{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=3\u0026view=list","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=2\u0026view=list","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=4\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=498\u0026view=list"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":498,"limit_value":10,"offset_value":20,"total_count":4972,"first_page?":false,"last_page?":false}},"data":[{"id":"vihart_repositories_4_resources_488_c04_c03","type":"Subseries","attributes":{"title":"2014 Conference: Seeding the Future of African American Poetry","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_488_c04_c03","ref_ssm":["vihart_repositories_4_resources_488_c04_c03"],"id":"vihart_repositories_4_resources_488_c04_c03","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488_c04","parent_ssi":"vihart_repositories_4_resources_488_c04","parent_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c04"],"parent_ids_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c04"],"parent_unittitles_ssm":["Furious Flower Poetry Center Records","Conference Records"],"parent_unittitles_tesim":["Furious Flower Poetry Center Records","Conference Records"],"text":["Furious Flower Poetry Center Records","Conference Records","2014 Conference: Seeding the Future of African American Poetry","Obama, Barack"],"title_filing_ssi":"2014 Conference: Seeding the Future of African American Poetry","title_ssm":["2014 Conference: Seeding the Future of African American Poetry"],"title_tesim":["2014 Conference: Seeding the Future of African American Poetry"],"unitdate_inclusive_ssm":["2013-2015"],"normalized_date_ssm":["2013/2015"],"normalized_title_ssm":["2014 Conference: Seeding the Future of African American Poetry"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Furious Flower Poetry Center Records"],"has_online_content_ssim":["false"],"child_component_count_isi":29,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":812,"parent_access_restrict_tesm":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2013,2014,2015],"names_ssim":["Obama, Barack"],"persname_ssim":["Obama, Barack"],"_nest_path_":"/components#3/components#2","timestamp":"2026-05-21T00:25:29.210Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.","Additional information on the Dark Room Collective can be found  here.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.","See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003erunning time:\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual and media are in process and not available pending reformatting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series is arranged chronologically into three sub-series:\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eSub-series 4.1: 1994 Conference, 1970-2009\u003c/item\u003e\u003citem\u003eSub-series 4.2: 2004 Conference, 2002-2007\u003c/item\u003e\u003citem\u003eSub-series 4.3: 2014 Conference, 2013-2015\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eEvent footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details."],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e","\u003cp\u003eThe 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Bio/Historical Note"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference."],"odd_html_tesm":["\u003cp\u003eAdditional information on the Dark Room Collective can be found \u003ca href=\"https://poets.org/text/brief-guide-dark-room-collective\"\u003ehere.\u003c/a\u003e\u003c/p\u003e"],"odd_heading_ssm":["General Note"],"odd_tesim":["Additional information on the Dark Room Collective can be found  here."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;695ef954-06ba-43a6-b341-cc3edf3fc1e6\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|695ef954-06ba-43a6-b341-cc3edf3fc1e6/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;9e242b35-14e6-4742-bd85-186794dcc4ec\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|9e242b35-14e6-4742-bd85-186794dcc4ec/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;ac68aac5-b304-45cc-aeb4-0905f8a57259\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|ac68aac5-b304-45cc-aeb4-0905f8a57259/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL"],"otherfindaid_tesim":["Preservica Internal","Preservica Access","Preservica Internal","Preservica Access","Preservica Internal","Preservica Access"],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003e[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eVideo recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Note"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \"1994 Conference Program, 1994\" in Series 1 for original conference program.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30039\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30040\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut"],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e","\u003cp\u003eArranged chronologically. \u003c/p\u003e\n","\u003cp\u003eFFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.\u003c/p\u003e","\u003cp\u003eArranged chronologically by project date and sub-arranged alphabetically within each project.\u003c/p\u003e\n","\u003cp\u003eThis series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.\u003c/p\u003e","\u003cp\u003eArranged chronologically by event and sub-arranged alphabetically within each event.\u003c/p\u003e\n","\u003cp\u003eThis series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.\u003c/p\u003e\n","\u003cp\u003eOne file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.\u003c/p\u003e","\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e","\u003cp\u003eArranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.\u003c/p\u003e","\u003cp\u003eThis series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.\u003c/p\u003e","\u003cp\u003eOpening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.\u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003eMichael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 MII videocassettes.\u003c/p\u003e","\u003cp\u003eRita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. \u003c/p\u003e\n","\u003cp\u003eTape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 6 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eFootage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eMaterials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.\u003c/p\u003e","\u003cp\u003eOpening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eFootage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eKeynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes. \u003c/p\u003e","\u003cp\u003eFootage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eLaureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 VHS videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 DVCAM videocassettes.  \u003c/p\u003e","\u003cp\u003ePoetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eThe third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 videocassettes.\u003c/p\u003e","\u003cp\u003eLifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.\u003c/p\u003e","\u003cp\u003eOpening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eKeynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026amp; Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.\u003c/p\u003e","\u003cp\u003eThe Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eA Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eFurious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eDear Yusef: Celebrating the Life \u0026amp; Work of Poet \u0026amp; Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eWalk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eLaureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eMagnitude \u0026amp; Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026amp; Culture (CBLC), and Obsidian: Literature \u0026amp; Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eGrowing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eBlack Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eBlack Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.\u003c/p\u003e","\u003cp\u003eA Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eClosing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.\u003c/p\u003e","\u003cp\u003eInterview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Contents","Contents","Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group"],"names_coll_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":883,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:25:29.210Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c03"}},{"id":"viasr_repositories_2_resources_2_c07_c04","type":"Item","attributes":{"title":"\"２０１５年度：ランドフ・メーコン大学送別会　次第 = 2015-Nendo: Randorufu Mēkon Daigaku Sōbetsu-kai Shidai\" Printed Agenda","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viasr_repositories_2_resources_2_c07_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe document includes an agenda for the party, as well as a participant list\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viasr_repositories_2_resources_2_c07_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viasr_repositories_2_resources_2_c07_c04","ref_ssm":["viasr_repositories_2_resources_2_c07_c04"],"id":"viasr_repositories_2_resources_2_c07_c04","ead_ssi":"viasr_repositories_2_resources_2","_root_":"viasr_repositories_2_resources_2","_nest_parent_":"viasr_repositories_2_resources_2_c07","parent_ssi":"viasr_repositories_2_resources_2_c07","parent_ssim":["viasr_repositories_2_resources_2","viasr_repositories_2_resources_2_c07"],"parent_ids_ssim":["viasr_repositories_2_resources_2","viasr_repositories_2_resources_2_c07"],"parent_unittitles_ssm":["Taylor Anderson Memorial Collection, 2004-2023","Event Programs, 2015-"],"parent_unittitles_tesim":["Taylor Anderson Memorial Collection, 2004-2023","Event Programs, 2015-"],"text":["Taylor Anderson Memorial Collection, 2004-2023","Event Programs, 2015-","\"２０１５年度：ランドフ・メーコン大学送別会　次第 = 2015-Nendo: Randorufu Mēkon Daigaku Sōbetsu-kai Shidai\" Printed Agenda","Anderson, Taylor (1986-2011) -- Ishinomaki, Japan -- 2011 Great East Japan Earthquake -- 2011 Tōhoku earthquake and tsunami","Randolph-Macon College ","Ishinomaki Senshu University","Japan Relations United States","Japanese ,  English .","\"2015: Randolph-Macon College Farewell Party\"","The document includes an agenda for the party, as well as a participant list"],"title_filing_ssi":"\"２０１５年度：ランドフ・メーコン大学送別会　次第 = 2015-Nendo: Randorufu Mēkon Daigaku Sōbetsu-kai Shidai\" Printed Agenda","title_ssm":["\"２０１５年度：ランドフ・メーコン大学送別会　次第 = 2015-Nendo: Randorufu Mēkon Daigaku Sōbetsu-kai Shidai\" Printed Agenda"],"title_tesim":["\"２０１５年度：ランドフ・メーコン大学送別会　次第 = 2015-Nendo: Randorufu Mēkon Daigaku Sōbetsu-kai Shidai\" Printed Agenda"],"unitdate_other_ssim":["2015"],"normalized_date_ssm":["2015"],"normalized_title_ssm":["\"２０１５年度：ランドフ・メーコン大学送別会　次第 = 2015-Nendo: Randorufu Mēkon Daigaku Sōbetsu-kai Shidai\" Printed Agenda"],"component_level_isim":[2],"repository_ssim":["Randolph-Macon College"],"collection_ssim":["Taylor Anderson Memorial Collection, 2004-2023"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":87,"parent_access_restrict_tesm":["Collection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections"],"date_range_isim":[2015],"geogname_ssim":["Anderson, Taylor (1986-2011) -- Ishinomaki, Japan -- 2011 Great East Japan Earthquake -- 2011 Tōhoku earthquake and tsunami","Randolph-Macon College ","Ishinomaki Senshu University","Japan Relations United States"],"geogname_ssm":["Anderson, Taylor (1986-2011) -- Ishinomaki, Japan -- 2011 Great East Japan Earthquake -- 2011 Tōhoku earthquake and tsunami","Randolph-Macon College ","Ishinomaki Senshu University","Japan Relations United States"],"places_ssim":["Anderson, Taylor (1986-2011) -- Ishinomaki, Japan -- 2011 Great East Japan Earthquake -- 2011 Tōhoku earthquake and tsunami","Randolph-Macon College ","Ishinomaki Senshu University","Japan Relations United States"],"language_ssim":["Japanese ,  English ."],"odd_html_tesm":["\u003cp\u003e\"2015: Randolph-Macon College Farewell Party\"\u003c/p\u003e"],"odd_heading_ssm":["Translated Title"],"odd_tesim":["\"2015: Randolph-Macon College Farewell Party\""],"scopecontent_html_tesm":["\u003cp\u003eThe document includes an agenda for the party, as well as a participant list\u003c/p\u003e"],"scopecontent_heading_ssm":["Content"],"scopecontent_tesim":["The document includes an agenda for the party, as well as a participant list"],"_nest_path_":"/components#6/components#3","timestamp":"2026-05-21T01:50:02.935Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viasr_repositories_2_resources_2","ead_ssi":"viasr_repositories_2_resources_2","_root_":"viasr_repositories_2_resources_2","_nest_parent_":"viasr_repositories_2_resources_2","ead_source_url_ssi":"data/oai/RMC/repositories_2_resources_2.xml","title_ssm":["Taylor Anderson Memorial Collection, 2004-2023"],"title_tesim":["Taylor Anderson Memorial Collection, 2004-2023"],"unitdate_ssm":["Taylor Anderson, Class of 2008, entered Randolph-Macon College in 2004. She died in 2011 in the tsunami that hit Ishinomaki, Japan after the Great Japanese Earthquake. Included are items dated up to 2023."],"unitdate_inclusive_ssm":["Taylor Anderson, Class of 2008, entered Randolph-Macon College in 2004. She died in 2011 in the tsunami that hit Ishinomaki, Japan after the Great Japanese Earthquake. Included are items dated up to 2023."],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RMC.00001"],"text":["RMC.00001","Taylor Anderson Memorial Collection, 2004-2023","Anderson, Taylor (1986-2011) -- Ishinomaki, Japan -- 2011 Great East Japan Earthquake -- 2011 Tōhoku earthquake and tsunami","東日本大震災(2011)","Ishinomaki-shi (Japan)","Ishinomaki Senshu University","Taylor Anderson","Taylor's Reading Corners","Collection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections","図書館雑誌 = The Library journal / 日本図書館協会図書館雑誌編集委員会 編 109 (8), 517-520, 2015-08","日本図書館協会","The Library journal / Edited by Japan Library Association Library Journal Editorial Committee 109(8)=1101:2015.8 p.517-520\nAlso:\nThe Library Journal, Japan Library Association 2015, 8. 109(8) 517-520.","Some images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. ","For users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. ","Inquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu","\"At that time, Today, In the Future; Drawn by the Children of Fukushima\"","\"Bring it On! English Conversation : New Ideas for English Expression\".","\"Art Collection; Embassy of Japan in the United States of America. Catalog of the Japanese Embassy in the USA's Collection.\"","\"The Gift of a Rainbow; Hideki Onuma's Photobook\"","\"Hatomune Goes!\"","\"I wanted to call you Mama...A life that came down from heaven\"","Poems of Thanks: Rebuilding with One Heart, Poems and Songs for the 3/11 Great Earthquake Reconstruction Assistance Project","Warm Hands; Ishinomaki City, Miyagi Prefecture, Shelter Near the Sea, Words of Five Months","Warm Hands; Ishinomaki City, Miyagi Prefecture, Shelter Near the Sea, Words of Five Months","Watanoha Smile; Rubble with Smiling Faces","Hurry to that Hill!","\"Ishinomaki after the Disaster - From There: Records from Citizens\"","\"Lions with Pale-Blue Wings\"","\"Operation Tomodachi: The Miraculous \"Bond\" between Kesennuma Oshima and the U.S. Marines\"","Surviving the Tsunami : Testimonies of 100 People in the Ishinomaki Area after the Great East Japan Earthquake","Great East Japan Earthquake 3.11: A Record of the Fire Fighting Activities in Ishinomaki; Greater Ishinomaki Administrative Union Fire Department","Until the Rainbow Spans Seven Colors: 10 Years of Rainbow House and the Orphans of the Great Hanshin Earthquake","Shine! Rainbow Bridge: A Story of a Couple Who Lost Their Three Children in the 3/11 Tsunami","\"DPJ Administration: Unfinished Reforms in Japan\"","\"The Truth About the Nuclear Accident 10 Years Later: The Start of a Renewable Energy Hydrogen Society\"","\"The Great Tsunami and the Great East Japan Earthquake: Memories of Ishinomaki, my hometown; Aerial photography of Before and After 3.11","\"The Ishinomaki Area - Now, Set Sail for Reconstruction\"","Matsushima Zuiganji Temple","\"Mt. Otowa Kiyomizu Temple\"","\"Kyoto Murasakino Neighborhood Koto-In Zen Temple\"","\"Kinkaku Rokuon-ji Temple; Rinzai sect, Shokokuji school of thought\"","\"Daisen-in Temple; A National Landmark of Scenic Beauty\"","\"Shimabuku Kamakura Branch\"","\"Entsuin Sankeiden, A Nationally Designated Site of Cultural Importance\"","\"Tsurugaoka Hachimangu Shrine; Guide to Worship\"","\"Welcome! To Kabuki Experience Space!!\"","\"The 4th Blooming of the Gutsy Sunflower\"","\"A Large Crowd Rejoices in the Stands\"","For the Sake of Keeping Residents Safe: A High-Performance Firefighting Command Center","\"3.11 Great East Japan Earthquake: Firefighting Activities in the Ishinomaki Area\"","\"Versatile Idea Exchange Council for the Public Sphere: Ishinomaki Area Administrative Association Fire Department and Ishinomaki Fire Station\"","\"2014 Annual Firefighting Report\"","\"Police Activity Record of the 3 Years Since the Great East Japan Earthquake\"","\"Randolph-Macon College Earthquake Disaster Research Agenda\"","\"Randolph-Macon College Earthquake Research Institute\"","Damage and Activities in the Ishinomaki Area after the Great East Japan Earthquake [Ishinomaki Area Administrative Union Fire Department]","\"2015: Randolph-Macon College Farewell Party\"","\"NEW Ashinaga Family; The Struggle for Revitalization of Orphans\"","\"Children After the Disaster with Evident Strength\"","\"Mental care for the orphans of the earthquake and tsunami\"","\"Introducing the Ishinomaki Rainbow House\"","\"Architectural Overview\"","\"Taylor Anderson Memorial Fund Activity Report\"","\"Making the City Better with the Help of Children!\"","This article was originally published in Japanese and some additional information was added in the compiling of the English version.","The History of \"Taylor Reading Corner\" at Ishinomaki Senshu University Library","Original Japanese editions of this article can be found at the following branches of the National Diet Library in Japan: Kansai-kan, International Library of Children's Literature, and Tokyo Main Library.  As of 2023-11-27, the article is not yet available for digital viewing on NDL Online","The Ishinomaki government also produced a webpage with a digitized copy of the manga. https://www.city.ishinomaki.lg.jp/MEC/contentslist.html [URL captured 2023-02-28]","A digitized version of this article is available on the Kodomokisha website: https://kodomokisha.net/article/dokonjou_himawari (link accessed 2023-03-07)","In addition to the article, the folder also contains two printed webpages detailing information about the original Japanese article in Japanese","The book includes artwork from Fukushima elementary school students regarding their emotions following the 3.11 Triple Disaster.  It is divided into sections: how they saw the sea, what it would look like to play with friends again, what a safe, peaceful hometown looks like, what their hometown would look like if they had magical powers, and what the future of their hometown looks like.  Most of these sections are separated by narrative context about the incident, shared testimonies of the children, and information about how the images were collected.","The book contains images and information about the more than 150 art pieces contained within the Embassy's Residences and Chancery.  The sections include: architecture, ceramics, paintings and prints, calligraphy, and sculpture.  The text is predominantly in English with Japanese translations in smaller font adjacent or below the English.","The book itself contains no text and is a collection of numbered photographs of rainbows captured across the country.  The back of the book has a list of the numbers associated with the images and indicates where and when the photograph was taken, followed by a note from the photographer.  The photographs span the years of 1994-2013.","The book is a collection of blog posts organized by year and season from spring 2011 to winter 2012/2013.  The entries include photographs, mostly of nature, taken by the author.  The last section of the book also contains a merchandise catalogue of the organization 'Unite Together'.","This book is in memory and honor of the life of 愛梨 (Airi), a 6 year old who died when her bus was washed away during the tsunami on 3.11.  The book includes children's artwork.","This book is a compilation of poems expressing gratitude for the support received after the 3.11 Triple Disaster from 50 residents of Miyagi prefecture.  The accompanying CD includes 8 of these poems set to music by 8 different musicians with ties to Miyagi.","This book is a compilation of poems written by the author through observing and interacting with the evacuees at a Buddhist temple-turned-shelter after the 3.11 Triple Disaster.","This CD accompanies the print poetry book.  It includes all of the poems from the book set to piano instrumentals.","This book contains images of sculptures made by children from the debris and rubble found after the 3.11 Triple Disaster.  Most display smiling faces drawn or otherwise affixed to the creations.","This picture book tells the story of a child that saves his family from the earthquake and tsunami in Hokkaido in 1993.  The story is attempting to teach children about the importance of quick action in emergency situations.","This book is a bilingual book written in Japanese and English and tells the story of the recovery of a boat that was washed away during the tsunami in 2011.","This book is a compilation of accounts from Ishinomaki citizens in various written forms including essays and poetry regarding their experiences with the 3.11 Triple Disaster.  Photographs relevant to the stories being shared are also included.","A historical fiction coming-of-age novel about Japanese exchange students in the United States following the Meiji Restoration.","This book is a nonfiction account of \"Operation Tomodachi\" and the relief effort in areas affected by the 3.11 Triple Disaster as told by the Marine in charge of the operation.","This book is the translated copy of \"蒼翼の獅子たち\" to English.  It is a historical fiction coming-of-age novel about Japanese exchange students in the United States following the Meiji Restoration.","This book is an edited collection of the accounts of 100 people from the Ishinomaki region following the 3.11 Triple Disaster.  Maps and aerial photographs are also included, along with relevant photographs accompanying the testimonies.","In this magazine, the accounts of firefighters from Ishinomaki are recorded a year after the tragedy.  It is divided into 7 sections: an overview of Ishinomaki before the disaster, an overview of the earthquake and tsunami, the damage situation broken down by type, the area-wide fire department activities report, activities reports from each fire brigade, the records from the emergency fire rescue squad, a look back at the disaster, and materials relating to the disaster like photographs and a staff list from the time of the disaster.  6 firefighters were killed while responding to the disaster.","The book contains numerous photographs of the orphans over the 10 year period that Rainbow House had been operating, as well as a detailed history of the organization and why they opened.  Further, the book tells of the lives and experiences of the orphans as they grew up attending events at Rainbow House.","Lesson 9 of the textbook includes the story of Taylor Anderson.","This nonfiction book is the telling of how a couple coped with their grief after the loss of their 3 children in the 3/11 triple disaster.","The book contains short articles from dozens of individuals in both English and Japanese.  Many of the stories relate to Taylor's impact either personally or through her legacy.","This book takes a look at the purported failure of the DPJ.  The policies enacted by the DPJ are examined, as well as the subsequent actions of the LDP, and propose action items in order to rectify the yet unfinished political reform in the country.","This book discusses the proposal to part ways with nuclear power in Japan and instead transition to other renewable energy sources like solar.  The text includes charts and graphs, as well as relevant photographs.","Aerial photographs of Ishinomaki from before and after the triple disaster on 3.11","This fold-out guidebook contains maps, information on tours, sightseeing spots, restaurants, and places to stay.  It also includes a directory and a festival and event calendar.","This brochure has information on the external panels about the 3.11 disaster, with information about accessing the city and places to visit.  The internal panels fold out to make a map with a walking tour of the downtown area in remembrance of the 3.11 disaster.","This brochure contains information about the different buildings at the temple, annual functions, prayer schedules, and a map of the compound.","This brochure includes information about the buildings at the temple, annual events, admission information, and a map of the compound","The ticket includes information on the back about the Buddha, including the height and weight.","The backside of the ticket includes information about the temple","On the back of the ticket is a portion of a hymn praising Kannon, followed by a proverb in both Japanese and English","This brochure contains information about the history of the temple, the different buildings on site, a list of rules to follow, and a map of the compound","This booklet contains information about Entsuin including historical and cultural significance, admission information, and a large map of the compound","These papers contain historical information about the shrine and information about the different sites within the compound","The pamphlet is predominantly in Japanese with one panel in English accompanying a map that tells the reader aout the history of the temple.  The rest of the pamphlet is about the different areas within the compound.","This pamphlet is predominantly in Japanese with some English, Chinese, and Korean translations.  The internal pages offer information about the different buildings within the compound, while the external pages have a detailed map of the location.","This brochure contains information about the history and signficance of the space, predominantly in Japanese with brief English translation.  There is also a calendar of events in Japanese, and an advertisement for Kikkoman soy sauce.","The ticket features a poem or motivational quote on the backside, along with the rules of the temple.","The ticket is predominantly in Japanese with the name of the museum in both Japanese and English.  The reverse of the ticket includes the rules of the museum and admission information for the museum.","The internal panels of the brochure contains a map and information about sites within the compound.  The external panels have cultural and historical information, as well as a calendar of events.","The brochure includes information about the 3.11 triple disaster, as well as history, culture, and industry information about Ishinomaki as a whole.","This brochure contains admission information, the artist the museum commemorates, a map with designated exhibits, and a brief explanation of different kanji usage for the word 'manga'","This pamphlet contains information about kabuki, the pieces being performed and the performers, and information about the kabuki paraphernalia available for viewing.","The front page story of the newspaper is about a sunflower in Kadonowakicho in Ishinomaki that spontaneously began growing after the tsunami and has now flowered for the 4th summer.  The article discusses people getting seeds from the 'gutsy sunflower' to grow at their own homes.","This newspaper is published by Senshuu University, and the front page of this edition is dedicated to a baseball win that was widely celebrated.","This school news report has a message from the President about the anniversary of the 3.11 triple disaster, the exchange program with Randolph-Macon College thanks to the Taylor Anderson Memorial Fund, student commendations and awards, career support,and support for after the earthquake","The newspaper front page includes information about arts and culture, education, politics, and exchange students","This pamphlet includes information about the newly-built Ishinomaki firehouse, as well as the high-performance firefighting command center","This booklet includes places, qualities, events, etc. around Ishinomaki beginning with each letter of the alphabet.  It includes photographs of the places, things, and people, and is shared in both English and Japanese, with an additional quoted comment in both English and Japanese","This booklet includes information about the firefighting activities during and following the 3.11 triple disaster in a few different cities such as Ishinomaki, Higashimatsushima, and Onagawa.  It includes primarily photographs with text, but also includes charts and tables.","This pamphlet includes fold out pages outlining projects in the city in various areas including maps, images, and lists of projects being conducted.","This document includes a list on one side of what to include in an emergency survival kit.  The reverse side includes websites, phone numbers, and email addresses to receive and provide information about disasters","This report primarily outlines the activities hosted by the organization alongside photographs and dates.  The report is nearly entirely in Japanese.","This booklet tells readers all about the new Ishinomaki Fire Station, including photographs and floorplans","An annual report from 2014 for the Ishinomaki Fire and Rescue Squad.  The report includes tables with figures and images alongside text.","This magazine gives context regarding the actions undertaken by the Miyagi Prefectural Police Disaster Response Team from the time of the disaster until 3 years later.  The magazine includes related photographs.","This report contains primarily photographs, charts, graphs, and data tables that express the extent of the damage caused by the disaster and the plans for reconstruction.","Predominantly contains photographs discussing the damage caused in different areas, as well as the extent of the damage","A list of action items for a meeting discussing disaster response and preparedness","Primarily contains slides with photographs, images, diagrams, maps, and charts","This report consists of an overview of the events during the disaster and follow-up activities presented like a timeline, alongside tables and charts","Program includes student and faculty participant names from Ishinomaki Senshu University","Program includes a page of photographs as well as a list of Ishinomaki Senshu and Randolph-Macon student and faculty participant names","The document includes an agenda for the party, as well as a participant list","This newspaper page contains reports from orphans who lost their parents during the 3.11 triple disaster.","Newspaper article about the orphans from the 3.11 triple disaster and the learning center accommodating them.","Newspaper article about the care given to orphans by the center after the 3.11 triple disaster","This diagram shows a layout of the building with information about the different rooms and their uses","Architectual outline and floorplan for the building of the Ashinaga Ishinomaki Rainbow House.","This report is an update of all of the activities that the Taylor Anderson Memorial Fund were involved with from 2016-2017.  Most of the entries are in both Japanese and English, with some elements only present or fully present in Japanese.","This report booklet includes information about organization growth and development during the year, including photographs of programs and participants.  The last page also inlcudes a summary financial report.","This report booklet contains information about the council's Signature Programs, Educational and Networking Programs, and the Tomodachi Initiative alongside photographs.  The back of the booklet also includes information about sponsors.","This booklet is designed like a children's magazine and includes information about the organization and program, activities, and photographs.","The article includes pictures and captions for various events since the death of Taylor Anderson.  The captions for the photos are occasionally on the wrong pages due to spacing; note that photo captions are directly previous to the images.","The majority of the content in this collection is in Japanese, with individual item records specifying if any portion of the item in question is translated to English or not.  All items in this collection have a translated English title associated with them within the individual item record.","Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College","English \n,        Japanese \n.    "],"unitid_tesim":["RMC.00001"],"normalized_title_ssm":["Taylor Anderson Memorial Collection, 2004-2023"],"collection_title_tesim":["Taylor Anderson Memorial Collection, 2004-2023"],"collection_ssim":["Taylor Anderson Memorial Collection, 2004-2023"],"repository_ssm":["Randolph-Macon College"],"repository_ssim":["Randolph-Macon College"],"geogname_ssm":["Anderson, Taylor (1986-2011) -- Ishinomaki, Japan -- 2011 Great East Japan Earthquake -- 2011 Tōhoku earthquake and tsunami","東日本大震災(2011)","Ishinomaki-shi (Japan)","Ishinomaki Senshu University"],"geogname_ssim":["Anderson, Taylor (1986-2011) -- Ishinomaki, Japan -- 2011 Great East Japan Earthquake -- 2011 Tōhoku earthquake and tsunami","東日本大震災(2011)","Ishinomaki-shi (Japan)","Ishinomaki Senshu University"],"places_ssim":["Anderson, Taylor (1986-2011) -- Ishinomaki, Japan -- 2011 Great East Japan Earthquake -- 2011 Tōhoku earthquake and tsunami","東日本大震災(2011)","Ishinomaki-shi (Japan)","Ishinomaki Senshu University"],"access_subjects_ssim":["Taylor Anderson","Taylor's Reading Corners"],"access_subjects_ssm":["Taylor Anderson","Taylor's Reading Corners"],"has_online_content_ssim":["false"],"extent_ssm":["1.34 Linear Feet 1 box and 1 oversize folder"],"extent_tesim":["1.34 Linear Feet 1 box and 1 oversize folder"],"genreform_ssim":["Taylor's Reading Corners"],"date_range_isim":[2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections"],"bibliography_html_tesm":["\u003cp\u003e図書館雑誌 = The Library journal / 日本図書館協会図書館雑誌編集委員会 編 109 (8), 517-520, 2015-08\u003c/p\u003e\n","\u003cp\u003e日本図書館協会\u003c/p\u003e","\u003cp\u003eThe Library journal / Edited by Japan Library Association Library Journal Editorial Committee 109(8)=1101:2015.8 p.517-520\nAlso:\nThe Library Journal, Japan Library Association 2015, 8. 109(8) 517-520.\u003c/p\u003e"],"bibliography_heading_ssm":["Original (Japanese) Citation Information","Translated Citation Information"],"bibliography_tesim":["図書館雑誌 = The Library journal / 日本図書館協会図書館雑誌編集委員会 編 109 (8), 517-520, 2015-08","日本図書館協会","The Library journal / Edited by Japan Library Association Library Journal Editorial Committee 109(8)=1101:2015.8 p.517-520\nAlso:\nThe Library Journal, Japan Library Association 2015, 8. 109(8) 517-520."],"odd_html_tesm":["\u003cp\u003eSome images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. \u003c/p\u003e\n","\u003cp\u003eFor users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. \u003c/p\u003e","\u003cp\u003eInquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu\u003c/p\u003e","\u003cp\u003e\"At that time, Today, In the Future; Drawn by the Children of Fukushima\"\u003c/p\u003e","\u003cp\u003e\"Bring it On! English Conversation : New Ideas for English Expression\".\u003c/p\u003e","\u003cp\u003e\"Art Collection; Embassy of Japan in the United States of America. Catalog of the Japanese Embassy in the USA's Collection.\"\u003c/p\u003e","\u003cp\u003e\"The Gift of a Rainbow; Hideki Onuma's Photobook\"\u003c/p\u003e","\u003cp\u003e\"Hatomune Goes!\"\u003c/p\u003e","\u003cp\u003e\"I wanted to call you Mama...A life that came down from heaven\"\u003c/p\u003e","\u003cp\u003ePoems of Thanks: Rebuilding with One Heart, Poems and Songs for the 3/11 Great Earthquake Reconstruction Assistance Project\u003c/p\u003e","\u003cp\u003eWarm Hands; Ishinomaki City, Miyagi Prefecture, Shelter Near the Sea, Words of Five Months\u003c/p\u003e","\u003cp\u003eWarm Hands; Ishinomaki City, Miyagi Prefecture, Shelter Near the Sea, Words of Five Months\u003c/p\u003e","\u003cp\u003eWatanoha Smile; Rubble with Smiling Faces\u003c/p\u003e","\u003cp\u003eHurry to that Hill!\u003c/p\u003e","\u003cp\u003e\"Ishinomaki after the Disaster - From There: Records from Citizens\"\u003c/p\u003e","\u003cp\u003e\"Lions with Pale-Blue Wings\"\u003c/p\u003e","\u003cp\u003e\"Operation Tomodachi: The Miraculous \"Bond\" between Kesennuma Oshima and the U.S. Marines\"\u003c/p\u003e","\u003cp\u003eSurviving the Tsunami : Testimonies of 100 People in the Ishinomaki Area after the Great East Japan Earthquake\u003c/p\u003e","\u003cp\u003eGreat East Japan Earthquake 3.11: A Record of the Fire Fighting Activities in Ishinomaki; Greater Ishinomaki Administrative Union Fire Department\u003c/p\u003e","\u003cp\u003eUntil the Rainbow Spans Seven Colors: 10 Years of Rainbow House and the Orphans of the Great Hanshin Earthquake\u003c/p\u003e","\u003cp\u003eShine! Rainbow Bridge: A Story of a Couple Who Lost Their Three Children in the 3/11 Tsunami\u003c/p\u003e","\u003cp\u003e\"DPJ Administration: Unfinished Reforms in Japan\"\u003c/p\u003e","\u003cp\u003e\"The Truth About the Nuclear Accident 10 Years Later: The Start of a Renewable Energy Hydrogen Society\"\u003c/p\u003e","\u003cp\u003e\"The Great Tsunami and the Great East Japan Earthquake: Memories of Ishinomaki, my hometown; Aerial photography of Before and After 3.11\u003c/p\u003e","\u003cp\u003e\"The Ishinomaki Area - Now, Set Sail for Reconstruction\"\u003c/p\u003e","\u003cp\u003eMatsushima Zuiganji Temple\u003c/p\u003e","\u003cp\u003e\"Mt. Otowa Kiyomizu Temple\"\u003c/p\u003e","\u003cp\u003e\"Kyoto Murasakino Neighborhood Koto-In Zen Temple\"\u003c/p\u003e","\u003cp\u003e\"Kinkaku Rokuon-ji Temple; Rinzai sect, Shokokuji school of thought\"\u003c/p\u003e","\u003cp\u003e\"Daisen-in Temple; A National Landmark of Scenic Beauty\"\u003c/p\u003e","\u003cp\u003e\"Shimabuku Kamakura Branch\"\u003c/p\u003e","\u003cp\u003e\"Entsuin Sankeiden, A Nationally Designated Site of Cultural Importance\"\u003c/p\u003e","\u003cp\u003e\"Tsurugaoka Hachimangu Shrine; Guide to Worship\"\u003c/p\u003e","\u003cp\u003e\"Welcome! To Kabuki Experience Space!!\"\u003c/p\u003e","\u003cp\u003e\"The 4th Blooming of the Gutsy Sunflower\"\u003c/p\u003e","\u003cp\u003e\"A Large Crowd Rejoices in the Stands\"\u003c/p\u003e","\u003cp\u003eFor the Sake of Keeping Residents Safe: A High-Performance Firefighting Command Center\u003c/p\u003e","\u003cp\u003e\"3.11 Great East Japan Earthquake: Firefighting Activities in the Ishinomaki Area\"\u003c/p\u003e","\u003cp\u003e\"Versatile Idea Exchange Council for the Public Sphere: Ishinomaki Area Administrative Association Fire Department and Ishinomaki Fire Station\"\u003c/p\u003e","\u003cp\u003e\"2014 Annual Firefighting Report\"\u003c/p\u003e","\u003cp\u003e\"Police Activity Record of the 3 Years Since the Great East Japan Earthquake\"\u003c/p\u003e","\u003cp\u003e\"Randolph-Macon College Earthquake Disaster Research Agenda\"\u003c/p\u003e","\u003cp\u003e\"Randolph-Macon College Earthquake Research Institute\"\u003c/p\u003e","\u003cp\u003eDamage and Activities in the Ishinomaki Area after the Great East Japan Earthquake [Ishinomaki Area Administrative Union Fire Department]\u003c/p\u003e","\u003cp\u003e\"2015: Randolph-Macon College Farewell Party\"\u003c/p\u003e","\u003cp\u003e\"NEW Ashinaga Family; The Struggle for Revitalization of Orphans\"\u003c/p\u003e","\u003cp\u003e\"Children After the Disaster with Evident Strength\"\u003c/p\u003e","\u003cp\u003e\"Mental care for the orphans of the earthquake and tsunami\"\u003c/p\u003e","\u003cp\u003e\"Introducing the Ishinomaki Rainbow House\"\u003c/p\u003e","\u003cp\u003e\"Architectural Overview\"\u003c/p\u003e","\u003cp\u003e\"Taylor Anderson Memorial Fund Activity Report\"\u003c/p\u003e","\u003cp\u003e\"Making the City Better with the Help of Children!\"\u003c/p\u003e","\u003cp\u003eThis article was originally published in Japanese and some additional information was added in the compiling of the English version.\u003c/p\u003e","\u003cp\u003eThe History of \"Taylor Reading Corner\" at Ishinomaki Senshu University Library\u003c/p\u003e"],"odd_heading_ssm":["Content Disclaimer","Contact Information","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title ","Translated Title ","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title ","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translated Title","Translation Note","Translated Title"],"odd_tesim":["Some images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. ","For users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. ","Inquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu","\"At that time, Today, In the Future; Drawn by the Children of Fukushima\"","\"Bring it On! English Conversation : New Ideas for English Expression\".","\"Art Collection; Embassy of Japan in the United States of America. Catalog of the Japanese Embassy in the USA's Collection.\"","\"The Gift of a Rainbow; Hideki Onuma's Photobook\"","\"Hatomune Goes!\"","\"I wanted to call you Mama...A life that came down from heaven\"","Poems of Thanks: Rebuilding with One Heart, Poems and Songs for the 3/11 Great Earthquake Reconstruction Assistance Project","Warm Hands; Ishinomaki City, Miyagi Prefecture, Shelter Near the Sea, Words of Five Months","Warm Hands; Ishinomaki City, Miyagi Prefecture, Shelter Near the Sea, Words of Five Months","Watanoha Smile; Rubble with Smiling Faces","Hurry to that Hill!","\"Ishinomaki after the Disaster - From There: Records from Citizens\"","\"Lions with Pale-Blue Wings\"","\"Operation Tomodachi: The Miraculous \"Bond\" between Kesennuma Oshima and the U.S. Marines\"","Surviving the Tsunami : Testimonies of 100 People in the Ishinomaki Area after the Great East Japan Earthquake","Great East Japan Earthquake 3.11: A Record of the Fire Fighting Activities in Ishinomaki; Greater Ishinomaki Administrative Union Fire Department","Until the Rainbow Spans Seven Colors: 10 Years of Rainbow House and the Orphans of the Great Hanshin Earthquake","Shine! Rainbow Bridge: A Story of a Couple Who Lost Their Three Children in the 3/11 Tsunami","\"DPJ Administration: Unfinished Reforms in Japan\"","\"The Truth About the Nuclear Accident 10 Years Later: The Start of a Renewable Energy Hydrogen Society\"","\"The Great Tsunami and the Great East Japan Earthquake: Memories of Ishinomaki, my hometown; Aerial photography of Before and After 3.11","\"The Ishinomaki Area - Now, Set Sail for Reconstruction\"","Matsushima Zuiganji Temple","\"Mt. Otowa Kiyomizu Temple\"","\"Kyoto Murasakino Neighborhood Koto-In Zen Temple\"","\"Kinkaku Rokuon-ji Temple; Rinzai sect, Shokokuji school of thought\"","\"Daisen-in Temple; A National Landmark of Scenic Beauty\"","\"Shimabuku Kamakura Branch\"","\"Entsuin Sankeiden, A Nationally Designated Site of Cultural Importance\"","\"Tsurugaoka Hachimangu Shrine; Guide to Worship\"","\"Welcome! To Kabuki Experience Space!!\"","\"The 4th Blooming of the Gutsy Sunflower\"","\"A Large Crowd Rejoices in the Stands\"","For the Sake of Keeping Residents Safe: A High-Performance Firefighting Command Center","\"3.11 Great East Japan Earthquake: Firefighting Activities in the Ishinomaki Area\"","\"Versatile Idea Exchange Council for the Public Sphere: Ishinomaki Area Administrative Association Fire Department and Ishinomaki Fire Station\"","\"2014 Annual Firefighting Report\"","\"Police Activity Record of the 3 Years Since the Great East Japan Earthquake\"","\"Randolph-Macon College Earthquake Disaster Research Agenda\"","\"Randolph-Macon College Earthquake Research Institute\"","Damage and Activities in the Ishinomaki Area after the Great East Japan Earthquake [Ishinomaki Area Administrative Union Fire Department]","\"2015: Randolph-Macon College Farewell Party\"","\"NEW Ashinaga Family; The Struggle for Revitalization of Orphans\"","\"Children After the Disaster with Evident Strength\"","\"Mental care for the orphans of the earthquake and tsunami\"","\"Introducing the Ishinomaki Rainbow House\"","\"Architectural Overview\"","\"Taylor Anderson Memorial Fund Activity Report\"","\"Making the City Better with the Help of Children!\"","This article was originally published in Japanese and some additional information was added in the compiling of the English version.","The History of \"Taylor Reading Corner\" at Ishinomaki Senshu University Library"],"originalsloc_html_tesm":["\u003cp\u003eOriginal Japanese editions of this article can be found at the following branches of the National Diet Library in Japan: Kansai-kan, International Library of Children's Literature, and Tokyo Main Library.  As of 2023-11-27, the article is not yet available for digital viewing on NDL Online\u003c/p\u003e"],"originalsloc_heading_ssm":["Japanese Editions"],"originalsloc_tesim":["Original Japanese editions of this article can be found at the following branches of the National Diet Library in Japan: Kansai-kan, International Library of Children's Literature, and Tokyo Main Library.  As of 2023-11-27, the article is not yet available for digital viewing on NDL Online"],"prefercite_html_tesm":["\u003cp\u003e[item identification] Collection Name, Flavia Reed Owen Special Collections and Archives, McGraw-Page Library, Randolph-Macon College, Ashland, VA\u003c/p\u003e"],"prefercite_tesim":["[item identification] Collection Name, Flavia Reed Owen Special Collections and Archives, McGraw-Page Library, Randolph-Macon College, Ashland, VA"],"relatedmaterial_html_tesm":["\u003cp\u003eThe Ishinomaki government also produced a webpage with a digitized copy of the manga. https://www.city.ishinomaki.lg.jp/MEC/contentslist.html [URL captured 2023-02-28]\u003c/p\u003e","\u003cp\u003eA digitized version of this article is available on the Kodomokisha website: https://kodomokisha.net/article/dokonjou_himawari (link accessed 2023-03-07)\u003c/p\u003e","\u003cp\u003eIn addition to the article, the folder also contains two printed webpages detailing information about the original Japanese article in Japanese\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Edition","Digital Copy","Related Materials"],"relatedmaterial_tesim":["The Ishinomaki government also produced a webpage with a digitized copy of the manga. https://www.city.ishinomaki.lg.jp/MEC/contentslist.html [URL captured 2023-02-28]","A digitized version of this article is available on the Kodomokisha website: https://kodomokisha.net/article/dokonjou_himawari (link accessed 2023-03-07)","In addition to the article, the folder also contains two printed webpages detailing information about the original Japanese article in Japanese"],"scopecontent_html_tesm":["\u003cp\u003eThe book includes artwork from Fukushima elementary school students regarding their emotions following the 3.11 Triple Disaster.  It is divided into sections: how they saw the sea, what it would look like to play with friends again, what a safe, peaceful hometown looks like, what their hometown would look like if they had magical powers, and what the future of their hometown looks like.  Most of these sections are separated by narrative context about the incident, shared testimonies of the children, and information about how the images were collected.\u003c/p\u003e","\u003cp\u003eThe book contains images and information about the more than 150 art pieces contained within the Embassy's Residences and Chancery.  The sections include: architecture, ceramics, paintings and prints, calligraphy, and sculpture.  The text is predominantly in English with Japanese translations in smaller font adjacent or below the English.\u003c/p\u003e","\u003cp\u003eThe book itself contains no text and is a collection of numbered photographs of rainbows captured across the country.  The back of the book has a list of the numbers associated with the images and indicates where and when the photograph was taken, followed by a note from the photographer.  The photographs span the years of 1994-2013.\u003c/p\u003e","\u003cp\u003eThe book is a collection of blog posts organized by year and season from spring 2011 to winter 2012/2013.  The entries include photographs, mostly of nature, taken by the author.  The last section of the book also contains a merchandise catalogue of the organization 'Unite Together'.\u003c/p\u003e","\u003cp\u003eThis book is in memory and honor of the life of 愛梨 (Airi), a 6 year old who died when her bus was washed away during the tsunami on 3.11.  The book includes children's artwork.\u003c/p\u003e","\u003cp\u003eThis book is a compilation of poems expressing gratitude for the support received after the 3.11 Triple Disaster from 50 residents of Miyagi prefecture.  The accompanying CD includes 8 of these poems set to music by 8 different musicians with ties to Miyagi.\u003c/p\u003e","\u003cp\u003eThis book is a compilation of poems written by the author through observing and interacting with the evacuees at a Buddhist temple-turned-shelter after the 3.11 Triple Disaster.\u003c/p\u003e","\u003cp\u003eThis CD accompanies the print poetry book.  It includes all of the poems from the book set to piano instrumentals.\u003c/p\u003e","\u003cp\u003eThis book contains images of sculptures made by children from the debris and rubble found after the 3.11 Triple Disaster.  Most display smiling faces drawn or otherwise affixed to the creations.\u003c/p\u003e","\u003cp\u003eThis picture book tells the story of a child that saves his family from the earthquake and tsunami in Hokkaido in 1993.  The story is attempting to teach children about the importance of quick action in emergency situations.\u003c/p\u003e","\u003cp\u003eThis book is a bilingual book written in Japanese and English and tells the story of the recovery of a boat that was washed away during the tsunami in 2011.\u003c/p\u003e","\u003cp\u003eThis book is a compilation of accounts from Ishinomaki citizens in various written forms including essays and poetry regarding their experiences with the 3.11 Triple Disaster.  Photographs relevant to the stories being shared are also included.\u003c/p\u003e","\u003cp\u003eA historical fiction coming-of-age novel about Japanese exchange students in the United States following the Meiji Restoration.\u003c/p\u003e","\u003cp\u003eThis book is a nonfiction account of \"Operation Tomodachi\" and the relief effort in areas affected by the 3.11 Triple Disaster as told by the Marine in charge of the operation.\u003c/p\u003e","\u003cp\u003eThis book is the translated copy of \"蒼翼の獅子たち\" to English.  It is a historical fiction coming-of-age novel about Japanese exchange students in the United States following the Meiji Restoration.\u003c/p\u003e","\u003cp\u003eThis book is an edited collection of the accounts of 100 people from the Ishinomaki region following the 3.11 Triple Disaster.  Maps and aerial photographs are also included, along with relevant photographs accompanying the testimonies.\u003c/p\u003e","\u003cp\u003eIn this magazine, the accounts of firefighters from Ishinomaki are recorded a year after the tragedy.  It is divided into 7 sections: an overview of Ishinomaki before the disaster, an overview of the earthquake and tsunami, the damage situation broken down by type, the area-wide fire department activities report, activities reports from each fire brigade, the records from the emergency fire rescue squad, a look back at the disaster, and materials relating to the disaster like photographs and a staff list from the time of the disaster.  6 firefighters were killed while responding to the disaster.\u003c/p\u003e","\u003cp\u003eThe book contains numerous photographs of the orphans over the 10 year period that Rainbow House had been operating, as well as a detailed history of the organization and why they opened.  Further, the book tells of the lives and experiences of the orphans as they grew up attending events at Rainbow House.\u003c/p\u003e","\u003cp\u003eLesson 9 of the textbook includes the story of Taylor Anderson.\u003c/p\u003e","\u003cp\u003eThis nonfiction book is the telling of how a couple coped with their grief after the loss of their 3 children in the 3/11 triple disaster.\u003c/p\u003e","\u003cp\u003eThe book contains short articles from dozens of individuals in both English and Japanese.  Many of the stories relate to Taylor's impact either personally or through her legacy.\u003c/p\u003e","\u003cp\u003eThis book takes a look at the purported failure of the DPJ.  The policies enacted by the DPJ are examined, as well as the subsequent actions of the LDP, and propose action items in order to rectify the yet unfinished political reform in the country.\u003c/p\u003e","\u003cp\u003eThis book discusses the proposal to part ways with nuclear power in Japan and instead transition to other renewable energy sources like solar.  The text includes charts and graphs, as well as relevant photographs.\u003c/p\u003e","\u003cp\u003eAerial photographs of Ishinomaki from before and after the triple disaster on 3.11\u003c/p\u003e","\u003cp\u003eThis fold-out guidebook contains maps, information on tours, sightseeing spots, restaurants, and places to stay.  It also includes a directory and a festival and event calendar.\u003c/p\u003e","\u003cp\u003eThis brochure has information on the external panels about the 3.11 disaster, with information about accessing the city and places to visit.  The internal panels fold out to make a map with a walking tour of the downtown area in remembrance of the 3.11 disaster.\u003c/p\u003e","\u003cp\u003eThis brochure contains information about the different buildings at the temple, annual functions, prayer schedules, and a map of the compound.\u003c/p\u003e","\u003cp\u003eThis brochure includes information about the buildings at the temple, annual events, admission information, and a map of the compound\u003c/p\u003e","\u003cp\u003eThe ticket includes information on the back about the Buddha, including the height and weight.\u003c/p\u003e","\u003cp\u003eThe backside of the ticket includes information about the temple\u003c/p\u003e","\u003cp\u003eOn the back of the ticket is a portion of a hymn praising Kannon, followed by a proverb in both Japanese and English\u003c/p\u003e","\u003cp\u003eThis brochure contains information about the history of the temple, the different buildings on site, a list of rules to follow, and a map of the compound\u003c/p\u003e","\u003cp\u003eThis booklet contains information about Entsuin including historical and cultural significance, admission information, and a large map of the compound\u003c/p\u003e","\u003cp\u003eThese papers contain historical information about the shrine and information about the different sites within the compound\u003c/p\u003e","\u003cp\u003eThe pamphlet is predominantly in Japanese with one panel in English accompanying a map that tells the reader aout the history of the temple.  The rest of the pamphlet is about the different areas within the compound.\u003c/p\u003e","\u003cp\u003eThis pamphlet is predominantly in Japanese with some English, Chinese, and Korean translations.  The internal pages offer information about the different buildings within the compound, while the external pages have a detailed map of the location.\u003c/p\u003e","\u003cp\u003eThis brochure contains information about the history and signficance of the space, predominantly in Japanese with brief English translation.  There is also a calendar of events in Japanese, and an advertisement for Kikkoman soy sauce.\u003c/p\u003e","\u003cp\u003eThe ticket features a poem or motivational quote on the backside, along with the rules of the temple.\u003c/p\u003e","\u003cp\u003eThe ticket is predominantly in Japanese with the name of the museum in both Japanese and English.  The reverse of the ticket includes the rules of the museum and admission information for the museum.\u003c/p\u003e","\u003cp\u003eThe internal panels of the brochure contains a map and information about sites within the compound.  The external panels have cultural and historical information, as well as a calendar of events.\u003c/p\u003e","\u003cp\u003eThe brochure includes information about the 3.11 triple disaster, as well as history, culture, and industry information about Ishinomaki as a whole.\u003c/p\u003e","\u003cp\u003eThis brochure contains admission information, the artist the museum commemorates, a map with designated exhibits, and a brief explanation of different kanji usage for the word 'manga'\u003c/p\u003e","\u003cp\u003eThis pamphlet contains information about kabuki, the pieces being performed and the performers, and information about the kabuki paraphernalia available for viewing.\u003c/p\u003e","\u003cp\u003eThe front page story of the newspaper is about a sunflower in Kadonowakicho in Ishinomaki that spontaneously began growing after the tsunami and has now flowered for the 4th summer.  The article discusses people getting seeds from the 'gutsy sunflower' to grow at their own homes.\u003c/p\u003e","\u003cp\u003eThis newspaper is published by Senshuu University, and the front page of this edition is dedicated to a baseball win that was widely celebrated.\u003c/p\u003e","\u003cp\u003eThis school news report has a message from the President about the anniversary of the 3.11 triple disaster, the exchange program with Randolph-Macon College thanks to the Taylor Anderson Memorial Fund, student commendations and awards, career support,and support for after the earthquake\u003c/p\u003e","\u003cp\u003eThe newspaper front page includes information about arts and culture, education, politics, and exchange students\u003c/p\u003e","\u003cp\u003eThis pamphlet includes information about the newly-built Ishinomaki firehouse, as well as the high-performance firefighting command center\u003c/p\u003e","\u003cp\u003eThis booklet includes places, qualities, events, etc. around Ishinomaki beginning with each letter of the alphabet.  It includes photographs of the places, things, and people, and is shared in both English and Japanese, with an additional quoted comment in both English and Japanese\u003c/p\u003e","\u003cp\u003eThis booklet includes information about the firefighting activities during and following the 3.11 triple disaster in a few different cities such as Ishinomaki, Higashimatsushima, and Onagawa.  It includes primarily photographs with text, but also includes charts and tables.\u003c/p\u003e","\u003cp\u003eThis pamphlet includes fold out pages outlining projects in the city in various areas including maps, images, and lists of projects being conducted.\u003c/p\u003e","\u003cp\u003eThis document includes a list on one side of what to include in an emergency survival kit.  The reverse side includes websites, phone numbers, and email addresses to receive and provide information about disasters\u003c/p\u003e","\u003cp\u003eThis report primarily outlines the activities hosted by the organization alongside photographs and dates.  The report is nearly entirely in Japanese.\u003c/p\u003e","\u003cp\u003eThis booklet tells readers all about the new Ishinomaki Fire Station, including photographs and floorplans\u003c/p\u003e","\u003cp\u003eAn annual report from 2014 for the Ishinomaki Fire and Rescue Squad.  The report includes tables with figures and images alongside text.\u003c/p\u003e","\u003cp\u003eThis magazine gives context regarding the actions undertaken by the Miyagi Prefectural Police Disaster Response Team from the time of the disaster until 3 years later.  The magazine includes related photographs.\u003c/p\u003e","\u003cp\u003eThis report contains primarily photographs, charts, graphs, and data tables that express the extent of the damage caused by the disaster and the plans for reconstruction.\u003c/p\u003e","\u003cp\u003ePredominantly contains photographs discussing the damage caused in different areas, as well as the extent of the damage\u003c/p\u003e","\u003cp\u003eA list of action items for a meeting discussing disaster response and preparedness\u003c/p\u003e","\u003cp\u003ePrimarily contains slides with photographs, images, diagrams, maps, and charts\u003c/p\u003e","\u003cp\u003eThis report consists of an overview of the events during the disaster and follow-up activities presented like a timeline, alongside tables and charts\u003c/p\u003e","\u003cp\u003eProgram includes student and faculty participant names from Ishinomaki Senshu University\u003c/p\u003e","\u003cp\u003eProgram includes a page of photographs as well as a list of Ishinomaki Senshu and Randolph-Macon student and faculty participant names\u003c/p\u003e","\u003cp\u003eThe document includes an agenda for the party, as well as a participant list\u003c/p\u003e","\u003cp\u003eThis newspaper page contains reports from orphans who lost their parents during the 3.11 triple disaster.\u003c/p\u003e","\u003cp\u003eNewspaper article about the orphans from the 3.11 triple disaster and the learning center accommodating them.\u003c/p\u003e","\u003cp\u003eNewspaper article about the care given to orphans by the center after the 3.11 triple disaster\u003c/p\u003e","\u003cp\u003eThis diagram shows a layout of the building with information about the different rooms and their uses\u003c/p\u003e","\u003cp\u003eArchitectual outline and floorplan for the building of the Ashinaga Ishinomaki Rainbow House.\u003c/p\u003e","\u003cp\u003eThis report is an update of all of the activities that the Taylor Anderson Memorial Fund were involved with from 2016-2017.  Most of the entries are in both Japanese and English, with some elements only present or fully present in Japanese.\u003c/p\u003e","\u003cp\u003eThis report booklet includes information about organization growth and development during the year, including photographs of programs and participants.  The last page also inlcudes a summary financial report.\u003c/p\u003e","\u003cp\u003eThis report booklet contains information about the council's Signature Programs, Educational and Networking Programs, and the Tomodachi Initiative alongside photographs.  The back of the booklet also includes information about sponsors.\u003c/p\u003e","\u003cp\u003eThis booklet is designed like a children's magazine and includes information about the organization and program, activities, and photographs.\u003c/p\u003e","\u003cp\u003eThe article includes pictures and captions for various events since the death of Taylor Anderson.  The captions for the photos are occasionally on the wrong pages due to spacing; note that photo captions are directly previous to the images.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Scope and Contents","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content","Content"],"scopecontent_tesim":["The book includes artwork from Fukushima elementary school students regarding their emotions following the 3.11 Triple Disaster.  It is divided into sections: how they saw the sea, what it would look like to play with friends again, what a safe, peaceful hometown looks like, what their hometown would look like if they had magical powers, and what the future of their hometown looks like.  Most of these sections are separated by narrative context about the incident, shared testimonies of the children, and information about how the images were collected.","The book contains images and information about the more than 150 art pieces contained within the Embassy's Residences and Chancery.  The sections include: architecture, ceramics, paintings and prints, calligraphy, and sculpture.  The text is predominantly in English with Japanese translations in smaller font adjacent or below the English.","The book itself contains no text and is a collection of numbered photographs of rainbows captured across the country.  The back of the book has a list of the numbers associated with the images and indicates where and when the photograph was taken, followed by a note from the photographer.  The photographs span the years of 1994-2013.","The book is a collection of blog posts organized by year and season from spring 2011 to winter 2012/2013.  The entries include photographs, mostly of nature, taken by the author.  The last section of the book also contains a merchandise catalogue of the organization 'Unite Together'.","This book is in memory and honor of the life of 愛梨 (Airi), a 6 year old who died when her bus was washed away during the tsunami on 3.11.  The book includes children's artwork.","This book is a compilation of poems expressing gratitude for the support received after the 3.11 Triple Disaster from 50 residents of Miyagi prefecture.  The accompanying CD includes 8 of these poems set to music by 8 different musicians with ties to Miyagi.","This book is a compilation of poems written by the author through observing and interacting with the evacuees at a Buddhist temple-turned-shelter after the 3.11 Triple Disaster.","This CD accompanies the print poetry book.  It includes all of the poems from the book set to piano instrumentals.","This book contains images of sculptures made by children from the debris and rubble found after the 3.11 Triple Disaster.  Most display smiling faces drawn or otherwise affixed to the creations.","This picture book tells the story of a child that saves his family from the earthquake and tsunami in Hokkaido in 1993.  The story is attempting to teach children about the importance of quick action in emergency situations.","This book is a bilingual book written in Japanese and English and tells the story of the recovery of a boat that was washed away during the tsunami in 2011.","This book is a compilation of accounts from Ishinomaki citizens in various written forms including essays and poetry regarding their experiences with the 3.11 Triple Disaster.  Photographs relevant to the stories being shared are also included.","A historical fiction coming-of-age novel about Japanese exchange students in the United States following the Meiji Restoration.","This book is a nonfiction account of \"Operation Tomodachi\" and the relief effort in areas affected by the 3.11 Triple Disaster as told by the Marine in charge of the operation.","This book is the translated copy of \"蒼翼の獅子たち\" to English.  It is a historical fiction coming-of-age novel about Japanese exchange students in the United States following the Meiji Restoration.","This book is an edited collection of the accounts of 100 people from the Ishinomaki region following the 3.11 Triple Disaster.  Maps and aerial photographs are also included, along with relevant photographs accompanying the testimonies.","In this magazine, the accounts of firefighters from Ishinomaki are recorded a year after the tragedy.  It is divided into 7 sections: an overview of Ishinomaki before the disaster, an overview of the earthquake and tsunami, the damage situation broken down by type, the area-wide fire department activities report, activities reports from each fire brigade, the records from the emergency fire rescue squad, a look back at the disaster, and materials relating to the disaster like photographs and a staff list from the time of the disaster.  6 firefighters were killed while responding to the disaster.","The book contains numerous photographs of the orphans over the 10 year period that Rainbow House had been operating, as well as a detailed history of the organization and why they opened.  Further, the book tells of the lives and experiences of the orphans as they grew up attending events at Rainbow House.","Lesson 9 of the textbook includes the story of Taylor Anderson.","This nonfiction book is the telling of how a couple coped with their grief after the loss of their 3 children in the 3/11 triple disaster.","The book contains short articles from dozens of individuals in both English and Japanese.  Many of the stories relate to Taylor's impact either personally or through her legacy.","This book takes a look at the purported failure of the DPJ.  The policies enacted by the DPJ are examined, as well as the subsequent actions of the LDP, and propose action items in order to rectify the yet unfinished political reform in the country.","This book discusses the proposal to part ways with nuclear power in Japan and instead transition to other renewable energy sources like solar.  The text includes charts and graphs, as well as relevant photographs.","Aerial photographs of Ishinomaki from before and after the triple disaster on 3.11","This fold-out guidebook contains maps, information on tours, sightseeing spots, restaurants, and places to stay.  It also includes a directory and a festival and event calendar.","This brochure has information on the external panels about the 3.11 disaster, with information about accessing the city and places to visit.  The internal panels fold out to make a map with a walking tour of the downtown area in remembrance of the 3.11 disaster.","This brochure contains information about the different buildings at the temple, annual functions, prayer schedules, and a map of the compound.","This brochure includes information about the buildings at the temple, annual events, admission information, and a map of the compound","The ticket includes information on the back about the Buddha, including the height and weight.","The backside of the ticket includes information about the temple","On the back of the ticket is a portion of a hymn praising Kannon, followed by a proverb in both Japanese and English","This brochure contains information about the history of the temple, the different buildings on site, a list of rules to follow, and a map of the compound","This booklet contains information about Entsuin including historical and cultural significance, admission information, and a large map of the compound","These papers contain historical information about the shrine and information about the different sites within the compound","The pamphlet is predominantly in Japanese with one panel in English accompanying a map that tells the reader aout the history of the temple.  The rest of the pamphlet is about the different areas within the compound.","This pamphlet is predominantly in Japanese with some English, Chinese, and Korean translations.  The internal pages offer information about the different buildings within the compound, while the external pages have a detailed map of the location.","This brochure contains information about the history and signficance of the space, predominantly in Japanese with brief English translation.  There is also a calendar of events in Japanese, and an advertisement for Kikkoman soy sauce.","The ticket features a poem or motivational quote on the backside, along with the rules of the temple.","The ticket is predominantly in Japanese with the name of the museum in both Japanese and English.  The reverse of the ticket includes the rules of the museum and admission information for the museum.","The internal panels of the brochure contains a map and information about sites within the compound.  The external panels have cultural and historical information, as well as a calendar of events.","The brochure includes information about the 3.11 triple disaster, as well as history, culture, and industry information about Ishinomaki as a whole.","This brochure contains admission information, the artist the museum commemorates, a map with designated exhibits, and a brief explanation of different kanji usage for the word 'manga'","This pamphlet contains information about kabuki, the pieces being performed and the performers, and information about the kabuki paraphernalia available for viewing.","The front page story of the newspaper is about a sunflower in Kadonowakicho in Ishinomaki that spontaneously began growing after the tsunami and has now flowered for the 4th summer.  The article discusses people getting seeds from the 'gutsy sunflower' to grow at their own homes.","This newspaper is published by Senshuu University, and the front page of this edition is dedicated to a baseball win that was widely celebrated.","This school news report has a message from the President about the anniversary of the 3.11 triple disaster, the exchange program with Randolph-Macon College thanks to the Taylor Anderson Memorial Fund, student commendations and awards, career support,and support for after the earthquake","The newspaper front page includes information about arts and culture, education, politics, and exchange students","This pamphlet includes information about the newly-built Ishinomaki firehouse, as well as the high-performance firefighting command center","This booklet includes places, qualities, events, etc. around Ishinomaki beginning with each letter of the alphabet.  It includes photographs of the places, things, and people, and is shared in both English and Japanese, with an additional quoted comment in both English and Japanese","This booklet includes information about the firefighting activities during and following the 3.11 triple disaster in a few different cities such as Ishinomaki, Higashimatsushima, and Onagawa.  It includes primarily photographs with text, but also includes charts and tables.","This pamphlet includes fold out pages outlining projects in the city in various areas including maps, images, and lists of projects being conducted.","This document includes a list on one side of what to include in an emergency survival kit.  The reverse side includes websites, phone numbers, and email addresses to receive and provide information about disasters","This report primarily outlines the activities hosted by the organization alongside photographs and dates.  The report is nearly entirely in Japanese.","This booklet tells readers all about the new Ishinomaki Fire Station, including photographs and floorplans","An annual report from 2014 for the Ishinomaki Fire and Rescue Squad.  The report includes tables with figures and images alongside text.","This magazine gives context regarding the actions undertaken by the Miyagi Prefectural Police Disaster Response Team from the time of the disaster until 3 years later.  The magazine includes related photographs.","This report contains primarily photographs, charts, graphs, and data tables that express the extent of the damage caused by the disaster and the plans for reconstruction.","Predominantly contains photographs discussing the damage caused in different areas, as well as the extent of the damage","A list of action items for a meeting discussing disaster response and preparedness","Primarily contains slides with photographs, images, diagrams, maps, and charts","This report consists of an overview of the events during the disaster and follow-up activities presented like a timeline, alongside tables and charts","Program includes student and faculty participant names from Ishinomaki Senshu University","Program includes a page of photographs as well as a list of Ishinomaki Senshu and Randolph-Macon student and faculty participant names","The document includes an agenda for the party, as well as a participant list","This newspaper page contains reports from orphans who lost their parents during the 3.11 triple disaster.","Newspaper article about the orphans from the 3.11 triple disaster and the learning center accommodating them.","Newspaper article about the care given to orphans by the center after the 3.11 triple disaster","This diagram shows a layout of the building with information about the different rooms and their uses","Architectual outline and floorplan for the building of the Ashinaga Ishinomaki Rainbow House.","This report is an update of all of the activities that the Taylor Anderson Memorial Fund were involved with from 2016-2017.  Most of the entries are in both Japanese and English, with some elements only present or fully present in Japanese.","This report booklet includes information about organization growth and development during the year, including photographs of programs and participants.  The last page also inlcudes a summary financial report.","This report booklet contains information about the council's Signature Programs, Educational and Networking Programs, and the Tomodachi Initiative alongside photographs.  The back of the booklet also includes information about sponsors.","This booklet is designed like a children's magazine and includes information about the organization and program, activities, and photographs.","The article includes pictures and captions for various events since the death of Taylor Anderson.  The captions for the photos are occasionally on the wrong pages due to spacing; note that photo captions are directly previous to the images."],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_e805951896109ea1ec1159d1708af5b8\"\u003eThe majority of the content in this collection is in Japanese, with individual item records specifying if any portion of the item in question is translated to English or not.  All items in this collection have a translated English title associated with them within the individual item record.\u003c/materialspec\u003e"],"materialspec_tesim":["The majority of the content in this collection is in Japanese, with individual item records specifying if any portion of the item in question is translated to English or not.  All items in this collection have a translated English title associated with them within the individual item record."],"names_ssim":["Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College"],"corpname_ssim":["Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College"],"language_ssim":["English \n,        Japanese \n.    "],"total_component_count_is":100,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:50:02.935Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viasr_repositories_2_resources_2_c07_c04"}},{"id":"vilxw_repositories_5_resources_1140_c02_c13_c14","type":"Item","attributes":{"title":"2015 Richard Tucker Gala","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_1140_c02_c13_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_1140_c02_c13_c14","ref_ssm":["vilxw_repositories_5_resources_1140_c02_c13_c14"],"id":"vilxw_repositories_5_resources_1140_c02_c13_c14","ead_ssi":"vilxw_repositories_5_resources_1140","_root_":"vilxw_repositories_5_resources_1140","_nest_parent_":"vilxw_repositories_5_resources_1140_c02_c13","parent_ssi":"vilxw_repositories_5_resources_1140_c02_c13","parent_ssim":["vilxw_repositories_5_resources_1140","vilxw_repositories_5_resources_1140_c02","vilxw_repositories_5_resources_1140_c02_c13"],"parent_ids_ssim":["vilxw_repositories_5_resources_1140","vilxw_repositories_5_resources_1140_c02","vilxw_repositories_5_resources_1140_c02_c13"],"parent_unittitles_ssm":["Henry Strouss Performing Arts collection","Lincoln Center","Richard Tucker Gala"],"parent_unittitles_tesim":["Henry Strouss Performing Arts collection","Lincoln Center","Richard Tucker Gala"],"text":["Henry Strouss Performing Arts collection","Lincoln Center","Richard Tucker Gala","2015 Richard Tucker Gala","Lincoln Center for the Performing Arts","Kohn, Eugene ","Barton, Jamie ([1981, 1982])","Beczala, Piotr (1968)","Fleming, Renée (19590214)","Puccini, Giacomo, 1858-1924","Kohn, Eugene ","Barton, Jamie ([1981, 1982])","Beczala, Piotr (1968)","Fleming, Renée (19590214)","Puccini, Giacomo, 1858-1924","English","box 24","folder 31"],"title_filing_ssi":"2015 Richard Tucker Gala","title_ssm":["2015 Richard Tucker Gala"],"title_tesim":["2015 Richard Tucker Gala"],"unitdate_other_ssim":["2015 November 1"],"normalized_date_ssm":["2015"],"normalized_title_ssm":["2015 Richard Tucker Gala"],"component_level_isim":[3],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Henry Strouss Performing Arts collection"],"extent_ssm":["1 Files"],"extent_tesim":["1 Files"],"creator_ssim":["Lincoln Center for the Performing Arts"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":3347,"parent_access_terms_tesm":["Access to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection"],"date_range_isim":[2015],"names_ssim":["Lincoln Center for the Performing Arts","Kohn, Eugene ","Barton, Jamie ([1981, 1982])","Beczala, Piotr (1968)","Fleming, Renée (19590214)","Puccini, Giacomo, 1858-1924","Kohn, Eugene ","Barton, Jamie ([1981, 1982])","Beczala, Piotr (1968)","Fleming, Renée (19590214)","Puccini, Giacomo, 1858-1924"],"corpname_ssim":["Lincoln Center for the Performing Arts"],"persname_ssim":["Kohn, Eugene ","Barton, Jamie ([1981, 1982])","Beczala, Piotr (1968)","Fleming, Renée (19590214)","Puccini, Giacomo, 1858-1924"],"language_ssim":["English"],"containers_ssim":["box 24","folder 31"],"_nest_path_":"/components#1/components#12/components#13","timestamp":"2026-05-20T21:30:16.538Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_1140","ead_ssi":"vilxw_repositories_5_resources_1140","_root_":"vilxw_repositories_5_resources_1140","_nest_parent_":"vilxw_repositories_5_resources_1140","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_1140.xml","title_ssm":["Henry Strouss Performing Arts collection"],"title_tesim":["Henry Strouss Performing Arts collection"],"unitdate_ssm":["1880-2023"],"unitdate_inclusive_ssm":["1880-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0778","/repositories/5/resources/1140"],"text":["WLU.Coll.0778","/repositories/5/resources/1140","Henry Strouss Performing Arts collection","Theater","For the benefit of the National Conference of Christians and Jews","For the benefit of both American and Russian War Charities","First New York appearance in 3 years","First American tour of the Berlin Philharmonic. Articles and flyer record protests in response to the manager's and director's previous Nazi membership.","Noted: Because of the demand for tickets, another concert with Stravisky was scheduled for January 23rd.","In commemoration of the 250th anniversary of Pergolesi's birth","The orchestra's first appearance outside of Puerto Rico","A gala recital for the benefit of the National Committee Against Discrimination in Housing","Part of the International Festival of Visiting Orchestras, Noted: because of illness, soloist Joseph Silverstein was replaced by Jaime Laredo","Celebrating the 30th Anniversary Season of Eugene Ormandy as Music Director","Part of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour","Part of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour","Opening night of the production.","Part of the International Festival of Visiting Orchestras","Final program in a special series of four concerts, \"The Viennese School\"","Final event in the Hurok Sunday series","Opening concert in the Hurok International Series \"A\".","Part of the International Festival of Visiting Orchestras","Part of the International Festival of Visiting Orchestras","Celebrating the 75th Anniversary of Ithaca College","Gala Performance. Maria Callas and Zinka Milanov, who both formerly played the titular role, attended the performance and received much applause. In contrast, Elena Suliotis was criticized for her performance and the audience was torn between cheering and booing.","Part of the International Festival of Visiting Orchestras","In appreciation of Harald A. Lowen (1897-1968), Executive Secretary 1958-1968","Part of the International Festival of Visiting Orchestras","Opening concert in the Hurok International Series \"A\"","In memory of Charles Munch","Fourth Event in the Hurok International Series B","Fifth Event in the Hurok International Series B","Sixth Event in the Hurok International Series B","Commemorating the 200th Anniversary of the birth of Ludwig Van Beethoven","Second Concert in Series","Annual Patron-Sponsor Concert","Part of the Series of Stars","Nicolai Gedda was ill and unable to perform the role of Arnold, replaced by Jerome Lo Monaco and Mallory Walker spliting the role.","Part of the Series of Stars","Part of the Series of Stars","A Metropolitan Opera Guild Benefit Concert","Part of the International Festival of Visiting Orchestras","Part of the International Festival of Visiting Orchestras","Concert in memory of David Oistrakh.","Part of the Series of Stars","In honor of Aaron Copland's 75th birthday.","Lorin Maazel, the conductor, was unable to perform due to an injury and was replaced by Edo de Waart for the concert. The second half of the concert was changed from The Rite of Spring by Stravinsky to Symphony No. 2 in D Major, Opus 73 by Brahms.","A British Salute to the American Bicentennial and The Seventh Concert in the Mozart Concerto Festival","Part of the bicentennial celebration of the United States","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the International Festival of Visiting Orchestras","The concert was in memory of Fred Norring.","For the 150th anniversary of Beethovan's death.","Part of the International Festival of Visiting Orchestras. The concert replaced the one originally announced for the Czech Philharmonic, which had to cancel its American tour.","The Annual Patrons' and Sponsors' Concert","Includes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.","The Fiftieth Anniversary Season of the Cleveland Orchestra. Part of the International Festival of Visiting Orchestras.","Fifth Event in the Hurok International Series A.","Fourth Concert in the Series \"Art of the Lied\"","Due to injury, Chicago Symphony Orchestra's conductor, Sir Georg Solti, was unable to conduct, so the concert was led by the assistant conductor Henry Mazer. The previous day he was replaced by Margaret Hillis.","A gala concert performance for the benefit of the production fund of Friends of French Opera.","Honoring the 150th Anniversary of Louis Moreau Gottschalk (Born in New Orleans on May 8, 1829)","Singer Julia Hamari was unable to perform and was replaced by Florence Quivar.","Montserrat Caballé withdrew to receive medical treatment in Spain and was replaced by Awilda Verdejo. Nicolai Gedda also withdrew due to illness and was replaced by Richard Estes.","An all Copland program in honor of Aaron Copland's 80th birthday.","The program order was reversed, Bartók's Concerto for Orchestra was played first followed by Bruckner's Symphony No. 4.","Scenes from the Life of a Martyr, by Undine Smith Moore, premiered in New York in memory of Martin Luther King Jr.","Part of the Gala Rossini Opera Festival.","Part of the Gala Rossini Opera Festival. Due to illness, Montserrat Caballe was replaced by June Anderson in the role of Semiramide.","Due to illness, Edward J. Crafts was unable to perform the role of Duke Robert and was replaced by James Stith. The role of the Messenger was sung by William Drake.","In honor of the 100th anniversary of the composer's death.","Part of the Gala Rossini Opera Festival","Part of the French Opéra-Comique Festival","Gala Sixtieth Anniversary Benefit Concert.","The performance of Mahler's Symphony No. 4 was dedicated to the memory of Michael Ries.","Part of the French Opéra Comique Festival.","Part of the Handel Opera Festival","Part of the Handel Opera Festival.","The performance of Berg's Seven Early Songs commemorates the 100th anniversary of the composer's birth.","Performed on the 300th anniversary of the composer's birth and part of the Handel Opera Festival.","This was the US debut of Jin Li. Part of the program is missing, which tells that the orchestra performed 2 Pieces for Small Orchestra: 1. On Hearing the First Cuckoo in Spring (1912) by Frederick Delius and Variations on an Original Theme, Op. 36, \"Enigma\" (1899) by Edward Elgar after the intermission.","Part of The Choral Celebration of Bach.","Part of the Handel Opera Festival.","The Berg works are being performed in honor of the 100th anniversary of his birth.","Because of a recent illness limiting Mr. Ozawa's rehearsal time, Dvorák's Symphony No. 7 was replaced by Tchaikovsky's Symphony No. 6 in the program.","For the benefit of Emmaus, which serves New York City's homeless.","This concert was dedicated to the memory of Karol Szymanowski.","A benefit to celebrate the fifteenth anniversary of Opera Orchestra of New York.","Celebrating the 60th birthday of Mstislav Rostropovich","35th Anniversary Concert","Rudolf Serkin was unable to preform as previously announced due to illness and was replaced by Malcolm Frager.","Sylvia McNair replaced Sophia Larson for this performance.","It is noted that Aprile Millo, who played Maddalena di Coigny, dedicated her performance to the memory of her father, Giovanni Millo, who was known for his portrayal of the title role.","This concert is presented by the Jerusalem Foundation in honor of the 40th Anniversary of the State of Israel.","A New York International Festival of the Arts event","A New York International Festival of the Arts event","Due to a death in the family, Seiji Ozawa was unable to conduct and was replaced by David Zinman. The program was changed from Mahler's Symphony No. 9 to Mahler's Symphony No. 1 and Chopin's Piano Concerto No. 1.","Giuseppe Giacomini was replaced by Nunzio Todisco and Michael Shell was replaced by Wanda Brister for the performance.","Seiji Ozawa was unable to conduct due to illness and was replaced by André Previn.","This performance is dedicated to the memory of Dr. Hugh Ross, for more than 60 years as the Music Director of the Schola Cantorum of New York.","The grandfather clock and black cat, originally meant to be Philippe Huttenlocher, was played by David Evitts.","These performances were dedicated to the memory of Leonard Bernstein (Auguest 25, 1918 - October 14, 1990)","Mozart's Piano Concerto No. 19 was changed to his Piano Concerto No. 26. The orchestra recognized the recent death of Aaron Copland (1900-1990) by including a commemerative performance of the Variations on a Shaker Melody (Simple Gifts) from Copland's ballet Appalachian Spring.","Copland's Quintet (\"The promise of living\") from Act I of the opera \"The Tender Land\" was performed in memory of his recent passing.","Insert: Mara Zampierni indisposed, role of Elizabette to be played by Martile Rowland","Insert: Role of Killian will by sung by Gerald Dolter. Prince Ottokar will be sung by Gregory Rahming. Please Note: This Opera involves hubnting and shooting prowess. Ther will be several gunshots during the performance.","Commemorating the quincentenary of the Christopher Columbus Voyage","Insert: Saint Ludmila Description","Music from concentration camp Terezin, also known as Theresienstadt","Note: \"This performance is dedicated to Alice Tully, whose love and support of the arts is legendary. Her presence in the center box at Opera Orchestra's concerts will be greatly missed. We are grateful for her warmth and friendship\"","Note: \"Celebrating Seiji Ozawa's Twentieth Anniversary Season as Music Director of the Boston Symphony Orchestra\"","Insert: \"Aprile Millo was involved in an automobile accident in Italy and has sustained injuries from which she is recovering, but which have forced her to withdrawl from Caterina Cornaro. Martile Rowland will sing the title role. She performed as Caterina in a preview performance last tuesday evening in Princeton University's Richardson Auditorium\"","Insert: Garrick Ohlsson will replace Evgeny Kissin as soloist in the Schumann Piano Concerto at this evening's performance by The Philadelphia Orchestra. Mr. Kissin has cancelled his appearance due to the flu. Carnegie Hall is grateful to Mr. Ohlsson for agreeing to appear on such short notice.","insert: HEROD will be sung by baritone Eduardo Del Campo (as opossed to Yuri Mazurok","Insert: John Uhlenhopp as Lykov, Martin Dillon as Bomelii, Svetlana Furdui as The Housemaid","Insert: JohnAler forced to cancel due to illness, tenor Carl Halvorson takes his place","Insert: Due to illness, Carol Vaness was replaced by Sharon Sweet. This is Sharon Sweet's Carnegie Hall debut.","Insert: \"Carnegie Hall joins Seiji Ozawa and the Vienna Philharmonic Orchestra in mourning thr loss of our friend, the distinguished composer Toru Takemitsu, who passed away Feburary 20th, 1996. In his memory, his work Requiem for String Orchestra will open tonight's program\"","\"This performance is dedicated with affection and admiration to the memory of Robert E. Wagenfeld\"","Insert: La Damnation de Faust Description","Insert: Beethoven in New York, Chamber orchestra of Europe, Sponsored by the BOC Group","Insert: \"Samuel Ramey will not sing the role of Roger in OONY's presentation of Verdi's Jerusalem. Mr. Ramey has canceled because of illness.\" Gary Simpson to Play Roger, Perry Ward to Play Count of Toulouse, Luiz-Ottavio Faria to play Emir.","This performance was dedicated to the memory of Richard deVaultier (1916-1988).","Insert: Pianist Ivo Pogorelich had to withdraw from the performance and was replaced by André Watts.","Insert: Tenor Thomas Moser had to withdraw from the performance due to illness and was replaced by Jon Fredric West.","Notations for Orchestra by Pierre Boulez performed in honor of the composer's 75th birthday.","Insert: Soprano Jane Eaglen was unable to perform the role of La Gioconda and was replaced by Sylvie Valayre","Concert to celebrate the 70th birthday of Lorin Maazel","Insert: \"Tonights performance is dedicated to the memory of Alfredo Kraus and Pablo Elvira who sang La favorita so beautifully with Opera Orchestra in 1975\"","John Williams \"For Seiji!\" New York premire. Celebrating Mstisalv Rostropovich's 75th Birthday.","Christopher Rouse's \"Rapture\" New York Premiere. Michael Hersch's \"Symphony No. 2\" New York Premiere.","Includes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.","In commemoration of the 200th anniversary of the birth of Hector Berlioz","This performance is dedictaed to the memory of Robert E. Wagenfeld","In loving memory of Robert J. Harth 1956-06-13 -- 2004-01-30. The 2003-2004 season is dedicated to the memory of Robert J. Harth , who led Carnegie Hall as Executive and Artistic Director from September 2001 until January 2004.","This evening's performance is dedicated to the memory of Frederic Bradlee, a long-time friend and supporter of Opera Orchestra.","The 50th Concert of the Met Orchestra at Carnegie Hall","Revised Program: Please note that Michelle DeYoung will be perfroming this afternoon in place of Natalie Dessay who has withdrawn because of bronchitis.","In memory of Stephen M. Kellen, and honorary citizen of the city of Berlin and an honorary member of the Berliner Philharmoniker","This concert is dedicated to the memory of John Forbes, a longtime member of the St. Cecilia Chorus.","This concert is dedicated to the memory of Charlotte Kirschner (1922-2005)","Annotation: \"Obraztsova did not appear\"  refers to mezzo-soprano Elena Obraztsova)","Open Working Rehearsal","Please note that Andris Nelsons will conduct this concert in place of James Levine, who continues to suffer ill effects from a recent procedure addressing his continuing back issues. Andris Nelsons appears this evening courtesy of the Metropolitan Opera.","Note under Daniil Trifonov: Grand Prize and Gold Medal, Piano, XIV International Tchaikovsky Competition","Open Working Rehearsal","Insert: The role of MLLE. JOUVENOT will be sung this evening by soprano DANIELLE WALKER","Open Working Rehearsal","Open Working Rehearsal","Open Working Rehearsal","Open Working Rehearsal","Marking the Bicentennial of Wagner's Birth","Open Working Rehearsal","Please note that Lorin Maazel is unable to conduct this evening's concert due to illness. Carnegie Hall and the Munich Philharmonic Orchestra are immensely grateful to Fabio Luisi for agreeing to conduct in his place. Mr. Luisi appears at Carnegie Hall courtesy of the Metropolitan Opera.","Open Working Rehearsal","Please note that Anna Netrebko will be performing in place of Elīna Garanča, who has withdrawn due to illness. The revised program is included below. Carnegie Hall and the Metropolitan Opera wish to express their gratitude to Ms. Netrebko for graciously agreeing to perform on very short notice.","Note: Donor performed in chorus","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Part of The Song Continues 2017","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Noted: the Adoramus te from the Mass Proper was replaced by Penitentes orate, a Mozarabic prayer from the 11th century","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic, Noted: Though soprano Anna Simboli is currently suffering from a minor illness, she will perform the roles of Amore and Damigella this evening","Concert dedicated to ASO principal clarinet Laura Flax (1994-2017)","Noted: Susanna Phillips was unable to perform, replaced by Jennifer Check","Noted: Pene Pati (Tenor), Rachel Willis-Sørensen (Soprano), and Matthew Curran (Bass) were added to the performance","Christian Van Horn, 2018 Richard Tucker Award Winner","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Bio of Jonathan Biss \"Due to an injury, pianist Paul Lewis has regretfully withdrawn from this evening's performance. Pianist Jonathan Biss will perform in his place.\"","This concert is dedicated to the memory of André Previn (1929-2019), whose artistry and warm personality throughout his brilliant and multifaceted career brought joy to countless music lovers worldwide.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: \"Chief Conductor Mariss Jansons has fallen ill and is unable to conduct this evening's performance. Carnegie Hall and the Bavarian Radio Symphony Orchestra are grateful to Vasily Petrenko, who has agreeded to conduct in his place.\"","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Yannick Nézet-Séguin conducts the Vienna Philharmonic Orchestra in place of Valery Gergiev.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Joseph Beutel Bio","Insert: \"Please note that due to illness, tenor Andrew Staples is unable to perform this evening. Joshua Blue will perform in his place.","Hosted by Richard Gere","Ticket Information: Parquet Mid, $67.20, For up-to-date information about health and safety, visit carnegiehall.org/SafetyChecklist. Section PARQ Row/Box S Seat 22","Insert: This performance will be heard around the world! This concert will be broadcast live on Classical New York 105.9 FM WQXR and streamed online as part of the Carnegie Hall Live series. Before you silence your phones, tell your friends to listen in. Relive the concert anytime at wqxr.org and carnegiehall.org/wqxr.","Insert 1: \"Actor, director, screenwriter and producer Live Schreiber joins the Lviv National Philharmonic Orchestra of Ukraine as host for this evening's performance. Special thanks to CAMI Music for its generous support of this event.\" Insert 2: \"Olena Zelenska, First Lady of Ukraine. I am grateful to Carnegie Hall and to every person in the United States for their support of people in Ukraine. The Olena Zelenska Foundation is working to transform this support into systemic help for millions of Ukrainians whose lives have been affected in the aftermath of the full-scale Russian invasion. The war against Ukraine leaves civilians without electricity and heat in the face of winter. It bombs hospitals and schools. It turns childhood into orphanhood. It aims at life itself. Ukraine has resisted it for almost a year now. Unfortunately, the longer the war goes on, the more people become its victims, and the more support they need. We recover people's lives through humanitarian aid, medicine, and education to make the entire country's future possible. For more information on our programs, please visit (QR CODE) Will you stand with us?\"","This performance was Bruce Liu's New York Recital Debut. He was the First Prize Winner of the 18th International Chopin Piano Competition (2021).","Insert: \"Please note that Nadine Sierra has withdrawn from this concert due to illness. Soprano Lisette Oropesa will perform in her place.\" Contains Lisette Oropesa's bio.","Inserts are idenitcal: \"Richard Tucker Music Foundation Presents Gala 2023\" Includes the evening's set.","Insert: \"Have a drink on us!\" a redeemable coupon for a beverage at Carnegie Hall, website link to leanr about more \"extras\"","\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"","\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"","Insert: Bio of Kirsten Sollek, Contralto","Annotation: \"Hilarious!\"","Ticket: Section: Tier 1 Row/Box: 33 Seat: 5. Concert Three. Price: $281.00 Name: Fung Section: Blavatnik Family First Tier","Insert: Kimo Furumoto will conduct the first half of tonight's concert, replacing Gerhard Samuel who is indisposed. Elmer Thomas conducts the second half of the program.","Insert: \"Film \u0026 Music\" \"Scenes from Ivan the Terrible\"","\"The management regrets to announce that due to injuries, we are unable to present THEME AND VARIATIONS this evening. The program will be: JARDIN ANIME (pause) Pas de Trois from THE GUARDS OF AMAGER (intermission) GISELLE\"","\"MIKHAIL BARYSHNIKOV has suffered an injury and is unable to dance this evening. Other Dancers will be performed by: SUSAN JAFFE and ROBERT LA FOSSE. The leading dancers in THEME AND VARIATIONS will be: CHERYL YEAGER and PETER FONSECA\"","\"Gesley Kirklan is unable to dance this evening. The role of \"La Sylphide\" will be performed by Marianna Tcherkassky.\"","\"Cynthia Gregrory is injured and is unable to dance this evening. \"Cinderella\" will be danced by Cheryl Yeager. \"A Masked Lady\" will be Elaine Kudo. In act 1, Scene 2, the soloist danced in \"Spring\" will be Alina Hernandez; in \"Winter\" it wil be Carla Stallings. In act 3, A Merchant's \"Three Daughters\" will be Christine Spizzo, Nancy Raffa, and Suzanne Goldman","\"In this evening's performance of The Leaves are Fading, please note the following cast changes: Amanda McKerrow replaces Leslie Browne. Kevin McKenzie Replaces Robert La Fosse. Chrisa Keramidas replaces Amanda McKerrow. John Turjoman replaces John Gardner. In Anastasia, the role of \"Anna Anderson\" will be performed by Martine Van Hamel","\"Robert La Fosse is unable to perform this evening.\"","Contains a newspaper article on \"The Mollino Room\"","Contains a newspaper article about the performance","\"Due to injuries in the Company, The Informer can not be presented this evening. Bruch Violin Concert No. 1 will be performed in its place.\"","\"Susan Jaffe is injured and unable to perform. Kitri, Lroenzo's daughter will be danced by Cheryl Yeager\"","\"Due to an injury, State of Grace will not be performed this evening. Cruel World will be danced in its place\"","\"In this evening's performance of Don Quixote, the Flower Girls will be Isabella Boylston and Misty Copeland and the Gypsy Couple will be Isadora Loyola and Luis Ribgorda.\"","Richard Westenburg signature","Richard Westenburg signature","Pamphlet for the 50th Anniversary of Great Performers","Due to Illness, Davone Tines was unable to perfom. Soloman Howard sang in his place.","Tenth Anniversary Season","Insert: \"At these concerts, Marvis Martin, soprano, will replace Frederica von Stade.\" Some of the numbers have been altered from the original program. Contains a bio for Marvis Martin and a Translation of Henri Duparc's \"Extase\" (En: Ecstacy) from the original French into English","\"Tonight's performance is dedicated to the Lincoln Center for Performing Arts on the occasion of its 25th anniversary.\" News Article: \"Music: Chamber Society\" by Bernard Holland, a review of the Friday evening program.","\"This event is part of American Music Week which is sponsered by the American Music Center\"","Newspaper Article: \"Chamber: Del Tredici\"","Insert: Typed Version of Program (Addition of an intermission, addition of a mozart piece, switch in order)","Insert: \"For the Chamber Music Society's performances on December 4 and 6, David Schiff will conduct the world premiere of his \"Solus Rex.\" Please not that INTERMISSION will follow the performance of \"Solus Rex.\"  We regret that Robert Routch is unable to perform on these concerts because of illness. Micheal Ishii will play Horn III in the Dvorak Serenade and David Jolley will replace Mr. Routch in the Dvorak Serenade and the Poulenc Sextet.","Annotation indicates Brahams' Sonata was replaced with a Schubert piece","Annotation indicates André Watts was replaced by Lee Luvisi on Piano and the Grieg Sonata was replaced by Barhms' G Major Op 78","Insert: Christòpheren Nomura Bio (replace Hermann Prey late notice due to illness)","Insert and Annotaion: Mark Kaplan and Toby Hoffman appear to replace Thomas Kehetmair and Ruth Killius","Includes Program Insert: \"For tonight's performance, MICHAEL SCHADE will be replaced by WILLIAM KENDALL\"","Performances on 1998-07-14, 1998-07-15, 1998-07-18, and 1998-07-19 in Hebrew, performances on 1998-07-16, 1998-07-17 in Russian.","Program Note: \"According to performance practice of this period, the violinists and violists will stand while playing during the performance of the symphonies on all programs.\"","Program Insert: \"Please note the following cast change for this perofrmance of Little Humpbacked Horse: The role of The Humpbacked Horse will be danced by Grigory Popov.   The role of Gavrilo will be danced by Maxim Zyuzin.  The Horses and the Seahorses will be danced by Kamil Yangurazov \u0026 Andrey Soloviev","Three separate concerts included in program.  First concert (2015-07-15, 2015-07-18) is a performance of Richard Strauss' Daphne arranged for concert.  Second concert (2015-07-16) is Oliver Messiaen and Antonin Dvorak.  Third concert (2015-07-17) is Beethoven's Pastoral symphony and Strauss' Symphonia Domestica.","\"In this evening's performance of Die Walkuere, the wole of Bruennhilde will be sung by Margaret Harshaw, replacing Birgit Nilsson, who is indisposed. The role of Sieglinde will be sung by Gladys Kuchta.\"","Cornell MacNeil replaces Anselmo Colzani as Rigoletto","New Production","Signed by  Jesús López-Cobos, Bonaldo Giaiotti, Sherill Milnes, and Luciano Pavarotti","Not an operatic program; rather, a list of members of the benefit committee for a 1980-02-04 performance of \"Un Ballo In Maschera,\" whose program does not appear in this collection.  Strouss is listed alongside his wife as a member of the benefit committee.","Program Insert: \"For this evening's performance of TOSCA the role of Cavaradossi will be sung by Ermanno Mauro, replacing Giacomo Giacomini","Program insert: In this evening's performance of \"Il Barbiere di Siviglia\", the role of Rosina will be sung by Gail Dubinbaum, replacing Julia Hamari, who is ill.","Program insert: Simon Estes, who is singing the role of Porgy, dislocated his knee in the final dress rehearsal of \"Porgy and Bess\" on Monday.  As a result, he will perform this evening on crutches, necessitating some changes in the original staging.","Note from H. Strouss: \"Clarie says the misprints in the program could make it a collector's item.  Actually more than two errors - but I don't remember all of them (First - Porgy + Bess).","Program insert: \"In the evening's performance of 'Porgy and Bess,' the role of Bess will be sung by Priscilla Baskerville, replacing Roberta Alexander, who is ill. \"   There are signatures from Priscilla Baskerville and another, indecipherable.","Program insert: \"In this evening's performance of 'La Traviata,' the role of Violetta will be sung by Diana Soviero, replacing Anna Tomowa-Sintow, who is ill, and the role of Alfredo will be sung by Neil Rosenshein, replacing Dano Raffanti, who is also ill.","Program insert: \"The conductor for this evening's performance of LA TRAVIATA will be Richard Woitach, replacing Carlos Kleiber, who is ill.","Program insert: \"Please note the following program change: the soprano soloist will be Cheryl Studer, replacing Carol Vaness, who is ill.\"","\"In this evening's performance of Le Nozze di Figaro the role of Don Basilio will be sung by Bernard Fitch, replacing Greg Fedderly, who is ill, and the role fo Don Curzio will be sun by Anthony Laciura, replacing Tony Stevenson, who is ill.","Ildar Abdrazakov's debut performance","Metropolitan Opera Premiere","\"In this evening's performance of Aida the role of Radamès will be sung by Franco Farina, replacing Marco Berti, who is ill","\"In this evening's performance of Ernani Angela Meade will make her Metropolitan Opera debut as Elvira, replacing Sondra Radvanovsky, who is ill.","\"In this evening's performance of The Gambler the role of the General will be sung by Vladimir Ognovenko, replacing Segei Aleksashkin, who is ill.","\"In this evening's performance of Un Ballo in Maschera the role of Gustavo will be sung by Ramon Vargas, replacing Salvatore Licitra, who is ill.\"","\"The Metropolitan Opera is grateful to Marcello Giordani, who will be singing the role of Pinkerton in this evening's performance of Madama Butterfly, replacing Roberto Aronica, who is ill. Earlier today, Mr. Giordani sang the title role in La Damnation de Faust, making this a rare double appearance in one day.\"","\"In this evening's performance of Tristan und Isolde the role of Isolde will be sung by Linda Watson, replacing Katarina Dalayman, who is ill.\"","\"In this evening's performance of Les Contes d'Hoffmann, Rachele Gilmore will be making her Met debut in the role of Olympia, replacing Kathleen Kim. The role of Giulietta will be sung by Laura Vlasak Nolen, replacing Ekaterina Gubanova, and the Four Servants will be sung by Joel Sorensen, replacing Alan ke. Ms. Kim, Ms. Gubanova, and Mr. ke are ill.","\"In this evening's performance of Attila, the role of Foresto will be sung by Russell Thomas, replacing Ramón Vargas, who is ill, and the role of Uldino will be sung by Eduardo Valdes","\"Marilyn Horne will host today's Grand Finals Concert, replacing Joyce DiDonato, whose flight to New York was cancelled due to bad weather.\"","\"In this evening's performance of Der Fliegende Holländer, Lori Phillips will make her Metropolitan Opera debut as Senta, replacing Deborah Voigt, who is ill.","\"In this evening's performance of Romeo et Juliette, the role of Juliette will be sung by Hei-Kyung Hong, replacing Angela Gheorghiu, who is ill.\"","Met Opera premiere","\"In this evening's performance of Tosca, the role of Scarpia will be sung by Bryn Terfel, replacing James Morris, who is ill.\"","\"In this evening's performance of Don Giovanni, the title role will be sung by Peter Mattei, replacing Mariusz Kwiecien, who has injured his back.\"","\"In this evening's performance of The Enchanted Island, the role of Prospero will be sung by Anthony Roth Costanzo, replacing David Daniels, who is ill. The role of Ferdinand will be sung by Jeffrey Mandelbam, replacing Mr. Costanzo\"","\"In this evening's performance of Gotterdammerung, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"","\"In this evening's performance of Die Walkure, the role of Siegmund will be sung by Stuart Skelton, replacing Jonas Kaufmann, who is ill.\"","\"In this evening's performance of Siegfried, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"","\"In  tonight's performance of Otello, Avgust Amonov will make his Metropolitan Opera debut in the title role, replacing Johan Botha, who is ill.\"","\"In this evening's performance of Les Troyens the role of Coreobus will be sung by Stephen Gaertner, replacing Dwayne Croft, who is ill.\"","\"Salvatore Cordella will make his Metropolitan Opera debut as Leicester in this evening's performance of Maria Stuarda, replacing Matthew Polenzani, who is ill.\"","\"Due to the configuration of scenery backstage, the first intermission of this performance of Turandot will last approximately 45 minutes\"","\"In this evening's performance of Die Meistersinger von Nurnberg, the role of Sxtus Beckmesser will be sung by Martin Gantner, replacing Johannes Martin Kranzle, who is ill; and the role of Fritz Kothner will be sung by Ryan McKinny, replacing Mr. Gantner.\"","Program Insert: \"In this afternoon's performance of Anna Bolena, the roleof Giovanna Seymour will be sung by Milijana Nikolic, replacing Jamie Barton, who is ill.\"","Note from H. Strouss: \"This is important program.  Placido Domingo resigned from Met do [sic] to accusations of sexual misconduct.  This gave a young singer a chance.\"  Program insert: \"In tonight's performance of Macbeth, Craig Colclough will make his Met debut in the title role.\"","This program is a catalog of livestreamed and radio performances of the Met Opera during the 2019-20 season.  It is unclear how many, if any, performances took place during Covid-19 pandemic.  Placido Domingo is also listed (incorrectly) as performing in a number of performances, even after his resignation","Note from H. Strouss: \"Last event before COVID shutdown\"","Program Insert entitled \"We Stand with Ukraine\"","Program Insert entitled \"We Stand with Ukraine\"","Program Insert: \"In today's performance of Peter Grimes, Laura Wilde makes her Met debut in the role of Ellen Orford.","Program Insert: \"In today's performance of Norma, the title role will be sung by Helena Dix\"","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Program Notice: \"The Philharmonic-Symphony Society of New York notes with great sorrow the death of our esteemed colleague Aaron Copland...\"","Program Note: \"These performances are dedicated to the memory of Laureate Conductor Leonard Bernstein, whose legendary conducting debut with the New York Philharmonic took place on November 14, 1943.\"","\"In this performance of Madama Butterfly the role of Madama Butterfly will be sung by Maralin Niska\"","\"In this evening's performance of Mefistofele the role of Faust will be sung by Harry Theyard\"","June Anderson's debut performance","Please note the following cast changes due to injury. Symphony in C Third Movement: Samantha Allen will dance in place of Yvonne Borree. Fourth Movement: Stacey Calvert will dance in place of Samantha Allen","Episodes Guest Conductor: David Briskin. Please note the following cast changes, due to illness and injury. Vienna Waltzes: Joaquin De Luz will dance in place of Damian Woetzel","Please note the following cast change, due to illness and injry. Ana Sophia Scheller will dance in place of Carrie Lee Riggins","\"At this performance the role of Varya usually played by Priscilla Smith will be played by Suzanne Collins\"","\"At this performance the role of Flan usually played by John Cunningham will be played by Brian Evers and the role of Detective usually played by Brian Evers will be played by David Little\"","\"At this performance the role of Enoch Snow Jr. usually played by Duane Boutte will be played by Steven Ochoa","\"At this performance the role of Lt. Buzz Adams usually played by George Merrick will be played by Nick Mayo\"","\"WarHorse Welcomes to the Company Tessa Klein\"","\"At this performance the role of Cary Grant usually played by Tony Yazbeck will be played by Danny Gardner\"","\"At this performance the role of Homer usually played by Julian Rozzel, Jr. will be played by Tyrone Mitchell Henderson\"","Includes 2 partial programs and photocopied newspaper articles about the event.","Includes newspaper articles and protest flyer","Includes additional program detailing Stravinsky's concerts at Carnegie Hall and Town Hall.","Includes newspaper review of the performance","Includes newspaper review of the performance and Latin insert","Includes newspaper review of the performance and The Orchestra of America program","Includes newspaper review of the performance and Pittsburgh Symphony Orchestra program","Includes ticket stub","Annotation on program cover: \"I met Pablo afterwards!\"","Progam signed by Pablo Casals, Rudolf Serkin, Olga Iglesias, and Justino Diaz","Includes a duplicate program. Both programs signed by Shirley Verrett","Program signed by Maureen Forrester","Program signed by Heather Harper and Jacqueline du Pré","Includes an insert of program notes","Includes an insert of program notes","Includes torn out advertisement page","Includes an insert on the Oratorio Society of New York and a newspaper review of the concert.","Annotation on back cover: \"Boston Symphony very good Brahms #2\"","Includes a duplicate program. Includes texts \u0026 translations pamphlet and an insert about the Cleveland Orchestra","Includes newspaper review of the concert","Includes inserts about the Cleveland Orchestra and photocopies of newspaper articles with photos from the concert","Includes a duplicate program. Includes a sheet with the English translation of Hungarian text based on Psalm 55 and a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert. Annotation in the program notes that The Young Person's Guide to the Orchestra by Britten may have been played in closing","Includes a photocopied newspaper article reviewing the concert.","Includes a duplicate program. Includes German text and English translations insert for Mahler's piece as well as a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes signatures of Gerald Moore and Dietrich Fischer-Dieskau","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the performance.","Includes a pamphlet with \"A Letter to Our Subscribers from Enrich Leinsdorf\"","Includes a newspaper article reviewing the concert.","Includes a photocopy of a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes 3 newspaper articles reviewing the concert, 1 praising Elena Suliotis' recent role as Abigaille in \"Nabucco,\" 2 recent articles from another issue, and a note marking the program which reads, \"Almost a riot. Can be found on YouTube.\"","Includes a duplicate program. Includes handwritten annotations. About Gliere's Symphony No. 3 in B Minor: \"exciting, great movement, playful.\" About Debussy's \"Ibèria,\" No. 2 from Images for Orchestra: uncertain.","Includes a texts and translations pamphlet from Mahler Symphony No. 4 in G Major","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includeas a newspaper article reviewing the concert and a texts and translations insert.","Includes a photocopy of a newspaper article reviewing the concert.","Includes an insert outlining the highlights of next season.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a duplicate program.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert and an insert correcting program texts and translations.","Includes a duplicate program.","Includes a duplicate program. Includes a newspaper article reviewing the concert. One program is also signed, \"Sincerely, Leontyne Price.\"","Includes a newspaper article reviewing the concert.","Includes two complete programs and a third partial program. Inlcudes an insert correcting the program and an insert about the New Jersey Symphony Orchestra. The two complete programs is signed by Henry Lewis and Marilyn Horne. Includes another partial program with written Hebrew annotations.","Includes photocopies of a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles noting the cast change and reviewing the concert. Program is annotated to note the change.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles reviewing the concert.","Includes a texts and translations pamphlet.","Includes a 2nd smaller program","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the performance.","Includes newspaper articles reviewing the concert. Program includes annotations in Hebrew.","Includes a newspaper article reviewing the concert.","Includes an insert with texts and translations.","Missing a newspaper article referenced in a note: \"Music: Radiating Luster\" from the New York Times.","Includes an insert from the American Symphony Orchestra. Program is signed by Aaron Copland.","Includes an insert describing a conductor and program change.","Includes a newspaper article reviewing the concert.","Includes an annotation in Hebrew.","Contains a written annotation that the Wagner Taunhauser Overture was played.","Includes a duplicate program. One is autographed, \"Pete: This one you should have heard! Richard Westenburg,\" \"All things to Pete, Herbert Beattie,\" \"Franco Careccia,\" and \"With thanks, Lou Ann Lee.\" The other is autographed, \"Richard Westenburg\" and \"Thanks [unknown], Franco Careccia.\"","Includes a newspaper article reviewing the concert.","Includes a duplicate program.","Includes a duplicate program.","Includes a duplicate prorgam.","Includes a duplicate program book.","Includes an insert for the evening of the 28th.","Outlines five performances in the coming 1961-62 season and their accompanying guest soloists: November 8, 1961 with Whittemore and Lowe, duo-pianists, December 6, 1961 with Robert Rudié, violinist, Virginia Babikian, Soprano, Louise Parker, Contralto, and Don Yule, Baritone, January 10, 1962 with Claudette Sorel, pianist, and Assunta Dell'Aquila, harpist, February 14, 1962 with Aldo Parisot, and March 14, 1962 with Maureen Forrester, Contralto.","Includes a booklet on the Cleveland Orchestra's records.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a program inset that corrects the conductor for later concerts.","Includes a newspaper article describing the change of conductor and reviewing the concert as well as a newspaper article describing the previous performance and change of conductor.","Includes a newspaper article reviewing the performance.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an insert detailing the change in performers.","Includes a note that the composer of the pieces performed is the conductor.","Includes a newspaper article reviewing the concert.","Includes an insert revising the program order.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles reviewing the concert.","Incluides an insert about June Anderson.","Incluides an insert about cast substitutions.","Includes two newspaper articles reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a flyer of other concerts in the Handel Opera Festival.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an inset about the Cleveland Orchestra's 1985-86 season and a ticket for the performance bought at The Russian Tea Room.","Includes a duplicate program.","One of the ad pages contains handwritten notes saying: \"Pete and Jo: We went to this concert and then to a Thai restaurant. Peter,\" \"Pete this is the fur. Jana,\" \"Hello there! Had a great time at Watty's performance and with everyone afterwards. It's about time, we got you both. Lucas,\" \"W\"","Includes a newspaper article reviewing the concert.","There is an insert correcting that the name listed in the program to sing the Primo Cantore should read Randall Hartness.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Program for a working rehearsal.","Includes a pamphlet listing the performers in this concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an insert with the updated program.","Includes an insert describing program changes.","Includes an insert about the New York City Gay Men's Chorus holiday celebration.","Includes two inserts detailing the changes in programming.","Insert Included","Insert included","Includes a duplicate program book.","Insert included","Insert included","New York Times Article included: \"The Met Opera Orchestra Without the Met Opera\"","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Includes a duplicate program.","News Article included: \"Opera Musicians Can Share the Stage\" by Anthony Tommasini","New York Times News Article included:\"Music Review: Savoring Mahler in a Nanosecond World\" by Bernard Holland","News Article included: \"Pied Piper Who Leads March Out of the Hall\" by Anthony Tommasini","News Article included: \"Music Review: An Orchestra's Piquant Reminders of Postwar Berlin\" by James R. Oestreich","News Article included: \"Music Review: Enter Another Dazzling Mezzo\" by Anthony Tommasini","Insert included","Includes a text and translation booklet.","Insert included","Insert included.","Insert included. Program annotated to indicate change in performers","Insert included","Includes an insert for the evening of the 28th.","Contains a text and translations booklet","Revised program included.","Includes a text and translation booklet","Includes a text and translations booklet","Includes a text and translations booklet","Includes an isert denoting cast change with additional information on performer","Includes text and translation booklet","Includes a note from the donor (Henry Strouss)","Includes a duplicate program.","texts \u0026 translations pamphlet included","open working rehearsal","texts pamphlet included","texts \u0026 translations pamphlet included","texts \u0026 translations pamphlet included","Incudes a duplicate program.","Performance ticket included","Carnegie Hall Playbill \u0026 separate Richard Tucker Foundation program included","open working rehearsal","Includes a duplicate program.","Includes a duplicate program.","open working rehearsal","Includes a duplicate program. Festival overview","Includes a duplicate program.","open working rehearsal","Includes a duplicate program.","Performance ticket included","texts \u0026 translations pamphlet included","Includes a duplicate program.","Carnegie Hall Playbill \u0026 separate ASO program included","texts \u0026 translations pamphlet included","Carnegie Hall Playbill \u0026 separate Richard Tucker Foundation program included","open working rehearsal","contains German translation booklet","open working rehearsal","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an Insert","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an insert with a conductor change and Vasily Petrenko bio","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an insert with a conductor change and Yannick Nézet-Séguin bio","Includes a Texts and Translations booklet","Includes an Insert","Includes an Insert with cast change","Contains a ticket for the evening's performance","Includes an insert about broadcasting and upcoming performances","Includes 2 inserts","Includes Texts and Translations Booklet","Includes an Insert","Includes Texts and Translations Booklet","Includes 2 inserts. One is stapled to the program.","Includes an insert and a Texts and Translation Booklet","Includes an insert","Includes a cursive pencil annotation beside Paul Hindemith's Overture to The Flying Dutchman as Played by Bad Spa Orchestra at 7 AM by the Well with Jeremias Sergiani-Velázquez and Yurika Mok on violins, Mila Milisavljevic on viola and Susannah Chapman on cello","Includes a ticket","Includes an insert","Includes an insert","Includes a revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes a newspaper article","Includes a newspaper article","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes two insert, revised program and cast list","Contains a Calendar of Events for March 1986","Contains an advertisement for the Los Angeles Philharmonic","Includes an insert","Annotation","Program marked with blue ink finger print","Program contains a crude rough sketch of an open piano and a closed piano","Annotation","Program marked with partial black and pink ink finger prints","Contains an insert","Includes a News Article","Includes a newspaper article","Includes an Insert","Includes markings near May 2, 1993.","Includes pen annotation","Includes pen annotation","Includes an insert","Includes an Insert and an annotation","Includes Texts and Translations Booklet","Contains an insert - updated program","Contains a signature from George Shirley","Contains a signature from Theodor Uppman","Contains a signature from Justino Diaz","Contains signatures from Gianna D'Angelo and Nedda Casei","Contains a signature from Renata Tebaldi","Contains signatures from John Alexander and William Dooley","Contains signatures from John Alexander and William Dooley","Contains signatures from Mary Costa and Rosalind Elias","Contains a signature from William Dooley","Contains a newspaper article about the performance","Contains a signature from Jon Vickers","Contains a signature from Cornell MacNeil","Contains signatures from Martina Arroyo and Elena Cernei","Contains signatures fro Cornell MacNeil, Roberta Peters, Bonaldo Giaiotti, and Mignon Dunn","Contains a signature from Teresa Stratas","Contains a signature from Mirella Freni","Contains signatures from Mirella Freni, one signature illegible","Contains signatures from","Contains signatures from Carlo Bergonzi and Nedda Casei. One illegible signature","Contains signatures from Jon Vickers, Morley Meredith, and two illegible signatures","Contains signatures from Jon Vickers and Leonie Rysanek","Includes a signature from James McCracken","Includes a newspaper article about the performance","Includes an Insert: In this evening's performance of Die Zauberfloete, the role of the Queen of the Night will be sung by Christine Duetekom replacing Roberta Peters, who is indisposed; Belen Amparan will sing the role of the third lady replacing Nedda Casei who is indisposed","Includes a newspaper article covering the performance","Includes signatures from Theodor Uppmann and Nedda Casei","Includes two newspaper articles about the performance","Includes two newspaper articles about the performance","Helge Brilioth's debut, Includes 3 inserts","Includes a newspaper article about the performance","Includes two newspaper articles about the performance","Includes signatures from several cast members","Includes a newspaper article about the performance","Includes 5 \"New Production\" Pamphlets","Includes a newspaper article on the performance","Incldues a signature from Montserrat Caballe","Includes an Insert - 15% off Tickets to Elektra","Includes an insert, updated program","Includes two inserts, an advertisement for open Philharmonic rehersals and a pamphlet for the Save the Met Broadcasts Campaign","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, an advertisement to meet Kiri Te Kanawa","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updating program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes personal notes from Henry Strouss","Includes a pamphlet celebrating the opera's premiere and thanking the Gala Committee","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, additional program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an advertisement for a trivia event during the opera's first intermission","Includes an insert, updated program","Includes a handwritten note from Henry Strouss","Includes a handwritten note from Henry Strouss","Includes an insert, updated program","Includes an insert, updated program","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes an article covering the performance","Includes an article covering the performance","Includes signatures from Richard Taylor, Samuel Ramey, and Patricia Wells","Includes a signature from Cynthia Clarey","Includes a signature from June Anderson","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Incldues an article titled \"Parsons is shattering as Mert\"","Includes an article from Joseph Papp titled \"The Real Threepenny Opera\"","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, a list of actors playing the citizens of New Salem and Springfield","Includes an insert, updated program","Includes an insert, updated program","Includes two inserts, an article on Tessa Klein and an updated program","Opening Performance","Opening Performance","Includes an insert, cast list","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, \"The 25th Anniversary of the Fall of the Berlin Wall\"","Access to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection","Washington and Lee University, University Library Special Collections and Archives","Carnegie Hall (New York, N.Y.)","Wetzler Orchestra ","Philharmonic Society of New York","NBC Symphony Orchestra","Westminster Symphonic Choir","Little Orchestra Society","Choral Art Society","Berliner Philharmoniker","Columbia Symphony Orchestra","New York Philharmonic","Schola Cantorum (Musical group)","University of Maryland Choir","Orchestra of America","Pittsburgh Symphony Orchestra","American Opera Society","Festival Casals. Orchestra","Cleveland Orchestra. Chorus","Cleveland Orchestra","American Symphony Orchestra (New York, N.Y.)","Musica Aeterna Orchestra","Musica Aeterna Chorus","BBC Symphony Orchestra","Friends of French Opera","Boston Symphony Orchestra","Clarion Music Society","Oratorio Society of New York","Philadelphia Orchestra Association","Rutgers University. Choir","London Symphony Orchestra","Wiener Johann Strauss-Orchester","The New School","Cincinnati Symphony Orchestra","LaSalle Quartet","Concertgebouworkest","Los Angeles Philharmonic Orchestra","Collegiate Chorale","Wiener Philharmoniker","Münchener Bach-Orchester","Münchener Bach-Chor","Wiener Symphoniker","Česká filharmonie","New England Conservatory Chorus","Dessoff Choirs","Bayerischer Rundfunk. Orchester","Gosudarstvennyĭ simfonicheskiĭ orkestr SSSR","English Chamber Orchestra","Minnesota Orchestra","Hartford Symphony Orchestra","Hartford Symphony Chorale","Chicago Symphony Orchestra","New Jersey Symphony Orchestra","Chicago Symphony Chorus","Handel Society of New York","Opera Orchestra of New York","Pro Arte Festival Orchestra","Tizmoret ha-filharmonit ha-Yiśreʼelit","Leningradskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Musica Sacra (Musical group : New York, N.Y.)","Metropolitan Opera Guild","National Orchestral Association (U.S.)","Gewandhausorchester Leipzig","Detroit Symphony Orchestra","Baltimore Symphony Orchestra","New York Choral Society","Musique de la Garde républicaine de Paris","Stuttgarter Klaviertrio","Byrne Camp Chorale","Mendelssohn Club of Philadelphia","Mormon Tabernacle Choir","Orchestre de Paris","Wiener Singverein","Státní filharmonie Brno","Pražský komorní orchestr","Roger Wagner Chorale","Sacred Music Society (New York, N.Y.)","Orchestra of St. Luke's","Staatskapelle Berlin","St. Cecilia Orchestra","St. Cecilia Chorus","Tanglewood Festival Chorus","National Symphony Orchestra (New York, N.Y.)","Yale Concert Band","Wayne State University. Symphonic Chorus","Indianapolis Symphony Orchestra","Peter, Paul, and Mary (Musical group)","Cathedral of St. John the Divine (New York, N.Y.). Choir","United States Military Academy. Band","American Chamber Orchestra","Curtis Student Orchestra","St. Louis Symphony Orchestra","St. Louis Symphony Chorus","Orchestre symphonique de Montréal","London Philharmonic Orchestra","Symfonický orchestr hlavního města Prahy FOK","Worcester Chorus","Royal Philharmonic Orchestra","Rotterdams Philharmonisch Orkest","Radio-Symphonie-Orchester Berlin","Toronto Symphony","Illapu (Musical group)","Fortaleza (Musical group)","Münchner Philharmoniker","Orchestre de la Suisse romande","Boys' Choir of Harlem","Filharmonia Krakowska","Zagrebačka filharmonija","Hallé Orchestra","Chamber Orchestra of Europe","Stuttgarter Philharmoniker","Canterbury Choral Society","Staatskapelle Dresden","Princeton Pro Musica","Sveriges radios symfoniorkester","Orchestre philharmonique de Monte-Carlo","Jerusalem Symphony Orchestra","Guarneri Quartet","Buffalo Philharmonic Orchestra","SWR Radio-Sinfonieorchester Stuttgart","San Francisco Symphony Orchestra","Orchestre de Paris. Chœur","Pro Arte Chorale","Choral Arts Society of Philadelphia","New York City Gay Men's Chorus","Academy of St. Martin-in-the-Fields","Philharmonia Orchestra","National Arts Centre. Orchestra","Orchestre national d'Île-de-France","Dale Warland Singers","Piano Teachers Congress of New York","Filharmoniske selskap (Oslo, Norway). Orkester","Robert Shaw Festival Singers","Robert Shaw Festival Chorus","State Symphonic Kapelle of Moscow","Philadelphia Singers. Chorale","Orchestra and Chorus of Teatro Alla Scala","Concert Choir . of the St. Louis Children's Choirs","Rossiĭskiĭ nat︠s︡ionalʹnyĭ orkestr","Concert Chorale of New York","Philadelphia Boys Choir","Sankt-Peterburgskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Tokyo College of Music Symphony Orchestra","Chorus Viennensis","Wiener Sängerknaben","New York Grand Opera Company. New York Grand Opera ","Metropolitan Opera (New York, N.Y.). Orchestra","Mariinskiĭ teatr (1991- ). Orkestr","Collegium vocale (Ghent, Belgium)","Chapelle royale de Paris (Musical group)","Robert Shaw Choral Institute. Singers","Theodore Presser Company","Arnold Schoenburg Choir (Vienna)","The United States Navy Band","Sea Chanters Chorus","Cathedral of St. John the Divine (New York, N.Y.). Chorister Boys","Zhong yang min zu yue tuan (Beijing, China)","Atlanta Symphony Orchestra","Deutsches Symphonie-Orchester Berlin","Sibelius-Akatemia (Helsinki, Finland). Sinfoniaorkesteri","Atlanta Symphony Chamber Chorus","London Sinfonietta","Dallas Symphony Chorus","Mendelssohn Choir of Pittsburgh","Metropolitan Opera (New York, N.Y.). Chorus","Budapesti Fesztiválzenekar","Bach Collegium Japan","University of Puerto Rico Centennial Chorus","Westchester Philharmonic","Manhattan Philharmonic","Russian Chamber Chorus of New York","Fathy Salama Orchestra","The Scott Choral Artists of New York City","Sweet Honey in the Rock","Musica Sacra Chorus and Orchestra","Kremerata Baltica (Musical group)","Schweizerisches Festspielorchester","American Academy in Berlin","Orquesta Sinfónica Simón Bolívar","Thurgood Marshall Academy for Learning and Social Change (Harlem, New York, N.Y.)","Mariinskiĭ teatr (1991- ). Khor","Weill Music Institute ","Brooklyn Philharmonic Symphony Orchestra","New York City Opera. Orchestra","Marilyn Horne Foundation","Orchestra barocca di Venezia","Chapelle de Québec","Orfeón Pamplonés","Saitō Kinen Ōkesutora","NHK Symphony Orchestra Tokyo","Tafelmusik Baroque Orchestra","Morgan State University. Choir","Manhattan Symphony Orchestra","Chorus la Preghiera","Europa galante (Musical group)","World Orchestra for Peace","Monteverdi Choir","Ensemble de Metales de Venezuela","West-Eastern Divan Orchestra","English Concert (Musical group)","Studio de musique ancienne de Montréal","Ensemble Matheus","PALS Children's Chorus","Manhattan Girls Chorus","Arcangelo . Arcangelo (Ensemble)","New York Choral Artists","Brooklyn Youth Chorus","Rochester Philharmonic Orchestra","Winnipeg Symphony Orchestra","Beogradska filharmonija","Teatro regio (Turin, Italy). Coro","Mahler Chamber Orchestra","Tallis Scholars","Fretwork","Distinguished Concerts International New York. DCINY","St. Michael's Church (New York, N.Y.)","Curtis Opera Theatre","Orlando Consort","Dover Quartet","Atlanta Symphony Chorus","Philharmonia Baroque Orchestra","World Projects Corporation","Trio Mediaeval","Richard Tucker Music Foundation","Accademia Bizantina","Il Pomo d'Oro","Hespèrion XXI (Musical group)","Le Concert des Nations","TENET (Musical group)","Quicksilver (Baroque music group)","MasterVoices (Musical group)","Cappella Mediterránea","Concerto italiano (Musical group)","Lorelei Ensemble","Cherry Orchard Festival Foundation","Akademie für Alte Musik Berlin","University Singers. Washington and Lee University (Washington and Lee University)","Bard Music Festival. Chorale","Opus 3 Artists","Arpeggiata (Musical group)","Accademia di Santa Cecilia. Orchestra","Guo jia da ju yuan (Beijing, China). Guan xian yue tuan","Bayerisches Staatsorchester","Bayerische Staatsoper München","Bayerische Staatsoper München. Chor","Emerson String Quartet","Les Violons du Roy","Pražský filharmonický sbor","New York Baroque Incorporated. NYBI","Clarion Choir","Jean \u0026 Jula Goldwurm Memorial Foundation","National Youth Orchestra of the United States of America. NYO-USA","Juilliard School","Juilliard Orchestra","Apollo's Fire (Musical group)","Gerda Lissner foundation","The Liederkranz Foundation","El Mundo","Concerto Köln (Musical group)","The Crossing","Arts florissants (Musical group)","Frederic Chopin International Competition","Lincoln Center for the Performing Arts","Alice Tully Hall (New York, N.Y.)","Chamber Music Society of Lincoln Center","Philharmonica Chamber Orchestra","Queens Symphony Orchestra","American Ballet Theatre","Greek Choral Society","The Canticum Novum Singers","National Chorale","The St. Paul Chamber Orchestra ","Westminster Choir","Israel Philharmonic Orchestra","BBC Concert Orchestra","The Central Band of the Royal Air Force","Red Star Red Army Chorus and Dance Ensemble","Russian State Symphony Orchestra","Lark String Quartet","Imperial Bells Ensemble of China","New York City Opera Children's Chorus","City of Birmingham Symphony Orchestra","Berlin Philharmonic Piano Quartet","Orchestra of the Royal Opera House, Covent Garden","London Symphony Chorus","Rutgers University Kirkpatrick Choir","Orchestra of the Age of Englightenment","Bartók Quartet. The Bartók Quartet","Gabrieli Quartet","Cleveland Quartet","Beaux Arts Trio","Orion String Quartet","Bill T. Jones/Arnie Zane and Company","Miami String Quartet","Alvin Ailey American Dance Theater","Royal Opera House","Gesher Theatre","The Abbey Theatre","Bolshoi Ballet","National Theatre of Scotland (Glasgow, Scotland, United Kingdom)","New Orleans Own Hot 8 Brass Band","The Blind Boys of Alabama","Théâtre des Bouffes du Nord","Royal Shakespeare Company (Stratford-upon-Avon, England)","Mariinsky Ballet","Paris Opera Ballet","Jiangsu Yancheng Acrobatic Company","Ninagawa Company","Shakespeare's Globe","Takarazuka Revue","Metropolitan Opera","Ballet Nacional de Cuba","John Curry Skating Company","Mitzi E. Newhouse Theater","Lincoln Center Theater (New York, N.Y.)","Lincoln Center Jazz Orchestra","David H. Koch Theater","New York City Opera","Teatro Nuovo","Vivian Beaumont Theater","Strouss, Henry  (Henry Strouss III ), Class of 1961","Paderewski, Ignace Jan, 1860-1941","Toscanini, Arturo, 1867-1957","Heifetz, Jascha, 1901-1987","Williamson, John Finley, 1887-1964","Rachmaninoff, Sergei, 1873-1943","Enesco, Georges, 1881-1955","Menuhin, Yehudi, 1916-1999","Perlea, Jonel, 1900-1970","Sándor, György, 1912-2005","Scherman, Thomas (Thomas Kielty) (19170212-19790514)","Jonson, William (19721121)","Karajan, Herbert von (1908-04-05-1989-07-16)","Stravinsky, Igor, 1882-1971","Craft, Robert (Robert Lawson) (1923-10-20-2015-11-10)","Bernstein, Leonard, 1918-1990","Horszowski, Mieczyslaw (18920623-19930522)","Nixon, Marni (1930-02-22-2016-07-24)","Ross, Hugh (Hugh Cuthbert Melville), 1898-1990","Springmann, Fague","Bach, Johann Sebastian, 1685-1750","Dunn, Thomas, 1925-2008","Korn, Richard, 1908-1981","Whittemore, Arthur Austin (1916-10-23-1984-10-23)","Lowe, Jack (Jack Warren), 1917-1996","Steinberg, William (Hans Wilhelm), 1899-1978","Haydn, Joseph (Franz Joseph), 1732-1809","Bruckner, Anton (Josef Anton), 1824-1896","Gluck, Christoph Willibald, Ritter von, 1714-1787","Remoortel, Edouard van, 1926-1977","Hillis, Margaret, 1921-1998","Oxenburg, Allen Sven (1927-07-10-1992-07-02)","Nilsson, Birgit (19180517-20051225)","Shaw, Robert (Robert Lawson), 1916-1999","Casals, Pablo, 1876-1973","Schneider, Alexander, 1908-1993","Szell, George, 1897-1970","Firkušný, Rudolf, 1912-1994","Mozart, Wolfgang Amadeus (1756-1791)","Mahler, Gustav, 1860-1911","Lawrence, Robert, 1912-1981","Gardelli, Lamberto (19151108-19980717)","Costa, Mary","Simionato, Giulietta (19100512-20100505)","Istomin, Eugene (1925-11-26-2001-10-10)","Stern, Isaac, 1920-2001","Rose, Leonard (19180727-19841116)","Hurok, Sol, 1888-1974","Iglesias, Olga","Díaz, Justino ([1939-01-29,1940-01-29])","Serkin, Rudolf, 1903-1991","Beethoven, Ludwig van, 1770-1827","Richter-Haaser, Hans, 1912-1980","Lynn, George, 1915-1989","Verrett, Shirley (1931-05-31-2010-11-05)","Waldman, Frederic (1903-04-17-1995-12-01)","Handel, George Frideric, 1685-1759","Forrester, Maureen","Dorati, Antal (1906-04-09-1988-11-13)","Harper, Heather (Heather Mary) (1930-05-08-2019-04-22)","Du Pré, Jacqueline, 1945-1987","Gedda, Nicolai (1925-07-11-2017-01-08)","Gorr, Rita (1926-02-18-2012-01-22)","Elgar, Anne","Uppman, Theodor, 1920-2005","Leinsdorf, Erich, 1912-1993","Frank, Claude, 1925-2014","Brahms, Johannes, 1833-1897","Stokowski, Leopold (Leopold Anthony), 1882-1977","Katz, David (1924-1987)","Serebrier, José, 1938-","Gerstman, Felix, -1967","Jenkins, Newell (1915-02-08-1996-12-21)","Lee, T. Charles, 1914-1994","Warfield, William (1920-01-22-2002-08-25)","Woodside, Lyndon","Silverstein, Joseph (Joseph Harry), 1932-2015","Eskin, Jules (Jules Louis) (1931-10-20-2016-11-15)","Laredo, Jaime","Curtin, Phyllis (1921-12-03-2016-06-05)","Valletti, Cesare","Reardon, John, 1930-1988","Ormandy, Eugene, 1899-1985","Walter, F. Austin","Bjoner, Ingrid","Rossini, Gioacchino, 1792-1868","Arroyo, Martina (19360202)","Chookasian, Lili (1921-08-01-2012-04-10)","Bergonzi, Carlo (19240713-20140725)","Kertész, István, 1929-1973","Ilosfalvy, Róbert, 1927-2009","Ashkenazy, Vladimir (Vladimir Davidovich), 1937-","Piatigorsky, Gregor, 1903-1976","Koni︠u︡s, I︠U︡. (I︠U︡liĭ), 1869-1942","Oliver, John, 1939-2018","DeVaron, Lorna Cooke, 1921-2018","Strauss, Eduard, 1910-1969","Koller, Dagmar","Kraeutler, Walter","Strauss, Johann, 1825-1899","Ghiaurov, Nicolai, 1929-2004","Wolff, Beverly","Debussy, Claude (Achille-Claude), 1862-1918","Donizetti, Gaetano (Domenico Gaetano Maria), 1797-1848","Lewis, Henry, 1932-1996","Cava, Carlo (1928-08-16-2018-09-01)","Souliotis, Elena, 1943-2004","Jones, Gwyneth, 1936-","Cherubini, Luigi, 1760-1842","Bottion, Aldo","Tree, Michael, 1934-2018","Parnas, Leslie (1931-11-11-2022-02-01)","Glickman, Loren","Rudolf, Max, 1902-1995","Hoffman, Jay K.","Kiviniemi, Aimo J., 1918-2009","Jenness, Phyllis, 1922-","Brooks, Patricia (Patricia Anne), 1933-1993","Carringer, Walter (2006-10-22)","Giaiotti, Bonaldo (1932-12-25-2018-06-12)","Arrau, Claudio, 1903-1991","Wilson, Charles M., 1931-2019","Sills, Beverly (1929-05-25-2007-07-02)","Fischer-Dieskau, Dietrich, 1925-2012","Moore, Gerald Martin","Schumann, Robert (Robert Alexander), 1810-1856","Paskalis, Kostas","Gamson, Arnold","Caballé, Montserrat (Maria de Montserrat Viviana Concepción) (1933-04-12-2018-10-06)","Schubert, Franz","Schwarzkopf, Elisabeth (Olga Maria Elisabeth Friederike) (1915-12-09-[2006-08-02,2006-08-03])","Crochet, Evelyne","Haitink, Bernard (Bernard Johan Herman), 1929-2021","Henkemans, Hans (19131223-19951229)","Mehta, Zubin (19360429)","Cliburn, Van, 1934-2013","Adler, Murray","Lowenthal, Jerome (19320211)","Laurence, Eileen","Khanzadian, Vahan","Prince-Joseph, Bruce, 1925-2015","Kaplan, Abraham, 1931-","Böhm, Karl, 1894-1981","Richter, Karl, 1926-1981","Halem, Victor von (1940-03-26)","Gilles, Marie-Louise","Kesteren, John van, 1921-2008","Boky, Colette","Sawallisch, Wolfgang, 1923-2013","Slovák, Ladislav, 1919-1999","Dvorak, Antonin","Smetana, Bedřich, 1824-1884","Smith, Gregg (1931-08-21-2016-07-12)","Self, William","Solomon, Izler, 1910-1987","Ricci, Ruggiero, 1918-2012","Webern, Anton (Anton Friedrich Wilhelm von), 1883-1945","Cillario, Carlo Felice (19150207-20071213)","Callas, Maria, 1923-1977","Milanov, Zinka (1906-05-17-1989-05-30)","Ravel, Maurice (Joseph Maurice), 1875-1937","Falla, Manuel de, 1876-1946","Glière, Reinhold Morit︠s︡evich, 1875-1956","Weissenberg, Alexis (Alexis Sigismond) (1929-07-26-2012-01-08)","Ferras, Christian, 1933-1982","Verdi, Giuseppe","Ross, Elinor, 1926-2020","Vogt, Richard","Otterloo, Willem van (19071227-19780727)","Franck, César (César-Auguste-Jean-Guillaume-Hubert), 1822-1890","Newmark, John (1904-06-12-1991-10-17)","Tucci, Gabriella (1929-08-04-2020-07-09)","Baker, Janet, 1933-","Duval, Pierre, (Tenor)","Talvela, Martti (19350204-19890722)","Bonynge, Richard (1930-09-29)","Sutherland, Joan (Joan Alston), 1926-2010","Fischer, Annie (1914-07-05-1995-04-11)","Francescatti, Zino (Zino René-Charles), 1902-1991","Walton, William (William Turner), 1902-1983","Tchaikovsky, Peter Ilich, 1840-1893","Mandac, Evelyn","Litton, James H.","McCollum, John","Berberian, Ara (1930-05-14-2005-02-21)","Cleva, Fausto (19020517-19710806)","Tebaldi, Renata (1922-02-01-2004-12-19)","Saciuk, Andrzej","Previn, André (André George), 1929-2019","Novaes, Guiomar (1895-02-28-1979-03-07)","Tyler, Veronica","Paray, Paul, 1886-1979","Entremont, Philippe (1934-06-07)","Smith, William, 1924-1993","Wagner, Richard, 1813-1883","Sollberger, Sophie, 1934-","Bonazzi, Elaine (1936?-2019-01-29)","Sokol, Thomas A., 1929-","Shetler, Norman","Kubelík, Rafael, 1914-1996","Janáček, Leoš, 1854-1928","Weber, Carl Maria von (Carl Maria Friedrich Ernst von), 1786-1826","Hindemith, Paul, 1895-1963","Endich, Saramae","Milnes, Sherrill (19350110)","Munch, Charles, 1891-1968","Jochum, Eugen (19021101-19870326)","Svetlanov, Yevgeny, 1928-2002","Rostropovich, Mstislav, 1927-2007","Mussorgsky, Modest Petrovich, 1839-1881","Shostakovich, Maxim, 1938-","Sokolov, Grigoriĭ, 1950-","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975","Giulini, Carlo Maria (1914-05-09-2005-06-14)","Barenboim, Daniel, 1942-","Zukerman, Pinchas, 1948-","Allen, Betty, 1927-2009","Markevitch, Igor, 1912-1983","Strauss, Richard, 1864-1949","Killmer, Nancy","Garniez, Nancy","Villa-Lobos, Heitor (1887-03-05-1959-11-17)","Rorem, Ned, 1923-2022","Tilson Thomas, Michael, 1944-","Wolf, Hugo (Hugo Filipp Jakob), 1860-1903","Boulez, Pierre, 1925-2016","Lane, Louis (Louis G.) (1923-12-25-2016-02-15)","Semkow, Jerzy, 1928-2014","Skrowaczewski, Stanisław (Stanisław Paweł Stefan Jan Sebastian), 1923-2017","Trautwein, George William (1927)","Winograd, Arthur (1920-04-22-2010-04-22)","Solti, Georg, 1912-1997","Mazer, Henry, 1918-2002","Scovotti, Jeanette","Simon, Joanna, 1940-","Riegel, Kenneth (19380419)","Patrick, Julian, 1927-2009","Cortez, Viorica (1935-12-26)","Cochran, William (1943-06-23)","Carmeli, Boris (1928-04-23-2009-07-31)","Horne, Marilyn (1934-01-16)","Lupu, Radu, 1945-2022","Price, Leontyne (Mary Violet Leontyne) (1927-02-10)","Garvey, David, 1922-1995","Simon, Stephen (Stephen Anthony), 1937-2013","Morell, Barry","Estes, Simon (1938-02-02)","Blegen, Judith (19410427)","Steffan, Sofia","Quilico, Louis","Lo Monaco, Jerome (1925-2002)","Walker, Mallory (1935-05-22)","Nelson, John, 1941-","Cassilly, Richard, 1927-1998","Ellis, Brent","Ostendorf, John, 1945-","Berlioz, Hector, 1803-1869","Parsons, Geoffrey (Geoffrey Penwill) (1929-06-15-1995-01-26)","Zanetti, Miguel","Katz, Martin (Martin E.), 1945-","Burrows, Stuart (1933-02-07)","Stella, Antonietta (19290315)","Manuguerra, Matteo (1924-10-05-1998-08-23)","Carter, Elliott (Elliott Cook), 1908-2012","Dougherty, Lee","Dale, Clamma (1948-07-04)","Tal, Josef, 1910-2008","Bloch, Ernest, 1880-1959","Maazel, Lorin, 1930-2014","Siepi, Cesare (19230210-20100705)","Veasey, Josephine (1930-07-10-2022-02-22)","Savoie, Robert, 1927-2007","Soyer, Roger (1939-09-01)","Gniewek, Raymond, 1931-","Brozzesi, Franco","Plishka, Paul, 1941-","Aks, Harold","Abbado, Claudio (1933-06-26-2014-01-20)","Mravinsky, Yevgeny, 1903-1988","Tretʹi︠a︡kov, Viktor, 1946-","Arkhipova, Irina, 1925-2010","Westenburg, Richard","Bogard, Carole","Collins, Daniel, (Countertenor)","Bressler, Charles (1926-04-01-1996-11-28)","Anderson, Richard, (Bass)","Bruson, Renato (19360113)","Eda-Pierre, Christiane (1932-03-24-2020-09-06)","West, Jon Fredric, 1952-","Di Stefano, Giuseppe, 1921-2008","Sutherland, Robert, (Pianist)","Ludwig, Christa (1928-03-16-2021-04-24)","Pruett, Jérôme","Barzin, Leon (1900-11-27-1999-08-29)","Glaze, Gary","Masur, Kurt (1927-07-18-2015-12-19)","Lorenz, Siegfried, 1945-","Reger, Max, 1873-1916","Magad, Samuel, 1932-","Zeitlin, Ralph William","Still, Ray (19200312-20140312)","Hesse, Ruth","Ulfung, Ragnar (Ragnar Sigurd), 1927-","Hamari, Julia (19421121)","McCoy, Seth, 1928-1997","Ceccato, Aldo","Hollander, Lorin, 1944-","Bamert, Matthias (19420705)","Page, Robert (Robert Elza), 1927-2016","Kurtz, Eugene, 1923-2006","Lewis, William (William L.), 1931-","Perlman, Itzhak, 1945-","Comissiona, Sergiu (1928-20050305)","Prokofiev, Sergey (Sergey Sergeyevich), 1891-1953","Menuhin, Hephzibah, 1920-1981","Kraus, Alfredo","Elvira, Pablo, 1937-2000","Akiyama, Kazuyoshi, 1941-","Davenny-Wyner, Susan","De Cormier, Robert (Robert Romeo) (1922-01-07-2017-11-07)","Brendel, Alfred (1931-01-05)","Boutry, Roger (1932-02-27-2019-09-07)","Mendelssohn-Bartholdy, Felix, 1809-1847","Schröder-Feinen, Ursula","Tyl, Noel, 1936-","Copland, Aaron, 1900-1990","Rabbai, Joseph","Anagnost, Dino","Scotto, Renata, 1934-","Madden, Donald, 1933-1983","Aler, John (19491004)","Burchinal, Frederick (1948-12-07)","Harris, Roy, 1898-1979","Quivar, Florence (1944-03-03)","Davis, Eileen, (Mezzo-soprano)","Leonhard, Monika, 1942-","Kussmaul, Rainer","Hahn, Klaus-Peter, 1944-","Domingo, Plácido, 1941-","Bumbry, Grace, 1937-2023","Bergquist, Eleanor","Chudy, Natalya","Rampal, Jean-Pierre, 1922-2000","Zukerman, Eugenia","Sanders, Samuel (19370627-19990709)","Lauridsen, Beverly (1945-1994)","Armstrong, Sheila (19420813)","Davis, Colin (Colin Rex), 1927-2013","Ozawa, Seiji, 1935-","Liszt, Franz, 1811-1886","Larrocha, Alicia de (1923-05-23-2009)","Bailey, Norman (Norman Stanley), 1933-2021","Martin, Janis (Janis Lenere) (19390816-20141214)","Ottley, Jerold D. (Jerold Don) (1934-04-07)","Ripplinger, Donald (Donald Hilton) (1927)","Schreiner, Alexander, 1901-1987","Cundick, Robert (Robert Milton), 1926-2016","Longhurst, John (1940)","Levine, James, 1943-2021","Ewing, Maria (Maria Louise) (1950-03-27-2022-01-09)","Flummerfelt, Joseph (Joseph Ross) (1937-02-24-2019-03-01)","Minton, Yvonne (19381204)","Ward, David, 1922-1983","Dam, José van (1940-08-25)","Froschauer, Helmuth (1933-09-22-2019-08-18)","Tomowa-Sintow, Anna, 1941-","Baltsa, Agnes (1944-11-19)","Krenn, Werner","Freni, Mirella, 1935-2020","Cossotto, Fiorenza (19350422)","Beattie, Herbert, 1926-2019","Careccia, Franco","Lee, Lou Ann","Taylor, Rose (Rose Audrey) (19450401-20130914)","Gilels, Emil (1916-10-19-1985-10-14)","Rintzler, Marius","Swing, Peter Gram","Brooks, Tamara (1941-09-11-2012-05-19)","Hanson, Donald, (Conductor)","Waldhans, Jiři, 1923-1995","Bělohlávek, Jiří (1946-02-24-2017-05-31)","Krajný, Boris (1945-11-28)","Wagner, Roger, 1914-1992","Hendricks, Barbara (1948-11-20)","Albin, Gene (Gene V.), 1934-","Lebherz, Louis","Hurwood, Bonnie","Haywood, Lorna","Love, Shirley (1940-01-06)","Norman, Jerold","Smith, Malcolm, 1933-","Mickelson, Randolph","Masini, Gianfranco","Kenny, Yvonne (19501125)","Palmer, Felicity (19440406)","Gelber, Bruno-Leonardo, 1941-","Levitt, Arthur, 1931- ","Weill, Sandy","Wolfensohn, James D.","Bass, Robert, 1953-2008","Randolph, David (19141221-20100512)","Goodwin, John Daly","Carneiro, Joana, 1976-","Coorey, Matthew, 1973-","Johns, Kynan","Lehner, Manfred Hermann","Zhang, Xian, 1973-","Rattle, Simon, 1955-","Carey, Eric","Roset, Julie","Switzer, Erika","Kreisler, Fritz, 1875-1962","Lamson, Carl (1878-11-27-1966-03)","Gould, Morton, 1913-1996","Burton, Philip (Philip Henry), 1904-1995","Geer, Will (1902-03-09-1978-04-22)","Rodgers, Gaby","Martin, Ian, 1912-1981","O'Casey, Sean, 1880-1964","Parisot, Aldo (Aldo Simões) (1918-09-30-2018-12-29)","Sorel, Claudette, 1932-1999","Rudié, Robert (1919-2012-03-04)","Kempff, Wilhelm, 1895-1991","Druian, Rafael (19220120-20020906)","Robison, Paula (1941-06-08)","Isepp, Martin","Prey, Hermann, 1929-1998","Edwards, Ryan","Pfitzner, Hans (Hans Erich), 1869-1949","Gagnon, Roland","Hirst, Grayson","Belling, Susan","Porrello, Joseph","Metcalf, William, 1934-1997","Giovaninetti, Reynald","Floyd, Alpha","Kubiak, Teresa, 1937-","Howell, Gwynne (Gwynne Richard) (19380613)","Von Stade, Frederica (19450601)","Berman, Lazar (19300226-20050206)","Busoni, Ferruccio, 1866-1924","Popp, Lucia (1939-11-12-1993-11-16)","Glinka, M. I. (Mikhail Ivanovich), 1804-1857","Scriabin, Aleksandr Nikolayevich, 1872-1915","Vishnevskai︠a︡, Galina (Galina Pavlovna), 1926-2012","Knie, Roberta (1938-03-13-2017-03-16)","Demus, Jörg (Jörg Wolfgang), 1928-2019","Sousa, John Philip, 1854-1932","Brion, Keith (1933-07-09)","Nagel, Robert (Robert Earl) (1924-9-29-2016-06-05)","Swallow, John (John Warner), 1924-2012","Watts, Andre (1946-06-20-2023-07-12)","Weikl, Bernd (1942-07-29)","Söderström, Elisabeth (Anna Elisabeth), 1927-2009","Grobe, Donald (1929-12-16-1986-04-01)","Zoghby, Linda","Massenet, Jules, 1842-1912","Martinovich, Boris","Kniplová, Naděžda (1932-04-18-2020-01-14)","Schoenberg, Arnold, 1874-1951","Gottschalk, Louis Moreau","List, Eugene, 1918-1985","Savant, Victor","Shookhoff, William","Tenzi, Fausto","Verdejo, Awilda","Estes, Richard, 1948-","Ricciarelli, Katia (1946-01-16)","Hinds, Ruby","Gonzalez, Dalmacio (1945-05-12)","Johns, William, 1940-","Davis, Osceola","Muti, Riccardo (1941-07-28)","Buchanan, Isobel","Varady, Julia","Suzuki, Hidetaro, 1937-","Mroz, Leonard (Leonard Andrzej)","Gulyás, Dénes (1954)","Kazaras, Peter (1956)","Maurice, Glenda (1939-12-16-2013-4-16)","Britton, David, (Tenor)","Opalach, Jan (19500902)","Devia, Mariella (1948)","Delibes, Léo (Clément Philibert Léo), 1836-1891","Rao, Doreen","Bernard, Annabelle","Hancock, Gerre (Gerre Edward), 1934-2012","Castro Alberty, Margarita","Yarrow, Peter, 1938-","Stookey, Paul (Noel Paul), 1937-","Travers, Mary (Mary Allin), 1936-2009","Moore, Undine S. (Undine Smith) (1904-08-25-1989-02-06)","Halley, Paul (1952)","Randall, Tony (1920-02-26-2004-05-17)","Boito, Arrigo, 1842-1918","Andrade, Rosario","Rice, Laura Brooks","Hong, Hei-Kyung","deVaughn, Alteouise","Creech, Philip (1950-06-01)","Woodley, Arthur (1949)","Margalit, Israela (1944)","Behrens, Hildegard (1937-02-09-2009-08-18)","Vejzović, Dunja, 1943-","Dvorský, Peter, 1951-","Bogart, John-Paul (1952-09-17)","Sessions, Roger (Roger Huntington), 1896-1985","Spierer, Léon","Atzmon, Moshe","Patanè, Giuseppe, 1932-1989","Krilovici, Marina","Blake, Rockwell (1951-01-10)","Renzetti, Donato, 1950-","Burns, Stephen, 1959-","Phillips, Daniel (1960)","Phillips, Todd, (Violinist)","Anderson, June, 1952-","Roloff, Roger","Tokody, Ilona","Crafts, Edward","Barker, Charles","Rogoff, Rony","Ginastera, Alberto, 1916-1983","Boozer, Brenda","Weikert, Ralf","Cuberli, Lella (1945-09-29)","Merritt, Chris (Chris Allan), 1952-","Davis, Andrew, 1944-","Kahane, Jeffrey, 1956-","Gielen, Michael (Michael Andreas), 1927-2019","Kramer, Jonathan D. (Jonathan Donald), 1942-2004","Putnam, Ashley (1952-08-10)","Masterson, Valerie","Marriner, Neville (1924-04-15-2016-10-02)","Kocsis, Zoltán (1952-05-30-2016-11-06)","Pollini, Maurizio, 1942-","Neumann, Václav, 1920-1995","Leech, Richard, (Tenor)","Wilson, Neil, 1956-2000","Slatkin, Leonard (Leonard Edward) (1944-09-01)","Elgar, Edward (1857-06-02-1934-02-23)","Adams, John (John Coolidge), 1947-","Comet, Catherine","Montgomery, Kenneth","Thomas, Ambroise (Charles Louis Ambroise), 1811-1896","Rolandi, Gianna","McCauley, Barry (1950-06-25-2001-10-10)","Mack, John (John W.) (1927-10-30-2006-07-23)","Majeske, Daniel (Daniel Harold) (1932-09-17-1993-12-01)","Geber, Stephen","Vernon, Robert, (Violist)","Monk, Allan (19420819)","Dimitrova, Gena Macheva, 1941-2005","Stoltzman, Richard (1942-07-12)","Miranda, Sharon Moe","Marková, Jiřina","Wenkel, Ortrun","Dutoit, Charles (19361007)","Petkov, Dimitŭr, 1938-","Tennstedt, Klaus, 1926-1998","Cappuccilli, Piero (19291109-20050712)","Jones, Gwendolyn, (Mezzo-soprano)","Mackerras, Charles, 1925-2010","Gall, Jeffrey (1950-09-19)","Honegger, Arthur (Oscar-Arthur), 1892-1955","Marier, Theodore (Theodore Norman) (1912-10-17-2001-02-24)","Blahušiaková, Magdaléna","Sylvester, Michael, 1955-","Kusnjer, Ivan, 1951-","Leppard, Raymond (Raymond John) (1927-08-11-2019-10-22)","Kavrakos, Dimitri","Troyanos, Tatiana (1938-09-12)","Berg, Alban, 1885-1935","Hagegård, Håkan (1945-11-25)","Battle, Kathleen","Neikrug, Marc (Marc Edward), 1946-","Jin, Li, 1969-","Bruch, Max (Max Christian Friedrich), 1838-1920","Conlon, James, 1950-","Chailly, Riccardo, 1953-","Mintz, Shlomo, 1957-","Ameling, Elly (19340208)","Bouleyn, Kathryn","Lalo, Édouard (Édouard-Victoire-Antoine), 1823-1892","Vento, Marc, 1936-","Ciurca, Cleopatra","Myers, Lorna","Cole, Vinson (1950-11-21)","Jacobs, René (1946)","Taylor, Janice","Albert, Donnie Ray","Schafer, R. Murray (Raymond Murray) (1933-07-18-2021-08-14)","Dohnányi, Christoph von","Valentin, Dave (1952-04-29-2017-03-08)","Mauceri, John (1945-09-12)","Jordan, Armin (1932-04-09-2006-09-20)","Holliger, Heinz (1939-05-21)","Faulkner, Julia","Wheeler, Kimball (194u)","Chopin, Frédéric (Frédéric François), 1810-1849","Lloyd Webber, Andrew, 1948-","McGovern, Maureen (Maureen Therese) (1949-07-27)","Hillyer, Kazuko","Caddick, David","Turnbull, Walter J. , Dr.","Penderecki, Krzysztof (Krzysztof Eugeniusz), 1933-2020","Ma, Yo-Yo, 1955-","Strugała, Tadeusz, 1935-","Szymanowski, Karol, 1882-1937","Di Domenico, Dino","Wild, Earl (19151126-20100123)","Dešpalj, Pavle (1934-06-18)","Dešpalj, Valter","Sorkočević, Luka, 1734-1789","Beňačková-Čápová, Gabriela (1944-03-25)","Glassman, Allan","Dutilleux, Henri, 1916-2013","Milcheva, Aleksandrina (19340927)","Curry, Diane","Lamberti, Giorgio, 1938-","Gordon, David, 1947-","Toradze, Alexander","St. Clair, Carl (Carl Ray) (19520605)","Verrot, Pascal, 1959-","Hines, Jerome, 1921-2003","Harrell, Lynn (1944-01-30-2020-04-27)","Vivaldi, Antonio, 1678-1741","Lutosławski, Witold, 1913-1994","Parker, Jon Kimura, 1959-","Britten, Benjamin (Edward Benjamin), 1913-1976","Zimmermann, Frank Peter (1965)","Bizet, Georges (Georges Alexandre César Léopold), 1838-1875","Mehlig, Karl","Barber, Samuel (Samuel Osborne), 1910-1981","Matthus, Siegfried (1934-04-13)","Hauschild, Wolf-Dieter, 1937-","Licad, Cecile, 1961-","Walker, Charles Dodsley (1920-03-16-2015-03-21)","Barron, Jennifer","Burgess, Mary, (Mezzo-soprano)","Frager, Malcolm (19350115-19910620)","Schmidl, Peter","Henze, Hans Werner, 1926-2012","Bychkov, Semyon, 1952-","Fauré, Gabriel (Gabriel Urbain), 1845-1924","Kodály, Zoltán, 1882-1967","Larson, Sophia","McNair, Sylvia, (Soprano)","Cohen, Franklin, 1946-","Glass, Philip (1937-01-31)","Meyerbeer, Giacomo, 1791-1864","Slade, Frances F.","Mims, Marilyn, 1962-","Damrosch, Leopold, 1832-1885","Kalt, Frederic","Poppen, Diemut","Lester, Richard, 1959-","Giordano, Umberto, 1867-1948","Polozov, Vi︠a︡cheslav","Salvadori, Antonio, 1949-2006","Salonen, Esa-Pekka, 1958-","Lin, Cho-Liang, 1960-","Blomdahl, Karl-Birger, 1916-1968","Nielsen, Carl, 1865-1931","Ochman, Wiesław (1937-02-06)","Foster, Lawrence, 1941-","Labèque, Katia ([1950-03-03,1950-03-11])","Labèque, Marielle (1952-03-06)","Dukas, Paul (Paul Abraham), 1865-1935","Spohr, Louis, 1784-1859","Ben-Haim, Paul, 1897-1984","Temirkanov, I︠U︡. (19381210)","Pavlovsky, Eduardo A. (Eduardo Alejo) (1933-12-10-2015-10-04)","Quipildor, Zamba","Warrick-Smith, Pamela","Ramírez, Ariel (1921-09-21-2010-02-18)","Poulenc, Francis (Francis Jean Marcel), 1899-1963","Zinman, David (19460709)","Bunin, Stanislav, 1966-","Glazunov, Aleksandr Konstantinovich, 1865-1936","Bellini, Vincenzo, 1801-1835","Tumagian, Eduard","Giacomini, Giuseppe (1940-09-07-2021-07-28)","Todisco, Nunzio","Brister, Wanda","Marton, Eva (1943-06-18)","Cairns, Christine","Rouillon, Philippe","Meier, Waltraud (19560109)","Oldham, Arthur (Arthur William), 1926-2003","Roark-Strummer, Linda (1952)","D'Intino, Luciana (1959)","Folse, Bart","Coni, Paolo","Millo, Aprile","Perahia, Murray (1947-04-19)","Ax, Emanuel (19490608)","Norman, Jessye (1945-09-15-2019-09-30)","Deibler, Seán","Persichetti, Vincent (Vincent Ludwig), 1915-1987","Bronfman, Yefim (1958-04-10)","Lourié, Arthur (Arthur Vincent), 1892-1966","Midori, 1971-","Miller, Gary, (Conductor)","Marc, Alessandra","Sinopoli, Giuseppe (1946-11-02-2001-04-21)","Herbig, Gunther (1931-11-30)","Chmura, Gabriel (1946)","Schuman, Patricia, 1954-","Mentzer, Susanne (19570121)","Stairs, Michael (Michael Ondon) (2018-08-11)","Uchida, Mitsuko, 1948-","Finley, David-Marc","Kulko, Oleg","Järvi, Neeme (1937-06-07)","Kitaenko, Dmitriĭ (Dmitriĭ Georgievich) (19400818)","Viardo, Vladimir, 1949-","Catalani, Alfredo, 1854-1893","Tortelier, Paul, 1914-1990","Chung, Kyung-Wha, 1948-","Wernick, Richard (Richard F.), 1934-","Wagenaar, Johan, 1862-1941","Argerich, Martha, 1941-","Sylvan, Sanford (Sanford Mead) (1953-12-19-2019-01-29)","Hvorostovsky, Dmitri (Dmitri Aleksandrovich) (1962-10-16-2017-11-22)","Arkadʹev, M. A. (Mikhail Aleksandrovich) (1958-03-15)","Johnson, Sigrid","Stewart, Thomas, 1928-2006","Awerbuch (2001-08-26)","Giles, James, 1967-","Brooks, Muriel (1921)","Eschenbach, Christoph (19400220)","Serkin, Peter (Peter Adolf), 1947-2020","Janicello, Mark (1962-11-03)","Rowland, Martile","Mora, Fernando de la (1958-06-07)","Romani, Felice, 1788-1865","Vaughan Williams, Ralph (1872-1958)","Fassabaender, Brigitte (1939)","Rands, Bernard (1934-03-02)","Sotin, Hans (1939-09-10)","Imai, Nobuko (1943)","Wakasugi, Hiroshi, 1935-2009","Miki, Minoru, 1930-2011","Blackwell, Harolyn","Tippett, Micheal  (1905-01-02-1998-01-08)","Ravina, Oscar","Pritchard, Lee H. ","McCartney, Paul (19420618)","Davis, Carl, 1936-","Jansons, Mariss (Mariss Ivars Georgs), 1943-2019","Zimmerman, Frank Peter  (1965-02-27)","DePreist, James (James Anderson), 1936-2013","Heltay, Laszlo","Kaiser, Amy","Charbonneau, Pierre, 1944-","Swensen, Robert (1961)","Fleming, Renée (19590214)","Rozhdestvensky, Sasha (1970)","Leoncavallo, Ruggiero, 1858-1919","Dessì, Daniela (1957-05-14-2016-08-20)","Takemitsu, Tōru (1930-10-08-1996-02-22)","Schuman, William, 1910-1992","Westhoven, Krine, Jr. (1931-03-07-1997-07-30)","Welser-Möst, Franz (19600816)","Corigliano, John (John Paul), 1938-","Hayes, David, 1963-","Gabbiani, Roberto","Columbus, Christopher","Sparfeld, Ethelyn ","Davies, Peter Maxwell, 1934-2016","Orff, Carl, 1895-1982","Dent, Karl","Pletnev, Mikhail, 1957-","Feinburg , Alan","Ran, Shulamit, 1949-","Kisin, Evgeniĭ, 1971-","Schwarz, Gerard, 1947-","Paul, Thomas, 1934-","Kunde, Gregory (1954)","Moosdorf, Otto-Georg","Kalichstein, Joseph (1946-01-15-2022-03-31)","Vaness, Carol (1952-07-27)","Hellekant, Charlotte","Berio, Luciano, 1925-2003","Ohlsson, Garrick (19480403)","Pasternack, Benjamin","Grenke, David","Burenin, V. (Viktor), 1841-1926","Klein, Gideon, 1919-1945","Ullmann, Viktor (18980101-19441018)","Hamilton, Robert G.","Lipovšek, Marjana (1946)","Starker, Janos (1924-07-05-2013-04-28)","Akigishi, Hirohisa, 1962-","Hirokami, Junʼichi, 1958-","Weill, Kurt (Julian Kurt), 1900-1950","Marschik, Peter (1958)","Esposito, Valeria, 1961-","Rossi, Gaetano, 1774-1855","Goerke, Christine","Luxon, Benjamin (19370324)","Royer, Alphonse, 1803-1875","La Selva, Vincent (1929-09-17-2017-10-09)","Walsh, Mary","Vaëz, Gustav (1812-12-06-1862-03-12)","Williams, Janet, 1965-","Larmore, Jennifer (1958-06-21)","Sacchéro, Giacomo","D'Auria, Diego","Futral, Elizabeth","Cross, Gregory (1960)","Voigt, Deborah","Stone, William (1944-03-12)","Humphrey, Jon, (Tenor)","Borland, William, (Baritone)","López-Cobos, Jesús (1940-02-25-2018-03-02)","Schiff, András (19531221)","Bartoli, Cecilia (19660604)","Gergiev, Valeriĭ, 1953-","Herreweghe, Philippe","Maw, Nicholas (John Nicholas) (19351105-20090519)","Mørk, Truls, 1961-","Nordheim, Arne (1931-06-20-2010-06-05)","Simpson, Marietta (1954)","Grossman, Jerry (Jerry Michael) (1950-12-15)","Price, Margaret, 1941-2011","Ouzounian, Michael","Campo, Eduardo del","Milliet, Paul, 1848-1924","Tomšič-Srebotnjak, Dubravka, 1940-","Hampson, Thomas (19550628)","Focile, Nuccia (1959)","Leĭferkus, Sergeĭ (Sergeĭ Petrovich), 1946-","Uhlenhopp, John","Borodina, Olʹga","McNally, Terrence (1939-11-03-2020-03-24)","Krása, Hans, 1899-1944","Hunt Lieberson, Lorraine, 1954-2006","Cooper, Imogen ([1949-08-28,1949-08-29])","Morrell, Gareth, 1956-","Gershwin, George, 1898-1937","Galway, James (1939-12-08)","Liebermann, Lowell (19610222)","Guelfi, Carlo","Solzhenitsyn, Ignat","Terfel, Bryn (19651109)","Josefowicz, Leila, 1977-","Mercadante, Saverio (Giuseppe Saverio Raffaele), 1795-1870","Kremer, Gidon, 1947-","Ganassi, Sonia (1967)","Di Renzi, Richard","Eaglen, Jane (1960-04-04)","Sweet, Sharon","Hadley, Jerry (1952-06-16-2007-07-18)","Miles, Alastair (1961-07-11)","Rogé, Pascal (19510406)","Collard, Jean-Philippe, 1948-","Frank, Pamela (1967-06-20)","Ortner, Erwin, 1947-","Grant Murphy, Heidi (1966)","Cage, John (John Milton) (1912-09-05-1992-08-12)","Labelle, Dominique (1960)","Hart, Mary Ann","Tharp, Steven","Clement, Richard","West, Jayne","Maddalena, James (1954)","Studer, Cheryl (19551024)","Chafin, Robert, 1963-","Dillon, Martin","Chang, Sarah (1980-12-10)","Zacharias, Christian (19500427)","Shaham, Gil, 1971-","Mackenzie, Norman, (Pianist, Conductor)","Bonney, Barbara (1956-04-14)","Otter, Anne Sofie von (1955-05-09)","Sabbatini, Giuseppe","Hughes, Raymond (1952)","Harnoncourt, Nikolaus (1929-12-06-2016-03-05)","Orgonasova, Luba (1961-01-22)","Remmert, Birgit","Mills, Mary (Mary Elizabeth Mills) (1964)","Ragin, Derek Lee","Williams, Bradley (1965)","Schaldenbrand, Christopher","Bär, Olaf, 1957-","Siukola, Heikki","Connell, Elizabeth","Argento, Dominick (1927-10-27-2019-02-20)","Oue, Eiji (1956-10-03)","Bingxu, Hu","Song, Fei, 1969-","Wu, Yuxia","Gunn, Nathan","Upshaw, Dawn (19600717)","Margison, Richard, 1953-","Ansell, Steven","Chausow , Robert","Fricker, Daniel","Reiser, Niki","Bollag, Josef","Clift, Karen","Zimerman, Krystian (1956-12)","Gatti, Daniele, 1961-","Stutzmann, Nathalie (1965)","Schäfer, Christine, 1965-","Siegel, Jeffrey","Haza, Luis","Tetzlaff, Christian, 1966-","Martin, Douglas, (Musician)","Kasarova, Vesselina (19650718)","Bell, Joshua, 1967-","Grieg, Edvard, 1843-1907","Rimsky-Korsakov, Nikolay, 1844-1908","Berg, Nathan, 1972-","Flanigan, Lauren","Poretsky, Susana","Ward, Perry","Ikaia-Purdy, Keith","Simpson, Gary (Robert Gary), 1959-","Ligeti, György, 1923-2006","Vengerov, Maksim (1974-08-20)","Panula, Jorma (1930-08-10)","Ziesak, Ruth (1963)","Salerno-Sonnenberg, Nadja (1961-01-10)","Hough, Stephen, 1961-","Wigglesworth, Mark, 1964-","Ziegler, Delores","Holzmair, Wolfgang, 1952-","Ainsley, John Mark (19630709)","Meoni, Giovanni","Amiliato, Fabio","Tan, Dun, 1957-","Sviridov, Georgiĭ, 1915-1998","Gilad, Jonathan","Larsson, Anna, (Contralto) (1966-09-10)","Grossmann, Agnes, (Choral conductor)","Isaac, Heinrich, approximately 1450-1517","Delfs, Andreas","Babbitt, Milton","Banse, Juliane, 1965-","Järvi, Paavo, 1962-","Ledbetter, Victor","Brewer, Christine, 1960-","Silja, Anja (19400417)","Forbis, Clifton","Alexander, Roberta (1949-03-03)","Mutter, Anne-Sophie, 1963-","Scribner, Norman (Norman Orville) (19360225-20150322)","Costanzo, Anthony Roth","Bostridge, Ian (1964)","Brown, Timothy, (Horn player)","Morales, Ricardo, (Clarinetist) (1972)","Marchini, Italo (1953)","Relyea, John","Swenson, Ruth Ann (1959-08-25)","Smith, Hugh, (Tenor)","Putilin, Nikolaĭ (Nikolaĭ Georgievich), 1954-","Thomas, Indra","Blythe, Stephanie (1970)","Bernstein, Richard, (Bass-baritone) (1966-07-30)","Brubeck, Dave (1920-12-06-2012-12-05)","Moody, James, 1925-2010","Brubeck, Chris (19520319)","Krall, Diana (Diana Jean) (1964-11-16)","Redman, Joshua (1969-02-01)","Vonk, Hans","Maultsby, Nancy","Peterson, Dean","Thibaudet, Jean-Yves, 1961-","Ponchielli, Amilcare, 1834-1886","Valayre, Sylvie (19641010)","Day, Kathryn","Robertson, David, 1958-","Znaider, Nikolaj, 1975-","Freire, Nelson (1944-10-18-2021-11-01)","Phelps, Cynthia","Young, Rebecca, (Violist)","Gubaidulina, Sofia, 1931-","Esperian, Kallen","Gazale, Alberto","Welch-Babidge, Jennifer","Knussen, Oliver (Stuart Oliver) (1952-06-12-2018-07-08)","Lundy, Nancy Allen","Olsen, Stanford","Oswald, Mark","Chen, Robert","Guleghina, Maria (1959-08-09)","Pons, Juan (19460808)","Urmana, Violeta (1959/1961)","Kowalijow, Vitalij","Young, Thomas, 1962-","Takezawa, Kyoko, 1966-","Siff, Ira (1946-02-15)","Stoyanova, Krassimira","Makarina, Olga","Giordani, Marcello (1963-01-25-2019-10-05)","Polenzani, Matthew (1968)","Sharp, William, (Baritone) (19510601)","Metallo, Vincent","Lafontaine, Timothy ","Grant, Jason, 1970-","Barr, Frank","Wilson-Johnson, David (1950-11-16)","Watson, Janice, 1964-","Lang, Petra (1962-11-29)","Gruber, H. K. (Heinz Karl) (19430103)","Tanguy, Eric (19680127)","Williams, John (John Towner), 1932-","Davidson, David r.  (1948-2009)","Liao, Changyong, 1968-","Rouse, Christopher (Christopher Chapman), 1949-2019","Hersch, Michael, 1971-","Pape, René (1964-09-04)","Bolcom, William (William Elden) (1938-05-26)","Schmidt, Frank Willi, 1967-","Chang, Han-Na (19821223)","Bashmet, I︠U︡riĭ (I︠U︡riĭ Abramovich) (1953)","Shen, Hsueh-Yung, 1952-","Parloff, Michael","Zuber, Gregory","Takova, Darina","Shtoda, Daniil (Daniil Aleksandrovich) (19770213)","Chaignaud, Jean-Luc","Fischer, Iván (1951-01-20)","DiDonato, Joyce (1970)","George, Vance","Ullmann, Marcus","Gauvin, Karina (1966~)","Schreier, Peter (Peter Max) (1935-07-29-2019-12-25)","Rucker, Mark, (Singer)","Licitra, Salvatore, 1968-2011","Figueroa, Rafael, 1961-","Chan, David, (Violinist)","Eanet, Nick","Strauss, Josef, 1827-1870","Blaze, Robin (19710111)","Kooy, Peter (1954-09-17)","Türk, Gerd","Suzuki, Masaaki, 1954-","Nonoshita, Yukari","Ramey, Samuel (1942-03-28)","Gao, Ding","van Kley, Susan","Zerbe, Monica","Fischer, Julia, 1983-","Graham, Susan, 1960-","Zeffiri, Mario","Baptista, Cyro (1950-12-23)","Stott, Kathryn (Kathryn Linda) (1958-12-10)","D'Rivera, Paquito, 1948-","Matta, Nilson","Suadin, I Nyoman","Whitman, Thomas, 1960-","Laurendeau, Jean","Anderson, Valdine","Acevedo, Carmen","Figueroa, Guillermo, 1953-","Pérez, Jossie","Martínez, Ana María, 1968-","Chandler-Eteme, Janice","Jones, Ann Elizabeth Howard","Moore-Brown, Marilyn","Chama, José Eduardo","Potenza, Rossana","Casanova, Francisco, (Tenor)","Aimard, Pierre-Laurent, 1957-","Boreĭko, Andreĭ, 1957-","Crider, Michèle (1963)","Kitic, Milena","Golesorkhi, Anooshah","Spano, Robert (Robert V.) (1961-05-07)","Polegato, Brett (19680509)","Douvas, Elaine","Szkafarowsky, Stefan ","Tiboris, Peter","Terentʹeva, Nina","Brown, Angela M. (Angela Marie), 1963-","Edwards, Iwan, 1937-2022","Murzaev, Sergeĭ","Gubskiĭ, Mikhail","Pavlovskai︠a︡, Tatʹi︠a︡na","Repin, Vadim (1971-08-31)","Grimaud, Hélène, 1969-","Pintscher, Matthias (1971-01-29)","Montalvo, Marisol","Robbins, Julien (1950-11-14)","Taylor, James, 1966-","Rilling, Helmuth (19330529)","Petersen, Marlis (1968-02-03)","Birtwistle, Harrison (1934-07-15-2022-04-18)","Lortie, Louis, 1959-","Lachenmann, Helmut (1935-11-27)","Courtney, James, 1946-","Wong, Deborah","Kraevsky, Natalya","Kavakos, Leonidas (1967)","Giordano, Massimo (1971-02-19)","Gutiérrez, Eglise","Chung, Myung-Whun, 1953-","Delavan, Mark","Bartolini, Lando","Easton, Richard, 1933-2019","Rees, Roger, 1944-2015","Margiono, Charlotte","Studebaker, Thomas, 1970-","Sousa, Vasco","Guerreiro, Luis","Neto, António","Ruela, João Pedro","Mariza (19731216)","N'Dour, Youssou (19591001)","Salama, Fathy","Dehn, Ellie","Johnson, Heather, (Mezzo-soprano) ([1971,1972])","Chingari, Marco","Lieberson, Peter, 1946-2011","Röschmann, Dorothea (1967-06-17)","Bravo, Fabiana (1969)","Baransky, Pavel","Sunnegårdh, Erika","Lang, Lang, (Pianist)","Korchak, Dmitriĭ (Dmitriĭ Mikhaĭlovich), 1979-","Fabiano, Michael (19840508)","Saxton, Shirley Johnson","Maillard, Carol","Casel, Nitanju Bolade","Barnwell, Ysaye M.","Kisfauldy, Ors","Dohmen, Albert","Zeller, Richard","Hite, William","Pannill, Judith","Angel, Ryland","Wuorinen, Charles","Tritle, Kent (1960-09-26)","Donose, Ruxandra, 1964-","McPherson, Robert, (Tenor)","Ford, Bruce (1956-08-15)","Cornetti, Marianne","Moore, Latonia (1979)","Filianoti, Giuseppe, 1974-","Li, Yundi (1982-10-07)","Adès, Thomas (Thomas Joseph Edmund) (1971-03-01)","Piazzolla, Astor (1921-03-11-1992-07-05)","Korngold, Erich Wolfgang, 1897-1957","Magalhaes, Amadeu","Lucas, Filipe","Zaccaria, Davide","Pontes, Dulce (Dulce José) (1969-04-08)","Feiteira, Paulo","Stockhausen, Karlheinz, 1928-2007","DeYoung, Michelle (1968)","Miller, Joe, 1965-","Malvar-Ruiz, Fernando (1968-07-11)","Kissinger, Henry, 1923-","Eugenides, Jeffrey (Jeffrey Kent) (1960-03-08)","Henckel von Donnersmarck, Florian, 1973-","Schlöndorff, Volker (1939-03-31)","Mehretu, Julie, 1970-","Dudamel, Gustavo (19810126)","Quasthoff, Thomas (1959-11-09)","Lindberg, Magnus (Magnus Gustaf Adolf), 1958-","Milliken, Catherine","Maldoom, Royston","Fink, Bernarda (1959)","Brandes, Christine","Soboleva, Irina","Petrenko, Pavel","Petrenko, Andrei","Duparc, Henri, 1848-1933","Ketting, Otto, 1935-2012","Furlanetto, Ferruccio (1949-05-16)","Jessop, Craig D.","Johnson-Huff, Ann","Drafall, Robert W.","Teraoka-Brady, Carolyn","Bernhardt, Valerie","Snyder, Dan","Dominick, John, III","Ciavaglia, Michael A. ","Manucharyan, Yeghishe","Harler, Alan (1940-04-10)","Vasta, Stephen (Steve) Francis","Kirschner, Ann J.","Lowry, Robert, 1826-1899","Glaser, Pamela","Covo, Bettina, 1956-","Biss, Jonathan (1980-09-18)","Stomsvik, Diana","Kachanov, Nikolai","Galuzine, Vladimir","Daurov, Adrian","Schönberg, Claude-Michel (19440506)","McBroom, Amanda (1947-08-09)","Wallace, Randall, 1949-","Simon, Carly (19450625)","Mcferrin, David","Ein-Habar, Eyal","Anger, Ain","Vargas, Ramon, 1960-","Callegari, Daniele","Pieczonka, Adrianne, 1963-","Stringer, Howard, 1942-","Mares, Luca","Cabrino, Guiseppe","Vincenzo, Alessandra Di","Galligioni, Francesco","Sbrogiò, Alessandro","Ökrös, Oszkár, 1957-","Lendvay, József, 1974-","Lendvay, József","Gritton, Susan (19650831)","Romey, Kathy Saltzman","Nolen, Laura Vlasak","Di Giacomo, Julianna, 1975-","Kožená, Magdalena (1973)","Owens, Eric, 1970-","Friedrich, Eberhard (1958)","Hummel, Johann Nepomuk, 1778-1837","Daniels, David, 1966-","Joshua, Rosemary (1964-10-16)","Labadie, Bernard, 1963-","Damrau, Diana (1971-05-31)","Grove, Jill","Vänskä, Osmo, 1953-","Niemelä, Hannu, 1954-","Hyökki, Matti, 1946-","Nisula, Päivi","Karnéus, Katarina","Claycomb, Laura (1968-08-23)","Anton̦enko, Aleksandrs, 1975-","Frühbeck de Burgos, Rafael (19330915-20140611)","Fernández, Igor Ijurra","Berkun Menaker, Dianne","Kalagina, Anastasia","Alagna, Roberto","Veronesi, Alberto (1967)","Mascagni, Pietro, 1863-1945","Alsop, Marin (1956-10-16)","Thomas, Vaneese","De Haas, Darius","Stifelman, Leslie","Lewis-Evans, Kecia","Goerne, Matthias, 1967-","Griffey, Anthony Dean, 1967-","Vallet, Pierre, (Conductor)","O'Neill, Simon, 1971-","Hahn, Hilary","Mena, Juanjo, 1965-","Higdon, Jennifer, 1962-","Batiashvili, Lisa, 1979-","Taigi, Chiara","Nelsons, Andris (1978-11-18)","Van der Linde, Clint, 1976-","Nicholls, Rachel, (Soprano)","Blažíková, Hana (19801202)","Wolfe, Duain","Lee, Josephine, 1975-","Martineau, Malcolm (19600203)","Schade, Michael (1965-01-23)","Schwartz, Sylvia, 1982-","Gabrieli, Giovanni, approximately 1554-1612","Nagano, Kent (Kent George), 1951-","Dessay, Natalie, 1965-","Trifonov, Daniil (Daniil Olegovich), 1991-","Clark, Katerina","Amar, Tarik Youssef Cyril, 1969-","Wortman, Richard (19380324)","Matthewman, Gary","Bondarenko, Andriĭ (Andriĭ Volodymyrovych), 1987-","Luisi, Fabio (1959-01-17)","Harbison, John (John Harris) (1938-12-20)","Rice, Christine","Goode, Richard (1943-06-01)","Bicket, Harry (1960)","Purcell, Henry, 1659-1695","Biber, Heinrich Ignaz Franz, 1644-1704","Bennett, Mark, (Trumpeter)","Scholl, Andreas (19671110)","Kaufmann, Jonas (1969-07-10)","Gheorghiu, Angela (1965-09-07)","Barnum, Donald","Walker, Danielle","Lully, Jean-Baptiste, 1632-1687","Fasch, Johann Friedrich, 1688-1758","Lamon, Jeanne (1949-08-14-2021-06-20)","Robinson, James","Falby, Doreen","Polochick, Edward","Conway, Eric, Dr.","Bagwell, James","Ketelson, Kyle (1971)","Morris, James (1947-01-10)","Cutler, Eric","Rebeka, Marina, 1980-","Jurowski, Vladimir, 1972-","Bellemer, John G.","Johnson, Anita, (Vocalist)","Cooke, Sasha","Phan, Nicholas (1979-01-03)","Phillips, Susanna, 1981-","Yamadate, Fuyuki","Singer, Gregory","Kimura, Mineko","Matsubara, Yuko","John, Emily","Chase, Constance","Biondi, Fabio (1961-03-15)","Locatelli, Pietro Antonio, 1695-1764","Nardini, Pietro, 1722-1793","Genaux, Vivica (1969-07-10)","Heras-Casado, Pablo (1977-11-21)","Denk, Jeremy (1970-05-16)","Norrington, Roger (1934-03-16)","Pluhar, Christina (1965)","Andueza, Raquel","Galeazzi, Lucilla (19501224)","Merula, Tarquinio, -1665","Davies, Neal (1965)","Guillon, Damien (1981)","O'Connor, Kelley","Wilson, Harold","Baetge, Noah","Shapiro, Mark","Sandel-Pantaleo, Leann","Rowley, Jennifer, (Soprano)","Sorenson, Garrett","Schasching, Rudolf","Henschel, Jane, 1950-","Stemme, Nina (1966)","Giovannini, Antonio, 1980-","Feola, Rosa","Respighi, Ottorino, 1879-1936","Martucci, Giuseppe, 1856-1909","Măcelaru, Cristian, 1980-","Solti, Valerie","Quantz, Johann Joachim, 1697-1773","Frederick, King of Prussia, II, 1712-1786","Pahud, Emmanuel, 1970-","Meister , Elisabeth","Rose, Matthew, (Bass)","Spyres, Michael","Gardiner, John Eliot (19430420)","Johnston, Jennifer","Barton, Jamie ([1981, 1982])","Meade, Angela","Pallesen, Nicholas","Caldarella, Juan","Scarpino, Alejandro, 1904-1970","Castro, Giancarlo, 1980-","Clamor, Thomas","Chávez, Carlos (Chávez Ramírez), 1899-1978","Orbón, Julián, 1925-1991","Revueltas, Silvestre (José Silvestre Revueltas Sánchez), 1899-1940","Colon, Gaspar","Alvarez, Idwer","Benzecry, Esteban (19700413)","Lindsey, Kate","Marcon, Andrea (1963)","Fusek, Anna","Favaro, Michele","Genini, Giulia","Bovo, Daniele","Bardon, Patricia (1964)","Rae, Brenda","Pisaroni, Luca, 1975-","Lippert, Herbert, 1957-","Suppé, Franz von, 1819-1895","Widmann, Jörg (1973-06-19)","Jackson, Christopher (Christopher O.), 1960-2007","Palestrina, Giovanni Pierluigi da, 1525?-1594","Démettre, Claire-Lise, 1986-","Paugam, Laurence","Pernoo, Jérôme (1972)","Cangemi, Veronica (19641010)","Spinosi, Jean-Christophe, 1964-","Botstein, Leon (1946-12-14)","Wilson, Tamara, (Soprano)","Wittmoser, Carsten","Icochea, Andy Icochea","Thielemann, Christian, 1959-","Yang, Jonathan Jun","Lee, Kate Xintong","Baldwin, Alec, 1958-","Mat︠s︡uev, Denis, 1975-","Oesterle, Michelle","Chacón-Cruz, Arturo, 1977-","Borchev, Nikolay","Watson, Katherine, (Soprano)","Ibragimova, Alina (Alina Rinatovna), 1985-","Cohen, Jonathan (Jonathan Frank)","Hirai, Hideaki","Cerutti, Joe","Tsuji, Hideyuki ","Lunghi, Francesca","Satake, Naomi","Stucky, Steven (Steven Edward) (1949-11-07-2016-02-14)","Boulianne, Julie, (Mezzo-soprano)","Savall, Jordi (19410801)","Egarr, Richard, 1963-","Phillips, Peter, 1953-","Blachly, Alexander (1944-11-13)","Mattila, Karita","Dobracheva, Ėvelina","Hanson, Howard, 1896-1981","Christie, Michael, 1974-","Mickelthwate, Alexander","Pershall, David","Costello, Stephen, 1981-","Chauvet, Géraldine","Haas, Georg Friedrich (1953-08-16)","Lučić, Željko, 1968-","Tang, Muhai, 1949-","Coote, Alice (19680510)","Devin, Anna","Christy, Anna","Nézet-Séguin, Yannick, 1975-","Connolly, Sarah (Sarah Patricia) (19630613)","Zobel, David","Kaiser, Joseph (1977-10-14)","DeShong, Elizabeth","Guthrie, Arlo (Arlo Davy) (1947-07-10-)","Fenoglio, Claudio","Osborn, John, (Tenor) (1972-05-16)","Salsi, Luca, 1975-","Noseda, Gianandrea (1964)","Fang, Ying","Arbo, Rani","Diawara, Fatoumata (1982)","Aurelio","Olatuja, Alicia","Bakhtouridze, Mzia","Abdrazakov, Ilʹdar, 1976-","Skorokhodov, Sergeĭ, 1974-","Kolosova, Alisa, 1987-","Netrebko, Anna (Anna I︠U︡rʹevna) (1971-09-18)","Andsnes, Leif Ove, 1970-","Gerhaher, Christian (1969-07-24)","Brownlee, Lawrence (1972-11-24)","Cabell, Nicole (1977-10-17)","Benini, Maurizio","Schuller, Gunther (Gunther Alexander) (1925-11-22-2015-06-21)","Byrd, William, 1539 or 1540-1623","Ichise, Reiko","Tunnicliffe, Richard","Morikawa, Asako","Boothby, Richard, 1955-","Weckmann, Matthias, 1616?-1674","Bezuidenhout, Kristian (1979)","Barkmin, Gun-Brit","Serdi︠u︡k, Nadezhda (1975)","Matochkina, Yulia","Ganbaatar, Aruinbaatar","Masleev, Dmitry, 1988-","Ionițǎ, Andrei, 1994-","Michalek, David","Karlowicz, Mieczyslaw (1876-1909)","Beczala, Piotr (1968)","Lunn, Joanne ([1973,1975])","Ivashchenko, Dimitry","Vogel, Eva","Dasch, Annette, 1976-","Griffith, Jonathan","Shumate, Penelope ","Chapa, Claudia","McVeigh, John","Rutenberg, Craig","Scarlatti, Domenico, 1685-1757","Vinikour, Jory, 1963-","Bull, John, -1628.","Bradley, Michelle","Gaertner, Michael ","Morlot, Ludovic, 1973-","Covington, Conner Gray, 1987-","Venner, Matthew","Dobell, Mark","Smith, Angus","Greig, Donald","Melton, Heidi","McGegan, Nicholas","Link, Joel","Lee, Bryan","Pajaro-van de Stadt, Milena","Shaw, Camden","Noda, Ken","Rivera, Jessica, (Soprano)","Ford, Nmon","Gere, Richard (Richard Tiffany), 1949-","Baruch, Wayne","Gayton, Charles","Vinke, Stefan","Ganenko, Tatiana","Drury, Patricia","Pakaluk, Michael S.","Clarke, Colin R.","Gibbs, Deborah Lee","Millar, Cynthia, (Ondes Martenot player)","Friman, Anna Maria","Fuglseth, Linn Andrea","Opheim, Berit, 1967-","Fisch, Asher (1965)","Karloski, Helen","Richardson, Alex, (Tenor)","Cutlip, Philip","Dantone, Ottavio","Mullova, Viktorii︠a︡, 1959-","Beilman, Benjamin","Emelʹi︠a︡nychev, Maksim, 1988-","Palazzo, Manuel","Camarena, Javier (1976~)","Witt, Gregor, 1968-","Glander, Matthias","Baier, Mathias, 1982-","Vlatković, Radovan (1962)","Brandl, Wolfram","Deyneka, Yulia (1982)","Tokcan, Yurdal, 1966-","Psonis, Dimitris","Güngör, Hakan, 1973-","Sarikouyoumdjian, Haïg","Greenleaf, Jolle","Mealy, Robert","Andrijeski, Julie","Sperling, Ted","Dŭrvarova, Elmira (1954)","Mathew, George, (Conductor)","Baráth, Emőke, 1985-","Bridelli, Giuseppina, 1986-","Karthäuser, Sophie (1975)","Boesch, Florian","García Alarcón, Leonardo (1976)","Lexa, Olivier","Alessandrini, Rinaldo (1960)","Buchbinder, Rudolf, 1946-","Skride, Baiba","Krijgh, Harriet, 1991-","Moser, Elsbeth","Mehta, Bejun ([1968-06-29,1969])","Willer, Beth","Luganskiĭ, Nikolaĭ (Nikolaĭ Lʹvovich), 1972-","Padmore, Mark (Mark Joseph) (19610308)","Forck, Bernhard","Grey, Mark, 1967-","Wyers, Giselle","Lynch, Shane","Boers, Geoffrey (Geoffrey Paul)","Hatteberg, Kent Eugene","Kühmeier, Genia","Scheen, Céline (1976)","Capezzuto, Vincenzo","Pappano, Antonio, 1959-","Hannigan, Barbara (1971)","Jia, Lü, 1964-","Zhang, Haochen, 1990-","Chest, John","Check, Jennifer","Fujimura, Mihoko","Sierra, Nadine, 1988-","Luisotti, Nicola (19611126)","Jansen, Janine  (1978)","Stein, Avi","Zhu, Beiliang, 1985-","Weaver, Charles","Deutsch, Helmut (1945-12-24)","Schultz, Golda","Wong, Lisa, 1969-","Van Horn, Christian (1978)","Schmitt, Maximilian","Davies, Iestyn (1979-09-16)","Harvey, Joélle","Petrenko, Kirill (1972)","Müller-Schott, Daniel, 1976-","Brower, Angela","Müller, Hanna-Elisabeth, 1985-","Eckhoff, Sören","Jones, Simon (1950-07-27)","Kenny, Elizabeth","Jones, Robert, active 1597-1615","Dowland, John, 1563?-1626","Nylund, Camilla (1968-06-11)","Rees, Andrew, (Tenor)","Dirvanauskaitė, Giedrė","Watkins, Paul, 1970-","Dutton, Lawrence (1954-05-09)","Setzer, Philip, 1951-","Drucker, Eugene, 1952-","Faust, Isabelle, 1972-","Giguère, Pascale","Rachvelishvili, Anita, 1984-","Gražinytė-Tyla, Mirga, 1986-","Ehnes, James, 1976-","Ruggles, Carl, 1876-1971","Yende, Pretty, 1985-","Lehár, Franz, 1870-1948","Tauber, Richard, 1891-1948","Kálmán, Emmerich, 1882-1953","Rieder, Jochen (1970)","Tamestit, Antoine, 1979-","Richardot, Lucile","Armiliato, Marco","Vasilek, Lukáš, 1980-","Kulman, Elisabeth (19730628)","Karg, Christiane (1980)","Saïtkoulov, Roustem","Manasherov, Miriam","Soltani, Kian (1992)","Flórez, Juan Diego, 1973-","Scalera, Vincent","Conti, Francesco, 1681 or 1682-1732","Cano, Jennifer Johnson","Hantaï, Pierre, 1964-","Beyer, Amandine","Orliński, Jakub Józef, 1990-","Nosky, Aisslinn","Woods, Alexander, (Violinist)","Miller, Kyle, 1986-","Seltzer, Ezra","Zebley, Charles","Lislevand, Rolf (1961)","Pierlot, Philippe, 1958-","Kraemer, Manfred (1960-10-27)","Engle, Marie","Fischer, Ádám, 1949-","Levit, Igor, 1987-","Rondeau, Jean, 1991-","Muhly, Nico (1981-08-26)","Lisiecki, Jan, 1995-","Wang, Yuja (19870210)","Capuçon, Gautier (1981)","Tynan, Ailish","Fox, Steven, 1978-","Brook, Matthew","Tritschler, Robin","Teuscher, Lydia, 1975-","Buxtehude, Dietrich, 1637-1707","Tsuji, Nobuyuki (1988-09-13)","Satie, Erik, 1866-1925","Marais, Marin, 1656-1728","Visée, Robert de","Dunford, Thomas, 1988-","Maclary, Edward","Grimaldi, Erika, 1980-","Amarù, Chiara, 1984-","Angelini, Michele (1982)","Leonard, Isabel","Schachtner, Benno, 1984-","Garanča, Elīna, 1976-","Stadlen, Sam","Levine, Joanna","Ashton, Emily","Abduraimov, Behzod (1990-09-11)","Blue, Angel (Angel Joy), 1984-","Gaffigan, James, 1979-","Oropesa, Lisette","Petrenko, Vasiliĭ (Vasiliĭ Ėduardovich), 1976-","d'Alessio, Giulio","Scheid, Edson","Rossi, Stefano, (Violinist)","Minasi, Ludovico, 1984-","Tosti, F. Paolo (Francesco Paolo), 1846-1916","Baillieu, James","Nilsson, Lars David, 1966-","Mattei, Peter, 1965-","Foster, Tom","Zachow, Friedrich Wilhelm, 1663-1712","Froberger, Johann Jacob, 1616-1667","Mattheson, Johann, 1681-1764","Kim, Stephen","Mackey, Steven, 1956-","Zanocco, Gianpiero","Torri, Pietro, approximately 1650-1737","Hallenberg, Ann","Hailstork, Adolphus C. (Adolphus Cunningham) (1941-04-17)","Marsalis, Branford (Branford Iweanya) (1960-08-26)","Mälkki, Susanna (1969-03-13)","Dinnerstein, Simone (Simone Andréa) (19720918)","Thurman, Uma (1970-04-29)","Aucoin, Matthew, 1990-","Coleman, Valerie, 1970-","Wilkins, Thomas, (Conductor)","Fullana, Francisco","Sorrell, Jeannette","Uccellini, Marco, approximately 1603-1680","Zetlan, Jennifer","Petrie, Heather","Holcomb, Bernard, 1983-","Lagasca, Enrio","Christophers, Harry (1953)","Filsell, Jeremy (Jeremy Daniell) (1964-04-10)","Sly, Philippe","Prégardien, Julian, 1984-","Cargill, Karen","Quist, Amanda","Dixon, Rodrick (1966-06-22)","Ustvolʹskai︠a︡, Galina Ivanovna, 1919-2006","Corrette, Michel, 1707-1795","Telemann, Georg Philipp, 1681-1767","Bihan, Marie Lambert-Le","Mobley, Reginald","Hadelich, Augustin (1984)","Zweden, Jaap van (19601212)","Bell, Isaiah","Austin, Justin","Bradford, Lucia","Kyslytsya, Sergiy","Fortner, Sullivan (Sullivan Joseph) (1986-12-29)","Feinstein, Michael (Michael Jay) (1956-09-07)","Smith, Robert F. (Robert Frederick), 1962-","Walker, George (George Theophilus), 1922-2018","Bach, Carl Philipp Emanuel, 1714-1788","Isserlis, Steven, 1958-","Pachelbel, Johann, 1653-1706","Jovanovich, Brandon","Frank, Gabriela Lena (1972)","Dueñas, María","Meyers, Anne Akiko, 1970-","Márquez, Arturo, 1950-","Schumann, Clara, 1819-1896","Price, Florence (Florence Beatrice), 1887-1953","Rana, Beatrice, 1993-","Norman, Andrew, 1979-","Bendix-Balgley, Noah, 1984-","Key, Frances Scott (1779-1843)","Shani, Lahav, 1989-","Imber, Naphtali Herz, 1856-1909","Xi, Wang, 1978-","Freedman, Daryl","Schoonhoven, Kyle van","McIntyre, Jana","Parrish, Joseph","Hunt, Sophia","Woolsey, Midge","Buialski, Vladyslav","Shrut, Arlene","Chase, Claire (Claire Rose), 1978-","Vustin, Aleksandr, 1943-2020","Silvestrov, Valentyn (1937)","Savino, Richard","Ellis, Jennifer, (Soprano)","Snaidas, Nell","LaMotte, Adam","Kuchar, Theodore (1960)","Khristenko, Stanislav, 1984-","Stankovych, I︠E︡. (I︠E︡vhen), 1942-","Villalon, Elena","Persson, Miah (1969-05-27)","De Bique, Jeanine","Manna, Gennaro, 1715-1779","Alston, Charlotte Blake","Zhang, Meigui","Nally, Donald, 1960-","Adams, John Luther, 1953-","Thompson, Sumner","Langlois de Swarte, Théotime","Christie, William (William Lincoln) (1944-12-19)","Senaillé, Jean Baptiste, approximately 1688-1730","Leclair, Jean-Marie, 1697-1764","Charpentier, Marc-Antoine, 1643-1704","Bach, Johann Sebastian","Sodergren, Mikki","Donato, Emily","Giebler, Brian L. (Brian Louis), 1986-","Palumbo, Donald","Kelsey, Quinn","Ernesto Pena Laguna, Luis (1983)","Cutting, Hugh","Sousa, Dinis","Cronin, Hilary","Denbee, Sarah","Horak-Hallett, Bethany","Clarke, Samantha","Ponsford-Hill, Ali","Lombardi, Federica","Desandre, Lea, 1993-","Monteverdi, Claudio (Claudio Giovanni Antonio), 1567-1643","Kapsperger, Giovanni Girolamo, 1580-1651","Karadaglić, Miloš, 1983-","Marcello, Alessandro Ignazio (1673-1747)","Boccherini, Luigi, 1743-1805","Haji, Andrew","Hopkins, Joshua, 1978-","Amereau, Avery","Snouffer, Lauren (1988-03-30)","Crowe, Lucy","Cohen, Aryeh Nussbaum","Massey, Clifton","Wilson, Steve (Steven Caldicott)","Lemper, Ute, 1963-","Norin-Kuehn, Deborah","Sousa, John Philip","Kaplan, Allan R., 1948-","Maltby, Richard (Richard Eldridge), 1914-1991","Grundman, Clare (Clare Ewing), 1913-1996","Naldi, Ronald","Babbitt, Beth","Meyer, Marlene","Dymit, Thomas","Diana, William","Portnoy, Donald","Wyatt, Larry","Christie, Laury","Kim, David, (Violinist) (1963)","McGarrity, Evelyn","Furumoto, Kimo","Else, Peter","Markin, Tracey","Blank, Johanne ","Thomas, Elmer","Borodin, Aleksandr Porfirʹevich, 1833-1887","Fagen, Arthur (1951)","Doo-Wan, Kim","Loveless, Wendell P.","Paredes, Marcos","Dowell, Anthony","Kirkland, Gelsey","Baryshnikov, Mikhail, 1948-","Tudor, Antony, 1908-1987","Tcherkassky, Marianna","Schafer, Richard William","Harvey, Cynthia, 1957-","Martínez, Enrique, 1926-1998","Minz, Alexander","Makarova, Natalia, 1940-","Barbee, Victor","Robbins, Jerome (Jerome Wilson) (1918-10-11-1998-07-29)","Loring, Eugene, 1911-1982","Ivanov, Lev (Lev Ivanovich), 1834-1901","Gregory, Cynthia","Bujones, Fernando, 1955-2005","Petipa, Marius, 1818-1910","Stevenson, Ben, 1937-","Lanchbery, John (1923-05-15-[2003-02-26,2003-02-27])","Balanchine, George (1904-01-22-1983-04-30)","Tetley, Glen","De Mille, Agnes (1905-09-18-1993-10-06)","Ashton, Frederick, 1904-1988","Messac, Magali","Spizzo, Christine","Khalfouni, Dominique","Barker, Alan, (Conductor) (William Alan) (1938-02-05)","Houlton, Lise","Petit, Roland, 1924-2011","Anastos, Peter (19480223)","MacMillan, Kenneth (1932-07-02-1989-01-08)","Browne, Leslie","La Fosse, Robert","Jaffe, Susan, 1962-","Van Hamel, Martine, 1945-","Fonseca, Peter","Yeager, Cheryl","McFall, John J.","Cunningham, Merce (1919-04-16-2009-07-26)","von Lovenskjold, Hermann","Bournonville, August","Fokine, Michel","Eglevsky, Andre","Tharp, Twyla","Saint-Leon, Arthur","Armitage, Karole","Vainonen, Vasily","Minkus, Ludwig (1826-1917)","Gorsky, Alexander","Tippet, Clark","Kern, Jerome","Riley, Terry","Hyman, Dick","Sinatra, Frank","Morris, Mark","Massine, Leonide","Dove, Ulysses","Goleizovsky, Kasyan","Smuin, Michael","Kylian, Jiri","Lander, Harald","Blair, David","McKenzie, Kevin","Wasserstein, Wendy","Lubovitch, Lar","Styne, Jule","Coralli, Jean","Perrot, Jules","Kudelka, James","Hunsberger, Donald","Rebel, Jean-Fery","Wolfram, WIlliam","Everly, Jack","Holmes, Anna-Marie","Adam, Adolphe","Pugni, Cesare","Ratmansky, Alexei Osipovich (1968)","Nijinska, Bronislava","De Valois, Ninette","Gomes, Marcelo","Bond, Gemma","Béjart, Maurice","Roudenko, Vladimir","Spacagna, Maria (1951)","Lloyd, David  (1920-2013)","Kraft, Jean (1927-2021)","Campori, Angelo (1934-2013)","McCray, James (1938-2018)","Gilmore, John (1950-1994)","Rosenbaum, Harold (1950)","Gottlieb, Gordon (1948)","Schnittke, Alfred (1934-1998)","Rutter, John Milford, Sir (1945)","Velis, Andrea (1932-1994)","Ellington, Duke (1899-1974)","Elias, Rosalind ([1929-03-13,1930-03-13]-2020-05-03)","Booth, Philip (1942)","Sidlin, Murry (1940)","Mccorvey, Everett (1957)","Boyd, Liona","Lightfoot, Gordon (Gordon Meredith) (1938-11-17-2023-05-01)","Arnold Steinhardt","John Dalley","David Soyer","Treger, Charles, 1935-","Laurence Lesser","Theo Adam","Bella Davidovich","Joan Savage","Mary Law","Anatoly Bazhalkin","Nikolai Maiboroda","Anatoli Zaitchenko","Nikolai Nizienko","Michelangelo Veltri","Vladimir Ovchinikov","Katarina Dalayman","Janet Westrick","Felicity Lott","Anthony Piccolo","Jean-Philippe Rameau","Nai-Yuan Hu","Valery Polyansky","Vladimir Spivakov","Edward Downes","Gounod, Charles, 1818-1893","Jan Dismas Zelenka","Bohuslav Martinů","Vladimir Fedoseyev","Patrick Gardner","Theo Verbey","Lise de la Salle","Manfred Honeck","Matthew Truscott","Paul Lewis","Edward Gardner","James Ehnes","Wadsworth, Charles (Charles William) (1929-05-21)","Sargon, Merja","Yajima, Hiroko","Pears, Peter, 1910-1986","Beach, Amy, 1867-1944","Berkeley, Lennox (Lennox Randall Francis), 1903-1989","Browning, John, 1933-2003","De Peyer, Gervase, 1926-2017","Arner, Leonard","Fournier, Pierre, 1906-1986","Schippers, Thomas (19300309-19771216)","Fortunato, D'Anna (1945-02-21)","Mendenhall, Judy","Angeles, Victoria de los (19231101-20050114)","Sylar, Sherry","Schub, André-Michel (1952-12-26)","Jolley, David (19481220)","Kavafian, Ani (1948-05-10)","Bolet, Jorge (19141115-19901016)","Pollak,  Carolyn","Buswell, James, 1946-","Bae, Ik-Hwan, 1956-2014","Luvisi, Lee, 1937-","Routch, Robert (1948-08-12)","Siebert, Renée","Brehm, Alvin (1925-02-08-2014-11-22)","Carroll, Edward, 1953-","Fujiwara, Hamao","Trampler, Walter (19150825-19970927)","Bourgue, Maurice (1939-11-06)","Ellis, Osian (Osian Gwynn) (1928-02-08-2021-01-06)","Rosen, Nathaniel","Wincenc, Carol (Carol S.) (19490629)","Reed, Bruce","Thompson, Arthur, 1942-2004","Bunnell, Jane","Hoch, Beverly","Suk, Josef (1929-08-08-2011-07-06)","Kavafian, Ida","Tuckwell, Barry (Barry Emmanuel) (1931-03-05-2020-01-16)","Bennett, Richard Rodney (1936-03-29-2012-12-24)","Dicterow, Glenn","Smukler, Laurie","Corea, Chick (1941-06-12-2021-02-09)","Martin, Marvis","Gutiérrez, Horacio, 1948-","Swensen, Joseph (Joseph Anton), 1960-","Cooper, Kenneth, 1941-","Sherry, Fred (1948-10-27)","Shub, Andre-Michel","Picker, Tobias, 1954-","Nickrenz, Scott","Girard, Valerie","Danielpour, Richard (1956-01-28)","Martin, Marya","Thompson, Marcus, 1946-","Brey, Carter (1954-09-19)","Neubauer, Paul, 1962-","Zori, Carmit","Kang, Dong-Suk (1954-04-28)","Arm, Theodore","Marangella, Joel","Heineman, Sue","Palmer, Todd","Fedele, David, 1966-","Shifrin, David (19500202)","Ingraham, Paul","Myers, Philip, 1949-","Millard, Christopher, 1952-","Fink, Katherine","McDuffie, Robert","Peskanov, Mark (1956-08-30)","Taylor, Stephen, (Oboist) (1949)","Smylie, Dennis","Webster, Michael, 1945-","Saffer, Lisa","Feller, Bart","Wilson, Ransom (1951-10-25)","Bloom, Claire (Patricia Claire), 1931-","Carlisle, Robert, (Horn player)","Coletti, Paul","Turković, Milan","Ellis, Randall","Adolphe, Bruce (1955)","Stevens, Thomas, 1938-2018","Godburn, Dennis","Yoshida, Ayako","Hoffman, Gary, 1956-","Sitkovetsky, Dmitry, 1954-","Bryn-Julson, Phyllis (1945-02-05)","Anderson, Kelly","Dunn, Susan, (Soprano) (Susan R.) (1954-07-23)","Hanslowe, Theodora","Feidman, Giora (1936)","Bachmann, Maria, (Violinist)","Hoffman, Toby (1958-09-12)","Winograd, Peter","McDermott, Anne-Marie, 1963-","Yoo, Scott","Morelli, Frank, 1951-","Kashkashian, Kim (1952-08-31)","White, Robert, 1936 October 27-","Sinta, Donald (Donald Joseph) (1937-06-16)","Redgrave, Lynn, 1943-2010","Smith, Philip, (Trumpeter)","Golub, David","Thomas, Ronald (Ronald B.), 1954-","Levin, Ida","Huang, Hsin-Yun","O'Connor, Tara Helen","Hill, Mark, (Oboe player)","Douglas, Barry, 1960-","Mentzner, Susanne","Lucey, Frances","Dlugoszewski, Lucia, 1925-2000","Taylor, David (David Michael), 1944-","Purvis, William (19480710)","Kay, Alan R. (Alan R.)","Montone, Jennifer","Gekker, Chris (Paul Christopher) (1954-01-18)","Hagner, Viviane (1977)","Ngwenyama, Nokuthula","Kim, Soovin","Schmidt, Wolfgang Emanuel (1971)","McGill, Anthony (Anthony Barrone) (1979-07-17)","Fain, Tim","Shao, Sophie","Scarlata, Randall","Frautschi, Jennifer","Pridemore, Patrick A.","Meyer, Edgar, (Bassist) (1960-11-24)","Ali-Zadeh, Franghiz, 1947-","Tcherepnin, Alexander, 1899-1977","Schifrin, Lalo, 1932-","Chausson, Amédée-Ernest (1855-1899)","Arensky, Anton, 1861-1906","Coleridge-Taylor, Samuel, 1875-1912","Marsalis, Wynton (1961-10-18)","Ailey, Alvin (1931-1989)","Homberger, Christoph (1962)","Isaacs, Jeremy, Sir (1932)","Arye, Yevgeny (1947-2022)","Demidov, Israel (1957)","Sobol, Joshua (1939)","Chervinsky, Adam (1938)","Morrison, Conall (1996)","Crossan, Gerald","Friel, Brian (1929-2015)","Levin, Robert (1947)","Henschel, Dietrich (1967)","Grigorovich, Yuri (1927)","Vasiliev, Vladimir (1940)","Khachaturian, Aram Ilyich (1903-1978)","Jamison, Judith (1943)","Benjamin, Avi (1959)","Taymor, Julie (1952)","Goldenthal, Elliot (1954)","Gardner, John Champlin (1933-1982)","Tiffany, John (1971)","Cumming, Alan (1965)","Euripides (480 BC-406 BC)","Pountney, David, CBE (1947)","Sloane, Steven (1958)","Otelli, Claudio (1960)","Zimmerman, Bernd Alois (1918-1970)","Fiennes, Ralph (1962)","Neeson, Liam (1952)","Beckett, Samuel (1906-1989)","Hammond, John Paul (1942)","Brook, Peter, CBE (1925-2022)","Bawab, Dima (1981)","Goold, Rupert (1972)","Gale, Mariah (1979)","Troughton, Samuel John (1977)","Shakespeare, William","Somova, Alina Alekseevna (1985)","Shchedrin, Rodion Konstantinovich (1932)","Farr, David (1969)","Hicks, Greg (1953)","Miyamoto, Amon (1958)","Ito, Chihiro (1982)","Fukuoka, Yutaka","D'silva, Darrell (1964)","Bailey, Lucy","Bausch, Pina (1940-2009)","Hengelbrock, Thomas (1958)","Wesseling, Maria Ricarda (1969)","Shi-Zheng, Chen (1963)","Albarn, David, OBE (1968)","Klinichev, Pavel (1974)","Messiaen, Oliver (1908-1992)","Ninagawa, Yukio (1935-2016)","Abe, Umitaro (1977)","Miyazawa, Rie (1973)","Podalydès, Denis (1963)","Coin, Christophe (1958)","Rénéric, Pascal (1976)","Molière (1622-1673)","Munby, Jonathan","Maxwell, Jules (1965)","Pryce, Jonathan (1947)","Uegaki, Satoshi","Mine, Saori","Kander, John (1927)","Vaziev, Makhar (1961)","Maillot, Jean-Christophe (1960)","MacNeil, Cornell, 1922-2011","Peters, Roberta, 1930-2017","Corena, Fernando, 1916-1984","Merrill, Robert, 1917-2004","Edelmann, Otto, 1917-2003","Harshaw, Margaret, 1909-1997","Vickers, Jon (19261029-20150710)","Puccini, Giacomo, 1858-1924","Roberti, Margherita, 1925-2021","Colzani, Anselmo, 1918-2006","Rysanek, Leonie, 1926-1998","De Paolis, Alessio, 1893-1964","Yakobson, Leonid, 1904-1975","Della Casa, Lisa, 1919-2012","Shirley, George, 1934-","Tozzi, Giorgio","Tucker, Richard, 1913-1975","Kónya, Sándor, 1923-2002","Crespin, Régine, 1927-2007","Dooley, William, 1932-2019","McCracken, James, 1926-1988","Thomas, Jess, 1927-1993","Uzunov, Dimiter, 1922-1985","Kabaivanska, Raina, 1934-","D'Angelo, Gianna, 1929-2013","Casei, Nedda, 1932-2020","Campora, Giuseppe, 1923-2004","London, George, 1920-1985","Offenbach, Jacques","Alexander, John, 1923-1990","Cassel, Walter (1910-05-15-2000-07-03)","Sereni, Mario, 1928-2015","Amara, Lucine (1927-03-01)","Cernei, Elena, 1924-2000","Dunn, Mignon (1931-06-17)","Resnik, Regina, 1922-2013","Stratas, Teresa","Raimondi, Gianni, 1923-2008","Nuotio, Pekka, 1929-1989","Cilea, Francesco (1866-1950)","Peerce, Jan, 1904-1984","Anthony, Charles (Calogero Antonio Caruso) (1929-2012)","Evans, Geraint (1922-1992)","Macurdy, John (1929-03-18-2020-05-07)","Caballé, Montserrat (1933-2018)","Levy, Marvin David, 1932-2015","Collier, Marie (1927-1971)","Hernandez, Amalia, 1917-2000","Bosabalian, Luisa (1936-1998)","Boatwright, McHenry, 1928-1994","Bing, Rudolf (Rudolf Franz Joseph), 1902-1997","Olvis, William (William Edward) (1928-02-12-1998-11-27)","Nagy, Robert, 1929-2008","Fenn, Jean","Prevedi, Bruno","Panerai, Rolando (1924-2019)","Zanasi, Mario, 1927-2000","Lombard, Alain (19401004)","Morel, Jean (Jean Paul), 1903-1975","Warfield, Sandra","Lippert, Marion (1939-)","Fonteyn, Margot (1919-1991)","Hérold, Ferdinand (1791-1833)","Park, Merle (1937- )","Coleman, MIchael (1940-","Nureyev, Rudolf Khametovich (1938-1993)","Sibley, Antoinette (1939- )","Forst, Judith (1943- )","Strasfogel, Ignace (1909-1994)","Cossa, Dominic (1935-05-13)","Naghiu, Octaviano","Brilioth, Helge (1931-1998)","Stripling, Jan (1942-2017)","Cragun, Richard (1944-2012)","Borkh, Inge ([1917-05-26,1921-05-26]-2018-08-26)","Dobriansky, Andrij","Sullivan, Dan, 1940-","Di Giuseppe, Enrico, 1932-2005","Gramm, Donald, 1927-1983","Castel, Nico (1931-2015)","Chéreau, Patrice (1944-2013)","Couden, Sara","Dexter, John (1925-1990)","Norden , Betsy (1945)","Lazarev, Alexander Nikolayevich (1945)","Ognivtsev, Aleksander (1920-1981)","Simonov, Yuri Ivanovich (1941)","Nesterenko, Yevgeny Yevgenievich (1938-2021)","Mansurov, Fuat (1928-2010)","Ermler, Mark Fridrikhovich (1932-2002)","Vedernikov, Alexander Filippovich (1927-2018)","Molchanov, Kiril Vladimirovich (1922-1982)","Kord, Kazimierz (1930-2021)","Harwood, Elizabeth (1938-1990)","Plasson, Michel (1933)","Hanson, Victor Herrick  (1933-2005)","Gavazzeni, Gianandrea (1909-1996)","Woitach, Richard","Hunter, Rita (1933-08-13-2001-04-29)","Farley, Carole (1946)","Mauti-Nunziata, Elena (1946)","Pritchard, John Michael, Sir (1921-1989)","Alonso, Alicia (1920-2019)","Araújo, Loipa (1941)","Grey, Beryl, CBE (1927-2022)","Rudel, Julius (1921-2014)","Moldoveanu, Eugenia (1944)","Wixell, Ingvar (1931-2011)","Simmons, Calvin Eugene (1950-1982)","Humperdinck, Engelbert (1854-1921)","Jarvi, Naami (1937)","Maag, Ernst Peter Johannes (1919-2001)","Obraztsova, Elena Vasilyevna (1939-2015)","McIntyre, Donald, Sir (1934)","White, Thomas S.","Cranko, John Cyril (1927-1973)","Shicoff, Neil (1949)","Jones, Isola (1949)","Tchakarov, Emil (1948)","Ponichelli, Amilcare (1834-1886)","Nicola, Rescigno (1916-2008)","Tajo, Italo (1915-1993)","Stilwell, Richard (1942)","Rendall, David (1948)","Santi, Nello","Panov, Valery Mateevich (1938)","Dostoevsky, Fyodor Mikhailovich (1821-1881)","Malfitano, Catherine","Cotrubas, Ileana (1939)","Bybee, Ariel (1943-2018)","Kohn, Eugene ","Capecchi, Renato (1923-1998)","Tate, Jeffrey Philip, Sir (1943-2017)","Żylis-Gara, Teresa (1930-2021)","Mauro, Ermanno (1939)","Rosenthal, Manuel (1904-2003)","Maliponte, Adriana (1938)","Bernardi, Mario (1930-2013)","Raffanti, Dano (1948)","Valente, Benita (1934)","Janowski, Marek (1939)","Elder, Mark","Walker, Sarah Elizabeth Royle, CBE (1943)","van Allan, Richard, CBE (1935-2008)","Davies, Arthur (1941-2018)","Rawnsley, John (1950)","Davies, Noel (1945-2008)","Müller, Edoardo ","Carlson, Lenus (1945)","Fulton, Thomas (1949-1994)","Daniels, Barbara (1946)","Conrad, Barbara Smith (1937-2017)","Johnson, Camellia (1953-2015)","Navarro, Luis Antonio García (1941-2001)","Baskerville, Priscilla (1962)","Merritt, Myra","Zandonai, Riccardo (1883-1944)","Stivender, David (1933-1990)","Montarsolo, Paolo (1925-2006)","Palacio, Ernesto (1946)","Patsalas, Constantin (1943-1989)","Parker, Charlie \"Bird\" (1920-1955)","Altmeyer, Jeannine (1948)","Meier, Johanna (1938)","Perick, Christof","Fournet, Jean (1913-2008)","Badea, Christian (1947)","Di Franco, Loretta (1942)","Kleiber, Carlos (1930-2004)","Kotoski, Dawn (1966)","Pinnock, Trevor David, CBE (1946)","Mitchell, Leona (1949)","Panni, Marcello (1940)","Cheek, John, 1948-","Martinucci, Nicola (1941)","Cambreling, Sylvain (1948)","Christin, Judith (1948)","Salminen, Matti (1945)","Araiza, Francisco (1950)","Moll, Kurt (1938-2017)","Ajmone-Marson, Guido","Saccani, Rico (1952)","Rosenshein, Neil (1947)","Kout, Jiří","Croft, Dwayne","Fiore, John","Ferden, Bruce (1949-1993)","Glass, Phillip (1937)","Neblett, Carol Lee (1946-2017)","Marin, Ion (1960)","Michael, Hermann (1937-2005)","Donath, Helen Jeanette (1940)","Rizzi, Carlo","Praticò, Bruno","Rootering, Jan-Hendrik (1950)","Pulley, Emily Ann (1967)","Villarroel González, Verónica","Chernov, Vladimir Nikolaïevitch (1953)","Oren, Daniel (1955)","Croft, Richard","Graves, Denyce","Dennis, Betty","Loukianetz, Victoria (1966)","Atherton, David","Del Carlo, John","Hager, Leopold (1935)","Bedford, Steuart John Rudolf, CBE (1939-2021)","Corbelli, Alessandro","Krauss, Clemens","Young, Simone","de Billy, Bertrand","Titov, Alexander","Gruzin, Boris","Kit, Mikhail","Agache, Alexandru","Floyd, Carlisle","Rost, Andrea","Campanella, Bruno","Weigle, Sebastian","Mescheriakova, Marina","Wolf-Ferrari, Ermanno ","Halévy, Fromental ","Viotti, Marcello ","Furlanetto, Ferruccio ","Summers, Patrick","Alfano, Franco ","Auguin, Philippe ","Gallardo-Domâs, Cristina ","Bergeson, Scott","Miklósa, Erika ","Haider, Friedrich","Botha, Johan","Kovalevska, Maija","Frittoli, Barbara","Carosi, Micaela ","Jordan, Philippe","Langrée, Louis","Ataneli, Lado","Chaslin, Frédéric","Vassallo, Franco","Runnicles, Donald","Petrenko, Mikhail","Villaume, Emmanuel","Abbado, Roberto","Smith, Robert Dean","Galouzine, Vladimir","Anzolini, Dante","Alvarez, Carlos","Schrott, Erwin","Gilbert, Alan","Finley, Gerald","Racette, Patricia","Seiffert, Peter","de Niese, Danielle","Frizza, Riccardo","Gagnidze, George","Pidò, Evelino","Bullock, Susan","Keenan, John","Calleja, Joseph","Gilmore, Rachele","Keenlyside, Simon","Abel, Yves","Ono, Kazushi","Uusitalo, Juha","Phillips, Lori","Fournillier, Patrick","Rizzi Brignoli, Roberto","Capitanucci, Fabio","Grigolo, Vittorio","Smelkov, Pavel","Álvarez, Marcelo","Lee, Yonghoon","Degout, Stéphane","Nielsen, Erik","Poplavskaya, Marina","Held, Alan","Walker, Antony","Royal, Kate","Carignani, Paolo","Kwiecien, Mariusz","Altinoglu, Alain","Franck, Mikko","de Biasio, Roberto","Morris, Jay Hunter","Westbroek, Eva-Maria","Inouye, Derrick","Gould, Stephen","Amonov, Avgust","Luna, Audrey","Radvanovsky, Sondra Dee (1969)","Ettinger, Dan","Theorin, Iréne","Mariotti, Michele (1979)","Cura, José","Zifchak, Maria","Byström, Malin","Ranzani, Stefano","He, Hui","Yoncheva, Sonya (1981)","Meli, Francesco (1980)","Krasteva, Nadia (1976)","Zajick, Dolora (1952)","Koenigs, Lothar (1965)","Madore, Elliot (1987)","Lanchas, Valeriano (1976)","van den Heever, Elza (1979)","Opolais, Kristine (1979)","Sherratt, Brindley (1965)","Mazzola, Enrique","Chichon, Karel Mark, OBE (1971)","Skelton, Stuart (1968)","Monastyrska, Liudmyla Viktorivna","Gubanova, Ekaterina (1979)","Dyka, Oksana (1978)","Robinson, Morris (Morris D.) (1969-03-18)","Làrusdóttir, Dísella (1977)","Mumford, Tamara","Debus, Johannes (1974)","Siegel, Gerhard (1963)","Morandi, Pier Giorgio (1958)","Vogt, Klaus Florian (1970)","Ticciati, Robin, OBE (1983)","Volle, Michael (1960)","Hartig, Anita (1983)","Morley, Erin (1980)","Bignamini, Jader (1976)","Bižić, David (1975)","Pomakov, Robert (1981)","Stare, Ward (1982)","Mattsey, Jeff","Allen, Thomas Boaz, Sir (1944)","Lattimore, Margaret","Colaneri, Joseph","Hindoyan, Domingo Garcia (1980)","D'Arcangelo, Ildebrande (1969)","Plachetka, Adam (1985)","Majeski, Amanda (1984)","Castronovo, Charles (1975)","Pérez, Ailyn (1979)","Mavlyanov, Najmiddin (1979)","Naouri, Laurent (1964)","Wellber, Omer Meir (1981)","Margaine, Clémentine (1984)","Nánási, Henrik","Farnes, Richard (1964)","Colclough, Craig","Park, Hera Hyesang","Manacorda, Antonello (1970)","Kamensek, Karen (1970)","Blake, Aaron","Eyvazov, Yusif (1977)","Davidsen, Lise (1987)","Lewek, Kathryn (1983)","Hymel, Bryan (1979)","Nikitin, Evgeny Igorevich","Selig, Franz-Josef (1962)","Erraught, Tara (1986)","Liverman, Will (1988)","Blanchard, Terrence (1962)","Rustioni, Daniele (1983)","Carter, Nicholas","Clayton, Allan, MBE (1981)","Dean, Brett (1961)","Baikoff, Erika","Ward, Duncan","Gamba, Michele (1983)","Maestri, Ambrogio (1970)","Hamlin, Spencer","Groissböck, Günther (1976)","Buratto, Eleanora (1982)","Guggeis, Thomas (1993)","Konieczny, Tomasz (1972)","Gigliotti, Eve","Belosselskiy, Dmitry Stanislavovich (1975)","Chioldi, Michael (1970)","Herrera, Nancy Fabiola","Catán Porteny, Daniel (1949-2011)","Furrer, Patrick","Buszewski, Piotr (1992)","Stikhina, Elena (1986)","Lyniv, Oksana (1978)","Pankratova, Elena","Kowaljow, Vitalij","Grigoryan, Juliana","Jagde, Brian (1980)","Golovatenko, Igor","Schweizer, David","Masur, Richard (1948)","Walken, Christopher (1943)","Le Roux, Madeleine (1946)","Shapiro, Mel (1937)","Moriarty, Michael (1941)","Hines, Mainer Patrick (1930-1985)","Mason , Marsha (1942)","Southern, Richard (1903-1989)","Adams, Mason (1919-2005)","Miratti, Tony (1946)","Vestoff, Virginia (1939-1982)","Moody, Michael Dorn","Nichols, Mike (1931-2014)","Rudd, Paul Ryan (1940-2010)","Sweet, Dolph (1920-1985)","Harewood, Dorian (1950)","Rabe, David (1940)","Mosher, Gregory (1949)","Goldstein, Steven (1963)","Huffman, Felicity (1962)","Silverstein, Sheldon Allan (1930-1999)","Mamet, David (1947)","Balaban, Robert Elmer (1945)","Conroy, Frances (1953)","Buono, Cara (1971)","Nelson, Richard John (1950)","Bishop, Kelly (1944)","Channing, Stockard (1944)","Pearlman, Stephen (1935-1998)","Guare, John (1938)","Bishop, André (1948)","Alexander, Jane (1939)","McDormand, Frances (1957)","Vickery, John (1950)","Davis, Clifton (1945)","McGiver, Boris (1962)","Stoppard, Tom, Sir (1937)","Alexander, Terry (1947)","Heckart, Eileen (1919-2001)","Mastrantonio, Mary Elizabeth (1958)","Donaghy, Tom","Chenoweth, Kristin (1968)","Fuller, Penny (1937)","Gets, Malcolm (1964)","Finn, William (1952)","Stroman, Susan (1954)","Stackpole, Dana (1966)","Hingston, Sean Martin (1965)","Antoon, Jason (1971)","Weidman, John (1946)","Sutherland, Donald (1935-2024)","O'Hare, Denis (1962)","Margulies, Julianna (1966)","Baitz, Jon Robin (1961)","Kani, John (1942)","Bihl, Esmeralda","Seane, Warona","James, Nikki M. (1981)","Ticotin, Nancy  (1957)","Bavan, Yolande (1942)","Lachiusa, Michael John (1962)","Baker, Becky Ann (1953)","Harelik, Mark (1951)","Hecht, Jessica (1965)","Greenberg, Richard (1958)","Aspillaga, Vanessa (1972)","Brown, Blair (1946)","Clayburgh, Jill (1944-2010)","Ruhl, Sarah (1974)","Schreiber, Pablo (1978)","Shinn, Christopher (1975)","Kudisch, Marc (2024)","Belcon, Natalia Venetia (1969)","Kelly, David Patrick (1951)","Flaherty, Stephen (1960)","Lavin, Linda (1937)","Houdyshell, Jayne (1953)","Bartlett, Peter (1942)","Rudnick, Paul (1957)","McMartin, John (1929-2016)","Rebhorn, James (1948-2014)","Eli, Robert","Haigle, Noah (1978)","Gleason, Joanna (1950)","Foster, Hunter (1969)","Cervantes, Miguel (1976)","Frankel, Scott David (1963)","Davidson, Jeremy (1971)","Mays, Jefferson (1965)","Hogan, Robert (1933-2021)","Rogers, J.T. (1968)","Keenan-Bolger, Celia (1978)","Saito, James (1955)","Yaegashi, James (1972)","Lane, Diane (1965)","Shalhoub, Tony (1953)","Rankin, Gayle (1989)","Doran, Bathsheba","Plunkett, Stephen (1976)","Breen, Patrick (1960)","Pankow, John (1955)","Parnell, Peter","Ehle, Jennifer (1969)","McDonough, Ann (1949)","Murphy, Sally (1962)","Harmon, Joshua","Clemens, Adelaide (1989)","Chanler-Berat, Adam (1986)","Larroquette, John (1947)","Donovan, Edmund (1990)","Hellman, Nina (1967)","Ivey, Judith (1951)","Hunter, Samuel D. (1981)","Marylouise, Burke (1941)","Watkins, Brian","Coiro, Rhys (1979)","Bunin, Keith (1971)","Jones, Candrice","Testa, Mary (1955)","Baker, Dylan (1959)","Müller-Brühl, Helmut Peter (1933-2012)","Bach, Johann Christian Friedrich (1732-1795)","Mozart, Franz Xaver Wolfgang (1791-1844)","Dichter, Misha, 1945-","Glover, Jane, Dame (1949)","Kalmar, Carlos (1958)","Paganini, Nicolò, 1782-1840","Golijov, Osvaldo (1960)","Manze, Andrew (1965)","Halls, Matthew","Barnatan, Inon, 1979-","Zender, Johannes Wolfgang (1936-2019)","Schachter, Michael","Hughes, Langston (James Mercer Langston) (1901-1967)","Foss, Lukas, 1922-2009","Wallenstein, Alfred (18981007-19830208)","del Tredici, David Walter (1937-2023)","Wiłkomirska, Wanda (1929-2018)","Munroe, Lorne (1924-2020)","Zeltser, Mark Efimovich (1947)","Postnikova, Viktoria (1944)","Taneyev, Sergei Ivanovich (1856-1915)","Jones, Jennifer, (Mezzo-soprano)","Shiokawa, Yūko (1946)","Kim, Earl (1920-1998)","Weller, Walter (1939-2015)","Davies, Ryland (1943-2023)","Curzon, Clifford Michael, Sir (1907-1982)","Blackshaw, Christian Charles (1949)","Drucker, Stanley (1929-02-04-2022-12-19)","Newland, Larry","Carter, Elliott (1908-2012)","Gitlis, Ivry (1922-2020)","Duruflé, Maurice (1902-1986)","Haendel, Ida (1928-2020)","Barton, Randolph","Sondheim, Stephen, 1930-2021","Subramaniam, Lakshminarayana  (1947)","Bussotti, Sylvano (1931-2021)","Vinzing, Ute (1936)","Turnovsky, Martin (1928-2021)","Novák, Vítězslav Augustín Rudolf (1870-1949)","Druckman, Jacob (1928-1996)","Husa, Karel (1921-2016)","Cherkassy, Shura (1909-1995)","Rubinstein, Anton Grigoryevich (1829-1894)","Sanderling, Kurt (1912-2011)","Meneses, Antônio (1957)","Zwilich, Ellen Taafe (1939)","Wolfe, Julia (1958)","Ortiz, Cristina (1958)","Stenhammar, Carl Wilhelm Eugen (1871-1927)","Levi, Yoel (1950)","Pedrotti, Carlo (1817-1893)","Hétu, Jacques (1938-2010)","Mácal, Zdeněk  (1936-2023)","Kabalevsky, Dmitry Borisovich (1904-1987)","Oistrakh, Igor","Keene, Christopher, 1946-1995","Virsaladze, Eliso (1942)","Gutman, Natalia Grigoryevna (1942)","Flor, Claus Peter (1953)","Schiff, Heinrich (1951-2016)","Sheng, Bright (1955)","Davies, Dennis Russell (1944)","Kolb, Barbara (1939)","Gavrilov, Andrei (1955)","Pratt, Awadagin (1966)","Tubin, Eduard (1905-1982)","Baxtresser, Jeanne (1947)","Diadkova, Larissa Ivanova (1954)","Tamberg, Eino (1930-2010)","Feltsman, Vladimir Oskarovich (1952)","Katzer, Georg (1935-2019)","Piston, Walter Hamor, Jr. (1894-1976)","McFerrin, Robert Keith (1950)","Ling, Jahja (1951)","Perle, George (1915-2009)","Kirchner, Leon, 1919-2009","Thompson, Randall (1899-04-21-1984-07-09)","Wilson, Olly Woodrow, Jr. (1937-2018)","Asawa, Brian (1966-2016)","Little, Tasmin Elizabeth (1965)","Thomson, Virgil (1986-1989)","Westerfield, Richard","Suwanai, Akiko (1972)","Zorn, John, 1953-","Schwantner, Joseph Clyde (1943-03-22)","Canteloube de Malaret, Marie-Joseph (1879-1957)","Dam-Jensen, Inger (1964)","MacMillan, James Loy, Sir (1959)","Daugherty, Michael (1954)","Staples, Sheryl (1968)","Biller, Georg Christoph (1955-2022)","Leonskaja, Elisabeth (1945)","Frank, Martin (1890-1974)","Kirchschlager, Angelika (1965)","Pollet, Françoise (1949)","Say, Fazıl (1970)","Volodos, Arcadi (1972)","Wiens, Edith (1950)","Turrin, Joseph (1947)","Paasikivi-Ilves, Lilli Katriina (1965)","Kernis, Aaron Jay (1960)","Covey-Crump, Rogers (1944)","Hartke, Stephen Paul (1952)","Cedolins, Fiorenza (1966)","Weilerstein, Alisa (1982)","Tovey, Bramwell (1953-2022)","Puts, Kevin Matthew (1972)","Moser, Johannes (1979)","Grantham, Donald (1947)","Egner, Philip (1870-1956)","Shenyang (1984)","Gavrylyuk, Alexander (1984)","Plummer, Christopher (1929-2021)","Kriiku, Kari (1960)","Chin, Unsuk (1961)","Storgårds, John Gunnar Rafael (1963)","Adolphe, Julia (1988)","Auerbach, Lera (1973)","Davies, Tansy (1973)","Weilerstein, Joshua (1987)","Gersen, Joshua","Grosvenor, Benjamin (1992)","Þorvaldsdóttir, Anna Sigríður (1977)","Tao, Conrad Yiwen (1994)","Slobodeniouk, Dima (1975)","Gomyo, Karen","Rouvali, Santtu-Matias (1985)","Martinaitytė, Žibuoklė (1973)","Chen, Ray (1989)","Schulhoff, Erwin (1894-1942)","Pinto-Correira, Andreia","Lim, Yunchan (2004)","Berlin, Irving, 1888-1989","Merman, Ethel, 1908-1984","Yarnell, Bruce, 1935-1973","Venuta, Benay, 1910-1995","Kasha, Lawrence","Wayne, David","Treigle, Norman","Guadagno, Anton","Crader, Jeannine","Rodgers, Richard","Layton, Joe","Henderson, Florence","Irving, Robert, 1913-1991","Frohlich, Jean-Pierre","Corsaro, Frank, 1924-2017","Novoa, Salvador, 1937-2021","Patane, Franco, 1908-1968","Niska, Maralin, 1926-2016","Peress, Maurice, 1930-2017","Peterson, Kurt","Mallory, Victoria, 1948-2014","Molese, Michele, 1928-1989","Malas, Spiro, 1933-2019","Mester, Jorge, 1935-","Bible, Frances, 1919-2001","Susskind, Walter, 1913-1980","Morelli, Giuseppe, 1907-2000","Chapman, William, 1923-2012","Theyard, Harry, 1929-","Devlin, Michael, 1942-","Hale, Robert, 1933-2023","Ledbetter, William, 1961-","Lankston, John, 1934-2018","Reimueller, Ross, 1938-1987","Galvany, Marisa","Menotti, Gian Carlo","Darrenkamp, John","Martelli, Luigi","Delius, Frederick","Roy, Will","Roe, Charles","Palló, Imre, 1941-","Branson Gray, George","Taylor, Richard","Wells, Patricia","Ballard, Earline","Somogi, Judith, 1937-1988","Bertini, Gary, 1927-2005","Caldwell, Sarah, 1924-2006","Sarabia, Guillermo, 1937-1985","Musgrave, Thea, 1928-","Clarey, Cynthia, 1949-","DeRenzi, Victor","McKee, Richard","Grey, Joel, 1932-","Loewe, Frederick, 1901-1988","Burton, Richard, 1925-1984","Ebersole, Christine, 1953-","Stapp, Olivia","Bröcheler, John, 1945-","de Almeida, Antonio, 1928-1997","Grice, Garry","Weise, Klaus, 1936-2022","Eisler, David, 1955-1992","Esham, Faith, 1948-","Kelm, Linda, 1944-2016","Siciliani, Alessandro, 1952-","Knighton, Elizabeth","Flint, Mark, 1954-2012","Vergara, Victoria","Grayson, Robert","Robson, Christopher, 1953-","Senn, Marta","Garrison, Jon, 1944-","Dickson, Stephen, 1951-1991","Rescigno, Joseph, 1945-","Faix Brown, Winifred","Boncompagni, Elio, 1933-2019","Shirvis, Barbara","von Flotow, Friedrich, 1812-1883","Woods, Sheryl","Blitzstein, Marc, 1905-1964","Hunter, Laurie Anne","Munro, Leigh","McNeil, Dennis, 1960-","Marsee, Susanne, 1941-","Ajmone-Marsan, Guido, 1947-2014","Alexeyev, Valery","West, Stephen","Duerr, Robert, 1954-","Sorensen, Joel","von Einem, Gottfried, 1918-2007","Manahan, George, 1952-","Castle, Joyce, 1939-","Nolen, Timothy, 1941-2023","Mosteller, Steven","Ketelsen, Kyle, 1971-","Pendatchanska, Alexandrina, 1970-","Adamo, Mark, 1962-","Martins, Peter, 1946-","Pereira, Erica","Peiffer, Allen","Reichard, Daniel","Kay, Hershy, 1919-1981","Prince, Robert, 1929-2007","Strayhorn, Billy, 1915-1967","Cohen, Brad","Dovhan, Stefania, 1979-","Feldman, Morton, 1926-1987","Schwartz, Stephen, 1948-","Pärt, Arvo, 1935-","Mercurio, Steven","Scappucci, Speranza (1973)","Müller, Rufus (1959)","Boehler, Matt","Duncan, Tyler","Wang, Yunpeng","Levin, Ira","Cokorinos, Philip","Braunfels, Walter (1882-1954)","Crutchfield, Will (1957)","Gish, Allison","Jordheim, Alisa","van Heyningen, Erik","Ball, William, 1931-1991","O'Sullivan, Michael, 1934-1971","Maxwell, Roberta, 1941-","Rabb, Ellis, 1930-1998","Harris, Rosemary, 1927-","Walker, Sydney, 1921-1994","Williams, Tennessee","Farentino, James, 1938-2012","Conolly, Patricia, 1933-","Leonard, Hugh, 1926-2009","Freedman, Gerald, 1927-2020","Harris, Julie, 1925-2013","Durning, Charles, 1923-2012","Milner, Ron, 1938-2004","Schultz,  Michael, 1938-","Turman, Glynn, 1947-","Strindberg, August, 1849-1912","Caldwell, Zoe, 1933-2020","Elizondo, Héctor, 1936-","Burr, Anne, 1918-2003","Papp, Joseph, 1921-1991","Parsons, Estelle, 1927-","Lombard, Michael, 1934-2020","Gunn, Bill, 1934-1989","Williams, Dick Anthony, 1934-2012","Brown, Graham, 1924-2011","Ibsen, Henrik, 1828-1906","Skagestad, Tormod, 1920-1997","Ullmann, Liv, 1938-","Waterston, Sam, 1940-","Pinero, Arthur Wing, 1855-1934","Antoon, A. J., 1944-1992","Hurt, Mary Beth, 1946-","Streep, Meryl, 1949-","Rudman, Michael, 1939-2023","Shaw, George Bernard, 1856-1950","Gordon, Ruth, 1896-1985","O'Shea, Milo, 1926-2013","Brecht, Bertolt, 1898-1956","Foreman, Richard, 1937-","Bosco, Philip, 1930-2018","Kava, Caroline, 1949-","Chekhov, Anton, 1860-1904","Serban, Andrei, 1943-","Aeschylus, 525-456 BC","Zakkai, Jamil","Barry, Philip, 1896-1949","Danner, Blythe, 1943-","Herrmann, Edward, 1943-2014","Converse, Frank, 1938-","Anglim, Philip, 1952-","Anderman, Maureen, 1946-","Allen, Woody, 1935-","Grosbard, Ulu, 1929-2012","Arthur, Bea, 1922-2009","Weston, Jack, 1924-1996","Porter, Cole, 1891-1964","Uggams, Leslie, 1943-","Edelman, Gregg, 1958-","Vichi, Gerry","Chayefsky, Paddy, 1923-1981","Armus, Sidney, 1924-2002","Zaks, Jerry, 1946-","Evers, Brian, 1942-","Lagomarsino, Ron, 1951-","Curry, Tim, 1946-","Pappas, Evan","Sherwood, Robert, 1896-1955","Gutierrez, Gerald, 1950-2003","Hytner, Nicholas, 1956-","Hayden, Michael, 1963-","Barbour, James, 1966-","Nunn, Trevor, 1940-","Dundas, Jennifer, 1971-","Frierson, Andrea","Hellman, Lillian, 1905-1984","O'Brien, Jack, 1939-","Kerwin, Brian, 1949-","Kline, Kevin, 1947-","Atkinson, Jayne, 1959-","Brown, Jason Robert, 1970-","Prince, Harold, 1928-2019","Carmello, Carolee, 1962-","Carver, Brent, 1951-2020","Sheridan, Richard Brinsley, 1751-1816","Lamos, Mark, 1946-","Bergl, Emily, 1975-","Guettel, Adam, 1964-","Sher, Bartlett, 1959-","Clark, Victoria, 1959-","Morrison, Matthew, 1978-","O'Hara, Kelli, 1976-","O'Byrne, Brian, 1967-","Cullum, John, 1930-","Cerveris, Michael, 1960-","Plimpton, Martha, 1970-","Szot, Paulo, 1969-","Wolfe, George, 1954-","Wright, Jeffrey, 1965-","Stafford, Nick, 1959-","Elliott, Marianne, 1966-","Morris, Tom, 1964-","Klein, Tessa","Taylor, Holland, 1943-","Klein, Benjamin Endsley","White, Julie, 1961-","Lapine, James, 1949-","Fontana, Santino, 1982-","Akhtar, Ayad, 1970-","Hughes, Doug, 1955-","Pasquale, Steven, 1976-","Lim, Teresa Avia","Lerner, Alan Jay, 1918-1986","Smith, Paul Slade","Ambrose, Lauren, 1978-","Zarrett, Lee","Hadden-Paton, Harry, 1981-","Benanti, Laura, 1979-","Schenkkan, Robert, 1953-","Rauch, Bill, 1962-","Cox, Brian, 1946-","Coleman, Grantham, 1990-","Cusack, Carmen, 1971-","Gardner, Danny, 1982-","Wilder, Thornton, 1897-1975","Blain-Cruz, Lileana","Meredith, James Vincent, 1971-","Soo, Phillipa, 1990-","Donica, Jordan, 1994-","Harding, Daniel, 1975-","Cullen, Joseph","Halsey, Simon, 1958-","Huber, Gerold, 1969-","English"],"unitid_tesim":["WLU.Coll.0778","/repositories/5/resources/1140"],"normalized_title_ssm":["Henry Strouss Performing Arts collection"],"collection_title_tesim":["Henry Strouss Performing Arts collection"],"collection_ssim":["Henry Strouss Performing Arts collection"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Strouss, Henry  (Henry Strouss III ), Class of 1961"],"creator_ssim":["Strouss, Henry  (Henry Strouss III ), Class of 1961"],"creator_persname_ssim":["Strouss, Henry  (Henry Strouss III ), Class of 1961"],"creators_ssim":["Strouss, Henry  (Henry Strouss III ), Class of 1961"],"access_terms_ssm":["Access to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection"],"access_subjects_ssim":["Theater"],"access_subjects_ssm":["Theater"],"has_online_content_ssim":["false"],"extent_ssm":["15 Cubic Feet"],"extent_tesim":["15 Cubic Feet"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"bioghist_html_tesm":["\u003cp\u003eFor the benefit of the National Conference of Christians and Jews\u003c/p\u003e","\u003cp\u003eFor the benefit of both American and Russian War Charities\u003c/p\u003e","\u003cp\u003eFirst New York appearance in 3 years\u003c/p\u003e","\u003cp\u003eFirst American tour of the Berlin Philharmonic. Articles and flyer record protests in response to the manager's and director's previous Nazi membership.\u003c/p\u003e","\u003cp\u003eNoted: Because of the demand for tickets, another concert with Stravisky was scheduled for January 23rd.\u003c/p\u003e","\u003cp\u003eIn commemoration of the 250th anniversary of Pergolesi's birth\u003c/p\u003e","\u003cp\u003eThe orchestra's first appearance outside of Puerto Rico\u003c/p\u003e","\u003cp\u003eA gala recital for the benefit of the National Committee Against Discrimination in Housing\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras, Noted: because of illness, soloist Joseph Silverstein was replaced by Jaime Laredo\u003c/p\u003e","\u003cp\u003eCelebrating the 30th Anniversary Season of Eugene Ormandy as Music Director\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour\u003c/p\u003e","\u003cp\u003eOpening night of the production.\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eFinal program in a special series of four concerts, \"The Viennese School\"\u003c/p\u003e","\u003cp\u003eFinal event in the Hurok Sunday series\u003c/p\u003e","\u003cp\u003eOpening concert in the Hurok International Series \"A\".\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eCelebrating the 75th Anniversary of Ithaca College\u003c/p\u003e","\u003cp\u003eGala Performance. Maria Callas and Zinka Milanov, who both formerly played the titular role, attended the performance and received much applause. In contrast, Elena Suliotis was criticized for her performance and the audience was torn between cheering and booing.\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eIn appreciation of Harald A. Lowen (1897-1968), Executive Secretary 1958-1968\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eOpening concert in the Hurok International Series \"A\"\u003c/p\u003e","\u003cp\u003eIn memory of Charles Munch\u003c/p\u003e","\u003cp\u003eFourth Event in the Hurok International Series B\u003c/p\u003e","\u003cp\u003eFifth Event in the Hurok International Series B\u003c/p\u003e","\u003cp\u003eSixth Event in the Hurok International Series B\u003c/p\u003e","\u003cp\u003eCommemorating the 200th Anniversary of the birth of Ludwig Van Beethoven\u003c/p\u003e","\u003cp\u003eSecond Concert in Series\u003c/p\u003e","\u003cp\u003eAnnual Patron-Sponsor Concert\u003c/p\u003e","\u003cp\u003ePart of the Series of Stars\u003c/p\u003e","\u003cp\u003eNicolai Gedda was ill and unable to perform the role of Arnold, replaced by Jerome Lo Monaco and Mallory Walker spliting the role.\u003c/p\u003e","\u003cp\u003ePart of the Series of Stars\u003c/p\u003e","\u003cp\u003ePart of the Series of Stars\u003c/p\u003e","\u003cp\u003eA Metropolitan Opera Guild Benefit Concert\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eConcert in memory of David Oistrakh.\u003c/p\u003e","\u003cp\u003ePart of the Series of Stars\u003c/p\u003e","\u003cp\u003eIn honor of Aaron Copland's 75th birthday.\u003c/p\u003e","\u003cp\u003eLorin Maazel, the conductor, was unable to perform due to an injury and was replaced by Edo de Waart for the concert. The second half of the concert was changed from The Rite of Spring by Stravinsky to Symphony No. 2 in D Major, Opus 73 by Brahms.\u003c/p\u003e","\u003cp\u003eA British Salute to the American Bicentennial and The Seventh Concert in the Mozart Concerto Festival\u003c/p\u003e","\u003cp\u003ePart of the bicentennial celebration of the United States\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eThe concert was in memory of Fred Norring.\u003c/p\u003e","\u003cp\u003eFor the 150th anniversary of Beethovan's death.\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras. The concert replaced the one originally announced for the Czech Philharmonic, which had to cancel its American tour.\u003c/p\u003e","\u003cp\u003eThe Annual Patrons' and Sponsors' Concert\u003c/p\u003e","\u003cp\u003eIncludes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.\u003c/p\u003e","\u003cp\u003eThe Fiftieth Anniversary Season of the Cleveland Orchestra. Part of the International Festival of Visiting Orchestras.\u003c/p\u003e","\u003cp\u003eFifth Event in the Hurok International Series A.\u003c/p\u003e","\u003cp\u003eFourth Concert in the Series \"Art of the Lied\"\u003c/p\u003e","\u003cp\u003eDue to injury, Chicago Symphony Orchestra's conductor, Sir Georg Solti, was unable to conduct, so the concert was led by the assistant conductor Henry Mazer. The previous day he was replaced by Margaret Hillis.\u003c/p\u003e","\u003cp\u003eA gala concert performance for the benefit of the production fund of Friends of French Opera.\u003c/p\u003e","\u003cp\u003eHonoring the 150th Anniversary of Louis Moreau Gottschalk (Born in New Orleans on May 8, 1829)\u003c/p\u003e","\u003cp\u003eSinger Julia Hamari was unable to perform and was replaced by Florence Quivar.\u003c/p\u003e","\u003cp\u003eMontserrat Caballé withdrew to receive medical treatment in Spain and was replaced by Awilda Verdejo. Nicolai Gedda also withdrew due to illness and was replaced by Richard Estes.\u003c/p\u003e","\u003cp\u003eAn all Copland program in honor of Aaron Copland's 80th birthday.\u003c/p\u003e","\u003cp\u003eThe program order was reversed, Bartók's Concerto for Orchestra was played first followed by Bruckner's Symphony No. 4.\u003c/p\u003e","\u003cp\u003eScenes from the Life of a Martyr, by Undine Smith Moore, premiered in New York in memory of Martin Luther King Jr.\u003c/p\u003e","\u003cp\u003ePart of the Gala Rossini Opera Festival.\u003c/p\u003e","\u003cp\u003ePart of the Gala Rossini Opera Festival. Due to illness, Montserrat Caballe was replaced by June Anderson in the role of Semiramide.\u003c/p\u003e","\u003cp\u003eDue to illness, Edward J. Crafts was unable to perform the role of Duke Robert and was replaced by James Stith. The role of the Messenger was sung by William Drake.\u003c/p\u003e","\u003cp\u003eIn honor of the 100th anniversary of the composer's death.\u003c/p\u003e","\u003cp\u003ePart of the Gala Rossini Opera Festival\u003c/p\u003e","\u003cp\u003ePart of the French Opéra-Comique Festival\u003c/p\u003e","\u003cp\u003eGala Sixtieth Anniversary Benefit Concert.\u003c/p\u003e","\u003cp\u003eThe performance of Mahler's Symphony No. 4 was dedicated to the memory of Michael Ries.\u003c/p\u003e","\u003cp\u003ePart of the French Opéra Comique Festival.\u003c/p\u003e","\u003cp\u003ePart of the Handel Opera Festival\u003c/p\u003e","\u003cp\u003ePart of the Handel Opera Festival.\u003c/p\u003e","\u003cp\u003eThe performance of Berg's Seven Early Songs commemorates the 100th anniversary of the composer's birth.\u003c/p\u003e","\u003cp\u003ePerformed on the 300th anniversary of the composer's birth and part of the Handel Opera Festival.\u003c/p\u003e","\u003cp\u003eThis was the US debut of Jin Li. Part of the program is missing, which tells that the orchestra performed 2 Pieces for Small Orchestra: 1. On Hearing the First Cuckoo in Spring (1912) by Frederick Delius and Variations on an Original Theme, Op. 36, \"Enigma\" (1899) by Edward Elgar after the intermission.\u003c/p\u003e","\u003cp\u003ePart of The Choral Celebration of Bach.\u003c/p\u003e","\u003cp\u003ePart of the Handel Opera Festival.\u003c/p\u003e","\u003cp\u003eThe Berg works are being performed in honor of the 100th anniversary of his birth.\u003c/p\u003e","\u003cp\u003eBecause of a recent illness limiting Mr. Ozawa's rehearsal time, Dvorák's Symphony No. 7 was replaced by Tchaikovsky's Symphony No. 6 in the program.\u003c/p\u003e","\u003cp\u003eFor the benefit of Emmaus, which serves New York City's homeless.\u003c/p\u003e","\u003cp\u003eThis concert was dedicated to the memory of Karol Szymanowski.\u003c/p\u003e","\u003cp\u003eA benefit to celebrate the fifteenth anniversary of Opera Orchestra of New York.\u003c/p\u003e","\u003cp\u003eCelebrating the 60th birthday of Mstislav Rostropovich\u003c/p\u003e","\u003cp\u003e35th Anniversary Concert\u003c/p\u003e","\u003cp\u003eRudolf Serkin was unable to preform as previously announced due to illness and was replaced by Malcolm Frager.\u003c/p\u003e","\u003cp\u003eSylvia McNair replaced Sophia Larson for this performance.\u003c/p\u003e","\u003cp\u003eIt is noted that Aprile Millo, who played Maddalena di Coigny, dedicated her performance to the memory of her father, Giovanni Millo, who was known for his portrayal of the title role.\u003c/p\u003e","\u003cp\u003eThis concert is presented by the Jerusalem Foundation in honor of the 40th Anniversary of the State of Israel.\u003c/p\u003e","\u003cp\u003eA New York International Festival of the Arts event\u003c/p\u003e","\u003cp\u003eA New York International Festival of the Arts event\u003c/p\u003e","\u003cp\u003eDue to a death in the family, Seiji Ozawa was unable to conduct and was replaced by David Zinman. The program was changed from Mahler's Symphony No. 9 to Mahler's Symphony No. 1 and Chopin's Piano Concerto No. 1.\u003c/p\u003e","\u003cp\u003eGiuseppe Giacomini was replaced by Nunzio Todisco and Michael Shell was replaced by Wanda Brister for the performance.\u003c/p\u003e","\u003cp\u003eSeiji Ozawa was unable to conduct due to illness and was replaced by André Previn.\u003c/p\u003e","\u003cp\u003eThis performance is dedicated to the memory of Dr. Hugh Ross, for more than 60 years as the Music Director of the Schola Cantorum of New York.\u003c/p\u003e","\u003cp\u003eThe grandfather clock and black cat, originally meant to be Philippe Huttenlocher, was played by David Evitts.\u003c/p\u003e","\u003cp\u003eThese performances were dedicated to the memory of Leonard Bernstein (Auguest 25, 1918 - October 14, 1990)\u003c/p\u003e","\u003cp\u003eMozart's Piano Concerto No. 19 was changed to his Piano Concerto No. 26. The orchestra recognized the recent death of Aaron Copland (1900-1990) by including a commemerative performance of the Variations on a Shaker Melody (Simple Gifts) from Copland's ballet Appalachian Spring.\u003c/p\u003e","\u003cp\u003eCopland's Quintet (\"The promise of living\") from Act I of the opera \"The Tender Land\" was performed in memory of his recent passing.\u003c/p\u003e","\u003cp\u003eInsert: Mara Zampierni indisposed, role of Elizabette to be played by Martile Rowland\u003c/p\u003e","\u003cp\u003eInsert: Role of Killian will by sung by Gerald Dolter. Prince Ottokar will be sung by Gregory Rahming. Please Note: This Opera involves hubnting and shooting prowess. Ther will be several gunshots during the performance.\u003c/p\u003e","\u003cp\u003eCommemorating the quincentenary of the Christopher Columbus Voyage\u003c/p\u003e","\u003cp\u003eInsert: Saint Ludmila Description\u003c/p\u003e","\u003cp\u003eMusic from concentration camp Terezin, also known as Theresienstadt\u003c/p\u003e","\u003cp\u003eNote: \"This performance is dedicated to Alice Tully, whose love and support of the arts is legendary. Her presence in the center box at Opera Orchestra's concerts will be greatly missed. We are grateful for her warmth and friendship\"\u003c/p\u003e","\u003cp\u003eNote: \"Celebrating Seiji Ozawa's Twentieth Anniversary Season as Music Director of the Boston Symphony Orchestra\"\u003c/p\u003e","\u003cp\u003eInsert: \"Aprile Millo was involved in an automobile accident in Italy and has sustained injuries from which she is recovering, but which have forced her to withdrawl from Caterina Cornaro. Martile Rowland will sing the title role. She performed as Caterina in a preview performance last tuesday evening in Princeton University's Richardson Auditorium\"\u003c/p\u003e","\u003cp\u003eInsert: Garrick Ohlsson will replace Evgeny Kissin as soloist in the Schumann Piano Concerto at this evening's performance by The Philadelphia Orchestra. Mr. Kissin has cancelled his appearance due to the flu. Carnegie Hall is grateful to Mr. Ohlsson for agreeing to appear on such short notice.\u003c/p\u003e","\u003cp\u003einsert: HEROD will be sung by baritone Eduardo Del Campo (as opossed to Yuri Mazurok\u003c/p\u003e","\u003cp\u003eInsert: John Uhlenhopp as Lykov, Martin Dillon as Bomelii, Svetlana Furdui as The Housemaid\u003c/p\u003e","\u003cp\u003eInsert: JohnAler forced to cancel due to illness, tenor Carl Halvorson takes his place\u003c/p\u003e","\u003cp\u003eInsert: Due to illness, Carol Vaness was replaced by Sharon Sweet. This is Sharon Sweet's Carnegie Hall debut.\u003c/p\u003e","\u003cp\u003eInsert: \"Carnegie Hall joins Seiji Ozawa and the Vienna Philharmonic Orchestra in mourning thr loss of our friend, the distinguished composer Toru Takemitsu, who passed away Feburary 20th, 1996. In his memory, his work Requiem for String Orchestra will open tonight's program\"\u003c/p\u003e","\u003cp\u003e\"This performance is dedicated with affection and admiration to the memory of Robert E. Wagenfeld\"\u003c/p\u003e","\u003cp\u003eInsert: La Damnation de Faust Description\u003c/p\u003e","\u003cp\u003eInsert: Beethoven in New York, Chamber orchestra of Europe, Sponsored by the BOC Group\u003c/p\u003e","\u003cp\u003eInsert: \"Samuel Ramey will not sing the role of Roger in OONY's presentation of Verdi's Jerusalem. Mr. Ramey has canceled because of illness.\" Gary Simpson to Play Roger, Perry Ward to Play Count of Toulouse, Luiz-Ottavio Faria to play Emir.\u003c/p\u003e","\u003cp\u003eThis performance was dedicated to the memory of Richard deVaultier (1916-1988).\u003c/p\u003e","\u003cp\u003eInsert: Pianist Ivo Pogorelich had to withdraw from the performance and was replaced by André Watts.\u003c/p\u003e","\u003cp\u003eInsert: Tenor Thomas Moser had to withdraw from the performance due to illness and was replaced by Jon Fredric West.\u003c/p\u003e","\u003cp\u003eNotations for Orchestra by Pierre Boulez performed in honor of the composer's 75th birthday.\u003c/p\u003e","\u003cp\u003eInsert: Soprano Jane Eaglen was unable to perform the role of La Gioconda and was replaced by Sylvie Valayre\u003c/p\u003e","\u003cp\u003eConcert to celebrate the 70th birthday of Lorin Maazel\u003c/p\u003e","\u003cp\u003eInsert: \"Tonights performance is dedicated to the memory of Alfredo Kraus and Pablo Elvira who sang La favorita so beautifully with Opera Orchestra in 1975\"\u003c/p\u003e","\u003cp\u003eJohn Williams \"For Seiji!\" New York premire. Celebrating Mstisalv Rostropovich's 75th Birthday.\u003c/p\u003e","\u003cp\u003eChristopher Rouse's \"Rapture\" New York Premiere. Michael Hersch's \"Symphony No. 2\" New York Premiere.\u003c/p\u003e","\u003cp\u003eIncludes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.\u003c/p\u003e","\u003cp\u003eIn commemoration of the 200th anniversary of the birth of Hector Berlioz\u003c/p\u003e","\u003cp\u003eThis performance is dedictaed to the memory of Robert E. Wagenfeld\u003c/p\u003e","\u003cp\u003eIn loving memory of Robert J. Harth 1956-06-13 -- 2004-01-30. The 2003-2004 season is dedicated to the memory of Robert J. Harth , who led Carnegie Hall as Executive and Artistic Director from September 2001 until January 2004.\u003c/p\u003e","\u003cp\u003eThis evening's performance is dedicated to the memory of Frederic Bradlee, a long-time friend and supporter of Opera Orchestra.\u003c/p\u003e","\u003cp\u003eThe 50th Concert of the Met Orchestra at Carnegie Hall\u003c/p\u003e","\u003cp\u003eRevised Program: Please note that Michelle DeYoung will be perfroming this afternoon in place of Natalie Dessay who has withdrawn because of bronchitis.\u003c/p\u003e","\u003cp\u003eIn memory of Stephen M. Kellen, and honorary citizen of the city of Berlin and an honorary member of the Berliner Philharmoniker\u003c/p\u003e","\u003cp\u003eThis concert is dedicated to the memory of John Forbes, a longtime member of the St. Cecilia Chorus.\u003c/p\u003e","\u003cp\u003eThis concert is dedicated to the memory of Charlotte Kirschner (1922-2005)\u003c/p\u003e","\u003cp\u003eAnnotation: \"Obraztsova did not appear\"  refers to mezzo-soprano Elena Obraztsova)\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003ePlease note that Andris Nelsons will conduct this concert in place of James Levine, who continues to suffer ill effects from a recent procedure addressing his continuing back issues. Andris Nelsons appears this evening courtesy of the Metropolitan Opera.\u003c/p\u003e","\u003cp\u003eNote under Daniil Trifonov: Grand Prize and Gold Medal, Piano, XIV International Tchaikovsky Competition\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eInsert: The role of MLLE. JOUVENOT will be sung this evening by soprano DANIELLE WALKER\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eMarking the Bicentennial of Wagner's Birth\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003ePlease note that Lorin Maazel is unable to conduct this evening's concert due to illness. Carnegie Hall and the Munich Philharmonic Orchestra are immensely grateful to Fabio Luisi for agreeing to conduct in his place. Mr. Luisi appears at Carnegie Hall courtesy of the Metropolitan Opera.\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003ePlease note that Anna Netrebko will be performing in place of Elīna Garanča, who has withdrawn due to illness. The revised program is included below. Carnegie Hall and the Metropolitan Opera wish to express their gratitude to Ms. Netrebko for graciously agreeing to perform on very short notice.\u003c/p\u003e","\u003cp\u003eNote: Donor performed in chorus\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003ePart of The Song Continues 2017\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eNoted: the Adoramus te from the Mass Proper was replaced by Penitentes orate, a Mozarabic prayer from the 11th century\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic, Noted: Though soprano Anna Simboli is currently suffering from a minor illness, she will perform the roles of Amore and Damigella this evening\u003c/p\u003e","\u003cp\u003eConcert dedicated to ASO principal clarinet Laura Flax (1994-2017)\u003c/p\u003e","\u003cp\u003eNoted: Susanna Phillips was unable to perform, replaced by Jennifer Check\u003c/p\u003e","\u003cp\u003eNoted: Pene Pati (Tenor), Rachel Willis-Sørensen (Soprano), and Matthew Curran (Bass) were added to the performance\u003c/p\u003e","\u003cp\u003eChristian Van Horn, 2018 Richard Tucker Award Winner\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eInsert: Bio of Jonathan Biss \"Due to an injury, pianist Paul Lewis has regretfully withdrawn from this evening's performance. Pianist Jonathan Biss will perform in his place.\"\u003c/p\u003e","\u003cp\u003eThis concert is dedicated to the memory of André Previn (1929-2019), whose artistry and warm personality throughout his brilliant and multifaceted career brought joy to countless music lovers worldwide.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eInsert: \"Chief Conductor Mariss Jansons has fallen ill and is unable to conduct this evening's performance. Carnegie Hall and the Bavarian Radio Symphony Orchestra are grateful to Vasily Petrenko, who has agreeded to conduct in his place.\"\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eInsert: Yannick Nézet-Séguin conducts the Vienna Philharmonic Orchestra in place of Valery Gergiev.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eInsert: Joseph Beutel Bio\u003c/p\u003e","\u003cp\u003eInsert: \"Please note that due to illness, tenor Andrew Staples is unable to perform this evening. Joshua Blue will perform in his place.\u003c/p\u003e","\u003cp\u003eHosted by Richard Gere\u003c/p\u003e","\u003cp\u003eTicket Information: Parquet Mid, $67.20, For up-to-date information about health and safety, visit carnegiehall.org/SafetyChecklist. Section PARQ Row/Box S Seat 22\u003c/p\u003e","\u003cp\u003eInsert: This performance will be heard around the world! This concert will be broadcast live on Classical New York 105.9 FM WQXR and streamed online as part of the Carnegie Hall Live series. Before you silence your phones, tell your friends to listen in. Relive the concert anytime at wqxr.org and carnegiehall.org/wqxr.\u003c/p\u003e","\u003cp\u003eInsert 1: \"Actor, director, screenwriter and producer Live Schreiber joins the Lviv National Philharmonic Orchestra of Ukraine as host for this evening's performance. Special thanks to CAMI Music for its generous support of this event.\" Insert 2: \"Olena Zelenska, First Lady of Ukraine. I am grateful to Carnegie Hall and to every person in the United States for their support of people in Ukraine. The Olena Zelenska Foundation is working to transform this support into systemic help for millions of Ukrainians whose lives have been affected in the aftermath of the full-scale Russian invasion. The war against Ukraine leaves civilians without electricity and heat in the face of winter. It bombs hospitals and schools. It turns childhood into orphanhood. It aims at life itself. Ukraine has resisted it for almost a year now. Unfortunately, the longer the war goes on, the more people become its victims, and the more support they need. We recover people's lives through humanitarian aid, medicine, and education to make the entire country's future possible. For more information on our programs, please visit (QR CODE) Will you stand with us?\"\u003c/p\u003e","\u003cp\u003eThis performance was Bruce Liu's New York Recital Debut. He was the First Prize Winner of the 18th International Chopin Piano Competition (2021).\u003c/p\u003e","\u003cp\u003eInsert: \"Please note that Nadine Sierra has withdrawn from this concert due to illness. Soprano Lisette Oropesa will perform in her place.\" Contains Lisette Oropesa's bio.\u003c/p\u003e","\u003cp\u003eInserts are idenitcal: \"Richard Tucker Music Foundation Presents Gala 2023\" Includes the evening's set.\u003c/p\u003e","\u003cp\u003eInsert: \"Have a drink on us!\" a redeemable coupon for a beverage at Carnegie Hall, website link to leanr about more \"extras\"\u003c/p\u003e","\u003cp\u003e\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"\u003c/p\u003e","\u003cp\u003e\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"\u003c/p\u003e","\u003cp\u003eInsert: Bio of Kirsten Sollek, Contralto\u003c/p\u003e","\u003cp\u003eAnnotation: \"Hilarious!\"\u003c/p\u003e","\u003cp\u003eTicket: Section: Tier 1 Row/Box: 33 Seat: 5. Concert Three. Price: $281.00 Name: Fung Section: Blavatnik Family First Tier\u003c/p\u003e","\u003cp\u003eInsert: Kimo Furumoto will conduct the first half of tonight's concert, replacing Gerhard Samuel who is indisposed. Elmer Thomas conducts the second half of the program.\u003c/p\u003e","\u003cp\u003eInsert: \"Film \u0026amp; Music\" \"Scenes from Ivan the Terrible\"\u003c/p\u003e","\u003cp\u003e\"The management regrets to announce that due to injuries, we are unable to present THEME AND VARIATIONS this evening. The program will be: JARDIN ANIME (pause) Pas de Trois from THE GUARDS OF AMAGER (intermission) GISELLE\"\u003c/p\u003e","\u003cp\u003e\"MIKHAIL BARYSHNIKOV has suffered an injury and is unable to dance this evening. Other Dancers will be performed by: SUSAN JAFFE and ROBERT LA FOSSE. The leading dancers in THEME AND VARIATIONS will be: CHERYL YEAGER and PETER FONSECA\"\u003c/p\u003e","\u003cp\u003e\"Gesley Kirklan is unable to dance this evening. The role of \"La Sylphide\" will be performed by Marianna Tcherkassky.\"\u003c/p\u003e","\u003cp\u003e\"Cynthia Gregrory is injured and is unable to dance this evening. \"Cinderella\" will be danced by Cheryl Yeager. \"A Masked Lady\" will be Elaine Kudo. In act 1, Scene 2, the soloist danced in \"Spring\" will be Alina Hernandez; in \"Winter\" it wil be Carla Stallings. In act 3, A Merchant's \"Three Daughters\" will be Christine Spizzo, Nancy Raffa, and Suzanne Goldman\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of The Leaves are Fading, please note the following cast changes: Amanda McKerrow replaces Leslie Browne. Kevin McKenzie Replaces Robert La Fosse. Chrisa Keramidas replaces Amanda McKerrow. John Turjoman replaces John Gardner. In Anastasia, the role of \"Anna Anderson\" will be performed by Martine Van Hamel\u003c/p\u003e","\u003cp\u003e\"Robert La Fosse is unable to perform this evening.\"\u003c/p\u003e","\u003cp\u003eContains a newspaper article on \"The Mollino Room\"\u003c/p\u003e","\u003cp\u003eContains a newspaper article about the performance\u003c/p\u003e","\u003cp\u003e\"Due to injuries in the Company, The Informer can not be presented this evening. Bruch Violin Concert No. 1 will be performed in its place.\"\u003c/p\u003e","\u003cp\u003e\"Susan Jaffe is injured and unable to perform. Kitri, Lroenzo's daughter will be danced by Cheryl Yeager\"\u003c/p\u003e","\u003cp\u003e\"Due to an injury, State of Grace will not be performed this evening. Cruel World will be danced in its place\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Don Quixote, the Flower Girls will be Isabella Boylston and Misty Copeland and the Gypsy Couple will be Isadora Loyola and Luis Ribgorda.\"\u003c/p\u003e","\u003cp\u003eRichard Westenburg signature\u003c/p\u003e","\u003cp\u003eRichard Westenburg signature\u003c/p\u003e","\u003cp\u003ePamphlet for the 50th Anniversary of Great Performers\u003c/p\u003e","\u003cp\u003eDue to Illness, Davone Tines was unable to perfom. Soloman Howard sang in his place.\u003c/p\u003e","\u003cp\u003eTenth Anniversary Season\u003c/p\u003e","\u003cp\u003eInsert: \"At these concerts, Marvis Martin, soprano, will replace Frederica von Stade.\" Some of the numbers have been altered from the original program. Contains a bio for Marvis Martin and a Translation of Henri Duparc's \"Extase\" (En: Ecstacy) from the original French into English\u003c/p\u003e","\u003cp\u003e\"Tonight's performance is dedicated to the Lincoln Center for Performing Arts on the occasion of its 25th anniversary.\" News Article: \"Music: Chamber Society\" by Bernard Holland, a review of the Friday evening program.\u003c/p\u003e","\u003cp\u003e\"This event is part of American Music Week which is sponsered by the American Music Center\"\u003c/p\u003e","\u003cp\u003eNewspaper Article: \"Chamber: Del Tredici\"\u003c/p\u003e","\u003cp\u003eInsert: Typed Version of Program (Addition of an intermission, addition of a mozart piece, switch in order)\u003c/p\u003e","\u003cp\u003eInsert: \"For the Chamber Music Society's performances on December 4 and 6, David Schiff will conduct the world premiere of his \"Solus Rex.\" Please not that INTERMISSION will follow the performance of \"Solus Rex.\"  We regret that Robert Routch is unable to perform on these concerts because of illness. Micheal Ishii will play Horn III in the Dvorak Serenade and David Jolley will replace Mr. Routch in the Dvorak Serenade and the Poulenc Sextet.\u003c/p\u003e","\u003cp\u003eAnnotation indicates Brahams' Sonata was replaced with a Schubert piece\u003c/p\u003e","\u003cp\u003eAnnotation indicates André Watts was replaced by Lee Luvisi on Piano and the Grieg Sonata was replaced by Barhms' G Major Op 78\u003c/p\u003e","\u003cp\u003eInsert: Christòpheren Nomura Bio (replace Hermann Prey late notice due to illness)\u003c/p\u003e","\u003cp\u003eInsert and Annotaion: Mark Kaplan and Toby Hoffman appear to replace Thomas Kehetmair and Ruth Killius\u003c/p\u003e","\u003cp\u003eIncludes Program Insert: \"For tonight's performance, MICHAEL SCHADE will be replaced by WILLIAM KENDALL\"\u003c/p\u003e","\u003cp\u003ePerformances on 1998-07-14, 1998-07-15, 1998-07-18, and 1998-07-19 in Hebrew, performances on 1998-07-16, 1998-07-17 in Russian.\u003c/p\u003e","\u003cp\u003eProgram Note: \"According to performance practice of this period, the violinists and violists will stand while playing during the performance of the symphonies on all programs.\"\u003c/p\u003e","\u003cp\u003eProgram Insert: \"Please note the following cast change for this perofrmance of Little Humpbacked Horse: The role of The Humpbacked Horse will be danced by Grigory Popov.   The role of Gavrilo will be danced by Maxim Zyuzin.  The Horses and the Seahorses will be danced by Kamil Yangurazov \u0026amp; Andrey Soloviev\u003c/p\u003e","\u003cp\u003eThree separate concerts included in program.  First concert (2015-07-15, 2015-07-18) is a performance of Richard Strauss' Daphne arranged for concert.  Second concert (2015-07-16) is Oliver Messiaen and Antonin Dvorak.  Third concert (2015-07-17) is Beethoven's Pastoral symphony and Strauss' Symphonia Domestica.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Die Walkuere, the wole of Bruennhilde will be sung by Margaret Harshaw, replacing Birgit Nilsson, who is indisposed. The role of Sieglinde will be sung by Gladys Kuchta.\"\u003c/p\u003e","\u003cp\u003eCornell MacNeil replaces Anselmo Colzani as Rigoletto\u003c/p\u003e","\u003cp\u003eNew Production\u003c/p\u003e","\u003cp\u003eSigned by  Jesús López-Cobos, Bonaldo Giaiotti, Sherill Milnes, and Luciano Pavarotti\u003c/p\u003e","\u003cp\u003eNot an operatic program; rather, a list of members of the benefit committee for a 1980-02-04 performance of \"Un Ballo In Maschera,\" whose program does not appear in this collection.  Strouss is listed alongside his wife as a member of the benefit committee.\u003c/p\u003e","\u003cp\u003eProgram Insert: \"For this evening's performance of TOSCA the role of Cavaradossi will be sung by Ermanno Mauro, replacing Giacomo Giacomini\u003c/p\u003e","\u003cp\u003eProgram insert: In this evening's performance of \"Il Barbiere di Siviglia\", the role of Rosina will be sung by Gail Dubinbaum, replacing Julia Hamari, who is ill.\u003c/p\u003e","\u003cp\u003eProgram insert: Simon Estes, who is singing the role of Porgy, dislocated his knee in the final dress rehearsal of \"Porgy and Bess\" on Monday.  As a result, he will perform this evening on crutches, necessitating some changes in the original staging.\u003c/p\u003e","\u003cp\u003eNote from H. Strouss: \"Clarie says the misprints in the program could make it a collector's item.  Actually more than two errors - but I don't remember all of them (First - Porgy + Bess).\u003c/p\u003e","\u003cp\u003eProgram insert: \"In the evening's performance of 'Porgy and Bess,' the role of Bess will be sung by Priscilla Baskerville, replacing Roberta Alexander, who is ill. \"   There are signatures from Priscilla Baskerville and another, indecipherable.\u003c/p\u003e","\u003cp\u003eProgram insert: \"In this evening's performance of 'La Traviata,' the role of Violetta will be sung by Diana Soviero, replacing Anna Tomowa-Sintow, who is ill, and the role of Alfredo will be sung by Neil Rosenshein, replacing Dano Raffanti, who is also ill.\u003c/p\u003e","\u003cp\u003eProgram insert: \"The conductor for this evening's performance of LA TRAVIATA will be Richard Woitach, replacing Carlos Kleiber, who is ill.\u003c/p\u003e","\u003cp\u003eProgram insert: \"Please note the following program change: the soprano soloist will be Cheryl Studer, replacing Carol Vaness, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Le Nozze di Figaro the role of Don Basilio will be sung by Bernard Fitch, replacing Greg Fedderly, who is ill, and the role fo Don Curzio will be sun by Anthony Laciura, replacing Tony Stevenson, who is ill.\u003c/p\u003e","\u003cp\u003eIldar Abdrazakov's debut performance\u003c/p\u003e","\u003cp\u003eMetropolitan Opera Premiere\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Aida the role of Radamès will be sung by Franco Farina, replacing Marco Berti, who is ill\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Ernani Angela Meade will make her Metropolitan Opera debut as Elvira, replacing Sondra Radvanovsky, who is ill.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of The Gambler the role of the General will be sung by Vladimir Ognovenko, replacing Segei Aleksashkin, who is ill.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Un Ballo in Maschera the role of Gustavo will be sung by Ramon Vargas, replacing Salvatore Licitra, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"The Metropolitan Opera is grateful to Marcello Giordani, who will be singing the role of Pinkerton in this evening's performance of Madama Butterfly, replacing Roberto Aronica, who is ill. Earlier today, Mr. Giordani sang the title role in La Damnation de Faust, making this a rare double appearance in one day.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Tristan und Isolde the role of Isolde will be sung by Linda Watson, replacing Katarina Dalayman, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Les Contes d'Hoffmann, Rachele Gilmore will be making her Met debut in the role of Olympia, replacing Kathleen Kim. The role of Giulietta will be sung by Laura Vlasak Nolen, replacing Ekaterina Gubanova, and the Four Servants will be sung by Joel Sorensen, replacing Alan ke. Ms. Kim, Ms. Gubanova, and Mr. ke are ill.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Attila, the role of Foresto will be sung by Russell Thomas, replacing Ramón Vargas, who is ill, and the role of Uldino will be sung by Eduardo Valdes\u003c/p\u003e","\u003cp\u003e\"Marilyn Horne will host today's Grand Finals Concert, replacing Joyce DiDonato, whose flight to New York was cancelled due to bad weather.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Der Fliegende Holländer, Lori Phillips will make her Metropolitan Opera debut as Senta, replacing Deborah Voigt, who is ill.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Romeo et Juliette, the role of Juliette will be sung by Hei-Kyung Hong, replacing Angela Gheorghiu, who is ill.\"\u003c/p\u003e","\u003cp\u003eMet Opera premiere\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Tosca, the role of Scarpia will be sung by Bryn Terfel, replacing James Morris, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Don Giovanni, the title role will be sung by Peter Mattei, replacing Mariusz Kwiecien, who has injured his back.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of The Enchanted Island, the role of Prospero will be sung by Anthony Roth Costanzo, replacing David Daniels, who is ill. The role of Ferdinand will be sung by Jeffrey Mandelbam, replacing Mr. Costanzo\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Gotterdammerung, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Die Walkure, the role of Siegmund will be sung by Stuart Skelton, replacing Jonas Kaufmann, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Siegfried, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In  tonight's performance of Otello, Avgust Amonov will make his Metropolitan Opera debut in the title role, replacing Johan Botha, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Les Troyens the role of Coreobus will be sung by Stephen Gaertner, replacing Dwayne Croft, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"Salvatore Cordella will make his Metropolitan Opera debut as Leicester in this evening's performance of Maria Stuarda, replacing Matthew Polenzani, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"Due to the configuration of scenery backstage, the first intermission of this performance of Turandot will last approximately 45 minutes\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Die Meistersinger von Nurnberg, the role of Sxtus Beckmesser will be sung by Martin Gantner, replacing Johannes Martin Kranzle, who is ill; and the role of Fritz Kothner will be sung by Ryan McKinny, replacing Mr. Gantner.\"\u003c/p\u003e","\u003cp\u003eProgram Insert: \"In this afternoon's performance of Anna Bolena, the roleof Giovanna Seymour will be sung by Milijana Nikolic, replacing Jamie Barton, who is ill.\"\u003c/p\u003e","\u003cp\u003eNote from H. Strouss: \"This is important program.  Placido Domingo resigned from Met do [sic] to accusations of sexual misconduct.  This gave a young singer a chance.\"  Program insert: \"In tonight's performance of Macbeth, Craig Colclough will make his Met debut in the title role.\"\u003c/p\u003e","\u003cp\u003eThis program is a catalog of livestreamed and radio performances of the Met Opera during the 2019-20 season.  It is unclear how many, if any, performances took place during Covid-19 pandemic.  Placido Domingo is also listed (incorrectly) as performing in a number of performances, even after his resignation\u003c/p\u003e","\u003cp\u003eNote from H. Strouss: \"Last event before COVID shutdown\"\u003c/p\u003e","\u003cp\u003eProgram Insert entitled \"We Stand with Ukraine\"\u003c/p\u003e","\u003cp\u003eProgram Insert entitled \"We Stand with Ukraine\"\u003c/p\u003e","\u003cp\u003eProgram Insert: \"In today's performance of Peter Grimes, Laura Wilde makes her Met debut in the role of Ellen Orford.\u003c/p\u003e","\u003cp\u003eProgram Insert: \"In today's performance of Norma, the title role will be sung by Helena Dix\"\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eProgram Notice: \"The Philharmonic-Symphony Society of New York notes with great sorrow the death of our esteemed colleague Aaron Copland...\"\u003c/p\u003e","\u003cp\u003eProgram Note: \"These performances are dedicated to the memory of Laureate Conductor Leonard Bernstein, whose legendary conducting debut with the New York Philharmonic took place on November 14, 1943.\"\u003c/p\u003e","\u003cp\u003e\"In this performance of Madama Butterfly the role of Madama Butterfly will be sung by Maralin Niska\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Mefistofele the role of Faust will be sung by Harry Theyard\"\u003c/p\u003e","\u003cp\u003eJune Anderson's debut performance\u003c/p\u003e","\u003cp\u003ePlease note the following cast changes due to injury. Symphony in C Third Movement: Samantha Allen will dance in place of Yvonne Borree. Fourth Movement: Stacey Calvert will dance in place of Samantha Allen\u003c/p\u003e","\u003cp\u003eEpisodes Guest Conductor: David Briskin. Please note the following cast changes, due to illness and injury. Vienna Waltzes: Joaquin De Luz will dance in place of Damian Woetzel\u003c/p\u003e","\u003cp\u003ePlease note the following cast change, due to illness and injry. Ana Sophia Scheller will dance in place of Carrie Lee Riggins\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Varya usually played by Priscilla Smith will be played by Suzanne Collins\"\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Flan usually played by John Cunningham will be played by Brian Evers and the role of Detective usually played by Brian Evers will be played by David Little\"\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Enoch Snow Jr. usually played by Duane Boutte will be played by Steven Ochoa\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Lt. Buzz Adams usually played by George Merrick will be played by Nick Mayo\"\u003c/p\u003e","\u003cp\u003e\"WarHorse Welcomes to the Company Tessa Klein\"\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Cary Grant usually played by Tony Yazbeck will be played by Danny Gardner\"\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Homer usually played by Julian Rozzel, Jr. will be played by Tyrone Mitchell Henderson\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["For the benefit of the National Conference of Christians and Jews","For the benefit of both American and Russian War Charities","First New York appearance in 3 years","First American tour of the Berlin Philharmonic. Articles and flyer record protests in response to the manager's and director's previous Nazi membership.","Noted: Because of the demand for tickets, another concert with Stravisky was scheduled for January 23rd.","In commemoration of the 250th anniversary of Pergolesi's birth","The orchestra's first appearance outside of Puerto Rico","A gala recital for the benefit of the National Committee Against Discrimination in Housing","Part of the International Festival of Visiting Orchestras, Noted: because of illness, soloist Joseph Silverstein was replaced by Jaime Laredo","Celebrating the 30th Anniversary Season of Eugene Ormandy as Music Director","Part of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour","Part of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour","Opening night of the production.","Part of the International Festival of Visiting Orchestras","Final program in a special series of four concerts, \"The Viennese School\"","Final event in the Hurok Sunday series","Opening concert in the Hurok International Series \"A\".","Part of the International Festival of Visiting Orchestras","Part of the International Festival of Visiting Orchestras","Celebrating the 75th Anniversary of Ithaca College","Gala Performance. Maria Callas and Zinka Milanov, who both formerly played the titular role, attended the performance and received much applause. In contrast, Elena Suliotis was criticized for her performance and the audience was torn between cheering and booing.","Part of the International Festival of Visiting Orchestras","In appreciation of Harald A. Lowen (1897-1968), Executive Secretary 1958-1968","Part of the International Festival of Visiting Orchestras","Opening concert in the Hurok International Series \"A\"","In memory of Charles Munch","Fourth Event in the Hurok International Series B","Fifth Event in the Hurok International Series B","Sixth Event in the Hurok International Series B","Commemorating the 200th Anniversary of the birth of Ludwig Van Beethoven","Second Concert in Series","Annual Patron-Sponsor Concert","Part of the Series of Stars","Nicolai Gedda was ill and unable to perform the role of Arnold, replaced by Jerome Lo Monaco and Mallory Walker spliting the role.","Part of the Series of Stars","Part of the Series of Stars","A Metropolitan Opera Guild Benefit Concert","Part of the International Festival of Visiting Orchestras","Part of the International Festival of Visiting Orchestras","Concert in memory of David Oistrakh.","Part of the Series of Stars","In honor of Aaron Copland's 75th birthday.","Lorin Maazel, the conductor, was unable to perform due to an injury and was replaced by Edo de Waart for the concert. The second half of the concert was changed from The Rite of Spring by Stravinsky to Symphony No. 2 in D Major, Opus 73 by Brahms.","A British Salute to the American Bicentennial and The Seventh Concert in the Mozart Concerto Festival","Part of the bicentennial celebration of the United States","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the International Festival of Visiting Orchestras","The concert was in memory of Fred Norring.","For the 150th anniversary of Beethovan's death.","Part of the International Festival of Visiting Orchestras. The concert replaced the one originally announced for the Czech Philharmonic, which had to cancel its American tour.","The Annual Patrons' and Sponsors' Concert","Includes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.","The Fiftieth Anniversary Season of the Cleveland Orchestra. Part of the International Festival of Visiting Orchestras.","Fifth Event in the Hurok International Series A.","Fourth Concert in the Series \"Art of the Lied\"","Due to injury, Chicago Symphony Orchestra's conductor, Sir Georg Solti, was unable to conduct, so the concert was led by the assistant conductor Henry Mazer. The previous day he was replaced by Margaret Hillis.","A gala concert performance for the benefit of the production fund of Friends of French Opera.","Honoring the 150th Anniversary of Louis Moreau Gottschalk (Born in New Orleans on May 8, 1829)","Singer Julia Hamari was unable to perform and was replaced by Florence Quivar.","Montserrat Caballé withdrew to receive medical treatment in Spain and was replaced by Awilda Verdejo. Nicolai Gedda also withdrew due to illness and was replaced by Richard Estes.","An all Copland program in honor of Aaron Copland's 80th birthday.","The program order was reversed, Bartók's Concerto for Orchestra was played first followed by Bruckner's Symphony No. 4.","Scenes from the Life of a Martyr, by Undine Smith Moore, premiered in New York in memory of Martin Luther King Jr.","Part of the Gala Rossini Opera Festival.","Part of the Gala Rossini Opera Festival. Due to illness, Montserrat Caballe was replaced by June Anderson in the role of Semiramide.","Due to illness, Edward J. Crafts was unable to perform the role of Duke Robert and was replaced by James Stith. The role of the Messenger was sung by William Drake.","In honor of the 100th anniversary of the composer's death.","Part of the Gala Rossini Opera Festival","Part of the French Opéra-Comique Festival","Gala Sixtieth Anniversary Benefit Concert.","The performance of Mahler's Symphony No. 4 was dedicated to the memory of Michael Ries.","Part of the French Opéra Comique Festival.","Part of the Handel Opera Festival","Part of the Handel Opera Festival.","The performance of Berg's Seven Early Songs commemorates the 100th anniversary of the composer's birth.","Performed on the 300th anniversary of the composer's birth and part of the Handel Opera Festival.","This was the US debut of Jin Li. Part of the program is missing, which tells that the orchestra performed 2 Pieces for Small Orchestra: 1. On Hearing the First Cuckoo in Spring (1912) by Frederick Delius and Variations on an Original Theme, Op. 36, \"Enigma\" (1899) by Edward Elgar after the intermission.","Part of The Choral Celebration of Bach.","Part of the Handel Opera Festival.","The Berg works are being performed in honor of the 100th anniversary of his birth.","Because of a recent illness limiting Mr. Ozawa's rehearsal time, Dvorák's Symphony No. 7 was replaced by Tchaikovsky's Symphony No. 6 in the program.","For the benefit of Emmaus, which serves New York City's homeless.","This concert was dedicated to the memory of Karol Szymanowski.","A benefit to celebrate the fifteenth anniversary of Opera Orchestra of New York.","Celebrating the 60th birthday of Mstislav Rostropovich","35th Anniversary Concert","Rudolf Serkin was unable to preform as previously announced due to illness and was replaced by Malcolm Frager.","Sylvia McNair replaced Sophia Larson for this performance.","It is noted that Aprile Millo, who played Maddalena di Coigny, dedicated her performance to the memory of her father, Giovanni Millo, who was known for his portrayal of the title role.","This concert is presented by the Jerusalem Foundation in honor of the 40th Anniversary of the State of Israel.","A New York International Festival of the Arts event","A New York International Festival of the Arts event","Due to a death in the family, Seiji Ozawa was unable to conduct and was replaced by David Zinman. The program was changed from Mahler's Symphony No. 9 to Mahler's Symphony No. 1 and Chopin's Piano Concerto No. 1.","Giuseppe Giacomini was replaced by Nunzio Todisco and Michael Shell was replaced by Wanda Brister for the performance.","Seiji Ozawa was unable to conduct due to illness and was replaced by André Previn.","This performance is dedicated to the memory of Dr. Hugh Ross, for more than 60 years as the Music Director of the Schola Cantorum of New York.","The grandfather clock and black cat, originally meant to be Philippe Huttenlocher, was played by David Evitts.","These performances were dedicated to the memory of Leonard Bernstein (Auguest 25, 1918 - October 14, 1990)","Mozart's Piano Concerto No. 19 was changed to his Piano Concerto No. 26. The orchestra recognized the recent death of Aaron Copland (1900-1990) by including a commemerative performance of the Variations on a Shaker Melody (Simple Gifts) from Copland's ballet Appalachian Spring.","Copland's Quintet (\"The promise of living\") from Act I of the opera \"The Tender Land\" was performed in memory of his recent passing.","Insert: Mara Zampierni indisposed, role of Elizabette to be played by Martile Rowland","Insert: Role of Killian will by sung by Gerald Dolter. Prince Ottokar will be sung by Gregory Rahming. Please Note: This Opera involves hubnting and shooting prowess. Ther will be several gunshots during the performance.","Commemorating the quincentenary of the Christopher Columbus Voyage","Insert: Saint Ludmila Description","Music from concentration camp Terezin, also known as Theresienstadt","Note: \"This performance is dedicated to Alice Tully, whose love and support of the arts is legendary. Her presence in the center box at Opera Orchestra's concerts will be greatly missed. We are grateful for her warmth and friendship\"","Note: \"Celebrating Seiji Ozawa's Twentieth Anniversary Season as Music Director of the Boston Symphony Orchestra\"","Insert: \"Aprile Millo was involved in an automobile accident in Italy and has sustained injuries from which she is recovering, but which have forced her to withdrawl from Caterina Cornaro. Martile Rowland will sing the title role. She performed as Caterina in a preview performance last tuesday evening in Princeton University's Richardson Auditorium\"","Insert: Garrick Ohlsson will replace Evgeny Kissin as soloist in the Schumann Piano Concerto at this evening's performance by The Philadelphia Orchestra. Mr. Kissin has cancelled his appearance due to the flu. Carnegie Hall is grateful to Mr. Ohlsson for agreeing to appear on such short notice.","insert: HEROD will be sung by baritone Eduardo Del Campo (as opossed to Yuri Mazurok","Insert: John Uhlenhopp as Lykov, Martin Dillon as Bomelii, Svetlana Furdui as The Housemaid","Insert: JohnAler forced to cancel due to illness, tenor Carl Halvorson takes his place","Insert: Due to illness, Carol Vaness was replaced by Sharon Sweet. This is Sharon Sweet's Carnegie Hall debut.","Insert: \"Carnegie Hall joins Seiji Ozawa and the Vienna Philharmonic Orchestra in mourning thr loss of our friend, the distinguished composer Toru Takemitsu, who passed away Feburary 20th, 1996. In his memory, his work Requiem for String Orchestra will open tonight's program\"","\"This performance is dedicated with affection and admiration to the memory of Robert E. Wagenfeld\"","Insert: La Damnation de Faust Description","Insert: Beethoven in New York, Chamber orchestra of Europe, Sponsored by the BOC Group","Insert: \"Samuel Ramey will not sing the role of Roger in OONY's presentation of Verdi's Jerusalem. Mr. Ramey has canceled because of illness.\" Gary Simpson to Play Roger, Perry Ward to Play Count of Toulouse, Luiz-Ottavio Faria to play Emir.","This performance was dedicated to the memory of Richard deVaultier (1916-1988).","Insert: Pianist Ivo Pogorelich had to withdraw from the performance and was replaced by André Watts.","Insert: Tenor Thomas Moser had to withdraw from the performance due to illness and was replaced by Jon Fredric West.","Notations for Orchestra by Pierre Boulez performed in honor of the composer's 75th birthday.","Insert: Soprano Jane Eaglen was unable to perform the role of La Gioconda and was replaced by Sylvie Valayre","Concert to celebrate the 70th birthday of Lorin Maazel","Insert: \"Tonights performance is dedicated to the memory of Alfredo Kraus and Pablo Elvira who sang La favorita so beautifully with Opera Orchestra in 1975\"","John Williams \"For Seiji!\" New York premire. Celebrating Mstisalv Rostropovich's 75th Birthday.","Christopher Rouse's \"Rapture\" New York Premiere. Michael Hersch's \"Symphony No. 2\" New York Premiere.","Includes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.","In commemoration of the 200th anniversary of the birth of Hector Berlioz","This performance is dedictaed to the memory of Robert E. Wagenfeld","In loving memory of Robert J. Harth 1956-06-13 -- 2004-01-30. The 2003-2004 season is dedicated to the memory of Robert J. Harth , who led Carnegie Hall as Executive and Artistic Director from September 2001 until January 2004.","This evening's performance is dedicated to the memory of Frederic Bradlee, a long-time friend and supporter of Opera Orchestra.","The 50th Concert of the Met Orchestra at Carnegie Hall","Revised Program: Please note that Michelle DeYoung will be perfroming this afternoon in place of Natalie Dessay who has withdrawn because of bronchitis.","In memory of Stephen M. Kellen, and honorary citizen of the city of Berlin and an honorary member of the Berliner Philharmoniker","This concert is dedicated to the memory of John Forbes, a longtime member of the St. Cecilia Chorus.","This concert is dedicated to the memory of Charlotte Kirschner (1922-2005)","Annotation: \"Obraztsova did not appear\"  refers to mezzo-soprano Elena Obraztsova)","Open Working Rehearsal","Please note that Andris Nelsons will conduct this concert in place of James Levine, who continues to suffer ill effects from a recent procedure addressing his continuing back issues. Andris Nelsons appears this evening courtesy of the Metropolitan Opera.","Note under Daniil Trifonov: Grand Prize and Gold Medal, Piano, XIV International Tchaikovsky Competition","Open Working Rehearsal","Insert: The role of MLLE. JOUVENOT will be sung this evening by soprano DANIELLE WALKER","Open Working Rehearsal","Open Working Rehearsal","Open Working Rehearsal","Open Working Rehearsal","Marking the Bicentennial of Wagner's Birth","Open Working Rehearsal","Please note that Lorin Maazel is unable to conduct this evening's concert due to illness. Carnegie Hall and the Munich Philharmonic Orchestra are immensely grateful to Fabio Luisi for agreeing to conduct in his place. Mr. Luisi appears at Carnegie Hall courtesy of the Metropolitan Opera.","Open Working Rehearsal","Please note that Anna Netrebko will be performing in place of Elīna Garanča, who has withdrawn due to illness. The revised program is included below. Carnegie Hall and the Metropolitan Opera wish to express their gratitude to Ms. Netrebko for graciously agreeing to perform on very short notice.","Note: Donor performed in chorus","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Part of The Song Continues 2017","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Noted: the Adoramus te from the Mass Proper was replaced by Penitentes orate, a Mozarabic prayer from the 11th century","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic, Noted: Though soprano Anna Simboli is currently suffering from a minor illness, she will perform the roles of Amore and Damigella this evening","Concert dedicated to ASO principal clarinet Laura Flax (1994-2017)","Noted: Susanna Phillips was unable to perform, replaced by Jennifer Check","Noted: Pene Pati (Tenor), Rachel Willis-Sørensen (Soprano), and Matthew Curran (Bass) were added to the performance","Christian Van Horn, 2018 Richard Tucker Award Winner","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Bio of Jonathan Biss \"Due to an injury, pianist Paul Lewis has regretfully withdrawn from this evening's performance. Pianist Jonathan Biss will perform in his place.\"","This concert is dedicated to the memory of André Previn (1929-2019), whose artistry and warm personality throughout his brilliant and multifaceted career brought joy to countless music lovers worldwide.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: \"Chief Conductor Mariss Jansons has fallen ill and is unable to conduct this evening's performance. Carnegie Hall and the Bavarian Radio Symphony Orchestra are grateful to Vasily Petrenko, who has agreeded to conduct in his place.\"","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Yannick Nézet-Séguin conducts the Vienna Philharmonic Orchestra in place of Valery Gergiev.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Joseph Beutel Bio","Insert: \"Please note that due to illness, tenor Andrew Staples is unable to perform this evening. Joshua Blue will perform in his place.","Hosted by Richard Gere","Ticket Information: Parquet Mid, $67.20, For up-to-date information about health and safety, visit carnegiehall.org/SafetyChecklist. Section PARQ Row/Box S Seat 22","Insert: This performance will be heard around the world! This concert will be broadcast live on Classical New York 105.9 FM WQXR and streamed online as part of the Carnegie Hall Live series. Before you silence your phones, tell your friends to listen in. Relive the concert anytime at wqxr.org and carnegiehall.org/wqxr.","Insert 1: \"Actor, director, screenwriter and producer Live Schreiber joins the Lviv National Philharmonic Orchestra of Ukraine as host for this evening's performance. Special thanks to CAMI Music for its generous support of this event.\" Insert 2: \"Olena Zelenska, First Lady of Ukraine. I am grateful to Carnegie Hall and to every person in the United States for their support of people in Ukraine. The Olena Zelenska Foundation is working to transform this support into systemic help for millions of Ukrainians whose lives have been affected in the aftermath of the full-scale Russian invasion. The war against Ukraine leaves civilians without electricity and heat in the face of winter. It bombs hospitals and schools. It turns childhood into orphanhood. It aims at life itself. Ukraine has resisted it for almost a year now. Unfortunately, the longer the war goes on, the more people become its victims, and the more support they need. We recover people's lives through humanitarian aid, medicine, and education to make the entire country's future possible. For more information on our programs, please visit (QR CODE) Will you stand with us?\"","This performance was Bruce Liu's New York Recital Debut. He was the First Prize Winner of the 18th International Chopin Piano Competition (2021).","Insert: \"Please note that Nadine Sierra has withdrawn from this concert due to illness. Soprano Lisette Oropesa will perform in her place.\" Contains Lisette Oropesa's bio.","Inserts are idenitcal: \"Richard Tucker Music Foundation Presents Gala 2023\" Includes the evening's set.","Insert: \"Have a drink on us!\" a redeemable coupon for a beverage at Carnegie Hall, website link to leanr about more \"extras\"","\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"","\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"","Insert: Bio of Kirsten Sollek, Contralto","Annotation: \"Hilarious!\"","Ticket: Section: Tier 1 Row/Box: 33 Seat: 5. Concert Three. Price: $281.00 Name: Fung Section: Blavatnik Family First Tier","Insert: Kimo Furumoto will conduct the first half of tonight's concert, replacing Gerhard Samuel who is indisposed. Elmer Thomas conducts the second half of the program.","Insert: \"Film \u0026 Music\" \"Scenes from Ivan the Terrible\"","\"The management regrets to announce that due to injuries, we are unable to present THEME AND VARIATIONS this evening. The program will be: JARDIN ANIME (pause) Pas de Trois from THE GUARDS OF AMAGER (intermission) GISELLE\"","\"MIKHAIL BARYSHNIKOV has suffered an injury and is unable to dance this evening. Other Dancers will be performed by: SUSAN JAFFE and ROBERT LA FOSSE. The leading dancers in THEME AND VARIATIONS will be: CHERYL YEAGER and PETER FONSECA\"","\"Gesley Kirklan is unable to dance this evening. The role of \"La Sylphide\" will be performed by Marianna Tcherkassky.\"","\"Cynthia Gregrory is injured and is unable to dance this evening. \"Cinderella\" will be danced by Cheryl Yeager. \"A Masked Lady\" will be Elaine Kudo. In act 1, Scene 2, the soloist danced in \"Spring\" will be Alina Hernandez; in \"Winter\" it wil be Carla Stallings. In act 3, A Merchant's \"Three Daughters\" will be Christine Spizzo, Nancy Raffa, and Suzanne Goldman","\"In this evening's performance of The Leaves are Fading, please note the following cast changes: Amanda McKerrow replaces Leslie Browne. Kevin McKenzie Replaces Robert La Fosse. Chrisa Keramidas replaces Amanda McKerrow. John Turjoman replaces John Gardner. In Anastasia, the role of \"Anna Anderson\" will be performed by Martine Van Hamel","\"Robert La Fosse is unable to perform this evening.\"","Contains a newspaper article on \"The Mollino Room\"","Contains a newspaper article about the performance","\"Due to injuries in the Company, The Informer can not be presented this evening. Bruch Violin Concert No. 1 will be performed in its place.\"","\"Susan Jaffe is injured and unable to perform. Kitri, Lroenzo's daughter will be danced by Cheryl Yeager\"","\"Due to an injury, State of Grace will not be performed this evening. Cruel World will be danced in its place\"","\"In this evening's performance of Don Quixote, the Flower Girls will be Isabella Boylston and Misty Copeland and the Gypsy Couple will be Isadora Loyola and Luis Ribgorda.\"","Richard Westenburg signature","Richard Westenburg signature","Pamphlet for the 50th Anniversary of Great Performers","Due to Illness, Davone Tines was unable to perfom. Soloman Howard sang in his place.","Tenth Anniversary Season","Insert: \"At these concerts, Marvis Martin, soprano, will replace Frederica von Stade.\" Some of the numbers have been altered from the original program. Contains a bio for Marvis Martin and a Translation of Henri Duparc's \"Extase\" (En: Ecstacy) from the original French into English","\"Tonight's performance is dedicated to the Lincoln Center for Performing Arts on the occasion of its 25th anniversary.\" News Article: \"Music: Chamber Society\" by Bernard Holland, a review of the Friday evening program.","\"This event is part of American Music Week which is sponsered by the American Music Center\"","Newspaper Article: \"Chamber: Del Tredici\"","Insert: Typed Version of Program (Addition of an intermission, addition of a mozart piece, switch in order)","Insert: \"For the Chamber Music Society's performances on December 4 and 6, David Schiff will conduct the world premiere of his \"Solus Rex.\" Please not that INTERMISSION will follow the performance of \"Solus Rex.\"  We regret that Robert Routch is unable to perform on these concerts because of illness. Micheal Ishii will play Horn III in the Dvorak Serenade and David Jolley will replace Mr. Routch in the Dvorak Serenade and the Poulenc Sextet.","Annotation indicates Brahams' Sonata was replaced with a Schubert piece","Annotation indicates André Watts was replaced by Lee Luvisi on Piano and the Grieg Sonata was replaced by Barhms' G Major Op 78","Insert: Christòpheren Nomura Bio (replace Hermann Prey late notice due to illness)","Insert and Annotaion: Mark Kaplan and Toby Hoffman appear to replace Thomas Kehetmair and Ruth Killius","Includes Program Insert: \"For tonight's performance, MICHAEL SCHADE will be replaced by WILLIAM KENDALL\"","Performances on 1998-07-14, 1998-07-15, 1998-07-18, and 1998-07-19 in Hebrew, performances on 1998-07-16, 1998-07-17 in Russian.","Program Note: \"According to performance practice of this period, the violinists and violists will stand while playing during the performance of the symphonies on all programs.\"","Program Insert: \"Please note the following cast change for this perofrmance of Little Humpbacked Horse: The role of The Humpbacked Horse will be danced by Grigory Popov.   The role of Gavrilo will be danced by Maxim Zyuzin.  The Horses and the Seahorses will be danced by Kamil Yangurazov \u0026 Andrey Soloviev","Three separate concerts included in program.  First concert (2015-07-15, 2015-07-18) is a performance of Richard Strauss' Daphne arranged for concert.  Second concert (2015-07-16) is Oliver Messiaen and Antonin Dvorak.  Third concert (2015-07-17) is Beethoven's Pastoral symphony and Strauss' Symphonia Domestica.","\"In this evening's performance of Die Walkuere, the wole of Bruennhilde will be sung by Margaret Harshaw, replacing Birgit Nilsson, who is indisposed. The role of Sieglinde will be sung by Gladys Kuchta.\"","Cornell MacNeil replaces Anselmo Colzani as Rigoletto","New Production","Signed by  Jesús López-Cobos, Bonaldo Giaiotti, Sherill Milnes, and Luciano Pavarotti","Not an operatic program; rather, a list of members of the benefit committee for a 1980-02-04 performance of \"Un Ballo In Maschera,\" whose program does not appear in this collection.  Strouss is listed alongside his wife as a member of the benefit committee.","Program Insert: \"For this evening's performance of TOSCA the role of Cavaradossi will be sung by Ermanno Mauro, replacing Giacomo Giacomini","Program insert: In this evening's performance of \"Il Barbiere di Siviglia\", the role of Rosina will be sung by Gail Dubinbaum, replacing Julia Hamari, who is ill.","Program insert: Simon Estes, who is singing the role of Porgy, dislocated his knee in the final dress rehearsal of \"Porgy and Bess\" on Monday.  As a result, he will perform this evening on crutches, necessitating some changes in the original staging.","Note from H. Strouss: \"Clarie says the misprints in the program could make it a collector's item.  Actually more than two errors - but I don't remember all of them (First - Porgy + Bess).","Program insert: \"In the evening's performance of 'Porgy and Bess,' the role of Bess will be sung by Priscilla Baskerville, replacing Roberta Alexander, who is ill. \"   There are signatures from Priscilla Baskerville and another, indecipherable.","Program insert: \"In this evening's performance of 'La Traviata,' the role of Violetta will be sung by Diana Soviero, replacing Anna Tomowa-Sintow, who is ill, and the role of Alfredo will be sung by Neil Rosenshein, replacing Dano Raffanti, who is also ill.","Program insert: \"The conductor for this evening's performance of LA TRAVIATA will be Richard Woitach, replacing Carlos Kleiber, who is ill.","Program insert: \"Please note the following program change: the soprano soloist will be Cheryl Studer, replacing Carol Vaness, who is ill.\"","\"In this evening's performance of Le Nozze di Figaro the role of Don Basilio will be sung by Bernard Fitch, replacing Greg Fedderly, who is ill, and the role fo Don Curzio will be sun by Anthony Laciura, replacing Tony Stevenson, who is ill.","Ildar Abdrazakov's debut performance","Metropolitan Opera Premiere","\"In this evening's performance of Aida the role of Radamès will be sung by Franco Farina, replacing Marco Berti, who is ill","\"In this evening's performance of Ernani Angela Meade will make her Metropolitan Opera debut as Elvira, replacing Sondra Radvanovsky, who is ill.","\"In this evening's performance of The Gambler the role of the General will be sung by Vladimir Ognovenko, replacing Segei Aleksashkin, who is ill.","\"In this evening's performance of Un Ballo in Maschera the role of Gustavo will be sung by Ramon Vargas, replacing Salvatore Licitra, who is ill.\"","\"The Metropolitan Opera is grateful to Marcello Giordani, who will be singing the role of Pinkerton in this evening's performance of Madama Butterfly, replacing Roberto Aronica, who is ill. Earlier today, Mr. Giordani sang the title role in La Damnation de Faust, making this a rare double appearance in one day.\"","\"In this evening's performance of Tristan und Isolde the role of Isolde will be sung by Linda Watson, replacing Katarina Dalayman, who is ill.\"","\"In this evening's performance of Les Contes d'Hoffmann, Rachele Gilmore will be making her Met debut in the role of Olympia, replacing Kathleen Kim. The role of Giulietta will be sung by Laura Vlasak Nolen, replacing Ekaterina Gubanova, and the Four Servants will be sung by Joel Sorensen, replacing Alan ke. Ms. Kim, Ms. Gubanova, and Mr. ke are ill.","\"In this evening's performance of Attila, the role of Foresto will be sung by Russell Thomas, replacing Ramón Vargas, who is ill, and the role of Uldino will be sung by Eduardo Valdes","\"Marilyn Horne will host today's Grand Finals Concert, replacing Joyce DiDonato, whose flight to New York was cancelled due to bad weather.\"","\"In this evening's performance of Der Fliegende Holländer, Lori Phillips will make her Metropolitan Opera debut as Senta, replacing Deborah Voigt, who is ill.","\"In this evening's performance of Romeo et Juliette, the role of Juliette will be sung by Hei-Kyung Hong, replacing Angela Gheorghiu, who is ill.\"","Met Opera premiere","\"In this evening's performance of Tosca, the role of Scarpia will be sung by Bryn Terfel, replacing James Morris, who is ill.\"","\"In this evening's performance of Don Giovanni, the title role will be sung by Peter Mattei, replacing Mariusz Kwiecien, who has injured his back.\"","\"In this evening's performance of The Enchanted Island, the role of Prospero will be sung by Anthony Roth Costanzo, replacing David Daniels, who is ill. The role of Ferdinand will be sung by Jeffrey Mandelbam, replacing Mr. Costanzo\"","\"In this evening's performance of Gotterdammerung, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"","\"In this evening's performance of Die Walkure, the role of Siegmund will be sung by Stuart Skelton, replacing Jonas Kaufmann, who is ill.\"","\"In this evening's performance of Siegfried, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"","\"In  tonight's performance of Otello, Avgust Amonov will make his Metropolitan Opera debut in the title role, replacing Johan Botha, who is ill.\"","\"In this evening's performance of Les Troyens the role of Coreobus will be sung by Stephen Gaertner, replacing Dwayne Croft, who is ill.\"","\"Salvatore Cordella will make his Metropolitan Opera debut as Leicester in this evening's performance of Maria Stuarda, replacing Matthew Polenzani, who is ill.\"","\"Due to the configuration of scenery backstage, the first intermission of this performance of Turandot will last approximately 45 minutes\"","\"In this evening's performance of Die Meistersinger von Nurnberg, the role of Sxtus Beckmesser will be sung by Martin Gantner, replacing Johannes Martin Kranzle, who is ill; and the role of Fritz Kothner will be sung by Ryan McKinny, replacing Mr. Gantner.\"","Program Insert: \"In this afternoon's performance of Anna Bolena, the roleof Giovanna Seymour will be sung by Milijana Nikolic, replacing Jamie Barton, who is ill.\"","Note from H. Strouss: \"This is important program.  Placido Domingo resigned from Met do [sic] to accusations of sexual misconduct.  This gave a young singer a chance.\"  Program insert: \"In tonight's performance of Macbeth, Craig Colclough will make his Met debut in the title role.\"","This program is a catalog of livestreamed and radio performances of the Met Opera during the 2019-20 season.  It is unclear how many, if any, performances took place during Covid-19 pandemic.  Placido Domingo is also listed (incorrectly) as performing in a number of performances, even after his resignation","Note from H. Strouss: \"Last event before COVID shutdown\"","Program Insert entitled \"We Stand with Ukraine\"","Program Insert entitled \"We Stand with Ukraine\"","Program Insert: \"In today's performance of Peter Grimes, Laura Wilde makes her Met debut in the role of Ellen Orford.","Program Insert: \"In today's performance of Norma, the title role will be sung by Helena Dix\"","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Program Notice: \"The Philharmonic-Symphony Society of New York notes with great sorrow the death of our esteemed colleague Aaron Copland...\"","Program Note: \"These performances are dedicated to the memory of Laureate Conductor Leonard Bernstein, whose legendary conducting debut with the New York Philharmonic took place on November 14, 1943.\"","\"In this performance of Madama Butterfly the role of Madama Butterfly will be sung by Maralin Niska\"","\"In this evening's performance of Mefistofele the role of Faust will be sung by Harry Theyard\"","June Anderson's debut performance","Please note the following cast changes due to injury. Symphony in C Third Movement: Samantha Allen will dance in place of Yvonne Borree. Fourth Movement: Stacey Calvert will dance in place of Samantha Allen","Episodes Guest Conductor: David Briskin. Please note the following cast changes, due to illness and injury. Vienna Waltzes: Joaquin De Luz will dance in place of Damian Woetzel","Please note the following cast change, due to illness and injry. Ana Sophia Scheller will dance in place of Carrie Lee Riggins","\"At this performance the role of Varya usually played by Priscilla Smith will be played by Suzanne Collins\"","\"At this performance the role of Flan usually played by John Cunningham will be played by Brian Evers and the role of Detective usually played by Brian Evers will be played by David Little\"","\"At this performance the role of Enoch Snow Jr. usually played by Duane Boutte will be played by Steven Ochoa","\"At this performance the role of Lt. Buzz Adams usually played by George Merrick will be played by Nick Mayo\"","\"WarHorse Welcomes to the Company Tessa Klein\"","\"At this performance the role of Cary Grant usually played by Tony Yazbeck will be played by Danny Gardner\"","\"At this performance the role of Homer usually played by Julian Rozzel, Jr. will be played by Tyrone Mitchell Henderson\""],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item], [Date of Item]. Henry Strouss Performing Arts Collection, WLU-Coll-0778, [Series number and name], [Box number], [Folder title and number]. Washington and Lee University Library Special Collections and Archives, Lexington, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item], [Date of Item]. Henry Strouss Performing Arts Collection, WLU-Coll-0778, [Series number and name], [Box number], [Folder title and number]. Washington and Lee University Library Special Collections and Archives, Lexington, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eIncludes 2 partial programs and photocopied newspaper articles about the event.\u003c/p\u003e","\u003cp\u003eIncludes newspaper articles and protest flyer\u003c/p\u003e","\u003cp\u003eIncludes additional program detailing Stravinsky's concerts at Carnegie Hall and Town Hall.\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the performance\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the performance and Latin insert\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the performance and The Orchestra of America program\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the performance and Pittsburgh Symphony Orchestra program\u003c/p\u003e","\u003cp\u003eIncludes ticket stub\u003c/p\u003e","\u003cp\u003eAnnotation on program cover: \"I met Pablo afterwards!\"\u003c/p\u003e","\u003cp\u003eProgam signed by Pablo Casals, Rudolf Serkin, Olga Iglesias, and Justino Diaz\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Both programs signed by Shirley Verrett\u003c/p\u003e","\u003cp\u003eProgram signed by Maureen Forrester\u003c/p\u003e","\u003cp\u003eProgram signed by Heather Harper and Jacqueline du Pré\u003c/p\u003e","\u003cp\u003eIncludes an insert of program notes\u003c/p\u003e","\u003cp\u003eIncludes an insert of program notes\u003c/p\u003e","\u003cp\u003eIncludes torn out advertisement page\u003c/p\u003e","\u003cp\u003eIncludes an insert on the Oratorio Society of New York and a newspaper review of the concert.\u003c/p\u003e","\u003cp\u003eAnnotation on back cover: \"Boston Symphony very good Brahms #2\"\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes texts \u0026amp; translations pamphlet and an insert about the Cleveland Orchestra\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the concert\u003c/p\u003e","\u003cp\u003eIncludes inserts about the Cleveland Orchestra and photocopies of newspaper articles with photos from the concert\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes a sheet with the English translation of Hungarian text based on Psalm 55 and a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert. Annotation in the program notes that The Young Person's Guide to the Orchestra by Britten may have been played in closing\u003c/p\u003e","\u003cp\u003eIncludes a photocopied newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes German text and English translations insert for Mahler's piece as well as a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes signatures of Gerald Moore and Dietrich Fischer-Dieskau\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the performance.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet with \"A Letter to Our Subscribers from Enrich Leinsdorf\"\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a photocopy of a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes 3 newspaper articles reviewing the concert, 1 praising Elena Suliotis' recent role as Abigaille in \"Nabucco,\" 2 recent articles from another issue, and a note marking the program which reads, \"Almost a riot. Can be found on YouTube.\"\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes handwritten annotations. About Gliere's Symphony No. 3 in B Minor: \"exciting, great movement, playful.\" About Debussy's \"Ibèria,\" No. 2 from Images for Orchestra: uncertain.\u003c/p\u003e","\u003cp\u003eIncludes a texts and translations pamphlet from Mahler Symphony No. 4 in G Major\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludeas a newspaper article reviewing the concert and a texts and translations insert.\u003c/p\u003e","\u003cp\u003eIncludes a photocopy of a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert outlining the highlights of next season.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert and an insert correcting program texts and translations.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes a newspaper article reviewing the concert. One program is also signed, \"Sincerely, Leontyne Price.\"\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes two complete programs and a third partial program. Inlcudes an insert correcting the program and an insert about the New Jersey Symphony Orchestra. The two complete programs is signed by Henry Lewis and Marilyn Horne. Includes another partial program with written Hebrew annotations.\u003c/p\u003e","\u003cp\u003eIncludes photocopies of a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles noting the cast change and reviewing the concert. Program is annotated to note the change.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a texts and translations pamphlet.\u003c/p\u003e","\u003cp\u003eIncludes a 2nd smaller program\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the performance.\u003c/p\u003e","\u003cp\u003eIncludes newspaper articles reviewing the concert. Program includes annotations in Hebrew.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert with texts and translations.\u003c/p\u003e","\u003cp\u003eMissing a newspaper article referenced in a note: \"Music: Radiating Luster\" from the New York Times.\u003c/p\u003e","\u003cp\u003eIncludes an insert from the American Symphony Orchestra. Program is signed by Aaron Copland.\u003c/p\u003e","\u003cp\u003eIncludes an insert describing a conductor and program change.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an annotation in Hebrew.\u003c/p\u003e","\u003cp\u003eContains a written annotation that the Wagner Taunhauser Overture was played.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. One is autographed, \"Pete: This one you should have heard! Richard Westenburg,\" \"All things to Pete, Herbert Beattie,\" \"Franco Careccia,\" and \"With thanks, Lou Ann Lee.\" The other is autographed, \"Richard Westenburg\" and \"Thanks [unknown], Franco Careccia.\"\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate prorgam.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program book.\u003c/p\u003e","\u003cp\u003eIncludes an insert for the evening of the 28th.\u003c/p\u003e","\u003cp\u003eOutlines five performances in the coming 1961-62 season and their accompanying guest soloists: November 8, 1961 with Whittemore and Lowe, duo-pianists, December 6, 1961 with Robert Rudié, violinist, Virginia Babikian, Soprano, Louise Parker, Contralto, and Don Yule, Baritone, January 10, 1962 with Claudette Sorel, pianist, and Assunta Dell'Aquila, harpist, February 14, 1962 with Aldo Parisot, and March 14, 1962 with Maureen Forrester, Contralto.\u003c/p\u003e","\u003cp\u003eIncludes a booklet on the Cleveland Orchestra's records.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a program inset that corrects the conductor for later concerts.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article describing the change of conductor and reviewing the concert as well as a newspaper article describing the previous performance and change of conductor.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the performance.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert detailing the change in performers.\u003c/p\u003e","\u003cp\u003eIncludes a note that the composer of the pieces performed is the conductor.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert revising the program order.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncluides an insert about June Anderson.\u003c/p\u003e","\u003cp\u003eIncluides an insert about cast substitutions.\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a flyer of other concerts in the Handel Opera Festival.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an inset about the Cleveland Orchestra's 1985-86 season and a ticket for the performance bought at The Russian Tea Room.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eOne of the ad pages contains handwritten notes saying: \"Pete and Jo: We went to this concert and then to a Thai restaurant. Peter,\" \"Pete this is the fur. Jana,\" \"Hello there! Had a great time at Watty's performance and with everyone afterwards. It's about time, we got you both. Lucas,\" \"W\"\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eThere is an insert correcting that the name listed in the program to sing the Primo Cantore should read Randall Hartness.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eProgram for a working rehearsal.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet listing the performers in this concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert with the updated program.\u003c/p\u003e","\u003cp\u003eIncludes an insert describing program changes.\u003c/p\u003e","\u003cp\u003eIncludes an insert about the New York City Gay Men's Chorus holiday celebration.\u003c/p\u003e","\u003cp\u003eIncludes two inserts detailing the changes in programming.\u003c/p\u003e","\u003cp\u003eInsert Included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program book.\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eNew York Times Article included: \"The Met Opera Orchestra Without the Met Opera\"\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eNews Article included: \"Opera Musicians Can Share the Stage\" by Anthony Tommasini\u003c/p\u003e","\u003cp\u003eNew York Times News Article included:\"Music Review: Savoring Mahler in a Nanosecond World\" by Bernard Holland\u003c/p\u003e","\u003cp\u003eNews Article included: \"Pied Piper Who Leads March Out of the Hall\" by Anthony Tommasini\u003c/p\u003e","\u003cp\u003eNews Article included: \"Music Review: An Orchestra's Piquant Reminders of Postwar Berlin\" by James R. Oestreich\u003c/p\u003e","\u003cp\u003eNews Article included: \"Music Review: Enter Another Dazzling Mezzo\" by Anthony Tommasini\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eIncludes a text and translation booklet.\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included.\u003c/p\u003e","\u003cp\u003eInsert included. Program annotated to indicate change in performers\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eIncludes an insert for the evening of the 28th.\u003c/p\u003e","\u003cp\u003eContains a text and translations booklet\u003c/p\u003e","\u003cp\u003eRevised program included.\u003c/p\u003e","\u003cp\u003eIncludes a text and translation booklet\u003c/p\u003e","\u003cp\u003eIncludes a text and translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a text and translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an isert denoting cast change with additional information on performer\u003c/p\u003e","\u003cp\u003eIncludes text and translation booklet\u003c/p\u003e","\u003cp\u003eIncludes a note from the donor (Henry Strouss)\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003etexts pamphlet included\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003eIncudes a duplicate program.\u003c/p\u003e","\u003cp\u003ePerformance ticket included\u003c/p\u003e","\u003cp\u003eCarnegie Hall Playbill \u0026amp; separate Richard Tucker Foundation program included\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Festival overview\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003ePerformance ticket included\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eCarnegie Hall Playbill \u0026amp; separate ASO program included\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003eCarnegie Hall Playbill \u0026amp; separate Richard Tucker Foundation program included\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003econtains German translation booklet\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an Insert\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an insert with a conductor change and Vasily Petrenko bio\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an insert with a conductor change and Yannick Nézet-Séguin bio\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an Insert\u003c/p\u003e","\u003cp\u003eIncludes an Insert with cast change\u003c/p\u003e","\u003cp\u003eContains a ticket for the evening's performance\u003c/p\u003e","\u003cp\u003eIncludes an insert about broadcasting and upcoming performances\u003c/p\u003e","\u003cp\u003eIncludes 2 inserts\u003c/p\u003e","\u003cp\u003eIncludes Texts and Translations Booklet\u003c/p\u003e","\u003cp\u003eIncludes an Insert\u003c/p\u003e","\u003cp\u003eIncludes Texts and Translations Booklet\u003c/p\u003e","\u003cp\u003eIncludes 2 inserts. One is stapled to the program.\u003c/p\u003e","\u003cp\u003eIncludes an insert and a Texts and Translation Booklet\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eIncludes a cursive pencil annotation beside Paul Hindemith's Overture to The Flying Dutchman as Played by Bad Spa Orchestra at 7 AM by the Well with Jeremias Sergiani-Velázquez and Yurika Mok on violins, Mila Milisavljevic on viola and Susannah Chapman on cello\u003c/p\u003e","\u003cp\u003eIncludes a ticket\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eIncludes a revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes two insert, revised program and cast list\u003c/p\u003e","\u003cp\u003eContains a Calendar of Events for March 1986\u003c/p\u003e","\u003cp\u003eContains an advertisement for the Los Angeles Philharmonic\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eAnnotation\u003c/p\u003e","\u003cp\u003eProgram marked with blue ink finger print\u003c/p\u003e","\u003cp\u003eProgram contains a crude rough sketch of an open piano and a closed piano\u003c/p\u003e","\u003cp\u003eAnnotation\u003c/p\u003e","\u003cp\u003eProgram marked with partial black and pink ink finger prints\u003c/p\u003e","\u003cp\u003eContains an insert\u003c/p\u003e","\u003cp\u003eIncludes a News Article\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article\u003c/p\u003e","\u003cp\u003eIncludes an Insert\u003c/p\u003e","\u003cp\u003eIncludes markings near May 2, 1993.\u003c/p\u003e","\u003cp\u003eIncludes pen annotation\u003c/p\u003e","\u003cp\u003eIncludes pen annotation\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eIncludes an Insert and an annotation\u003c/p\u003e","\u003cp\u003eIncludes Texts and Translations Booklet\u003c/p\u003e","\u003cp\u003eContains an insert - updated program\u003c/p\u003e","\u003cp\u003eContains a signature from George Shirley\u003c/p\u003e","\u003cp\u003eContains a signature from Theodor Uppman\u003c/p\u003e","\u003cp\u003eContains a signature from Justino Diaz\u003c/p\u003e","\u003cp\u003eContains signatures from Gianna D'Angelo and Nedda Casei\u003c/p\u003e","\u003cp\u003eContains a signature from Renata Tebaldi\u003c/p\u003e","\u003cp\u003eContains signatures from John Alexander and William Dooley\u003c/p\u003e","\u003cp\u003eContains signatures from John Alexander and William Dooley\u003c/p\u003e","\u003cp\u003eContains signatures from Mary Costa and Rosalind Elias\u003c/p\u003e","\u003cp\u003eContains a signature from William Dooley\u003c/p\u003e","\u003cp\u003eContains a newspaper article about the performance\u003c/p\u003e","\u003cp\u003eContains a signature from Jon Vickers\u003c/p\u003e","\u003cp\u003eContains a signature from Cornell MacNeil\u003c/p\u003e","\u003cp\u003eContains signatures from Martina Arroyo and Elena Cernei\u003c/p\u003e","\u003cp\u003eContains signatures fro Cornell MacNeil, Roberta Peters, Bonaldo Giaiotti, and Mignon Dunn\u003c/p\u003e","\u003cp\u003eContains a signature from Teresa Stratas\u003c/p\u003e","\u003cp\u003eContains a signature from Mirella Freni\u003c/p\u003e","\u003cp\u003eContains signatures from Mirella Freni, one signature illegible\u003c/p\u003e","\u003cp\u003eContains signatures from\u003c/p\u003e","\u003cp\u003eContains signatures from Carlo Bergonzi and Nedda Casei. One illegible signature\u003c/p\u003e","\u003cp\u003eContains signatures from Jon Vickers, Morley Meredith, and two illegible signatures\u003c/p\u003e","\u003cp\u003eContains signatures from Jon Vickers and Leonie Rysanek\u003c/p\u003e","\u003cp\u003eIncludes a signature from James McCracken\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article about the performance\u003c/p\u003e","\u003cp\u003eIncludes an Insert: In this evening's performance of Die Zauberfloete, the role of the Queen of the Night will be sung by Christine Duetekom replacing Roberta Peters, who is indisposed; Belen Amparan will sing the role of the third lady replacing Nedda Casei who is indisposed\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes signatures from Theodor Uppmann and Nedda Casei\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles about the performance\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles about the performance\u003c/p\u003e","\u003cp\u003eHelge Brilioth's debut, Includes 3 inserts\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article about the performance\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles about the performance\u003c/p\u003e","\u003cp\u003eIncludes signatures from several cast members\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article about the performance\u003c/p\u003e","\u003cp\u003eIncludes 5 \"New Production\" Pamphlets\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article on the performance\u003c/p\u003e","\u003cp\u003eIncldues a signature from Montserrat Caballe\u003c/p\u003e","\u003cp\u003eIncludes an Insert - 15% off Tickets to Elektra\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes two inserts, an advertisement for open Philharmonic rehersals and a pamphlet for the Save the Met Broadcasts Campaign\u003c/p\u003e","\u003cp\u003eIncludes an insert, a pamphlet thanking the Met Opera's Benefit Committee\u003c/p\u003e","\u003cp\u003eIncludes an insert, a pamphlet thanking the Met Opera's Benefit Committee\u003c/p\u003e","\u003cp\u003eIncludes an insert, a pamphlet thanking the Met Opera's Benefit Committee\u003c/p\u003e","\u003cp\u003eIncludes an insert, an advertisement to meet Kiri Te Kanawa\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updating program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes personal notes from Henry Strouss\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet celebrating the opera's premiere and thanking the Gala Committee\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, additional program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an advertisement for a trivia event during the opera's first intermission\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes a handwritten note from Henry Strouss\u003c/p\u003e","\u003cp\u003eIncludes a handwritten note from Henry Strouss\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes an article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes an article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes signatures from Richard Taylor, Samuel Ramey, and Patricia Wells\u003c/p\u003e","\u003cp\u003eIncludes a signature from Cynthia Clarey\u003c/p\u003e","\u003cp\u003eIncludes a signature from June Anderson\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncldues an article titled \"Parsons is shattering as Mert\"\u003c/p\u003e","\u003cp\u003eIncludes an article from Joseph Papp titled \"The Real Threepenny Opera\"\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, a list of actors playing the citizens of New Salem and Springfield\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes two inserts, an article on Tessa Klein and an updated program\u003c/p\u003e","\u003cp\u003eOpening Performance\u003c/p\u003e","\u003cp\u003eOpening Performance\u003c/p\u003e","\u003cp\u003eIncludes an insert, cast list\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, \"The 25th Anniversary of the Fall of the Berlin Wall\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Includes 2 partial programs and photocopied newspaper articles about the event.","Includes newspaper articles and protest flyer","Includes additional program detailing Stravinsky's concerts at Carnegie Hall and Town Hall.","Includes newspaper review of the performance","Includes newspaper review of the performance and Latin insert","Includes newspaper review of the performance and The Orchestra of America program","Includes newspaper review of the performance and Pittsburgh Symphony Orchestra program","Includes ticket stub","Annotation on program cover: \"I met Pablo afterwards!\"","Progam signed by Pablo Casals, Rudolf Serkin, Olga Iglesias, and Justino Diaz","Includes a duplicate program. Both programs signed by Shirley Verrett","Program signed by Maureen Forrester","Program signed by Heather Harper and Jacqueline du Pré","Includes an insert of program notes","Includes an insert of program notes","Includes torn out advertisement page","Includes an insert on the Oratorio Society of New York and a newspaper review of the concert.","Annotation on back cover: \"Boston Symphony very good Brahms #2\"","Includes a duplicate program. Includes texts \u0026 translations pamphlet and an insert about the Cleveland Orchestra","Includes newspaper review of the concert","Includes inserts about the Cleveland Orchestra and photocopies of newspaper articles with photos from the concert","Includes a duplicate program. Includes a sheet with the English translation of Hungarian text based on Psalm 55 and a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert. Annotation in the program notes that The Young Person's Guide to the Orchestra by Britten may have been played in closing","Includes a photocopied newspaper article reviewing the concert.","Includes a duplicate program. Includes German text and English translations insert for Mahler's piece as well as a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes signatures of Gerald Moore and Dietrich Fischer-Dieskau","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the performance.","Includes a pamphlet with \"A Letter to Our Subscribers from Enrich Leinsdorf\"","Includes a newspaper article reviewing the concert.","Includes a photocopy of a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes 3 newspaper articles reviewing the concert, 1 praising Elena Suliotis' recent role as Abigaille in \"Nabucco,\" 2 recent articles from another issue, and a note marking the program which reads, \"Almost a riot. Can be found on YouTube.\"","Includes a duplicate program. Includes handwritten annotations. About Gliere's Symphony No. 3 in B Minor: \"exciting, great movement, playful.\" About Debussy's \"Ibèria,\" No. 2 from Images for Orchestra: uncertain.","Includes a texts and translations pamphlet from Mahler Symphony No. 4 in G Major","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includeas a newspaper article reviewing the concert and a texts and translations insert.","Includes a photocopy of a newspaper article reviewing the concert.","Includes an insert outlining the highlights of next season.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a duplicate program.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert and an insert correcting program texts and translations.","Includes a duplicate program.","Includes a duplicate program. Includes a newspaper article reviewing the concert. One program is also signed, \"Sincerely, Leontyne Price.\"","Includes a newspaper article reviewing the concert.","Includes two complete programs and a third partial program. Inlcudes an insert correcting the program and an insert about the New Jersey Symphony Orchestra. The two complete programs is signed by Henry Lewis and Marilyn Horne. Includes another partial program with written Hebrew annotations.","Includes photocopies of a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles noting the cast change and reviewing the concert. Program is annotated to note the change.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles reviewing the concert.","Includes a texts and translations pamphlet.","Includes a 2nd smaller program","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the performance.","Includes newspaper articles reviewing the concert. Program includes annotations in Hebrew.","Includes a newspaper article reviewing the concert.","Includes an insert with texts and translations.","Missing a newspaper article referenced in a note: \"Music: Radiating Luster\" from the New York Times.","Includes an insert from the American Symphony Orchestra. Program is signed by Aaron Copland.","Includes an insert describing a conductor and program change.","Includes a newspaper article reviewing the concert.","Includes an annotation in Hebrew.","Contains a written annotation that the Wagner Taunhauser Overture was played.","Includes a duplicate program. One is autographed, \"Pete: This one you should have heard! Richard Westenburg,\" \"All things to Pete, Herbert Beattie,\" \"Franco Careccia,\" and \"With thanks, Lou Ann Lee.\" The other is autographed, \"Richard Westenburg\" and \"Thanks [unknown], Franco Careccia.\"","Includes a newspaper article reviewing the concert.","Includes a duplicate program.","Includes a duplicate program.","Includes a duplicate prorgam.","Includes a duplicate program book.","Includes an insert for the evening of the 28th.","Outlines five performances in the coming 1961-62 season and their accompanying guest soloists: November 8, 1961 with Whittemore and Lowe, duo-pianists, December 6, 1961 with Robert Rudié, violinist, Virginia Babikian, Soprano, Louise Parker, Contralto, and Don Yule, Baritone, January 10, 1962 with Claudette Sorel, pianist, and Assunta Dell'Aquila, harpist, February 14, 1962 with Aldo Parisot, and March 14, 1962 with Maureen Forrester, Contralto.","Includes a booklet on the Cleveland Orchestra's records.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a program inset that corrects the conductor for later concerts.","Includes a newspaper article describing the change of conductor and reviewing the concert as well as a newspaper article describing the previous performance and change of conductor.","Includes a newspaper article reviewing the performance.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an insert detailing the change in performers.","Includes a note that the composer of the pieces performed is the conductor.","Includes a newspaper article reviewing the concert.","Includes an insert revising the program order.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles reviewing the concert.","Incluides an insert about June Anderson.","Incluides an insert about cast substitutions.","Includes two newspaper articles reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a flyer of other concerts in the Handel Opera Festival.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an inset about the Cleveland Orchestra's 1985-86 season and a ticket for the performance bought at The Russian Tea Room.","Includes a duplicate program.","One of the ad pages contains handwritten notes saying: \"Pete and Jo: We went to this concert and then to a Thai restaurant. Peter,\" \"Pete this is the fur. Jana,\" \"Hello there! Had a great time at Watty's performance and with everyone afterwards. It's about time, we got you both. Lucas,\" \"W\"","Includes a newspaper article reviewing the concert.","There is an insert correcting that the name listed in the program to sing the Primo Cantore should read Randall Hartness.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Program for a working rehearsal.","Includes a pamphlet listing the performers in this concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an insert with the updated program.","Includes an insert describing program changes.","Includes an insert about the New York City Gay Men's Chorus holiday celebration.","Includes two inserts detailing the changes in programming.","Insert Included","Insert included","Includes a duplicate program book.","Insert included","Insert included","New York Times Article included: \"The Met Opera Orchestra Without the Met Opera\"","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Includes a duplicate program.","News Article included: \"Opera Musicians Can Share the Stage\" by Anthony Tommasini","New York Times News Article included:\"Music Review: Savoring Mahler in a Nanosecond World\" by Bernard Holland","News Article included: \"Pied Piper Who Leads March Out of the Hall\" by Anthony Tommasini","News Article included: \"Music Review: An Orchestra's Piquant Reminders of Postwar Berlin\" by James R. Oestreich","News Article included: \"Music Review: Enter Another Dazzling Mezzo\" by Anthony Tommasini","Insert included","Includes a text and translation booklet.","Insert included","Insert included.","Insert included. Program annotated to indicate change in performers","Insert included","Includes an insert for the evening of the 28th.","Contains a text and translations booklet","Revised program included.","Includes a text and translation booklet","Includes a text and translations booklet","Includes a text and translations booklet","Includes an isert denoting cast change with additional information on performer","Includes text and translation booklet","Includes a note from the donor (Henry Strouss)","Includes a duplicate program.","texts \u0026 translations pamphlet included","open working rehearsal","texts pamphlet included","texts \u0026 translations pamphlet included","texts \u0026 translations pamphlet included","Incudes a duplicate program.","Performance ticket included","Carnegie Hall Playbill \u0026 separate Richard Tucker Foundation program included","open working rehearsal","Includes a duplicate program.","Includes a duplicate program.","open working rehearsal","Includes a duplicate program. Festival overview","Includes a duplicate program.","open working rehearsal","Includes a duplicate program.","Performance ticket included","texts \u0026 translations pamphlet included","Includes a duplicate program.","Carnegie Hall Playbill \u0026 separate ASO program included","texts \u0026 translations pamphlet included","Carnegie Hall Playbill \u0026 separate Richard Tucker Foundation program included","open working rehearsal","contains German translation booklet","open working rehearsal","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an Insert","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an insert with a conductor change and Vasily Petrenko bio","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an insert with a conductor change and Yannick Nézet-Séguin bio","Includes a Texts and Translations booklet","Includes an Insert","Includes an Insert with cast change","Contains a ticket for the evening's performance","Includes an insert about broadcasting and upcoming performances","Includes 2 inserts","Includes Texts and Translations Booklet","Includes an Insert","Includes Texts and Translations Booklet","Includes 2 inserts. One is stapled to the program.","Includes an insert and a Texts and Translation Booklet","Includes an insert","Includes a cursive pencil annotation beside Paul Hindemith's Overture to The Flying Dutchman as Played by Bad Spa Orchestra at 7 AM by the Well with Jeremias Sergiani-Velázquez and Yurika Mok on violins, Mila Milisavljevic on viola and Susannah Chapman on cello","Includes a ticket","Includes an insert","Includes an insert","Includes a revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes a newspaper article","Includes a newspaper article","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes two insert, revised program and cast list","Contains a Calendar of Events for March 1986","Contains an advertisement for the Los Angeles Philharmonic","Includes an insert","Annotation","Program marked with blue ink finger print","Program contains a crude rough sketch of an open piano and a closed piano","Annotation","Program marked with partial black and pink ink finger prints","Contains an insert","Includes a News Article","Includes a newspaper article","Includes an Insert","Includes markings near May 2, 1993.","Includes pen annotation","Includes pen annotation","Includes an insert","Includes an Insert and an annotation","Includes Texts and Translations Booklet","Contains an insert - updated program","Contains a signature from George Shirley","Contains a signature from Theodor Uppman","Contains a signature from Justino Diaz","Contains signatures from Gianna D'Angelo and Nedda Casei","Contains a signature from Renata Tebaldi","Contains signatures from John Alexander and William Dooley","Contains signatures from John Alexander and William Dooley","Contains signatures from Mary Costa and Rosalind Elias","Contains a signature from William Dooley","Contains a newspaper article about the performance","Contains a signature from Jon Vickers","Contains a signature from Cornell MacNeil","Contains signatures from Martina Arroyo and Elena Cernei","Contains signatures fro Cornell MacNeil, Roberta Peters, Bonaldo Giaiotti, and Mignon Dunn","Contains a signature from Teresa Stratas","Contains a signature from Mirella Freni","Contains signatures from Mirella Freni, one signature illegible","Contains signatures from","Contains signatures from Carlo Bergonzi and Nedda Casei. One illegible signature","Contains signatures from Jon Vickers, Morley Meredith, and two illegible signatures","Contains signatures from Jon Vickers and Leonie Rysanek","Includes a signature from James McCracken","Includes a newspaper article about the performance","Includes an Insert: In this evening's performance of Die Zauberfloete, the role of the Queen of the Night will be sung by Christine Duetekom replacing Roberta Peters, who is indisposed; Belen Amparan will sing the role of the third lady replacing Nedda Casei who is indisposed","Includes a newspaper article covering the performance","Includes signatures from Theodor Uppmann and Nedda Casei","Includes two newspaper articles about the performance","Includes two newspaper articles about the performance","Helge Brilioth's debut, Includes 3 inserts","Includes a newspaper article about the performance","Includes two newspaper articles about the performance","Includes signatures from several cast members","Includes a newspaper article about the performance","Includes 5 \"New Production\" Pamphlets","Includes a newspaper article on the performance","Incldues a signature from Montserrat Caballe","Includes an Insert - 15% off Tickets to Elektra","Includes an insert, updated program","Includes two inserts, an advertisement for open Philharmonic rehersals and a pamphlet for the Save the Met Broadcasts Campaign","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, an advertisement to meet Kiri Te Kanawa","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updating program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes personal notes from Henry Strouss","Includes a pamphlet celebrating the opera's premiere and thanking the Gala Committee","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, additional program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an advertisement for a trivia event during the opera's first intermission","Includes an insert, updated program","Includes a handwritten note from Henry Strouss","Includes a handwritten note from Henry Strouss","Includes an insert, updated program","Includes an insert, updated program","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes an article covering the performance","Includes an article covering the performance","Includes signatures from Richard Taylor, Samuel Ramey, and Patricia Wells","Includes a signature from Cynthia Clarey","Includes a signature from June Anderson","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Incldues an article titled \"Parsons is shattering as Mert\"","Includes an article from Joseph Papp titled \"The Real Threepenny Opera\"","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, a list of actors playing the citizens of New Salem and Springfield","Includes an insert, updated program","Includes an insert, updated program","Includes two inserts, an article on Tessa Klein and an updated program","Opening Performance","Opening Performance","Includes an insert, cast list","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, \"The 25th Anniversary of the Fall of the Berlin Wall\""],"userestrict_html_tesm":["\u003cp\u003eAccess to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Access to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Carnegie Hall (New York, N.Y.)","Wetzler Orchestra ","Philharmonic Society of New York","NBC Symphony Orchestra","Westminster Symphonic Choir","Little Orchestra Society","Choral Art Society","Berliner Philharmoniker","Columbia Symphony Orchestra","New York Philharmonic","Schola Cantorum (Musical group)","University of Maryland Choir","Orchestra of America","Pittsburgh Symphony Orchestra","American Opera Society","Festival Casals. Orchestra","Cleveland Orchestra. Chorus","Cleveland Orchestra","American Symphony Orchestra (New York, N.Y.)","Musica Aeterna Orchestra","Musica Aeterna Chorus","BBC Symphony Orchestra","Friends of French Opera","Boston Symphony Orchestra","Clarion Music Society","Oratorio Society of New York","Philadelphia Orchestra Association","Rutgers University. Choir","London Symphony Orchestra","Wiener Johann Strauss-Orchester","The New School","Cincinnati Symphony Orchestra","LaSalle Quartet","Concertgebouworkest","Los Angeles Philharmonic Orchestra","Collegiate Chorale","Wiener Philharmoniker","Münchener Bach-Orchester","Münchener Bach-Chor","Wiener Symphoniker","Česká filharmonie","New England Conservatory Chorus","Dessoff Choirs","Bayerischer Rundfunk. Orchester","Gosudarstvennyĭ simfonicheskiĭ orkestr SSSR","English Chamber Orchestra","Minnesota Orchestra","Hartford Symphony Orchestra","Hartford Symphony Chorale","Chicago Symphony Orchestra","New Jersey Symphony Orchestra","Chicago Symphony Chorus","Handel Society of New York","Opera Orchestra of New York","Pro Arte Festival Orchestra","Tizmoret ha-filharmonit ha-Yiśreʼelit","Leningradskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Musica Sacra (Musical group : New York, N.Y.)","Metropolitan Opera Guild","National Orchestral Association (U.S.)","Gewandhausorchester Leipzig","Detroit Symphony Orchestra","Baltimore Symphony Orchestra","New York Choral Society","Musique de la Garde républicaine de Paris","Stuttgarter Klaviertrio","Byrne Camp Chorale","Mendelssohn Club of Philadelphia","Mormon Tabernacle Choir","Orchestre de Paris","Wiener Singverein","Státní filharmonie Brno","Pražský komorní orchestr","Roger Wagner Chorale","Sacred Music Society (New York, N.Y.)","Orchestra of St. Luke's","Staatskapelle Berlin","St. Cecilia Orchestra","St. Cecilia Chorus","Tanglewood Festival Chorus","National Symphony Orchestra (New York, N.Y.)","Yale Concert Band","Wayne State University. Symphonic Chorus","Indianapolis Symphony Orchestra","Peter, Paul, and Mary (Musical group)","Cathedral of St. John the Divine (New York, N.Y.). Choir","United States Military Academy. Band","American Chamber Orchestra","Curtis Student Orchestra","St. Louis Symphony Orchestra","St. Louis Symphony Chorus","Orchestre symphonique de Montréal","London Philharmonic Orchestra","Symfonický orchestr hlavního města Prahy FOK","Worcester Chorus","Royal Philharmonic Orchestra","Rotterdams Philharmonisch Orkest","Radio-Symphonie-Orchester Berlin","Toronto Symphony","Illapu (Musical group)","Fortaleza (Musical group)","Münchner Philharmoniker","Orchestre de la Suisse romande","Boys' Choir of Harlem","Filharmonia Krakowska","Zagrebačka filharmonija","Hallé Orchestra","Chamber Orchestra of Europe","Stuttgarter Philharmoniker","Canterbury Choral Society","Staatskapelle Dresden","Princeton Pro Musica","Sveriges radios symfoniorkester","Orchestre philharmonique de Monte-Carlo","Jerusalem Symphony Orchestra","Guarneri Quartet","Buffalo Philharmonic Orchestra","SWR Radio-Sinfonieorchester Stuttgart","San Francisco Symphony Orchestra","Orchestre de Paris. Chœur","Pro Arte Chorale","Choral Arts Society of Philadelphia","New York City Gay Men's Chorus","Academy of St. Martin-in-the-Fields","Philharmonia Orchestra","National Arts Centre. Orchestra","Orchestre national d'Île-de-France","Dale Warland Singers","Piano Teachers Congress of New York","Filharmoniske selskap (Oslo, Norway). Orkester","Robert Shaw Festival Singers","Robert Shaw Festival Chorus","State Symphonic Kapelle of Moscow","Philadelphia Singers. Chorale","Orchestra and Chorus of Teatro Alla Scala","Concert Choir . of the St. Louis Children's Choirs","Rossiĭskiĭ nat︠s︡ionalʹnyĭ orkestr","Concert Chorale of New York","Philadelphia Boys Choir","Sankt-Peterburgskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Tokyo College of Music Symphony Orchestra","Chorus Viennensis","Wiener Sängerknaben","New York Grand Opera Company. New York Grand Opera ","Metropolitan Opera (New York, N.Y.). Orchestra","Mariinskiĭ teatr (1991- ). Orkestr","Collegium vocale (Ghent, Belgium)","Chapelle royale de Paris (Musical group)","Robert Shaw Choral Institute. Singers","Theodore Presser Company","Arnold Schoenburg Choir (Vienna)","The United States Navy Band","Sea Chanters Chorus","Cathedral of St. John the Divine (New York, N.Y.). Chorister Boys","Zhong yang min zu yue tuan (Beijing, China)","Atlanta Symphony Orchestra","Deutsches Symphonie-Orchester Berlin","Sibelius-Akatemia (Helsinki, Finland). Sinfoniaorkesteri","Atlanta Symphony Chamber Chorus","London Sinfonietta","Dallas Symphony Chorus","Mendelssohn Choir of Pittsburgh","Metropolitan Opera (New York, N.Y.). Chorus","Budapesti Fesztiválzenekar","Bach Collegium Japan","University of Puerto Rico Centennial Chorus","Westchester Philharmonic","Manhattan Philharmonic","Russian Chamber Chorus of New York","Fathy Salama Orchestra","The Scott Choral Artists of New York City","Sweet Honey in the Rock","Musica Sacra Chorus and Orchestra","Kremerata Baltica (Musical group)","Schweizerisches Festspielorchester","American Academy in Berlin","Orquesta Sinfónica Simón Bolívar","Thurgood Marshall Academy for Learning and Social Change (Harlem, New York, N.Y.)","Mariinskiĭ teatr (1991- ). Khor","Weill Music Institute ","Brooklyn Philharmonic Symphony Orchestra","New York City Opera. Orchestra","Marilyn Horne Foundation","Orchestra barocca di Venezia","Chapelle de Québec","Orfeón Pamplonés","Saitō Kinen Ōkesutora","NHK Symphony Orchestra Tokyo","Tafelmusik Baroque Orchestra","Morgan State University. Choir","Manhattan Symphony Orchestra","Chorus la Preghiera","Europa galante (Musical group)","World Orchestra for Peace","Monteverdi Choir","Ensemble de Metales de Venezuela","West-Eastern Divan Orchestra","English Concert (Musical group)","Studio de musique ancienne de Montréal","Ensemble Matheus","PALS Children's Chorus","Manhattan Girls Chorus","Arcangelo . Arcangelo (Ensemble)","New York Choral Artists","Brooklyn Youth Chorus","Rochester Philharmonic Orchestra","Winnipeg Symphony Orchestra","Beogradska filharmonija","Teatro regio (Turin, Italy). Coro","Mahler Chamber Orchestra","Tallis Scholars","Fretwork","Distinguished Concerts International New York. DCINY","St. Michael's Church (New York, N.Y.)","Curtis Opera Theatre","Orlando Consort","Dover Quartet","Atlanta Symphony Chorus","Philharmonia Baroque Orchestra","World Projects Corporation","Trio Mediaeval","Richard Tucker Music Foundation","Accademia Bizantina","Il Pomo d'Oro","Hespèrion XXI (Musical group)","Le Concert des Nations","TENET (Musical group)","Quicksilver (Baroque music group)","MasterVoices (Musical group)","Cappella Mediterránea","Concerto italiano (Musical group)","Lorelei Ensemble","Cherry Orchard Festival Foundation","Akademie für Alte Musik Berlin","University Singers. Washington and Lee University (Washington and Lee University)","Bard Music Festival. Chorale","Opus 3 Artists","Arpeggiata (Musical group)","Accademia di Santa Cecilia. Orchestra","Guo jia da ju yuan (Beijing, China). Guan xian yue tuan","Bayerisches Staatsorchester","Bayerische Staatsoper München","Bayerische Staatsoper München. Chor","Emerson String Quartet","Les Violons du Roy","Pražský filharmonický sbor","New York Baroque Incorporated. NYBI","Clarion Choir","Jean \u0026 Jula Goldwurm Memorial Foundation","National Youth Orchestra of the United States of America. NYO-USA","Juilliard School","Juilliard Orchestra","Apollo's Fire (Musical group)","Gerda Lissner foundation","The Liederkranz Foundation","El Mundo","Concerto Köln (Musical group)","The Crossing","Arts florissants (Musical group)","Frederic Chopin International Competition","Lincoln Center for the Performing Arts","Alice Tully Hall (New York, N.Y.)","Chamber Music Society of Lincoln Center","Philharmonica Chamber Orchestra","Queens Symphony Orchestra","American Ballet Theatre","Greek Choral Society","The Canticum Novum Singers","National Chorale","The St. Paul Chamber Orchestra ","Westminster Choir","Israel Philharmonic Orchestra","BBC Concert Orchestra","The Central Band of the Royal Air Force","Red Star Red Army Chorus and Dance Ensemble","Russian State Symphony Orchestra","Lark String Quartet","Imperial Bells Ensemble of China","New York City Opera Children's Chorus","City of Birmingham Symphony Orchestra","Berlin Philharmonic Piano Quartet","Orchestra of the Royal Opera House, Covent Garden","London Symphony Chorus","Rutgers University Kirkpatrick Choir","Orchestra of the Age of Englightenment","Bartók Quartet. The Bartók Quartet","Gabrieli Quartet","Cleveland Quartet","Beaux Arts Trio","Orion String Quartet","Bill T. Jones/Arnie Zane and Company","Miami String Quartet","Alvin Ailey American Dance Theater","Royal Opera House","Gesher Theatre","The Abbey Theatre","Bolshoi Ballet","National Theatre of Scotland (Glasgow, Scotland, United Kingdom)","New Orleans Own Hot 8 Brass Band","The Blind Boys of Alabama","Théâtre des Bouffes du Nord","Royal Shakespeare Company (Stratford-upon-Avon, England)","Mariinsky Ballet","Paris Opera Ballet","Jiangsu Yancheng Acrobatic Company","Ninagawa Company","Shakespeare's Globe","Takarazuka Revue","Metropolitan Opera","Ballet Nacional de Cuba","John Curry Skating Company","Mitzi E. Newhouse Theater","Lincoln Center Theater (New York, N.Y.)","Lincoln Center Jazz Orchestra","David H. Koch Theater","New York City Opera","Teatro Nuovo","Vivian Beaumont Theater","Strouss, Henry  (Henry Strouss III ), Class of 1961","Paderewski, Ignace Jan, 1860-1941","Toscanini, Arturo, 1867-1957","Heifetz, Jascha, 1901-1987","Williamson, John Finley, 1887-1964","Rachmaninoff, Sergei, 1873-1943","Enesco, Georges, 1881-1955","Menuhin, Yehudi, 1916-1999","Perlea, Jonel, 1900-1970","Sándor, György, 1912-2005","Scherman, Thomas (Thomas Kielty) (19170212-19790514)","Jonson, William (19721121)","Karajan, Herbert von (1908-04-05-1989-07-16)","Stravinsky, Igor, 1882-1971","Craft, Robert (Robert Lawson) (1923-10-20-2015-11-10)","Bernstein, Leonard, 1918-1990","Horszowski, Mieczyslaw (18920623-19930522)","Nixon, Marni (1930-02-22-2016-07-24)","Ross, Hugh (Hugh Cuthbert Melville), 1898-1990","Springmann, Fague","Bach, Johann Sebastian, 1685-1750","Dunn, Thomas, 1925-2008","Korn, Richard, 1908-1981","Whittemore, Arthur Austin (1916-10-23-1984-10-23)","Lowe, Jack (Jack Warren), 1917-1996","Steinberg, William (Hans Wilhelm), 1899-1978","Haydn, Joseph (Franz Joseph), 1732-1809","Bruckner, Anton (Josef Anton), 1824-1896","Gluck, Christoph Willibald, Ritter von, 1714-1787","Remoortel, Edouard van, 1926-1977","Hillis, Margaret, 1921-1998","Oxenburg, Allen Sven (1927-07-10-1992-07-02)","Nilsson, Birgit (19180517-20051225)","Shaw, Robert (Robert Lawson), 1916-1999","Casals, Pablo, 1876-1973","Schneider, Alexander, 1908-1993","Szell, George, 1897-1970","Firkušný, Rudolf, 1912-1994","Mozart, Wolfgang Amadeus (1756-1791)","Mahler, Gustav, 1860-1911","Lawrence, Robert, 1912-1981","Gardelli, Lamberto (19151108-19980717)","Costa, Mary","Simionato, Giulietta (19100512-20100505)","Istomin, Eugene (1925-11-26-2001-10-10)","Stern, Isaac, 1920-2001","Rose, Leonard (19180727-19841116)","Hurok, Sol, 1888-1974","Iglesias, Olga","Díaz, Justino ([1939-01-29,1940-01-29])","Serkin, Rudolf, 1903-1991","Beethoven, Ludwig van, 1770-1827","Richter-Haaser, Hans, 1912-1980","Lynn, George, 1915-1989","Verrett, Shirley (1931-05-31-2010-11-05)","Waldman, Frederic (1903-04-17-1995-12-01)","Handel, George Frideric, 1685-1759","Forrester, Maureen","Dorati, Antal (1906-04-09-1988-11-13)","Harper, Heather (Heather Mary) (1930-05-08-2019-04-22)","Du Pré, Jacqueline, 1945-1987","Gedda, Nicolai (1925-07-11-2017-01-08)","Gorr, Rita (1926-02-18-2012-01-22)","Elgar, Anne","Uppman, Theodor, 1920-2005","Leinsdorf, Erich, 1912-1993","Frank, Claude, 1925-2014","Brahms, Johannes, 1833-1897","Stokowski, Leopold (Leopold Anthony), 1882-1977","Katz, David (1924-1987)","Serebrier, José, 1938-","Gerstman, Felix, -1967","Jenkins, Newell (1915-02-08-1996-12-21)","Lee, T. Charles, 1914-1994","Warfield, William (1920-01-22-2002-08-25)","Woodside, Lyndon","Silverstein, Joseph (Joseph Harry), 1932-2015","Eskin, Jules (Jules Louis) (1931-10-20-2016-11-15)","Laredo, Jaime","Curtin, Phyllis (1921-12-03-2016-06-05)","Valletti, Cesare","Reardon, John, 1930-1988","Ormandy, Eugene, 1899-1985","Walter, F. Austin","Bjoner, Ingrid","Rossini, Gioacchino, 1792-1868","Arroyo, Martina (19360202)","Chookasian, Lili (1921-08-01-2012-04-10)","Bergonzi, Carlo (19240713-20140725)","Kertész, István, 1929-1973","Ilosfalvy, Róbert, 1927-2009","Ashkenazy, Vladimir (Vladimir Davidovich), 1937-","Piatigorsky, Gregor, 1903-1976","Koni︠u︡s, I︠U︡. (I︠U︡liĭ), 1869-1942","Oliver, John, 1939-2018","DeVaron, Lorna Cooke, 1921-2018","Strauss, Eduard, 1910-1969","Koller, Dagmar","Kraeutler, Walter","Strauss, Johann, 1825-1899","Ghiaurov, Nicolai, 1929-2004","Wolff, Beverly","Debussy, Claude (Achille-Claude), 1862-1918","Donizetti, Gaetano (Domenico Gaetano Maria), 1797-1848","Lewis, Henry, 1932-1996","Cava, Carlo (1928-08-16-2018-09-01)","Souliotis, Elena, 1943-2004","Jones, Gwyneth, 1936-","Cherubini, Luigi, 1760-1842","Bottion, Aldo","Tree, Michael, 1934-2018","Parnas, Leslie (1931-11-11-2022-02-01)","Glickman, Loren","Rudolf, Max, 1902-1995","Hoffman, Jay K.","Kiviniemi, Aimo J., 1918-2009","Jenness, Phyllis, 1922-","Brooks, Patricia (Patricia Anne), 1933-1993","Carringer, Walter (2006-10-22)","Giaiotti, Bonaldo (1932-12-25-2018-06-12)","Arrau, Claudio, 1903-1991","Wilson, Charles M., 1931-2019","Sills, Beverly (1929-05-25-2007-07-02)","Fischer-Dieskau, Dietrich, 1925-2012","Moore, Gerald Martin","Schumann, Robert (Robert Alexander), 1810-1856","Paskalis, Kostas","Gamson, Arnold","Caballé, Montserrat (Maria de Montserrat Viviana Concepción) (1933-04-12-2018-10-06)","Schubert, Franz","Schwarzkopf, Elisabeth (Olga Maria Elisabeth Friederike) (1915-12-09-[2006-08-02,2006-08-03])","Crochet, Evelyne","Haitink, Bernard (Bernard Johan Herman), 1929-2021","Henkemans, Hans (19131223-19951229)","Mehta, Zubin (19360429)","Cliburn, Van, 1934-2013","Adler, Murray","Lowenthal, Jerome (19320211)","Laurence, Eileen","Khanzadian, Vahan","Prince-Joseph, Bruce, 1925-2015","Kaplan, Abraham, 1931-","Böhm, Karl, 1894-1981","Richter, Karl, 1926-1981","Halem, Victor von (1940-03-26)","Gilles, Marie-Louise","Kesteren, John van, 1921-2008","Boky, Colette","Sawallisch, Wolfgang, 1923-2013","Slovák, Ladislav, 1919-1999","Dvorak, Antonin","Smetana, Bedřich, 1824-1884","Smith, Gregg (1931-08-21-2016-07-12)","Self, William","Solomon, Izler, 1910-1987","Ricci, Ruggiero, 1918-2012","Webern, Anton (Anton Friedrich Wilhelm von), 1883-1945","Cillario, Carlo Felice (19150207-20071213)","Callas, Maria, 1923-1977","Milanov, Zinka (1906-05-17-1989-05-30)","Ravel, Maurice (Joseph Maurice), 1875-1937","Falla, Manuel de, 1876-1946","Glière, Reinhold Morit︠s︡evich, 1875-1956","Weissenberg, Alexis (Alexis Sigismond) (1929-07-26-2012-01-08)","Ferras, Christian, 1933-1982","Verdi, Giuseppe","Ross, Elinor, 1926-2020","Vogt, Richard","Otterloo, Willem van (19071227-19780727)","Franck, César (César-Auguste-Jean-Guillaume-Hubert), 1822-1890","Newmark, John (1904-06-12-1991-10-17)","Tucci, Gabriella (1929-08-04-2020-07-09)","Baker, Janet, 1933-","Duval, Pierre, (Tenor)","Talvela, Martti (19350204-19890722)","Bonynge, Richard (1930-09-29)","Sutherland, Joan (Joan Alston), 1926-2010","Fischer, Annie (1914-07-05-1995-04-11)","Francescatti, Zino (Zino René-Charles), 1902-1991","Walton, William (William Turner), 1902-1983","Tchaikovsky, Peter Ilich, 1840-1893","Mandac, Evelyn","Litton, James H.","McCollum, John","Berberian, Ara (1930-05-14-2005-02-21)","Cleva, Fausto (19020517-19710806)","Tebaldi, Renata (1922-02-01-2004-12-19)","Saciuk, Andrzej","Previn, André (André George), 1929-2019","Novaes, Guiomar (1895-02-28-1979-03-07)","Tyler, Veronica","Paray, Paul, 1886-1979","Entremont, Philippe (1934-06-07)","Smith, William, 1924-1993","Wagner, Richard, 1813-1883","Sollberger, Sophie, 1934-","Bonazzi, Elaine (1936?-2019-01-29)","Sokol, Thomas A., 1929-","Shetler, Norman","Kubelík, Rafael, 1914-1996","Janáček, Leoš, 1854-1928","Weber, Carl Maria von (Carl Maria Friedrich Ernst von), 1786-1826","Hindemith, Paul, 1895-1963","Endich, Saramae","Milnes, Sherrill (19350110)","Munch, Charles, 1891-1968","Jochum, Eugen (19021101-19870326)","Svetlanov, Yevgeny, 1928-2002","Rostropovich, Mstislav, 1927-2007","Mussorgsky, Modest Petrovich, 1839-1881","Shostakovich, Maxim, 1938-","Sokolov, Grigoriĭ, 1950-","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975","Giulini, Carlo Maria (1914-05-09-2005-06-14)","Barenboim, Daniel, 1942-","Zukerman, Pinchas, 1948-","Allen, Betty, 1927-2009","Markevitch, Igor, 1912-1983","Strauss, Richard, 1864-1949","Killmer, Nancy","Garniez, Nancy","Villa-Lobos, Heitor (1887-03-05-1959-11-17)","Rorem, Ned, 1923-2022","Tilson Thomas, Michael, 1944-","Wolf, Hugo (Hugo Filipp Jakob), 1860-1903","Boulez, Pierre, 1925-2016","Lane, Louis (Louis G.) (1923-12-25-2016-02-15)","Semkow, Jerzy, 1928-2014","Skrowaczewski, Stanisław (Stanisław Paweł Stefan Jan Sebastian), 1923-2017","Trautwein, George William (1927)","Winograd, Arthur (1920-04-22-2010-04-22)","Solti, Georg, 1912-1997","Mazer, Henry, 1918-2002","Scovotti, Jeanette","Simon, Joanna, 1940-","Riegel, Kenneth (19380419)","Patrick, Julian, 1927-2009","Cortez, Viorica (1935-12-26)","Cochran, William (1943-06-23)","Carmeli, Boris (1928-04-23-2009-07-31)","Horne, Marilyn (1934-01-16)","Lupu, Radu, 1945-2022","Price, Leontyne (Mary Violet Leontyne) (1927-02-10)","Garvey, David, 1922-1995","Simon, Stephen (Stephen Anthony), 1937-2013","Morell, Barry","Estes, Simon (1938-02-02)","Blegen, Judith (19410427)","Steffan, Sofia","Quilico, Louis","Lo Monaco, Jerome (1925-2002)","Walker, Mallory (1935-05-22)","Nelson, John, 1941-","Cassilly, Richard, 1927-1998","Ellis, Brent","Ostendorf, John, 1945-","Berlioz, Hector, 1803-1869","Parsons, Geoffrey (Geoffrey Penwill) (1929-06-15-1995-01-26)","Zanetti, Miguel","Katz, Martin (Martin E.), 1945-","Burrows, Stuart (1933-02-07)","Stella, Antonietta (19290315)","Manuguerra, Matteo (1924-10-05-1998-08-23)","Carter, Elliott (Elliott Cook), 1908-2012","Dougherty, Lee","Dale, Clamma (1948-07-04)","Tal, Josef, 1910-2008","Bloch, Ernest, 1880-1959","Maazel, Lorin, 1930-2014","Siepi, Cesare (19230210-20100705)","Veasey, Josephine (1930-07-10-2022-02-22)","Savoie, Robert, 1927-2007","Soyer, Roger (1939-09-01)","Gniewek, Raymond, 1931-","Brozzesi, Franco","Plishka, Paul, 1941-","Aks, Harold","Abbado, Claudio (1933-06-26-2014-01-20)","Mravinsky, Yevgeny, 1903-1988","Tretʹi︠a︡kov, Viktor, 1946-","Arkhipova, Irina, 1925-2010","Westenburg, Richard","Bogard, Carole","Collins, Daniel, (Countertenor)","Bressler, Charles (1926-04-01-1996-11-28)","Anderson, Richard, (Bass)","Bruson, Renato (19360113)","Eda-Pierre, Christiane (1932-03-24-2020-09-06)","West, Jon Fredric, 1952-","Di Stefano, Giuseppe, 1921-2008","Sutherland, Robert, (Pianist)","Ludwig, Christa (1928-03-16-2021-04-24)","Pruett, Jérôme","Barzin, Leon (1900-11-27-1999-08-29)","Glaze, Gary","Masur, Kurt (1927-07-18-2015-12-19)","Lorenz, Siegfried, 1945-","Reger, Max, 1873-1916","Magad, Samuel, 1932-","Zeitlin, Ralph William","Still, Ray (19200312-20140312)","Hesse, Ruth","Ulfung, Ragnar (Ragnar Sigurd), 1927-","Hamari, Julia (19421121)","McCoy, Seth, 1928-1997","Ceccato, Aldo","Hollander, Lorin, 1944-","Bamert, Matthias (19420705)","Page, Robert (Robert Elza), 1927-2016","Kurtz, Eugene, 1923-2006","Lewis, William (William L.), 1931-","Perlman, Itzhak, 1945-","Comissiona, Sergiu (1928-20050305)","Prokofiev, Sergey (Sergey Sergeyevich), 1891-1953","Menuhin, Hephzibah, 1920-1981","Kraus, Alfredo","Elvira, Pablo, 1937-2000","Akiyama, Kazuyoshi, 1941-","Davenny-Wyner, Susan","De Cormier, Robert (Robert Romeo) (1922-01-07-2017-11-07)","Brendel, Alfred (1931-01-05)","Boutry, Roger (1932-02-27-2019-09-07)","Mendelssohn-Bartholdy, Felix, 1809-1847","Schröder-Feinen, Ursula","Tyl, Noel, 1936-","Copland, Aaron, 1900-1990","Rabbai, Joseph","Anagnost, Dino","Scotto, Renata, 1934-","Madden, Donald, 1933-1983","Aler, John (19491004)","Burchinal, Frederick (1948-12-07)","Harris, Roy, 1898-1979","Quivar, Florence (1944-03-03)","Davis, Eileen, (Mezzo-soprano)","Leonhard, Monika, 1942-","Kussmaul, Rainer","Hahn, Klaus-Peter, 1944-","Domingo, Plácido, 1941-","Bumbry, Grace, 1937-2023","Bergquist, Eleanor","Chudy, Natalya","Rampal, Jean-Pierre, 1922-2000","Zukerman, Eugenia","Sanders, Samuel (19370627-19990709)","Lauridsen, Beverly (1945-1994)","Armstrong, Sheila (19420813)","Davis, Colin (Colin Rex), 1927-2013","Ozawa, Seiji, 1935-","Liszt, Franz, 1811-1886","Larrocha, Alicia de (1923-05-23-2009)","Bailey, Norman (Norman Stanley), 1933-2021","Martin, Janis (Janis Lenere) (19390816-20141214)","Ottley, Jerold D. (Jerold Don) (1934-04-07)","Ripplinger, Donald (Donald Hilton) (1927)","Schreiner, Alexander, 1901-1987","Cundick, Robert (Robert Milton), 1926-2016","Longhurst, John (1940)","Levine, James, 1943-2021","Ewing, Maria (Maria Louise) (1950-03-27-2022-01-09)","Flummerfelt, Joseph (Joseph Ross) (1937-02-24-2019-03-01)","Minton, Yvonne (19381204)","Ward, David, 1922-1983","Dam, José van (1940-08-25)","Froschauer, Helmuth (1933-09-22-2019-08-18)","Tomowa-Sintow, Anna, 1941-","Baltsa, Agnes (1944-11-19)","Krenn, Werner","Freni, Mirella, 1935-2020","Cossotto, Fiorenza (19350422)","Beattie, Herbert, 1926-2019","Careccia, Franco","Lee, Lou Ann","Taylor, Rose (Rose Audrey) (19450401-20130914)","Gilels, Emil (1916-10-19-1985-10-14)","Rintzler, Marius","Swing, Peter Gram","Brooks, Tamara (1941-09-11-2012-05-19)","Hanson, Donald, (Conductor)","Waldhans, Jiři, 1923-1995","Bělohlávek, Jiří (1946-02-24-2017-05-31)","Krajný, Boris (1945-11-28)","Wagner, Roger, 1914-1992","Hendricks, Barbara (1948-11-20)","Albin, Gene (Gene V.), 1934-","Lebherz, Louis","Hurwood, Bonnie","Haywood, Lorna","Love, Shirley (1940-01-06)","Norman, Jerold","Smith, Malcolm, 1933-","Mickelson, Randolph","Masini, Gianfranco","Kenny, Yvonne (19501125)","Palmer, Felicity (19440406)","Gelber, Bruno-Leonardo, 1941-","Levitt, Arthur, 1931- ","Weill, Sandy","Wolfensohn, James D.","Bass, Robert, 1953-2008","Randolph, David (19141221-20100512)","Goodwin, John Daly","Carneiro, Joana, 1976-","Coorey, Matthew, 1973-","Johns, Kynan","Lehner, Manfred Hermann","Zhang, Xian, 1973-","Rattle, Simon, 1955-","Carey, Eric","Roset, Julie","Switzer, Erika","Kreisler, Fritz, 1875-1962","Lamson, Carl (1878-11-27-1966-03)","Gould, Morton, 1913-1996","Burton, Philip (Philip Henry), 1904-1995","Geer, Will (1902-03-09-1978-04-22)","Rodgers, Gaby","Martin, Ian, 1912-1981","O'Casey, Sean, 1880-1964","Parisot, Aldo (Aldo Simões) (1918-09-30-2018-12-29)","Sorel, Claudette, 1932-1999","Rudié, Robert (1919-2012-03-04)","Kempff, Wilhelm, 1895-1991","Druian, Rafael (19220120-20020906)","Robison, Paula (1941-06-08)","Isepp, Martin","Prey, Hermann, 1929-1998","Edwards, Ryan","Pfitzner, Hans (Hans Erich), 1869-1949","Gagnon, Roland","Hirst, Grayson","Belling, Susan","Porrello, Joseph","Metcalf, William, 1934-1997","Giovaninetti, Reynald","Floyd, Alpha","Kubiak, Teresa, 1937-","Howell, Gwynne (Gwynne Richard) (19380613)","Von Stade, Frederica (19450601)","Berman, Lazar (19300226-20050206)","Busoni, Ferruccio, 1866-1924","Popp, Lucia (1939-11-12-1993-11-16)","Glinka, M. I. (Mikhail Ivanovich), 1804-1857","Scriabin, Aleksandr Nikolayevich, 1872-1915","Vishnevskai︠a︡, Galina (Galina Pavlovna), 1926-2012","Knie, Roberta (1938-03-13-2017-03-16)","Demus, Jörg (Jörg Wolfgang), 1928-2019","Sousa, John Philip, 1854-1932","Brion, Keith (1933-07-09)","Nagel, Robert (Robert Earl) (1924-9-29-2016-06-05)","Swallow, John (John Warner), 1924-2012","Watts, Andre (1946-06-20-2023-07-12)","Weikl, Bernd (1942-07-29)","Söderström, Elisabeth (Anna Elisabeth), 1927-2009","Grobe, Donald (1929-12-16-1986-04-01)","Zoghby, Linda","Massenet, Jules, 1842-1912","Martinovich, Boris","Kniplová, Naděžda (1932-04-18-2020-01-14)","Schoenberg, Arnold, 1874-1951","Gottschalk, Louis Moreau","List, Eugene, 1918-1985","Savant, Victor","Shookhoff, William","Tenzi, Fausto","Verdejo, Awilda","Estes, Richard, 1948-","Ricciarelli, Katia (1946-01-16)","Hinds, Ruby","Gonzalez, Dalmacio (1945-05-12)","Johns, William, 1940-","Davis, Osceola","Muti, Riccardo (1941-07-28)","Buchanan, Isobel","Varady, Julia","Suzuki, Hidetaro, 1937-","Mroz, Leonard (Leonard Andrzej)","Gulyás, Dénes (1954)","Kazaras, Peter (1956)","Maurice, Glenda (1939-12-16-2013-4-16)","Britton, David, (Tenor)","Opalach, Jan (19500902)","Devia, Mariella (1948)","Delibes, Léo (Clément Philibert Léo), 1836-1891","Rao, Doreen","Bernard, Annabelle","Hancock, Gerre (Gerre Edward), 1934-2012","Castro Alberty, Margarita","Yarrow, Peter, 1938-","Stookey, Paul (Noel Paul), 1937-","Travers, Mary (Mary Allin), 1936-2009","Moore, Undine S. (Undine Smith) (1904-08-25-1989-02-06)","Halley, Paul (1952)","Randall, Tony (1920-02-26-2004-05-17)","Boito, Arrigo, 1842-1918","Andrade, Rosario","Rice, Laura Brooks","Hong, Hei-Kyung","deVaughn, Alteouise","Creech, Philip (1950-06-01)","Woodley, Arthur (1949)","Margalit, Israela (1944)","Behrens, Hildegard (1937-02-09-2009-08-18)","Vejzović, Dunja, 1943-","Dvorský, Peter, 1951-","Bogart, John-Paul (1952-09-17)","Sessions, Roger (Roger Huntington), 1896-1985","Spierer, Léon","Atzmon, Moshe","Patanè, Giuseppe, 1932-1989","Krilovici, Marina","Blake, Rockwell (1951-01-10)","Renzetti, Donato, 1950-","Burns, Stephen, 1959-","Phillips, Daniel (1960)","Phillips, Todd, (Violinist)","Anderson, June, 1952-","Roloff, Roger","Tokody, Ilona","Crafts, Edward","Barker, Charles","Rogoff, Rony","Ginastera, Alberto, 1916-1983","Boozer, Brenda","Weikert, Ralf","Cuberli, Lella (1945-09-29)","Merritt, Chris (Chris Allan), 1952-","Davis, Andrew, 1944-","Kahane, Jeffrey, 1956-","Gielen, Michael (Michael Andreas), 1927-2019","Kramer, Jonathan D. (Jonathan Donald), 1942-2004","Putnam, Ashley (1952-08-10)","Masterson, Valerie","Marriner, Neville (1924-04-15-2016-10-02)","Kocsis, Zoltán (1952-05-30-2016-11-06)","Pollini, Maurizio, 1942-","Neumann, Václav, 1920-1995","Leech, Richard, (Tenor)","Wilson, Neil, 1956-2000","Slatkin, Leonard (Leonard Edward) (1944-09-01)","Elgar, Edward (1857-06-02-1934-02-23)","Adams, John (John Coolidge), 1947-","Comet, Catherine","Montgomery, Kenneth","Thomas, Ambroise (Charles Louis Ambroise), 1811-1896","Rolandi, Gianna","McCauley, Barry (1950-06-25-2001-10-10)","Mack, John (John W.) (1927-10-30-2006-07-23)","Majeske, Daniel (Daniel Harold) (1932-09-17-1993-12-01)","Geber, Stephen","Vernon, Robert, (Violist)","Monk, Allan (19420819)","Dimitrova, Gena Macheva, 1941-2005","Stoltzman, Richard (1942-07-12)","Miranda, Sharon Moe","Marková, Jiřina","Wenkel, Ortrun","Dutoit, Charles (19361007)","Petkov, Dimitŭr, 1938-","Tennstedt, Klaus, 1926-1998","Cappuccilli, Piero (19291109-20050712)","Jones, Gwendolyn, (Mezzo-soprano)","Mackerras, Charles, 1925-2010","Gall, Jeffrey (1950-09-19)","Honegger, Arthur (Oscar-Arthur), 1892-1955","Marier, Theodore (Theodore Norman) (1912-10-17-2001-02-24)","Blahušiaková, Magdaléna","Sylvester, Michael, 1955-","Kusnjer, Ivan, 1951-","Leppard, Raymond (Raymond John) (1927-08-11-2019-10-22)","Kavrakos, Dimitri","Troyanos, Tatiana (1938-09-12)","Berg, Alban, 1885-1935","Hagegård, Håkan (1945-11-25)","Battle, Kathleen","Neikrug, Marc (Marc Edward), 1946-","Jin, Li, 1969-","Bruch, Max (Max Christian Friedrich), 1838-1920","Conlon, James, 1950-","Chailly, Riccardo, 1953-","Mintz, Shlomo, 1957-","Ameling, Elly (19340208)","Bouleyn, Kathryn","Lalo, Édouard (Édouard-Victoire-Antoine), 1823-1892","Vento, Marc, 1936-","Ciurca, Cleopatra","Myers, Lorna","Cole, Vinson (1950-11-21)","Jacobs, René (1946)","Taylor, Janice","Albert, Donnie Ray","Schafer, R. Murray (Raymond Murray) (1933-07-18-2021-08-14)","Dohnányi, Christoph von","Valentin, Dave (1952-04-29-2017-03-08)","Mauceri, John (1945-09-12)","Jordan, Armin (1932-04-09-2006-09-20)","Holliger, Heinz (1939-05-21)","Faulkner, Julia","Wheeler, Kimball (194u)","Chopin, Frédéric (Frédéric François), 1810-1849","Lloyd Webber, Andrew, 1948-","McGovern, Maureen (Maureen Therese) (1949-07-27)","Hillyer, Kazuko","Caddick, David","Turnbull, Walter J. , Dr.","Penderecki, Krzysztof (Krzysztof Eugeniusz), 1933-2020","Ma, Yo-Yo, 1955-","Strugała, Tadeusz, 1935-","Szymanowski, Karol, 1882-1937","Di Domenico, Dino","Wild, Earl (19151126-20100123)","Dešpalj, Pavle (1934-06-18)","Dešpalj, Valter","Sorkočević, Luka, 1734-1789","Beňačková-Čápová, Gabriela (1944-03-25)","Glassman, Allan","Dutilleux, Henri, 1916-2013","Milcheva, Aleksandrina (19340927)","Curry, Diane","Lamberti, Giorgio, 1938-","Gordon, David, 1947-","Toradze, Alexander","St. Clair, Carl (Carl Ray) (19520605)","Verrot, Pascal, 1959-","Hines, Jerome, 1921-2003","Harrell, Lynn (1944-01-30-2020-04-27)","Vivaldi, Antonio, 1678-1741","Lutosławski, Witold, 1913-1994","Parker, Jon Kimura, 1959-","Britten, Benjamin (Edward Benjamin), 1913-1976","Zimmermann, Frank Peter (1965)","Bizet, Georges (Georges Alexandre César Léopold), 1838-1875","Mehlig, Karl","Barber, Samuel (Samuel Osborne), 1910-1981","Matthus, Siegfried (1934-04-13)","Hauschild, Wolf-Dieter, 1937-","Licad, Cecile, 1961-","Walker, Charles Dodsley (1920-03-16-2015-03-21)","Barron, Jennifer","Burgess, Mary, (Mezzo-soprano)","Frager, Malcolm (19350115-19910620)","Schmidl, Peter","Henze, Hans Werner, 1926-2012","Bychkov, Semyon, 1952-","Fauré, Gabriel (Gabriel Urbain), 1845-1924","Kodály, Zoltán, 1882-1967","Larson, Sophia","McNair, Sylvia, (Soprano)","Cohen, Franklin, 1946-","Glass, Philip (1937-01-31)","Meyerbeer, Giacomo, 1791-1864","Slade, Frances F.","Mims, Marilyn, 1962-","Damrosch, Leopold, 1832-1885","Kalt, Frederic","Poppen, Diemut","Lester, Richard, 1959-","Giordano, Umberto, 1867-1948","Polozov, Vi︠a︡cheslav","Salvadori, Antonio, 1949-2006","Salonen, Esa-Pekka, 1958-","Lin, Cho-Liang, 1960-","Blomdahl, Karl-Birger, 1916-1968","Nielsen, Carl, 1865-1931","Ochman, Wiesław (1937-02-06)","Foster, Lawrence, 1941-","Labèque, Katia ([1950-03-03,1950-03-11])","Labèque, Marielle (1952-03-06)","Dukas, Paul (Paul Abraham), 1865-1935","Spohr, Louis, 1784-1859","Ben-Haim, Paul, 1897-1984","Temirkanov, I︠U︡. (19381210)","Pavlovsky, Eduardo A. (Eduardo Alejo) (1933-12-10-2015-10-04)","Quipildor, Zamba","Warrick-Smith, Pamela","Ramírez, Ariel (1921-09-21-2010-02-18)","Poulenc, Francis (Francis Jean Marcel), 1899-1963","Zinman, David (19460709)","Bunin, Stanislav, 1966-","Glazunov, Aleksandr Konstantinovich, 1865-1936","Bellini, Vincenzo, 1801-1835","Tumagian, Eduard","Giacomini, Giuseppe (1940-09-07-2021-07-28)","Todisco, Nunzio","Brister, Wanda","Marton, Eva (1943-06-18)","Cairns, Christine","Rouillon, Philippe","Meier, Waltraud (19560109)","Oldham, Arthur (Arthur William), 1926-2003","Roark-Strummer, Linda (1952)","D'Intino, Luciana (1959)","Folse, Bart","Coni, Paolo","Millo, Aprile","Perahia, Murray (1947-04-19)","Ax, Emanuel (19490608)","Norman, Jessye (1945-09-15-2019-09-30)","Deibler, Seán","Persichetti, Vincent (Vincent Ludwig), 1915-1987","Bronfman, Yefim (1958-04-10)","Lourié, Arthur (Arthur Vincent), 1892-1966","Midori, 1971-","Miller, Gary, (Conductor)","Marc, Alessandra","Sinopoli, Giuseppe (1946-11-02-2001-04-21)","Herbig, Gunther (1931-11-30)","Chmura, Gabriel (1946)","Schuman, Patricia, 1954-","Mentzer, Susanne (19570121)","Stairs, Michael (Michael Ondon) (2018-08-11)","Uchida, Mitsuko, 1948-","Finley, David-Marc","Kulko, Oleg","Järvi, Neeme (1937-06-07)","Kitaenko, Dmitriĭ (Dmitriĭ Georgievich) (19400818)","Viardo, Vladimir, 1949-","Catalani, Alfredo, 1854-1893","Tortelier, Paul, 1914-1990","Chung, Kyung-Wha, 1948-","Wernick, Richard (Richard F.), 1934-","Wagenaar, Johan, 1862-1941","Argerich, Martha, 1941-","Sylvan, Sanford (Sanford Mead) (1953-12-19-2019-01-29)","Hvorostovsky, Dmitri (Dmitri Aleksandrovich) (1962-10-16-2017-11-22)","Arkadʹev, M. A. (Mikhail Aleksandrovich) (1958-03-15)","Johnson, Sigrid","Stewart, Thomas, 1928-2006","Awerbuch (2001-08-26)","Giles, James, 1967-","Brooks, Muriel (1921)","Eschenbach, Christoph (19400220)","Serkin, Peter (Peter Adolf), 1947-2020","Janicello, Mark (1962-11-03)","Rowland, Martile","Mora, Fernando de la (1958-06-07)","Romani, Felice, 1788-1865","Vaughan Williams, Ralph (1872-1958)","Fassabaender, Brigitte (1939)","Rands, Bernard (1934-03-02)","Sotin, Hans (1939-09-10)","Imai, Nobuko (1943)","Wakasugi, Hiroshi, 1935-2009","Miki, Minoru, 1930-2011","Blackwell, Harolyn","Tippett, Micheal  (1905-01-02-1998-01-08)","Ravina, Oscar","Pritchard, Lee H. ","McCartney, Paul (19420618)","Davis, Carl, 1936-","Jansons, Mariss (Mariss Ivars Georgs), 1943-2019","Zimmerman, Frank Peter  (1965-02-27)","DePreist, James (James Anderson), 1936-2013","Heltay, Laszlo","Kaiser, Amy","Charbonneau, Pierre, 1944-","Swensen, Robert (1961)","Fleming, Renée (19590214)","Rozhdestvensky, Sasha (1970)","Leoncavallo, Ruggiero, 1858-1919","Dessì, Daniela (1957-05-14-2016-08-20)","Takemitsu, Tōru (1930-10-08-1996-02-22)","Schuman, William, 1910-1992","Westhoven, Krine, Jr. (1931-03-07-1997-07-30)","Welser-Möst, Franz (19600816)","Corigliano, John (John Paul), 1938-","Hayes, David, 1963-","Gabbiani, Roberto","Columbus, Christopher","Sparfeld, Ethelyn ","Davies, Peter Maxwell, 1934-2016","Orff, Carl, 1895-1982","Dent, Karl","Pletnev, Mikhail, 1957-","Feinburg , Alan","Ran, Shulamit, 1949-","Kisin, Evgeniĭ, 1971-","Schwarz, Gerard, 1947-","Paul, Thomas, 1934-","Kunde, Gregory (1954)","Moosdorf, Otto-Georg","Kalichstein, Joseph (1946-01-15-2022-03-31)","Vaness, Carol (1952-07-27)","Hellekant, Charlotte","Berio, Luciano, 1925-2003","Ohlsson, Garrick (19480403)","Pasternack, Benjamin","Grenke, David","Burenin, V. (Viktor), 1841-1926","Klein, Gideon, 1919-1945","Ullmann, Viktor (18980101-19441018)","Hamilton, Robert G.","Lipovšek, Marjana (1946)","Starker, Janos (1924-07-05-2013-04-28)","Akigishi, Hirohisa, 1962-","Hirokami, Junʼichi, 1958-","Weill, Kurt (Julian Kurt), 1900-1950","Marschik, Peter (1958)","Esposito, Valeria, 1961-","Rossi, Gaetano, 1774-1855","Goerke, Christine","Luxon, Benjamin (19370324)","Royer, Alphonse, 1803-1875","La Selva, Vincent (1929-09-17-2017-10-09)","Walsh, Mary","Vaëz, Gustav (1812-12-06-1862-03-12)","Williams, Janet, 1965-","Larmore, Jennifer (1958-06-21)","Sacchéro, Giacomo","D'Auria, Diego","Futral, Elizabeth","Cross, Gregory (1960)","Voigt, Deborah","Stone, William (1944-03-12)","Humphrey, Jon, (Tenor)","Borland, William, (Baritone)","López-Cobos, Jesús (1940-02-25-2018-03-02)","Schiff, András (19531221)","Bartoli, Cecilia (19660604)","Gergiev, Valeriĭ, 1953-","Herreweghe, Philippe","Maw, Nicholas (John Nicholas) (19351105-20090519)","Mørk, Truls, 1961-","Nordheim, Arne (1931-06-20-2010-06-05)","Simpson, Marietta (1954)","Grossman, Jerry (Jerry Michael) (1950-12-15)","Price, Margaret, 1941-2011","Ouzounian, Michael","Campo, Eduardo del","Milliet, Paul, 1848-1924","Tomšič-Srebotnjak, Dubravka, 1940-","Hampson, Thomas (19550628)","Focile, Nuccia (1959)","Leĭferkus, Sergeĭ (Sergeĭ Petrovich), 1946-","Uhlenhopp, John","Borodina, Olʹga","McNally, Terrence (1939-11-03-2020-03-24)","Krása, Hans, 1899-1944","Hunt Lieberson, Lorraine, 1954-2006","Cooper, Imogen ([1949-08-28,1949-08-29])","Morrell, Gareth, 1956-","Gershwin, George, 1898-1937","Galway, James (1939-12-08)","Liebermann, Lowell (19610222)","Guelfi, Carlo","Solzhenitsyn, Ignat","Terfel, Bryn (19651109)","Josefowicz, Leila, 1977-","Mercadante, Saverio (Giuseppe Saverio Raffaele), 1795-1870","Kremer, Gidon, 1947-","Ganassi, Sonia (1967)","Di Renzi, Richard","Eaglen, Jane (1960-04-04)","Sweet, Sharon","Hadley, Jerry (1952-06-16-2007-07-18)","Miles, Alastair (1961-07-11)","Rogé, Pascal (19510406)","Collard, Jean-Philippe, 1948-","Frank, Pamela (1967-06-20)","Ortner, Erwin, 1947-","Grant Murphy, Heidi (1966)","Cage, John (John Milton) (1912-09-05-1992-08-12)","Labelle, Dominique (1960)","Hart, Mary Ann","Tharp, Steven","Clement, Richard","West, Jayne","Maddalena, James (1954)","Studer, Cheryl (19551024)","Chafin, Robert, 1963-","Dillon, Martin","Chang, Sarah (1980-12-10)","Zacharias, Christian (19500427)","Shaham, Gil, 1971-","Mackenzie, Norman, (Pianist, Conductor)","Bonney, Barbara (1956-04-14)","Otter, Anne Sofie von (1955-05-09)","Sabbatini, Giuseppe","Hughes, Raymond (1952)","Harnoncourt, Nikolaus (1929-12-06-2016-03-05)","Orgonasova, Luba (1961-01-22)","Remmert, Birgit","Mills, Mary (Mary Elizabeth Mills) (1964)","Ragin, Derek Lee","Williams, Bradley (1965)","Schaldenbrand, Christopher","Bär, Olaf, 1957-","Siukola, Heikki","Connell, Elizabeth","Argento, Dominick (1927-10-27-2019-02-20)","Oue, Eiji (1956-10-03)","Bingxu, Hu","Song, Fei, 1969-","Wu, Yuxia","Gunn, Nathan","Upshaw, Dawn (19600717)","Margison, Richard, 1953-","Ansell, Steven","Chausow , Robert","Fricker, Daniel","Reiser, Niki","Bollag, Josef","Clift, Karen","Zimerman, Krystian (1956-12)","Gatti, Daniele, 1961-","Stutzmann, Nathalie (1965)","Schäfer, Christine, 1965-","Siegel, Jeffrey","Haza, Luis","Tetzlaff, Christian, 1966-","Martin, Douglas, (Musician)","Kasarova, Vesselina (19650718)","Bell, Joshua, 1967-","Grieg, Edvard, 1843-1907","Rimsky-Korsakov, Nikolay, 1844-1908","Berg, Nathan, 1972-","Flanigan, Lauren","Poretsky, Susana","Ward, Perry","Ikaia-Purdy, Keith","Simpson, Gary (Robert Gary), 1959-","Ligeti, György, 1923-2006","Vengerov, Maksim (1974-08-20)","Panula, Jorma (1930-08-10)","Ziesak, Ruth (1963)","Salerno-Sonnenberg, Nadja (1961-01-10)","Hough, Stephen, 1961-","Wigglesworth, Mark, 1964-","Ziegler, Delores","Holzmair, Wolfgang, 1952-","Ainsley, John Mark (19630709)","Meoni, Giovanni","Amiliato, Fabio","Tan, Dun, 1957-","Sviridov, Georgiĭ, 1915-1998","Gilad, Jonathan","Larsson, Anna, (Contralto) (1966-09-10)","Grossmann, Agnes, (Choral conductor)","Isaac, Heinrich, approximately 1450-1517","Delfs, Andreas","Babbitt, Milton","Banse, Juliane, 1965-","Järvi, Paavo, 1962-","Ledbetter, Victor","Brewer, Christine, 1960-","Silja, Anja (19400417)","Forbis, Clifton","Alexander, Roberta (1949-03-03)","Mutter, Anne-Sophie, 1963-","Scribner, Norman (Norman Orville) (19360225-20150322)","Costanzo, Anthony Roth","Bostridge, Ian (1964)","Brown, Timothy, (Horn player)","Morales, Ricardo, (Clarinetist) (1972)","Marchini, Italo (1953)","Relyea, John","Swenson, Ruth Ann (1959-08-25)","Smith, Hugh, (Tenor)","Putilin, Nikolaĭ (Nikolaĭ Georgievich), 1954-","Thomas, Indra","Blythe, Stephanie (1970)","Bernstein, Richard, (Bass-baritone) (1966-07-30)","Brubeck, Dave (1920-12-06-2012-12-05)","Moody, James, 1925-2010","Brubeck, Chris (19520319)","Krall, Diana (Diana Jean) (1964-11-16)","Redman, Joshua (1969-02-01)","Vonk, Hans","Maultsby, Nancy","Peterson, Dean","Thibaudet, Jean-Yves, 1961-","Ponchielli, Amilcare, 1834-1886","Valayre, Sylvie (19641010)","Day, Kathryn","Robertson, David, 1958-","Znaider, Nikolaj, 1975-","Freire, Nelson (1944-10-18-2021-11-01)","Phelps, Cynthia","Young, Rebecca, (Violist)","Gubaidulina, Sofia, 1931-","Esperian, Kallen","Gazale, Alberto","Welch-Babidge, Jennifer","Knussen, Oliver (Stuart Oliver) (1952-06-12-2018-07-08)","Lundy, Nancy Allen","Olsen, Stanford","Oswald, Mark","Chen, Robert","Guleghina, Maria (1959-08-09)","Pons, Juan (19460808)","Urmana, Violeta (1959/1961)","Kowalijow, Vitalij","Young, Thomas, 1962-","Takezawa, Kyoko, 1966-","Siff, Ira (1946-02-15)","Stoyanova, Krassimira","Makarina, Olga","Giordani, Marcello (1963-01-25-2019-10-05)","Polenzani, Matthew (1968)","Sharp, William, (Baritone) (19510601)","Metallo, Vincent","Lafontaine, Timothy ","Grant, Jason, 1970-","Barr, Frank","Wilson-Johnson, David (1950-11-16)","Watson, Janice, 1964-","Lang, Petra (1962-11-29)","Gruber, H. K. (Heinz Karl) (19430103)","Tanguy, Eric (19680127)","Williams, John (John Towner), 1932-","Davidson, David r.  (1948-2009)","Liao, Changyong, 1968-","Rouse, Christopher (Christopher Chapman), 1949-2019","Hersch, Michael, 1971-","Pape, René (1964-09-04)","Bolcom, William (William Elden) (1938-05-26)","Schmidt, Frank Willi, 1967-","Chang, Han-Na (19821223)","Bashmet, I︠U︡riĭ (I︠U︡riĭ Abramovich) (1953)","Shen, Hsueh-Yung, 1952-","Parloff, Michael","Zuber, Gregory","Takova, Darina","Shtoda, Daniil (Daniil Aleksandrovich) (19770213)","Chaignaud, Jean-Luc","Fischer, Iván (1951-01-20)","DiDonato, Joyce (1970)","George, Vance","Ullmann, Marcus","Gauvin, Karina (1966~)","Schreier, Peter (Peter Max) (1935-07-29-2019-12-25)","Rucker, Mark, (Singer)","Licitra, Salvatore, 1968-2011","Figueroa, Rafael, 1961-","Chan, David, (Violinist)","Eanet, Nick","Strauss, Josef, 1827-1870","Blaze, Robin (19710111)","Kooy, Peter (1954-09-17)","Türk, Gerd","Suzuki, Masaaki, 1954-","Nonoshita, Yukari","Ramey, Samuel (1942-03-28)","Gao, Ding","van Kley, Susan","Zerbe, Monica","Fischer, Julia, 1983-","Graham, Susan, 1960-","Zeffiri, Mario","Baptista, Cyro (1950-12-23)","Stott, Kathryn (Kathryn Linda) (1958-12-10)","D'Rivera, Paquito, 1948-","Matta, Nilson","Suadin, I Nyoman","Whitman, Thomas, 1960-","Laurendeau, Jean","Anderson, Valdine","Acevedo, Carmen","Figueroa, Guillermo, 1953-","Pérez, Jossie","Martínez, Ana María, 1968-","Chandler-Eteme, Janice","Jones, Ann Elizabeth Howard","Moore-Brown, Marilyn","Chama, José Eduardo","Potenza, Rossana","Casanova, Francisco, (Tenor)","Aimard, Pierre-Laurent, 1957-","Boreĭko, Andreĭ, 1957-","Crider, Michèle (1963)","Kitic, Milena","Golesorkhi, Anooshah","Spano, Robert (Robert V.) (1961-05-07)","Polegato, Brett (19680509)","Douvas, Elaine","Szkafarowsky, Stefan ","Tiboris, Peter","Terentʹeva, Nina","Brown, Angela M. (Angela Marie), 1963-","Edwards, Iwan, 1937-2022","Murzaev, Sergeĭ","Gubskiĭ, Mikhail","Pavlovskai︠a︡, Tatʹi︠a︡na","Repin, Vadim (1971-08-31)","Grimaud, Hélène, 1969-","Pintscher, Matthias (1971-01-29)","Montalvo, Marisol","Robbins, Julien (1950-11-14)","Taylor, James, 1966-","Rilling, Helmuth (19330529)","Petersen, Marlis (1968-02-03)","Birtwistle, Harrison (1934-07-15-2022-04-18)","Lortie, Louis, 1959-","Lachenmann, Helmut (1935-11-27)","Courtney, James, 1946-","Wong, Deborah","Kraevsky, Natalya","Kavakos, Leonidas (1967)","Giordano, Massimo (1971-02-19)","Gutiérrez, Eglise","Chung, Myung-Whun, 1953-","Delavan, Mark","Bartolini, Lando","Easton, Richard, 1933-2019","Rees, Roger, 1944-2015","Margiono, Charlotte","Studebaker, Thomas, 1970-","Sousa, Vasco","Guerreiro, Luis","Neto, António","Ruela, João Pedro","Mariza (19731216)","N'Dour, Youssou (19591001)","Salama, Fathy","Dehn, Ellie","Johnson, Heather, (Mezzo-soprano) ([1971,1972])","Chingari, Marco","Lieberson, Peter, 1946-2011","Röschmann, Dorothea (1967-06-17)","Bravo, Fabiana (1969)","Baransky, Pavel","Sunnegårdh, Erika","Lang, Lang, (Pianist)","Korchak, Dmitriĭ (Dmitriĭ Mikhaĭlovich), 1979-","Fabiano, Michael (19840508)","Saxton, Shirley Johnson","Maillard, Carol","Casel, Nitanju Bolade","Barnwell, Ysaye M.","Kisfauldy, Ors","Dohmen, Albert","Zeller, Richard","Hite, William","Pannill, Judith","Angel, Ryland","Wuorinen, Charles","Tritle, Kent (1960-09-26)","Donose, Ruxandra, 1964-","McPherson, Robert, (Tenor)","Ford, Bruce (1956-08-15)","Cornetti, Marianne","Moore, Latonia (1979)","Filianoti, Giuseppe, 1974-","Li, Yundi (1982-10-07)","Adès, Thomas (Thomas Joseph Edmund) (1971-03-01)","Piazzolla, Astor (1921-03-11-1992-07-05)","Korngold, Erich Wolfgang, 1897-1957","Magalhaes, Amadeu","Lucas, Filipe","Zaccaria, Davide","Pontes, Dulce (Dulce José) (1969-04-08)","Feiteira, Paulo","Stockhausen, Karlheinz, 1928-2007","DeYoung, Michelle (1968)","Miller, Joe, 1965-","Malvar-Ruiz, Fernando (1968-07-11)","Kissinger, Henry, 1923-","Eugenides, Jeffrey (Jeffrey Kent) (1960-03-08)","Henckel von Donnersmarck, Florian, 1973-","Schlöndorff, Volker (1939-03-31)","Mehretu, Julie, 1970-","Dudamel, Gustavo (19810126)","Quasthoff, Thomas (1959-11-09)","Lindberg, Magnus (Magnus Gustaf Adolf), 1958-","Milliken, Catherine","Maldoom, Royston","Fink, Bernarda (1959)","Brandes, Christine","Soboleva, Irina","Petrenko, Pavel","Petrenko, Andrei","Duparc, Henri, 1848-1933","Ketting, Otto, 1935-2012","Furlanetto, Ferruccio (1949-05-16)","Jessop, Craig D.","Johnson-Huff, Ann","Drafall, Robert W.","Teraoka-Brady, Carolyn","Bernhardt, Valerie","Snyder, Dan","Dominick, John, III","Ciavaglia, Michael A. ","Manucharyan, Yeghishe","Harler, Alan (1940-04-10)","Vasta, Stephen (Steve) Francis","Kirschner, Ann J.","Lowry, Robert, 1826-1899","Glaser, Pamela","Covo, Bettina, 1956-","Biss, Jonathan (1980-09-18)","Stomsvik, Diana","Kachanov, Nikolai","Galuzine, Vladimir","Daurov, Adrian","Schönberg, Claude-Michel (19440506)","McBroom, Amanda (1947-08-09)","Wallace, Randall, 1949-","Simon, Carly (19450625)","Mcferrin, David","Ein-Habar, Eyal","Anger, Ain","Vargas, Ramon, 1960-","Callegari, Daniele","Pieczonka, Adrianne, 1963-","Stringer, Howard, 1942-","Mares, Luca","Cabrino, Guiseppe","Vincenzo, Alessandra Di","Galligioni, Francesco","Sbrogiò, Alessandro","Ökrös, Oszkár, 1957-","Lendvay, József, 1974-","Lendvay, József","Gritton, Susan (19650831)","Romey, Kathy Saltzman","Nolen, Laura Vlasak","Di Giacomo, Julianna, 1975-","Kožená, Magdalena (1973)","Owens, Eric, 1970-","Friedrich, Eberhard (1958)","Hummel, Johann Nepomuk, 1778-1837","Daniels, David, 1966-","Joshua, Rosemary (1964-10-16)","Labadie, Bernard, 1963-","Damrau, Diana (1971-05-31)","Grove, Jill","Vänskä, Osmo, 1953-","Niemelä, Hannu, 1954-","Hyökki, Matti, 1946-","Nisula, Päivi","Karnéus, Katarina","Claycomb, Laura (1968-08-23)","Anton̦enko, Aleksandrs, 1975-","Frühbeck de Burgos, Rafael (19330915-20140611)","Fernández, Igor Ijurra","Berkun Menaker, Dianne","Kalagina, Anastasia","Alagna, Roberto","Veronesi, Alberto (1967)","Mascagni, Pietro, 1863-1945","Alsop, Marin (1956-10-16)","Thomas, Vaneese","De Haas, Darius","Stifelman, Leslie","Lewis-Evans, Kecia","Goerne, Matthias, 1967-","Griffey, Anthony Dean, 1967-","Vallet, Pierre, (Conductor)","O'Neill, Simon, 1971-","Hahn, Hilary","Mena, Juanjo, 1965-","Higdon, Jennifer, 1962-","Batiashvili, Lisa, 1979-","Taigi, Chiara","Nelsons, Andris (1978-11-18)","Van der Linde, Clint, 1976-","Nicholls, Rachel, (Soprano)","Blažíková, Hana (19801202)","Wolfe, Duain","Lee, Josephine, 1975-","Martineau, Malcolm (19600203)","Schade, Michael (1965-01-23)","Schwartz, Sylvia, 1982-","Gabrieli, Giovanni, approximately 1554-1612","Nagano, Kent (Kent George), 1951-","Dessay, Natalie, 1965-","Trifonov, Daniil (Daniil Olegovich), 1991-","Clark, Katerina","Amar, Tarik Youssef Cyril, 1969-","Wortman, Richard (19380324)","Matthewman, Gary","Bondarenko, Andriĭ (Andriĭ Volodymyrovych), 1987-","Luisi, Fabio (1959-01-17)","Harbison, John (John Harris) (1938-12-20)","Rice, Christine","Goode, Richard (1943-06-01)","Bicket, Harry (1960)","Purcell, Henry, 1659-1695","Biber, Heinrich Ignaz Franz, 1644-1704","Bennett, Mark, (Trumpeter)","Scholl, Andreas (19671110)","Kaufmann, Jonas (1969-07-10)","Gheorghiu, Angela (1965-09-07)","Barnum, Donald","Walker, Danielle","Lully, Jean-Baptiste, 1632-1687","Fasch, Johann Friedrich, 1688-1758","Lamon, Jeanne (1949-08-14-2021-06-20)","Robinson, James","Falby, Doreen","Polochick, Edward","Conway, Eric, Dr.","Bagwell, James","Ketelson, Kyle (1971)","Morris, James (1947-01-10)","Cutler, Eric","Rebeka, Marina, 1980-","Jurowski, Vladimir, 1972-","Bellemer, John G.","Johnson, Anita, (Vocalist)","Cooke, Sasha","Phan, Nicholas (1979-01-03)","Phillips, Susanna, 1981-","Yamadate, Fuyuki","Singer, Gregory","Kimura, Mineko","Matsubara, Yuko","John, Emily","Chase, Constance","Biondi, Fabio (1961-03-15)","Locatelli, Pietro Antonio, 1695-1764","Nardini, Pietro, 1722-1793","Genaux, Vivica (1969-07-10)","Heras-Casado, Pablo (1977-11-21)","Denk, Jeremy (1970-05-16)","Norrington, Roger (1934-03-16)","Pluhar, Christina (1965)","Andueza, Raquel","Galeazzi, Lucilla (19501224)","Merula, Tarquinio, -1665","Davies, Neal (1965)","Guillon, Damien (1981)","O'Connor, Kelley","Wilson, Harold","Baetge, Noah","Shapiro, Mark","Sandel-Pantaleo, Leann","Rowley, Jennifer, (Soprano)","Sorenson, Garrett","Schasching, Rudolf","Henschel, Jane, 1950-","Stemme, Nina (1966)","Giovannini, Antonio, 1980-","Feola, Rosa","Respighi, Ottorino, 1879-1936","Martucci, Giuseppe, 1856-1909","Măcelaru, Cristian, 1980-","Solti, Valerie","Quantz, Johann Joachim, 1697-1773","Frederick, King of Prussia, II, 1712-1786","Pahud, Emmanuel, 1970-","Meister , Elisabeth","Rose, Matthew, (Bass)","Spyres, Michael","Gardiner, John Eliot (19430420)","Johnston, Jennifer","Barton, Jamie ([1981, 1982])","Meade, Angela","Pallesen, Nicholas","Caldarella, Juan","Scarpino, Alejandro, 1904-1970","Castro, Giancarlo, 1980-","Clamor, Thomas","Chávez, Carlos (Chávez Ramírez), 1899-1978","Orbón, Julián, 1925-1991","Revueltas, Silvestre (José Silvestre Revueltas Sánchez), 1899-1940","Colon, Gaspar","Alvarez, Idwer","Benzecry, Esteban (19700413)","Lindsey, Kate","Marcon, Andrea (1963)","Fusek, Anna","Favaro, Michele","Genini, Giulia","Bovo, Daniele","Bardon, Patricia (1964)","Rae, Brenda","Pisaroni, Luca, 1975-","Lippert, Herbert, 1957-","Suppé, Franz von, 1819-1895","Widmann, Jörg (1973-06-19)","Jackson, Christopher (Christopher O.), 1960-2007","Palestrina, Giovanni Pierluigi da, 1525?-1594","Démettre, Claire-Lise, 1986-","Paugam, Laurence","Pernoo, Jérôme (1972)","Cangemi, Veronica (19641010)","Spinosi, Jean-Christophe, 1964-","Botstein, Leon (1946-12-14)","Wilson, Tamara, (Soprano)","Wittmoser, Carsten","Icochea, Andy Icochea","Thielemann, Christian, 1959-","Yang, Jonathan Jun","Lee, Kate Xintong","Baldwin, Alec, 1958-","Mat︠s︡uev, Denis, 1975-","Oesterle, Michelle","Chacón-Cruz, Arturo, 1977-","Borchev, Nikolay","Watson, Katherine, (Soprano)","Ibragimova, Alina (Alina Rinatovna), 1985-","Cohen, Jonathan (Jonathan Frank)","Hirai, Hideaki","Cerutti, Joe","Tsuji, Hideyuki ","Lunghi, Francesca","Satake, Naomi","Stucky, Steven (Steven Edward) (1949-11-07-2016-02-14)","Boulianne, Julie, (Mezzo-soprano)","Savall, Jordi (19410801)","Egarr, Richard, 1963-","Phillips, Peter, 1953-","Blachly, Alexander (1944-11-13)","Mattila, Karita","Dobracheva, Ėvelina","Hanson, Howard, 1896-1981","Christie, Michael, 1974-","Mickelthwate, Alexander","Pershall, David","Costello, Stephen, 1981-","Chauvet, Géraldine","Haas, Georg Friedrich (1953-08-16)","Lučić, Željko, 1968-","Tang, Muhai, 1949-","Coote, Alice (19680510)","Devin, Anna","Christy, Anna","Nézet-Séguin, Yannick, 1975-","Connolly, Sarah (Sarah Patricia) (19630613)","Zobel, David","Kaiser, Joseph (1977-10-14)","DeShong, Elizabeth","Guthrie, Arlo (Arlo Davy) (1947-07-10-)","Fenoglio, Claudio","Osborn, John, (Tenor) (1972-05-16)","Salsi, Luca, 1975-","Noseda, Gianandrea (1964)","Fang, Ying","Arbo, Rani","Diawara, Fatoumata (1982)","Aurelio","Olatuja, Alicia","Bakhtouridze, Mzia","Abdrazakov, Ilʹdar, 1976-","Skorokhodov, Sergeĭ, 1974-","Kolosova, Alisa, 1987-","Netrebko, Anna (Anna I︠U︡rʹevna) (1971-09-18)","Andsnes, Leif Ove, 1970-","Gerhaher, Christian (1969-07-24)","Brownlee, Lawrence (1972-11-24)","Cabell, Nicole (1977-10-17)","Benini, Maurizio","Schuller, Gunther (Gunther Alexander) (1925-11-22-2015-06-21)","Byrd, William, 1539 or 1540-1623","Ichise, Reiko","Tunnicliffe, Richard","Morikawa, Asako","Boothby, Richard, 1955-","Weckmann, Matthias, 1616?-1674","Bezuidenhout, Kristian (1979)","Barkmin, Gun-Brit","Serdi︠u︡k, Nadezhda (1975)","Matochkina, Yulia","Ganbaatar, Aruinbaatar","Masleev, Dmitry, 1988-","Ionițǎ, Andrei, 1994-","Michalek, David","Karlowicz, Mieczyslaw (1876-1909)","Beczala, Piotr (1968)","Lunn, Joanne ([1973,1975])","Ivashchenko, Dimitry","Vogel, Eva","Dasch, Annette, 1976-","Griffith, Jonathan","Shumate, Penelope ","Chapa, Claudia","McVeigh, John","Rutenberg, Craig","Scarlatti, Domenico, 1685-1757","Vinikour, Jory, 1963-","Bull, John, -1628.","Bradley, Michelle","Gaertner, Michael ","Morlot, Ludovic, 1973-","Covington, Conner Gray, 1987-","Venner, Matthew","Dobell, Mark","Smith, Angus","Greig, Donald","Melton, Heidi","McGegan, Nicholas","Link, Joel","Lee, Bryan","Pajaro-van de Stadt, Milena","Shaw, Camden","Noda, Ken","Rivera, Jessica, (Soprano)","Ford, Nmon","Gere, Richard (Richard Tiffany), 1949-","Baruch, Wayne","Gayton, Charles","Vinke, Stefan","Ganenko, Tatiana","Drury, Patricia","Pakaluk, Michael S.","Clarke, Colin R.","Gibbs, Deborah Lee","Millar, Cynthia, (Ondes Martenot player)","Friman, Anna Maria","Fuglseth, Linn Andrea","Opheim, Berit, 1967-","Fisch, Asher (1965)","Karloski, Helen","Richardson, Alex, (Tenor)","Cutlip, Philip","Dantone, Ottavio","Mullova, Viktorii︠a︡, 1959-","Beilman, Benjamin","Emelʹi︠a︡nychev, Maksim, 1988-","Palazzo, Manuel","Camarena, Javier (1976~)","Witt, Gregor, 1968-","Glander, Matthias","Baier, Mathias, 1982-","Vlatković, Radovan (1962)","Brandl, Wolfram","Deyneka, Yulia (1982)","Tokcan, Yurdal, 1966-","Psonis, Dimitris","Güngör, Hakan, 1973-","Sarikouyoumdjian, Haïg","Greenleaf, Jolle","Mealy, Robert","Andrijeski, Julie","Sperling, Ted","Dŭrvarova, Elmira (1954)","Mathew, George, (Conductor)","Baráth, Emőke, 1985-","Bridelli, Giuseppina, 1986-","Karthäuser, Sophie (1975)","Boesch, Florian","García Alarcón, Leonardo (1976)","Lexa, Olivier","Alessandrini, Rinaldo (1960)","Buchbinder, Rudolf, 1946-","Skride, Baiba","Krijgh, Harriet, 1991-","Moser, Elsbeth","Mehta, Bejun ([1968-06-29,1969])","Willer, Beth","Luganskiĭ, Nikolaĭ (Nikolaĭ Lʹvovich), 1972-","Padmore, Mark (Mark Joseph) (19610308)","Forck, Bernhard","Grey, Mark, 1967-","Wyers, Giselle","Lynch, Shane","Boers, Geoffrey (Geoffrey Paul)","Hatteberg, Kent Eugene","Kühmeier, Genia","Scheen, Céline (1976)","Capezzuto, Vincenzo","Pappano, Antonio, 1959-","Hannigan, Barbara (1971)","Jia, Lü, 1964-","Zhang, Haochen, 1990-","Chest, John","Check, Jennifer","Fujimura, Mihoko","Sierra, Nadine, 1988-","Luisotti, Nicola (19611126)","Jansen, Janine  (1978)","Stein, Avi","Zhu, Beiliang, 1985-","Weaver, Charles","Deutsch, Helmut (1945-12-24)","Schultz, Golda","Wong, Lisa, 1969-","Van Horn, Christian (1978)","Schmitt, Maximilian","Davies, Iestyn (1979-09-16)","Harvey, Joélle","Petrenko, Kirill (1972)","Müller-Schott, Daniel, 1976-","Brower, Angela","Müller, Hanna-Elisabeth, 1985-","Eckhoff, Sören","Jones, Simon (1950-07-27)","Kenny, Elizabeth","Jones, Robert, active 1597-1615","Dowland, John, 1563?-1626","Nylund, Camilla (1968-06-11)","Rees, Andrew, (Tenor)","Dirvanauskaitė, Giedrė","Watkins, Paul, 1970-","Dutton, Lawrence (1954-05-09)","Setzer, Philip, 1951-","Drucker, Eugene, 1952-","Faust, Isabelle, 1972-","Giguère, Pascale","Rachvelishvili, Anita, 1984-","Gražinytė-Tyla, Mirga, 1986-","Ehnes, James, 1976-","Ruggles, Carl, 1876-1971","Yende, Pretty, 1985-","Lehár, Franz, 1870-1948","Tauber, Richard, 1891-1948","Kálmán, Emmerich, 1882-1953","Rieder, Jochen (1970)","Tamestit, Antoine, 1979-","Richardot, Lucile","Armiliato, Marco","Vasilek, Lukáš, 1980-","Kulman, Elisabeth (19730628)","Karg, Christiane (1980)","Saïtkoulov, Roustem","Manasherov, Miriam","Soltani, Kian (1992)","Flórez, Juan Diego, 1973-","Scalera, Vincent","Conti, Francesco, 1681 or 1682-1732","Cano, Jennifer Johnson","Hantaï, Pierre, 1964-","Beyer, Amandine","Orliński, Jakub Józef, 1990-","Nosky, Aisslinn","Woods, Alexander, (Violinist)","Miller, Kyle, 1986-","Seltzer, Ezra","Zebley, Charles","Lislevand, Rolf (1961)","Pierlot, Philippe, 1958-","Kraemer, Manfred (1960-10-27)","Engle, Marie","Fischer, Ádám, 1949-","Levit, Igor, 1987-","Rondeau, Jean, 1991-","Muhly, Nico (1981-08-26)","Lisiecki, Jan, 1995-","Wang, Yuja (19870210)","Capuçon, Gautier (1981)","Tynan, Ailish","Fox, Steven, 1978-","Brook, Matthew","Tritschler, Robin","Teuscher, Lydia, 1975-","Buxtehude, Dietrich, 1637-1707","Tsuji, Nobuyuki (1988-09-13)","Satie, Erik, 1866-1925","Marais, Marin, 1656-1728","Visée, Robert de","Dunford, Thomas, 1988-","Maclary, Edward","Grimaldi, Erika, 1980-","Amarù, Chiara, 1984-","Angelini, Michele (1982)","Leonard, Isabel","Schachtner, Benno, 1984-","Garanča, Elīna, 1976-","Stadlen, Sam","Levine, Joanna","Ashton, Emily","Abduraimov, Behzod (1990-09-11)","Blue, Angel (Angel Joy), 1984-","Gaffigan, James, 1979-","Oropesa, Lisette","Petrenko, Vasiliĭ (Vasiliĭ Ėduardovich), 1976-","d'Alessio, Giulio","Scheid, Edson","Rossi, Stefano, (Violinist)","Minasi, Ludovico, 1984-","Tosti, F. Paolo (Francesco Paolo), 1846-1916","Baillieu, James","Nilsson, Lars David, 1966-","Mattei, Peter, 1965-","Foster, Tom","Zachow, Friedrich Wilhelm, 1663-1712","Froberger, Johann Jacob, 1616-1667","Mattheson, Johann, 1681-1764","Kim, Stephen","Mackey, Steven, 1956-","Zanocco, Gianpiero","Torri, Pietro, approximately 1650-1737","Hallenberg, Ann","Hailstork, Adolphus C. (Adolphus Cunningham) (1941-04-17)","Marsalis, Branford (Branford Iweanya) (1960-08-26)","Mälkki, Susanna (1969-03-13)","Dinnerstein, Simone (Simone Andréa) (19720918)","Thurman, Uma (1970-04-29)","Aucoin, Matthew, 1990-","Coleman, Valerie, 1970-","Wilkins, Thomas, (Conductor)","Fullana, Francisco","Sorrell, Jeannette","Uccellini, Marco, approximately 1603-1680","Zetlan, Jennifer","Petrie, Heather","Holcomb, Bernard, 1983-","Lagasca, Enrio","Christophers, Harry (1953)","Filsell, Jeremy (Jeremy Daniell) (1964-04-10)","Sly, Philippe","Prégardien, Julian, 1984-","Cargill, Karen","Quist, Amanda","Dixon, Rodrick (1966-06-22)","Ustvolʹskai︠a︡, Galina Ivanovna, 1919-2006","Corrette, Michel, 1707-1795","Telemann, Georg Philipp, 1681-1767","Bihan, Marie Lambert-Le","Mobley, Reginald","Hadelich, Augustin (1984)","Zweden, Jaap van (19601212)","Bell, Isaiah","Austin, Justin","Bradford, Lucia","Kyslytsya, Sergiy","Fortner, Sullivan (Sullivan Joseph) (1986-12-29)","Feinstein, Michael (Michael Jay) (1956-09-07)","Smith, Robert F. (Robert Frederick), 1962-","Walker, George (George Theophilus), 1922-2018","Bach, Carl Philipp Emanuel, 1714-1788","Isserlis, Steven, 1958-","Pachelbel, Johann, 1653-1706","Jovanovich, Brandon","Frank, Gabriela Lena (1972)","Dueñas, María","Meyers, Anne Akiko, 1970-","Márquez, Arturo, 1950-","Schumann, Clara, 1819-1896","Price, Florence (Florence Beatrice), 1887-1953","Rana, Beatrice, 1993-","Norman, Andrew, 1979-","Bendix-Balgley, Noah, 1984-","Key, Frances Scott (1779-1843)","Shani, Lahav, 1989-","Imber, Naphtali Herz, 1856-1909","Xi, Wang, 1978-","Freedman, Daryl","Schoonhoven, Kyle van","McIntyre, Jana","Parrish, Joseph","Hunt, Sophia","Woolsey, Midge","Buialski, Vladyslav","Shrut, Arlene","Chase, Claire (Claire Rose), 1978-","Vustin, Aleksandr, 1943-2020","Silvestrov, Valentyn (1937)","Savino, Richard","Ellis, Jennifer, (Soprano)","Snaidas, Nell","LaMotte, Adam","Kuchar, Theodore (1960)","Khristenko, Stanislav, 1984-","Stankovych, I︠E︡. (I︠E︡vhen), 1942-","Villalon, Elena","Persson, Miah (1969-05-27)","De Bique, Jeanine","Manna, Gennaro, 1715-1779","Alston, Charlotte Blake","Zhang, Meigui","Nally, Donald, 1960-","Adams, John Luther, 1953-","Thompson, Sumner","Langlois de Swarte, Théotime","Christie, William (William Lincoln) (1944-12-19)","Senaillé, Jean Baptiste, approximately 1688-1730","Leclair, Jean-Marie, 1697-1764","Charpentier, Marc-Antoine, 1643-1704","Bach, Johann Sebastian","Sodergren, Mikki","Donato, Emily","Giebler, Brian L. (Brian Louis), 1986-","Palumbo, Donald","Kelsey, Quinn","Ernesto Pena Laguna, Luis (1983)","Cutting, Hugh","Sousa, Dinis","Cronin, Hilary","Denbee, Sarah","Horak-Hallett, Bethany","Clarke, Samantha","Ponsford-Hill, Ali","Lombardi, Federica","Desandre, Lea, 1993-","Monteverdi, Claudio (Claudio Giovanni Antonio), 1567-1643","Kapsperger, Giovanni Girolamo, 1580-1651","Karadaglić, Miloš, 1983-","Marcello, Alessandro Ignazio (1673-1747)","Boccherini, Luigi, 1743-1805","Haji, Andrew","Hopkins, Joshua, 1978-","Amereau, Avery","Snouffer, Lauren (1988-03-30)","Crowe, Lucy","Cohen, Aryeh Nussbaum","Massey, Clifton","Wilson, Steve (Steven Caldicott)","Lemper, Ute, 1963-","Norin-Kuehn, Deborah","Sousa, John Philip","Kaplan, Allan R., 1948-","Maltby, Richard (Richard Eldridge), 1914-1991","Grundman, Clare (Clare Ewing), 1913-1996","Naldi, Ronald","Babbitt, Beth","Meyer, Marlene","Dymit, Thomas","Diana, William","Portnoy, Donald","Wyatt, Larry","Christie, Laury","Kim, David, (Violinist) (1963)","McGarrity, Evelyn","Furumoto, Kimo","Else, Peter","Markin, Tracey","Blank, Johanne ","Thomas, Elmer","Borodin, Aleksandr Porfirʹevich, 1833-1887","Fagen, Arthur (1951)","Doo-Wan, Kim","Loveless, Wendell P.","Paredes, Marcos","Dowell, Anthony","Kirkland, Gelsey","Baryshnikov, Mikhail, 1948-","Tudor, Antony, 1908-1987","Tcherkassky, Marianna","Schafer, Richard William","Harvey, Cynthia, 1957-","Martínez, Enrique, 1926-1998","Minz, Alexander","Makarova, Natalia, 1940-","Barbee, Victor","Robbins, Jerome (Jerome Wilson) (1918-10-11-1998-07-29)","Loring, Eugene, 1911-1982","Ivanov, Lev (Lev Ivanovich), 1834-1901","Gregory, Cynthia","Bujones, Fernando, 1955-2005","Petipa, Marius, 1818-1910","Stevenson, Ben, 1937-","Lanchbery, John (1923-05-15-[2003-02-26,2003-02-27])","Balanchine, George (1904-01-22-1983-04-30)","Tetley, Glen","De Mille, Agnes (1905-09-18-1993-10-06)","Ashton, Frederick, 1904-1988","Messac, Magali","Spizzo, Christine","Khalfouni, Dominique","Barker, Alan, (Conductor) (William Alan) (1938-02-05)","Houlton, Lise","Petit, Roland, 1924-2011","Anastos, Peter (19480223)","MacMillan, Kenneth (1932-07-02-1989-01-08)","Browne, Leslie","La Fosse, Robert","Jaffe, Susan, 1962-","Van Hamel, Martine, 1945-","Fonseca, Peter","Yeager, Cheryl","McFall, John J.","Cunningham, Merce (1919-04-16-2009-07-26)","von Lovenskjold, Hermann","Bournonville, August","Fokine, Michel","Eglevsky, Andre","Tharp, Twyla","Saint-Leon, Arthur","Armitage, Karole","Vainonen, Vasily","Minkus, Ludwig (1826-1917)","Gorsky, Alexander","Tippet, Clark","Kern, Jerome","Riley, Terry","Hyman, Dick","Sinatra, Frank","Morris, Mark","Massine, Leonide","Dove, Ulysses","Goleizovsky, Kasyan","Smuin, Michael","Kylian, Jiri","Lander, Harald","Blair, David","McKenzie, Kevin","Wasserstein, Wendy","Lubovitch, Lar","Styne, Jule","Coralli, Jean","Perrot, Jules","Kudelka, James","Hunsberger, Donald","Rebel, Jean-Fery","Wolfram, WIlliam","Everly, Jack","Holmes, Anna-Marie","Adam, Adolphe","Pugni, Cesare","Ratmansky, Alexei Osipovich (1968)","Nijinska, Bronislava","De Valois, Ninette","Gomes, Marcelo","Bond, Gemma","Béjart, Maurice","Roudenko, Vladimir","Spacagna, Maria (1951)","Lloyd, David  (1920-2013)","Kraft, Jean (1927-2021)","Campori, Angelo (1934-2013)","McCray, James (1938-2018)","Gilmore, John (1950-1994)","Rosenbaum, Harold (1950)","Gottlieb, Gordon (1948)","Schnittke, Alfred (1934-1998)","Rutter, John Milford, Sir (1945)","Velis, Andrea (1932-1994)","Ellington, Duke (1899-1974)","Elias, Rosalind ([1929-03-13,1930-03-13]-2020-05-03)","Booth, Philip (1942)","Sidlin, Murry (1940)","Mccorvey, Everett (1957)","Boyd, Liona","Lightfoot, Gordon (Gordon Meredith) (1938-11-17-2023-05-01)","Arnold Steinhardt","John Dalley","David Soyer","Treger, Charles, 1935-","Laurence Lesser","Theo Adam","Bella Davidovich","Joan Savage","Mary Law","Anatoly Bazhalkin","Nikolai Maiboroda","Anatoli Zaitchenko","Nikolai Nizienko","Michelangelo Veltri","Vladimir Ovchinikov","Katarina Dalayman","Janet Westrick","Felicity Lott","Anthony Piccolo","Jean-Philippe Rameau","Nai-Yuan Hu","Valery Polyansky","Vladimir Spivakov","Edward Downes","Gounod, Charles, 1818-1893","Jan Dismas Zelenka","Bohuslav Martinů","Vladimir Fedoseyev","Patrick Gardner","Theo Verbey","Lise de la Salle","Manfred Honeck","Matthew Truscott","Paul Lewis","Edward Gardner","James Ehnes","Wadsworth, Charles (Charles William) (1929-05-21)","Sargon, Merja","Yajima, Hiroko","Pears, Peter, 1910-1986","Beach, Amy, 1867-1944","Berkeley, Lennox (Lennox Randall Francis), 1903-1989","Browning, John, 1933-2003","De Peyer, Gervase, 1926-2017","Arner, Leonard","Fournier, Pierre, 1906-1986","Schippers, Thomas (19300309-19771216)","Fortunato, D'Anna (1945-02-21)","Mendenhall, Judy","Angeles, Victoria de los (19231101-20050114)","Sylar, Sherry","Schub, André-Michel (1952-12-26)","Jolley, David (19481220)","Kavafian, Ani (1948-05-10)","Bolet, Jorge (19141115-19901016)","Pollak,  Carolyn","Buswell, James, 1946-","Bae, Ik-Hwan, 1956-2014","Luvisi, Lee, 1937-","Routch, Robert (1948-08-12)","Siebert, Renée","Brehm, Alvin (1925-02-08-2014-11-22)","Carroll, Edward, 1953-","Fujiwara, Hamao","Trampler, Walter (19150825-19970927)","Bourgue, Maurice (1939-11-06)","Ellis, Osian (Osian Gwynn) (1928-02-08-2021-01-06)","Rosen, Nathaniel","Wincenc, Carol (Carol S.) (19490629)","Reed, Bruce","Thompson, Arthur, 1942-2004","Bunnell, Jane","Hoch, Beverly","Suk, Josef (1929-08-08-2011-07-06)","Kavafian, Ida","Tuckwell, Barry (Barry Emmanuel) (1931-03-05-2020-01-16)","Bennett, Richard Rodney (1936-03-29-2012-12-24)","Dicterow, Glenn","Smukler, Laurie","Corea, Chick (1941-06-12-2021-02-09)","Martin, Marvis","Gutiérrez, Horacio, 1948-","Swensen, Joseph (Joseph Anton), 1960-","Cooper, Kenneth, 1941-","Sherry, Fred (1948-10-27)","Shub, Andre-Michel","Picker, Tobias, 1954-","Nickrenz, Scott","Girard, Valerie","Danielpour, Richard (1956-01-28)","Martin, Marya","Thompson, Marcus, 1946-","Brey, Carter (1954-09-19)","Neubauer, Paul, 1962-","Zori, Carmit","Kang, Dong-Suk (1954-04-28)","Arm, Theodore","Marangella, Joel","Heineman, Sue","Palmer, Todd","Fedele, David, 1966-","Shifrin, David (19500202)","Ingraham, Paul","Myers, Philip, 1949-","Millard, Christopher, 1952-","Fink, Katherine","McDuffie, Robert","Peskanov, Mark (1956-08-30)","Taylor, Stephen, (Oboist) (1949)","Smylie, Dennis","Webster, Michael, 1945-","Saffer, Lisa","Feller, Bart","Wilson, Ransom (1951-10-25)","Bloom, Claire (Patricia Claire), 1931-","Carlisle, Robert, (Horn player)","Coletti, Paul","Turković, Milan","Ellis, Randall","Adolphe, Bruce (1955)","Stevens, Thomas, 1938-2018","Godburn, Dennis","Yoshida, Ayako","Hoffman, Gary, 1956-","Sitkovetsky, Dmitry, 1954-","Bryn-Julson, Phyllis (1945-02-05)","Anderson, Kelly","Dunn, Susan, (Soprano) (Susan R.) (1954-07-23)","Hanslowe, Theodora","Feidman, Giora (1936)","Bachmann, Maria, (Violinist)","Hoffman, Toby (1958-09-12)","Winograd, Peter","McDermott, Anne-Marie, 1963-","Yoo, Scott","Morelli, Frank, 1951-","Kashkashian, Kim (1952-08-31)","White, Robert, 1936 October 27-","Sinta, Donald (Donald Joseph) (1937-06-16)","Redgrave, Lynn, 1943-2010","Smith, Philip, (Trumpeter)","Golub, David","Thomas, Ronald (Ronald B.), 1954-","Levin, Ida","Huang, Hsin-Yun","O'Connor, Tara Helen","Hill, Mark, (Oboe player)","Douglas, Barry, 1960-","Mentzner, Susanne","Lucey, Frances","Dlugoszewski, Lucia, 1925-2000","Taylor, David (David Michael), 1944-","Purvis, William (19480710)","Kay, Alan R. (Alan R.)","Montone, Jennifer","Gekker, Chris (Paul Christopher) (1954-01-18)","Hagner, Viviane (1977)","Ngwenyama, Nokuthula","Kim, Soovin","Schmidt, Wolfgang Emanuel (1971)","McGill, Anthony (Anthony Barrone) (1979-07-17)","Fain, Tim","Shao, Sophie","Scarlata, Randall","Frautschi, Jennifer","Pridemore, Patrick A.","Meyer, Edgar, (Bassist) (1960-11-24)","Ali-Zadeh, Franghiz, 1947-","Tcherepnin, Alexander, 1899-1977","Schifrin, Lalo, 1932-","Chausson, Amédée-Ernest (1855-1899)","Arensky, Anton, 1861-1906","Coleridge-Taylor, Samuel, 1875-1912","Marsalis, Wynton (1961-10-18)","Ailey, Alvin (1931-1989)","Homberger, Christoph (1962)","Isaacs, Jeremy, Sir (1932)","Arye, Yevgeny (1947-2022)","Demidov, Israel (1957)","Sobol, Joshua (1939)","Chervinsky, Adam (1938)","Morrison, Conall (1996)","Crossan, Gerald","Friel, Brian (1929-2015)","Levin, Robert (1947)","Henschel, Dietrich (1967)","Grigorovich, Yuri (1927)","Vasiliev, Vladimir (1940)","Khachaturian, Aram Ilyich (1903-1978)","Jamison, Judith (1943)","Benjamin, Avi (1959)","Taymor, Julie (1952)","Goldenthal, Elliot (1954)","Gardner, John Champlin (1933-1982)","Tiffany, John (1971)","Cumming, Alan (1965)","Euripides (480 BC-406 BC)","Pountney, David, CBE (1947)","Sloane, Steven (1958)","Otelli, Claudio (1960)","Zimmerman, Bernd Alois (1918-1970)","Fiennes, Ralph (1962)","Neeson, Liam (1952)","Beckett, Samuel (1906-1989)","Hammond, John Paul (1942)","Brook, Peter, CBE (1925-2022)","Bawab, Dima (1981)","Goold, Rupert (1972)","Gale, Mariah (1979)","Troughton, Samuel John (1977)","Shakespeare, William","Somova, Alina Alekseevna (1985)","Shchedrin, Rodion Konstantinovich (1932)","Farr, David (1969)","Hicks, Greg (1953)","Miyamoto, Amon (1958)","Ito, Chihiro (1982)","Fukuoka, Yutaka","D'silva, Darrell (1964)","Bailey, Lucy","Bausch, Pina (1940-2009)","Hengelbrock, Thomas (1958)","Wesseling, Maria Ricarda (1969)","Shi-Zheng, Chen (1963)","Albarn, David, OBE (1968)","Klinichev, Pavel (1974)","Messiaen, Oliver (1908-1992)","Ninagawa, Yukio (1935-2016)","Abe, Umitaro (1977)","Miyazawa, Rie (1973)","Podalydès, Denis (1963)","Coin, Christophe (1958)","Rénéric, Pascal (1976)","Molière (1622-1673)","Munby, Jonathan","Maxwell, Jules (1965)","Pryce, Jonathan (1947)","Uegaki, Satoshi","Mine, Saori","Kander, John (1927)","Vaziev, Makhar (1961)","Maillot, Jean-Christophe (1960)","MacNeil, Cornell, 1922-2011","Peters, Roberta, 1930-2017","Corena, Fernando, 1916-1984","Merrill, Robert, 1917-2004","Edelmann, Otto, 1917-2003","Harshaw, Margaret, 1909-1997","Vickers, Jon (19261029-20150710)","Puccini, Giacomo, 1858-1924","Roberti, Margherita, 1925-2021","Colzani, Anselmo, 1918-2006","Rysanek, Leonie, 1926-1998","De Paolis, Alessio, 1893-1964","Yakobson, Leonid, 1904-1975","Della Casa, Lisa, 1919-2012","Shirley, George, 1934-","Tozzi, Giorgio","Tucker, Richard, 1913-1975","Kónya, Sándor, 1923-2002","Crespin, Régine, 1927-2007","Dooley, William, 1932-2019","McCracken, James, 1926-1988","Thomas, Jess, 1927-1993","Uzunov, Dimiter, 1922-1985","Kabaivanska, Raina, 1934-","D'Angelo, Gianna, 1929-2013","Casei, Nedda, 1932-2020","Campora, Giuseppe, 1923-2004","London, George, 1920-1985","Offenbach, Jacques","Alexander, John, 1923-1990","Cassel, Walter (1910-05-15-2000-07-03)","Sereni, Mario, 1928-2015","Amara, Lucine (1927-03-01)","Cernei, Elena, 1924-2000","Dunn, Mignon (1931-06-17)","Resnik, Regina, 1922-2013","Stratas, Teresa","Raimondi, Gianni, 1923-2008","Nuotio, Pekka, 1929-1989","Cilea, Francesco (1866-1950)","Peerce, Jan, 1904-1984","Anthony, Charles (Calogero Antonio Caruso) (1929-2012)","Evans, Geraint (1922-1992)","Macurdy, John (1929-03-18-2020-05-07)","Caballé, Montserrat (1933-2018)","Levy, Marvin David, 1932-2015","Collier, Marie (1927-1971)","Hernandez, Amalia, 1917-2000","Bosabalian, Luisa (1936-1998)","Boatwright, McHenry, 1928-1994","Bing, Rudolf (Rudolf Franz Joseph), 1902-1997","Olvis, William (William Edward) (1928-02-12-1998-11-27)","Nagy, Robert, 1929-2008","Fenn, Jean","Prevedi, Bruno","Panerai, Rolando (1924-2019)","Zanasi, Mario, 1927-2000","Lombard, Alain (19401004)","Morel, Jean (Jean Paul), 1903-1975","Warfield, Sandra","Lippert, Marion (1939-)","Fonteyn, Margot (1919-1991)","Hérold, Ferdinand (1791-1833)","Park, Merle (1937- )","Coleman, MIchael (1940-","Nureyev, Rudolf Khametovich (1938-1993)","Sibley, Antoinette (1939- )","Forst, Judith (1943- )","Strasfogel, Ignace (1909-1994)","Cossa, Dominic (1935-05-13)","Naghiu, Octaviano","Brilioth, Helge (1931-1998)","Stripling, Jan (1942-2017)","Cragun, Richard (1944-2012)","Borkh, Inge ([1917-05-26,1921-05-26]-2018-08-26)","Dobriansky, Andrij","Sullivan, Dan, 1940-","Di Giuseppe, Enrico, 1932-2005","Gramm, Donald, 1927-1983","Castel, Nico (1931-2015)","Chéreau, Patrice (1944-2013)","Couden, Sara","Dexter, John (1925-1990)","Norden , Betsy (1945)","Lazarev, Alexander Nikolayevich (1945)","Ognivtsev, Aleksander (1920-1981)","Simonov, Yuri Ivanovich (1941)","Nesterenko, Yevgeny Yevgenievich (1938-2021)","Mansurov, Fuat (1928-2010)","Ermler, Mark Fridrikhovich (1932-2002)","Vedernikov, Alexander Filippovich (1927-2018)","Molchanov, Kiril Vladimirovich (1922-1982)","Kord, Kazimierz (1930-2021)","Harwood, Elizabeth (1938-1990)","Plasson, Michel (1933)","Hanson, Victor Herrick  (1933-2005)","Gavazzeni, Gianandrea (1909-1996)","Woitach, Richard","Hunter, Rita (1933-08-13-2001-04-29)","Farley, Carole (1946)","Mauti-Nunziata, Elena (1946)","Pritchard, John Michael, Sir (1921-1989)","Alonso, Alicia (1920-2019)","Araújo, Loipa (1941)","Grey, Beryl, CBE (1927-2022)","Rudel, Julius (1921-2014)","Moldoveanu, Eugenia (1944)","Wixell, Ingvar (1931-2011)","Simmons, Calvin Eugene (1950-1982)","Humperdinck, Engelbert (1854-1921)","Jarvi, Naami (1937)","Maag, Ernst Peter Johannes (1919-2001)","Obraztsova, Elena Vasilyevna (1939-2015)","McIntyre, Donald, Sir (1934)","White, Thomas S.","Cranko, John Cyril (1927-1973)","Shicoff, Neil (1949)","Jones, Isola (1949)","Tchakarov, Emil (1948)","Ponichelli, Amilcare (1834-1886)","Nicola, Rescigno (1916-2008)","Tajo, Italo (1915-1993)","Stilwell, Richard (1942)","Rendall, David (1948)","Santi, Nello","Panov, Valery Mateevich (1938)","Dostoevsky, Fyodor Mikhailovich (1821-1881)","Malfitano, Catherine","Cotrubas, Ileana (1939)","Bybee, Ariel (1943-2018)","Kohn, Eugene ","Capecchi, Renato (1923-1998)","Tate, Jeffrey Philip, Sir (1943-2017)","Żylis-Gara, Teresa (1930-2021)","Mauro, Ermanno (1939)","Rosenthal, Manuel (1904-2003)","Maliponte, Adriana (1938)","Bernardi, Mario (1930-2013)","Raffanti, Dano (1948)","Valente, Benita (1934)","Janowski, Marek (1939)","Elder, Mark","Walker, Sarah Elizabeth Royle, CBE (1943)","van Allan, Richard, CBE (1935-2008)","Davies, Arthur (1941-2018)","Rawnsley, John (1950)","Davies, Noel (1945-2008)","Müller, Edoardo ","Carlson, Lenus (1945)","Fulton, Thomas (1949-1994)","Daniels, Barbara (1946)","Conrad, Barbara Smith (1937-2017)","Johnson, Camellia (1953-2015)","Navarro, Luis Antonio García (1941-2001)","Baskerville, Priscilla (1962)","Merritt, Myra","Zandonai, Riccardo (1883-1944)","Stivender, David (1933-1990)","Montarsolo, Paolo (1925-2006)","Palacio, Ernesto (1946)","Patsalas, Constantin (1943-1989)","Parker, Charlie \"Bird\" (1920-1955)","Altmeyer, Jeannine (1948)","Meier, Johanna (1938)","Perick, Christof","Fournet, Jean (1913-2008)","Badea, Christian (1947)","Di Franco, Loretta (1942)","Kleiber, Carlos (1930-2004)","Kotoski, Dawn (1966)","Pinnock, Trevor David, CBE (1946)","Mitchell, Leona (1949)","Panni, Marcello (1940)","Cheek, John, 1948-","Martinucci, Nicola (1941)","Cambreling, Sylvain (1948)","Christin, Judith (1948)","Salminen, Matti (1945)","Araiza, Francisco (1950)","Moll, Kurt (1938-2017)","Ajmone-Marson, Guido","Saccani, Rico (1952)","Rosenshein, Neil (1947)","Kout, Jiří","Croft, Dwayne","Fiore, John","Ferden, Bruce (1949-1993)","Glass, Phillip (1937)","Neblett, Carol Lee (1946-2017)","Marin, Ion (1960)","Michael, Hermann (1937-2005)","Donath, Helen Jeanette (1940)","Rizzi, Carlo","Praticò, Bruno","Rootering, Jan-Hendrik (1950)","Pulley, Emily Ann (1967)","Villarroel González, Verónica","Chernov, Vladimir Nikolaïevitch (1953)","Oren, Daniel (1955)","Croft, Richard","Graves, Denyce","Dennis, Betty","Loukianetz, Victoria (1966)","Atherton, David","Del Carlo, John","Hager, Leopold (1935)","Bedford, Steuart John Rudolf, CBE (1939-2021)","Corbelli, Alessandro","Krauss, Clemens","Young, Simone","de Billy, Bertrand","Titov, Alexander","Gruzin, Boris","Kit, Mikhail","Agache, Alexandru","Floyd, Carlisle","Rost, Andrea","Campanella, Bruno","Weigle, Sebastian","Mescheriakova, Marina","Wolf-Ferrari, Ermanno ","Halévy, Fromental ","Viotti, Marcello ","Furlanetto, Ferruccio ","Summers, Patrick","Alfano, Franco ","Auguin, Philippe ","Gallardo-Domâs, Cristina ","Bergeson, Scott","Miklósa, Erika ","Haider, Friedrich","Botha, Johan","Kovalevska, Maija","Frittoli, Barbara","Carosi, Micaela ","Jordan, Philippe","Langrée, Louis","Ataneli, Lado","Chaslin, Frédéric","Vassallo, Franco","Runnicles, Donald","Petrenko, Mikhail","Villaume, Emmanuel","Abbado, Roberto","Smith, Robert Dean","Galouzine, Vladimir","Anzolini, Dante","Alvarez, Carlos","Schrott, Erwin","Gilbert, Alan","Finley, Gerald","Racette, Patricia","Seiffert, Peter","de Niese, Danielle","Frizza, Riccardo","Gagnidze, George","Pidò, Evelino","Bullock, Susan","Keenan, John","Calleja, Joseph","Gilmore, Rachele","Keenlyside, Simon","Abel, Yves","Ono, Kazushi","Uusitalo, Juha","Phillips, Lori","Fournillier, Patrick","Rizzi Brignoli, Roberto","Capitanucci, Fabio","Grigolo, Vittorio","Smelkov, Pavel","Álvarez, Marcelo","Lee, Yonghoon","Degout, Stéphane","Nielsen, Erik","Poplavskaya, Marina","Held, Alan","Walker, Antony","Royal, Kate","Carignani, Paolo","Kwiecien, Mariusz","Altinoglu, Alain","Franck, Mikko","de Biasio, Roberto","Morris, Jay Hunter","Westbroek, Eva-Maria","Inouye, Derrick","Gould, Stephen","Amonov, Avgust","Luna, Audrey","Radvanovsky, Sondra Dee (1969)","Ettinger, Dan","Theorin, Iréne","Mariotti, Michele (1979)","Cura, José","Zifchak, Maria","Byström, Malin","Ranzani, Stefano","He, Hui","Yoncheva, Sonya (1981)","Meli, Francesco (1980)","Krasteva, Nadia (1976)","Zajick, Dolora (1952)","Koenigs, Lothar (1965)","Madore, Elliot (1987)","Lanchas, Valeriano (1976)","van den Heever, Elza (1979)","Opolais, Kristine (1979)","Sherratt, Brindley (1965)","Mazzola, Enrique","Chichon, Karel Mark, OBE (1971)","Skelton, Stuart (1968)","Monastyrska, Liudmyla Viktorivna","Gubanova, Ekaterina (1979)","Dyka, Oksana (1978)","Robinson, Morris (Morris D.) (1969-03-18)","Làrusdóttir, Dísella (1977)","Mumford, Tamara","Debus, Johannes (1974)","Siegel, Gerhard (1963)","Morandi, Pier Giorgio (1958)","Vogt, Klaus Florian (1970)","Ticciati, Robin, OBE (1983)","Volle, Michael (1960)","Hartig, Anita (1983)","Morley, Erin (1980)","Bignamini, Jader (1976)","Bižić, David (1975)","Pomakov, Robert (1981)","Stare, Ward (1982)","Mattsey, Jeff","Allen, Thomas Boaz, Sir (1944)","Lattimore, Margaret","Colaneri, Joseph","Hindoyan, Domingo Garcia (1980)","D'Arcangelo, Ildebrande (1969)","Plachetka, Adam (1985)","Majeski, Amanda (1984)","Castronovo, Charles (1975)","Pérez, Ailyn (1979)","Mavlyanov, Najmiddin (1979)","Naouri, Laurent (1964)","Wellber, Omer Meir (1981)","Margaine, Clémentine (1984)","Nánási, Henrik","Farnes, Richard (1964)","Colclough, Craig","Park, Hera Hyesang","Manacorda, Antonello (1970)","Kamensek, Karen (1970)","Blake, Aaron","Eyvazov, Yusif (1977)","Davidsen, Lise (1987)","Lewek, Kathryn (1983)","Hymel, Bryan (1979)","Nikitin, Evgeny Igorevich","Selig, Franz-Josef (1962)","Erraught, Tara (1986)","Liverman, Will (1988)","Blanchard, Terrence (1962)","Rustioni, Daniele (1983)","Carter, Nicholas","Clayton, Allan, MBE (1981)","Dean, Brett (1961)","Baikoff, Erika","Ward, Duncan","Gamba, Michele (1983)","Maestri, Ambrogio (1970)","Hamlin, Spencer","Groissböck, Günther (1976)","Buratto, Eleanora (1982)","Guggeis, Thomas (1993)","Konieczny, Tomasz (1972)","Gigliotti, Eve","Belosselskiy, Dmitry Stanislavovich (1975)","Chioldi, Michael (1970)","Herrera, Nancy Fabiola","Catán Porteny, Daniel (1949-2011)","Furrer, Patrick","Buszewski, Piotr (1992)","Stikhina, Elena (1986)","Lyniv, Oksana (1978)","Pankratova, Elena","Kowaljow, Vitalij","Grigoryan, Juliana","Jagde, Brian (1980)","Golovatenko, Igor","Schweizer, David","Masur, Richard (1948)","Walken, Christopher (1943)","Le Roux, Madeleine (1946)","Shapiro, Mel (1937)","Moriarty, Michael (1941)","Hines, Mainer Patrick (1930-1985)","Mason , Marsha (1942)","Southern, Richard (1903-1989)","Adams, Mason (1919-2005)","Miratti, Tony (1946)","Vestoff, Virginia (1939-1982)","Moody, Michael Dorn","Nichols, Mike (1931-2014)","Rudd, Paul Ryan (1940-2010)","Sweet, Dolph (1920-1985)","Harewood, Dorian (1950)","Rabe, David (1940)","Mosher, Gregory (1949)","Goldstein, Steven (1963)","Huffman, Felicity (1962)","Silverstein, Sheldon Allan (1930-1999)","Mamet, David (1947)","Balaban, Robert Elmer (1945)","Conroy, Frances (1953)","Buono, Cara (1971)","Nelson, Richard John (1950)","Bishop, Kelly (1944)","Channing, Stockard (1944)","Pearlman, Stephen (1935-1998)","Guare, John (1938)","Bishop, André (1948)","Alexander, Jane (1939)","McDormand, Frances (1957)","Vickery, John (1950)","Davis, Clifton (1945)","McGiver, Boris (1962)","Stoppard, Tom, Sir (1937)","Alexander, Terry (1947)","Heckart, Eileen (1919-2001)","Mastrantonio, Mary Elizabeth (1958)","Donaghy, Tom","Chenoweth, Kristin (1968)","Fuller, Penny (1937)","Gets, Malcolm (1964)","Finn, William (1952)","Stroman, Susan (1954)","Stackpole, Dana (1966)","Hingston, Sean Martin (1965)","Antoon, Jason (1971)","Weidman, John (1946)","Sutherland, Donald (1935-2024)","O'Hare, Denis (1962)","Margulies, Julianna (1966)","Baitz, Jon Robin (1961)","Kani, John (1942)","Bihl, Esmeralda","Seane, Warona","James, Nikki M. (1981)","Ticotin, Nancy  (1957)","Bavan, Yolande (1942)","Lachiusa, Michael John (1962)","Baker, Becky Ann (1953)","Harelik, Mark (1951)","Hecht, Jessica (1965)","Greenberg, Richard (1958)","Aspillaga, Vanessa (1972)","Brown, Blair (1946)","Clayburgh, Jill (1944-2010)","Ruhl, Sarah (1974)","Schreiber, Pablo (1978)","Shinn, Christopher (1975)","Kudisch, Marc (2024)","Belcon, Natalia Venetia (1969)","Kelly, David Patrick (1951)","Flaherty, Stephen (1960)","Lavin, Linda (1937)","Houdyshell, Jayne (1953)","Bartlett, Peter (1942)","Rudnick, Paul (1957)","McMartin, John (1929-2016)","Rebhorn, James (1948-2014)","Eli, Robert","Haigle, Noah (1978)","Gleason, Joanna (1950)","Foster, Hunter (1969)","Cervantes, Miguel (1976)","Frankel, Scott David (1963)","Davidson, Jeremy (1971)","Mays, Jefferson (1965)","Hogan, Robert (1933-2021)","Rogers, J.T. (1968)","Keenan-Bolger, Celia (1978)","Saito, James (1955)","Yaegashi, James (1972)","Lane, Diane (1965)","Shalhoub, Tony (1953)","Rankin, Gayle (1989)","Doran, Bathsheba","Plunkett, Stephen (1976)","Breen, Patrick (1960)","Pankow, John (1955)","Parnell, Peter","Ehle, Jennifer (1969)","McDonough, Ann (1949)","Murphy, Sally (1962)","Harmon, Joshua","Clemens, Adelaide (1989)","Chanler-Berat, Adam (1986)","Larroquette, John (1947)","Donovan, Edmund (1990)","Hellman, Nina (1967)","Ivey, Judith (1951)","Hunter, Samuel D. (1981)","Marylouise, Burke (1941)","Watkins, Brian","Coiro, Rhys (1979)","Bunin, Keith (1971)","Jones, Candrice","Testa, Mary (1955)","Baker, Dylan (1959)","Müller-Brühl, Helmut Peter (1933-2012)","Bach, Johann Christian Friedrich (1732-1795)","Mozart, Franz Xaver Wolfgang (1791-1844)","Dichter, Misha, 1945-","Glover, Jane, Dame (1949)","Kalmar, Carlos (1958)","Paganini, Nicolò, 1782-1840","Golijov, Osvaldo (1960)","Manze, Andrew (1965)","Halls, Matthew","Barnatan, Inon, 1979-","Zender, Johannes Wolfgang (1936-2019)","Schachter, Michael","Hughes, Langston (James Mercer Langston) (1901-1967)","Foss, Lukas, 1922-2009","Wallenstein, Alfred (18981007-19830208)","del Tredici, David Walter (1937-2023)","Wiłkomirska, Wanda (1929-2018)","Munroe, Lorne (1924-2020)","Zeltser, Mark Efimovich (1947)","Postnikova, Viktoria (1944)","Taneyev, Sergei Ivanovich (1856-1915)","Jones, Jennifer, (Mezzo-soprano)","Shiokawa, Yūko (1946)","Kim, Earl (1920-1998)","Weller, Walter (1939-2015)","Davies, Ryland (1943-2023)","Curzon, Clifford Michael, Sir (1907-1982)","Blackshaw, Christian Charles (1949)","Drucker, Stanley (1929-02-04-2022-12-19)","Newland, Larry","Carter, Elliott (1908-2012)","Gitlis, Ivry (1922-2020)","Duruflé, Maurice (1902-1986)","Haendel, Ida (1928-2020)","Barton, Randolph","Sondheim, Stephen, 1930-2021","Subramaniam, Lakshminarayana  (1947)","Bussotti, Sylvano (1931-2021)","Vinzing, Ute (1936)","Turnovsky, Martin (1928-2021)","Novák, Vítězslav Augustín Rudolf (1870-1949)","Druckman, Jacob (1928-1996)","Husa, Karel (1921-2016)","Cherkassy, Shura (1909-1995)","Rubinstein, Anton Grigoryevich (1829-1894)","Sanderling, Kurt (1912-2011)","Meneses, Antônio (1957)","Zwilich, Ellen Taafe (1939)","Wolfe, Julia (1958)","Ortiz, Cristina (1958)","Stenhammar, Carl Wilhelm Eugen (1871-1927)","Levi, Yoel (1950)","Pedrotti, Carlo (1817-1893)","Hétu, Jacques (1938-2010)","Mácal, Zdeněk  (1936-2023)","Kabalevsky, Dmitry Borisovich (1904-1987)","Oistrakh, Igor","Keene, Christopher, 1946-1995","Virsaladze, Eliso (1942)","Gutman, Natalia Grigoryevna (1942)","Flor, Claus Peter (1953)","Schiff, Heinrich (1951-2016)","Sheng, Bright (1955)","Davies, Dennis Russell (1944)","Kolb, Barbara (1939)","Gavrilov, Andrei (1955)","Pratt, Awadagin (1966)","Tubin, Eduard (1905-1982)","Baxtresser, Jeanne (1947)","Diadkova, Larissa Ivanova (1954)","Tamberg, Eino (1930-2010)","Feltsman, Vladimir Oskarovich (1952)","Katzer, Georg (1935-2019)","Piston, Walter Hamor, Jr. (1894-1976)","McFerrin, Robert Keith (1950)","Ling, Jahja (1951)","Perle, George (1915-2009)","Kirchner, Leon, 1919-2009","Thompson, Randall (1899-04-21-1984-07-09)","Wilson, Olly Woodrow, Jr. (1937-2018)","Asawa, Brian (1966-2016)","Little, Tasmin Elizabeth (1965)","Thomson, Virgil (1986-1989)","Westerfield, Richard","Suwanai, Akiko (1972)","Zorn, John, 1953-","Schwantner, Joseph Clyde (1943-03-22)","Canteloube de Malaret, Marie-Joseph (1879-1957)","Dam-Jensen, Inger (1964)","MacMillan, James Loy, Sir (1959)","Daugherty, Michael (1954)","Staples, Sheryl (1968)","Biller, Georg Christoph (1955-2022)","Leonskaja, Elisabeth (1945)","Frank, Martin (1890-1974)","Kirchschlager, Angelika (1965)","Pollet, Françoise (1949)","Say, Fazıl (1970)","Volodos, Arcadi (1972)","Wiens, Edith (1950)","Turrin, Joseph (1947)","Paasikivi-Ilves, Lilli Katriina (1965)","Kernis, Aaron Jay (1960)","Covey-Crump, Rogers (1944)","Hartke, Stephen Paul (1952)","Cedolins, Fiorenza (1966)","Weilerstein, Alisa (1982)","Tovey, Bramwell (1953-2022)","Puts, Kevin Matthew (1972)","Moser, Johannes (1979)","Grantham, Donald (1947)","Egner, Philip (1870-1956)","Shenyang (1984)","Gavrylyuk, Alexander (1984)","Plummer, Christopher (1929-2021)","Kriiku, Kari (1960)","Chin, Unsuk (1961)","Storgårds, John Gunnar Rafael (1963)","Adolphe, Julia (1988)","Auerbach, Lera (1973)","Davies, Tansy (1973)","Weilerstein, Joshua (1987)","Gersen, Joshua","Grosvenor, Benjamin (1992)","Þorvaldsdóttir, Anna Sigríður (1977)","Tao, Conrad Yiwen (1994)","Slobodeniouk, Dima (1975)","Gomyo, Karen","Rouvali, Santtu-Matias (1985)","Martinaitytė, Žibuoklė (1973)","Chen, Ray (1989)","Schulhoff, Erwin (1894-1942)","Pinto-Correira, Andreia","Lim, Yunchan (2004)","Berlin, Irving, 1888-1989","Merman, Ethel, 1908-1984","Yarnell, Bruce, 1935-1973","Venuta, Benay, 1910-1995","Kasha, Lawrence","Wayne, David","Treigle, Norman","Guadagno, Anton","Crader, Jeannine","Rodgers, Richard","Layton, Joe","Henderson, Florence","Irving, Robert, 1913-1991","Frohlich, Jean-Pierre","Corsaro, Frank, 1924-2017","Novoa, Salvador, 1937-2021","Patane, Franco, 1908-1968","Niska, Maralin, 1926-2016","Peress, Maurice, 1930-2017","Peterson, Kurt","Mallory, Victoria, 1948-2014","Molese, Michele, 1928-1989","Malas, Spiro, 1933-2019","Mester, Jorge, 1935-","Bible, Frances, 1919-2001","Susskind, Walter, 1913-1980","Morelli, Giuseppe, 1907-2000","Chapman, William, 1923-2012","Theyard, Harry, 1929-","Devlin, Michael, 1942-","Hale, Robert, 1933-2023","Ledbetter, William, 1961-","Lankston, John, 1934-2018","Reimueller, Ross, 1938-1987","Galvany, Marisa","Menotti, Gian Carlo","Darrenkamp, John","Martelli, Luigi","Delius, Frederick","Roy, Will","Roe, Charles","Palló, Imre, 1941-","Branson Gray, George","Taylor, Richard","Wells, Patricia","Ballard, Earline","Somogi, Judith, 1937-1988","Bertini, Gary, 1927-2005","Caldwell, Sarah, 1924-2006","Sarabia, Guillermo, 1937-1985","Musgrave, Thea, 1928-","Clarey, Cynthia, 1949-","DeRenzi, Victor","McKee, Richard","Grey, Joel, 1932-","Loewe, Frederick, 1901-1988","Burton, Richard, 1925-1984","Ebersole, Christine, 1953-","Stapp, Olivia","Bröcheler, John, 1945-","de Almeida, Antonio, 1928-1997","Grice, Garry","Weise, Klaus, 1936-2022","Eisler, David, 1955-1992","Esham, Faith, 1948-","Kelm, Linda, 1944-2016","Siciliani, Alessandro, 1952-","Knighton, Elizabeth","Flint, Mark, 1954-2012","Vergara, Victoria","Grayson, Robert","Robson, Christopher, 1953-","Senn, Marta","Garrison, Jon, 1944-","Dickson, Stephen, 1951-1991","Rescigno, Joseph, 1945-","Faix Brown, Winifred","Boncompagni, Elio, 1933-2019","Shirvis, Barbara","von Flotow, Friedrich, 1812-1883","Woods, Sheryl","Blitzstein, Marc, 1905-1964","Hunter, Laurie Anne","Munro, Leigh","McNeil, Dennis, 1960-","Marsee, Susanne, 1941-","Ajmone-Marsan, Guido, 1947-2014","Alexeyev, Valery","West, Stephen","Duerr, Robert, 1954-","Sorensen, Joel","von Einem, Gottfried, 1918-2007","Manahan, George, 1952-","Castle, Joyce, 1939-","Nolen, Timothy, 1941-2023","Mosteller, Steven","Ketelsen, Kyle, 1971-","Pendatchanska, Alexandrina, 1970-","Adamo, Mark, 1962-","Martins, Peter, 1946-","Pereira, Erica","Peiffer, Allen","Reichard, Daniel","Kay, Hershy, 1919-1981","Prince, Robert, 1929-2007","Strayhorn, Billy, 1915-1967","Cohen, Brad","Dovhan, Stefania, 1979-","Feldman, Morton, 1926-1987","Schwartz, Stephen, 1948-","Pärt, Arvo, 1935-","Mercurio, Steven","Scappucci, Speranza (1973)","Müller, Rufus (1959)","Boehler, Matt","Duncan, Tyler","Wang, Yunpeng","Levin, Ira","Cokorinos, Philip","Braunfels, Walter (1882-1954)","Crutchfield, Will (1957)","Gish, Allison","Jordheim, Alisa","van Heyningen, Erik","Ball, William, 1931-1991","O'Sullivan, Michael, 1934-1971","Maxwell, Roberta, 1941-","Rabb, Ellis, 1930-1998","Harris, Rosemary, 1927-","Walker, Sydney, 1921-1994","Williams, Tennessee","Farentino, James, 1938-2012","Conolly, Patricia, 1933-","Leonard, Hugh, 1926-2009","Freedman, Gerald, 1927-2020","Harris, Julie, 1925-2013","Durning, Charles, 1923-2012","Milner, Ron, 1938-2004","Schultz,  Michael, 1938-","Turman, Glynn, 1947-","Strindberg, August, 1849-1912","Caldwell, Zoe, 1933-2020","Elizondo, Héctor, 1936-","Burr, Anne, 1918-2003","Papp, Joseph, 1921-1991","Parsons, Estelle, 1927-","Lombard, Michael, 1934-2020","Gunn, Bill, 1934-1989","Williams, Dick Anthony, 1934-2012","Brown, Graham, 1924-2011","Ibsen, Henrik, 1828-1906","Skagestad, Tormod, 1920-1997","Ullmann, Liv, 1938-","Waterston, Sam, 1940-","Pinero, Arthur Wing, 1855-1934","Antoon, A. J., 1944-1992","Hurt, Mary Beth, 1946-","Streep, Meryl, 1949-","Rudman, Michael, 1939-2023","Shaw, George Bernard, 1856-1950","Gordon, Ruth, 1896-1985","O'Shea, Milo, 1926-2013","Brecht, Bertolt, 1898-1956","Foreman, Richard, 1937-","Bosco, Philip, 1930-2018","Kava, Caroline, 1949-","Chekhov, Anton, 1860-1904","Serban, Andrei, 1943-","Aeschylus, 525-456 BC","Zakkai, Jamil","Barry, Philip, 1896-1949","Danner, Blythe, 1943-","Herrmann, Edward, 1943-2014","Converse, Frank, 1938-","Anglim, Philip, 1952-","Anderman, Maureen, 1946-","Allen, Woody, 1935-","Grosbard, Ulu, 1929-2012","Arthur, Bea, 1922-2009","Weston, Jack, 1924-1996","Porter, Cole, 1891-1964","Uggams, Leslie, 1943-","Edelman, Gregg, 1958-","Vichi, Gerry","Chayefsky, Paddy, 1923-1981","Armus, Sidney, 1924-2002","Zaks, Jerry, 1946-","Evers, Brian, 1942-","Lagomarsino, Ron, 1951-","Curry, Tim, 1946-","Pappas, Evan","Sherwood, Robert, 1896-1955","Gutierrez, Gerald, 1950-2003","Hytner, Nicholas, 1956-","Hayden, Michael, 1963-","Barbour, James, 1966-","Nunn, Trevor, 1940-","Dundas, Jennifer, 1971-","Frierson, Andrea","Hellman, Lillian, 1905-1984","O'Brien, Jack, 1939-","Kerwin, Brian, 1949-","Kline, Kevin, 1947-","Atkinson, Jayne, 1959-","Brown, Jason Robert, 1970-","Prince, Harold, 1928-2019","Carmello, Carolee, 1962-","Carver, Brent, 1951-2020","Sheridan, Richard Brinsley, 1751-1816","Lamos, Mark, 1946-","Bergl, Emily, 1975-","Guettel, Adam, 1964-","Sher, Bartlett, 1959-","Clark, Victoria, 1959-","Morrison, Matthew, 1978-","O'Hara, Kelli, 1976-","O'Byrne, Brian, 1967-","Cullum, John, 1930-","Cerveris, Michael, 1960-","Plimpton, Martha, 1970-","Szot, Paulo, 1969-","Wolfe, George, 1954-","Wright, Jeffrey, 1965-","Stafford, Nick, 1959-","Elliott, Marianne, 1966-","Morris, Tom, 1964-","Klein, Tessa","Taylor, Holland, 1943-","Klein, Benjamin Endsley","White, Julie, 1961-","Lapine, James, 1949-","Fontana, Santino, 1982-","Akhtar, Ayad, 1970-","Hughes, Doug, 1955-","Pasquale, Steven, 1976-","Lim, Teresa Avia","Lerner, Alan Jay, 1918-1986","Smith, Paul Slade","Ambrose, Lauren, 1978-","Zarrett, Lee","Hadden-Paton, Harry, 1981-","Benanti, Laura, 1979-","Schenkkan, Robert, 1953-","Rauch, Bill, 1962-","Cox, Brian, 1946-","Coleman, Grantham, 1990-","Cusack, Carmen, 1971-","Gardner, Danny, 1982-","Wilder, Thornton, 1897-1975","Blain-Cruz, Lileana","Meredith, James Vincent, 1971-","Soo, Phillipa, 1990-","Donica, Jordan, 1994-","Harding, Daniel, 1975-","Cullen, Joseph","Halsey, Simon, 1958-","Huber, Gerold, 1969-"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Carnegie Hall (New York, N.Y.)","Wetzler Orchestra ","Philharmonic Society of New York","NBC Symphony Orchestra","Westminster Symphonic Choir","Little Orchestra Society","Choral Art Society","Berliner Philharmoniker","Columbia Symphony Orchestra","New York Philharmonic","Schola Cantorum (Musical group)","University of Maryland Choir","Orchestra of America","Pittsburgh Symphony Orchestra","American Opera Society","Festival Casals. Orchestra","Cleveland Orchestra. Chorus","Cleveland Orchestra","American Symphony Orchestra (New York, N.Y.)","Musica Aeterna Orchestra","Musica Aeterna Chorus","BBC Symphony Orchestra","Friends of French Opera","Boston Symphony Orchestra","Clarion Music Society","Oratorio Society of New York","Philadelphia Orchestra Association","Rutgers University. Choir","London Symphony Orchestra","Wiener Johann Strauss-Orchester","The New School","Cincinnati Symphony Orchestra","LaSalle Quartet","Concertgebouworkest","Los Angeles Philharmonic Orchestra","Collegiate Chorale","Wiener Philharmoniker","Münchener Bach-Orchester","Münchener Bach-Chor","Wiener Symphoniker","Česká filharmonie","New England Conservatory Chorus","Dessoff Choirs","Bayerischer Rundfunk. Orchester","Gosudarstvennyĭ simfonicheskiĭ orkestr SSSR","English Chamber Orchestra","Minnesota Orchestra","Hartford Symphony Orchestra","Hartford Symphony Chorale","Chicago Symphony Orchestra","New Jersey Symphony Orchestra","Chicago Symphony Chorus","Handel Society of New York","Opera Orchestra of New York","Pro Arte Festival Orchestra","Tizmoret ha-filharmonit ha-Yiśreʼelit","Leningradskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Musica Sacra (Musical group : New York, N.Y.)","Metropolitan Opera Guild","National Orchestral Association (U.S.)","Gewandhausorchester Leipzig","Detroit Symphony Orchestra","Baltimore Symphony Orchestra","New York Choral Society","Musique de la Garde républicaine de Paris","Stuttgarter Klaviertrio","Byrne Camp Chorale","Mendelssohn Club of Philadelphia","Mormon Tabernacle Choir","Orchestre de Paris","Wiener Singverein","Státní filharmonie Brno","Pražský komorní orchestr","Roger Wagner Chorale","Sacred Music Society (New York, N.Y.)","Orchestra of St. Luke's","Staatskapelle Berlin","St. Cecilia Orchestra","St. Cecilia Chorus","Tanglewood Festival Chorus","National Symphony Orchestra (New York, N.Y.)","Yale Concert Band","Wayne State University. Symphonic Chorus","Indianapolis Symphony Orchestra","Peter, Paul, and Mary (Musical group)","Cathedral of St. John the Divine (New York, N.Y.). Choir","United States Military Academy. Band","American Chamber Orchestra","Curtis Student Orchestra","St. Louis Symphony Orchestra","St. Louis Symphony Chorus","Orchestre symphonique de Montréal","London Philharmonic Orchestra","Symfonický orchestr hlavního města Prahy FOK","Worcester Chorus","Royal Philharmonic Orchestra","Rotterdams Philharmonisch Orkest","Radio-Symphonie-Orchester Berlin","Toronto Symphony","Illapu (Musical group)","Fortaleza (Musical group)","Münchner Philharmoniker","Orchestre de la Suisse romande","Boys' Choir of Harlem","Filharmonia Krakowska","Zagrebačka filharmonija","Hallé Orchestra","Chamber Orchestra of Europe","Stuttgarter Philharmoniker","Canterbury Choral Society","Staatskapelle Dresden","Princeton Pro Musica","Sveriges radios symfoniorkester","Orchestre philharmonique de Monte-Carlo","Jerusalem Symphony Orchestra","Guarneri Quartet","Buffalo Philharmonic Orchestra","SWR Radio-Sinfonieorchester Stuttgart","San Francisco Symphony Orchestra","Orchestre de Paris. Chœur","Pro Arte Chorale","Choral Arts Society of Philadelphia","New York City Gay Men's Chorus","Academy of St. Martin-in-the-Fields","Philharmonia Orchestra","National Arts Centre. Orchestra","Orchestre national d'Île-de-France","Dale Warland Singers","Piano Teachers Congress of New York","Filharmoniske selskap (Oslo, Norway). Orkester","Robert Shaw Festival Singers","Robert Shaw Festival Chorus","State Symphonic Kapelle of Moscow","Philadelphia Singers. Chorale","Orchestra and Chorus of Teatro Alla Scala","Concert Choir . of the St. Louis Children's Choirs","Rossiĭskiĭ nat︠s︡ionalʹnyĭ orkestr","Concert Chorale of New York","Philadelphia Boys Choir","Sankt-Peterburgskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Tokyo College of Music Symphony Orchestra","Chorus Viennensis","Wiener Sängerknaben","New York Grand Opera Company. New York Grand Opera ","Metropolitan Opera (New York, N.Y.). Orchestra","Mariinskiĭ teatr (1991- ). Orkestr","Collegium vocale (Ghent, Belgium)","Chapelle royale de Paris (Musical group)","Robert Shaw Choral Institute. Singers","Theodore Presser Company","Arnold Schoenburg Choir (Vienna)","The United States Navy Band","Sea Chanters Chorus","Cathedral of St. John the Divine (New York, N.Y.). Chorister Boys","Zhong yang min zu yue tuan (Beijing, China)","Atlanta Symphony Orchestra","Deutsches Symphonie-Orchester Berlin","Sibelius-Akatemia (Helsinki, Finland). Sinfoniaorkesteri","Atlanta Symphony Chamber Chorus","London Sinfonietta","Dallas Symphony Chorus","Mendelssohn Choir of Pittsburgh","Metropolitan Opera (New York, N.Y.). Chorus","Budapesti Fesztiválzenekar","Bach Collegium Japan","University of Puerto Rico Centennial Chorus","Westchester Philharmonic","Manhattan Philharmonic","Russian Chamber Chorus of New York","Fathy Salama Orchestra","The Scott Choral Artists of New York City","Sweet Honey in the Rock","Musica Sacra Chorus and Orchestra","Kremerata Baltica (Musical group)","Schweizerisches Festspielorchester","American Academy in Berlin","Orquesta Sinfónica Simón Bolívar","Thurgood Marshall Academy for Learning and Social Change (Harlem, New York, N.Y.)","Mariinskiĭ teatr (1991- ). Khor","Weill Music Institute ","Brooklyn Philharmonic Symphony Orchestra","New York City Opera. Orchestra","Marilyn Horne Foundation","Orchestra barocca di Venezia","Chapelle de Québec","Orfeón Pamplonés","Saitō Kinen Ōkesutora","NHK Symphony Orchestra Tokyo","Tafelmusik Baroque Orchestra","Morgan State University. Choir","Manhattan Symphony Orchestra","Chorus la Preghiera","Europa galante (Musical group)","World Orchestra for Peace","Monteverdi Choir","Ensemble de Metales de Venezuela","West-Eastern Divan Orchestra","English Concert (Musical group)","Studio de musique ancienne de Montréal","Ensemble Matheus","PALS Children's Chorus","Manhattan Girls Chorus","Arcangelo . Arcangelo (Ensemble)","New York Choral Artists","Brooklyn Youth Chorus","Rochester Philharmonic Orchestra","Winnipeg Symphony Orchestra","Beogradska filharmonija","Teatro regio (Turin, Italy). Coro","Mahler Chamber Orchestra","Tallis Scholars","Fretwork","Distinguished Concerts International New York. DCINY","St. Michael's Church (New York, N.Y.)","Curtis Opera Theatre","Orlando Consort","Dover Quartet","Atlanta Symphony Chorus","Philharmonia Baroque Orchestra","World Projects Corporation","Trio Mediaeval","Richard Tucker Music Foundation","Accademia Bizantina","Il Pomo d'Oro","Hespèrion XXI (Musical group)","Le Concert des Nations","TENET (Musical group)","Quicksilver (Baroque music group)","MasterVoices (Musical group)","Cappella Mediterránea","Concerto italiano (Musical group)","Lorelei Ensemble","Cherry Orchard Festival Foundation","Akademie für Alte Musik Berlin","University Singers. Washington and Lee University (Washington and Lee University)","Bard Music Festival. Chorale","Opus 3 Artists","Arpeggiata (Musical group)","Accademia di Santa Cecilia. Orchestra","Guo jia da ju yuan (Beijing, China). Guan xian yue tuan","Bayerisches Staatsorchester","Bayerische Staatsoper München","Bayerische Staatsoper München. Chor","Emerson String Quartet","Les Violons du Roy","Pražský filharmonický sbor","New York Baroque Incorporated. NYBI","Clarion Choir","Jean \u0026 Jula Goldwurm Memorial Foundation","National Youth Orchestra of the United States of America. NYO-USA","Juilliard School","Juilliard Orchestra","Apollo's Fire (Musical group)","Gerda Lissner foundation","The Liederkranz Foundation","El Mundo","Concerto Köln (Musical group)","The Crossing","Arts florissants (Musical group)","Frederic Chopin International Competition","Lincoln Center for the Performing Arts","Alice Tully Hall (New York, N.Y.)","Chamber Music Society of Lincoln Center","Philharmonica Chamber Orchestra","Queens Symphony Orchestra","American Ballet Theatre","Greek Choral Society","The Canticum Novum Singers","National Chorale","The St. Paul Chamber Orchestra ","Westminster Choir","Israel Philharmonic Orchestra","BBC Concert Orchestra","The Central Band of the Royal Air Force","Red Star Red Army Chorus and Dance Ensemble","Russian State Symphony Orchestra","Lark String Quartet","Imperial Bells Ensemble of China","New York City Opera Children's Chorus","City of Birmingham Symphony Orchestra","Berlin Philharmonic Piano Quartet","Orchestra of the Royal Opera House, Covent Garden","London Symphony Chorus","Rutgers University Kirkpatrick Choir","Orchestra of the Age of Englightenment","Bartók Quartet. The Bartók Quartet","Gabrieli Quartet","Cleveland Quartet","Beaux Arts Trio","Orion String Quartet","Bill T. Jones/Arnie Zane and Company","Miami String Quartet","Alvin Ailey American Dance Theater","Royal Opera House","Gesher Theatre","The Abbey Theatre","Bolshoi Ballet","National Theatre of Scotland (Glasgow, Scotland, United Kingdom)","New Orleans Own Hot 8 Brass Band","The Blind Boys of Alabama","Théâtre des Bouffes du Nord","Royal Shakespeare Company (Stratford-upon-Avon, England)","Mariinsky Ballet","Paris Opera Ballet","Jiangsu Yancheng Acrobatic Company","Ninagawa Company","Shakespeare's Globe","Takarazuka Revue","Metropolitan Opera","Ballet Nacional de Cuba","John Curry Skating Company","Mitzi E. Newhouse Theater","Lincoln Center Theater (New York, N.Y.)","Lincoln Center Jazz Orchestra","David H. Koch Theater","New York City Opera","Teatro Nuovo","Vivian Beaumont Theater"],"persname_ssim":["Strouss, Henry  (Henry Strouss III ), Class of 1961","Paderewski, Ignace Jan, 1860-1941","Toscanini, Arturo, 1867-1957","Heifetz, Jascha, 1901-1987","Williamson, John Finley, 1887-1964","Rachmaninoff, Sergei, 1873-1943","Enesco, Georges, 1881-1955","Menuhin, Yehudi, 1916-1999","Perlea, Jonel, 1900-1970","Sándor, György, 1912-2005","Scherman, Thomas (Thomas Kielty) (19170212-19790514)","Jonson, William (19721121)","Karajan, Herbert von (1908-04-05-1989-07-16)","Stravinsky, Igor, 1882-1971","Craft, Robert (Robert Lawson) (1923-10-20-2015-11-10)","Bernstein, Leonard, 1918-1990","Horszowski, Mieczyslaw (18920623-19930522)","Nixon, Marni (1930-02-22-2016-07-24)","Ross, Hugh (Hugh Cuthbert Melville), 1898-1990","Springmann, Fague","Bach, Johann Sebastian, 1685-1750","Dunn, Thomas, 1925-2008","Korn, Richard, 1908-1981","Whittemore, Arthur Austin (1916-10-23-1984-10-23)","Lowe, Jack (Jack Warren), 1917-1996","Steinberg, William (Hans Wilhelm), 1899-1978","Haydn, Joseph (Franz Joseph), 1732-1809","Bruckner, Anton (Josef Anton), 1824-1896","Gluck, Christoph Willibald, Ritter von, 1714-1787","Remoortel, Edouard van, 1926-1977","Hillis, Margaret, 1921-1998","Oxenburg, Allen Sven (1927-07-10-1992-07-02)","Nilsson, Birgit (19180517-20051225)","Shaw, Robert (Robert Lawson), 1916-1999","Casals, Pablo, 1876-1973","Schneider, Alexander, 1908-1993","Szell, George, 1897-1970","Firkušný, Rudolf, 1912-1994","Mozart, Wolfgang Amadeus (1756-1791)","Mahler, Gustav, 1860-1911","Lawrence, Robert, 1912-1981","Gardelli, Lamberto (19151108-19980717)","Costa, Mary","Simionato, Giulietta (19100512-20100505)","Istomin, Eugene (1925-11-26-2001-10-10)","Stern, Isaac, 1920-2001","Rose, Leonard (19180727-19841116)","Hurok, Sol, 1888-1974","Iglesias, Olga","Díaz, Justino ([1939-01-29,1940-01-29])","Serkin, Rudolf, 1903-1991","Beethoven, Ludwig van, 1770-1827","Richter-Haaser, Hans, 1912-1980","Lynn, George, 1915-1989","Verrett, Shirley (1931-05-31-2010-11-05)","Waldman, Frederic (1903-04-17-1995-12-01)","Handel, George Frideric, 1685-1759","Forrester, Maureen","Dorati, Antal (1906-04-09-1988-11-13)","Harper, Heather (Heather Mary) (1930-05-08-2019-04-22)","Du Pré, Jacqueline, 1945-1987","Gedda, Nicolai (1925-07-11-2017-01-08)","Gorr, Rita (1926-02-18-2012-01-22)","Elgar, Anne","Uppman, Theodor, 1920-2005","Leinsdorf, Erich, 1912-1993","Frank, Claude, 1925-2014","Brahms, Johannes, 1833-1897","Stokowski, Leopold (Leopold Anthony), 1882-1977","Katz, David (1924-1987)","Serebrier, José, 1938-","Gerstman, Felix, -1967","Jenkins, Newell (1915-02-08-1996-12-21)","Lee, T. Charles, 1914-1994","Warfield, William (1920-01-22-2002-08-25)","Woodside, Lyndon","Silverstein, Joseph (Joseph Harry), 1932-2015","Eskin, Jules (Jules Louis) (1931-10-20-2016-11-15)","Laredo, Jaime","Curtin, Phyllis (1921-12-03-2016-06-05)","Valletti, Cesare","Reardon, John, 1930-1988","Ormandy, Eugene, 1899-1985","Walter, F. Austin","Bjoner, Ingrid","Rossini, Gioacchino, 1792-1868","Arroyo, Martina (19360202)","Chookasian, Lili (1921-08-01-2012-04-10)","Bergonzi, Carlo (19240713-20140725)","Kertész, István, 1929-1973","Ilosfalvy, Róbert, 1927-2009","Ashkenazy, Vladimir (Vladimir Davidovich), 1937-","Piatigorsky, Gregor, 1903-1976","Koni︠u︡s, I︠U︡. (I︠U︡liĭ), 1869-1942","Oliver, John, 1939-2018","DeVaron, Lorna Cooke, 1921-2018","Strauss, Eduard, 1910-1969","Koller, Dagmar","Kraeutler, Walter","Strauss, Johann, 1825-1899","Ghiaurov, Nicolai, 1929-2004","Wolff, Beverly","Debussy, Claude (Achille-Claude), 1862-1918","Donizetti, Gaetano (Domenico Gaetano Maria), 1797-1848","Lewis, Henry, 1932-1996","Cava, Carlo (1928-08-16-2018-09-01)","Souliotis, Elena, 1943-2004","Jones, Gwyneth, 1936-","Cherubini, Luigi, 1760-1842","Bottion, Aldo","Tree, Michael, 1934-2018","Parnas, Leslie (1931-11-11-2022-02-01)","Glickman, Loren","Rudolf, Max, 1902-1995","Hoffman, Jay K.","Kiviniemi, Aimo J., 1918-2009","Jenness, Phyllis, 1922-","Brooks, Patricia (Patricia Anne), 1933-1993","Carringer, Walter (2006-10-22)","Giaiotti, Bonaldo (1932-12-25-2018-06-12)","Arrau, Claudio, 1903-1991","Wilson, Charles M., 1931-2019","Sills, Beverly (1929-05-25-2007-07-02)","Fischer-Dieskau, Dietrich, 1925-2012","Moore, Gerald Martin","Schumann, Robert (Robert Alexander), 1810-1856","Paskalis, Kostas","Gamson, Arnold","Caballé, Montserrat (Maria de Montserrat Viviana Concepción) (1933-04-12-2018-10-06)","Schubert, Franz","Schwarzkopf, Elisabeth (Olga Maria Elisabeth Friederike) (1915-12-09-[2006-08-02,2006-08-03])","Crochet, Evelyne","Haitink, Bernard (Bernard Johan Herman), 1929-2021","Henkemans, Hans (19131223-19951229)","Mehta, Zubin (19360429)","Cliburn, Van, 1934-2013","Adler, Murray","Lowenthal, Jerome (19320211)","Laurence, Eileen","Khanzadian, Vahan","Prince-Joseph, Bruce, 1925-2015","Kaplan, Abraham, 1931-","Böhm, Karl, 1894-1981","Richter, Karl, 1926-1981","Halem, Victor von (1940-03-26)","Gilles, Marie-Louise","Kesteren, John van, 1921-2008","Boky, Colette","Sawallisch, Wolfgang, 1923-2013","Slovák, Ladislav, 1919-1999","Dvorak, Antonin","Smetana, Bedřich, 1824-1884","Smith, Gregg (1931-08-21-2016-07-12)","Self, William","Solomon, Izler, 1910-1987","Ricci, Ruggiero, 1918-2012","Webern, Anton (Anton Friedrich Wilhelm von), 1883-1945","Cillario, Carlo Felice (19150207-20071213)","Callas, Maria, 1923-1977","Milanov, Zinka (1906-05-17-1989-05-30)","Ravel, Maurice (Joseph Maurice), 1875-1937","Falla, Manuel de, 1876-1946","Glière, Reinhold Morit︠s︡evich, 1875-1956","Weissenberg, Alexis (Alexis Sigismond) (1929-07-26-2012-01-08)","Ferras, Christian, 1933-1982","Verdi, Giuseppe","Ross, Elinor, 1926-2020","Vogt, Richard","Otterloo, Willem van (19071227-19780727)","Franck, César (César-Auguste-Jean-Guillaume-Hubert), 1822-1890","Newmark, John (1904-06-12-1991-10-17)","Tucci, Gabriella (1929-08-04-2020-07-09)","Baker, Janet, 1933-","Duval, Pierre, (Tenor)","Talvela, Martti (19350204-19890722)","Bonynge, Richard (1930-09-29)","Sutherland, Joan (Joan Alston), 1926-2010","Fischer, Annie (1914-07-05-1995-04-11)","Francescatti, Zino (Zino René-Charles), 1902-1991","Walton, William (William Turner), 1902-1983","Tchaikovsky, Peter Ilich, 1840-1893","Mandac, Evelyn","Litton, James H.","McCollum, John","Berberian, Ara (1930-05-14-2005-02-21)","Cleva, Fausto (19020517-19710806)","Tebaldi, Renata (1922-02-01-2004-12-19)","Saciuk, Andrzej","Previn, André (André George), 1929-2019","Novaes, Guiomar (1895-02-28-1979-03-07)","Tyler, Veronica","Paray, Paul, 1886-1979","Entremont, Philippe (1934-06-07)","Smith, William, 1924-1993","Wagner, Richard, 1813-1883","Sollberger, Sophie, 1934-","Bonazzi, Elaine (1936?-2019-01-29)","Sokol, Thomas A., 1929-","Shetler, Norman","Kubelík, Rafael, 1914-1996","Janáček, Leoš, 1854-1928","Weber, Carl Maria von (Carl Maria Friedrich Ernst von), 1786-1826","Hindemith, Paul, 1895-1963","Endich, Saramae","Milnes, Sherrill (19350110)","Munch, Charles, 1891-1968","Jochum, Eugen (19021101-19870326)","Svetlanov, Yevgeny, 1928-2002","Rostropovich, Mstislav, 1927-2007","Mussorgsky, Modest Petrovich, 1839-1881","Shostakovich, Maxim, 1938-","Sokolov, Grigoriĭ, 1950-","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975","Giulini, Carlo Maria (1914-05-09-2005-06-14)","Barenboim, Daniel, 1942-","Zukerman, Pinchas, 1948-","Allen, Betty, 1927-2009","Markevitch, Igor, 1912-1983","Strauss, Richard, 1864-1949","Killmer, Nancy","Garniez, Nancy","Villa-Lobos, Heitor (1887-03-05-1959-11-17)","Rorem, Ned, 1923-2022","Tilson Thomas, Michael, 1944-","Wolf, Hugo (Hugo Filipp Jakob), 1860-1903","Boulez, Pierre, 1925-2016","Lane, Louis (Louis G.) (1923-12-25-2016-02-15)","Semkow, Jerzy, 1928-2014","Skrowaczewski, Stanisław (Stanisław Paweł Stefan Jan Sebastian), 1923-2017","Trautwein, George William (1927)","Winograd, Arthur (1920-04-22-2010-04-22)","Solti, Georg, 1912-1997","Mazer, Henry, 1918-2002","Scovotti, Jeanette","Simon, Joanna, 1940-","Riegel, Kenneth (19380419)","Patrick, Julian, 1927-2009","Cortez, Viorica (1935-12-26)","Cochran, William (1943-06-23)","Carmeli, Boris (1928-04-23-2009-07-31)","Horne, Marilyn (1934-01-16)","Lupu, Radu, 1945-2022","Price, Leontyne (Mary Violet Leontyne) (1927-02-10)","Garvey, David, 1922-1995","Simon, Stephen (Stephen Anthony), 1937-2013","Morell, Barry","Estes, Simon (1938-02-02)","Blegen, Judith (19410427)","Steffan, Sofia","Quilico, Louis","Lo Monaco, Jerome (1925-2002)","Walker, Mallory (1935-05-22)","Nelson, John, 1941-","Cassilly, Richard, 1927-1998","Ellis, Brent","Ostendorf, John, 1945-","Berlioz, Hector, 1803-1869","Parsons, Geoffrey (Geoffrey Penwill) (1929-06-15-1995-01-26)","Zanetti, Miguel","Katz, Martin (Martin E.), 1945-","Burrows, Stuart (1933-02-07)","Stella, Antonietta (19290315)","Manuguerra, Matteo (1924-10-05-1998-08-23)","Carter, Elliott (Elliott Cook), 1908-2012","Dougherty, Lee","Dale, Clamma (1948-07-04)","Tal, Josef, 1910-2008","Bloch, Ernest, 1880-1959","Maazel, Lorin, 1930-2014","Siepi, Cesare (19230210-20100705)","Veasey, Josephine (1930-07-10-2022-02-22)","Savoie, Robert, 1927-2007","Soyer, Roger (1939-09-01)","Gniewek, Raymond, 1931-","Brozzesi, Franco","Plishka, Paul, 1941-","Aks, Harold","Abbado, Claudio (1933-06-26-2014-01-20)","Mravinsky, Yevgeny, 1903-1988","Tretʹi︠a︡kov, Viktor, 1946-","Arkhipova, Irina, 1925-2010","Westenburg, Richard","Bogard, Carole","Collins, Daniel, (Countertenor)","Bressler, Charles (1926-04-01-1996-11-28)","Anderson, Richard, (Bass)","Bruson, Renato (19360113)","Eda-Pierre, Christiane (1932-03-24-2020-09-06)","West, Jon Fredric, 1952-","Di Stefano, Giuseppe, 1921-2008","Sutherland, Robert, (Pianist)","Ludwig, Christa (1928-03-16-2021-04-24)","Pruett, Jérôme","Barzin, Leon (1900-11-27-1999-08-29)","Glaze, Gary","Masur, Kurt (1927-07-18-2015-12-19)","Lorenz, Siegfried, 1945-","Reger, Max, 1873-1916","Magad, Samuel, 1932-","Zeitlin, Ralph William","Still, Ray (19200312-20140312)","Hesse, Ruth","Ulfung, Ragnar (Ragnar Sigurd), 1927-","Hamari, Julia (19421121)","McCoy, Seth, 1928-1997","Ceccato, Aldo","Hollander, Lorin, 1944-","Bamert, Matthias (19420705)","Page, Robert (Robert Elza), 1927-2016","Kurtz, Eugene, 1923-2006","Lewis, William (William L.), 1931-","Perlman, Itzhak, 1945-","Comissiona, Sergiu (1928-20050305)","Prokofiev, Sergey (Sergey Sergeyevich), 1891-1953","Menuhin, Hephzibah, 1920-1981","Kraus, Alfredo","Elvira, Pablo, 1937-2000","Akiyama, Kazuyoshi, 1941-","Davenny-Wyner, Susan","De Cormier, Robert (Robert Romeo) (1922-01-07-2017-11-07)","Brendel, Alfred (1931-01-05)","Boutry, Roger (1932-02-27-2019-09-07)","Mendelssohn-Bartholdy, Felix, 1809-1847","Schröder-Feinen, Ursula","Tyl, Noel, 1936-","Copland, Aaron, 1900-1990","Rabbai, Joseph","Anagnost, Dino","Scotto, Renata, 1934-","Madden, Donald, 1933-1983","Aler, John (19491004)","Burchinal, Frederick (1948-12-07)","Harris, Roy, 1898-1979","Quivar, Florence (1944-03-03)","Davis, Eileen, (Mezzo-soprano)","Leonhard, Monika, 1942-","Kussmaul, Rainer","Hahn, Klaus-Peter, 1944-","Domingo, Plácido, 1941-","Bumbry, Grace, 1937-2023","Bergquist, Eleanor","Chudy, Natalya","Rampal, Jean-Pierre, 1922-2000","Zukerman, Eugenia","Sanders, Samuel (19370627-19990709)","Lauridsen, Beverly (1945-1994)","Armstrong, Sheila (19420813)","Davis, Colin (Colin Rex), 1927-2013","Ozawa, Seiji, 1935-","Liszt, Franz, 1811-1886","Larrocha, Alicia de (1923-05-23-2009)","Bailey, Norman (Norman Stanley), 1933-2021","Martin, Janis (Janis Lenere) (19390816-20141214)","Ottley, Jerold D. (Jerold Don) (1934-04-07)","Ripplinger, Donald (Donald Hilton) (1927)","Schreiner, Alexander, 1901-1987","Cundick, Robert (Robert Milton), 1926-2016","Longhurst, John (1940)","Levine, James, 1943-2021","Ewing, Maria (Maria Louise) (1950-03-27-2022-01-09)","Flummerfelt, Joseph (Joseph Ross) (1937-02-24-2019-03-01)","Minton, Yvonne (19381204)","Ward, David, 1922-1983","Dam, José van (1940-08-25)","Froschauer, Helmuth (1933-09-22-2019-08-18)","Tomowa-Sintow, Anna, 1941-","Baltsa, Agnes (1944-11-19)","Krenn, Werner","Freni, Mirella, 1935-2020","Cossotto, Fiorenza (19350422)","Beattie, Herbert, 1926-2019","Careccia, Franco","Lee, Lou Ann","Taylor, Rose (Rose Audrey) (19450401-20130914)","Gilels, Emil (1916-10-19-1985-10-14)","Rintzler, Marius","Swing, Peter Gram","Brooks, Tamara (1941-09-11-2012-05-19)","Hanson, Donald, (Conductor)","Waldhans, Jiři, 1923-1995","Bělohlávek, Jiří (1946-02-24-2017-05-31)","Krajný, Boris (1945-11-28)","Wagner, Roger, 1914-1992","Hendricks, Barbara (1948-11-20)","Albin, Gene (Gene V.), 1934-","Lebherz, Louis","Hurwood, Bonnie","Haywood, Lorna","Love, Shirley (1940-01-06)","Norman, Jerold","Smith, Malcolm, 1933-","Mickelson, Randolph","Masini, Gianfranco","Kenny, Yvonne (19501125)","Palmer, Felicity (19440406)","Gelber, Bruno-Leonardo, 1941-","Levitt, Arthur, 1931- ","Weill, Sandy","Wolfensohn, James D.","Bass, Robert, 1953-2008","Randolph, David (19141221-20100512)","Goodwin, John Daly","Carneiro, Joana, 1976-","Coorey, Matthew, 1973-","Johns, Kynan","Lehner, Manfred Hermann","Zhang, Xian, 1973-","Rattle, Simon, 1955-","Carey, Eric","Roset, Julie","Switzer, Erika","Kreisler, Fritz, 1875-1962","Lamson, Carl (1878-11-27-1966-03)","Gould, Morton, 1913-1996","Burton, Philip (Philip Henry), 1904-1995","Geer, Will (1902-03-09-1978-04-22)","Rodgers, Gaby","Martin, Ian, 1912-1981","O'Casey, Sean, 1880-1964","Parisot, Aldo (Aldo Simões) (1918-09-30-2018-12-29)","Sorel, Claudette, 1932-1999","Rudié, Robert (1919-2012-03-04)","Kempff, Wilhelm, 1895-1991","Druian, Rafael (19220120-20020906)","Robison, Paula (1941-06-08)","Isepp, Martin","Prey, Hermann, 1929-1998","Edwards, Ryan","Pfitzner, Hans (Hans Erich), 1869-1949","Gagnon, Roland","Hirst, Grayson","Belling, Susan","Porrello, Joseph","Metcalf, William, 1934-1997","Giovaninetti, Reynald","Floyd, Alpha","Kubiak, Teresa, 1937-","Howell, Gwynne (Gwynne Richard) (19380613)","Von Stade, Frederica (19450601)","Berman, Lazar (19300226-20050206)","Busoni, Ferruccio, 1866-1924","Popp, Lucia (1939-11-12-1993-11-16)","Glinka, M. I. (Mikhail Ivanovich), 1804-1857","Scriabin, Aleksandr Nikolayevich, 1872-1915","Vishnevskai︠a︡, Galina (Galina Pavlovna), 1926-2012","Knie, Roberta (1938-03-13-2017-03-16)","Demus, Jörg (Jörg Wolfgang), 1928-2019","Sousa, John Philip, 1854-1932","Brion, Keith (1933-07-09)","Nagel, Robert (Robert Earl) (1924-9-29-2016-06-05)","Swallow, John (John Warner), 1924-2012","Watts, Andre (1946-06-20-2023-07-12)","Weikl, Bernd (1942-07-29)","Söderström, Elisabeth (Anna Elisabeth), 1927-2009","Grobe, Donald (1929-12-16-1986-04-01)","Zoghby, Linda","Massenet, Jules, 1842-1912","Martinovich, Boris","Kniplová, Naděžda (1932-04-18-2020-01-14)","Schoenberg, Arnold, 1874-1951","Gottschalk, Louis Moreau","List, Eugene, 1918-1985","Savant, Victor","Shookhoff, William","Tenzi, Fausto","Verdejo, Awilda","Estes, Richard, 1948-","Ricciarelli, Katia (1946-01-16)","Hinds, Ruby","Gonzalez, Dalmacio (1945-05-12)","Johns, William, 1940-","Davis, Osceola","Muti, Riccardo (1941-07-28)","Buchanan, Isobel","Varady, Julia","Suzuki, Hidetaro, 1937-","Mroz, Leonard (Leonard Andrzej)","Gulyás, Dénes (1954)","Kazaras, Peter (1956)","Maurice, Glenda (1939-12-16-2013-4-16)","Britton, David, (Tenor)","Opalach, Jan (19500902)","Devia, Mariella (1948)","Delibes, Léo (Clément Philibert Léo), 1836-1891","Rao, Doreen","Bernard, Annabelle","Hancock, Gerre (Gerre Edward), 1934-2012","Castro Alberty, Margarita","Yarrow, Peter, 1938-","Stookey, Paul (Noel Paul), 1937-","Travers, Mary (Mary Allin), 1936-2009","Moore, Undine S. (Undine Smith) (1904-08-25-1989-02-06)","Halley, Paul (1952)","Randall, Tony (1920-02-26-2004-05-17)","Boito, Arrigo, 1842-1918","Andrade, Rosario","Rice, Laura Brooks","Hong, Hei-Kyung","deVaughn, Alteouise","Creech, Philip (1950-06-01)","Woodley, Arthur (1949)","Margalit, Israela (1944)","Behrens, Hildegard (1937-02-09-2009-08-18)","Vejzović, Dunja, 1943-","Dvorský, Peter, 1951-","Bogart, John-Paul (1952-09-17)","Sessions, Roger (Roger Huntington), 1896-1985","Spierer, Léon","Atzmon, Moshe","Patanè, Giuseppe, 1932-1989","Krilovici, Marina","Blake, Rockwell (1951-01-10)","Renzetti, Donato, 1950-","Burns, Stephen, 1959-","Phillips, Daniel (1960)","Phillips, Todd, (Violinist)","Anderson, June, 1952-","Roloff, Roger","Tokody, Ilona","Crafts, Edward","Barker, Charles","Rogoff, Rony","Ginastera, Alberto, 1916-1983","Boozer, Brenda","Weikert, Ralf","Cuberli, Lella (1945-09-29)","Merritt, Chris (Chris Allan), 1952-","Davis, Andrew, 1944-","Kahane, Jeffrey, 1956-","Gielen, Michael (Michael Andreas), 1927-2019","Kramer, Jonathan D. (Jonathan Donald), 1942-2004","Putnam, Ashley (1952-08-10)","Masterson, Valerie","Marriner, Neville (1924-04-15-2016-10-02)","Kocsis, Zoltán (1952-05-30-2016-11-06)","Pollini, Maurizio, 1942-","Neumann, Václav, 1920-1995","Leech, Richard, (Tenor)","Wilson, Neil, 1956-2000","Slatkin, Leonard (Leonard Edward) (1944-09-01)","Elgar, Edward (1857-06-02-1934-02-23)","Adams, John (John Coolidge), 1947-","Comet, Catherine","Montgomery, Kenneth","Thomas, Ambroise (Charles Louis Ambroise), 1811-1896","Rolandi, Gianna","McCauley, Barry (1950-06-25-2001-10-10)","Mack, John (John W.) (1927-10-30-2006-07-23)","Majeske, Daniel (Daniel Harold) (1932-09-17-1993-12-01)","Geber, Stephen","Vernon, Robert, (Violist)","Monk, Allan (19420819)","Dimitrova, Gena Macheva, 1941-2005","Stoltzman, Richard (1942-07-12)","Miranda, Sharon Moe","Marková, Jiřina","Wenkel, Ortrun","Dutoit, Charles (19361007)","Petkov, Dimitŭr, 1938-","Tennstedt, Klaus, 1926-1998","Cappuccilli, Piero (19291109-20050712)","Jones, Gwendolyn, (Mezzo-soprano)","Mackerras, Charles, 1925-2010","Gall, Jeffrey (1950-09-19)","Honegger, Arthur (Oscar-Arthur), 1892-1955","Marier, Theodore (Theodore Norman) (1912-10-17-2001-02-24)","Blahušiaková, Magdaléna","Sylvester, Michael, 1955-","Kusnjer, Ivan, 1951-","Leppard, Raymond (Raymond John) (1927-08-11-2019-10-22)","Kavrakos, Dimitri","Troyanos, Tatiana (1938-09-12)","Berg, Alban, 1885-1935","Hagegård, Håkan (1945-11-25)","Battle, Kathleen","Neikrug, Marc (Marc Edward), 1946-","Jin, Li, 1969-","Bruch, Max (Max Christian Friedrich), 1838-1920","Conlon, James, 1950-","Chailly, Riccardo, 1953-","Mintz, Shlomo, 1957-","Ameling, Elly (19340208)","Bouleyn, Kathryn","Lalo, Édouard (Édouard-Victoire-Antoine), 1823-1892","Vento, Marc, 1936-","Ciurca, Cleopatra","Myers, Lorna","Cole, Vinson (1950-11-21)","Jacobs, René (1946)","Taylor, Janice","Albert, Donnie Ray","Schafer, R. Murray (Raymond Murray) (1933-07-18-2021-08-14)","Dohnányi, Christoph von","Valentin, Dave (1952-04-29-2017-03-08)","Mauceri, John (1945-09-12)","Jordan, Armin (1932-04-09-2006-09-20)","Holliger, Heinz (1939-05-21)","Faulkner, Julia","Wheeler, Kimball (194u)","Chopin, Frédéric (Frédéric François), 1810-1849","Lloyd Webber, Andrew, 1948-","McGovern, Maureen (Maureen Therese) (1949-07-27)","Hillyer, Kazuko","Caddick, David","Turnbull, Walter J. , Dr.","Penderecki, Krzysztof (Krzysztof Eugeniusz), 1933-2020","Ma, Yo-Yo, 1955-","Strugała, Tadeusz, 1935-","Szymanowski, Karol, 1882-1937","Di Domenico, Dino","Wild, Earl (19151126-20100123)","Dešpalj, Pavle (1934-06-18)","Dešpalj, Valter","Sorkočević, Luka, 1734-1789","Beňačková-Čápová, Gabriela (1944-03-25)","Glassman, Allan","Dutilleux, Henri, 1916-2013","Milcheva, Aleksandrina (19340927)","Curry, Diane","Lamberti, Giorgio, 1938-","Gordon, David, 1947-","Toradze, Alexander","St. Clair, Carl (Carl Ray) (19520605)","Verrot, Pascal, 1959-","Hines, Jerome, 1921-2003","Harrell, Lynn (1944-01-30-2020-04-27)","Vivaldi, Antonio, 1678-1741","Lutosławski, Witold, 1913-1994","Parker, Jon Kimura, 1959-","Britten, Benjamin (Edward Benjamin), 1913-1976","Zimmermann, Frank Peter (1965)","Bizet, Georges (Georges Alexandre César Léopold), 1838-1875","Mehlig, Karl","Barber, Samuel (Samuel Osborne), 1910-1981","Matthus, Siegfried (1934-04-13)","Hauschild, Wolf-Dieter, 1937-","Licad, Cecile, 1961-","Walker, Charles Dodsley (1920-03-16-2015-03-21)","Barron, Jennifer","Burgess, Mary, (Mezzo-soprano)","Frager, Malcolm (19350115-19910620)","Schmidl, Peter","Henze, Hans Werner, 1926-2012","Bychkov, Semyon, 1952-","Fauré, Gabriel (Gabriel Urbain), 1845-1924","Kodály, Zoltán, 1882-1967","Larson, Sophia","McNair, Sylvia, (Soprano)","Cohen, Franklin, 1946-","Glass, Philip (1937-01-31)","Meyerbeer, Giacomo, 1791-1864","Slade, Frances F.","Mims, Marilyn, 1962-","Damrosch, Leopold, 1832-1885","Kalt, Frederic","Poppen, Diemut","Lester, Richard, 1959-","Giordano, Umberto, 1867-1948","Polozov, Vi︠a︡cheslav","Salvadori, Antonio, 1949-2006","Salonen, Esa-Pekka, 1958-","Lin, Cho-Liang, 1960-","Blomdahl, Karl-Birger, 1916-1968","Nielsen, Carl, 1865-1931","Ochman, Wiesław (1937-02-06)","Foster, Lawrence, 1941-","Labèque, Katia ([1950-03-03,1950-03-11])","Labèque, Marielle (1952-03-06)","Dukas, Paul (Paul Abraham), 1865-1935","Spohr, Louis, 1784-1859","Ben-Haim, Paul, 1897-1984","Temirkanov, I︠U︡. (19381210)","Pavlovsky, Eduardo A. (Eduardo Alejo) (1933-12-10-2015-10-04)","Quipildor, Zamba","Warrick-Smith, Pamela","Ramírez, Ariel (1921-09-21-2010-02-18)","Poulenc, Francis (Francis Jean Marcel), 1899-1963","Zinman, David (19460709)","Bunin, Stanislav, 1966-","Glazunov, Aleksandr Konstantinovich, 1865-1936","Bellini, Vincenzo, 1801-1835","Tumagian, Eduard","Giacomini, Giuseppe (1940-09-07-2021-07-28)","Todisco, Nunzio","Brister, Wanda","Marton, Eva (1943-06-18)","Cairns, Christine","Rouillon, Philippe","Meier, Waltraud (19560109)","Oldham, Arthur (Arthur William), 1926-2003","Roark-Strummer, Linda (1952)","D'Intino, Luciana (1959)","Folse, Bart","Coni, Paolo","Millo, Aprile","Perahia, Murray (1947-04-19)","Ax, Emanuel (19490608)","Norman, Jessye (1945-09-15-2019-09-30)","Deibler, Seán","Persichetti, Vincent (Vincent Ludwig), 1915-1987","Bronfman, Yefim (1958-04-10)","Lourié, Arthur (Arthur Vincent), 1892-1966","Midori, 1971-","Miller, Gary, (Conductor)","Marc, Alessandra","Sinopoli, Giuseppe (1946-11-02-2001-04-21)","Herbig, Gunther (1931-11-30)","Chmura, Gabriel (1946)","Schuman, Patricia, 1954-","Mentzer, Susanne (19570121)","Stairs, Michael (Michael Ondon) (2018-08-11)","Uchida, Mitsuko, 1948-","Finley, David-Marc","Kulko, Oleg","Järvi, Neeme (1937-06-07)","Kitaenko, Dmitriĭ (Dmitriĭ Georgievich) (19400818)","Viardo, Vladimir, 1949-","Catalani, Alfredo, 1854-1893","Tortelier, Paul, 1914-1990","Chung, Kyung-Wha, 1948-","Wernick, Richard (Richard F.), 1934-","Wagenaar, Johan, 1862-1941","Argerich, Martha, 1941-","Sylvan, Sanford (Sanford Mead) (1953-12-19-2019-01-29)","Hvorostovsky, Dmitri (Dmitri Aleksandrovich) (1962-10-16-2017-11-22)","Arkadʹev, M. A. (Mikhail Aleksandrovich) (1958-03-15)","Johnson, Sigrid","Stewart, Thomas, 1928-2006","Awerbuch (2001-08-26)","Giles, James, 1967-","Brooks, Muriel (1921)","Eschenbach, Christoph (19400220)","Serkin, Peter (Peter Adolf), 1947-2020","Janicello, Mark (1962-11-03)","Rowland, Martile","Mora, Fernando de la (1958-06-07)","Romani, Felice, 1788-1865","Vaughan Williams, Ralph (1872-1958)","Fassabaender, Brigitte (1939)","Rands, Bernard (1934-03-02)","Sotin, Hans (1939-09-10)","Imai, Nobuko (1943)","Wakasugi, Hiroshi, 1935-2009","Miki, Minoru, 1930-2011","Blackwell, Harolyn","Tippett, Micheal  (1905-01-02-1998-01-08)","Ravina, Oscar","Pritchard, Lee H. ","McCartney, Paul (19420618)","Davis, Carl, 1936-","Jansons, Mariss (Mariss Ivars Georgs), 1943-2019","Zimmerman, Frank Peter  (1965-02-27)","DePreist, James (James Anderson), 1936-2013","Heltay, Laszlo","Kaiser, Amy","Charbonneau, Pierre, 1944-","Swensen, Robert (1961)","Fleming, Renée (19590214)","Rozhdestvensky, Sasha (1970)","Leoncavallo, Ruggiero, 1858-1919","Dessì, Daniela (1957-05-14-2016-08-20)","Takemitsu, Tōru (1930-10-08-1996-02-22)","Schuman, William, 1910-1992","Westhoven, Krine, Jr. (1931-03-07-1997-07-30)","Welser-Möst, Franz (19600816)","Corigliano, John (John Paul), 1938-","Hayes, David, 1963-","Gabbiani, Roberto","Columbus, Christopher","Sparfeld, Ethelyn ","Davies, Peter Maxwell, 1934-2016","Orff, Carl, 1895-1982","Dent, Karl","Pletnev, Mikhail, 1957-","Feinburg , Alan","Ran, Shulamit, 1949-","Kisin, Evgeniĭ, 1971-","Schwarz, Gerard, 1947-","Paul, Thomas, 1934-","Kunde, Gregory (1954)","Moosdorf, Otto-Georg","Kalichstein, Joseph (1946-01-15-2022-03-31)","Vaness, Carol (1952-07-27)","Hellekant, Charlotte","Berio, Luciano, 1925-2003","Ohlsson, Garrick (19480403)","Pasternack, Benjamin","Grenke, David","Burenin, V. (Viktor), 1841-1926","Klein, Gideon, 1919-1945","Ullmann, Viktor (18980101-19441018)","Hamilton, Robert G.","Lipovšek, Marjana (1946)","Starker, Janos (1924-07-05-2013-04-28)","Akigishi, Hirohisa, 1962-","Hirokami, Junʼichi, 1958-","Weill, Kurt (Julian Kurt), 1900-1950","Marschik, Peter (1958)","Esposito, Valeria, 1961-","Rossi, Gaetano, 1774-1855","Goerke, Christine","Luxon, Benjamin (19370324)","Royer, Alphonse, 1803-1875","La Selva, Vincent (1929-09-17-2017-10-09)","Walsh, Mary","Vaëz, Gustav (1812-12-06-1862-03-12)","Williams, Janet, 1965-","Larmore, Jennifer (1958-06-21)","Sacchéro, Giacomo","D'Auria, Diego","Futral, Elizabeth","Cross, Gregory (1960)","Voigt, Deborah","Stone, William (1944-03-12)","Humphrey, Jon, (Tenor)","Borland, William, (Baritone)","López-Cobos, Jesús (1940-02-25-2018-03-02)","Schiff, András (19531221)","Bartoli, Cecilia (19660604)","Gergiev, Valeriĭ, 1953-","Herreweghe, Philippe","Maw, Nicholas (John Nicholas) (19351105-20090519)","Mørk, Truls, 1961-","Nordheim, Arne (1931-06-20-2010-06-05)","Simpson, Marietta (1954)","Grossman, Jerry (Jerry Michael) (1950-12-15)","Price, Margaret, 1941-2011","Ouzounian, Michael","Campo, Eduardo del","Milliet, Paul, 1848-1924","Tomšič-Srebotnjak, Dubravka, 1940-","Hampson, Thomas (19550628)","Focile, Nuccia (1959)","Leĭferkus, Sergeĭ (Sergeĭ Petrovich), 1946-","Uhlenhopp, John","Borodina, Olʹga","McNally, Terrence (1939-11-03-2020-03-24)","Krása, Hans, 1899-1944","Hunt Lieberson, Lorraine, 1954-2006","Cooper, Imogen ([1949-08-28,1949-08-29])","Morrell, Gareth, 1956-","Gershwin, George, 1898-1937","Galway, James (1939-12-08)","Liebermann, Lowell (19610222)","Guelfi, Carlo","Solzhenitsyn, Ignat","Terfel, Bryn (19651109)","Josefowicz, Leila, 1977-","Mercadante, Saverio (Giuseppe Saverio Raffaele), 1795-1870","Kremer, Gidon, 1947-","Ganassi, Sonia (1967)","Di Renzi, Richard","Eaglen, Jane (1960-04-04)","Sweet, Sharon","Hadley, Jerry (1952-06-16-2007-07-18)","Miles, Alastair (1961-07-11)","Rogé, Pascal (19510406)","Collard, Jean-Philippe, 1948-","Frank, Pamela (1967-06-20)","Ortner, Erwin, 1947-","Grant Murphy, Heidi (1966)","Cage, John (John Milton) (1912-09-05-1992-08-12)","Labelle, Dominique (1960)","Hart, Mary Ann","Tharp, Steven","Clement, Richard","West, Jayne","Maddalena, James (1954)","Studer, Cheryl (19551024)","Chafin, Robert, 1963-","Dillon, Martin","Chang, Sarah (1980-12-10)","Zacharias, Christian (19500427)","Shaham, Gil, 1971-","Mackenzie, Norman, (Pianist, Conductor)","Bonney, Barbara (1956-04-14)","Otter, Anne Sofie von (1955-05-09)","Sabbatini, Giuseppe","Hughes, Raymond (1952)","Harnoncourt, Nikolaus (1929-12-06-2016-03-05)","Orgonasova, Luba (1961-01-22)","Remmert, Birgit","Mills, Mary (Mary Elizabeth Mills) (1964)","Ragin, Derek Lee","Williams, Bradley (1965)","Schaldenbrand, Christopher","Bär, Olaf, 1957-","Siukola, Heikki","Connell, Elizabeth","Argento, Dominick (1927-10-27-2019-02-20)","Oue, Eiji (1956-10-03)","Bingxu, Hu","Song, Fei, 1969-","Wu, Yuxia","Gunn, Nathan","Upshaw, Dawn (19600717)","Margison, Richard, 1953-","Ansell, Steven","Chausow , Robert","Fricker, Daniel","Reiser, Niki","Bollag, Josef","Clift, Karen","Zimerman, Krystian (1956-12)","Gatti, Daniele, 1961-","Stutzmann, Nathalie (1965)","Schäfer, Christine, 1965-","Siegel, Jeffrey","Haza, Luis","Tetzlaff, Christian, 1966-","Martin, Douglas, (Musician)","Kasarova, Vesselina (19650718)","Bell, Joshua, 1967-","Grieg, Edvard, 1843-1907","Rimsky-Korsakov, Nikolay, 1844-1908","Berg, Nathan, 1972-","Flanigan, Lauren","Poretsky, Susana","Ward, Perry","Ikaia-Purdy, Keith","Simpson, Gary (Robert Gary), 1959-","Ligeti, György, 1923-2006","Vengerov, Maksim (1974-08-20)","Panula, Jorma (1930-08-10)","Ziesak, Ruth (1963)","Salerno-Sonnenberg, Nadja (1961-01-10)","Hough, Stephen, 1961-","Wigglesworth, Mark, 1964-","Ziegler, Delores","Holzmair, Wolfgang, 1952-","Ainsley, John Mark (19630709)","Meoni, Giovanni","Amiliato, Fabio","Tan, Dun, 1957-","Sviridov, Georgiĭ, 1915-1998","Gilad, Jonathan","Larsson, Anna, (Contralto) (1966-09-10)","Grossmann, Agnes, (Choral conductor)","Isaac, Heinrich, approximately 1450-1517","Delfs, Andreas","Babbitt, Milton","Banse, Juliane, 1965-","Järvi, Paavo, 1962-","Ledbetter, Victor","Brewer, Christine, 1960-","Silja, Anja (19400417)","Forbis, Clifton","Alexander, Roberta (1949-03-03)","Mutter, Anne-Sophie, 1963-","Scribner, Norman (Norman Orville) (19360225-20150322)","Costanzo, Anthony Roth","Bostridge, Ian (1964)","Brown, Timothy, (Horn player)","Morales, Ricardo, (Clarinetist) (1972)","Marchini, Italo (1953)","Relyea, John","Swenson, Ruth Ann (1959-08-25)","Smith, Hugh, (Tenor)","Putilin, Nikolaĭ (Nikolaĭ Georgievich), 1954-","Thomas, Indra","Blythe, Stephanie (1970)","Bernstein, Richard, (Bass-baritone) (1966-07-30)","Brubeck, Dave (1920-12-06-2012-12-05)","Moody, James, 1925-2010","Brubeck, Chris (19520319)","Krall, Diana (Diana Jean) (1964-11-16)","Redman, Joshua (1969-02-01)","Vonk, Hans","Maultsby, Nancy","Peterson, Dean","Thibaudet, Jean-Yves, 1961-","Ponchielli, Amilcare, 1834-1886","Valayre, Sylvie (19641010)","Day, Kathryn","Robertson, David, 1958-","Znaider, Nikolaj, 1975-","Freire, Nelson (1944-10-18-2021-11-01)","Phelps, Cynthia","Young, Rebecca, (Violist)","Gubaidulina, Sofia, 1931-","Esperian, Kallen","Gazale, Alberto","Welch-Babidge, Jennifer","Knussen, Oliver (Stuart Oliver) (1952-06-12-2018-07-08)","Lundy, Nancy Allen","Olsen, Stanford","Oswald, Mark","Chen, Robert","Guleghina, Maria (1959-08-09)","Pons, Juan (19460808)","Urmana, Violeta (1959/1961)","Kowalijow, Vitalij","Young, Thomas, 1962-","Takezawa, Kyoko, 1966-","Siff, Ira (1946-02-15)","Stoyanova, Krassimira","Makarina, Olga","Giordani, Marcello (1963-01-25-2019-10-05)","Polenzani, Matthew (1968)","Sharp, William, (Baritone) (19510601)","Metallo, Vincent","Lafontaine, Timothy ","Grant, Jason, 1970-","Barr, Frank","Wilson-Johnson, David (1950-11-16)","Watson, Janice, 1964-","Lang, Petra (1962-11-29)","Gruber, H. K. (Heinz Karl) (19430103)","Tanguy, Eric (19680127)","Williams, John (John Towner), 1932-","Davidson, David r.  (1948-2009)","Liao, Changyong, 1968-","Rouse, Christopher (Christopher Chapman), 1949-2019","Hersch, Michael, 1971-","Pape, René (1964-09-04)","Bolcom, William (William Elden) (1938-05-26)","Schmidt, Frank Willi, 1967-","Chang, Han-Na (19821223)","Bashmet, I︠U︡riĭ (I︠U︡riĭ Abramovich) (1953)","Shen, Hsueh-Yung, 1952-","Parloff, Michael","Zuber, Gregory","Takova, Darina","Shtoda, Daniil (Daniil Aleksandrovich) (19770213)","Chaignaud, Jean-Luc","Fischer, Iván (1951-01-20)","DiDonato, Joyce (1970)","George, Vance","Ullmann, Marcus","Gauvin, Karina (1966~)","Schreier, Peter (Peter Max) (1935-07-29-2019-12-25)","Rucker, Mark, (Singer)","Licitra, Salvatore, 1968-2011","Figueroa, Rafael, 1961-","Chan, David, (Violinist)","Eanet, Nick","Strauss, Josef, 1827-1870","Blaze, Robin (19710111)","Kooy, Peter (1954-09-17)","Türk, Gerd","Suzuki, Masaaki, 1954-","Nonoshita, Yukari","Ramey, Samuel (1942-03-28)","Gao, Ding","van Kley, Susan","Zerbe, Monica","Fischer, Julia, 1983-","Graham, Susan, 1960-","Zeffiri, Mario","Baptista, Cyro (1950-12-23)","Stott, Kathryn (Kathryn Linda) (1958-12-10)","D'Rivera, Paquito, 1948-","Matta, Nilson","Suadin, I Nyoman","Whitman, Thomas, 1960-","Laurendeau, Jean","Anderson, Valdine","Acevedo, Carmen","Figueroa, Guillermo, 1953-","Pérez, Jossie","Martínez, Ana María, 1968-","Chandler-Eteme, Janice","Jones, Ann Elizabeth Howard","Moore-Brown, Marilyn","Chama, José Eduardo","Potenza, Rossana","Casanova, Francisco, (Tenor)","Aimard, Pierre-Laurent, 1957-","Boreĭko, Andreĭ, 1957-","Crider, Michèle (1963)","Kitic, Milena","Golesorkhi, Anooshah","Spano, Robert (Robert V.) (1961-05-07)","Polegato, Brett (19680509)","Douvas, Elaine","Szkafarowsky, Stefan ","Tiboris, Peter","Terentʹeva, Nina","Brown, Angela M. (Angela Marie), 1963-","Edwards, Iwan, 1937-2022","Murzaev, Sergeĭ","Gubskiĭ, Mikhail","Pavlovskai︠a︡, Tatʹi︠a︡na","Repin, Vadim (1971-08-31)","Grimaud, Hélène, 1969-","Pintscher, Matthias (1971-01-29)","Montalvo, Marisol","Robbins, Julien (1950-11-14)","Taylor, James, 1966-","Rilling, Helmuth (19330529)","Petersen, Marlis (1968-02-03)","Birtwistle, Harrison (1934-07-15-2022-04-18)","Lortie, Louis, 1959-","Lachenmann, Helmut (1935-11-27)","Courtney, James, 1946-","Wong, Deborah","Kraevsky, Natalya","Kavakos, Leonidas (1967)","Giordano, Massimo (1971-02-19)","Gutiérrez, Eglise","Chung, Myung-Whun, 1953-","Delavan, Mark","Bartolini, Lando","Easton, Richard, 1933-2019","Rees, Roger, 1944-2015","Margiono, Charlotte","Studebaker, Thomas, 1970-","Sousa, Vasco","Guerreiro, Luis","Neto, António","Ruela, João Pedro","Mariza (19731216)","N'Dour, Youssou (19591001)","Salama, Fathy","Dehn, Ellie","Johnson, Heather, (Mezzo-soprano) ([1971,1972])","Chingari, Marco","Lieberson, Peter, 1946-2011","Röschmann, Dorothea (1967-06-17)","Bravo, Fabiana (1969)","Baransky, Pavel","Sunnegårdh, Erika","Lang, Lang, (Pianist)","Korchak, Dmitriĭ (Dmitriĭ Mikhaĭlovich), 1979-","Fabiano, Michael (19840508)","Saxton, Shirley Johnson","Maillard, Carol","Casel, Nitanju Bolade","Barnwell, Ysaye M.","Kisfauldy, Ors","Dohmen, Albert","Zeller, Richard","Hite, William","Pannill, Judith","Angel, Ryland","Wuorinen, Charles","Tritle, Kent (1960-09-26)","Donose, Ruxandra, 1964-","McPherson, Robert, (Tenor)","Ford, Bruce (1956-08-15)","Cornetti, Marianne","Moore, Latonia (1979)","Filianoti, Giuseppe, 1974-","Li, Yundi (1982-10-07)","Adès, Thomas (Thomas Joseph Edmund) (1971-03-01)","Piazzolla, Astor (1921-03-11-1992-07-05)","Korngold, Erich Wolfgang, 1897-1957","Magalhaes, Amadeu","Lucas, Filipe","Zaccaria, Davide","Pontes, Dulce (Dulce José) (1969-04-08)","Feiteira, Paulo","Stockhausen, Karlheinz, 1928-2007","DeYoung, Michelle (1968)","Miller, Joe, 1965-","Malvar-Ruiz, Fernando (1968-07-11)","Kissinger, Henry, 1923-","Eugenides, Jeffrey (Jeffrey Kent) (1960-03-08)","Henckel von Donnersmarck, Florian, 1973-","Schlöndorff, Volker (1939-03-31)","Mehretu, Julie, 1970-","Dudamel, Gustavo (19810126)","Quasthoff, Thomas (1959-11-09)","Lindberg, Magnus (Magnus Gustaf Adolf), 1958-","Milliken, Catherine","Maldoom, Royston","Fink, Bernarda (1959)","Brandes, Christine","Soboleva, Irina","Petrenko, Pavel","Petrenko, Andrei","Duparc, Henri, 1848-1933","Ketting, Otto, 1935-2012","Furlanetto, Ferruccio (1949-05-16)","Jessop, Craig D.","Johnson-Huff, Ann","Drafall, Robert W.","Teraoka-Brady, Carolyn","Bernhardt, Valerie","Snyder, Dan","Dominick, John, III","Ciavaglia, Michael A. ","Manucharyan, Yeghishe","Harler, Alan (1940-04-10)","Vasta, Stephen (Steve) Francis","Kirschner, Ann J.","Lowry, Robert, 1826-1899","Glaser, Pamela","Covo, Bettina, 1956-","Biss, Jonathan (1980-09-18)","Stomsvik, Diana","Kachanov, Nikolai","Galuzine, Vladimir","Daurov, Adrian","Schönberg, Claude-Michel (19440506)","McBroom, Amanda (1947-08-09)","Wallace, Randall, 1949-","Simon, Carly (19450625)","Mcferrin, David","Ein-Habar, Eyal","Anger, Ain","Vargas, Ramon, 1960-","Callegari, Daniele","Pieczonka, Adrianne, 1963-","Stringer, Howard, 1942-","Mares, Luca","Cabrino, Guiseppe","Vincenzo, Alessandra Di","Galligioni, Francesco","Sbrogiò, Alessandro","Ökrös, Oszkár, 1957-","Lendvay, József, 1974-","Lendvay, József","Gritton, Susan (19650831)","Romey, Kathy Saltzman","Nolen, Laura Vlasak","Di Giacomo, Julianna, 1975-","Kožená, Magdalena (1973)","Owens, Eric, 1970-","Friedrich, Eberhard (1958)","Hummel, Johann Nepomuk, 1778-1837","Daniels, David, 1966-","Joshua, Rosemary (1964-10-16)","Labadie, Bernard, 1963-","Damrau, Diana (1971-05-31)","Grove, Jill","Vänskä, Osmo, 1953-","Niemelä, Hannu, 1954-","Hyökki, Matti, 1946-","Nisula, Päivi","Karnéus, Katarina","Claycomb, Laura (1968-08-23)","Anton̦enko, Aleksandrs, 1975-","Frühbeck de Burgos, Rafael (19330915-20140611)","Fernández, Igor Ijurra","Berkun Menaker, Dianne","Kalagina, Anastasia","Alagna, Roberto","Veronesi, Alberto (1967)","Mascagni, Pietro, 1863-1945","Alsop, Marin (1956-10-16)","Thomas, Vaneese","De Haas, Darius","Stifelman, Leslie","Lewis-Evans, Kecia","Goerne, Matthias, 1967-","Griffey, Anthony Dean, 1967-","Vallet, Pierre, (Conductor)","O'Neill, Simon, 1971-","Hahn, Hilary","Mena, Juanjo, 1965-","Higdon, Jennifer, 1962-","Batiashvili, Lisa, 1979-","Taigi, Chiara","Nelsons, Andris (1978-11-18)","Van der Linde, Clint, 1976-","Nicholls, Rachel, (Soprano)","Blažíková, Hana (19801202)","Wolfe, Duain","Lee, Josephine, 1975-","Martineau, Malcolm (19600203)","Schade, Michael (1965-01-23)","Schwartz, Sylvia, 1982-","Gabrieli, Giovanni, approximately 1554-1612","Nagano, Kent (Kent George), 1951-","Dessay, Natalie, 1965-","Trifonov, Daniil (Daniil Olegovich), 1991-","Clark, Katerina","Amar, Tarik Youssef Cyril, 1969-","Wortman, Richard (19380324)","Matthewman, Gary","Bondarenko, Andriĭ (Andriĭ Volodymyrovych), 1987-","Luisi, Fabio (1959-01-17)","Harbison, John (John Harris) (1938-12-20)","Rice, Christine","Goode, Richard (1943-06-01)","Bicket, Harry (1960)","Purcell, Henry, 1659-1695","Biber, Heinrich Ignaz Franz, 1644-1704","Bennett, Mark, (Trumpeter)","Scholl, Andreas (19671110)","Kaufmann, Jonas (1969-07-10)","Gheorghiu, Angela (1965-09-07)","Barnum, Donald","Walker, Danielle","Lully, Jean-Baptiste, 1632-1687","Fasch, Johann Friedrich, 1688-1758","Lamon, Jeanne (1949-08-14-2021-06-20)","Robinson, James","Falby, Doreen","Polochick, Edward","Conway, Eric, Dr.","Bagwell, James","Ketelson, Kyle (1971)","Morris, James (1947-01-10)","Cutler, Eric","Rebeka, Marina, 1980-","Jurowski, Vladimir, 1972-","Bellemer, John G.","Johnson, Anita, (Vocalist)","Cooke, Sasha","Phan, Nicholas (1979-01-03)","Phillips, Susanna, 1981-","Yamadate, Fuyuki","Singer, Gregory","Kimura, Mineko","Matsubara, Yuko","John, Emily","Chase, Constance","Biondi, Fabio (1961-03-15)","Locatelli, Pietro Antonio, 1695-1764","Nardini, Pietro, 1722-1793","Genaux, Vivica (1969-07-10)","Heras-Casado, Pablo (1977-11-21)","Denk, Jeremy (1970-05-16)","Norrington, Roger (1934-03-16)","Pluhar, Christina (1965)","Andueza, Raquel","Galeazzi, Lucilla (19501224)","Merula, Tarquinio, -1665","Davies, Neal (1965)","Guillon, Damien (1981)","O'Connor, Kelley","Wilson, Harold","Baetge, Noah","Shapiro, Mark","Sandel-Pantaleo, Leann","Rowley, Jennifer, (Soprano)","Sorenson, Garrett","Schasching, Rudolf","Henschel, Jane, 1950-","Stemme, Nina (1966)","Giovannini, Antonio, 1980-","Feola, Rosa","Respighi, Ottorino, 1879-1936","Martucci, Giuseppe, 1856-1909","Măcelaru, Cristian, 1980-","Solti, Valerie","Quantz, Johann Joachim, 1697-1773","Frederick, King of Prussia, II, 1712-1786","Pahud, Emmanuel, 1970-","Meister , Elisabeth","Rose, Matthew, (Bass)","Spyres, Michael","Gardiner, John Eliot (19430420)","Johnston, Jennifer","Barton, Jamie ([1981, 1982])","Meade, Angela","Pallesen, Nicholas","Caldarella, Juan","Scarpino, Alejandro, 1904-1970","Castro, Giancarlo, 1980-","Clamor, Thomas","Chávez, Carlos (Chávez Ramírez), 1899-1978","Orbón, Julián, 1925-1991","Revueltas, Silvestre (José Silvestre Revueltas Sánchez), 1899-1940","Colon, Gaspar","Alvarez, Idwer","Benzecry, Esteban (19700413)","Lindsey, Kate","Marcon, Andrea (1963)","Fusek, Anna","Favaro, Michele","Genini, Giulia","Bovo, Daniele","Bardon, Patricia (1964)","Rae, Brenda","Pisaroni, Luca, 1975-","Lippert, Herbert, 1957-","Suppé, Franz von, 1819-1895","Widmann, Jörg (1973-06-19)","Jackson, Christopher (Christopher O.), 1960-2007","Palestrina, Giovanni Pierluigi da, 1525?-1594","Démettre, Claire-Lise, 1986-","Paugam, Laurence","Pernoo, Jérôme (1972)","Cangemi, Veronica (19641010)","Spinosi, Jean-Christophe, 1964-","Botstein, Leon (1946-12-14)","Wilson, Tamara, (Soprano)","Wittmoser, Carsten","Icochea, Andy Icochea","Thielemann, Christian, 1959-","Yang, Jonathan Jun","Lee, Kate Xintong","Baldwin, Alec, 1958-","Mat︠s︡uev, Denis, 1975-","Oesterle, Michelle","Chacón-Cruz, Arturo, 1977-","Borchev, Nikolay","Watson, Katherine, (Soprano)","Ibragimova, Alina (Alina Rinatovna), 1985-","Cohen, Jonathan (Jonathan Frank)","Hirai, Hideaki","Cerutti, Joe","Tsuji, Hideyuki ","Lunghi, Francesca","Satake, Naomi","Stucky, Steven (Steven Edward) (1949-11-07-2016-02-14)","Boulianne, Julie, (Mezzo-soprano)","Savall, Jordi (19410801)","Egarr, Richard, 1963-","Phillips, Peter, 1953-","Blachly, Alexander (1944-11-13)","Mattila, Karita","Dobracheva, Ėvelina","Hanson, Howard, 1896-1981","Christie, Michael, 1974-","Mickelthwate, Alexander","Pershall, David","Costello, Stephen, 1981-","Chauvet, Géraldine","Haas, Georg Friedrich (1953-08-16)","Lučić, Željko, 1968-","Tang, Muhai, 1949-","Coote, Alice (19680510)","Devin, Anna","Christy, Anna","Nézet-Séguin, Yannick, 1975-","Connolly, Sarah (Sarah Patricia) (19630613)","Zobel, David","Kaiser, Joseph (1977-10-14)","DeShong, Elizabeth","Guthrie, Arlo (Arlo Davy) (1947-07-10-)","Fenoglio, Claudio","Osborn, John, (Tenor) (1972-05-16)","Salsi, Luca, 1975-","Noseda, Gianandrea (1964)","Fang, Ying","Arbo, Rani","Diawara, Fatoumata (1982)","Aurelio","Olatuja, Alicia","Bakhtouridze, Mzia","Abdrazakov, Ilʹdar, 1976-","Skorokhodov, Sergeĭ, 1974-","Kolosova, Alisa, 1987-","Netrebko, Anna (Anna I︠U︡rʹevna) (1971-09-18)","Andsnes, Leif Ove, 1970-","Gerhaher, Christian (1969-07-24)","Brownlee, Lawrence (1972-11-24)","Cabell, Nicole (1977-10-17)","Benini, Maurizio","Schuller, Gunther (Gunther Alexander) (1925-11-22-2015-06-21)","Byrd, William, 1539 or 1540-1623","Ichise, Reiko","Tunnicliffe, Richard","Morikawa, Asako","Boothby, Richard, 1955-","Weckmann, Matthias, 1616?-1674","Bezuidenhout, Kristian (1979)","Barkmin, Gun-Brit","Serdi︠u︡k, Nadezhda (1975)","Matochkina, Yulia","Ganbaatar, Aruinbaatar","Masleev, Dmitry, 1988-","Ionițǎ, Andrei, 1994-","Michalek, David","Karlowicz, Mieczyslaw (1876-1909)","Beczala, Piotr (1968)","Lunn, Joanne ([1973,1975])","Ivashchenko, Dimitry","Vogel, Eva","Dasch, Annette, 1976-","Griffith, Jonathan","Shumate, Penelope ","Chapa, Claudia","McVeigh, John","Rutenberg, Craig","Scarlatti, Domenico, 1685-1757","Vinikour, Jory, 1963-","Bull, John, -1628.","Bradley, Michelle","Gaertner, Michael ","Morlot, Ludovic, 1973-","Covington, Conner Gray, 1987-","Venner, Matthew","Dobell, Mark","Smith, Angus","Greig, Donald","Melton, Heidi","McGegan, Nicholas","Link, Joel","Lee, Bryan","Pajaro-van de Stadt, Milena","Shaw, Camden","Noda, Ken","Rivera, Jessica, (Soprano)","Ford, Nmon","Gere, Richard (Richard Tiffany), 1949-","Baruch, Wayne","Gayton, Charles","Vinke, Stefan","Ganenko, Tatiana","Drury, Patricia","Pakaluk, Michael S.","Clarke, Colin R.","Gibbs, Deborah Lee","Millar, Cynthia, (Ondes Martenot player)","Friman, Anna Maria","Fuglseth, Linn Andrea","Opheim, Berit, 1967-","Fisch, Asher (1965)","Karloski, Helen","Richardson, Alex, (Tenor)","Cutlip, Philip","Dantone, Ottavio","Mullova, Viktorii︠a︡, 1959-","Beilman, Benjamin","Emelʹi︠a︡nychev, Maksim, 1988-","Palazzo, Manuel","Camarena, Javier (1976~)","Witt, Gregor, 1968-","Glander, Matthias","Baier, Mathias, 1982-","Vlatković, Radovan (1962)","Brandl, Wolfram","Deyneka, Yulia (1982)","Tokcan, Yurdal, 1966-","Psonis, Dimitris","Güngör, Hakan, 1973-","Sarikouyoumdjian, Haïg","Greenleaf, Jolle","Mealy, Robert","Andrijeski, Julie","Sperling, Ted","Dŭrvarova, Elmira (1954)","Mathew, George, (Conductor)","Baráth, Emőke, 1985-","Bridelli, Giuseppina, 1986-","Karthäuser, Sophie (1975)","Boesch, Florian","García Alarcón, Leonardo (1976)","Lexa, Olivier","Alessandrini, Rinaldo (1960)","Buchbinder, Rudolf, 1946-","Skride, Baiba","Krijgh, Harriet, 1991-","Moser, Elsbeth","Mehta, Bejun ([1968-06-29,1969])","Willer, Beth","Luganskiĭ, Nikolaĭ (Nikolaĭ Lʹvovich), 1972-","Padmore, Mark (Mark Joseph) (19610308)","Forck, Bernhard","Grey, Mark, 1967-","Wyers, Giselle","Lynch, Shane","Boers, Geoffrey (Geoffrey Paul)","Hatteberg, Kent Eugene","Kühmeier, Genia","Scheen, Céline (1976)","Capezzuto, Vincenzo","Pappano, Antonio, 1959-","Hannigan, Barbara (1971)","Jia, Lü, 1964-","Zhang, Haochen, 1990-","Chest, John","Check, Jennifer","Fujimura, Mihoko","Sierra, Nadine, 1988-","Luisotti, Nicola (19611126)","Jansen, Janine  (1978)","Stein, Avi","Zhu, Beiliang, 1985-","Weaver, Charles","Deutsch, Helmut (1945-12-24)","Schultz, Golda","Wong, Lisa, 1969-","Van Horn, Christian (1978)","Schmitt, Maximilian","Davies, Iestyn (1979-09-16)","Harvey, Joélle","Petrenko, Kirill (1972)","Müller-Schott, Daniel, 1976-","Brower, Angela","Müller, Hanna-Elisabeth, 1985-","Eckhoff, Sören","Jones, Simon (1950-07-27)","Kenny, Elizabeth","Jones, Robert, active 1597-1615","Dowland, John, 1563?-1626","Nylund, Camilla (1968-06-11)","Rees, Andrew, (Tenor)","Dirvanauskaitė, Giedrė","Watkins, Paul, 1970-","Dutton, Lawrence (1954-05-09)","Setzer, Philip, 1951-","Drucker, Eugene, 1952-","Faust, Isabelle, 1972-","Giguère, Pascale","Rachvelishvili, Anita, 1984-","Gražinytė-Tyla, Mirga, 1986-","Ehnes, James, 1976-","Ruggles, Carl, 1876-1971","Yende, Pretty, 1985-","Lehár, Franz, 1870-1948","Tauber, Richard, 1891-1948","Kálmán, Emmerich, 1882-1953","Rieder, Jochen (1970)","Tamestit, Antoine, 1979-","Richardot, Lucile","Armiliato, Marco","Vasilek, Lukáš, 1980-","Kulman, Elisabeth (19730628)","Karg, Christiane (1980)","Saïtkoulov, Roustem","Manasherov, Miriam","Soltani, Kian (1992)","Flórez, Juan Diego, 1973-","Scalera, Vincent","Conti, Francesco, 1681 or 1682-1732","Cano, Jennifer Johnson","Hantaï, Pierre, 1964-","Beyer, Amandine","Orliński, Jakub Józef, 1990-","Nosky, Aisslinn","Woods, Alexander, (Violinist)","Miller, Kyle, 1986-","Seltzer, Ezra","Zebley, Charles","Lislevand, Rolf (1961)","Pierlot, Philippe, 1958-","Kraemer, Manfred (1960-10-27)","Engle, Marie","Fischer, Ádám, 1949-","Levit, Igor, 1987-","Rondeau, Jean, 1991-","Muhly, Nico (1981-08-26)","Lisiecki, Jan, 1995-","Wang, Yuja (19870210)","Capuçon, Gautier (1981)","Tynan, Ailish","Fox, Steven, 1978-","Brook, Matthew","Tritschler, Robin","Teuscher, Lydia, 1975-","Buxtehude, Dietrich, 1637-1707","Tsuji, Nobuyuki (1988-09-13)","Satie, Erik, 1866-1925","Marais, Marin, 1656-1728","Visée, Robert de","Dunford, Thomas, 1988-","Maclary, Edward","Grimaldi, Erika, 1980-","Amarù, Chiara, 1984-","Angelini, Michele (1982)","Leonard, Isabel","Schachtner, Benno, 1984-","Garanča, Elīna, 1976-","Stadlen, Sam","Levine, Joanna","Ashton, Emily","Abduraimov, Behzod (1990-09-11)","Blue, Angel (Angel Joy), 1984-","Gaffigan, James, 1979-","Oropesa, Lisette","Petrenko, Vasiliĭ (Vasiliĭ Ėduardovich), 1976-","d'Alessio, Giulio","Scheid, Edson","Rossi, Stefano, (Violinist)","Minasi, Ludovico, 1984-","Tosti, F. Paolo (Francesco Paolo), 1846-1916","Baillieu, James","Nilsson, Lars David, 1966-","Mattei, Peter, 1965-","Foster, Tom","Zachow, Friedrich Wilhelm, 1663-1712","Froberger, Johann Jacob, 1616-1667","Mattheson, Johann, 1681-1764","Kim, Stephen","Mackey, Steven, 1956-","Zanocco, Gianpiero","Torri, Pietro, approximately 1650-1737","Hallenberg, Ann","Hailstork, Adolphus C. (Adolphus Cunningham) (1941-04-17)","Marsalis, Branford (Branford Iweanya) (1960-08-26)","Mälkki, Susanna (1969-03-13)","Dinnerstein, Simone (Simone Andréa) (19720918)","Thurman, Uma (1970-04-29)","Aucoin, Matthew, 1990-","Coleman, Valerie, 1970-","Wilkins, Thomas, (Conductor)","Fullana, Francisco","Sorrell, Jeannette","Uccellini, Marco, approximately 1603-1680","Zetlan, Jennifer","Petrie, Heather","Holcomb, Bernard, 1983-","Lagasca, Enrio","Christophers, Harry (1953)","Filsell, Jeremy (Jeremy Daniell) (1964-04-10)","Sly, Philippe","Prégardien, Julian, 1984-","Cargill, Karen","Quist, Amanda","Dixon, Rodrick (1966-06-22)","Ustvolʹskai︠a︡, Galina Ivanovna, 1919-2006","Corrette, Michel, 1707-1795","Telemann, Georg Philipp, 1681-1767","Bihan, Marie Lambert-Le","Mobley, Reginald","Hadelich, Augustin (1984)","Zweden, Jaap van (19601212)","Bell, Isaiah","Austin, Justin","Bradford, Lucia","Kyslytsya, Sergiy","Fortner, Sullivan (Sullivan Joseph) (1986-12-29)","Feinstein, Michael (Michael Jay) (1956-09-07)","Smith, Robert F. (Robert Frederick), 1962-","Walker, George (George Theophilus), 1922-2018","Bach, Carl Philipp Emanuel, 1714-1788","Isserlis, Steven, 1958-","Pachelbel, Johann, 1653-1706","Jovanovich, Brandon","Frank, Gabriela Lena (1972)","Dueñas, María","Meyers, Anne Akiko, 1970-","Márquez, Arturo, 1950-","Schumann, Clara, 1819-1896","Price, Florence (Florence Beatrice), 1887-1953","Rana, Beatrice, 1993-","Norman, Andrew, 1979-","Bendix-Balgley, Noah, 1984-","Key, Frances Scott (1779-1843)","Shani, Lahav, 1989-","Imber, Naphtali Herz, 1856-1909","Xi, Wang, 1978-","Freedman, Daryl","Schoonhoven, Kyle van","McIntyre, Jana","Parrish, Joseph","Hunt, Sophia","Woolsey, Midge","Buialski, Vladyslav","Shrut, Arlene","Chase, Claire (Claire Rose), 1978-","Vustin, Aleksandr, 1943-2020","Silvestrov, Valentyn (1937)","Savino, Richard","Ellis, Jennifer, (Soprano)","Snaidas, Nell","LaMotte, Adam","Kuchar, Theodore (1960)","Khristenko, Stanislav, 1984-","Stankovych, I︠E︡. (I︠E︡vhen), 1942-","Villalon, Elena","Persson, Miah (1969-05-27)","De Bique, Jeanine","Manna, Gennaro, 1715-1779","Alston, Charlotte Blake","Zhang, Meigui","Nally, Donald, 1960-","Adams, John Luther, 1953-","Thompson, Sumner","Langlois de Swarte, Théotime","Christie, William (William Lincoln) (1944-12-19)","Senaillé, Jean Baptiste, approximately 1688-1730","Leclair, Jean-Marie, 1697-1764","Charpentier, Marc-Antoine, 1643-1704","Bach, Johann Sebastian","Sodergren, Mikki","Donato, Emily","Giebler, Brian L. (Brian Louis), 1986-","Palumbo, Donald","Kelsey, Quinn","Ernesto Pena Laguna, Luis (1983)","Cutting, Hugh","Sousa, Dinis","Cronin, Hilary","Denbee, Sarah","Horak-Hallett, Bethany","Clarke, Samantha","Ponsford-Hill, Ali","Lombardi, Federica","Desandre, Lea, 1993-","Monteverdi, Claudio (Claudio Giovanni Antonio), 1567-1643","Kapsperger, Giovanni Girolamo, 1580-1651","Karadaglić, Miloš, 1983-","Marcello, Alessandro Ignazio (1673-1747)","Boccherini, Luigi, 1743-1805","Haji, Andrew","Hopkins, Joshua, 1978-","Amereau, Avery","Snouffer, Lauren (1988-03-30)","Crowe, Lucy","Cohen, Aryeh Nussbaum","Massey, Clifton","Wilson, Steve (Steven Caldicott)","Lemper, Ute, 1963-","Norin-Kuehn, Deborah","Sousa, John Philip","Kaplan, Allan R., 1948-","Maltby, Richard (Richard Eldridge), 1914-1991","Grundman, Clare (Clare Ewing), 1913-1996","Naldi, Ronald","Babbitt, Beth","Meyer, Marlene","Dymit, Thomas","Diana, William","Portnoy, Donald","Wyatt, Larry","Christie, Laury","Kim, David, (Violinist) (1963)","McGarrity, Evelyn","Furumoto, Kimo","Else, Peter","Markin, Tracey","Blank, Johanne ","Thomas, Elmer","Borodin, Aleksandr Porfirʹevich, 1833-1887","Fagen, Arthur (1951)","Doo-Wan, Kim","Loveless, Wendell P.","Paredes, Marcos","Dowell, Anthony","Kirkland, Gelsey","Baryshnikov, Mikhail, 1948-","Tudor, Antony, 1908-1987","Tcherkassky, Marianna","Schafer, Richard William","Harvey, Cynthia, 1957-","Martínez, Enrique, 1926-1998","Minz, Alexander","Makarova, Natalia, 1940-","Barbee, Victor","Robbins, Jerome (Jerome Wilson) (1918-10-11-1998-07-29)","Loring, Eugene, 1911-1982","Ivanov, Lev (Lev Ivanovich), 1834-1901","Gregory, Cynthia","Bujones, Fernando, 1955-2005","Petipa, Marius, 1818-1910","Stevenson, Ben, 1937-","Lanchbery, John (1923-05-15-[2003-02-26,2003-02-27])","Balanchine, George (1904-01-22-1983-04-30)","Tetley, Glen","De Mille, Agnes (1905-09-18-1993-10-06)","Ashton, Frederick, 1904-1988","Messac, Magali","Spizzo, Christine","Khalfouni, Dominique","Barker, Alan, (Conductor) (William Alan) (1938-02-05)","Houlton, Lise","Petit, Roland, 1924-2011","Anastos, Peter (19480223)","MacMillan, Kenneth (1932-07-02-1989-01-08)","Browne, Leslie","La Fosse, Robert","Jaffe, Susan, 1962-","Van Hamel, Martine, 1945-","Fonseca, Peter","Yeager, Cheryl","McFall, John J.","Cunningham, Merce (1919-04-16-2009-07-26)","von Lovenskjold, Hermann","Bournonville, August","Fokine, Michel","Eglevsky, Andre","Tharp, Twyla","Saint-Leon, Arthur","Armitage, Karole","Vainonen, Vasily","Minkus, Ludwig (1826-1917)","Gorsky, Alexander","Tippet, Clark","Kern, Jerome","Riley, Terry","Hyman, Dick","Sinatra, Frank","Morris, Mark","Massine, Leonide","Dove, Ulysses","Goleizovsky, Kasyan","Smuin, Michael","Kylian, Jiri","Lander, Harald","Blair, David","McKenzie, Kevin","Wasserstein, Wendy","Lubovitch, Lar","Styne, Jule","Coralli, Jean","Perrot, Jules","Kudelka, James","Hunsberger, Donald","Rebel, Jean-Fery","Wolfram, WIlliam","Everly, Jack","Holmes, Anna-Marie","Adam, Adolphe","Pugni, Cesare","Ratmansky, Alexei Osipovich (1968)","Nijinska, Bronislava","De Valois, Ninette","Gomes, Marcelo","Bond, Gemma","Béjart, Maurice","Roudenko, Vladimir","Spacagna, Maria (1951)","Lloyd, David  (1920-2013)","Kraft, Jean (1927-2021)","Campori, Angelo (1934-2013)","McCray, James (1938-2018)","Gilmore, John (1950-1994)","Rosenbaum, Harold (1950)","Gottlieb, Gordon (1948)","Schnittke, Alfred (1934-1998)","Rutter, John Milford, Sir (1945)","Velis, Andrea (1932-1994)","Ellington, Duke (1899-1974)","Elias, Rosalind ([1929-03-13,1930-03-13]-2020-05-03)","Booth, Philip (1942)","Sidlin, Murry (1940)","Mccorvey, Everett (1957)","Boyd, Liona","Lightfoot, Gordon (Gordon Meredith) (1938-11-17-2023-05-01)","Arnold Steinhardt","John Dalley","David Soyer","Treger, Charles, 1935-","Laurence Lesser","Theo Adam","Bella Davidovich","Joan Savage","Mary Law","Anatoly Bazhalkin","Nikolai Maiboroda","Anatoli Zaitchenko","Nikolai Nizienko","Michelangelo Veltri","Vladimir Ovchinikov","Katarina Dalayman","Janet Westrick","Felicity Lott","Anthony Piccolo","Jean-Philippe Rameau","Nai-Yuan Hu","Valery Polyansky","Vladimir Spivakov","Edward Downes","Gounod, Charles, 1818-1893","Jan Dismas Zelenka","Bohuslav Martinů","Vladimir Fedoseyev","Patrick Gardner","Theo Verbey","Lise de la Salle","Manfred Honeck","Matthew Truscott","Paul Lewis","Edward Gardner","James Ehnes","Wadsworth, Charles (Charles William) (1929-05-21)","Sargon, Merja","Yajima, Hiroko","Pears, Peter, 1910-1986","Beach, Amy, 1867-1944","Berkeley, Lennox (Lennox Randall Francis), 1903-1989","Browning, John, 1933-2003","De Peyer, Gervase, 1926-2017","Arner, Leonard","Fournier, Pierre, 1906-1986","Schippers, Thomas (19300309-19771216)","Fortunato, D'Anna (1945-02-21)","Mendenhall, Judy","Angeles, Victoria de los (19231101-20050114)","Sylar, Sherry","Schub, André-Michel (1952-12-26)","Jolley, David (19481220)","Kavafian, Ani (1948-05-10)","Bolet, Jorge (19141115-19901016)","Pollak,  Carolyn","Buswell, James, 1946-","Bae, Ik-Hwan, 1956-2014","Luvisi, Lee, 1937-","Routch, Robert (1948-08-12)","Siebert, Renée","Brehm, Alvin (1925-02-08-2014-11-22)","Carroll, Edward, 1953-","Fujiwara, Hamao","Trampler, Walter (19150825-19970927)","Bourgue, Maurice (1939-11-06)","Ellis, Osian (Osian Gwynn) (1928-02-08-2021-01-06)","Rosen, Nathaniel","Wincenc, Carol (Carol S.) (19490629)","Reed, Bruce","Thompson, Arthur, 1942-2004","Bunnell, Jane","Hoch, Beverly","Suk, Josef (1929-08-08-2011-07-06)","Kavafian, Ida","Tuckwell, Barry (Barry Emmanuel) (1931-03-05-2020-01-16)","Bennett, Richard Rodney (1936-03-29-2012-12-24)","Dicterow, Glenn","Smukler, Laurie","Corea, Chick (1941-06-12-2021-02-09)","Martin, Marvis","Gutiérrez, Horacio, 1948-","Swensen, Joseph (Joseph Anton), 1960-","Cooper, Kenneth, 1941-","Sherry, Fred (1948-10-27)","Shub, Andre-Michel","Picker, Tobias, 1954-","Nickrenz, Scott","Girard, Valerie","Danielpour, Richard (1956-01-28)","Martin, Marya","Thompson, Marcus, 1946-","Brey, Carter (1954-09-19)","Neubauer, Paul, 1962-","Zori, Carmit","Kang, Dong-Suk (1954-04-28)","Arm, Theodore","Marangella, Joel","Heineman, Sue","Palmer, Todd","Fedele, David, 1966-","Shifrin, David (19500202)","Ingraham, Paul","Myers, Philip, 1949-","Millard, Christopher, 1952-","Fink, Katherine","McDuffie, Robert","Peskanov, Mark (1956-08-30)","Taylor, Stephen, (Oboist) (1949)","Smylie, Dennis","Webster, Michael, 1945-","Saffer, Lisa","Feller, Bart","Wilson, Ransom (1951-10-25)","Bloom, Claire (Patricia Claire), 1931-","Carlisle, Robert, (Horn player)","Coletti, Paul","Turković, Milan","Ellis, Randall","Adolphe, Bruce (1955)","Stevens, Thomas, 1938-2018","Godburn, Dennis","Yoshida, Ayako","Hoffman, Gary, 1956-","Sitkovetsky, Dmitry, 1954-","Bryn-Julson, Phyllis (1945-02-05)","Anderson, Kelly","Dunn, Susan, (Soprano) (Susan R.) (1954-07-23)","Hanslowe, Theodora","Feidman, Giora (1936)","Bachmann, Maria, (Violinist)","Hoffman, Toby (1958-09-12)","Winograd, Peter","McDermott, Anne-Marie, 1963-","Yoo, Scott","Morelli, Frank, 1951-","Kashkashian, Kim (1952-08-31)","White, Robert, 1936 October 27-","Sinta, Donald (Donald Joseph) (1937-06-16)","Redgrave, Lynn, 1943-2010","Smith, Philip, (Trumpeter)","Golub, David","Thomas, Ronald (Ronald B.), 1954-","Levin, Ida","Huang, Hsin-Yun","O'Connor, Tara Helen","Hill, Mark, (Oboe player)","Douglas, Barry, 1960-","Mentzner, Susanne","Lucey, Frances","Dlugoszewski, Lucia, 1925-2000","Taylor, David (David Michael), 1944-","Purvis, William (19480710)","Kay, Alan R. (Alan R.)","Montone, Jennifer","Gekker, Chris (Paul Christopher) (1954-01-18)","Hagner, Viviane (1977)","Ngwenyama, Nokuthula","Kim, Soovin","Schmidt, Wolfgang Emanuel (1971)","McGill, Anthony (Anthony Barrone) (1979-07-17)","Fain, Tim","Shao, Sophie","Scarlata, Randall","Frautschi, Jennifer","Pridemore, Patrick A.","Meyer, Edgar, (Bassist) (1960-11-24)","Ali-Zadeh, Franghiz, 1947-","Tcherepnin, Alexander, 1899-1977","Schifrin, Lalo, 1932-","Chausson, Amédée-Ernest (1855-1899)","Arensky, Anton, 1861-1906","Coleridge-Taylor, Samuel, 1875-1912","Marsalis, Wynton (1961-10-18)","Ailey, Alvin (1931-1989)","Homberger, Christoph (1962)","Isaacs, Jeremy, Sir (1932)","Arye, Yevgeny (1947-2022)","Demidov, Israel (1957)","Sobol, Joshua (1939)","Chervinsky, Adam (1938)","Morrison, Conall (1996)","Crossan, Gerald","Friel, Brian (1929-2015)","Levin, Robert (1947)","Henschel, Dietrich (1967)","Grigorovich, Yuri (1927)","Vasiliev, Vladimir (1940)","Khachaturian, Aram Ilyich (1903-1978)","Jamison, Judith (1943)","Benjamin, Avi (1959)","Taymor, Julie (1952)","Goldenthal, Elliot (1954)","Gardner, John Champlin (1933-1982)","Tiffany, John (1971)","Cumming, Alan (1965)","Euripides (480 BC-406 BC)","Pountney, David, CBE (1947)","Sloane, Steven (1958)","Otelli, Claudio (1960)","Zimmerman, Bernd Alois (1918-1970)","Fiennes, Ralph (1962)","Neeson, Liam (1952)","Beckett, Samuel (1906-1989)","Hammond, John Paul (1942)","Brook, Peter, CBE (1925-2022)","Bawab, Dima (1981)","Goold, Rupert (1972)","Gale, Mariah (1979)","Troughton, Samuel John (1977)","Shakespeare, William","Somova, Alina Alekseevna (1985)","Shchedrin, Rodion Konstantinovich (1932)","Farr, David (1969)","Hicks, Greg (1953)","Miyamoto, Amon (1958)","Ito, Chihiro (1982)","Fukuoka, Yutaka","D'silva, Darrell (1964)","Bailey, Lucy","Bausch, Pina (1940-2009)","Hengelbrock, Thomas (1958)","Wesseling, Maria Ricarda (1969)","Shi-Zheng, Chen (1963)","Albarn, David, OBE (1968)","Klinichev, Pavel (1974)","Messiaen, Oliver (1908-1992)","Ninagawa, Yukio (1935-2016)","Abe, Umitaro (1977)","Miyazawa, Rie (1973)","Podalydès, Denis (1963)","Coin, Christophe (1958)","Rénéric, Pascal (1976)","Molière (1622-1673)","Munby, Jonathan","Maxwell, Jules (1965)","Pryce, Jonathan (1947)","Uegaki, Satoshi","Mine, Saori","Kander, John (1927)","Vaziev, Makhar (1961)","Maillot, Jean-Christophe (1960)","MacNeil, Cornell, 1922-2011","Peters, Roberta, 1930-2017","Corena, Fernando, 1916-1984","Merrill, Robert, 1917-2004","Edelmann, Otto, 1917-2003","Harshaw, Margaret, 1909-1997","Vickers, Jon (19261029-20150710)","Puccini, Giacomo, 1858-1924","Roberti, Margherita, 1925-2021","Colzani, Anselmo, 1918-2006","Rysanek, Leonie, 1926-1998","De Paolis, Alessio, 1893-1964","Yakobson, Leonid, 1904-1975","Della Casa, Lisa, 1919-2012","Shirley, George, 1934-","Tozzi, Giorgio","Tucker, Richard, 1913-1975","Kónya, Sándor, 1923-2002","Crespin, Régine, 1927-2007","Dooley, William, 1932-2019","McCracken, James, 1926-1988","Thomas, Jess, 1927-1993","Uzunov, Dimiter, 1922-1985","Kabaivanska, Raina, 1934-","D'Angelo, Gianna, 1929-2013","Casei, Nedda, 1932-2020","Campora, Giuseppe, 1923-2004","London, George, 1920-1985","Offenbach, Jacques","Alexander, John, 1923-1990","Cassel, Walter (1910-05-15-2000-07-03)","Sereni, Mario, 1928-2015","Amara, Lucine (1927-03-01)","Cernei, Elena, 1924-2000","Dunn, Mignon (1931-06-17)","Resnik, Regina, 1922-2013","Stratas, Teresa","Raimondi, Gianni, 1923-2008","Nuotio, Pekka, 1929-1989","Cilea, Francesco (1866-1950)","Peerce, Jan, 1904-1984","Anthony, Charles (Calogero Antonio Caruso) (1929-2012)","Evans, Geraint (1922-1992)","Macurdy, John (1929-03-18-2020-05-07)","Caballé, Montserrat (1933-2018)","Levy, Marvin David, 1932-2015","Collier, Marie (1927-1971)","Hernandez, Amalia, 1917-2000","Bosabalian, Luisa (1936-1998)","Boatwright, McHenry, 1928-1994","Bing, Rudolf (Rudolf Franz Joseph), 1902-1997","Olvis, William (William Edward) (1928-02-12-1998-11-27)","Nagy, Robert, 1929-2008","Fenn, Jean","Prevedi, Bruno","Panerai, Rolando (1924-2019)","Zanasi, Mario, 1927-2000","Lombard, Alain (19401004)","Morel, Jean (Jean Paul), 1903-1975","Warfield, Sandra","Lippert, Marion (1939-)","Fonteyn, Margot (1919-1991)","Hérold, Ferdinand (1791-1833)","Park, Merle (1937- )","Coleman, MIchael (1940-","Nureyev, Rudolf Khametovich (1938-1993)","Sibley, Antoinette (1939- )","Forst, Judith (1943- )","Strasfogel, Ignace (1909-1994)","Cossa, Dominic (1935-05-13)","Naghiu, Octaviano","Brilioth, Helge (1931-1998)","Stripling, Jan (1942-2017)","Cragun, Richard (1944-2012)","Borkh, Inge ([1917-05-26,1921-05-26]-2018-08-26)","Dobriansky, Andrij","Sullivan, Dan, 1940-","Di Giuseppe, Enrico, 1932-2005","Gramm, Donald, 1927-1983","Castel, Nico (1931-2015)","Chéreau, Patrice (1944-2013)","Couden, Sara","Dexter, John (1925-1990)","Norden , Betsy (1945)","Lazarev, Alexander Nikolayevich (1945)","Ognivtsev, Aleksander (1920-1981)","Simonov, Yuri Ivanovich (1941)","Nesterenko, Yevgeny Yevgenievich (1938-2021)","Mansurov, Fuat (1928-2010)","Ermler, Mark Fridrikhovich (1932-2002)","Vedernikov, Alexander Filippovich (1927-2018)","Molchanov, Kiril Vladimirovich (1922-1982)","Kord, Kazimierz (1930-2021)","Harwood, Elizabeth (1938-1990)","Plasson, Michel (1933)","Hanson, Victor Herrick  (1933-2005)","Gavazzeni, Gianandrea (1909-1996)","Woitach, Richard","Hunter, Rita (1933-08-13-2001-04-29)","Farley, Carole (1946)","Mauti-Nunziata, Elena (1946)","Pritchard, John Michael, Sir (1921-1989)","Alonso, Alicia (1920-2019)","Araújo, Loipa (1941)","Grey, Beryl, CBE (1927-2022)","Rudel, Julius (1921-2014)","Moldoveanu, Eugenia (1944)","Wixell, Ingvar (1931-2011)","Simmons, Calvin Eugene (1950-1982)","Humperdinck, Engelbert (1854-1921)","Jarvi, Naami (1937)","Maag, Ernst Peter Johannes (1919-2001)","Obraztsova, Elena Vasilyevna (1939-2015)","McIntyre, Donald, Sir (1934)","White, Thomas S.","Cranko, John Cyril (1927-1973)","Shicoff, Neil (1949)","Jones, Isola (1949)","Tchakarov, Emil (1948)","Ponichelli, Amilcare (1834-1886)","Nicola, Rescigno (1916-2008)","Tajo, Italo (1915-1993)","Stilwell, Richard (1942)","Rendall, David (1948)","Santi, Nello","Panov, Valery Mateevich (1938)","Dostoevsky, Fyodor Mikhailovich (1821-1881)","Malfitano, Catherine","Cotrubas, Ileana (1939)","Bybee, Ariel (1943-2018)","Kohn, Eugene ","Capecchi, Renato (1923-1998)","Tate, Jeffrey Philip, Sir (1943-2017)","Żylis-Gara, Teresa (1930-2021)","Mauro, Ermanno (1939)","Rosenthal, Manuel (1904-2003)","Maliponte, Adriana (1938)","Bernardi, Mario (1930-2013)","Raffanti, Dano (1948)","Valente, Benita (1934)","Janowski, Marek (1939)","Elder, Mark","Walker, Sarah Elizabeth Royle, CBE (1943)","van Allan, Richard, CBE (1935-2008)","Davies, Arthur (1941-2018)","Rawnsley, John (1950)","Davies, Noel (1945-2008)","Müller, Edoardo ","Carlson, Lenus (1945)","Fulton, Thomas (1949-1994)","Daniels, Barbara (1946)","Conrad, Barbara Smith (1937-2017)","Johnson, Camellia (1953-2015)","Navarro, Luis Antonio García (1941-2001)","Baskerville, Priscilla (1962)","Merritt, Myra","Zandonai, Riccardo (1883-1944)","Stivender, David (1933-1990)","Montarsolo, Paolo (1925-2006)","Palacio, Ernesto (1946)","Patsalas, Constantin (1943-1989)","Parker, Charlie \"Bird\" (1920-1955)","Altmeyer, Jeannine (1948)","Meier, Johanna (1938)","Perick, Christof","Fournet, Jean (1913-2008)","Badea, Christian (1947)","Di Franco, Loretta (1942)","Kleiber, Carlos (1930-2004)","Kotoski, Dawn (1966)","Pinnock, Trevor David, CBE (1946)","Mitchell, Leona (1949)","Panni, Marcello (1940)","Cheek, John, 1948-","Martinucci, Nicola (1941)","Cambreling, Sylvain (1948)","Christin, Judith (1948)","Salminen, Matti (1945)","Araiza, Francisco (1950)","Moll, Kurt (1938-2017)","Ajmone-Marson, Guido","Saccani, Rico (1952)","Rosenshein, Neil (1947)","Kout, Jiří","Croft, Dwayne","Fiore, John","Ferden, Bruce (1949-1993)","Glass, Phillip (1937)","Neblett, Carol Lee (1946-2017)","Marin, Ion (1960)","Michael, Hermann (1937-2005)","Donath, Helen Jeanette (1940)","Rizzi, Carlo","Praticò, Bruno","Rootering, Jan-Hendrik (1950)","Pulley, Emily Ann (1967)","Villarroel González, Verónica","Chernov, Vladimir Nikolaïevitch (1953)","Oren, Daniel (1955)","Croft, Richard","Graves, Denyce","Dennis, Betty","Loukianetz, Victoria (1966)","Atherton, David","Del Carlo, John","Hager, Leopold (1935)","Bedford, Steuart John Rudolf, CBE (1939-2021)","Corbelli, Alessandro","Krauss, Clemens","Young, Simone","de Billy, Bertrand","Titov, Alexander","Gruzin, Boris","Kit, Mikhail","Agache, Alexandru","Floyd, Carlisle","Rost, Andrea","Campanella, Bruno","Weigle, Sebastian","Mescheriakova, Marina","Wolf-Ferrari, Ermanno ","Halévy, Fromental ","Viotti, Marcello ","Furlanetto, Ferruccio ","Summers, Patrick","Alfano, Franco ","Auguin, Philippe ","Gallardo-Domâs, Cristina ","Bergeson, Scott","Miklósa, Erika ","Haider, Friedrich","Botha, Johan","Kovalevska, Maija","Frittoli, Barbara","Carosi, Micaela ","Jordan, Philippe","Langrée, Louis","Ataneli, Lado","Chaslin, Frédéric","Vassallo, Franco","Runnicles, Donald","Petrenko, Mikhail","Villaume, Emmanuel","Abbado, Roberto","Smith, Robert Dean","Galouzine, Vladimir","Anzolini, Dante","Alvarez, Carlos","Schrott, Erwin","Gilbert, Alan","Finley, Gerald","Racette, Patricia","Seiffert, Peter","de Niese, Danielle","Frizza, Riccardo","Gagnidze, George","Pidò, Evelino","Bullock, Susan","Keenan, John","Calleja, Joseph","Gilmore, Rachele","Keenlyside, Simon","Abel, Yves","Ono, Kazushi","Uusitalo, Juha","Phillips, Lori","Fournillier, Patrick","Rizzi Brignoli, Roberto","Capitanucci, Fabio","Grigolo, Vittorio","Smelkov, Pavel","Álvarez, Marcelo","Lee, Yonghoon","Degout, Stéphane","Nielsen, Erik","Poplavskaya, Marina","Held, Alan","Walker, Antony","Royal, Kate","Carignani, Paolo","Kwiecien, Mariusz","Altinoglu, Alain","Franck, Mikko","de Biasio, Roberto","Morris, Jay Hunter","Westbroek, Eva-Maria","Inouye, Derrick","Gould, Stephen","Amonov, Avgust","Luna, Audrey","Radvanovsky, Sondra Dee (1969)","Ettinger, Dan","Theorin, Iréne","Mariotti, Michele (1979)","Cura, José","Zifchak, Maria","Byström, Malin","Ranzani, Stefano","He, Hui","Yoncheva, Sonya (1981)","Meli, Francesco (1980)","Krasteva, Nadia (1976)","Zajick, Dolora (1952)","Koenigs, Lothar (1965)","Madore, Elliot (1987)","Lanchas, Valeriano (1976)","van den Heever, Elza (1979)","Opolais, Kristine (1979)","Sherratt, Brindley (1965)","Mazzola, Enrique","Chichon, Karel Mark, OBE (1971)","Skelton, Stuart (1968)","Monastyrska, Liudmyla Viktorivna","Gubanova, Ekaterina (1979)","Dyka, Oksana (1978)","Robinson, Morris (Morris D.) (1969-03-18)","Làrusdóttir, Dísella (1977)","Mumford, Tamara","Debus, Johannes (1974)","Siegel, Gerhard (1963)","Morandi, Pier Giorgio (1958)","Vogt, Klaus Florian (1970)","Ticciati, Robin, OBE (1983)","Volle, Michael (1960)","Hartig, Anita (1983)","Morley, Erin (1980)","Bignamini, Jader (1976)","Bižić, David (1975)","Pomakov, Robert (1981)","Stare, Ward (1982)","Mattsey, Jeff","Allen, Thomas Boaz, Sir (1944)","Lattimore, Margaret","Colaneri, Joseph","Hindoyan, Domingo Garcia (1980)","D'Arcangelo, Ildebrande (1969)","Plachetka, Adam (1985)","Majeski, Amanda (1984)","Castronovo, Charles (1975)","Pérez, Ailyn (1979)","Mavlyanov, Najmiddin (1979)","Naouri, Laurent (1964)","Wellber, Omer Meir (1981)","Margaine, Clémentine (1984)","Nánási, Henrik","Farnes, Richard (1964)","Colclough, Craig","Park, Hera Hyesang","Manacorda, Antonello (1970)","Kamensek, Karen (1970)","Blake, Aaron","Eyvazov, Yusif (1977)","Davidsen, Lise (1987)","Lewek, Kathryn (1983)","Hymel, Bryan (1979)","Nikitin, Evgeny Igorevich","Selig, Franz-Josef (1962)","Erraught, Tara (1986)","Liverman, Will (1988)","Blanchard, Terrence (1962)","Rustioni, Daniele (1983)","Carter, Nicholas","Clayton, Allan, MBE (1981)","Dean, Brett (1961)","Baikoff, Erika","Ward, Duncan","Gamba, Michele (1983)","Maestri, Ambrogio (1970)","Hamlin, Spencer","Groissböck, Günther (1976)","Buratto, Eleanora (1982)","Guggeis, Thomas (1993)","Konieczny, Tomasz (1972)","Gigliotti, Eve","Belosselskiy, Dmitry Stanislavovich (1975)","Chioldi, Michael (1970)","Herrera, Nancy Fabiola","Catán Porteny, Daniel (1949-2011)","Furrer, Patrick","Buszewski, Piotr (1992)","Stikhina, Elena (1986)","Lyniv, Oksana (1978)","Pankratova, Elena","Kowaljow, Vitalij","Grigoryan, Juliana","Jagde, Brian (1980)","Golovatenko, Igor","Schweizer, David","Masur, Richard (1948)","Walken, Christopher (1943)","Le Roux, Madeleine (1946)","Shapiro, Mel (1937)","Moriarty, Michael (1941)","Hines, Mainer Patrick (1930-1985)","Mason , Marsha (1942)","Southern, Richard (1903-1989)","Adams, Mason (1919-2005)","Miratti, Tony (1946)","Vestoff, Virginia (1939-1982)","Moody, Michael Dorn","Nichols, Mike (1931-2014)","Rudd, Paul Ryan (1940-2010)","Sweet, Dolph (1920-1985)","Harewood, Dorian (1950)","Rabe, David (1940)","Mosher, Gregory (1949)","Goldstein, Steven (1963)","Huffman, Felicity (1962)","Silverstein, Sheldon Allan (1930-1999)","Mamet, David (1947)","Balaban, Robert Elmer (1945)","Conroy, Frances (1953)","Buono, Cara (1971)","Nelson, Richard John (1950)","Bishop, Kelly (1944)","Channing, Stockard (1944)","Pearlman, Stephen (1935-1998)","Guare, John (1938)","Bishop, André (1948)","Alexander, Jane (1939)","McDormand, Frances (1957)","Vickery, John (1950)","Davis, Clifton (1945)","McGiver, Boris (1962)","Stoppard, Tom, Sir (1937)","Alexander, Terry (1947)","Heckart, Eileen (1919-2001)","Mastrantonio, Mary Elizabeth (1958)","Donaghy, Tom","Chenoweth, Kristin (1968)","Fuller, Penny (1937)","Gets, Malcolm (1964)","Finn, William (1952)","Stroman, Susan (1954)","Stackpole, Dana (1966)","Hingston, Sean Martin (1965)","Antoon, Jason (1971)","Weidman, John (1946)","Sutherland, Donald (1935-2024)","O'Hare, Denis (1962)","Margulies, Julianna (1966)","Baitz, Jon Robin (1961)","Kani, John (1942)","Bihl, Esmeralda","Seane, Warona","James, Nikki M. (1981)","Ticotin, Nancy  (1957)","Bavan, Yolande (1942)","Lachiusa, Michael John (1962)","Baker, Becky Ann (1953)","Harelik, Mark (1951)","Hecht, Jessica (1965)","Greenberg, Richard (1958)","Aspillaga, Vanessa (1972)","Brown, Blair (1946)","Clayburgh, Jill (1944-2010)","Ruhl, Sarah (1974)","Schreiber, Pablo (1978)","Shinn, Christopher (1975)","Kudisch, Marc (2024)","Belcon, Natalia Venetia (1969)","Kelly, David Patrick (1951)","Flaherty, Stephen (1960)","Lavin, Linda (1937)","Houdyshell, Jayne (1953)","Bartlett, Peter (1942)","Rudnick, Paul (1957)","McMartin, John (1929-2016)","Rebhorn, James (1948-2014)","Eli, Robert","Haigle, Noah (1978)","Gleason, Joanna (1950)","Foster, Hunter (1969)","Cervantes, Miguel (1976)","Frankel, Scott David (1963)","Davidson, Jeremy (1971)","Mays, Jefferson (1965)","Hogan, Robert (1933-2021)","Rogers, J.T. (1968)","Keenan-Bolger, Celia (1978)","Saito, James (1955)","Yaegashi, James (1972)","Lane, Diane (1965)","Shalhoub, Tony (1953)","Rankin, Gayle (1989)","Doran, Bathsheba","Plunkett, Stephen (1976)","Breen, Patrick (1960)","Pankow, John (1955)","Parnell, Peter","Ehle, Jennifer (1969)","McDonough, Ann (1949)","Murphy, Sally (1962)","Harmon, Joshua","Clemens, Adelaide (1989)","Chanler-Berat, Adam (1986)","Larroquette, John (1947)","Donovan, Edmund (1990)","Hellman, Nina (1967)","Ivey, Judith (1951)","Hunter, Samuel D. (1981)","Marylouise, Burke (1941)","Watkins, Brian","Coiro, Rhys (1979)","Bunin, Keith (1971)","Jones, Candrice","Testa, Mary (1955)","Baker, Dylan (1959)","Müller-Brühl, Helmut Peter (1933-2012)","Bach, Johann Christian Friedrich (1732-1795)","Mozart, Franz Xaver Wolfgang (1791-1844)","Dichter, Misha, 1945-","Glover, Jane, Dame (1949)","Kalmar, Carlos (1958)","Paganini, Nicolò, 1782-1840","Golijov, Osvaldo (1960)","Manze, Andrew (1965)","Halls, Matthew","Barnatan, Inon, 1979-","Zender, Johannes Wolfgang (1936-2019)","Schachter, Michael","Hughes, Langston (James Mercer Langston) (1901-1967)","Foss, Lukas, 1922-2009","Wallenstein, Alfred (18981007-19830208)","del Tredici, David Walter (1937-2023)","Wiłkomirska, Wanda (1929-2018)","Munroe, Lorne (1924-2020)","Zeltser, Mark Efimovich (1947)","Postnikova, Viktoria (1944)","Taneyev, Sergei Ivanovich (1856-1915)","Jones, Jennifer, (Mezzo-soprano)","Shiokawa, Yūko (1946)","Kim, Earl (1920-1998)","Weller, Walter (1939-2015)","Davies, Ryland (1943-2023)","Curzon, Clifford Michael, Sir (1907-1982)","Blackshaw, Christian Charles (1949)","Drucker, Stanley (1929-02-04-2022-12-19)","Newland, Larry","Carter, Elliott (1908-2012)","Gitlis, Ivry (1922-2020)","Duruflé, Maurice (1902-1986)","Haendel, Ida (1928-2020)","Barton, Randolph","Sondheim, Stephen, 1930-2021","Subramaniam, Lakshminarayana  (1947)","Bussotti, Sylvano (1931-2021)","Vinzing, Ute (1936)","Turnovsky, Martin (1928-2021)","Novák, Vítězslav Augustín Rudolf (1870-1949)","Druckman, Jacob (1928-1996)","Husa, Karel (1921-2016)","Cherkassy, Shura (1909-1995)","Rubinstein, Anton Grigoryevich (1829-1894)","Sanderling, Kurt (1912-2011)","Meneses, Antônio (1957)","Zwilich, Ellen Taafe (1939)","Wolfe, Julia (1958)","Ortiz, Cristina (1958)","Stenhammar, Carl Wilhelm Eugen (1871-1927)","Levi, Yoel (1950)","Pedrotti, Carlo (1817-1893)","Hétu, Jacques (1938-2010)","Mácal, Zdeněk  (1936-2023)","Kabalevsky, Dmitry Borisovich (1904-1987)","Oistrakh, Igor","Keene, Christopher, 1946-1995","Virsaladze, Eliso (1942)","Gutman, Natalia Grigoryevna (1942)","Flor, Claus Peter (1953)","Schiff, Heinrich (1951-2016)","Sheng, Bright (1955)","Davies, Dennis Russell (1944)","Kolb, Barbara (1939)","Gavrilov, Andrei (1955)","Pratt, Awadagin (1966)","Tubin, Eduard (1905-1982)","Baxtresser, Jeanne (1947)","Diadkova, Larissa Ivanova (1954)","Tamberg, Eino (1930-2010)","Feltsman, Vladimir Oskarovich (1952)","Katzer, Georg (1935-2019)","Piston, Walter Hamor, Jr. (1894-1976)","McFerrin, Robert Keith (1950)","Ling, Jahja (1951)","Perle, George (1915-2009)","Kirchner, Leon, 1919-2009","Thompson, Randall (1899-04-21-1984-07-09)","Wilson, Olly Woodrow, Jr. (1937-2018)","Asawa, Brian (1966-2016)","Little, Tasmin Elizabeth (1965)","Thomson, Virgil (1986-1989)","Westerfield, Richard","Suwanai, Akiko (1972)","Zorn, John, 1953-","Schwantner, Joseph Clyde (1943-03-22)","Canteloube de Malaret, Marie-Joseph (1879-1957)","Dam-Jensen, Inger (1964)","MacMillan, James Loy, Sir (1959)","Daugherty, Michael (1954)","Staples, Sheryl (1968)","Biller, Georg Christoph (1955-2022)","Leonskaja, Elisabeth (1945)","Frank, Martin (1890-1974)","Kirchschlager, Angelika (1965)","Pollet, Françoise (1949)","Say, Fazıl (1970)","Volodos, Arcadi (1972)","Wiens, Edith (1950)","Turrin, Joseph (1947)","Paasikivi-Ilves, Lilli Katriina (1965)","Kernis, Aaron Jay (1960)","Covey-Crump, Rogers (1944)","Hartke, Stephen Paul (1952)","Cedolins, Fiorenza (1966)","Weilerstein, Alisa (1982)","Tovey, Bramwell (1953-2022)","Puts, Kevin Matthew (1972)","Moser, Johannes (1979)","Grantham, Donald (1947)","Egner, Philip (1870-1956)","Shenyang (1984)","Gavrylyuk, Alexander (1984)","Plummer, Christopher (1929-2021)","Kriiku, Kari (1960)","Chin, Unsuk (1961)","Storgårds, John Gunnar Rafael (1963)","Adolphe, Julia (1988)","Auerbach, Lera (1973)","Davies, Tansy (1973)","Weilerstein, Joshua (1987)","Gersen, Joshua","Grosvenor, Benjamin (1992)","Þorvaldsdóttir, Anna Sigríður (1977)","Tao, Conrad Yiwen (1994)","Slobodeniouk, Dima (1975)","Gomyo, Karen","Rouvali, Santtu-Matias (1985)","Martinaitytė, Žibuoklė (1973)","Chen, Ray (1989)","Schulhoff, Erwin (1894-1942)","Pinto-Correira, Andreia","Lim, Yunchan (2004)","Berlin, Irving, 1888-1989","Merman, Ethel, 1908-1984","Yarnell, Bruce, 1935-1973","Venuta, Benay, 1910-1995","Kasha, Lawrence","Wayne, David","Treigle, Norman","Guadagno, Anton","Crader, Jeannine","Rodgers, Richard","Layton, Joe","Henderson, Florence","Irving, Robert, 1913-1991","Frohlich, Jean-Pierre","Corsaro, Frank, 1924-2017","Novoa, Salvador, 1937-2021","Patane, Franco, 1908-1968","Niska, Maralin, 1926-2016","Peress, Maurice, 1930-2017","Peterson, Kurt","Mallory, Victoria, 1948-2014","Molese, Michele, 1928-1989","Malas, Spiro, 1933-2019","Mester, Jorge, 1935-","Bible, Frances, 1919-2001","Susskind, Walter, 1913-1980","Morelli, Giuseppe, 1907-2000","Chapman, William, 1923-2012","Theyard, Harry, 1929-","Devlin, Michael, 1942-","Hale, Robert, 1933-2023","Ledbetter, William, 1961-","Lankston, John, 1934-2018","Reimueller, Ross, 1938-1987","Galvany, Marisa","Menotti, Gian Carlo","Darrenkamp, John","Martelli, Luigi","Delius, Frederick","Roy, Will","Roe, Charles","Palló, Imre, 1941-","Branson Gray, George","Taylor, Richard","Wells, Patricia","Ballard, Earline","Somogi, Judith, 1937-1988","Bertini, Gary, 1927-2005","Caldwell, Sarah, 1924-2006","Sarabia, Guillermo, 1937-1985","Musgrave, Thea, 1928-","Clarey, Cynthia, 1949-","DeRenzi, Victor","McKee, Richard","Grey, Joel, 1932-","Loewe, Frederick, 1901-1988","Burton, Richard, 1925-1984","Ebersole, Christine, 1953-","Stapp, Olivia","Bröcheler, John, 1945-","de Almeida, Antonio, 1928-1997","Grice, Garry","Weise, Klaus, 1936-2022","Eisler, David, 1955-1992","Esham, Faith, 1948-","Kelm, Linda, 1944-2016","Siciliani, Alessandro, 1952-","Knighton, Elizabeth","Flint, Mark, 1954-2012","Vergara, Victoria","Grayson, Robert","Robson, Christopher, 1953-","Senn, Marta","Garrison, Jon, 1944-","Dickson, Stephen, 1951-1991","Rescigno, Joseph, 1945-","Faix Brown, Winifred","Boncompagni, Elio, 1933-2019","Shirvis, Barbara","von Flotow, Friedrich, 1812-1883","Woods, Sheryl","Blitzstein, Marc, 1905-1964","Hunter, Laurie Anne","Munro, Leigh","McNeil, Dennis, 1960-","Marsee, Susanne, 1941-","Ajmone-Marsan, Guido, 1947-2014","Alexeyev, Valery","West, Stephen","Duerr, Robert, 1954-","Sorensen, Joel","von Einem, Gottfried, 1918-2007","Manahan, George, 1952-","Castle, Joyce, 1939-","Nolen, Timothy, 1941-2023","Mosteller, Steven","Ketelsen, Kyle, 1971-","Pendatchanska, Alexandrina, 1970-","Adamo, Mark, 1962-","Martins, Peter, 1946-","Pereira, Erica","Peiffer, Allen","Reichard, Daniel","Kay, Hershy, 1919-1981","Prince, Robert, 1929-2007","Strayhorn, Billy, 1915-1967","Cohen, Brad","Dovhan, Stefania, 1979-","Feldman, Morton, 1926-1987","Schwartz, Stephen, 1948-","Pärt, Arvo, 1935-","Mercurio, Steven","Scappucci, Speranza (1973)","Müller, Rufus (1959)","Boehler, Matt","Duncan, Tyler","Wang, Yunpeng","Levin, Ira","Cokorinos, Philip","Braunfels, Walter (1882-1954)","Crutchfield, Will (1957)","Gish, Allison","Jordheim, Alisa","van Heyningen, Erik","Ball, William, 1931-1991","O'Sullivan, Michael, 1934-1971","Maxwell, Roberta, 1941-","Rabb, Ellis, 1930-1998","Harris, Rosemary, 1927-","Walker, Sydney, 1921-1994","Williams, Tennessee","Farentino, James, 1938-2012","Conolly, Patricia, 1933-","Leonard, Hugh, 1926-2009","Freedman, Gerald, 1927-2020","Harris, Julie, 1925-2013","Durning, Charles, 1923-2012","Milner, Ron, 1938-2004","Schultz,  Michael, 1938-","Turman, Glynn, 1947-","Strindberg, August, 1849-1912","Caldwell, Zoe, 1933-2020","Elizondo, Héctor, 1936-","Burr, Anne, 1918-2003","Papp, Joseph, 1921-1991","Parsons, Estelle, 1927-","Lombard, Michael, 1934-2020","Gunn, Bill, 1934-1989","Williams, Dick Anthony, 1934-2012","Brown, Graham, 1924-2011","Ibsen, Henrik, 1828-1906","Skagestad, Tormod, 1920-1997","Ullmann, Liv, 1938-","Waterston, Sam, 1940-","Pinero, Arthur Wing, 1855-1934","Antoon, A. J., 1944-1992","Hurt, Mary Beth, 1946-","Streep, Meryl, 1949-","Rudman, Michael, 1939-2023","Shaw, George Bernard, 1856-1950","Gordon, Ruth, 1896-1985","O'Shea, Milo, 1926-2013","Brecht, Bertolt, 1898-1956","Foreman, Richard, 1937-","Bosco, Philip, 1930-2018","Kava, Caroline, 1949-","Chekhov, Anton, 1860-1904","Serban, Andrei, 1943-","Aeschylus, 525-456 BC","Zakkai, Jamil","Barry, Philip, 1896-1949","Danner, Blythe, 1943-","Herrmann, Edward, 1943-2014","Converse, Frank, 1938-","Anglim, Philip, 1952-","Anderman, Maureen, 1946-","Allen, Woody, 1935-","Grosbard, Ulu, 1929-2012","Arthur, Bea, 1922-2009","Weston, Jack, 1924-1996","Porter, Cole, 1891-1964","Uggams, Leslie, 1943-","Edelman, Gregg, 1958-","Vichi, Gerry","Chayefsky, Paddy, 1923-1981","Armus, Sidney, 1924-2002","Zaks, Jerry, 1946-","Evers, Brian, 1942-","Lagomarsino, Ron, 1951-","Curry, Tim, 1946-","Pappas, Evan","Sherwood, Robert, 1896-1955","Gutierrez, Gerald, 1950-2003","Hytner, Nicholas, 1956-","Hayden, Michael, 1963-","Barbour, James, 1966-","Nunn, Trevor, 1940-","Dundas, Jennifer, 1971-","Frierson, Andrea","Hellman, Lillian, 1905-1984","O'Brien, Jack, 1939-","Kerwin, Brian, 1949-","Kline, Kevin, 1947-","Atkinson, Jayne, 1959-","Brown, Jason Robert, 1970-","Prince, Harold, 1928-2019","Carmello, Carolee, 1962-","Carver, Brent, 1951-2020","Sheridan, Richard Brinsley, 1751-1816","Lamos, Mark, 1946-","Bergl, Emily, 1975-","Guettel, Adam, 1964-","Sher, Bartlett, 1959-","Clark, Victoria, 1959-","Morrison, Matthew, 1978-","O'Hara, Kelli, 1976-","O'Byrne, Brian, 1967-","Cullum, John, 1930-","Cerveris, Michael, 1960-","Plimpton, Martha, 1970-","Szot, Paulo, 1969-","Wolfe, George, 1954-","Wright, Jeffrey, 1965-","Stafford, Nick, 1959-","Elliott, Marianne, 1966-","Morris, Tom, 1964-","Klein, Tessa","Taylor, Holland, 1943-","Klein, Benjamin Endsley","White, Julie, 1961-","Lapine, James, 1949-","Fontana, Santino, 1982-","Akhtar, Ayad, 1970-","Hughes, Doug, 1955-","Pasquale, Steven, 1976-","Lim, Teresa Avia","Lerner, Alan Jay, 1918-1986","Smith, Paul Slade","Ambrose, Lauren, 1978-","Zarrett, Lee","Hadden-Paton, Harry, 1981-","Benanti, Laura, 1979-","Schenkkan, Robert, 1953-","Rauch, Bill, 1962-","Cox, Brian, 1946-","Coleman, Grantham, 1990-","Cusack, Carmen, 1971-","Gardner, Danny, 1982-","Wilder, Thornton, 1897-1975","Blain-Cruz, Lileana","Meredith, James Vincent, 1971-","Soo, Phillipa, 1990-","Donica, Jordan, 1994-","Harding, Daniel, 1975-","Cullen, Joseph","Halsey, Simon, 1958-","Huber, Gerold, 1969-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3427,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T21:30:16.538Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_1140_c02_c13_c14"}},{"id":"vihart_repositories_4_resources_693_c01","type":"Subgroup","attributes":{"title":"2015 vs. Richmond Spiders","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_693_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe 2015 GameDay posters focus on James Madison University's quarterback, Lavaedeay \"Vad\" Monlique Lee, implying he will lead them to victory. Vad Lee had a strong season in 2014 by taking James Madison University to the FCS playoffs and led a strong 2015 season leading up to the Richmond game, season statistics were (7-0; 4-0) at this point in the season. These posters center on Vad's leadership skills as quarterback and cheer him on through various pop culture references from 2015.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_693_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_693_c01","ref_ssm":["vihart_repositories_4_resources_693_c01"],"id":"vihart_repositories_4_resources_693_c01","ead_ssi":"vihart_repositories_4_resources_693","_root_":"vihart_repositories_4_resources_693","_nest_parent_":"vihart_repositories_4_resources_693","parent_ssi":"vihart_repositories_4_resources_693","parent_ssim":["vihart_repositories_4_resources_693"],"parent_ids_ssim":["vihart_repositories_4_resources_693"],"parent_unittitles_ssm":["ESPN College GameDay posters"],"parent_unittitles_tesim":["ESPN College GameDay posters"],"text":["ESPN College GameDay posters","2015 vs. Richmond Spiders","Lee, Vad, 1993-","Alger, Jonathan R.","James Madison University was first considered for ESPN's College GameDay in 2015. While there was conversation happening behind the scenes about James Madison University being that week's possible location, it was a tweet from Lee Fitting, ESPN producer for GameDay, that started public recognition of the school for a possible host for GameDay. His tweet came as a response from a James Madison University account called \"JMU Duke Blawg\" who had been pushing for ESPN GameDay attention. Between Everett Withers' as head football coach and Lavaedeay \"Vad\" Monlique Lee as quarterback, their season was gaining a lot of attention in the lead up to the GameDay picks. The undefeated season for James Madison University and the University of Richmond's winning streak helped make them a strong contender. James Madison University was sitting at a (7-0) undefeated winning streak while the University of Richmond was (5-1) and on a five-game winning streak at the time. ESPN announced on Sunday, October 18, 2015 that James Madison University would host the 2015 College GameDay on Saturday, October 24.","The 2015 GameDay posters focus on James Madison University's quarterback, Lavaedeay \"Vad\" Monlique  Lee, implying he will lead them to victory. Vad Lee had a strong season in 2014 by taking James Madison University to the FCS playoffs and led a strong 2015 season leading up to the Richmond game, season statistics were (7-0; 4-0) at this point in the season. These posters center on Vad's leadership skills as quarterback and cheer him on through various pop culture references from 2015."],"title_filing_ssi":"2015 vs. Richmond Spiders","title_ssm":["2015 vs. Richmond Spiders"],"title_tesim":["2015 vs. Richmond Spiders"],"unitdate_other_ssim":["2015 October 24"],"normalized_date_ssm":["2015"],"normalized_title_ssm":["2015 vs. Richmond Spiders"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["ESPN College GameDay posters"],"extent_ssm":["2 posters"],"extent_tesim":["2 posters"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subgroup"],"level_ssim":["Subgroup"],"sort_isi":1,"parent_access_restrict_tesm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2015],"names_ssim":["Lee, Vad, 1993-","Alger, Jonathan R."],"persname_ssim":["Lee, Vad, 1993-","Lee, Vad, 1993-","Alger, Jonathan R."],"bioghist_html_tesm":["\u003cp\u003eJames Madison University was first considered for ESPN's College GameDay in 2015. While there was conversation happening behind the scenes about James Madison University being that week's possible location, it was a tweet from Lee Fitting, ESPN producer for GameDay, that started public recognition of the school for a possible host for GameDay. His tweet came as a response from a James Madison University account called \"JMU Duke Blawg\" who had been pushing for ESPN GameDay attention. Between Everett Withers' as head football coach and Lavaedeay \"Vad\" Monlique Lee as quarterback, their season was gaining a lot of attention in the lead up to the GameDay picks. The undefeated season for James Madison University and the University of Richmond's winning streak helped make them a strong contender. James Madison University was sitting at a (7-0) undefeated winning streak while the University of Richmond was (5-1) and on a five-game winning streak at the time. ESPN announced on Sunday, October 18, 2015 that James Madison University would host the 2015 College GameDay on Saturday, October 24.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Madison University was first considered for ESPN's College GameDay in 2015. While there was conversation happening behind the scenes about James Madison University being that week's possible location, it was a tweet from Lee Fitting, ESPN producer for GameDay, that started public recognition of the school for a possible host for GameDay. His tweet came as a response from a James Madison University account called \"JMU Duke Blawg\" who had been pushing for ESPN GameDay attention. Between Everett Withers' as head football coach and Lavaedeay \"Vad\" Monlique Lee as quarterback, their season was gaining a lot of attention in the lead up to the GameDay picks. The undefeated season for James Madison University and the University of Richmond's winning streak helped make them a strong contender. James Madison University was sitting at a (7-0) undefeated winning streak while the University of Richmond was (5-1) and on a five-game winning streak at the time. ESPN announced on Sunday, October 18, 2015 that James Madison University would host the 2015 College GameDay on Saturday, October 24."],"scopecontent_html_tesm":["\u003cp\u003eThe 2015 GameDay posters focus on James Madison University's quarterback, Lavaedeay \"Vad\" Monlique  Lee, implying he will lead them to victory. Vad Lee had a strong season in 2014 by taking James Madison University to the FCS playoffs and led a strong 2015 season leading up to the Richmond game, season statistics were (7-0; 4-0) at this point in the season. These posters center on Vad's leadership skills as quarterback and cheer him on through various pop culture references from 2015.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The 2015 GameDay posters focus on James Madison University's quarterback, Lavaedeay \"Vad\" Monlique  Lee, implying he will lead them to victory. Vad Lee had a strong season in 2014 by taking James Madison University to the FCS playoffs and led a strong 2015 season leading up to the Richmond game, season statistics were (7-0; 4-0) at this point in the season. These posters center on Vad's leadership skills as quarterback and cheer him on through various pop culture references from 2015."],"_nest_path_":"/components#0","timestamp":"2026-05-21T00:23:04.783Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_693","ead_ssi":"vihart_repositories_4_resources_693","_root_":"vihart_repositories_4_resources_693","_nest_parent_":"vihart_repositories_4_resources_693","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_693.xml","title_ssm":["ESPN College GameDay posters"],"title_tesim":["ESPN College GameDay posters"],"unitdate_ssm":["2015","2017","2023"],"unitdate_other_ssim":["2015","2017","2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0336","/repositories/4/resources/693"],"text":["SC 0336","/repositories/4/resources/693","ESPN College GameDay posters","Memes","Education, Higher -- Social aspects","Football -- Humor","Sports -- Social aspects","College students -- Social life and customs","College students -- Attitudes","College sports -- Attitudes","College sports","College athletes","Popular culture","Posters","Memes (Internet)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","All 2015 and 2017 posters have been digitized and are available online via  JSTOR .","The collection is arranged in sub-groups according to date and ESPN College GameDay opponents.","Bell, Brittany. \"A Journey Well-Written - JMU.\" James Madison University, 16 April 2021, https://www.jmu.edu/news/alumni/2021/2021_04_16_a_journey_well_written.shtml. ","Bozek, Richie. \"JMU selected for ESPN 'College GameDay' next weekend.\" 2015. The Breeze, https://www.breezejmu.org/sports/jmu-selected-for-espn-college-gameday-next-weekend/article_3afdfd8e-743a-11e5-9742-3bee473e4cd1.html.","Holtzclaw, Harry. \"A look at how JMU can get College GameDay once again.\" 2017. The Breeze, https://www.breezejmu.org/sports/a-look-at-how-jmu-can-get-college-gameday-once-again/article_0ec75c94-9ed9-11e7-a150-a797ee396993.html.","\"meme, n.\" OED Online, Oxford University Press, September 2022, www.oed.com/view/Entry/239909.","sports desk. \"ESPN's 'College GameDay' announces return to JMU.\" 2017. The Breeze, https://www.breezejmu.org/sports/espns-college-gameday-announces-return-to-jmu/article_1c195fac-abed-11e7-a6d6-3fe7ae1346f6.html.","\"2015 Football Cumulative Statistics.\" James Madison University Athletics, https://jmusports.com/sports/football/stats/2015.","Held every Saturday morning during the college football regular season, ESPN College GameDay broadcasts live from the campus of the team hosting the featured football game.","James Madison University was first considered for ESPN's College GameDay in 2015. While there was conversation happening behind the scenes about James Madison University being that week's possible location, it was a tweet from Lee Fitting, ESPN producer for GameDay, that started public recognition of the school for a possible host for GameDay. His tweet came as a response from a James Madison University account called \"JMU Duke Blawg\" who had been pushing for ESPN GameDay attention. Between Everett Withers' as head football coach and Lavaedeay \"Vad\" Monlique Lee as quarterback, their season was gaining a lot of attention in the lead up to the GameDay picks. The undefeated season for James Madison University and the University of Richmond's winning streak helped make them a strong contender. James Madison University was sitting at a (7-0) undefeated winning streak while the University of Richmond was (5-1) and on a five-game winning streak at the time. ESPN announced on Sunday, October 18, 2015 that James Madison University would host the 2015 College GameDay on Saturday, October 24.","The 2017 choice for GameDay was heavily influenced by online presence from the university and their long winning streak. With the popularization of social media, online attention from universities have become an easy way to get recognized, and from this, receive opportunities such as GameDay. The strategy for James Madison University was to lay the groundwork throughout their season while also maintaining a strong online presence in order to be considered. The Breeze, James Madison University's school newspaper, posted an article on September 21, 2017 laying out the strategy in place to secure a second year of hosting College GameDay. Part of the university's strategy included ensuring that James Madison University remained undefeated, that Villanova remained undefeated, and that the \"JMU Nation must continue to nag College GameDay on social media.\" Ultimately, James Madison University went on to have the nation's longest winning streak, 17 games, in the lead up to ESPN College GameDay. On Sunday, October 8, 2017 ESPN officially announced that James Madison University would host GameDay on Saturday, October 14, 2017.","ESPN College GameDay's third visit to Harrisonburg on November 18, 2023 was marked by a record setting crowd of approximately 26,000 people. Additionally, GameDay celebrated its 30th anniversary with its visit to JMU which also included musical performances by the Jonas Brothers and Bailey Zimmerman.","Leading up to GameDay, JMU and the NCAA were embroiled in a bowl game controversy related to JMU's transition period after switching from the Coastal Athletic Association to the Sun Belt Conference in 2021. Per NCAA rules, a two-year transition period is required for teams to fully transition from Division I FCS (Football Championship Subdivision) to Division I FBS (Football Bowl Subdivision). JMU's transition period was in effect from July 1, 2022 to June 30, 2024. While JMU was undefeated and nationally ranked at the time, the NCAA upheld the transition period rule that the football team would not be bowl eligible. Ultimately, JMU was able to play in a bowl game (Lockheed Martin Armed Forces Bowl vs. Air Force, 2023 December 23) since there were not enough six-win teams to fill all the bowl game slots.","Wooden dowels, PVC pipes, and other yard sticks were removed from signs. Given the usage of mixed media (glitter, ribbons, paint, etc.) in their creation, the posters were interfiled with acid-free paper. Several of the physical posters exhibit smearing due to water exposure and warping as well as color loss and image degradation.","The 2015 and 2017 posters were digitized in October 2022 by graduate assistants Mariam Ismail and Kayleigh Bishop using a Nikon D3300 digital camera with a 18-55 mm lens. Bodeene Amyot Cairdeas, digital and audiovisual archivist, edited the digital files to address the following issues: color, exposure, and lens correction, distortion, and chromatic aberration. Tiffany Cole, archivist, uploaded the edited files and respective metadata into JSTOR Forum/Artstor in December 2022.","The ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers. ","Internet memes, defined as humorous images online that are often replicated and parodied to fit specific situations, are used throughout the posters and represent the cultural references of the period and sometimes inside jokes from students at James Madison University directed at the opposing team. The signs also frequently draw on pop culture references and poke fun at the opposing team and their fanbase. ","The 2015 GameDay posters focus on James Madison University's quarterback, Lavaedeay \"Vad\" Monlique  Lee, implying he will lead them to victory. Vad Lee had a strong season in 2014 by taking James Madison University to the FCS playoffs and led a strong 2015 season leading up to the Richmond game, season statistics were (7-0; 4-0) at this point in the season. These posters center on Vad's leadership skills as quarterback and cheer him on through various pop culture references from 2015.","The poster is a play on words from George Thorogood's song \"Bad to the Bone\" to cheer on James Madison University's 2015 quarterback, Lavaedeay \"Vad\" Monlique  Lee.","The poster plays on the popular catchphrase \"Hulk smash\" and depicts 2015 quarterback, Lavaedeay \"Vad\" Monlique Lee, as smashing the Richmond's mascot WebstUR the spider. The quote \"Hulk smash\" was made popular from a series of Marvel movies wherein the comic book character the hulk proclaims \"HULK SMASH\" before smashing something. While also popular from the comics themselves, the phrase made its way into pop culture references after Marvel began releasing movies with the Hulk often quoting the phrase in them. The poster references how the James Madison University quarterback is going to smash the Villanova football team. ","Poster is signed by Jonathan \"Jon\" Alger, the President of James Madison University, Matt Brady, and Samantha \"Sam\" Ponder.","The 2017 GameDay posters primarily focus on James Madison University's strength as a team, and school, over Villanova. Using viral internet images popular in 2017, they center on the inferiority of the Villanova team when being compared to James Madison University. These viral images, often called memes, are variously displaying James Madison University's \"superior taste\" in all regards. Calling attention to Villanova's cost of tuition and low football game attendance rates, the majority of the posters purport that James Madison University will defeat them. One poster references an inside joke to James Madison University students about how Villanova will lose the football game because they are not fans of the correct condiment. There are some posters that center less on the animosity of the two teams and instead are saying hello to friends and family.","The poster revises the common saying \"don't bring a knife to a gunfight,\" popularized by the 1987 film \"The Untouchables,\" to display the superiority of James Madison University's mascot, the Duke Dog, over Villanova's own Will D. Cat, the wildcat. The poster is meant to imply that not only are dogs better than cats but that James Madison University will perform better than Villanova's team.","The poster follows a popularized internet format, commonly called a meme, to depict how James Madison University is better than Villanova. The image is commonly known as the \"You vs. the guy meme\" and is meant to be used to show how one guy is superior to another. The format traditionally depicts two images, usually men, side by side with the implication being that the image on the right is better and the more desirable. This poster implies that James Madison University is better and more likely to win, and thus that you should be worried if you are the other \"guy\" in the image.","The poster uses the image of Austin Rogers, a famous Jeopardy player in 2017 who had a 12-game win streak. Known for his quirky yet funny anecdotes on Jeopardy, his image quickly became a househould face for a large portion of 2017. The poster uses his image paired with the saying as a statement on how well James Madison University's season is going. Going into the Villanova game, they had 17 wins in a row, outlasting Rogers' streak on Jeopardy. The poster talks to their successful season and how it will lead them to victory over Villanova. Their final season stats of (14-1; 8-0) displays their successful season and how the James Madison University football team had a longer winning streak than a popular Jeopardy star at the time.","The poster comments on the animosity between cats and dogs by using the fact that domesticated cats use a litter box to make fun of Villanova's Will D. Cat the wildcat as being more domestic and less threatening than James Madison University's Duke Dog. The implication is that Villanova's football team will lose because they, like their mascot, are not threatening enough to beat James Madison University.","The poster discusses James Madison University's high attendance to football games. Villanova's 2017 season had low attendance rates, 5,649 average for their home team attendance. James Madison University's 2017 home team attendance is averaged around 21,724. The ESPN GameDay estimated attendance was around 14,000 people. The poster uses these statistics to show the support for James Madison University over Villanova and their hopes that this will impact the outcome of the game.","The poster uses yum-yum sauce, a Japanese steakhouse mayonnaise sauce, to undermine Villanova. Yum-yum sauce is a popularized condiment for Japanese cuisine in the United States but holds a particular fondness for James Madison University students. Brought to the dining hall, D-hall, around 2017, it was famous on campus to students as the superior sauce choice for stir-fry. This poster functions as a James Madison University inside joke to Villanova by insulting their lack of taste when it comes to condiment choices. It is then implied that their lack of taste will be reflected in how they perform at GameDay. ","While popular, yum-yum sauce was a short lived condiment on campus. It was removed from D-hall after a few years and is now remembered fondly by those students who were on campus at the time.","The full poster details the specific costs of attending Villanova in 2017. It lists out the prices of tuition and fees, $49,430, room and board, $13,093, and books and miscellaneous items, $3,400. These prices are all added up and the total is stated as \"1 a$$ kicking from JMU.\" The poster is discussing how Villanova's high cost to attend is not reflected in their ability to beat James Madison University at football. The poster is detailing not only James Madison University's lower cost of attendance but is attempting to explain how money at a university does not translate to techinical abilities on the field.","The poster functions as a gesture from a student to their parents during GameDay weekend. With GameDay being broadcast on ESPN, this poster is a way for a student to show their family where they are on the broadcast and say hello to them from the crowd.","The poster features James Madison University's colors of gold and purple with the university letters surrounded by hearts. The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.","The poster states how James Madison's successful season, 17 straight wins at this point in 2017, will lead to a victory over the Villanova team. The statement of \"it's OVA\" is a reference to a common phrase about something already being done. The connotation here is that it is already over for Villanova and James Madison University will win. ","The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.","The poster uses a popular internet graphic from the 2010s to depict how former James Madison University head coach, Everett Withers is regretting his decision to leave and coach at Texas State University. ","An internet meme is a humorous image online that is often replicated and parodied to fit specific situations. The poster uses the popular meme entitled \"distracted boyfriend\" which shows a guy walking with his girlfriend but looking back at another girl. Traditionally, the meme is used to show how someone is disloyal or regretting a choice they have made. The meme first appeared in early 2017 but by August 2017 was viral online.","The poster uses this viral internet frame to portray Everett Withers as the \"distracted boyfriend\" in the meme. James Madison University is the girl he is looking back at and Texas State University is his current girlfriend. After coaching the James Madison University football team in the 2015 GameDay, the poster implies his disloyalty to his current team and regret around not coaching James Madison University for their second GameDay. Brought on by James Madison University's strong season in 2017, a 17-game winning streak, it is implying they will not lose at GameDay this time around. ","Additionally, the back of the poster has \"Hey Papa Waller!\" on it. This is likely a message from a student to their family. Knowing that GameDay will be streaming on ESPN, it would have served as a way for their family to see them on TV and say \"hey\" from the large GameDay crowd. ","The poster is in reference to a comment by Cam Newton, then Carolina Panthers quarterback, to reporter Jourdan Rodrigue on October 4, 2017. In response to her question about running routes with wide receiver Devin Funchess, Cam Newton responded \"it's funny to hear a female talk about routes.\" This poster references said comment and undermines Newton's comment about women. The poster has an unknown signature on it.","The poster uses a pop culture reference to a popular children's television show to display how bad of a team Villanova is. Referencing the popular show Spongebob Squarepants, the poster is meant to show Villanova's distasteful nature in their choice of restaurant from the show. Notably, the show centers around the restaurant known as \"The Krusty Krab\", a popular eatery in the show compared to its rival the \"Chum Bucket.\" The Chum Bucket is known for serving poor food, often chum, and is often considered the villain in the show. The poster references how Villanova is viewed in the same regard by James Madison University students. It is also inferred that due to their restaurant choice Villanova will lose the game because they have inferior restaurant tastes compared to James Madison University. ","The poster has an unknown signature.","The poster uses a popular image from \"It's the Great Pumpkin, Charlie Brown\" film to represent the superiority of James Madison University's football team over Villanova's. Using the image of Charlie Brown trick or treating in his ghost costume, Villanova is represented as the one who gets a rock in their bag. Paired with James Madison University's character, also dressed as a ghost, stating that they received a championship ring, it is meant to imply their superiority at football. This was a common internet image circulating at the time. It was commonly known as \"Charlie Brown Halloween Rock Meme\" and is meant to show how one person always gets something less than the other. The poster adds the university logos to each ghost character to further this point of James Madison University being better sports team than Villanova.","Many of the signs make reference to the NCAA bowl game controversy; the Jonas Brothers, specifically Joe Jonas's recent separation from actress Sophie Turner; University of Michigan's football cheating scandal; and other happenings in pop culture.","Sign reads \"Joe Jonas I'm Single (also go dukes)\" and is in reference to Joe Jonas's recent separation from Sophie Turner. Created by Olivia Lewis ('23).","The sign suggests that JMU will easily defeat Appalachian State, whose mascot is Yosef the Mountaineer. The hashtag #everythingschool is also included which refers to the JMU's success in numerous sports during the fall of 2023 including football, men's basketball, and women's soccer. While some colleges and universities are historically known to be a \"football school\" or a \"basketball school\", JMU conversely was colloquially recognized as an \"everything school\" by excelling in all things.","Sign includes purple and gold paw prints and a hand-drawn barking Duke Dog. Created by Lydia Endersby ('23).","The sign reimagines a line from the song \"Munch (Feelin' U)\" by Ice Spice, released in 2023, and presumably refers to Kevin Jonas. Created by Laine Kelly ('25).","Two-sided sign.","The primary side features the Duke Dog standing on the top of a mountain peak saying \"Roll Dukes\" while Yosef the Mountaineer, the Appalachian State mascot, rolls down on a boulder to the base of the mountain to join the other opponents JMU defeated earlier in the season.","The opposite side requests that Nick Jonas show his Dexcom device, a continuous glucose monitoring system for diabetes management, and the sign-holder will show him theirs. Jonas was diagnosed with type 1 diabetes at the age of 13.","The sign refers to ESPN College GameDay analyst Kirk Herbstreit's Golden Retriever named Ben who frequently accompanied Herbstreit on his trips to call and analyze football games. Ben was in attendance at JMU's College GameDay.","The NCAA's ruling that JMU was ineligible to play in a bowl game because of their two-year transition period from FCS to FBS demonstrates the NCAA's hatred for puppies. The sign features a picture of a crying Duke Dog.","Demands of the NCAA to let JMU play in a bowl game and invokes the Jonas Brothers by using a play on the popular phrase \"What Would Jesus Do?\"","A sign presumably created for a two-year-old JMU fan and future Duke.","Features the Duke Dog trash talking Appalachian State by making a pun about their mascot Yosef.","Two-sided sign.","One side accuses Applachian State of having pubic lice. Includes the hashtag #RollMotherF*ckingDukes. The creator of the sign was dressed in a crab suit during GameDay.","The second side features a map of Virginia (labeled JMU) and North Carolina (labeled App State) using it as rationale for Appalachian State being inferior to JMU.","During a November 13, 2023 press conference, Jim Harbaugh, head coach of the University of Michigan Wolverines football team, referred to his team as \"America's team.\" The sign offers a counterpoint, asserting that JMU is actually America's team. Created by John Bowen Jr. ('04).","Two-sided sign.","One side features a play on words using the Sun Belt Conference, of which JMU became a member in 2022, and the phrase \"fly too close to the sun\" which refers to the story of Icarus in Greek mythology.","The second side requests information on Joe Jonas's impending divorce from actress Sophie Turner and follows up with the parenthetical question \"Marry Me??\"","The sign demonstrates fandom for JMU through the practice of sharing one's pronouns. Includes a graphic of the Duke Dog riding on a flying bald eagle.","The sign uses the lyrics of the Jonas Brothers song \"Sucker\" to convey the similarities and closeness between JMU and the band. Each of the Jonas Brothers' faces is superimposed on a bowling pin referring to the NCAA bowl eligibility controversy.","Accuses Desmond Howard of stealing Kirk Herbstreit's talking points for ESPN College GameDay. Both are analysts on the college football pre-game show. The sign may also allude to the University of Michigan sign-stealing controversy of 2023 given that Desmond Howard played college football at Michigan.","Features purple and gold \"JMU\" in bubble letters.","Features an image of Sophie Turner and Taylor Swift taken on the night of September 19, 2023 while the two were out in New York City. Also includes the hashtag #TeamSophie and select lyrics from Swift's song \"Vigilante Shit.\" The sign is an obvious reference to Turner's recent separation from Joe Jonas.","Comments on the success of JMU's football team by making reference to the Jonas Brothers' song \"Burnin' Up.\"","Two-sided sign.","One side declares that JMU (hot) is superior to App State (not).","The second side encourages people to support libraries.","Two-sided sign. Both sides are identical.","Uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","Uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","Demands of the NCAA to allow JMU play in a bowl game.","The sign predicts JMU will have a record of 11-0 after their game against Appalachian State, presuming a victory over the Mountaineers. Also includes the slogan made popular by Apple in 2009 claiming that there is an application for everything.","The sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game.","Crossword-style graphic and includes image of embarrassed Duke Dog and football helmet.","The sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game. Also includes the hashtag #letjmubowl.","James Madison is universally acknowledged as the Father of the Constitution due to his instrumental role in drafting the Constitution as well as the Bill of Rights. The sign argues that James Madison is also the father of football, a claim likely made due to JMU's dominance in football. Includes drawing of the American flag and the Duke Dog holding a copy of the Bill of Rights with the amendment \"JMU shall bowl.\"","Quotes the Preamble of the Constitution to convince the NCAA to allow JMU to play in a bowl game. Includes image of James Madison wearing sunglasses and bowling pins labeled with each of JMU's opponents up until that point in the 2023 season. Created by Maddy Brendel ('27).","Refers to the two-year transition period the NCAA requires of teams that join new conferences before they're allowed to play in the postseason. Includes each teams' win percentage since 2022 when JMU formally joined the Sun Belt Conference. JMU had an 86% win percentage while Appalachian State's win percentage was 55%.","Demands that the NCAA allow JMU to play in a bowl game by touting the team's undefeated record. Other imagery identifies Appalachian State as losers while JMU are winners.","Printed sign features official JMU letters and an artifical intelligence (AI)-generated Duke Dog with a fierce facial expression and a crown.","Printed sign features JMU logo (Duke Dog on top of JMU letters) with the phrases \"Duke Dog's Ready to Pound\" and \"Welcome to Our House!\"","Accuses Appalachian State fans of urinating while standing and therefore being weak or effeminate or any number of other presumed insults associated with that manner of using the bathroom. The attack is likely targeted at men fans who would otherwise stand while they urinate. The word \"Pee\" is in yellow letters.","Four-sided laminated sign.","1. \"Who Let the Dukes Out???\" is a reinterpretation of the Baha Men's 2000 song \"Who Let the Dogs Out.\" The song has historically been associated with sporting events.","2. \"I'm a Sucker for (JM)U\" uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","3. \"JMU = Virginia's School\" asserts that JMU is the flagship university in the state, not Virginia Tech, University of Virginia, William \u0026 Mary, or others.","4. \"We Want the Jonas Bros to Stay at JMU Until the Year 3,000?\" refers to the Jonas Brothers' 2006 song \"Year 3000.\"","Creator included initials and date to each side -  \"KEL 2023.\"","Features a game prediction alongside graphic of Baby Yoda (aka Grogu). The prediction uses the object-subject-verb pattern that is typical of Yoda speak.","Features a photoshopped image of Lee Corso, GameDay analyst, wearing a birthday cake hat. ESPN College GameDay formally celebrated its 30th anniversary as part of the festivities at JMU on November 18, 2023. The program first used a traveling broadcast model for its November 13, 1993 show.","Uses the hashtag #letJMUbowl to plead to the NCAA that JMU should be able to play in a post-season bowl game. The Duke Dog is featured holding a football and appears to be running similar to how a football player rushes for yards.","Features image of Count von Count from Sesame Street on a television screen with the numbers 11-0 to signify what would be JMU's record if they beat Appalachian State.","Two-sided sign.","The primary side of the sign includes a quote and scene from the movie  Mean Girls  during which Regina George (JMU), played by Rachel McAdams, insults Cady Heron (Appalachian State), played by Lindsay Lohan.","The other side pleads to Barstool Sports, a digital media company, to hire the creator of the sign who will be a 2024 graduate of the School of Media Arts and Design (SMAD) and claims \"I need a job.\" Includes email address for contact.","Compares the average Appalachian State fan to Pinhead Larry, a character played by Patrick Star from the cartoon television show  Spongebob Squarepants . Pinhead Larry is depicted as a dimwit and only has one tooth.","Includes official NCAA logo with \"Unfair\" underneath referring to the NCAA's decision to deny JMU from playing in a bowl game. Created by Riley Isakower ('22).","Crossword-style graphic asserting that JMU should be eligible to play in a bowl game with JMU-Duke Dog logo.","Invokes the popular internet meme \"girl math\" by using the equation that JMU plus an 11-0 record equals (or should equal) a bowl game. A 10-0 record is crossed out and replaced with an 11-0 record which presumes JMU will beat Appalachian State. The typical concept of girl math is a humorous way of rationalizing extravagent, unnecessary, or impulsive purchases.","Pair of complementary signs each shaped like a foot.","The left foot sign reads \"Our Dawgs Are Barkin'\" which is a common saying when someone's feet are hurt. It also refers to JMU's mascot which is a dog.","The right foot sign reads \"Let the Dawgs Out\" is a reference to the Baha Men's 2000 song \"Who Let the Dogs Out.\" It also refers to JMU's mascot which is a dog.","Two-sided sign.","Primary side includes a scene from the television show  The Office  in which a younger Michael Scott, played by Steve Carell, is shaking hands with his then boss Ed Truck, played by Ken Howard. The handshake meme is typically used to illustrate commonalities between two entities. In this case, the act of consistently making horrible decisions and the NCAA are shaking hands and are therefore in solidarity. This refers to the NCAA's decision to not allow JMU to play in a bowl game.","The second side is a black-and-white swirl optical illusion.","Images from the 2012 U.S. Open bowling tournament during which professional bowler Pete Weber bowled a strike during the final frame and subsequently won the tournament. Famously, Weber launched into a celebratory fit and yelled the incoherent phrase \"Who do you think you are? I am!\" This illogical celebration became a popular internet meme.","One image features Weber in his bowling stance. The NCAA logo is superimposed onto Weber and the JMU logo is superimposed onto Weber's bowling ball. The second image shows Weber's celebration with Curt Cignett's face superimposed onto Weber's face.  ","Includes the hashtag #letusbowl.","Two-sided sign.","One side has a congratulatory theme due to ESPN College GameDay's 30th anniversary.","The other side identifies the sign creators as both JMU alumni and parents to a student at the University of Auburn.","Refers to the viral Tik Tok motivational catchphrase \"Never back down. Never What? Never give up\" made popular by Nick Eh 30, an online streamer. Includes graphic of the Duke Dog his muscles.","Refers to the JMU tradition of holding the door for others when entering and exiting a building.","Two-sided sign.","Primary side includes a comparison of the University of Michigan and JMU football teams and concludes that the NCAA does not make sense. Michigan's head football coach, Jim Harbaugh, is noted as having been twice suspended in 2023 for impermissible recruiting and chating while JMU's coach was not suspended at all. Michigan was involved in a cheating scandal while JMU was not. Despite all of this Michigan was bowl eligible while JMU was not thus the argument that the NCAA  is an illogical entity.","The second side reads \"JMU Duuukes\" which is a common chant among fans.","Festive sign that reads \"Fans For 40 Years - ESPN College GameDay - Go Dukes! - Beat App State.\" Created by Kenny Sothoron ('83) and Rebecca Woodcock Sothoron ('85).","Features a scene from  SpongeBob SquarePants  with Patrick Star and Tattletale Strangler who are both in jail. Michigan head football coach Jim Harbaugh's head is superimposed onto Patrick Star and the Duke Dog-JMU logo is superimposed on Tattletale Strangler. Patrick Star/Jim Harbaugh is asking Tattletale Strangler/JMU \"Hey pal, what're you in for?\" referencing Harbaugh's suspension for cheating and presumably JMU's sentence brought down by the NCAA of being bowl ineligible.","Two-sided sign.","One side states that enrolling for a sixth year of college was a wise choice due to ESPN College GameDay visiting campus as well as JMU being superior in all things. Includes \"Everything School\" logo in JMU colors.","Second side uses a turn of phrase regarding dogs and bowls to argue that JMU, whose mascot is a dog, should be eligible to play in a bowl game. Includes graphic of the Duke Dog and a bowl-shaped trophy with a clip-art picture of a peach on it which presumably refers to the Peach Bowl. ","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers.","James Madison University Libraries Special Collections","James Madison Dukes (Football team)","ESPN (Television network)","James Madison University -- Sports","James Madison University -- Football -- 21st century","National Collegiate Athletic Association","Jonas Brothers","Michigan Wolverines (Football team)","United States (Title of work: Constitution.)","Baha Men (Musical group)","Auburn University","Lee, Vad, 1993-","Alger, Jonathan R.","Rogers, Austin, 1978-","Withers,  Everett, 1963-","Newton, Cam, 1989-","Rodrigue, Jourdan","SquarePants SpongeBob, (Fictitious character) (1999-05-01)","Brown, Charlie, (Fictitious character) (1946-10-30)","Jonas, Joe, 1989-","Jonas, Kevin, 1987-","Ice Spice, 2000-","Jonas, Nick, 1992-","Herbstreit, Kirk","Harbaugh, Jim (James Joseph), 1963-","Turner, Sophie, 1996-","Howard, Desmond, 1970-","Swift, Taylor (Taylor Alison), 1989-","Madison, James, 1751-1836","Grogu, (Fictitious character)","Corso, Lee","Count, (Fictitious character from Sesame Street)","Weber, Pete, 1962-","Cignetti, Curt, 1961-","English"],"unitid_tesim":["SC 0336","/repositories/4/resources/693"],"normalized_title_ssm":["ESPN College GameDay posters"],"collection_title_tesim":["ESPN College GameDay posters"],"collection_ssim":["ESPN College GameDay posters"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Posters were donated on or soon after October 14, 2017 directly following GameDay events and collected at the front desk of Carrier Library. One of the 2015 GameDay posters was donated on October 9, 2017 directly to Special Collections. One 2017 poster was donated in November 2018. The 2023 GameDay posters were brought to a designated donation table located in front of Moody Hall after the broadcast on November 18, 2023. Special Collections staff also salvaged orphaned or trashed posters after the broadcast. The posters were donated by JMU students, alumni, and fans. Donors were not asked to sign deeds of gift."],"access_subjects_ssim":["Memes","Education, Higher -- Social aspects","Football -- Humor","Sports -- Social aspects","College students -- Social life and customs","College students -- Attitudes","College sports -- Attitudes","College sports","College athletes","Popular culture","Posters","Memes (Internet)"],"access_subjects_ssm":["Memes","Education, Higher -- Social aspects","Football -- Humor","Sports -- Social aspects","College students -- Social life and customs","College students -- Attitudes","College sports -- Attitudes","College sports","College athletes","Popular culture","Posters","Memes (Internet)"],"has_online_content_ssim":["false"],"extent_ssm":["15 cubic feet 15 flat files"],"extent_tesim":["15 cubic feet 15 flat files"],"genreform_ssim":["Posters","Memes (Internet)"],"date_range_isim":[2015,2017,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eAll 2015 and 2017 posters have been digitized and are available online via \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"https://www.jstor.org/site/jamesmadisonuniversity/jamesmadisonuniversityespncollegegamedayposters/\"\u003eJSTOR\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["All 2015 and 2017 posters have been digitized and are available online via  JSTOR ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in sub-groups according to date and ESPN College GameDay opponents.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in sub-groups according to date and ESPN College GameDay opponents."],"bibliography_html_tesm":["\u003cbibref\u003eBell, Brittany. \"A Journey Well-Written - JMU.\" James Madison University, 16 April 2021, https://www.jmu.edu/news/alumni/2021/2021_04_16_a_journey_well_written.shtml. \u003c/bibref\u003e","\u003cbibref\u003eBozek, Richie. \"JMU selected for ESPN 'College GameDay' next weekend.\" 2015. The Breeze, https://www.breezejmu.org/sports/jmu-selected-for-espn-college-gameday-next-weekend/article_3afdfd8e-743a-11e5-9742-3bee473e4cd1.html.\u003c/bibref\u003e","\u003cbibref\u003eHoltzclaw, Harry. \"A look at how JMU can get College GameDay once again.\" 2017. The Breeze, https://www.breezejmu.org/sports/a-look-at-how-jmu-can-get-college-gameday-once-again/article_0ec75c94-9ed9-11e7-a150-a797ee396993.html.\u003c/bibref\u003e","\u003cbibref\u003e\"meme, n.\" OED Online, Oxford University Press, September 2022, www.oed.com/view/Entry/239909.\u003c/bibref\u003e","\u003cbibref\u003esports desk. \"ESPN's 'College GameDay' announces return to JMU.\" 2017. The Breeze, https://www.breezejmu.org/sports/espns-college-gameday-announces-return-to-jmu/article_1c195fac-abed-11e7-a6d6-3fe7ae1346f6.html.\u003c/bibref\u003e","\u003cbibref\u003e\"2015 Football Cumulative Statistics.\" James Madison University Athletics, https://jmusports.com/sports/football/stats/2015.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Bell, Brittany. \"A Journey Well-Written - JMU.\" James Madison University, 16 April 2021, https://www.jmu.edu/news/alumni/2021/2021_04_16_a_journey_well_written.shtml. ","Bozek, Richie. \"JMU selected for ESPN 'College GameDay' next weekend.\" 2015. The Breeze, https://www.breezejmu.org/sports/jmu-selected-for-espn-college-gameday-next-weekend/article_3afdfd8e-743a-11e5-9742-3bee473e4cd1.html.","Holtzclaw, Harry. \"A look at how JMU can get College GameDay once again.\" 2017. The Breeze, https://www.breezejmu.org/sports/a-look-at-how-jmu-can-get-college-gameday-once-again/article_0ec75c94-9ed9-11e7-a150-a797ee396993.html.","\"meme, n.\" OED Online, Oxford University Press, September 2022, www.oed.com/view/Entry/239909.","sports desk. \"ESPN's 'College GameDay' announces return to JMU.\" 2017. The Breeze, https://www.breezejmu.org/sports/espns-college-gameday-announces-return-to-jmu/article_1c195fac-abed-11e7-a6d6-3fe7ae1346f6.html.","\"2015 Football Cumulative Statistics.\" James Madison University Athletics, https://jmusports.com/sports/football/stats/2015."],"bioghist_html_tesm":["\u003cp\u003eHeld every Saturday morning during the college football regular season, ESPN College GameDay broadcasts live from the campus of the team hosting the featured football game.\u003c/p\u003e","\u003cp\u003eJames Madison University was first considered for ESPN's College GameDay in 2015. While there was conversation happening behind the scenes about James Madison University being that week's possible location, it was a tweet from Lee Fitting, ESPN producer for GameDay, that started public recognition of the school for a possible host for GameDay. His tweet came as a response from a James Madison University account called \"JMU Duke Blawg\" who had been pushing for ESPN GameDay attention. Between Everett Withers' as head football coach and Lavaedeay \"Vad\" Monlique Lee as quarterback, their season was gaining a lot of attention in the lead up to the GameDay picks. The undefeated season for James Madison University and the University of Richmond's winning streak helped make them a strong contender. James Madison University was sitting at a (7-0) undefeated winning streak while the University of Richmond was (5-1) and on a five-game winning streak at the time. ESPN announced on Sunday, October 18, 2015 that James Madison University would host the 2015 College GameDay on Saturday, October 24.\u003c/p\u003e","\u003cp\u003eThe 2017 choice for GameDay was heavily influenced by online presence from the university and their long winning streak. With the popularization of social media, online attention from universities have become an easy way to get recognized, and from this, receive opportunities such as GameDay. The strategy for James Madison University was to lay the groundwork throughout their season while also maintaining a strong online presence in order to be considered. The Breeze, James Madison University's school newspaper, posted an article on September 21, 2017 laying out the strategy in place to secure a second year of hosting College GameDay. Part of the university's strategy included ensuring that James Madison University remained undefeated, that Villanova remained undefeated, and that the \"JMU Nation must continue to nag College GameDay on social media.\" Ultimately, James Madison University went on to have the nation's longest winning streak, 17 games, in the lead up to ESPN College GameDay. On Sunday, October 8, 2017 ESPN officially announced that James Madison University would host GameDay on Saturday, October 14, 2017.\u003c/p\u003e","\u003cp\u003eESPN College GameDay's third visit to Harrisonburg on November 18, 2023 was marked by a record setting crowd of approximately 26,000 people. Additionally, GameDay celebrated its 30th anniversary with its visit to JMU which also included musical performances by the Jonas Brothers and Bailey Zimmerman.\u003c/p\u003e\n","\u003cp\u003eLeading up to GameDay, JMU and the NCAA were embroiled in a bowl game controversy related to JMU's transition period after switching from the Coastal Athletic Association to the Sun Belt Conference in 2021. Per NCAA rules, a two-year transition period is required for teams to fully transition from Division I FCS (Football Championship Subdivision) to Division I FBS (Football Bowl Subdivision). JMU's transition period was in effect from July 1, 2022 to June 30, 2024. While JMU was undefeated and nationally ranked at the time, the NCAA upheld the transition period rule that the football team would not be bowl eligible. Ultimately, JMU was able to play in a bowl game (Lockheed Martin Armed Forces Bowl vs. Air Force, 2023 December 23) since there were not enough six-win teams to fill all the bowl game slots.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Held every Saturday morning during the college football regular season, ESPN College GameDay broadcasts live from the campus of the team hosting the featured football game.","James Madison University was first considered for ESPN's College GameDay in 2015. While there was conversation happening behind the scenes about James Madison University being that week's possible location, it was a tweet from Lee Fitting, ESPN producer for GameDay, that started public recognition of the school for a possible host for GameDay. His tweet came as a response from a James Madison University account called \"JMU Duke Blawg\" who had been pushing for ESPN GameDay attention. Between Everett Withers' as head football coach and Lavaedeay \"Vad\" Monlique Lee as quarterback, their season was gaining a lot of attention in the lead up to the GameDay picks. The undefeated season for James Madison University and the University of Richmond's winning streak helped make them a strong contender. James Madison University was sitting at a (7-0) undefeated winning streak while the University of Richmond was (5-1) and on a five-game winning streak at the time. ESPN announced on Sunday, October 18, 2015 that James Madison University would host the 2015 College GameDay on Saturday, October 24.","The 2017 choice for GameDay was heavily influenced by online presence from the university and their long winning streak. With the popularization of social media, online attention from universities have become an easy way to get recognized, and from this, receive opportunities such as GameDay. The strategy for James Madison University was to lay the groundwork throughout their season while also maintaining a strong online presence in order to be considered. The Breeze, James Madison University's school newspaper, posted an article on September 21, 2017 laying out the strategy in place to secure a second year of hosting College GameDay. Part of the university's strategy included ensuring that James Madison University remained undefeated, that Villanova remained undefeated, and that the \"JMU Nation must continue to nag College GameDay on social media.\" Ultimately, James Madison University went on to have the nation's longest winning streak, 17 games, in the lead up to ESPN College GameDay. On Sunday, October 8, 2017 ESPN officially announced that James Madison University would host GameDay on Saturday, October 14, 2017.","ESPN College GameDay's third visit to Harrisonburg on November 18, 2023 was marked by a record setting crowd of approximately 26,000 people. Additionally, GameDay celebrated its 30th anniversary with its visit to JMU which also included musical performances by the Jonas Brothers and Bailey Zimmerman.","Leading up to GameDay, JMU and the NCAA were embroiled in a bowl game controversy related to JMU's transition period after switching from the Coastal Athletic Association to the Sun Belt Conference in 2021. Per NCAA rules, a two-year transition period is required for teams to fully transition from Division I FCS (Football Championship Subdivision) to Division I FBS (Football Bowl Subdivision). JMU's transition period was in effect from July 1, 2022 to June 30, 2024. While JMU was undefeated and nationally ranked at the time, the NCAA upheld the transition period rule that the football team would not be bowl eligible. Ultimately, JMU was able to play in a bowl game (Lockheed Martin Armed Forces Bowl vs. Air Force, 2023 December 23) since there were not enough six-win teams to fill all the bowl game slots."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], ESPN College GameDay posters, 2015, 2017, 2023, SC 0336, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], ESPN College GameDay posters, 2015, 2017, 2023, SC 0336, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eWooden dowels, PVC pipes, and other yard sticks were removed from signs. Given the usage of mixed media (glitter, ribbons, paint, etc.) in their creation, the posters were interfiled with acid-free paper. Several of the physical posters exhibit smearing due to water exposure and warping as well as color loss and image degradation.\u003c/p\u003e","\u003cp\u003eThe 2015 and 2017 posters were digitized in October 2022 by graduate assistants Mariam Ismail and Kayleigh Bishop using a Nikon D3300 digital camera with a 18-55 mm lens. Bodeene Amyot Cairdeas, digital and audiovisual archivist, edited the digital files to address the following issues: color, exposure, and lens correction, distortion, and chromatic aberration. Tiffany Cole, archivist, uploaded the edited files and respective metadata into JSTOR Forum/Artstor in December 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Wooden dowels, PVC pipes, and other yard sticks were removed from signs. Given the usage of mixed media (glitter, ribbons, paint, etc.) in their creation, the posters were interfiled with acid-free paper. Several of the physical posters exhibit smearing due to water exposure and warping as well as color loss and image degradation.","The 2015 and 2017 posters were digitized in October 2022 by graduate assistants Mariam Ismail and Kayleigh Bishop using a Nikon D3300 digital camera with a 18-55 mm lens. Bodeene Amyot Cairdeas, digital and audiovisual archivist, edited the digital files to address the following issues: color, exposure, and lens correction, distortion, and chromatic aberration. Tiffany Cole, archivist, uploaded the edited files and respective metadata into JSTOR Forum/Artstor in December 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers. \u003c/p\u003e\n","\u003cp\u003eInternet memes, defined as humorous images online that are often replicated and parodied to fit specific situations, are used throughout the posters and represent the cultural references of the period and sometimes inside jokes from students at James Madison University directed at the opposing team. The signs also frequently draw on pop culture references and poke fun at the opposing team and their fanbase. \u003c/p\u003e","\u003cp\u003eThe 2015 GameDay posters focus on James Madison University's quarterback, Lavaedeay \"Vad\" Monlique  Lee, implying he will lead them to victory. Vad Lee had a strong season in 2014 by taking James Madison University to the FCS playoffs and led a strong 2015 season leading up to the Richmond game, season statistics were (7-0; 4-0) at this point in the season. These posters center on Vad's leadership skills as quarterback and cheer him on through various pop culture references from 2015.\u003c/p\u003e","\u003cp\u003eThe poster is a play on words from George Thorogood's song \"Bad to the Bone\" to cheer on James Madison University's 2015 quarterback, Lavaedeay \"Vad\" Monlique  Lee.\u003c/p\u003e","\u003cp\u003eThe poster plays on the popular catchphrase \"Hulk smash\" and depicts 2015 quarterback, Lavaedeay \"Vad\" Monlique Lee, as smashing the Richmond's mascot WebstUR the spider. The quote \"Hulk smash\" was made popular from a series of Marvel movies wherein the comic book character the hulk proclaims \"HULK SMASH\" before smashing something. While also popular from the comics themselves, the phrase made its way into pop culture references after Marvel began releasing movies with the Hulk often quoting the phrase in them. The poster references how the James Madison University quarterback is going to smash the Villanova football team. \u003c/p\u003e\n","\u003cp\u003ePoster is signed by Jonathan \"Jon\" Alger, the President of James Madison University, Matt Brady, and Samantha \"Sam\" Ponder.\u003c/p\u003e","\u003cp\u003eThe 2017 GameDay posters primarily focus on James Madison University's strength as a team, and school, over Villanova. Using viral internet images popular in 2017, they center on the inferiority of the Villanova team when being compared to James Madison University. These viral images, often called memes, are variously displaying James Madison University's \"superior taste\" in all regards. Calling attention to Villanova's cost of tuition and low football game attendance rates, the majority of the posters purport that James Madison University will defeat them. One poster references an inside joke to James Madison University students about how Villanova will lose the football game because they are not fans of the correct condiment. There are some posters that center less on the animosity of the two teams and instead are saying hello to friends and family.\u003c/p\u003e","\u003cp\u003eThe poster revises the common saying \"don't bring a knife to a gunfight,\" popularized by the 1987 film \"The Untouchables,\" to display the superiority of James Madison University's mascot, the Duke Dog, over Villanova's own Will D. Cat, the wildcat. The poster is meant to imply that not only are dogs better than cats but that James Madison University will perform better than Villanova's team.\u003c/p\u003e","\u003cp\u003eThe poster follows a popularized internet format, commonly called a meme, to depict how James Madison University is better than Villanova. The image is commonly known as the \"You vs. the guy meme\" and is meant to be used to show how one guy is superior to another. The format traditionally depicts two images, usually men, side by side with the implication being that the image on the right is better and the more desirable. This poster implies that James Madison University is better and more likely to win, and thus that you should be worried if you are the other \"guy\" in the image.\u003c/p\u003e","\u003cp\u003eThe poster uses the image of Austin Rogers, a famous Jeopardy player in 2017 who had a 12-game win streak. Known for his quirky yet funny anecdotes on Jeopardy, his image quickly became a househould face for a large portion of 2017. The poster uses his image paired with the saying as a statement on how well James Madison University's season is going. Going into the Villanova game, they had 17 wins in a row, outlasting Rogers' streak on Jeopardy. The poster talks to their successful season and how it will lead them to victory over Villanova. Their final season stats of (14-1; 8-0) displays their successful season and how the James Madison University football team had a longer winning streak than a popular Jeopardy star at the time.\u003c/p\u003e","\u003cp\u003eThe poster comments on the animosity between cats and dogs by using the fact that domesticated cats use a litter box to make fun of Villanova's Will D. Cat the wildcat as being more domestic and less threatening than James Madison University's Duke Dog. The implication is that Villanova's football team will lose because they, like their mascot, are not threatening enough to beat James Madison University.\u003c/p\u003e","\u003cp\u003eThe poster discusses James Madison University's high attendance to football games. Villanova's 2017 season had low attendance rates, 5,649 average for their home team attendance. James Madison University's 2017 home team attendance is averaged around 21,724. The ESPN GameDay estimated attendance was around 14,000 people. The poster uses these statistics to show the support for James Madison University over Villanova and their hopes that this will impact the outcome of the game.\u003c/p\u003e","\u003cp\u003eThe poster uses yum-yum sauce, a Japanese steakhouse mayonnaise sauce, to undermine Villanova. Yum-yum sauce is a popularized condiment for Japanese cuisine in the United States but holds a particular fondness for James Madison University students. Brought to the dining hall, D-hall, around 2017, it was famous on campus to students as the superior sauce choice for stir-fry. This poster functions as a James Madison University inside joke to Villanova by insulting their lack of taste when it comes to condiment choices. It is then implied that their lack of taste will be reflected in how they perform at GameDay. \u003c/p\u003e\n","\u003cp\u003eWhile popular, yum-yum sauce was a short lived condiment on campus. It was removed from D-hall after a few years and is now remembered fondly by those students who were on campus at the time.\u003c/p\u003e","\u003cp\u003eThe full poster details the specific costs of attending Villanova in 2017. It lists out the prices of tuition and fees, $49,430, room and board, $13,093, and books and miscellaneous items, $3,400. These prices are all added up and the total is stated as \"1 a$$ kicking from JMU.\" The poster is discussing how Villanova's high cost to attend is not reflected in their ability to beat James Madison University at football. The poster is detailing not only James Madison University's lower cost of attendance but is attempting to explain how money at a university does not translate to techinical abilities on the field.\u003c/p\u003e","\u003cp\u003eThe poster functions as a gesture from a student to their parents during GameDay weekend. With GameDay being broadcast on ESPN, this poster is a way for a student to show their family where they are on the broadcast and say hello to them from the crowd.\u003c/p\u003e","\u003cp\u003eThe poster features James Madison University's colors of gold and purple with the university letters surrounded by hearts. The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.\u003c/p\u003e","\u003cp\u003eThe poster states how James Madison's successful season, 17 straight wins at this point in 2017, will lead to a victory over the Villanova team. The statement of \"it's OVA\" is a reference to a common phrase about something already being done. The connotation here is that it is already over for Villanova and James Madison University will win. \u003c/p\u003e\n","\u003cp\u003eThe poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.\u003c/p\u003e","\u003cp\u003eThe poster uses a popular internet graphic from the 2010s to depict how former James Madison University head coach, Everett Withers is regretting his decision to leave and coach at Texas State University. \u003c/p\u003e\n","\u003cp\u003eAn internet meme is a humorous image online that is often replicated and parodied to fit specific situations. The poster uses the popular meme entitled \"distracted boyfriend\" which shows a guy walking with his girlfriend but looking back at another girl. Traditionally, the meme is used to show how someone is disloyal or regretting a choice they have made. The meme first appeared in early 2017 but by August 2017 was viral online.\u003c/p\u003e\n","\u003cp\u003eThe poster uses this viral internet frame to portray Everett Withers as the \"distracted boyfriend\" in the meme. James Madison University is the girl he is looking back at and Texas State University is his current girlfriend. After coaching the James Madison University football team in the 2015 GameDay, the poster implies his disloyalty to his current team and regret around not coaching James Madison University for their second GameDay. Brought on by James Madison University's strong season in 2017, a 17-game winning streak, it is implying they will not lose at GameDay this time around. \u003c/p\u003e\n","\u003cp\u003eAdditionally, the back of the poster has \"Hey Papa Waller!\" on it. This is likely a message from a student to their family. Knowing that GameDay will be streaming on ESPN, it would have served as a way for their family to see them on TV and say \"hey\" from the large GameDay crowd. \u003c/p\u003e","\u003cp\u003eThe poster is in reference to a comment by Cam Newton, then Carolina Panthers quarterback, to reporter Jourdan Rodrigue on October 4, 2017. In response to her question about running routes with wide receiver Devin Funchess, Cam Newton responded \"it's funny to hear a female talk about routes.\" This poster references said comment and undermines Newton's comment about women. The poster has an unknown signature on it.\u003c/p\u003e","\u003cp\u003eThe poster uses a pop culture reference to a popular children's television show to display how bad of a team Villanova is. Referencing the popular show Spongebob Squarepants, the poster is meant to show Villanova's distasteful nature in their choice of restaurant from the show. Notably, the show centers around the restaurant known as \"The Krusty Krab\", a popular eatery in the show compared to its rival the \"Chum Bucket.\" The Chum Bucket is known for serving poor food, often chum, and is often considered the villain in the show. The poster references how Villanova is viewed in the same regard by James Madison University students. It is also inferred that due to their restaurant choice Villanova will lose the game because they have inferior restaurant tastes compared to James Madison University. \u003c/p\u003e\n","\u003cp\u003eThe poster has an unknown signature.\u003c/p\u003e","\u003cp\u003eThe poster uses a popular image from \"It's the Great Pumpkin, Charlie Brown\" film to represent the superiority of James Madison University's football team over Villanova's. Using the image of Charlie Brown trick or treating in his ghost costume, Villanova is represented as the one who gets a rock in their bag. Paired with James Madison University's character, also dressed as a ghost, stating that they received a championship ring, it is meant to imply their superiority at football. This was a common internet image circulating at the time. It was commonly known as \"Charlie Brown Halloween Rock Meme\" and is meant to show how one person always gets something less than the other. The poster adds the university logos to each ghost character to further this point of James Madison University being better sports team than Villanova.\u003c/p\u003e","\u003cp\u003eMany of the signs make reference to the NCAA bowl game controversy; the Jonas Brothers, specifically Joe Jonas's recent separation from actress Sophie Turner; University of Michigan's football cheating scandal; and other happenings in pop culture.\u003c/p\u003e","\u003cp\u003eSign reads \"Joe Jonas I'm Single (also go dukes)\" and is in reference to Joe Jonas's recent separation from Sophie Turner. Created by Olivia Lewis ('23).\u003c/p\u003e","\u003cp\u003eThe sign suggests that JMU will easily defeat Appalachian State, whose mascot is Yosef the Mountaineer. The hashtag #everythingschool is also included which refers to the JMU's success in numerous sports during the fall of 2023 including football, men's basketball, and women's soccer. While some colleges and universities are historically known to be a \"football school\" or a \"basketball school\", JMU conversely was colloquially recognized as an \"everything school\" by excelling in all things.\u003c/p\u003e","\u003cp\u003eSign includes purple and gold paw prints and a hand-drawn barking Duke Dog. Created by Lydia Endersby ('23).\u003c/p\u003e","\u003cp\u003eThe sign reimagines a line from the song \"Munch (Feelin' U)\" by Ice Spice, released in 2023, and presumably refers to Kevin Jonas. Created by Laine Kelly ('25).\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eThe primary side features the Duke Dog standing on the top of a mountain peak saying \"Roll Dukes\" while Yosef the Mountaineer, the Appalachian State mascot, rolls down on a boulder to the base of the mountain to join the other opponents JMU defeated earlier in the season.\u003c/p\u003e\n","\u003cp\u003eThe opposite side requests that Nick Jonas show his Dexcom device, a continuous glucose monitoring system for diabetes management, and the sign-holder will show him theirs. Jonas was diagnosed with type 1 diabetes at the age of 13.\u003c/p\u003e","\u003cp\u003eThe sign refers to ESPN College GameDay analyst Kirk Herbstreit's Golden Retriever named Ben who frequently accompanied Herbstreit on his trips to call and analyze football games. Ben was in attendance at JMU's College GameDay.\u003c/p\u003e","\u003cp\u003eThe NCAA's ruling that JMU was ineligible to play in a bowl game because of their two-year transition period from FCS to FBS demonstrates the NCAA's hatred for puppies. The sign features a picture of a crying Duke Dog.\u003c/p\u003e","\u003cp\u003eDemands of the NCAA to let JMU play in a bowl game and invokes the Jonas Brothers by using a play on the popular phrase \"What Would Jesus Do?\"\u003c/p\u003e","\u003cp\u003eA sign presumably created for a two-year-old JMU fan and future Duke.\u003c/p\u003e","\u003cp\u003eFeatures the Duke Dog trash talking Appalachian State by making a pun about their mascot Yosef.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side accuses Applachian State of having pubic lice. Includes the hashtag #RollMotherF*ckingDukes. The creator of the sign was dressed in a crab suit during GameDay.\u003c/p\u003e\n","\u003cp\u003eThe second side features a map of Virginia (labeled JMU) and North Carolina (labeled App State) using it as rationale for Appalachian State being inferior to JMU.\u003c/p\u003e","\u003cp\u003eDuring a November 13, 2023 press conference, Jim Harbaugh, head coach of the University of Michigan Wolverines football team, referred to his team as \"America's team.\" The sign offers a counterpoint, asserting that JMU is actually America's team. Created by John Bowen Jr. ('04).\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side features a play on words using the Sun Belt Conference, of which JMU became a member in 2022, and the phrase \"fly too close to the sun\" which refers to the story of Icarus in Greek mythology.\u003c/p\u003e\n","\u003cp\u003eThe second side requests information on Joe Jonas's impending divorce from actress Sophie Turner and follows up with the parenthetical question \"Marry Me??\"\u003c/p\u003e","\u003cp\u003eThe sign demonstrates fandom for JMU through the practice of sharing one's pronouns. Includes a graphic of the Duke Dog riding on a flying bald eagle.\u003c/p\u003e","\u003cp\u003eThe sign uses the lyrics of the Jonas Brothers song \"Sucker\" to convey the similarities and closeness between JMU and the band. Each of the Jonas Brothers' faces is superimposed on a bowling pin referring to the NCAA bowl eligibility controversy.\u003c/p\u003e","\u003cp\u003eAccuses Desmond Howard of stealing Kirk Herbstreit's talking points for ESPN College GameDay. Both are analysts on the college football pre-game show. The sign may also allude to the University of Michigan sign-stealing controversy of 2023 given that Desmond Howard played college football at Michigan.\u003c/p\u003e","\u003cp\u003eFeatures purple and gold \"JMU\" in bubble letters.\u003c/p\u003e","\u003cp\u003eFeatures an image of Sophie Turner and Taylor Swift taken on the night of September 19, 2023 while the two were out in New York City. Also includes the hashtag #TeamSophie and select lyrics from Swift's song \"Vigilante Shit.\" The sign is an obvious reference to Turner's recent separation from Joe Jonas.\u003c/p\u003e","\u003cp\u003eComments on the success of JMU's football team by making reference to the Jonas Brothers' song \"Burnin' Up.\"\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side declares that JMU (hot) is superior to App State (not).\u003c/p\u003e\n","\u003cp\u003eThe second side encourages people to support libraries.\u003c/p\u003e","\u003cp\u003eTwo-sided sign. Both sides are identical.\u003c/p\u003e\n","\u003cp\u003eUses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.\u003c/p\u003e","\u003cp\u003eUses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.\u003c/p\u003e","\u003cp\u003eDemands of the NCAA to allow JMU play in a bowl game.\u003c/p\u003e","\u003cp\u003eThe sign predicts JMU will have a record of 11-0 after their game against Appalachian State, presuming a victory over the Mountaineers. Also includes the slogan made popular by Apple in 2009 claiming that there is an application for everything.\u003c/p\u003e","\u003cp\u003eThe sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game.\u003c/p\u003e","\u003cp\u003eCrossword-style graphic and includes image of embarrassed Duke Dog and football helmet.\u003c/p\u003e","\u003cp\u003eThe sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game. Also includes the hashtag #letjmubowl.\u003c/p\u003e","\u003cp\u003eJames Madison is universally acknowledged as the Father of the Constitution due to his instrumental role in drafting the Constitution as well as the Bill of Rights. The sign argues that James Madison is also the father of football, a claim likely made due to JMU's dominance in football. Includes drawing of the American flag and the Duke Dog holding a copy of the Bill of Rights with the amendment \"JMU shall bowl.\"\u003c/p\u003e","\u003cp\u003eQuotes the Preamble of the Constitution to convince the NCAA to allow JMU to play in a bowl game. Includes image of James Madison wearing sunglasses and bowling pins labeled with each of JMU's opponents up until that point in the 2023 season. Created by Maddy Brendel ('27).\u003c/p\u003e","\u003cp\u003eRefers to the two-year transition period the NCAA requires of teams that join new conferences before they're allowed to play in the postseason. Includes each teams' win percentage since 2022 when JMU formally joined the Sun Belt Conference. JMU had an 86% win percentage while Appalachian State's win percentage was 55%.\u003c/p\u003e","\u003cp\u003eDemands that the NCAA allow JMU to play in a bowl game by touting the team's undefeated record. Other imagery identifies Appalachian State as losers while JMU are winners.\u003c/p\u003e","\u003cp\u003ePrinted sign features official JMU letters and an artifical intelligence (AI)-generated Duke Dog with a fierce facial expression and a crown.\u003c/p\u003e","\u003cp\u003ePrinted sign features JMU logo (Duke Dog on top of JMU letters) with the phrases \"Duke Dog's Ready to Pound\" and \"Welcome to Our House!\"\u003c/p\u003e","\u003cp\u003eAccuses Appalachian State fans of urinating while standing and therefore being weak or effeminate or any number of other presumed insults associated with that manner of using the bathroom. The attack is likely targeted at men fans who would otherwise stand while they urinate. The word \"Pee\" is in yellow letters.\u003c/p\u003e","\u003cp\u003eFour-sided laminated sign.\u003c/p\u003e\n","\u003cp\u003e1. \"Who Let the Dukes Out???\" is a reinterpretation of the Baha Men's 2000 song \"Who Let the Dogs Out.\" The song has historically been associated with sporting events.\u003c/p\u003e\n","\u003cp\u003e2. \"I'm a Sucker for (JM)U\" uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.\u003c/p\u003e\n","\u003cp\u003e3. \"JMU = Virginia's School\" asserts that JMU is the flagship university in the state, not Virginia Tech, University of Virginia, William \u0026amp; Mary, or others.\u003c/p\u003e\n","\u003cp\u003e4. \"We Want the Jonas Bros to Stay at JMU Until the Year 3,000?\" refers to the Jonas Brothers' 2006 song \"Year 3000.\"\u003c/p\u003e\n","\u003cp\u003eCreator included initials and date to each side -  \"KEL 2023.\"\u003c/p\u003e","\u003cp\u003eFeatures a game prediction alongside graphic of Baby Yoda (aka Grogu). The prediction uses the object-subject-verb pattern that is typical of Yoda speak.\u003c/p\u003e","\u003cp\u003eFeatures a photoshopped image of Lee Corso, GameDay analyst, wearing a birthday cake hat. ESPN College GameDay formally celebrated its 30th anniversary as part of the festivities at JMU on November 18, 2023. The program first used a traveling broadcast model for its November 13, 1993 show.\u003c/p\u003e","\u003cp\u003eUses the hashtag #letJMUbowl to plead to the NCAA that JMU should be able to play in a post-season bowl game. The Duke Dog is featured holding a football and appears to be running similar to how a football player rushes for yards.\u003c/p\u003e","\u003cp\u003eFeatures image of Count von Count from Sesame Street on a television screen with the numbers 11-0 to signify what would be JMU's record if they beat Appalachian State.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eThe primary side of the sign includes a quote and scene from the movie \u003cemph render=\"italic\"\u003eMean Girls\u003c/emph\u003e during which Regina George (JMU), played by Rachel McAdams, insults Cady Heron (Appalachian State), played by Lindsay Lohan.\u003c/p\u003e\n","\u003cp\u003eThe other side pleads to Barstool Sports, a digital media company, to hire the creator of the sign who will be a 2024 graduate of the School of Media Arts and Design (SMAD) and claims \"I need a job.\" Includes email address for contact.\u003c/p\u003e","\u003cp\u003eCompares the average Appalachian State fan to Pinhead Larry, a character played by Patrick Star from the cartoon television show \u003cemph render=\"italic\"\u003eSpongebob Squarepants\u003c/emph\u003e. Pinhead Larry is depicted as a dimwit and only has one tooth.\u003c/p\u003e","\u003cp\u003eIncludes official NCAA logo with \"Unfair\" underneath referring to the NCAA's decision to deny JMU from playing in a bowl game. Created by Riley Isakower ('22).\u003c/p\u003e","\u003cp\u003eCrossword-style graphic asserting that JMU should be eligible to play in a bowl game with JMU-Duke Dog logo.\u003c/p\u003e","\u003cp\u003eInvokes the popular internet meme \"girl math\" by using the equation that JMU plus an 11-0 record equals (or should equal) a bowl game. A 10-0 record is crossed out and replaced with an 11-0 record which presumes JMU will beat Appalachian State. The typical concept of girl math is a humorous way of rationalizing extravagent, unnecessary, or impulsive purchases.\u003c/p\u003e","\u003cp\u003ePair of complementary signs each shaped like a foot.\u003c/p\u003e\n","\u003cp\u003eThe left foot sign reads \"Our Dawgs Are Barkin'\" which is a common saying when someone's feet are hurt. It also refers to JMU's mascot which is a dog.\u003c/p\u003e\n","\u003cp\u003eThe right foot sign reads \"Let the Dawgs Out\" is a reference to the Baha Men's 2000 song \"Who Let the Dogs Out.\" It also refers to JMU's mascot which is a dog.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003ePrimary side includes a scene from the television show \u003cemph render=\"italic\"\u003eThe Office\u003c/emph\u003e in which a younger Michael Scott, played by Steve Carell, is shaking hands with his then boss Ed Truck, played by Ken Howard. The handshake meme is typically used to illustrate commonalities between two entities. In this case, the act of consistently making horrible decisions and the NCAA are shaking hands and are therefore in solidarity. This refers to the NCAA's decision to not allow JMU to play in a bowl game.\u003c/p\u003e\n","\u003cp\u003eThe second side is a black-and-white swirl optical illusion.\u003c/p\u003e","\u003cp\u003eImages from the 2012 U.S. Open bowling tournament during which professional bowler Pete Weber bowled a strike during the final frame and subsequently won the tournament. Famously, Weber launched into a celebratory fit and yelled the incoherent phrase \"Who do you think you are? I am!\" This illogical celebration became a popular internet meme.\u003c/p\u003e\n","\u003cp\u003eOne image features Weber in his bowling stance. The NCAA logo is superimposed onto Weber and the JMU logo is superimposed onto Weber's bowling ball. The second image shows Weber's celebration with Curt Cignett's face superimposed onto Weber's face.  \u003c/p\u003e\n","\u003cp\u003eIncludes the hashtag #letusbowl.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side has a congratulatory theme due to ESPN College GameDay's 30th anniversary.\u003c/p\u003e\n","\u003cp\u003eThe other side identifies the sign creators as both JMU alumni and parents to a student at the University of Auburn.\u003c/p\u003e","\u003cp\u003eRefers to the viral Tik Tok motivational catchphrase \"Never back down. Never What? Never give up\" made popular by Nick Eh 30, an online streamer. Includes graphic of the Duke Dog his muscles.\u003c/p\u003e","\u003cp\u003eRefers to the JMU tradition of holding the door for others when entering and exiting a building.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003ePrimary side includes a comparison of the University of Michigan and JMU football teams and concludes that the NCAA does not make sense. Michigan's head football coach, Jim Harbaugh, is noted as having been twice suspended in 2023 for impermissible recruiting and chating while JMU's coach was not suspended at all. Michigan was involved in a cheating scandal while JMU was not. Despite all of this Michigan was bowl eligible while JMU was not thus the argument that the NCAA  is an illogical entity.\u003c/p\u003e\n","\u003cp\u003eThe second side reads \"JMU Duuukes\" which is a common chant among fans.\u003c/p\u003e","\u003cp\u003eFestive sign that reads \"Fans For 40 Years - ESPN College GameDay - Go Dukes! - Beat App State.\" Created by Kenny Sothoron ('83) and Rebecca Woodcock Sothoron ('85).\u003c/p\u003e","\u003cp\u003eFeatures a scene from \u003cemph render=\"italic\"\u003eSpongeBob SquarePants\u003c/emph\u003e with Patrick Star and Tattletale Strangler who are both in jail. Michigan head football coach Jim Harbaugh's head is superimposed onto Patrick Star and the Duke Dog-JMU logo is superimposed on Tattletale Strangler. Patrick Star/Jim Harbaugh is asking Tattletale Strangler/JMU \"Hey pal, what're you in for?\" referencing Harbaugh's suspension for cheating and presumably JMU's sentence brought down by the NCAA of being bowl ineligible.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side states that enrolling for a sixth year of college was a wise choice due to ESPN College GameDay visiting campus as well as JMU being superior in all things. Includes \"Everything School\" logo in JMU colors.\u003c/p\u003e\n","\u003cp\u003eSecond side uses a turn of phrase regarding dogs and bowls to argue that JMU, whose mascot is a dog, should be eligible to play in a bowl game. Includes graphic of the Duke Dog and a bowl-shaped trophy with a clip-art picture of a peach on it which presumably refers to the Peach Bowl. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers. ","Internet memes, defined as humorous images online that are often replicated and parodied to fit specific situations, are used throughout the posters and represent the cultural references of the period and sometimes inside jokes from students at James Madison University directed at the opposing team. The signs also frequently draw on pop culture references and poke fun at the opposing team and their fanbase. ","The 2015 GameDay posters focus on James Madison University's quarterback, Lavaedeay \"Vad\" Monlique  Lee, implying he will lead them to victory. Vad Lee had a strong season in 2014 by taking James Madison University to the FCS playoffs and led a strong 2015 season leading up to the Richmond game, season statistics were (7-0; 4-0) at this point in the season. These posters center on Vad's leadership skills as quarterback and cheer him on through various pop culture references from 2015.","The poster is a play on words from George Thorogood's song \"Bad to the Bone\" to cheer on James Madison University's 2015 quarterback, Lavaedeay \"Vad\" Monlique  Lee.","The poster plays on the popular catchphrase \"Hulk smash\" and depicts 2015 quarterback, Lavaedeay \"Vad\" Monlique Lee, as smashing the Richmond's mascot WebstUR the spider. The quote \"Hulk smash\" was made popular from a series of Marvel movies wherein the comic book character the hulk proclaims \"HULK SMASH\" before smashing something. While also popular from the comics themselves, the phrase made its way into pop culture references after Marvel began releasing movies with the Hulk often quoting the phrase in them. The poster references how the James Madison University quarterback is going to smash the Villanova football team. ","Poster is signed by Jonathan \"Jon\" Alger, the President of James Madison University, Matt Brady, and Samantha \"Sam\" Ponder.","The 2017 GameDay posters primarily focus on James Madison University's strength as a team, and school, over Villanova. Using viral internet images popular in 2017, they center on the inferiority of the Villanova team when being compared to James Madison University. These viral images, often called memes, are variously displaying James Madison University's \"superior taste\" in all regards. Calling attention to Villanova's cost of tuition and low football game attendance rates, the majority of the posters purport that James Madison University will defeat them. One poster references an inside joke to James Madison University students about how Villanova will lose the football game because they are not fans of the correct condiment. There are some posters that center less on the animosity of the two teams and instead are saying hello to friends and family.","The poster revises the common saying \"don't bring a knife to a gunfight,\" popularized by the 1987 film \"The Untouchables,\" to display the superiority of James Madison University's mascot, the Duke Dog, over Villanova's own Will D. Cat, the wildcat. The poster is meant to imply that not only are dogs better than cats but that James Madison University will perform better than Villanova's team.","The poster follows a popularized internet format, commonly called a meme, to depict how James Madison University is better than Villanova. The image is commonly known as the \"You vs. the guy meme\" and is meant to be used to show how one guy is superior to another. The format traditionally depicts two images, usually men, side by side with the implication being that the image on the right is better and the more desirable. This poster implies that James Madison University is better and more likely to win, and thus that you should be worried if you are the other \"guy\" in the image.","The poster uses the image of Austin Rogers, a famous Jeopardy player in 2017 who had a 12-game win streak. Known for his quirky yet funny anecdotes on Jeopardy, his image quickly became a househould face for a large portion of 2017. The poster uses his image paired with the saying as a statement on how well James Madison University's season is going. Going into the Villanova game, they had 17 wins in a row, outlasting Rogers' streak on Jeopardy. The poster talks to their successful season and how it will lead them to victory over Villanova. Their final season stats of (14-1; 8-0) displays their successful season and how the James Madison University football team had a longer winning streak than a popular Jeopardy star at the time.","The poster comments on the animosity between cats and dogs by using the fact that domesticated cats use a litter box to make fun of Villanova's Will D. Cat the wildcat as being more domestic and less threatening than James Madison University's Duke Dog. The implication is that Villanova's football team will lose because they, like their mascot, are not threatening enough to beat James Madison University.","The poster discusses James Madison University's high attendance to football games. Villanova's 2017 season had low attendance rates, 5,649 average for their home team attendance. James Madison University's 2017 home team attendance is averaged around 21,724. The ESPN GameDay estimated attendance was around 14,000 people. The poster uses these statistics to show the support for James Madison University over Villanova and their hopes that this will impact the outcome of the game.","The poster uses yum-yum sauce, a Japanese steakhouse mayonnaise sauce, to undermine Villanova. Yum-yum sauce is a popularized condiment for Japanese cuisine in the United States but holds a particular fondness for James Madison University students. Brought to the dining hall, D-hall, around 2017, it was famous on campus to students as the superior sauce choice for stir-fry. This poster functions as a James Madison University inside joke to Villanova by insulting their lack of taste when it comes to condiment choices. It is then implied that their lack of taste will be reflected in how they perform at GameDay. ","While popular, yum-yum sauce was a short lived condiment on campus. It was removed from D-hall after a few years and is now remembered fondly by those students who were on campus at the time.","The full poster details the specific costs of attending Villanova in 2017. It lists out the prices of tuition and fees, $49,430, room and board, $13,093, and books and miscellaneous items, $3,400. These prices are all added up and the total is stated as \"1 a$$ kicking from JMU.\" The poster is discussing how Villanova's high cost to attend is not reflected in their ability to beat James Madison University at football. The poster is detailing not only James Madison University's lower cost of attendance but is attempting to explain how money at a university does not translate to techinical abilities on the field.","The poster functions as a gesture from a student to their parents during GameDay weekend. With GameDay being broadcast on ESPN, this poster is a way for a student to show their family where they are on the broadcast and say hello to them from the crowd.","The poster features James Madison University's colors of gold and purple with the university letters surrounded by hearts. The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.","The poster states how James Madison's successful season, 17 straight wins at this point in 2017, will lead to a victory over the Villanova team. The statement of \"it's OVA\" is a reference to a common phrase about something already being done. The connotation here is that it is already over for Villanova and James Madison University will win. ","The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.","The poster uses a popular internet graphic from the 2010s to depict how former James Madison University head coach, Everett Withers is regretting his decision to leave and coach at Texas State University. ","An internet meme is a humorous image online that is often replicated and parodied to fit specific situations. The poster uses the popular meme entitled \"distracted boyfriend\" which shows a guy walking with his girlfriend but looking back at another girl. Traditionally, the meme is used to show how someone is disloyal or regretting a choice they have made. The meme first appeared in early 2017 but by August 2017 was viral online.","The poster uses this viral internet frame to portray Everett Withers as the \"distracted boyfriend\" in the meme. James Madison University is the girl he is looking back at and Texas State University is his current girlfriend. After coaching the James Madison University football team in the 2015 GameDay, the poster implies his disloyalty to his current team and regret around not coaching James Madison University for their second GameDay. Brought on by James Madison University's strong season in 2017, a 17-game winning streak, it is implying they will not lose at GameDay this time around. ","Additionally, the back of the poster has \"Hey Papa Waller!\" on it. This is likely a message from a student to their family. Knowing that GameDay will be streaming on ESPN, it would have served as a way for their family to see them on TV and say \"hey\" from the large GameDay crowd. ","The poster is in reference to a comment by Cam Newton, then Carolina Panthers quarterback, to reporter Jourdan Rodrigue on October 4, 2017. In response to her question about running routes with wide receiver Devin Funchess, Cam Newton responded \"it's funny to hear a female talk about routes.\" This poster references said comment and undermines Newton's comment about women. The poster has an unknown signature on it.","The poster uses a pop culture reference to a popular children's television show to display how bad of a team Villanova is. Referencing the popular show Spongebob Squarepants, the poster is meant to show Villanova's distasteful nature in their choice of restaurant from the show. Notably, the show centers around the restaurant known as \"The Krusty Krab\", a popular eatery in the show compared to its rival the \"Chum Bucket.\" The Chum Bucket is known for serving poor food, often chum, and is often considered the villain in the show. The poster references how Villanova is viewed in the same regard by James Madison University students. It is also inferred that due to their restaurant choice Villanova will lose the game because they have inferior restaurant tastes compared to James Madison University. ","The poster has an unknown signature.","The poster uses a popular image from \"It's the Great Pumpkin, Charlie Brown\" film to represent the superiority of James Madison University's football team over Villanova's. Using the image of Charlie Brown trick or treating in his ghost costume, Villanova is represented as the one who gets a rock in their bag. Paired with James Madison University's character, also dressed as a ghost, stating that they received a championship ring, it is meant to imply their superiority at football. This was a common internet image circulating at the time. It was commonly known as \"Charlie Brown Halloween Rock Meme\" and is meant to show how one person always gets something less than the other. The poster adds the university logos to each ghost character to further this point of James Madison University being better sports team than Villanova.","Many of the signs make reference to the NCAA bowl game controversy; the Jonas Brothers, specifically Joe Jonas's recent separation from actress Sophie Turner; University of Michigan's football cheating scandal; and other happenings in pop culture.","Sign reads \"Joe Jonas I'm Single (also go dukes)\" and is in reference to Joe Jonas's recent separation from Sophie Turner. Created by Olivia Lewis ('23).","The sign suggests that JMU will easily defeat Appalachian State, whose mascot is Yosef the Mountaineer. The hashtag #everythingschool is also included which refers to the JMU's success in numerous sports during the fall of 2023 including football, men's basketball, and women's soccer. While some colleges and universities are historically known to be a \"football school\" or a \"basketball school\", JMU conversely was colloquially recognized as an \"everything school\" by excelling in all things.","Sign includes purple and gold paw prints and a hand-drawn barking Duke Dog. Created by Lydia Endersby ('23).","The sign reimagines a line from the song \"Munch (Feelin' U)\" by Ice Spice, released in 2023, and presumably refers to Kevin Jonas. Created by Laine Kelly ('25).","Two-sided sign.","The primary side features the Duke Dog standing on the top of a mountain peak saying \"Roll Dukes\" while Yosef the Mountaineer, the Appalachian State mascot, rolls down on a boulder to the base of the mountain to join the other opponents JMU defeated earlier in the season.","The opposite side requests that Nick Jonas show his Dexcom device, a continuous glucose monitoring system for diabetes management, and the sign-holder will show him theirs. Jonas was diagnosed with type 1 diabetes at the age of 13.","The sign refers to ESPN College GameDay analyst Kirk Herbstreit's Golden Retriever named Ben who frequently accompanied Herbstreit on his trips to call and analyze football games. Ben was in attendance at JMU's College GameDay.","The NCAA's ruling that JMU was ineligible to play in a bowl game because of their two-year transition period from FCS to FBS demonstrates the NCAA's hatred for puppies. The sign features a picture of a crying Duke Dog.","Demands of the NCAA to let JMU play in a bowl game and invokes the Jonas Brothers by using a play on the popular phrase \"What Would Jesus Do?\"","A sign presumably created for a two-year-old JMU fan and future Duke.","Features the Duke Dog trash talking Appalachian State by making a pun about their mascot Yosef.","Two-sided sign.","One side accuses Applachian State of having pubic lice. Includes the hashtag #RollMotherF*ckingDukes. The creator of the sign was dressed in a crab suit during GameDay.","The second side features a map of Virginia (labeled JMU) and North Carolina (labeled App State) using it as rationale for Appalachian State being inferior to JMU.","During a November 13, 2023 press conference, Jim Harbaugh, head coach of the University of Michigan Wolverines football team, referred to his team as \"America's team.\" The sign offers a counterpoint, asserting that JMU is actually America's team. Created by John Bowen Jr. ('04).","Two-sided sign.","One side features a play on words using the Sun Belt Conference, of which JMU became a member in 2022, and the phrase \"fly too close to the sun\" which refers to the story of Icarus in Greek mythology.","The second side requests information on Joe Jonas's impending divorce from actress Sophie Turner and follows up with the parenthetical question \"Marry Me??\"","The sign demonstrates fandom for JMU through the practice of sharing one's pronouns. Includes a graphic of the Duke Dog riding on a flying bald eagle.","The sign uses the lyrics of the Jonas Brothers song \"Sucker\" to convey the similarities and closeness between JMU and the band. Each of the Jonas Brothers' faces is superimposed on a bowling pin referring to the NCAA bowl eligibility controversy.","Accuses Desmond Howard of stealing Kirk Herbstreit's talking points for ESPN College GameDay. Both are analysts on the college football pre-game show. The sign may also allude to the University of Michigan sign-stealing controversy of 2023 given that Desmond Howard played college football at Michigan.","Features purple and gold \"JMU\" in bubble letters.","Features an image of Sophie Turner and Taylor Swift taken on the night of September 19, 2023 while the two were out in New York City. Also includes the hashtag #TeamSophie and select lyrics from Swift's song \"Vigilante Shit.\" The sign is an obvious reference to Turner's recent separation from Joe Jonas.","Comments on the success of JMU's football team by making reference to the Jonas Brothers' song \"Burnin' Up.\"","Two-sided sign.","One side declares that JMU (hot) is superior to App State (not).","The second side encourages people to support libraries.","Two-sided sign. Both sides are identical.","Uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","Uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","Demands of the NCAA to allow JMU play in a bowl game.","The sign predicts JMU will have a record of 11-0 after their game against Appalachian State, presuming a victory over the Mountaineers. Also includes the slogan made popular by Apple in 2009 claiming that there is an application for everything.","The sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game.","Crossword-style graphic and includes image of embarrassed Duke Dog and football helmet.","The sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game. Also includes the hashtag #letjmubowl.","James Madison is universally acknowledged as the Father of the Constitution due to his instrumental role in drafting the Constitution as well as the Bill of Rights. The sign argues that James Madison is also the father of football, a claim likely made due to JMU's dominance in football. Includes drawing of the American flag and the Duke Dog holding a copy of the Bill of Rights with the amendment \"JMU shall bowl.\"","Quotes the Preamble of the Constitution to convince the NCAA to allow JMU to play in a bowl game. Includes image of James Madison wearing sunglasses and bowling pins labeled with each of JMU's opponents up until that point in the 2023 season. Created by Maddy Brendel ('27).","Refers to the two-year transition period the NCAA requires of teams that join new conferences before they're allowed to play in the postseason. Includes each teams' win percentage since 2022 when JMU formally joined the Sun Belt Conference. JMU had an 86% win percentage while Appalachian State's win percentage was 55%.","Demands that the NCAA allow JMU to play in a bowl game by touting the team's undefeated record. Other imagery identifies Appalachian State as losers while JMU are winners.","Printed sign features official JMU letters and an artifical intelligence (AI)-generated Duke Dog with a fierce facial expression and a crown.","Printed sign features JMU logo (Duke Dog on top of JMU letters) with the phrases \"Duke Dog's Ready to Pound\" and \"Welcome to Our House!\"","Accuses Appalachian State fans of urinating while standing and therefore being weak or effeminate or any number of other presumed insults associated with that manner of using the bathroom. The attack is likely targeted at men fans who would otherwise stand while they urinate. The word \"Pee\" is in yellow letters.","Four-sided laminated sign.","1. \"Who Let the Dukes Out???\" is a reinterpretation of the Baha Men's 2000 song \"Who Let the Dogs Out.\" The song has historically been associated with sporting events.","2. \"I'm a Sucker for (JM)U\" uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","3. \"JMU = Virginia's School\" asserts that JMU is the flagship university in the state, not Virginia Tech, University of Virginia, William \u0026 Mary, or others.","4. \"We Want the Jonas Bros to Stay at JMU Until the Year 3,000?\" refers to the Jonas Brothers' 2006 song \"Year 3000.\"","Creator included initials and date to each side -  \"KEL 2023.\"","Features a game prediction alongside graphic of Baby Yoda (aka Grogu). The prediction uses the object-subject-verb pattern that is typical of Yoda speak.","Features a photoshopped image of Lee Corso, GameDay analyst, wearing a birthday cake hat. ESPN College GameDay formally celebrated its 30th anniversary as part of the festivities at JMU on November 18, 2023. The program first used a traveling broadcast model for its November 13, 1993 show.","Uses the hashtag #letJMUbowl to plead to the NCAA that JMU should be able to play in a post-season bowl game. The Duke Dog is featured holding a football and appears to be running similar to how a football player rushes for yards.","Features image of Count von Count from Sesame Street on a television screen with the numbers 11-0 to signify what would be JMU's record if they beat Appalachian State.","Two-sided sign.","The primary side of the sign includes a quote and scene from the movie  Mean Girls  during which Regina George (JMU), played by Rachel McAdams, insults Cady Heron (Appalachian State), played by Lindsay Lohan.","The other side pleads to Barstool Sports, a digital media company, to hire the creator of the sign who will be a 2024 graduate of the School of Media Arts and Design (SMAD) and claims \"I need a job.\" Includes email address for contact.","Compares the average Appalachian State fan to Pinhead Larry, a character played by Patrick Star from the cartoon television show  Spongebob Squarepants . Pinhead Larry is depicted as a dimwit and only has one tooth.","Includes official NCAA logo with \"Unfair\" underneath referring to the NCAA's decision to deny JMU from playing in a bowl game. Created by Riley Isakower ('22).","Crossword-style graphic asserting that JMU should be eligible to play in a bowl game with JMU-Duke Dog logo.","Invokes the popular internet meme \"girl math\" by using the equation that JMU plus an 11-0 record equals (or should equal) a bowl game. A 10-0 record is crossed out and replaced with an 11-0 record which presumes JMU will beat Appalachian State. The typical concept of girl math is a humorous way of rationalizing extravagent, unnecessary, or impulsive purchases.","Pair of complementary signs each shaped like a foot.","The left foot sign reads \"Our Dawgs Are Barkin'\" which is a common saying when someone's feet are hurt. It also refers to JMU's mascot which is a dog.","The right foot sign reads \"Let the Dawgs Out\" is a reference to the Baha Men's 2000 song \"Who Let the Dogs Out.\" It also refers to JMU's mascot which is a dog.","Two-sided sign.","Primary side includes a scene from the television show  The Office  in which a younger Michael Scott, played by Steve Carell, is shaking hands with his then boss Ed Truck, played by Ken Howard. The handshake meme is typically used to illustrate commonalities between two entities. In this case, the act of consistently making horrible decisions and the NCAA are shaking hands and are therefore in solidarity. This refers to the NCAA's decision to not allow JMU to play in a bowl game.","The second side is a black-and-white swirl optical illusion.","Images from the 2012 U.S. Open bowling tournament during which professional bowler Pete Weber bowled a strike during the final frame and subsequently won the tournament. Famously, Weber launched into a celebratory fit and yelled the incoherent phrase \"Who do you think you are? I am!\" This illogical celebration became a popular internet meme.","One image features Weber in his bowling stance. The NCAA logo is superimposed onto Weber and the JMU logo is superimposed onto Weber's bowling ball. The second image shows Weber's celebration with Curt Cignett's face superimposed onto Weber's face.  ","Includes the hashtag #letusbowl.","Two-sided sign.","One side has a congratulatory theme due to ESPN College GameDay's 30th anniversary.","The other side identifies the sign creators as both JMU alumni and parents to a student at the University of Auburn.","Refers to the viral Tik Tok motivational catchphrase \"Never back down. Never What? Never give up\" made popular by Nick Eh 30, an online streamer. Includes graphic of the Duke Dog his muscles.","Refers to the JMU tradition of holding the door for others when entering and exiting a building.","Two-sided sign.","Primary side includes a comparison of the University of Michigan and JMU football teams and concludes that the NCAA does not make sense. Michigan's head football coach, Jim Harbaugh, is noted as having been twice suspended in 2023 for impermissible recruiting and chating while JMU's coach was not suspended at all. Michigan was involved in a cheating scandal while JMU was not. Despite all of this Michigan was bowl eligible while JMU was not thus the argument that the NCAA  is an illogical entity.","The second side reads \"JMU Duuukes\" which is a common chant among fans.","Festive sign that reads \"Fans For 40 Years - ESPN College GameDay - Go Dukes! - Beat App State.\" Created by Kenny Sothoron ('83) and Rebecca Woodcock Sothoron ('85).","Features a scene from  SpongeBob SquarePants  with Patrick Star and Tattletale Strangler who are both in jail. Michigan head football coach Jim Harbaugh's head is superimposed onto Patrick Star and the Duke Dog-JMU logo is superimposed on Tattletale Strangler. Patrick Star/Jim Harbaugh is asking Tattletale Strangler/JMU \"Hey pal, what're you in for?\" referencing Harbaugh's suspension for cheating and presumably JMU's sentence brought down by the NCAA of being bowl ineligible.","Two-sided sign.","One side states that enrolling for a sixth year of college was a wise choice due to ESPN College GameDay visiting campus as well as JMU being superior in all things. Includes \"Everything School\" logo in JMU colors.","Second side uses a turn of phrase regarding dogs and bowls to argue that JMU, whose mascot is a dog, should be eligible to play in a bowl game. Includes graphic of the Duke Dog and a bowl-shaped trophy with a clip-art picture of a peach on it which presumably refers to the Peach Bowl. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7db16ad7b8ea3ec44dbf745436fd4229\"\u003eThe ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers.\u003c/abstract\u003e"],"abstract_tesim":["The ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers."],"names_coll_ssim":["James Madison Dukes (Football team)","ESPN (Television network)","James Madison University -- Sports","James Madison University -- Football -- 21st century"],"names_ssim":["James Madison University Libraries Special Collections","James Madison Dukes (Football team)","ESPN (Television network)","James Madison University -- Sports","James Madison University -- Football -- 21st century","National Collegiate Athletic Association","Jonas Brothers","Michigan Wolverines (Football team)","United States (Title of work: Constitution.)","Baha Men (Musical group)","Auburn University","Lee, Vad, 1993-","Alger, Jonathan R.","Rogers, Austin, 1978-","Withers,  Everett, 1963-","Newton, Cam, 1989-","Rodrigue, Jourdan","SquarePants SpongeBob, (Fictitious character) (1999-05-01)","Brown, Charlie, (Fictitious character) (1946-10-30)","Jonas, Joe, 1989-","Jonas, Kevin, 1987-","Ice Spice, 2000-","Jonas, Nick, 1992-","Herbstreit, Kirk","Harbaugh, Jim (James Joseph), 1963-","Turner, Sophie, 1996-","Howard, Desmond, 1970-","Swift, Taylor (Taylor Alison), 1989-","Madison, James, 1751-1836","Grogu, (Fictitious character)","Corso, Lee","Count, (Fictitious character from Sesame Street)","Weber, Pete, 1962-","Cignetti, Curt, 1961-"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison Dukes (Football team)","ESPN (Television network)","James Madison University -- Sports","James Madison University -- Football -- 21st century","National Collegiate Athletic Association","Jonas Brothers","Michigan Wolverines (Football team)","United States (Title of work: Constitution.)","Baha Men (Musical group)","Auburn University"],"persname_ssim":["Lee, Vad, 1993-","Alger, Jonathan R.","Rogers, Austin, 1978-","Withers,  Everett, 1963-","Newton, Cam, 1989-","Rodrigue, Jourdan","SquarePants SpongeBob, (Fictitious character) (1999-05-01)","Brown, Charlie, (Fictitious character) (1946-10-30)","Jonas, Joe, 1989-","Jonas, Kevin, 1987-","Ice Spice, 2000-","Jonas, Nick, 1992-","Herbstreit, Kirk","Harbaugh, Jim (James Joseph), 1963-","Turner, Sophie, 1996-","Howard, Desmond, 1970-","Swift, Taylor (Taylor Alison), 1989-","Madison, James, 1751-1836","Grogu, (Fictitious character)","Corso, Lee","Count, (Fictitious character from Sesame Street)","Weber, Pete, 1962-","Cignetti, Curt, 1961-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":73,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:04.783Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_693_c01"}},{"id":"viblbv_repositories_2_resources_4262_c01_c06_c03","type":"File","attributes":{"title":"2016 APCO AT Xing Bland Co. [2016 Appalachian Power Company, Appalachian Trail Crossing, Bland County]","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4262_c01_c06_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_4262_c01_c06_c03","ref_ssm":["viblbv_repositories_2_resources_4262_c01_c06_c03"],"id":"viblbv_repositories_2_resources_4262_c01_c06_c03","ead_ssi":"viblbv_repositories_2_resources_4262","_root_":"viblbv_repositories_2_resources_4262","_nest_parent_":"viblbv_repositories_2_resources_4262_c01_c06","parent_ssi":"viblbv_repositories_2_resources_4262_c01_c06","parent_ssim":["viblbv_repositories_2_resources_4262","viblbv_repositories_2_resources_4262_c01","viblbv_repositories_2_resources_4262_c01_c06"],"parent_ids_ssim":["viblbv_repositories_2_resources_4262","viblbv_repositories_2_resources_4262_c01","viblbv_repositories_2_resources_4262_c01_c06"],"parent_unittitles_ssm":["Roanoke Appalachian Trail Club Records","Series I: RATC Management","Subseries F: Management Plans and Conservation Issues"],"parent_unittitles_tesim":["Roanoke Appalachian Trail Club Records","Series I: RATC Management","Subseries F: Management Plans and Conservation Issues"],"text":["Roanoke Appalachian Trail Club Records","Series I: RATC Management","Subseries F: Management Plans and Conservation Issues","2016 APCO AT Xing Bland Co. [2016 Appalachian Power Company, Appalachian Trail Crossing, Bland County]","box 11","folder 45"],"title_filing_ssi":"2016 APCO AT Xing Bland Co. [2016 Appalachian Power Company, Appalachian Trail Crossing, Bland County]","title_ssm":["2016 APCO AT Xing Bland Co. [2016 Appalachian Power Company, Appalachian Trail Crossing, Bland County]"],"title_tesim":["2016 APCO AT Xing Bland Co. [2016 Appalachian Power Company, Appalachian Trail Crossing, Bland County]"],"unitdate_inclusive_ssm":["1991-1992, 2002, 2016"],"normalized_date_ssm":["1991/2016"],"normalized_title_ssm":["2016 APCO AT Xing Bland Co. [2016 Appalachian Power Company, Appalachian Trail Crossing, Bland County]"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Roanoke Appalachian Trail Club Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":366,"parent_access_restrict_tesm":["The collection is open for research, except Box 22 which contains restricted materials. Restricted folders are identified within the inventory. Contact Special Collections and University Archives for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"containers_ssim":["box 11","folder 45"],"_nest_path_":"/components#0/components#5/components#2","timestamp":"2026-05-21T02:40:56.480Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4262","ead_ssi":"viblbv_repositories_2_resources_4262","_root_":"viblbv_repositories_2_resources_4262","_nest_parent_":"viblbv_repositories_2_resources_4262","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4262.xml","title_filing_ssi":"Roanoke Appalachian Trail Club Records","title_ssm":["Roanoke Appalachian Trail Club Records"],"title_tesim":["Roanoke Appalachian Trail Club Records"],"unitdate_ssm":["[ca. 1840s?], [ca. 1880s]-2025","(bulk 1932-2025)"],"unitdate_inclusive_ssm":["[ca. 1840s?], [ca. 1880s]-2025","(bulk 1932-2025)"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2024.054"],"text":["Ms.2024.054","Roanoke Appalachian Trail Club Records","Appalachian Mountains","Appalachian Trail","Roanoke (Va.)","Virginia, Southwest","Environmental protection","Local/Regional History and Appalachian South","The collection is open for research, except Box 22 which contains restricted materials. Restricted folders are identified within the inventory. Contact Special Collections and University Archives for more information.","These minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","Duplicates, blank notepads, empty envelopes, and binders were removed from collection. Some documents with confidential or private information were returned to the Roanoke Appalachian Trail Club.","The Roanoke Appalachian Trail Club Records are arranged into series and subseries by subject, based primarily on the descriptions by the RATC. Original order of files provided by the RATC is maintained where possible. Folder titles are original, except text within brackets [].","Series I: RATC Management, [ca. 1840s?], [ca. 1880s]-2024 (bulk 1932-2016)","This series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC. ","\nSubseries A: RATC Meeting Minutes, 1940-1959, 1968-2004, 2022\n \nSubseries B: RATC By-Laws and Rosters, 1955, 1960, 1972-1993\n \nSubseries C: RATC Newsletters and Hike Schedules, 1939-1942, 1954-2010\n \nSubseries D: Monitoring the Appalachian Trail: Land Tract Files, [ca. 1840s?], [ca. 1880s]-2010 (bulk 1980s-2010) - Please note, many of these documents are photocopies, and the dates are based on the originals.\n \nSubseries E: Acquisitions and Relocations, 1949, 1955, [ca. 1960s]-1997, 2024\n \nSubseries F: Management Plans and Conservation Issues, 1964-1982, 1991-2003, 2010, 2016, 2024\n \nSubseries G: General Files, 1952, 1958, 1971-2014\n \nSubseries H: RATC Historical Materials, 1932-1962, 1977-2000, 2020-[ca. 2024]\n","Series II: RATC Officers and Members, 1939-2025","This series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.","\nSubseries A: Thomas Campbell, 1939-2024 (bulk 1950s-1970s)\n \nSubseries B: Otey Family, 1949-1953, 2024-2025, undated\n \nSubseries C: Dick Clark, 1953-2006 (bulk 1980s-2000s)\n \nSubseries D: Bill Cochran, 1966-2018\n \nSubseries E: Zetta Campbell, 1972-1976, 1993, 2024\n \nSubseries F: Charles Parry, 1972-2024 (bulk 1970s-1990s)\n \nSubseries G: Sigfried and Ursula Kolmstetter, 1972-1996, 2019, 2024\n \nSubseries H: Andy Layne, 1977-1990, undated\n \nSubseries I: Roger Holnback, 1980-2012 (bulk 1990s-2000s)\n \nSubseries J: Linda Akers, [ca. 1983]-1992, 2000-2015, 2022\n","The Appalachian Trail (AT), a hiking trail along the Appalachian Mountains in the United States, was first proposed by Bernard MacKaye in 1921, and two years later, the first section opened in New York State. In 1925, the Appalachian Trail Conference (ATC) formed to help manage the maintenance and conservation of the AT, and in 2005, the ATC was renamed Appalachian Trail Conservancy. As of 2025, the AT spans almost 2,200 miles in 14 states from Maine to Georgia, with 25% of the trail traversing Virginia and 30 local AT clubs affiliated with the ATC.","Local hiking clubs began organizing to build and maintain the AT and joining the ATC in the 1920s and 1930s. In October 1932, Donald S. Gates, a professor at Roanoke College, gathered several hikers and local groups to discuss forming an AT club in the Roanoke area. At a second meeting in October, Myron H. Avery, the chairman of the ATC, and members from the Potomac and Natural Bridge AT Clubs joined them to explain various aspects of their work. ","On November 13, 1932, the Roanoke Appalachian Trail Club (RATC) was officially established with 17 charter members, including the first officers: president Gates, secretary E. B. Coxwell, treasurer Larry Pownall, and trail supervisor David Dick. Grace Pownall was appointed vice president about two (2) weeks later. The ATC initially assigned the RATC 55 miles of the trail to manage, but by the club's first anniversary, the section had expanded to 68.29 miles.","As of 2025, the RATC covers over 120 miles, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs. The organization continues its original mission to maintain and protect the Appalachian Trail; develops and maintains trails, campsites, open shelters, and permanent camps on the AT; collects data about the history, scenery, geology, flora, and fauna of the Appalachian Mountains; prepares maps and guides for hiking, camping, and forest fire prevention; and participates in and advocates for the development of laws and regulations related to the AT and the Appalachian Mountains.","Biographical notes for several RATC members are included in the inventory under Series II.","External Sources: ","Box 13, Folder 48, \"RATC Histories Written in 1980s,\" of this collection","Box 13, Folder 52, \"RATC Histories Written in 1950s,\" of this collection","Box 13, Folder 53, \"RATC History, 1932-1945,\" of this collection","Roanoke Appalachian Trail Club,  https://www.ratc.org/ , accessed May 1, 2024.","By-Laws of the Roanoke Appalachian Trail Club, Inc., Rev. March 12, 2016,  https://www.ratc.org/wp-content/uploads/documents/bylaws.pdf , accessed May 1, 2024.","Diana Christopulos, \"How Three Hiking Clubs Became the Roanoke Appalachian Trail Club,\" RATC.org,  https://www.ratc.org/how-three-hiking-clubs-became-the-roanoke-appalachian-trail-club/ , accessed September 25, 2025.","Appalachian Trail Conservancy,  https://appalachiantrail.org/ , accessed October 3, 2025.","Thomas Healy \"Tom\" Campbell (1899-1986) attended the College of William and Mary from 1915 to 1916 and Richmond College (now University of Richmond) from 1917 to 1919. He married Charlene Lunsford (1902-1986) in 1922, and they had a daughter. In 1965, they both left their employers. Tom retired as Chief Investigator in the Auditor's office of the Norfolk and Western Railway, while Charlene left her employer of 20 years, Roanoke-based retail chain Heironimus.","Tom joined the Roanoke Appalachian Trail Club in 1947, and Charlene followed suit several years later. Each served in several offices for RATC, including Tom as President from 1950-1951. He also served on the Appalachian Trail Conference's Board of Managers from 1950-1975, including fourteen (14) years as Vice Chairman (1961-1975). Tom was also a charter member of the Appalachian National Scenic Trail Advisory Committee.","Sources:","Box 12, Folder 3, \"[Biographical information about Thomas and Charlene Campbell],\" of this collection","\"Thomas Healy Campbell,\" Findagrave.com,  https://www.findagrave.com/memorial/84378864/thomas-healy-campbell , accessed September 18, 2025.","\"Charlene Lunsford Campbell,\" Findagrave.com,  https://www.findagrave.com/memorial/84378830/charlene-campbell , accessed September 18, 2025.","The Spider  (Richmond College yearbook), Vols. 16-17, 1918-1919, available online from the University of Richmond,  https://scholarship.richmond.edu/the-spider/ , accessed September 19, 2025. ","Biographical note by Diana Christopulos, Feb. 18, 2025: \"Marie and John Otey were RATC volunteers in the early 1950s, and they worked on the relocations led by Jimmy Denton near the Blue Ridge Parkway and around Roanoke. They joined in late 1949 and were active 1950-55. John was Assistant Trail Supervisor in 1952, 1953, 1955. He was also active on the Publicity Committee and took numerous photos on the Trail.\"","John Otway Otey, Jr. (1906-1980) married Goldie Marie Dean Peters (1906-1989) in 1950. John worked as a clerk for Norfolk and Western Railway, while Marie worked as a stenographer or secretary.","Sources:","Box 13, Folder 54, \"[Notes and correspondence about the Otey Family Papers],\" of this collection","U.S. Federal Census, 1940-1950, accessed online from Ancestry.com on September 19, 2025.","\"John Otway Otey Jr.,\" Findagrave.com,  https://www.findagrave.com/memorial/185149412/john-otway-otey , accessed September 19, 2025.","\"Goldie Marie Dean Otey,\" Findagrave.com,  https://www.findagrave.com/memorial/207412197/goldie_marie-otey , accessed September 19, 2025.","\"John Otway Otey\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com,  https://www.ancestrylibrary.com/search/collections/9279/records/11741905 , accessed September 19, 2025.","Dick Clark has served in numerous positions in the RATC from the 1980s to 2010s, including hikemaster (1984-1994), vice president (1998-2000), president (2000-2003), and counselor (2003-2015).","Clark was appointed by the Roanoke City Council to serve on the Mill Mountain Advisory Committee from 1999 to 2014, and he served as vice chair during his tenure.","Sources:","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Box 3,  Trail Blazer  newsletters, of this collection","Trail Blazer  newsletters, Roanoke Appalachian Trail Club,  https://www.ratc.org/newsletter/ , accessed Oct. 2, 2025.","Matt Chittum, \"Mountain advisers up for an upgrade,\"  The Roanoke Times,  p. B1, April 6, 2014, accessed online from NewsBank on October 2, 2025.","Matt Chittum, \"Fancier Franklin bridge suggested,\"  The Roanoke Times,  p. B1, June 3, 2014, accessed online from NewsBank on October 2, 2025.","William Neal \"Bill\" Cochran (1937-2024) was a journalist who focused on the outdoors, writing for  The Roanoke Times  from 1962 until 2018–two (2) decades after retiring as the newspaper's outdoors editor in 1998. His coverage included many trail hikes with the Roanoke Appalachian Trail Club, conservation issues in Virginia, and outdoor sporting and the Appalachian Trail. Cochran received 10 awards from the Virginia Press Association, was honored by the Virginia General Assembly with the House Joint Resolution 520 \"Commending Bill Cochran\" in 1999, and was the 2009 media inductee in the Virginia Sports Hall of Fame.","Cochran graduated from Lynchburg College (now University of Lynchburg) with a bachelor's degree in English in 1960, and he served in the Virginia National Guard. He married Katherine Gravett in 1965, and they had a son. They operated the Cross Trails Bed and Breakfast near the Appalachian Trail in Catawba from 1995 to 2003 as well as a Christmas tree farm in West Virginia. ","Sources:","Mark Taylor, \"Legendary Roanoke outdoors writer Bill Cochran dies,\"  Cardinal News,  July 1, 2024,  https://cardinalnews.org/2024/07/01/legendary-roanoke-outdoors-writer-bill-cochran-dies/ , accessed September 19, 2025.","Obituary for William N. \"Bill\" Cochran,  The Roanoke Times,  July 7, 2024, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/william-cochran-obituary?id=55481593 , accessed September 19, 2025.","Mark Berman, \"Bill Cochran | 1937-2024: Outdoors editor was 'an institution',\"  The Roanoke Times,  July 2, 2024, p. A1 and A6, accessed online from NewsBank on September 19, 2025.","\"Bill Cochran,\" Virginia Sports Hall of Fame,  https://vasportshof.com/inductee/bill-cochran/ , accessed September 19, 2025.","\"Virginia HJ520 Commending Bill Cochran,\" Policy Engage,  https://trackbill.com/bill/virginia-house-joint-resolution-520-commending-bill-cochran/512861/ , accessed September 19, 2025.","\"William Neal Cochran\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com,  https://www.ancestrylibrary.com/search/collections/9279/records/12779996 , accessed September 19, 2025.","Zetta Marie Campbell (1930-2024) joined the Roanoke Appalachian Trail Club in 1959. She also served as secretary (1964-1965, 1968-1969, 1983-1984) and editor of the  Trail Blazer  newsletter (1970-1977). Campbell also illustrated the hike schedules in the 1970s and led hikes until at least 2019. She received the Appalachian Trail Park Office's Silver Service Award in 2002.","Sources: ","Box 13, Folder 66, \"1970s - Zetta Campbell Drawings/Hike Scheds,\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Obituary for Zetta Campbell,  The Roanoke Times,  July 5, 2024, p. A6, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/zetta-campbell-obituary?id=55488335 , accessed September 22, 2025.","\"Zetta Marie Campbell\", Findagrave.com,  https://www.findagrave.com/memorial/272121036/zetta_marie-campbell , accessed September 22, 2025.","Charles Parry (1942-2010) joined the Roanoke Appalachian Trail Club in 1972, serving as the Trail Supervisor from 1979 until his death. He received the Appalachian Trail Park Office's Silver Service Award in 2002 and was inducted into the Appalachian Trail Hall of Fame in 2017, the first RATC member to receive this honor.","Parry graduated from the State University of New York College at Oswego (now State University of New York at Oswego) and earned a master's and a Ph.D. in mathematics from Michigan State University around 1969 or 1970. He was a professor of mathematics at Virginia Tech from 1971 until his retirement in 2010, establishing a research program in number theory, helping to design mathematics courses for computer science students, and serving as Math Club adviser. ","Sources: ","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Box 13, Folder 67, \"Charles Parry AT Hall of Fame,\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","\"Charles Parry honored with emeritus status,\" Virginia Tech News, October 19, 2010,  https://news.vt.edu/content/news_vt_edu/en/articles/2010/10/101910-science-parry.html , accessed September 18, 2025.","\"In memoriam: Charles Parry, emeritus professor of mathematics,\" Virginia Tech News, January 10, 2011,  https://news.vt.edu/articles/2011/01/011011-science-parry.html , accessed September 18, 2025.","Obituary for Charles John Parry,  The Roanoke Times,  December 28, 2010, p. A12, accessed online from NewsBank on September 18, 2025.","Mark Taylor, \"Math teacher devoted himself to AT,\"  The Roanoke Times,  December 28, 2010, accessed online from NewsBank on October 2, 2025.","\"Charles J. Parry,\" Findagrave.com,  https://www.findagrave.com/memorial/232281708/charles-j-parry , accessed September 18, 2025.","Appalachian Trail Hall of Fame, \"2017 Class,\" Appalachian Trail Museum,  https://www.atmuseum.org/2017-class.html , accessed September 18, 2025.","Siegfried and Ursula Kolmstetter joined the RATC in 1971. Siegfried served as vice president (1974) and counselor (1972-1973), while both volunteered as hike leaders for decades. The couple maintained the McAfee Knob section of the AT for over 25 years, until the couple moved out of the area in 1996. Siegfried received the Appalachian Trail Park Office's Silver Service Award in 2002.","At the end of World War II in May 1945, 17-year-old Ursula Edith Walter (1927-2023) was captured by the Russian Army and imprisoned at the Theresienstadt prison camp. Eight (8) months after her imprisonment, she escaped and moved to West Germany, where she met Siegfried J. Kolmstetter (1921-2019). They married in 1952 and had several children. The Kolmstetters immigrated to the U.S. in 1957, settling in Roanoke in 1970. Siegfried was a physician for the Veterans Administration Hospital in Salem from 1970 to 1998. He received the hospital's Hands and Heart Award in 1992.","Sources:","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Obituary for Ursula Edith Kolmstetter,  The Roanoke Times,  January 3, 2024, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/ursula-kolmstetter-obituary?id=53995534 , accessed September 19, 2025.","Dan Casey, \"Physician was caretaker for people, trails,\"  The Roanoke Times,  March 28, 2019, p. 1-2, accessed online from NewsBank on September 22, 2025.","Andy Layne (1912-1991) joined the Roanoke Appalachian Trail Club in 1978. He led numerous hikes and helped with hike scheduling; attended workhikes and backpacking trips; and oversaw a section of the trail. Layne also served in several positions on the RATC Board, including shelter supervisor (1980), vice president (1981), and counselor (1985-1986). On the 10th anniversary of his death, the Andy Layne Trail in the Tinker Cliffs area was dedicated in his memory.","Source:","Box 19, Folder 46, \"[Andy Layne biographical information],\" of this collection","Roger Holnback joined the RATC in 1996 and served in numerous positions, including as president (2006-2009, 2015-2016), vice president (2003-2006, 2016-2017), land management supervisor (2009-2013), and conservation supervisor (2013-2015). He also was an ATC Land Trust coordinator and Roanoke Valley Greenways liaison in the 2000s and 2010s. His wife Lauren Taylor Holnback was also an RATC member.","Holnback served as executive director of the Western Virginia Land Trust (2001-2012), which worked with the City of Roanoke and other groups to place over 11,000 acres of Carvins Cove Natural Reserve under a conservation easement in 2008 and 2009. He was given the Roanoke Valley Cool Cities Coalition's Cool Citizens award in 2012. Later, he was chairman of the Blue Ridge Soil and Water Conservation District and president of the Pathfinders for Greenways. ","Sources:","Box 3,  Trail Blazer  newsletters, of this collection","Trail Blazer  newsletters, Roanoke Appalachian Trail Club,  https://www.ratc.org/newsletter/ , accessed Oct. 2, 2025.","Mason Adams, \"From land and air, teams work to preserve Carvins Cove's aura,\"  The Roanoke Times , January 6, 2011, accessed online from NewsBank on October 2, 2025.","\"Western Virginia Land Trust director steps down,\"  The Roanoke Times , February 10, 2012, accessed online from NewsBank on October 2, 2025.","Danielle Dunaway, \"Cool Citizens awards laud energy-efficient efforts,\"  The Roanoke Times , March 16, 2012, accessed online from NewsBank on October 2, 2025.","Sam Wall, \"Hinchee Park opens in Roanoke County - Hinchee Park opens in Roanoke County,\"  The Roanoke Times , September 29, 2019, accessed online from NewsBank on October 2, 2025.","\"Board and Staff,\" Blue Ridge Soil and Water Conservation District website,  https://www.brswcd.org/team-2 , accessed October 2, 2025.","Linda Akers joined the RATC in 1969 or 1970. She served in numerous positions on the board, including secretary (1981-1982), editor of the  Trail Blazer  (1982-1985), and social chair (1987-1999, 2013-2017). She received the Appalachian Trail Park Office's Silver Service Award in 2002.","Sources:","Box 17, Folder 41, \"[Linda Akers Interview notes by Diana Christopulos],\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","The guide to the Roanoke Appalachian Trail Club Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Minutes for May 17, 2001, June 21, 2001, July 26, 2001, February 13, 2003, August 2, 2004, and September 13, 2004, have been restricted and moved to Box 22, Folder 1.","Restricted minutes were separated from Box 1, Folder 34.","Additional membership rosters may be found in the club newsletters.","The agenda from January 12, 2004 have been restricted and moved to Box 22, Folder 25.","Restricted minutes were separated from Box 16, Folders 3-5.","Restricted item has been removed to Box 22, Folder 25.","Restricted item moved from Box 19, Folder 14.","The processing, arrangement, and description of the Roanoke Appalachian Trail Club Records was completed in October 2025. Box 16 was completed in March 2026.","Virginia Tech Special Collections and University Archives also has the  M. Rupert Cutler Papers,  which covers many of the same and related environmental issues of the Appalachian Mountains, Roanoke, and Southwest Virginia.","The Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, National Park Service and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. ","The collection is divided into two series, I: RATC Management and II: RATC Officers and Members. The first series contains materials created, collected, and maintained by the RATC for its operations. It contains the meeting minutes, primarily about the activities of the Executive Board from 1940 to 1959 and 1968 to 2004. Some of the meeting minutes also record the activities of committees, affiliate organizations, and the annual all-member banquet during those years. There are also by-laws from the 1980s and 1990s and rosters from the 1950s to 1980s. The club newsletters start with the  RATC Bulletin  from 1939 to 1942 and continue with the  Trail Blazer  from 1954 to 2010. These document the club's recent activities, including work with the Appalachian Trail Conference (later Appalachian Trail Conservancy), local non-profits, and government entitities, hike schedules and detailed accounts of club hikes on the Appalachian Trail (AT), and reminiscences of and memorials to past and current members.","The Land Tract Files contain legal records of lands acquired by NPS after 1978 Congressional funding. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. Other documents about acquisitions and relocations also illuminate the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.","The first series also contains management and conservation plans, general files, and RATC historical materials. The histories discuss the founding and development of the club as well as large trail relocations and the work of past members and officers. There are also several photo albums from the 1930s-1950s.","The second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. These people include club president Thomas Campbell, the Otey family, president Dick Clark, local journalist Bill Cochran, newsletter editor Zetta Campbell, longtime trail supervisor Charles Parry, hike leaders Sigfried and Ursula Kolmstetter, hike leader Andy Layne, president Roger Holnback, and longtime social chair Linda Akers. Documents include correspondence, handwritten notes, additional meeting minutes and newsletters, photographs, newspaper clippings, and more. They also cover land acquisitions, building trails and shelters, group events and conferences, management and land use, and of course hikes on the AT.","\nThe following are common abbreviations or acronyms found in the collection inventory:\n \nAEP - Appalachian Electric Power Company\n \nAPCO - Appalachian Power Company, a subsidiary of AEP\n \nAT - Appalachian Trail\n \nATC - Appalachian Trail Conference or Appalachian Trail Conservancy\n \nRATC - Roanoke Appalachian Trail Club\n \nNPS - United States National Park Service\n \nUSFS or FS - United States Forest Service\n","This series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC.","These minutes are mostly for the RATC Executive Board meetings, but also include some minutes for the annual all-member banquet and various RATC committees.","The January 16, 1953 annual meeting minutes are labeled \"January 16, 1952\". Also includes 1940 membership roster. [Removed from Binder]","Also contains 1957 membership roster, treasurer's reports or audits for 1954-1957, several hike schedules and Trail Blazers for 1957-1959, and attendees' information for the 1958 14th Meeting of the ATC. [Removed from binder.]","Also contains newspaper clippings, drafts of minutes, correspondence, reports, and other materials. [Removed from binder.]","Only includes April 1970 minutes, \"Copy of Minutes for Charles Headland\".","A list at the front of the folder says minutes are missing for January, July, and August 1974. Some of the minutes are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the May 1974 minutes.","A list at the front of the folder says minutes are missing for January, June, July, and August 1975. Some of the minutes are handwritten.","A list at the front of the folder says minutes are missing for January, April, May, and August 1976.","Includes minutes for February, March, August, November 1977.","Includes only February and March 1978 minutes, which are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the February 1978 minutes with note from Christopulos: \"This is the first meeting after landowners have closed the AT between Va. 311 and Tinker Cliffs.\"","Folder just includes notes that minutes were missing for 1979, and one note was removed from a notebook with minutes for 1974-1983.","Folder just includes a note that minutes were missing for 1974-1979. Looks like the note may have been removed from a notebook with minutes for 1974-1983.","Note from RATC: \"Incredible transition to orderly files with Linda Akers as Secretary and Mary Stewart as President\".","Includes 1980 roster and \"order continues under same leadership\", according to notes from RATC.","A list at the front of the folder says minutes are missing for July, August, and September 1982.","A list at the front of the folder says minutes are missing for May, July, or December 1983 minutes.","Note from RATC: \"Land Management and special meeting\".","There are no minutes after September 1989.","Note from RATC: \"Annual meeting moved to March\".","February and July 1994 minutes are missing.","December 1995 minutes are missing.","Includes \"First annual meeting at Lutheran Church (Linda Akers)\".","Also includes organizational documents, notes, and correspondence. [Removed from Binder.]","Also includes 1990 RATC Ann's Cabin Committee meeting minutes.","Original folder was titled \"1976 RATC Membership Roster N=68\".","This is a draft of the Constitution and By-Laws of the RATC.","Includes proposed and final by-laws for March 6, 1993.","Starting with the Spring 1983 issue, the hike schedules are printed as part of the  Trail Blazer  newsletters. Prior to that time, the hike schedule was inconsistently included with the newsletters. Some newsletters also include membership rosters.","[Removed from binder.]","Some issues also include membership rosters.","Also includes photos from April 1959 and a membership application from May-June 1959.","Also includes backpacking catalogs.","Also includes the Shenandoah-Rockfish Appalachian Trail Club Bulletin, Vol. 1, No. 2, June 18, 1962.","Also includes hike schedules for June 26-December 18, 1966.","The first 2 issues are No. 1, January 1966 and No. 2, February 1966. Then the publication cycle changes to quarterly publications, and the issue numbering restarts with No. 1, Spring 1966 through No. 4, Winter 1966-67. Also includes Hike Schedules for Summer 1966-Winter 1966-1967.","Also includes Hike Schedules for Spring 1967-Winter 1967-68.","Also includes Hike Schedules for Spring 1968-Winter 1968-69.","Also includes Hike Schedules for Spring 1969-Winter 1969-70.","Also includes Hike Schedules for Summer 1970 and Winter 1970-71.","Also includes Hike Schedules for Spring 1971-Winter 1970-71.","Also includes Hike Schedules for Spring 1972-Winter 1972-73.","Also includes Hike Schedules for Spring 1973-Winter 1973-74.","Also includes Hike Schedules for Spring 1974-Summer 1974.","Also includes Hike Schedules for Spring 1975-Winter 1975-76.","Also includes Hike Schedules for Spring 1975 and Fall 1976.","Also includes Hike Schedules for Spring 1977-Winter 1977-78.","Also includes Hike Schedules for Spring 1978-Winter 1978-79.","Spring 1979 is numbered Vol. 39, No. 1; Summer 1979 is Vol. 40, No. 1; Autumn 1979 is Vol. 40, No. 3; and Winter 1979 is Vol. 40, No. 4. Also includes Hike Schedules for Spring 1979-Winter 1979.","Also includes Hike Schedules for Spring 1980-Winter 1980. [Please note: Vol. 40 seems to have been skipped in the numbering system for the Trail Blazer.]","Also includes Hike Schedules for Fall 1981 and Summer [1981?]. The Winter Hike Schedule is included in the Winter 1981 Trail Blazer.","Hike schedules are included with the Trail Blazer issues for Spring 1982, Fall 1982, and Winter 1982.","Also includes minutes of the executive board meeting on July 18, 1986.","Also includes minutes of the executive board meeting on August 26, 1988, and RATC By-laws revised on November 5, 1988.","The December 1990 issue is the Winter 1990-1991 issue.","Starting with Winter 1995, the winter issues switch to the start of the year instead of the end.","The Land Tract Files are also called RATC Green Books and contain legal records of lands acquired by NPS after 1978 Congressional funding. These are bound by tract number. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. ","As most of the documents are photocopies, the dates are based on the originals, not on when the photocopies may have been created. Some of the photocopies are also of poor quality and illegible. Some of the legal documents contain social security numbers, and these bound files are restricted.","This series document the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.","Written by Diana Christopulos, RATC Archivist","Also spelled Anne's Cabin.","This is a photocopy.","This is a photocopy.","Includes newspaper clippings and a history of the AT with focus on Virginia and a copy of H 160 approved by the General Assembly of Virginia on March 4, 1971, to allow Virginia to acquire lands and enter into agreements pertaining to the AT.","Mostly relates to the Buhrman Tract.","Contains a handdrawn map by Thomas Campbell from about the 1960s and a transcription and description of the map with history note by Diana Christopulos in 2024.","Also includes the Hiking Schedule for the Southwestern Virginia Relocation.","Includes RATC brochures, 1966 hiking brochure, local management plan maps, a photocopy of the 1997 Memorandum of Understanding for the Appalachian National Scenic Trail between the Roanoke Appalachian Trail Club and the Appalachian Trail Conference, and the RATC 1991 Management Plan for the Appalachian Trail with notes by Diana Christopulos on March 3, 2024.","Includes Spring 1991 Trail Blazer and a phone tree.","The 1996 and 2008 items were printed off the internet in 2022.","Includes letters about donations and gifts.","Probably created by T. J. Kent. Includes list of items in album created in 2023.","Includes list of items in album created in 2023.","Includes list of items in album created in 2023.","[Removed from photograph album.]","Includes press release about the Appalachian Trail Museum's Hall of Fame's class of 2022, including Jim and Molly Denton of Front Royal, Virginia, and interview notes from Diana Christopulos with two of the Denton's three children.","Includes photocopies of documents from 1930s and issues of the Appalachian Trailway News.","Although the histories are from around the 1980s, there are some notes from around the 2020s.","Although the histories are from around the 1980s, there are some notes from around the 2020s.","Includes a transcription of a January 24, 1951 history by L. H. Powell, transcribed by Diana Christopulos on March 20, 2020, but not the original 1951 history by Powell.","Includes notes about T. J. Kent's history notes by Diana Christopulos, RATC Archivist, November 11, 2022, and transcription and annotations of 1933 report of RATC by Christopulos, March 20, 2020.","The second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.","Also contains a list of files for box.","Includes a letter from Senator Harry F. Byrd, Jr., about legislation.","Includes organizational charts for the ATC.","Majority is correspondence about trail maintenance and relocation projects or suggestions and related maps.","Contains documents regarding Virginia being \"the first state to execute an agreement for the protection and management of the Appalachian Trail.\"","Some documents pertain to property owners and AT relocations.","Documents discuss purchasing the Buhrman tract of land near Fullhardt Knob and relocation of the AT between Tinker Mountain and Fullhardt Knob, potentially through the Buhrman tract.","Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.","Includes William L. Gordge, RATC president's correspondence. Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.","Includes organizational charts for the ATC.","Includes documents granting land use for relocating AT on Peters Mountain via land owned by Celanese Corporation, Pocahontas Land Corporation, the National Gypsum Company, and individuals.","Majority of documents regard planning in 1957-1958 for the 14th Meeting of the ATC at Mountain Lake Hotel in Mountain Lake (Giles County), Virginia, in 1958.","Both issues contain articles about AT relocations by RATC.","[Removed from binder.]","Includes shelter log.","Includes agendas, minutes, financial documents, and other supporting documents, including documents from committees, ATC, and NPS.","Also includes ATC's The Register newsletter, Vol. 24, No. 6, Spring 2001.","This is a user survey study carried out by the NPS in partnership with the University of Vermont and Penn State University. [Removed from binder.]","Also includes brochures about NPS and the AT.","Also includes tax-related documents and newsletters for other organizations.","Relates to the Greenbrier Pipeline Project that would cross the AT.","This contains the Memorandum of Agreement for the Management of the Appalachian National Scenic Trail between the NPS and U. S. Forest Service.","Appalachian Trailway News article about Jim and Molly Tabor Denton and Tom and Charlene Campbell","Prepared for NPS by Federal Highway Administration's Eastern Federal Lands Highway Division","Includes some non-biking AT printed materials.","Items discuss naming the Sinking Creek shelter as the Sarver Hollow Shelter and its dedication. There are also some documents related to the Sarver Cabin or Sarver Home Site.","Includes a copy of the RATC's \"Amended and Restated Articles of Incorporation\".","Celebrates the 75th anniversary of the ATC.","Celebrates the 75th anniversary of the ATC.","Also contains a report about invasive species on the AT.","Includes undated photographs.","The trail diary includes a letter to Katherine Cochran.","Includes article, \"National Trail Bill Sent to Congress\" by Bill Cochran.","Includes clippings about Audie Murphy's 1972 plane crash and hiking the AT, several relating to Ed Garvey.","Includes 1982 letter to Bill Cochran, a write up on Damascus Trail Days by Bill Cochran, and clippings about trail towns and the RATC celebrating its 50th anniversary.","Includes a letter to Bill Cochran, ca. 1996.","Includes clippings about the McAfee Knob closure from 1978 to 1987, McAfee Knob in general, history of the AT, and AT land acquisition.","Includes clippings about the murders of Susan Ramsey and Robert Mountford in 1981, Molly LaRue and Geoffrey L. Hood in 1990, and the murders of Julianne Williams and Lollie Winans in 1996.","Includes 1970s hike schedules illustrated by Campbell, 1993 article about hike led by Campbell, and a note about Campbell in the RATC from Diana Christopulos, February 16, 2024.","Includes biographical information.","Includes letter and thank you note from 1991.","The Trail Blazer issue contains an article about the Campbell Shelter. The cover is missing, but it is probably the Fall 1989 issue.","Includes Campbell Shelter, Catawba Shelter, New Wilson Creek Shelter, Wapitu Shelter, and Big Pond Shelter Move. The photos in this folder remain in their original groupings.","Includes 1987 ATC Conference at Lynchburg College and Natural Bridge. Please note: there are remnants of a rubberband attached to some photos.","These photos were grouped together but have no identifying information.","The photos in this folder are without identifying information and remain in their original groupings.","The photos in this folder are without identifying information and remain in their original groupings.","Some materials are the papers of Lauren Taylor Holnback and of Eric Nasar from the Trust for AT Lands.","[Removed from binder.]","Also includes management brochures. [Removed from binder.]","[Removed from binder.]","[Removed from binder.]","Topics include the Trail and Land Management Committee and Carvins Cove easement. [Removed from binder.]","Includes memoranda about land tracts.","Includes Tract 476-32.","Includes Tract 477-22, Parcels A and B.","Includes Tracts 478-34, 478-35, 478-36, and 478-37.","Includes monument sets.","Documents concern the Chesapeake Bay Program and Agreement related to the Chesapeake Bay watershed.","Documents relate to the acquisition of the Shell Tract along the Elk River in Tennessee.","Documents relate to the Turner Tract on North Mountain in Virginia.","Documents relate to the Roy and Tillie Wood's home the Woodshole, where AT hikers were invited to stay.","Documents are about attempting to make Blackwater Canyon a national park.","Documents are about the USFS Forest Legacy Program and Virginia's Forest Legacy program.","Includes reports from Griggs and Mullinix of the ATC Land Trust.","Most materials specifically relate to the Western Virginia Land Trust.","Includes information on Andy Layne Trail.","Includes information on Roanoke Greenways and on laws.","[Removed from binder.]","[Removed from binder.]","This collection contains several issues of the  Trail Blazer , the newsletter of the Roanoke Appalachian Trail Club. If there were more than two (2) copies of an issue, the extra copy was separated to the Virginia Tech Special Collections and University Archives' Rare Book Collection.","The following publications were separated to the Rare Book Collection:","Appalachian Trail Guide to Central Virginia,  First Edition, 1994 (Jack Albright, Field Editor).","Parsons, Shireen, and Wilderness Society.  Virginia's Mountain Treasures : The Unprotected Wildlands of the Jefferson National Forest.  The Wilderness Society, 1999.","Trail Lands: The Newsletter of the ATC Land Trust,  Vol. 17, No. 1, Spring 2001.","Audubon Naturalist,  Vol. 20, No. 7, \"What Does Disney's America Mean to Our Region?\", 1994-09.","Daniel D. Chazin, ed.,  Appalachian Trail Data Book 2000,  22nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 1999.","Karen Deans, ed.,  Conservation Options: A Landowner's Guide,  Washington, D. C.: Land Trust Alliance, 1999.","Benton MacKaye,  The New Exploration: A Philosophy of Regional Planning,  Harpers Ferry, WV: The Appalachian Trail Conference and Urbana-Champaign, Ill.: University of Illinois Press, 1990.","Murray Bookchin,  Our Synthetic Environment,  Rev. Ed., New York City: Harper \u0026 Row, 1974.","Leonard M. Adkins (a member of the RATC),  50 Hikes in Northern Virginia: Walks, Hikes, and Backpacks from the Allegheny Mountains to the Chesapeake Bay,  Woodstock, VT: Backcountry Publications, 1994 (1995 printing).","Steve Nash,  Blue Ridge 2020: An Owner's Manual,  Chapel Hill, N. C., and London: The University of North Carolina Press, 1999.","William Birchard, Jr., and Robert Proudman,  Appalacian Trail: Design, Construction, and Maintenance,  2nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 2000.","Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, NPS and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. The RATC continues its original mission to maintain and protect the Appalachian Trail (AT), and the club covers over 120 miles of the AT, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs.","Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Roanoke Appalachian Trail Club (Roanoke, Va.)","The materials in the collection are in English."],"unitid_tesim":["Ms.2024.054"],"normalized_title_ssm":["Roanoke Appalachian Trail Club Records"],"collection_title_tesim":["Roanoke Appalachian Trail Club Records"],"collection_ssim":["Roanoke Appalachian Trail Club Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Appalachian Mountains","Appalachian Trail","Roanoke (Va.)","Virginia, Southwest"],"geogname_ssim":["Appalachian Mountains","Appalachian Trail","Roanoke (Va.)","Virginia, Southwest"],"creator_ssm":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"creator_ssim":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"creator_corpname_ssim":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"creators_ssim":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"places_ssim":["Appalachian Mountains","Appalachian Trail","Roanoke (Va.)","Virginia, Southwest"],"access_terms_ssm":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in several accruals from 2023 to 2025. Future donations are expected."],"access_subjects_ssim":["Environmental protection","Local/Regional History and Appalachian South"],"access_subjects_ssm":["Environmental protection","Local/Regional History and Appalachian South"],"has_online_content_ssim":["false"],"extent_ssm":["27.5 Cubic Feet 23 boxes"],"extent_tesim":["27.5 Cubic Feet 23 boxes"],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research, except Box 22 which contains restricted materials. Restricted folders are identified within the inventory. Contact Special Collections and University Archives for more information.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research, except Box 22 which contains restricted materials. Restricted folders are identified within the inventory. Contact Special Collections and University Archives for more information.","These minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years."],"appraisal_html_tesm":["\u003cp\u003eDuplicates, blank notepads, empty envelopes, and binders were removed from collection. Some documents with confidential or private information were returned to the Roanoke Appalachian Trail Club.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["Duplicates, blank notepads, empty envelopes, and binders were removed from collection. Some documents with confidential or private information were returned to the Roanoke Appalachian Trail Club."],"arrangement_html_tesm":["\u003cp\u003eThe Roanoke Appalachian Trail Club Records are arranged into series and subseries by subject, based primarily on the descriptions by the RATC. Original order of files provided by the RATC is maintained where possible. Folder titles are original, except text within brackets [].\u003c/p\u003e\n","\u003cp\u003eSeries I: RATC Management, [ca. 1840s?], [ca. 1880s]-2024 (bulk 1932-2016)\u003c/p\u003e\n","\u003cp\u003eThis series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC. \u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003e\nSubseries A: RATC Meeting Minutes, 1940-1959, 1968-2004, 2022\n\u003c/item\u003e\u003citem\u003e\nSubseries B: RATC By-Laws and Rosters, 1955, 1960, 1972-1993\n\u003c/item\u003e\u003citem\u003e\nSubseries C: RATC Newsletters and Hike Schedules, 1939-1942, 1954-2010\n\u003c/item\u003e\u003citem\u003e\nSubseries D: Monitoring the Appalachian Trail: Land Tract Files, [ca. 1840s?], [ca. 1880s]-2010 (bulk 1980s-2010) - Please note, many of these documents are photocopies, and the dates are based on the originals.\n\u003c/item\u003e\u003citem\u003e\nSubseries E: Acquisitions and Relocations, 1949, 1955, [ca. 1960s]-1997, 2024\n\u003c/item\u003e\u003citem\u003e\nSubseries F: Management Plans and Conservation Issues, 1964-1982, 1991-2003, 2010, 2016, 2024\n\u003c/item\u003e\u003citem\u003e\nSubseries G: General Files, 1952, 1958, 1971-2014\n\u003c/item\u003e\u003citem\u003e\nSubseries H: RATC Historical Materials, 1932-1962, 1977-2000, 2020-[ca. 2024]\n\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e\n","\u003cp\u003eSeries II: RATC Officers and Members, 1939-2025\u003c/p\u003e\n","\u003cp\u003eThis series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003e\nSubseries A: Thomas Campbell, 1939-2024 (bulk 1950s-1970s)\n\u003c/item\u003e\u003citem\u003e\nSubseries B: Otey Family, 1949-1953, 2024-2025, undated\n\u003c/item\u003e\u003citem\u003e\nSubseries C: Dick Clark, 1953-2006 (bulk 1980s-2000s)\n\u003c/item\u003e\u003citem\u003e\nSubseries D: Bill Cochran, 1966-2018\n\u003c/item\u003e\u003citem\u003e\nSubseries E: Zetta Campbell, 1972-1976, 1993, 2024\n\u003c/item\u003e\u003citem\u003e\nSubseries F: Charles Parry, 1972-2024 (bulk 1970s-1990s)\n\u003c/item\u003e\u003citem\u003e\nSubseries G: Sigfried and Ursula Kolmstetter, 1972-1996, 2019, 2024\n\u003c/item\u003e\u003citem\u003e\nSubseries H: Andy Layne, 1977-1990, undated\n\u003c/item\u003e\u003citem\u003e\nSubseries I: Roger Holnback, 1980-2012 (bulk 1990s-2000s)\n\u003c/item\u003e\u003citem\u003e\nSubseries J: Linda Akers, [ca. 1983]-1992, 2000-2015, 2022\n\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Roanoke Appalachian Trail Club Records are arranged into series and subseries by subject, based primarily on the descriptions by the RATC. Original order of files provided by the RATC is maintained where possible. Folder titles are original, except text within brackets [].","Series I: RATC Management, [ca. 1840s?], [ca. 1880s]-2024 (bulk 1932-2016)","This series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC. ","\nSubseries A: RATC Meeting Minutes, 1940-1959, 1968-2004, 2022\n \nSubseries B: RATC By-Laws and Rosters, 1955, 1960, 1972-1993\n \nSubseries C: RATC Newsletters and Hike Schedules, 1939-1942, 1954-2010\n \nSubseries D: Monitoring the Appalachian Trail: Land Tract Files, [ca. 1840s?], [ca. 1880s]-2010 (bulk 1980s-2010) - Please note, many of these documents are photocopies, and the dates are based on the originals.\n \nSubseries E: Acquisitions and Relocations, 1949, 1955, [ca. 1960s]-1997, 2024\n \nSubseries F: Management Plans and Conservation Issues, 1964-1982, 1991-2003, 2010, 2016, 2024\n \nSubseries G: General Files, 1952, 1958, 1971-2014\n \nSubseries H: RATC Historical Materials, 1932-1962, 1977-2000, 2020-[ca. 2024]\n","Series II: RATC Officers and Members, 1939-2025","This series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.","\nSubseries A: Thomas Campbell, 1939-2024 (bulk 1950s-1970s)\n \nSubseries B: Otey Family, 1949-1953, 2024-2025, undated\n \nSubseries C: Dick Clark, 1953-2006 (bulk 1980s-2000s)\n \nSubseries D: Bill Cochran, 1966-2018\n \nSubseries E: Zetta Campbell, 1972-1976, 1993, 2024\n \nSubseries F: Charles Parry, 1972-2024 (bulk 1970s-1990s)\n \nSubseries G: Sigfried and Ursula Kolmstetter, 1972-1996, 2019, 2024\n \nSubseries H: Andy Layne, 1977-1990, undated\n \nSubseries I: Roger Holnback, 1980-2012 (bulk 1990s-2000s)\n \nSubseries J: Linda Akers, [ca. 1983]-1992, 2000-2015, 2022\n"],"bioghist_html_tesm":["\u003cp\u003eThe Appalachian Trail (AT), a hiking trail along the Appalachian Mountains in the United States, was first proposed by Bernard MacKaye in 1921, and two years later, the first section opened in New York State. In 1925, the Appalachian Trail Conference (ATC) formed to help manage the maintenance and conservation of the AT, and in 2005, the ATC was renamed Appalachian Trail Conservancy. As of 2025, the AT spans almost 2,200 miles in 14 states from Maine to Georgia, with 25% of the trail traversing Virginia and 30 local AT clubs affiliated with the ATC.\u003c/p\u003e\n","\u003cp\u003eLocal hiking clubs began organizing to build and maintain the AT and joining the ATC in the 1920s and 1930s. In October 1932, Donald S. Gates, a professor at Roanoke College, gathered several hikers and local groups to discuss forming an AT club in the Roanoke area. At a second meeting in October, Myron H. Avery, the chairman of the ATC, and members from the Potomac and Natural Bridge AT Clubs joined them to explain various aspects of their work. \u003c/p\u003e\n","\u003cp\u003eOn November 13, 1932, the Roanoke Appalachian Trail Club (RATC) was officially established with 17 charter members, including the first officers: president Gates, secretary E. B. Coxwell, treasurer Larry Pownall, and trail supervisor David Dick. Grace Pownall was appointed vice president about two (2) weeks later. The ATC initially assigned the RATC 55 miles of the trail to manage, but by the club's first anniversary, the section had expanded to 68.29 miles.\u003c/p\u003e\n","\u003cp\u003eAs of 2025, the RATC covers over 120 miles, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs. The organization continues its original mission to maintain and protect the Appalachian Trail; develops and maintains trails, campsites, open shelters, and permanent camps on the AT; collects data about the history, scenery, geology, flora, and fauna of the Appalachian Mountains; prepares maps and guides for hiking, camping, and forest fire prevention; and participates in and advocates for the development of laws and regulations related to the AT and the Appalachian Mountains.\u003c/p\u003e\n","\u003cp\u003eBiographical notes for several RATC members are included in the inventory under Series II.\u003c/p\u003e\n","\u003cp\u003eExternal Sources: \u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 48, \"RATC Histories Written in 1980s,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 52, \"RATC Histories Written in 1950s,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 53, \"RATC History, 1932-1945,\" of this collection\u003c/p\u003e\n","\u003cp\u003eRoanoke Appalachian Trail Club, \u003ca target=\"_blank\" href=\"https://www.ratc.org/\"\u003ehttps://www.ratc.org/\u003c/a\u003e, accessed May 1, 2024.\u003c/p\u003e\n","\u003cp\u003eBy-Laws of the Roanoke Appalachian Trail Club, Inc., Rev. March 12, 2016, \u003ca target=\"_blank\" href=\"https://www.ratc.org/wp-content/uploads/documents/bylaws.pdf\"\u003ehttps://www.ratc.org/wp-content/uploads/documents/bylaws.pdf\u003c/a\u003e, accessed May 1, 2024.\u003c/p\u003e\n","\u003cp\u003eDiana Christopulos, \"How Three Hiking Clubs Became the Roanoke Appalachian Trail Club,\" RATC.org, \u003ca target=\"_blank\" href=\"https://www.ratc.org/how-three-hiking-clubs-became-the-roanoke-appalachian-trail-club/\"\u003ehttps://www.ratc.org/how-three-hiking-clubs-became-the-roanoke-appalachian-trail-club/\u003c/a\u003e, accessed September 25, 2025.\u003c/p\u003e\n","\u003cp\u003eAppalachian Trail Conservancy, \u003ca target=\"_blank\" href=\"https://appalachiantrail.org/\"\u003ehttps://appalachiantrail.org/\u003c/a\u003e, accessed October 3, 2025.\u003c/p\u003e","\u003cp\u003eThomas Healy \"Tom\" Campbell (1899-1986) attended the College of William and Mary from 1915 to 1916 and Richmond College (now University of Richmond) from 1917 to 1919. He married Charlene Lunsford (1902-1986) in 1922, and they had a daughter. In 1965, they both left their employers. Tom retired as Chief Investigator in the Auditor's office of the Norfolk and Western Railway, while Charlene left her employer of 20 years, Roanoke-based retail chain Heironimus.\u003c/p\u003e\n","\u003cp\u003eTom joined the Roanoke Appalachian Trail Club in 1947, and Charlene followed suit several years later. Each served in several offices for RATC, including Tom as President from 1950-1951. He also served on the Appalachian Trail Conference's Board of Managers from 1950-1975, including fourteen (14) years as Vice Chairman (1961-1975). Tom was also a charter member of the Appalachian National Scenic Trail Advisory Committee.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 12, Folder 3, \"[Biographical information about Thomas and Charlene Campbell],\" of this collection\u003c/p\u003e\n","\u003cp\u003e\"Thomas Healy Campbell,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/84378864/thomas-healy-campbell\"\u003ehttps://www.findagrave.com/memorial/84378864/thomas-healy-campbell\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Charlene Lunsford Campbell,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/84378830/charlene-campbell\"\u003ehttps://www.findagrave.com/memorial/84378830/charlene-campbell\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eThe Spider\u003c/title\u003e (Richmond College yearbook), Vols. 16-17, 1918-1919, available online from the University of Richmond, \u003ca target=\"_blank\" href=\"https://scholarship.richmond.edu/the-spider/\"\u003ehttps://scholarship.richmond.edu/the-spider/\u003c/a\u003e, accessed September 19, 2025. \u003c/p\u003e","\u003cp\u003eBiographical note by Diana Christopulos, Feb. 18, 2025: \"Marie and John Otey were RATC volunteers in the early 1950s, and they worked on the relocations led by Jimmy Denton near the Blue Ridge Parkway and around Roanoke. They joined in late 1949 and were active 1950-55. John was Assistant Trail Supervisor in 1952, 1953, 1955. He was also active on the Publicity Committee and took numerous photos on the Trail.\"\u003c/p\u003e\n","\u003cp\u003eJohn Otway Otey, Jr. (1906-1980) married Goldie Marie Dean Peters (1906-1989) in 1950. John worked as a clerk for Norfolk and Western Railway, while Marie worked as a stenographer or secretary.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 54, \"[Notes and correspondence about the Otey Family Papers],\" of this collection\u003c/p\u003e\n","\u003cp\u003eU.S. Federal Census, 1940-1950, accessed online from Ancestry.com on September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"John Otway Otey Jr.,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/185149412/john-otway-otey\"\u003ehttps://www.findagrave.com/memorial/185149412/john-otway-otey\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Goldie Marie Dean Otey,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/207412197/goldie_marie-otey\"\u003ehttps://www.findagrave.com/memorial/207412197/goldie_marie-otey\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"John Otway Otey\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com, \u003ca target=\"_blank\" href=\"https://www.ancestrylibrary.com/search/collections/9279/records/11741905\"\u003ehttps://www.ancestrylibrary.com/search/collections/9279/records/11741905\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e","\u003cp\u003eDick Clark has served in numerous positions in the RATC from the 1980s to 2010s, including hikemaster (1984-1994), vice president (1998-2000), president (2000-2003), and counselor (2003-2015).\u003c/p\u003e\n","\u003cp\u003eClark was appointed by the Roanoke City Council to serve on the Mill Mountain Advisory Committee from 1999 to 2014, and he served as vice chair during his tenure.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 3, \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters, of this collection\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters, Roanoke Appalachian Trail Club, \u003ca target=\"_blank\" href=\"https://www.ratc.org/newsletter/\"\u003ehttps://www.ratc.org/newsletter/\u003c/a\u003e, accessed Oct. 2, 2025.\u003c/p\u003e\n","\u003cp\u003eMatt Chittum, \"Mountain advisers up for an upgrade,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e p. B1, April 6, 2014, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003eMatt Chittum, \"Fancier Franklin bridge suggested,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e p. B1, June 3, 2014, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e","\u003cp\u003eWilliam Neal \"Bill\" Cochran (1937-2024) was a journalist who focused on the outdoors, writing for \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e from 1962 until 2018–two (2) decades after retiring as the newspaper's outdoors editor in 1998. His coverage included many trail hikes with the Roanoke Appalachian Trail Club, conservation issues in Virginia, and outdoor sporting and the Appalachian Trail. Cochran received 10 awards from the Virginia Press Association, was honored by the Virginia General Assembly with the House Joint Resolution 520 \"Commending Bill Cochran\" in 1999, and was the 2009 media inductee in the Virginia Sports Hall of Fame.\u003c/p\u003e\n","\u003cp\u003eCochran graduated from Lynchburg College (now University of Lynchburg) with a bachelor's degree in English in 1960, and he served in the Virginia National Guard. He married Katherine Gravett in 1965, and they had a son. They operated the Cross Trails Bed and Breakfast near the Appalachian Trail in Catawba from 1995 to 2003 as well as a Christmas tree farm in West Virginia. \u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eMark Taylor, \"Legendary Roanoke outdoors writer Bill Cochran dies,\" \u003ctitle render=\"italic\"\u003eCardinal News,\u003c/title\u003e July 1, 2024, \u003ca target=\"_blank\" href=\"https://cardinalnews.org/2024/07/01/legendary-roanoke-outdoors-writer-bill-cochran-dies/\"\u003ehttps://cardinalnews.org/2024/07/01/legendary-roanoke-outdoors-writer-bill-cochran-dies/\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003eObituary for William N. \"Bill\" Cochran, \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e July 7, 2024, available online from Legacy.com, \u003ca target=\"_blank\" href=\"https://www.legacy.com/us/obituaries/roanoke/name/william-cochran-obituary?id=55481593\"\u003ehttps://www.legacy.com/us/obituaries/roanoke/name/william-cochran-obituary?id=55481593\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003eMark Berman, \"Bill Cochran | 1937-2024: Outdoors editor was 'an institution',\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e July 2, 2024, p. A1 and A6, accessed online from NewsBank on September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Bill Cochran,\" Virginia Sports Hall of Fame, \u003ca target=\"_blank\" href=\"https://vasportshof.com/inductee/bill-cochran/\"\u003ehttps://vasportshof.com/inductee/bill-cochran/\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Virginia HJ520 Commending Bill Cochran,\" Policy Engage, \u003ca target=\"_blank\" href=\"https://trackbill.com/bill/virginia-house-joint-resolution-520-commending-bill-cochran/512861/\"\u003ehttps://trackbill.com/bill/virginia-house-joint-resolution-520-commending-bill-cochran/512861/\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"William Neal Cochran\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com, \u003ca target=\"_blank\" href=\"https://www.ancestrylibrary.com/search/collections/9279/records/12779996\"\u003ehttps://www.ancestrylibrary.com/search/collections/9279/records/12779996\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e","\u003cp\u003eZetta Marie Campbell (1930-2024) joined the Roanoke Appalachian Trail Club in 1959. She also served as secretary (1964-1965, 1968-1969, 1983-1984) and editor of the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletter (1970-1977). Campbell also illustrated the hike schedules in the 1970s and led hikes until at least 2019. She received the Appalachian Trail Park Office's Silver Service Award in 2002.\u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 66, \"1970s - Zetta Campbell Drawings/Hike Scheds,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection\u003c/p\u003e\n","\u003cp\u003eObituary for Zetta Campbell, \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e July 5, 2024, p. A6, available online from Legacy.com, \u003ca target=\"_blank\" href=\"https://www.legacy.com/us/obituaries/roanoke/name/zetta-campbell-obituary?id=55488335\"\u003ehttps://www.legacy.com/us/obituaries/roanoke/name/zetta-campbell-obituary?id=55488335\u003c/a\u003e, accessed September 22, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Zetta Marie Campbell\", Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/272121036/zetta_marie-campbell\"\u003ehttps://www.findagrave.com/memorial/272121036/zetta_marie-campbell\u003c/a\u003e, accessed September 22, 2025.\u003c/p\u003e","\u003cp\u003eCharles Parry (1942-2010) joined the Roanoke Appalachian Trail Club in 1972, serving as the Trail Supervisor from 1979 until his death. He received the Appalachian Trail Park Office's Silver Service Award in 2002 and was inducted into the Appalachian Trail Hall of Fame in 2017, the first RATC member to receive this honor.\u003c/p\u003e\n","\u003cp\u003eParry graduated from the State University of New York College at Oswego (now State University of New York at Oswego) and earned a master's and a Ph.D. in mathematics from Michigan State University around 1969 or 1970. He was a professor of mathematics at Virginia Tech from 1971 until his retirement in 2010, establishing a research program in number theory, helping to design mathematics courses for computer science students, and serving as Math Club adviser. \u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 67, \"Charles Parry AT Hall of Fame,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection\u003c/p\u003e\n","\u003cp\u003e\"Charles Parry honored with emeritus status,\" Virginia Tech News, October 19, 2010, \u003ca target=\"_blank\" href=\"https://news.vt.edu/content/news_vt_edu/en/articles/2010/10/101910-science-parry.html\"\u003ehttps://news.vt.edu/content/news_vt_edu/en/articles/2010/10/101910-science-parry.html\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003e\"In memoriam: Charles Parry, emeritus professor of mathematics,\" Virginia Tech News, January 10, 2011, \u003ca target=\"_blank\" href=\"https://news.vt.edu/articles/2011/01/011011-science-parry.html\"\u003ehttps://news.vt.edu/articles/2011/01/011011-science-parry.html\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003eObituary for Charles John Parry, \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e December 28, 2010, p. A12, accessed online from NewsBank on September 18, 2025.\u003c/p\u003e\n","\u003cp\u003eMark Taylor, \"Math teacher devoted himself to AT,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e December 28, 2010, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Charles J. Parry,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/232281708/charles-j-parry\"\u003ehttps://www.findagrave.com/memorial/232281708/charles-j-parry\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003eAppalachian Trail Hall of Fame, \"2017 Class,\" Appalachian Trail Museum, \u003ca target=\"_blank\" href=\"https://www.atmuseum.org/2017-class.html\"\u003ehttps://www.atmuseum.org/2017-class.html\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e","\u003cp\u003eSiegfried and Ursula Kolmstetter joined the RATC in 1971. Siegfried served as vice president (1974) and counselor (1972-1973), while both volunteered as hike leaders for decades. The couple maintained the McAfee Knob section of the AT for over 25 years, until the couple moved out of the area in 1996. Siegfried received the Appalachian Trail Park Office's Silver Service Award in 2002.\u003c/p\u003e\n","\u003cp\u003eAt the end of World War II in May 1945, 17-year-old Ursula Edith Walter (1927-2023) was captured by the Russian Army and imprisoned at the Theresienstadt prison camp. Eight (8) months after her imprisonment, she escaped and moved to West Germany, where she met Siegfried J. Kolmstetter (1921-2019). They married in 1952 and had several children. The Kolmstetters immigrated to the U.S. in 1957, settling in Roanoke in 1970. Siegfried was a physician for the Veterans Administration Hospital in Salem from 1970 to 1998. He received the hospital's Hands and Heart Award in 1992.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection\u003c/p\u003e\n","\u003cp\u003eObituary for Ursula Edith Kolmstetter, \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e January 3, 2024, available online from Legacy.com, \u003ca target=\"_blank\" href=\"https://www.legacy.com/us/obituaries/roanoke/name/ursula-kolmstetter-obituary?id=53995534\"\u003ehttps://www.legacy.com/us/obituaries/roanoke/name/ursula-kolmstetter-obituary?id=53995534\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003eDan Casey, \"Physician was caretaker for people, trails,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e March 28, 2019, p. 1-2, accessed online from NewsBank on September 22, 2025.\u003c/p\u003e","\u003cp\u003eAndy Layne (1912-1991) joined the Roanoke Appalachian Trail Club in 1978. He led numerous hikes and helped with hike scheduling; attended workhikes and backpacking trips; and oversaw a section of the trail. Layne also served in several positions on the RATC Board, including shelter supervisor (1980), vice president (1981), and counselor (1985-1986). On the 10th anniversary of his death, the Andy Layne Trail in the Tinker Cliffs area was dedicated in his memory.\u003c/p\u003e\n","\u003cp\u003eSource:\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 46, \"[Andy Layne biographical information],\" of this collection\u003c/p\u003e","\u003cp\u003eRoger Holnback joined the RATC in 1996 and served in numerous positions, including as president (2006-2009, 2015-2016), vice president (2003-2006, 2016-2017), land management supervisor (2009-2013), and conservation supervisor (2013-2015). He also was an ATC Land Trust coordinator and Roanoke Valley Greenways liaison in the 2000s and 2010s. His wife Lauren Taylor Holnback was also an RATC member.\u003c/p\u003e\n","\u003cp\u003eHolnback served as executive director of the Western Virginia Land Trust (2001-2012), which worked with the City of Roanoke and other groups to place over 11,000 acres of Carvins Cove Natural Reserve under a conservation easement in 2008 and 2009. He was given the Roanoke Valley Cool Cities Coalition's Cool Citizens award in 2012. Later, he was chairman of the Blue Ridge Soil and Water Conservation District and president of the Pathfinders for Greenways. \u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 3, \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters, of this collection\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters, Roanoke Appalachian Trail Club, \u003ca target=\"_blank\" href=\"https://www.ratc.org/newsletter/\"\u003ehttps://www.ratc.org/newsletter/\u003c/a\u003e, accessed Oct. 2, 2025.\u003c/p\u003e\n","\u003cp\u003eMason Adams, \"From land and air, teams work to preserve Carvins Cove's aura,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e, January 6, 2011, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Western Virginia Land Trust director steps down,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e, February 10, 2012, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003eDanielle Dunaway, \"Cool Citizens awards laud energy-efficient efforts,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e, March 16, 2012, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003eSam Wall, \"Hinchee Park opens in Roanoke County - Hinchee Park opens in Roanoke County,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e, September 29, 2019, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Board and Staff,\" Blue Ridge Soil and Water Conservation District website, \u003ca target=\"_blank\" href=\"https://www.brswcd.org/team-2\"\u003ehttps://www.brswcd.org/team-2\u003c/a\u003e, accessed October 2, 2025.\u003c/p\u003e","\u003cp\u003eLinda Akers joined the RATC in 1969 or 1970. She served in numerous positions on the board, including secretary (1981-1982), editor of the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e (1982-1985), and social chair (1987-1999, 2013-2017). She received the Appalachian Trail Park Office's Silver Service Award in 2002.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 17, Folder 41, \"[Linda Akers Interview notes by Diana Christopulos],\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note"],"bioghist_tesim":["The Appalachian Trail (AT), a hiking trail along the Appalachian Mountains in the United States, was first proposed by Bernard MacKaye in 1921, and two years later, the first section opened in New York State. In 1925, the Appalachian Trail Conference (ATC) formed to help manage the maintenance and conservation of the AT, and in 2005, the ATC was renamed Appalachian Trail Conservancy. As of 2025, the AT spans almost 2,200 miles in 14 states from Maine to Georgia, with 25% of the trail traversing Virginia and 30 local AT clubs affiliated with the ATC.","Local hiking clubs began organizing to build and maintain the AT and joining the ATC in the 1920s and 1930s. In October 1932, Donald S. Gates, a professor at Roanoke College, gathered several hikers and local groups to discuss forming an AT club in the Roanoke area. At a second meeting in October, Myron H. Avery, the chairman of the ATC, and members from the Potomac and Natural Bridge AT Clubs joined them to explain various aspects of their work. ","On November 13, 1932, the Roanoke Appalachian Trail Club (RATC) was officially established with 17 charter members, including the first officers: president Gates, secretary E. B. Coxwell, treasurer Larry Pownall, and trail supervisor David Dick. Grace Pownall was appointed vice president about two (2) weeks later. The ATC initially assigned the RATC 55 miles of the trail to manage, but by the club's first anniversary, the section had expanded to 68.29 miles.","As of 2025, the RATC covers over 120 miles, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs. The organization continues its original mission to maintain and protect the Appalachian Trail; develops and maintains trails, campsites, open shelters, and permanent camps on the AT; collects data about the history, scenery, geology, flora, and fauna of the Appalachian Mountains; prepares maps and guides for hiking, camping, and forest fire prevention; and participates in and advocates for the development of laws and regulations related to the AT and the Appalachian Mountains.","Biographical notes for several RATC members are included in the inventory under Series II.","External Sources: ","Box 13, Folder 48, \"RATC Histories Written in 1980s,\" of this collection","Box 13, Folder 52, \"RATC Histories Written in 1950s,\" of this collection","Box 13, Folder 53, \"RATC History, 1932-1945,\" of this collection","Roanoke Appalachian Trail Club,  https://www.ratc.org/ , accessed May 1, 2024.","By-Laws of the Roanoke Appalachian Trail Club, Inc., Rev. March 12, 2016,  https://www.ratc.org/wp-content/uploads/documents/bylaws.pdf , accessed May 1, 2024.","Diana Christopulos, \"How Three Hiking Clubs Became the Roanoke Appalachian Trail Club,\" RATC.org,  https://www.ratc.org/how-three-hiking-clubs-became-the-roanoke-appalachian-trail-club/ , accessed September 25, 2025.","Appalachian Trail Conservancy,  https://appalachiantrail.org/ , accessed October 3, 2025.","Thomas Healy \"Tom\" Campbell (1899-1986) attended the College of William and Mary from 1915 to 1916 and Richmond College (now University of Richmond) from 1917 to 1919. He married Charlene Lunsford (1902-1986) in 1922, and they had a daughter. In 1965, they both left their employers. Tom retired as Chief Investigator in the Auditor's office of the Norfolk and Western Railway, while Charlene left her employer of 20 years, Roanoke-based retail chain Heironimus.","Tom joined the Roanoke Appalachian Trail Club in 1947, and Charlene followed suit several years later. Each served in several offices for RATC, including Tom as President from 1950-1951. He also served on the Appalachian Trail Conference's Board of Managers from 1950-1975, including fourteen (14) years as Vice Chairman (1961-1975). Tom was also a charter member of the Appalachian National Scenic Trail Advisory Committee.","Sources:","Box 12, Folder 3, \"[Biographical information about Thomas and Charlene Campbell],\" of this collection","\"Thomas Healy Campbell,\" Findagrave.com,  https://www.findagrave.com/memorial/84378864/thomas-healy-campbell , accessed September 18, 2025.","\"Charlene Lunsford Campbell,\" Findagrave.com,  https://www.findagrave.com/memorial/84378830/charlene-campbell , accessed September 18, 2025.","The Spider  (Richmond College yearbook), Vols. 16-17, 1918-1919, available online from the University of Richmond,  https://scholarship.richmond.edu/the-spider/ , accessed September 19, 2025. ","Biographical note by Diana Christopulos, Feb. 18, 2025: \"Marie and John Otey were RATC volunteers in the early 1950s, and they worked on the relocations led by Jimmy Denton near the Blue Ridge Parkway and around Roanoke. They joined in late 1949 and were active 1950-55. John was Assistant Trail Supervisor in 1952, 1953, 1955. He was also active on the Publicity Committee and took numerous photos on the Trail.\"","John Otway Otey, Jr. (1906-1980) married Goldie Marie Dean Peters (1906-1989) in 1950. John worked as a clerk for Norfolk and Western Railway, while Marie worked as a stenographer or secretary.","Sources:","Box 13, Folder 54, \"[Notes and correspondence about the Otey Family Papers],\" of this collection","U.S. Federal Census, 1940-1950, accessed online from Ancestry.com on September 19, 2025.","\"John Otway Otey Jr.,\" Findagrave.com,  https://www.findagrave.com/memorial/185149412/john-otway-otey , accessed September 19, 2025.","\"Goldie Marie Dean Otey,\" Findagrave.com,  https://www.findagrave.com/memorial/207412197/goldie_marie-otey , accessed September 19, 2025.","\"John Otway Otey\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com,  https://www.ancestrylibrary.com/search/collections/9279/records/11741905 , accessed September 19, 2025.","Dick Clark has served in numerous positions in the RATC from the 1980s to 2010s, including hikemaster (1984-1994), vice president (1998-2000), president (2000-2003), and counselor (2003-2015).","Clark was appointed by the Roanoke City Council to serve on the Mill Mountain Advisory Committee from 1999 to 2014, and he served as vice chair during his tenure.","Sources:","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Box 3,  Trail Blazer  newsletters, of this collection","Trail Blazer  newsletters, Roanoke Appalachian Trail Club,  https://www.ratc.org/newsletter/ , accessed Oct. 2, 2025.","Matt Chittum, \"Mountain advisers up for an upgrade,\"  The Roanoke Times,  p. B1, April 6, 2014, accessed online from NewsBank on October 2, 2025.","Matt Chittum, \"Fancier Franklin bridge suggested,\"  The Roanoke Times,  p. B1, June 3, 2014, accessed online from NewsBank on October 2, 2025.","William Neal \"Bill\" Cochran (1937-2024) was a journalist who focused on the outdoors, writing for  The Roanoke Times  from 1962 until 2018–two (2) decades after retiring as the newspaper's outdoors editor in 1998. His coverage included many trail hikes with the Roanoke Appalachian Trail Club, conservation issues in Virginia, and outdoor sporting and the Appalachian Trail. Cochran received 10 awards from the Virginia Press Association, was honored by the Virginia General Assembly with the House Joint Resolution 520 \"Commending Bill Cochran\" in 1999, and was the 2009 media inductee in the Virginia Sports Hall of Fame.","Cochran graduated from Lynchburg College (now University of Lynchburg) with a bachelor's degree in English in 1960, and he served in the Virginia National Guard. He married Katherine Gravett in 1965, and they had a son. They operated the Cross Trails Bed and Breakfast near the Appalachian Trail in Catawba from 1995 to 2003 as well as a Christmas tree farm in West Virginia. ","Sources:","Mark Taylor, \"Legendary Roanoke outdoors writer Bill Cochran dies,\"  Cardinal News,  July 1, 2024,  https://cardinalnews.org/2024/07/01/legendary-roanoke-outdoors-writer-bill-cochran-dies/ , accessed September 19, 2025.","Obituary for William N. \"Bill\" Cochran,  The Roanoke Times,  July 7, 2024, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/william-cochran-obituary?id=55481593 , accessed September 19, 2025.","Mark Berman, \"Bill Cochran | 1937-2024: Outdoors editor was 'an institution',\"  The Roanoke Times,  July 2, 2024, p. A1 and A6, accessed online from NewsBank on September 19, 2025.","\"Bill Cochran,\" Virginia Sports Hall of Fame,  https://vasportshof.com/inductee/bill-cochran/ , accessed September 19, 2025.","\"Virginia HJ520 Commending Bill Cochran,\" Policy Engage,  https://trackbill.com/bill/virginia-house-joint-resolution-520-commending-bill-cochran/512861/ , accessed September 19, 2025.","\"William Neal Cochran\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com,  https://www.ancestrylibrary.com/search/collections/9279/records/12779996 , accessed September 19, 2025.","Zetta Marie Campbell (1930-2024) joined the Roanoke Appalachian Trail Club in 1959. She also served as secretary (1964-1965, 1968-1969, 1983-1984) and editor of the  Trail Blazer  newsletter (1970-1977). Campbell also illustrated the hike schedules in the 1970s and led hikes until at least 2019. She received the Appalachian Trail Park Office's Silver Service Award in 2002.","Sources: ","Box 13, Folder 66, \"1970s - Zetta Campbell Drawings/Hike Scheds,\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Obituary for Zetta Campbell,  The Roanoke Times,  July 5, 2024, p. A6, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/zetta-campbell-obituary?id=55488335 , accessed September 22, 2025.","\"Zetta Marie Campbell\", Findagrave.com,  https://www.findagrave.com/memorial/272121036/zetta_marie-campbell , accessed September 22, 2025.","Charles Parry (1942-2010) joined the Roanoke Appalachian Trail Club in 1972, serving as the Trail Supervisor from 1979 until his death. He received the Appalachian Trail Park Office's Silver Service Award in 2002 and was inducted into the Appalachian Trail Hall of Fame in 2017, the first RATC member to receive this honor.","Parry graduated from the State University of New York College at Oswego (now State University of New York at Oswego) and earned a master's and a Ph.D. in mathematics from Michigan State University around 1969 or 1970. He was a professor of mathematics at Virginia Tech from 1971 until his retirement in 2010, establishing a research program in number theory, helping to design mathematics courses for computer science students, and serving as Math Club adviser. ","Sources: ","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Box 13, Folder 67, \"Charles Parry AT Hall of Fame,\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","\"Charles Parry honored with emeritus status,\" Virginia Tech News, October 19, 2010,  https://news.vt.edu/content/news_vt_edu/en/articles/2010/10/101910-science-parry.html , accessed September 18, 2025.","\"In memoriam: Charles Parry, emeritus professor of mathematics,\" Virginia Tech News, January 10, 2011,  https://news.vt.edu/articles/2011/01/011011-science-parry.html , accessed September 18, 2025.","Obituary for Charles John Parry,  The Roanoke Times,  December 28, 2010, p. A12, accessed online from NewsBank on September 18, 2025.","Mark Taylor, \"Math teacher devoted himself to AT,\"  The Roanoke Times,  December 28, 2010, accessed online from NewsBank on October 2, 2025.","\"Charles J. Parry,\" Findagrave.com,  https://www.findagrave.com/memorial/232281708/charles-j-parry , accessed September 18, 2025.","Appalachian Trail Hall of Fame, \"2017 Class,\" Appalachian Trail Museum,  https://www.atmuseum.org/2017-class.html , accessed September 18, 2025.","Siegfried and Ursula Kolmstetter joined the RATC in 1971. Siegfried served as vice president (1974) and counselor (1972-1973), while both volunteered as hike leaders for decades. The couple maintained the McAfee Knob section of the AT for over 25 years, until the couple moved out of the area in 1996. Siegfried received the Appalachian Trail Park Office's Silver Service Award in 2002.","At the end of World War II in May 1945, 17-year-old Ursula Edith Walter (1927-2023) was captured by the Russian Army and imprisoned at the Theresienstadt prison camp. Eight (8) months after her imprisonment, she escaped and moved to West Germany, where she met Siegfried J. Kolmstetter (1921-2019). They married in 1952 and had several children. The Kolmstetters immigrated to the U.S. in 1957, settling in Roanoke in 1970. Siegfried was a physician for the Veterans Administration Hospital in Salem from 1970 to 1998. He received the hospital's Hands and Heart Award in 1992.","Sources:","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Obituary for Ursula Edith Kolmstetter,  The Roanoke Times,  January 3, 2024, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/ursula-kolmstetter-obituary?id=53995534 , accessed September 19, 2025.","Dan Casey, \"Physician was caretaker for people, trails,\"  The Roanoke Times,  March 28, 2019, p. 1-2, accessed online from NewsBank on September 22, 2025.","Andy Layne (1912-1991) joined the Roanoke Appalachian Trail Club in 1978. He led numerous hikes and helped with hike scheduling; attended workhikes and backpacking trips; and oversaw a section of the trail. Layne also served in several positions on the RATC Board, including shelter supervisor (1980), vice president (1981), and counselor (1985-1986). On the 10th anniversary of his death, the Andy Layne Trail in the Tinker Cliffs area was dedicated in his memory.","Source:","Box 19, Folder 46, \"[Andy Layne biographical information],\" of this collection","Roger Holnback joined the RATC in 1996 and served in numerous positions, including as president (2006-2009, 2015-2016), vice president (2003-2006, 2016-2017), land management supervisor (2009-2013), and conservation supervisor (2013-2015). He also was an ATC Land Trust coordinator and Roanoke Valley Greenways liaison in the 2000s and 2010s. His wife Lauren Taylor Holnback was also an RATC member.","Holnback served as executive director of the Western Virginia Land Trust (2001-2012), which worked with the City of Roanoke and other groups to place over 11,000 acres of Carvins Cove Natural Reserve under a conservation easement in 2008 and 2009. He was given the Roanoke Valley Cool Cities Coalition's Cool Citizens award in 2012. Later, he was chairman of the Blue Ridge Soil and Water Conservation District and president of the Pathfinders for Greenways. ","Sources:","Box 3,  Trail Blazer  newsletters, of this collection","Trail Blazer  newsletters, Roanoke Appalachian Trail Club,  https://www.ratc.org/newsletter/ , accessed Oct. 2, 2025.","Mason Adams, \"From land and air, teams work to preserve Carvins Cove's aura,\"  The Roanoke Times , January 6, 2011, accessed online from NewsBank on October 2, 2025.","\"Western Virginia Land Trust director steps down,\"  The Roanoke Times , February 10, 2012, accessed online from NewsBank on October 2, 2025.","Danielle Dunaway, \"Cool Citizens awards laud energy-efficient efforts,\"  The Roanoke Times , March 16, 2012, accessed online from NewsBank on October 2, 2025.","Sam Wall, \"Hinchee Park opens in Roanoke County - Hinchee Park opens in Roanoke County,\"  The Roanoke Times , September 29, 2019, accessed online from NewsBank on October 2, 2025.","\"Board and Staff,\" Blue Ridge Soil and Water Conservation District website,  https://www.brswcd.org/team-2 , accessed October 2, 2025.","Linda Akers joined the RATC in 1969 or 1970. She served in numerous positions on the board, including secretary (1981-1982), editor of the  Trail Blazer  (1982-1985), and social chair (1987-1999, 2013-2017). She received the Appalachian Trail Park Office's Silver Service Award in 2002.","Sources:","Box 17, Folder 41, \"[Linda Akers Interview notes by Diana Christopulos],\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection"],"odd_html_tesm":["\u003cp\u003eThe guide to the Roanoke Appalachian Trail Club Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e","\u003cp\u003eMinutes for May 17, 2001, June 21, 2001, July 26, 2001, February 13, 2003, August 2, 2004, and September 13, 2004, have been restricted and moved to Box 22, Folder 1.\u003c/p\u003e","\u003cp\u003eRestricted minutes were separated from Box 1, Folder 34.\u003c/p\u003e","\u003cp\u003eAdditional membership rosters may be found in the club newsletters.\u003c/p\u003e","\u003cp\u003eThe agenda from January 12, 2004 have been restricted and moved to Box 22, Folder 25.\u003c/p\u003e","\u003cp\u003eRestricted minutes were separated from Box 16, Folders 3-5.\u003c/p\u003e","\u003cp\u003eRestricted item has been removed to Box 22, Folder 25.\u003c/p\u003e","\u003cp\u003eRestricted item moved from Box 19, Folder 14.\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description","Separated Materials","Separated Materials","General","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"odd_tesim":["The guide to the Roanoke Appalachian Trail Club Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Minutes for May 17, 2001, June 21, 2001, July 26, 2001, February 13, 2003, August 2, 2004, and September 13, 2004, have been restricted and moved to Box 22, Folder 1.","Restricted minutes were separated from Box 1, Folder 34.","Additional membership rosters may be found in the club newsletters.","The agenda from January 12, 2004 have been restricted and moved to Box 22, Folder 25.","Restricted minutes were separated from Box 16, Folders 3-5.","Restricted item has been removed to Box 22, Folder 25.","Restricted item moved from Box 19, Folder 14."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Roanoke Appalachian Trail Club Records, Ms2024-054, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Roanoke Appalachian Trail Club Records, Ms2024-054, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Roanoke Appalachian Trail Club Records was completed in October 2025. Box 16 was completed in March 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Roanoke Appalachian Trail Club Records was completed in October 2025. Box 16 was completed in March 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia Tech Special Collections and University Archives also has the \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_3522.xml\"\u003eM. Rupert Cutler Papers,\u003c/a\u003e which covers many of the same and related environmental issues of the Appalachian Mountains, Roanoke, and Southwest Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Virginia Tech Special Collections and University Archives also has the  M. Rupert Cutler Papers,  which covers many of the same and related environmental issues of the Appalachian Mountains, Roanoke, and Southwest Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, National Park Service and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. \u003c/p\u003e\n","\u003cp\u003eThe collection is divided into two series, I: RATC Management and II: RATC Officers and Members. The first series contains materials created, collected, and maintained by the RATC for its operations. It contains the meeting minutes, primarily about the activities of the Executive Board from 1940 to 1959 and 1968 to 2004. Some of the meeting minutes also record the activities of committees, affiliate organizations, and the annual all-member banquet during those years. There are also by-laws from the 1980s and 1990s and rosters from the 1950s to 1980s. The club newsletters start with the \u003ctitle render=\"italic\"\u003eRATC Bulletin\u003c/title\u003e from 1939 to 1942 and continue with the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e from 1954 to 2010. These document the club's recent activities, including work with the Appalachian Trail Conference (later Appalachian Trail Conservancy), local non-profits, and government entitities, hike schedules and detailed accounts of club hikes on the Appalachian Trail (AT), and reminiscences of and memorials to past and current members.\u003c/p\u003e\n","\u003cp\u003eThe Land Tract Files contain legal records of lands acquired by NPS after 1978 Congressional funding. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. Other documents about acquisitions and relocations also illuminate the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.\u003c/p\u003e\n","\u003cp\u003eThe first series also contains management and conservation plans, general files, and RATC historical materials. The histories discuss the founding and development of the club as well as large trail relocations and the work of past members and officers. There are also several photo albums from the 1930s-1950s.\u003c/p\u003e\n","\u003cp\u003eThe second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. These people include club president Thomas Campbell, the Otey family, president Dick Clark, local journalist Bill Cochran, newsletter editor Zetta Campbell, longtime trail supervisor Charles Parry, hike leaders Sigfried and Ursula Kolmstetter, hike leader Andy Layne, president Roger Holnback, and longtime social chair Linda Akers. Documents include correspondence, handwritten notes, additional meeting minutes and newsletters, photographs, newspaper clippings, and more. They also cover land acquisitions, building trails and shelters, group events and conferences, management and land use, and of course hikes on the AT.\u003c/p\u003e\n","\u003cp\u003e\nThe following are common abbreviations or acronyms found in the collection inventory:\n\u003clist\u003e\n\u003citem\u003e\nAEP - Appalachian Electric Power Company\n\u003c/item\u003e\u003citem\u003e\nAPCO - Appalachian Power Company, a subsidiary of AEP\n\u003c/item\u003e\u003citem\u003e\nAT - Appalachian Trail\n\u003c/item\u003e\u003citem\u003e\nATC - Appalachian Trail Conference or Appalachian Trail Conservancy\n\u003c/item\u003e\u003citem\u003e\nRATC - Roanoke Appalachian Trail Club\n\u003c/item\u003e\u003citem\u003e\nNPS - United States National Park Service\n\u003c/item\u003e\u003citem\u003e\nUSFS or FS - United States Forest Service\n\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e","\u003cp\u003eThis series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC.\u003c/p\u003e","\u003cp\u003eThese minutes are mostly for the RATC Executive Board meetings, but also include some minutes for the annual all-member banquet and various RATC committees.\u003c/p\u003e","\u003cp\u003eThe January 16, 1953 annual meeting minutes are labeled \"January 16, 1952\". Also includes 1940 membership roster. [Removed from Binder]\u003c/p\u003e","\u003cp\u003eAlso contains 1957 membership roster, treasurer's reports or audits for 1954-1957, several hike schedules and Trail Blazers for 1957-1959, and attendees' information for the 1958 14th Meeting of the ATC. [Removed from binder.]\u003c/p\u003e","\u003cp\u003eAlso contains newspaper clippings, drafts of minutes, correspondence, reports, and other materials. [Removed from binder.]\u003c/p\u003e","\u003cp\u003eOnly includes April 1970 minutes, \"Copy of Minutes for Charles Headland\".\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for January, July, and August 1974. Some of the minutes are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the May 1974 minutes.\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for January, June, July, and August 1975. Some of the minutes are handwritten.\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for January, April, May, and August 1976.\u003c/p\u003e","\u003cp\u003eIncludes minutes for February, March, August, November 1977.\u003c/p\u003e","\u003cp\u003eIncludes only February and March 1978 minutes, which are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the February 1978 minutes with note from Christopulos: \"This is the first meeting after landowners have closed the AT between Va. 311 and Tinker Cliffs.\"\u003c/p\u003e","\u003cp\u003eFolder just includes notes that minutes were missing for 1979, and one note was removed from a notebook with minutes for 1974-1983.\u003c/p\u003e","\u003cp\u003eFolder just includes a note that minutes were missing for 1974-1979. Looks like the note may have been removed from a notebook with minutes for 1974-1983.\u003c/p\u003e","\u003cp\u003eNote from RATC: \"Incredible transition to orderly files with Linda Akers as Secretary and Mary Stewart as President\".\u003c/p\u003e","\u003cp\u003eIncludes 1980 roster and \"order continues under same leadership\", according to notes from RATC.\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for July, August, and September 1982.\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for May, July, or December 1983 minutes.\u003c/p\u003e","\u003cp\u003eNote from RATC: \"Land Management and special meeting\".\u003c/p\u003e","\u003cp\u003eThere are no minutes after September 1989.\u003c/p\u003e","\u003cp\u003eNote from RATC: \"Annual meeting moved to March\".\u003c/p\u003e","\u003cp\u003eFebruary and July 1994 minutes are missing.\u003c/p\u003e","\u003cp\u003eDecember 1995 minutes are missing.\u003c/p\u003e","\u003cp\u003eIncludes \"First annual meeting at Lutheran Church (Linda Akers)\".\u003c/p\u003e","\u003cp\u003eAlso includes organizational documents, notes, and correspondence. [Removed from Binder.]\u003c/p\u003e","\u003cp\u003eAlso includes 1990 RATC Ann's Cabin Committee meeting minutes.\u003c/p\u003e","\u003cp\u003eOriginal folder was titled \"1976 RATC Membership Roster N=68\".\u003c/p\u003e","\u003cp\u003eThis is a draft of the Constitution and By-Laws of the RATC.\u003c/p\u003e","\u003cp\u003eIncludes proposed and final by-laws for March 6, 1993.\u003c/p\u003e","\u003cp\u003eStarting with the Spring 1983 issue, the hike schedules are printed as part of the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters. Prior to that time, the hike schedule was inconsistently included with the newsletters. Some newsletters also include membership rosters.\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003eSome issues also include membership rosters.\u003c/p\u003e","\u003cp\u003eAlso includes photos from April 1959 and a membership application from May-June 1959.\u003c/p\u003e","\u003cp\u003eAlso includes backpacking catalogs.\u003c/p\u003e","\u003cp\u003eAlso includes the Shenandoah-Rockfish Appalachian Trail Club Bulletin, Vol. 1, No. 2, June 18, 1962.\u003c/p\u003e","\u003cp\u003eAlso includes hike schedules for June 26-December 18, 1966.\u003c/p\u003e","\u003cp\u003eThe first 2 issues are No. 1, January 1966 and No. 2, February 1966. Then the publication cycle changes to quarterly publications, and the issue numbering restarts with No. 1, Spring 1966 through No. 4, Winter 1966-67. Also includes Hike Schedules for Summer 1966-Winter 1966-1967.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1967-Winter 1967-68.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1968-Winter 1968-69.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1969-Winter 1969-70.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Summer 1970 and Winter 1970-71.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1971-Winter 1970-71.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1972-Winter 1972-73.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1973-Winter 1973-74.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1974-Summer 1974.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1975-Winter 1975-76.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1975 and Fall 1976.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1977-Winter 1977-78.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1978-Winter 1978-79.\u003c/p\u003e","\u003cp\u003eSpring 1979 is numbered Vol. 39, No. 1; Summer 1979 is Vol. 40, No. 1; Autumn 1979 is Vol. 40, No. 3; and Winter 1979 is Vol. 40, No. 4. Also includes Hike Schedules for Spring 1979-Winter 1979.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1980-Winter 1980. [Please note: Vol. 40 seems to have been skipped in the numbering system for the Trail Blazer.]\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Fall 1981 and Summer [1981?]. The Winter Hike Schedule is included in the Winter 1981 Trail Blazer.\u003c/p\u003e","\u003cp\u003eHike schedules are included with the Trail Blazer issues for Spring 1982, Fall 1982, and Winter 1982.\u003c/p\u003e","\u003cp\u003eAlso includes minutes of the executive board meeting on July 18, 1986.\u003c/p\u003e","\u003cp\u003eAlso includes minutes of the executive board meeting on August 26, 1988, and RATC By-laws revised on November 5, 1988.\u003c/p\u003e","\u003cp\u003eThe December 1990 issue is the Winter 1990-1991 issue.\u003c/p\u003e","\u003cp\u003eStarting with Winter 1995, the winter issues switch to the start of the year instead of the end.\u003c/p\u003e","\u003cp\u003eThe Land Tract Files are also called RATC Green Books and contain legal records of lands acquired by NPS after 1978 Congressional funding. These are bound by tract number. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. \u003c/p\u003e\n","\u003cp\u003eAs most of the documents are photocopies, the dates are based on the originals, not on when the photocopies may have been created. Some of the photocopies are also of poor quality and illegible. Some of the legal documents contain social security numbers, and these bound files are restricted.\u003c/p\u003e","\u003cp\u003eThis series document the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.\u003c/p\u003e","\u003cp\u003eWritten by Diana Christopulos, RATC Archivist\u003c/p\u003e","\u003cp\u003eAlso spelled Anne's Cabin.\u003c/p\u003e","\u003cp\u003eThis is a photocopy.\u003c/p\u003e","\u003cp\u003eThis is a photocopy.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings and a history of the AT with focus on Virginia and a copy of H 160 approved by the General Assembly of Virginia on March 4, 1971, to allow Virginia to acquire lands and enter into agreements pertaining to the AT.\u003c/p\u003e","\u003cp\u003eMostly relates to the Buhrman Tract.\u003c/p\u003e","\u003cp\u003eContains a handdrawn map by Thomas Campbell from about the 1960s and a transcription and description of the map with history note by Diana Christopulos in 2024.\u003c/p\u003e","\u003cp\u003eAlso includes the Hiking Schedule for the Southwestern Virginia Relocation.\u003c/p\u003e","\u003cp\u003eIncludes RATC brochures, 1966 hiking brochure, local management plan maps, a photocopy of the 1997 Memorandum of Understanding for the Appalachian National Scenic Trail between the Roanoke Appalachian Trail Club and the Appalachian Trail Conference, and the RATC 1991 Management Plan for the Appalachian Trail with notes by Diana Christopulos on March 3, 2024.\u003c/p\u003e","\u003cp\u003eIncludes Spring 1991 Trail Blazer and a phone tree.\u003c/p\u003e","\u003cp\u003eThe 1996 and 2008 items were printed off the internet in 2022.\u003c/p\u003e","\u003cp\u003eIncludes letters about donations and gifts.\u003c/p\u003e","\u003cp\u003eProbably created by T. J. Kent. Includes list of items in album created in 2023.\u003c/p\u003e","\u003cp\u003eIncludes list of items in album created in 2023.\u003c/p\u003e","\u003cp\u003eIncludes list of items in album created in 2023.\u003c/p\u003e","\u003cp\u003e[Removed from photograph album.]\u003c/p\u003e","\u003cp\u003eIncludes press release about the Appalachian Trail Museum's Hall of Fame's class of 2022, including Jim and Molly Denton of Front Royal, Virginia, and interview notes from Diana Christopulos with two of the Denton's three children.\u003c/p\u003e","\u003cp\u003eIncludes photocopies of documents from 1930s and issues of the Appalachian Trailway News.\u003c/p\u003e","\u003cp\u003eAlthough the histories are from around the 1980s, there are some notes from around the 2020s.\u003c/p\u003e","\u003cp\u003eAlthough the histories are from around the 1980s, there are some notes from around the 2020s.\u003c/p\u003e","\u003cp\u003eIncludes a transcription of a January 24, 1951 history by L. H. Powell, transcribed by Diana Christopulos on March 20, 2020, but not the original 1951 history by Powell.\u003c/p\u003e","\u003cp\u003eIncludes notes about T. J. Kent's history notes by Diana Christopulos, RATC Archivist, November 11, 2022, and transcription and annotations of 1933 report of RATC by Christopulos, March 20, 2020.\u003c/p\u003e","\u003cp\u003eThe second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.\u003c/p\u003e","\u003cp\u003eAlso contains a list of files for box.\u003c/p\u003e","\u003cp\u003eIncludes a letter from Senator Harry F. Byrd, Jr., about legislation.\u003c/p\u003e","\u003cp\u003eIncludes organizational charts for the ATC.\u003c/p\u003e","\u003cp\u003eMajority is correspondence about trail maintenance and relocation projects or suggestions and related maps.\u003c/p\u003e","\u003cp\u003eContains documents regarding Virginia being \"the first state to execute an agreement for the protection and management of the Appalachian Trail.\"\u003c/p\u003e","\u003cp\u003eSome documents pertain to property owners and AT relocations.\u003c/p\u003e","\u003cp\u003eDocuments discuss purchasing the Buhrman tract of land near Fullhardt Knob and relocation of the AT between Tinker Mountain and Fullhardt Knob, potentially through the Buhrman tract.\u003c/p\u003e","\u003cp\u003eIncludes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.\u003c/p\u003e","\u003cp\u003eIncludes William L. Gordge, RATC president's correspondence. Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.\u003c/p\u003e","\u003cp\u003eIncludes organizational charts for the ATC.\u003c/p\u003e","\u003cp\u003eIncludes documents granting land use for relocating AT on Peters Mountain via land owned by Celanese Corporation, Pocahontas Land Corporation, the National Gypsum Company, and individuals.\u003c/p\u003e","\u003cp\u003eMajority of documents regard planning in 1957-1958 for the 14th Meeting of the ATC at Mountain Lake Hotel in Mountain Lake (Giles County), Virginia, in 1958.\u003c/p\u003e","\u003cp\u003eBoth issues contain articles about AT relocations by RATC.\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003eIncludes shelter log.\u003c/p\u003e","\u003cp\u003eIncludes agendas, minutes, financial documents, and other supporting documents, including documents from committees, ATC, and NPS.\u003c/p\u003e","\u003cp\u003eAlso includes ATC's The Register newsletter, Vol. 24, No. 6, Spring 2001.\u003c/p\u003e","\u003cp\u003eThis is a user survey study carried out by the NPS in partnership with the University of Vermont and Penn State University. [Removed from binder.]\u003c/p\u003e","\u003cp\u003eAlso includes brochures about NPS and the AT.\u003c/p\u003e","\u003cp\u003eAlso includes tax-related documents and newsletters for other organizations.\u003c/p\u003e","\u003cp\u003eRelates to the Greenbrier Pipeline Project that would cross the AT.\u003c/p\u003e","\u003cp\u003eThis contains the Memorandum of Agreement for the Management of the Appalachian National Scenic Trail between the NPS and U. S. Forest Service.\u003c/p\u003e","\u003cp\u003eAppalachian Trailway News article about Jim and Molly Tabor Denton and Tom and Charlene Campbell\u003c/p\u003e","\u003cp\u003ePrepared for NPS by Federal Highway Administration's Eastern Federal Lands Highway Division\u003c/p\u003e","\u003cp\u003eIncludes some non-biking AT printed materials.\u003c/p\u003e","\u003cp\u003eItems discuss naming the Sinking Creek shelter as the Sarver Hollow Shelter and its dedication. There are also some documents related to the Sarver Cabin or Sarver Home Site.\u003c/p\u003e","\u003cp\u003eIncludes a copy of the RATC's \"Amended and Restated Articles of Incorporation\".\u003c/p\u003e","\u003cp\u003eCelebrates the 75th anniversary of the ATC.\u003c/p\u003e","\u003cp\u003eCelebrates the 75th anniversary of the ATC.\u003c/p\u003e","\u003cp\u003eAlso contains a report about invasive species on the AT.\u003c/p\u003e","\u003cp\u003eIncludes undated photographs.\u003c/p\u003e","\u003cp\u003eThe trail diary includes a letter to Katherine Cochran.\u003c/p\u003e","\u003cp\u003eIncludes article, \"National Trail Bill Sent to Congress\" by Bill Cochran.\u003c/p\u003e","\u003cp\u003eIncludes clippings about Audie Murphy's 1972 plane crash and hiking the AT, several relating to Ed Garvey.\u003c/p\u003e","\u003cp\u003eIncludes 1982 letter to Bill Cochran, a write up on Damascus Trail Days by Bill Cochran, and clippings about trail towns and the RATC celebrating its 50th anniversary.\u003c/p\u003e","\u003cp\u003eIncludes a letter to Bill Cochran, ca. 1996.\u003c/p\u003e","\u003cp\u003eIncludes clippings about the McAfee Knob closure from 1978 to 1987, McAfee Knob in general, history of the AT, and AT land acquisition.\u003c/p\u003e","\u003cp\u003eIncludes clippings about the murders of Susan Ramsey and Robert Mountford in 1981, Molly LaRue and Geoffrey L. Hood in 1990, and the murders of Julianne Williams and Lollie Winans in 1996.\u003c/p\u003e","\u003cp\u003eIncludes 1970s hike schedules illustrated by Campbell, 1993 article about hike led by Campbell, and a note about Campbell in the RATC from Diana Christopulos, February 16, 2024.\u003c/p\u003e","\u003cp\u003eIncludes biographical information.\u003c/p\u003e","\u003cp\u003eIncludes letter and thank you note from 1991.\u003c/p\u003e","\u003cp\u003eThe Trail Blazer issue contains an article about the Campbell Shelter. The cover is missing, but it is probably the Fall 1989 issue.\u003c/p\u003e","\u003cp\u003eIncludes Campbell Shelter, Catawba Shelter, New Wilson Creek Shelter, Wapitu Shelter, and Big Pond Shelter Move. The photos in this folder remain in their original groupings.\u003c/p\u003e","\u003cp\u003eIncludes 1987 ATC Conference at Lynchburg College and Natural Bridge. Please note: there are remnants of a rubberband attached to some photos.\u003c/p\u003e","\u003cp\u003eThese photos were grouped together but have no identifying information.\u003c/p\u003e","\u003cp\u003eThe photos in this folder are without identifying information and remain in their original groupings.\u003c/p\u003e","\u003cp\u003eThe photos in this folder are without identifying information and remain in their original groupings.\u003c/p\u003e","\u003cp\u003eSome materials are the papers of Lauren Taylor Holnback and of Eric Nasar from the Trust for AT Lands.\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003eAlso includes management brochures. [Removed from binder.]\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003eTopics include the Trail and Land Management Committee and Carvins Cove easement. [Removed from binder.]\u003c/p\u003e","\u003cp\u003eIncludes memoranda about land tracts.\u003c/p\u003e","\u003cp\u003eIncludes Tract 476-32.\u003c/p\u003e","\u003cp\u003eIncludes Tract 477-22, Parcels A and B.\u003c/p\u003e","\u003cp\u003eIncludes Tracts 478-34, 478-35, 478-36, and 478-37.\u003c/p\u003e","\u003cp\u003eIncludes monument sets.\u003c/p\u003e","\u003cp\u003eDocuments concern the Chesapeake Bay Program and Agreement related to the Chesapeake Bay watershed.\u003c/p\u003e","\u003cp\u003eDocuments relate to the acquisition of the Shell Tract along the Elk River in Tennessee.\u003c/p\u003e","\u003cp\u003eDocuments relate to the Turner Tract on North Mountain in Virginia.\u003c/p\u003e","\u003cp\u003eDocuments relate to the Roy and Tillie Wood's home the Woodshole, where AT hikers were invited to stay.\u003c/p\u003e","\u003cp\u003eDocuments are about attempting to make Blackwater Canyon a national park.\u003c/p\u003e","\u003cp\u003eDocuments are about the USFS Forest Legacy Program and Virginia's Forest Legacy program.\u003c/p\u003e","\u003cp\u003eIncludes reports from Griggs and Mullinix of the ATC Land Trust.\u003c/p\u003e","\u003cp\u003eMost materials specifically relate to the Western Virginia Land Trust.\u003c/p\u003e","\u003cp\u003eIncludes information on Andy Layne Trail.\u003c/p\u003e","\u003cp\u003eIncludes information on Roanoke Greenways and on laws.\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, National Park Service and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. ","The collection is divided into two series, I: RATC Management and II: RATC Officers and Members. The first series contains materials created, collected, and maintained by the RATC for its operations. It contains the meeting minutes, primarily about the activities of the Executive Board from 1940 to 1959 and 1968 to 2004. Some of the meeting minutes also record the activities of committees, affiliate organizations, and the annual all-member banquet during those years. There are also by-laws from the 1980s and 1990s and rosters from the 1950s to 1980s. The club newsletters start with the  RATC Bulletin  from 1939 to 1942 and continue with the  Trail Blazer  from 1954 to 2010. These document the club's recent activities, including work with the Appalachian Trail Conference (later Appalachian Trail Conservancy), local non-profits, and government entitities, hike schedules and detailed accounts of club hikes on the Appalachian Trail (AT), and reminiscences of and memorials to past and current members.","The Land Tract Files contain legal records of lands acquired by NPS after 1978 Congressional funding. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. Other documents about acquisitions and relocations also illuminate the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.","The first series also contains management and conservation plans, general files, and RATC historical materials. The histories discuss the founding and development of the club as well as large trail relocations and the work of past members and officers. There are also several photo albums from the 1930s-1950s.","The second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. These people include club president Thomas Campbell, the Otey family, president Dick Clark, local journalist Bill Cochran, newsletter editor Zetta Campbell, longtime trail supervisor Charles Parry, hike leaders Sigfried and Ursula Kolmstetter, hike leader Andy Layne, president Roger Holnback, and longtime social chair Linda Akers. Documents include correspondence, handwritten notes, additional meeting minutes and newsletters, photographs, newspaper clippings, and more. They also cover land acquisitions, building trails and shelters, group events and conferences, management and land use, and of course hikes on the AT.","\nThe following are common abbreviations or acronyms found in the collection inventory:\n \nAEP - Appalachian Electric Power Company\n \nAPCO - Appalachian Power Company, a subsidiary of AEP\n \nAT - Appalachian Trail\n \nATC - Appalachian Trail Conference or Appalachian Trail Conservancy\n \nRATC - Roanoke Appalachian Trail Club\n \nNPS - United States National Park Service\n \nUSFS or FS - United States Forest Service\n","This series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC.","These minutes are mostly for the RATC Executive Board meetings, but also include some minutes for the annual all-member banquet and various RATC committees.","The January 16, 1953 annual meeting minutes are labeled \"January 16, 1952\". Also includes 1940 membership roster. [Removed from Binder]","Also contains 1957 membership roster, treasurer's reports or audits for 1954-1957, several hike schedules and Trail Blazers for 1957-1959, and attendees' information for the 1958 14th Meeting of the ATC. [Removed from binder.]","Also contains newspaper clippings, drafts of minutes, correspondence, reports, and other materials. [Removed from binder.]","Only includes April 1970 minutes, \"Copy of Minutes for Charles Headland\".","A list at the front of the folder says minutes are missing for January, July, and August 1974. Some of the minutes are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the May 1974 minutes.","A list at the front of the folder says minutes are missing for January, June, July, and August 1975. Some of the minutes are handwritten.","A list at the front of the folder says minutes are missing for January, April, May, and August 1976.","Includes minutes for February, March, August, November 1977.","Includes only February and March 1978 minutes, which are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the February 1978 minutes with note from Christopulos: \"This is the first meeting after landowners have closed the AT between Va. 311 and Tinker Cliffs.\"","Folder just includes notes that minutes were missing for 1979, and one note was removed from a notebook with minutes for 1974-1983.","Folder just includes a note that minutes were missing for 1974-1979. Looks like the note may have been removed from a notebook with minutes for 1974-1983.","Note from RATC: \"Incredible transition to orderly files with Linda Akers as Secretary and Mary Stewart as President\".","Includes 1980 roster and \"order continues under same leadership\", according to notes from RATC.","A list at the front of the folder says minutes are missing for July, August, and September 1982.","A list at the front of the folder says minutes are missing for May, July, or December 1983 minutes.","Note from RATC: \"Land Management and special meeting\".","There are no minutes after September 1989.","Note from RATC: \"Annual meeting moved to March\".","February and July 1994 minutes are missing.","December 1995 minutes are missing.","Includes \"First annual meeting at Lutheran Church (Linda Akers)\".","Also includes organizational documents, notes, and correspondence. [Removed from Binder.]","Also includes 1990 RATC Ann's Cabin Committee meeting minutes.","Original folder was titled \"1976 RATC Membership Roster N=68\".","This is a draft of the Constitution and By-Laws of the RATC.","Includes proposed and final by-laws for March 6, 1993.","Starting with the Spring 1983 issue, the hike schedules are printed as part of the  Trail Blazer  newsletters. Prior to that time, the hike schedule was inconsistently included with the newsletters. Some newsletters also include membership rosters.","[Removed from binder.]","Some issues also include membership rosters.","Also includes photos from April 1959 and a membership application from May-June 1959.","Also includes backpacking catalogs.","Also includes the Shenandoah-Rockfish Appalachian Trail Club Bulletin, Vol. 1, No. 2, June 18, 1962.","Also includes hike schedules for June 26-December 18, 1966.","The first 2 issues are No. 1, January 1966 and No. 2, February 1966. Then the publication cycle changes to quarterly publications, and the issue numbering restarts with No. 1, Spring 1966 through No. 4, Winter 1966-67. Also includes Hike Schedules for Summer 1966-Winter 1966-1967.","Also includes Hike Schedules for Spring 1967-Winter 1967-68.","Also includes Hike Schedules for Spring 1968-Winter 1968-69.","Also includes Hike Schedules for Spring 1969-Winter 1969-70.","Also includes Hike Schedules for Summer 1970 and Winter 1970-71.","Also includes Hike Schedules for Spring 1971-Winter 1970-71.","Also includes Hike Schedules for Spring 1972-Winter 1972-73.","Also includes Hike Schedules for Spring 1973-Winter 1973-74.","Also includes Hike Schedules for Spring 1974-Summer 1974.","Also includes Hike Schedules for Spring 1975-Winter 1975-76.","Also includes Hike Schedules for Spring 1975 and Fall 1976.","Also includes Hike Schedules for Spring 1977-Winter 1977-78.","Also includes Hike Schedules for Spring 1978-Winter 1978-79.","Spring 1979 is numbered Vol. 39, No. 1; Summer 1979 is Vol. 40, No. 1; Autumn 1979 is Vol. 40, No. 3; and Winter 1979 is Vol. 40, No. 4. Also includes Hike Schedules for Spring 1979-Winter 1979.","Also includes Hike Schedules for Spring 1980-Winter 1980. [Please note: Vol. 40 seems to have been skipped in the numbering system for the Trail Blazer.]","Also includes Hike Schedules for Fall 1981 and Summer [1981?]. The Winter Hike Schedule is included in the Winter 1981 Trail Blazer.","Hike schedules are included with the Trail Blazer issues for Spring 1982, Fall 1982, and Winter 1982.","Also includes minutes of the executive board meeting on July 18, 1986.","Also includes minutes of the executive board meeting on August 26, 1988, and RATC By-laws revised on November 5, 1988.","The December 1990 issue is the Winter 1990-1991 issue.","Starting with Winter 1995, the winter issues switch to the start of the year instead of the end.","The Land Tract Files are also called RATC Green Books and contain legal records of lands acquired by NPS after 1978 Congressional funding. These are bound by tract number. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. ","As most of the documents are photocopies, the dates are based on the originals, not on when the photocopies may have been created. Some of the photocopies are also of poor quality and illegible. Some of the legal documents contain social security numbers, and these bound files are restricted.","This series document the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.","Written by Diana Christopulos, RATC Archivist","Also spelled Anne's Cabin.","This is a photocopy.","This is a photocopy.","Includes newspaper clippings and a history of the AT with focus on Virginia and a copy of H 160 approved by the General Assembly of Virginia on March 4, 1971, to allow Virginia to acquire lands and enter into agreements pertaining to the AT.","Mostly relates to the Buhrman Tract.","Contains a handdrawn map by Thomas Campbell from about the 1960s and a transcription and description of the map with history note by Diana Christopulos in 2024.","Also includes the Hiking Schedule for the Southwestern Virginia Relocation.","Includes RATC brochures, 1966 hiking brochure, local management plan maps, a photocopy of the 1997 Memorandum of Understanding for the Appalachian National Scenic Trail between the Roanoke Appalachian Trail Club and the Appalachian Trail Conference, and the RATC 1991 Management Plan for the Appalachian Trail with notes by Diana Christopulos on March 3, 2024.","Includes Spring 1991 Trail Blazer and a phone tree.","The 1996 and 2008 items were printed off the internet in 2022.","Includes letters about donations and gifts.","Probably created by T. J. Kent. Includes list of items in album created in 2023.","Includes list of items in album created in 2023.","Includes list of items in album created in 2023.","[Removed from photograph album.]","Includes press release about the Appalachian Trail Museum's Hall of Fame's class of 2022, including Jim and Molly Denton of Front Royal, Virginia, and interview notes from Diana Christopulos with two of the Denton's three children.","Includes photocopies of documents from 1930s and issues of the Appalachian Trailway News.","Although the histories are from around the 1980s, there are some notes from around the 2020s.","Although the histories are from around the 1980s, there are some notes from around the 2020s.","Includes a transcription of a January 24, 1951 history by L. H. Powell, transcribed by Diana Christopulos on March 20, 2020, but not the original 1951 history by Powell.","Includes notes about T. J. Kent's history notes by Diana Christopulos, RATC Archivist, November 11, 2022, and transcription and annotations of 1933 report of RATC by Christopulos, March 20, 2020.","The second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.","Also contains a list of files for box.","Includes a letter from Senator Harry F. Byrd, Jr., about legislation.","Includes organizational charts for the ATC.","Majority is correspondence about trail maintenance and relocation projects or suggestions and related maps.","Contains documents regarding Virginia being \"the first state to execute an agreement for the protection and management of the Appalachian Trail.\"","Some documents pertain to property owners and AT relocations.","Documents discuss purchasing the Buhrman tract of land near Fullhardt Knob and relocation of the AT between Tinker Mountain and Fullhardt Knob, potentially through the Buhrman tract.","Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.","Includes William L. Gordge, RATC president's correspondence. Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.","Includes organizational charts for the ATC.","Includes documents granting land use for relocating AT on Peters Mountain via land owned by Celanese Corporation, Pocahontas Land Corporation, the National Gypsum Company, and individuals.","Majority of documents regard planning in 1957-1958 for the 14th Meeting of the ATC at Mountain Lake Hotel in Mountain Lake (Giles County), Virginia, in 1958.","Both issues contain articles about AT relocations by RATC.","[Removed from binder.]","Includes shelter log.","Includes agendas, minutes, financial documents, and other supporting documents, including documents from committees, ATC, and NPS.","Also includes ATC's The Register newsletter, Vol. 24, No. 6, Spring 2001.","This is a user survey study carried out by the NPS in partnership with the University of Vermont and Penn State University. [Removed from binder.]","Also includes brochures about NPS and the AT.","Also includes tax-related documents and newsletters for other organizations.","Relates to the Greenbrier Pipeline Project that would cross the AT.","This contains the Memorandum of Agreement for the Management of the Appalachian National Scenic Trail between the NPS and U. S. Forest Service.","Appalachian Trailway News article about Jim and Molly Tabor Denton and Tom and Charlene Campbell","Prepared for NPS by Federal Highway Administration's Eastern Federal Lands Highway Division","Includes some non-biking AT printed materials.","Items discuss naming the Sinking Creek shelter as the Sarver Hollow Shelter and its dedication. There are also some documents related to the Sarver Cabin or Sarver Home Site.","Includes a copy of the RATC's \"Amended and Restated Articles of Incorporation\".","Celebrates the 75th anniversary of the ATC.","Celebrates the 75th anniversary of the ATC.","Also contains a report about invasive species on the AT.","Includes undated photographs.","The trail diary includes a letter to Katherine Cochran.","Includes article, \"National Trail Bill Sent to Congress\" by Bill Cochran.","Includes clippings about Audie Murphy's 1972 plane crash and hiking the AT, several relating to Ed Garvey.","Includes 1982 letter to Bill Cochran, a write up on Damascus Trail Days by Bill Cochran, and clippings about trail towns and the RATC celebrating its 50th anniversary.","Includes a letter to Bill Cochran, ca. 1996.","Includes clippings about the McAfee Knob closure from 1978 to 1987, McAfee Knob in general, history of the AT, and AT land acquisition.","Includes clippings about the murders of Susan Ramsey and Robert Mountford in 1981, Molly LaRue and Geoffrey L. Hood in 1990, and the murders of Julianne Williams and Lollie Winans in 1996.","Includes 1970s hike schedules illustrated by Campbell, 1993 article about hike led by Campbell, and a note about Campbell in the RATC from Diana Christopulos, February 16, 2024.","Includes biographical information.","Includes letter and thank you note from 1991.","The Trail Blazer issue contains an article about the Campbell Shelter. The cover is missing, but it is probably the Fall 1989 issue.","Includes Campbell Shelter, Catawba Shelter, New Wilson Creek Shelter, Wapitu Shelter, and Big Pond Shelter Move. The photos in this folder remain in their original groupings.","Includes 1987 ATC Conference at Lynchburg College and Natural Bridge. Please note: there are remnants of a rubberband attached to some photos.","These photos were grouped together but have no identifying information.","The photos in this folder are without identifying information and remain in their original groupings.","The photos in this folder are without identifying information and remain in their original groupings.","Some materials are the papers of Lauren Taylor Holnback and of Eric Nasar from the Trust for AT Lands.","[Removed from binder.]","Also includes management brochures. [Removed from binder.]","[Removed from binder.]","[Removed from binder.]","Topics include the Trail and Land Management Committee and Carvins Cove easement. [Removed from binder.]","Includes memoranda about land tracts.","Includes Tract 476-32.","Includes Tract 477-22, Parcels A and B.","Includes Tracts 478-34, 478-35, 478-36, and 478-37.","Includes monument sets.","Documents concern the Chesapeake Bay Program and Agreement related to the Chesapeake Bay watershed.","Documents relate to the acquisition of the Shell Tract along the Elk River in Tennessee.","Documents relate to the Turner Tract on North Mountain in Virginia.","Documents relate to the Roy and Tillie Wood's home the Woodshole, where AT hikers were invited to stay.","Documents are about attempting to make Blackwater Canyon a national park.","Documents are about the USFS Forest Legacy Program and Virginia's Forest Legacy program.","Includes reports from Griggs and Mullinix of the ATC Land Trust.","Most materials specifically relate to the Western Virginia Land Trust.","Includes information on Andy Layne Trail.","Includes information on Roanoke Greenways and on laws.","[Removed from binder.]","[Removed from binder.]"],"separatedmaterial_html_tesm":["\u003cp\u003eThis collection contains several issues of the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e, the newsletter of the Roanoke Appalachian Trail Club. If there were more than two (2) copies of an issue, the extra copy was separated to the Virginia Tech Special Collections and University Archives' Rare Book Collection.\u003c/p\u003e\n","\u003cp\u003eThe following publications were separated to the Rare Book Collection:\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eAppalachian Trail Guide to Central Virginia,\u003c/title\u003e First Edition, 1994 (Jack Albright, Field Editor).\u003c/p\u003e\n","\u003cp\u003eParsons, Shireen, and Wilderness Society. \u003ctitle render=\"italic\"\u003eVirginia's Mountain Treasures : The Unprotected Wildlands of the Jefferson National Forest.\u003c/title\u003e The Wilderness Society, 1999.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eTrail Lands: The Newsletter of the ATC Land Trust,\u003c/title\u003e Vol. 17, No. 1, Spring 2001.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eAudubon Naturalist,\u003c/title\u003e Vol. 20, No. 7, \"What Does Disney's America Mean to Our Region?\", 1994-09.\u003c/p\u003e\n","\u003cp\u003eDaniel D. Chazin, ed., \u003ctitle render=\"italic\"\u003eAppalachian Trail Data Book 2000,\u003c/title\u003e 22nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 1999.\u003c/p\u003e\n","\u003cp\u003eKaren Deans, ed., \u003ctitle render=\"italic\"\u003eConservation Options: A Landowner's Guide,\u003c/title\u003e Washington, D. C.: Land Trust Alliance, 1999.\u003c/p\u003e\n","\u003cp\u003eBenton MacKaye, \u003ctitle render=\"italic\"\u003eThe New Exploration: A Philosophy of Regional Planning,\u003c/title\u003e Harpers Ferry, WV: The Appalachian Trail Conference and Urbana-Champaign, Ill.: University of Illinois Press, 1990.\u003c/p\u003e\n","\u003cp\u003eMurray Bookchin, \u003ctitle render=\"italic\"\u003eOur Synthetic Environment,\u003c/title\u003e Rev. Ed., New York City: Harper \u0026amp; Row, 1974.\u003c/p\u003e\n","\u003cp\u003eLeonard M. Adkins (a member of the RATC), \u003ctitle render=\"italic\"\u003e50 Hikes in Northern Virginia: Walks, Hikes, and Backpacks from the Allegheny Mountains to the Chesapeake Bay,\u003c/title\u003e Woodstock, VT: Backcountry Publications, 1994 (1995 printing).\u003c/p\u003e\n","\u003cp\u003eSteve Nash, \u003ctitle render=\"italic\"\u003eBlue Ridge 2020: An Owner's Manual,\u003c/title\u003e Chapel Hill, N. C., and London: The University of North Carolina Press, 1999.\u003c/p\u003e\n","\u003cp\u003eWilliam Birchard, Jr., and Robert Proudman, \u003ctitle render=\"italic\"\u003eAppalacian Trail: Design, Construction, and Maintenance,\u003c/title\u003e 2nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 2000.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["This collection contains several issues of the  Trail Blazer , the newsletter of the Roanoke Appalachian Trail Club. If there were more than two (2) copies of an issue, the extra copy was separated to the Virginia Tech Special Collections and University Archives' Rare Book Collection.","The following publications were separated to the Rare Book Collection:","Appalachian Trail Guide to Central Virginia,  First Edition, 1994 (Jack Albright, Field Editor).","Parsons, Shireen, and Wilderness Society.  Virginia's Mountain Treasures : The Unprotected Wildlands of the Jefferson National Forest.  The Wilderness Society, 1999.","Trail Lands: The Newsletter of the ATC Land Trust,  Vol. 17, No. 1, Spring 2001.","Audubon Naturalist,  Vol. 20, No. 7, \"What Does Disney's America Mean to Our Region?\", 1994-09.","Daniel D. Chazin, ed.,  Appalachian Trail Data Book 2000,  22nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 1999.","Karen Deans, ed.,  Conservation Options: A Landowner's Guide,  Washington, D. C.: Land Trust Alliance, 1999.","Benton MacKaye,  The New Exploration: A Philosophy of Regional Planning,  Harpers Ferry, WV: The Appalachian Trail Conference and Urbana-Champaign, Ill.: University of Illinois Press, 1990.","Murray Bookchin,  Our Synthetic Environment,  Rev. Ed., New York City: Harper \u0026 Row, 1974.","Leonard M. Adkins (a member of the RATC),  50 Hikes in Northern Virginia: Walks, Hikes, and Backpacks from the Allegheny Mountains to the Chesapeake Bay,  Woodstock, VT: Backcountry Publications, 1994 (1995 printing).","Steve Nash,  Blue Ridge 2020: An Owner's Manual,  Chapel Hill, N. C., and London: The University of North Carolina Press, 1999.","William Birchard, Jr., and Robert Proudman,  Appalacian Trail: Design, Construction, and Maintenance,  2nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 2000."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a6e4fd39692d03baeae59292f8f5e256\" label=\"Abstract\"\u003eThe Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, NPS and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. The RATC continues its original mission to maintain and protect the Appalachian Trail (AT), and the club covers over 120 miles of the AT, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs.\u003c/abstract\u003e"],"abstract_tesim":["The Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, NPS and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. The RATC continues its original mission to maintain and protect the Appalachian Trail (AT), and the club covers over 120 miles of the AT, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_79fb534a401c2d4d2312154f7e8ad227\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"names_coll_ssim":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Roanoke Appalachian Trail Club (Roanoke, Va.)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Roanoke Appalachian Trail Club (Roanoke, Va.)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":740,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:40:56.480Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4262_c01_c06_c03"}},{"id":"vihart_repositories_4_resources_407_c06","type":"Series","attributes":{"title":"2020-0121 Accession","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_407_c06#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe series largely documents Chas Blackley's involvement with radio stations WSVA and WTON and comprises photographs, correspondence, and printed ephemera. A file concerning Susan Blackley, Chas Blackley's daughter, is included and relate to her work as the horticulturalist for the city of Staunton. Photographs document Susan's time as a bartender at H.A. Winston's in Wilmington, Delaware.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_407_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_407_c06","ref_ssm":["vihart_repositories_4_resources_407_c06"],"id":"vihart_repositories_4_resources_407_c06","ead_ssi":"vihart_repositories_4_resources_407","_root_":"vihart_repositories_4_resources_407","_nest_parent_":"vihart_repositories_4_resources_407","parent_ssi":"vihart_repositories_4_resources_407","parent_ssim":["vihart_repositories_4_resources_407"],"parent_ids_ssim":["vihart_repositories_4_resources_407"],"parent_unittitles_ssm":["Blackley Family papers"],"parent_unittitles_tesim":["Blackley Family papers"],"text":["Blackley Family papers","2020-0121 Accession","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","Harvey, Paul, 1918-2009","Duplicates and out of scope materials were returned to the donor.","The series largely documents Chas Blackley's involvement with radio stations WSVA and WTON and comprises photographs, correspondence, and printed ephemera. A file concerning Susan Blackley, Chas Blackley's daughter, is included and relate to her work as the horticulturalist for the city of Staunton. Photographs document Susan's time as a bartender at H.A. Winston's in Wilmington, Delaware."],"title_filing_ssi":"2020-0121 Accession","title_ssm":["2020-0121 Accession"],"title_tesim":["2020-0121 Accession"],"unitdate_inclusive_ssm":["1930s-2019"],"normalized_date_ssm":["1930/2019"],"normalized_title_ssm":["2020-0121 Accession"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["Blackley Family papers"],"has_online_content_ssim":["false"],"child_component_count_isi":36,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":532,"parent_access_restrict_tesm":["Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu)."],"parent_access_terms_tesm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"names_ssim":["WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","Harvey, Paul, 1918-2009"],"corpname_ssim":["WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)"],"persname_ssim":["Harvey, Paul, 1918-2009"],"appraisal_html_tesm":["\u003cp\u003eDuplicates and out of scope materials were returned to the donor.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["Duplicates and out of scope materials were returned to the donor."],"scopecontent_html_tesm":["\u003cp\u003eThe series largely documents Chas Blackley's involvement with radio stations WSVA and WTON and comprises photographs, correspondence, and printed ephemera. A file concerning Susan Blackley, Chas Blackley's daughter, is included and relate to her work as the horticulturalist for the city of Staunton. Photographs document Susan's time as a bartender at H.A. Winston's in Wilmington, Delaware.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The series largely documents Chas Blackley's involvement with radio stations WSVA and WTON and comprises photographs, correspondence, and printed ephemera. A file concerning Susan Blackley, Chas Blackley's daughter, is included and relate to her work as the horticulturalist for the city of Staunton. Photographs document Susan's time as a bartender at H.A. Winston's in Wilmington, Delaware."],"_nest_path_":"/components#5","timestamp":"2026-05-21T00:22:06.237Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_407","ead_ssi":"vihart_repositories_4_resources_407","_root_":"vihart_repositories_4_resources_407","_nest_parent_":"vihart_repositories_4_resources_407","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_407.xml","title_ssm":["Blackley Family papers"],"title_tesim":["Blackley Family papers"],"unitdate_ssm":["1830-2020"],"unitdate_inclusive_ssm":["1830-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0232","/repositories/4/resources/407"],"text":["SC 0232","/repositories/4/resources/407","Blackley Family papers","Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century","Military training camps -- United States","World War, 1939-1945","Radio stations -- Virginia -- Harrisonburg","Radio stations -- Virginia -- Staunton","Photography","Travel -- 20th century","Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers","Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of one file contained within the correspondence series that is restricted until January 1, 2035 at the request of the donor.","Access to original media, photographic negatives, and slides contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).","File is restricted from research use until January 1, 2035 at the request of the donor.","Access to original photographic negatives contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may contact library-special@jmu.edu to request reformatted access copies.","Digital images of nineteenth-century correspondence and papers are available upon request.","Duplicates and out of scope materials were returned to the donor.","Duplicates and out of scope materials were returned to the donor.","The collection is arranged in seven series:","Correspondence, 1830-2011 Personal Papers, 1857-2016 Ephemera, 1856-2004 Photographs, circa 1861-1989 Scrapbooks, 1862-1931 2020-0121 Accession, 1930s-2019 2020-0702 Accession, 1882-2020","Murr, Erika, L., ed.,  A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 . Baton Rouge: Louisiana State University Press, 2001.","The Blackley Family Papers document the related Scott, Bassett, Blackley, Hoge, and Nix families of mostly Texas and Staunton, Virginia between 1830 and 2016. James Scott (1799-1856) was a Tennessee native and former Mississippi Supreme Court chief justice who married Sarah Lane (1803-1880) and settled in Anderson, Texas. James was a prominent Texas judge who was friends with Davie Crockett. While in Mississippi and Texas, James and Sarah had six children. The eldest, Elizabeth \"Lizzie\" (1833-1917), was born in Mississippi in 1833, Sarah \"Sallie\" (1843-1914), born April 9, 1843 in Texas, and one of their brothers, Garrett (1838-1862), born in 1838, contribute the most to this collection of letters.","Lizzie married William H. Neblett (1826-1871), a farmer and attorney, in 1852. He eventually left her to go fight for the Confederacy. Her domestic struggle on the home front during the Civil War is the subject of Erika L. Murr's book, A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 (2001).","In 1862, Sallie married Robert Houston \"R.H.\" Bassett (1836-1870). R.H. went on to enlist and serve in the famed Hood's Texas Brigade from 1861 to his wounding in 1864. He worked briefly as the adjutant general to Major General John Bell. While leading the regiment, he was wounded at the Battle of Chickamauga by an artillery shell fragment that lodged in his shoulder. This would effectively end his role in the war. Following the conclusion of the conflict and his recovery from the wound, R.H. tried his hand at politics in a bid to represent Grimes County, Texas in Congress. Their first child, Robert, died tragically in 1864 at only eight months old. R.H. died in 1870 because of health complications that appear related to edema.","R.H.'s brother, Noah (1839-1886), also served in the Texas Brigade. The correspondence between R.H., Sallie, and Noah provides a lucid account of the Army of Northern Virginia's major campaigns and operations, including developments related to the Battles of Antietam, Chancellorsville, Gettysburg, and Chickamauga.","Garrett Scott, Sallie Scott's brother, died in action at the Battle of Antietam September 17, 1862 while serving in the Texas Brigade. His letters from the early years of the war offer yet another perspective of campaign and camp life.","R.H. and Sallie's daughter, Barbara \"Belle\" Bassett (1865-1958), married William Mason Blackley (1863-1898) in 1884 and lived in Staunton, Virginia before moving to Washington, D.C. Research suggests they only had one child, Belle Blackley (1890-1967), whom never married and lived out her life in Washington, D.C. However, an 1888 letter contained in this collection written by Ida Carter, the Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.","The bulk of the twentieth-century material was created by or concerns William Mason Blackley's nephew, Charles \"Chas\" Phillips Blackley Sr. (1909-1999), his wife Catherine Matthews Blackley (1914-2010), and their son and daughter-in-law Charles \"Chuck\" Phillips Blackley (b. 1951) and Patricia Fry Blackley (b. 1952).","Charles \"Chas\" Phillips Blackley Sr. was born in Staunton, Virginia in 1909. His parents died from the Spanish Flu when he was 10. Their deaths required Chas and his sister Mary Gilkeson Blackley to move in with their aunt, Fannie Blackley Cushing in Staunton. These materials cover his travels throughout the Pacific and Asia aboard a \"tramp steamer\" with boyhood friend, George Earman in 1930, his 1927-1929 military training in the little discussed Citizens Military Training Camps (CMTC), time at the Virginia Military Institute (VMI), his 1934 travels in Europe, World War II military service, and ownership and operation of WSVA, the first radio station in Harrisonburg, Virginia. Chas sold his share in WSVA and moved to Staunton, Virginia where he started the WTON radio station. Beyond his official jobs, Chas spent much of the early 1930s as an amateur playwright and author. Chas and Catherine Matthews were married in 1938.","While traveling Europe via train in 1934, Chas met David Kahn, a young Presbyterian judge of Indian descent. They would become lifelong friends. Mr. Kahn went on to become a governor of an Indian province under British rule and later head the Department of Sanitation for Calcutta. He and his wife visited their children, who had moved to the United States, and Mr. and Mrs. Blackley often until his health would not allow it. Evidence of their lifelong friendship can be found most clearly in this collection's correspondence and photographs.","Chas' WWII experience saw him drafted at age 35 and shipped to Camp Crowder, Missouri for training. He would eventually be transferred to Washington, D.C. where he worked as a private in the basement of the Pentagon. According this son, his superiors frequently called him upstairs to request autographed photos of American Broadcasting Company (ABC) celebrities. He was able to oblige them because of WSVA's status as an ABC affiliate.","Catherine Matthews Blackley was originally from Cambridge, Maryland and came to the Shenandoah Valley to attend the State Teacher's College at Harrisonburg (now James Madison University). She graduated in 1935 with a degree in home economics. For a short time she taught in Norfolk, Virginia before marrying Chas Blackley in 1938 and buying a home on Port Republic Road in Harrisonburg. After Chas was drafted and shipped to Camp Crowder, Mrs. Blackley traveled to Neosho, Missouri to be with her husband. While in Missouri, she volunteered with the Red Cross to help care for wounded soldiers. She continued this service after Mr. Blackley was transferred to Washington, D.C. After the war, they returned to the Valley and Catherine became a member of the Staunton School Board and was very active in volunteer work.","Charles \"Chuck\" Phillips Blackley Jr. was a professional engineer and graduate of Virginia Tech. He provided services in Virginia, West Virginia, and Maryland. Chuck married Patricia Fry in 1971. At the time he sold his office it was the largest engineering company in the region outside of Richmond, Roanoke, and Northern Virginia.","Patricia Fry Blackley graduated from James Madison University in 1987 and became a licensed real estate appraiser. After Chuck stepped away from his engineering office he teamed up with his wife and the couple became full-time photographers and writers. Their work can be found in hundreds of magazines, books, and calendars.","The collection as a whole required only limited preservation treatment. Some of the correspondence and papers did require Mylar sleeves. The 3D objects are housed together in one box with special housings created to protect them long-term. Most of the nineteenth-century letters required flattening to make them more accessible and to allow for proper digitization as per the donor agreement. Also, many of the diplomas and older photographs were removed from their frames for proper storage. Original order of materials was maintained wherever possible, taking into account provenance, storage needs, and accessibility for researchers.","Photographs and cabinet cards were removed from a leather photo album with \"Fannie S. Blackley Session 1881-'82\" embossed on the front cover. Some of the cabinet cards were identified with a Post-It note. Those identifications were written in pencil on the back of the cabinet cards. The photo album was not retained due to significant condition issues.","Charles C. Phillips Civil War Papers. MS 0327. Virginia Military Institute Archives.","Murr, Erika, L., ed.,  A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 . Baton Rouge: Louisiana State University Press, 2001.","Lizzie Scott Neblett Papers, 1848-1935, Dolph Briscoe Center for American History, The University of Texas at Austin.","Yourself and family are invited to attend the feast of Mondamin corn festival . n.p.: Staunton, Va.: J. Harry Drechsler, pr., [1890], 1890. JAMES MADISON UNIV's Catalog, EBSCOhost (accessed May 2, 2017).","The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.","Series 1: Correspondence, 1830-2011, is comprised of more than 300 individual letters. The majority of the earlier ones involve Sarah \"Sallie\" Scott Bassett and/or her husband R.H. Bassett. Together their combined correspondence comprises eight folders and spans the years 1850-1913.","These letters cover the years of the American Civil War and shed light on how the conflict affected their lives. In addition to letters from Captain R.H. Bassett, there are dozens of notes written home to Sallie from her brother Garrett Scott, brother-in-law Noah Bassett, and her cousin John Nix. All of these men spent time serving in the 4th Texas Regiment of the famed Texas Brigade. While their letters contain minimal military focused discussions, they do highlight camp life, personal struggles of being separated from each other, personal and public incidents, and family news. The military discussion is really limited to mention of the dead and wounded from battles and engagements. However, R.H. does write a letter to Sallie as he arrives on the battlefield at Gettysburg. He expresses excitement to build off the Confederates successes that afternoon. Battles and engagements discussed include Antietam (September 17, 1862), Chancellorsville (April 30 to May 6, 1863), Gettysburg (July 1-3, 1863), and Chickamauga (September 18–20, 1863).","Lizzie Scott Neblett was the older sister of Sallie Bassett and many letters between the sisters not previously examined, both before and after the American Civil War, can be found within this collection. Their letters shed light on relationship struggles, farm life, local news, and family connections.","While few in number, the surviving letters of Lizzie and Sallie's father, James Scott, provide significant insight into Texas prior to its in 1846. In the first, James writes his wife, Sarah, from the convention in Austin, Texas, where the debates about joining the United States were taking place. He offers few specifics as \"Nothing in which you would take any interest has occurred here and therefore I will not say anything about the proceedings…\" In second of these letters, James is writing to a Colonel B. Rush Wallace and gets far more political in discussion and tone. He talks at length about concern over the merits of becoming Whig or Democrat once they are thrust into the existing political climate of their new nation.","Of particular interest is an 1888 letter written by Ida Carter, presumably William M. and Belle Bassett Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.","Of the twentieth-century correspondence, most of it was sent or received by Chas Blackley. While his letters span most of the century, the bulk are centered between the years 1930-1944. The letters that Chas Blackley wrote while visiting Europe in 1934 are of particular interest due to the changing political climate with the rise of the Nazis in Germany. Through his correspondence, diaries, and photographs there is an opportunity to see an American view of this transformative time. In one letter to his sister, Mary, dated August 21, Chas Blackley writes of the hanging of Nazis in Vienna, Austria for a failed coup that took place mere weeks before his arrival and that it \"has retarded history making considerably.\" He also spoke of the  Heimwehr , the home guard, patrolling the streets with their rifles and \"keeping a sharp to windward.\"","Series 2: Personal Papers, 1857-2015, is comprised of personal papers, diaries, and other documents that highlight the careers and interests of the family members. R.H. Bassett's papers include Confederate government and military documents pertaining to promotions, recruitment, and resignation.","Another unique piece of this collection from the early period is the Belle Bassett Diary, 1873-1879, which offers a glimpse of the post-war years for a child growing up in the South.","Chas Blackley, in addition to his letters from the trip to Europe, also kept a diary of his experiences. This diary covers the personal and public incidents of his travels.","More information about individual members of family is available here in the form of detailed histories of specific family lines (Blackley, Bassett, Hoge, etc.), through family trees, and biographical information.","Other items of note from Chas Blackley are the many manuscripts of novels and plays that he wrote in the early-to-mid 1930s.","Series 3: Ephemera, 1856-2004, houses many unique items such as hundreds of stamps (U.S., Confederate, and international), brochures, certificates, awards, diplomas, and pamphlets from events such as the 1932 Los Angeles Olympics and the 1933 World's Fair in Chicago, and dance cards. The aforementioned diplomas and certificates document the Blackley family's achievements and graduations from various schools and universities, including the University of Virginia, the State Teacher's College at Harrisonburg, and Virginia Tech. Many of the manuals and booklets used in Chas' various military training can be found in this series.","There are also newspaper clippings that share stories directly related to family members or address significant events of the time. These include awards won by the family, news about new jobs or graduations, historic events like D-Day, and John F. Kennedy's assassination.","One of the more locally relevant pieces is a pamphlet entitled \"Dedication of the Shenandoah National Park\" (1936). It lists the planned dedication speech from President Franklin D. Roosevelt given at Big Meadows as the key event.","This series also includes one oversize box of 3D ephemeral objects. Objects of interest include a Kodak No. 2 Folding Autographic Brownie camera (1917-1926) owned by Chas Blackley and inscribed with the names of Blackley and the SS  Gertrude Kellogg , Dr. Charles Coatesworth Phillips' small leather medicine case with glass bottles that he took on house calls, several pairs of glasses, a glass plate photograph of Susie E. Phillips, and assorted World's Fair ephemera.","Stored separately are multiple flags that are likely from Chas' 1930 voyage in the Pacific. There is a large and small Japanese flag, a small Chinese [pre-communist revolution] flag, and a small Philippine national flag. An additional flag dates to WWI and features the United States flag surrounded by smaller flags of all our allies from that conflict.","Series 4, Photographs, circa 1861-1989, includes photographic prints, negatives, and slides that document the Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia. Files are arranged chronologically and undated groupings of images are listed alphabetically at the end of the series. Files are labeled to reflect the subject of the photos; original arrangement and description of people and places as received from the donor was maintained whenever possible. Some photographs contain identifying text written on the back of the image, though many photos are unidentified. ","Photographs within this series document Chas Blackley's trips to Asia and the Pacific in 1930 as well as his journey through Europe in 1934. Other photographs document the Civilian Military Training Camp (CMTC) experience at Ft. Eustis, Virginia, from 1928.","Photographs created by or picturing Catherine Matthews Blackley contain images of campus and student life at the State Teacher's College at Harrisonburg (now JMU) dating from the early 1930s.","Series 5: Scrapbooks, 1862-1931, is comprised of one scrapbook created by R.H. Bassett, and three scrapbooks created by Chas Blackley. The scrapbook created by R.H. Bassett dates from 1862-1869 and contains mostly newspaper clippings related to Bassett's work in local and state politics in Grimes County, Texas, after a wound at the Battle of Chickamauga in 1864 ended his role in the American Civil War. \nThe three remaining scrapbooks were created by Chas Blackley, and document aspects of his life in the years between 1928-1931. The CTMC and VMI scrapbook documents Chas Blackley's military training at the Citizen's Military Training Camp (CTMC) from 1927-1929 as well as his time enrolled at the Virginia Military Institute (VMI). Two scrapbooks document Chas Blackley's 1930 travels with childhood friend  George Earman throughout the Pacific and multiple Asian nations aboard the steamer SS  Gertrude Kellogg .","The series largely documents Chas Blackley's involvement with radio stations WSVA and WTON and comprises photographs, correspondence, and printed ephemera. A file concerning Susan Blackley, Chas Blackley's daughter, is included and relate to her work as the horticulturalist for the city of Staunton. Photographs document Susan's time as a bartender at H.A. Winston's in Wilmington, Delaware.","Includes newspaper clippings covering Susan's work as a horticulturist for Staunton as well as photographs of Susan as a bartender at H.A. Winston's in Wilmington, Delaware.","Includes negatives.","Includes negatives.","Comprises papers and photographs related to the immediate and extended Blackley family. Materials also concern the Fry and Matthews families.","Materials related to Eugene Fry, father of Patricia Fry Blackley.","All published monographs have been cataloged individually and placed in Special Collections' rare book collection. Catherine Matthews Blackley's  Schooma'am  yearbooks were removed and housed with the yearbook collection. They are retained due to heavy annotations.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.","James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009","English"],"unitid_tesim":["SC 0232","/repositories/4/resources/407"],"normalized_title_ssm":["Blackley Family papers"],"collection_title_tesim":["Blackley Family papers"],"collection_ssim":["Blackley Family papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century"],"geogname_ssim":["Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century"],"creator_ssm":["Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999"],"creator_ssim":["Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999"],"creator_persname_ssim":["Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999"],"creator_famname_ssim":["Blackley family"],"creators_ssim":["Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley family"],"places_ssim":["Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Charles P. Blackley Jr. of Staunton, Virginia donated this material in various accretions between 2015-2020."],"access_subjects_ssim":["Military training camps -- United States","World War, 1939-1945","Radio stations -- Virginia -- Harrisonburg","Radio stations -- Virginia -- Staunton","Photography","Travel -- 20th century","Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers"],"access_subjects_ssm":["Military training camps -- United States","World War, 1939-1945","Radio stations -- Virginia -- Harrisonburg","Radio stations -- Virginia -- Staunton","Photography","Travel -- 20th century","Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers"],"has_online_content_ssim":["false"],"extent_ssm":["14.37 cubic feet 30 boxes, 2 flat folders"],"extent_tesim":["14.37 cubic feet 30 boxes, 2 flat folders"],"genreform_ssim":["Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eResearchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of one file contained within the correspondence series that is restricted until January 1, 2035 at the request of the donor.\u003c/p\u003e","\u003cp\u003eAccess to original media, photographic negatives, and slides contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.\u003c/p\u003e","\u003cp\u003ePlease contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eFile is restricted from research use until January 1, 2035 at the request of the donor.\u003c/p\u003e","\u003cp\u003eAccess to original photographic negatives contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may contact library-special@jmu.edu to request reformatted access copies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","","","Conditions Governing Access","Access Restrictions"],"accessrestrict_tesim":["Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of one file contained within the correspondence series that is restricted until January 1, 2035 at the request of the donor.","Access to original media, photographic negatives, and slides contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).","File is restricted from research use until January 1, 2035 at the request of the donor.","Access to original photographic negatives contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may contact library-special@jmu.edu to request reformatted access copies."],"altformavail_html_tesm":["\u003cp\u003eDigital images of nineteenth-century correspondence and papers are available upon request.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Digital images of nineteenth-century correspondence and papers are available upon request."],"appraisal_html_tesm":["\u003cp\u003eDuplicates and out of scope materials were returned to the donor.\u003c/p\u003e","\u003cp\u003eDuplicates and out of scope materials were returned to the donor.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal","Appraisal"],"appraisal_tesim":["Duplicates and out of scope materials were returned to the donor.","Duplicates and out of scope materials were returned to the donor."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in seven series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eCorrespondence, 1830-2011\u003c/item\u003e\n      \u003citem\u003ePersonal Papers, 1857-2016\u003c/item\u003e\n      \u003citem\u003eEphemera, 1856-2004\u003c/item\u003e\n      \u003citem\u003ePhotographs, circa 1861-1989\u003c/item\u003e\n      \u003citem\u003eScrapbooks, 1862-1931\u003c/item\u003e\n      \u003citem\u003e2020-0121 Accession, 1930s-2019\u003c/item\u003e\n      \u003citem\u003e2020-0702 Accession, 1882-2020\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in seven series:","Correspondence, 1830-2011 Personal Papers, 1857-2016 Ephemera, 1856-2004 Photographs, circa 1861-1989 Scrapbooks, 1862-1931 2020-0121 Accession, 1930s-2019 2020-0702 Accession, 1882-2020"],"bibliography_html_tesm":["\u003cbibref\u003eMurr, Erika, L., ed., \u003cemph render=\"italic\"\u003eA Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864\u003c/emph\u003e. Baton Rouge: Louisiana State University Press, 2001.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Murr, Erika, L., ed.,  A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 . Baton Rouge: Louisiana State University Press, 2001."],"bioghist_html_tesm":["\u003cp\u003eThe Blackley Family Papers document the related Scott, Bassett, Blackley, Hoge, and Nix families of mostly Texas and Staunton, Virginia between 1830 and 2016. James Scott (1799-1856) was a Tennessee native and former Mississippi Supreme Court chief justice who married Sarah Lane (1803-1880) and settled in Anderson, Texas. James was a prominent Texas judge who was friends with Davie Crockett. While in Mississippi and Texas, James and Sarah had six children. The eldest, Elizabeth \"Lizzie\" (1833-1917), was born in Mississippi in 1833, Sarah \"Sallie\" (1843-1914), born April 9, 1843 in Texas, and one of their brothers, Garrett (1838-1862), born in 1838, contribute the most to this collection of letters.\u003c/p\u003e\n","\u003cp\u003eLizzie married William H. Neblett (1826-1871), a farmer and attorney, in 1852. He eventually left her to go fight for the Confederacy. Her domestic struggle on the home front during the Civil War is the subject of Erika L. Murr's book, A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 (2001).\u003c/p\u003e\n","\u003cp\u003eIn 1862, Sallie married Robert Houston \"R.H.\" Bassett (1836-1870). R.H. went on to enlist and serve in the famed Hood's Texas Brigade from 1861 to his wounding in 1864. He worked briefly as the adjutant general to Major General John Bell. While leading the regiment, he was wounded at the Battle of Chickamauga by an artillery shell fragment that lodged in his shoulder. This would effectively end his role in the war. Following the conclusion of the conflict and his recovery from the wound, R.H. tried his hand at politics in a bid to represent Grimes County, Texas in Congress. Their first child, Robert, died tragically in 1864 at only eight months old. R.H. died in 1870 because of health complications that appear related to edema.\u003c/p\u003e\n","\u003cp\u003eR.H.'s brother, Noah (1839-1886), also served in the Texas Brigade. The correspondence between R.H., Sallie, and Noah provides a lucid account of the Army of Northern Virginia's major campaigns and operations, including developments related to the Battles of Antietam, Chancellorsville, Gettysburg, and Chickamauga.\u003c/p\u003e\n","\u003cp\u003eGarrett Scott, Sallie Scott's brother, died in action at the Battle of Antietam September 17, 1862 while serving in the Texas Brigade. His letters from the early years of the war offer yet another perspective of campaign and camp life.\u003c/p\u003e\n","\u003cp\u003eR.H. and Sallie's daughter, Barbara \"Belle\" Bassett (1865-1958), married William Mason Blackley (1863-1898) in 1884 and lived in Staunton, Virginia before moving to Washington, D.C. Research suggests they only had one child, Belle Blackley (1890-1967), whom never married and lived out her life in Washington, D.C. However, an 1888 letter contained in this collection written by Ida Carter, the Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.\u003c/p\u003e\n","\u003cp\u003eThe bulk of the twentieth-century material was created by or concerns William Mason Blackley's nephew, Charles \"Chas\" Phillips Blackley Sr. (1909-1999), his wife Catherine Matthews Blackley (1914-2010), and their son and daughter-in-law Charles \"Chuck\" Phillips Blackley (b. 1951) and Patricia Fry Blackley (b. 1952).\u003c/p\u003e\n","\u003cp\u003eCharles \"Chas\" Phillips Blackley Sr. was born in Staunton, Virginia in 1909. His parents died from the Spanish Flu when he was 10. Their deaths required Chas and his sister Mary Gilkeson Blackley to move in with their aunt, Fannie Blackley Cushing in Staunton. These materials cover his travels throughout the Pacific and Asia aboard a \"tramp steamer\" with boyhood friend, George Earman in 1930, his 1927-1929 military training in the little discussed Citizens Military Training Camps (CMTC), time at the Virginia Military Institute (VMI), his 1934 travels in Europe, World War II military service, and ownership and operation of WSVA, the first radio station in Harrisonburg, Virginia. Chas sold his share in WSVA and moved to Staunton, Virginia where he started the WTON radio station. Beyond his official jobs, Chas spent much of the early 1930s as an amateur playwright and author. Chas and Catherine Matthews were married in 1938.\u003c/p\u003e\n","\u003cp\u003eWhile traveling Europe via train in 1934, Chas met David Kahn, a young Presbyterian judge of Indian descent. They would become lifelong friends. Mr. Kahn went on to become a governor of an Indian province under British rule and later head the Department of Sanitation for Calcutta. He and his wife visited their children, who had moved to the United States, and Mr. and Mrs. Blackley often until his health would not allow it. Evidence of their lifelong friendship can be found most clearly in this collection's correspondence and photographs.\u003c/p\u003e\n","\u003cp\u003eChas' WWII experience saw him drafted at age 35 and shipped to Camp Crowder, Missouri for training. He would eventually be transferred to Washington, D.C. where he worked as a private in the basement of the Pentagon. According this son, his superiors frequently called him upstairs to request autographed photos of American Broadcasting Company (ABC) celebrities. He was able to oblige them because of WSVA's status as an ABC affiliate.\u003c/p\u003e\n","\u003cp\u003eCatherine Matthews Blackley was originally from Cambridge, Maryland and came to the Shenandoah Valley to attend the State Teacher's College at Harrisonburg (now James Madison University). She graduated in 1935 with a degree in home economics. For a short time she taught in Norfolk, Virginia before marrying Chas Blackley in 1938 and buying a home on Port Republic Road in Harrisonburg. After Chas was drafted and shipped to Camp Crowder, Mrs. Blackley traveled to Neosho, Missouri to be with her husband. While in Missouri, she volunteered with the Red Cross to help care for wounded soldiers. She continued this service after Mr. Blackley was transferred to Washington, D.C. After the war, they returned to the Valley and Catherine became a member of the Staunton School Board and was very active in volunteer work.\u003c/p\u003e\n","\u003cp\u003eCharles \"Chuck\" Phillips Blackley Jr. was a professional engineer and graduate of Virginia Tech. He provided services in Virginia, West Virginia, and Maryland. Chuck married Patricia Fry in 1971. At the time he sold his office it was the largest engineering company in the region outside of Richmond, Roanoke, and Northern Virginia.\u003c/p\u003e\n","\u003cp\u003ePatricia Fry Blackley graduated from James Madison University in 1987 and became a licensed real estate appraiser. After Chuck stepped away from his engineering office he teamed up with his wife and the couple became full-time photographers and writers. Their work can be found in hundreds of magazines, books, and calendars.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Blackley Family Papers document the related Scott, Bassett, Blackley, Hoge, and Nix families of mostly Texas and Staunton, Virginia between 1830 and 2016. James Scott (1799-1856) was a Tennessee native and former Mississippi Supreme Court chief justice who married Sarah Lane (1803-1880) and settled in Anderson, Texas. James was a prominent Texas judge who was friends with Davie Crockett. While in Mississippi and Texas, James and Sarah had six children. The eldest, Elizabeth \"Lizzie\" (1833-1917), was born in Mississippi in 1833, Sarah \"Sallie\" (1843-1914), born April 9, 1843 in Texas, and one of their brothers, Garrett (1838-1862), born in 1838, contribute the most to this collection of letters.","Lizzie married William H. Neblett (1826-1871), a farmer and attorney, in 1852. He eventually left her to go fight for the Confederacy. Her domestic struggle on the home front during the Civil War is the subject of Erika L. Murr's book, A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 (2001).","In 1862, Sallie married Robert Houston \"R.H.\" Bassett (1836-1870). R.H. went on to enlist and serve in the famed Hood's Texas Brigade from 1861 to his wounding in 1864. He worked briefly as the adjutant general to Major General John Bell. While leading the regiment, he was wounded at the Battle of Chickamauga by an artillery shell fragment that lodged in his shoulder. This would effectively end his role in the war. Following the conclusion of the conflict and his recovery from the wound, R.H. tried his hand at politics in a bid to represent Grimes County, Texas in Congress. Their first child, Robert, died tragically in 1864 at only eight months old. R.H. died in 1870 because of health complications that appear related to edema.","R.H.'s brother, Noah (1839-1886), also served in the Texas Brigade. The correspondence between R.H., Sallie, and Noah provides a lucid account of the Army of Northern Virginia's major campaigns and operations, including developments related to the Battles of Antietam, Chancellorsville, Gettysburg, and Chickamauga.","Garrett Scott, Sallie Scott's brother, died in action at the Battle of Antietam September 17, 1862 while serving in the Texas Brigade. His letters from the early years of the war offer yet another perspective of campaign and camp life.","R.H. and Sallie's daughter, Barbara \"Belle\" Bassett (1865-1958), married William Mason Blackley (1863-1898) in 1884 and lived in Staunton, Virginia before moving to Washington, D.C. Research suggests they only had one child, Belle Blackley (1890-1967), whom never married and lived out her life in Washington, D.C. However, an 1888 letter contained in this collection written by Ida Carter, the Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.","The bulk of the twentieth-century material was created by or concerns William Mason Blackley's nephew, Charles \"Chas\" Phillips Blackley Sr. (1909-1999), his wife Catherine Matthews Blackley (1914-2010), and their son and daughter-in-law Charles \"Chuck\" Phillips Blackley (b. 1951) and Patricia Fry Blackley (b. 1952).","Charles \"Chas\" Phillips Blackley Sr. was born in Staunton, Virginia in 1909. His parents died from the Spanish Flu when he was 10. Their deaths required Chas and his sister Mary Gilkeson Blackley to move in with their aunt, Fannie Blackley Cushing in Staunton. These materials cover his travels throughout the Pacific and Asia aboard a \"tramp steamer\" with boyhood friend, George Earman in 1930, his 1927-1929 military training in the little discussed Citizens Military Training Camps (CMTC), time at the Virginia Military Institute (VMI), his 1934 travels in Europe, World War II military service, and ownership and operation of WSVA, the first radio station in Harrisonburg, Virginia. Chas sold his share in WSVA and moved to Staunton, Virginia where he started the WTON radio station. Beyond his official jobs, Chas spent much of the early 1930s as an amateur playwright and author. Chas and Catherine Matthews were married in 1938.","While traveling Europe via train in 1934, Chas met David Kahn, a young Presbyterian judge of Indian descent. They would become lifelong friends. Mr. Kahn went on to become a governor of an Indian province under British rule and later head the Department of Sanitation for Calcutta. He and his wife visited their children, who had moved to the United States, and Mr. and Mrs. Blackley often until his health would not allow it. Evidence of their lifelong friendship can be found most clearly in this collection's correspondence and photographs.","Chas' WWII experience saw him drafted at age 35 and shipped to Camp Crowder, Missouri for training. He would eventually be transferred to Washington, D.C. where he worked as a private in the basement of the Pentagon. According this son, his superiors frequently called him upstairs to request autographed photos of American Broadcasting Company (ABC) celebrities. He was able to oblige them because of WSVA's status as an ABC affiliate.","Catherine Matthews Blackley was originally from Cambridge, Maryland and came to the Shenandoah Valley to attend the State Teacher's College at Harrisonburg (now James Madison University). She graduated in 1935 with a degree in home economics. For a short time she taught in Norfolk, Virginia before marrying Chas Blackley in 1938 and buying a home on Port Republic Road in Harrisonburg. After Chas was drafted and shipped to Camp Crowder, Mrs. Blackley traveled to Neosho, Missouri to be with her husband. While in Missouri, she volunteered with the Red Cross to help care for wounded soldiers. She continued this service after Mr. Blackley was transferred to Washington, D.C. After the war, they returned to the Valley and Catherine became a member of the Staunton School Board and was very active in volunteer work.","Charles \"Chuck\" Phillips Blackley Jr. was a professional engineer and graduate of Virginia Tech. He provided services in Virginia, West Virginia, and Maryland. Chuck married Patricia Fry in 1971. At the time he sold his office it was the largest engineering company in the region outside of Richmond, Roanoke, and Northern Virginia.","Patricia Fry Blackley graduated from James Madison University in 1987 and became a licensed real estate appraiser. After Chuck stepped away from his engineering office he teamed up with his wife and the couple became full-time photographers and writers. Their work can be found in hundreds of magazines, books, and calendars."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Blackley Family Papers, 1830-2020, SC 0232, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Blackley Family Papers, 1830-2020, SC 0232, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe collection as a whole required only limited preservation treatment. Some of the correspondence and papers did require Mylar sleeves. The 3D objects are housed together in one box with special housings created to protect them long-term. Most of the nineteenth-century letters required flattening to make them more accessible and to allow for proper digitization as per the donor agreement. Also, many of the diplomas and older photographs were removed from their frames for proper storage. Original order of materials was maintained wherever possible, taking into account provenance, storage needs, and accessibility for researchers.\u003c/p\u003e","\u003cp\u003ePhotographs and cabinet cards were removed from a leather photo album with \"Fannie S. Blackley Session 1881-'82\" embossed on the front cover. Some of the cabinet cards were identified with a Post-It note. Those identifications were written in pencil on the back of the cabinet cards. The photo album was not retained due to significant condition issues.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["The collection as a whole required only limited preservation treatment. Some of the correspondence and papers did require Mylar sleeves. The 3D objects are housed together in one box with special housings created to protect them long-term. Most of the nineteenth-century letters required flattening to make them more accessible and to allow for proper digitization as per the donor agreement. Also, many of the diplomas and older photographs were removed from their frames for proper storage. Original order of materials was maintained wherever possible, taking into account provenance, storage needs, and accessibility for researchers.","Photographs and cabinet cards were removed from a leather photo album with \"Fannie S. Blackley Session 1881-'82\" embossed on the front cover. Some of the cabinet cards were identified with a Post-It note. Those identifications were written in pencil on the back of the cabinet cards. The photo album was not retained due to significant condition issues."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://archivesspace.vmi.edu/repositories/3/resources/780\"\u003eCharles C. Phillips Civil War Papers. MS 0327. Virginia Military Institute Archives.\u003c/extref\u003e  \u003c/p\u003e\n","\u003cp\u003eMurr, Erika, L., ed., \u003cemph render=\"italic\"\u003eA Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864\u003c/emph\u003e. Baton Rouge: Louisiana State University Press, 2001.\u003c/p\u003e\n","\u003cp\u003e\u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://www.lib.utexas.edu/taro/utcah/00426/cah-00426.html\"\u003eLizzie Scott Neblett Papers, 1848-1935, Dolph Briscoe Center for American History, The University of Texas at Austin.\u003c/extref\u003e \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eYourself and family are invited to attend the feast of Mondamin corn festival\u003c/emph\u003e. n.p.: Staunton, Va.: J. Harry Drechsler, pr., [1890], 1890. JAMES MADISON UNIV's Catalog, EBSCOhost (accessed May 2, 2017).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Charles C. Phillips Civil War Papers. MS 0327. Virginia Military Institute Archives.","Murr, Erika, L., ed.,  A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 . Baton Rouge: Louisiana State University Press, 2001.","Lizzie Scott Neblett Papers, 1848-1935, Dolph Briscoe Center for American History, The University of Texas at Austin.","Yourself and family are invited to attend the feast of Mondamin corn festival . n.p.: Staunton, Va.: J. Harry Drechsler, pr., [1890], 1890. JAMES MADISON UNIV's Catalog, EBSCOhost (accessed May 2, 2017)."],"scopecontent_html_tesm":["\u003cp\u003eThe Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence, 1830-2011, is comprised of more than 300 individual letters. The majority of the earlier ones involve Sarah \"Sallie\" Scott Bassett and/or her husband R.H. Bassett. Together their combined correspondence comprises eight folders and spans the years 1850-1913.\u003c/p\u003e\n","\u003cp\u003eThese letters cover the years of the American Civil War and shed light on how the conflict affected their lives. In addition to letters from Captain R.H. Bassett, there are dozens of notes written home to Sallie from her brother Garrett Scott, brother-in-law Noah Bassett, and her cousin John Nix. All of these men spent time serving in the 4th Texas Regiment of the famed Texas Brigade. While their letters contain minimal military focused discussions, they do highlight camp life, personal struggles of being separated from each other, personal and public incidents, and family news. The military discussion is really limited to mention of the dead and wounded from battles and engagements. However, R.H. does write a letter to Sallie as he arrives on the battlefield at Gettysburg. He expresses excitement to build off the Confederates successes that afternoon. Battles and engagements discussed include Antietam (September 17, 1862), Chancellorsville (April 30 to May 6, 1863), Gettysburg (July 1-3, 1863), and Chickamauga (September 18–20, 1863).\u003c/p\u003e\n","\u003cp\u003eLizzie Scott Neblett was the older sister of Sallie Bassett and many letters between the sisters not previously examined, both before and after the American Civil War, can be found within this collection. Their letters shed light on relationship struggles, farm life, local news, and family connections.\u003c/p\u003e\n","\u003cp\u003eWhile few in number, the surviving letters of Lizzie and Sallie's father, James Scott, provide significant insight into Texas prior to its in 1846. In the first, James writes his wife, Sarah, from the convention in Austin, Texas, where the debates about joining the United States were taking place. He offers few specifics as \"Nothing in which you would take any interest has occurred here and therefore I will not say anything about the proceedings…\" In second of these letters, James is writing to a Colonel B. Rush Wallace and gets far more political in discussion and tone. He talks at length about concern over the merits of becoming Whig or Democrat once they are thrust into the existing political climate of their new nation.\u003c/p\u003e\n","\u003cp\u003eOf particular interest is an 1888 letter written by Ida Carter, presumably William M. and Belle Bassett Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.\u003c/p\u003e\n","\u003cp\u003eOf the twentieth-century correspondence, most of it was sent or received by Chas Blackley. While his letters span most of the century, the bulk are centered between the years 1930-1944. The letters that Chas Blackley wrote while visiting Europe in 1934 are of particular interest due to the changing political climate with the rise of the Nazis in Germany. Through his correspondence, diaries, and photographs there is an opportunity to see an American view of this transformative time. In one letter to his sister, Mary, dated August 21, Chas Blackley writes of the hanging of Nazis in Vienna, Austria for a failed coup that took place mere weeks before his arrival and that it \"has retarded history making considerably.\" He also spoke of the \u003cemph render=\"italic\"\u003eHeimwehr\u003c/emph\u003e, the home guard, patrolling the streets with their rifles and \"keeping a sharp to windward.\"\u003c/p\u003e","\u003cp\u003eSeries 2: Personal Papers, 1857-2015, is comprised of personal papers, diaries, and other documents that highlight the careers and interests of the family members. R.H. Bassett's papers include Confederate government and military documents pertaining to promotions, recruitment, and resignation.\u003c/p\u003e\n","\u003cp\u003eAnother unique piece of this collection from the early period is the Belle Bassett Diary, 1873-1879, which offers a glimpse of the post-war years for a child growing up in the South.\u003c/p\u003e\n","\u003cp\u003eChas Blackley, in addition to his letters from the trip to Europe, also kept a diary of his experiences. This diary covers the personal and public incidents of his travels.\u003c/p\u003e\n","\u003cp\u003eMore information about individual members of family is available here in the form of detailed histories of specific family lines (Blackley, Bassett, Hoge, etc.), through family trees, and biographical information.\u003c/p\u003e\n","\u003cp\u003eOther items of note from Chas Blackley are the many manuscripts of novels and plays that he wrote in the early-to-mid 1930s.\u003c/p\u003e","\u003cp\u003eSeries 3: Ephemera, 1856-2004, houses many unique items such as hundreds of stamps (U.S., Confederate, and international), brochures, certificates, awards, diplomas, and pamphlets from events such as the 1932 Los Angeles Olympics and the 1933 World's Fair in Chicago, and dance cards. The aforementioned diplomas and certificates document the Blackley family's achievements and graduations from various schools and universities, including the University of Virginia, the State Teacher's College at Harrisonburg, and Virginia Tech. Many of the manuals and booklets used in Chas' various military training can be found in this series.\u003c/p\u003e\n","\u003cp\u003eThere are also newspaper clippings that share stories directly related to family members or address significant events of the time. These include awards won by the family, news about new jobs or graduations, historic events like D-Day, and John F. Kennedy's assassination.\u003c/p\u003e\n","\u003cp\u003eOne of the more locally relevant pieces is a pamphlet entitled \"Dedication of the Shenandoah National Park\" (1936). It lists the planned dedication speech from President Franklin D. Roosevelt given at Big Meadows as the key event.\u003c/p\u003e\n","\u003cp\u003eThis series also includes one oversize box of 3D ephemeral objects. Objects of interest include a Kodak No. 2 Folding Autographic Brownie camera (1917-1926) owned by Chas Blackley and inscribed with the names of Blackley and the SS \u003cemph render=\"italic\"\u003eGertrude Kellogg\u003c/emph\u003e, Dr. Charles Coatesworth Phillips' small leather medicine case with glass bottles that he took on house calls, several pairs of glasses, a glass plate photograph of Susie E. Phillips, and assorted World's Fair ephemera.\u003c/p\u003e\n","\u003cp\u003eStored separately are multiple flags that are likely from Chas' 1930 voyage in the Pacific. There is a large and small Japanese flag, a small Chinese [pre-communist revolution] flag, and a small Philippine national flag. An additional flag dates to WWI and features the United States flag surrounded by smaller flags of all our allies from that conflict.\u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, circa 1861-1989, includes photographic prints, negatives, and slides that document the Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia. Files are arranged chronologically and undated groupings of images are listed alphabetically at the end of the series. Files are labeled to reflect the subject of the photos; original arrangement and description of people and places as received from the donor was maintained whenever possible. Some photographs contain identifying text written on the back of the image, though many photos are unidentified. \u003c/p\u003e\n","\u003cp\u003ePhotographs within this series document Chas Blackley's trips to Asia and the Pacific in 1930 as well as his journey through Europe in 1934. Other photographs document the Civilian Military Training Camp (CMTC) experience at Ft. Eustis, Virginia, from 1928.\u003c/p\u003e\n","\u003cp\u003ePhotographs created by or picturing Catherine Matthews Blackley contain images of campus and student life at the State Teacher's College at Harrisonburg (now JMU) dating from the early 1930s.\u003c/p\u003e","\u003cp\u003eSeries 5: Scrapbooks, 1862-1931, is comprised of one scrapbook created by R.H. Bassett, and three scrapbooks created by Chas Blackley. The scrapbook created by R.H. Bassett dates from 1862-1869 and contains mostly newspaper clippings related to Bassett's work in local and state politics in Grimes County, Texas, after a wound at the Battle of Chickamauga in 1864 ended his role in the American Civil War. \nThe three remaining scrapbooks were created by Chas Blackley, and document aspects of his life in the years between 1928-1931. The CTMC and VMI scrapbook documents Chas Blackley's military training at the Citizen's Military Training Camp (CTMC) from 1927-1929 as well as his time enrolled at the Virginia Military Institute (VMI). Two scrapbooks document Chas Blackley's 1930 travels with childhood friend  George Earman throughout the Pacific and multiple Asian nations aboard the steamer SS \u003cemph render=\"italic\"\u003eGertrude Kellogg\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eThe series largely documents Chas Blackley's involvement with radio stations WSVA and WTON and comprises photographs, correspondence, and printed ephemera. A file concerning Susan Blackley, Chas Blackley's daughter, is included and relate to her work as the horticulturalist for the city of Staunton. Photographs document Susan's time as a bartender at H.A. Winston's in Wilmington, Delaware.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings covering Susan's work as a horticulturist for Staunton as well as photographs of Susan as a bartender at H.A. Winston's in Wilmington, Delaware.\u003c/p\u003e","\u003cp\u003eIncludes negatives.\u003c/p\u003e","\u003cp\u003eIncludes negatives.\u003c/p\u003e","\u003cp\u003eComprises papers and photographs related to the immediate and extended Blackley family. Materials also concern the Fry and Matthews families.\u003c/p\u003e","\u003cp\u003eMaterials related to Eugene Fry, father of Patricia Fry Blackley.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.","Series 1: Correspondence, 1830-2011, is comprised of more than 300 individual letters. The majority of the earlier ones involve Sarah \"Sallie\" Scott Bassett and/or her husband R.H. Bassett. Together their combined correspondence comprises eight folders and spans the years 1850-1913.","These letters cover the years of the American Civil War and shed light on how the conflict affected their lives. In addition to letters from Captain R.H. Bassett, there are dozens of notes written home to Sallie from her brother Garrett Scott, brother-in-law Noah Bassett, and her cousin John Nix. All of these men spent time serving in the 4th Texas Regiment of the famed Texas Brigade. While their letters contain minimal military focused discussions, they do highlight camp life, personal struggles of being separated from each other, personal and public incidents, and family news. The military discussion is really limited to mention of the dead and wounded from battles and engagements. However, R.H. does write a letter to Sallie as he arrives on the battlefield at Gettysburg. He expresses excitement to build off the Confederates successes that afternoon. Battles and engagements discussed include Antietam (September 17, 1862), Chancellorsville (April 30 to May 6, 1863), Gettysburg (July 1-3, 1863), and Chickamauga (September 18–20, 1863).","Lizzie Scott Neblett was the older sister of Sallie Bassett and many letters between the sisters not previously examined, both before and after the American Civil War, can be found within this collection. Their letters shed light on relationship struggles, farm life, local news, and family connections.","While few in number, the surviving letters of Lizzie and Sallie's father, James Scott, provide significant insight into Texas prior to its in 1846. In the first, James writes his wife, Sarah, from the convention in Austin, Texas, where the debates about joining the United States were taking place. He offers few specifics as \"Nothing in which you would take any interest has occurred here and therefore I will not say anything about the proceedings…\" In second of these letters, James is writing to a Colonel B. Rush Wallace and gets far more political in discussion and tone. He talks at length about concern over the merits of becoming Whig or Democrat once they are thrust into the existing political climate of their new nation.","Of particular interest is an 1888 letter written by Ida Carter, presumably William M. and Belle Bassett Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.","Of the twentieth-century correspondence, most of it was sent or received by Chas Blackley. While his letters span most of the century, the bulk are centered between the years 1930-1944. The letters that Chas Blackley wrote while visiting Europe in 1934 are of particular interest due to the changing political climate with the rise of the Nazis in Germany. Through his correspondence, diaries, and photographs there is an opportunity to see an American view of this transformative time. In one letter to his sister, Mary, dated August 21, Chas Blackley writes of the hanging of Nazis in Vienna, Austria for a failed coup that took place mere weeks before his arrival and that it \"has retarded history making considerably.\" He also spoke of the  Heimwehr , the home guard, patrolling the streets with their rifles and \"keeping a sharp to windward.\"","Series 2: Personal Papers, 1857-2015, is comprised of personal papers, diaries, and other documents that highlight the careers and interests of the family members. R.H. Bassett's papers include Confederate government and military documents pertaining to promotions, recruitment, and resignation.","Another unique piece of this collection from the early period is the Belle Bassett Diary, 1873-1879, which offers a glimpse of the post-war years for a child growing up in the South.","Chas Blackley, in addition to his letters from the trip to Europe, also kept a diary of his experiences. This diary covers the personal and public incidents of his travels.","More information about individual members of family is available here in the form of detailed histories of specific family lines (Blackley, Bassett, Hoge, etc.), through family trees, and biographical information.","Other items of note from Chas Blackley are the many manuscripts of novels and plays that he wrote in the early-to-mid 1930s.","Series 3: Ephemera, 1856-2004, houses many unique items such as hundreds of stamps (U.S., Confederate, and international), brochures, certificates, awards, diplomas, and pamphlets from events such as the 1932 Los Angeles Olympics and the 1933 World's Fair in Chicago, and dance cards. The aforementioned diplomas and certificates document the Blackley family's achievements and graduations from various schools and universities, including the University of Virginia, the State Teacher's College at Harrisonburg, and Virginia Tech. Many of the manuals and booklets used in Chas' various military training can be found in this series.","There are also newspaper clippings that share stories directly related to family members or address significant events of the time. These include awards won by the family, news about new jobs or graduations, historic events like D-Day, and John F. Kennedy's assassination.","One of the more locally relevant pieces is a pamphlet entitled \"Dedication of the Shenandoah National Park\" (1936). It lists the planned dedication speech from President Franklin D. Roosevelt given at Big Meadows as the key event.","This series also includes one oversize box of 3D ephemeral objects. Objects of interest include a Kodak No. 2 Folding Autographic Brownie camera (1917-1926) owned by Chas Blackley and inscribed with the names of Blackley and the SS  Gertrude Kellogg , Dr. Charles Coatesworth Phillips' small leather medicine case with glass bottles that he took on house calls, several pairs of glasses, a glass plate photograph of Susie E. Phillips, and assorted World's Fair ephemera.","Stored separately are multiple flags that are likely from Chas' 1930 voyage in the Pacific. There is a large and small Japanese flag, a small Chinese [pre-communist revolution] flag, and a small Philippine national flag. An additional flag dates to WWI and features the United States flag surrounded by smaller flags of all our allies from that conflict.","Series 4, Photographs, circa 1861-1989, includes photographic prints, negatives, and slides that document the Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia. Files are arranged chronologically and undated groupings of images are listed alphabetically at the end of the series. Files are labeled to reflect the subject of the photos; original arrangement and description of people and places as received from the donor was maintained whenever possible. Some photographs contain identifying text written on the back of the image, though many photos are unidentified. ","Photographs within this series document Chas Blackley's trips to Asia and the Pacific in 1930 as well as his journey through Europe in 1934. Other photographs document the Civilian Military Training Camp (CMTC) experience at Ft. Eustis, Virginia, from 1928.","Photographs created by or picturing Catherine Matthews Blackley contain images of campus and student life at the State Teacher's College at Harrisonburg (now JMU) dating from the early 1930s.","Series 5: Scrapbooks, 1862-1931, is comprised of one scrapbook created by R.H. Bassett, and three scrapbooks created by Chas Blackley. The scrapbook created by R.H. Bassett dates from 1862-1869 and contains mostly newspaper clippings related to Bassett's work in local and state politics in Grimes County, Texas, after a wound at the Battle of Chickamauga in 1864 ended his role in the American Civil War. \nThe three remaining scrapbooks were created by Chas Blackley, and document aspects of his life in the years between 1928-1931. The CTMC and VMI scrapbook documents Chas Blackley's military training at the Citizen's Military Training Camp (CTMC) from 1927-1929 as well as his time enrolled at the Virginia Military Institute (VMI). Two scrapbooks document Chas Blackley's 1930 travels with childhood friend  George Earman throughout the Pacific and multiple Asian nations aboard the steamer SS  Gertrude Kellogg .","The series largely documents Chas Blackley's involvement with radio stations WSVA and WTON and comprises photographs, correspondence, and printed ephemera. A file concerning Susan Blackley, Chas Blackley's daughter, is included and relate to her work as the horticulturalist for the city of Staunton. Photographs document Susan's time as a bartender at H.A. Winston's in Wilmington, Delaware.","Includes newspaper clippings covering Susan's work as a horticulturist for Staunton as well as photographs of Susan as a bartender at H.A. Winston's in Wilmington, Delaware.","Includes negatives.","Includes negatives.","Comprises papers and photographs related to the immediate and extended Blackley family. Materials also concern the Fry and Matthews families.","Materials related to Eugene Fry, father of Patricia Fry Blackley."],"separatedmaterial_html_tesm":["\u003cp\u003eAll published monographs have been cataloged individually and placed in Special Collections' rare book collection. Catherine Matthews Blackley's \u003cemph render=\"italic\"\u003eSchooma'am\u003c/emph\u003e yearbooks were removed and housed with the yearbook collection. They are retained due to heavy annotations.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["All published monographs have been cataloged individually and placed in Special Collections' rare book collection. Catherine Matthews Blackley's  Schooma'am  yearbooks were removed and housed with the yearbook collection. They are retained due to heavy annotations."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e73d9f92cf4c9d321a4666b26feddd80\"\u003eThe Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.\u003c/abstract\u003e"],"abstract_tesim":["The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia."],"names_coll_ssim":["State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","Blackley, Chuck","Blackley, Pat","Blackley, Chuck"],"names_ssim":["James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009"],"corpname_ssim":["James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)"],"famname_ssim":["Blackley family"],"persname_ssim":["Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":579,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:22:06.237Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_407_c06"}},{"id":"vihart_repositories_4_resources_407_c07","type":"Series","attributes":{"title":"2020-0702 Accession","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_407_c07#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eComprises papers and photographs related to the immediate and extended Blackley family. Materials also concern the Fry and Matthews families.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_407_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_407_c07","ref_ssm":["vihart_repositories_4_resources_407_c07"],"id":"vihart_repositories_4_resources_407_c07","ead_ssi":"vihart_repositories_4_resources_407","_root_":"vihart_repositories_4_resources_407","_nest_parent_":"vihart_repositories_4_resources_407","parent_ssi":"vihart_repositories_4_resources_407","parent_ssim":["vihart_repositories_4_resources_407"],"parent_ids_ssim":["vihart_repositories_4_resources_407"],"parent_unittitles_ssm":["Blackley Family papers"],"parent_unittitles_tesim":["Blackley Family papers"],"text":["Blackley Family papers","2020-0702 Accession","Duplicates and out of scope materials were returned to the donor.","Photographs and cabinet cards were removed from a leather photo album with \"Fannie S. Blackley Session 1881-'82\" embossed on the front cover. Some of the cabinet cards were identified with a Post-It note. Those identifications were written in pencil on the back of the cabinet cards. The photo album was not retained due to significant condition issues.","Comprises papers and photographs related to the immediate and extended Blackley family. Materials also concern the Fry and Matthews families."],"title_filing_ssi":"2020-0702 Accession","title_ssm":["2020-0702 Accession"],"title_tesim":["2020-0702 Accession"],"unitdate_inclusive_ssm":["1882-2020"],"normalized_date_ssm":["1882/2020"],"normalized_title_ssm":["2020-0702 Accession"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["Blackley Family papers"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":569,"parent_access_restrict_tesm":["Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu)."],"parent_access_terms_tesm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"appraisal_html_tesm":["\u003cp\u003eDuplicates and out of scope materials were returned to the donor.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["Duplicates and out of scope materials were returned to the donor."],"processinfo_html_tesm":["\u003cp\u003ePhotographs and cabinet cards were removed from a leather photo album with \"Fannie S. Blackley Session 1881-'82\" embossed on the front cover. Some of the cabinet cards were identified with a Post-It note. Those identifications were written in pencil on the back of the cabinet cards. The photo album was not retained due to significant condition issues.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Photographs and cabinet cards were removed from a leather photo album with \"Fannie S. Blackley Session 1881-'82\" embossed on the front cover. Some of the cabinet cards were identified with a Post-It note. Those identifications were written in pencil on the back of the cabinet cards. The photo album was not retained due to significant condition issues."],"scopecontent_html_tesm":["\u003cp\u003eComprises papers and photographs related to the immediate and extended Blackley family. Materials also concern the Fry and Matthews families.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Comprises papers and photographs related to the immediate and extended Blackley family. Materials also concern the Fry and Matthews families."],"_nest_path_":"/components#6","timestamp":"2026-05-21T00:22:06.237Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_407","ead_ssi":"vihart_repositories_4_resources_407","_root_":"vihart_repositories_4_resources_407","_nest_parent_":"vihart_repositories_4_resources_407","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_407.xml","title_ssm":["Blackley Family papers"],"title_tesim":["Blackley Family papers"],"unitdate_ssm":["1830-2020"],"unitdate_inclusive_ssm":["1830-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0232","/repositories/4/resources/407"],"text":["SC 0232","/repositories/4/resources/407","Blackley Family papers","Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century","Military training camps -- United States","World War, 1939-1945","Radio stations -- Virginia -- Harrisonburg","Radio stations -- Virginia -- Staunton","Photography","Travel -- 20th century","Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers","Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of one file contained within the correspondence series that is restricted until January 1, 2035 at the request of the donor.","Access to original media, photographic negatives, and slides contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).","File is restricted from research use until January 1, 2035 at the request of the donor.","Access to original photographic negatives contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may contact library-special@jmu.edu to request reformatted access copies.","Digital images of nineteenth-century correspondence and papers are available upon request.","Duplicates and out of scope materials were returned to the donor.","Duplicates and out of scope materials were returned to the donor.","The collection is arranged in seven series:","Correspondence, 1830-2011 Personal Papers, 1857-2016 Ephemera, 1856-2004 Photographs, circa 1861-1989 Scrapbooks, 1862-1931 2020-0121 Accession, 1930s-2019 2020-0702 Accession, 1882-2020","Murr, Erika, L., ed.,  A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 . Baton Rouge: Louisiana State University Press, 2001.","The Blackley Family Papers document the related Scott, Bassett, Blackley, Hoge, and Nix families of mostly Texas and Staunton, Virginia between 1830 and 2016. James Scott (1799-1856) was a Tennessee native and former Mississippi Supreme Court chief justice who married Sarah Lane (1803-1880) and settled in Anderson, Texas. James was a prominent Texas judge who was friends with Davie Crockett. While in Mississippi and Texas, James and Sarah had six children. The eldest, Elizabeth \"Lizzie\" (1833-1917), was born in Mississippi in 1833, Sarah \"Sallie\" (1843-1914), born April 9, 1843 in Texas, and one of their brothers, Garrett (1838-1862), born in 1838, contribute the most to this collection of letters.","Lizzie married William H. Neblett (1826-1871), a farmer and attorney, in 1852. He eventually left her to go fight for the Confederacy. Her domestic struggle on the home front during the Civil War is the subject of Erika L. Murr's book, A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 (2001).","In 1862, Sallie married Robert Houston \"R.H.\" Bassett (1836-1870). R.H. went on to enlist and serve in the famed Hood's Texas Brigade from 1861 to his wounding in 1864. He worked briefly as the adjutant general to Major General John Bell. While leading the regiment, he was wounded at the Battle of Chickamauga by an artillery shell fragment that lodged in his shoulder. This would effectively end his role in the war. Following the conclusion of the conflict and his recovery from the wound, R.H. tried his hand at politics in a bid to represent Grimes County, Texas in Congress. Their first child, Robert, died tragically in 1864 at only eight months old. R.H. died in 1870 because of health complications that appear related to edema.","R.H.'s brother, Noah (1839-1886), also served in the Texas Brigade. The correspondence between R.H., Sallie, and Noah provides a lucid account of the Army of Northern Virginia's major campaigns and operations, including developments related to the Battles of Antietam, Chancellorsville, Gettysburg, and Chickamauga.","Garrett Scott, Sallie Scott's brother, died in action at the Battle of Antietam September 17, 1862 while serving in the Texas Brigade. His letters from the early years of the war offer yet another perspective of campaign and camp life.","R.H. and Sallie's daughter, Barbara \"Belle\" Bassett (1865-1958), married William Mason Blackley (1863-1898) in 1884 and lived in Staunton, Virginia before moving to Washington, D.C. Research suggests they only had one child, Belle Blackley (1890-1967), whom never married and lived out her life in Washington, D.C. However, an 1888 letter contained in this collection written by Ida Carter, the Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.","The bulk of the twentieth-century material was created by or concerns William Mason Blackley's nephew, Charles \"Chas\" Phillips Blackley Sr. (1909-1999), his wife Catherine Matthews Blackley (1914-2010), and their son and daughter-in-law Charles \"Chuck\" Phillips Blackley (b. 1951) and Patricia Fry Blackley (b. 1952).","Charles \"Chas\" Phillips Blackley Sr. was born in Staunton, Virginia in 1909. His parents died from the Spanish Flu when he was 10. Their deaths required Chas and his sister Mary Gilkeson Blackley to move in with their aunt, Fannie Blackley Cushing in Staunton. These materials cover his travels throughout the Pacific and Asia aboard a \"tramp steamer\" with boyhood friend, George Earman in 1930, his 1927-1929 military training in the little discussed Citizens Military Training Camps (CMTC), time at the Virginia Military Institute (VMI), his 1934 travels in Europe, World War II military service, and ownership and operation of WSVA, the first radio station in Harrisonburg, Virginia. Chas sold his share in WSVA and moved to Staunton, Virginia where he started the WTON radio station. Beyond his official jobs, Chas spent much of the early 1930s as an amateur playwright and author. Chas and Catherine Matthews were married in 1938.","While traveling Europe via train in 1934, Chas met David Kahn, a young Presbyterian judge of Indian descent. They would become lifelong friends. Mr. Kahn went on to become a governor of an Indian province under British rule and later head the Department of Sanitation for Calcutta. He and his wife visited their children, who had moved to the United States, and Mr. and Mrs. Blackley often until his health would not allow it. Evidence of their lifelong friendship can be found most clearly in this collection's correspondence and photographs.","Chas' WWII experience saw him drafted at age 35 and shipped to Camp Crowder, Missouri for training. He would eventually be transferred to Washington, D.C. where he worked as a private in the basement of the Pentagon. According this son, his superiors frequently called him upstairs to request autographed photos of American Broadcasting Company (ABC) celebrities. He was able to oblige them because of WSVA's status as an ABC affiliate.","Catherine Matthews Blackley was originally from Cambridge, Maryland and came to the Shenandoah Valley to attend the State Teacher's College at Harrisonburg (now James Madison University). She graduated in 1935 with a degree in home economics. For a short time she taught in Norfolk, Virginia before marrying Chas Blackley in 1938 and buying a home on Port Republic Road in Harrisonburg. After Chas was drafted and shipped to Camp Crowder, Mrs. Blackley traveled to Neosho, Missouri to be with her husband. While in Missouri, she volunteered with the Red Cross to help care for wounded soldiers. She continued this service after Mr. Blackley was transferred to Washington, D.C. After the war, they returned to the Valley and Catherine became a member of the Staunton School Board and was very active in volunteer work.","Charles \"Chuck\" Phillips Blackley Jr. was a professional engineer and graduate of Virginia Tech. He provided services in Virginia, West Virginia, and Maryland. Chuck married Patricia Fry in 1971. At the time he sold his office it was the largest engineering company in the region outside of Richmond, Roanoke, and Northern Virginia.","Patricia Fry Blackley graduated from James Madison University in 1987 and became a licensed real estate appraiser. After Chuck stepped away from his engineering office he teamed up with his wife and the couple became full-time photographers and writers. Their work can be found in hundreds of magazines, books, and calendars.","The collection as a whole required only limited preservation treatment. Some of the correspondence and papers did require Mylar sleeves. The 3D objects are housed together in one box with special housings created to protect them long-term. Most of the nineteenth-century letters required flattening to make them more accessible and to allow for proper digitization as per the donor agreement. Also, many of the diplomas and older photographs were removed from their frames for proper storage. Original order of materials was maintained wherever possible, taking into account provenance, storage needs, and accessibility for researchers.","Photographs and cabinet cards were removed from a leather photo album with \"Fannie S. Blackley Session 1881-'82\" embossed on the front cover. Some of the cabinet cards were identified with a Post-It note. Those identifications were written in pencil on the back of the cabinet cards. The photo album was not retained due to significant condition issues.","Charles C. Phillips Civil War Papers. MS 0327. Virginia Military Institute Archives.","Murr, Erika, L., ed.,  A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 . Baton Rouge: Louisiana State University Press, 2001.","Lizzie Scott Neblett Papers, 1848-1935, Dolph Briscoe Center for American History, The University of Texas at Austin.","Yourself and family are invited to attend the feast of Mondamin corn festival . n.p.: Staunton, Va.: J. Harry Drechsler, pr., [1890], 1890. JAMES MADISON UNIV's Catalog, EBSCOhost (accessed May 2, 2017).","The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.","Series 1: Correspondence, 1830-2011, is comprised of more than 300 individual letters. The majority of the earlier ones involve Sarah \"Sallie\" Scott Bassett and/or her husband R.H. Bassett. Together their combined correspondence comprises eight folders and spans the years 1850-1913.","These letters cover the years of the American Civil War and shed light on how the conflict affected their lives. In addition to letters from Captain R.H. Bassett, there are dozens of notes written home to Sallie from her brother Garrett Scott, brother-in-law Noah Bassett, and her cousin John Nix. All of these men spent time serving in the 4th Texas Regiment of the famed Texas Brigade. While their letters contain minimal military focused discussions, they do highlight camp life, personal struggles of being separated from each other, personal and public incidents, and family news. The military discussion is really limited to mention of the dead and wounded from battles and engagements. However, R.H. does write a letter to Sallie as he arrives on the battlefield at Gettysburg. He expresses excitement to build off the Confederates successes that afternoon. Battles and engagements discussed include Antietam (September 17, 1862), Chancellorsville (April 30 to May 6, 1863), Gettysburg (July 1-3, 1863), and Chickamauga (September 18–20, 1863).","Lizzie Scott Neblett was the older sister of Sallie Bassett and many letters between the sisters not previously examined, both before and after the American Civil War, can be found within this collection. Their letters shed light on relationship struggles, farm life, local news, and family connections.","While few in number, the surviving letters of Lizzie and Sallie's father, James Scott, provide significant insight into Texas prior to its in 1846. In the first, James writes his wife, Sarah, from the convention in Austin, Texas, where the debates about joining the United States were taking place. He offers few specifics as \"Nothing in which you would take any interest has occurred here and therefore I will not say anything about the proceedings…\" In second of these letters, James is writing to a Colonel B. Rush Wallace and gets far more political in discussion and tone. He talks at length about concern over the merits of becoming Whig or Democrat once they are thrust into the existing political climate of their new nation.","Of particular interest is an 1888 letter written by Ida Carter, presumably William M. and Belle Bassett Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.","Of the twentieth-century correspondence, most of it was sent or received by Chas Blackley. While his letters span most of the century, the bulk are centered between the years 1930-1944. The letters that Chas Blackley wrote while visiting Europe in 1934 are of particular interest due to the changing political climate with the rise of the Nazis in Germany. Through his correspondence, diaries, and photographs there is an opportunity to see an American view of this transformative time. In one letter to his sister, Mary, dated August 21, Chas Blackley writes of the hanging of Nazis in Vienna, Austria for a failed coup that took place mere weeks before his arrival and that it \"has retarded history making considerably.\" He also spoke of the  Heimwehr , the home guard, patrolling the streets with their rifles and \"keeping a sharp to windward.\"","Series 2: Personal Papers, 1857-2015, is comprised of personal papers, diaries, and other documents that highlight the careers and interests of the family members. R.H. Bassett's papers include Confederate government and military documents pertaining to promotions, recruitment, and resignation.","Another unique piece of this collection from the early period is the Belle Bassett Diary, 1873-1879, which offers a glimpse of the post-war years for a child growing up in the South.","Chas Blackley, in addition to his letters from the trip to Europe, also kept a diary of his experiences. This diary covers the personal and public incidents of his travels.","More information about individual members of family is available here in the form of detailed histories of specific family lines (Blackley, Bassett, Hoge, etc.), through family trees, and biographical information.","Other items of note from Chas Blackley are the many manuscripts of novels and plays that he wrote in the early-to-mid 1930s.","Series 3: Ephemera, 1856-2004, houses many unique items such as hundreds of stamps (U.S., Confederate, and international), brochures, certificates, awards, diplomas, and pamphlets from events such as the 1932 Los Angeles Olympics and the 1933 World's Fair in Chicago, and dance cards. The aforementioned diplomas and certificates document the Blackley family's achievements and graduations from various schools and universities, including the University of Virginia, the State Teacher's College at Harrisonburg, and Virginia Tech. Many of the manuals and booklets used in Chas' various military training can be found in this series.","There are also newspaper clippings that share stories directly related to family members or address significant events of the time. These include awards won by the family, news about new jobs or graduations, historic events like D-Day, and John F. Kennedy's assassination.","One of the more locally relevant pieces is a pamphlet entitled \"Dedication of the Shenandoah National Park\" (1936). It lists the planned dedication speech from President Franklin D. Roosevelt given at Big Meadows as the key event.","This series also includes one oversize box of 3D ephemeral objects. Objects of interest include a Kodak No. 2 Folding Autographic Brownie camera (1917-1926) owned by Chas Blackley and inscribed with the names of Blackley and the SS  Gertrude Kellogg , Dr. Charles Coatesworth Phillips' small leather medicine case with glass bottles that he took on house calls, several pairs of glasses, a glass plate photograph of Susie E. Phillips, and assorted World's Fair ephemera.","Stored separately are multiple flags that are likely from Chas' 1930 voyage in the Pacific. There is a large and small Japanese flag, a small Chinese [pre-communist revolution] flag, and a small Philippine national flag. An additional flag dates to WWI and features the United States flag surrounded by smaller flags of all our allies from that conflict.","Series 4, Photographs, circa 1861-1989, includes photographic prints, negatives, and slides that document the Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia. Files are arranged chronologically and undated groupings of images are listed alphabetically at the end of the series. Files are labeled to reflect the subject of the photos; original arrangement and description of people and places as received from the donor was maintained whenever possible. Some photographs contain identifying text written on the back of the image, though many photos are unidentified. ","Photographs within this series document Chas Blackley's trips to Asia and the Pacific in 1930 as well as his journey through Europe in 1934. Other photographs document the Civilian Military Training Camp (CMTC) experience at Ft. Eustis, Virginia, from 1928.","Photographs created by or picturing Catherine Matthews Blackley contain images of campus and student life at the State Teacher's College at Harrisonburg (now JMU) dating from the early 1930s.","Series 5: Scrapbooks, 1862-1931, is comprised of one scrapbook created by R.H. Bassett, and three scrapbooks created by Chas Blackley. The scrapbook created by R.H. Bassett dates from 1862-1869 and contains mostly newspaper clippings related to Bassett's work in local and state politics in Grimes County, Texas, after a wound at the Battle of Chickamauga in 1864 ended his role in the American Civil War. \nThe three remaining scrapbooks were created by Chas Blackley, and document aspects of his life in the years between 1928-1931. The CTMC and VMI scrapbook documents Chas Blackley's military training at the Citizen's Military Training Camp (CTMC) from 1927-1929 as well as his time enrolled at the Virginia Military Institute (VMI). Two scrapbooks document Chas Blackley's 1930 travels with childhood friend  George Earman throughout the Pacific and multiple Asian nations aboard the steamer SS  Gertrude Kellogg .","The series largely documents Chas Blackley's involvement with radio stations WSVA and WTON and comprises photographs, correspondence, and printed ephemera. A file concerning Susan Blackley, Chas Blackley's daughter, is included and relate to her work as the horticulturalist for the city of Staunton. Photographs document Susan's time as a bartender at H.A. Winston's in Wilmington, Delaware.","Includes newspaper clippings covering Susan's work as a horticulturist for Staunton as well as photographs of Susan as a bartender at H.A. Winston's in Wilmington, Delaware.","Includes negatives.","Includes negatives.","Comprises papers and photographs related to the immediate and extended Blackley family. Materials also concern the Fry and Matthews families.","Materials related to Eugene Fry, father of Patricia Fry Blackley.","All published monographs have been cataloged individually and placed in Special Collections' rare book collection. Catherine Matthews Blackley's  Schooma'am  yearbooks were removed and housed with the yearbook collection. They are retained due to heavy annotations.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.","James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009","English"],"unitid_tesim":["SC 0232","/repositories/4/resources/407"],"normalized_title_ssm":["Blackley Family papers"],"collection_title_tesim":["Blackley Family papers"],"collection_ssim":["Blackley Family papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century"],"geogname_ssim":["Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century"],"creator_ssm":["Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999"],"creator_ssim":["Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999"],"creator_persname_ssim":["Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999"],"creator_famname_ssim":["Blackley family"],"creators_ssim":["Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley family"],"places_ssim":["Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Charles P. Blackley Jr. of Staunton, Virginia donated this material in various accretions between 2015-2020."],"access_subjects_ssim":["Military training camps -- United States","World War, 1939-1945","Radio stations -- Virginia -- Harrisonburg","Radio stations -- Virginia -- Staunton","Photography","Travel -- 20th century","Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers"],"access_subjects_ssm":["Military training camps -- United States","World War, 1939-1945","Radio stations -- Virginia -- Harrisonburg","Radio stations -- Virginia -- Staunton","Photography","Travel -- 20th century","Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers"],"has_online_content_ssim":["false"],"extent_ssm":["14.37 cubic feet 30 boxes, 2 flat folders"],"extent_tesim":["14.37 cubic feet 30 boxes, 2 flat folders"],"genreform_ssim":["Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eResearchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of one file contained within the correspondence series that is restricted until January 1, 2035 at the request of the donor.\u003c/p\u003e","\u003cp\u003eAccess to original media, photographic negatives, and slides contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.\u003c/p\u003e","\u003cp\u003ePlease contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eFile is restricted from research use until January 1, 2035 at the request of the donor.\u003c/p\u003e","\u003cp\u003eAccess to original photographic negatives contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may contact library-special@jmu.edu to request reformatted access copies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","","","Conditions Governing Access","Access Restrictions"],"accessrestrict_tesim":["Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of one file contained within the correspondence series that is restricted until January 1, 2035 at the request of the donor.","Access to original media, photographic negatives, and slides contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).","File is restricted from research use until January 1, 2035 at the request of the donor.","Access to original photographic negatives contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may contact library-special@jmu.edu to request reformatted access copies."],"altformavail_html_tesm":["\u003cp\u003eDigital images of nineteenth-century correspondence and papers are available upon request.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Digital images of nineteenth-century correspondence and papers are available upon request."],"appraisal_html_tesm":["\u003cp\u003eDuplicates and out of scope materials were returned to the donor.\u003c/p\u003e","\u003cp\u003eDuplicates and out of scope materials were returned to the donor.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal","Appraisal"],"appraisal_tesim":["Duplicates and out of scope materials were returned to the donor.","Duplicates and out of scope materials were returned to the donor."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in seven series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eCorrespondence, 1830-2011\u003c/item\u003e\n      \u003citem\u003ePersonal Papers, 1857-2016\u003c/item\u003e\n      \u003citem\u003eEphemera, 1856-2004\u003c/item\u003e\n      \u003citem\u003ePhotographs, circa 1861-1989\u003c/item\u003e\n      \u003citem\u003eScrapbooks, 1862-1931\u003c/item\u003e\n      \u003citem\u003e2020-0121 Accession, 1930s-2019\u003c/item\u003e\n      \u003citem\u003e2020-0702 Accession, 1882-2020\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in seven series:","Correspondence, 1830-2011 Personal Papers, 1857-2016 Ephemera, 1856-2004 Photographs, circa 1861-1989 Scrapbooks, 1862-1931 2020-0121 Accession, 1930s-2019 2020-0702 Accession, 1882-2020"],"bibliography_html_tesm":["\u003cbibref\u003eMurr, Erika, L., ed., \u003cemph render=\"italic\"\u003eA Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864\u003c/emph\u003e. Baton Rouge: Louisiana State University Press, 2001.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Murr, Erika, L., ed.,  A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 . Baton Rouge: Louisiana State University Press, 2001."],"bioghist_html_tesm":["\u003cp\u003eThe Blackley Family Papers document the related Scott, Bassett, Blackley, Hoge, and Nix families of mostly Texas and Staunton, Virginia between 1830 and 2016. James Scott (1799-1856) was a Tennessee native and former Mississippi Supreme Court chief justice who married Sarah Lane (1803-1880) and settled in Anderson, Texas. James was a prominent Texas judge who was friends with Davie Crockett. While in Mississippi and Texas, James and Sarah had six children. The eldest, Elizabeth \"Lizzie\" (1833-1917), was born in Mississippi in 1833, Sarah \"Sallie\" (1843-1914), born April 9, 1843 in Texas, and one of their brothers, Garrett (1838-1862), born in 1838, contribute the most to this collection of letters.\u003c/p\u003e\n","\u003cp\u003eLizzie married William H. Neblett (1826-1871), a farmer and attorney, in 1852. He eventually left her to go fight for the Confederacy. Her domestic struggle on the home front during the Civil War is the subject of Erika L. Murr's book, A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 (2001).\u003c/p\u003e\n","\u003cp\u003eIn 1862, Sallie married Robert Houston \"R.H.\" Bassett (1836-1870). R.H. went on to enlist and serve in the famed Hood's Texas Brigade from 1861 to his wounding in 1864. He worked briefly as the adjutant general to Major General John Bell. While leading the regiment, he was wounded at the Battle of Chickamauga by an artillery shell fragment that lodged in his shoulder. This would effectively end his role in the war. Following the conclusion of the conflict and his recovery from the wound, R.H. tried his hand at politics in a bid to represent Grimes County, Texas in Congress. Their first child, Robert, died tragically in 1864 at only eight months old. R.H. died in 1870 because of health complications that appear related to edema.\u003c/p\u003e\n","\u003cp\u003eR.H.'s brother, Noah (1839-1886), also served in the Texas Brigade. The correspondence between R.H., Sallie, and Noah provides a lucid account of the Army of Northern Virginia's major campaigns and operations, including developments related to the Battles of Antietam, Chancellorsville, Gettysburg, and Chickamauga.\u003c/p\u003e\n","\u003cp\u003eGarrett Scott, Sallie Scott's brother, died in action at the Battle of Antietam September 17, 1862 while serving in the Texas Brigade. His letters from the early years of the war offer yet another perspective of campaign and camp life.\u003c/p\u003e\n","\u003cp\u003eR.H. and Sallie's daughter, Barbara \"Belle\" Bassett (1865-1958), married William Mason Blackley (1863-1898) in 1884 and lived in Staunton, Virginia before moving to Washington, D.C. Research suggests they only had one child, Belle Blackley (1890-1967), whom never married and lived out her life in Washington, D.C. However, an 1888 letter contained in this collection written by Ida Carter, the Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.\u003c/p\u003e\n","\u003cp\u003eThe bulk of the twentieth-century material was created by or concerns William Mason Blackley's nephew, Charles \"Chas\" Phillips Blackley Sr. (1909-1999), his wife Catherine Matthews Blackley (1914-2010), and their son and daughter-in-law Charles \"Chuck\" Phillips Blackley (b. 1951) and Patricia Fry Blackley (b. 1952).\u003c/p\u003e\n","\u003cp\u003eCharles \"Chas\" Phillips Blackley Sr. was born in Staunton, Virginia in 1909. His parents died from the Spanish Flu when he was 10. Their deaths required Chas and his sister Mary Gilkeson Blackley to move in with their aunt, Fannie Blackley Cushing in Staunton. These materials cover his travels throughout the Pacific and Asia aboard a \"tramp steamer\" with boyhood friend, George Earman in 1930, his 1927-1929 military training in the little discussed Citizens Military Training Camps (CMTC), time at the Virginia Military Institute (VMI), his 1934 travels in Europe, World War II military service, and ownership and operation of WSVA, the first radio station in Harrisonburg, Virginia. Chas sold his share in WSVA and moved to Staunton, Virginia where he started the WTON radio station. Beyond his official jobs, Chas spent much of the early 1930s as an amateur playwright and author. Chas and Catherine Matthews were married in 1938.\u003c/p\u003e\n","\u003cp\u003eWhile traveling Europe via train in 1934, Chas met David Kahn, a young Presbyterian judge of Indian descent. They would become lifelong friends. Mr. Kahn went on to become a governor of an Indian province under British rule and later head the Department of Sanitation for Calcutta. He and his wife visited their children, who had moved to the United States, and Mr. and Mrs. Blackley often until his health would not allow it. Evidence of their lifelong friendship can be found most clearly in this collection's correspondence and photographs.\u003c/p\u003e\n","\u003cp\u003eChas' WWII experience saw him drafted at age 35 and shipped to Camp Crowder, Missouri for training. He would eventually be transferred to Washington, D.C. where he worked as a private in the basement of the Pentagon. According this son, his superiors frequently called him upstairs to request autographed photos of American Broadcasting Company (ABC) celebrities. He was able to oblige them because of WSVA's status as an ABC affiliate.\u003c/p\u003e\n","\u003cp\u003eCatherine Matthews Blackley was originally from Cambridge, Maryland and came to the Shenandoah Valley to attend the State Teacher's College at Harrisonburg (now James Madison University). She graduated in 1935 with a degree in home economics. For a short time she taught in Norfolk, Virginia before marrying Chas Blackley in 1938 and buying a home on Port Republic Road in Harrisonburg. After Chas was drafted and shipped to Camp Crowder, Mrs. Blackley traveled to Neosho, Missouri to be with her husband. While in Missouri, she volunteered with the Red Cross to help care for wounded soldiers. She continued this service after Mr. Blackley was transferred to Washington, D.C. After the war, they returned to the Valley and Catherine became a member of the Staunton School Board and was very active in volunteer work.\u003c/p\u003e\n","\u003cp\u003eCharles \"Chuck\" Phillips Blackley Jr. was a professional engineer and graduate of Virginia Tech. He provided services in Virginia, West Virginia, and Maryland. Chuck married Patricia Fry in 1971. At the time he sold his office it was the largest engineering company in the region outside of Richmond, Roanoke, and Northern Virginia.\u003c/p\u003e\n","\u003cp\u003ePatricia Fry Blackley graduated from James Madison University in 1987 and became a licensed real estate appraiser. After Chuck stepped away from his engineering office he teamed up with his wife and the couple became full-time photographers and writers. Their work can be found in hundreds of magazines, books, and calendars.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Blackley Family Papers document the related Scott, Bassett, Blackley, Hoge, and Nix families of mostly Texas and Staunton, Virginia between 1830 and 2016. James Scott (1799-1856) was a Tennessee native and former Mississippi Supreme Court chief justice who married Sarah Lane (1803-1880) and settled in Anderson, Texas. James was a prominent Texas judge who was friends with Davie Crockett. While in Mississippi and Texas, James and Sarah had six children. The eldest, Elizabeth \"Lizzie\" (1833-1917), was born in Mississippi in 1833, Sarah \"Sallie\" (1843-1914), born April 9, 1843 in Texas, and one of their brothers, Garrett (1838-1862), born in 1838, contribute the most to this collection of letters.","Lizzie married William H. Neblett (1826-1871), a farmer and attorney, in 1852. He eventually left her to go fight for the Confederacy. Her domestic struggle on the home front during the Civil War is the subject of Erika L. Murr's book, A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 (2001).","In 1862, Sallie married Robert Houston \"R.H.\" Bassett (1836-1870). R.H. went on to enlist and serve in the famed Hood's Texas Brigade from 1861 to his wounding in 1864. He worked briefly as the adjutant general to Major General John Bell. While leading the regiment, he was wounded at the Battle of Chickamauga by an artillery shell fragment that lodged in his shoulder. This would effectively end his role in the war. Following the conclusion of the conflict and his recovery from the wound, R.H. tried his hand at politics in a bid to represent Grimes County, Texas in Congress. Their first child, Robert, died tragically in 1864 at only eight months old. R.H. died in 1870 because of health complications that appear related to edema.","R.H.'s brother, Noah (1839-1886), also served in the Texas Brigade. The correspondence between R.H., Sallie, and Noah provides a lucid account of the Army of Northern Virginia's major campaigns and operations, including developments related to the Battles of Antietam, Chancellorsville, Gettysburg, and Chickamauga.","Garrett Scott, Sallie Scott's brother, died in action at the Battle of Antietam September 17, 1862 while serving in the Texas Brigade. His letters from the early years of the war offer yet another perspective of campaign and camp life.","R.H. and Sallie's daughter, Barbara \"Belle\" Bassett (1865-1958), married William Mason Blackley (1863-1898) in 1884 and lived in Staunton, Virginia before moving to Washington, D.C. Research suggests they only had one child, Belle Blackley (1890-1967), whom never married and lived out her life in Washington, D.C. However, an 1888 letter contained in this collection written by Ida Carter, the Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.","The bulk of the twentieth-century material was created by or concerns William Mason Blackley's nephew, Charles \"Chas\" Phillips Blackley Sr. (1909-1999), his wife Catherine Matthews Blackley (1914-2010), and their son and daughter-in-law Charles \"Chuck\" Phillips Blackley (b. 1951) and Patricia Fry Blackley (b. 1952).","Charles \"Chas\" Phillips Blackley Sr. was born in Staunton, Virginia in 1909. His parents died from the Spanish Flu when he was 10. Their deaths required Chas and his sister Mary Gilkeson Blackley to move in with their aunt, Fannie Blackley Cushing in Staunton. These materials cover his travels throughout the Pacific and Asia aboard a \"tramp steamer\" with boyhood friend, George Earman in 1930, his 1927-1929 military training in the little discussed Citizens Military Training Camps (CMTC), time at the Virginia Military Institute (VMI), his 1934 travels in Europe, World War II military service, and ownership and operation of WSVA, the first radio station in Harrisonburg, Virginia. Chas sold his share in WSVA and moved to Staunton, Virginia where he started the WTON radio station. Beyond his official jobs, Chas spent much of the early 1930s as an amateur playwright and author. Chas and Catherine Matthews were married in 1938.","While traveling Europe via train in 1934, Chas met David Kahn, a young Presbyterian judge of Indian descent. They would become lifelong friends. Mr. Kahn went on to become a governor of an Indian province under British rule and later head the Department of Sanitation for Calcutta. He and his wife visited their children, who had moved to the United States, and Mr. and Mrs. Blackley often until his health would not allow it. Evidence of their lifelong friendship can be found most clearly in this collection's correspondence and photographs.","Chas' WWII experience saw him drafted at age 35 and shipped to Camp Crowder, Missouri for training. He would eventually be transferred to Washington, D.C. where he worked as a private in the basement of the Pentagon. According this son, his superiors frequently called him upstairs to request autographed photos of American Broadcasting Company (ABC) celebrities. He was able to oblige them because of WSVA's status as an ABC affiliate.","Catherine Matthews Blackley was originally from Cambridge, Maryland and came to the Shenandoah Valley to attend the State Teacher's College at Harrisonburg (now James Madison University). She graduated in 1935 with a degree in home economics. For a short time she taught in Norfolk, Virginia before marrying Chas Blackley in 1938 and buying a home on Port Republic Road in Harrisonburg. After Chas was drafted and shipped to Camp Crowder, Mrs. Blackley traveled to Neosho, Missouri to be with her husband. While in Missouri, she volunteered with the Red Cross to help care for wounded soldiers. She continued this service after Mr. Blackley was transferred to Washington, D.C. After the war, they returned to the Valley and Catherine became a member of the Staunton School Board and was very active in volunteer work.","Charles \"Chuck\" Phillips Blackley Jr. was a professional engineer and graduate of Virginia Tech. He provided services in Virginia, West Virginia, and Maryland. Chuck married Patricia Fry in 1971. At the time he sold his office it was the largest engineering company in the region outside of Richmond, Roanoke, and Northern Virginia.","Patricia Fry Blackley graduated from James Madison University in 1987 and became a licensed real estate appraiser. After Chuck stepped away from his engineering office he teamed up with his wife and the couple became full-time photographers and writers. Their work can be found in hundreds of magazines, books, and calendars."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Blackley Family Papers, 1830-2020, SC 0232, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Blackley Family Papers, 1830-2020, SC 0232, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe collection as a whole required only limited preservation treatment. Some of the correspondence and papers did require Mylar sleeves. The 3D objects are housed together in one box with special housings created to protect them long-term. Most of the nineteenth-century letters required flattening to make them more accessible and to allow for proper digitization as per the donor agreement. Also, many of the diplomas and older photographs were removed from their frames for proper storage. Original order of materials was maintained wherever possible, taking into account provenance, storage needs, and accessibility for researchers.\u003c/p\u003e","\u003cp\u003ePhotographs and cabinet cards were removed from a leather photo album with \"Fannie S. Blackley Session 1881-'82\" embossed on the front cover. Some of the cabinet cards were identified with a Post-It note. Those identifications were written in pencil on the back of the cabinet cards. The photo album was not retained due to significant condition issues.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["The collection as a whole required only limited preservation treatment. Some of the correspondence and papers did require Mylar sleeves. The 3D objects are housed together in one box with special housings created to protect them long-term. Most of the nineteenth-century letters required flattening to make them more accessible and to allow for proper digitization as per the donor agreement. Also, many of the diplomas and older photographs were removed from their frames for proper storage. Original order of materials was maintained wherever possible, taking into account provenance, storage needs, and accessibility for researchers.","Photographs and cabinet cards were removed from a leather photo album with \"Fannie S. Blackley Session 1881-'82\" embossed on the front cover. Some of the cabinet cards were identified with a Post-It note. Those identifications were written in pencil on the back of the cabinet cards. The photo album was not retained due to significant condition issues."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://archivesspace.vmi.edu/repositories/3/resources/780\"\u003eCharles C. Phillips Civil War Papers. MS 0327. Virginia Military Institute Archives.\u003c/extref\u003e  \u003c/p\u003e\n","\u003cp\u003eMurr, Erika, L., ed., \u003cemph render=\"italic\"\u003eA Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864\u003c/emph\u003e. Baton Rouge: Louisiana State University Press, 2001.\u003c/p\u003e\n","\u003cp\u003e\u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://www.lib.utexas.edu/taro/utcah/00426/cah-00426.html\"\u003eLizzie Scott Neblett Papers, 1848-1935, Dolph Briscoe Center for American History, The University of Texas at Austin.\u003c/extref\u003e \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eYourself and family are invited to attend the feast of Mondamin corn festival\u003c/emph\u003e. n.p.: Staunton, Va.: J. Harry Drechsler, pr., [1890], 1890. JAMES MADISON UNIV's Catalog, EBSCOhost (accessed May 2, 2017).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Charles C. Phillips Civil War Papers. MS 0327. Virginia Military Institute Archives.","Murr, Erika, L., ed.,  A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 . Baton Rouge: Louisiana State University Press, 2001.","Lizzie Scott Neblett Papers, 1848-1935, Dolph Briscoe Center for American History, The University of Texas at Austin.","Yourself and family are invited to attend the feast of Mondamin corn festival . n.p.: Staunton, Va.: J. Harry Drechsler, pr., [1890], 1890. JAMES MADISON UNIV's Catalog, EBSCOhost (accessed May 2, 2017)."],"scopecontent_html_tesm":["\u003cp\u003eThe Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence, 1830-2011, is comprised of more than 300 individual letters. The majority of the earlier ones involve Sarah \"Sallie\" Scott Bassett and/or her husband R.H. Bassett. Together their combined correspondence comprises eight folders and spans the years 1850-1913.\u003c/p\u003e\n","\u003cp\u003eThese letters cover the years of the American Civil War and shed light on how the conflict affected their lives. In addition to letters from Captain R.H. Bassett, there are dozens of notes written home to Sallie from her brother Garrett Scott, brother-in-law Noah Bassett, and her cousin John Nix. All of these men spent time serving in the 4th Texas Regiment of the famed Texas Brigade. While their letters contain minimal military focused discussions, they do highlight camp life, personal struggles of being separated from each other, personal and public incidents, and family news. The military discussion is really limited to mention of the dead and wounded from battles and engagements. However, R.H. does write a letter to Sallie as he arrives on the battlefield at Gettysburg. He expresses excitement to build off the Confederates successes that afternoon. Battles and engagements discussed include Antietam (September 17, 1862), Chancellorsville (April 30 to May 6, 1863), Gettysburg (July 1-3, 1863), and Chickamauga (September 18–20, 1863).\u003c/p\u003e\n","\u003cp\u003eLizzie Scott Neblett was the older sister of Sallie Bassett and many letters between the sisters not previously examined, both before and after the American Civil War, can be found within this collection. Their letters shed light on relationship struggles, farm life, local news, and family connections.\u003c/p\u003e\n","\u003cp\u003eWhile few in number, the surviving letters of Lizzie and Sallie's father, James Scott, provide significant insight into Texas prior to its in 1846. In the first, James writes his wife, Sarah, from the convention in Austin, Texas, where the debates about joining the United States were taking place. He offers few specifics as \"Nothing in which you would take any interest has occurred here and therefore I will not say anything about the proceedings…\" In second of these letters, James is writing to a Colonel B. Rush Wallace and gets far more political in discussion and tone. He talks at length about concern over the merits of becoming Whig or Democrat once they are thrust into the existing political climate of their new nation.\u003c/p\u003e\n","\u003cp\u003eOf particular interest is an 1888 letter written by Ida Carter, presumably William M. and Belle Bassett Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.\u003c/p\u003e\n","\u003cp\u003eOf the twentieth-century correspondence, most of it was sent or received by Chas Blackley. While his letters span most of the century, the bulk are centered between the years 1930-1944. The letters that Chas Blackley wrote while visiting Europe in 1934 are of particular interest due to the changing political climate with the rise of the Nazis in Germany. Through his correspondence, diaries, and photographs there is an opportunity to see an American view of this transformative time. In one letter to his sister, Mary, dated August 21, Chas Blackley writes of the hanging of Nazis in Vienna, Austria for a failed coup that took place mere weeks before his arrival and that it \"has retarded history making considerably.\" He also spoke of the \u003cemph render=\"italic\"\u003eHeimwehr\u003c/emph\u003e, the home guard, patrolling the streets with their rifles and \"keeping a sharp to windward.\"\u003c/p\u003e","\u003cp\u003eSeries 2: Personal Papers, 1857-2015, is comprised of personal papers, diaries, and other documents that highlight the careers and interests of the family members. R.H. Bassett's papers include Confederate government and military documents pertaining to promotions, recruitment, and resignation.\u003c/p\u003e\n","\u003cp\u003eAnother unique piece of this collection from the early period is the Belle Bassett Diary, 1873-1879, which offers a glimpse of the post-war years for a child growing up in the South.\u003c/p\u003e\n","\u003cp\u003eChas Blackley, in addition to his letters from the trip to Europe, also kept a diary of his experiences. This diary covers the personal and public incidents of his travels.\u003c/p\u003e\n","\u003cp\u003eMore information about individual members of family is available here in the form of detailed histories of specific family lines (Blackley, Bassett, Hoge, etc.), through family trees, and biographical information.\u003c/p\u003e\n","\u003cp\u003eOther items of note from Chas Blackley are the many manuscripts of novels and plays that he wrote in the early-to-mid 1930s.\u003c/p\u003e","\u003cp\u003eSeries 3: Ephemera, 1856-2004, houses many unique items such as hundreds of stamps (U.S., Confederate, and international), brochures, certificates, awards, diplomas, and pamphlets from events such as the 1932 Los Angeles Olympics and the 1933 World's Fair in Chicago, and dance cards. The aforementioned diplomas and certificates document the Blackley family's achievements and graduations from various schools and universities, including the University of Virginia, the State Teacher's College at Harrisonburg, and Virginia Tech. Many of the manuals and booklets used in Chas' various military training can be found in this series.\u003c/p\u003e\n","\u003cp\u003eThere are also newspaper clippings that share stories directly related to family members or address significant events of the time. These include awards won by the family, news about new jobs or graduations, historic events like D-Day, and John F. Kennedy's assassination.\u003c/p\u003e\n","\u003cp\u003eOne of the more locally relevant pieces is a pamphlet entitled \"Dedication of the Shenandoah National Park\" (1936). It lists the planned dedication speech from President Franklin D. Roosevelt given at Big Meadows as the key event.\u003c/p\u003e\n","\u003cp\u003eThis series also includes one oversize box of 3D ephemeral objects. Objects of interest include a Kodak No. 2 Folding Autographic Brownie camera (1917-1926) owned by Chas Blackley and inscribed with the names of Blackley and the SS \u003cemph render=\"italic\"\u003eGertrude Kellogg\u003c/emph\u003e, Dr. Charles Coatesworth Phillips' small leather medicine case with glass bottles that he took on house calls, several pairs of glasses, a glass plate photograph of Susie E. Phillips, and assorted World's Fair ephemera.\u003c/p\u003e\n","\u003cp\u003eStored separately are multiple flags that are likely from Chas' 1930 voyage in the Pacific. There is a large and small Japanese flag, a small Chinese [pre-communist revolution] flag, and a small Philippine national flag. An additional flag dates to WWI and features the United States flag surrounded by smaller flags of all our allies from that conflict.\u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, circa 1861-1989, includes photographic prints, negatives, and slides that document the Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia. Files are arranged chronologically and undated groupings of images are listed alphabetically at the end of the series. Files are labeled to reflect the subject of the photos; original arrangement and description of people and places as received from the donor was maintained whenever possible. Some photographs contain identifying text written on the back of the image, though many photos are unidentified. \u003c/p\u003e\n","\u003cp\u003ePhotographs within this series document Chas Blackley's trips to Asia and the Pacific in 1930 as well as his journey through Europe in 1934. Other photographs document the Civilian Military Training Camp (CMTC) experience at Ft. Eustis, Virginia, from 1928.\u003c/p\u003e\n","\u003cp\u003ePhotographs created by or picturing Catherine Matthews Blackley contain images of campus and student life at the State Teacher's College at Harrisonburg (now JMU) dating from the early 1930s.\u003c/p\u003e","\u003cp\u003eSeries 5: Scrapbooks, 1862-1931, is comprised of one scrapbook created by R.H. Bassett, and three scrapbooks created by Chas Blackley. The scrapbook created by R.H. Bassett dates from 1862-1869 and contains mostly newspaper clippings related to Bassett's work in local and state politics in Grimes County, Texas, after a wound at the Battle of Chickamauga in 1864 ended his role in the American Civil War. \nThe three remaining scrapbooks were created by Chas Blackley, and document aspects of his life in the years between 1928-1931. The CTMC and VMI scrapbook documents Chas Blackley's military training at the Citizen's Military Training Camp (CTMC) from 1927-1929 as well as his time enrolled at the Virginia Military Institute (VMI). Two scrapbooks document Chas Blackley's 1930 travels with childhood friend  George Earman throughout the Pacific and multiple Asian nations aboard the steamer SS \u003cemph render=\"italic\"\u003eGertrude Kellogg\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eThe series largely documents Chas Blackley's involvement with radio stations WSVA and WTON and comprises photographs, correspondence, and printed ephemera. A file concerning Susan Blackley, Chas Blackley's daughter, is included and relate to her work as the horticulturalist for the city of Staunton. Photographs document Susan's time as a bartender at H.A. Winston's in Wilmington, Delaware.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings covering Susan's work as a horticulturist for Staunton as well as photographs of Susan as a bartender at H.A. Winston's in Wilmington, Delaware.\u003c/p\u003e","\u003cp\u003eIncludes negatives.\u003c/p\u003e","\u003cp\u003eIncludes negatives.\u003c/p\u003e","\u003cp\u003eComprises papers and photographs related to the immediate and extended Blackley family. Materials also concern the Fry and Matthews families.\u003c/p\u003e","\u003cp\u003eMaterials related to Eugene Fry, father of Patricia Fry Blackley.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.","Series 1: Correspondence, 1830-2011, is comprised of more than 300 individual letters. The majority of the earlier ones involve Sarah \"Sallie\" Scott Bassett and/or her husband R.H. Bassett. Together their combined correspondence comprises eight folders and spans the years 1850-1913.","These letters cover the years of the American Civil War and shed light on how the conflict affected their lives. In addition to letters from Captain R.H. Bassett, there are dozens of notes written home to Sallie from her brother Garrett Scott, brother-in-law Noah Bassett, and her cousin John Nix. All of these men spent time serving in the 4th Texas Regiment of the famed Texas Brigade. While their letters contain minimal military focused discussions, they do highlight camp life, personal struggles of being separated from each other, personal and public incidents, and family news. The military discussion is really limited to mention of the dead and wounded from battles and engagements. However, R.H. does write a letter to Sallie as he arrives on the battlefield at Gettysburg. He expresses excitement to build off the Confederates successes that afternoon. Battles and engagements discussed include Antietam (September 17, 1862), Chancellorsville (April 30 to May 6, 1863), Gettysburg (July 1-3, 1863), and Chickamauga (September 18–20, 1863).","Lizzie Scott Neblett was the older sister of Sallie Bassett and many letters between the sisters not previously examined, both before and after the American Civil War, can be found within this collection. Their letters shed light on relationship struggles, farm life, local news, and family connections.","While few in number, the surviving letters of Lizzie and Sallie's father, James Scott, provide significant insight into Texas prior to its in 1846. In the first, James writes his wife, Sarah, from the convention in Austin, Texas, where the debates about joining the United States were taking place. He offers few specifics as \"Nothing in which you would take any interest has occurred here and therefore I will not say anything about the proceedings…\" In second of these letters, James is writing to a Colonel B. Rush Wallace and gets far more political in discussion and tone. He talks at length about concern over the merits of becoming Whig or Democrat once they are thrust into the existing political climate of their new nation.","Of particular interest is an 1888 letter written by Ida Carter, presumably William M. and Belle Bassett Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.","Of the twentieth-century correspondence, most of it was sent or received by Chas Blackley. While his letters span most of the century, the bulk are centered between the years 1930-1944. The letters that Chas Blackley wrote while visiting Europe in 1934 are of particular interest due to the changing political climate with the rise of the Nazis in Germany. Through his correspondence, diaries, and photographs there is an opportunity to see an American view of this transformative time. In one letter to his sister, Mary, dated August 21, Chas Blackley writes of the hanging of Nazis in Vienna, Austria for a failed coup that took place mere weeks before his arrival and that it \"has retarded history making considerably.\" He also spoke of the  Heimwehr , the home guard, patrolling the streets with their rifles and \"keeping a sharp to windward.\"","Series 2: Personal Papers, 1857-2015, is comprised of personal papers, diaries, and other documents that highlight the careers and interests of the family members. R.H. Bassett's papers include Confederate government and military documents pertaining to promotions, recruitment, and resignation.","Another unique piece of this collection from the early period is the Belle Bassett Diary, 1873-1879, which offers a glimpse of the post-war years for a child growing up in the South.","Chas Blackley, in addition to his letters from the trip to Europe, also kept a diary of his experiences. This diary covers the personal and public incidents of his travels.","More information about individual members of family is available here in the form of detailed histories of specific family lines (Blackley, Bassett, Hoge, etc.), through family trees, and biographical information.","Other items of note from Chas Blackley are the many manuscripts of novels and plays that he wrote in the early-to-mid 1930s.","Series 3: Ephemera, 1856-2004, houses many unique items such as hundreds of stamps (U.S., Confederate, and international), brochures, certificates, awards, diplomas, and pamphlets from events such as the 1932 Los Angeles Olympics and the 1933 World's Fair in Chicago, and dance cards. The aforementioned diplomas and certificates document the Blackley family's achievements and graduations from various schools and universities, including the University of Virginia, the State Teacher's College at Harrisonburg, and Virginia Tech. Many of the manuals and booklets used in Chas' various military training can be found in this series.","There are also newspaper clippings that share stories directly related to family members or address significant events of the time. These include awards won by the family, news about new jobs or graduations, historic events like D-Day, and John F. Kennedy's assassination.","One of the more locally relevant pieces is a pamphlet entitled \"Dedication of the Shenandoah National Park\" (1936). It lists the planned dedication speech from President Franklin D. Roosevelt given at Big Meadows as the key event.","This series also includes one oversize box of 3D ephemeral objects. Objects of interest include a Kodak No. 2 Folding Autographic Brownie camera (1917-1926) owned by Chas Blackley and inscribed with the names of Blackley and the SS  Gertrude Kellogg , Dr. Charles Coatesworth Phillips' small leather medicine case with glass bottles that he took on house calls, several pairs of glasses, a glass plate photograph of Susie E. Phillips, and assorted World's Fair ephemera.","Stored separately are multiple flags that are likely from Chas' 1930 voyage in the Pacific. There is a large and small Japanese flag, a small Chinese [pre-communist revolution] flag, and a small Philippine national flag. An additional flag dates to WWI and features the United States flag surrounded by smaller flags of all our allies from that conflict.","Series 4, Photographs, circa 1861-1989, includes photographic prints, negatives, and slides that document the Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia. Files are arranged chronologically and undated groupings of images are listed alphabetically at the end of the series. Files are labeled to reflect the subject of the photos; original arrangement and description of people and places as received from the donor was maintained whenever possible. Some photographs contain identifying text written on the back of the image, though many photos are unidentified. ","Photographs within this series document Chas Blackley's trips to Asia and the Pacific in 1930 as well as his journey through Europe in 1934. Other photographs document the Civilian Military Training Camp (CMTC) experience at Ft. Eustis, Virginia, from 1928.","Photographs created by or picturing Catherine Matthews Blackley contain images of campus and student life at the State Teacher's College at Harrisonburg (now JMU) dating from the early 1930s.","Series 5: Scrapbooks, 1862-1931, is comprised of one scrapbook created by R.H. Bassett, and three scrapbooks created by Chas Blackley. The scrapbook created by R.H. Bassett dates from 1862-1869 and contains mostly newspaper clippings related to Bassett's work in local and state politics in Grimes County, Texas, after a wound at the Battle of Chickamauga in 1864 ended his role in the American Civil War. \nThe three remaining scrapbooks were created by Chas Blackley, and document aspects of his life in the years between 1928-1931. The CTMC and VMI scrapbook documents Chas Blackley's military training at the Citizen's Military Training Camp (CTMC) from 1927-1929 as well as his time enrolled at the Virginia Military Institute (VMI). Two scrapbooks document Chas Blackley's 1930 travels with childhood friend  George Earman throughout the Pacific and multiple Asian nations aboard the steamer SS  Gertrude Kellogg .","The series largely documents Chas Blackley's involvement with radio stations WSVA and WTON and comprises photographs, correspondence, and printed ephemera. A file concerning Susan Blackley, Chas Blackley's daughter, is included and relate to her work as the horticulturalist for the city of Staunton. Photographs document Susan's time as a bartender at H.A. Winston's in Wilmington, Delaware.","Includes newspaper clippings covering Susan's work as a horticulturist for Staunton as well as photographs of Susan as a bartender at H.A. Winston's in Wilmington, Delaware.","Includes negatives.","Includes negatives.","Comprises papers and photographs related to the immediate and extended Blackley family. Materials also concern the Fry and Matthews families.","Materials related to Eugene Fry, father of Patricia Fry Blackley."],"separatedmaterial_html_tesm":["\u003cp\u003eAll published monographs have been cataloged individually and placed in Special Collections' rare book collection. Catherine Matthews Blackley's \u003cemph render=\"italic\"\u003eSchooma'am\u003c/emph\u003e yearbooks were removed and housed with the yearbook collection. They are retained due to heavy annotations.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["All published monographs have been cataloged individually and placed in Special Collections' rare book collection. Catherine Matthews Blackley's  Schooma'am  yearbooks were removed and housed with the yearbook collection. They are retained due to heavy annotations."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e73d9f92cf4c9d321a4666b26feddd80\"\u003eThe Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.\u003c/abstract\u003e"],"abstract_tesim":["The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia."],"names_coll_ssim":["State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","Blackley, Chuck","Blackley, Pat","Blackley, Chuck"],"names_ssim":["James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009"],"corpname_ssim":["James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)"],"famname_ssim":["Blackley family"],"persname_ssim":["Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":579,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:22:06.237Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_407_c07"}},{"id":"vihart_repositories_4_resources_638_c04","type":"Series","attributes":{"title":"2023-0404 Accession","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_638_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe series primarily comprises proofs, prototypes, draft components, and pre-production materials for Barton's 2014 artists' book \u003cem\u003eLand Forms and Air Currents\u003c/em\u003e.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_638_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_638_c04","ref_ssm":["vihart_repositories_4_resources_638_c04"],"id":"vihart_repositories_4_resources_638_c04","ead_ssi":"vihart_repositories_4_resources_638","_root_":"vihart_repositories_4_resources_638","_nest_parent_":"vihart_repositories_4_resources_638","parent_ssi":"vihart_repositories_4_resources_638","parent_ssim":["vihart_repositories_4_resources_638"],"parent_ids_ssim":["vihart_repositories_4_resources_638"],"parent_unittitles_ssm":["Carol Barton papers"],"parent_unittitles_tesim":["Carol Barton papers"],"text":["Carol Barton papers","2023-0404 Accession","Material groupings and the bulk of the folder titles were supplied by the donor.","Duplicate copies of printed materials already held by Special Collections were not retained.","The series primarily comprises proofs, prototypes, draft components, and pre-production materials for Barton's 2014 artists' book  Land Forms and Air Currents .","\"Land Forms and Air Currents' was produced over the course of the years 2012 through 2014. Original artworks were done in gouache and watercolor, then scanned and adjusted in Adobe Photoshop. Layout was done using Adobe InDesign, and an edition of 25 copies was produced on an Epson Photo R2880 printer. Pop-up forms were cut using a Silhouette Cameo cutter and were hand-assembled by the artist. Fonts in the book are Verlag Book and Bell MT. Papers are Strathmore acid-free 100 lb. bristol and Strathmore acid-free 80 lb. drawing\"--Colophon"],"title_filing_ssi":"2023-0404 Accession","title_ssm":["2023-0404 Accession"],"title_tesim":["2023-0404 Accession"],"unitdate_inclusive_ssm":["2009-2020"],"normalized_date_ssm":["2009/2020"],"normalized_title_ssm":["2023-0404 Accession"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["Carol Barton papers"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":139,"parent_access_restrict_tesm":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"processinfo_html_tesm":["\u003cp\u003eMaterial groupings and the bulk of the folder titles were supplied by the donor.\u003c/p\u003e","\u003cp\u003eDuplicate copies of printed materials already held by Special Collections were not retained.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Material groupings and the bulk of the folder titles were supplied by the donor.","Duplicate copies of printed materials already held by Special Collections were not retained."],"scopecontent_html_tesm":["\u003cp\u003eThe series primarily comprises proofs, prototypes, draft components, and pre-production materials for Barton's 2014 artists' book \u003cemph render=\"italic\"\u003eLand Forms and Air Currents\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003e\"Land Forms and Air Currents' was produced over the course of the years 2012 through 2014. Original artworks were done in gouache and watercolor, then scanned and adjusted in Adobe Photoshop. Layout was done using Adobe InDesign, and an edition of 25 copies was produced on an Epson Photo R2880 printer. Pop-up forms were cut using a Silhouette Cameo cutter and were hand-assembled by the artist. Fonts in the book are Verlag Book and Bell MT. Papers are Strathmore acid-free 100 lb. bristol and Strathmore acid-free 80 lb. drawing\"--Colophon\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The series primarily comprises proofs, prototypes, draft components, and pre-production materials for Barton's 2014 artists' book  Land Forms and Air Currents .","\"Land Forms and Air Currents' was produced over the course of the years 2012 through 2014. Original artworks were done in gouache and watercolor, then scanned and adjusted in Adobe Photoshop. Layout was done using Adobe InDesign, and an edition of 25 copies was produced on an Epson Photo R2880 printer. Pop-up forms were cut using a Silhouette Cameo cutter and were hand-assembled by the artist. Fonts in the book are Verlag Book and Bell MT. Papers are Strathmore acid-free 100 lb. bristol and Strathmore acid-free 80 lb. drawing\"--Colophon"],"_nest_path_":"/components#3","timestamp":"2026-05-21T00:18:57.997Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_638","ead_ssi":"vihart_repositories_4_resources_638","_root_":"vihart_repositories_4_resources_638","_nest_parent_":"vihart_repositories_4_resources_638","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_638.xml","title_ssm":["Carol Barton papers"],"title_tesim":["Carol Barton papers"],"unitdate_ssm":["1973-2020"],"unitdate_inclusive_ssm":["1973-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0274","/repositories/4/resources/638"],"text":["SC 0274","/repositories/4/resources/638","Carol Barton papers","Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","In addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage.","The collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition,  Miliseconds to Milennia: The Art of Time, Hand Workshop , has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.","Printed Materials, 1973-2015 Projects and Research, 1975-2012 Ephemera and Personal Papers, 1979-2013 2023-0404 Accession, 2009-2020","Grace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.","Barton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.","National Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton.","Carol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as  Books \u0026 Bookends: Science and the Artist's Book  (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks,  The Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark , which was awarded the Bogliasco Fellowship in 2000,  Vision Shifts ,  Instructions for Assembly , and  Tunnel Map  are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026 Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book,  Beyond the Page  (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book,  Everyday Road Signs .","In 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court.","The papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work","Material groupings and the bulk of the folder titles were supplied by the donor.","Duplicate copies of printed materials already held by Special Collections were not retained.","Carol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections.","The Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.","Series 1: Printed Materials, 1973-2015, comprises various exhibition catalogs, book catalogs, gallery cards, articles, journals, interviews, artist statements and pamphlets for workshops that Barton taught.","Throughout her career, Carol Barton has been celebrated in numerous articles and journals:  The Bone Folder  (2000 \u0026 2009), \"Surface: New Form/New Function\" (review by Carol Barton),  The Smithsonian Associates  (August 2001), \"Ancient Sichuan's Artistic Treasures\",  Valley Art Association Newsletter  (May-June 1999), and  The Washington Print Club Quarterly  (Barton is featured on pages 6-9) are examples included within the Carol Barton Papers.","Barton has also been referenced in newspaper articles, online publications, and reviews such as  The Washington Times ,  New York Times ,  Smithsonian Associates , and  Boston Globe .","Series 2: Projects and Research, 1975-2012, contains Barton's professional projects, project planning, and items used for project research.  Instructions for Assembly  (1993) contains process plans, mock-ups, instructions, patents used for inspiration, and process materials.  Vision Shifts  (1998) contains process plans, mock-ups, large scale prints, and photographs.  Five Luminous Towers: A Book to Read in the Dark  (2001) includes sample pieces, planning materials, and templates for  The Lookout . As well, the book  La Torre e le Carceri di Palazzo Ducale  served as direct inspiration for  Five Luminous Towers: A Book to Read in the Dark . Barton's first book,  Beyond the Page  (1981), contains hand cut master sheets.  Everyday Road Signs  (1988) contains a prototype of the book's binding, planning for the first five pages of  Separations , sample material for page six, negatives, text copy for the opening page, and print prototypes for a page.  Loom  (1989) contains design prototypes, steel plates, and text copy and print.  Tunnel Map  (1988) contains planning for  Map #1 Europe/Africa/Asia  in a blue separation, page design plans, book cover design plans, and the first set of unused map film originals. Page design plans for  Tunnel Map  include: page 2 for North/South America, page 3 for Africa/Europe, page 4 for North/South America, page 5 for North/South America and Africa/Europe, and page 6 for Africa/Europe and North/South America.","Researchers should note that dates for Carol Barton's plans/prototypes are approximate and based on the year the specific project was published.","Prototypes of  Pocket Paper Engineer Volume 3  are housed with a related promotional poster. The poster is for \"a visiting artist lecture sponsored by the MFA Book Arts/Printmaking Program at the University of the Arts (Philadelphia).\"","Barton has also been referenced in promotional materials regarding her work in:  Visual Icons, Small Works: The Gallery at Studio B ,  Art on the Page: A Selection of Artists' Books ,  Orihon \u0026 More: Books By Artists ,  Under Cover: Book Arts ,  Beyond Reading ,  [Book] Art: Handmade Books ,  Book For[u]ms ,  The Pocket Paper Engineer , Washington University Libraries Special Collections, and  Mining the Lloyd .","Series 3: Ephemera and Personal Papers, 1979-2013, contains personal papers and ephemera Barton received and collected over the course of her career. Her personal papers include correspondence between friends, colleagues, students, and galleries. The ephemeral items include awards and items of personal interests such as flip-books, magnets, promotional pop-ups, etc.","The series primarily comprises proofs, prototypes, draft components, and pre-production materials for Barton's 2014 artists' book  Land Forms and Air Currents .","\"Land Forms and Air Currents' was produced over the course of the years 2012 through 2014. Original artworks were done in gouache and watercolor, then scanned and adjusted in Adobe Photoshop. Layout was done using Adobe InDesign, and an edition of 25 copies was produced on an Epson Photo R2880 printer. Pop-up forms were cut using a Silhouette Cameo cutter and were hand-assembled by the artist. Fonts in the book are Verlag Book and Bell MT. Papers are Strathmore acid-free 100 lb. bristol and Strathmore acid-free 80 lb. drawing\"--Colophon","Numbered 5/26.","Numerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings.  Ker-Bloom! , a series of art publications, were also separated and cataloged.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton.","James Madison University Libraries Special Collections","Barton, Carol June, 1954-","English"],"unitid_tesim":["SC 0274","/repositories/4/resources/638"],"normalized_title_ssm":["Carol Barton papers"],"collection_title_tesim":["Carol Barton papers"],"collection_ssim":["Carol Barton papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creator_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creator_persname_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creators_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Carol Barton on March 23, 2017. Manuscript material was also received as part of a 2015 acquisition of Carol Barton's personal and teaching collection of pop-up and artists' books. That material was incorporated into this collection. Barton made an additional donation of materials in October 2022 (accessioned in 2023)."],"access_subjects_ssim":["Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"access_subjects_ssm":["Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"has_online_content_ssim":["false"],"extent_ssm":["7.47 cubic feet 20 boxes, 1 flat file"],"extent_tesim":["7.47 cubic feet 20 boxes, 1 flat file"],"genreform_ssim":["Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eIn addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["In addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, \u003cemph render=\"italic\"\u003eMiliseconds to Milennia: The Art of Time, Hand Workshop\u003c/emph\u003e, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003ePrinted Materials, 1973-2015\u003c/item\u003e\n      \u003citem\u003eProjects and Research, 1975-2012\u003c/item\u003e\n      \u003citem\u003eEphemera and Personal Papers, 1979-2013\u003c/item\u003e\n      \u003citem\u003e2023-0404 Accession, 2009-2020\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition,  Miliseconds to Milennia: The Art of Time, Hand Workshop , has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.","Printed Materials, 1973-2015 Projects and Research, 1975-2012 Ephemera and Personal Papers, 1979-2013 2023-0404 Accession, 2009-2020"],"bibliography_html_tesm":["\u003cbibref\u003eGrace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.\u003c/bibref\u003e","\u003cbibref\u003eBarton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.\u003c/bibref\u003e","\u003cbibref\u003eNational Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Grace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.","Barton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.","National Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton."],"bioghist_html_tesm":["\u003cp\u003eCarol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as \u003cemph render=\"italic\"\u003eBooks \u0026amp; Bookends: Science and the Artist's Book\u003c/emph\u003e (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, \u003cemph render=\"italic\"\u003eThe Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark\u003c/emph\u003e, which was awarded the Bogliasco Fellowship in 2000, \u003cemph render=\"italic\"\u003eVision Shifts\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eInstructions for Assembly\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eTunnel Map\u003c/emph\u003e are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026amp; Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, \u003cemph render=\"italic\"\u003eBeyond the Page\u003c/emph\u003e (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, \u003cemph render=\"italic\"\u003eEveryday Road Signs\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003eIn 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as  Books \u0026 Bookends: Science and the Artist's Book  (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks,  The Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark , which was awarded the Bogliasco Fellowship in 2000,  Vision Shifts ,  Instructions for Assembly , and  Tunnel Map  are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026 Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book,  Beyond the Page  (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book,  Everyday Road Signs .","In 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Carol Barton Papers, 1973-2020, SC 0274, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Carol Barton Papers, 1973-2020, SC 0274, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work\u003c/p\u003e","\u003cp\u003eMaterial groupings and the bulk of the folder titles were supplied by the donor.\u003c/p\u003e","\u003cp\u003eDuplicate copies of printed materials already held by Special Collections were not retained.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["The papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work","Material groupings and the bulk of the folder titles were supplied by the donor.","Duplicate copies of printed materials already held by Special Collections were not retained."],"relatedmaterial_html_tesm":["\u003cp\u003eCarol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Carol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.\u003c/p\u003e","\u003cp\u003eSeries 1: Printed Materials, 1973-2015, comprises various exhibition catalogs, book catalogs, gallery cards, articles, journals, interviews, artist statements and pamphlets for workshops that Barton taught.\u003c/p\u003e\n","\u003cp\u003eThroughout her career, Carol Barton has been celebrated in numerous articles and journals: \u003cemph render=\"italic\"\u003eThe Bone Folder\u003c/emph\u003e (2000 \u0026amp; 2009), \"Surface: New Form/New Function\" (review by Carol Barton), \u003cemph render=\"italic\"\u003eThe Smithsonian Associates\u003c/emph\u003e (August 2001), \"Ancient Sichuan's Artistic Treasures\", \u003cemph render=\"italic\"\u003eValley Art Association Newsletter\u003c/emph\u003e (May-June 1999), and \u003cemph render=\"italic\"\u003eThe Washington Print Club Quarterly\u003c/emph\u003e (Barton is featured on pages 6-9) are examples included within the Carol Barton Papers.\u003c/p\u003e\n","\u003cp\u003eBarton has also been referenced in newspaper articles, online publications, and reviews such as \u003cemph render=\"italic\"\u003eThe Washington Times\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSmithsonian Associates\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eBoston Globe\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eSeries 2: Projects and Research, 1975-2012, contains Barton's professional projects, project planning, and items used for project research. \u003cemph render=\"italic\"\u003eInstructions for Assembly\u003c/emph\u003e (1993) contains process plans, mock-ups, instructions, patents used for inspiration, and process materials. \u003cemph render=\"italic\"\u003eVision Shifts\u003c/emph\u003e (1998) contains process plans, mock-ups, large scale prints, and photographs. \u003cemph render=\"italic\"\u003eFive Luminous Towers: A Book to Read in the Dark\u003c/emph\u003e (2001) includes sample pieces, planning materials, and templates for \u003cemph render=\"italic\"\u003eThe Lookout\u003c/emph\u003e. As well, the book \u003cemph render=\"italic\"\u003eLa Torre e le Carceri di Palazzo Ducale\u003c/emph\u003e served as direct inspiration for \u003cemph render=\"italic\"\u003eFive Luminous Towers: A Book to Read in the Dark\u003c/emph\u003e. Barton's first book, \u003cemph render=\"italic\"\u003eBeyond the Page\u003c/emph\u003e (1981), contains hand cut master sheets. \u003cemph render=\"italic\"\u003eEveryday Road Signs\u003c/emph\u003e (1988) contains a prototype of the book's binding, planning for the first five pages of \u003cemph render=\"italic\"\u003eSeparations\u003c/emph\u003e, sample material for page six, negatives, text copy for the opening page, and print prototypes for a page. \u003cemph render=\"italic\"\u003eLoom\u003c/emph\u003e (1989) contains design prototypes, steel plates, and text copy and print. \u003cemph render=\"italic\"\u003eTunnel Map\u003c/emph\u003e (1988) contains planning for \u003cemph render=\"italic\"\u003eMap #1 Europe/Africa/Asia\u003c/emph\u003e in a blue separation, page design plans, book cover design plans, and the first set of unused map film originals. Page design plans for \u003cemph render=\"italic\"\u003eTunnel Map\u003c/emph\u003e include: page 2 for North/South America, page 3 for Africa/Europe, page 4 for North/South America, page 5 for North/South America and Africa/Europe, and page 6 for Africa/Europe and North/South America.\u003c/p\u003e\n","\u003cp\u003eResearchers should note that dates for Carol Barton's plans/prototypes are approximate and based on the year the specific project was published.\u003c/p\u003e\n","\u003cp\u003ePrototypes of \u003cemph render=\"italic\"\u003ePocket Paper Engineer Volume 3\u003c/emph\u003e are housed with a related promotional poster. The poster is for \"a visiting artist lecture sponsored by the MFA Book Arts/Printmaking Program at the University of the Arts (Philadelphia).\"\u003c/p\u003e\n","\u003cp\u003eBarton has also been referenced in promotional materials regarding her work in: \u003cemph render=\"italic\"\u003eVisual Icons, Small Works: The Gallery at Studio B\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eArt on the Page: A Selection of Artists' Books\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eOrihon \u0026amp; More: Books By Artists\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUnder Cover: Book Arts\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBeyond Reading\u003c/emph\u003e, \u003cemph render=\"italic\"\u003e[Book] Art: Handmade Books\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBook For[u]ms\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThe Pocket Paper Engineer\u003c/emph\u003e, Washington University Libraries Special Collections, and \u003cemph render=\"italic\"\u003eMining the Lloyd\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eSeries 3: Ephemera and Personal Papers, 1979-2013, contains personal papers and ephemera Barton received and collected over the course of her career. Her personal papers include correspondence between friends, colleagues, students, and galleries. The ephemeral items include awards and items of personal interests such as flip-books, magnets, promotional pop-ups, etc.\u003c/p\u003e","\u003cp\u003eThe series primarily comprises proofs, prototypes, draft components, and pre-production materials for Barton's 2014 artists' book \u003cemph render=\"italic\"\u003eLand Forms and Air Currents\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003e\"Land Forms and Air Currents' was produced over the course of the years 2012 through 2014. Original artworks were done in gouache and watercolor, then scanned and adjusted in Adobe Photoshop. Layout was done using Adobe InDesign, and an edition of 25 copies was produced on an Epson Photo R2880 printer. Pop-up forms were cut using a Silhouette Cameo cutter and were hand-assembled by the artist. Fonts in the book are Verlag Book and Bell MT. Papers are Strathmore acid-free 100 lb. bristol and Strathmore acid-free 80 lb. drawing\"--Colophon\u003c/p\u003e","\u003cp\u003eNumbered 5/26.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.","Series 1: Printed Materials, 1973-2015, comprises various exhibition catalogs, book catalogs, gallery cards, articles, journals, interviews, artist statements and pamphlets for workshops that Barton taught.","Throughout her career, Carol Barton has been celebrated in numerous articles and journals:  The Bone Folder  (2000 \u0026 2009), \"Surface: New Form/New Function\" (review by Carol Barton),  The Smithsonian Associates  (August 2001), \"Ancient Sichuan's Artistic Treasures\",  Valley Art Association Newsletter  (May-June 1999), and  The Washington Print Club Quarterly  (Barton is featured on pages 6-9) are examples included within the Carol Barton Papers.","Barton has also been referenced in newspaper articles, online publications, and reviews such as  The Washington Times ,  New York Times ,  Smithsonian Associates , and  Boston Globe .","Series 2: Projects and Research, 1975-2012, contains Barton's professional projects, project planning, and items used for project research.  Instructions for Assembly  (1993) contains process plans, mock-ups, instructions, patents used for inspiration, and process materials.  Vision Shifts  (1998) contains process plans, mock-ups, large scale prints, and photographs.  Five Luminous Towers: A Book to Read in the Dark  (2001) includes sample pieces, planning materials, and templates for  The Lookout . As well, the book  La Torre e le Carceri di Palazzo Ducale  served as direct inspiration for  Five Luminous Towers: A Book to Read in the Dark . Barton's first book,  Beyond the Page  (1981), contains hand cut master sheets.  Everyday Road Signs  (1988) contains a prototype of the book's binding, planning for the first five pages of  Separations , sample material for page six, negatives, text copy for the opening page, and print prototypes for a page.  Loom  (1989) contains design prototypes, steel plates, and text copy and print.  Tunnel Map  (1988) contains planning for  Map #1 Europe/Africa/Asia  in a blue separation, page design plans, book cover design plans, and the first set of unused map film originals. Page design plans for  Tunnel Map  include: page 2 for North/South America, page 3 for Africa/Europe, page 4 for North/South America, page 5 for North/South America and Africa/Europe, and page 6 for Africa/Europe and North/South America.","Researchers should note that dates for Carol Barton's plans/prototypes are approximate and based on the year the specific project was published.","Prototypes of  Pocket Paper Engineer Volume 3  are housed with a related promotional poster. The poster is for \"a visiting artist lecture sponsored by the MFA Book Arts/Printmaking Program at the University of the Arts (Philadelphia).\"","Barton has also been referenced in promotional materials regarding her work in:  Visual Icons, Small Works: The Gallery at Studio B ,  Art on the Page: A Selection of Artists' Books ,  Orihon \u0026 More: Books By Artists ,  Under Cover: Book Arts ,  Beyond Reading ,  [Book] Art: Handmade Books ,  Book For[u]ms ,  The Pocket Paper Engineer , Washington University Libraries Special Collections, and  Mining the Lloyd .","Series 3: Ephemera and Personal Papers, 1979-2013, contains personal papers and ephemera Barton received and collected over the course of her career. Her personal papers include correspondence between friends, colleagues, students, and galleries. The ephemeral items include awards and items of personal interests such as flip-books, magnets, promotional pop-ups, etc.","The series primarily comprises proofs, prototypes, draft components, and pre-production materials for Barton's 2014 artists' book  Land Forms and Air Currents .","\"Land Forms and Air Currents' was produced over the course of the years 2012 through 2014. Original artworks were done in gouache and watercolor, then scanned and adjusted in Adobe Photoshop. Layout was done using Adobe InDesign, and an edition of 25 copies was produced on an Epson Photo R2880 printer. Pop-up forms were cut using a Silhouette Cameo cutter and were hand-assembled by the artist. Fonts in the book are Verlag Book and Bell MT. Papers are Strathmore acid-free 100 lb. bristol and Strathmore acid-free 80 lb. drawing\"--Colophon","Numbered 5/26."],"separatedmaterial_html_tesm":["\u003cp\u003eNumerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. \u003cemph render=\"italic\"\u003eKer-Bloom!\u003c/emph\u003e, a series of art publications, were also separated and cataloged.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Numerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings.  Ker-Bloom! , a series of art publications, were also separated and cataloged."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2d8e790c8752baf58256cbedb902ee64\"\u003eThe Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton.\u003c/abstract\u003e"],"abstract_tesim":["The Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton."],"names_ssim":["James Madison University Libraries Special Collections","Barton, Carol June, 1954-"],"corpname_ssim":["James Madison University Libraries Special Collections"],"names_coll_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"persname_ssim":["Barton, Carol June, 1954-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":162,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:18:57.997Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_638_c04"}},{"id":"vihart_repositories_4_resources_215_c12","type":"Series","attributes":{"title":"2024-0507 accession","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_215_c12#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 12 consists of materials transferred to Special Collections in May 2024 comprising digital files. One folder of paper certificates, honors, and proclamations is included. The contents of this series are similar to records present throughout the collection and include minutes, resolutions, constitutions, financial files and budgets, correspondence, member lists, bills of opinion, house rules, election policies, and photographs.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_215_c12#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_215_c12","ref_ssm":["vihart_repositories_4_resources_215_c12"],"id":"vihart_repositories_4_resources_215_c12","ead_ssi":"vihart_repositories_4_resources_215","_root_":"vihart_repositories_4_resources_215","_nest_parent_":"vihart_repositories_4_resources_215","parent_ssi":"vihart_repositories_4_resources_215","parent_ssim":["vihart_repositories_4_resources_215"],"parent_ids_ssim":["vihart_repositories_4_resources_215"],"parent_unittitles_ssm":["Student Government Association records"],"parent_unittitles_tesim":["Student Government Association records"],"text":["Student Government Association records","2024-0507 accession","Series 12 consists of materials transferred to Special Collections in May 2024 comprising digital files. One folder of paper certificates, honors, and proclamations is included. The contents of this series are similar to records present throughout the collection and include minutes, resolutions, constitutions, financial files and budgets, correspondence, member lists, bills of opinion, house rules, election policies, and photographs."],"title_filing_ssi":"2024-0507 accession","title_ssm":["2024-0507 accession"],"title_tesim":["2024-0507 accession"],"unitdate_inclusive_ssm":["2011-2024"],"normalized_date_ssm":["2011/2024"],"normalized_title_ssm":["2024-0507 accession"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["Student Government Association records"],"has_online_content_ssim":["false"],"child_component_count_isi":14,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":457,"parent_access_restrict_tesm":["Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of certain records in series 8, Disciplinary files, that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Individual restrictions are described in the Conditions Governing Access note for the file and may include additional information about the parameters of the restriction.","Access to original audiocassettes and other physical media contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu)."],"parent_access_terms_tesm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"scopecontent_html_tesm":["\u003cp\u003eSeries 12 consists of materials transferred to Special Collections in May 2024 comprising digital files. One folder of paper certificates, honors, and proclamations is included. The contents of this series are similar to records present throughout the collection and include minutes, resolutions, constitutions, financial files and budgets, correspondence, member lists, bills of opinion, house rules, election policies, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series 12 consists of materials transferred to Special Collections in May 2024 comprising digital files. One folder of paper certificates, honors, and proclamations is included. The contents of this series are similar to records present throughout the collection and include minutes, resolutions, constitutions, financial files and budgets, correspondence, member lists, bills of opinion, house rules, election policies, and photographs."],"_nest_path_":"/components#11","timestamp":"2026-05-21T00:24:36.195Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_215","ead_ssi":"vihart_repositories_4_resources_215","_root_":"vihart_repositories_4_resources_215","_nest_parent_":"vihart_repositories_4_resources_215","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_215.xml","title_ssm":["Student Government Association records"],"title_tesim":["Student Government Association records"],"unitdate_ssm":["1915-2024"],"unitdate_inclusive_ssm":["1915-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0007","/repositories/4/resources/215"],"text":["UA 0007","/repositories/4/resources/215","Student Government Association records","College student government","College student government -- Elections","Student activities","Student activities -- Finance","Student activities -- handbooks, manuals, etc","Student activities -- Virginia -- Harrisonburg","College students","School discipline","Student participation in administration","Files (digital files)","Minutes (administrative records)","Letters (correspondence)","Financial Records","Administrative records","Constitutions","Scrapbooks","Printed Ephemera","Clothing","Legislative records","Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of certain records in series 8, Disciplinary files, that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Individual restrictions are described in the Conditions Governing Access note for the file and may include additional information about the parameters of the restriction.","Access to original audiocassettes and other physical media contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).","File is restricted due to the presence of Personal Identifable Information related to students. A redacted copy of this file may be requested by contacting the Special Collections Reference Desk (library-special@jmu.edu).","This series is open for research with the exception of files within the Restricted reports sub-grouping that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Restricted files are not requestable.","Files within the this subgroup are restricted from use in compliance with the Family Educational Rights and Privacy Act (FERPA) of 1974 that mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records within this group will be opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","This collection may receive additions.","The collection is arranged into 12 series:","Administrative, 1915-2015 Committees, 1931-2015 Correspondence, 1951-2003 Policies and Regulations, 1931-1971 Meeting Minutes, 1929-2012 Legislative Files, 1989-2012 Financial Files, 1987-2014 Disciplinary Files, 1922-1973 Photographs, 2000-2014 Scrapbooks, 2001-2009 Ephemera, 1930-2015 2024-0507 Accession, 2011-2024","Raymond Dingledine, Madison College: The First Fifty Years, 1908-1958 (Harrisonburg, Virginia: Madison College, 1959).","James Madison University's Student Government Association was established in February 1915 as the school's first student government. Although rumblings of self-government began with the founding of the school in 1908, it took a fair amount of effort to bring this idea to fruition. The roots of the university's SGA derive from the student Honor Council which began in the 1909-1910 school year. Students involved in the Honor Council began to create an unofficial student government that although unable to act in an official capacity, was instrumental in helping to bring about student support for self-government. By 1914, a small group of students worked together to draft a constitution for the planned student government organization and presented this constitution to the faculty. After completing revisions suggested by the faculty, the constitution was presented and voted on by the entire student body February 25, 1915 and as a result, the Student Association of the State Normal School at Harrisonburg was established. This first iteration of the organization required that the entire student body act as a member. Additionally, the Honor Committee was converted into the first Executive Board. This Executive Board included three officers (president, vice-president, and secretary), and several elected members of each class.","As the school and student population grew so did the organization and it eventually became unrealistic for the entire student body to act as members of the organization. Complications also arose within the organization with the introduction of full-time male students in 1946. At the time, it did not seem appropriate for men and women to govern students of the opposite sex. As a result, the male students decided to create their own self-government in 1950, labeling their organization the Men's Student Government Organization. The female students likewise formally relabeled their existing organization the Women's Student Government Association in 1953 to better distinguish the separation between the two groups; however, they rarely included this additional identifier. While the two groups worked together on many matters through the 50s and 60s, the organizations formally combine in 1970, creating the current manifestation of the Student Government Association. ","As of 2015, the SGA at JMU is made up of appointed members on the Executive Staff, Representatives, and At-Large Senators. Elected members include Class Council Senators, College Senators, and Area Residence Senators. The mission: The Student Government Association of James Madison University is an organization dedicated to collaborating with all members of its community to advocate for student opinion, while fostering a proactive, inclusive environment.","After reviewing the material in all accessions, about 2 linear feet of material was removed from one of the 2005 accessions. The material was largely financial forms that contained banking information or social security numbers. All binder and notebook material was removed from the original bindings and transferred into folders. All the pages from each of the scrapbooks were removed and photocopied. Photocopies were also made of the cover and back covers. This was done to help preserve the context of the photographs on the pages in preparation for possible adhesive failure.","Some of the material in this collection can be viewed on Special Collections' Student Government Association Digital Exhibit published on-line in April 2015. https://omeka.lib.jmu.edu/specialcollections/collections/show/2","This collection documents the activities of James Madison University's Student Government Association in Harrisonburg, Virginia from 1915-2024. The collection developed from seven different accessions from the Student Government Association received in the 1990s and early 2000s and contains a wide range of material which is organized according to physical type or corresponding to subject. Much of the material in this collection derives from different meetings within the organization including: the Student Council, Student Senate, Execution Board, Senate and Council Committees, and others. A large amount of the collection is administrative material regarding the work of these different internal groups as well as the procedures which govern them. Similarly, these different internal meetings produced a fair amount of the minutes, committee reports, and legislative files found in the collection. In addition to these materials, there are also a large amount of financial files related to the budget of SGA and other on campus organizations. This collection also consists of correspondence to and from different members of the SGA usually regarding issues of student conduct on and off campus. The last major section of the collection contains photographs, scrapbooks, and ephemera memorializing different SGA events. Further descriptions of the material can be found in the series descriptions.","This is the largest series in the collection and contains material related to the function and organization of SGA, featuring a variety of documents from 1923-2013, with the bulk of this series is from 1990-2013. There is a large gap in the material around 1980s. The first folder in the series, containing the organization's first constitution and by-laws, is not original to the collection. The document was located in the 1915 Faculty Minutes in the Board of Visitors Collection, 1908-2004 (PR 99-1122), photocopied, and added to the collection on March 25, 2015. This series additionally contains some interesting material related to student strikes which took place on campus in 1969 and 1970. There is particular information related to Jay Rainey, one of the student leaders, as well as SGA's Committee on Student Protest. Other materials to note in this series are documents from the early 2000s which relate to the sexual assault research on college campuses, reports related to the impact of Title IX on campus, and SGA research regarding the Forrest Hill Riot in 2000, which resulted in a conflict between the Harrisonburg Police Department and students at a spring block party.","This series contains material related to the work of the different SGA committees from 1931-2002. There is another large gap of material in the 1980s. The bulk of this series is from the 1960s and 1999-2002. This series also includes information related to the standards of conduct for female students in the 1930s and 1960s, such as proper dating procedures.","This series features correspondence from members of SGA to faculty and students on campus as well as several folders of correspondence to individuals off campus. The material in this series ranges from 1955-1971 with a small concentration from 2003. This series contains a fair amount of historical material, such as: a thank you card from Jackie Kennedy, 1963; material related to fears of communism on college campuses, 1965-1966; a letter from an upset parent regarding Jane Fonda's visit to campus in 1971; correspondence related to the proper conduct of female students during the 1950s and 1960s, especially in terms of interactions with males. This series also contains a collection of correspondence regarding the 2003 Board of Visitors decision to stop supplying students with emergency conception through the health center.","This series contains material related to the different standards and regulations applying to the students of the school 1931-1971. Most of the material from this series is from the 1950s and 1960s. These documents provide interesting examples of the different social expectations of men and women during the period as well as the restrictive nature of the school's administration in comparison to current campus regulations. The material from the 2000s relates to the policies student representatives are to follow during meetings of the Student Senate.","This series contains the minutes of the different branches of SGA, particularly Student Senate and the Executive Board, 1922-2012. There are two gaps in this series most notably between 1930-1940 with two smaller gaps in the 1970s and 2000s. These minutes generally provide information such as: meeting agendas, events taking place on campus, SGA members and committee chairs, as well as general insight into the everyday issues discussed in SGA meetings.","This series contains a mixture of bills and resolutions from SGA's Student Senate, 1989-2012, with the bulk from the 1990s. The series contains a large amount of resolutions related to the organization's contingency fund through which SGA assists in providing funding to different student organization on campus. However, there are also several folders of various bills presented to the Student Senate including proposed legislation that address contemporary social issues such as sexual orientation, campus issues such as better toilet paper, and student issues such as students' rights to privacy.","This series contains a variety of financial documents ranging from purchase orders and yearly budget information to travel receipts. A majority of the materials in this collection are budget reports providing financial information for different fiscal years. These reports are usually connected to the creation of the university's front-end budgets and often include budget information for other campus organizations such as the University Program Board, The Breeze, Black Student Alliance, and Student Ambassadors. A majority of the material removed from this series were: purchase orders; accounting and banking information; invoices; and receipts. This material was removed due to the presence of account information and social security numbers, and/or it was deemed that the material had little research value.","This series contains records of disciplinary hearings conducted by Student Council, 1922-1973. Examples of students' misconduct include smoking cigarettes, possession of smoking paraphernalia, riding with dates without proper permission, going downtown or off campus without proper permission, cheating on assignments and/or examinations, mild hazing, stealing books, shoplifting, and drinking. Punishments included warnings, being \"campused,\" probation, and indefinite suspension.","This series features five different groups of photographs, 2000-2014. The bulk of these photographs are connected to the SGA research of the Forrest Hill Riot in 2000; however, there are also photographs of the Class of 2009 Ring Premiere, the SGA Halloween Party, JMU's Big Event, and one of SGA's lobbying trips.","This series contains material from eight different SGA scrapbooks dated 2001-2009. These scrapbooks have little descriptive text and mostly contain photographs of different SGA functions and events. These scrapbooks are some of the best representations of the SGA student experience, as the images in these book show the relationships and personalities of the individuals that comprise the organization. One of particular importance is the scrapbook containing the letters, pictures, and notes saved from the two-year anniversary memorial of 9-11. The SGA 2001-2002 scrapbook contains a photograph of SGA members with former Governor and Mayor Douglas Wilder and Senator Mark Warner.","This series contains a variety of realia related to the history of SGA, 1930-2014. There are several large gaps in this series; 1931-1954, 1970-1980, and 2002-2012. The ephemera in this collection primarily comprises shirts, posters, academic regalia, and installation programs; however, there are additional items such as an SGA travel mug and several plaques. \"Mr. and Ms. Madison 2014\" sashes are included.","Series 12 consists of materials transferred to Special Collections in May 2024 comprising digital files. One folder of paper certificates, honors, and proclamations is included. The contents of this series are similar to records present throughout the collection and include minutes, resolutions, constitutions, financial files and budgets, correspondence, member lists, bills of opinion, house rules, election policies, and photographs.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Student Government Association Records consist of material relating to the activities of the James Madison University's Student Government Association from its establishment as the Student Association of the State Normal School for Women at Harrisonburg in 1915 until 2024.","James Madison University Libraries Special Collections","James Madison University. Student Government Association","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Students","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- Students","Madison College -- History","James Madison University -- Students","James Madison University -- History","Fonda, Jane, 1937-","English"],"unitid_tesim":["UA 0007","/repositories/4/resources/215"],"normalized_title_ssm":["Student Government Association records"],"collection_title_tesim":["Student Government Association records"],"collection_ssim":["Student Government Association records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["James Madison University. Student Government Association","James Madison University. Student Government Association"],"creator_ssim":["James Madison University. Student Government Association","James Madison University. Student Government Association"],"creator_corpname_ssim":["James Madison University. Student Government Association","James Madison University. Student Government Association"],"creators_ssim":["James Madison University. Student Government Association","James Madison University. Student Government Association"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The material in this collection was donated by members of James Madison University's Student Government Association in several different accessions between 1993 and 2024. The earlier accessions (1993-2001) were previously processed and assigned archival collection numbers SGA 93-0401, SGA 93-1019, and SGA 2001-1010. These materials were reprocessed along with the later accessions and combined into one larger collection, UA 0007. Additional accessions (2015-0830, 2015-0828, and 2015-0505) were added to the collection in November 2018. On May 1, 2019, an additional 2 storage boxes were donated by SGA Communications Director, Halle Forbes. Accession 2024-0507, comprising mostly digital files and transfered by acting SGA historian Mason Hoey, was incorporated into the collection in May 2024."],"access_subjects_ssim":["College student government","College student government -- Elections","Student activities","Student activities -- Finance","Student activities -- handbooks, manuals, etc","Student activities -- Virginia -- Harrisonburg","College students","School discipline","Student participation in administration","Files (digital files)","Minutes (administrative records)","Letters (correspondence)","Financial Records","Administrative records","Constitutions","Scrapbooks","Printed Ephemera","Clothing","Legislative records"],"access_subjects_ssm":["College student government","College student government -- Elections","Student activities","Student activities -- Finance","Student activities -- handbooks, manuals, etc","Student activities -- Virginia -- Harrisonburg","College students","School discipline","Student participation in administration","Files (digital files)","Minutes (administrative records)","Letters (correspondence)","Financial Records","Administrative records","Constitutions","Scrapbooks","Printed Ephemera","Clothing","Legislative records"],"has_online_content_ssim":["false"],"extent_ssm":["12.74 cubic feet 37 boxes","557 Megabytes 594 digital files"],"extent_tesim":["12.74 cubic feet 37 boxes","557 Megabytes 594 digital files"],"genreform_ssim":["Files (digital files)","Minutes (administrative records)","Letters (correspondence)","Financial Records","Administrative records","Constitutions","Scrapbooks","Printed Ephemera","Clothing","Legislative records"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eResearchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of certain records in series 8, Disciplinary files, that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Individual restrictions are described in the Conditions Governing Access note for the file and may include additional information about the parameters of the restriction.\u003c/p\u003e\n","\u003cp\u003eAccess to original audiocassettes and other physical media contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.\u003c/p\u003e\n","\u003cp\u003ePlease contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eFile is restricted due to the presence of Personal Identifable Information related to students. A redacted copy of this file may be requested by contacting the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eThis series is open for research with the exception of files within the Restricted reports sub-grouping that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Restricted files are not requestable.\u003c/p\u003e","\u003cp\u003eFiles within the this subgroup are restricted from use in compliance with the Family Educational Rights and Privacy Act (FERPA) of 1974 that mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records within this group will be opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Access Restrictions","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of certain records in series 8, Disciplinary files, that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Individual restrictions are described in the Conditions Governing Access note for the file and may include additional information about the parameters of the restriction.","Access to original audiocassettes and other physical media contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).","File is restricted due to the presence of Personal Identifable Information related to students. A redacted copy of this file may be requested by contacting the Special Collections Reference Desk (library-special@jmu.edu).","This series is open for research with the exception of files within the Restricted reports sub-grouping that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Restricted files are not requestable.","Files within the this subgroup are restricted from use in compliance with the Family Educational Rights and Privacy Act (FERPA) of 1974 that mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records within this group will be opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased."],"accruals_html_tesm":["\u003cp\u003eThis collection may receive additions.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["This collection may receive additions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 12 series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eAdministrative, 1915-2015\u003c/item\u003e\n      \u003citem\u003eCommittees, 1931-2015\u003c/item\u003e\n      \u003citem\u003eCorrespondence, 1951-2003\u003c/item\u003e\n      \u003citem\u003ePolicies and Regulations, 1931-1971\u003c/item\u003e\n      \u003citem\u003eMeeting Minutes, 1929-2012\u003c/item\u003e\n      \u003citem\u003eLegislative Files, 1989-2012\u003c/item\u003e\n      \u003citem\u003eFinancial Files, 1987-2014\u003c/item\u003e\n      \u003citem\u003eDisciplinary Files, 1922-1973\u003c/item\u003e\n      \u003citem\u003ePhotographs, 2000-2014\u003c/item\u003e\n      \u003citem\u003eScrapbooks, 2001-2009\u003c/item\u003e\n      \u003citem\u003eEphemera, 1930-2015\u003c/item\u003e\n      \u003citem\u003e2024-0507 Accession, 2011-2024\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 12 series:","Administrative, 1915-2015 Committees, 1931-2015 Correspondence, 1951-2003 Policies and Regulations, 1931-1971 Meeting Minutes, 1929-2012 Legislative Files, 1989-2012 Financial Files, 1987-2014 Disciplinary Files, 1922-1973 Photographs, 2000-2014 Scrapbooks, 2001-2009 Ephemera, 1930-2015 2024-0507 Accession, 2011-2024"],"bibliography_html_tesm":["\u003cbibref\u003eRaymond Dingledine, Madison College: The First Fifty Years, 1908-1958 (Harrisonburg, Virginia: Madison College, 1959).\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Raymond Dingledine, Madison College: The First Fifty Years, 1908-1958 (Harrisonburg, Virginia: Madison College, 1959)."],"bioghist_html_tesm":["\u003cp\u003eJames Madison University's Student Government Association was established in February 1915 as the school's first student government. Although rumblings of self-government began with the founding of the school in 1908, it took a fair amount of effort to bring this idea to fruition. The roots of the university's SGA derive from the student Honor Council which began in the 1909-1910 school year. Students involved in the Honor Council began to create an unofficial student government that although unable to act in an official capacity, was instrumental in helping to bring about student support for self-government. By 1914, a small group of students worked together to draft a constitution for the planned student government organization and presented this constitution to the faculty. After completing revisions suggested by the faculty, the constitution was presented and voted on by the entire student body February 25, 1915 and as a result, the Student Association of the State Normal School at Harrisonburg was established. This first iteration of the organization required that the entire student body act as a member. Additionally, the Honor Committee was converted into the first Executive Board. This Executive Board included three officers (president, vice-president, and secretary), and several elected members of each class.\u003c/p\u003e\n","\u003cp\u003eAs the school and student population grew so did the organization and it eventually became unrealistic for the entire student body to act as members of the organization. Complications also arose within the organization with the introduction of full-time male students in 1946. At the time, it did not seem appropriate for men and women to govern students of the opposite sex. As a result, the male students decided to create their own self-government in 1950, labeling their organization the Men's Student Government Organization. The female students likewise formally relabeled their existing organization the Women's Student Government Association in 1953 to better distinguish the separation between the two groups; however, they rarely included this additional identifier. While the two groups worked together on many matters through the 50s and 60s, the organizations formally combine in 1970, creating the current manifestation of the Student Government Association. \u003c/p\u003e\n","\u003cp\u003eAs of 2015, the SGA at JMU is made up of appointed members on the Executive Staff, Representatives, and At-Large Senators. Elected members include Class Council Senators, College Senators, and Area Residence Senators. The mission: The Student Government Association of James Madison University is an organization dedicated to collaborating with all members of its community to advocate for student opinion, while fostering a proactive, inclusive environment.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["James Madison University's Student Government Association was established in February 1915 as the school's first student government. Although rumblings of self-government began with the founding of the school in 1908, it took a fair amount of effort to bring this idea to fruition. The roots of the university's SGA derive from the student Honor Council which began in the 1909-1910 school year. Students involved in the Honor Council began to create an unofficial student government that although unable to act in an official capacity, was instrumental in helping to bring about student support for self-government. By 1914, a small group of students worked together to draft a constitution for the planned student government organization and presented this constitution to the faculty. After completing revisions suggested by the faculty, the constitution was presented and voted on by the entire student body February 25, 1915 and as a result, the Student Association of the State Normal School at Harrisonburg was established. This first iteration of the organization required that the entire student body act as a member. Additionally, the Honor Committee was converted into the first Executive Board. This Executive Board included three officers (president, vice-president, and secretary), and several elected members of each class.","As the school and student population grew so did the organization and it eventually became unrealistic for the entire student body to act as members of the organization. Complications also arose within the organization with the introduction of full-time male students in 1946. At the time, it did not seem appropriate for men and women to govern students of the opposite sex. As a result, the male students decided to create their own self-government in 1950, labeling their organization the Men's Student Government Organization. The female students likewise formally relabeled their existing organization the Women's Student Government Association in 1953 to better distinguish the separation between the two groups; however, they rarely included this additional identifier. While the two groups worked together on many matters through the 50s and 60s, the organizations formally combine in 1970, creating the current manifestation of the Student Government Association. ","As of 2015, the SGA at JMU is made up of appointed members on the Executive Staff, Representatives, and At-Large Senators. Elected members include Class Council Senators, College Senators, and Area Residence Senators. The mission: The Student Government Association of James Madison University is an organization dedicated to collaborating with all members of its community to advocate for student opinion, while fostering a proactive, inclusive environment."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Student Government Association Records, 1915-2024, UA 0007, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Student Government Association Records, 1915-2024, UA 0007, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eAfter reviewing the material in all accessions, about 2 linear feet of material was removed from one of the 2005 accessions. The material was largely financial forms that contained banking information or social security numbers. All binder and notebook material was removed from the original bindings and transferred into folders. All the pages from each of the scrapbooks were removed and photocopied. Photocopies were also made of the cover and back covers. This was done to help preserve the context of the photographs on the pages in preparation for possible adhesive failure.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["After reviewing the material in all accessions, about 2 linear feet of material was removed from one of the 2005 accessions. The material was largely financial forms that contained banking information or social security numbers. All binder and notebook material was removed from the original bindings and transferred into folders. All the pages from each of the scrapbooks were removed and photocopied. Photocopies were also made of the cover and back covers. This was done to help preserve the context of the photographs on the pages in preparation for possible adhesive failure."],"relatedmaterial_html_tesm":["\u003cp\u003eSome of the material in this collection can be viewed on Special Collections' Student Government Association Digital Exhibit published on-line in April 2015. https://omeka.lib.jmu.edu/specialcollections/collections/show/2\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Some of the material in this collection can be viewed on Special Collections' Student Government Association Digital Exhibit published on-line in April 2015. https://omeka.lib.jmu.edu/specialcollections/collections/show/2"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the activities of James Madison University's Student Government Association in Harrisonburg, Virginia from 1915-2024. The collection developed from seven different accessions from the Student Government Association received in the 1990s and early 2000s and contains a wide range of material which is organized according to physical type or corresponding to subject. Much of the material in this collection derives from different meetings within the organization including: the Student Council, Student Senate, Execution Board, Senate and Council Committees, and others. A large amount of the collection is administrative material regarding the work of these different internal groups as well as the procedures which govern them. Similarly, these different internal meetings produced a fair amount of the minutes, committee reports, and legislative files found in the collection. In addition to these materials, there are also a large amount of financial files related to the budget of SGA and other on campus organizations. This collection also consists of correspondence to and from different members of the SGA usually regarding issues of student conduct on and off campus. The last major section of the collection contains photographs, scrapbooks, and ephemera memorializing different SGA events. Further descriptions of the material can be found in the series descriptions.\u003c/p\u003e","\u003cp\u003eThis is the largest series in the collection and contains material related to the function and organization of SGA, featuring a variety of documents from 1923-2013, with the bulk of this series is from 1990-2013. There is a large gap in the material around 1980s. The first folder in the series, containing the organization's first constitution and by-laws, is not original to the collection. The document was located in the 1915 Faculty Minutes in the Board of Visitors Collection, 1908-2004 (PR 99-1122), photocopied, and added to the collection on March 25, 2015. This series additionally contains some interesting material related to student strikes which took place on campus in 1969 and 1970. There is particular information related to Jay Rainey, one of the student leaders, as well as SGA's Committee on Student Protest. Other materials to note in this series are documents from the early 2000s which relate to the sexual assault research on college campuses, reports related to the impact of Title IX on campus, and SGA research regarding the Forrest Hill Riot in 2000, which resulted in a conflict between the Harrisonburg Police Department and students at a spring block party.\u003c/p\u003e","\u003cp\u003eThis series contains material related to the work of the different SGA committees from 1931-2002. There is another large gap of material in the 1980s. The bulk of this series is from the 1960s and 1999-2002. This series also includes information related to the standards of conduct for female students in the 1930s and 1960s, such as proper dating procedures.\u003c/p\u003e","\u003cp\u003eThis series features correspondence from members of SGA to faculty and students on campus as well as several folders of correspondence to individuals off campus. The material in this series ranges from 1955-1971 with a small concentration from 2003. This series contains a fair amount of historical material, such as: a thank you card from Jackie Kennedy, 1963; material related to fears of communism on college campuses, 1965-1966; a letter from an upset parent regarding Jane Fonda's visit to campus in 1971; correspondence related to the proper conduct of female students during the 1950s and 1960s, especially in terms of interactions with males. This series also contains a collection of correspondence regarding the 2003 Board of Visitors decision to stop supplying students with emergency conception through the health center.\u003c/p\u003e","\u003cp\u003eThis series contains material related to the different standards and regulations applying to the students of the school 1931-1971. Most of the material from this series is from the 1950s and 1960s. These documents provide interesting examples of the different social expectations of men and women during the period as well as the restrictive nature of the school's administration in comparison to current campus regulations. The material from the 2000s relates to the policies student representatives are to follow during meetings of the Student Senate.\u003c/p\u003e","\u003cp\u003eThis series contains the minutes of the different branches of SGA, particularly Student Senate and the Executive Board, 1922-2012. There are two gaps in this series most notably between 1930-1940 with two smaller gaps in the 1970s and 2000s. These minutes generally provide information such as: meeting agendas, events taking place on campus, SGA members and committee chairs, as well as general insight into the everyday issues discussed in SGA meetings.\u003c/p\u003e","\u003cp\u003eThis series contains a mixture of bills and resolutions from SGA's Student Senate, 1989-2012, with the bulk from the 1990s. The series contains a large amount of resolutions related to the organization's contingency fund through which SGA assists in providing funding to different student organization on campus. However, there are also several folders of various bills presented to the Student Senate including proposed legislation that address contemporary social issues such as sexual orientation, campus issues such as better toilet paper, and student issues such as students' rights to privacy.\u003c/p\u003e","\u003cp\u003eThis series contains a variety of financial documents ranging from purchase orders and yearly budget information to travel receipts. A majority of the materials in this collection are budget reports providing financial information for different fiscal years. These reports are usually connected to the creation of the university's front-end budgets and often include budget information for other campus organizations such as the University Program Board, The Breeze, Black Student Alliance, and Student Ambassadors. A majority of the material removed from this series were: purchase orders; accounting and banking information; invoices; and receipts. This material was removed due to the presence of account information and social security numbers, and/or it was deemed that the material had little research value.\u003c/p\u003e","\u003cp\u003eThis series contains records of disciplinary hearings conducted by Student Council, 1922-1973. Examples of students' misconduct include smoking cigarettes, possession of smoking paraphernalia, riding with dates without proper permission, going downtown or off campus without proper permission, cheating on assignments and/or examinations, mild hazing, stealing books, shoplifting, and drinking. Punishments included warnings, being \"campused,\" probation, and indefinite suspension.\u003c/p\u003e","\u003cp\u003eThis series features five different groups of photographs, 2000-2014. The bulk of these photographs are connected to the SGA research of the Forrest Hill Riot in 2000; however, there are also photographs of the Class of 2009 Ring Premiere, the SGA Halloween Party, JMU's Big Event, and one of SGA's lobbying trips.\u003c/p\u003e","\u003cp\u003eThis series contains material from eight different SGA scrapbooks dated 2001-2009. These scrapbooks have little descriptive text and mostly contain photographs of different SGA functions and events. These scrapbooks are some of the best representations of the SGA student experience, as the images in these book show the relationships and personalities of the individuals that comprise the organization. One of particular importance is the scrapbook containing the letters, pictures, and notes saved from the two-year anniversary memorial of 9-11. The SGA 2001-2002 scrapbook contains a photograph of SGA members with former Governor and Mayor Douglas Wilder and Senator Mark Warner.\u003c/p\u003e","\u003cp\u003eThis series contains a variety of realia related to the history of SGA, 1930-2014. There are several large gaps in this series; 1931-1954, 1970-1980, and 2002-2012. The ephemera in this collection primarily comprises shirts, posters, academic regalia, and installation programs; however, there are additional items such as an SGA travel mug and several plaques. \"Mr. and Ms. Madison 2014\" sashes are included.\u003c/p\u003e","\u003cp\u003eSeries 12 consists of materials transferred to Special Collections in May 2024 comprising digital files. One folder of paper certificates, honors, and proclamations is included. The contents of this series are similar to records present throughout the collection and include minutes, resolutions, constitutions, financial files and budgets, correspondence, member lists, bills of opinion, house rules, election policies, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["This collection documents the activities of James Madison University's Student Government Association in Harrisonburg, Virginia from 1915-2024. The collection developed from seven different accessions from the Student Government Association received in the 1990s and early 2000s and contains a wide range of material which is organized according to physical type or corresponding to subject. Much of the material in this collection derives from different meetings within the organization including: the Student Council, Student Senate, Execution Board, Senate and Council Committees, and others. A large amount of the collection is administrative material regarding the work of these different internal groups as well as the procedures which govern them. Similarly, these different internal meetings produced a fair amount of the minutes, committee reports, and legislative files found in the collection. In addition to these materials, there are also a large amount of financial files related to the budget of SGA and other on campus organizations. This collection also consists of correspondence to and from different members of the SGA usually regarding issues of student conduct on and off campus. The last major section of the collection contains photographs, scrapbooks, and ephemera memorializing different SGA events. Further descriptions of the material can be found in the series descriptions.","This is the largest series in the collection and contains material related to the function and organization of SGA, featuring a variety of documents from 1923-2013, with the bulk of this series is from 1990-2013. There is a large gap in the material around 1980s. The first folder in the series, containing the organization's first constitution and by-laws, is not original to the collection. The document was located in the 1915 Faculty Minutes in the Board of Visitors Collection, 1908-2004 (PR 99-1122), photocopied, and added to the collection on March 25, 2015. This series additionally contains some interesting material related to student strikes which took place on campus in 1969 and 1970. There is particular information related to Jay Rainey, one of the student leaders, as well as SGA's Committee on Student Protest. Other materials to note in this series are documents from the early 2000s which relate to the sexual assault research on college campuses, reports related to the impact of Title IX on campus, and SGA research regarding the Forrest Hill Riot in 2000, which resulted in a conflict between the Harrisonburg Police Department and students at a spring block party.","This series contains material related to the work of the different SGA committees from 1931-2002. There is another large gap of material in the 1980s. The bulk of this series is from the 1960s and 1999-2002. This series also includes information related to the standards of conduct for female students in the 1930s and 1960s, such as proper dating procedures.","This series features correspondence from members of SGA to faculty and students on campus as well as several folders of correspondence to individuals off campus. The material in this series ranges from 1955-1971 with a small concentration from 2003. This series contains a fair amount of historical material, such as: a thank you card from Jackie Kennedy, 1963; material related to fears of communism on college campuses, 1965-1966; a letter from an upset parent regarding Jane Fonda's visit to campus in 1971; correspondence related to the proper conduct of female students during the 1950s and 1960s, especially in terms of interactions with males. This series also contains a collection of correspondence regarding the 2003 Board of Visitors decision to stop supplying students with emergency conception through the health center.","This series contains material related to the different standards and regulations applying to the students of the school 1931-1971. Most of the material from this series is from the 1950s and 1960s. These documents provide interesting examples of the different social expectations of men and women during the period as well as the restrictive nature of the school's administration in comparison to current campus regulations. The material from the 2000s relates to the policies student representatives are to follow during meetings of the Student Senate.","This series contains the minutes of the different branches of SGA, particularly Student Senate and the Executive Board, 1922-2012. There are two gaps in this series most notably between 1930-1940 with two smaller gaps in the 1970s and 2000s. These minutes generally provide information such as: meeting agendas, events taking place on campus, SGA members and committee chairs, as well as general insight into the everyday issues discussed in SGA meetings.","This series contains a mixture of bills and resolutions from SGA's Student Senate, 1989-2012, with the bulk from the 1990s. The series contains a large amount of resolutions related to the organization's contingency fund through which SGA assists in providing funding to different student organization on campus. However, there are also several folders of various bills presented to the Student Senate including proposed legislation that address contemporary social issues such as sexual orientation, campus issues such as better toilet paper, and student issues such as students' rights to privacy.","This series contains a variety of financial documents ranging from purchase orders and yearly budget information to travel receipts. A majority of the materials in this collection are budget reports providing financial information for different fiscal years. These reports are usually connected to the creation of the university's front-end budgets and often include budget information for other campus organizations such as the University Program Board, The Breeze, Black Student Alliance, and Student Ambassadors. A majority of the material removed from this series were: purchase orders; accounting and banking information; invoices; and receipts. This material was removed due to the presence of account information and social security numbers, and/or it was deemed that the material had little research value.","This series contains records of disciplinary hearings conducted by Student Council, 1922-1973. Examples of students' misconduct include smoking cigarettes, possession of smoking paraphernalia, riding with dates without proper permission, going downtown or off campus without proper permission, cheating on assignments and/or examinations, mild hazing, stealing books, shoplifting, and drinking. Punishments included warnings, being \"campused,\" probation, and indefinite suspension.","This series features five different groups of photographs, 2000-2014. The bulk of these photographs are connected to the SGA research of the Forrest Hill Riot in 2000; however, there are also photographs of the Class of 2009 Ring Premiere, the SGA Halloween Party, JMU's Big Event, and one of SGA's lobbying trips.","This series contains material from eight different SGA scrapbooks dated 2001-2009. These scrapbooks have little descriptive text and mostly contain photographs of different SGA functions and events. These scrapbooks are some of the best representations of the SGA student experience, as the images in these book show the relationships and personalities of the individuals that comprise the organization. One of particular importance is the scrapbook containing the letters, pictures, and notes saved from the two-year anniversary memorial of 9-11. The SGA 2001-2002 scrapbook contains a photograph of SGA members with former Governor and Mayor Douglas Wilder and Senator Mark Warner.","This series contains a variety of realia related to the history of SGA, 1930-2014. There are several large gaps in this series; 1931-1954, 1970-1980, and 2002-2012. The ephemera in this collection primarily comprises shirts, posters, academic regalia, and installation programs; however, there are additional items such as an SGA travel mug and several plaques. \"Mr. and Ms. Madison 2014\" sashes are included.","Series 12 consists of materials transferred to Special Collections in May 2024 comprising digital files. One folder of paper certificates, honors, and proclamations is included. The contents of this series are similar to records present throughout the collection and include minutes, resolutions, constitutions, financial files and budgets, correspondence, member lists, bills of opinion, house rules, election policies, and photographs."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e\n","\u003cp\u003eStaff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0da7b229c8c3f306c4ddb8f74a4cfc1a\"\u003eThe Student Government Association Records consist of material relating to the activities of the James Madison University's Student Government Association from its establishment as the Student Association of the State Normal School for Women at Harrisonburg in 1915 until 2024.\u003c/abstract\u003e"],"abstract_tesim":["The Student Government Association Records consist of material relating to the activities of the James Madison University's Student Government Association from its establishment as the Student Association of the State Normal School for Women at Harrisonburg in 1915 until 2024."],"names_coll_ssim":["James Madison University. Student Government Association","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Students","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- Students","Madison College -- History","James Madison University -- Students","James Madison University -- History"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Student Government Association","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Students","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- Students","Madison College -- History","James Madison University -- Students","James Madison University -- History","Fonda, Jane, 1937-"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Student Government Association","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Students","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- Students","Madison College -- History","James Madison University -- Students","James Madison University -- History"],"persname_ssim":["Fonda, Jane, 1937-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:24:36.195Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_215_c12"}},{"id":"vihart_repositories_4_resources_594_c07","type":"Series","attributes":{"title":"2025-0909 Accession","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_594_c07#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_594_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_594_c07","ref_ssm":["vihart_repositories_4_resources_594_c07"],"id":"vihart_repositories_4_resources_594_c07","ead_ssi":"vihart_repositories_4_resources_594","_root_":"vihart_repositories_4_resources_594","_nest_parent_":"vihart_repositories_4_resources_594","parent_ssi":"vihart_repositories_4_resources_594","parent_ssim":["vihart_repositories_4_resources_594"],"parent_ids_ssim":["vihart_repositories_4_resources_594"],"parent_unittitles_ssm":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"parent_unittitles_tesim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"text":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","2025-0909 Accession","Series 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors."],"title_filing_ssi":"2025-0909 Accession","title_ssm":["2025-0909 Accession"],"title_tesim":["2025-0909 Accession"],"unitdate_inclusive_ssm":["1979-2025"],"normalized_date_ssm":["1979/2025"],"normalized_title_ssm":["2025-0909 Accession"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"has_online_content_ssim":["false"],"child_component_count_isi":25,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":276,"parent_access_restrict_tesm":["Collection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"scopecontent_html_tesm":["\u003cp\u003eSeries 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors."],"_nest_path_":"/components#6","timestamp":"2026-05-21T00:23:04.783Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_594","ead_ssi":"vihart_repositories_4_resources_594","_root_":"vihart_repositories_4_resources_594","_nest_parent_":"vihart_repositories_4_resources_594","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_594.xml","title_ssm":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"title_tesim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"unitdate_ssm":["1929-2025"],"unitdate_inclusive_ssm":["1929-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0211","/repositories/4/resources/594"],"text":["SC 0211","/repositories/4/resources/594","American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","Women college graduates -- Virginia -- Harrisonburg -- Societies, etc","Women in education -- Virginia -- Harrisonburg -- History","Women -- Virginia -- Harrisonburg -- Societies and clubs","Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)","Collection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection.","Original media formats are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The scrapbook pages have been photocopied and are available alongside the original.","The collection is arranged into seven series:","Administrative Files, 1929-2015 Financial Files, 1969-2007 Causes, Activism, and Education, 1965-2008 Publications, 1968-2011 Conventions and Programming, 1968-2017 Scrapbooks, Photographs, and Ephemera, 1929-2011 2025-0909 Accession, 1979-2025","\"Our History.\" American Association of University Women, https://history.aauw.org/ (accessed September 19, 2019).","The American Association of University Women (AAUW) was founded on November 28, 1881 when Marion Talbot and Ellen Richards met in Boston, Massachusetts along with 15 alumnae representing eight colleges. The aim of this first meeting was to discuss the needs of college-educated women and to broaden opportunities and assist women in higher education. The organization is nonpartisan and nonprofit with more than 170,000 members. The mission of AAUW is \"to advance gender equity for women through research, education, and advocacy.\" Membership in AAUW is open to anyone holding a two-year associate degree or higher from an accredited college or university, or equivalent. ","The Harrisonburg branch of AAUW was founded on April 15, 1929 in Alumnae Hall on the campus of the State Teachers College at Harrisonburg (now James Madison University). The branch was organized with 15 charter members including Virginia Harnsberger, librarian at the State Teachers College, who was elected its first president. During the 1940s, the branch established and provided continued support for the Virginia Harnsberger Memorial Fund to furnish the Children's Room at the new Rockingham Public Library. In addition to membership dues, the recipe book  Recipes of the Shenandoah Valley , first published in 1959, served as a primary funding source for branch activities and outreach. Since 1975, the branch has held regular book club meetings. Current branch initiatives include equal rights and equal pay advocacy as well as voter registration. In partnership with JMU, the branch organizes \"Girls Can,\" an annual STEM conference and career fair for middle school girls.","The Harrisonburg branch of AAUW officially disbanded on July 1, 2025.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2019.  This collection was previously cataloged as SC 5036.","During this time, the collection was also reprocessed in order to simplify the intellectual arrangement, increase discoverability through better description, and better stabilize  the materials through physical rehousing. Significant changes to the collection include the weeding of bank statements, canceled checks and check stubs, receipts, and deposit slips. Their research value is minimal and furthermore the financial activities of AAUW are documented in the bound account books and membership files which were retained. Additionally, duplicate materials, primarily multiple copies of newsletters and publications, were also discarded.","Loose copies of the Harrisonburg Branch Yearbook and branch newsletters, originally associated with the 1929-1947 scrapbook, were filed with like materials in Series 1 and Series 4 respectively.","When the collection was originally processed in September 2012, the pages of the 1929-1947 scrapbook were separated from the boards and photocopied. The original scrapbook, boards, pages, and photocopied pages are all retained.","The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2017, document the activities of Harrisonburg's local AAUW branch and include administrative records, meeting minutes, bylaws, membership records, financial files, publications and newsletters, annual conference materials, scrapbooks, ephemera, and photographs.","Researchers should note that while there is a discrete series for Financial Files, other series, specifically Administrative Files, also contain documents related to the financial goings-on of AAUW. Cross-referencing related series is encouraged. Similarly, the absence of a Correspondence series does not denote a lack of correspondence. In fact, correspondence is likely located in most series.","Series 1: Administrative Files, 1929-2015, comprises bylaws, meeting minutes, membership files, and general materials related to the administrative activities of the Harrisonburg branch of AAUW. Materials related to other branches, specifically bylaws, are also included.","Series 2: Financial Files, 1969-2007, documents the business activities of the AAUW, Harrisonburg branch. The account books document the branch's income and expenses. Complementary materials include financial statements and reports, budgets, and treasurer's reports.","Series 3: Causes, Activism, and Education, 1965-2008, comprises subject files related to the mission of AAUW, particularly concerning social movements, education, and voting rights.","Series 4: Publications, 1968-2011, contains official publications and printed material primarily created by AAUW as well as the Harrisonburg branch, other local branches, and the Virginia division. ","The Harrisonburg Branch newsletter has had several title changes during the course of its publication. The titles represented in this collection include: \"U\" News, AAUW Newsletter, AAUW News, and The Inside Track. There are periods of time during which the newsletter does not have a discernable title. In the spirit of keeping like materials together, all branch newsletters, regardless of title, are filed under the generic title \"Newsletters.\" ","This series also includes publications explicitly related to causes, activism, and education. Relatedly, regularly published periodicals by AAUW also include articles related to the organization's causes. Researchers are encouraged to cross-reference Series 3: Causes, Activism, and Education for related subject files.","Series 5: Conventions and Programming, 1968-2017, comprises programs and related materials documenting the annual Virginia AAUW convention. The Harrisonburg branch's implementation of \"Girls Can,\" a STEM career fair, is documented in this series. This series also includes assorted programming and promotional materials and flyers.","Series 6: Scrapbooks, Photographs, and Ephemera, 1929-2011, comprises five scrapbooks, photo albums and loose photographs, printed ephemera, and realia. The scrapbooks include newspaper clippings, ephemera, programs, and photographs documenting the activities of the AAUW, Harrisonburg branch during a given time period. Of particular interest is a sash including the phrase \"MARCH FOR WOMEN'S EQUALITY, WOMEN'S LIVES.\"","Series 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors.","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch document the activities of Harrisonburg's local AAUW branch and include administrative records, financial files, publications, annual conference materials, scrapbooks, and photographs.","James Madison University Libraries Special Collections","American Association of University Women. Harrisonburg Branch","American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History","English"],"unitid_tesim":["SC 0211","/repositories/4/resources/594"],"normalized_title_ssm":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"collection_title_tesim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"collection_ssim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["American Association of University Women. Harrisonburg Branch"],"creator_ssim":["American Association of University Women. Harrisonburg Branch"],"creator_corpname_ssim":["American Association of University Women. Harrisonburg Branch"],"creators_ssim":["American Association of University Women. Harrisonburg Branch"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated in five separate accessions between 2011 and 2025."],"access_subjects_ssim":["Women college graduates -- Virginia -- Harrisonburg -- Societies, etc","Women in education -- Virginia -- Harrisonburg -- History","Women -- Virginia -- Harrisonburg -- Societies and clubs","Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)"],"access_subjects_ssm":["Women college graduates -- Virginia -- Harrisonburg -- Societies, etc","Women in education -- Virginia -- Harrisonburg -- History","Women -- Virginia -- Harrisonburg -- Societies and clubs","Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)"],"has_online_content_ssim":["false"],"extent_ssm":["9.89 cubic feet 29 boxes"],"extent_tesim":["9.89 cubic feet 29 boxes"],"genreform_ssim":["Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)"],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eOriginal media formats are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection.","Original media formats are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe scrapbook pages have been photocopied and are available alongside the original.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The scrapbook pages have been photocopied and are available alongside the original."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into seven series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eAdministrative Files, 1929-2015\u003c/item\u003e\n      \u003citem\u003eFinancial Files, 1969-2007\u003c/item\u003e\n      \u003citem\u003eCauses, Activism, and Education, 1965-2008\u003c/item\u003e\n      \u003citem\u003ePublications, 1968-2011\u003c/item\u003e\n      \u003citem\u003eConventions and Programming, 1968-2017\u003c/item\u003e\n      \u003citem\u003eScrapbooks, Photographs, and Ephemera, 1929-2011\u003c/item\u003e\n      \u003citem\u003e2025-0909 Accession, 1979-2025\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into seven series:","Administrative Files, 1929-2015 Financial Files, 1969-2007 Causes, Activism, and Education, 1965-2008 Publications, 1968-2011 Conventions and Programming, 1968-2017 Scrapbooks, Photographs, and Ephemera, 1929-2011 2025-0909 Accession, 1979-2025"],"bibliography_html_tesm":["\u003cbibref\u003e\"Our History.\" American Association of University Women, https://history.aauw.org/ (accessed September 19, 2019).\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Our History.\" American Association of University Women, https://history.aauw.org/ (accessed September 19, 2019)."],"bioghist_html_tesm":["\u003cp\u003eThe American Association of University Women (AAUW) was founded on November 28, 1881 when Marion Talbot and Ellen Richards met in Boston, Massachusetts along with 15 alumnae representing eight colleges. The aim of this first meeting was to discuss the needs of college-educated women and to broaden opportunities and assist women in higher education. The organization is nonpartisan and nonprofit with more than 170,000 members. The mission of AAUW is \"to advance gender equity for women through research, education, and advocacy.\" Membership in AAUW is open to anyone holding a two-year associate degree or higher from an accredited college or university, or equivalent. \u003c/p\u003e\n","\u003cp\u003eThe Harrisonburg branch of AAUW was founded on April 15, 1929 in Alumnae Hall on the campus of the State Teachers College at Harrisonburg (now James Madison University). The branch was organized with 15 charter members including Virginia Harnsberger, librarian at the State Teachers College, who was elected its first president. During the 1940s, the branch established and provided continued support for the Virginia Harnsberger Memorial Fund to furnish the Children's Room at the new Rockingham Public Library. In addition to membership dues, the recipe book \u003cemph render=\"italic\"\u003eRecipes of the Shenandoah Valley\u003c/emph\u003e, first published in 1959, served as a primary funding source for branch activities and outreach. Since 1975, the branch has held regular book club meetings. Current branch initiatives include equal rights and equal pay advocacy as well as voter registration. In partnership with JMU, the branch organizes \"Girls Can,\" an annual STEM conference and career fair for middle school girls.\u003c/p\u003e\n","\u003cp\u003eThe Harrisonburg branch of AAUW officially disbanded on July 1, 2025.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The American Association of University Women (AAUW) was founded on November 28, 1881 when Marion Talbot and Ellen Richards met in Boston, Massachusetts along with 15 alumnae representing eight colleges. The aim of this first meeting was to discuss the needs of college-educated women and to broaden opportunities and assist women in higher education. The organization is nonpartisan and nonprofit with more than 170,000 members. The mission of AAUW is \"to advance gender equity for women through research, education, and advocacy.\" Membership in AAUW is open to anyone holding a two-year associate degree or higher from an accredited college or university, or equivalent. ","The Harrisonburg branch of AAUW was founded on April 15, 1929 in Alumnae Hall on the campus of the State Teachers College at Harrisonburg (now James Madison University). The branch was organized with 15 charter members including Virginia Harnsberger, librarian at the State Teachers College, who was elected its first president. During the 1940s, the branch established and provided continued support for the Virginia Harnsberger Memorial Fund to furnish the Children's Room at the new Rockingham Public Library. In addition to membership dues, the recipe book  Recipes of the Shenandoah Valley , first published in 1959, served as a primary funding source for branch activities and outreach. Since 1975, the branch has held regular book club meetings. Current branch initiatives include equal rights and equal pay advocacy as well as voter registration. In partnership with JMU, the branch organizes \"Girls Can,\" an annual STEM conference and career fair for middle school girls.","The Harrisonburg branch of AAUW officially disbanded on July 1, 2025."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2025, SC 0211, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2025, SC 0211, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2019. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 5036.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eDuring this time, the collection was also reprocessed in order to simplify the intellectual arrangement, increase discoverability through better description, and better stabilize  the materials through physical rehousing. Significant changes to the collection include the weeding of bank statements, canceled checks and check stubs, receipts, and deposit slips. Their research value is minimal and furthermore the financial activities of AAUW are documented in the bound account books and membership files which were retained. Additionally, duplicate materials, primarily multiple copies of newsletters and publications, were also discarded.\u003c/p\u003e","\u003cp\u003eLoose copies of the Harrisonburg Branch Yearbook and branch newsletters, originally associated with the 1929-1947 scrapbook, were filed with like materials in Series 1 and Series 4 respectively.\u003c/p\u003e","\u003cp\u003eWhen the collection was originally processed in September 2012, the pages of the 1929-1947 scrapbook were separated from the boards and photocopied. The original scrapbook, boards, pages, and photocopied pages are all retained.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2019.  This collection was previously cataloged as SC 5036.","During this time, the collection was also reprocessed in order to simplify the intellectual arrangement, increase discoverability through better description, and better stabilize  the materials through physical rehousing. Significant changes to the collection include the weeding of bank statements, canceled checks and check stubs, receipts, and deposit slips. Their research value is minimal and furthermore the financial activities of AAUW are documented in the bound account books and membership files which were retained. Additionally, duplicate materials, primarily multiple copies of newsletters and publications, were also discarded.","Loose copies of the Harrisonburg Branch Yearbook and branch newsletters, originally associated with the 1929-1947 scrapbook, were filed with like materials in Series 1 and Series 4 respectively.","When the collection was originally processed in September 2012, the pages of the 1929-1947 scrapbook were separated from the boards and photocopied. The original scrapbook, boards, pages, and photocopied pages are all retained."],"scopecontent_html_tesm":["\u003cp\u003eThe American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2017, document the activities of Harrisonburg's local AAUW branch and include administrative records, meeting minutes, bylaws, membership records, financial files, publications and newsletters, annual conference materials, scrapbooks, ephemera, and photographs.\u003c/p\u003e\n","\u003cp\u003eResearchers should note that while there is a discrete series for Financial Files, other series, specifically Administrative Files, also contain documents related to the financial goings-on of AAUW. Cross-referencing related series is encouraged. Similarly, the absence of a Correspondence series does not denote a lack of correspondence. In fact, correspondence is likely located in most series.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative Files, 1929-2015, comprises bylaws, meeting minutes, membership files, and general materials related to the administrative activities of the Harrisonburg branch of AAUW. Materials related to other branches, specifically bylaws, are also included.\u003c/p\u003e","\u003cp\u003eSeries 2: Financial Files, 1969-2007, documents the business activities of the AAUW, Harrisonburg branch. The account books document the branch's income and expenses. Complementary materials include financial statements and reports, budgets, and treasurer's reports.\u003c/p\u003e","\u003cp\u003eSeries 3: Causes, Activism, and Education, 1965-2008, comprises subject files related to the mission of AAUW, particularly concerning social movements, education, and voting rights.\u003c/p\u003e","\u003cp\u003eSeries 4: Publications, 1968-2011, contains official publications and printed material primarily created by AAUW as well as the Harrisonburg branch, other local branches, and the Virginia division. \u003c/p\u003e\n","\u003cp\u003eThe Harrisonburg Branch newsletter has had several title changes during the course of its publication. The titles represented in this collection include: \"U\" News, AAUW Newsletter, AAUW News, and The Inside Track. There are periods of time during which the newsletter does not have a discernable title. In the spirit of keeping like materials together, all branch newsletters, regardless of title, are filed under the generic title \"Newsletters.\" \u003c/p\u003e\n","\u003cp\u003eThis series also includes publications explicitly related to causes, activism, and education. Relatedly, regularly published periodicals by AAUW also include articles related to the organization's causes. Researchers are encouraged to cross-reference Series 3: Causes, Activism, and Education for related subject files.\u003c/p\u003e","\u003cp\u003eSeries 5: Conventions and Programming, 1968-2017, comprises programs and related materials documenting the annual Virginia AAUW convention. The Harrisonburg branch's implementation of \"Girls Can,\" a STEM career fair, is documented in this series. This series also includes assorted programming and promotional materials and flyers.\u003c/p\u003e","\u003cp\u003eSeries 6: Scrapbooks, Photographs, and Ephemera, 1929-2011, comprises five scrapbooks, photo albums and loose photographs, printed ephemera, and realia. The scrapbooks include newspaper clippings, ephemera, programs, and photographs documenting the activities of the AAUW, Harrisonburg branch during a given time period. Of particular interest is a sash including the phrase \"MARCH FOR WOMEN'S EQUALITY, WOMEN'S LIVES.\"\u003c/p\u003e","\u003cp\u003eSeries 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2017, document the activities of Harrisonburg's local AAUW branch and include administrative records, meeting minutes, bylaws, membership records, financial files, publications and newsletters, annual conference materials, scrapbooks, ephemera, and photographs.","Researchers should note that while there is a discrete series for Financial Files, other series, specifically Administrative Files, also contain documents related to the financial goings-on of AAUW. Cross-referencing related series is encouraged. Similarly, the absence of a Correspondence series does not denote a lack of correspondence. In fact, correspondence is likely located in most series.","Series 1: Administrative Files, 1929-2015, comprises bylaws, meeting minutes, membership files, and general materials related to the administrative activities of the Harrisonburg branch of AAUW. Materials related to other branches, specifically bylaws, are also included.","Series 2: Financial Files, 1969-2007, documents the business activities of the AAUW, Harrisonburg branch. The account books document the branch's income and expenses. Complementary materials include financial statements and reports, budgets, and treasurer's reports.","Series 3: Causes, Activism, and Education, 1965-2008, comprises subject files related to the mission of AAUW, particularly concerning social movements, education, and voting rights.","Series 4: Publications, 1968-2011, contains official publications and printed material primarily created by AAUW as well as the Harrisonburg branch, other local branches, and the Virginia division. ","The Harrisonburg Branch newsletter has had several title changes during the course of its publication. The titles represented in this collection include: \"U\" News, AAUW Newsletter, AAUW News, and The Inside Track. There are periods of time during which the newsletter does not have a discernable title. In the spirit of keeping like materials together, all branch newsletters, regardless of title, are filed under the generic title \"Newsletters.\" ","This series also includes publications explicitly related to causes, activism, and education. Relatedly, regularly published periodicals by AAUW also include articles related to the organization's causes. Researchers are encouraged to cross-reference Series 3: Causes, Activism, and Education for related subject files.","Series 5: Conventions and Programming, 1968-2017, comprises programs and related materials documenting the annual Virginia AAUW convention. The Harrisonburg branch's implementation of \"Girls Can,\" a STEM career fair, is documented in this series. This series also includes assorted programming and promotional materials and flyers.","Series 6: Scrapbooks, Photographs, and Ephemera, 1929-2011, comprises five scrapbooks, photo albums and loose photographs, printed ephemera, and realia. The scrapbooks include newspaper clippings, ephemera, programs, and photographs documenting the activities of the AAUW, Harrisonburg branch during a given time period. Of particular interest is a sash including the phrase \"MARCH FOR WOMEN'S EQUALITY, WOMEN'S LIVES.\"","Series 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a851f3b5686ab7d4771a1162809cbb0b\"\u003eThe American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch document the activities of Harrisonburg's local AAUW branch and include administrative records, financial files, publications, annual conference materials, scrapbooks, and photographs.\u003c/abstract\u003e"],"abstract_tesim":["The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch document the activities of Harrisonburg's local AAUW branch and include administrative records, financial files, publications, annual conference materials, scrapbooks, and photographs."],"names_coll_ssim":["American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History"],"names_ssim":["James Madison University Libraries Special Collections","American Association of University Women. Harrisonburg Branch","American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History"],"corpname_ssim":["James Madison University Libraries Special Collections","American Association of University Women. Harrisonburg Branch","American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":302,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:04.783Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_594_c07"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":25},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Brepository%5D%5B%5D=Alexandria+Library\u0026view=list"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":1055},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=list"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":6},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation\u0026view=list"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":238},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=list"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":37},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College\u0026view=list"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":313},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026view=list"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":34},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia\u0026view=list"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":108},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Brepository%5D%5B%5D=Longwood+University\u0026view=list"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":315},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026view=list"}},{"attributes":{"label":"Radford University","value":"Radford University","hits":21},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Brepository%5D%5B%5D=Radford+University\u0026view=list"}},{"attributes":{"label":"Randolph-Macon College","value":"Randolph-Macon College","hits":204},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Brepository%5D%5B%5D=Randolph-Macon+College\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"CAFO Cuture\" Exhibit Materials","value":"\"CAFO Cuture\" Exhibit Materials","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22CAFO+Cuture%22+Exhibit+Materials\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"1828 Catalogue Project digital image collection","value":"1828 Catalogue Project digital image collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1828+Catalogue+Project+digital+image+collection\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"1x1 Japan Exhibition Materials, 1965-2024","value":"1x1 Japan Exhibition Materials, 1965-2024","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1x1+Japan+Exhibition+Materials%2C+1965-2024\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"2016 Vice Presidential Debate Collection","value":"2016 Vice Presidential Debate Collection","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=2016+Vice+Presidential+Debate+Collection\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"A. E. Dick Howard papers","value":"A. E. Dick Howard papers","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+E.+Dick+Howard+papers\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"ALIVE (ALexandrians InVolved Ecumenically) Records (MS300)","value":"ALIVE (ALexandrians InVolved Ecumenically) Records (MS300)","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=ALIVE+%28ALexandrians+InVolved+Ecumenically%29+Records+%28MS300%29\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Academic Affairs: Academic Program Reviews","value":"Academic Affairs: Academic Program Reviews","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Academic+Affairs%3A+Academic+Program+Reviews\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Academic Departments  - Record Group 9","value":"Academic Departments  - Record Group 9","hits":39},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Academic+Departments++-+Record+Group+9\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Across the Way Productions, Inc., \n2002-2016","value":"Across the Way Productions, Inc., \n2002-2016","hits":21},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Across+the+Way+Productions%2C+Inc.%2C+%0A2002-2016\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Admissions Office student recruitment materials","value":"Admissions Office student recruitment materials","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Admissions+Office+student+recruitment+materials\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Aerial Photographs of the Virginia Dept. of Transportation,","value":"Aerial Photographs of the Virginia Dept. of Transportation,","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Aerial+Photographs+of+the+Virginia+Dept.+of+Transportation%2C\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/collection_ssim.json?f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"0","value":"0","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bdate_range%5D%5B%5D=0\u0026view=list"}},{"attributes":{"label":"1500","value":"1500","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bdate_range%5D%5B%5D=1500\u0026view=list"}},{"attributes":{"label":"1501","value":"1501","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bdate_range%5D%5B%5D=1501\u0026view=list"}},{"attributes":{"label":"1502","value":"1502","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bdate_range%5D%5B%5D=1502\u0026view=list"}},{"attributes":{"label":"1503","value":"1503","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bdate_range%5D%5B%5D=1503\u0026view=list"}},{"attributes":{"label":"1504","value":"1504","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bdate_range%5D%5B%5D=1504\u0026view=list"}},{"attributes":{"label":"1505","value":"1505","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bdate_range%5D%5B%5D=1505\u0026view=list"}},{"attributes":{"label":"1506","value":"1506","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bdate_range%5D%5B%5D=1506\u0026view=list"}},{"attributes":{"label":"1507","value":"1507","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bdate_range%5D%5B%5D=1507\u0026view=list"}},{"attributes":{"label":"1508","value":"1508","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bdate_range%5D%5B%5D=1508\u0026view=list"}},{"attributes":{"label":"1509","value":"1509","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bdate_range%5D%5B%5D=1509\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/date_range_isim.json?f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Aaron Siskind Foundation","value":"Aaron Siskind Foundation","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Aaron+Siskind+Foundation\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Abate, Kathy","value":"Abate, Kathy","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Abate%2C+Kathy\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Adams, James L.","value":"Adams, James L.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Adams%2C+James+L.\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Alabama Christian Movement for Human Rights","value":"Alabama Christian Movement for Human Rights","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alabama+Christian+Movement+for+Human+Rights\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Albemarle Garden Club (Charlottesville, Va.)","value":"Albemarle Garden Club (Charlottesville, Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Albemarle+Garden+Club+%28Charlottesville%2C+Va.%29\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Alexander, Anna Beard","value":"Alexander, Anna Beard","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alexander%2C+Anna+Beard\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Alexandria Library (Alexandria, Va.). Board","value":"Alexandria Library (Alexandria, Va.). Board","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alexandria+Library+%28Alexandria%2C+Va.%29.+Board\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Allen, John C.","value":"Allen, John C.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Allen%2C+John+C.\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Alleyne, Lauren K.","value":"Alleyne, Lauren K.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alleyne%2C+Lauren+K.\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Allison, Margaret Appleton","value":"Allison, Margaret Appleton","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Allison%2C+Margaret+Appleton\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Alpha Kappa Alpha Sorority, Inc. . Nu Chi Chapter","value":"Alpha Kappa Alpha Sorority, Inc. . Nu Chi Chapter","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alpha+Kappa+Alpha+Sorority%2C+Inc.+.+Nu+Chi+Chapter\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/creator_ssim.json?f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":" Los Angeles Times (Firm)","value":" Los Angeles Times (Firm)","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bnames%5D%5B%5D=+Los+Angeles+Times+%28Firm%29\u0026view=list"}},{"attributes":{"label":".38 Special (Musical group)","value":".38 Special (Musical group)","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bnames%5D%5B%5D=.38+Special+%28Musical+group%29\u0026view=list"}},{"attributes":{"label":"10,000 Maniacs (Musical group)","value":"10,000 Maniacs (Musical group)","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bnames%5D%5B%5D=10%2C000+Maniacs+%28Musical+group%29\u0026view=list"}},{"attributes":{"label":"A. C. Bhaktivedanta Swami Prabhupada, 1896-1977","value":"A. C. Bhaktivedanta Swami Prabhupada, 1896-1977","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bnames%5D%5B%5D=A.+C.+Bhaktivedanta+Swami+Prabhupada%2C+1896-1977\u0026view=list"}},{"attributes":{"label":"A.G. Lichtenstein and Associates ","value":"A.G. Lichtenstein and Associates ","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bnames%5D%5B%5D=A.G.+Lichtenstein+and+Associates+\u0026view=list"}},{"attributes":{"label":"AIDS Fund, Inc.","value":"AIDS Fund, Inc.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bnames%5D%5B%5D=AIDS+Fund%2C+Inc.\u0026view=list"}},{"attributes":{"label":"Aaron Siskind Foundation","value":"Aaron Siskind Foundation","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bnames%5D%5B%5D=Aaron+Siskind+Foundation\u0026view=list"}},{"attributes":{"label":"Abate, Kathy","value":"Abate, Kathy","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bnames%5D%5B%5D=Abate%2C+Kathy\u0026view=list"}},{"attributes":{"label":"Abbado, Claudio (1933-06-26-2014-01-20)","value":"Abbado, Claudio (1933-06-26-2014-01-20)","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bnames%5D%5B%5D=Abbado%2C+Claudio+%281933-06-26-2014-01-20%29\u0026view=list"}},{"attributes":{"label":"Abbado, Roberto","value":"Abbado, Roberto","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bnames%5D%5B%5D=Abbado%2C+Roberto\u0026view=list"}},{"attributes":{"label":"Abbitt, Charles W.","value":"Abbitt, Charles W.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bnames%5D%5B%5D=Abbitt%2C+Charles+W.\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/names_ssim.json?f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"2014 Congressional Election","value":"2014 Congressional Election","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bplaces%5D%5B%5D=2014+Congressional+Election\u0026view=list"}},{"attributes":{"label":"African American Women Authors","value":"African American Women Authors","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bplaces%5D%5B%5D=African+American+Women+Authors\u0026view=list"}},{"attributes":{"label":"Aguaruna indigenous group","value":"Aguaruna indigenous group","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bplaces%5D%5B%5D=Aguaruna+indigenous+group\u0026view=list"}},{"attributes":{"label":"Alexandria (Va.)","value":"Alexandria (Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bplaces%5D%5B%5D=Alexandria+%28Va.%29\u0026view=list"}},{"attributes":{"label":"Alexandria (Va.) -- Buildings, structures, etc.","value":"Alexandria (Va.) -- Buildings, structures, etc.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bplaces%5D%5B%5D=Alexandria+%28Va.%29+--+Buildings%2C+structures%2C+etc.\u0026view=list"}},{"attributes":{"label":"Alexandria (Va.) -- Genealogy.","value":"Alexandria (Va.) -- Genealogy.","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bplaces%5D%5B%5D=Alexandria+%28Va.%29+--+Genealogy.\u0026view=list"}},{"attributes":{"label":"Alexandria (Va.) -- History","value":"Alexandria (Va.) -- History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bplaces%5D%5B%5D=Alexandria+%28Va.%29+--+History\u0026view=list"}},{"attributes":{"label":"Amsterdam (Netherlands)","value":"Amsterdam (Netherlands)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bplaces%5D%5B%5D=Amsterdam+%28Netherlands%29\u0026view=list"}},{"attributes":{"label":"Anderson, Taylor (1986-2011) -- Ishinomaki, Japan -- 2011 Great East Japan Earthquake -- 2011 Tōhoku earthquake and tsunami","value":"Anderson, Taylor (1986-2011) -- Ishinomaki, Japan -- 2011 Great East Japan Earthquake -- 2011 Tōhoku earthquake and tsunami","hits":18},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bplaces%5D%5B%5D=Anderson%2C+Taylor+%281986-2011%29+--+Ishinomaki%2C+Japan+--+2011+Great+East+Japan+Earthquake+--+2011+T%C5%8Dhoku+earthquake+and+tsunami\u0026view=list"}},{"attributes":{"label":"Appalachian Mountains","value":"Appalachian Mountains","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bplaces%5D%5B%5D=Appalachian+Mountains\u0026view=list"}},{"attributes":{"label":"Appalachian Region -- History","value":"Appalachian Region -- History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Bplaces%5D%5B%5D=Appalachian+Region+--+History\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"4-H clubs -- West Virginia","value":"4-H clubs -- West Virginia","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=4-H+clubs+--+West+Virginia\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"A cappella choirs","value":"A cappella choirs","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=A+cappella+choirs\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"AOD","value":"AOD","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=AOD\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Abused children -- Services for -- Virginia -- Periodicals","value":"Abused children -- Services for -- Virginia -- Periodicals","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Abused+children+--+Services+for+--+Virginia+--+Periodicals\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Academic Libraries -- Administration","value":"Academic Libraries -- Administration","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Academic+Libraries+--+Administration\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Academic Libraries -- Finance","value":"Academic Libraries -- Finance","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Academic+Libraries+--+Finance\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Academic Libraries -- Virginia -- Harrisonburg -- History","value":"Academic Libraries -- Virginia -- Harrisonburg -- History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Academic+Libraries+--+Virginia+--+Harrisonburg+--+History\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Academic librarians -- Faculty status","value":"Academic librarians -- Faculty status","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Academic+librarians+--+Faculty+status\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Academic support","value":"Academic support","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Academic+support\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Academies (Private schools)","value":"Academies (Private schools)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Academies+%28Private+schools%29\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"attributes":{"label":"Account books","value":"Account books","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Account+books\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Box","value":"Box","hits":78},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=Box\u0026view=list"}},{"attributes":{"label":"Collection","value":"Collection","hits":713},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=list"}},{"attributes":{"label":"File","value":"File","hits":2711},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File\u0026view=list"}},{"attributes":{"label":"Folder","value":"Folder","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=Folder\u0026view=list"}},{"attributes":{"label":"Item","value":"Item","hits":647},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=Item\u0026view=list"}},{"attributes":{"label":"Partial box","value":"Partial box","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=Partial+box\u0026view=list"}},{"attributes":{"label":"Record Group","value":"Record Group","hits":18},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=Record+Group\u0026view=list"}},{"attributes":{"label":"Record group","value":"Record group","hits":9},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=Record+group\u0026view=list"}},{"attributes":{"label":"Section","value":"Section","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=Section\u0026view=list"}},{"attributes":{"label":"Series","value":"Series","hits":623},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=Series\u0026view=list"}},{"attributes":{"label":"Subgroup","value":"Subgroup","hits":9},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=Subgroup\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/level_ssim.json?f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"type":"facet","id":"access","attributes":{"label":"Access","items":[{"attributes":{"label":"Online access","value":"online","hits":71},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access.json?f%5Bdate_range%5D%5B%5D=2015\u0026view=list"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=3\u0026search_field=all_fields\u0026view=list"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=3\u0026search_field=keyword\u0026view=list"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=3\u0026search_field=name\u0026view=list"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=3\u0026search_field=place\u0026view=list"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=3\u0026search_field=subject\u0026view=list"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=3\u0026search_field=title\u0026view=list"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=3\u0026search_field=container\u0026view=list"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=3\u0026search_field=identifier\u0026view=list"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=3\u0026sort=score+desc%2C+title_sort+asc\u0026view=list"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=3\u0026sort=date_sort+asc\u0026view=list"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=3\u0026sort=date_sort+desc\u0026view=list"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=3\u0026sort=creator_sort+asc\u0026view=list"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=3\u0026sort=creator_sort+desc\u0026view=list"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=3\u0026sort=title_sort+asc\u0026view=list"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=3\u0026sort=title_sort+desc\u0026view=list"}}]}