Special Collections Library, University of Virginia\u003c/p\u003e  "],"prefercite_tesim":["MSS 16386, The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, Albert and Shirley Small Special Collections Library, University of Virginia"],"processinfo_html_tesm":["\u003cp\u003eThe original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022."],"relatedmaterial_html_tesm":["\u003cp\u003edocumenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:\u003c/p\u003e","\u003cp\u003eBoggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content.\u003c/p\u003e","\u003cp\u003e Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:","Boggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content.","Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003e\nThis collection documents the events of August 11 and 12, 2017 that occurred in \u003cgeogname\u003eCharlottesville, Virginia\u003c/geogname\u003e, and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to \u003ccorpname\u003eCharlottesville City Hall\u003c/corpname\u003e, which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.\u003c/p\u003e","\u003cp\u003e\nSeveral community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.\u003c/p\u003e","\u003cp\u003e\nThe Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the \u003cdate\u003eJuly 8, 2017\u003c/date\u003e KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.\u003c/p\u003e","\u003cp\u003e\nIn the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the \u003cdate\u003eAugust 11, 2017\u003c/date\u003e torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.\u003c/p\u003e","\u003cp\u003e\nThe Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after \u003cdate\u003eAugust 12, 2017\u003c/date\u003e. The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e, and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.\u003c/p\u003e","\u003cp\u003e\nThe other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.\u003c/p\u003e","\u003cp\u003e\nAlso in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.\u003c/p\u003e","\u003cp\u003e\nThe periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.\u003c/p\u003e","\u003cp\u003e\nThe Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the \u003ccorpname\u003eUniversity of Virginia Library\u003c/corpname\u003e. While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.\u003c/p\u003e","\u003cp\u003e\nThe growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection documents the events of August 11 and 12, 2017 that occurred in Charlottesville, Virginia, and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to Charlottesville City Hall, which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.","Several community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes University of Virginia students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.","The Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the July 8, 2017 KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.","In the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the August 11, 2017 torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.","The Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after August 12, 2017. The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of Charlottesville, and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.","The other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.","Also in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.","The periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.","The Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the University of Virginia Library. While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.","The growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017."],"userestrict_html_tesm":["\u003cp\u003eBecause of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"names_coll_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"names_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":4,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:41:18.571Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_754_c01_c03_c04"}},{"id":"viu_repositories_3_resources_177_c09_c02_c10","type":"File","attributes":{"title":"Artifact – T-Shirt giveaway for facebook followers, bookstores and librarians upon publication of \"To Be Where You Are\", 2017","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_177_c09_c02_c10#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_177_c09_c02_c10","ref_ssm":["viu_repositories_3_resources_177_c09_c02_c10"],"id":"viu_repositories_3_resources_177_c09_c02_c10","ead_ssi":"viu_repositories_3_resources_177","_root_":"viu_repositories_3_resources_177","_nest_parent_":"viu_repositories_3_resources_177_c09_c02","parent_ssi":"viu_repositories_3_resources_177_c09_c02","parent_ssim":["Jan Karon papers, 1918/2018, bulk 1964/2018","Jan Karon additions 3 and 4","Topical and Miscellany"],"parent_ids_ssim":["viu_repositories_3_resources_177","viu_repositories_3_resources_177_c09","viu_repositories_3_resources_177_c09_c02"],"title_filing_ssi":"Artifact – T-Shirt giveaway for facebook followers, bookstores and librarians upon publication of \"To Be Where You Are\"","title_ssm":["Artifact – T-Shirt giveaway for facebook followers, bookstores and librarians upon publication of \"To Be Where You Are\""],"title_tesim":["Artifact – T-Shirt giveaway for facebook followers, bookstores and librarians upon publication of \"To Be Where You Are\""],"normalized_title_ssm":["Artifact – T-Shirt giveaway for facebook followers, bookstores and librarians upon publication of \"To Be Where You Are\", 2017"],"text":["Artifact – T-Shirt giveaway for facebook followers, bookstores and librarians upon publication of \"To Be Where You Are\", 2017","Jan Karon papers, 1918/2018, bulk 1964/2018","Jan Karon additions 3 and 4","Topical and Miscellany","box 131","folder 6"],"parent_unittitles_ssm":["Jan Karon papers, 1918/2018, bulk 1964/2018","Jan Karon additions 3 and 4","Topical and Miscellany"],"parent_unittitles_tesim":["Jan Karon papers, 1918/2018, bulk 1964/2018","Jan Karon additions 3 and 4","Topical and Miscellany"],"normalized_date_ssm":["2017"],"unitdate_other_ssim":["2017"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":1017,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Jan Karon papers, 1918/2018, bulk 1964/2018"],"extent_ssm":["1 folder(s)"],"extent_tesim":["1 folder(s)"],"containers_ssim":["box 131","folder 6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This collection is open for research use."],"parent_access_terms_tesm":["There are no use restrictions."],"date_range_isim":[2017],"_nest_path_":"/components#8/components#1/components#9","timestamp":"2026-07-23T21:40:48.019Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_177","ead_ssi":"viu_repositories_3_resources_177","_root_":"viu_repositories_3_resources_177","_nest_parent_":"viu_repositories_3_resources_177","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_177.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133789","title_filing_ssi":"Karon, Jan, papers","title_ssm":["Jan Karon papers"],"title_tesim":["Jan Karon papers"],"unitdate_ssm":["1918-2018","1964-2018"],"unitdate_inclusive_ssm":["1918-2018"],"unitdate_bulk_ssim":["1964-2018"],"normalized_date_ssm":["1918/2018, bulk 1964/2018"],"normalized_title_ssm":["Jan Karon papers, 1918/2018, bulk 1964/2018"],"text":["Jan Karon papers, 1918/2018, bulk 1964/2018","MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177","Esmont (Albemarle County, Va. : Dwelling)","Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising","This collection is open for research use.","The Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43).","Series III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3).","Series IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3).","Series V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).","Series VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).","Series VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113).","Series VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.","Jan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.","At fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region.","Karon's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.","During the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.","After their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm.","She became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.","Her daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the \"Miami Herald\", the \"Charlotte Observer\", and a stint in Central America for the \"U.S. News and World Report\".","In order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.","Soon, she approached the editor of \"The Blowing Rocket\" with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in \"The Blowing Rocket\". The ensuing two years of writing  the priest's story for \"The Blowing Rocket\" resulted in her first novel,  \"At Home in Mitford\", published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.","The second and third Mitford novels, \"A Light in the Window\" and \"These High Green Hills\", were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of \"At Home in Mitford\" by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.","Jan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of \"At Home in Mitford\" for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.","In 2013, \"Somewhere Safe with Somebody Good\", which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016, \"Come Rain or Come Shine\" debuting at #1 on the \"New York Times\" list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.","For more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in \"The Charlotte Observer\", August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon","There are two hard drives in this collection that are currently unavailable.","Please contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request.","The Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.","Albert and Shirley Small Special Collections Library","Setzer family -- correspondence","Karon, Jan (Janice), 1937-","English"],"collection_title_tesim":["Jan Karon papers, 1918/2018, bulk 1964/2018"],"collection_ssim":["Jan Karon papers, 1918/2018, bulk 1964/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177"],"unitid_tesim":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Esmont (Albemarle County, Va. : Dwelling)"],"geogname_ssim":["Esmont (Albemarle County, Va. : Dwelling)"],"places_ssim":["Esmont (Albemarle County, Va. : Dwelling)"],"creator_ssm":["Karon, Jan (Janice), 1937-"],"creator_ssim":["Karon, Jan (Janice), 1937-"],"creator_persname_ssim":["Karon, Jan (Janice), 1937-"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creator_famname_ssim":["Setzer family -- correspondence"],"creators_ssim":["Karon, Jan (Janice), 1937-","Albert and Shirley Small Special Collections Library","Setzer family -- correspondence"],"acqinfo_ssim":["The Jan Karon papers were given to the University of Virginia Library on October 2, 2014, by Jan Karon."],"access_subjects_ssim":["Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising"],"access_subjects_ssm":["Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising"],"has_online_content_ssim":["false"],"extent_ssm":["66 Cubic Feet 120 legal document boxes, 3 oversize boxes, 17 oversize folders"],"extent_tesim":["66 Cubic Feet 120 legal document boxes, 3 oversize boxes, 17 oversize folders"],"physfacet_tesim":["17 audio cassettes, 26 videocassettes, 46 disks, and 2 hard drives."],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). \u003c/p\u003e","\u003cp\u003eSeries III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). \u003c/p\u003e","\u003cp\u003eSeries IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). \u003c/p\u003e","\u003cp\u003eSeries V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).\u003c/p\u003e","\u003cp\u003eSeries VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).\u003c/p\u003e","\u003cp\u003eSeries VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). \u003c/p\u003e","\u003cp\u003eSeries VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43).","Series III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3).","Series IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3).","Series V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).","Series VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).","Series VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113).","Series VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material."],"bioghist_html_tesm":["\u003cp\u003eJan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  \u003c/p\u003e","\u003cp\u003eAt fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. \u003c/p\u003e","\u003cp\u003eKaron's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.\u003c/p\u003e","\u003cp\u003eDuring the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.\u003c/p\u003e","\u003cp\u003eAfter their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. \u003c/p\u003e","\u003cp\u003eShe became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.\u003c/p\u003e","\u003cp\u003eHer daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the \u003ctitle\u003e\"Miami Herald\"\u003c/title\u003e, the \u003ctitle\u003e\"Charlotte Observer\"\u003c/title\u003e, and a stint in Central America for the \u003ctitle\u003e\"U.S. News and World Report\"\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eIn order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.\u003c/p\u003e","\u003cp\u003eSoon, she approached the editor of \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e. The ensuing two years of writing  the priest's story for \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e resulted in her first novel,  \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e, published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.\u003c/p\u003e","\u003cp\u003eThe second and third Mitford novels, \u003ctitle\u003e\"A Light in the Window\"\u003c/title\u003e and \u003ctitle\u003e\"These High Green Hills\"\u003c/title\u003e, were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.\u003c/p\u003e","\u003cp\u003eJan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  \u003c/p\u003e","\u003cp\u003eIn 2013, \u003ctitle\u003e\"Somewhere Safe with Somebody Good\"\u003c/title\u003e, which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016, \u003ctitle\u003e\"Come Rain or Come Shine\"\u003c/title\u003e debuting at #1 on the \u003ctitle\u003e\"New York Times\"\u003c/title\u003e list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.\u003c/p\u003e","\u003cp\u003eFor more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in \u003ctitle\u003e\"The Charlotte Observer\"\u003c/title\u003e, August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Jan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.","At fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region.","Karon's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.","During the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.","After their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm.","She became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.","Her daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the \"Miami Herald\", the \"Charlotte Observer\", and a stint in Central America for the \"U.S. News and World Report\".","In order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.","Soon, she approached the editor of \"The Blowing Rocket\" with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in \"The Blowing Rocket\". The ensuing two years of writing  the priest's story for \"The Blowing Rocket\" resulted in her first novel,  \"At Home in Mitford\", published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.","The second and third Mitford novels, \"A Light in the Window\" and \"These High Green Hills\", were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of \"At Home in Mitford\" by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.","Jan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of \"At Home in Mitford\" for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.","In 2013, \"Somewhere Safe with Somebody Good\", which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016, \"Come Rain or Come Shine\" debuting at #1 on the \"New York Times\" list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.","For more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in \"The Charlotte Observer\", August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon"],"phystech_html_tesm":["\u003cp\u003eThere are two hard drives in this collection that are currently unavailable.\u003c/p\u003e","\u003cp\u003ePlease contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. \u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["There are two hard drives in this collection that are currently unavailable.","Please contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request."],"prefercite_html_tesm":["\u003cp\u003eMSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["The Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"famname_ssim":["Setzer family -- correspondence"],"names_coll_ssim":["Setzer family -- correspondence"],"persname_ssim":["Karon, Jan (Janice), 1937-"],"names_ssim":["Albert and Shirley Small Special Collections Library","Setzer family -- correspondence","Karon, Jan (Janice), 1937-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1248,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:40:48.019Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_177_c09_c02_c10"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":11},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":524},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce 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