{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=28\u0026view=list","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=27\u0026view=list","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=29\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=762\u0026view=list"},"meta":{"pages":{"current_page":28,"next_page":29,"prev_page":27,"total_pages":762,"limit_value":10,"offset_value":270,"total_count":7615,"first_page?":false,"last_page?":false}},"data":[{"id":"vaallhs_repositories_2_resources_174","type":"collection","attributes":{"title":"Alexandria Library Board Records (MS416)","creator":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_174#creator","type":"document_value","attributes":{"value":"Alexandria Library (Alexandria, Va.). Board","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_174#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains records of the Alexandria Library Board, documenting the administration and operations of the Board, dating from 1937 through 2020. Materials in this collection include correspondence, financial records, annual reports, member directories, newsclippings, Library circulation statistics, Library Annual Reports, and drafts of Library policies and procedures.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_174#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vaallhs_repositories_2_resources_174","ead_ssi":"vaallhs_repositories_2_resources_174","_root_":"vaallhs_repositories_2_resources_174","_nest_parent_":"vaallhs_repositories_2_resources_174","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_174.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/174","title_ssm":["Alexandria Library Board Records (MS416)"],"title_tesim":["Alexandria Library Board Records (MS416)"],"unitdate_ssm":["1937-2020"],"unitdate_inclusive_ssm":["1937-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS416"],"text":["MS416","Alexandria Library Board Records (MS416)","Alexandria (Va.)","Boards of directors","Alexandria (Va.). Library","Public libraries.","Budget","Library rules and regulations","Library circulation and loans","Library outreach programs","Collection is open for research. Public access and use of some materials containing confidential financial information and personally identifiable information (PII) is restricted. These materials are noted as such with further detail about the terms of the restriction.","Contact Local History / Special Collections staff for more information. ","This folder contains materials with confidential financial information. Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This folder contains materials with confidential financial information. Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This folder contains materials with confidential financial information. Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This folder contains materials with confidential personally identifiable information (PII). Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This finding aid describes and documents the updated arrangement of this collection, as of 2024. Previously, the records in this collection were part of the Alexandria Library Records (MS098) but were separated and combined with new materials to form a separate collection.","The physical and intellectual arrangement of the Alexandria Library Board Records (MS416) is as follows: Series 1: Administrative Records and Correspondence and Series 2: Meeting Records. Future accretions to this collection will be added to existing series.","When the Alexandria Library was established as a public library in 1937, a Board of Directors was established to perform administrative tasks and oversee operations for the library. The duties of the board were laid out in the 1937 Library By-Laws, which included generating reports to present to the Alexandria Library Company.","In 1947, new by-laws were written and updates were made to the structure of the Board. The Board was renamed The Alexandria Library Board (rather than the Board of Directors) and was determined to be made up of seven members. Three members were representatives of the Alexandria Library Society (now Alexandria Library Company), two members were appointed by the mayor of the City of Alexandria, and the last two members were chosen from existing members of the Alexandria City Council. The Board maintained their administrative role and continued to hire operating personnel for the library and present an annual budget for the Library to the City Council and the Alexandria Library Company. ","In the latter half of the 20th century, the Board's role was scaled back. They continued to meet monthly and maintained oversight over management of the Library and its annual budget, but stopped managing daily operations. They were also no longer responsible for hiring Library personnel, only for appointing the Library Director. The Library Director now also served as the Executive Director of the Board.","Currently, the Alexandria Library Board still consists of seven members (one member representing City Council, three members appointed by the City, and three members representing the Alexandria Library Company). They meet bi-monthly, or as needed, to discuss the maintenance and operation of the Library. The Board's current mission statement is, \"In accordance with an agreement with the City of Alexandria, the Alexandria Library Board sets the policies, rules and regulations of the Library; submits a budget to the City for the operation and maintenance of the Library; and appoints and approves such personnel as are necessary to operate the Library. The Board also sits as the Boards of the James M. Duncan, Jr. Foundation and the Alexandria Library Foundation that monitors the investment portfolios and approves grants from these funds\" ( Annual Report for Fiscal Year 2018 , Alexandria Library Board). ","Alexandria Library Records (MS098) Alexandria Library Company Records (MS002)","This collection contains records of the Alexandria Library Board, documenting the administration and operations of the Board, dating from 1937 through 2020. Materials in this collection include correspondence, financial records, annual reports, member directories, newsclippings, Library circulation statistics, Library Annual Reports, and drafts of Library policies and procedures.","The Alexandria Library Board is an active organization, and so this collection is a living collection which will be periodically added to and updated. Check this collection guide for any future updates to the collection.","This series contains materials documenting the administration, operations, and communications of the Alexandria Library Board. Materials date from 1954 to 2020, but the majority of records date c.1970 through early 2020. Included are correspondence, financial records, annual reports, and member directories. The majority of administrative records of the Alexandria Library Board can be found in Series 2: Meeting Records amongst the meeting minutes and notes. ","Some materials included in this series contain confidential financial information and personally identifiable information (PII); these records are not currently available for public access or use. For more information, please contact the Local History / Special Collections staff.","This series contains minutes and other records from the monthly meetings of the Alexandria Library Board. Materials date from 1937 to 2020, but the majority of records date c.1990 through early 2020. In addition to meeting agendas and minutes, this series includes: correspondence, newsclippings, Library circulation statistics, Library Annual Reports, and drafts of Library policies and procedures.","Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.). Board","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Alexandria (Va.). City Council","English \n.    "],"unitid_tesim":["MS416"],"normalized_title_ssm":["Alexandria Library Board Records (MS416)"],"collection_title_tesim":["Alexandria Library Board Records (MS416)"],"collection_ssim":["Alexandria Library Board Records (MS416)"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"geogname_ssm":["Alexandria (Va.)"],"geogname_ssim":["Alexandria (Va.)"],"creator_ssm":["Alexandria Library (Alexandria, Va.). Board"],"creator_ssim":["Alexandria Library (Alexandria, Va.). Board"],"creator_corpname_ssim":["Alexandria Library (Alexandria, Va.). Board"],"creators_ssim":["Alexandria Library (Alexandria, Va.). Board"],"places_ssim":["Alexandria (Va.)"],"access_subjects_ssim":["Boards of directors","Alexandria (Va.). Library","Public libraries.","Budget","Library rules and regulations","Library circulation and loans","Library outreach programs"],"access_subjects_ssm":["Boards of directors","Alexandria (Va.). Library","Public libraries.","Budget","Library rules and regulations","Library circulation and loans","Library outreach programs"],"has_online_content_ssim":["false"],"extent_ssm":["6.9 Cubic Feet 14 boxes"],"extent_tesim":["6.9 Cubic Feet 14 boxes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Public access and use of some materials containing confidential financial information and personally identifiable information (PII) is restricted. These materials are noted as such with further detail about the terms of the restriction.\u003c/p\u003e\n","\u003cp\u003eContact Local History / Special Collections staff for more information. \u003c/p\u003e","\u003cp\u003eThis folder contains materials with confidential financial information. Public access and use of these materials is restricted for 75 years from the date of creation of the document.\u003c/p\u003e","\u003cp\u003eThis folder contains materials with confidential financial information. Public access and use of these materials is restricted for 75 years from the date of creation of the document.\u003c/p\u003e","\u003cp\u003eThis folder contains materials with confidential financial information. Public access and use of these materials is restricted for 75 years from the date of creation of the document.\u003c/p\u003e","\u003cp\u003eThis folder contains materials with confidential personally identifiable information (PII). Public access and use of these materials is restricted for 75 years from the date of creation of the document.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research. Public access and use of some materials containing confidential financial information and personally identifiable information (PII) is restricted. These materials are noted as such with further detail about the terms of the restriction.","Contact Local History / Special Collections staff for more information. ","This folder contains materials with confidential financial information. Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This folder contains materials with confidential financial information. Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This folder contains materials with confidential financial information. Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This folder contains materials with confidential personally identifiable information (PII). Public access and use of these materials is restricted for 75 years from the date of creation of the document."],"arrangement_html_tesm":["\u003cp\u003eThis finding aid describes and documents the updated arrangement of this collection, as of 2024. Previously, the records in this collection were part of the Alexandria Library Records (MS098) but were separated and combined with new materials to form a separate collection.\u003c/p\u003e\n","\u003cp\u003eThe physical and intellectual arrangement of the Alexandria Library Board Records (MS416) is as follows: Series 1: Administrative Records and Correspondence and Series 2: Meeting Records. Future accretions to this collection will be added to existing series.\u003c/p\u003e"],"arrangement_heading_ssm":["Notes on Arrangement"],"arrangement_tesim":["This finding aid describes and documents the updated arrangement of this collection, as of 2024. Previously, the records in this collection were part of the Alexandria Library Records (MS098) but were separated and combined with new materials to form a separate collection.","The physical and intellectual arrangement of the Alexandria Library Board Records (MS416) is as follows: Series 1: Administrative Records and Correspondence and Series 2: Meeting Records. Future accretions to this collection will be added to existing series."],"bioghist_html_tesm":["\u003cp\u003eWhen the Alexandria Library was established as a public library in 1937, a Board of Directors was established to perform administrative tasks and oversee operations for the library. The duties of the board were laid out in the 1937 Library By-Laws, which included generating reports to present to the Alexandria Library Company.\u003c/p\u003e\n","\u003cp\u003eIn 1947, new by-laws were written and updates were made to the structure of the Board. The Board was renamed The Alexandria Library Board (rather than the Board of Directors) and was determined to be made up of seven members. Three members were representatives of the Alexandria Library Society (now Alexandria Library Company), two members were appointed by the mayor of the City of Alexandria, and the last two members were chosen from existing members of the Alexandria City Council. The Board maintained their administrative role and continued to hire operating personnel for the library and present an annual budget for the Library to the City Council and the Alexandria Library Company. \u003c/p\u003e\n","\u003cp\u003eIn the latter half of the 20th century, the Board's role was scaled back. They continued to meet monthly and maintained oversight over management of the Library and its annual budget, but stopped managing daily operations. They were also no longer responsible for hiring Library personnel, only for appointing the Library Director. The Library Director now also served as the Executive Director of the Board.\u003c/p\u003e\n","\u003cp\u003eCurrently, the Alexandria Library Board still consists of seven members (one member representing City Council, three members appointed by the City, and three members representing the Alexandria Library Company). They meet bi-monthly, or as needed, to discuss the maintenance and operation of the Library. The Board's current mission statement is, \"In accordance with an agreement with the City of Alexandria, the Alexandria Library Board sets the policies, rules and regulations of the Library; submits a budget to the City for the operation and maintenance of the Library; and appoints and approves such personnel as are necessary to operate the Library. The Board also sits as the Boards of the James M. Duncan, Jr. Foundation and the Alexandria Library Foundation that monitors the investment portfolios and approves grants from these funds\" (\u003ci\u003eAnnual Report for Fiscal Year 2018\u003c/i\u003e, Alexandria Library Board). \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["When the Alexandria Library was established as a public library in 1937, a Board of Directors was established to perform administrative tasks and oversee operations for the library. The duties of the board were laid out in the 1937 Library By-Laws, which included generating reports to present to the Alexandria Library Company.","In 1947, new by-laws were written and updates were made to the structure of the Board. The Board was renamed The Alexandria Library Board (rather than the Board of Directors) and was determined to be made up of seven members. Three members were representatives of the Alexandria Library Society (now Alexandria Library Company), two members were appointed by the mayor of the City of Alexandria, and the last two members were chosen from existing members of the Alexandria City Council. The Board maintained their administrative role and continued to hire operating personnel for the library and present an annual budget for the Library to the City Council and the Alexandria Library Company. ","In the latter half of the 20th century, the Board's role was scaled back. They continued to meet monthly and maintained oversight over management of the Library and its annual budget, but stopped managing daily operations. They were also no longer responsible for hiring Library personnel, only for appointing the Library Director. The Library Director now also served as the Executive Director of the Board.","Currently, the Alexandria Library Board still consists of seven members (one member representing City Council, three members appointed by the City, and three members representing the Alexandria Library Company). They meet bi-monthly, or as needed, to discuss the maintenance and operation of the Library. The Board's current mission statement is, \"In accordance with an agreement with the City of Alexandria, the Alexandria Library Board sets the policies, rules and regulations of the Library; submits a budget to the City for the operation and maintenance of the Library; and appoints and approves such personnel as are necessary to operate the Library. The Board also sits as the Boards of the James M. Duncan, Jr. Foundation and the Alexandria Library Foundation that monitors the investment portfolios and approves grants from these funds\" ( Annual Report for Fiscal Year 2018 , Alexandria Library Board). "],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|29a4f427-8085-428e-b898-71d34b2cff58/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|42a86c57-47e2-49bd-8908-723a35c23a25/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|fd9dd24e-ced0-4a83-ac8e-bf54c0002eb1/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|53927300-4e37-4b20-aa11-9f6644f67179/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|7e1523aa-0587-454c-97b2-fe70ef43c6cc/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|835bb261-2846-43a0-8b3e-107c0adac110/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|9f86e51a-857b-4c7f-a892-7e8084a4d86c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|00413f0e-0210-474c-9ce6-a7a54764eb0c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|9a83b048-35b7-49e1-b26e-94ba9014ff30/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b9e25c85-1fd2-4154-bdf9-cfd8f0a7d08d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials"],"otherfindaid_tesim":["Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection"],"prefercite_html_tesm":["\u003cp\u003e[item description], Alexandria Library Board Records, MS416, Alexandria Library, Local History and Special Collections, Alexandria, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[item description], Alexandria Library Board Records, MS416, Alexandria Library, Local History and Special Collections, Alexandria, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibraryva.libraryhost.com/repositories/2/resources/157\"\u003eAlexandria Library Records (MS098)\u003c/a\u003e\n\u003cbr\u003e\u003ca href=\"https://alexlibraryva.libraryhost.com/repositories/2/resources/128\"\u003eAlexandria Library Company Records (MS002)\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Alexandria Library Records (MS098) Alexandria Library Company Records (MS002)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains records of the Alexandria Library Board, documenting the administration and operations of the Board, dating from 1937 through 2020. Materials in this collection include correspondence, financial records, annual reports, member directories, newsclippings, Library circulation statistics, Library Annual Reports, and drafts of Library policies and procedures.\u003c/p\u003e\n","\u003cp\u003eThe Alexandria Library Board is an active organization, and so this collection is a living collection which will be periodically added to and updated. Check this collection guide for any future updates to the collection.\u003c/p\u003e","\u003cp\u003eThis series contains materials documenting the administration, operations, and communications of the Alexandria Library Board. Materials date from 1954 to 2020, but the majority of records date c.1970 through early 2020. Included are correspondence, financial records, annual reports, and member directories. The majority of administrative records of the Alexandria Library Board can be found in Series 2: Meeting Records amongst the meeting minutes and notes. \u003c/p\u003e\n","\u003cp\u003eSome materials included in this series contain confidential financial information and personally identifiable information (PII); these records are not currently available for public access or use. For more information, please contact the Local History / Special Collections staff.\u003c/p\u003e","\u003cp\u003eThis series contains minutes and other records from the monthly meetings of the Alexandria Library Board. Materials date from 1937 to 2020, but the majority of records date c.1990 through early 2020. In addition to meeting agendas and minutes, this series includes: correspondence, newsclippings, Library circulation statistics, Library Annual Reports, and drafts of Library policies and procedures.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Series Content Description","Series Content Description"],"scopecontent_tesim":["This collection contains records of the Alexandria Library Board, documenting the administration and operations of the Board, dating from 1937 through 2020. Materials in this collection include correspondence, financial records, annual reports, member directories, newsclippings, Library circulation statistics, Library Annual Reports, and drafts of Library policies and procedures.","The Alexandria Library Board is an active organization, and so this collection is a living collection which will be periodically added to and updated. Check this collection guide for any future updates to the collection.","This series contains materials documenting the administration, operations, and communications of the Alexandria Library Board. Materials date from 1954 to 2020, but the majority of records date c.1970 through early 2020. Included are correspondence, financial records, annual reports, and member directories. The majority of administrative records of the Alexandria Library Board can be found in Series 2: Meeting Records amongst the meeting minutes and notes. ","Some materials included in this series contain confidential financial information and personally identifiable information (PII); these records are not currently available for public access or use. For more information, please contact the Local History / Special Collections staff.","This series contains minutes and other records from the monthly meetings of the Alexandria Library Board. Materials date from 1937 to 2020, but the majority of records date c.1990 through early 2020. In addition to meeting agendas and minutes, this series includes: correspondence, newsclippings, Library circulation statistics, Library Annual Reports, and drafts of Library policies and procedures."],"names_coll_ssim":["Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Alexandria (Va.). City Council"],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.). Board","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Alexandria (Va.). City Council"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.). Board","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Alexandria (Va.). City Council"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":83,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:00:03.266Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_174","ead_ssi":"vaallhs_repositories_2_resources_174","_root_":"vaallhs_repositories_2_resources_174","_nest_parent_":"vaallhs_repositories_2_resources_174","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_174.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/174","title_ssm":["Alexandria Library Board Records (MS416)"],"title_tesim":["Alexandria Library Board Records (MS416)"],"unitdate_ssm":["1937-2020"],"unitdate_inclusive_ssm":["1937-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS416"],"text":["MS416","Alexandria Library Board Records (MS416)","Alexandria (Va.)","Boards of directors","Alexandria (Va.). Library","Public libraries.","Budget","Library rules and regulations","Library circulation and loans","Library outreach programs","Collection is open for research. Public access and use of some materials containing confidential financial information and personally identifiable information (PII) is restricted. These materials are noted as such with further detail about the terms of the restriction.","Contact Local History / Special Collections staff for more information. ","This folder contains materials with confidential financial information. Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This folder contains materials with confidential financial information. Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This folder contains materials with confidential financial information. Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This folder contains materials with confidential personally identifiable information (PII). Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This finding aid describes and documents the updated arrangement of this collection, as of 2024. Previously, the records in this collection were part of the Alexandria Library Records (MS098) but were separated and combined with new materials to form a separate collection.","The physical and intellectual arrangement of the Alexandria Library Board Records (MS416) is as follows: Series 1: Administrative Records and Correspondence and Series 2: Meeting Records. Future accretions to this collection will be added to existing series.","When the Alexandria Library was established as a public library in 1937, a Board of Directors was established to perform administrative tasks and oversee operations for the library. The duties of the board were laid out in the 1937 Library By-Laws, which included generating reports to present to the Alexandria Library Company.","In 1947, new by-laws were written and updates were made to the structure of the Board. The Board was renamed The Alexandria Library Board (rather than the Board of Directors) and was determined to be made up of seven members. Three members were representatives of the Alexandria Library Society (now Alexandria Library Company), two members were appointed by the mayor of the City of Alexandria, and the last two members were chosen from existing members of the Alexandria City Council. The Board maintained their administrative role and continued to hire operating personnel for the library and present an annual budget for the Library to the City Council and the Alexandria Library Company. ","In the latter half of the 20th century, the Board's role was scaled back. They continued to meet monthly and maintained oversight over management of the Library and its annual budget, but stopped managing daily operations. They were also no longer responsible for hiring Library personnel, only for appointing the Library Director. The Library Director now also served as the Executive Director of the Board.","Currently, the Alexandria Library Board still consists of seven members (one member representing City Council, three members appointed by the City, and three members representing the Alexandria Library Company). They meet bi-monthly, or as needed, to discuss the maintenance and operation of the Library. The Board's current mission statement is, \"In accordance with an agreement with the City of Alexandria, the Alexandria Library Board sets the policies, rules and regulations of the Library; submits a budget to the City for the operation and maintenance of the Library; and appoints and approves such personnel as are necessary to operate the Library. The Board also sits as the Boards of the James M. Duncan, Jr. Foundation and the Alexandria Library Foundation that monitors the investment portfolios and approves grants from these funds\" ( Annual Report for Fiscal Year 2018 , Alexandria Library Board). ","Alexandria Library Records (MS098) Alexandria Library Company Records (MS002)","This collection contains records of the Alexandria Library Board, documenting the administration and operations of the Board, dating from 1937 through 2020. Materials in this collection include correspondence, financial records, annual reports, member directories, newsclippings, Library circulation statistics, Library Annual Reports, and drafts of Library policies and procedures.","The Alexandria Library Board is an active organization, and so this collection is a living collection which will be periodically added to and updated. Check this collection guide for any future updates to the collection.","This series contains materials documenting the administration, operations, and communications of the Alexandria Library Board. Materials date from 1954 to 2020, but the majority of records date c.1970 through early 2020. Included are correspondence, financial records, annual reports, and member directories. The majority of administrative records of the Alexandria Library Board can be found in Series 2: Meeting Records amongst the meeting minutes and notes. ","Some materials included in this series contain confidential financial information and personally identifiable information (PII); these records are not currently available for public access or use. For more information, please contact the Local History / Special Collections staff.","This series contains minutes and other records from the monthly meetings of the Alexandria Library Board. Materials date from 1937 to 2020, but the majority of records date c.1990 through early 2020. In addition to meeting agendas and minutes, this series includes: correspondence, newsclippings, Library circulation statistics, Library Annual Reports, and drafts of Library policies and procedures.","Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.). Board","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Alexandria (Va.). City Council","English \n.    "],"unitid_tesim":["MS416"],"normalized_title_ssm":["Alexandria Library Board Records (MS416)"],"collection_title_tesim":["Alexandria Library Board Records (MS416)"],"collection_ssim":["Alexandria Library Board Records (MS416)"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"geogname_ssm":["Alexandria (Va.)"],"geogname_ssim":["Alexandria (Va.)"],"creator_ssm":["Alexandria Library (Alexandria, Va.). Board"],"creator_ssim":["Alexandria Library (Alexandria, Va.). Board"],"creator_corpname_ssim":["Alexandria Library (Alexandria, Va.). Board"],"creators_ssim":["Alexandria Library (Alexandria, Va.). Board"],"places_ssim":["Alexandria (Va.)"],"access_subjects_ssim":["Boards of directors","Alexandria (Va.). Library","Public libraries.","Budget","Library rules and regulations","Library circulation and loans","Library outreach programs"],"access_subjects_ssm":["Boards of directors","Alexandria (Va.). Library","Public libraries.","Budget","Library rules and regulations","Library circulation and loans","Library outreach programs"],"has_online_content_ssim":["false"],"extent_ssm":["6.9 Cubic Feet 14 boxes"],"extent_tesim":["6.9 Cubic Feet 14 boxes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Public access and use of some materials containing confidential financial information and personally identifiable information (PII) is restricted. These materials are noted as such with further detail about the terms of the restriction.\u003c/p\u003e\n","\u003cp\u003eContact Local History / Special Collections staff for more information. \u003c/p\u003e","\u003cp\u003eThis folder contains materials with confidential financial information. Public access and use of these materials is restricted for 75 years from the date of creation of the document.\u003c/p\u003e","\u003cp\u003eThis folder contains materials with confidential financial information. Public access and use of these materials is restricted for 75 years from the date of creation of the document.\u003c/p\u003e","\u003cp\u003eThis folder contains materials with confidential financial information. Public access and use of these materials is restricted for 75 years from the date of creation of the document.\u003c/p\u003e","\u003cp\u003eThis folder contains materials with confidential personally identifiable information (PII). Public access and use of these materials is restricted for 75 years from the date of creation of the document.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research. Public access and use of some materials containing confidential financial information and personally identifiable information (PII) is restricted. These materials are noted as such with further detail about the terms of the restriction.","Contact Local History / Special Collections staff for more information. ","This folder contains materials with confidential financial information. Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This folder contains materials with confidential financial information. Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This folder contains materials with confidential financial information. Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This folder contains materials with confidential personally identifiable information (PII). Public access and use of these materials is restricted for 75 years from the date of creation of the document."],"arrangement_html_tesm":["\u003cp\u003eThis finding aid describes and documents the updated arrangement of this collection, as of 2024. Previously, the records in this collection were part of the Alexandria Library Records (MS098) but were separated and combined with new materials to form a separate collection.\u003c/p\u003e\n","\u003cp\u003eThe physical and intellectual arrangement of the Alexandria Library Board Records (MS416) is as follows: Series 1: Administrative Records and Correspondence and Series 2: Meeting Records. Future accretions to this collection will be added to existing series.\u003c/p\u003e"],"arrangement_heading_ssm":["Notes on Arrangement"],"arrangement_tesim":["This finding aid describes and documents the updated arrangement of this collection, as of 2024. Previously, the records in this collection were part of the Alexandria Library Records (MS098) but were separated and combined with new materials to form a separate collection.","The physical and intellectual arrangement of the Alexandria Library Board Records (MS416) is as follows: Series 1: Administrative Records and Correspondence and Series 2: Meeting Records. Future accretions to this collection will be added to existing series."],"bioghist_html_tesm":["\u003cp\u003eWhen the Alexandria Library was established as a public library in 1937, a Board of Directors was established to perform administrative tasks and oversee operations for the library. The duties of the board were laid out in the 1937 Library By-Laws, which included generating reports to present to the Alexandria Library Company.\u003c/p\u003e\n","\u003cp\u003eIn 1947, new by-laws were written and updates were made to the structure of the Board. The Board was renamed The Alexandria Library Board (rather than the Board of Directors) and was determined to be made up of seven members. Three members were representatives of the Alexandria Library Society (now Alexandria Library Company), two members were appointed by the mayor of the City of Alexandria, and the last two members were chosen from existing members of the Alexandria City Council. The Board maintained their administrative role and continued to hire operating personnel for the library and present an annual budget for the Library to the City Council and the Alexandria Library Company. \u003c/p\u003e\n","\u003cp\u003eIn the latter half of the 20th century, the Board's role was scaled back. They continued to meet monthly and maintained oversight over management of the Library and its annual budget, but stopped managing daily operations. They were also no longer responsible for hiring Library personnel, only for appointing the Library Director. The Library Director now also served as the Executive Director of the Board.\u003c/p\u003e\n","\u003cp\u003eCurrently, the Alexandria Library Board still consists of seven members (one member representing City Council, three members appointed by the City, and three members representing the Alexandria Library Company). They meet bi-monthly, or as needed, to discuss the maintenance and operation of the Library. The Board's current mission statement is, \"In accordance with an agreement with the City of Alexandria, the Alexandria Library Board sets the policies, rules and regulations of the Library; submits a budget to the City for the operation and maintenance of the Library; and appoints and approves such personnel as are necessary to operate the Library. The Board also sits as the Boards of the James M. Duncan, Jr. Foundation and the Alexandria Library Foundation that monitors the investment portfolios and approves grants from these funds\" (\u003ci\u003eAnnual Report for Fiscal Year 2018\u003c/i\u003e, Alexandria Library Board). \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["When the Alexandria Library was established as a public library in 1937, a Board of Directors was established to perform administrative tasks and oversee operations for the library. The duties of the board were laid out in the 1937 Library By-Laws, which included generating reports to present to the Alexandria Library Company.","In 1947, new by-laws were written and updates were made to the structure of the Board. The Board was renamed The Alexandria Library Board (rather than the Board of Directors) and was determined to be made up of seven members. Three members were representatives of the Alexandria Library Society (now Alexandria Library Company), two members were appointed by the mayor of the City of Alexandria, and the last two members were chosen from existing members of the Alexandria City Council. The Board maintained their administrative role and continued to hire operating personnel for the library and present an annual budget for the Library to the City Council and the Alexandria Library Company. ","In the latter half of the 20th century, the Board's role was scaled back. They continued to meet monthly and maintained oversight over management of the Library and its annual budget, but stopped managing daily operations. They were also no longer responsible for hiring Library personnel, only for appointing the Library Director. The Library Director now also served as the Executive Director of the Board.","Currently, the Alexandria Library Board still consists of seven members (one member representing City Council, three members appointed by the City, and three members representing the Alexandria Library Company). They meet bi-monthly, or as needed, to discuss the maintenance and operation of the Library. The Board's current mission statement is, \"In accordance with an agreement with the City of Alexandria, the Alexandria Library Board sets the policies, rules and regulations of the Library; submits a budget to the City for the operation and maintenance of the Library; and appoints and approves such personnel as are necessary to operate the Library. The Board also sits as the Boards of the James M. Duncan, Jr. Foundation and the Alexandria Library Foundation that monitors the investment portfolios and approves grants from these funds\" ( Annual Report for Fiscal Year 2018 , Alexandria Library Board). "],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|29a4f427-8085-428e-b898-71d34b2cff58/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|42a86c57-47e2-49bd-8908-723a35c23a25/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|fd9dd24e-ced0-4a83-ac8e-bf54c0002eb1/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|53927300-4e37-4b20-aa11-9f6644f67179/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|7e1523aa-0587-454c-97b2-fe70ef43c6cc/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|835bb261-2846-43a0-8b3e-107c0adac110/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|9f86e51a-857b-4c7f-a892-7e8084a4d86c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|00413f0e-0210-474c-9ce6-a7a54764eb0c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|9a83b048-35b7-49e1-b26e-94ba9014ff30/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b9e25c85-1fd2-4154-bdf9-cfd8f0a7d08d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials"],"otherfindaid_tesim":["Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection"],"prefercite_html_tesm":["\u003cp\u003e[item description], Alexandria Library Board Records, MS416, Alexandria Library, Local History and Special Collections, Alexandria, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[item description], Alexandria Library Board Records, MS416, Alexandria Library, Local History and Special Collections, Alexandria, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibraryva.libraryhost.com/repositories/2/resources/157\"\u003eAlexandria Library Records (MS098)\u003c/a\u003e\n\u003cbr\u003e\u003ca href=\"https://alexlibraryva.libraryhost.com/repositories/2/resources/128\"\u003eAlexandria Library Company Records (MS002)\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Alexandria Library Records (MS098) Alexandria Library Company Records (MS002)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains records of the Alexandria Library Board, documenting the administration and operations of the Board, dating from 1937 through 2020. Materials in this collection include correspondence, financial records, annual reports, member directories, newsclippings, Library circulation statistics, Library Annual Reports, and drafts of Library policies and procedures.\u003c/p\u003e\n","\u003cp\u003eThe Alexandria Library Board is an active organization, and so this collection is a living collection which will be periodically added to and updated. Check this collection guide for any future updates to the collection.\u003c/p\u003e","\u003cp\u003eThis series contains materials documenting the administration, operations, and communications of the Alexandria Library Board. Materials date from 1954 to 2020, but the majority of records date c.1970 through early 2020. Included are correspondence, financial records, annual reports, and member directories. The majority of administrative records of the Alexandria Library Board can be found in Series 2: Meeting Records amongst the meeting minutes and notes. \u003c/p\u003e\n","\u003cp\u003eSome materials included in this series contain confidential financial information and personally identifiable information (PII); these records are not currently available for public access or use. For more information, please contact the Local History / Special Collections staff.\u003c/p\u003e","\u003cp\u003eThis series contains minutes and other records from the monthly meetings of the Alexandria Library Board. Materials date from 1937 to 2020, but the majority of records date c.1990 through early 2020. In addition to meeting agendas and minutes, this series includes: correspondence, newsclippings, Library circulation statistics, Library Annual Reports, and drafts of Library policies and procedures.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Series Content Description","Series Content Description"],"scopecontent_tesim":["This collection contains records of the Alexandria Library Board, documenting the administration and operations of the Board, dating from 1937 through 2020. Materials in this collection include correspondence, financial records, annual reports, member directories, newsclippings, Library circulation statistics, Library Annual Reports, and drafts of Library policies and procedures.","The Alexandria Library Board is an active organization, and so this collection is a living collection which will be periodically added to and updated. Check this collection guide for any future updates to the collection.","This series contains materials documenting the administration, operations, and communications of the Alexandria Library Board. Materials date from 1954 to 2020, but the majority of records date c.1970 through early 2020. Included are correspondence, financial records, annual reports, and member directories. The majority of administrative records of the Alexandria Library Board can be found in Series 2: Meeting Records amongst the meeting minutes and notes. ","Some materials included in this series contain confidential financial information and personally identifiable information (PII); these records are not currently available for public access or use. For more information, please contact the Local History / Special Collections staff.","This series contains minutes and other records from the monthly meetings of the Alexandria Library Board. Materials date from 1937 to 2020, but the majority of records date c.1990 through early 2020. In addition to meeting agendas and minutes, this series includes: correspondence, newsclippings, Library circulation statistics, Library Annual Reports, and drafts of Library policies and procedures."],"names_coll_ssim":["Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Alexandria (Va.). City Council"],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.). Board","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Alexandria (Va.). City Council"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.). Board","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Alexandria (Va.). City Council"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":83,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:00:03.266Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_174"}},{"id":"vaallhs_repositories_2_resources_157","type":"collection","attributes":{"title":"Alexandria Library Records (MS098)","creator":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_157#creator","type":"document_value","attributes":{"value":"Alexandria Library (Alexandria, Va.)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_157#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains the records of the Alexandria Library, documenting the administration and operation of the Library, dating from the founding of the public library in 1937 through the present. Included are administrative records, annual reports, financial records, circulation records, materials documenting the history of the Library, programming and outreach records, and records of the individual branches of the library system. Formats include textual documents, photographs, and ephemera.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_157#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vaallhs_repositories_2_resources_157","ead_ssi":"vaallhs_repositories_2_resources_157","_root_":"vaallhs_repositories_2_resources_157","_nest_parent_":"vaallhs_repositories_2_resources_157","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_157.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/157","title_ssm":["Alexandria Library Records (MS098)"],"title_tesim":["Alexandria Library Records (MS098)"],"unitdate_ssm":["1937-2013"],"unitdate_inclusive_ssm":["1937-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS098","/repositories/2/resources/157"],"text":["MS098","/repositories/2/resources/157","Alexandria Library Records (MS098)","Alexandria (Va.)","Alexandria (Va.). Library","Public libraries.","Collection is open for research. Public access to some confidential personnel records is restricted, these materials are noted as such.","This folder contains confidential personnel records. Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This site is only accessible to Alexandria Library staff and is not available for public research use.","This finding aid describes and documents the updated arrangement of this collection as of 2023. Previously, the collection was organized into the following series: By Laws, Charters, and Agreements; Board; Annual Reports; Administration; Circulation; Construction; History; Publicity; Scrapbooks; Workshops; Queen/Barrett; Robert Robinson; Special Services; and Lloyd House. \"By-Laws, Charters, and Agreements\" and \"Administration\" have been combined into the new Subseries 1.2. Administration and Finance. \"History,\" \"Publicity,\" \"Scrapbooks,\" \"Workshops,\" and \"Photographs\" have been combined into the new Subseries 1.4. History, Programming, and Outreach. \"Construction,\" \"Queen/Barrett,\" \"Robert Robinson,\" \"Special Services,\" and \"Lloyd House,\" have been combined into the new Subseries 1.5. Branch Records.","The \"Board\" series has been separated from MS098 and combined with other records to form a new, separate collection of Alexandria Library Board Records.","The physical and intellectual arrangement of the Alexandria Library Records (MS098) has been updated a few times over the years, while remaining accessible to the public. Thus, the decision was made to maintain, as much as appropriate, the current order of the pre-existing collection as Series 1: Founding and 20th Century Records; and Series 2: 21st Century Records includes the new accretions to the collection as of 2023. Future accretions to this collection will either be added to Series 2 or form a new series.","Series 1. Founding and 20th Century Records, 1937-2005\n Subseries 1.1. Annual Reports Subseries 1.2. Administration and Finance Subseries 1.3. Circulation Records Subseries 1.4. History, Programming, and Outreach Subseries 1.5. Branch Records Series 2. 21st Century Records, 1994-present\n Subseries 2.1. Annual Reports Subseries 2.2. Administration and Finance Subseries 2.3. Branch Records Subseries 2.4. Programming and Outreach Subseries 2.5. Web Archives","Founded as a subscription library in 1794 and serving as the public library of Alexandria, Virginia since 1937 – Alexandria Library has a long legacy of supporting early literacy and lifelong learning in our diverse community. The Alexandria Library builds community through its six branches by providing opportunities to learn, explore, create, and connect.","The Alexandria Library Company (ALC) was founded on July 24, 1794 and operated a subscription library for nearly 150 years. In 1937, the ALC entered an agreement with the City of Alexandria and their collections formed the foundation of the city's first free public library. Since then, the Alexandria Library has grown into a system of six branches which serve the community of Alexandria, Virginia. ","The Kate Waller Barrett Library opened its doors on Queen Street in 1937; this was the first location of the Alexandria Library. It was named after Dr. Kate Waller Barrett – local humanitarian, social crusader, and political reformer. The Society of Friends granted a 99-year lease for use of its old Quaker Burial Ground on Queen Street as the site for the new public library building. This library has undergone several renovations and expansions over the years, in 1954, 1964, and 1993. When the Charles E. Beatley, Jr. Central Library was built, the Barrett Library shifted from being the main library to its current role as a branch library which serves residents of Old Town Alexandria and surrounding neighborhoods.","The Robert Robinson Library, named for a grandson of one of George Washington's slaves, opened in 1940 to serve black residents of Alexandria. The establishment of this new branch library was motivated by a civil rights demonstration and lawsuit brought against the Library and the City of Alexandria. The earliest known civil rights sit-in was held at the Kate Waller Barrett Branch Library in 1939. Alexandria Attorney Samuel W. Tucker and five young African American men demonstrated this act of civil disobedience after being denied library cards. The Sit-In and following legal action resulted in the establishment of a new branch of the library to provide \"separate but equal\" library services to black residents. However, this new library branch never received the same support or funding as the main library and was never able to provide fully equitable services to the local African American community. The Alexandria Library officially integrated for adults in 1959, and for children in 1962. The Robert Robinson Library closed in 1962 and the building is now the site of the Alexandria Black History Museum.  More details about the 1939 sit-in and integration of Alexandria Library, as well as links to additional resources can be found on our website.","The Ellen Coolidge Burke Branch Library opened on Seminary Road in 1968. This branch library was named after Ellen Coolidge Burke (1901-1975), who served as Director of the Alexandria Library from 1948 to 1969. The Burke Branch Library serves residents of the Seminary Hill neighborhood and surrounding areas. ","The James M. Duncan, Jr. Branch Library opened on Commonwealth Avenue in 1969. The Duncan Branch Library serves residents of the Del Ray neighborhood and surrounding areas. This branch was named after James M. Duncan (1897-1967), who served as Chief of the Alexandria Fire Department 1924-1947, member of City Council 1949-1967, and member of the Alexandria Library Board 1950-1967. In 2005 the Duncan Branch Library underwent renovations and became the first City of Alexandria government building to have a \"living\" roof – a Green Infrastructure approach to reducing stormwater runoff and pollution in local waterways. ","The Local History / Special Collections Branch was established in 1976 and first housed at Lloyd House, a historic home on the corner of Queen and North Washington Streets. In 1999, after completion of the most recent round of renovations and expansions, Local History / Special Collections moved into the Kate Waller Barrett Branch Library. Local History / Special Collections stewards many valuable resources documenting the history and culture of Alexandria and Virginia from the colonial period to the present.","The Charles E. Beatley, Jr. Central Library opened on Duke Street in 2000. This new central library was named after former mayor of Alexandria, Charles E. \"Chuck\" Beatley, Jr. (1916-2003). Upon completion of the new main library site, library adminstration offices were moved from the Barrett Library (formerly the central library) to the Beatley Library.","In 2015 the Library took over management of the Alexandria Law Library, located in the basement of the Alexandria Circuit Court on King Street. The Alexandria Law Library provides legal resources for the benefit of the entire Alexandria community, including its citizens, government agencies, local businesses, the judiciary, and members of the bar.","For a more detailed timeline of the history of Alexandria Library, check out our website.","Alexandria Library Board Records\n Alexandria Library Company Records (MS002)","This collection contains the records of the Alexandria Library, documenting the administration and operation of the Library, dating from the founding of the public library in 1937 through the present. Included are administrative records, annual reports, financial records, circulation records, materials documenting the history of the Library, programming and outreach records, and records of the individual branches of the library system. Formats include textual documents, photographs, and ephemera.","The Alexandria Library is an active organization, and so this collection is a living collection which will be periodically added to and updated. Check this collection guide for any future updates to the collection. ","This series contains materials documenting the Alexandria Library, from its founding as a public library in 1937 through the early 2000s. The majority of documents in this series pertain to the decades between 1950 and 2000. These records document the administration and operations of the Library and its individual branches, as well as materials documenting the history of the Alexandria Library. Documents include annual reports, financial records, correspondence, project files, and other administrative documentation. Also included in this series are ephemera and realia, photographs and other graphic materials, and some oversized materials.","This sub-series contains records pertaining to annual reports published by the Alexandria Library system, as well as its individual branches. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1938 through 1942. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1943 through 1946. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1947 through 1948. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1949 through 1950. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1951 through 1953. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1954 through 1956. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1957 through 1959. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1960 through 1961. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1964. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This sub-series contains administrative and financial records of the Alexandria Library. Documents include correspondence, budgets and other financial records, affirmative action records, bylaws and agreements, official city proclamations, gift records, and other administrative materials.","This folder contains records pertaining to administrative and financial dealings of the Alexandria Library system, dating from 1937 through the 1950s. Documents include final copies of bylaws, charters, and agreements as well as draft documents, reference materials, and related notes and correspondence.","This folder contains records pertaining to administrative and financial dealings of the Alexandria Library system, dating from the 1950s through the 1992. Documents include final copies of bylaws, charters, and agreements as well as draft documents, reference materials, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action plan put in place for the Alexandria Library system, dating from 1975.","This folder contains records pertaining to the Affirmative Action policy used to create an Affirmative Action plan for the Alexandria Library system, dating from 1976.","This folder contains records pertaining to the Affirmative Action plans for the City of Alexandria, dating from 1976 and 1980. Documents include final Affirmative Action plans from both 1976 and 1980.","This folder contains records pertaining to the Affirmative Action plans for the Alexandria Public Library, dating from 1978 through 1982. Documents include reference material used to create the Affirmative Action plans including OSHA Recordkeeping guidelines and guidelines from the Department of Equal Employment Opportunity for the City of Alexandria. Other documents include Alexandria Public Library's Affirmative Action goals, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1974 through 1976. Documents include final Affirmative Action and Equal Employment Opportunity reports, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1977 through 1980. Documents include final Affirmative Action and Equal Employment Opportunity reports, sample forms, reference materials, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1981 through 1987. Documents include final Affirmative Action and Equal Employment Opportunity reports, sample forms, membership reports, reference materials, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1938 through 1944. Documents include draft material, proposed yearly budgets, final budget reports, press related to the budget, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1945 through 1948. Documents include draft material, proposed yearly budgets, final budget reports, press related to the budget, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1949 through 1951. Documents include proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1951 through 1953. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1953 through 1955. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1955 through 1959. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1955 through 1959. Documents include , proposed yearly budgets, final budget reports, reference materials, and related notes and correspondence.","This folder contains records pertaining to the budget for the City of Alexandria's City Planning and Capital Improvement programs in regard to the Alexandria Public Library system, dated from 1950 through 1961. Documents include final budget reports, proposed budgets, proposed building projects, draft material, reference material, and related notes and correspondence.","This folder contains records pertaining to Rules, Regulations, and Review articles for the Alexandria Public Library system, dated from 1937 through 1955. Documents include inquiries regarding librarian salaries of other Virginia public libraries, proposed rules and regulations for Alexandria Public Library, final rules and regulations for Alexandria Public Library, meeting minutes, library directories, press regarding the library, and related notes and correspondence.","This folder contains a 2014 copy of the introduced House Joint Resolution No. 418 which details the historical significance of the 1939 Alexandria Library Sit-in to the House of Delegates, Mayor of Alexandria, and General Assembly and proposes that this information be conveyed at an upcoming ceremony.","This folder contains records pertaining to correspondence to and from Alexandria Library, dated from 1937 through 1951. Documents included correspondence, press regarding Alexandria Public Library, proposals for the planning and construction of the Robert Robinson Library, and other related notes.","This folder contains records pertaining to correspondence to and from Alexandria Library, dated from 1952 through 1961. Documents include written correspondence, meeting and presentation notes, book acquisitions and acquisition proposals, and other related notes.","This folder contains records pertaining to the professional and nonprofessional duties within public libraries set forth by the American Library Association, dated from 1948. Documents include the preliminary draft of the Descriptive List of Professional and Nonprofessional Duties in Libraries handbook.","This folder contains records pertaining to position descriptions and pay plans for Virginia public libraries, dated from 1950. Documents include a guidebook detailing all positions available with Virginia public libraries, their position descriptions, and recommended qualifications.","This folder contains records pertaining to \"Position Classification and Salary Administration in Libraries\", dated from 1951. Documents include a handbook titled \"Position Classification and Salary Administration in Libraries\", written by the American Library Association, detailing guides and standards for library administrative staff to utilize when creating administrative plans.","This folder contains records pertaining to information and guidelines for new City of Alexandria employees, dated from 1950 to 1986. Documents include guidebooks detailing fundamental information regarding being employed by the City of Alexandria, code of ethics, and guidelines for managers to effectively communicate employee evaluations.","This sub-series contains records documenting circulation statistics of the Library.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1937 through 1940. Documents include overall number of books circulated during a given year and ledgers detailing the number and genre of Adult books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1937 through 1940. Documents include ledgers detailing the number and genre of Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1941 through 1942. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1943 through 1944. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1944 through 1949. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1949 through 1953. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1949. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1944 through 1946. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This sub-series contains materials of mixed formats documenting the history of the Library and its programming and outreach work. Documents include scrapbooks, posters, news clippings, correspondence, administrative documents, event programs, and photographs.","This folder contains materials pertaining to Alexandria Library history, dating from 1957-1961. Documents include newspaper clippings from various local newspapers, event photos, correspondence, and other related notes.","This folder contains records pertaining to the history of Alexandria Library, dated from c. 1960. Documents include notes, correspondence, and copies of newspaper articles relating to the library.","This folder contains records pertaining to the history of Alexandria Library. Documents include copies of events schedules, event programs, summaries of the library's history, copies of newspaper articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to the history of Alexandria Library, dated from 1937 through 1947. Documents include newspaper clippings that detail library history, press, and publicity.","This folder contains records pertaining to the history of Alexandria Library, dated from 1955 through 1973. Documents include newspaper clippings that detail library history, press, and publicity.","This folder contains records pertaining to the history of Alexandria Library, dated from 1936 through 1954. Documents include summaries of the library's history, copies of newspaper articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to the history of Alexandria Library, dated from 1945 through 1985. Documents include copies of newspaper articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to publicity correspondence for Alexandria Library, dated from c. 1954-1986. Documents include correspondence relating to proposed exhibits, cosmetic changes to library branches, research inquiries, proof of membership, thank-you messages, plans for library news releases, and other related notes.","This folder contains records pertaining to press releases for Alexandria Library, dated from 1947-1986. Documents include drafts of news releases, draft 5-year plan documents, descriptions of upcoming library programs, mock-ups for news articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to events related to Alexandria Library, dated from 1954 through 1992. Documents include programs from library events and other notes and correspondence.","This folder contains biographical research materials about James M. Duncan, Jr. (the namesake of the Duncan Branch) which were collected by branch managers of Duncan Branch. Materials include notes, newsclippings, and photocopies of newsclippings.","This folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Eight people, presumed to be library officials, stand on the main floor of the Barrett Branch in front of a seated audience, in the midst of a ribbon cutting ceremony. The smiling officials cutting the red ribbon, who include six men and two women, are dressed professionally and each holds their own pair of scissors. Behind them are shelves of library books and a set of stairs that lead up to the second floor of the library. The seated audience of men and women watches as the ceremony proceeds. The photo is dated 1995. Photo previously labeled #402","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Eight people, presumed to be library officials, stand on the main floor of the Barrett Branch in front of a seated audience, in the midst of a ribbon cutting ceremony. The officials, who include six men and two women, have not yet cut the red ribbon and are dressed professionally. Each of the eight officials holds their own pair of scissors. Behind them are shelves of library books and a set of stairs that up to the second floor of the library. The seated audience of men and women watches as the ceremony proceeds. The photograph is dated September 10th, 1995. Photo previously labeled #403","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This candid photo of men and women milling around the first floor of the Barrett Branch was taken, presumably, after the conclusion of the ceremony. Some of the people pictured are in conversation with one another, while others are taking in their surroundings. In the foreground is a podium framed on either side by yellow flowers and an American flag. In the background are library books shelves and a set of stairs that lead up to the second floor of the library. The photo is dated 1995. Photo previously labeled #404","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This candid photo was taken amidst a crowd of people attending the ceremony on the main floor of the Barrett Branch Library. The men and women of various ages stand milling around the space. Some are in conversation with one another while others look in many directions, taking in their surroundings. Visible in the background is the entrance to the library that consists of floor to ceiling windows allowing natural daylight to stream in. The photo is dated 1995. Photo previously labeled #405","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of several people standing around on the main floor of the Barrett Branch Library. The three men and one woman in the foreground are in conversation with each other but only the two men on the right have realized the group is being photographed. The two men on the right are looking at the camera and smiling, while the women is still speaking and the third man is looking to his right with his back to the photographer. In the background are other people, some in conversation and some not, as well as empty chairs set up against filled bookshelves. The photo is dated 1995. Photo previously labeled #406","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. A large audience of men and women have filled the main floor of the Barrett Branch, presumably watching as the ceremony unfolds. Some of the people are sitting in the middle of the space while the rest of the crowd have filled the available standing room, even standing in the sunlight filled entrance vestibule, at the back of the room, to catch a glimpse through the floor to ceiling windows. Regardless of placement, almost all the audience members have their attentions set on the events happening behind the camera, just out of frame. The photo is dated 1995. Photo previously labeled #407","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Two women stand posing for a picture, on the main floor of the Barrett Branch, presumably after the conclusion of the ceremony. With their arms around each other, the woman on the left looks directly at the camera while the women on the right smiles at something out of frame on the left. In the background are more people, men and women, milling around the large indoor space. Some are in conversation with one another and others are simply moving about the space. The photo is dated 1995. Photo previously labeled #409","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of two smiling men and a young child posing for a picture together. On the left, the young child stands holding the hand of the man in the middle who has brown hair and mustache, is wearing glasses and is dressed in a dark-colored suit with a white shirt and red patterned tie. The man on the right, who stands with his hand on the shoulder of the man in the middle, has white hair and is wearing glasses and a dark-colored suit with a white shirt and blue tie. All three stand under a half visible, gold-framed, painted portrait of Kate Waller Barrett that is hanging on the wall behind them. The photo is dated 1995. Photo previously labeled #410","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Three men and two children stand posing for a picture together. The three men are all wearing dark-colored suits with light-colored shirts and ties. The two children, one boy and one girl, stand in front of the men in the middle and on the right. The boy wears a light-colored button-down shirt and striped dress pants while the girl wears a striped, long-sleeve dress with black tights and black shoes with pink shoelaces. All five smile at the camera as they pose under a gold-framed, painted portrait of Kate Waller Barrett. The woman in the portrait has her white hair tied back in a bun and sits, posed in profile, and is wearing dark-colored clothes, with floral accents. A gold cross pendant hangs from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #411","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. A woman stands posing for a picture with the portrait of Kate Waller Barrett hanging near the entrance of the Barrett Branch Library. The woman, dressed in a red blazer and skirt, smiles as she looks to left at something just out of frame. She stands below the gold-framed, painted portrait of Kate Waller Barrett. In the portrait, Kate Waller Barrett has her white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents. A gold cross pendant hangs from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #412","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Three men and two children stand posing for a picture together under the portrait of Kate Waller Barrett that hangs near the entrance of the Barrett Branch Library. The man on the left has white hair and is wearing glasses, a dark-colored suit, a light-colored shirt and blue tie. He has his hand on the shoulder of the little girl to the right of him who wears a striped long-sleeve dress with black tights and black shoes with pink laces. The little girl holds the hand of the man in the middle who wears a dark-colored suit with a light-colored shirt and dark patterned tie. Next to him, on the right, stands the little boy who wears a light-colored button-down shirt and striped dress pants. The little boy holds the hand of the last man on the right who has brown hair and mustache, glasses, and wears a dark-colored suit with a light-colored shirt and red patterned tie. All five stand beneath the gold-framed, painted portrait of Kate Waller Barrett who has her white hair tied back into a bun. She sits, posed in profile, and is wearing dark-colored clothes, with floral accents, with a gold cross pendant hanging from her neck and a brooch pinned to her chest. The photo is dated 1995. Photo previously labeled #413","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of four men standing in front of the portrait of Kate Waller Barrett that hangs near the entrance to the library. The two men on the left are greeting each other and the two men on the right are standing separately both looking in opposite directions towards things just out of frame. All the men are dressed in suits and ties and three out of four are wearing glasses. The leftmost man is holding multiple pairs of scissors and the second man from the right is holding an event program. Behind them, hanging on the wall is the gold-framed, painted portrait of Kate Waller Barrett who has white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents, with a gold cross pendant hanging from her neck and a brooch pinned to her chest. Also in the background, off to the left, is a child, seemingly in motion, appearing blurry in the photograph. The photo is dated 1995. Photo previously labeled #414","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of a group of men and women standing around a table of computers on the main floor of the Barrett Branch Library. On the round table there are four white computers, each with their own keyboard and mouse. Two of the computers are in use, one by a man in dark dress pants and white shirt and the other by two people, a woman and young man, working together. In the background are other people milling about as well as library bookshelves and a set of stairs leading to the second floor of the library. The photo is dated 1995. Photo previously labeled #415","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of two groups of men and women, some sitting and some standing, inside of the library presumably before the ceremony begins. To left is a group of seated people, partially blocked from view by a desk, and to the right is a group of men standing together in conversation. Between the two groups sits a small stage with an American flag, bordered at the front by small pots of yellow flowers. In the background are rows of both tall and short bookshelves in front of a glass-front room. The photo is dated 1995. Photo previously labeled #416","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of two women and one man standing in conversation with one another. The two women are both in light-colored dresses and the woman on the right faces away from the camera and carries a purse. The man wears glasses and is dressed in a light-colored suit with a white dress shirt and patterned tie. The woman on the left looks across to the woman on the right as she and the man in the middle are looking at each other. The photo is dated 1995. Photo previously labeled #417","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of men and women milling about inside the Barrett Branch. The people in the foreground seem to be in conversation with each other while others are having separate conversations in the background. The photo is being taken from behind a bookshelf decorated with a potted plant whose leaves have just started to come in to frame on the right side of the photo. Behind the people are more bookshelves, decorated with flowers, and a glass-front room. The photo is dated 1995. Photo previously labeled #418","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photo of four men, one woman, and two children. Every person pictured is looking in a different direction, some seeming to be moving towards different parts of the room and appearing blurry in the photo. All of the men are dressed in suits, the woman wears a pink buttoned jacket, the little boy wears a light-color button-down, and the little girl wears a striped long-sleeve dress. Behind them on the wall hangs a gold-framed, painted portrait of Kate Waller Barrett who has white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents. A gold cross pendant is hanging from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #419","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of the main floor of the Barrett Branch Library. In the library stands many men, women, and children milling about the space. Some are in conversation with one another, while others take in their surroundings or speak to people sitting behind the circulation desk to the left of the photo. To the right of the photo is the beginning of a staircase that leads to the second floor of the library. Visible from the balcony, the second floor is filled with bookshelves. In the background, on the lower level, stands a small stage and podium framed by small pots of yellow flowers and an American flag as well as a glass-front room whose windows are letting in bright daylight. The photo is dated 1995. Photo previously labeled #420","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of the main floor of the Barrett Branch and there are men and women milling around in the space, some in conversation with one another and others taking in their surroundings. On the right side of the picture, some of the people stand in front of the circulation desk, decorated with pots of yellow and orange flowers. On the left side of the picture are some glass display cases displaying open books. In the background are the floor to ceiling windows of the entrance vestibule that are providing bright, natural light to the room. The photo is dated 1995. Photo previously labeled #421","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Pictured is a large audience of men and women on the main floor of the Barrett Branch. Some of the people are sitting in the middle of the room while the rest of the crowd have begun filling in the available standing room, even standing in the sunlight filled entrance vestibule, at the back of the crowd, to catch a glimpse through the floor to ceiling windows. Regardless of placement, almost all the audience members have their attentions set on the events happening behind the camera, just out of frame. The photo is dated 1995. Photo previously labeled #422","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women, of differing ages, standing around a table of computers. At the round table, there are two people with their backs to the camera sharing the same computer, to their right is one woman at the next computer, and the next computer has a group of four sharing the same computer. In the foreground is a shelf that has been decorated with a pot of flowers, that have taken up the left side of the picture. In the background, behind the group of people at the computers is glass-front room and a few people within. Inside the room are bookshelves on the left wall and tables and chairs filling the middle. The windows on the back wall have had their blinds drawn to shade the interior from the bright daylight shining through. The photo is dated 1995. Photo previously labeled #423","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of some people, both men and women, looking at the available materials on the bookshelves around them on the second floor of the Barrett Branch Library. Some of the men and women are browsing the shelves while others have begun reading their chosen materials. In the foreground are shorter bookshelves, with one man crouching to get a better look at the offerings on the bottom shelf. In the background are taller bookshelves, that almost reach from floor to ceiling. Behind the taller bookshelves are some tables and chairs that have been backlit by the daylight coming through the windows on the back wall. The photo is dated 1995. Photo previously labeled #424","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a seated audience facing a group of people who seem like library officials seated at the front of the room. The seated audience is facing away from the camera and the group of men and women at the front of the room are applauding in welcome to the man who is standing at the front of the room. He has brown hair and mustache, is wearing glasses and a grey suit with dark tie. Off to the right of the photo is a staircase that leads to the second floor whose balcony sits above the group of clapping men and women. Behind them stands bookshelves, completely filled, that almost reach from floor to ceiling. The photo is dated 1995. Photo previously labeled #425","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking to an audience from an elevated podium. The woman, dressed in a red blazer and white shirt, is looking through her glasses out over the audience. Behind her is both short and tall bookshelves, as well as a wall of glass, and to the left stands an American flag. The woman at the podium stands below the second-floor balcony of the Barrett Branch where three musicians sit with music stands in front of them and bookshelves at their back. In the foreground, somewhat blocking the view of the seated audience, is the circulation desk topped with stacks of paper. The photo is dated 1995. Photo previously labeled #426","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a seated audience, extending out of frame, who have their attention on a man speaking from an elevated podium. The man at podium, dressed in a dark-colored suit with a white shirt and red tie, is looking down at the podium through his glasses. Behind the podium are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The man at the podium stands beneath the second-floor balcony of the Barrett Branch Library. Visible through the balcony's railing are filled bookshelves. The photo is dated 1995. Photo previously labeled #427","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a man speaking from behind a podium. The man is standing, dressed in a dark-colored suit with a white shirt and dark patterned tie, looking down at the podium through his dark tinted glasses. Behind him are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The podium stands below the second-floor balcony of the Barrett Branch Library where three chairs and two music stands are set up. The right most chair is occupied by a person in white shirt and dark pants. The photo is dated 1995. Photo previously labeled #428","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium. The woman, dressed in a blue dress and matching blue jacket, looks out to an audience just out of frame and she is observed by a small panel of professionally dressed men and women, presumed to be other library officials, on the right side of the picture. The picture is being taken from behind the circulation desk, complete with computer, receipt printer, and landline phone. A pot of yellow, orange and red flowers sits atop the desk, partially blocking an American flag from view. The photo is dated 1995. Photo previously labeled #429","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium in front of an audience of people that extends out of frame. The woman, dressed in a pink blazer over a dark patterned dress with a string of pearls around her neck, is looking down at the podium while the audience listens. Behind her are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The speaker and podium stand beneath an the second-floor balcony of the Barrett Branch Library, where three chairs, music stands, and musicians are seated and viewable through the balcony's railing. The photo is dated 1995. Photo previously labeled #430","This folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a man speaking to an audience, extending out of frame, from an elevated podium. The man, dressed in a dark-colored suit with white shirt and dark patterned tie, is looking down at the podium while holding up a closed book in his right hand and paper in his left hand. Behind him are rows of short and tall bookshelves, some decorated with flowers, in front of a glass-front room. Above the podium sits the second-floor balcony of the Barrett Branch Library. Through the railing, three chairs, music stands, and musicians can be seen in front of filled bookshelves. In the foreground, on the left side of the picture, is the circulation desk topped with stacks of papers. The photo is dated from 1995. Photo previously labeled #431","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium to audience, which extends out of frame. The woman is dressed in a matching blue jacket and dress, and looks out over the audience at something not visible as the audience turns to follow her gaze. To her left and right are men in dark-colored suits and ties that also follow her line-of-sight. Behind her are bookshelves, both tall and short, and a glass-front room. Above the podium is the second-floor balcony and through the railing, three chairs, music stands, and musicians can be seen in front of filled bookshelves. In the foreground, blocking some of the audience from view, is the circulation desk with a computer and piles of paper. The photo is dated from 1995. Photo previously labeled #432","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This slightly out of focus, color candid photograph is of a woman speaking from an elevated podium to an audience that is seated just out of frame. The woman, dressed in a pink jacket over a dark, patterned dress, is bordered by a group of seated men and women, presumed to be other library officials, on the right and an American flag on the left. Above the woman at the podium is the second-floor balcony and behind her are tall bookshelves and a glass front room. The photo is being taken from behind the circulation desk which has a computer and a pot of yellow, red and orange flowers. The photo is dated from 1995. Photo previously labeled #433","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women in conversation with each other amidst the ribbon cutting ceremony. The group consists of four men and two women, presumed to be library officials, who trade smiles and handshakes in front of a clapping audience. Some of the members of the group are still holding scissors and the pieces of red ribbon that were cut as part of the ceremony. Behind them are bookshelves that extend backward into the space. The photo is dated from 1995. Photo previously labeled #434","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women amidst the ribbon cutting ceremony. The group consists of three men and two women, some still holding scissors and pieces of the red ribbon cut during the ceremony. The smiling woman in the middle has offered a handshake to the man to the left of her as the audience applauds them. Behind the ribbon cutters are tall and short bookshelves that extend backwards into the space. The photo is dated from 1995. Photo previously labeled #435","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photo of a group of three men and one woman, presumed to be library officials, are trading smiles and the woman offers a handshake to the man on the far left. The woman has grey hair and wears a matching blue jacket and dress. The men are dressed professionally in suits and ties. They stand in front of a small stage and podium, lined with small pots of yellow flowers and decorated by an American flag. Behind them are bookshelves, both tall and short, that extend backwards toward a glass-front room. The photo is dated 1995. Photo previously labeled #436","Color photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. This candid photograph depicts several people standing behind the main circulation desk on the first floor of the Barrett Branch. In the foreground of the photo is a woman wearing a magenta dress and holding two books. The photo is dated 1995. Photo previously labeled #408","Color portrait of an outdoor sign from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library after renovations were completed in 1995. On a bright, sunny day at the corner of a red-brick building sits a white sign that reads \"The 200 Block of North Columbus St. Welcomes the New Library\" and just below that it reads \"Thank You\". Propped up on a wooden easel, the sign is decorated by a single gold, metallic balloon that is moving with the wind. Behind the sign to the right are row houses and a parked car. The photo is dated 1995. Photo previously labeled #441","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, a group of presumed library officials sit next to a stage and listen to the woman speaking from the podium. The woman has white hair and is dressed in a matching blue jacket and dress turns her head to welcome another woman who making her way to an empty chair among the group of officials. The woman being welcomed has tied back, brown hair and glasses and is wearing a colorful dress and black, t-strap shoes. Some of the men and women in the group of officials clap while others offer warm smiles to the approaching woman. Behind them is a small circulation desk and filled bookshelves. The photo is dated 1995. Photo previously labeled #442","Color portrait photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, a group of presumed library staff stand behind the circulation desk and smile at the camera. Four women are directly behind the desk and five more seem to be coming out of the room just behind the desk. Some of the other women have realized their picture is being taken and look at the camera, while others have not and continue their conversations with one another. One man stands in front of the desk and has turned to face the camera while a final woman seems to being walking past him. Folding chairs are set up and extend out of frame and because each still has a paper program on it, it is likely the event has not yet started. The photo is dated 1995. Photo previously labeled #443","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, two group of presumed library officials both sit and stand next to a small stage. Though not all the chairs are filled, the seated group includes three women and four men, all dressed professionally, who seem to be waiting for the event to start. The standing group, consisting of three men and two women, are all in conversation with one another. The woman in the middle with white hair, blue dress and light-colored purse is speaking and the remainder of the standing group leans in to listen. Behind them is the stage, decorated with an American flag, and both tall and short bookshelves that extend out of frame. The photo is dated 1995. Photo previously labeled #444","Color photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera aims at the circulation desk and the people that stand around it. Presumed to be library staff, four women stand together and all but one is smiling up at the camera. Other people, presumed to be library staff and officials, stand around the desk. Some are in conversation and others are looking in different directions around the room. In front of the circulation desk, extending out of frame, are rows of folding chairs each with a paper program on the seats. The photo is dated 1995. Photo previously labeled #445","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Set up on the second-floor balcony of the Barrett Branch, are three female musicians in the midst of performing. All three are wearing white dress shirts and black bottoms and each sit in her own wooden chair across from sheet music on a music stand and plays from a flute. Behind them are a man and a woman in conversation leaning over the balcony railing to get a better view of what is going on the floor below. The photo is dated 1995. Photo previously labeled #446","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, pictured is a man in a dark suit and tie speaking from a podium on a small elevated stage, which he shares with an American flag. Bordering the front of the stage are small pots of yellow flowers. To the left and right of the stage sit two groups of men and women, presumably library officials who have their attention on the man speaking. Behind them are rows of both tall and short bookshelves that extend back into the room and out of frame. The photo is dated 1995. Photo previously labeled #447","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Men and women of varying ages stand milling around the main floor of the Barrett Branch library seeming after the conclusion of the ceremony. In the foreground, one man sits at a table with his hands on a computer keyboard and converses with the two women who are speaking to him. The woman on the left has short brown hair and wears a blue jacket and the woman on the right has short greying hair and wears a white shirt, denim bottoms, and carries a small purse. In the background is a larger group pf men and women, gathered around a table of computers. Behind are bookshelves that extend to the other side of the room where more people sit at tables in conversation. The photo is dated 1995. Photo previously labeled #448","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Outside the front entrance of the Barrett Branch Library, in the shade of a tree, is a group of men and women who seem to be waiting for the library to open and for the ceremony to begin. On the front doors, illuminated by the sun, two signs read \"Re-opening\" and \"Sept. 10, 2PM\". Some of the group are sitting on the red brick retaining wall outside of the library while other stand in conversation closer to the entrance. The building is red brick, with white columns and white doors. A large, half-moon shaped windows sits atop the doors allowing natural light to fill the entrance vestibule within. The photo is dated 1995. Photo previously labeled #449","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. The photo is aimed at the circulation desk where some people have begun to converse with the library staff behind the desk. In front of the desk, the main floor of the Barrett Branch Library has been filled with folding chairs where a few people have begun to sit. There are folded programs on each of the folding chairs, suggesting that the ceremony has not yet begun. On the right side of the picture are bookshelves that fill the space at the back of the main floor as well as the second floor, which is visible through the balcony railing. The photo is dated 1995. Photo previously labeled #450","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the picture is focused on the group of men and women standing against the wall behind the circulation desk. There are nine women and two men visible, dressed professionally, and most of them seem to have their attention on something happening just out of frame on the right. In front of the desk on the left is the beginnings of a seated audience and starting from the circulation desk extending out of frame across the front of the audience stretches the red ribbon that has yet to be cut. The photo is dated 1995. Photo previously labeled #451","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. A group of two men, one woman, and one young man are standing in conversation with each other next to a round table that currently holds computers, of which only the keyboards and mice are visible. The young man has dark hair and wears a blue collared shirt and the woman he is next to has short brown hair and wears a blue patterned dress and carries a white purse. The two men are both dressed in dark suits with light dress shirts. The man with glasses wears a dark tie. Behind them are some table and chairs separating the group from the tall book shelves that extend out passed both sides of frame. The photo is dated 1995. Photo previously labeled #452","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, two men are pictured in conversation with each other while standing behind a podium on a small elevated stage. The men both wear suits with light-colored shirts, and the viewer is clearly able to see that the man on the left is wearing glasses and a tie. The man on the right has his back to the camera because his attention is on the other man who seems to be explaining something while pointing to something just out of sight on the left. In front of the stage are small pots of yellow flowers and beside the stage are rows of wooden chairs that have yet to be filled. Each chair has a folded program that seems to suggest the ceremony has yet to begin. Behind the men and the stage are bookshelves, both tall and short, that are filled with material. The photo is dated 1995. Photo previously labeled #453","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Pointed toward the interior entrance of the Barrett Branch, taken from the opposite end of the main floor, men and women are milling about the space presumably after the conclusion of the ribbon cutting. In the foreground are men and women using the available computers and in front of them is a large gathering of people milling around the main floor of the Barrett Branch Library. Some seem to be in conversation with one another, while other seem to simply be moving around the space. The photo is dated 1995. Photo previously labeled #454","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at where the ceremony will be held. A large seated audience of men and women is forming behind a red ribbon that has been stretched from the circulation desk to the staircase's railing on the opposite side of the room. The men and women standing behind the circulation desk are, presumably, library staff and the few men and women that stand on the other side of the red ribbon from the audience are the library officials that will be speaking during the ceremony. The library officials seem to be looking at someone just out of frame and two of them are waving to try and get their attention. The photo is dated 1995. Photo previously labeled #455","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch where folding chairs have been set up in the middle of the room for an audience that has begun filing in. Men and women of varying ages and dress are coming in through the bright, naturally lit entrance vestibule, stopping at the circulation desk, before finding an empty seat. The men and women behind the circulation desk are, presumably, library staff who are either in conversation with one another or watching the people who are filing into the library. Just in front of the audience, stretching from the circulation desk to the railing of the staircase at the opposite of the room, is a red ribbon that is being handled by a woman in a dark top and patterned skirt. The photo is dated 1995. Photo previously labeled #456","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points at a small group of men and women who are seated in wooden chairs to the left of a small stage with a podium. Seated in two rows, the group consists of four women and three men, and are presumed to be library officials. They are all in professional dress, either in suits and ties or dresses and blazers, and the front row seems to be conversation with each other. Just behind them, extending backward into the space, are filled bookshelves. The photo is dated 1995. Photo previously labeled #457","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man speaking from a podium on a small elevated stage. The man, wearing glasses and dressed in a grey-colored suit with a white shirt and dark-colored tie, holds a book in one hand and paper in the other as he looks out at the audience in front of him. The men and women seated next to the stage, who are presumed to be library officials, have their attention on the speaker. The stage is bordered in the front by small pots of yellow flowers and framed in the back by bookshelves that extend backward into the space. The photo is dated 1995. Photo previously labeled #458","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the men and women that surround it. The men and women, presumed to be library officials, stand with their hands over their hearts as they face the American flag that sits on the stage. All professionally dressed, only one man and one woman stand on the stage while the others stand to either side as they seem to recite the Pledge of Allegiance. Behind the stage are rows of bookshelves that extend backwards and out of frame. Above the stage is the second-floor balcony of the Barrett Branch. The photo is dated 1995. Photo previously labeled #459","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the men and women that surround it. On the stage stands a brown-haired woman, wearing a floral-patterned dress and pink blazer, speaking from a podium to the audience that sits in front of her just out of view. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the woman at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #460","This folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the people that surround it. Although the picture is out of focusing, appearing blurry, a woman with red hair and glasses, wearing a red blazer and skirt, can be seen speaking from the podium. With their attention on the speaker at the podium, the men and women that sit next to the stage are presumed to be library officials. The stage, framed at the front by small pots of yellow flowers, backs up to rows of short bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #461","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the people that surround it. On the stage, standing at the podium, is a man with glasses wearing a dark-colored suit and tie with a red pocket square. He looks down at the paper on the podium as he speaks to the audience in front of him, sitting just out of view. The men and women sitting next to the stage, presumed to be library officials, are dressed professionally as some turn their attention toward the speaker. The front of the stage is framed by small pots of yellow flowers and rows of short bookshelves sit at the back of the stage. The photo is dated 1995. Photo previously labeled #462","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down on the main floor of the Barrett Branch Library where the audience sits as the ribbon ceremony goes on. On the left side of the picture, many men and women sit in folding chairs as they listen to the man speaking from the small elevated stage and podium in front of them. Stretching from the circulation desk, across the room, to the railing of the staircase is a red ribbon that separates the audience from the men and women on and around the stage. There are also men and women that stand behind the circulation desk, presumed to be library staff, that have their attention on the man at the podium, who is dressed in a dark-colored suit with a light-colored shirt. On either side of the stage, separated from the general audience, sit other men and women who are presumed to be library officials. The photo is dated 1995. Photo previously labeled #463","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down on the main floor of the Barrett Branch Library where the audience sits as the ribbon ceremony goes on. On the right side of the picture sits a large audience of men and women that extends backwards out if frame. They are separated from the small stage and podium by a red ribbon that stretches from the circulation desk, across the room, to the railing of the staircase that leads to the second floor. Behind the circulation desk stands a few men and women, who are presumed to be library staff, who have their attention on the man that speaks from the podium. The speaker, dressed in a dark-colored suit and tie, looks down at the paper on the podium as he addresses the audience in front of him. The people sitting to left and right of the stage, who are separate from the general audience, are presumed to be library officials who are part of the ceremony proceedings. The photo is dated 1995. Photo previously labeled #464","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a man standing in behind a podium on a small elevated stage. The man, dressed in a grey-colored suit and glasses, seems to have his head tilted down in pause to accept the applause he is receiving from the people around him. Next to the stage sits a group of men and women who are presumed to be library officials. One man and one woman can be seen clapping for the man on the stage. The front of the stage is framed by small pots of yellow flowers and the back of the stage is bordered by short bookshelves that extend backward out of view. The photo is dated 1995. Photo previously labeled #465","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a woman standing behind a podium on a small elevate stage. The woman has grey hair, dressed in a matching blue dress and blazer, and looks out at the audience seated in front of her, just out of view. There is a group of men and women seated in three rows next to the stage, presumed to be library officials, who look and listen to the woman speaking from the podium. Behind the stage and the group of library officials are some tall and short bookshelves that extend backward into the space and out of frame. The photo is dated 1995. Photo previously labeled #466","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch Library where men and women are milling around presumably after the ribbon has been cut officially opening the library. The men and women, of all ages and in varying dress, are either in conversation with one another or are on the move to a different part of the space. Some are making their way up the stairs and past whomever is taking the picture while others are moving towards the rows of bookshelves that extend backward out of frame. Barely visible amongst the people is a small stage and podium where library officials had spoken during the ceremony. The photo is dated 1995. Photo previously labeled #467","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small stage and the men and women that surround it. On the stage, standing behind a podium, is grey-haired woman in a matching blue dress and blazer who speaks to the audience seated in front of her, just out of view. On either side of the stage where the woman in blue is speaking from, sits two groups of men and women, presumed to be library officials, who have attention on the woman in blue. The front of the stage is framed with small pots of yellow flowers and the back is bordered by short bookshelves that extend backward into the space. The photo is dated 1995. Photo previously labeled #468","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch where people have begun to move about the space, presumably, at the conclusion of the ribbon cutting ceremony. Some of the men and women are in conversation with each other while others have begun exploring the space and materials available. Visible among the crowd is the circulation desk, with a few staff members working from behind it. Across the room, also visible among the crowd, is the small stage and podium that library officials spoke from during the ceremony. Above the crowd, on the right side of the picture, is the second-floor balcony which has been populated by more exploring people. The photo is dated from 1995. Photo previously labeled #469","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small stage and podium. Standing behind the podium is a man with glasses, wearing a dark-colored suit and tie, who is looking down at the papers on the podium in front of him. To one side of the stage is small group of men and women who are seated in three rows, all in professional dress. This small group of people are presumed to be library officials, as is the man in a grey-colored suit that is seated behind the stage. Behind the stage are short bookshelves that extend backward out of frame and the front of the stage is line with small pots of yellow flowers. The photo is dated 1995. Photo previously labeled #470","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch wear a stage sits before a large seated audience. Separating the audience from the stage is a long red ribbon stretching from the circulation desk across the room to the staircase's railing. Behind the circulation desk, standing with their backs to the wall, are men and women who seem to be part of the library staff. On the stage stands a brown-haired woman, wearing a floral-patterned dress and pink blazer, speaking from a podium to the audience that sits in front of her. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the woman at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #471","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch wear a stage sits before a large seated audience. Separating the audience from the stage is a long red ribbon stretching from the circulation desk across the room to the staircase's railing. Behind the circulation desk, standing with their backs to the wall, are men and women who seem to be part of the library staff. On the stage stands a man with glasses, wearing a grey-colored suit, speaking from a podium to the audience that sits in front of him. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the man at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #472","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small stage and podium as well as the people that surround it. Speaking from the podium stands a man with glasses, in a grey-colored suit and tie, who looks down at the paper in front of him. On either side of the stage sits two small groups of men and women, presumed to be library officials, who have their attention on the man on stage. All are professionally dressed and some hold programs probably pertaining to the ceremony. The front of the stage is lined with small pots of yellow flows and behind the stage are rows of short and tall books shelves. The photo is dated 1995. Photo previously labeled #473","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at two groups of men and women on the main floor of the Barrett Branch Library. The group closest to the camera consists of six men and two women who are professionally dressed and seem to be library officials. Each woman shakes the hand of one of the men in the group. Behind them is a small stage and podium, that is lined with small pots of yellow flowers along the front. In the other side of the stage is another small group of men and women, also thought to be library officials. One woman seated at the front of the group, with white hair and patterned dress, is leaning forward to greet a woman with brown hair, black jacket, and skirt standing in front of her. Behind the two groups and the stage are bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #474","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small group of men and women who are standing, in conversation with each other. The group, consisting of two women and five men, are all professionally dressed and seem to be library officials. Facing away from the camera, one woman with a pink jacket is shaking hands with a man in a dark colored suit and patterned tie. Behind this group is a small, unoccupied stage and podium and on the other side of the stage is another group of seated, presumed, library officials. Behind the stage are bookshelves that extend backwards out of frame. The photo is dated 1995. Photo previously labeled #475","Color photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. In the foreground of the picture, two unidentified women smile at the camera. The woman on the left has short blond hair, glasses, and wears a patterned collared dress. The woman in the left has dark brown hair and wears a dark blue top with a high neck. Behind them are more men and women who are milling about on the main floor of the Barrett Branch, presumably after the conclusion of the ceremony. The photo is dated 1995. Photo previously labeled #476","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. The camera is pointed at the line of men and women standing at the circulation desk at the Barrett Branch Library. Presumably, these are members of the public who attended the ribbon cutting and are now exploring the new space after the conclusion of the ceremony. On the upper right-side of the picture, visible through the railing, is the second-floor balcony where people a standing amongst the bookshelves. The photo is dated 1995. Photo previously labeled #477","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man standing on a small stage, behind a podium. Though the camera is unfocused and the photo appears slightly blurry it can be determined that the man, dressed in a dark-colored suit with a white pocket square, looks down at the papers on the podium as the small group of men and women seated on the other side of the stage have their attention on him. The small group of men and women, who are dressed professionally, are presumed to be library officials that are part of the ribbon cutting ceremony. One other presumed official is seated behind the stage and is reading a piece of paper. Also, behind the stage and the small group of library officials, are rows of bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #478","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a line of people who stand facing a seated audience of men and women. The line of people is professionally dressed men and women, presumably library officials, who each hold onto a red ribbon that stretches across the room from the circulation desk to the railing of the staircase. The seated audience and the men and women standing behind the circulation desk smile at the line of officials as they cut the ribbon. One woman, with grey hair and blue dress, holds up her scissors and her portion of the red ribbon in celebration. The photo is dated 1995. Photo previously labeled #479","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man in a grey-colored suit who stands on a small stage. Looking down at the orange-handled scissors in hand, he faces a small group of men and women, presumed to be library officials, as they walk towards the left side of the photo. The man on the stage is handing out pairs of scissors to members of the ribbon cutting ceremony as they make their way towards the ribbon that is just out of view. Behind the man and the stage, is another small group of men and women seated in front of bookshelves who watch as the other officials make their way to the ribbon. The photo is dated 1995. Photo previously labeled #480","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch Library and the men and women who are filing in before the start of the ceremony. There are folding chairs set up in the middle of the room that a being filled by people coming from the entrance vestibule at the back of the space. Behind the circulation desk stands many men and women, presumed to be library staff, who watch as members of the public take their seats. In front of the audience stretching across the room, from the circulation desk to the railing of the staircase, is a long red ribbon. The photo is dated 1995. Photo previously labeled #481","This folder contains black and white photographs pertaining to the Robert H. Robinson Library, dated from 1946 to 1950. The photos capture the Robert H. Robinson Library building, staff, and various events.","Black and white photograph of Sara Murphy Carr sitting at her desk in the Robert Robinson Branch of Alexandria Library. Carr has short, dark hair and is wearing a light-colored blazer and a dark-colored top underneath. She looks directly at the camera from a chair behind her wooden desk, which is topped with file folders, a box of catalog cards, a folded newspaper, and other items. Behind her is a cart filled books and behind her further are filled bookshelves, some are topped with more books or other décor. The photo is dated c.1948. Photo previously labeled as #494","Black and white photograph of Sara Murphy Carr posing for a picture in the doorway of the Robert Robinson Library. Carr has short, dark hair and is wearing a light-color jacket, dark-colored top, light-colored knee length skirt, with dark-colored shoes. She stands facing the camera and seems to have her hand on the knob of the front door that is slightly ajar behind her. A stoop and front step lead up to the front of the brick building and above the white trimmed door is a sign that reads \"Robert Robinson Library\" in dark letters. The photo is dated c.1948. Photo previously labeled as #495","Black and white candid photograph taken outside the Robert Robinson Library as Miss Bracie enters the building. Facing the front of the library, the photo captures a woman, identified as Miss Bracie, stepping up to the front door of the building. With her back to the camera, Miss Bracie wears a light-colored jacket and skirt, a much lighter-colored hat with black sash, and carries a dark-colored hand bag. The building, made of brick with a dark-colored metal roof, has one brick chimney on the left side and four narrow windows that are evenly separated by the white trimmed front door. Above the front door, just under an outdoor light, is a sign that reads \"Robert Robinson Library\" in dark letters. A cement walkway leads up to the door and is bordered on either side by shrubbery and grass. The photo is dated c.1950. Photo previously labeled as #496","Black and white photograph of Story Hour at Robert Robinson Library. Robinson Librarian Minnie N. Fuller, sits and reads to twelve children who either sit in chairs or kneel on the carpeted floor in front of her. Fuller has short, dark hair and is wearing a light-colored dress with light-colored shoes. Her head is tilted down and away from the camera as she reads the book and the children, both boys and girls, are turned to face her. Behind the children are three windows that have their blinds open. The photo is dated 1950. Photo previously labeled as #497","Black and white photograph of a group of men and women, presumably attending an event, at the Robert H. Robinson Library. Posed in two rows, nine women and three men are pictured together with some looking directly at the camera and others facing in different directions. All are dressed up, with the women in dresses and dress hats and the men in suits. One clergyman stands in the second row and is dressed in a clerical collar. One woman is identified as Alexandria Library Director Ellen Coolidge Burke (first row, second from the left) and she is dressed in a dark jacket, light-colored shirt, light-colored skirt, and dark-colored hat. Behind the group is a wall with a bookshelf and closed door. The photo is dated 1950. Photo previously labeled #498","Black and white candid photograph taken of Story Hour at Robert Robinson Library. Twenty-three children, listen as Robinson Librarian Sara Murphy Carr reads a picture book. Carr is wearing a light-colored outfit and dark-colored shoes. Her hair has been tied back away from her face and she looks down at the open book through her glasses. Many of the children have realized they are being photographed and have turned to face the camera, but a few have their gazes turned elsewhere. The space where the group sits is lined on three sides by filled bookshelves, some topped with more books or other décor. The photo is dated April 1946. Photo previously labeled as #499","Black and white photo of the 10th Anniversary of the Robert H. +Robinson Library. Seated in five rows, a group of men and women, some young and some old, pose for a picture inside the Robert Robinson Library. Not everyone looks directly at the camera, but all are dressed professionally. Some women can be seen wearing hats and dress gloves while the men can be seen in suit and tie. One clergyman sits in the back dressed in his clerical collar. Behind the group, the walls are lined with bookshelves that have been decorated with original art work of varying sizes. The photo is dated 1950. Photo previously labeled as #500","This sub-series contains records documenting the branches and divisions of the Alexandria Library system including the construction of the branches and information regarding their operations. The branches represented here include the Kate Waller Barrett Branch Library, the James M. Duncan Branch Library, the Ellen Coolidge Burke Branch Library, the Robert H. Robinson Library, the \"New Branch\" (later known as the Charles E. Beatley, Jr. Central Library), the Special Services Division, and the Lloyd House (later known as Local History and Special Collections).","This folder contains miscellaneous records pertaining to the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of contracts, proof of insurance, and other notes and correspondence related to the proposed addition to the Barrett branch.","This folder contains records pertaining to the construction specifications for the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include the Specifications report, prepared by the Alexandria Library Board, detailing the proposed requirements for the construction of the addition to the Barrett branch.","This folder contains financial records pertaining to the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of vendor invoices, reports of money spent, and other related notes and correspondence.","This folder contains records pertaining to the process of selecting bids for which construction agency would carry out the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of proposals, meeting minutes, press material, and other related notes and correspondence.","This folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from December 1947 to December 1951. Documents include monthly reports on branch statistics, yearly fiscal report, discard lists, and other related notes.","This folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from January 1952 to December 1955. Documents include monthly reports on branch statistics, and other related notes.","This folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from January 1956 to May 1959. Documents include monthly reports on branch statistics, and other related notes.","This series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series contains web-published resources that were created by, or are directly related to, the Alexandria Library in Alexandria, Virginia. This includes the Library website, Library social media accounts, Library blog, and the websites of Library friends' groups.","Website of the Alexandria Library in Alexandria, Virginia","Facebook account of the Alexandria Library in Alexandria, Virginia","Instagram account of the Alexandria Library in Alexandria, Virginia","Twitter account of the Alexandria Library in Alexandria, Virginia","Youtube account of the Alexandria Library in Alexandria, Virginia","Alexandria Library's blog which focuses on adult programs, events, and services including news and updates about the Library's collection, services, resources, and programs for adults","Online donation portal for the Alexandria Library Foundation, Inc. The Alexandria Library Foundation is a non-profit organization which provides funding for the Alexandria Library System in Alexandria, Virginia","Website of the Friends of the Beatley Central Library in Alexandria, Virginia. The Friends are a volunteer organizations which works to promote the interests and programs of the Library","Website of the Friends of Duncan Library. The Friends are a volunteer organization that supports the operations of the Duncan Branch Library, located in the Del Ray neighborhood of Alexandria, Virginia","Intranet website for Alexandria Library staff","Materials relating to the Alexandria Library Board have been moved from MS098 to the Alexandria Library Board Records (MS416).","Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Burke, Ellen Coolidge","Duncan, James M., Jr. (James Morton), 1897-1967","Barrett, Kate Waller, Dr., 1858-1925","Beatley, Charles E., Jr., 1916-2003","Robinson, Robert Henry, Rev. (1824-1909)","English"],"unitid_tesim":["MS098","/repositories/2/resources/157"],"normalized_title_ssm":["Alexandria Library Records (MS098)"],"collection_title_tesim":["Alexandria Library Records (MS098)"],"collection_ssim":["Alexandria Library Records (MS098)"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"geogname_ssm":["Alexandria (Va.)"],"geogname_ssim":["Alexandria (Va.)"],"creator_ssm":["Alexandria Library (Alexandria, Va.)"],"creator_ssim":["Alexandria Library (Alexandria, Va.)"],"creator_corpname_ssim":["Alexandria Library (Alexandria, Va.)"],"creators_ssim":["Alexandria Library (Alexandria, Va.)"],"places_ssim":["Alexandria (Va.)"],"access_subjects_ssim":["Alexandria (Va.). Library","Public libraries."],"access_subjects_ssm":["Alexandria (Va.). Library","Public libraries."],"has_online_content_ssim":["false"],"extent_ssm":["13.86 Cubic Feet 30 boxes, 1 oversized box"],"extent_tesim":["13.86 Cubic Feet 30 boxes, 1 oversized box"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Public access to some confidential personnel records is restricted, these materials are noted as such.\u003c/p\u003e","\u003cp\u003eThis folder contains confidential personnel records. Public access and use of these materials is restricted for 75 years from the date of creation of the document.\u003c/p\u003e","\u003cp\u003eThis site is only accessible to Alexandria Library staff and is not available for public research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access","Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Public access to some confidential personnel records is restricted, these materials are noted as such.","This folder contains confidential personnel records. Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This site is only accessible to Alexandria Library staff and is not available for public research use."],"arrangement_html_tesm":["\u003cp\u003eThis finding aid describes and documents the updated arrangement of this collection as of 2023. Previously, the collection was organized into the following series: By Laws, Charters, and Agreements; Board; Annual Reports; Administration; Circulation; Construction; History; Publicity; Scrapbooks; Workshops; Queen/Barrett; Robert Robinson; Special Services; and Lloyd House. \"By-Laws, Charters, and Agreements\" and \"Administration\" have been combined into the new Subseries 1.2. Administration and Finance. \"History,\" \"Publicity,\" \"Scrapbooks,\" \"Workshops,\" and \"Photographs\" have been combined into the new Subseries 1.4. History, Programming, and Outreach. \"Construction,\" \"Queen/Barrett,\" \"Robert Robinson,\" \"Special Services,\" and \"Lloyd House,\" have been combined into the new Subseries 1.5. Branch Records.\u003c/p\u003e\n","\u003cp\u003eThe \"Board\" series has been separated from MS098 and combined with other records to form a new, separate collection of Alexandria Library Board Records.\u003c/p\u003e\n","\u003cp\u003eThe physical and intellectual arrangement of the Alexandria Library Records (MS098) has been updated a few times over the years, while remaining accessible to the public. Thus, the decision was made to maintain, as much as appropriate, the current order of the pre-existing collection as Series 1: Founding and 20th Century Records; and Series 2: 21st Century Records includes the new accretions to the collection as of 2023. Future accretions to this collection will either be added to Series 2 or form a new series.\u003c/p\u003e\n","\u003cp\u003e\u003cul\u003e\n\u003cli\u003eSeries 1. Founding and 20th Century Records, 1937-2005\n\u003cul\u003e\n\u003cli\u003eSubseries 1.1. Annual Reports\u003c/li\u003e\n\u003cli\u003eSubseries 1.2. Administration and Finance\u003c/li\u003e\n\u003cli\u003eSubseries 1.3. Circulation Records\u003c/li\u003e\n\u003cli\u003eSubseries 1.4. History, Programming, and Outreach\u003c/li\u003e\n\u003cli\u003eSubseries 1.5. Branch Records\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003eSeries 2. 21st Century Records, 1994-present\n\u003cul\u003e\n\u003cli\u003eSubseries 2.1. Annual Reports\u003c/li\u003e\n\u003cli\u003eSubseries 2.2. Administration and Finance\u003c/li\u003e\n\u003cli\u003eSubseries 2.3. Branch Records\u003c/li\u003e\n\u003cli\u003eSubseries 2.4. Programming and Outreach\u003c/li\u003e\n\u003cli\u003eSubseries 2.5. Web Archives\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Notes on Arrangement"],"arrangement_tesim":["This finding aid describes and documents the updated arrangement of this collection as of 2023. Previously, the collection was organized into the following series: By Laws, Charters, and Agreements; Board; Annual Reports; Administration; Circulation; Construction; History; Publicity; Scrapbooks; Workshops; Queen/Barrett; Robert Robinson; Special Services; and Lloyd House. \"By-Laws, Charters, and Agreements\" and \"Administration\" have been combined into the new Subseries 1.2. Administration and Finance. \"History,\" \"Publicity,\" \"Scrapbooks,\" \"Workshops,\" and \"Photographs\" have been combined into the new Subseries 1.4. History, Programming, and Outreach. \"Construction,\" \"Queen/Barrett,\" \"Robert Robinson,\" \"Special Services,\" and \"Lloyd House,\" have been combined into the new Subseries 1.5. Branch Records.","The \"Board\" series has been separated from MS098 and combined with other records to form a new, separate collection of Alexandria Library Board Records.","The physical and intellectual arrangement of the Alexandria Library Records (MS098) has been updated a few times over the years, while remaining accessible to the public. Thus, the decision was made to maintain, as much as appropriate, the current order of the pre-existing collection as Series 1: Founding and 20th Century Records; and Series 2: 21st Century Records includes the new accretions to the collection as of 2023. Future accretions to this collection will either be added to Series 2 or form a new series.","Series 1. Founding and 20th Century Records, 1937-2005\n Subseries 1.1. Annual Reports Subseries 1.2. Administration and Finance Subseries 1.3. Circulation Records Subseries 1.4. History, Programming, and Outreach Subseries 1.5. Branch Records Series 2. 21st Century Records, 1994-present\n Subseries 2.1. Annual Reports Subseries 2.2. Administration and Finance Subseries 2.3. Branch Records Subseries 2.4. Programming and Outreach Subseries 2.5. Web Archives"],"bioghist_html_tesm":["\u003cp\u003eFounded as a subscription library in 1794 and serving as the public library of Alexandria, Virginia since 1937 – Alexandria Library has a long legacy of supporting early literacy and lifelong learning in our diverse community. The Alexandria Library builds community through its six branches by providing opportunities to learn, explore, create, and connect.\u003c/p\u003e\n","\u003cp\u003eThe Alexandria Library Company (ALC) was founded on July 24, 1794 and operated a subscription library for nearly 150 years. In 1937, the ALC entered an agreement with the City of Alexandria and their collections formed the foundation of the city's first free public library. Since then, the Alexandria Library has grown into a system of six branches which serve the community of Alexandria, Virginia. \u003c/p\u003e\n","\u003cp\u003eThe Kate Waller Barrett Library opened its doors on Queen Street in 1937; this was the first location of the Alexandria Library. It was named after Dr. Kate Waller Barrett – local humanitarian, social crusader, and political reformer. The Society of Friends granted a 99-year lease for use of its old Quaker Burial Ground on Queen Street as the site for the new public library building. This library has undergone several renovations and expansions over the years, in 1954, 1964, and 1993. When the Charles E. Beatley, Jr. Central Library was built, the Barrett Library shifted from being the main library to its current role as a branch library which serves residents of Old Town Alexandria and surrounding neighborhoods.\u003c/p\u003e\n","\u003cp\u003eThe Robert Robinson Library, named for a grandson of one of George Washington's slaves, opened in 1940 to serve black residents of Alexandria. The establishment of this new branch library was motivated by a civil rights demonstration and lawsuit brought against the Library and the City of Alexandria. The earliest known civil rights sit-in was held at the Kate Waller Barrett Branch Library in 1939. Alexandria Attorney Samuel W. Tucker and five young African American men demonstrated this act of civil disobedience after being denied library cards. The Sit-In and following legal action resulted in the establishment of a new branch of the library to provide \"separate but equal\" library services to black residents. However, this new library branch never received the same support or funding as the main library and was never able to provide fully equitable services to the local African American community. The Alexandria Library officially integrated for adults in 1959, and for children in 1962. The Robert Robinson Library closed in 1962 and the building is now the site of the Alexandria Black History Museum. \u003ca href=\"https://alexlibraryva.org/1939-sit-in\"\u003eMore details about the 1939 sit-in and integration of Alexandria Library, as well as links to additional resources can be found on our website.\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003eThe Ellen Coolidge Burke Branch Library opened on Seminary Road in 1968. This branch library was named after Ellen Coolidge Burke (1901-1975), who served as Director of the Alexandria Library from 1948 to 1969. The Burke Branch Library serves residents of the Seminary Hill neighborhood and surrounding areas. \u003c/p\u003e\n","\u003cp\u003eThe James M. Duncan, Jr. Branch Library opened on Commonwealth Avenue in 1969. The Duncan Branch Library serves residents of the Del Ray neighborhood and surrounding areas. This branch was named after James M. Duncan (1897-1967), who served as Chief of the Alexandria Fire Department 1924-1947, member of City Council 1949-1967, and member of the Alexandria Library Board 1950-1967. In 2005 the Duncan Branch Library underwent renovations and became the first City of Alexandria government building to have a \"living\" roof – a Green Infrastructure approach to reducing stormwater runoff and pollution in local waterways. \u003c/p\u003e\n","\u003cp\u003eThe Local History / Special Collections Branch was established in 1976 and first housed at Lloyd House, a historic home on the corner of Queen and North Washington Streets. In 1999, after completion of the most recent round of renovations and expansions, Local History / Special Collections moved into the Kate Waller Barrett Branch Library. Local History / Special Collections stewards many valuable resources documenting the history and culture of Alexandria and Virginia from the colonial period to the present.\u003c/p\u003e\n","\u003cp\u003eThe Charles E. Beatley, Jr. Central Library opened on Duke Street in 2000. This new central library was named after former mayor of Alexandria, Charles E. \"Chuck\" Beatley, Jr. (1916-2003). Upon completion of the new main library site, library adminstration offices were moved from the Barrett Library (formerly the central library) to the Beatley Library.\u003c/p\u003e\n","\u003cp\u003eIn 2015 the Library took over management of the Alexandria Law Library, located in the basement of the Alexandria Circuit Court on King Street. The Alexandria Law Library provides legal resources for the benefit of the entire Alexandria community, including its citizens, government agencies, local businesses, the judiciary, and members of the bar.\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://alexlibraryva.org/about-us#timeline\"\u003eFor a more detailed timeline of the history of Alexandria Library, check out our website.\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Founded as a subscription library in 1794 and serving as the public library of Alexandria, Virginia since 1937 – Alexandria Library has a long legacy of supporting early literacy and lifelong learning in our diverse community. The Alexandria Library builds community through its six branches by providing opportunities to learn, explore, create, and connect.","The Alexandria Library Company (ALC) was founded on July 24, 1794 and operated a subscription library for nearly 150 years. In 1937, the ALC entered an agreement with the City of Alexandria and their collections formed the foundation of the city's first free public library. Since then, the Alexandria Library has grown into a system of six branches which serve the community of Alexandria, Virginia. ","The Kate Waller Barrett Library opened its doors on Queen Street in 1937; this was the first location of the Alexandria Library. It was named after Dr. Kate Waller Barrett – local humanitarian, social crusader, and political reformer. The Society of Friends granted a 99-year lease for use of its old Quaker Burial Ground on Queen Street as the site for the new public library building. This library has undergone several renovations and expansions over the years, in 1954, 1964, and 1993. When the Charles E. Beatley, Jr. Central Library was built, the Barrett Library shifted from being the main library to its current role as a branch library which serves residents of Old Town Alexandria and surrounding neighborhoods.","The Robert Robinson Library, named for a grandson of one of George Washington's slaves, opened in 1940 to serve black residents of Alexandria. The establishment of this new branch library was motivated by a civil rights demonstration and lawsuit brought against the Library and the City of Alexandria. The earliest known civil rights sit-in was held at the Kate Waller Barrett Branch Library in 1939. Alexandria Attorney Samuel W. Tucker and five young African American men demonstrated this act of civil disobedience after being denied library cards. The Sit-In and following legal action resulted in the establishment of a new branch of the library to provide \"separate but equal\" library services to black residents. However, this new library branch never received the same support or funding as the main library and was never able to provide fully equitable services to the local African American community. The Alexandria Library officially integrated for adults in 1959, and for children in 1962. The Robert Robinson Library closed in 1962 and the building is now the site of the Alexandria Black History Museum.  More details about the 1939 sit-in and integration of Alexandria Library, as well as links to additional resources can be found on our website.","The Ellen Coolidge Burke Branch Library opened on Seminary Road in 1968. This branch library was named after Ellen Coolidge Burke (1901-1975), who served as Director of the Alexandria Library from 1948 to 1969. The Burke Branch Library serves residents of the Seminary Hill neighborhood and surrounding areas. ","The James M. Duncan, Jr. Branch Library opened on Commonwealth Avenue in 1969. The Duncan Branch Library serves residents of the Del Ray neighborhood and surrounding areas. This branch was named after James M. Duncan (1897-1967), who served as Chief of the Alexandria Fire Department 1924-1947, member of City Council 1949-1967, and member of the Alexandria Library Board 1950-1967. In 2005 the Duncan Branch Library underwent renovations and became the first City of Alexandria government building to have a \"living\" roof – a Green Infrastructure approach to reducing stormwater runoff and pollution in local waterways. ","The Local History / Special Collections Branch was established in 1976 and first housed at Lloyd House, a historic home on the corner of Queen and North Washington Streets. In 1999, after completion of the most recent round of renovations and expansions, Local History / Special Collections moved into the Kate Waller Barrett Branch Library. Local History / Special Collections stewards many valuable resources documenting the history and culture of Alexandria and Virginia from the colonial period to the present.","The Charles E. Beatley, Jr. Central Library opened on Duke Street in 2000. This new central library was named after former mayor of Alexandria, Charles E. \"Chuck\" Beatley, Jr. (1916-2003). Upon completion of the new main library site, library adminstration offices were moved from the Barrett Library (formerly the central library) to the Beatley Library.","In 2015 the Library took over management of the Alexandria Law Library, located in the basement of the Alexandria Circuit Court on King Street. The Alexandria Law Library provides legal resources for the benefit of the entire Alexandria community, including its citizens, government agencies, local businesses, the judiciary, and members of the bar.","For a more detailed timeline of the history of Alexandria Library, check out our website."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|8c5ffb42-5524-4dc7-a8b4-a73f7efd331e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|894c2868-34c0-45cb-bbd7-b6116cb9124d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|da857c0c-296a-44f7-ab6a-7c2ef7f6321b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2775e1f7-a255-42c9-bb05-66ec592b14d8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|f0eba518-9a04-4088-93a1-f0cd5291c627/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|9ab292a5-45ac-48a7-8149-b59f50daf32d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2988ea9f-6da2-4aab-9e64-25c5f5ccba22/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a960a00f-aef4-4102-a090-28ef0e774a1f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|5e07d27c-0667-496c-9fc9-a759401ea84b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2dd86645-aee7-4dc0-a448-8b1a366ca43d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a7289215-eaca-4f70-9db5-d618c4b4268c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|aaecee73-770b-4dc0-a5fb-ad424505e3af/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|5b2baaaa-f268-433b-bcd8-f7b58ee756fa/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|8f393379-c7c0-4289-aa97-126c07454c2d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|65ba51a6-9980-437c-a0a8-9b812c7bcc1e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3cb9e051-78a0-4171-b705-aa095bc9dc16/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|e3006d3f-5648-4960-bfb3-9cde4dbd0ef8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|aa233c09-5939-412e-ac97-bde4def034fd/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b99e3355-3be7-4288-a295-1b89032f8de2/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|42d1f5cf-e5b5-4129-abf6-30490e68519e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|32b50591-64c3-4030-995c-1b642c546c40/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|59d54aa3-37dd-419e-897c-f610719602b7/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b5be668b-4c36-4186-8982-c16a1e229d20/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|5508d012-7643-425b-9b49-31611b2325d6/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|d3219ad0-703a-41e9-8972-5bfbaed888fe/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|d2bc9b53-ce4d-4869-b028-4ef1fcb073d8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b85331ca-2989-4d5f-a470-b747374c2e26/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|54f81cf7-7e77-4afc-86f0-85ee02d37d9d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|90873c83-9782-4565-bbf8-4ed37cdb2e30/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|8e9971ee-f82c-4f42-a701-f3c0fd9ed4d2/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|7d24ac36-712a-4d1b-a5c3-39689988ba89/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3898e720-d3d6-4504-aa3c-6ced13f46f0a/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|c930dfaa-faf1-4aaf-802c-aa69bc9d0255/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|42ee1234-2a7a-4586-b695-537409ca618d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b1455d2e-d41b-4e0b-a840-cddafdb00d1f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|939d736b-20ce-4597-91fd-b898bae33ee8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|aa0f3389-f894-4fd8-8646-a6279a20e2e8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|bd555e9e-6bd1-4deb-ae8e-29fac38fa0f3/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|24ecb5a1-ca62-43cd-82dc-58e78eb5b0a6/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|ec845170-dd5f-4d9d-a3eb-2f7f54f28c45/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|fd71f510-2900-4932-b5c8-773d356aa74d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|46aa3cbc-c3ca-428b-a3eb-9f864ded1fbe/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a1b1a124-cb67-4004-8a52-cabc0540ba50/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|156e31ad-c793-4d9f-95e2-593309eba75f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|d5866300-0f94-4c3e-be37-bfafcd4df310/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|e7f934e4-04aa-4a51-9c3a-696a98984e7b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|cd7d450f-3958-4cfa-a637-a8e9b5f9a32e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|78bf04d9-2a23-43c7-9f14-b6a1b23cacad/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|73f914f5-6412-43c7-983d-dec481f0f04b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|1a5f9bab-d6c2-4194-ba71-5b17d55f7a72/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a9ddda38-eeb7-4fdc-946b-729494c91c2c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|1a453d9f-7d9f-4a8b-8204-d513852f7af7/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|37d51356-2123-4ac7-bcf3-9428ed029bd3/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|e9d4ae49-f62c-4abe-b5ce-d23640fbc58c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|37dc006e-c5f4-459a-bffb-17c61fc31ccf/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|684bd62b-8c67-4e5b-a1ba-c1e58e3f39d7/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|ac73a1cb-67b8-4866-9499-bc01d4094795/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2a3c6321-c868-4e7e-8ac4-50406bc2364f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|5c81d4b1-2478-4441-a007-6e226a86dc57/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4f88a2f1-2c40-4dff-8ea4-7d619258ddf2/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|9eea9153-d572-49d3-89e6-5dde9c707fb3/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8d26fcf8-3240-42a3-980a-5a9b5c36a799/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5f5caa20-94ee-4a8c-aa92-4846b9d4bb06/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2ccfcc8f-1750-4827-93e5-a48b087f848e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_57f3ac3b-1b71-4822-b7ab-d385c0745fd6/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3f9debd1-c9cd-4829-9c4d-faeff29054eb/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2a03f7ca-b38c-4d5a-806a-44e43d2cd07f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3cd4c4fd-ac94-4ecd-8b1c-ebbf68947ebf/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_377eaa24-a27b-4ab8-b9d7-e646dd0acd04/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8c1dbe2-0cd7-4630-8fa7-7c0a3600b2ba/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ad33be2f-988d-46dc-8af1-7570646ec86c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c807fe07-5c93-4f45-b127-f34f69792d14/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1050a027-9948-4d50-a0b8-9ad8209ddf43/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9de17d10-3ff9-4b7a-8ada-bcb8516bbf44/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0ddb12b6-9660-4beb-8c3e-1cddf6dbc5d6/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92648e88-c666-4240-ba23-b63f38c2f7f5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_baeb425f-988d-4260-b03d-42f14f27ed35/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3dd28149-ff59-4338-9377-3b57908d60be/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_306e35f6-f6e4-4dc8-881f-de7789226254/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d923bbd1-f787-40e4-b734-fe774de9d671/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_16446faa-6fa3-438c-8d22-508fb5086ea4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a4d69cb1-8bfa-4dcf-9fe3-8aba298089ee/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2de9865f-5bba-4df1-823e-09dc3854550b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_81823870-b373-467a-bcbd-6da2615b67fa/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_757b7a02-74da-4f7d-b452-452b6a1b03d2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_08c3f44c-3a27-41ef-84b3-8d1119221242/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_08826eda-2d9f-487b-bafe-033492030b15/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfb5087b-4b70-4dd6-9ce5-47eab9f8cbb4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e11f0483-c0ae-4bb1-8f7b-5ce0309bcd1a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|1cb336fd-b790-463d-8428-0107d1fb51ed/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a98401b5-cece-43b1-8b86-13ae83f2d5d2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7217f04a-471e-4390-947d-d79144bf6bf3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b4694a54-c2de-4ce3-a020-1a42ec6dea9c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_36e0020f-b6e2-4a1e-b595-22b71499d4a3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6fc46310-c142-46af-b700-3c65782a67ad/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3bce1e32-92ea-40ce-b685-781487e455bb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_be6795b0-32eb-4cde-b3e0-f0a64366f38a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_62d33928-cff8-4acc-a43b-ee03a0f65e9b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9c0e9d98-b00d-4205-866c-8bd43f29d524/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_63d1c489-23ca-4587-b414-46d48961c2f9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0216e8ce-4243-4cca-9aa6-9abcc56d58ee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_517ff26e-273c-4573-b8aa-aa627c5b0ebc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_29801f28-6292-4b61-872d-b43c8b6d06c9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c6c9bafe-52e9-433f-8661-0018a88bc75d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b66676d3-9a94-46c8-a6ea-15307467d6f8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9a91b309-7768-4318-96f1-3cfbcbebfd01/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_047cc9f1-21a6-4413-9fad-423b2a6b1287/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9def87fa-923f-42aa-91d4-d523b217572c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b600ef6a-88a3-4b9c-bf74-544ff932504c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41f7a306-87ba-4f8d-8bcb-0b1e585beab4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df338f73-4e79-4e24-ab1a-a79f6a7173ab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e7ad605a-1b53-4cc0-8c0e-19e79b6eae27/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d4b38950-b6fc-4069-a664-af4b1ce0f9d3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7df4a52c-ca65-42cb-8c2c-09b723adf9b1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f521b29-f4d6-4302-8cd8-a1eac6f300e2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6c25b7fa-1db7-42c9-8948-7d3805eb7108/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_24877cf2-aa65-4b49-aaee-e15fe97595e6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3631fba4-c057-4cf9-bbaa-5dda3f2aba99/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_36a3db3c-3fdc-4d8f-8605-6b19ca02bbcb/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_489cc776-71f8-4e02-9e21-c1c0a4f3d7eb/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e132f549-c44e-400d-802b-1e0b138dfd87/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a3fc3610-a308-41bd-b18d-1d646c686c93/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ecc756a-5465-41dc-aa80-9bbe20a4e035/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_412c87c9-163e-4d24-9357-34df2d5b2e13/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86226d16-3485-4c02-9899-416b154faf4f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d71c63e2-497e-4148-895e-76585974cc7f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1e293ccb-6685-4d42-8754-46ad7af35cd5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_98258815-7f00-4c3f-9d17-c541d81a5b0d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cec40410-d1be-4bb0-9bab-39f7f1862657/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a69eac6f-09a7-4ee9-8824-29f6b50aaa7c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d2489d87-1587-457a-9a0f-c6f94c163579/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d92ea83-e458-4751-9063-9fb3bd142972/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f99b2dd5-b7a3-4b07-a02c-f4841a44a8d0/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8273f353-7452-4a28-87e0-ce616e9f2824/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c3e2b27f-4697-4fc4-a5ab-bde61ba57cc5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bfbbea77-dbaa-4eef-9079-275157ebaf30/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_65863205-3ff9-4761-84af-7761f2975e01/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1691260a-b4bd-4744-85e2-d1169db31b74/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfaf4395-77de-4b9b-b77b-05a456df6544/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|18e5b879-6f2c-4dc3-89e5-443adff9d573/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_82a998a6-8b94-42a9-8a79-1581409e01ca/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c56c7e77-c8f4-4e70-97bc-7514347c11a8/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7002486d-6012-4b1e-8b7b-cb949e624ef4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0aa7d5cd-e501-4cba-a140-9205abd05e15/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_15a41923-5fd3-454c-99bc-2c496ecd248d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4f02dfee-b8f7-4fde-abd1-6f3963571a2c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e165e654-085c-4d9b-bf5e-786ed83b6f30/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|bfbbbe62-d9d3-4cf4-8778-a75f1176ded1/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|469929aa-96de-404c-b28a-dad33a3fbf61/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|fd1b19e2-354f-4a0a-b8cb-b7972dfd577d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|e4d695b7-bcb3-4de9-a6da-69868a468dc0/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a27070eb-8bbd-40f6-a778-8a6a471dab0d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4b87dab3-2ee7-4afd-acd2-c600aa643096/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|95a9052a-3434-468e-a53e-310b85f4798c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|7df764bf-7bf5-4d68-9f36-283a4bd781fe/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://archive-it.org/collections/20256\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://alexlibraryva.org/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://www.facebook.com/AlexLibraryVA/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://instagram.com/alexlibraryva/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://twitter.com/alexlibraryva/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://www.youtube.com/@AlexandriaLibrary\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://outofthestacks.com/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://www.mightycause.com/organization/Alexandria-Library-Foundation/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://beatleyfriends.org/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://www.friendsofduncanlibrary.org/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Other Finding Aids","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials"],"otherfindaid_tesim":["Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital materials in this collection","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital materials in this collection","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital materials in this collection","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view web archives","Click to view web archives","Click to view web archives","Click to view web archives","Click to view web archives","Click to view web archives","Click to view web archives","Click to view web archives","Click to view web archives","Click to view web archives"],"prefercite_html_tesm":["\u003cp\u003e[Item description], Alexandria Library Records, MS098, Alexandria Library, Local History and Special Collections, Alexandria, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Item description], Alexandria Library Records, MS098, Alexandria Library, Local History and Special Collections, Alexandria, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eAlexandria Library Board Records\n\u003cbr\u003e\u003ca href=\"https://alexlibraryva.libraryhost.com/repositories/2/resources/128\"\u003eAlexandria Library Company Records (MS002)\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Alexandria Library Board Records\n Alexandria Library Company Records (MS002)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the records of the Alexandria Library, documenting the administration and operation of the Library, dating from the founding of the public library in 1937 through the present. Included are administrative records, annual reports, financial records, circulation records, materials documenting the history of the Library, programming and outreach records, and records of the individual branches of the library system. Formats include textual documents, photographs, and ephemera.\u003c/p\u003e\n","\u003cp\u003eThe Alexandria Library is an active organization, and so this collection is a living collection which will be periodically added to and updated. Check this collection guide for any future updates to the collection. \u003c/p\u003e","\u003cp\u003eThis series contains materials documenting the Alexandria Library, from its founding as a public library in 1937 through the early 2000s. The majority of documents in this series pertain to the decades between 1950 and 2000. These records document the administration and operations of the Library and its individual branches, as well as materials documenting the history of the Alexandria Library. Documents include annual reports, financial records, correspondence, project files, and other administrative documentation. Also included in this series are ephemera and realia, photographs and other graphic materials, and some oversized materials.\u003c/p\u003e","\u003cp\u003eThis sub-series contains records pertaining to annual reports published by the Alexandria Library system, as well as its individual branches. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1938 through 1942. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1943 through 1946. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1947 through 1948. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1949 through 1950. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1951 through 1953. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1954 through 1956. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1957 through 1959. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1960 through 1961. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1964. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis sub-series contains administrative and financial records of the Alexandria Library. Documents include correspondence, budgets and other financial records, affirmative action records, bylaws and agreements, official city proclamations, gift records, and other administrative materials.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to administrative and financial dealings of the Alexandria Library system, dating from 1937 through the 1950s. Documents include final copies of bylaws, charters, and agreements as well as draft documents, reference materials, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to administrative and financial dealings of the Alexandria Library system, dating from the 1950s through the 1992. Documents include final copies of bylaws, charters, and agreements as well as draft documents, reference materials, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action plan put in place for the Alexandria Library system, dating from 1975.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action policy used to create an Affirmative Action plan for the Alexandria Library system, dating from 1976.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action plans for the City of Alexandria, dating from 1976 and 1980. Documents include final Affirmative Action plans from both 1976 and 1980.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action plans for the Alexandria Public Library, dating from 1978 through 1982. Documents include reference material used to create the Affirmative Action plans including OSHA Recordkeeping guidelines and guidelines from the Department of Equal Employment Opportunity for the City of Alexandria. Other documents include Alexandria Public Library's Affirmative Action goals, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1974 through 1976. Documents include final Affirmative Action and Equal Employment Opportunity reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1977 through 1980. Documents include final Affirmative Action and Equal Employment Opportunity reports, sample forms, reference materials, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1981 through 1987. Documents include final Affirmative Action and Equal Employment Opportunity reports, sample forms, membership reports, reference materials, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1938 through 1944. Documents include draft material, proposed yearly budgets, final budget reports, press related to the budget, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1945 through 1948. Documents include draft material, proposed yearly budgets, final budget reports, press related to the budget, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1949 through 1951. Documents include proposed yearly budgets, final budget reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1951 through 1953. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1953 through 1955. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1955 through 1959. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1955 through 1959. Documents include , proposed yearly budgets, final budget reports, reference materials, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the budget for the City of Alexandria's City Planning and Capital Improvement programs in regard to the Alexandria Public Library system, dated from 1950 through 1961. Documents include final budget reports, proposed budgets, proposed building projects, draft material, reference material, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to Rules, Regulations, and Review articles for the Alexandria Public Library system, dated from 1937 through 1955. Documents include inquiries regarding librarian salaries of other Virginia public libraries, proposed rules and regulations for Alexandria Public Library, final rules and regulations for Alexandria Public Library, meeting minutes, library directories, press regarding the library, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains a 2014 copy of the introduced House Joint Resolution No. 418 which details the historical significance of the 1939 Alexandria Library Sit-in to the House of Delegates, Mayor of Alexandria, and General Assembly and proposes that this information be conveyed at an upcoming ceremony.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to correspondence to and from Alexandria Library, dated from 1937 through 1951. Documents included correspondence, press regarding Alexandria Public Library, proposals for the planning and construction of the Robert Robinson Library, and other related notes.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to correspondence to and from Alexandria Library, dated from 1952 through 1961. Documents include written correspondence, meeting and presentation notes, book acquisitions and acquisition proposals, and other related notes.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the professional and nonprofessional duties within public libraries set forth by the American Library Association, dated from 1948. Documents include the preliminary draft of the Descriptive List of Professional and Nonprofessional Duties in Libraries handbook.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to position descriptions and pay plans for Virginia public libraries, dated from 1950. Documents include a guidebook detailing all positions available with Virginia public libraries, their position descriptions, and recommended qualifications.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to \"Position Classification and Salary Administration in Libraries\", dated from 1951. Documents include a handbook titled \"Position Classification and Salary Administration in Libraries\", written by the American Library Association, detailing guides and standards for library administrative staff to utilize when creating administrative plans.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to information and guidelines for new City of Alexandria employees, dated from 1950 to 1986. Documents include guidebooks detailing fundamental information regarding being employed by the City of Alexandria, code of ethics, and guidelines for managers to effectively communicate employee evaluations.\u003c/p\u003e","\u003cp\u003eThis sub-series contains records documenting circulation statistics of the Library.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1937 through 1940. Documents include overall number of books circulated during a given year and ledgers detailing the number and genre of Adult books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1937 through 1940. Documents include ledgers detailing the number and genre of Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1941 through 1942. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1943 through 1944. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1944 through 1949. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1949 through 1953. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1949. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1944 through 1946. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials of mixed formats documenting the history of the Library and its programming and outreach work. Documents include scrapbooks, posters, news clippings, correspondence, administrative documents, event programs, and photographs.\u003c/p\u003e","\u003cp\u003eThis folder contains materials pertaining to Alexandria Library history, dating from 1957-1961. Documents include newspaper clippings from various local newspapers, event photos, correspondence, and other related notes.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the history of Alexandria Library, dated from c. 1960. Documents include notes, correspondence, and copies of newspaper articles relating to the library.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the history of Alexandria Library. Documents include copies of events schedules, event programs, summaries of the library's history, copies of newspaper articles relating to the library, and other related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the history of Alexandria Library, dated from 1937 through 1947. Documents include newspaper clippings that detail library history, press, and publicity.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the history of Alexandria Library, dated from 1955 through 1973. Documents include newspaper clippings that detail library history, press, and publicity.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the history of Alexandria Library, dated from 1936 through 1954. Documents include summaries of the library's history, copies of newspaper articles relating to the library, and other related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the history of Alexandria Library, dated from 1945 through 1985. Documents include copies of newspaper articles relating to the library, and other related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to publicity correspondence for Alexandria Library, dated from c. 1954-1986. Documents include correspondence relating to proposed exhibits, cosmetic changes to library branches, research inquiries, proof of membership, thank-you messages, plans for library news releases, and other related notes.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to press releases for Alexandria Library, dated from 1947-1986. Documents include drafts of news releases, draft 5-year plan documents, descriptions of upcoming library programs, mock-ups for news articles relating to the library, and other related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to events related to Alexandria Library, dated from 1954 through 1992. Documents include programs from library events and other notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains biographical research materials about James M. Duncan, Jr. (the namesake of the Duncan Branch) which were collected by branch managers of Duncan Branch. Materials include notes, newsclippings, and photocopies of newsclippings.\u003c/p\u003e","\u003cp\u003eThis folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Eight people, presumed to be library officials, stand on the main floor of the Barrett Branch in front of a seated audience, in the midst of a ribbon cutting ceremony. The smiling officials cutting the red ribbon, who include six men and two women, are dressed professionally and each holds their own pair of scissors. Behind them are shelves of library books and a set of stairs that lead up to the second floor of the library. The seated audience of men and women watches as the ceremony proceeds. The photo is dated 1995. Photo previously labeled #402\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Eight people, presumed to be library officials, stand on the main floor of the Barrett Branch in front of a seated audience, in the midst of a ribbon cutting ceremony. The officials, who include six men and two women, have not yet cut the red ribbon and are dressed professionally. Each of the eight officials holds their own pair of scissors. Behind them are shelves of library books and a set of stairs that up to the second floor of the library. The seated audience of men and women watches as the ceremony proceeds. The photograph is dated September 10th, 1995. Photo previously labeled #403\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This candid photo of men and women milling around the first floor of the Barrett Branch was taken, presumably, after the conclusion of the ceremony. Some of the people pictured are in conversation with one another, while others are taking in their surroundings. In the foreground is a podium framed on either side by yellow flowers and an American flag. In the background are library books shelves and a set of stairs that lead up to the second floor of the library. The photo is dated 1995. Photo previously labeled #404\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This candid photo was taken amidst a crowd of people attending the ceremony on the main floor of the Barrett Branch Library. The men and women of various ages stand milling around the space. Some are in conversation with one another while others look in many directions, taking in their surroundings. Visible in the background is the entrance to the library that consists of floor to ceiling windows allowing natural daylight to stream in. The photo is dated 1995. Photo previously labeled #405\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of several people standing around on the main floor of the Barrett Branch Library. The three men and one woman in the foreground are in conversation with each other but only the two men on the right have realized the group is being photographed. The two men on the right are looking at the camera and smiling, while the women is still speaking and the third man is looking to his right with his back to the photographer. In the background are other people, some in conversation and some not, as well as empty chairs set up against filled bookshelves. The photo is dated 1995. Photo previously labeled #406\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. A large audience of men and women have filled the main floor of the Barrett Branch, presumably watching as the ceremony unfolds. Some of the people are sitting in the middle of the space while the rest of the crowd have filled the available standing room, even standing in the sunlight filled entrance vestibule, at the back of the room, to catch a glimpse through the floor to ceiling windows. Regardless of placement, almost all the audience members have their attentions set on the events happening behind the camera, just out of frame. The photo is dated 1995. Photo previously labeled #407\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Two women stand posing for a picture, on the main floor of the Barrett Branch, presumably after the conclusion of the ceremony. With their arms around each other, the woman on the left looks directly at the camera while the women on the right smiles at something out of frame on the left. In the background are more people, men and women, milling around the large indoor space. Some are in conversation with one another and others are simply moving about the space. The photo is dated 1995. Photo previously labeled #409\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of two smiling men and a young child posing for a picture together. On the left, the young child stands holding the hand of the man in the middle who has brown hair and mustache, is wearing glasses and is dressed in a dark-colored suit with a white shirt and red patterned tie. The man on the right, who stands with his hand on the shoulder of the man in the middle, has white hair and is wearing glasses and a dark-colored suit with a white shirt and blue tie. All three stand under a half visible, gold-framed, painted portrait of Kate Waller Barrett that is hanging on the wall behind them. The photo is dated 1995. Photo previously labeled #410\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Three men and two children stand posing for a picture together. The three men are all wearing dark-colored suits with light-colored shirts and ties. The two children, one boy and one girl, stand in front of the men in the middle and on the right. The boy wears a light-colored button-down shirt and striped dress pants while the girl wears a striped, long-sleeve dress with black tights and black shoes with pink shoelaces. All five smile at the camera as they pose under a gold-framed, painted portrait of Kate Waller Barrett. The woman in the portrait has her white hair tied back in a bun and sits, posed in profile, and is wearing dark-colored clothes, with floral accents. A gold cross pendant hangs from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #411\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. A woman stands posing for a picture with the portrait of Kate Waller Barrett hanging near the entrance of the Barrett Branch Library. The woman, dressed in a red blazer and skirt, smiles as she looks to left at something just out of frame. She stands below the gold-framed, painted portrait of Kate Waller Barrett. In the portrait, Kate Waller Barrett has her white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents. A gold cross pendant hangs from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #412\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Three men and two children stand posing for a picture together under the portrait of Kate Waller Barrett that hangs near the entrance of the Barrett Branch Library. The man on the left has white hair and is wearing glasses, a dark-colored suit, a light-colored shirt and blue tie. He has his hand on the shoulder of the little girl to the right of him who wears a striped long-sleeve dress with black tights and black shoes with pink laces. The little girl holds the hand of the man in the middle who wears a dark-colored suit with a light-colored shirt and dark patterned tie. Next to him, on the right, stands the little boy who wears a light-colored button-down shirt and striped dress pants. The little boy holds the hand of the last man on the right who has brown hair and mustache, glasses, and wears a dark-colored suit with a light-colored shirt and red patterned tie. All five stand beneath the gold-framed, painted portrait of Kate Waller Barrett who has her white hair tied back into a bun. She sits, posed in profile, and is wearing dark-colored clothes, with floral accents, with a gold cross pendant hanging from her neck and a brooch pinned to her chest. The photo is dated 1995. Photo previously labeled #413\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of four men standing in front of the portrait of Kate Waller Barrett that hangs near the entrance to the library. The two men on the left are greeting each other and the two men on the right are standing separately both looking in opposite directions towards things just out of frame. All the men are dressed in suits and ties and three out of four are wearing glasses. The leftmost man is holding multiple pairs of scissors and the second man from the right is holding an event program. Behind them, hanging on the wall is the gold-framed, painted portrait of Kate Waller Barrett who has white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents, with a gold cross pendant hanging from her neck and a brooch pinned to her chest. Also in the background, off to the left, is a child, seemingly in motion, appearing blurry in the photograph. The photo is dated 1995. Photo previously labeled #414\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of a group of men and women standing around a table of computers on the main floor of the Barrett Branch Library. On the round table there are four white computers, each with their own keyboard and mouse. Two of the computers are in use, one by a man in dark dress pants and white shirt and the other by two people, a woman and young man, working together. In the background are other people milling about as well as library bookshelves and a set of stairs leading to the second floor of the library. The photo is dated 1995. Photo previously labeled #415\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of two groups of men and women, some sitting and some standing, inside of the library presumably before the ceremony begins. To left is a group of seated people, partially blocked from view by a desk, and to the right is a group of men standing together in conversation. Between the two groups sits a small stage with an American flag, bordered at the front by small pots of yellow flowers. In the background are rows of both tall and short bookshelves in front of a glass-front room. The photo is dated 1995. Photo previously labeled #416\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of two women and one man standing in conversation with one another. The two women are both in light-colored dresses and the woman on the right faces away from the camera and carries a purse. The man wears glasses and is dressed in a light-colored suit with a white dress shirt and patterned tie. The woman on the left looks across to the woman on the right as she and the man in the middle are looking at each other. The photo is dated 1995. Photo previously labeled #417\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of men and women milling about inside the Barrett Branch. The people in the foreground seem to be in conversation with each other while others are having separate conversations in the background. The photo is being taken from behind a bookshelf decorated with a potted plant whose leaves have just started to come in to frame on the right side of the photo. Behind the people are more bookshelves, decorated with flowers, and a glass-front room. The photo is dated 1995. Photo previously labeled #418\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photo of four men, one woman, and two children. Every person pictured is looking in a different direction, some seeming to be moving towards different parts of the room and appearing blurry in the photo. All of the men are dressed in suits, the woman wears a pink buttoned jacket, the little boy wears a light-color button-down, and the little girl wears a striped long-sleeve dress. Behind them on the wall hangs a gold-framed, painted portrait of Kate Waller Barrett who has white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents. A gold cross pendant is hanging from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #419\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of the main floor of the Barrett Branch Library. In the library stands many men, women, and children milling about the space. Some are in conversation with one another, while others take in their surroundings or speak to people sitting behind the circulation desk to the left of the photo. To the right of the photo is the beginning of a staircase that leads to the second floor of the library. Visible from the balcony, the second floor is filled with bookshelves. In the background, on the lower level, stands a small stage and podium framed by small pots of yellow flowers and an American flag as well as a glass-front room whose windows are letting in bright daylight. The photo is dated 1995. Photo previously labeled #420\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of the main floor of the Barrett Branch and there are men and women milling around in the space, some in conversation with one another and others taking in their surroundings. On the right side of the picture, some of the people stand in front of the circulation desk, decorated with pots of yellow and orange flowers. On the left side of the picture are some glass display cases displaying open books. In the background are the floor to ceiling windows of the entrance vestibule that are providing bright, natural light to the room. The photo is dated 1995. Photo previously labeled #421\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Pictured is a large audience of men and women on the main floor of the Barrett Branch. Some of the people are sitting in the middle of the room while the rest of the crowd have begun filling in the available standing room, even standing in the sunlight filled entrance vestibule, at the back of the crowd, to catch a glimpse through the floor to ceiling windows. Regardless of placement, almost all the audience members have their attentions set on the events happening behind the camera, just out of frame. The photo is dated 1995. Photo previously labeled #422\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women, of differing ages, standing around a table of computers. At the round table, there are two people with their backs to the camera sharing the same computer, to their right is one woman at the next computer, and the next computer has a group of four sharing the same computer. In the foreground is a shelf that has been decorated with a pot of flowers, that have taken up the left side of the picture. In the background, behind the group of people at the computers is glass-front room and a few people within. Inside the room are bookshelves on the left wall and tables and chairs filling the middle. The windows on the back wall have had their blinds drawn to shade the interior from the bright daylight shining through. The photo is dated 1995. Photo previously labeled #423\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of some people, both men and women, looking at the available materials on the bookshelves around them on the second floor of the Barrett Branch Library. Some of the men and women are browsing the shelves while others have begun reading their chosen materials. In the foreground are shorter bookshelves, with one man crouching to get a better look at the offerings on the bottom shelf. In the background are taller bookshelves, that almost reach from floor to ceiling. Behind the taller bookshelves are some tables and chairs that have been backlit by the daylight coming through the windows on the back wall. The photo is dated 1995. Photo previously labeled #424\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a seated audience facing a group of people who seem like library officials seated at the front of the room. The seated audience is facing away from the camera and the group of men and women at the front of the room are applauding in welcome to the man who is standing at the front of the room. He has brown hair and mustache, is wearing glasses and a grey suit with dark tie. Off to the right of the photo is a staircase that leads to the second floor whose balcony sits above the group of clapping men and women. Behind them stands bookshelves, completely filled, that almost reach from floor to ceiling. The photo is dated 1995. Photo previously labeled #425\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking to an audience from an elevated podium. The woman, dressed in a red blazer and white shirt, is looking through her glasses out over the audience. Behind her is both short and tall bookshelves, as well as a wall of glass, and to the left stands an American flag. The woman at the podium stands below the second-floor balcony of the Barrett Branch where three musicians sit with music stands in front of them and bookshelves at their back. In the foreground, somewhat blocking the view of the seated audience, is the circulation desk topped with stacks of paper. The photo is dated 1995. Photo previously labeled #426\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a seated audience, extending out of frame, who have their attention on a man speaking from an elevated podium. The man at podium, dressed in a dark-colored suit with a white shirt and red tie, is looking down at the podium through his glasses. Behind the podium are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The man at the podium stands beneath the second-floor balcony of the Barrett Branch Library. Visible through the balcony's railing are filled bookshelves. The photo is dated 1995. Photo previously labeled #427\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a man speaking from behind a podium. The man is standing, dressed in a dark-colored suit with a white shirt and dark patterned tie, looking down at the podium through his dark tinted glasses. Behind him are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The podium stands below the second-floor balcony of the Barrett Branch Library where three chairs and two music stands are set up. The right most chair is occupied by a person in white shirt and dark pants. The photo is dated 1995. Photo previously labeled #428\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium. The woman, dressed in a blue dress and matching blue jacket, looks out to an audience just out of frame and she is observed by a small panel of professionally dressed men and women, presumed to be other library officials, on the right side of the picture. The picture is being taken from behind the circulation desk, complete with computer, receipt printer, and landline phone. A pot of yellow, orange and red flowers sits atop the desk, partially blocking an American flag from view. The photo is dated 1995. Photo previously labeled #429\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium in front of an audience of people that extends out of frame. The woman, dressed in a pink blazer over a dark patterned dress with a string of pearls around her neck, is looking down at the podium while the audience listens. Behind her are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The speaker and podium stand beneath an the second-floor balcony of the Barrett Branch Library, where three chairs, music stands, and musicians are seated and viewable through the balcony's railing. The photo is dated 1995. Photo previously labeled #430\u003c/p\u003e","\u003cp\u003eThis folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a man speaking to an audience, extending out of frame, from an elevated podium. The man, dressed in a dark-colored suit with white shirt and dark patterned tie, is looking down at the podium while holding up a closed book in his right hand and paper in his left hand. Behind him are rows of short and tall bookshelves, some decorated with flowers, in front of a glass-front room. Above the podium sits the second-floor balcony of the Barrett Branch Library. Through the railing, three chairs, music stands, and musicians can be seen in front of filled bookshelves. In the foreground, on the left side of the picture, is the circulation desk topped with stacks of papers. The photo is dated from 1995. Photo previously labeled #431\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium to audience, which extends out of frame. The woman is dressed in a matching blue jacket and dress, and looks out over the audience at something not visible as the audience turns to follow her gaze. To her left and right are men in dark-colored suits and ties that also follow her line-of-sight. Behind her are bookshelves, both tall and short, and a glass-front room. Above the podium is the second-floor balcony and through the railing, three chairs, music stands, and musicians can be seen in front of filled bookshelves. In the foreground, blocking some of the audience from view, is the circulation desk with a computer and piles of paper. The photo is dated from 1995. Photo previously labeled #432\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This slightly out of focus, color candid photograph is of a woman speaking from an elevated podium to an audience that is seated just out of frame. The woman, dressed in a pink jacket over a dark, patterned dress, is bordered by a group of seated men and women, presumed to be other library officials, on the right and an American flag on the left. Above the woman at the podium is the second-floor balcony and behind her are tall bookshelves and a glass front room. The photo is being taken from behind the circulation desk which has a computer and a pot of yellow, red and orange flowers. The photo is dated from 1995. Photo previously labeled #433\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women in conversation with each other amidst the ribbon cutting ceremony. The group consists of four men and two women, presumed to be library officials, who trade smiles and handshakes in front of a clapping audience. Some of the members of the group are still holding scissors and the pieces of red ribbon that were cut as part of the ceremony. Behind them are bookshelves that extend backward into the space. The photo is dated from 1995. Photo previously labeled #434\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women amidst the ribbon cutting ceremony. The group consists of three men and two women, some still holding scissors and pieces of the red ribbon cut during the ceremony. The smiling woman in the middle has offered a handshake to the man to the left of her as the audience applauds them. Behind the ribbon cutters are tall and short bookshelves that extend backwards into the space. The photo is dated from 1995. Photo previously labeled #435\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photo of a group of three men and one woman, presumed to be library officials, are trading smiles and the woman offers a handshake to the man on the far left. The woman has grey hair and wears a matching blue jacket and dress. The men are dressed professionally in suits and ties. They stand in front of a small stage and podium, lined with small pots of yellow flowers and decorated by an American flag. Behind them are bookshelves, both tall and short, that extend backwards toward a glass-front room. The photo is dated 1995. Photo previously labeled #436\u003c/p\u003e","\u003cp\u003eColor photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. This candid photograph depicts several people standing behind the main circulation desk on the first floor of the Barrett Branch. In the foreground of the photo is a woman wearing a magenta dress and holding two books. The photo is dated 1995. Photo previously labeled #408\u003c/p\u003e","\u003cp\u003eColor portrait of an outdoor sign from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library after renovations were completed in 1995. On a bright, sunny day at the corner of a red-brick building sits a white sign that reads \"The 200 Block of North Columbus St. Welcomes the New Library\" and just below that it reads \"Thank You\". Propped up on a wooden easel, the sign is decorated by a single gold, metallic balloon that is moving with the wind. Behind the sign to the right are row houses and a parked car. The photo is dated 1995. Photo previously labeled #441\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, a group of presumed library officials sit next to a stage and listen to the woman speaking from the podium. The woman has white hair and is dressed in a matching blue jacket and dress turns her head to welcome another woman who making her way to an empty chair among the group of officials. The woman being welcomed has tied back, brown hair and glasses and is wearing a colorful dress and black, t-strap shoes. Some of the men and women in the group of officials clap while others offer warm smiles to the approaching woman. Behind them is a small circulation desk and filled bookshelves. The photo is dated 1995. Photo previously labeled #442\u003c/p\u003e","\u003cp\u003eColor portrait photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, a group of presumed library staff stand behind the circulation desk and smile at the camera. Four women are directly behind the desk and five more seem to be coming out of the room just behind the desk. Some of the other women have realized their picture is being taken and look at the camera, while others have not and continue their conversations with one another. One man stands in front of the desk and has turned to face the camera while a final woman seems to being walking past him. Folding chairs are set up and extend out of frame and because each still has a paper program on it, it is likely the event has not yet started. The photo is dated 1995. Photo previously labeled #443\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, two group of presumed library officials both sit and stand next to a small stage. Though not all the chairs are filled, the seated group includes three women and four men, all dressed professionally, who seem to be waiting for the event to start. The standing group, consisting of three men and two women, are all in conversation with one another. The woman in the middle with white hair, blue dress and light-colored purse is speaking and the remainder of the standing group leans in to listen. Behind them is the stage, decorated with an American flag, and both tall and short bookshelves that extend out of frame. The photo is dated 1995. Photo previously labeled #444\u003c/p\u003e","\u003cp\u003eColor photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera aims at the circulation desk and the people that stand around it. Presumed to be library staff, four women stand together and all but one is smiling up at the camera. Other people, presumed to be library staff and officials, stand around the desk. Some are in conversation and others are looking in different directions around the room. In front of the circulation desk, extending out of frame, are rows of folding chairs each with a paper program on the seats. The photo is dated 1995. Photo previously labeled #445\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Set up on the second-floor balcony of the Barrett Branch, are three female musicians in the midst of performing. All three are wearing white dress shirts and black bottoms and each sit in her own wooden chair across from sheet music on a music stand and plays from a flute. Behind them are a man and a woman in conversation leaning over the balcony railing to get a better view of what is going on the floor below. The photo is dated 1995. Photo previously labeled #446\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, pictured is a man in a dark suit and tie speaking from a podium on a small elevated stage, which he shares with an American flag. Bordering the front of the stage are small pots of yellow flowers. To the left and right of the stage sit two groups of men and women, presumably library officials who have their attention on the man speaking. Behind them are rows of both tall and short bookshelves that extend back into the room and out of frame. The photo is dated 1995. Photo previously labeled #447\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Men and women of varying ages stand milling around the main floor of the Barrett Branch library seeming after the conclusion of the ceremony. In the foreground, one man sits at a table with his hands on a computer keyboard and converses with the two women who are speaking to him. The woman on the left has short brown hair and wears a blue jacket and the woman on the right has short greying hair and wears a white shirt, denim bottoms, and carries a small purse. In the background is a larger group pf men and women, gathered around a table of computers. Behind are bookshelves that extend to the other side of the room where more people sit at tables in conversation. The photo is dated 1995. Photo previously labeled #448\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Outside the front entrance of the Barrett Branch Library, in the shade of a tree, is a group of men and women who seem to be waiting for the library to open and for the ceremony to begin. On the front doors, illuminated by the sun, two signs read \"Re-opening\" and \"Sept. 10, 2PM\". Some of the group are sitting on the red brick retaining wall outside of the library while other stand in conversation closer to the entrance. The building is red brick, with white columns and white doors. A large, half-moon shaped windows sits atop the doors allowing natural light to fill the entrance vestibule within. The photo is dated 1995. Photo previously labeled #449\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. The photo is aimed at the circulation desk where some people have begun to converse with the library staff behind the desk. In front of the desk, the main floor of the Barrett Branch Library has been filled with folding chairs where a few people have begun to sit. There are folded programs on each of the folding chairs, suggesting that the ceremony has not yet begun. On the right side of the picture are bookshelves that fill the space at the back of the main floor as well as the second floor, which is visible through the balcony railing. The photo is dated 1995. Photo previously labeled #450\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the picture is focused on the group of men and women standing against the wall behind the circulation desk. There are nine women and two men visible, dressed professionally, and most of them seem to have their attention on something happening just out of frame on the right. In front of the desk on the left is the beginnings of a seated audience and starting from the circulation desk extending out of frame across the front of the audience stretches the red ribbon that has yet to be cut. The photo is dated 1995. Photo previously labeled #451\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. A group of two men, one woman, and one young man are standing in conversation with each other next to a round table that currently holds computers, of which only the keyboards and mice are visible. The young man has dark hair and wears a blue collared shirt and the woman he is next to has short brown hair and wears a blue patterned dress and carries a white purse. The two men are both dressed in dark suits with light dress shirts. The man with glasses wears a dark tie. Behind them are some table and chairs separating the group from the tall book shelves that extend out passed both sides of frame. The photo is dated 1995. Photo previously labeled #452\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, two men are pictured in conversation with each other while standing behind a podium on a small elevated stage. The men both wear suits with light-colored shirts, and the viewer is clearly able to see that the man on the left is wearing glasses and a tie. The man on the right has his back to the camera because his attention is on the other man who seems to be explaining something while pointing to something just out of sight on the left. In front of the stage are small pots of yellow flowers and beside the stage are rows of wooden chairs that have yet to be filled. Each chair has a folded program that seems to suggest the ceremony has yet to begin. Behind the men and the stage are bookshelves, both tall and short, that are filled with material. The photo is dated 1995. Photo previously labeled #453\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Pointed toward the interior entrance of the Barrett Branch, taken from the opposite end of the main floor, men and women are milling about the space presumably after the conclusion of the ribbon cutting. In the foreground are men and women using the available computers and in front of them is a large gathering of people milling around the main floor of the Barrett Branch Library. Some seem to be in conversation with one another, while other seem to simply be moving around the space. The photo is dated 1995. Photo previously labeled #454\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at where the ceremony will be held. A large seated audience of men and women is forming behind a red ribbon that has been stretched from the circulation desk to the staircase's railing on the opposite side of the room. The men and women standing behind the circulation desk are, presumably, library staff and the few men and women that stand on the other side of the red ribbon from the audience are the library officials that will be speaking during the ceremony. The library officials seem to be looking at someone just out of frame and two of them are waving to try and get their attention. The photo is dated 1995. Photo previously labeled #455\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch where folding chairs have been set up in the middle of the room for an audience that has begun filing in. Men and women of varying ages and dress are coming in through the bright, naturally lit entrance vestibule, stopping at the circulation desk, before finding an empty seat. The men and women behind the circulation desk are, presumably, library staff who are either in conversation with one another or watching the people who are filing into the library. Just in front of the audience, stretching from the circulation desk to the railing of the staircase at the opposite of the room, is a red ribbon that is being handled by a woman in a dark top and patterned skirt. The photo is dated 1995. Photo previously labeled #456\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points at a small group of men and women who are seated in wooden chairs to the left of a small stage with a podium. Seated in two rows, the group consists of four women and three men, and are presumed to be library officials. They are all in professional dress, either in suits and ties or dresses and blazers, and the front row seems to be conversation with each other. Just behind them, extending backward into the space, are filled bookshelves. The photo is dated 1995. Photo previously labeled #457\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man speaking from a podium on a small elevated stage. The man, wearing glasses and dressed in a grey-colored suit with a white shirt and dark-colored tie, holds a book in one hand and paper in the other as he looks out at the audience in front of him. The men and women seated next to the stage, who are presumed to be library officials, have their attention on the speaker. The stage is bordered in the front by small pots of yellow flowers and framed in the back by bookshelves that extend backward into the space. The photo is dated 1995. Photo previously labeled #458\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the men and women that surround it. The men and women, presumed to be library officials, stand with their hands over their hearts as they face the American flag that sits on the stage. All professionally dressed, only one man and one woman stand on the stage while the others stand to either side as they seem to recite the Pledge of Allegiance. Behind the stage are rows of bookshelves that extend backwards and out of frame. Above the stage is the second-floor balcony of the Barrett Branch. The photo is dated 1995. Photo previously labeled #459\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the men and women that surround it. On the stage stands a brown-haired woman, wearing a floral-patterned dress and pink blazer, speaking from a podium to the audience that sits in front of her just out of view. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the woman at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #460\u003c/p\u003e","\u003cp\u003eThis folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the people that surround it. Although the picture is out of focusing, appearing blurry, a woman with red hair and glasses, wearing a red blazer and skirt, can be seen speaking from the podium. With their attention on the speaker at the podium, the men and women that sit next to the stage are presumed to be library officials. The stage, framed at the front by small pots of yellow flowers, backs up to rows of short bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #461\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the people that surround it. On the stage, standing at the podium, is a man with glasses wearing a dark-colored suit and tie with a red pocket square. He looks down at the paper on the podium as he speaks to the audience in front of him, sitting just out of view. The men and women sitting next to the stage, presumed to be library officials, are dressed professionally as some turn their attention toward the speaker. The front of the stage is framed by small pots of yellow flowers and rows of short bookshelves sit at the back of the stage. The photo is dated 1995. Photo previously labeled #462\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down on the main floor of the Barrett Branch Library where the audience sits as the ribbon ceremony goes on. On the left side of the picture, many men and women sit in folding chairs as they listen to the man speaking from the small elevated stage and podium in front of them. Stretching from the circulation desk, across the room, to the railing of the staircase is a red ribbon that separates the audience from the men and women on and around the stage. There are also men and women that stand behind the circulation desk, presumed to be library staff, that have their attention on the man at the podium, who is dressed in a dark-colored suit with a light-colored shirt. On either side of the stage, separated from the general audience, sit other men and women who are presumed to be library officials. The photo is dated 1995. Photo previously labeled #463\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down on the main floor of the Barrett Branch Library where the audience sits as the ribbon ceremony goes on. On the right side of the picture sits a large audience of men and women that extends backwards out if frame. They are separated from the small stage and podium by a red ribbon that stretches from the circulation desk, across the room, to the railing of the staircase that leads to the second floor. Behind the circulation desk stands a few men and women, who are presumed to be library staff, who have their attention on the man that speaks from the podium. The speaker, dressed in a dark-colored suit and tie, looks down at the paper on the podium as he addresses the audience in front of him. The people sitting to left and right of the stage, who are separate from the general audience, are presumed to be library officials who are part of the ceremony proceedings. The photo is dated 1995. Photo previously labeled #464\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a man standing in behind a podium on a small elevated stage. The man, dressed in a grey-colored suit and glasses, seems to have his head tilted down in pause to accept the applause he is receiving from the people around him. Next to the stage sits a group of men and women who are presumed to be library officials. One man and one woman can be seen clapping for the man on the stage. The front of the stage is framed by small pots of yellow flowers and the back of the stage is bordered by short bookshelves that extend backward out of view. The photo is dated 1995. Photo previously labeled #465\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a woman standing behind a podium on a small elevate stage. The woman has grey hair, dressed in a matching blue dress and blazer, and looks out at the audience seated in front of her, just out of view. There is a group of men and women seated in three rows next to the stage, presumed to be library officials, who look and listen to the woman speaking from the podium. Behind the stage and the group of library officials are some tall and short bookshelves that extend backward into the space and out of frame. The photo is dated 1995. Photo previously labeled #466\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch Library where men and women are milling around presumably after the ribbon has been cut officially opening the library. The men and women, of all ages and in varying dress, are either in conversation with one another or are on the move to a different part of the space. Some are making their way up the stairs and past whomever is taking the picture while others are moving towards the rows of bookshelves that extend backward out of frame. Barely visible amongst the people is a small stage and podium where library officials had spoken during the ceremony. The photo is dated 1995. Photo previously labeled #467\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small stage and the men and women that surround it. On the stage, standing behind a podium, is grey-haired woman in a matching blue dress and blazer who speaks to the audience seated in front of her, just out of view. On either side of the stage where the woman in blue is speaking from, sits two groups of men and women, presumed to be library officials, who have attention on the woman in blue. The front of the stage is framed with small pots of yellow flowers and the back is bordered by short bookshelves that extend backward into the space. The photo is dated 1995. Photo previously labeled #468\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch where people have begun to move about the space, presumably, at the conclusion of the ribbon cutting ceremony. Some of the men and women are in conversation with each other while others have begun exploring the space and materials available. Visible among the crowd is the circulation desk, with a few staff members working from behind it. Across the room, also visible among the crowd, is the small stage and podium that library officials spoke from during the ceremony. Above the crowd, on the right side of the picture, is the second-floor balcony which has been populated by more exploring people. The photo is dated from 1995. Photo previously labeled #469\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small stage and podium. Standing behind the podium is a man with glasses, wearing a dark-colored suit and tie, who is looking down at the papers on the podium in front of him. To one side of the stage is small group of men and women who are seated in three rows, all in professional dress. This small group of people are presumed to be library officials, as is the man in a grey-colored suit that is seated behind the stage. Behind the stage are short bookshelves that extend backward out of frame and the front of the stage is line with small pots of yellow flowers. The photo is dated 1995. Photo previously labeled #470\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch wear a stage sits before a large seated audience. Separating the audience from the stage is a long red ribbon stretching from the circulation desk across the room to the staircase's railing. Behind the circulation desk, standing with their backs to the wall, are men and women who seem to be part of the library staff. On the stage stands a brown-haired woman, wearing a floral-patterned dress and pink blazer, speaking from a podium to the audience that sits in front of her. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the woman at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #471\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch wear a stage sits before a large seated audience. Separating the audience from the stage is a long red ribbon stretching from the circulation desk across the room to the staircase's railing. Behind the circulation desk, standing with their backs to the wall, are men and women who seem to be part of the library staff. On the stage stands a man with glasses, wearing a grey-colored suit, speaking from a podium to the audience that sits in front of him. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the man at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #472\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small stage and podium as well as the people that surround it. Speaking from the podium stands a man with glasses, in a grey-colored suit and tie, who looks down at the paper in front of him. On either side of the stage sits two small groups of men and women, presumed to be library officials, who have their attention on the man on stage. All are professionally dressed and some hold programs probably pertaining to the ceremony. The front of the stage is lined with small pots of yellow flows and behind the stage are rows of short and tall books shelves. The photo is dated 1995. Photo previously labeled #473\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at two groups of men and women on the main floor of the Barrett Branch Library. The group closest to the camera consists of six men and two women who are professionally dressed and seem to be library officials. Each woman shakes the hand of one of the men in the group. Behind them is a small stage and podium, that is lined with small pots of yellow flowers along the front. In the other side of the stage is another small group of men and women, also thought to be library officials. One woman seated at the front of the group, with white hair and patterned dress, is leaning forward to greet a woman with brown hair, black jacket, and skirt standing in front of her. Behind the two groups and the stage are bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #474\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small group of men and women who are standing, in conversation with each other. The group, consisting of two women and five men, are all professionally dressed and seem to be library officials. Facing away from the camera, one woman with a pink jacket is shaking hands with a man in a dark colored suit and patterned tie. Behind this group is a small, unoccupied stage and podium and on the other side of the stage is another group of seated, presumed, library officials. Behind the stage are bookshelves that extend backwards out of frame. The photo is dated 1995. Photo previously labeled #475\u003c/p\u003e","\u003cp\u003eColor photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. In the foreground of the picture, two unidentified women smile at the camera. The woman on the left has short blond hair, glasses, and wears a patterned collared dress. The woman in the left has dark brown hair and wears a dark blue top with a high neck. Behind them are more men and women who are milling about on the main floor of the Barrett Branch, presumably after the conclusion of the ceremony. The photo is dated 1995. Photo previously labeled #476\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. The camera is pointed at the line of men and women standing at the circulation desk at the Barrett Branch Library. Presumably, these are members of the public who attended the ribbon cutting and are now exploring the new space after the conclusion of the ceremony. On the upper right-side of the picture, visible through the railing, is the second-floor balcony where people a standing amongst the bookshelves. The photo is dated 1995. Photo previously labeled #477\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man standing on a small stage, behind a podium. Though the camera is unfocused and the photo appears slightly blurry it can be determined that the man, dressed in a dark-colored suit with a white pocket square, looks down at the papers on the podium as the small group of men and women seated on the other side of the stage have their attention on him. The small group of men and women, who are dressed professionally, are presumed to be library officials that are part of the ribbon cutting ceremony. One other presumed official is seated behind the stage and is reading a piece of paper. Also, behind the stage and the small group of library officials, are rows of bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #478\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a line of people who stand facing a seated audience of men and women. The line of people is professionally dressed men and women, presumably library officials, who each hold onto a red ribbon that stretches across the room from the circulation desk to the railing of the staircase. The seated audience and the men and women standing behind the circulation desk smile at the line of officials as they cut the ribbon. One woman, with grey hair and blue dress, holds up her scissors and her portion of the red ribbon in celebration. The photo is dated 1995. Photo previously labeled #479\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man in a grey-colored suit who stands on a small stage. Looking down at the orange-handled scissors in hand, he faces a small group of men and women, presumed to be library officials, as they walk towards the left side of the photo. The man on the stage is handing out pairs of scissors to members of the ribbon cutting ceremony as they make their way towards the ribbon that is just out of view. Behind the man and the stage, is another small group of men and women seated in front of bookshelves who watch as the other officials make their way to the ribbon. The photo is dated 1995. Photo previously labeled #480\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch Library and the men and women who are filing in before the start of the ceremony. There are folding chairs set up in the middle of the room that a being filled by people coming from the entrance vestibule at the back of the space. Behind the circulation desk stands many men and women, presumed to be library staff, who watch as members of the public take their seats. In front of the audience stretching across the room, from the circulation desk to the railing of the staircase, is a long red ribbon. The photo is dated 1995. Photo previously labeled #481\u003c/p\u003e","\u003cp\u003eThis folder contains black and white photographs pertaining to the Robert H. Robinson Library, dated from 1946 to 1950. The photos capture the Robert H. Robinson Library building, staff, and various events.\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Sara Murphy Carr sitting at her desk in the Robert Robinson Branch of Alexandria Library. Carr has short, dark hair and is wearing a light-colored blazer and a dark-colored top underneath. She looks directly at the camera from a chair behind her wooden desk, which is topped with file folders, a box of catalog cards, a folded newspaper, and other items. Behind her is a cart filled books and behind her further are filled bookshelves, some are topped with more books or other décor. The photo is dated c.1948. Photo previously labeled as #494\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Sara Murphy Carr posing for a picture in the doorway of the Robert Robinson Library. Carr has short, dark hair and is wearing a light-color jacket, dark-colored top, light-colored knee length skirt, with dark-colored shoes. She stands facing the camera and seems to have her hand on the knob of the front door that is slightly ajar behind her. A stoop and front step lead up to the front of the brick building and above the white trimmed door is a sign that reads \"Robert Robinson Library\" in dark letters. The photo is dated c.1948. Photo previously labeled as #495\u003c/p\u003e","\u003cp\u003eBlack and white candid photograph taken outside the Robert Robinson Library as Miss Bracie enters the building. Facing the front of the library, the photo captures a woman, identified as Miss Bracie, stepping up to the front door of the building. With her back to the camera, Miss Bracie wears a light-colored jacket and skirt, a much lighter-colored hat with black sash, and carries a dark-colored hand bag. The building, made of brick with a dark-colored metal roof, has one brick chimney on the left side and four narrow windows that are evenly separated by the white trimmed front door. Above the front door, just under an outdoor light, is a sign that reads \"Robert Robinson Library\" in dark letters. A cement walkway leads up to the door and is bordered on either side by shrubbery and grass. The photo is dated c.1950. Photo previously labeled as #496\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Story Hour at Robert Robinson Library. Robinson Librarian Minnie N. Fuller, sits and reads to twelve children who either sit in chairs or kneel on the carpeted floor in front of her. Fuller has short, dark hair and is wearing a light-colored dress with light-colored shoes. Her head is tilted down and away from the camera as she reads the book and the children, both boys and girls, are turned to face her. Behind the children are three windows that have their blinds open. The photo is dated 1950. Photo previously labeled as #497\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of men and women, presumably attending an event, at the Robert H. Robinson Library. Posed in two rows, nine women and three men are pictured together with some looking directly at the camera and others facing in different directions. All are dressed up, with the women in dresses and dress hats and the men in suits. One clergyman stands in the second row and is dressed in a clerical collar. One woman is identified as Alexandria Library Director Ellen Coolidge Burke (first row, second from the left) and she is dressed in a dark jacket, light-colored shirt, light-colored skirt, and dark-colored hat. Behind the group is a wall with a bookshelf and closed door. The photo is dated 1950. Photo previously labeled #498\u003c/p\u003e","\u003cp\u003eBlack and white candid photograph taken of Story Hour at Robert Robinson Library. Twenty-three children, listen as Robinson Librarian Sara Murphy Carr reads a picture book. Carr is wearing a light-colored outfit and dark-colored shoes. Her hair has been tied back away from her face and she looks down at the open book through her glasses. Many of the children have realized they are being photographed and have turned to face the camera, but a few have their gazes turned elsewhere. The space where the group sits is lined on three sides by filled bookshelves, some topped with more books or other décor. The photo is dated April 1946. Photo previously labeled as #499\u003c/p\u003e","\u003cp\u003eBlack and white photo of the 10th Anniversary of the Robert H. +Robinson Library. Seated in five rows, a group of men and women, some young and some old, pose for a picture inside the Robert Robinson Library. Not everyone looks directly at the camera, but all are dressed professionally. Some women can be seen wearing hats and dress gloves while the men can be seen in suit and tie. One clergyman sits in the back dressed in his clerical collar. Behind the group, the walls are lined with bookshelves that have been decorated with original art work of varying sizes. The photo is dated 1950. Photo previously labeled as #500\u003c/p\u003e","\u003cp\u003eThis sub-series contains records documenting the branches and divisions of the Alexandria Library system including the construction of the branches and information regarding their operations. The branches represented here include the Kate Waller Barrett Branch Library, the James M. Duncan Branch Library, the Ellen Coolidge Burke Branch Library, the Robert H. Robinson Library, the \"New Branch\" (later known as the Charles E. Beatley, Jr. Central Library), the Special Services Division, and the Lloyd House (later known as Local History and Special Collections).\u003c/p\u003e","\u003cp\u003eThis folder contains miscellaneous records pertaining to the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of contracts, proof of insurance, and other notes and correspondence related to the proposed addition to the Barrett branch.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the construction specifications for the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include the Specifications report, prepared by the Alexandria Library Board, detailing the proposed requirements for the construction of the addition to the Barrett branch.\u003c/p\u003e","\u003cp\u003eThis folder contains financial records pertaining to the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of vendor invoices, reports of money spent, and other related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the process of selecting bids for which construction agency would carry out the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of proposals, meeting minutes, press material, and other related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from December 1947 to December 1951. Documents include monthly reports on branch statistics, yearly fiscal report, discard lists, and other related notes.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from January 1952 to December 1955. Documents include monthly reports on branch statistics, and other related notes.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from January 1956 to May 1959. Documents include monthly reports on branch statistics, and other related notes.\u003c/p\u003e","\u003cp\u003eThis series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.\u003c/p\u003e","\u003cp\u003eThis sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.\u003c/p\u003e","\u003cp\u003eThis sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.\u003c/p\u003e","\u003cp\u003eThis sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.\u003c/p\u003e","\u003cp\u003eThis sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.\u003c/p\u003e","\u003cp\u003eThis sub-series contains web-published resources that were created by, or are directly related to, the Alexandria Library in Alexandria, Virginia. This includes the Library website, Library social media accounts, Library blog, and the websites of Library friends' groups.\u003c/p\u003e","\u003cp\u003eWebsite of the Alexandria Library in Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eFacebook account of the Alexandria Library in Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eInstagram account of the Alexandria Library in Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eTwitter account of the Alexandria Library in Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eYoutube account of the Alexandria Library in Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eAlexandria Library's blog which focuses on adult programs, events, and services including news and updates about the Library's collection, services, resources, and programs for adults\u003c/p\u003e","\u003cp\u003eOnline donation portal for the Alexandria Library Foundation, Inc. The Alexandria Library Foundation is a non-profit organization which provides funding for the Alexandria Library System in Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eWebsite of the Friends of the Beatley Central Library in Alexandria, Virginia. The Friends are a volunteer organizations which works to promote the interests and programs of the Library\u003c/p\u003e","\u003cp\u003eWebsite of the Friends of Duncan Library. The Friends are a volunteer organization that supports the operations of the Duncan Branch Library, located in the Del Ray neighborhood of Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eIntranet website for Alexandria Library staff\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Series Content Description","Sub-Series Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Sub-Series Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Sub-Series Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Sub-Series Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Sub-Series Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Description","Content Description","Description","Description","Description","Description","Description","Description","Description","Description"],"scopecontent_tesim":["This collection contains the records of the Alexandria Library, documenting the administration and operation of the Library, dating from the founding of the public library in 1937 through the present. Included are administrative records, annual reports, financial records, circulation records, materials documenting the history of the Library, programming and outreach records, and records of the individual branches of the library system. Formats include textual documents, photographs, and ephemera.","The Alexandria Library is an active organization, and so this collection is a living collection which will be periodically added to and updated. Check this collection guide for any future updates to the collection. ","This series contains materials documenting the Alexandria Library, from its founding as a public library in 1937 through the early 2000s. The majority of documents in this series pertain to the decades between 1950 and 2000. These records document the administration and operations of the Library and its individual branches, as well as materials documenting the history of the Alexandria Library. Documents include annual reports, financial records, correspondence, project files, and other administrative documentation. Also included in this series are ephemera and realia, photographs and other graphic materials, and some oversized materials.","This sub-series contains records pertaining to annual reports published by the Alexandria Library system, as well as its individual branches. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1938 through 1942. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1943 through 1946. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1947 through 1948. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1949 through 1950. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1951 through 1953. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1954 through 1956. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1957 through 1959. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1960 through 1961. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1964. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This sub-series contains administrative and financial records of the Alexandria Library. Documents include correspondence, budgets and other financial records, affirmative action records, bylaws and agreements, official city proclamations, gift records, and other administrative materials.","This folder contains records pertaining to administrative and financial dealings of the Alexandria Library system, dating from 1937 through the 1950s. Documents include final copies of bylaws, charters, and agreements as well as draft documents, reference materials, and related notes and correspondence.","This folder contains records pertaining to administrative and financial dealings of the Alexandria Library system, dating from the 1950s through the 1992. Documents include final copies of bylaws, charters, and agreements as well as draft documents, reference materials, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action plan put in place for the Alexandria Library system, dating from 1975.","This folder contains records pertaining to the Affirmative Action policy used to create an Affirmative Action plan for the Alexandria Library system, dating from 1976.","This folder contains records pertaining to the Affirmative Action plans for the City of Alexandria, dating from 1976 and 1980. Documents include final Affirmative Action plans from both 1976 and 1980.","This folder contains records pertaining to the Affirmative Action plans for the Alexandria Public Library, dating from 1978 through 1982. Documents include reference material used to create the Affirmative Action plans including OSHA Recordkeeping guidelines and guidelines from the Department of Equal Employment Opportunity for the City of Alexandria. Other documents include Alexandria Public Library's Affirmative Action goals, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1974 through 1976. Documents include final Affirmative Action and Equal Employment Opportunity reports, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1977 through 1980. Documents include final Affirmative Action and Equal Employment Opportunity reports, sample forms, reference materials, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1981 through 1987. Documents include final Affirmative Action and Equal Employment Opportunity reports, sample forms, membership reports, reference materials, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1938 through 1944. Documents include draft material, proposed yearly budgets, final budget reports, press related to the budget, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1945 through 1948. Documents include draft material, proposed yearly budgets, final budget reports, press related to the budget, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1949 through 1951. Documents include proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1951 through 1953. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1953 through 1955. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1955 through 1959. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1955 through 1959. Documents include , proposed yearly budgets, final budget reports, reference materials, and related notes and correspondence.","This folder contains records pertaining to the budget for the City of Alexandria's City Planning and Capital Improvement programs in regard to the Alexandria Public Library system, dated from 1950 through 1961. Documents include final budget reports, proposed budgets, proposed building projects, draft material, reference material, and related notes and correspondence.","This folder contains records pertaining to Rules, Regulations, and Review articles for the Alexandria Public Library system, dated from 1937 through 1955. Documents include inquiries regarding librarian salaries of other Virginia public libraries, proposed rules and regulations for Alexandria Public Library, final rules and regulations for Alexandria Public Library, meeting minutes, library directories, press regarding the library, and related notes and correspondence.","This folder contains a 2014 copy of the introduced House Joint Resolution No. 418 which details the historical significance of the 1939 Alexandria Library Sit-in to the House of Delegates, Mayor of Alexandria, and General Assembly and proposes that this information be conveyed at an upcoming ceremony.","This folder contains records pertaining to correspondence to and from Alexandria Library, dated from 1937 through 1951. Documents included correspondence, press regarding Alexandria Public Library, proposals for the planning and construction of the Robert Robinson Library, and other related notes.","This folder contains records pertaining to correspondence to and from Alexandria Library, dated from 1952 through 1961. Documents include written correspondence, meeting and presentation notes, book acquisitions and acquisition proposals, and other related notes.","This folder contains records pertaining to the professional and nonprofessional duties within public libraries set forth by the American Library Association, dated from 1948. Documents include the preliminary draft of the Descriptive List of Professional and Nonprofessional Duties in Libraries handbook.","This folder contains records pertaining to position descriptions and pay plans for Virginia public libraries, dated from 1950. Documents include a guidebook detailing all positions available with Virginia public libraries, their position descriptions, and recommended qualifications.","This folder contains records pertaining to \"Position Classification and Salary Administration in Libraries\", dated from 1951. Documents include a handbook titled \"Position Classification and Salary Administration in Libraries\", written by the American Library Association, detailing guides and standards for library administrative staff to utilize when creating administrative plans.","This folder contains records pertaining to information and guidelines for new City of Alexandria employees, dated from 1950 to 1986. Documents include guidebooks detailing fundamental information regarding being employed by the City of Alexandria, code of ethics, and guidelines for managers to effectively communicate employee evaluations.","This sub-series contains records documenting circulation statistics of the Library.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1937 through 1940. Documents include overall number of books circulated during a given year and ledgers detailing the number and genre of Adult books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1937 through 1940. Documents include ledgers detailing the number and genre of Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1941 through 1942. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1943 through 1944. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1944 through 1949. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1949 through 1953. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1949. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1944 through 1946. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This sub-series contains materials of mixed formats documenting the history of the Library and its programming and outreach work. Documents include scrapbooks, posters, news clippings, correspondence, administrative documents, event programs, and photographs.","This folder contains materials pertaining to Alexandria Library history, dating from 1957-1961. Documents include newspaper clippings from various local newspapers, event photos, correspondence, and other related notes.","This folder contains records pertaining to the history of Alexandria Library, dated from c. 1960. Documents include notes, correspondence, and copies of newspaper articles relating to the library.","This folder contains records pertaining to the history of Alexandria Library. Documents include copies of events schedules, event programs, summaries of the library's history, copies of newspaper articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to the history of Alexandria Library, dated from 1937 through 1947. Documents include newspaper clippings that detail library history, press, and publicity.","This folder contains records pertaining to the history of Alexandria Library, dated from 1955 through 1973. Documents include newspaper clippings that detail library history, press, and publicity.","This folder contains records pertaining to the history of Alexandria Library, dated from 1936 through 1954. Documents include summaries of the library's history, copies of newspaper articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to the history of Alexandria Library, dated from 1945 through 1985. Documents include copies of newspaper articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to publicity correspondence for Alexandria Library, dated from c. 1954-1986. Documents include correspondence relating to proposed exhibits, cosmetic changes to library branches, research inquiries, proof of membership, thank-you messages, plans for library news releases, and other related notes.","This folder contains records pertaining to press releases for Alexandria Library, dated from 1947-1986. Documents include drafts of news releases, draft 5-year plan documents, descriptions of upcoming library programs, mock-ups for news articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to events related to Alexandria Library, dated from 1954 through 1992. Documents include programs from library events and other notes and correspondence.","This folder contains biographical research materials about James M. Duncan, Jr. (the namesake of the Duncan Branch) which were collected by branch managers of Duncan Branch. Materials include notes, newsclippings, and photocopies of newsclippings.","This folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Eight people, presumed to be library officials, stand on the main floor of the Barrett Branch in front of a seated audience, in the midst of a ribbon cutting ceremony. The smiling officials cutting the red ribbon, who include six men and two women, are dressed professionally and each holds their own pair of scissors. Behind them are shelves of library books and a set of stairs that lead up to the second floor of the library. The seated audience of men and women watches as the ceremony proceeds. The photo is dated 1995. Photo previously labeled #402","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Eight people, presumed to be library officials, stand on the main floor of the Barrett Branch in front of a seated audience, in the midst of a ribbon cutting ceremony. The officials, who include six men and two women, have not yet cut the red ribbon and are dressed professionally. Each of the eight officials holds their own pair of scissors. Behind them are shelves of library books and a set of stairs that up to the second floor of the library. The seated audience of men and women watches as the ceremony proceeds. The photograph is dated September 10th, 1995. Photo previously labeled #403","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This candid photo of men and women milling around the first floor of the Barrett Branch was taken, presumably, after the conclusion of the ceremony. Some of the people pictured are in conversation with one another, while others are taking in their surroundings. In the foreground is a podium framed on either side by yellow flowers and an American flag. In the background are library books shelves and a set of stairs that lead up to the second floor of the library. The photo is dated 1995. Photo previously labeled #404","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This candid photo was taken amidst a crowd of people attending the ceremony on the main floor of the Barrett Branch Library. The men and women of various ages stand milling around the space. Some are in conversation with one another while others look in many directions, taking in their surroundings. Visible in the background is the entrance to the library that consists of floor to ceiling windows allowing natural daylight to stream in. The photo is dated 1995. Photo previously labeled #405","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of several people standing around on the main floor of the Barrett Branch Library. The three men and one woman in the foreground are in conversation with each other but only the two men on the right have realized the group is being photographed. The two men on the right are looking at the camera and smiling, while the women is still speaking and the third man is looking to his right with his back to the photographer. In the background are other people, some in conversation and some not, as well as empty chairs set up against filled bookshelves. The photo is dated 1995. Photo previously labeled #406","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. A large audience of men and women have filled the main floor of the Barrett Branch, presumably watching as the ceremony unfolds. Some of the people are sitting in the middle of the space while the rest of the crowd have filled the available standing room, even standing in the sunlight filled entrance vestibule, at the back of the room, to catch a glimpse through the floor to ceiling windows. Regardless of placement, almost all the audience members have their attentions set on the events happening behind the camera, just out of frame. The photo is dated 1995. Photo previously labeled #407","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Two women stand posing for a picture, on the main floor of the Barrett Branch, presumably after the conclusion of the ceremony. With their arms around each other, the woman on the left looks directly at the camera while the women on the right smiles at something out of frame on the left. In the background are more people, men and women, milling around the large indoor space. Some are in conversation with one another and others are simply moving about the space. The photo is dated 1995. Photo previously labeled #409","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of two smiling men and a young child posing for a picture together. On the left, the young child stands holding the hand of the man in the middle who has brown hair and mustache, is wearing glasses and is dressed in a dark-colored suit with a white shirt and red patterned tie. The man on the right, who stands with his hand on the shoulder of the man in the middle, has white hair and is wearing glasses and a dark-colored suit with a white shirt and blue tie. All three stand under a half visible, gold-framed, painted portrait of Kate Waller Barrett that is hanging on the wall behind them. The photo is dated 1995. Photo previously labeled #410","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Three men and two children stand posing for a picture together. The three men are all wearing dark-colored suits with light-colored shirts and ties. The two children, one boy and one girl, stand in front of the men in the middle and on the right. The boy wears a light-colored button-down shirt and striped dress pants while the girl wears a striped, long-sleeve dress with black tights and black shoes with pink shoelaces. All five smile at the camera as they pose under a gold-framed, painted portrait of Kate Waller Barrett. The woman in the portrait has her white hair tied back in a bun and sits, posed in profile, and is wearing dark-colored clothes, with floral accents. A gold cross pendant hangs from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #411","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. A woman stands posing for a picture with the portrait of Kate Waller Barrett hanging near the entrance of the Barrett Branch Library. The woman, dressed in a red blazer and skirt, smiles as she looks to left at something just out of frame. She stands below the gold-framed, painted portrait of Kate Waller Barrett. In the portrait, Kate Waller Barrett has her white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents. A gold cross pendant hangs from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #412","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Three men and two children stand posing for a picture together under the portrait of Kate Waller Barrett that hangs near the entrance of the Barrett Branch Library. The man on the left has white hair and is wearing glasses, a dark-colored suit, a light-colored shirt and blue tie. He has his hand on the shoulder of the little girl to the right of him who wears a striped long-sleeve dress with black tights and black shoes with pink laces. The little girl holds the hand of the man in the middle who wears a dark-colored suit with a light-colored shirt and dark patterned tie. Next to him, on the right, stands the little boy who wears a light-colored button-down shirt and striped dress pants. The little boy holds the hand of the last man on the right who has brown hair and mustache, glasses, and wears a dark-colored suit with a light-colored shirt and red patterned tie. All five stand beneath the gold-framed, painted portrait of Kate Waller Barrett who has her white hair tied back into a bun. She sits, posed in profile, and is wearing dark-colored clothes, with floral accents, with a gold cross pendant hanging from her neck and a brooch pinned to her chest. The photo is dated 1995. Photo previously labeled #413","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of four men standing in front of the portrait of Kate Waller Barrett that hangs near the entrance to the library. The two men on the left are greeting each other and the two men on the right are standing separately both looking in opposite directions towards things just out of frame. All the men are dressed in suits and ties and three out of four are wearing glasses. The leftmost man is holding multiple pairs of scissors and the second man from the right is holding an event program. Behind them, hanging on the wall is the gold-framed, painted portrait of Kate Waller Barrett who has white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents, with a gold cross pendant hanging from her neck and a brooch pinned to her chest. Also in the background, off to the left, is a child, seemingly in motion, appearing blurry in the photograph. The photo is dated 1995. Photo previously labeled #414","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of a group of men and women standing around a table of computers on the main floor of the Barrett Branch Library. On the round table there are four white computers, each with their own keyboard and mouse. Two of the computers are in use, one by a man in dark dress pants and white shirt and the other by two people, a woman and young man, working together. In the background are other people milling about as well as library bookshelves and a set of stairs leading to the second floor of the library. The photo is dated 1995. Photo previously labeled #415","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of two groups of men and women, some sitting and some standing, inside of the library presumably before the ceremony begins. To left is a group of seated people, partially blocked from view by a desk, and to the right is a group of men standing together in conversation. Between the two groups sits a small stage with an American flag, bordered at the front by small pots of yellow flowers. In the background are rows of both tall and short bookshelves in front of a glass-front room. The photo is dated 1995. Photo previously labeled #416","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of two women and one man standing in conversation with one another. The two women are both in light-colored dresses and the woman on the right faces away from the camera and carries a purse. The man wears glasses and is dressed in a light-colored suit with a white dress shirt and patterned tie. The woman on the left looks across to the woman on the right as she and the man in the middle are looking at each other. The photo is dated 1995. Photo previously labeled #417","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of men and women milling about inside the Barrett Branch. The people in the foreground seem to be in conversation with each other while others are having separate conversations in the background. The photo is being taken from behind a bookshelf decorated with a potted plant whose leaves have just started to come in to frame on the right side of the photo. Behind the people are more bookshelves, decorated with flowers, and a glass-front room. The photo is dated 1995. Photo previously labeled #418","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photo of four men, one woman, and two children. Every person pictured is looking in a different direction, some seeming to be moving towards different parts of the room and appearing blurry in the photo. All of the men are dressed in suits, the woman wears a pink buttoned jacket, the little boy wears a light-color button-down, and the little girl wears a striped long-sleeve dress. Behind them on the wall hangs a gold-framed, painted portrait of Kate Waller Barrett who has white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents. A gold cross pendant is hanging from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #419","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of the main floor of the Barrett Branch Library. In the library stands many men, women, and children milling about the space. Some are in conversation with one another, while others take in their surroundings or speak to people sitting behind the circulation desk to the left of the photo. To the right of the photo is the beginning of a staircase that leads to the second floor of the library. Visible from the balcony, the second floor is filled with bookshelves. In the background, on the lower level, stands a small stage and podium framed by small pots of yellow flowers and an American flag as well as a glass-front room whose windows are letting in bright daylight. The photo is dated 1995. Photo previously labeled #420","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of the main floor of the Barrett Branch and there are men and women milling around in the space, some in conversation with one another and others taking in their surroundings. On the right side of the picture, some of the people stand in front of the circulation desk, decorated with pots of yellow and orange flowers. On the left side of the picture are some glass display cases displaying open books. In the background are the floor to ceiling windows of the entrance vestibule that are providing bright, natural light to the room. The photo is dated 1995. Photo previously labeled #421","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Pictured is a large audience of men and women on the main floor of the Barrett Branch. Some of the people are sitting in the middle of the room while the rest of the crowd have begun filling in the available standing room, even standing in the sunlight filled entrance vestibule, at the back of the crowd, to catch a glimpse through the floor to ceiling windows. Regardless of placement, almost all the audience members have their attentions set on the events happening behind the camera, just out of frame. The photo is dated 1995. Photo previously labeled #422","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women, of differing ages, standing around a table of computers. At the round table, there are two people with their backs to the camera sharing the same computer, to their right is one woman at the next computer, and the next computer has a group of four sharing the same computer. In the foreground is a shelf that has been decorated with a pot of flowers, that have taken up the left side of the picture. In the background, behind the group of people at the computers is glass-front room and a few people within. Inside the room are bookshelves on the left wall and tables and chairs filling the middle. The windows on the back wall have had their blinds drawn to shade the interior from the bright daylight shining through. The photo is dated 1995. Photo previously labeled #423","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of some people, both men and women, looking at the available materials on the bookshelves around them on the second floor of the Barrett Branch Library. Some of the men and women are browsing the shelves while others have begun reading their chosen materials. In the foreground are shorter bookshelves, with one man crouching to get a better look at the offerings on the bottom shelf. In the background are taller bookshelves, that almost reach from floor to ceiling. Behind the taller bookshelves are some tables and chairs that have been backlit by the daylight coming through the windows on the back wall. The photo is dated 1995. Photo previously labeled #424","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a seated audience facing a group of people who seem like library officials seated at the front of the room. The seated audience is facing away from the camera and the group of men and women at the front of the room are applauding in welcome to the man who is standing at the front of the room. He has brown hair and mustache, is wearing glasses and a grey suit with dark tie. Off to the right of the photo is a staircase that leads to the second floor whose balcony sits above the group of clapping men and women. Behind them stands bookshelves, completely filled, that almost reach from floor to ceiling. The photo is dated 1995. Photo previously labeled #425","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking to an audience from an elevated podium. The woman, dressed in a red blazer and white shirt, is looking through her glasses out over the audience. Behind her is both short and tall bookshelves, as well as a wall of glass, and to the left stands an American flag. The woman at the podium stands below the second-floor balcony of the Barrett Branch where three musicians sit with music stands in front of them and bookshelves at their back. In the foreground, somewhat blocking the view of the seated audience, is the circulation desk topped with stacks of paper. The photo is dated 1995. Photo previously labeled #426","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a seated audience, extending out of frame, who have their attention on a man speaking from an elevated podium. The man at podium, dressed in a dark-colored suit with a white shirt and red tie, is looking down at the podium through his glasses. Behind the podium are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The man at the podium stands beneath the second-floor balcony of the Barrett Branch Library. Visible through the balcony's railing are filled bookshelves. The photo is dated 1995. Photo previously labeled #427","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a man speaking from behind a podium. The man is standing, dressed in a dark-colored suit with a white shirt and dark patterned tie, looking down at the podium through his dark tinted glasses. Behind him are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The podium stands below the second-floor balcony of the Barrett Branch Library where three chairs and two music stands are set up. The right most chair is occupied by a person in white shirt and dark pants. The photo is dated 1995. Photo previously labeled #428","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium. The woman, dressed in a blue dress and matching blue jacket, looks out to an audience just out of frame and she is observed by a small panel of professionally dressed men and women, presumed to be other library officials, on the right side of the picture. The picture is being taken from behind the circulation desk, complete with computer, receipt printer, and landline phone. A pot of yellow, orange and red flowers sits atop the desk, partially blocking an American flag from view. The photo is dated 1995. Photo previously labeled #429","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium in front of an audience of people that extends out of frame. The woman, dressed in a pink blazer over a dark patterned dress with a string of pearls around her neck, is looking down at the podium while the audience listens. Behind her are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The speaker and podium stand beneath an the second-floor balcony of the Barrett Branch Library, where three chairs, music stands, and musicians are seated and viewable through the balcony's railing. The photo is dated 1995. Photo previously labeled #430","This folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a man speaking to an audience, extending out of frame, from an elevated podium. The man, dressed in a dark-colored suit with white shirt and dark patterned tie, is looking down at the podium while holding up a closed book in his right hand and paper in his left hand. Behind him are rows of short and tall bookshelves, some decorated with flowers, in front of a glass-front room. Above the podium sits the second-floor balcony of the Barrett Branch Library. Through the railing, three chairs, music stands, and musicians can be seen in front of filled bookshelves. In the foreground, on the left side of the picture, is the circulation desk topped with stacks of papers. The photo is dated from 1995. Photo previously labeled #431","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium to audience, which extends out of frame. The woman is dressed in a matching blue jacket and dress, and looks out over the audience at something not visible as the audience turns to follow her gaze. To her left and right are men in dark-colored suits and ties that also follow her line-of-sight. Behind her are bookshelves, both tall and short, and a glass-front room. Above the podium is the second-floor balcony and through the railing, three chairs, music stands, and musicians can be seen in front of filled bookshelves. In the foreground, blocking some of the audience from view, is the circulation desk with a computer and piles of paper. The photo is dated from 1995. Photo previously labeled #432","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This slightly out of focus, color candid photograph is of a woman speaking from an elevated podium to an audience that is seated just out of frame. The woman, dressed in a pink jacket over a dark, patterned dress, is bordered by a group of seated men and women, presumed to be other library officials, on the right and an American flag on the left. Above the woman at the podium is the second-floor balcony and behind her are tall bookshelves and a glass front room. The photo is being taken from behind the circulation desk which has a computer and a pot of yellow, red and orange flowers. The photo is dated from 1995. Photo previously labeled #433","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women in conversation with each other amidst the ribbon cutting ceremony. The group consists of four men and two women, presumed to be library officials, who trade smiles and handshakes in front of a clapping audience. Some of the members of the group are still holding scissors and the pieces of red ribbon that were cut as part of the ceremony. Behind them are bookshelves that extend backward into the space. The photo is dated from 1995. Photo previously labeled #434","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women amidst the ribbon cutting ceremony. The group consists of three men and two women, some still holding scissors and pieces of the red ribbon cut during the ceremony. The smiling woman in the middle has offered a handshake to the man to the left of her as the audience applauds them. Behind the ribbon cutters are tall and short bookshelves that extend backwards into the space. The photo is dated from 1995. Photo previously labeled #435","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photo of a group of three men and one woman, presumed to be library officials, are trading smiles and the woman offers a handshake to the man on the far left. The woman has grey hair and wears a matching blue jacket and dress. The men are dressed professionally in suits and ties. They stand in front of a small stage and podium, lined with small pots of yellow flowers and decorated by an American flag. Behind them are bookshelves, both tall and short, that extend backwards toward a glass-front room. The photo is dated 1995. Photo previously labeled #436","Color photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. This candid photograph depicts several people standing behind the main circulation desk on the first floor of the Barrett Branch. In the foreground of the photo is a woman wearing a magenta dress and holding two books. The photo is dated 1995. Photo previously labeled #408","Color portrait of an outdoor sign from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library after renovations were completed in 1995. On a bright, sunny day at the corner of a red-brick building sits a white sign that reads \"The 200 Block of North Columbus St. Welcomes the New Library\" and just below that it reads \"Thank You\". Propped up on a wooden easel, the sign is decorated by a single gold, metallic balloon that is moving with the wind. Behind the sign to the right are row houses and a parked car. The photo is dated 1995. Photo previously labeled #441","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, a group of presumed library officials sit next to a stage and listen to the woman speaking from the podium. The woman has white hair and is dressed in a matching blue jacket and dress turns her head to welcome another woman who making her way to an empty chair among the group of officials. The woman being welcomed has tied back, brown hair and glasses and is wearing a colorful dress and black, t-strap shoes. Some of the men and women in the group of officials clap while others offer warm smiles to the approaching woman. Behind them is a small circulation desk and filled bookshelves. The photo is dated 1995. Photo previously labeled #442","Color portrait photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, a group of presumed library staff stand behind the circulation desk and smile at the camera. Four women are directly behind the desk and five more seem to be coming out of the room just behind the desk. Some of the other women have realized their picture is being taken and look at the camera, while others have not and continue their conversations with one another. One man stands in front of the desk and has turned to face the camera while a final woman seems to being walking past him. Folding chairs are set up and extend out of frame and because each still has a paper program on it, it is likely the event has not yet started. The photo is dated 1995. Photo previously labeled #443","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, two group of presumed library officials both sit and stand next to a small stage. Though not all the chairs are filled, the seated group includes three women and four men, all dressed professionally, who seem to be waiting for the event to start. The standing group, consisting of three men and two women, are all in conversation with one another. The woman in the middle with white hair, blue dress and light-colored purse is speaking and the remainder of the standing group leans in to listen. Behind them is the stage, decorated with an American flag, and both tall and short bookshelves that extend out of frame. The photo is dated 1995. Photo previously labeled #444","Color photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera aims at the circulation desk and the people that stand around it. Presumed to be library staff, four women stand together and all but one is smiling up at the camera. Other people, presumed to be library staff and officials, stand around the desk. Some are in conversation and others are looking in different directions around the room. In front of the circulation desk, extending out of frame, are rows of folding chairs each with a paper program on the seats. The photo is dated 1995. Photo previously labeled #445","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Set up on the second-floor balcony of the Barrett Branch, are three female musicians in the midst of performing. All three are wearing white dress shirts and black bottoms and each sit in her own wooden chair across from sheet music on a music stand and plays from a flute. Behind them are a man and a woman in conversation leaning over the balcony railing to get a better view of what is going on the floor below. The photo is dated 1995. Photo previously labeled #446","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, pictured is a man in a dark suit and tie speaking from a podium on a small elevated stage, which he shares with an American flag. Bordering the front of the stage are small pots of yellow flowers. To the left and right of the stage sit two groups of men and women, presumably library officials who have their attention on the man speaking. Behind them are rows of both tall and short bookshelves that extend back into the room and out of frame. The photo is dated 1995. Photo previously labeled #447","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Men and women of varying ages stand milling around the main floor of the Barrett Branch library seeming after the conclusion of the ceremony. In the foreground, one man sits at a table with his hands on a computer keyboard and converses with the two women who are speaking to him. The woman on the left has short brown hair and wears a blue jacket and the woman on the right has short greying hair and wears a white shirt, denim bottoms, and carries a small purse. In the background is a larger group pf men and women, gathered around a table of computers. Behind are bookshelves that extend to the other side of the room where more people sit at tables in conversation. The photo is dated 1995. Photo previously labeled #448","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Outside the front entrance of the Barrett Branch Library, in the shade of a tree, is a group of men and women who seem to be waiting for the library to open and for the ceremony to begin. On the front doors, illuminated by the sun, two signs read \"Re-opening\" and \"Sept. 10, 2PM\". Some of the group are sitting on the red brick retaining wall outside of the library while other stand in conversation closer to the entrance. The building is red brick, with white columns and white doors. A large, half-moon shaped windows sits atop the doors allowing natural light to fill the entrance vestibule within. The photo is dated 1995. Photo previously labeled #449","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. The photo is aimed at the circulation desk where some people have begun to converse with the library staff behind the desk. In front of the desk, the main floor of the Barrett Branch Library has been filled with folding chairs where a few people have begun to sit. There are folded programs on each of the folding chairs, suggesting that the ceremony has not yet begun. On the right side of the picture are bookshelves that fill the space at the back of the main floor as well as the second floor, which is visible through the balcony railing. The photo is dated 1995. Photo previously labeled #450","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the picture is focused on the group of men and women standing against the wall behind the circulation desk. There are nine women and two men visible, dressed professionally, and most of them seem to have their attention on something happening just out of frame on the right. In front of the desk on the left is the beginnings of a seated audience and starting from the circulation desk extending out of frame across the front of the audience stretches the red ribbon that has yet to be cut. The photo is dated 1995. Photo previously labeled #451","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. A group of two men, one woman, and one young man are standing in conversation with each other next to a round table that currently holds computers, of which only the keyboards and mice are visible. The young man has dark hair and wears a blue collared shirt and the woman he is next to has short brown hair and wears a blue patterned dress and carries a white purse. The two men are both dressed in dark suits with light dress shirts. The man with glasses wears a dark tie. Behind them are some table and chairs separating the group from the tall book shelves that extend out passed both sides of frame. The photo is dated 1995. Photo previously labeled #452","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, two men are pictured in conversation with each other while standing behind a podium on a small elevated stage. The men both wear suits with light-colored shirts, and the viewer is clearly able to see that the man on the left is wearing glasses and a tie. The man on the right has his back to the camera because his attention is on the other man who seems to be explaining something while pointing to something just out of sight on the left. In front of the stage are small pots of yellow flowers and beside the stage are rows of wooden chairs that have yet to be filled. Each chair has a folded program that seems to suggest the ceremony has yet to begin. Behind the men and the stage are bookshelves, both tall and short, that are filled with material. The photo is dated 1995. Photo previously labeled #453","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Pointed toward the interior entrance of the Barrett Branch, taken from the opposite end of the main floor, men and women are milling about the space presumably after the conclusion of the ribbon cutting. In the foreground are men and women using the available computers and in front of them is a large gathering of people milling around the main floor of the Barrett Branch Library. Some seem to be in conversation with one another, while other seem to simply be moving around the space. The photo is dated 1995. Photo previously labeled #454","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at where the ceremony will be held. A large seated audience of men and women is forming behind a red ribbon that has been stretched from the circulation desk to the staircase's railing on the opposite side of the room. The men and women standing behind the circulation desk are, presumably, library staff and the few men and women that stand on the other side of the red ribbon from the audience are the library officials that will be speaking during the ceremony. The library officials seem to be looking at someone just out of frame and two of them are waving to try and get their attention. The photo is dated 1995. Photo previously labeled #455","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch where folding chairs have been set up in the middle of the room for an audience that has begun filing in. Men and women of varying ages and dress are coming in through the bright, naturally lit entrance vestibule, stopping at the circulation desk, before finding an empty seat. The men and women behind the circulation desk are, presumably, library staff who are either in conversation with one another or watching the people who are filing into the library. Just in front of the audience, stretching from the circulation desk to the railing of the staircase at the opposite of the room, is a red ribbon that is being handled by a woman in a dark top and patterned skirt. The photo is dated 1995. Photo previously labeled #456","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points at a small group of men and women who are seated in wooden chairs to the left of a small stage with a podium. Seated in two rows, the group consists of four women and three men, and are presumed to be library officials. They are all in professional dress, either in suits and ties or dresses and blazers, and the front row seems to be conversation with each other. Just behind them, extending backward into the space, are filled bookshelves. The photo is dated 1995. Photo previously labeled #457","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man speaking from a podium on a small elevated stage. The man, wearing glasses and dressed in a grey-colored suit with a white shirt and dark-colored tie, holds a book in one hand and paper in the other as he looks out at the audience in front of him. The men and women seated next to the stage, who are presumed to be library officials, have their attention on the speaker. The stage is bordered in the front by small pots of yellow flowers and framed in the back by bookshelves that extend backward into the space. The photo is dated 1995. Photo previously labeled #458","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the men and women that surround it. The men and women, presumed to be library officials, stand with their hands over their hearts as they face the American flag that sits on the stage. All professionally dressed, only one man and one woman stand on the stage while the others stand to either side as they seem to recite the Pledge of Allegiance. Behind the stage are rows of bookshelves that extend backwards and out of frame. Above the stage is the second-floor balcony of the Barrett Branch. The photo is dated 1995. Photo previously labeled #459","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the men and women that surround it. On the stage stands a brown-haired woman, wearing a floral-patterned dress and pink blazer, speaking from a podium to the audience that sits in front of her just out of view. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the woman at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #460","This folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the people that surround it. Although the picture is out of focusing, appearing blurry, a woman with red hair and glasses, wearing a red blazer and skirt, can be seen speaking from the podium. With their attention on the speaker at the podium, the men and women that sit next to the stage are presumed to be library officials. The stage, framed at the front by small pots of yellow flowers, backs up to rows of short bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #461","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the people that surround it. On the stage, standing at the podium, is a man with glasses wearing a dark-colored suit and tie with a red pocket square. He looks down at the paper on the podium as he speaks to the audience in front of him, sitting just out of view. The men and women sitting next to the stage, presumed to be library officials, are dressed professionally as some turn their attention toward the speaker. The front of the stage is framed by small pots of yellow flowers and rows of short bookshelves sit at the back of the stage. The photo is dated 1995. Photo previously labeled #462","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down on the main floor of the Barrett Branch Library where the audience sits as the ribbon ceremony goes on. On the left side of the picture, many men and women sit in folding chairs as they listen to the man speaking from the small elevated stage and podium in front of them. Stretching from the circulation desk, across the room, to the railing of the staircase is a red ribbon that separates the audience from the men and women on and around the stage. There are also men and women that stand behind the circulation desk, presumed to be library staff, that have their attention on the man at the podium, who is dressed in a dark-colored suit with a light-colored shirt. On either side of the stage, separated from the general audience, sit other men and women who are presumed to be library officials. The photo is dated 1995. Photo previously labeled #463","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down on the main floor of the Barrett Branch Library where the audience sits as the ribbon ceremony goes on. On the right side of the picture sits a large audience of men and women that extends backwards out if frame. They are separated from the small stage and podium by a red ribbon that stretches from the circulation desk, across the room, to the railing of the staircase that leads to the second floor. Behind the circulation desk stands a few men and women, who are presumed to be library staff, who have their attention on the man that speaks from the podium. The speaker, dressed in a dark-colored suit and tie, looks down at the paper on the podium as he addresses the audience in front of him. The people sitting to left and right of the stage, who are separate from the general audience, are presumed to be library officials who are part of the ceremony proceedings. The photo is dated 1995. Photo previously labeled #464","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a man standing in behind a podium on a small elevated stage. The man, dressed in a grey-colored suit and glasses, seems to have his head tilted down in pause to accept the applause he is receiving from the people around him. Next to the stage sits a group of men and women who are presumed to be library officials. One man and one woman can be seen clapping for the man on the stage. The front of the stage is framed by small pots of yellow flowers and the back of the stage is bordered by short bookshelves that extend backward out of view. The photo is dated 1995. Photo previously labeled #465","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a woman standing behind a podium on a small elevate stage. The woman has grey hair, dressed in a matching blue dress and blazer, and looks out at the audience seated in front of her, just out of view. There is a group of men and women seated in three rows next to the stage, presumed to be library officials, who look and listen to the woman speaking from the podium. Behind the stage and the group of library officials are some tall and short bookshelves that extend backward into the space and out of frame. The photo is dated 1995. Photo previously labeled #466","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch Library where men and women are milling around presumably after the ribbon has been cut officially opening the library. The men and women, of all ages and in varying dress, are either in conversation with one another or are on the move to a different part of the space. Some are making their way up the stairs and past whomever is taking the picture while others are moving towards the rows of bookshelves that extend backward out of frame. Barely visible amongst the people is a small stage and podium where library officials had spoken during the ceremony. The photo is dated 1995. Photo previously labeled #467","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small stage and the men and women that surround it. On the stage, standing behind a podium, is grey-haired woman in a matching blue dress and blazer who speaks to the audience seated in front of her, just out of view. On either side of the stage where the woman in blue is speaking from, sits two groups of men and women, presumed to be library officials, who have attention on the woman in blue. The front of the stage is framed with small pots of yellow flowers and the back is bordered by short bookshelves that extend backward into the space. The photo is dated 1995. Photo previously labeled #468","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch where people have begun to move about the space, presumably, at the conclusion of the ribbon cutting ceremony. Some of the men and women are in conversation with each other while others have begun exploring the space and materials available. Visible among the crowd is the circulation desk, with a few staff members working from behind it. Across the room, also visible among the crowd, is the small stage and podium that library officials spoke from during the ceremony. Above the crowd, on the right side of the picture, is the second-floor balcony which has been populated by more exploring people. The photo is dated from 1995. Photo previously labeled #469","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small stage and podium. Standing behind the podium is a man with glasses, wearing a dark-colored suit and tie, who is looking down at the papers on the podium in front of him. To one side of the stage is small group of men and women who are seated in three rows, all in professional dress. This small group of people are presumed to be library officials, as is the man in a grey-colored suit that is seated behind the stage. Behind the stage are short bookshelves that extend backward out of frame and the front of the stage is line with small pots of yellow flowers. The photo is dated 1995. Photo previously labeled #470","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch wear a stage sits before a large seated audience. Separating the audience from the stage is a long red ribbon stretching from the circulation desk across the room to the staircase's railing. Behind the circulation desk, standing with their backs to the wall, are men and women who seem to be part of the library staff. On the stage stands a brown-haired woman, wearing a floral-patterned dress and pink blazer, speaking from a podium to the audience that sits in front of her. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the woman at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #471","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch wear a stage sits before a large seated audience. Separating the audience from the stage is a long red ribbon stretching from the circulation desk across the room to the staircase's railing. Behind the circulation desk, standing with their backs to the wall, are men and women who seem to be part of the library staff. On the stage stands a man with glasses, wearing a grey-colored suit, speaking from a podium to the audience that sits in front of him. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the man at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #472","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small stage and podium as well as the people that surround it. Speaking from the podium stands a man with glasses, in a grey-colored suit and tie, who looks down at the paper in front of him. On either side of the stage sits two small groups of men and women, presumed to be library officials, who have their attention on the man on stage. All are professionally dressed and some hold programs probably pertaining to the ceremony. The front of the stage is lined with small pots of yellow flows and behind the stage are rows of short and tall books shelves. The photo is dated 1995. Photo previously labeled #473","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at two groups of men and women on the main floor of the Barrett Branch Library. The group closest to the camera consists of six men and two women who are professionally dressed and seem to be library officials. Each woman shakes the hand of one of the men in the group. Behind them is a small stage and podium, that is lined with small pots of yellow flowers along the front. In the other side of the stage is another small group of men and women, also thought to be library officials. One woman seated at the front of the group, with white hair and patterned dress, is leaning forward to greet a woman with brown hair, black jacket, and skirt standing in front of her. Behind the two groups and the stage are bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #474","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small group of men and women who are standing, in conversation with each other. The group, consisting of two women and five men, are all professionally dressed and seem to be library officials. Facing away from the camera, one woman with a pink jacket is shaking hands with a man in a dark colored suit and patterned tie. Behind this group is a small, unoccupied stage and podium and on the other side of the stage is another group of seated, presumed, library officials. Behind the stage are bookshelves that extend backwards out of frame. The photo is dated 1995. Photo previously labeled #475","Color photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. In the foreground of the picture, two unidentified women smile at the camera. The woman on the left has short blond hair, glasses, and wears a patterned collared dress. The woman in the left has dark brown hair and wears a dark blue top with a high neck. Behind them are more men and women who are milling about on the main floor of the Barrett Branch, presumably after the conclusion of the ceremony. The photo is dated 1995. Photo previously labeled #476","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. The camera is pointed at the line of men and women standing at the circulation desk at the Barrett Branch Library. Presumably, these are members of the public who attended the ribbon cutting and are now exploring the new space after the conclusion of the ceremony. On the upper right-side of the picture, visible through the railing, is the second-floor balcony where people a standing amongst the bookshelves. The photo is dated 1995. Photo previously labeled #477","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man standing on a small stage, behind a podium. Though the camera is unfocused and the photo appears slightly blurry it can be determined that the man, dressed in a dark-colored suit with a white pocket square, looks down at the papers on the podium as the small group of men and women seated on the other side of the stage have their attention on him. The small group of men and women, who are dressed professionally, are presumed to be library officials that are part of the ribbon cutting ceremony. One other presumed official is seated behind the stage and is reading a piece of paper. Also, behind the stage and the small group of library officials, are rows of bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #478","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a line of people who stand facing a seated audience of men and women. The line of people is professionally dressed men and women, presumably library officials, who each hold onto a red ribbon that stretches across the room from the circulation desk to the railing of the staircase. The seated audience and the men and women standing behind the circulation desk smile at the line of officials as they cut the ribbon. One woman, with grey hair and blue dress, holds up her scissors and her portion of the red ribbon in celebration. The photo is dated 1995. Photo previously labeled #479","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man in a grey-colored suit who stands on a small stage. Looking down at the orange-handled scissors in hand, he faces a small group of men and women, presumed to be library officials, as they walk towards the left side of the photo. The man on the stage is handing out pairs of scissors to members of the ribbon cutting ceremony as they make their way towards the ribbon that is just out of view. Behind the man and the stage, is another small group of men and women seated in front of bookshelves who watch as the other officials make their way to the ribbon. The photo is dated 1995. Photo previously labeled #480","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch Library and the men and women who are filing in before the start of the ceremony. There are folding chairs set up in the middle of the room that a being filled by people coming from the entrance vestibule at the back of the space. Behind the circulation desk stands many men and women, presumed to be library staff, who watch as members of the public take their seats. In front of the audience stretching across the room, from the circulation desk to the railing of the staircase, is a long red ribbon. The photo is dated 1995. Photo previously labeled #481","This folder contains black and white photographs pertaining to the Robert H. Robinson Library, dated from 1946 to 1950. The photos capture the Robert H. Robinson Library building, staff, and various events.","Black and white photograph of Sara Murphy Carr sitting at her desk in the Robert Robinson Branch of Alexandria Library. Carr has short, dark hair and is wearing a light-colored blazer and a dark-colored top underneath. She looks directly at the camera from a chair behind her wooden desk, which is topped with file folders, a box of catalog cards, a folded newspaper, and other items. Behind her is a cart filled books and behind her further are filled bookshelves, some are topped with more books or other décor. The photo is dated c.1948. Photo previously labeled as #494","Black and white photograph of Sara Murphy Carr posing for a picture in the doorway of the Robert Robinson Library. Carr has short, dark hair and is wearing a light-color jacket, dark-colored top, light-colored knee length skirt, with dark-colored shoes. She stands facing the camera and seems to have her hand on the knob of the front door that is slightly ajar behind her. A stoop and front step lead up to the front of the brick building and above the white trimmed door is a sign that reads \"Robert Robinson Library\" in dark letters. The photo is dated c.1948. Photo previously labeled as #495","Black and white candid photograph taken outside the Robert Robinson Library as Miss Bracie enters the building. Facing the front of the library, the photo captures a woman, identified as Miss Bracie, stepping up to the front door of the building. With her back to the camera, Miss Bracie wears a light-colored jacket and skirt, a much lighter-colored hat with black sash, and carries a dark-colored hand bag. The building, made of brick with a dark-colored metal roof, has one brick chimney on the left side and four narrow windows that are evenly separated by the white trimmed front door. Above the front door, just under an outdoor light, is a sign that reads \"Robert Robinson Library\" in dark letters. A cement walkway leads up to the door and is bordered on either side by shrubbery and grass. The photo is dated c.1950. Photo previously labeled as #496","Black and white photograph of Story Hour at Robert Robinson Library. Robinson Librarian Minnie N. Fuller, sits and reads to twelve children who either sit in chairs or kneel on the carpeted floor in front of her. Fuller has short, dark hair and is wearing a light-colored dress with light-colored shoes. Her head is tilted down and away from the camera as she reads the book and the children, both boys and girls, are turned to face her. Behind the children are three windows that have their blinds open. The photo is dated 1950. Photo previously labeled as #497","Black and white photograph of a group of men and women, presumably attending an event, at the Robert H. Robinson Library. Posed in two rows, nine women and three men are pictured together with some looking directly at the camera and others facing in different directions. All are dressed up, with the women in dresses and dress hats and the men in suits. One clergyman stands in the second row and is dressed in a clerical collar. One woman is identified as Alexandria Library Director Ellen Coolidge Burke (first row, second from the left) and she is dressed in a dark jacket, light-colored shirt, light-colored skirt, and dark-colored hat. Behind the group is a wall with a bookshelf and closed door. The photo is dated 1950. Photo previously labeled #498","Black and white candid photograph taken of Story Hour at Robert Robinson Library. Twenty-three children, listen as Robinson Librarian Sara Murphy Carr reads a picture book. Carr is wearing a light-colored outfit and dark-colored shoes. Her hair has been tied back away from her face and she looks down at the open book through her glasses. Many of the children have realized they are being photographed and have turned to face the camera, but a few have their gazes turned elsewhere. The space where the group sits is lined on three sides by filled bookshelves, some topped with more books or other décor. The photo is dated April 1946. Photo previously labeled as #499","Black and white photo of the 10th Anniversary of the Robert H. +Robinson Library. Seated in five rows, a group of men and women, some young and some old, pose for a picture inside the Robert Robinson Library. Not everyone looks directly at the camera, but all are dressed professionally. Some women can be seen wearing hats and dress gloves while the men can be seen in suit and tie. One clergyman sits in the back dressed in his clerical collar. Behind the group, the walls are lined with bookshelves that have been decorated with original art work of varying sizes. The photo is dated 1950. Photo previously labeled as #500","This sub-series contains records documenting the branches and divisions of the Alexandria Library system including the construction of the branches and information regarding their operations. The branches represented here include the Kate Waller Barrett Branch Library, the James M. Duncan Branch Library, the Ellen Coolidge Burke Branch Library, the Robert H. Robinson Library, the \"New Branch\" (later known as the Charles E. Beatley, Jr. Central Library), the Special Services Division, and the Lloyd House (later known as Local History and Special Collections).","This folder contains miscellaneous records pertaining to the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of contracts, proof of insurance, and other notes and correspondence related to the proposed addition to the Barrett branch.","This folder contains records pertaining to the construction specifications for the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include the Specifications report, prepared by the Alexandria Library Board, detailing the proposed requirements for the construction of the addition to the Barrett branch.","This folder contains financial records pertaining to the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of vendor invoices, reports of money spent, and other related notes and correspondence.","This folder contains records pertaining to the process of selecting bids for which construction agency would carry out the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of proposals, meeting minutes, press material, and other related notes and correspondence.","This folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from December 1947 to December 1951. Documents include monthly reports on branch statistics, yearly fiscal report, discard lists, and other related notes.","This folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from January 1952 to December 1955. Documents include monthly reports on branch statistics, and other related notes.","This folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from January 1956 to May 1959. Documents include monthly reports on branch statistics, and other related notes.","This series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series contains web-published resources that were created by, or are directly related to, the Alexandria Library in Alexandria, Virginia. This includes the Library website, Library social media accounts, Library blog, and the websites of Library friends' groups.","Website of the Alexandria Library in Alexandria, Virginia","Facebook account of the Alexandria Library in Alexandria, Virginia","Instagram account of the Alexandria Library in Alexandria, Virginia","Twitter account of the Alexandria Library in Alexandria, Virginia","Youtube account of the Alexandria Library in Alexandria, Virginia","Alexandria Library's blog which focuses on adult programs, events, and services including news and updates about the Library's collection, services, resources, and programs for adults","Online donation portal for the Alexandria Library Foundation, Inc. The Alexandria Library Foundation is a non-profit organization which provides funding for the Alexandria Library System in Alexandria, Virginia","Website of the Friends of the Beatley Central Library in Alexandria, Virginia. The Friends are a volunteer organizations which works to promote the interests and programs of the Library","Website of the Friends of Duncan Library. The Friends are a volunteer organization that supports the operations of the Duncan Branch Library, located in the Del Ray neighborhood of Alexandria, Virginia","Intranet website for Alexandria Library staff"],"separatedmaterial_html_tesm":["\u003cp\u003eMaterials relating to the Alexandria Library Board have been moved from MS098 to the Alexandria Library Board Records (MS416).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Materials relating to the Alexandria Library Board have been moved from MS098 to the Alexandria Library Board Records (MS416)."],"names_coll_ssim":["Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Burke, Ellen Coolidge","Duncan, James M., Jr. (James Morton), 1897-1967","Barrett, Kate Waller, Dr., 1858-1925","Beatley, Charles E., Jr., 1916-2003","Robinson, Robert Henry, Rev. (1824-1909)"],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Burke, Ellen Coolidge","Duncan, James M., Jr. (James Morton), 1897-1967","Barrett, Kate Waller, Dr., 1858-1925","Beatley, Charles E., Jr., 1916-2003","Robinson, Robert Henry, Rev. (1824-1909)"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)"],"persname_ssim":["Burke, Ellen Coolidge","Duncan, James M., Jr. (James Morton), 1897-1967","Barrett, Kate Waller, Dr., 1858-1925","Beatley, Charles E., Jr., 1916-2003","Robinson, Robert Henry, Rev. (1824-1909)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":523,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:59:46.615Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_157","ead_ssi":"vaallhs_repositories_2_resources_157","_root_":"vaallhs_repositories_2_resources_157","_nest_parent_":"vaallhs_repositories_2_resources_157","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_157.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/157","title_ssm":["Alexandria Library Records (MS098)"],"title_tesim":["Alexandria Library Records (MS098)"],"unitdate_ssm":["1937-2013"],"unitdate_inclusive_ssm":["1937-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS098","/repositories/2/resources/157"],"text":["MS098","/repositories/2/resources/157","Alexandria Library Records (MS098)","Alexandria (Va.)","Alexandria (Va.). Library","Public libraries.","Collection is open for research. Public access to some confidential personnel records is restricted, these materials are noted as such.","This folder contains confidential personnel records. Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This site is only accessible to Alexandria Library staff and is not available for public research use.","This finding aid describes and documents the updated arrangement of this collection as of 2023. Previously, the collection was organized into the following series: By Laws, Charters, and Agreements; Board; Annual Reports; Administration; Circulation; Construction; History; Publicity; Scrapbooks; Workshops; Queen/Barrett; Robert Robinson; Special Services; and Lloyd House. \"By-Laws, Charters, and Agreements\" and \"Administration\" have been combined into the new Subseries 1.2. Administration and Finance. \"History,\" \"Publicity,\" \"Scrapbooks,\" \"Workshops,\" and \"Photographs\" have been combined into the new Subseries 1.4. History, Programming, and Outreach. \"Construction,\" \"Queen/Barrett,\" \"Robert Robinson,\" \"Special Services,\" and \"Lloyd House,\" have been combined into the new Subseries 1.5. Branch Records.","The \"Board\" series has been separated from MS098 and combined with other records to form a new, separate collection of Alexandria Library Board Records.","The physical and intellectual arrangement of the Alexandria Library Records (MS098) has been updated a few times over the years, while remaining accessible to the public. Thus, the decision was made to maintain, as much as appropriate, the current order of the pre-existing collection as Series 1: Founding and 20th Century Records; and Series 2: 21st Century Records includes the new accretions to the collection as of 2023. Future accretions to this collection will either be added to Series 2 or form a new series.","Series 1. Founding and 20th Century Records, 1937-2005\n Subseries 1.1. Annual Reports Subseries 1.2. Administration and Finance Subseries 1.3. Circulation Records Subseries 1.4. History, Programming, and Outreach Subseries 1.5. Branch Records Series 2. 21st Century Records, 1994-present\n Subseries 2.1. Annual Reports Subseries 2.2. Administration and Finance Subseries 2.3. Branch Records Subseries 2.4. Programming and Outreach Subseries 2.5. Web Archives","Founded as a subscription library in 1794 and serving as the public library of Alexandria, Virginia since 1937 – Alexandria Library has a long legacy of supporting early literacy and lifelong learning in our diverse community. The Alexandria Library builds community through its six branches by providing opportunities to learn, explore, create, and connect.","The Alexandria Library Company (ALC) was founded on July 24, 1794 and operated a subscription library for nearly 150 years. In 1937, the ALC entered an agreement with the City of Alexandria and their collections formed the foundation of the city's first free public library. Since then, the Alexandria Library has grown into a system of six branches which serve the community of Alexandria, Virginia. ","The Kate Waller Barrett Library opened its doors on Queen Street in 1937; this was the first location of the Alexandria Library. It was named after Dr. Kate Waller Barrett – local humanitarian, social crusader, and political reformer. The Society of Friends granted a 99-year lease for use of its old Quaker Burial Ground on Queen Street as the site for the new public library building. This library has undergone several renovations and expansions over the years, in 1954, 1964, and 1993. When the Charles E. Beatley, Jr. Central Library was built, the Barrett Library shifted from being the main library to its current role as a branch library which serves residents of Old Town Alexandria and surrounding neighborhoods.","The Robert Robinson Library, named for a grandson of one of George Washington's slaves, opened in 1940 to serve black residents of Alexandria. The establishment of this new branch library was motivated by a civil rights demonstration and lawsuit brought against the Library and the City of Alexandria. The earliest known civil rights sit-in was held at the Kate Waller Barrett Branch Library in 1939. Alexandria Attorney Samuel W. Tucker and five young African American men demonstrated this act of civil disobedience after being denied library cards. The Sit-In and following legal action resulted in the establishment of a new branch of the library to provide \"separate but equal\" library services to black residents. However, this new library branch never received the same support or funding as the main library and was never able to provide fully equitable services to the local African American community. The Alexandria Library officially integrated for adults in 1959, and for children in 1962. The Robert Robinson Library closed in 1962 and the building is now the site of the Alexandria Black History Museum.  More details about the 1939 sit-in and integration of Alexandria Library, as well as links to additional resources can be found on our website.","The Ellen Coolidge Burke Branch Library opened on Seminary Road in 1968. This branch library was named after Ellen Coolidge Burke (1901-1975), who served as Director of the Alexandria Library from 1948 to 1969. The Burke Branch Library serves residents of the Seminary Hill neighborhood and surrounding areas. ","The James M. Duncan, Jr. Branch Library opened on Commonwealth Avenue in 1969. The Duncan Branch Library serves residents of the Del Ray neighborhood and surrounding areas. This branch was named after James M. Duncan (1897-1967), who served as Chief of the Alexandria Fire Department 1924-1947, member of City Council 1949-1967, and member of the Alexandria Library Board 1950-1967. In 2005 the Duncan Branch Library underwent renovations and became the first City of Alexandria government building to have a \"living\" roof – a Green Infrastructure approach to reducing stormwater runoff and pollution in local waterways. ","The Local History / Special Collections Branch was established in 1976 and first housed at Lloyd House, a historic home on the corner of Queen and North Washington Streets. In 1999, after completion of the most recent round of renovations and expansions, Local History / Special Collections moved into the Kate Waller Barrett Branch Library. Local History / Special Collections stewards many valuable resources documenting the history and culture of Alexandria and Virginia from the colonial period to the present.","The Charles E. Beatley, Jr. Central Library opened on Duke Street in 2000. This new central library was named after former mayor of Alexandria, Charles E. \"Chuck\" Beatley, Jr. (1916-2003). Upon completion of the new main library site, library adminstration offices were moved from the Barrett Library (formerly the central library) to the Beatley Library.","In 2015 the Library took over management of the Alexandria Law Library, located in the basement of the Alexandria Circuit Court on King Street. The Alexandria Law Library provides legal resources for the benefit of the entire Alexandria community, including its citizens, government agencies, local businesses, the judiciary, and members of the bar.","For a more detailed timeline of the history of Alexandria Library, check out our website.","Alexandria Library Board Records\n Alexandria Library Company Records (MS002)","This collection contains the records of the Alexandria Library, documenting the administration and operation of the Library, dating from the founding of the public library in 1937 through the present. Included are administrative records, annual reports, financial records, circulation records, materials documenting the history of the Library, programming and outreach records, and records of the individual branches of the library system. Formats include textual documents, photographs, and ephemera.","The Alexandria Library is an active organization, and so this collection is a living collection which will be periodically added to and updated. Check this collection guide for any future updates to the collection. ","This series contains materials documenting the Alexandria Library, from its founding as a public library in 1937 through the early 2000s. The majority of documents in this series pertain to the decades between 1950 and 2000. These records document the administration and operations of the Library and its individual branches, as well as materials documenting the history of the Alexandria Library. Documents include annual reports, financial records, correspondence, project files, and other administrative documentation. Also included in this series are ephemera and realia, photographs and other graphic materials, and some oversized materials.","This sub-series contains records pertaining to annual reports published by the Alexandria Library system, as well as its individual branches. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1938 through 1942. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1943 through 1946. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1947 through 1948. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1949 through 1950. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1951 through 1953. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1954 through 1956. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1957 through 1959. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1960 through 1961. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1964. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This sub-series contains administrative and financial records of the Alexandria Library. Documents include correspondence, budgets and other financial records, affirmative action records, bylaws and agreements, official city proclamations, gift records, and other administrative materials.","This folder contains records pertaining to administrative and financial dealings of the Alexandria Library system, dating from 1937 through the 1950s. Documents include final copies of bylaws, charters, and agreements as well as draft documents, reference materials, and related notes and correspondence.","This folder contains records pertaining to administrative and financial dealings of the Alexandria Library system, dating from the 1950s through the 1992. Documents include final copies of bylaws, charters, and agreements as well as draft documents, reference materials, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action plan put in place for the Alexandria Library system, dating from 1975.","This folder contains records pertaining to the Affirmative Action policy used to create an Affirmative Action plan for the Alexandria Library system, dating from 1976.","This folder contains records pertaining to the Affirmative Action plans for the City of Alexandria, dating from 1976 and 1980. Documents include final Affirmative Action plans from both 1976 and 1980.","This folder contains records pertaining to the Affirmative Action plans for the Alexandria Public Library, dating from 1978 through 1982. Documents include reference material used to create the Affirmative Action plans including OSHA Recordkeeping guidelines and guidelines from the Department of Equal Employment Opportunity for the City of Alexandria. Other documents include Alexandria Public Library's Affirmative Action goals, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1974 through 1976. Documents include final Affirmative Action and Equal Employment Opportunity reports, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1977 through 1980. Documents include final Affirmative Action and Equal Employment Opportunity reports, sample forms, reference materials, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1981 through 1987. Documents include final Affirmative Action and Equal Employment Opportunity reports, sample forms, membership reports, reference materials, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1938 through 1944. Documents include draft material, proposed yearly budgets, final budget reports, press related to the budget, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1945 through 1948. Documents include draft material, proposed yearly budgets, final budget reports, press related to the budget, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1949 through 1951. Documents include proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1951 through 1953. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1953 through 1955. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1955 through 1959. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1955 through 1959. Documents include , proposed yearly budgets, final budget reports, reference materials, and related notes and correspondence.","This folder contains records pertaining to the budget for the City of Alexandria's City Planning and Capital Improvement programs in regard to the Alexandria Public Library system, dated from 1950 through 1961. Documents include final budget reports, proposed budgets, proposed building projects, draft material, reference material, and related notes and correspondence.","This folder contains records pertaining to Rules, Regulations, and Review articles for the Alexandria Public Library system, dated from 1937 through 1955. Documents include inquiries regarding librarian salaries of other Virginia public libraries, proposed rules and regulations for Alexandria Public Library, final rules and regulations for Alexandria Public Library, meeting minutes, library directories, press regarding the library, and related notes and correspondence.","This folder contains a 2014 copy of the introduced House Joint Resolution No. 418 which details the historical significance of the 1939 Alexandria Library Sit-in to the House of Delegates, Mayor of Alexandria, and General Assembly and proposes that this information be conveyed at an upcoming ceremony.","This folder contains records pertaining to correspondence to and from Alexandria Library, dated from 1937 through 1951. Documents included correspondence, press regarding Alexandria Public Library, proposals for the planning and construction of the Robert Robinson Library, and other related notes.","This folder contains records pertaining to correspondence to and from Alexandria Library, dated from 1952 through 1961. Documents include written correspondence, meeting and presentation notes, book acquisitions and acquisition proposals, and other related notes.","This folder contains records pertaining to the professional and nonprofessional duties within public libraries set forth by the American Library Association, dated from 1948. Documents include the preliminary draft of the Descriptive List of Professional and Nonprofessional Duties in Libraries handbook.","This folder contains records pertaining to position descriptions and pay plans for Virginia public libraries, dated from 1950. Documents include a guidebook detailing all positions available with Virginia public libraries, their position descriptions, and recommended qualifications.","This folder contains records pertaining to \"Position Classification and Salary Administration in Libraries\", dated from 1951. Documents include a handbook titled \"Position Classification and Salary Administration in Libraries\", written by the American Library Association, detailing guides and standards for library administrative staff to utilize when creating administrative plans.","This folder contains records pertaining to information and guidelines for new City of Alexandria employees, dated from 1950 to 1986. Documents include guidebooks detailing fundamental information regarding being employed by the City of Alexandria, code of ethics, and guidelines for managers to effectively communicate employee evaluations.","This sub-series contains records documenting circulation statistics of the Library.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1937 through 1940. Documents include overall number of books circulated during a given year and ledgers detailing the number and genre of Adult books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1937 through 1940. Documents include ledgers detailing the number and genre of Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1941 through 1942. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1943 through 1944. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1944 through 1949. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1949 through 1953. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1949. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1944 through 1946. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This sub-series contains materials of mixed formats documenting the history of the Library and its programming and outreach work. Documents include scrapbooks, posters, news clippings, correspondence, administrative documents, event programs, and photographs.","This folder contains materials pertaining to Alexandria Library history, dating from 1957-1961. Documents include newspaper clippings from various local newspapers, event photos, correspondence, and other related notes.","This folder contains records pertaining to the history of Alexandria Library, dated from c. 1960. Documents include notes, correspondence, and copies of newspaper articles relating to the library.","This folder contains records pertaining to the history of Alexandria Library. Documents include copies of events schedules, event programs, summaries of the library's history, copies of newspaper articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to the history of Alexandria Library, dated from 1937 through 1947. Documents include newspaper clippings that detail library history, press, and publicity.","This folder contains records pertaining to the history of Alexandria Library, dated from 1955 through 1973. Documents include newspaper clippings that detail library history, press, and publicity.","This folder contains records pertaining to the history of Alexandria Library, dated from 1936 through 1954. Documents include summaries of the library's history, copies of newspaper articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to the history of Alexandria Library, dated from 1945 through 1985. Documents include copies of newspaper articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to publicity correspondence for Alexandria Library, dated from c. 1954-1986. Documents include correspondence relating to proposed exhibits, cosmetic changes to library branches, research inquiries, proof of membership, thank-you messages, plans for library news releases, and other related notes.","This folder contains records pertaining to press releases for Alexandria Library, dated from 1947-1986. Documents include drafts of news releases, draft 5-year plan documents, descriptions of upcoming library programs, mock-ups for news articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to events related to Alexandria Library, dated from 1954 through 1992. Documents include programs from library events and other notes and correspondence.","This folder contains biographical research materials about James M. Duncan, Jr. (the namesake of the Duncan Branch) which were collected by branch managers of Duncan Branch. Materials include notes, newsclippings, and photocopies of newsclippings.","This folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Eight people, presumed to be library officials, stand on the main floor of the Barrett Branch in front of a seated audience, in the midst of a ribbon cutting ceremony. The smiling officials cutting the red ribbon, who include six men and two women, are dressed professionally and each holds their own pair of scissors. Behind them are shelves of library books and a set of stairs that lead up to the second floor of the library. The seated audience of men and women watches as the ceremony proceeds. The photo is dated 1995. Photo previously labeled #402","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Eight people, presumed to be library officials, stand on the main floor of the Barrett Branch in front of a seated audience, in the midst of a ribbon cutting ceremony. The officials, who include six men and two women, have not yet cut the red ribbon and are dressed professionally. Each of the eight officials holds their own pair of scissors. Behind them are shelves of library books and a set of stairs that up to the second floor of the library. The seated audience of men and women watches as the ceremony proceeds. The photograph is dated September 10th, 1995. Photo previously labeled #403","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This candid photo of men and women milling around the first floor of the Barrett Branch was taken, presumably, after the conclusion of the ceremony. Some of the people pictured are in conversation with one another, while others are taking in their surroundings. In the foreground is a podium framed on either side by yellow flowers and an American flag. In the background are library books shelves and a set of stairs that lead up to the second floor of the library. The photo is dated 1995. Photo previously labeled #404","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This candid photo was taken amidst a crowd of people attending the ceremony on the main floor of the Barrett Branch Library. The men and women of various ages stand milling around the space. Some are in conversation with one another while others look in many directions, taking in their surroundings. Visible in the background is the entrance to the library that consists of floor to ceiling windows allowing natural daylight to stream in. The photo is dated 1995. Photo previously labeled #405","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of several people standing around on the main floor of the Barrett Branch Library. The three men and one woman in the foreground are in conversation with each other but only the two men on the right have realized the group is being photographed. The two men on the right are looking at the camera and smiling, while the women is still speaking and the third man is looking to his right with his back to the photographer. In the background are other people, some in conversation and some not, as well as empty chairs set up against filled bookshelves. The photo is dated 1995. Photo previously labeled #406","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. A large audience of men and women have filled the main floor of the Barrett Branch, presumably watching as the ceremony unfolds. Some of the people are sitting in the middle of the space while the rest of the crowd have filled the available standing room, even standing in the sunlight filled entrance vestibule, at the back of the room, to catch a glimpse through the floor to ceiling windows. Regardless of placement, almost all the audience members have their attentions set on the events happening behind the camera, just out of frame. The photo is dated 1995. Photo previously labeled #407","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Two women stand posing for a picture, on the main floor of the Barrett Branch, presumably after the conclusion of the ceremony. With their arms around each other, the woman on the left looks directly at the camera while the women on the right smiles at something out of frame on the left. In the background are more people, men and women, milling around the large indoor space. Some are in conversation with one another and others are simply moving about the space. The photo is dated 1995. Photo previously labeled #409","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of two smiling men and a young child posing for a picture together. On the left, the young child stands holding the hand of the man in the middle who has brown hair and mustache, is wearing glasses and is dressed in a dark-colored suit with a white shirt and red patterned tie. The man on the right, who stands with his hand on the shoulder of the man in the middle, has white hair and is wearing glasses and a dark-colored suit with a white shirt and blue tie. All three stand under a half visible, gold-framed, painted portrait of Kate Waller Barrett that is hanging on the wall behind them. The photo is dated 1995. Photo previously labeled #410","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Three men and two children stand posing for a picture together. The three men are all wearing dark-colored suits with light-colored shirts and ties. The two children, one boy and one girl, stand in front of the men in the middle and on the right. The boy wears a light-colored button-down shirt and striped dress pants while the girl wears a striped, long-sleeve dress with black tights and black shoes with pink shoelaces. All five smile at the camera as they pose under a gold-framed, painted portrait of Kate Waller Barrett. The woman in the portrait has her white hair tied back in a bun and sits, posed in profile, and is wearing dark-colored clothes, with floral accents. A gold cross pendant hangs from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #411","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. A woman stands posing for a picture with the portrait of Kate Waller Barrett hanging near the entrance of the Barrett Branch Library. The woman, dressed in a red blazer and skirt, smiles as she looks to left at something just out of frame. She stands below the gold-framed, painted portrait of Kate Waller Barrett. In the portrait, Kate Waller Barrett has her white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents. A gold cross pendant hangs from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #412","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Three men and two children stand posing for a picture together under the portrait of Kate Waller Barrett that hangs near the entrance of the Barrett Branch Library. The man on the left has white hair and is wearing glasses, a dark-colored suit, a light-colored shirt and blue tie. He has his hand on the shoulder of the little girl to the right of him who wears a striped long-sleeve dress with black tights and black shoes with pink laces. The little girl holds the hand of the man in the middle who wears a dark-colored suit with a light-colored shirt and dark patterned tie. Next to him, on the right, stands the little boy who wears a light-colored button-down shirt and striped dress pants. The little boy holds the hand of the last man on the right who has brown hair and mustache, glasses, and wears a dark-colored suit with a light-colored shirt and red patterned tie. All five stand beneath the gold-framed, painted portrait of Kate Waller Barrett who has her white hair tied back into a bun. She sits, posed in profile, and is wearing dark-colored clothes, with floral accents, with a gold cross pendant hanging from her neck and a brooch pinned to her chest. The photo is dated 1995. Photo previously labeled #413","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of four men standing in front of the portrait of Kate Waller Barrett that hangs near the entrance to the library. The two men on the left are greeting each other and the two men on the right are standing separately both looking in opposite directions towards things just out of frame. All the men are dressed in suits and ties and three out of four are wearing glasses. The leftmost man is holding multiple pairs of scissors and the second man from the right is holding an event program. Behind them, hanging on the wall is the gold-framed, painted portrait of Kate Waller Barrett who has white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents, with a gold cross pendant hanging from her neck and a brooch pinned to her chest. Also in the background, off to the left, is a child, seemingly in motion, appearing blurry in the photograph. The photo is dated 1995. Photo previously labeled #414","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of a group of men and women standing around a table of computers on the main floor of the Barrett Branch Library. On the round table there are four white computers, each with their own keyboard and mouse. Two of the computers are in use, one by a man in dark dress pants and white shirt and the other by two people, a woman and young man, working together. In the background are other people milling about as well as library bookshelves and a set of stairs leading to the second floor of the library. The photo is dated 1995. Photo previously labeled #415","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of two groups of men and women, some sitting and some standing, inside of the library presumably before the ceremony begins. To left is a group of seated people, partially blocked from view by a desk, and to the right is a group of men standing together in conversation. Between the two groups sits a small stage with an American flag, bordered at the front by small pots of yellow flowers. In the background are rows of both tall and short bookshelves in front of a glass-front room. The photo is dated 1995. Photo previously labeled #416","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of two women and one man standing in conversation with one another. The two women are both in light-colored dresses and the woman on the right faces away from the camera and carries a purse. The man wears glasses and is dressed in a light-colored suit with a white dress shirt and patterned tie. The woman on the left looks across to the woman on the right as she and the man in the middle are looking at each other. The photo is dated 1995. Photo previously labeled #417","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of men and women milling about inside the Barrett Branch. The people in the foreground seem to be in conversation with each other while others are having separate conversations in the background. The photo is being taken from behind a bookshelf decorated with a potted plant whose leaves have just started to come in to frame on the right side of the photo. Behind the people are more bookshelves, decorated with flowers, and a glass-front room. The photo is dated 1995. Photo previously labeled #418","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photo of four men, one woman, and two children. Every person pictured is looking in a different direction, some seeming to be moving towards different parts of the room and appearing blurry in the photo. All of the men are dressed in suits, the woman wears a pink buttoned jacket, the little boy wears a light-color button-down, and the little girl wears a striped long-sleeve dress. Behind them on the wall hangs a gold-framed, painted portrait of Kate Waller Barrett who has white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents. A gold cross pendant is hanging from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #419","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of the main floor of the Barrett Branch Library. In the library stands many men, women, and children milling about the space. Some are in conversation with one another, while others take in their surroundings or speak to people sitting behind the circulation desk to the left of the photo. To the right of the photo is the beginning of a staircase that leads to the second floor of the library. Visible from the balcony, the second floor is filled with bookshelves. In the background, on the lower level, stands a small stage and podium framed by small pots of yellow flowers and an American flag as well as a glass-front room whose windows are letting in bright daylight. The photo is dated 1995. Photo previously labeled #420","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of the main floor of the Barrett Branch and there are men and women milling around in the space, some in conversation with one another and others taking in their surroundings. On the right side of the picture, some of the people stand in front of the circulation desk, decorated with pots of yellow and orange flowers. On the left side of the picture are some glass display cases displaying open books. In the background are the floor to ceiling windows of the entrance vestibule that are providing bright, natural light to the room. The photo is dated 1995. Photo previously labeled #421","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Pictured is a large audience of men and women on the main floor of the Barrett Branch. Some of the people are sitting in the middle of the room while the rest of the crowd have begun filling in the available standing room, even standing in the sunlight filled entrance vestibule, at the back of the crowd, to catch a glimpse through the floor to ceiling windows. Regardless of placement, almost all the audience members have their attentions set on the events happening behind the camera, just out of frame. The photo is dated 1995. Photo previously labeled #422","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women, of differing ages, standing around a table of computers. At the round table, there are two people with their backs to the camera sharing the same computer, to their right is one woman at the next computer, and the next computer has a group of four sharing the same computer. In the foreground is a shelf that has been decorated with a pot of flowers, that have taken up the left side of the picture. In the background, behind the group of people at the computers is glass-front room and a few people within. Inside the room are bookshelves on the left wall and tables and chairs filling the middle. The windows on the back wall have had their blinds drawn to shade the interior from the bright daylight shining through. The photo is dated 1995. Photo previously labeled #423","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of some people, both men and women, looking at the available materials on the bookshelves around them on the second floor of the Barrett Branch Library. Some of the men and women are browsing the shelves while others have begun reading their chosen materials. In the foreground are shorter bookshelves, with one man crouching to get a better look at the offerings on the bottom shelf. In the background are taller bookshelves, that almost reach from floor to ceiling. Behind the taller bookshelves are some tables and chairs that have been backlit by the daylight coming through the windows on the back wall. The photo is dated 1995. Photo previously labeled #424","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a seated audience facing a group of people who seem like library officials seated at the front of the room. The seated audience is facing away from the camera and the group of men and women at the front of the room are applauding in welcome to the man who is standing at the front of the room. He has brown hair and mustache, is wearing glasses and a grey suit with dark tie. Off to the right of the photo is a staircase that leads to the second floor whose balcony sits above the group of clapping men and women. Behind them stands bookshelves, completely filled, that almost reach from floor to ceiling. The photo is dated 1995. Photo previously labeled #425","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking to an audience from an elevated podium. The woman, dressed in a red blazer and white shirt, is looking through her glasses out over the audience. Behind her is both short and tall bookshelves, as well as a wall of glass, and to the left stands an American flag. The woman at the podium stands below the second-floor balcony of the Barrett Branch where three musicians sit with music stands in front of them and bookshelves at their back. In the foreground, somewhat blocking the view of the seated audience, is the circulation desk topped with stacks of paper. The photo is dated 1995. Photo previously labeled #426","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a seated audience, extending out of frame, who have their attention on a man speaking from an elevated podium. The man at podium, dressed in a dark-colored suit with a white shirt and red tie, is looking down at the podium through his glasses. Behind the podium are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The man at the podium stands beneath the second-floor balcony of the Barrett Branch Library. Visible through the balcony's railing are filled bookshelves. The photo is dated 1995. Photo previously labeled #427","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a man speaking from behind a podium. The man is standing, dressed in a dark-colored suit with a white shirt and dark patterned tie, looking down at the podium through his dark tinted glasses. Behind him are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The podium stands below the second-floor balcony of the Barrett Branch Library where three chairs and two music stands are set up. The right most chair is occupied by a person in white shirt and dark pants. The photo is dated 1995. Photo previously labeled #428","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium. The woman, dressed in a blue dress and matching blue jacket, looks out to an audience just out of frame and she is observed by a small panel of professionally dressed men and women, presumed to be other library officials, on the right side of the picture. The picture is being taken from behind the circulation desk, complete with computer, receipt printer, and landline phone. A pot of yellow, orange and red flowers sits atop the desk, partially blocking an American flag from view. The photo is dated 1995. Photo previously labeled #429","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium in front of an audience of people that extends out of frame. The woman, dressed in a pink blazer over a dark patterned dress with a string of pearls around her neck, is looking down at the podium while the audience listens. Behind her are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The speaker and podium stand beneath an the second-floor balcony of the Barrett Branch Library, where three chairs, music stands, and musicians are seated and viewable through the balcony's railing. The photo is dated 1995. Photo previously labeled #430","This folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a man speaking to an audience, extending out of frame, from an elevated podium. The man, dressed in a dark-colored suit with white shirt and dark patterned tie, is looking down at the podium while holding up a closed book in his right hand and paper in his left hand. Behind him are rows of short and tall bookshelves, some decorated with flowers, in front of a glass-front room. Above the podium sits the second-floor balcony of the Barrett Branch Library. Through the railing, three chairs, music stands, and musicians can be seen in front of filled bookshelves. In the foreground, on the left side of the picture, is the circulation desk topped with stacks of papers. The photo is dated from 1995. Photo previously labeled #431","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium to audience, which extends out of frame. The woman is dressed in a matching blue jacket and dress, and looks out over the audience at something not visible as the audience turns to follow her gaze. To her left and right are men in dark-colored suits and ties that also follow her line-of-sight. Behind her are bookshelves, both tall and short, and a glass-front room. Above the podium is the second-floor balcony and through the railing, three chairs, music stands, and musicians can be seen in front of filled bookshelves. In the foreground, blocking some of the audience from view, is the circulation desk with a computer and piles of paper. The photo is dated from 1995. Photo previously labeled #432","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This slightly out of focus, color candid photograph is of a woman speaking from an elevated podium to an audience that is seated just out of frame. The woman, dressed in a pink jacket over a dark, patterned dress, is bordered by a group of seated men and women, presumed to be other library officials, on the right and an American flag on the left. Above the woman at the podium is the second-floor balcony and behind her are tall bookshelves and a glass front room. The photo is being taken from behind the circulation desk which has a computer and a pot of yellow, red and orange flowers. The photo is dated from 1995. Photo previously labeled #433","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women in conversation with each other amidst the ribbon cutting ceremony. The group consists of four men and two women, presumed to be library officials, who trade smiles and handshakes in front of a clapping audience. Some of the members of the group are still holding scissors and the pieces of red ribbon that were cut as part of the ceremony. Behind them are bookshelves that extend backward into the space. The photo is dated from 1995. Photo previously labeled #434","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women amidst the ribbon cutting ceremony. The group consists of three men and two women, some still holding scissors and pieces of the red ribbon cut during the ceremony. The smiling woman in the middle has offered a handshake to the man to the left of her as the audience applauds them. Behind the ribbon cutters are tall and short bookshelves that extend backwards into the space. The photo is dated from 1995. Photo previously labeled #435","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photo of a group of three men and one woman, presumed to be library officials, are trading smiles and the woman offers a handshake to the man on the far left. The woman has grey hair and wears a matching blue jacket and dress. The men are dressed professionally in suits and ties. They stand in front of a small stage and podium, lined with small pots of yellow flowers and decorated by an American flag. Behind them are bookshelves, both tall and short, that extend backwards toward a glass-front room. The photo is dated 1995. Photo previously labeled #436","Color photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. This candid photograph depicts several people standing behind the main circulation desk on the first floor of the Barrett Branch. In the foreground of the photo is a woman wearing a magenta dress and holding two books. The photo is dated 1995. Photo previously labeled #408","Color portrait of an outdoor sign from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library after renovations were completed in 1995. On a bright, sunny day at the corner of a red-brick building sits a white sign that reads \"The 200 Block of North Columbus St. Welcomes the New Library\" and just below that it reads \"Thank You\". Propped up on a wooden easel, the sign is decorated by a single gold, metallic balloon that is moving with the wind. Behind the sign to the right are row houses and a parked car. The photo is dated 1995. Photo previously labeled #441","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, a group of presumed library officials sit next to a stage and listen to the woman speaking from the podium. The woman has white hair and is dressed in a matching blue jacket and dress turns her head to welcome another woman who making her way to an empty chair among the group of officials. The woman being welcomed has tied back, brown hair and glasses and is wearing a colorful dress and black, t-strap shoes. Some of the men and women in the group of officials clap while others offer warm smiles to the approaching woman. Behind them is a small circulation desk and filled bookshelves. The photo is dated 1995. Photo previously labeled #442","Color portrait photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, a group of presumed library staff stand behind the circulation desk and smile at the camera. Four women are directly behind the desk and five more seem to be coming out of the room just behind the desk. Some of the other women have realized their picture is being taken and look at the camera, while others have not and continue their conversations with one another. One man stands in front of the desk and has turned to face the camera while a final woman seems to being walking past him. Folding chairs are set up and extend out of frame and because each still has a paper program on it, it is likely the event has not yet started. The photo is dated 1995. Photo previously labeled #443","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, two group of presumed library officials both sit and stand next to a small stage. Though not all the chairs are filled, the seated group includes three women and four men, all dressed professionally, who seem to be waiting for the event to start. The standing group, consisting of three men and two women, are all in conversation with one another. The woman in the middle with white hair, blue dress and light-colored purse is speaking and the remainder of the standing group leans in to listen. Behind them is the stage, decorated with an American flag, and both tall and short bookshelves that extend out of frame. The photo is dated 1995. Photo previously labeled #444","Color photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera aims at the circulation desk and the people that stand around it. Presumed to be library staff, four women stand together and all but one is smiling up at the camera. Other people, presumed to be library staff and officials, stand around the desk. Some are in conversation and others are looking in different directions around the room. In front of the circulation desk, extending out of frame, are rows of folding chairs each with a paper program on the seats. The photo is dated 1995. Photo previously labeled #445","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Set up on the second-floor balcony of the Barrett Branch, are three female musicians in the midst of performing. All three are wearing white dress shirts and black bottoms and each sit in her own wooden chair across from sheet music on a music stand and plays from a flute. Behind them are a man and a woman in conversation leaning over the balcony railing to get a better view of what is going on the floor below. The photo is dated 1995. Photo previously labeled #446","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, pictured is a man in a dark suit and tie speaking from a podium on a small elevated stage, which he shares with an American flag. Bordering the front of the stage are small pots of yellow flowers. To the left and right of the stage sit two groups of men and women, presumably library officials who have their attention on the man speaking. Behind them are rows of both tall and short bookshelves that extend back into the room and out of frame. The photo is dated 1995. Photo previously labeled #447","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Men and women of varying ages stand milling around the main floor of the Barrett Branch library seeming after the conclusion of the ceremony. In the foreground, one man sits at a table with his hands on a computer keyboard and converses with the two women who are speaking to him. The woman on the left has short brown hair and wears a blue jacket and the woman on the right has short greying hair and wears a white shirt, denim bottoms, and carries a small purse. In the background is a larger group pf men and women, gathered around a table of computers. Behind are bookshelves that extend to the other side of the room where more people sit at tables in conversation. The photo is dated 1995. Photo previously labeled #448","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Outside the front entrance of the Barrett Branch Library, in the shade of a tree, is a group of men and women who seem to be waiting for the library to open and for the ceremony to begin. On the front doors, illuminated by the sun, two signs read \"Re-opening\" and \"Sept. 10, 2PM\". Some of the group are sitting on the red brick retaining wall outside of the library while other stand in conversation closer to the entrance. The building is red brick, with white columns and white doors. A large, half-moon shaped windows sits atop the doors allowing natural light to fill the entrance vestibule within. The photo is dated 1995. Photo previously labeled #449","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. The photo is aimed at the circulation desk where some people have begun to converse with the library staff behind the desk. In front of the desk, the main floor of the Barrett Branch Library has been filled with folding chairs where a few people have begun to sit. There are folded programs on each of the folding chairs, suggesting that the ceremony has not yet begun. On the right side of the picture are bookshelves that fill the space at the back of the main floor as well as the second floor, which is visible through the balcony railing. The photo is dated 1995. Photo previously labeled #450","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the picture is focused on the group of men and women standing against the wall behind the circulation desk. There are nine women and two men visible, dressed professionally, and most of them seem to have their attention on something happening just out of frame on the right. In front of the desk on the left is the beginnings of a seated audience and starting from the circulation desk extending out of frame across the front of the audience stretches the red ribbon that has yet to be cut. The photo is dated 1995. Photo previously labeled #451","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. A group of two men, one woman, and one young man are standing in conversation with each other next to a round table that currently holds computers, of which only the keyboards and mice are visible. The young man has dark hair and wears a blue collared shirt and the woman he is next to has short brown hair and wears a blue patterned dress and carries a white purse. The two men are both dressed in dark suits with light dress shirts. The man with glasses wears a dark tie. Behind them are some table and chairs separating the group from the tall book shelves that extend out passed both sides of frame. The photo is dated 1995. Photo previously labeled #452","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, two men are pictured in conversation with each other while standing behind a podium on a small elevated stage. The men both wear suits with light-colored shirts, and the viewer is clearly able to see that the man on the left is wearing glasses and a tie. The man on the right has his back to the camera because his attention is on the other man who seems to be explaining something while pointing to something just out of sight on the left. In front of the stage are small pots of yellow flowers and beside the stage are rows of wooden chairs that have yet to be filled. Each chair has a folded program that seems to suggest the ceremony has yet to begin. Behind the men and the stage are bookshelves, both tall and short, that are filled with material. The photo is dated 1995. Photo previously labeled #453","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Pointed toward the interior entrance of the Barrett Branch, taken from the opposite end of the main floor, men and women are milling about the space presumably after the conclusion of the ribbon cutting. In the foreground are men and women using the available computers and in front of them is a large gathering of people milling around the main floor of the Barrett Branch Library. Some seem to be in conversation with one another, while other seem to simply be moving around the space. The photo is dated 1995. Photo previously labeled #454","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at where the ceremony will be held. A large seated audience of men and women is forming behind a red ribbon that has been stretched from the circulation desk to the staircase's railing on the opposite side of the room. The men and women standing behind the circulation desk are, presumably, library staff and the few men and women that stand on the other side of the red ribbon from the audience are the library officials that will be speaking during the ceremony. The library officials seem to be looking at someone just out of frame and two of them are waving to try and get their attention. The photo is dated 1995. Photo previously labeled #455","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch where folding chairs have been set up in the middle of the room for an audience that has begun filing in. Men and women of varying ages and dress are coming in through the bright, naturally lit entrance vestibule, stopping at the circulation desk, before finding an empty seat. The men and women behind the circulation desk are, presumably, library staff who are either in conversation with one another or watching the people who are filing into the library. Just in front of the audience, stretching from the circulation desk to the railing of the staircase at the opposite of the room, is a red ribbon that is being handled by a woman in a dark top and patterned skirt. The photo is dated 1995. Photo previously labeled #456","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points at a small group of men and women who are seated in wooden chairs to the left of a small stage with a podium. Seated in two rows, the group consists of four women and three men, and are presumed to be library officials. They are all in professional dress, either in suits and ties or dresses and blazers, and the front row seems to be conversation with each other. Just behind them, extending backward into the space, are filled bookshelves. The photo is dated 1995. Photo previously labeled #457","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man speaking from a podium on a small elevated stage. The man, wearing glasses and dressed in a grey-colored suit with a white shirt and dark-colored tie, holds a book in one hand and paper in the other as he looks out at the audience in front of him. The men and women seated next to the stage, who are presumed to be library officials, have their attention on the speaker. The stage is bordered in the front by small pots of yellow flowers and framed in the back by bookshelves that extend backward into the space. The photo is dated 1995. Photo previously labeled #458","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the men and women that surround it. The men and women, presumed to be library officials, stand with their hands over their hearts as they face the American flag that sits on the stage. All professionally dressed, only one man and one woman stand on the stage while the others stand to either side as they seem to recite the Pledge of Allegiance. Behind the stage are rows of bookshelves that extend backwards and out of frame. Above the stage is the second-floor balcony of the Barrett Branch. The photo is dated 1995. Photo previously labeled #459","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the men and women that surround it. On the stage stands a brown-haired woman, wearing a floral-patterned dress and pink blazer, speaking from a podium to the audience that sits in front of her just out of view. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the woman at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #460","This folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the people that surround it. Although the picture is out of focusing, appearing blurry, a woman with red hair and glasses, wearing a red blazer and skirt, can be seen speaking from the podium. With their attention on the speaker at the podium, the men and women that sit next to the stage are presumed to be library officials. The stage, framed at the front by small pots of yellow flowers, backs up to rows of short bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #461","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the people that surround it. On the stage, standing at the podium, is a man with glasses wearing a dark-colored suit and tie with a red pocket square. He looks down at the paper on the podium as he speaks to the audience in front of him, sitting just out of view. The men and women sitting next to the stage, presumed to be library officials, are dressed professionally as some turn their attention toward the speaker. The front of the stage is framed by small pots of yellow flowers and rows of short bookshelves sit at the back of the stage. The photo is dated 1995. Photo previously labeled #462","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down on the main floor of the Barrett Branch Library where the audience sits as the ribbon ceremony goes on. On the left side of the picture, many men and women sit in folding chairs as they listen to the man speaking from the small elevated stage and podium in front of them. Stretching from the circulation desk, across the room, to the railing of the staircase is a red ribbon that separates the audience from the men and women on and around the stage. There are also men and women that stand behind the circulation desk, presumed to be library staff, that have their attention on the man at the podium, who is dressed in a dark-colored suit with a light-colored shirt. On either side of the stage, separated from the general audience, sit other men and women who are presumed to be library officials. The photo is dated 1995. Photo previously labeled #463","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down on the main floor of the Barrett Branch Library where the audience sits as the ribbon ceremony goes on. On the right side of the picture sits a large audience of men and women that extends backwards out if frame. They are separated from the small stage and podium by a red ribbon that stretches from the circulation desk, across the room, to the railing of the staircase that leads to the second floor. Behind the circulation desk stands a few men and women, who are presumed to be library staff, who have their attention on the man that speaks from the podium. The speaker, dressed in a dark-colored suit and tie, looks down at the paper on the podium as he addresses the audience in front of him. The people sitting to left and right of the stage, who are separate from the general audience, are presumed to be library officials who are part of the ceremony proceedings. The photo is dated 1995. Photo previously labeled #464","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a man standing in behind a podium on a small elevated stage. The man, dressed in a grey-colored suit and glasses, seems to have his head tilted down in pause to accept the applause he is receiving from the people around him. Next to the stage sits a group of men and women who are presumed to be library officials. One man and one woman can be seen clapping for the man on the stage. The front of the stage is framed by small pots of yellow flowers and the back of the stage is bordered by short bookshelves that extend backward out of view. The photo is dated 1995. Photo previously labeled #465","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a woman standing behind a podium on a small elevate stage. The woman has grey hair, dressed in a matching blue dress and blazer, and looks out at the audience seated in front of her, just out of view. There is a group of men and women seated in three rows next to the stage, presumed to be library officials, who look and listen to the woman speaking from the podium. Behind the stage and the group of library officials are some tall and short bookshelves that extend backward into the space and out of frame. The photo is dated 1995. Photo previously labeled #466","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch Library where men and women are milling around presumably after the ribbon has been cut officially opening the library. The men and women, of all ages and in varying dress, are either in conversation with one another or are on the move to a different part of the space. Some are making their way up the stairs and past whomever is taking the picture while others are moving towards the rows of bookshelves that extend backward out of frame. Barely visible amongst the people is a small stage and podium where library officials had spoken during the ceremony. The photo is dated 1995. Photo previously labeled #467","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small stage and the men and women that surround it. On the stage, standing behind a podium, is grey-haired woman in a matching blue dress and blazer who speaks to the audience seated in front of her, just out of view. On either side of the stage where the woman in blue is speaking from, sits two groups of men and women, presumed to be library officials, who have attention on the woman in blue. The front of the stage is framed with small pots of yellow flowers and the back is bordered by short bookshelves that extend backward into the space. The photo is dated 1995. Photo previously labeled #468","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch where people have begun to move about the space, presumably, at the conclusion of the ribbon cutting ceremony. Some of the men and women are in conversation with each other while others have begun exploring the space and materials available. Visible among the crowd is the circulation desk, with a few staff members working from behind it. Across the room, also visible among the crowd, is the small stage and podium that library officials spoke from during the ceremony. Above the crowd, on the right side of the picture, is the second-floor balcony which has been populated by more exploring people. The photo is dated from 1995. Photo previously labeled #469","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small stage and podium. Standing behind the podium is a man with glasses, wearing a dark-colored suit and tie, who is looking down at the papers on the podium in front of him. To one side of the stage is small group of men and women who are seated in three rows, all in professional dress. This small group of people are presumed to be library officials, as is the man in a grey-colored suit that is seated behind the stage. Behind the stage are short bookshelves that extend backward out of frame and the front of the stage is line with small pots of yellow flowers. The photo is dated 1995. Photo previously labeled #470","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch wear a stage sits before a large seated audience. Separating the audience from the stage is a long red ribbon stretching from the circulation desk across the room to the staircase's railing. Behind the circulation desk, standing with their backs to the wall, are men and women who seem to be part of the library staff. On the stage stands a brown-haired woman, wearing a floral-patterned dress and pink blazer, speaking from a podium to the audience that sits in front of her. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the woman at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #471","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch wear a stage sits before a large seated audience. Separating the audience from the stage is a long red ribbon stretching from the circulation desk across the room to the staircase's railing. Behind the circulation desk, standing with their backs to the wall, are men and women who seem to be part of the library staff. On the stage stands a man with glasses, wearing a grey-colored suit, speaking from a podium to the audience that sits in front of him. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the man at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #472","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small stage and podium as well as the people that surround it. Speaking from the podium stands a man with glasses, in a grey-colored suit and tie, who looks down at the paper in front of him. On either side of the stage sits two small groups of men and women, presumed to be library officials, who have their attention on the man on stage. All are professionally dressed and some hold programs probably pertaining to the ceremony. The front of the stage is lined with small pots of yellow flows and behind the stage are rows of short and tall books shelves. The photo is dated 1995. Photo previously labeled #473","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at two groups of men and women on the main floor of the Barrett Branch Library. The group closest to the camera consists of six men and two women who are professionally dressed and seem to be library officials. Each woman shakes the hand of one of the men in the group. Behind them is a small stage and podium, that is lined with small pots of yellow flowers along the front. In the other side of the stage is another small group of men and women, also thought to be library officials. One woman seated at the front of the group, with white hair and patterned dress, is leaning forward to greet a woman with brown hair, black jacket, and skirt standing in front of her. Behind the two groups and the stage are bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #474","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small group of men and women who are standing, in conversation with each other. The group, consisting of two women and five men, are all professionally dressed and seem to be library officials. Facing away from the camera, one woman with a pink jacket is shaking hands with a man in a dark colored suit and patterned tie. Behind this group is a small, unoccupied stage and podium and on the other side of the stage is another group of seated, presumed, library officials. Behind the stage are bookshelves that extend backwards out of frame. The photo is dated 1995. Photo previously labeled #475","Color photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. In the foreground of the picture, two unidentified women smile at the camera. The woman on the left has short blond hair, glasses, and wears a patterned collared dress. The woman in the left has dark brown hair and wears a dark blue top with a high neck. Behind them are more men and women who are milling about on the main floor of the Barrett Branch, presumably after the conclusion of the ceremony. The photo is dated 1995. Photo previously labeled #476","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. The camera is pointed at the line of men and women standing at the circulation desk at the Barrett Branch Library. Presumably, these are members of the public who attended the ribbon cutting and are now exploring the new space after the conclusion of the ceremony. On the upper right-side of the picture, visible through the railing, is the second-floor balcony where people a standing amongst the bookshelves. The photo is dated 1995. Photo previously labeled #477","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man standing on a small stage, behind a podium. Though the camera is unfocused and the photo appears slightly blurry it can be determined that the man, dressed in a dark-colored suit with a white pocket square, looks down at the papers on the podium as the small group of men and women seated on the other side of the stage have their attention on him. The small group of men and women, who are dressed professionally, are presumed to be library officials that are part of the ribbon cutting ceremony. One other presumed official is seated behind the stage and is reading a piece of paper. Also, behind the stage and the small group of library officials, are rows of bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #478","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a line of people who stand facing a seated audience of men and women. The line of people is professionally dressed men and women, presumably library officials, who each hold onto a red ribbon that stretches across the room from the circulation desk to the railing of the staircase. The seated audience and the men and women standing behind the circulation desk smile at the line of officials as they cut the ribbon. One woman, with grey hair and blue dress, holds up her scissors and her portion of the red ribbon in celebration. The photo is dated 1995. Photo previously labeled #479","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man in a grey-colored suit who stands on a small stage. Looking down at the orange-handled scissors in hand, he faces a small group of men and women, presumed to be library officials, as they walk towards the left side of the photo. The man on the stage is handing out pairs of scissors to members of the ribbon cutting ceremony as they make their way towards the ribbon that is just out of view. Behind the man and the stage, is another small group of men and women seated in front of bookshelves who watch as the other officials make their way to the ribbon. The photo is dated 1995. Photo previously labeled #480","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch Library and the men and women who are filing in before the start of the ceremony. There are folding chairs set up in the middle of the room that a being filled by people coming from the entrance vestibule at the back of the space. Behind the circulation desk stands many men and women, presumed to be library staff, who watch as members of the public take their seats. In front of the audience stretching across the room, from the circulation desk to the railing of the staircase, is a long red ribbon. The photo is dated 1995. Photo previously labeled #481","This folder contains black and white photographs pertaining to the Robert H. Robinson Library, dated from 1946 to 1950. The photos capture the Robert H. Robinson Library building, staff, and various events.","Black and white photograph of Sara Murphy Carr sitting at her desk in the Robert Robinson Branch of Alexandria Library. Carr has short, dark hair and is wearing a light-colored blazer and a dark-colored top underneath. She looks directly at the camera from a chair behind her wooden desk, which is topped with file folders, a box of catalog cards, a folded newspaper, and other items. Behind her is a cart filled books and behind her further are filled bookshelves, some are topped with more books or other décor. The photo is dated c.1948. Photo previously labeled as #494","Black and white photograph of Sara Murphy Carr posing for a picture in the doorway of the Robert Robinson Library. Carr has short, dark hair and is wearing a light-color jacket, dark-colored top, light-colored knee length skirt, with dark-colored shoes. She stands facing the camera and seems to have her hand on the knob of the front door that is slightly ajar behind her. A stoop and front step lead up to the front of the brick building and above the white trimmed door is a sign that reads \"Robert Robinson Library\" in dark letters. The photo is dated c.1948. Photo previously labeled as #495","Black and white candid photograph taken outside the Robert Robinson Library as Miss Bracie enters the building. Facing the front of the library, the photo captures a woman, identified as Miss Bracie, stepping up to the front door of the building. With her back to the camera, Miss Bracie wears a light-colored jacket and skirt, a much lighter-colored hat with black sash, and carries a dark-colored hand bag. The building, made of brick with a dark-colored metal roof, has one brick chimney on the left side and four narrow windows that are evenly separated by the white trimmed front door. Above the front door, just under an outdoor light, is a sign that reads \"Robert Robinson Library\" in dark letters. A cement walkway leads up to the door and is bordered on either side by shrubbery and grass. The photo is dated c.1950. Photo previously labeled as #496","Black and white photograph of Story Hour at Robert Robinson Library. Robinson Librarian Minnie N. Fuller, sits and reads to twelve children who either sit in chairs or kneel on the carpeted floor in front of her. Fuller has short, dark hair and is wearing a light-colored dress with light-colored shoes. Her head is tilted down and away from the camera as she reads the book and the children, both boys and girls, are turned to face her. Behind the children are three windows that have their blinds open. The photo is dated 1950. Photo previously labeled as #497","Black and white photograph of a group of men and women, presumably attending an event, at the Robert H. Robinson Library. Posed in two rows, nine women and three men are pictured together with some looking directly at the camera and others facing in different directions. All are dressed up, with the women in dresses and dress hats and the men in suits. One clergyman stands in the second row and is dressed in a clerical collar. One woman is identified as Alexandria Library Director Ellen Coolidge Burke (first row, second from the left) and she is dressed in a dark jacket, light-colored shirt, light-colored skirt, and dark-colored hat. Behind the group is a wall with a bookshelf and closed door. The photo is dated 1950. Photo previously labeled #498","Black and white candid photograph taken of Story Hour at Robert Robinson Library. Twenty-three children, listen as Robinson Librarian Sara Murphy Carr reads a picture book. Carr is wearing a light-colored outfit and dark-colored shoes. Her hair has been tied back away from her face and she looks down at the open book through her glasses. Many of the children have realized they are being photographed and have turned to face the camera, but a few have their gazes turned elsewhere. The space where the group sits is lined on three sides by filled bookshelves, some topped with more books or other décor. The photo is dated April 1946. Photo previously labeled as #499","Black and white photo of the 10th Anniversary of the Robert H. +Robinson Library. Seated in five rows, a group of men and women, some young and some old, pose for a picture inside the Robert Robinson Library. Not everyone looks directly at the camera, but all are dressed professionally. Some women can be seen wearing hats and dress gloves while the men can be seen in suit and tie. One clergyman sits in the back dressed in his clerical collar. Behind the group, the walls are lined with bookshelves that have been decorated with original art work of varying sizes. The photo is dated 1950. Photo previously labeled as #500","This sub-series contains records documenting the branches and divisions of the Alexandria Library system including the construction of the branches and information regarding their operations. The branches represented here include the Kate Waller Barrett Branch Library, the James M. Duncan Branch Library, the Ellen Coolidge Burke Branch Library, the Robert H. Robinson Library, the \"New Branch\" (later known as the Charles E. Beatley, Jr. Central Library), the Special Services Division, and the Lloyd House (later known as Local History and Special Collections).","This folder contains miscellaneous records pertaining to the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of contracts, proof of insurance, and other notes and correspondence related to the proposed addition to the Barrett branch.","This folder contains records pertaining to the construction specifications for the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include the Specifications report, prepared by the Alexandria Library Board, detailing the proposed requirements for the construction of the addition to the Barrett branch.","This folder contains financial records pertaining to the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of vendor invoices, reports of money spent, and other related notes and correspondence.","This folder contains records pertaining to the process of selecting bids for which construction agency would carry out the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of proposals, meeting minutes, press material, and other related notes and correspondence.","This folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from December 1947 to December 1951. Documents include monthly reports on branch statistics, yearly fiscal report, discard lists, and other related notes.","This folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from January 1952 to December 1955. Documents include monthly reports on branch statistics, and other related notes.","This folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from January 1956 to May 1959. Documents include monthly reports on branch statistics, and other related notes.","This series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series contains web-published resources that were created by, or are directly related to, the Alexandria Library in Alexandria, Virginia. This includes the Library website, Library social media accounts, Library blog, and the websites of Library friends' groups.","Website of the Alexandria Library in Alexandria, Virginia","Facebook account of the Alexandria Library in Alexandria, Virginia","Instagram account of the Alexandria Library in Alexandria, Virginia","Twitter account of the Alexandria Library in Alexandria, Virginia","Youtube account of the Alexandria Library in Alexandria, Virginia","Alexandria Library's blog which focuses on adult programs, events, and services including news and updates about the Library's collection, services, resources, and programs for adults","Online donation portal for the Alexandria Library Foundation, Inc. The Alexandria Library Foundation is a non-profit organization which provides funding for the Alexandria Library System in Alexandria, Virginia","Website of the Friends of the Beatley Central Library in Alexandria, Virginia. The Friends are a volunteer organizations which works to promote the interests and programs of the Library","Website of the Friends of Duncan Library. The Friends are a volunteer organization that supports the operations of the Duncan Branch Library, located in the Del Ray neighborhood of Alexandria, Virginia","Intranet website for Alexandria Library staff","Materials relating to the Alexandria Library Board have been moved from MS098 to the Alexandria Library Board Records (MS416).","Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Burke, Ellen Coolidge","Duncan, James M., Jr. (James Morton), 1897-1967","Barrett, Kate Waller, Dr., 1858-1925","Beatley, Charles E., Jr., 1916-2003","Robinson, Robert Henry, Rev. (1824-1909)","English"],"unitid_tesim":["MS098","/repositories/2/resources/157"],"normalized_title_ssm":["Alexandria Library Records (MS098)"],"collection_title_tesim":["Alexandria Library Records (MS098)"],"collection_ssim":["Alexandria Library Records (MS098)"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"geogname_ssm":["Alexandria (Va.)"],"geogname_ssim":["Alexandria (Va.)"],"creator_ssm":["Alexandria Library (Alexandria, Va.)"],"creator_ssim":["Alexandria Library (Alexandria, Va.)"],"creator_corpname_ssim":["Alexandria Library (Alexandria, Va.)"],"creators_ssim":["Alexandria Library (Alexandria, Va.)"],"places_ssim":["Alexandria (Va.)"],"access_subjects_ssim":["Alexandria (Va.). Library","Public libraries."],"access_subjects_ssm":["Alexandria (Va.). Library","Public libraries."],"has_online_content_ssim":["false"],"extent_ssm":["13.86 Cubic Feet 30 boxes, 1 oversized box"],"extent_tesim":["13.86 Cubic Feet 30 boxes, 1 oversized box"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Public access to some confidential personnel records is restricted, these materials are noted as such.\u003c/p\u003e","\u003cp\u003eThis folder contains confidential personnel records. Public access and use of these materials is restricted for 75 years from the date of creation of the document.\u003c/p\u003e","\u003cp\u003eThis site is only accessible to Alexandria Library staff and is not available for public research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access","Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Public access to some confidential personnel records is restricted, these materials are noted as such.","This folder contains confidential personnel records. Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This site is only accessible to Alexandria Library staff and is not available for public research use."],"arrangement_html_tesm":["\u003cp\u003eThis finding aid describes and documents the updated arrangement of this collection as of 2023. Previously, the collection was organized into the following series: By Laws, Charters, and Agreements; Board; Annual Reports; Administration; Circulation; Construction; History; Publicity; Scrapbooks; Workshops; Queen/Barrett; Robert Robinson; Special Services; and Lloyd House. \"By-Laws, Charters, and Agreements\" and \"Administration\" have been combined into the new Subseries 1.2. Administration and Finance. \"History,\" \"Publicity,\" \"Scrapbooks,\" \"Workshops,\" and \"Photographs\" have been combined into the new Subseries 1.4. History, Programming, and Outreach. \"Construction,\" \"Queen/Barrett,\" \"Robert Robinson,\" \"Special Services,\" and \"Lloyd House,\" have been combined into the new Subseries 1.5. Branch Records.\u003c/p\u003e\n","\u003cp\u003eThe \"Board\" series has been separated from MS098 and combined with other records to form a new, separate collection of Alexandria Library Board Records.\u003c/p\u003e\n","\u003cp\u003eThe physical and intellectual arrangement of the Alexandria Library Records (MS098) has been updated a few times over the years, while remaining accessible to the public. Thus, the decision was made to maintain, as much as appropriate, the current order of the pre-existing collection as Series 1: Founding and 20th Century Records; and Series 2: 21st Century Records includes the new accretions to the collection as of 2023. Future accretions to this collection will either be added to Series 2 or form a new series.\u003c/p\u003e\n","\u003cp\u003e\u003cul\u003e\n\u003cli\u003eSeries 1. Founding and 20th Century Records, 1937-2005\n\u003cul\u003e\n\u003cli\u003eSubseries 1.1. Annual Reports\u003c/li\u003e\n\u003cli\u003eSubseries 1.2. Administration and Finance\u003c/li\u003e\n\u003cli\u003eSubseries 1.3. Circulation Records\u003c/li\u003e\n\u003cli\u003eSubseries 1.4. History, Programming, and Outreach\u003c/li\u003e\n\u003cli\u003eSubseries 1.5. Branch Records\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003eSeries 2. 21st Century Records, 1994-present\n\u003cul\u003e\n\u003cli\u003eSubseries 2.1. Annual Reports\u003c/li\u003e\n\u003cli\u003eSubseries 2.2. Administration and Finance\u003c/li\u003e\n\u003cli\u003eSubseries 2.3. Branch Records\u003c/li\u003e\n\u003cli\u003eSubseries 2.4. Programming and Outreach\u003c/li\u003e\n\u003cli\u003eSubseries 2.5. Web Archives\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Notes on Arrangement"],"arrangement_tesim":["This finding aid describes and documents the updated arrangement of this collection as of 2023. Previously, the collection was organized into the following series: By Laws, Charters, and Agreements; Board; Annual Reports; Administration; Circulation; Construction; History; Publicity; Scrapbooks; Workshops; Queen/Barrett; Robert Robinson; Special Services; and Lloyd House. \"By-Laws, Charters, and Agreements\" and \"Administration\" have been combined into the new Subseries 1.2. Administration and Finance. \"History,\" \"Publicity,\" \"Scrapbooks,\" \"Workshops,\" and \"Photographs\" have been combined into the new Subseries 1.4. History, Programming, and Outreach. \"Construction,\" \"Queen/Barrett,\" \"Robert Robinson,\" \"Special Services,\" and \"Lloyd House,\" have been combined into the new Subseries 1.5. Branch Records.","The \"Board\" series has been separated from MS098 and combined with other records to form a new, separate collection of Alexandria Library Board Records.","The physical and intellectual arrangement of the Alexandria Library Records (MS098) has been updated a few times over the years, while remaining accessible to the public. Thus, the decision was made to maintain, as much as appropriate, the current order of the pre-existing collection as Series 1: Founding and 20th Century Records; and Series 2: 21st Century Records includes the new accretions to the collection as of 2023. Future accretions to this collection will either be added to Series 2 or form a new series.","Series 1. Founding and 20th Century Records, 1937-2005\n Subseries 1.1. Annual Reports Subseries 1.2. Administration and Finance Subseries 1.3. Circulation Records Subseries 1.4. History, Programming, and Outreach Subseries 1.5. Branch Records Series 2. 21st Century Records, 1994-present\n Subseries 2.1. Annual Reports Subseries 2.2. Administration and Finance Subseries 2.3. Branch Records Subseries 2.4. Programming and Outreach Subseries 2.5. Web Archives"],"bioghist_html_tesm":["\u003cp\u003eFounded as a subscription library in 1794 and serving as the public library of Alexandria, Virginia since 1937 – Alexandria Library has a long legacy of supporting early literacy and lifelong learning in our diverse community. The Alexandria Library builds community through its six branches by providing opportunities to learn, explore, create, and connect.\u003c/p\u003e\n","\u003cp\u003eThe Alexandria Library Company (ALC) was founded on July 24, 1794 and operated a subscription library for nearly 150 years. In 1937, the ALC entered an agreement with the City of Alexandria and their collections formed the foundation of the city's first free public library. Since then, the Alexandria Library has grown into a system of six branches which serve the community of Alexandria, Virginia. \u003c/p\u003e\n","\u003cp\u003eThe Kate Waller Barrett Library opened its doors on Queen Street in 1937; this was the first location of the Alexandria Library. It was named after Dr. Kate Waller Barrett – local humanitarian, social crusader, and political reformer. The Society of Friends granted a 99-year lease for use of its old Quaker Burial Ground on Queen Street as the site for the new public library building. This library has undergone several renovations and expansions over the years, in 1954, 1964, and 1993. When the Charles E. Beatley, Jr. Central Library was built, the Barrett Library shifted from being the main library to its current role as a branch library which serves residents of Old Town Alexandria and surrounding neighborhoods.\u003c/p\u003e\n","\u003cp\u003eThe Robert Robinson Library, named for a grandson of one of George Washington's slaves, opened in 1940 to serve black residents of Alexandria. The establishment of this new branch library was motivated by a civil rights demonstration and lawsuit brought against the Library and the City of Alexandria. The earliest known civil rights sit-in was held at the Kate Waller Barrett Branch Library in 1939. Alexandria Attorney Samuel W. Tucker and five young African American men demonstrated this act of civil disobedience after being denied library cards. The Sit-In and following legal action resulted in the establishment of a new branch of the library to provide \"separate but equal\" library services to black residents. However, this new library branch never received the same support or funding as the main library and was never able to provide fully equitable services to the local African American community. The Alexandria Library officially integrated for adults in 1959, and for children in 1962. The Robert Robinson Library closed in 1962 and the building is now the site of the Alexandria Black History Museum. \u003ca href=\"https://alexlibraryva.org/1939-sit-in\"\u003eMore details about the 1939 sit-in and integration of Alexandria Library, as well as links to additional resources can be found on our website.\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003eThe Ellen Coolidge Burke Branch Library opened on Seminary Road in 1968. This branch library was named after Ellen Coolidge Burke (1901-1975), who served as Director of the Alexandria Library from 1948 to 1969. The Burke Branch Library serves residents of the Seminary Hill neighborhood and surrounding areas. \u003c/p\u003e\n","\u003cp\u003eThe James M. Duncan, Jr. Branch Library opened on Commonwealth Avenue in 1969. The Duncan Branch Library serves residents of the Del Ray neighborhood and surrounding areas. This branch was named after James M. Duncan (1897-1967), who served as Chief of the Alexandria Fire Department 1924-1947, member of City Council 1949-1967, and member of the Alexandria Library Board 1950-1967. In 2005 the Duncan Branch Library underwent renovations and became the first City of Alexandria government building to have a \"living\" roof – a Green Infrastructure approach to reducing stormwater runoff and pollution in local waterways. \u003c/p\u003e\n","\u003cp\u003eThe Local History / Special Collections Branch was established in 1976 and first housed at Lloyd House, a historic home on the corner of Queen and North Washington Streets. In 1999, after completion of the most recent round of renovations and expansions, Local History / Special Collections moved into the Kate Waller Barrett Branch Library. Local History / Special Collections stewards many valuable resources documenting the history and culture of Alexandria and Virginia from the colonial period to the present.\u003c/p\u003e\n","\u003cp\u003eThe Charles E. Beatley, Jr. Central Library opened on Duke Street in 2000. This new central library was named after former mayor of Alexandria, Charles E. \"Chuck\" Beatley, Jr. (1916-2003). Upon completion of the new main library site, library adminstration offices were moved from the Barrett Library (formerly the central library) to the Beatley Library.\u003c/p\u003e\n","\u003cp\u003eIn 2015 the Library took over management of the Alexandria Law Library, located in the basement of the Alexandria Circuit Court on King Street. The Alexandria Law Library provides legal resources for the benefit of the entire Alexandria community, including its citizens, government agencies, local businesses, the judiciary, and members of the bar.\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://alexlibraryva.org/about-us#timeline\"\u003eFor a more detailed timeline of the history of Alexandria Library, check out our website.\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Founded as a subscription library in 1794 and serving as the public library of Alexandria, Virginia since 1937 – Alexandria Library has a long legacy of supporting early literacy and lifelong learning in our diverse community. The Alexandria Library builds community through its six branches by providing opportunities to learn, explore, create, and connect.","The Alexandria Library Company (ALC) was founded on July 24, 1794 and operated a subscription library for nearly 150 years. In 1937, the ALC entered an agreement with the City of Alexandria and their collections formed the foundation of the city's first free public library. Since then, the Alexandria Library has grown into a system of six branches which serve the community of Alexandria, Virginia. ","The Kate Waller Barrett Library opened its doors on Queen Street in 1937; this was the first location of the Alexandria Library. It was named after Dr. Kate Waller Barrett – local humanitarian, social crusader, and political reformer. The Society of Friends granted a 99-year lease for use of its old Quaker Burial Ground on Queen Street as the site for the new public library building. This library has undergone several renovations and expansions over the years, in 1954, 1964, and 1993. When the Charles E. Beatley, Jr. Central Library was built, the Barrett Library shifted from being the main library to its current role as a branch library which serves residents of Old Town Alexandria and surrounding neighborhoods.","The Robert Robinson Library, named for a grandson of one of George Washington's slaves, opened in 1940 to serve black residents of Alexandria. The establishment of this new branch library was motivated by a civil rights demonstration and lawsuit brought against the Library and the City of Alexandria. The earliest known civil rights sit-in was held at the Kate Waller Barrett Branch Library in 1939. Alexandria Attorney Samuel W. Tucker and five young African American men demonstrated this act of civil disobedience after being denied library cards. The Sit-In and following legal action resulted in the establishment of a new branch of the library to provide \"separate but equal\" library services to black residents. However, this new library branch never received the same support or funding as the main library and was never able to provide fully equitable services to the local African American community. The Alexandria Library officially integrated for adults in 1959, and for children in 1962. The Robert Robinson Library closed in 1962 and the building is now the site of the Alexandria Black History Museum.  More details about the 1939 sit-in and integration of Alexandria Library, as well as links to additional resources can be found on our website.","The Ellen Coolidge Burke Branch Library opened on Seminary Road in 1968. This branch library was named after Ellen Coolidge Burke (1901-1975), who served as Director of the Alexandria Library from 1948 to 1969. The Burke Branch Library serves residents of the Seminary Hill neighborhood and surrounding areas. ","The James M. Duncan, Jr. Branch Library opened on Commonwealth Avenue in 1969. The Duncan Branch Library serves residents of the Del Ray neighborhood and surrounding areas. This branch was named after James M. Duncan (1897-1967), who served as Chief of the Alexandria Fire Department 1924-1947, member of City Council 1949-1967, and member of the Alexandria Library Board 1950-1967. In 2005 the Duncan Branch Library underwent renovations and became the first City of Alexandria government building to have a \"living\" roof – a Green Infrastructure approach to reducing stormwater runoff and pollution in local waterways. ","The Local History / Special Collections Branch was established in 1976 and first housed at Lloyd House, a historic home on the corner of Queen and North Washington Streets. In 1999, after completion of the most recent round of renovations and expansions, Local History / Special Collections moved into the Kate Waller Barrett Branch Library. Local History / Special Collections stewards many valuable resources documenting the history and culture of Alexandria and Virginia from the colonial period to the present.","The Charles E. Beatley, Jr. Central Library opened on Duke Street in 2000. This new central library was named after former mayor of Alexandria, Charles E. \"Chuck\" Beatley, Jr. (1916-2003). Upon completion of the new main library site, library adminstration offices were moved from the Barrett Library (formerly the central library) to the Beatley Library.","In 2015 the Library took over management of the Alexandria Law Library, located in the basement of the Alexandria Circuit Court on King Street. The Alexandria Law Library provides legal resources for the benefit of the entire Alexandria community, including its citizens, government agencies, local businesses, the judiciary, and members of the bar.","For a more detailed timeline of the history of Alexandria Library, check out our website."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|8c5ffb42-5524-4dc7-a8b4-a73f7efd331e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|894c2868-34c0-45cb-bbd7-b6116cb9124d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|da857c0c-296a-44f7-ab6a-7c2ef7f6321b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2775e1f7-a255-42c9-bb05-66ec592b14d8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|f0eba518-9a04-4088-93a1-f0cd5291c627/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|9ab292a5-45ac-48a7-8149-b59f50daf32d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2988ea9f-6da2-4aab-9e64-25c5f5ccba22/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a960a00f-aef4-4102-a090-28ef0e774a1f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|5e07d27c-0667-496c-9fc9-a759401ea84b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2dd86645-aee7-4dc0-a448-8b1a366ca43d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a7289215-eaca-4f70-9db5-d618c4b4268c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|aaecee73-770b-4dc0-a5fb-ad424505e3af/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|5b2baaaa-f268-433b-bcd8-f7b58ee756fa/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|8f393379-c7c0-4289-aa97-126c07454c2d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|65ba51a6-9980-437c-a0a8-9b812c7bcc1e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3cb9e051-78a0-4171-b705-aa095bc9dc16/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|e3006d3f-5648-4960-bfb3-9cde4dbd0ef8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|aa233c09-5939-412e-ac97-bde4def034fd/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b99e3355-3be7-4288-a295-1b89032f8de2/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|42d1f5cf-e5b5-4129-abf6-30490e68519e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|32b50591-64c3-4030-995c-1b642c546c40/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|59d54aa3-37dd-419e-897c-f610719602b7/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b5be668b-4c36-4186-8982-c16a1e229d20/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|5508d012-7643-425b-9b49-31611b2325d6/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|d3219ad0-703a-41e9-8972-5bfbaed888fe/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|d2bc9b53-ce4d-4869-b028-4ef1fcb073d8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b85331ca-2989-4d5f-a470-b747374c2e26/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|54f81cf7-7e77-4afc-86f0-85ee02d37d9d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|90873c83-9782-4565-bbf8-4ed37cdb2e30/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|8e9971ee-f82c-4f42-a701-f3c0fd9ed4d2/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|7d24ac36-712a-4d1b-a5c3-39689988ba89/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3898e720-d3d6-4504-aa3c-6ced13f46f0a/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|c930dfaa-faf1-4aaf-802c-aa69bc9d0255/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|42ee1234-2a7a-4586-b695-537409ca618d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b1455d2e-d41b-4e0b-a840-cddafdb00d1f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|939d736b-20ce-4597-91fd-b898bae33ee8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|aa0f3389-f894-4fd8-8646-a6279a20e2e8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|bd555e9e-6bd1-4deb-ae8e-29fac38fa0f3/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|24ecb5a1-ca62-43cd-82dc-58e78eb5b0a6/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|ec845170-dd5f-4d9d-a3eb-2f7f54f28c45/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|fd71f510-2900-4932-b5c8-773d356aa74d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|46aa3cbc-c3ca-428b-a3eb-9f864ded1fbe/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a1b1a124-cb67-4004-8a52-cabc0540ba50/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|156e31ad-c793-4d9f-95e2-593309eba75f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|d5866300-0f94-4c3e-be37-bfafcd4df310/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|e7f934e4-04aa-4a51-9c3a-696a98984e7b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|cd7d450f-3958-4cfa-a637-a8e9b5f9a32e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|78bf04d9-2a23-43c7-9f14-b6a1b23cacad/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|73f914f5-6412-43c7-983d-dec481f0f04b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|1a5f9bab-d6c2-4194-ba71-5b17d55f7a72/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a9ddda38-eeb7-4fdc-946b-729494c91c2c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|1a453d9f-7d9f-4a8b-8204-d513852f7af7/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|37d51356-2123-4ac7-bcf3-9428ed029bd3/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|e9d4ae49-f62c-4abe-b5ce-d23640fbc58c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|37dc006e-c5f4-459a-bffb-17c61fc31ccf/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|684bd62b-8c67-4e5b-a1ba-c1e58e3f39d7/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|ac73a1cb-67b8-4866-9499-bc01d4094795/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2a3c6321-c868-4e7e-8ac4-50406bc2364f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|5c81d4b1-2478-4441-a007-6e226a86dc57/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4f88a2f1-2c40-4dff-8ea4-7d619258ddf2/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|9eea9153-d572-49d3-89e6-5dde9c707fb3/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8d26fcf8-3240-42a3-980a-5a9b5c36a799/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5f5caa20-94ee-4a8c-aa92-4846b9d4bb06/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2ccfcc8f-1750-4827-93e5-a48b087f848e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_57f3ac3b-1b71-4822-b7ab-d385c0745fd6/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3f9debd1-c9cd-4829-9c4d-faeff29054eb/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2a03f7ca-b38c-4d5a-806a-44e43d2cd07f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3cd4c4fd-ac94-4ecd-8b1c-ebbf68947ebf/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_377eaa24-a27b-4ab8-b9d7-e646dd0acd04/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8c1dbe2-0cd7-4630-8fa7-7c0a3600b2ba/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ad33be2f-988d-46dc-8af1-7570646ec86c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c807fe07-5c93-4f45-b127-f34f69792d14/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1050a027-9948-4d50-a0b8-9ad8209ddf43/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9de17d10-3ff9-4b7a-8ada-bcb8516bbf44/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0ddb12b6-9660-4beb-8c3e-1cddf6dbc5d6/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92648e88-c666-4240-ba23-b63f38c2f7f5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_baeb425f-988d-4260-b03d-42f14f27ed35/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3dd28149-ff59-4338-9377-3b57908d60be/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_306e35f6-f6e4-4dc8-881f-de7789226254/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d923bbd1-f787-40e4-b734-fe774de9d671/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_16446faa-6fa3-438c-8d22-508fb5086ea4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a4d69cb1-8bfa-4dcf-9fe3-8aba298089ee/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2de9865f-5bba-4df1-823e-09dc3854550b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_81823870-b373-467a-bcbd-6da2615b67fa/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_757b7a02-74da-4f7d-b452-452b6a1b03d2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_08c3f44c-3a27-41ef-84b3-8d1119221242/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_08826eda-2d9f-487b-bafe-033492030b15/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfb5087b-4b70-4dd6-9ce5-47eab9f8cbb4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e11f0483-c0ae-4bb1-8f7b-5ce0309bcd1a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|1cb336fd-b790-463d-8428-0107d1fb51ed/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a98401b5-cece-43b1-8b86-13ae83f2d5d2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7217f04a-471e-4390-947d-d79144bf6bf3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b4694a54-c2de-4ce3-a020-1a42ec6dea9c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_36e0020f-b6e2-4a1e-b595-22b71499d4a3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6fc46310-c142-46af-b700-3c65782a67ad/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3bce1e32-92ea-40ce-b685-781487e455bb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_be6795b0-32eb-4cde-b3e0-f0a64366f38a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_62d33928-cff8-4acc-a43b-ee03a0f65e9b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9c0e9d98-b00d-4205-866c-8bd43f29d524/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_63d1c489-23ca-4587-b414-46d48961c2f9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0216e8ce-4243-4cca-9aa6-9abcc56d58ee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_517ff26e-273c-4573-b8aa-aa627c5b0ebc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_29801f28-6292-4b61-872d-b43c8b6d06c9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c6c9bafe-52e9-433f-8661-0018a88bc75d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b66676d3-9a94-46c8-a6ea-15307467d6f8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9a91b309-7768-4318-96f1-3cfbcbebfd01/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_047cc9f1-21a6-4413-9fad-423b2a6b1287/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9def87fa-923f-42aa-91d4-d523b217572c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b600ef6a-88a3-4b9c-bf74-544ff932504c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41f7a306-87ba-4f8d-8bcb-0b1e585beab4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df338f73-4e79-4e24-ab1a-a79f6a7173ab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e7ad605a-1b53-4cc0-8c0e-19e79b6eae27/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d4b38950-b6fc-4069-a664-af4b1ce0f9d3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7df4a52c-ca65-42cb-8c2c-09b723adf9b1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f521b29-f4d6-4302-8cd8-a1eac6f300e2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6c25b7fa-1db7-42c9-8948-7d3805eb7108/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_24877cf2-aa65-4b49-aaee-e15fe97595e6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3631fba4-c057-4cf9-bbaa-5dda3f2aba99/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_36a3db3c-3fdc-4d8f-8605-6b19ca02bbcb/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_489cc776-71f8-4e02-9e21-c1c0a4f3d7eb/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e132f549-c44e-400d-802b-1e0b138dfd87/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a3fc3610-a308-41bd-b18d-1d646c686c93/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ecc756a-5465-41dc-aa80-9bbe20a4e035/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_412c87c9-163e-4d24-9357-34df2d5b2e13/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86226d16-3485-4c02-9899-416b154faf4f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d71c63e2-497e-4148-895e-76585974cc7f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1e293ccb-6685-4d42-8754-46ad7af35cd5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_98258815-7f00-4c3f-9d17-c541d81a5b0d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cec40410-d1be-4bb0-9bab-39f7f1862657/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a69eac6f-09a7-4ee9-8824-29f6b50aaa7c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d2489d87-1587-457a-9a0f-c6f94c163579/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d92ea83-e458-4751-9063-9fb3bd142972/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f99b2dd5-b7a3-4b07-a02c-f4841a44a8d0/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8273f353-7452-4a28-87e0-ce616e9f2824/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c3e2b27f-4697-4fc4-a5ab-bde61ba57cc5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bfbbea77-dbaa-4eef-9079-275157ebaf30/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_65863205-3ff9-4761-84af-7761f2975e01/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1691260a-b4bd-4744-85e2-d1169db31b74/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfaf4395-77de-4b9b-b77b-05a456df6544/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|18e5b879-6f2c-4dc3-89e5-443adff9d573/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_82a998a6-8b94-42a9-8a79-1581409e01ca/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c56c7e77-c8f4-4e70-97bc-7514347c11a8/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7002486d-6012-4b1e-8b7b-cb949e624ef4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0aa7d5cd-e501-4cba-a140-9205abd05e15/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_15a41923-5fd3-454c-99bc-2c496ecd248d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4f02dfee-b8f7-4fde-abd1-6f3963571a2c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e165e654-085c-4d9b-bf5e-786ed83b6f30/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|bfbbbe62-d9d3-4cf4-8778-a75f1176ded1/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|469929aa-96de-404c-b28a-dad33a3fbf61/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|fd1b19e2-354f-4a0a-b8cb-b7972dfd577d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|e4d695b7-bcb3-4de9-a6da-69868a468dc0/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a27070eb-8bbd-40f6-a778-8a6a471dab0d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4b87dab3-2ee7-4afd-acd2-c600aa643096/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|95a9052a-3434-468e-a53e-310b85f4798c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|7df764bf-7bf5-4d68-9f36-283a4bd781fe/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://archive-it.org/collections/20256\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://alexlibraryva.org/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://www.facebook.com/AlexLibraryVA/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://instagram.com/alexlibraryva/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://twitter.com/alexlibraryva/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://www.youtube.com/@AlexandriaLibrary\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://outofthestacks.com/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://www.mightycause.com/organization/Alexandria-Library-Foundation/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://beatleyfriends.org/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://www.friendsofduncanlibrary.org/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Other Finding Aids","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials"],"otherfindaid_tesim":["Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital materials in this collection","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital materials in this collection","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital materials in this collection","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view web archives","Click to view web archives","Click to view web archives","Click to view web archives","Click to view web archives","Click to view web archives","Click to view web archives","Click to view web archives","Click to view web archives","Click to view web archives"],"prefercite_html_tesm":["\u003cp\u003e[Item description], Alexandria Library Records, MS098, Alexandria Library, Local History and Special Collections, Alexandria, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Item description], Alexandria Library Records, MS098, Alexandria Library, Local History and Special Collections, Alexandria, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eAlexandria Library Board Records\n\u003cbr\u003e\u003ca href=\"https://alexlibraryva.libraryhost.com/repositories/2/resources/128\"\u003eAlexandria Library Company Records (MS002)\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Alexandria Library Board Records\n Alexandria Library Company Records (MS002)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the records of the Alexandria Library, documenting the administration and operation of the Library, dating from the founding of the public library in 1937 through the present. Included are administrative records, annual reports, financial records, circulation records, materials documenting the history of the Library, programming and outreach records, and records of the individual branches of the library system. Formats include textual documents, photographs, and ephemera.\u003c/p\u003e\n","\u003cp\u003eThe Alexandria Library is an active organization, and so this collection is a living collection which will be periodically added to and updated. Check this collection guide for any future updates to the collection. \u003c/p\u003e","\u003cp\u003eThis series contains materials documenting the Alexandria Library, from its founding as a public library in 1937 through the early 2000s. The majority of documents in this series pertain to the decades between 1950 and 2000. These records document the administration and operations of the Library and its individual branches, as well as materials documenting the history of the Alexandria Library. Documents include annual reports, financial records, correspondence, project files, and other administrative documentation. Also included in this series are ephemera and realia, photographs and other graphic materials, and some oversized materials.\u003c/p\u003e","\u003cp\u003eThis sub-series contains records pertaining to annual reports published by the Alexandria Library system, as well as its individual branches. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1938 through 1942. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1943 through 1946. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1947 through 1948. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1949 through 1950. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1951 through 1953. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1954 through 1956. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1957 through 1959. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1960 through 1961. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1964. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis sub-series contains administrative and financial records of the Alexandria Library. Documents include correspondence, budgets and other financial records, affirmative action records, bylaws and agreements, official city proclamations, gift records, and other administrative materials.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to administrative and financial dealings of the Alexandria Library system, dating from 1937 through the 1950s. Documents include final copies of bylaws, charters, and agreements as well as draft documents, reference materials, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to administrative and financial dealings of the Alexandria Library system, dating from the 1950s through the 1992. Documents include final copies of bylaws, charters, and agreements as well as draft documents, reference materials, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action plan put in place for the Alexandria Library system, dating from 1975.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action policy used to create an Affirmative Action plan for the Alexandria Library system, dating from 1976.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action plans for the City of Alexandria, dating from 1976 and 1980. Documents include final Affirmative Action plans from both 1976 and 1980.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action plans for the Alexandria Public Library, dating from 1978 through 1982. Documents include reference material used to create the Affirmative Action plans including OSHA Recordkeeping guidelines and guidelines from the Department of Equal Employment Opportunity for the City of Alexandria. Other documents include Alexandria Public Library's Affirmative Action goals, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1974 through 1976. Documents include final Affirmative Action and Equal Employment Opportunity reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1977 through 1980. Documents include final Affirmative Action and Equal Employment Opportunity reports, sample forms, reference materials, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1981 through 1987. Documents include final Affirmative Action and Equal Employment Opportunity reports, sample forms, membership reports, reference materials, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1938 through 1944. Documents include draft material, proposed yearly budgets, final budget reports, press related to the budget, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1945 through 1948. Documents include draft material, proposed yearly budgets, final budget reports, press related to the budget, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1949 through 1951. Documents include proposed yearly budgets, final budget reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1951 through 1953. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1953 through 1955. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1955 through 1959. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1955 through 1959. Documents include , proposed yearly budgets, final budget reports, reference materials, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the budget for the City of Alexandria's City Planning and Capital Improvement programs in regard to the Alexandria Public Library system, dated from 1950 through 1961. Documents include final budget reports, proposed budgets, proposed building projects, draft material, reference material, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to Rules, Regulations, and Review articles for the Alexandria Public Library system, dated from 1937 through 1955. Documents include inquiries regarding librarian salaries of other Virginia public libraries, proposed rules and regulations for Alexandria Public Library, final rules and regulations for Alexandria Public Library, meeting minutes, library directories, press regarding the library, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains a 2014 copy of the introduced House Joint Resolution No. 418 which details the historical significance of the 1939 Alexandria Library Sit-in to the House of Delegates, Mayor of Alexandria, and General Assembly and proposes that this information be conveyed at an upcoming ceremony.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to correspondence to and from Alexandria Library, dated from 1937 through 1951. Documents included correspondence, press regarding Alexandria Public Library, proposals for the planning and construction of the Robert Robinson Library, and other related notes.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to correspondence to and from Alexandria Library, dated from 1952 through 1961. Documents include written correspondence, meeting and presentation notes, book acquisitions and acquisition proposals, and other related notes.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the professional and nonprofessional duties within public libraries set forth by the American Library Association, dated from 1948. Documents include the preliminary draft of the Descriptive List of Professional and Nonprofessional Duties in Libraries handbook.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to position descriptions and pay plans for Virginia public libraries, dated from 1950. Documents include a guidebook detailing all positions available with Virginia public libraries, their position descriptions, and recommended qualifications.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to \"Position Classification and Salary Administration in Libraries\", dated from 1951. Documents include a handbook titled \"Position Classification and Salary Administration in Libraries\", written by the American Library Association, detailing guides and standards for library administrative staff to utilize when creating administrative plans.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to information and guidelines for new City of Alexandria employees, dated from 1950 to 1986. Documents include guidebooks detailing fundamental information regarding being employed by the City of Alexandria, code of ethics, and guidelines for managers to effectively communicate employee evaluations.\u003c/p\u003e","\u003cp\u003eThis sub-series contains records documenting circulation statistics of the Library.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1937 through 1940. Documents include overall number of books circulated during a given year and ledgers detailing the number and genre of Adult books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1937 through 1940. Documents include ledgers detailing the number and genre of Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1941 through 1942. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1943 through 1944. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1944 through 1949. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1949 through 1953. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1949. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1944 through 1946. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials of mixed formats documenting the history of the Library and its programming and outreach work. Documents include scrapbooks, posters, news clippings, correspondence, administrative documents, event programs, and photographs.\u003c/p\u003e","\u003cp\u003eThis folder contains materials pertaining to Alexandria Library history, dating from 1957-1961. Documents include newspaper clippings from various local newspapers, event photos, correspondence, and other related notes.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the history of Alexandria Library, dated from c. 1960. Documents include notes, correspondence, and copies of newspaper articles relating to the library.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the history of Alexandria Library. Documents include copies of events schedules, event programs, summaries of the library's history, copies of newspaper articles relating to the library, and other related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the history of Alexandria Library, dated from 1937 through 1947. Documents include newspaper clippings that detail library history, press, and publicity.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the history of Alexandria Library, dated from 1955 through 1973. Documents include newspaper clippings that detail library history, press, and publicity.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the history of Alexandria Library, dated from 1936 through 1954. Documents include summaries of the library's history, copies of newspaper articles relating to the library, and other related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the history of Alexandria Library, dated from 1945 through 1985. Documents include copies of newspaper articles relating to the library, and other related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to publicity correspondence for Alexandria Library, dated from c. 1954-1986. Documents include correspondence relating to proposed exhibits, cosmetic changes to library branches, research inquiries, proof of membership, thank-you messages, plans for library news releases, and other related notes.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to press releases for Alexandria Library, dated from 1947-1986. Documents include drafts of news releases, draft 5-year plan documents, descriptions of upcoming library programs, mock-ups for news articles relating to the library, and other related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to events related to Alexandria Library, dated from 1954 through 1992. Documents include programs from library events and other notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains biographical research materials about James M. Duncan, Jr. (the namesake of the Duncan Branch) which were collected by branch managers of Duncan Branch. Materials include notes, newsclippings, and photocopies of newsclippings.\u003c/p\u003e","\u003cp\u003eThis folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Eight people, presumed to be library officials, stand on the main floor of the Barrett Branch in front of a seated audience, in the midst of a ribbon cutting ceremony. The smiling officials cutting the red ribbon, who include six men and two women, are dressed professionally and each holds their own pair of scissors. Behind them are shelves of library books and a set of stairs that lead up to the second floor of the library. The seated audience of men and women watches as the ceremony proceeds. The photo is dated 1995. Photo previously labeled #402\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Eight people, presumed to be library officials, stand on the main floor of the Barrett Branch in front of a seated audience, in the midst of a ribbon cutting ceremony. The officials, who include six men and two women, have not yet cut the red ribbon and are dressed professionally. Each of the eight officials holds their own pair of scissors. Behind them are shelves of library books and a set of stairs that up to the second floor of the library. The seated audience of men and women watches as the ceremony proceeds. The photograph is dated September 10th, 1995. Photo previously labeled #403\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This candid photo of men and women milling around the first floor of the Barrett Branch was taken, presumably, after the conclusion of the ceremony. Some of the people pictured are in conversation with one another, while others are taking in their surroundings. In the foreground is a podium framed on either side by yellow flowers and an American flag. In the background are library books shelves and a set of stairs that lead up to the second floor of the library. The photo is dated 1995. Photo previously labeled #404\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This candid photo was taken amidst a crowd of people attending the ceremony on the main floor of the Barrett Branch Library. The men and women of various ages stand milling around the space. Some are in conversation with one another while others look in many directions, taking in their surroundings. Visible in the background is the entrance to the library that consists of floor to ceiling windows allowing natural daylight to stream in. The photo is dated 1995. Photo previously labeled #405\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of several people standing around on the main floor of the Barrett Branch Library. The three men and one woman in the foreground are in conversation with each other but only the two men on the right have realized the group is being photographed. The two men on the right are looking at the camera and smiling, while the women is still speaking and the third man is looking to his right with his back to the photographer. In the background are other people, some in conversation and some not, as well as empty chairs set up against filled bookshelves. The photo is dated 1995. Photo previously labeled #406\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. A large audience of men and women have filled the main floor of the Barrett Branch, presumably watching as the ceremony unfolds. Some of the people are sitting in the middle of the space while the rest of the crowd have filled the available standing room, even standing in the sunlight filled entrance vestibule, at the back of the room, to catch a glimpse through the floor to ceiling windows. Regardless of placement, almost all the audience members have their attentions set on the events happening behind the camera, just out of frame. The photo is dated 1995. Photo previously labeled #407\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Two women stand posing for a picture, on the main floor of the Barrett Branch, presumably after the conclusion of the ceremony. With their arms around each other, the woman on the left looks directly at the camera while the women on the right smiles at something out of frame on the left. In the background are more people, men and women, milling around the large indoor space. Some are in conversation with one another and others are simply moving about the space. The photo is dated 1995. Photo previously labeled #409\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of two smiling men and a young child posing for a picture together. On the left, the young child stands holding the hand of the man in the middle who has brown hair and mustache, is wearing glasses and is dressed in a dark-colored suit with a white shirt and red patterned tie. The man on the right, who stands with his hand on the shoulder of the man in the middle, has white hair and is wearing glasses and a dark-colored suit with a white shirt and blue tie. All three stand under a half visible, gold-framed, painted portrait of Kate Waller Barrett that is hanging on the wall behind them. The photo is dated 1995. Photo previously labeled #410\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Three men and two children stand posing for a picture together. The three men are all wearing dark-colored suits with light-colored shirts and ties. The two children, one boy and one girl, stand in front of the men in the middle and on the right. The boy wears a light-colored button-down shirt and striped dress pants while the girl wears a striped, long-sleeve dress with black tights and black shoes with pink shoelaces. All five smile at the camera as they pose under a gold-framed, painted portrait of Kate Waller Barrett. The woman in the portrait has her white hair tied back in a bun and sits, posed in profile, and is wearing dark-colored clothes, with floral accents. A gold cross pendant hangs from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #411\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. A woman stands posing for a picture with the portrait of Kate Waller Barrett hanging near the entrance of the Barrett Branch Library. The woman, dressed in a red blazer and skirt, smiles as she looks to left at something just out of frame. She stands below the gold-framed, painted portrait of Kate Waller Barrett. In the portrait, Kate Waller Barrett has her white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents. A gold cross pendant hangs from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #412\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Three men and two children stand posing for a picture together under the portrait of Kate Waller Barrett that hangs near the entrance of the Barrett Branch Library. The man on the left has white hair and is wearing glasses, a dark-colored suit, a light-colored shirt and blue tie. He has his hand on the shoulder of the little girl to the right of him who wears a striped long-sleeve dress with black tights and black shoes with pink laces. The little girl holds the hand of the man in the middle who wears a dark-colored suit with a light-colored shirt and dark patterned tie. Next to him, on the right, stands the little boy who wears a light-colored button-down shirt and striped dress pants. The little boy holds the hand of the last man on the right who has brown hair and mustache, glasses, and wears a dark-colored suit with a light-colored shirt and red patterned tie. All five stand beneath the gold-framed, painted portrait of Kate Waller Barrett who has her white hair tied back into a bun. She sits, posed in profile, and is wearing dark-colored clothes, with floral accents, with a gold cross pendant hanging from her neck and a brooch pinned to her chest. The photo is dated 1995. Photo previously labeled #413\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of four men standing in front of the portrait of Kate Waller Barrett that hangs near the entrance to the library. The two men on the left are greeting each other and the two men on the right are standing separately both looking in opposite directions towards things just out of frame. All the men are dressed in suits and ties and three out of four are wearing glasses. The leftmost man is holding multiple pairs of scissors and the second man from the right is holding an event program. Behind them, hanging on the wall is the gold-framed, painted portrait of Kate Waller Barrett who has white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents, with a gold cross pendant hanging from her neck and a brooch pinned to her chest. Also in the background, off to the left, is a child, seemingly in motion, appearing blurry in the photograph. The photo is dated 1995. Photo previously labeled #414\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of a group of men and women standing around a table of computers on the main floor of the Barrett Branch Library. On the round table there are four white computers, each with their own keyboard and mouse. Two of the computers are in use, one by a man in dark dress pants and white shirt and the other by two people, a woman and young man, working together. In the background are other people milling about as well as library bookshelves and a set of stairs leading to the second floor of the library. The photo is dated 1995. Photo previously labeled #415\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of two groups of men and women, some sitting and some standing, inside of the library presumably before the ceremony begins. To left is a group of seated people, partially blocked from view by a desk, and to the right is a group of men standing together in conversation. Between the two groups sits a small stage with an American flag, bordered at the front by small pots of yellow flowers. In the background are rows of both tall and short bookshelves in front of a glass-front room. The photo is dated 1995. Photo previously labeled #416\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of two women and one man standing in conversation with one another. The two women are both in light-colored dresses and the woman on the right faces away from the camera and carries a purse. The man wears glasses and is dressed in a light-colored suit with a white dress shirt and patterned tie. The woman on the left looks across to the woman on the right as she and the man in the middle are looking at each other. The photo is dated 1995. Photo previously labeled #417\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of men and women milling about inside the Barrett Branch. The people in the foreground seem to be in conversation with each other while others are having separate conversations in the background. The photo is being taken from behind a bookshelf decorated with a potted plant whose leaves have just started to come in to frame on the right side of the photo. Behind the people are more bookshelves, decorated with flowers, and a glass-front room. The photo is dated 1995. Photo previously labeled #418\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photo of four men, one woman, and two children. Every person pictured is looking in a different direction, some seeming to be moving towards different parts of the room and appearing blurry in the photo. All of the men are dressed in suits, the woman wears a pink buttoned jacket, the little boy wears a light-color button-down, and the little girl wears a striped long-sleeve dress. Behind them on the wall hangs a gold-framed, painted portrait of Kate Waller Barrett who has white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents. A gold cross pendant is hanging from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #419\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of the main floor of the Barrett Branch Library. In the library stands many men, women, and children milling about the space. Some are in conversation with one another, while others take in their surroundings or speak to people sitting behind the circulation desk to the left of the photo. To the right of the photo is the beginning of a staircase that leads to the second floor of the library. Visible from the balcony, the second floor is filled with bookshelves. In the background, on the lower level, stands a small stage and podium framed by small pots of yellow flowers and an American flag as well as a glass-front room whose windows are letting in bright daylight. The photo is dated 1995. Photo previously labeled #420\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of the main floor of the Barrett Branch and there are men and women milling around in the space, some in conversation with one another and others taking in their surroundings. On the right side of the picture, some of the people stand in front of the circulation desk, decorated with pots of yellow and orange flowers. On the left side of the picture are some glass display cases displaying open books. In the background are the floor to ceiling windows of the entrance vestibule that are providing bright, natural light to the room. The photo is dated 1995. Photo previously labeled #421\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Pictured is a large audience of men and women on the main floor of the Barrett Branch. Some of the people are sitting in the middle of the room while the rest of the crowd have begun filling in the available standing room, even standing in the sunlight filled entrance vestibule, at the back of the crowd, to catch a glimpse through the floor to ceiling windows. Regardless of placement, almost all the audience members have their attentions set on the events happening behind the camera, just out of frame. The photo is dated 1995. Photo previously labeled #422\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women, of differing ages, standing around a table of computers. At the round table, there are two people with their backs to the camera sharing the same computer, to their right is one woman at the next computer, and the next computer has a group of four sharing the same computer. In the foreground is a shelf that has been decorated with a pot of flowers, that have taken up the left side of the picture. In the background, behind the group of people at the computers is glass-front room and a few people within. Inside the room are bookshelves on the left wall and tables and chairs filling the middle. The windows on the back wall have had their blinds drawn to shade the interior from the bright daylight shining through. The photo is dated 1995. Photo previously labeled #423\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of some people, both men and women, looking at the available materials on the bookshelves around them on the second floor of the Barrett Branch Library. Some of the men and women are browsing the shelves while others have begun reading their chosen materials. In the foreground are shorter bookshelves, with one man crouching to get a better look at the offerings on the bottom shelf. In the background are taller bookshelves, that almost reach from floor to ceiling. Behind the taller bookshelves are some tables and chairs that have been backlit by the daylight coming through the windows on the back wall. The photo is dated 1995. Photo previously labeled #424\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a seated audience facing a group of people who seem like library officials seated at the front of the room. The seated audience is facing away from the camera and the group of men and women at the front of the room are applauding in welcome to the man who is standing at the front of the room. He has brown hair and mustache, is wearing glasses and a grey suit with dark tie. Off to the right of the photo is a staircase that leads to the second floor whose balcony sits above the group of clapping men and women. Behind them stands bookshelves, completely filled, that almost reach from floor to ceiling. The photo is dated 1995. Photo previously labeled #425\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking to an audience from an elevated podium. The woman, dressed in a red blazer and white shirt, is looking through her glasses out over the audience. Behind her is both short and tall bookshelves, as well as a wall of glass, and to the left stands an American flag. The woman at the podium stands below the second-floor balcony of the Barrett Branch where three musicians sit with music stands in front of them and bookshelves at their back. In the foreground, somewhat blocking the view of the seated audience, is the circulation desk topped with stacks of paper. The photo is dated 1995. Photo previously labeled #426\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a seated audience, extending out of frame, who have their attention on a man speaking from an elevated podium. The man at podium, dressed in a dark-colored suit with a white shirt and red tie, is looking down at the podium through his glasses. Behind the podium are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The man at the podium stands beneath the second-floor balcony of the Barrett Branch Library. Visible through the balcony's railing are filled bookshelves. The photo is dated 1995. Photo previously labeled #427\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a man speaking from behind a podium. The man is standing, dressed in a dark-colored suit with a white shirt and dark patterned tie, looking down at the podium through his dark tinted glasses. Behind him are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The podium stands below the second-floor balcony of the Barrett Branch Library where three chairs and two music stands are set up. The right most chair is occupied by a person in white shirt and dark pants. The photo is dated 1995. Photo previously labeled #428\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium. The woman, dressed in a blue dress and matching blue jacket, looks out to an audience just out of frame and she is observed by a small panel of professionally dressed men and women, presumed to be other library officials, on the right side of the picture. The picture is being taken from behind the circulation desk, complete with computer, receipt printer, and landline phone. A pot of yellow, orange and red flowers sits atop the desk, partially blocking an American flag from view. The photo is dated 1995. Photo previously labeled #429\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium in front of an audience of people that extends out of frame. The woman, dressed in a pink blazer over a dark patterned dress with a string of pearls around her neck, is looking down at the podium while the audience listens. Behind her are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The speaker and podium stand beneath an the second-floor balcony of the Barrett Branch Library, where three chairs, music stands, and musicians are seated and viewable through the balcony's railing. The photo is dated 1995. Photo previously labeled #430\u003c/p\u003e","\u003cp\u003eThis folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a man speaking to an audience, extending out of frame, from an elevated podium. The man, dressed in a dark-colored suit with white shirt and dark patterned tie, is looking down at the podium while holding up a closed book in his right hand and paper in his left hand. Behind him are rows of short and tall bookshelves, some decorated with flowers, in front of a glass-front room. Above the podium sits the second-floor balcony of the Barrett Branch Library. Through the railing, three chairs, music stands, and musicians can be seen in front of filled bookshelves. In the foreground, on the left side of the picture, is the circulation desk topped with stacks of papers. The photo is dated from 1995. Photo previously labeled #431\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium to audience, which extends out of frame. The woman is dressed in a matching blue jacket and dress, and looks out over the audience at something not visible as the audience turns to follow her gaze. To her left and right are men in dark-colored suits and ties that also follow her line-of-sight. Behind her are bookshelves, both tall and short, and a glass-front room. Above the podium is the second-floor balcony and through the railing, three chairs, music stands, and musicians can be seen in front of filled bookshelves. In the foreground, blocking some of the audience from view, is the circulation desk with a computer and piles of paper. The photo is dated from 1995. Photo previously labeled #432\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This slightly out of focus, color candid photograph is of a woman speaking from an elevated podium to an audience that is seated just out of frame. The woman, dressed in a pink jacket over a dark, patterned dress, is bordered by a group of seated men and women, presumed to be other library officials, on the right and an American flag on the left. Above the woman at the podium is the second-floor balcony and behind her are tall bookshelves and a glass front room. The photo is being taken from behind the circulation desk which has a computer and a pot of yellow, red and orange flowers. The photo is dated from 1995. Photo previously labeled #433\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women in conversation with each other amidst the ribbon cutting ceremony. The group consists of four men and two women, presumed to be library officials, who trade smiles and handshakes in front of a clapping audience. Some of the members of the group are still holding scissors and the pieces of red ribbon that were cut as part of the ceremony. Behind them are bookshelves that extend backward into the space. The photo is dated from 1995. Photo previously labeled #434\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women amidst the ribbon cutting ceremony. The group consists of three men and two women, some still holding scissors and pieces of the red ribbon cut during the ceremony. The smiling woman in the middle has offered a handshake to the man to the left of her as the audience applauds them. Behind the ribbon cutters are tall and short bookshelves that extend backwards into the space. The photo is dated from 1995. Photo previously labeled #435\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photo of a group of three men and one woman, presumed to be library officials, are trading smiles and the woman offers a handshake to the man on the far left. The woman has grey hair and wears a matching blue jacket and dress. The men are dressed professionally in suits and ties. They stand in front of a small stage and podium, lined with small pots of yellow flowers and decorated by an American flag. Behind them are bookshelves, both tall and short, that extend backwards toward a glass-front room. The photo is dated 1995. Photo previously labeled #436\u003c/p\u003e","\u003cp\u003eColor photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. This candid photograph depicts several people standing behind the main circulation desk on the first floor of the Barrett Branch. In the foreground of the photo is a woman wearing a magenta dress and holding two books. The photo is dated 1995. Photo previously labeled #408\u003c/p\u003e","\u003cp\u003eColor portrait of an outdoor sign from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library after renovations were completed in 1995. On a bright, sunny day at the corner of a red-brick building sits a white sign that reads \"The 200 Block of North Columbus St. Welcomes the New Library\" and just below that it reads \"Thank You\". Propped up on a wooden easel, the sign is decorated by a single gold, metallic balloon that is moving with the wind. Behind the sign to the right are row houses and a parked car. The photo is dated 1995. Photo previously labeled #441\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, a group of presumed library officials sit next to a stage and listen to the woman speaking from the podium. The woman has white hair and is dressed in a matching blue jacket and dress turns her head to welcome another woman who making her way to an empty chair among the group of officials. The woman being welcomed has tied back, brown hair and glasses and is wearing a colorful dress and black, t-strap shoes. Some of the men and women in the group of officials clap while others offer warm smiles to the approaching woman. Behind them is a small circulation desk and filled bookshelves. The photo is dated 1995. Photo previously labeled #442\u003c/p\u003e","\u003cp\u003eColor portrait photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, a group of presumed library staff stand behind the circulation desk and smile at the camera. Four women are directly behind the desk and five more seem to be coming out of the room just behind the desk. Some of the other women have realized their picture is being taken and look at the camera, while others have not and continue their conversations with one another. One man stands in front of the desk and has turned to face the camera while a final woman seems to being walking past him. Folding chairs are set up and extend out of frame and because each still has a paper program on it, it is likely the event has not yet started. The photo is dated 1995. Photo previously labeled #443\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, two group of presumed library officials both sit and stand next to a small stage. Though not all the chairs are filled, the seated group includes three women and four men, all dressed professionally, who seem to be waiting for the event to start. The standing group, consisting of three men and two women, are all in conversation with one another. The woman in the middle with white hair, blue dress and light-colored purse is speaking and the remainder of the standing group leans in to listen. Behind them is the stage, decorated with an American flag, and both tall and short bookshelves that extend out of frame. The photo is dated 1995. Photo previously labeled #444\u003c/p\u003e","\u003cp\u003eColor photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera aims at the circulation desk and the people that stand around it. Presumed to be library staff, four women stand together and all but one is smiling up at the camera. Other people, presumed to be library staff and officials, stand around the desk. Some are in conversation and others are looking in different directions around the room. In front of the circulation desk, extending out of frame, are rows of folding chairs each with a paper program on the seats. The photo is dated 1995. Photo previously labeled #445\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Set up on the second-floor balcony of the Barrett Branch, are three female musicians in the midst of performing. All three are wearing white dress shirts and black bottoms and each sit in her own wooden chair across from sheet music on a music stand and plays from a flute. Behind them are a man and a woman in conversation leaning over the balcony railing to get a better view of what is going on the floor below. The photo is dated 1995. Photo previously labeled #446\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, pictured is a man in a dark suit and tie speaking from a podium on a small elevated stage, which he shares with an American flag. Bordering the front of the stage are small pots of yellow flowers. To the left and right of the stage sit two groups of men and women, presumably library officials who have their attention on the man speaking. Behind them are rows of both tall and short bookshelves that extend back into the room and out of frame. The photo is dated 1995. Photo previously labeled #447\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Men and women of varying ages stand milling around the main floor of the Barrett Branch library seeming after the conclusion of the ceremony. In the foreground, one man sits at a table with his hands on a computer keyboard and converses with the two women who are speaking to him. The woman on the left has short brown hair and wears a blue jacket and the woman on the right has short greying hair and wears a white shirt, denim bottoms, and carries a small purse. In the background is a larger group pf men and women, gathered around a table of computers. Behind are bookshelves that extend to the other side of the room where more people sit at tables in conversation. The photo is dated 1995. Photo previously labeled #448\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Outside the front entrance of the Barrett Branch Library, in the shade of a tree, is a group of men and women who seem to be waiting for the library to open and for the ceremony to begin. On the front doors, illuminated by the sun, two signs read \"Re-opening\" and \"Sept. 10, 2PM\". Some of the group are sitting on the red brick retaining wall outside of the library while other stand in conversation closer to the entrance. The building is red brick, with white columns and white doors. A large, half-moon shaped windows sits atop the doors allowing natural light to fill the entrance vestibule within. The photo is dated 1995. Photo previously labeled #449\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. The photo is aimed at the circulation desk where some people have begun to converse with the library staff behind the desk. In front of the desk, the main floor of the Barrett Branch Library has been filled with folding chairs where a few people have begun to sit. There are folded programs on each of the folding chairs, suggesting that the ceremony has not yet begun. On the right side of the picture are bookshelves that fill the space at the back of the main floor as well as the second floor, which is visible through the balcony railing. The photo is dated 1995. Photo previously labeled #450\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the picture is focused on the group of men and women standing against the wall behind the circulation desk. There are nine women and two men visible, dressed professionally, and most of them seem to have their attention on something happening just out of frame on the right. In front of the desk on the left is the beginnings of a seated audience and starting from the circulation desk extending out of frame across the front of the audience stretches the red ribbon that has yet to be cut. The photo is dated 1995. Photo previously labeled #451\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. A group of two men, one woman, and one young man are standing in conversation with each other next to a round table that currently holds computers, of which only the keyboards and mice are visible. The young man has dark hair and wears a blue collared shirt and the woman he is next to has short brown hair and wears a blue patterned dress and carries a white purse. The two men are both dressed in dark suits with light dress shirts. The man with glasses wears a dark tie. Behind them are some table and chairs separating the group from the tall book shelves that extend out passed both sides of frame. The photo is dated 1995. Photo previously labeled #452\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, two men are pictured in conversation with each other while standing behind a podium on a small elevated stage. The men both wear suits with light-colored shirts, and the viewer is clearly able to see that the man on the left is wearing glasses and a tie. The man on the right has his back to the camera because his attention is on the other man who seems to be explaining something while pointing to something just out of sight on the left. In front of the stage are small pots of yellow flowers and beside the stage are rows of wooden chairs that have yet to be filled. Each chair has a folded program that seems to suggest the ceremony has yet to begin. Behind the men and the stage are bookshelves, both tall and short, that are filled with material. The photo is dated 1995. Photo previously labeled #453\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Pointed toward the interior entrance of the Barrett Branch, taken from the opposite end of the main floor, men and women are milling about the space presumably after the conclusion of the ribbon cutting. In the foreground are men and women using the available computers and in front of them is a large gathering of people milling around the main floor of the Barrett Branch Library. Some seem to be in conversation with one another, while other seem to simply be moving around the space. The photo is dated 1995. Photo previously labeled #454\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at where the ceremony will be held. A large seated audience of men and women is forming behind a red ribbon that has been stretched from the circulation desk to the staircase's railing on the opposite side of the room. The men and women standing behind the circulation desk are, presumably, library staff and the few men and women that stand on the other side of the red ribbon from the audience are the library officials that will be speaking during the ceremony. The library officials seem to be looking at someone just out of frame and two of them are waving to try and get their attention. The photo is dated 1995. Photo previously labeled #455\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch where folding chairs have been set up in the middle of the room for an audience that has begun filing in. Men and women of varying ages and dress are coming in through the bright, naturally lit entrance vestibule, stopping at the circulation desk, before finding an empty seat. The men and women behind the circulation desk are, presumably, library staff who are either in conversation with one another or watching the people who are filing into the library. Just in front of the audience, stretching from the circulation desk to the railing of the staircase at the opposite of the room, is a red ribbon that is being handled by a woman in a dark top and patterned skirt. The photo is dated 1995. Photo previously labeled #456\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points at a small group of men and women who are seated in wooden chairs to the left of a small stage with a podium. Seated in two rows, the group consists of four women and three men, and are presumed to be library officials. They are all in professional dress, either in suits and ties or dresses and blazers, and the front row seems to be conversation with each other. Just behind them, extending backward into the space, are filled bookshelves. The photo is dated 1995. Photo previously labeled #457\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man speaking from a podium on a small elevated stage. The man, wearing glasses and dressed in a grey-colored suit with a white shirt and dark-colored tie, holds a book in one hand and paper in the other as he looks out at the audience in front of him. The men and women seated next to the stage, who are presumed to be library officials, have their attention on the speaker. The stage is bordered in the front by small pots of yellow flowers and framed in the back by bookshelves that extend backward into the space. The photo is dated 1995. Photo previously labeled #458\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the men and women that surround it. The men and women, presumed to be library officials, stand with their hands over their hearts as they face the American flag that sits on the stage. All professionally dressed, only one man and one woman stand on the stage while the others stand to either side as they seem to recite the Pledge of Allegiance. Behind the stage are rows of bookshelves that extend backwards and out of frame. Above the stage is the second-floor balcony of the Barrett Branch. The photo is dated 1995. Photo previously labeled #459\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the men and women that surround it. On the stage stands a brown-haired woman, wearing a floral-patterned dress and pink blazer, speaking from a podium to the audience that sits in front of her just out of view. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the woman at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #460\u003c/p\u003e","\u003cp\u003eThis folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the people that surround it. Although the picture is out of focusing, appearing blurry, a woman with red hair and glasses, wearing a red blazer and skirt, can be seen speaking from the podium. With their attention on the speaker at the podium, the men and women that sit next to the stage are presumed to be library officials. The stage, framed at the front by small pots of yellow flowers, backs up to rows of short bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #461\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the people that surround it. On the stage, standing at the podium, is a man with glasses wearing a dark-colored suit and tie with a red pocket square. He looks down at the paper on the podium as he speaks to the audience in front of him, sitting just out of view. The men and women sitting next to the stage, presumed to be library officials, are dressed professionally as some turn their attention toward the speaker. The front of the stage is framed by small pots of yellow flowers and rows of short bookshelves sit at the back of the stage. The photo is dated 1995. Photo previously labeled #462\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down on the main floor of the Barrett Branch Library where the audience sits as the ribbon ceremony goes on. On the left side of the picture, many men and women sit in folding chairs as they listen to the man speaking from the small elevated stage and podium in front of them. Stretching from the circulation desk, across the room, to the railing of the staircase is a red ribbon that separates the audience from the men and women on and around the stage. There are also men and women that stand behind the circulation desk, presumed to be library staff, that have their attention on the man at the podium, who is dressed in a dark-colored suit with a light-colored shirt. On either side of the stage, separated from the general audience, sit other men and women who are presumed to be library officials. The photo is dated 1995. Photo previously labeled #463\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down on the main floor of the Barrett Branch Library where the audience sits as the ribbon ceremony goes on. On the right side of the picture sits a large audience of men and women that extends backwards out if frame. They are separated from the small stage and podium by a red ribbon that stretches from the circulation desk, across the room, to the railing of the staircase that leads to the second floor. Behind the circulation desk stands a few men and women, who are presumed to be library staff, who have their attention on the man that speaks from the podium. The speaker, dressed in a dark-colored suit and tie, looks down at the paper on the podium as he addresses the audience in front of him. The people sitting to left and right of the stage, who are separate from the general audience, are presumed to be library officials who are part of the ceremony proceedings. The photo is dated 1995. Photo previously labeled #464\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a man standing in behind a podium on a small elevated stage. The man, dressed in a grey-colored suit and glasses, seems to have his head tilted down in pause to accept the applause he is receiving from the people around him. Next to the stage sits a group of men and women who are presumed to be library officials. One man and one woman can be seen clapping for the man on the stage. The front of the stage is framed by small pots of yellow flowers and the back of the stage is bordered by short bookshelves that extend backward out of view. The photo is dated 1995. Photo previously labeled #465\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a woman standing behind a podium on a small elevate stage. The woman has grey hair, dressed in a matching blue dress and blazer, and looks out at the audience seated in front of her, just out of view. There is a group of men and women seated in three rows next to the stage, presumed to be library officials, who look and listen to the woman speaking from the podium. Behind the stage and the group of library officials are some tall and short bookshelves that extend backward into the space and out of frame. The photo is dated 1995. Photo previously labeled #466\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch Library where men and women are milling around presumably after the ribbon has been cut officially opening the library. The men and women, of all ages and in varying dress, are either in conversation with one another or are on the move to a different part of the space. Some are making their way up the stairs and past whomever is taking the picture while others are moving towards the rows of bookshelves that extend backward out of frame. Barely visible amongst the people is a small stage and podium where library officials had spoken during the ceremony. The photo is dated 1995. Photo previously labeled #467\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small stage and the men and women that surround it. On the stage, standing behind a podium, is grey-haired woman in a matching blue dress and blazer who speaks to the audience seated in front of her, just out of view. On either side of the stage where the woman in blue is speaking from, sits two groups of men and women, presumed to be library officials, who have attention on the woman in blue. The front of the stage is framed with small pots of yellow flowers and the back is bordered by short bookshelves that extend backward into the space. The photo is dated 1995. Photo previously labeled #468\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch where people have begun to move about the space, presumably, at the conclusion of the ribbon cutting ceremony. Some of the men and women are in conversation with each other while others have begun exploring the space and materials available. Visible among the crowd is the circulation desk, with a few staff members working from behind it. Across the room, also visible among the crowd, is the small stage and podium that library officials spoke from during the ceremony. Above the crowd, on the right side of the picture, is the second-floor balcony which has been populated by more exploring people. The photo is dated from 1995. Photo previously labeled #469\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small stage and podium. Standing behind the podium is a man with glasses, wearing a dark-colored suit and tie, who is looking down at the papers on the podium in front of him. To one side of the stage is small group of men and women who are seated in three rows, all in professional dress. This small group of people are presumed to be library officials, as is the man in a grey-colored suit that is seated behind the stage. Behind the stage are short bookshelves that extend backward out of frame and the front of the stage is line with small pots of yellow flowers. The photo is dated 1995. Photo previously labeled #470\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch wear a stage sits before a large seated audience. Separating the audience from the stage is a long red ribbon stretching from the circulation desk across the room to the staircase's railing. Behind the circulation desk, standing with their backs to the wall, are men and women who seem to be part of the library staff. On the stage stands a brown-haired woman, wearing a floral-patterned dress and pink blazer, speaking from a podium to the audience that sits in front of her. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the woman at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #471\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch wear a stage sits before a large seated audience. Separating the audience from the stage is a long red ribbon stretching from the circulation desk across the room to the staircase's railing. Behind the circulation desk, standing with their backs to the wall, are men and women who seem to be part of the library staff. On the stage stands a man with glasses, wearing a grey-colored suit, speaking from a podium to the audience that sits in front of him. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the man at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #472\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small stage and podium as well as the people that surround it. Speaking from the podium stands a man with glasses, in a grey-colored suit and tie, who looks down at the paper in front of him. On either side of the stage sits two small groups of men and women, presumed to be library officials, who have their attention on the man on stage. All are professionally dressed and some hold programs probably pertaining to the ceremony. The front of the stage is lined with small pots of yellow flows and behind the stage are rows of short and tall books shelves. The photo is dated 1995. Photo previously labeled #473\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at two groups of men and women on the main floor of the Barrett Branch Library. The group closest to the camera consists of six men and two women who are professionally dressed and seem to be library officials. Each woman shakes the hand of one of the men in the group. Behind them is a small stage and podium, that is lined with small pots of yellow flowers along the front. In the other side of the stage is another small group of men and women, also thought to be library officials. One woman seated at the front of the group, with white hair and patterned dress, is leaning forward to greet a woman with brown hair, black jacket, and skirt standing in front of her. Behind the two groups and the stage are bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #474\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small group of men and women who are standing, in conversation with each other. The group, consisting of two women and five men, are all professionally dressed and seem to be library officials. Facing away from the camera, one woman with a pink jacket is shaking hands with a man in a dark colored suit and patterned tie. Behind this group is a small, unoccupied stage and podium and on the other side of the stage is another group of seated, presumed, library officials. Behind the stage are bookshelves that extend backwards out of frame. The photo is dated 1995. Photo previously labeled #475\u003c/p\u003e","\u003cp\u003eColor photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. In the foreground of the picture, two unidentified women smile at the camera. The woman on the left has short blond hair, glasses, and wears a patterned collared dress. The woman in the left has dark brown hair and wears a dark blue top with a high neck. Behind them are more men and women who are milling about on the main floor of the Barrett Branch, presumably after the conclusion of the ceremony. The photo is dated 1995. Photo previously labeled #476\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. The camera is pointed at the line of men and women standing at the circulation desk at the Barrett Branch Library. Presumably, these are members of the public who attended the ribbon cutting and are now exploring the new space after the conclusion of the ceremony. On the upper right-side of the picture, visible through the railing, is the second-floor balcony where people a standing amongst the bookshelves. The photo is dated 1995. Photo previously labeled #477\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man standing on a small stage, behind a podium. Though the camera is unfocused and the photo appears slightly blurry it can be determined that the man, dressed in a dark-colored suit with a white pocket square, looks down at the papers on the podium as the small group of men and women seated on the other side of the stage have their attention on him. The small group of men and women, who are dressed professionally, are presumed to be library officials that are part of the ribbon cutting ceremony. One other presumed official is seated behind the stage and is reading a piece of paper. Also, behind the stage and the small group of library officials, are rows of bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #478\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a line of people who stand facing a seated audience of men and women. The line of people is professionally dressed men and women, presumably library officials, who each hold onto a red ribbon that stretches across the room from the circulation desk to the railing of the staircase. The seated audience and the men and women standing behind the circulation desk smile at the line of officials as they cut the ribbon. One woman, with grey hair and blue dress, holds up her scissors and her portion of the red ribbon in celebration. The photo is dated 1995. Photo previously labeled #479\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man in a grey-colored suit who stands on a small stage. Looking down at the orange-handled scissors in hand, he faces a small group of men and women, presumed to be library officials, as they walk towards the left side of the photo. The man on the stage is handing out pairs of scissors to members of the ribbon cutting ceremony as they make their way towards the ribbon that is just out of view. Behind the man and the stage, is another small group of men and women seated in front of bookshelves who watch as the other officials make their way to the ribbon. The photo is dated 1995. Photo previously labeled #480\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch Library and the men and women who are filing in before the start of the ceremony. There are folding chairs set up in the middle of the room that a being filled by people coming from the entrance vestibule at the back of the space. Behind the circulation desk stands many men and women, presumed to be library staff, who watch as members of the public take their seats. In front of the audience stretching across the room, from the circulation desk to the railing of the staircase, is a long red ribbon. The photo is dated 1995. Photo previously labeled #481\u003c/p\u003e","\u003cp\u003eThis folder contains black and white photographs pertaining to the Robert H. Robinson Library, dated from 1946 to 1950. The photos capture the Robert H. Robinson Library building, staff, and various events.\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Sara Murphy Carr sitting at her desk in the Robert Robinson Branch of Alexandria Library. Carr has short, dark hair and is wearing a light-colored blazer and a dark-colored top underneath. She looks directly at the camera from a chair behind her wooden desk, which is topped with file folders, a box of catalog cards, a folded newspaper, and other items. Behind her is a cart filled books and behind her further are filled bookshelves, some are topped with more books or other décor. The photo is dated c.1948. Photo previously labeled as #494\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Sara Murphy Carr posing for a picture in the doorway of the Robert Robinson Library. Carr has short, dark hair and is wearing a light-color jacket, dark-colored top, light-colored knee length skirt, with dark-colored shoes. She stands facing the camera and seems to have her hand on the knob of the front door that is slightly ajar behind her. A stoop and front step lead up to the front of the brick building and above the white trimmed door is a sign that reads \"Robert Robinson Library\" in dark letters. The photo is dated c.1948. Photo previously labeled as #495\u003c/p\u003e","\u003cp\u003eBlack and white candid photograph taken outside the Robert Robinson Library as Miss Bracie enters the building. Facing the front of the library, the photo captures a woman, identified as Miss Bracie, stepping up to the front door of the building. With her back to the camera, Miss Bracie wears a light-colored jacket and skirt, a much lighter-colored hat with black sash, and carries a dark-colored hand bag. The building, made of brick with a dark-colored metal roof, has one brick chimney on the left side and four narrow windows that are evenly separated by the white trimmed front door. Above the front door, just under an outdoor light, is a sign that reads \"Robert Robinson Library\" in dark letters. A cement walkway leads up to the door and is bordered on either side by shrubbery and grass. The photo is dated c.1950. Photo previously labeled as #496\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Story Hour at Robert Robinson Library. Robinson Librarian Minnie N. Fuller, sits and reads to twelve children who either sit in chairs or kneel on the carpeted floor in front of her. Fuller has short, dark hair and is wearing a light-colored dress with light-colored shoes. Her head is tilted down and away from the camera as she reads the book and the children, both boys and girls, are turned to face her. Behind the children are three windows that have their blinds open. The photo is dated 1950. Photo previously labeled as #497\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of men and women, presumably attending an event, at the Robert H. Robinson Library. Posed in two rows, nine women and three men are pictured together with some looking directly at the camera and others facing in different directions. All are dressed up, with the women in dresses and dress hats and the men in suits. One clergyman stands in the second row and is dressed in a clerical collar. One woman is identified as Alexandria Library Director Ellen Coolidge Burke (first row, second from the left) and she is dressed in a dark jacket, light-colored shirt, light-colored skirt, and dark-colored hat. Behind the group is a wall with a bookshelf and closed door. The photo is dated 1950. Photo previously labeled #498\u003c/p\u003e","\u003cp\u003eBlack and white candid photograph taken of Story Hour at Robert Robinson Library. Twenty-three children, listen as Robinson Librarian Sara Murphy Carr reads a picture book. Carr is wearing a light-colored outfit and dark-colored shoes. Her hair has been tied back away from her face and she looks down at the open book through her glasses. Many of the children have realized they are being photographed and have turned to face the camera, but a few have their gazes turned elsewhere. The space where the group sits is lined on three sides by filled bookshelves, some topped with more books or other décor. The photo is dated April 1946. Photo previously labeled as #499\u003c/p\u003e","\u003cp\u003eBlack and white photo of the 10th Anniversary of the Robert H. +Robinson Library. Seated in five rows, a group of men and women, some young and some old, pose for a picture inside the Robert Robinson Library. Not everyone looks directly at the camera, but all are dressed professionally. Some women can be seen wearing hats and dress gloves while the men can be seen in suit and tie. One clergyman sits in the back dressed in his clerical collar. Behind the group, the walls are lined with bookshelves that have been decorated with original art work of varying sizes. The photo is dated 1950. Photo previously labeled as #500\u003c/p\u003e","\u003cp\u003eThis sub-series contains records documenting the branches and divisions of the Alexandria Library system including the construction of the branches and information regarding their operations. The branches represented here include the Kate Waller Barrett Branch Library, the James M. Duncan Branch Library, the Ellen Coolidge Burke Branch Library, the Robert H. Robinson Library, the \"New Branch\" (later known as the Charles E. Beatley, Jr. Central Library), the Special Services Division, and the Lloyd House (later known as Local History and Special Collections).\u003c/p\u003e","\u003cp\u003eThis folder contains miscellaneous records pertaining to the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of contracts, proof of insurance, and other notes and correspondence related to the proposed addition to the Barrett branch.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the construction specifications for the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include the Specifications report, prepared by the Alexandria Library Board, detailing the proposed requirements for the construction of the addition to the Barrett branch.\u003c/p\u003e","\u003cp\u003eThis folder contains financial records pertaining to the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of vendor invoices, reports of money spent, and other related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the process of selecting bids for which construction agency would carry out the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of proposals, meeting minutes, press material, and other related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from December 1947 to December 1951. Documents include monthly reports on branch statistics, yearly fiscal report, discard lists, and other related notes.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from January 1952 to December 1955. Documents include monthly reports on branch statistics, and other related notes.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from January 1956 to May 1959. Documents include monthly reports on branch statistics, and other related notes.\u003c/p\u003e","\u003cp\u003eThis series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.\u003c/p\u003e","\u003cp\u003eThis sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.\u003c/p\u003e","\u003cp\u003eThis sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.\u003c/p\u003e","\u003cp\u003eThis sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.\u003c/p\u003e","\u003cp\u003eThis sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.\u003c/p\u003e","\u003cp\u003eThis sub-series contains web-published resources that were created by, or are directly related to, the Alexandria Library in Alexandria, Virginia. This includes the Library website, Library social media accounts, Library blog, and the websites of Library friends' groups.\u003c/p\u003e","\u003cp\u003eWebsite of the Alexandria Library in Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eFacebook account of the Alexandria Library in Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eInstagram account of the Alexandria Library in Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eTwitter account of the Alexandria Library in Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eYoutube account of the Alexandria Library in Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eAlexandria Library's blog which focuses on adult programs, events, and services including news and updates about the Library's collection, services, resources, and programs for adults\u003c/p\u003e","\u003cp\u003eOnline donation portal for the Alexandria Library Foundation, Inc. The Alexandria Library Foundation is a non-profit organization which provides funding for the Alexandria Library System in Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eWebsite of the Friends of the Beatley Central Library in Alexandria, Virginia. The Friends are a volunteer organizations which works to promote the interests and programs of the Library\u003c/p\u003e","\u003cp\u003eWebsite of the Friends of Duncan Library. The Friends are a volunteer organization that supports the operations of the Duncan Branch Library, located in the Del Ray neighborhood of Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eIntranet website for Alexandria Library staff\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Series Content Description","Sub-Series Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Sub-Series Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Sub-Series Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Sub-Series Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Sub-Series Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Description","Content Description","Description","Description","Description","Description","Description","Description","Description","Description"],"scopecontent_tesim":["This collection contains the records of the Alexandria Library, documenting the administration and operation of the Library, dating from the founding of the public library in 1937 through the present. Included are administrative records, annual reports, financial records, circulation records, materials documenting the history of the Library, programming and outreach records, and records of the individual branches of the library system. Formats include textual documents, photographs, and ephemera.","The Alexandria Library is an active organization, and so this collection is a living collection which will be periodically added to and updated. Check this collection guide for any future updates to the collection. ","This series contains materials documenting the Alexandria Library, from its founding as a public library in 1937 through the early 2000s. The majority of documents in this series pertain to the decades between 1950 and 2000. These records document the administration and operations of the Library and its individual branches, as well as materials documenting the history of the Alexandria Library. Documents include annual reports, financial records, correspondence, project files, and other administrative documentation. Also included in this series are ephemera and realia, photographs and other graphic materials, and some oversized materials.","This sub-series contains records pertaining to annual reports published by the Alexandria Library system, as well as its individual branches. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1938 through 1942. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1943 through 1946. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1947 through 1948. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1949 through 1950. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1951 through 1953. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1954 through 1956. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1957 through 1959. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1960 through 1961. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1964. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This sub-series contains administrative and financial records of the Alexandria Library. Documents include correspondence, budgets and other financial records, affirmative action records, bylaws and agreements, official city proclamations, gift records, and other administrative materials.","This folder contains records pertaining to administrative and financial dealings of the Alexandria Library system, dating from 1937 through the 1950s. Documents include final copies of bylaws, charters, and agreements as well as draft documents, reference materials, and related notes and correspondence.","This folder contains records pertaining to administrative and financial dealings of the Alexandria Library system, dating from the 1950s through the 1992. Documents include final copies of bylaws, charters, and agreements as well as draft documents, reference materials, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action plan put in place for the Alexandria Library system, dating from 1975.","This folder contains records pertaining to the Affirmative Action policy used to create an Affirmative Action plan for the Alexandria Library system, dating from 1976.","This folder contains records pertaining to the Affirmative Action plans for the City of Alexandria, dating from 1976 and 1980. Documents include final Affirmative Action plans from both 1976 and 1980.","This folder contains records pertaining to the Affirmative Action plans for the Alexandria Public Library, dating from 1978 through 1982. Documents include reference material used to create the Affirmative Action plans including OSHA Recordkeeping guidelines and guidelines from the Department of Equal Employment Opportunity for the City of Alexandria. Other documents include Alexandria Public Library's Affirmative Action goals, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1974 through 1976. Documents include final Affirmative Action and Equal Employment Opportunity reports, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1977 through 1980. Documents include final Affirmative Action and Equal Employment Opportunity reports, sample forms, reference materials, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1981 through 1987. Documents include final Affirmative Action and Equal Employment Opportunity reports, sample forms, membership reports, reference materials, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1938 through 1944. Documents include draft material, proposed yearly budgets, final budget reports, press related to the budget, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1945 through 1948. Documents include draft material, proposed yearly budgets, final budget reports, press related to the budget, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1949 through 1951. Documents include proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1951 through 1953. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1953 through 1955. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1955 through 1959. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1955 through 1959. Documents include , proposed yearly budgets, final budget reports, reference materials, and related notes and correspondence.","This folder contains records pertaining to the budget for the City of Alexandria's City Planning and Capital Improvement programs in regard to the Alexandria Public Library system, dated from 1950 through 1961. Documents include final budget reports, proposed budgets, proposed building projects, draft material, reference material, and related notes and correspondence.","This folder contains records pertaining to Rules, Regulations, and Review articles for the Alexandria Public Library system, dated from 1937 through 1955. Documents include inquiries regarding librarian salaries of other Virginia public libraries, proposed rules and regulations for Alexandria Public Library, final rules and regulations for Alexandria Public Library, meeting minutes, library directories, press regarding the library, and related notes and correspondence.","This folder contains a 2014 copy of the introduced House Joint Resolution No. 418 which details the historical significance of the 1939 Alexandria Library Sit-in to the House of Delegates, Mayor of Alexandria, and General Assembly and proposes that this information be conveyed at an upcoming ceremony.","This folder contains records pertaining to correspondence to and from Alexandria Library, dated from 1937 through 1951. Documents included correspondence, press regarding Alexandria Public Library, proposals for the planning and construction of the Robert Robinson Library, and other related notes.","This folder contains records pertaining to correspondence to and from Alexandria Library, dated from 1952 through 1961. Documents include written correspondence, meeting and presentation notes, book acquisitions and acquisition proposals, and other related notes.","This folder contains records pertaining to the professional and nonprofessional duties within public libraries set forth by the American Library Association, dated from 1948. Documents include the preliminary draft of the Descriptive List of Professional and Nonprofessional Duties in Libraries handbook.","This folder contains records pertaining to position descriptions and pay plans for Virginia public libraries, dated from 1950. Documents include a guidebook detailing all positions available with Virginia public libraries, their position descriptions, and recommended qualifications.","This folder contains records pertaining to \"Position Classification and Salary Administration in Libraries\", dated from 1951. Documents include a handbook titled \"Position Classification and Salary Administration in Libraries\", written by the American Library Association, detailing guides and standards for library administrative staff to utilize when creating administrative plans.","This folder contains records pertaining to information and guidelines for new City of Alexandria employees, dated from 1950 to 1986. Documents include guidebooks detailing fundamental information regarding being employed by the City of Alexandria, code of ethics, and guidelines for managers to effectively communicate employee evaluations.","This sub-series contains records documenting circulation statistics of the Library.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1937 through 1940. Documents include overall number of books circulated during a given year and ledgers detailing the number and genre of Adult books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1937 through 1940. Documents include ledgers detailing the number and genre of Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1941 through 1942. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1943 through 1944. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1944 through 1949. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1949 through 1953. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1949. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1944 through 1946. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This sub-series contains materials of mixed formats documenting the history of the Library and its programming and outreach work. Documents include scrapbooks, posters, news clippings, correspondence, administrative documents, event programs, and photographs.","This folder contains materials pertaining to Alexandria Library history, dating from 1957-1961. Documents include newspaper clippings from various local newspapers, event photos, correspondence, and other related notes.","This folder contains records pertaining to the history of Alexandria Library, dated from c. 1960. Documents include notes, correspondence, and copies of newspaper articles relating to the library.","This folder contains records pertaining to the history of Alexandria Library. Documents include copies of events schedules, event programs, summaries of the library's history, copies of newspaper articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to the history of Alexandria Library, dated from 1937 through 1947. Documents include newspaper clippings that detail library history, press, and publicity.","This folder contains records pertaining to the history of Alexandria Library, dated from 1955 through 1973. Documents include newspaper clippings that detail library history, press, and publicity.","This folder contains records pertaining to the history of Alexandria Library, dated from 1936 through 1954. Documents include summaries of the library's history, copies of newspaper articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to the history of Alexandria Library, dated from 1945 through 1985. Documents include copies of newspaper articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to publicity correspondence for Alexandria Library, dated from c. 1954-1986. Documents include correspondence relating to proposed exhibits, cosmetic changes to library branches, research inquiries, proof of membership, thank-you messages, plans for library news releases, and other related notes.","This folder contains records pertaining to press releases for Alexandria Library, dated from 1947-1986. Documents include drafts of news releases, draft 5-year plan documents, descriptions of upcoming library programs, mock-ups for news articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to events related to Alexandria Library, dated from 1954 through 1992. Documents include programs from library events and other notes and correspondence.","This folder contains biographical research materials about James M. Duncan, Jr. (the namesake of the Duncan Branch) which were collected by branch managers of Duncan Branch. Materials include notes, newsclippings, and photocopies of newsclippings.","This folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Eight people, presumed to be library officials, stand on the main floor of the Barrett Branch in front of a seated audience, in the midst of a ribbon cutting ceremony. The smiling officials cutting the red ribbon, who include six men and two women, are dressed professionally and each holds their own pair of scissors. Behind them are shelves of library books and a set of stairs that lead up to the second floor of the library. The seated audience of men and women watches as the ceremony proceeds. The photo is dated 1995. Photo previously labeled #402","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Eight people, presumed to be library officials, stand on the main floor of the Barrett Branch in front of a seated audience, in the midst of a ribbon cutting ceremony. The officials, who include six men and two women, have not yet cut the red ribbon and are dressed professionally. Each of the eight officials holds their own pair of scissors. Behind them are shelves of library books and a set of stairs that up to the second floor of the library. The seated audience of men and women watches as the ceremony proceeds. The photograph is dated September 10th, 1995. Photo previously labeled #403","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This candid photo of men and women milling around the first floor of the Barrett Branch was taken, presumably, after the conclusion of the ceremony. Some of the people pictured are in conversation with one another, while others are taking in their surroundings. In the foreground is a podium framed on either side by yellow flowers and an American flag. In the background are library books shelves and a set of stairs that lead up to the second floor of the library. The photo is dated 1995. Photo previously labeled #404","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This candid photo was taken amidst a crowd of people attending the ceremony on the main floor of the Barrett Branch Library. The men and women of various ages stand milling around the space. Some are in conversation with one another while others look in many directions, taking in their surroundings. Visible in the background is the entrance to the library that consists of floor to ceiling windows allowing natural daylight to stream in. The photo is dated 1995. Photo previously labeled #405","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of several people standing around on the main floor of the Barrett Branch Library. The three men and one woman in the foreground are in conversation with each other but only the two men on the right have realized the group is being photographed. The two men on the right are looking at the camera and smiling, while the women is still speaking and the third man is looking to his right with his back to the photographer. In the background are other people, some in conversation and some not, as well as empty chairs set up against filled bookshelves. The photo is dated 1995. Photo previously labeled #406","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. A large audience of men and women have filled the main floor of the Barrett Branch, presumably watching as the ceremony unfolds. Some of the people are sitting in the middle of the space while the rest of the crowd have filled the available standing room, even standing in the sunlight filled entrance vestibule, at the back of the room, to catch a glimpse through the floor to ceiling windows. Regardless of placement, almost all the audience members have their attentions set on the events happening behind the camera, just out of frame. The photo is dated 1995. Photo previously labeled #407","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Two women stand posing for a picture, on the main floor of the Barrett Branch, presumably after the conclusion of the ceremony. With their arms around each other, the woman on the left looks directly at the camera while the women on the right smiles at something out of frame on the left. In the background are more people, men and women, milling around the large indoor space. Some are in conversation with one another and others are simply moving about the space. The photo is dated 1995. Photo previously labeled #409","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of two smiling men and a young child posing for a picture together. On the left, the young child stands holding the hand of the man in the middle who has brown hair and mustache, is wearing glasses and is dressed in a dark-colored suit with a white shirt and red patterned tie. The man on the right, who stands with his hand on the shoulder of the man in the middle, has white hair and is wearing glasses and a dark-colored suit with a white shirt and blue tie. All three stand under a half visible, gold-framed, painted portrait of Kate Waller Barrett that is hanging on the wall behind them. The photo is dated 1995. Photo previously labeled #410","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Three men and two children stand posing for a picture together. The three men are all wearing dark-colored suits with light-colored shirts and ties. The two children, one boy and one girl, stand in front of the men in the middle and on the right. The boy wears a light-colored button-down shirt and striped dress pants while the girl wears a striped, long-sleeve dress with black tights and black shoes with pink shoelaces. All five smile at the camera as they pose under a gold-framed, painted portrait of Kate Waller Barrett. The woman in the portrait has her white hair tied back in a bun and sits, posed in profile, and is wearing dark-colored clothes, with floral accents. A gold cross pendant hangs from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #411","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. A woman stands posing for a picture with the portrait of Kate Waller Barrett hanging near the entrance of the Barrett Branch Library. The woman, dressed in a red blazer and skirt, smiles as she looks to left at something just out of frame. She stands below the gold-framed, painted portrait of Kate Waller Barrett. In the portrait, Kate Waller Barrett has her white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents. A gold cross pendant hangs from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #412","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Three men and two children stand posing for a picture together under the portrait of Kate Waller Barrett that hangs near the entrance of the Barrett Branch Library. The man on the left has white hair and is wearing glasses, a dark-colored suit, a light-colored shirt and blue tie. He has his hand on the shoulder of the little girl to the right of him who wears a striped long-sleeve dress with black tights and black shoes with pink laces. The little girl holds the hand of the man in the middle who wears a dark-colored suit with a light-colored shirt and dark patterned tie. Next to him, on the right, stands the little boy who wears a light-colored button-down shirt and striped dress pants. The little boy holds the hand of the last man on the right who has brown hair and mustache, glasses, and wears a dark-colored suit with a light-colored shirt and red patterned tie. All five stand beneath the gold-framed, painted portrait of Kate Waller Barrett who has her white hair tied back into a bun. She sits, posed in profile, and is wearing dark-colored clothes, with floral accents, with a gold cross pendant hanging from her neck and a brooch pinned to her chest. The photo is dated 1995. Photo previously labeled #413","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of four men standing in front of the portrait of Kate Waller Barrett that hangs near the entrance to the library. The two men on the left are greeting each other and the two men on the right are standing separately both looking in opposite directions towards things just out of frame. All the men are dressed in suits and ties and three out of four are wearing glasses. The leftmost man is holding multiple pairs of scissors and the second man from the right is holding an event program. Behind them, hanging on the wall is the gold-framed, painted portrait of Kate Waller Barrett who has white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents, with a gold cross pendant hanging from her neck and a brooch pinned to her chest. Also in the background, off to the left, is a child, seemingly in motion, appearing blurry in the photograph. The photo is dated 1995. Photo previously labeled #414","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of a group of men and women standing around a table of computers on the main floor of the Barrett Branch Library. On the round table there are four white computers, each with their own keyboard and mouse. Two of the computers are in use, one by a man in dark dress pants and white shirt and the other by two people, a woman and young man, working together. In the background are other people milling about as well as library bookshelves and a set of stairs leading to the second floor of the library. The photo is dated 1995. Photo previously labeled #415","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of two groups of men and women, some sitting and some standing, inside of the library presumably before the ceremony begins. To left is a group of seated people, partially blocked from view by a desk, and to the right is a group of men standing together in conversation. Between the two groups sits a small stage with an American flag, bordered at the front by small pots of yellow flowers. In the background are rows of both tall and short bookshelves in front of a glass-front room. The photo is dated 1995. Photo previously labeled #416","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of two women and one man standing in conversation with one another. The two women are both in light-colored dresses and the woman on the right faces away from the camera and carries a purse. The man wears glasses and is dressed in a light-colored suit with a white dress shirt and patterned tie. The woman on the left looks across to the woman on the right as she and the man in the middle are looking at each other. The photo is dated 1995. Photo previously labeled #417","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of men and women milling about inside the Barrett Branch. The people in the foreground seem to be in conversation with each other while others are having separate conversations in the background. The photo is being taken from behind a bookshelf decorated with a potted plant whose leaves have just started to come in to frame on the right side of the photo. Behind the people are more bookshelves, decorated with flowers, and a glass-front room. The photo is dated 1995. Photo previously labeled #418","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photo of four men, one woman, and two children. Every person pictured is looking in a different direction, some seeming to be moving towards different parts of the room and appearing blurry in the photo. All of the men are dressed in suits, the woman wears a pink buttoned jacket, the little boy wears a light-color button-down, and the little girl wears a striped long-sleeve dress. Behind them on the wall hangs a gold-framed, painted portrait of Kate Waller Barrett who has white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents. A gold cross pendant is hanging from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #419","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of the main floor of the Barrett Branch Library. In the library stands many men, women, and children milling about the space. Some are in conversation with one another, while others take in their surroundings or speak to people sitting behind the circulation desk to the left of the photo. To the right of the photo is the beginning of a staircase that leads to the second floor of the library. Visible from the balcony, the second floor is filled with bookshelves. In the background, on the lower level, stands a small stage and podium framed by small pots of yellow flowers and an American flag as well as a glass-front room whose windows are letting in bright daylight. The photo is dated 1995. Photo previously labeled #420","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of the main floor of the Barrett Branch and there are men and women milling around in the space, some in conversation with one another and others taking in their surroundings. On the right side of the picture, some of the people stand in front of the circulation desk, decorated with pots of yellow and orange flowers. On the left side of the picture are some glass display cases displaying open books. In the background are the floor to ceiling windows of the entrance vestibule that are providing bright, natural light to the room. The photo is dated 1995. Photo previously labeled #421","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Pictured is a large audience of men and women on the main floor of the Barrett Branch. Some of the people are sitting in the middle of the room while the rest of the crowd have begun filling in the available standing room, even standing in the sunlight filled entrance vestibule, at the back of the crowd, to catch a glimpse through the floor to ceiling windows. Regardless of placement, almost all the audience members have their attentions set on the events happening behind the camera, just out of frame. The photo is dated 1995. Photo previously labeled #422","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women, of differing ages, standing around a table of computers. At the round table, there are two people with their backs to the camera sharing the same computer, to their right is one woman at the next computer, and the next computer has a group of four sharing the same computer. In the foreground is a shelf that has been decorated with a pot of flowers, that have taken up the left side of the picture. In the background, behind the group of people at the computers is glass-front room and a few people within. Inside the room are bookshelves on the left wall and tables and chairs filling the middle. The windows on the back wall have had their blinds drawn to shade the interior from the bright daylight shining through. The photo is dated 1995. Photo previously labeled #423","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of some people, both men and women, looking at the available materials on the bookshelves around them on the second floor of the Barrett Branch Library. Some of the men and women are browsing the shelves while others have begun reading their chosen materials. In the foreground are shorter bookshelves, with one man crouching to get a better look at the offerings on the bottom shelf. In the background are taller bookshelves, that almost reach from floor to ceiling. Behind the taller bookshelves are some tables and chairs that have been backlit by the daylight coming through the windows on the back wall. The photo is dated 1995. Photo previously labeled #424","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a seated audience facing a group of people who seem like library officials seated at the front of the room. The seated audience is facing away from the camera and the group of men and women at the front of the room are applauding in welcome to the man who is standing at the front of the room. He has brown hair and mustache, is wearing glasses and a grey suit with dark tie. Off to the right of the photo is a staircase that leads to the second floor whose balcony sits above the group of clapping men and women. Behind them stands bookshelves, completely filled, that almost reach from floor to ceiling. The photo is dated 1995. Photo previously labeled #425","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking to an audience from an elevated podium. The woman, dressed in a red blazer and white shirt, is looking through her glasses out over the audience. Behind her is both short and tall bookshelves, as well as a wall of glass, and to the left stands an American flag. The woman at the podium stands below the second-floor balcony of the Barrett Branch where three musicians sit with music stands in front of them and bookshelves at their back. In the foreground, somewhat blocking the view of the seated audience, is the circulation desk topped with stacks of paper. The photo is dated 1995. Photo previously labeled #426","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a seated audience, extending out of frame, who have their attention on a man speaking from an elevated podium. The man at podium, dressed in a dark-colored suit with a white shirt and red tie, is looking down at the podium through his glasses. Behind the podium are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The man at the podium stands beneath the second-floor balcony of the Barrett Branch Library. Visible through the balcony's railing are filled bookshelves. The photo is dated 1995. Photo previously labeled #427","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a man speaking from behind a podium. The man is standing, dressed in a dark-colored suit with a white shirt and dark patterned tie, looking down at the podium through his dark tinted glasses. Behind him are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The podium stands below the second-floor balcony of the Barrett Branch Library where three chairs and two music stands are set up. The right most chair is occupied by a person in white shirt and dark pants. The photo is dated 1995. Photo previously labeled #428","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium. The woman, dressed in a blue dress and matching blue jacket, looks out to an audience just out of frame and she is observed by a small panel of professionally dressed men and women, presumed to be other library officials, on the right side of the picture. The picture is being taken from behind the circulation desk, complete with computer, receipt printer, and landline phone. A pot of yellow, orange and red flowers sits atop the desk, partially blocking an American flag from view. The photo is dated 1995. Photo previously labeled #429","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium in front of an audience of people that extends out of frame. The woman, dressed in a pink blazer over a dark patterned dress with a string of pearls around her neck, is looking down at the podium while the audience listens. Behind her are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The speaker and podium stand beneath an the second-floor balcony of the Barrett Branch Library, where three chairs, music stands, and musicians are seated and viewable through the balcony's railing. The photo is dated 1995. Photo previously labeled #430","This folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a man speaking to an audience, extending out of frame, from an elevated podium. The man, dressed in a dark-colored suit with white shirt and dark patterned tie, is looking down at the podium while holding up a closed book in his right hand and paper in his left hand. Behind him are rows of short and tall bookshelves, some decorated with flowers, in front of a glass-front room. Above the podium sits the second-floor balcony of the Barrett Branch Library. Through the railing, three chairs, music stands, and musicians can be seen in front of filled bookshelves. In the foreground, on the left side of the picture, is the circulation desk topped with stacks of papers. The photo is dated from 1995. Photo previously labeled #431","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium to audience, which extends out of frame. The woman is dressed in a matching blue jacket and dress, and looks out over the audience at something not visible as the audience turns to follow her gaze. To her left and right are men in dark-colored suits and ties that also follow her line-of-sight. Behind her are bookshelves, both tall and short, and a glass-front room. Above the podium is the second-floor balcony and through the railing, three chairs, music stands, and musicians can be seen in front of filled bookshelves. In the foreground, blocking some of the audience from view, is the circulation desk with a computer and piles of paper. The photo is dated from 1995. Photo previously labeled #432","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This slightly out of focus, color candid photograph is of a woman speaking from an elevated podium to an audience that is seated just out of frame. The woman, dressed in a pink jacket over a dark, patterned dress, is bordered by a group of seated men and women, presumed to be other library officials, on the right and an American flag on the left. Above the woman at the podium is the second-floor balcony and behind her are tall bookshelves and a glass front room. The photo is being taken from behind the circulation desk which has a computer and a pot of yellow, red and orange flowers. The photo is dated from 1995. Photo previously labeled #433","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women in conversation with each other amidst the ribbon cutting ceremony. The group consists of four men and two women, presumed to be library officials, who trade smiles and handshakes in front of a clapping audience. Some of the members of the group are still holding scissors and the pieces of red ribbon that were cut as part of the ceremony. Behind them are bookshelves that extend backward into the space. The photo is dated from 1995. Photo previously labeled #434","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women amidst the ribbon cutting ceremony. The group consists of three men and two women, some still holding scissors and pieces of the red ribbon cut during the ceremony. The smiling woman in the middle has offered a handshake to the man to the left of her as the audience applauds them. Behind the ribbon cutters are tall and short bookshelves that extend backwards into the space. The photo is dated from 1995. Photo previously labeled #435","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photo of a group of three men and one woman, presumed to be library officials, are trading smiles and the woman offers a handshake to the man on the far left. The woman has grey hair and wears a matching blue jacket and dress. The men are dressed professionally in suits and ties. They stand in front of a small stage and podium, lined with small pots of yellow flowers and decorated by an American flag. Behind them are bookshelves, both tall and short, that extend backwards toward a glass-front room. The photo is dated 1995. Photo previously labeled #436","Color photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. This candid photograph depicts several people standing behind the main circulation desk on the first floor of the Barrett Branch. In the foreground of the photo is a woman wearing a magenta dress and holding two books. The photo is dated 1995. Photo previously labeled #408","Color portrait of an outdoor sign from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library after renovations were completed in 1995. On a bright, sunny day at the corner of a red-brick building sits a white sign that reads \"The 200 Block of North Columbus St. Welcomes the New Library\" and just below that it reads \"Thank You\". Propped up on a wooden easel, the sign is decorated by a single gold, metallic balloon that is moving with the wind. Behind the sign to the right are row houses and a parked car. The photo is dated 1995. Photo previously labeled #441","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, a group of presumed library officials sit next to a stage and listen to the woman speaking from the podium. The woman has white hair and is dressed in a matching blue jacket and dress turns her head to welcome another woman who making her way to an empty chair among the group of officials. The woman being welcomed has tied back, brown hair and glasses and is wearing a colorful dress and black, t-strap shoes. Some of the men and women in the group of officials clap while others offer warm smiles to the approaching woman. Behind them is a small circulation desk and filled bookshelves. The photo is dated 1995. Photo previously labeled #442","Color portrait photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, a group of presumed library staff stand behind the circulation desk and smile at the camera. Four women are directly behind the desk and five more seem to be coming out of the room just behind the desk. Some of the other women have realized their picture is being taken and look at the camera, while others have not and continue their conversations with one another. One man stands in front of the desk and has turned to face the camera while a final woman seems to being walking past him. Folding chairs are set up and extend out of frame and because each still has a paper program on it, it is likely the event has not yet started. The photo is dated 1995. Photo previously labeled #443","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, two group of presumed library officials both sit and stand next to a small stage. Though not all the chairs are filled, the seated group includes three women and four men, all dressed professionally, who seem to be waiting for the event to start. The standing group, consisting of three men and two women, are all in conversation with one another. The woman in the middle with white hair, blue dress and light-colored purse is speaking and the remainder of the standing group leans in to listen. Behind them is the stage, decorated with an American flag, and both tall and short bookshelves that extend out of frame. The photo is dated 1995. Photo previously labeled #444","Color photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera aims at the circulation desk and the people that stand around it. Presumed to be library staff, four women stand together and all but one is smiling up at the camera. Other people, presumed to be library staff and officials, stand around the desk. Some are in conversation and others are looking in different directions around the room. In front of the circulation desk, extending out of frame, are rows of folding chairs each with a paper program on the seats. The photo is dated 1995. Photo previously labeled #445","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Set up on the second-floor balcony of the Barrett Branch, are three female musicians in the midst of performing. All three are wearing white dress shirts and black bottoms and each sit in her own wooden chair across from sheet music on a music stand and plays from a flute. Behind them are a man and a woman in conversation leaning over the balcony railing to get a better view of what is going on the floor below. The photo is dated 1995. Photo previously labeled #446","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, pictured is a man in a dark suit and tie speaking from a podium on a small elevated stage, which he shares with an American flag. Bordering the front of the stage are small pots of yellow flowers. To the left and right of the stage sit two groups of men and women, presumably library officials who have their attention on the man speaking. Behind them are rows of both tall and short bookshelves that extend back into the room and out of frame. The photo is dated 1995. Photo previously labeled #447","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Men and women of varying ages stand milling around the main floor of the Barrett Branch library seeming after the conclusion of the ceremony. In the foreground, one man sits at a table with his hands on a computer keyboard and converses with the two women who are speaking to him. The woman on the left has short brown hair and wears a blue jacket and the woman on the right has short greying hair and wears a white shirt, denim bottoms, and carries a small purse. In the background is a larger group pf men and women, gathered around a table of computers. Behind are bookshelves that extend to the other side of the room where more people sit at tables in conversation. The photo is dated 1995. Photo previously labeled #448","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Outside the front entrance of the Barrett Branch Library, in the shade of a tree, is a group of men and women who seem to be waiting for the library to open and for the ceremony to begin. On the front doors, illuminated by the sun, two signs read \"Re-opening\" and \"Sept. 10, 2PM\". Some of the group are sitting on the red brick retaining wall outside of the library while other stand in conversation closer to the entrance. The building is red brick, with white columns and white doors. A large, half-moon shaped windows sits atop the doors allowing natural light to fill the entrance vestibule within. The photo is dated 1995. Photo previously labeled #449","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. The photo is aimed at the circulation desk where some people have begun to converse with the library staff behind the desk. In front of the desk, the main floor of the Barrett Branch Library has been filled with folding chairs where a few people have begun to sit. There are folded programs on each of the folding chairs, suggesting that the ceremony has not yet begun. On the right side of the picture are bookshelves that fill the space at the back of the main floor as well as the second floor, which is visible through the balcony railing. The photo is dated 1995. Photo previously labeled #450","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the picture is focused on the group of men and women standing against the wall behind the circulation desk. There are nine women and two men visible, dressed professionally, and most of them seem to have their attention on something happening just out of frame on the right. In front of the desk on the left is the beginnings of a seated audience and starting from the circulation desk extending out of frame across the front of the audience stretches the red ribbon that has yet to be cut. The photo is dated 1995. Photo previously labeled #451","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. A group of two men, one woman, and one young man are standing in conversation with each other next to a round table that currently holds computers, of which only the keyboards and mice are visible. The young man has dark hair and wears a blue collared shirt and the woman he is next to has short brown hair and wears a blue patterned dress and carries a white purse. The two men are both dressed in dark suits with light dress shirts. The man with glasses wears a dark tie. Behind them are some table and chairs separating the group from the tall book shelves that extend out passed both sides of frame. The photo is dated 1995. Photo previously labeled #452","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, two men are pictured in conversation with each other while standing behind a podium on a small elevated stage. The men both wear suits with light-colored shirts, and the viewer is clearly able to see that the man on the left is wearing glasses and a tie. The man on the right has his back to the camera because his attention is on the other man who seems to be explaining something while pointing to something just out of sight on the left. In front of the stage are small pots of yellow flowers and beside the stage are rows of wooden chairs that have yet to be filled. Each chair has a folded program that seems to suggest the ceremony has yet to begin. Behind the men and the stage are bookshelves, both tall and short, that are filled with material. The photo is dated 1995. Photo previously labeled #453","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Pointed toward the interior entrance of the Barrett Branch, taken from the opposite end of the main floor, men and women are milling about the space presumably after the conclusion of the ribbon cutting. In the foreground are men and women using the available computers and in front of them is a large gathering of people milling around the main floor of the Barrett Branch Library. Some seem to be in conversation with one another, while other seem to simply be moving around the space. The photo is dated 1995. Photo previously labeled #454","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at where the ceremony will be held. A large seated audience of men and women is forming behind a red ribbon that has been stretched from the circulation desk to the staircase's railing on the opposite side of the room. The men and women standing behind the circulation desk are, presumably, library staff and the few men and women that stand on the other side of the red ribbon from the audience are the library officials that will be speaking during the ceremony. The library officials seem to be looking at someone just out of frame and two of them are waving to try and get their attention. The photo is dated 1995. Photo previously labeled #455","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch where folding chairs have been set up in the middle of the room for an audience that has begun filing in. Men and women of varying ages and dress are coming in through the bright, naturally lit entrance vestibule, stopping at the circulation desk, before finding an empty seat. The men and women behind the circulation desk are, presumably, library staff who are either in conversation with one another or watching the people who are filing into the library. Just in front of the audience, stretching from the circulation desk to the railing of the staircase at the opposite of the room, is a red ribbon that is being handled by a woman in a dark top and patterned skirt. The photo is dated 1995. Photo previously labeled #456","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points at a small group of men and women who are seated in wooden chairs to the left of a small stage with a podium. Seated in two rows, the group consists of four women and three men, and are presumed to be library officials. They are all in professional dress, either in suits and ties or dresses and blazers, and the front row seems to be conversation with each other. Just behind them, extending backward into the space, are filled bookshelves. The photo is dated 1995. Photo previously labeled #457","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man speaking from a podium on a small elevated stage. The man, wearing glasses and dressed in a grey-colored suit with a white shirt and dark-colored tie, holds a book in one hand and paper in the other as he looks out at the audience in front of him. The men and women seated next to the stage, who are presumed to be library officials, have their attention on the speaker. The stage is bordered in the front by small pots of yellow flowers and framed in the back by bookshelves that extend backward into the space. The photo is dated 1995. Photo previously labeled #458","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the men and women that surround it. The men and women, presumed to be library officials, stand with their hands over their hearts as they face the American flag that sits on the stage. All professionally dressed, only one man and one woman stand on the stage while the others stand to either side as they seem to recite the Pledge of Allegiance. Behind the stage are rows of bookshelves that extend backwards and out of frame. Above the stage is the second-floor balcony of the Barrett Branch. The photo is dated 1995. Photo previously labeled #459","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the men and women that surround it. On the stage stands a brown-haired woman, wearing a floral-patterned dress and pink blazer, speaking from a podium to the audience that sits in front of her just out of view. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the woman at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #460","This folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the people that surround it. Although the picture is out of focusing, appearing blurry, a woman with red hair and glasses, wearing a red blazer and skirt, can be seen speaking from the podium. With their attention on the speaker at the podium, the men and women that sit next to the stage are presumed to be library officials. The stage, framed at the front by small pots of yellow flowers, backs up to rows of short bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #461","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the people that surround it. On the stage, standing at the podium, is a man with glasses wearing a dark-colored suit and tie with a red pocket square. He looks down at the paper on the podium as he speaks to the audience in front of him, sitting just out of view. The men and women sitting next to the stage, presumed to be library officials, are dressed professionally as some turn their attention toward the speaker. The front of the stage is framed by small pots of yellow flowers and rows of short bookshelves sit at the back of the stage. The photo is dated 1995. Photo previously labeled #462","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down on the main floor of the Barrett Branch Library where the audience sits as the ribbon ceremony goes on. On the left side of the picture, many men and women sit in folding chairs as they listen to the man speaking from the small elevated stage and podium in front of them. Stretching from the circulation desk, across the room, to the railing of the staircase is a red ribbon that separates the audience from the men and women on and around the stage. There are also men and women that stand behind the circulation desk, presumed to be library staff, that have their attention on the man at the podium, who is dressed in a dark-colored suit with a light-colored shirt. On either side of the stage, separated from the general audience, sit other men and women who are presumed to be library officials. The photo is dated 1995. Photo previously labeled #463","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down on the main floor of the Barrett Branch Library where the audience sits as the ribbon ceremony goes on. On the right side of the picture sits a large audience of men and women that extends backwards out if frame. They are separated from the small stage and podium by a red ribbon that stretches from the circulation desk, across the room, to the railing of the staircase that leads to the second floor. Behind the circulation desk stands a few men and women, who are presumed to be library staff, who have their attention on the man that speaks from the podium. The speaker, dressed in a dark-colored suit and tie, looks down at the paper on the podium as he addresses the audience in front of him. The people sitting to left and right of the stage, who are separate from the general audience, are presumed to be library officials who are part of the ceremony proceedings. The photo is dated 1995. Photo previously labeled #464","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a man standing in behind a podium on a small elevated stage. The man, dressed in a grey-colored suit and glasses, seems to have his head tilted down in pause to accept the applause he is receiving from the people around him. Next to the stage sits a group of men and women who are presumed to be library officials. One man and one woman can be seen clapping for the man on the stage. The front of the stage is framed by small pots of yellow flowers and the back of the stage is bordered by short bookshelves that extend backward out of view. The photo is dated 1995. Photo previously labeled #465","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a woman standing behind a podium on a small elevate stage. The woman has grey hair, dressed in a matching blue dress and blazer, and looks out at the audience seated in front of her, just out of view. There is a group of men and women seated in three rows next to the stage, presumed to be library officials, who look and listen to the woman speaking from the podium. Behind the stage and the group of library officials are some tall and short bookshelves that extend backward into the space and out of frame. The photo is dated 1995. Photo previously labeled #466","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch Library where men and women are milling around presumably after the ribbon has been cut officially opening the library. The men and women, of all ages and in varying dress, are either in conversation with one another or are on the move to a different part of the space. Some are making their way up the stairs and past whomever is taking the picture while others are moving towards the rows of bookshelves that extend backward out of frame. Barely visible amongst the people is a small stage and podium where library officials had spoken during the ceremony. The photo is dated 1995. Photo previously labeled #467","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small stage and the men and women that surround it. On the stage, standing behind a podium, is grey-haired woman in a matching blue dress and blazer who speaks to the audience seated in front of her, just out of view. On either side of the stage where the woman in blue is speaking from, sits two groups of men and women, presumed to be library officials, who have attention on the woman in blue. The front of the stage is framed with small pots of yellow flowers and the back is bordered by short bookshelves that extend backward into the space. The photo is dated 1995. Photo previously labeled #468","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch where people have begun to move about the space, presumably, at the conclusion of the ribbon cutting ceremony. Some of the men and women are in conversation with each other while others have begun exploring the space and materials available. Visible among the crowd is the circulation desk, with a few staff members working from behind it. Across the room, also visible among the crowd, is the small stage and podium that library officials spoke from during the ceremony. Above the crowd, on the right side of the picture, is the second-floor balcony which has been populated by more exploring people. The photo is dated from 1995. Photo previously labeled #469","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small stage and podium. Standing behind the podium is a man with glasses, wearing a dark-colored suit and tie, who is looking down at the papers on the podium in front of him. To one side of the stage is small group of men and women who are seated in three rows, all in professional dress. This small group of people are presumed to be library officials, as is the man in a grey-colored suit that is seated behind the stage. Behind the stage are short bookshelves that extend backward out of frame and the front of the stage is line with small pots of yellow flowers. The photo is dated 1995. Photo previously labeled #470","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch wear a stage sits before a large seated audience. Separating the audience from the stage is a long red ribbon stretching from the circulation desk across the room to the staircase's railing. Behind the circulation desk, standing with their backs to the wall, are men and women who seem to be part of the library staff. On the stage stands a brown-haired woman, wearing a floral-patterned dress and pink blazer, speaking from a podium to the audience that sits in front of her. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the woman at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #471","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch wear a stage sits before a large seated audience. Separating the audience from the stage is a long red ribbon stretching from the circulation desk across the room to the staircase's railing. Behind the circulation desk, standing with their backs to the wall, are men and women who seem to be part of the library staff. On the stage stands a man with glasses, wearing a grey-colored suit, speaking from a podium to the audience that sits in front of him. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the man at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #472","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small stage and podium as well as the people that surround it. Speaking from the podium stands a man with glasses, in a grey-colored suit and tie, who looks down at the paper in front of him. On either side of the stage sits two small groups of men and women, presumed to be library officials, who have their attention on the man on stage. All are professionally dressed and some hold programs probably pertaining to the ceremony. The front of the stage is lined with small pots of yellow flows and behind the stage are rows of short and tall books shelves. The photo is dated 1995. Photo previously labeled #473","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at two groups of men and women on the main floor of the Barrett Branch Library. The group closest to the camera consists of six men and two women who are professionally dressed and seem to be library officials. Each woman shakes the hand of one of the men in the group. Behind them is a small stage and podium, that is lined with small pots of yellow flowers along the front. In the other side of the stage is another small group of men and women, also thought to be library officials. One woman seated at the front of the group, with white hair and patterned dress, is leaning forward to greet a woman with brown hair, black jacket, and skirt standing in front of her. Behind the two groups and the stage are bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #474","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small group of men and women who are standing, in conversation with each other. The group, consisting of two women and five men, are all professionally dressed and seem to be library officials. Facing away from the camera, one woman with a pink jacket is shaking hands with a man in a dark colored suit and patterned tie. Behind this group is a small, unoccupied stage and podium and on the other side of the stage is another group of seated, presumed, library officials. Behind the stage are bookshelves that extend backwards out of frame. The photo is dated 1995. Photo previously labeled #475","Color photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. In the foreground of the picture, two unidentified women smile at the camera. The woman on the left has short blond hair, glasses, and wears a patterned collared dress. The woman in the left has dark brown hair and wears a dark blue top with a high neck. Behind them are more men and women who are milling about on the main floor of the Barrett Branch, presumably after the conclusion of the ceremony. The photo is dated 1995. Photo previously labeled #476","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. The camera is pointed at the line of men and women standing at the circulation desk at the Barrett Branch Library. Presumably, these are members of the public who attended the ribbon cutting and are now exploring the new space after the conclusion of the ceremony. On the upper right-side of the picture, visible through the railing, is the second-floor balcony where people a standing amongst the bookshelves. The photo is dated 1995. Photo previously labeled #477","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man standing on a small stage, behind a podium. Though the camera is unfocused and the photo appears slightly blurry it can be determined that the man, dressed in a dark-colored suit with a white pocket square, looks down at the papers on the podium as the small group of men and women seated on the other side of the stage have their attention on him. The small group of men and women, who are dressed professionally, are presumed to be library officials that are part of the ribbon cutting ceremony. One other presumed official is seated behind the stage and is reading a piece of paper. Also, behind the stage and the small group of library officials, are rows of bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #478","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a line of people who stand facing a seated audience of men and women. The line of people is professionally dressed men and women, presumably library officials, who each hold onto a red ribbon that stretches across the room from the circulation desk to the railing of the staircase. The seated audience and the men and women standing behind the circulation desk smile at the line of officials as they cut the ribbon. One woman, with grey hair and blue dress, holds up her scissors and her portion of the red ribbon in celebration. The photo is dated 1995. Photo previously labeled #479","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man in a grey-colored suit who stands on a small stage. Looking down at the orange-handled scissors in hand, he faces a small group of men and women, presumed to be library officials, as they walk towards the left side of the photo. The man on the stage is handing out pairs of scissors to members of the ribbon cutting ceremony as they make their way towards the ribbon that is just out of view. Behind the man and the stage, is another small group of men and women seated in front of bookshelves who watch as the other officials make their way to the ribbon. The photo is dated 1995. Photo previously labeled #480","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch Library and the men and women who are filing in before the start of the ceremony. There are folding chairs set up in the middle of the room that a being filled by people coming from the entrance vestibule at the back of the space. Behind the circulation desk stands many men and women, presumed to be library staff, who watch as members of the public take their seats. In front of the audience stretching across the room, from the circulation desk to the railing of the staircase, is a long red ribbon. The photo is dated 1995. Photo previously labeled #481","This folder contains black and white photographs pertaining to the Robert H. Robinson Library, dated from 1946 to 1950. The photos capture the Robert H. Robinson Library building, staff, and various events.","Black and white photograph of Sara Murphy Carr sitting at her desk in the Robert Robinson Branch of Alexandria Library. Carr has short, dark hair and is wearing a light-colored blazer and a dark-colored top underneath. She looks directly at the camera from a chair behind her wooden desk, which is topped with file folders, a box of catalog cards, a folded newspaper, and other items. Behind her is a cart filled books and behind her further are filled bookshelves, some are topped with more books or other décor. The photo is dated c.1948. Photo previously labeled as #494","Black and white photograph of Sara Murphy Carr posing for a picture in the doorway of the Robert Robinson Library. Carr has short, dark hair and is wearing a light-color jacket, dark-colored top, light-colored knee length skirt, with dark-colored shoes. She stands facing the camera and seems to have her hand on the knob of the front door that is slightly ajar behind her. A stoop and front step lead up to the front of the brick building and above the white trimmed door is a sign that reads \"Robert Robinson Library\" in dark letters. The photo is dated c.1948. Photo previously labeled as #495","Black and white candid photograph taken outside the Robert Robinson Library as Miss Bracie enters the building. Facing the front of the library, the photo captures a woman, identified as Miss Bracie, stepping up to the front door of the building. With her back to the camera, Miss Bracie wears a light-colored jacket and skirt, a much lighter-colored hat with black sash, and carries a dark-colored hand bag. The building, made of brick with a dark-colored metal roof, has one brick chimney on the left side and four narrow windows that are evenly separated by the white trimmed front door. Above the front door, just under an outdoor light, is a sign that reads \"Robert Robinson Library\" in dark letters. A cement walkway leads up to the door and is bordered on either side by shrubbery and grass. The photo is dated c.1950. Photo previously labeled as #496","Black and white photograph of Story Hour at Robert Robinson Library. Robinson Librarian Minnie N. Fuller, sits and reads to twelve children who either sit in chairs or kneel on the carpeted floor in front of her. Fuller has short, dark hair and is wearing a light-colored dress with light-colored shoes. Her head is tilted down and away from the camera as she reads the book and the children, both boys and girls, are turned to face her. Behind the children are three windows that have their blinds open. The photo is dated 1950. Photo previously labeled as #497","Black and white photograph of a group of men and women, presumably attending an event, at the Robert H. Robinson Library. Posed in two rows, nine women and three men are pictured together with some looking directly at the camera and others facing in different directions. All are dressed up, with the women in dresses and dress hats and the men in suits. One clergyman stands in the second row and is dressed in a clerical collar. One woman is identified as Alexandria Library Director Ellen Coolidge Burke (first row, second from the left) and she is dressed in a dark jacket, light-colored shirt, light-colored skirt, and dark-colored hat. Behind the group is a wall with a bookshelf and closed door. The photo is dated 1950. Photo previously labeled #498","Black and white candid photograph taken of Story Hour at Robert Robinson Library. Twenty-three children, listen as Robinson Librarian Sara Murphy Carr reads a picture book. Carr is wearing a light-colored outfit and dark-colored shoes. Her hair has been tied back away from her face and she looks down at the open book through her glasses. Many of the children have realized they are being photographed and have turned to face the camera, but a few have their gazes turned elsewhere. The space where the group sits is lined on three sides by filled bookshelves, some topped with more books or other décor. The photo is dated April 1946. Photo previously labeled as #499","Black and white photo of the 10th Anniversary of the Robert H. +Robinson Library. Seated in five rows, a group of men and women, some young and some old, pose for a picture inside the Robert Robinson Library. Not everyone looks directly at the camera, but all are dressed professionally. Some women can be seen wearing hats and dress gloves while the men can be seen in suit and tie. One clergyman sits in the back dressed in his clerical collar. Behind the group, the walls are lined with bookshelves that have been decorated with original art work of varying sizes. The photo is dated 1950. Photo previously labeled as #500","This sub-series contains records documenting the branches and divisions of the Alexandria Library system including the construction of the branches and information regarding their operations. The branches represented here include the Kate Waller Barrett Branch Library, the James M. Duncan Branch Library, the Ellen Coolidge Burke Branch Library, the Robert H. Robinson Library, the \"New Branch\" (later known as the Charles E. Beatley, Jr. Central Library), the Special Services Division, and the Lloyd House (later known as Local History and Special Collections).","This folder contains miscellaneous records pertaining to the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of contracts, proof of insurance, and other notes and correspondence related to the proposed addition to the Barrett branch.","This folder contains records pertaining to the construction specifications for the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include the Specifications report, prepared by the Alexandria Library Board, detailing the proposed requirements for the construction of the addition to the Barrett branch.","This folder contains financial records pertaining to the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of vendor invoices, reports of money spent, and other related notes and correspondence.","This folder contains records pertaining to the process of selecting bids for which construction agency would carry out the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of proposals, meeting minutes, press material, and other related notes and correspondence.","This folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from December 1947 to December 1951. Documents include monthly reports on branch statistics, yearly fiscal report, discard lists, and other related notes.","This folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from January 1952 to December 1955. Documents include monthly reports on branch statistics, and other related notes.","This folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from January 1956 to May 1959. Documents include monthly reports on branch statistics, and other related notes.","This series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series contains web-published resources that were created by, or are directly related to, the Alexandria Library in Alexandria, Virginia. This includes the Library website, Library social media accounts, Library blog, and the websites of Library friends' groups.","Website of the Alexandria Library in Alexandria, Virginia","Facebook account of the Alexandria Library in Alexandria, Virginia","Instagram account of the Alexandria Library in Alexandria, Virginia","Twitter account of the Alexandria Library in Alexandria, Virginia","Youtube account of the Alexandria Library in Alexandria, Virginia","Alexandria Library's blog which focuses on adult programs, events, and services including news and updates about the Library's collection, services, resources, and programs for adults","Online donation portal for the Alexandria Library Foundation, Inc. The Alexandria Library Foundation is a non-profit organization which provides funding for the Alexandria Library System in Alexandria, Virginia","Website of the Friends of the Beatley Central Library in Alexandria, Virginia. The Friends are a volunteer organizations which works to promote the interests and programs of the Library","Website of the Friends of Duncan Library. The Friends are a volunteer organization that supports the operations of the Duncan Branch Library, located in the Del Ray neighborhood of Alexandria, Virginia","Intranet website for Alexandria Library staff"],"separatedmaterial_html_tesm":["\u003cp\u003eMaterials relating to the Alexandria Library Board have been moved from MS098 to the Alexandria Library Board Records (MS416).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Materials relating to the Alexandria Library Board have been moved from MS098 to the Alexandria Library Board Records (MS416)."],"names_coll_ssim":["Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Burke, Ellen Coolidge","Duncan, James M., Jr. (James Morton), 1897-1967","Barrett, Kate Waller, Dr., 1858-1925","Beatley, Charles E., Jr., 1916-2003","Robinson, Robert Henry, Rev. (1824-1909)"],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Burke, Ellen Coolidge","Duncan, James M., Jr. (James Morton), 1897-1967","Barrett, Kate Waller, Dr., 1858-1925","Beatley, Charles E., Jr., 1916-2003","Robinson, Robert Henry, Rev. (1824-1909)"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)"],"persname_ssim":["Burke, Ellen Coolidge","Duncan, James M., Jr. (James Morton), 1897-1967","Barrett, Kate Waller, Dr., 1858-1925","Beatley, Charles E., Jr., 1916-2003","Robinson, Robert Henry, Rev. (1824-1909)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":523,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:59:46.615Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_157"}},{"id":"virmu_repositories_2_resources_6_c01_c205","type":"File","attributes":{"title":"Alexandria Museum (Exhibitions)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c01_c205#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c01_c205","ref_ssm":["virmu_repositories_2_resources_6_c01_c205"],"id":"virmu_repositories_2_resources_6_c01_c205","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c01","parent_ssi":"virmu_repositories_2_resources_6_c01","parent_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c01"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02)","Series 1: Exhibition Files"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02)","Series 1: Exhibition Files"],"text":["Willie Anne Wright Artist Archives (VA-02)","Series 1: Exhibition Files","Alexandria Museum (Exhibitions)","box VA-02 Box 4","folder VA02.01.0.205"],"title_filing_ssi":"Alexandria Museum (Exhibitions)","title_ssm":["Alexandria Museum (Exhibitions)"],"title_tesim":["Alexandria Museum (Exhibitions)"],"unitdate_other_ssim":["2013"],"normalized_date_ssm":["2013"],"normalized_title_ssm":["Alexandria Museum (Exhibitions)"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":206,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[2013],"containers_ssim":["box VA-02 Box 4","folder VA02.01.0.205"],"_nest_path_":"/components#0/components#204","timestamp":"2026-05-21T03:48:32.418Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"text":["VA-02","/repositories/2/resources/6","Willie Anne Wright Artist Archives (VA-02)","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website .","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","This series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.","This series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.","This series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.","This series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creators_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e\n","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e\n","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e","\u003cp\u003eThis series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.\u003c/p\u003e","\u003cp\u003eThis series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.\u003c/p\u003e","\u003cp\u003eThis series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.\u003c/p\u003e","\u003cp\u003eThis series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Series Description","Series Description","Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","This series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.","This series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.","This series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.","This series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"persname_ssim":["Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:48:32.418Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c01_c205"}},{"id":"viw_repositories_2_resources_842_c55_c01","type":"Item","attributes":{"title":"Alex Cousins oral history interview","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_842_c55_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAlex Cousins '14 oral history interview conducted by Kevin Kosanovich on April 11, 2013 at the Grind Coffee House in Williamsburg, Virginia. Alex Cousins is a William \u0026amp; Mary student and genre director of hip-hop at WCWM, W\u0026amp;M's college radio station. Topics include: WCWM; Buffalo, New York; W\u0026amp;M campus hip-hop culture; Meridian Coffee House.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_842_c55_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_842_c55_c01","ref_ssm":["viw_repositories_2_resources_842_c55_c01"],"id":"viw_repositories_2_resources_842_c55_c01","ead_ssi":"viw_repositories_2_resources_842","_root_":"viw_repositories_2_resources_842","_nest_parent_":"viw_repositories_2_resources_842_c55","parent_ssi":"viw_repositories_2_resources_842_c55","parent_ssim":["viw_repositories_2_resources_842","viw_repositories_2_resources_842_c55"],"parent_ids_ssim":["viw_repositories_2_resources_842","viw_repositories_2_resources_842_c55"],"parent_unittitles_ssm":["William \u0026 Mary Hip Hop collection","Series 55: Alex Cousins"],"parent_unittitles_tesim":["William \u0026 Mary Hip Hop collection","Series 55: Alex Cousins"],"text":["William \u0026 Mary Hip Hop collection","Series 55: Alex Cousins","Alex Cousins oral history interview","Alex Cousins '14 oral history interview conducted by Kevin Kosanovich on April 11, 2013 at the Grind Coffee House in Williamsburg, Virginia. Alex Cousins is a William \u0026 Mary student and genre director of hip-hop at WCWM, W\u0026M's college radio station. Topics include: WCWM; Buffalo, New York; W\u0026M campus hip-hop culture; Meridian Coffee House."],"title_filing_ssi":"Alex Cousins oral history interview","title_ssm":["Alex Cousins oral history interview"],"title_tesim":["Alex Cousins oral history interview"],"unitdate_inclusive_ssm":["April 11, 2013"],"normalized_date_ssm":["2013"],"normalized_title_ssm":["Alex Cousins oral history interview"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["William \u0026 Mary Hip Hop collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":239,"date_range_isim":[2013],"scopecontent_html_tesm":["\u003cp\u003eAlex Cousins '14 oral history interview conducted by Kevin Kosanovich on April 11, 2013 at the Grind Coffee House in Williamsburg, Virginia. Alex Cousins is a William \u0026amp; Mary student and genre director of hip-hop at WCWM, W\u0026amp;M's college radio station. Topics include: WCWM; Buffalo, New York; W\u0026amp;M campus hip-hop culture; Meridian Coffee House.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Alex Cousins '14 oral history interview conducted by Kevin Kosanovich on April 11, 2013 at the Grind Coffee House in Williamsburg, Virginia. Alex Cousins is a William \u0026 Mary student and genre director of hip-hop at WCWM, W\u0026M's college radio station. Topics include: WCWM; Buffalo, New York; W\u0026M campus hip-hop culture; Meridian Coffee House."],"_nest_path_":"/components#54/components#0","timestamp":"2026-05-24T23:23:01.057Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_842","ead_ssi":"viw_repositories_2_resources_842","_root_":"viw_repositories_2_resources_842","_nest_parent_":"viw_repositories_2_resources_842","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_842.xml","title_filing_ssi":"William \u0026 Mary Hip Hop collection","title_ssm":["William \u0026 Mary Hip Hop collection"],"title_tesim":["William \u0026 Mary Hip Hop collection"],"unitdate_ssm":["Circa 1985-2019","2012-2014"],"unitdate_bulk_ssim":["2012-2014"],"unitdate_inclusive_ssm":["Circa 1985-2019"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["01/Mss. 1.19","/repositories/2/resources/842"],"text":["01/Mss. 1.19","/repositories/2/resources/842","William \u0026 Mary Hip Hop collection","Virginia--Social life and customs--20th century","College of William and Mary--Students--Social life and customs","Hip hop culture--Virginia","Hip hop--Virginia","Hip-hop dance--Virginia","Hip-hop--Social aspects--Virginia","Music","Music--Virginia--Williamsburg.","Radio stations--Virginia","Rap (Music)--Virginia","Rap musicians--Virginia","Teenagers--Social life and customs","Audiocassettes","Fliers (printed matter)","Magazines (periodicals)","Musical recordings","Photographs","Posters","Sound Recordings","T-shirts","Accruals are expected on an ongoing basis. Contact Swem Library's Special Collections to donate material to the William \u0026 Mary Hip Hop Collection (spcoll@wm.edu, 757-221-1775).","The current arrangement by artist is preliminary. and will change as a result of processing.","Additional information will continue to be added as the collection is more fully processed. Box 1 contains multiple accessions, boxes 2 and 5 contain multiple oversize accessions, box 3 contains audio CDs, and box 4 contains LPs. Artifacts are housed separately, and described here at the item level.","Not fully processed yet. Please contact a staff member for help: spcoll@wm.edu","Archived website."," Information about related materials is available at https://wayback.archive-it.org/6106/*/http://icelanddogs.com/","Established by American Studies Ph.D. Kevin Kosanovich working in Swem Library's Special Collections, the William \u0026 Mary Hip Hop Collection is the most comprehensive of its kind dedicated to Virginia's hip hop culture and history from the 1980s to the present. The collection includes oral histories committed to preserving and documenting Virginia's rich hip hop past, as well as recordings of hip hop music, publications, and ephemera created by Virginia and Virginia-based artists, collectives, and businesses.  Additionally, the collection documents the origins and impact of hip hop culture on college campuses throughout the state by collecting records of hip hop based student organizations, college radio stations, events and concerts with a special focus on William \u0026 Mary itself."," Oral History are available for most artist, and a brief summary of each is available . The majority of Oral Histories have been made available online and are linked directly from this finding aid. However, some interviews are available only in Swem Library's Special Collections.","Sound recording are available for many artist, and where possible, these to are availalbe through links from this finding aid. The sounds tracks very from individual to mulptiple tunes per artist. ","Other digitized materials include photographs, record covers and flyers, and to a lesser extent written documents.","Cymandye Russell / Lady C oral history interview conducted by Kevin Kosanovich, part 1 conducted on November 13, 2012: Topics include: Hot 91 radio; hard core vs. hip hop; race, gender and sexuality in hip hop; Norfolk State hip hop culture; Williamsburg; discussion of MCs and DJs. Part 2 conducted on November 14, 2012: Topics include: radio personalities; mix-shows; youtube DJs and DJs vs. radio personalities; women MCs and DJs including Rah Digga, DJ Lazy K, Murder Mommies, DJ Erika B; HipHopSince1987.com; Greek Fest Riots; women in Virginia hip-hop. Part 3 conducted on December 6, 2012: Topics include: history of her nickname and the Virginia punk community; \"passion\" and hip hop; hip hop and community building; Boodah Brothers; graphic design.","Three identical flyers for the Main Event 2.0 Music and Model Conference, held November 16-17, 2012 at Bentley's Restaurant and Lounge in Viriginia Beach, Virginia. Box 1.","1-white t-shirt that has \"WNSB/ HOT/ 91.1/ Norfolk State University™ Broadcasting\" printed on the front. \"WNSB\" is printed in black raised letters and is outlined in white. \"HOT\" is printed in red stylized letters and has a ring of fire around it. \"91.1\" is printed in black block letters and is outlined in white. And \"Norfolk State University™ Broadcasting\" is printed in white on top of a black strip under the ring of fire surrounding \"HOT.\" The t-shirt was received by Swem Special Collections staff at the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is a size small and is made of 100% preshrunk cotton. It is in excellent condition. Gift of Cymandye Russell/Lady C. HHC 2014.188","Oral history interview with Terry \"Double XL\" Fenner and Antonio \"Hersh\" Fenner conducted by Kevin Kosanovich on December 2, 2012. Topics include: history of public housing in Newport News; gentrification; hip hop battling in projects; Newsome Park; Hoodplatinum; Suthern Boi records; Norfolk State hip hop culture; magazines; Roc the Mic nights; marketing and promotion; record stores and venues in Virginia.","Magazine copies. One copy of the \"The League: The Playbook for the Hip Hop Generation of Movers and Shakers,\" no. 4, Feb-Mar 2007. One copy of \"Exclusive\" magazine, January/February 2007, #1 volume 4. Box 1.","Newspaper Clippings: Daily Press circa December 2003, Obituary for Quincy Navall Jones, \"Abu the Butcher,\" of Newport News rap group BorNaturals; Daily Press Friday, January 19, 2007 including an item about \"Rap Attack;\" \"Paying Tribute to 'Mic Lord'\" Daily Press, February 3, 2007; \"Local rap start delivers a new deal,\" Daily Press; Laminated, large copy of \"Double XL is a hip-hop winner,\" by Sam Mcdonald in the Daily Press, Friday, May 21, 2004. Box 2.","Two pages for a movie script featuring Double XL. Box 1.","Sentara Obici Hospital United Way Talent Show \"Certificate of Participation.\" Box 1.","Rising Star Promotions bout sheet for February 15, 2008 \"night of Professional Boxing\" at The Showboat Hotel \u0026 Casino. Double XL performed between the night's two main events. Box 1.","Press Release for Double XL, Hood Plantinum and \"Rock the Mic Night.\" Box 1.","Promotional materials. Flyers: \"Rock the Mic\" advertisement. All Black Everything Event featuring Rick Ross, Thursday October 14, 2010 at the Alley Nite Club. Mixtape flyers, \"Hood Platinum 3.\" Album flyer, Double XL \"The New Deal.\" Album art draft, two pages: Double XL, \"Me Versus Me\" on Suth'N Boi Ent. Booklet: \"Virginia Idol Talent Search, 2004.\" Box 1.","Photographs. The Legacy headshot for Suth'N Boi Ent. M$ Blendz, Double XL and unidentified, 2006. Two group photographs with Double XL, Antonio \"Hersh\" Fenner, and unidentified. Box 1.","2013.035.10. Double XL, \"Me Versus Me.\" CD Jewel Case. Box 3.","2013.035.11. Double XL, \"Staccato Jeans.\" 2003. Box 3.","Artifact. Lanyard with \"VIP\" written in block print in red on the front. \"Access\" is written in yellow script in a diagonal under \"VIP.\" There is also a picture of a football player below \"VIP access.\" Below the football player is written \"04\" in white block print with a red out line. \"OFFSEASON JAM\" is written beneath it in white block print with red outline. There is a white star above and below \"OFFSEASON.\" The reverse of the lanyard has \"BAD NEWZ ENTERTAINMENT\" written in black block print. \"103 JAMZ\" is written below it in black block print. There is a disclaimer in a box below the writing that warns the VIP that if they do not follow the rules of the club their privileges will be revoked. The lanyard measures approximately 4.125 in. (length) x 2.25 in. (width). The lanyard is in fair condition with white residue on the laminated parts. There is an approximately 1.25 in. black stain on the bottom right side on the back of the lanyard. HHC 2013.035.12.","Artifact. Lanyard with a gray and yellow background on the front. \"70th Anniversary\" is written in white block print at the top. Underneath that \"Norfolk State University\" is written in white and below \"Norfolk State University\" is written \"Homecoming 2005\" in white. In the middle of the lanyard are pictures of Young Jeezy and Lil' Wayne with the Norfolk State University logo in between the pictures. Below the pictures is written \"BOTTOM OF THE MAP CONCERT\" in white bubble font. At the bottom of the lanyard front is written \"Special Guests: Double XL \u0026 Bo Blades\" in white. There is a black strip on the left side of the lanyard. \"ALL ACCESS\" is written in orange inside the black strip. The reverse of the lanyard is white and has \"Double XL\" written in black sharpie at the top left hand corner. There is what looks like a signature at the bottom of the back. The lanyard measures approximately 2.375 in.(width) x 4.25 in.(length) and is in good condition. There is some scraping of the laminated part at the bottom of the lanyard and some white residue at the top laminated part of the lanyard. HHC 2013.035.13","Artifact. Lanyard with a blue-black background. \"CERTIFIED BLOCK NUCCAS\" is written in blue with a white background at the top. Below that is a blue-black strip. Within the blue-black strip \"TOUR PT. 1\" is written in gold. Beneath that is written \"FROM YO' HOOD TO MY HOOD\" in blue with a white background. Underneath this is a strip with pictures of the tour members. Beneath that is written \"REALITY MUZIK GROUP\" in blue. Below that is written \"V.I.P. ENTRY PASS\" in gold. Written in white beneath that is \"CERTIFIED BLOCK NUCCAS TOUR,\" with \"FROM YO' HOOD TO MY HOOD\" in blue below it. At the bottom of the lanyard \"SATURDAY SEPT. 8TH, 2007\" is written in gold. The reverse of the lanyard is white and has scrolls going diagonally down across it. Inside the scroll is written \"Print by Sony\" in white block print with gray outline. The lanyard measures approximately 4 in. (width) x 5.75 in. (length). It is in fair condition. There are white residue spots all over the front of the lanyard. There is also a 2 in. crease in the top left corner, a 0.5 in. crease on the top right, a 4.125 in. crease and a 4 in. crease in the middle of the lanyard. HHC 2013.035.14","Artifact. White lanyard featuring a clear outline of the state of Texas on the front. There are various music artists depicted surrounding the outline of the state of Texas. Inside the outline of Texas is written \"2008\" in orange, \"THE 6 YEAR Anniversary OF THE\" in white with orange outline, and \"TEXAS SUMMER MUSIC CONFERENCE\" written in black. There is also a 1960s model microphone inside the outline of Texas. Below the picture is the url for the event. Under that is written \"August 29-31, 2008 The Westin City Center Dallas, TX\" in black. At the bottom of the lanyard are logos for sponsors of the event. The back of the lanyard features the logo for tabi bonney and the album cover of Young Chase's \"MAN I'M BOUT.\" The cord of the lanyard is dark red on the outside with a black outline and black inside. \"BACARDI\" is written in black with gold outline on the red side of the cord. The Bacardi logo is also present. The lanyard measures approximately 2.75 in. (width) x 4.125 in. (length) and the cord measures approximately 22.25 in. The cord is in excellent condition while the lanyard is in fair condition. There is an approximately 0.5 in. tear where the cord connects to the lanyard. There are also small creases on the top edges of the lanyard as well as abrasions all over the back of the lanyard. HHC 2013.035.15","Artifact. Lanyard for the Southeast Music Entertainment Inc.'s annual Music and Entertainment summit (SMES).The lanyard features a woman wearing black with headphones on the front. At the top is written \"SMES\" in red rugged font. Beneath that is written \"BRIDGING THE GAP SINCE 2001\" in red. To the bottom right of \"SMES\" is written \"2008\" in white. There is a red strip in the middle of the lanyard. \"SEPTEMBER /26TH| 27TH| 28TH/ HOLIDAY INN (SURFSIDE)/ MYRTLE BEACH, S.C.\" is written in white within the red strip. At the bottom of the lanyard there are logos of sponsors for the entertainment summit. The cord of the lanyard has the logo for the Society of European Stage Authors and Composers (SESAC), one of the sponsors for the entertainment summit. The lanyard measures approximately 3 in.(width) x 5.125 in.(length). The cord measures about 17.5 in. The lanyard is in good condition with numerous abrasions to the front. HHC 2013.035.16","Artifact. Lanyard featuring a white background with pictures of artists Ryan Leslie, Monica, and Rick Ross on the front. The artists' names are in front of them in gold with Rick Ross' as the largest. In the middle of the lanyard there is a a black and gold alternating strip. \"THURSDAY, OCTOBER 30, 2008\" is written in white within the first black strip. \"BACKSTAGE\" is written in white in the gold strip and \"MYSPACE.COM/EMPIREENTERTAIN1\" is written in the second black strip. Beneath that is a logo for M.E.G. Underneath that is \"HAMPTON UNIVERSITY CONVOCATION CENTER\" written in black. At the bottom of the lanyard are logos for sponsors of the event. The lanyard is approximately 4in.(width) x 5.25in. (length). The lanyard is in excellent condition with only a few abrasions to the front. HHC 2013.035.17","Artifact. Lanyard with a red and gold background and featuring an African mask in the middle of the lanyard on the front. At the top of the lanyard is written \"THE SOUTHEASTERN VIRGINIA ARTS ASSOCIATION PRESENTS\" in gold. Under this, \"AFR'AM FEST\" is written in white. Beneath this is written \"'CELEBRATING THE ESSENCE OF FAMILY'/TOWN POINT PARK, NORFOLK, VA\" in gold. Below the mask is an oval bubble with a red background. Inside the bubble \"BACKSTAGE ACCESS/SATURDAY\" is written in white. There is also another oval bubble under that with a white background. The lanyard measures 3.375in.(width) x 5.25in.(length). It is in excellent condition. HHC 2013.035.18","Artifact. Lanyard featuring a red and black background with white strips. In the first white strip at the top \"ARTIST/STAFF NO CHARGE\" is written and underlined in black. Under that in the red and black background. There is a depiction of the geographical United States overlaid with the American flag, there are various bullet holes inside the depiction. In an arch above the depiction is written \"CONSPIRACY NATION\" in red horror font. Below that is written \"EPISODE 1: THE MYSTERY OF THE 7 CITIES\" in white. Beneath this depiction is a second white strip. \"NO CHARGE FOR SHOW/PARTY\" is written in black inside the second white strip. At the bottom of the lanyard is a background featuring a city skyline. \"ALL ACCESS PASS/NO CHARGE FOR ADMISSION\" is written in white within the city skyline background. The lanyard measures approximately 2.25in.(width) x 3.25in.(length). The lanyard is in poor condition with delamination of the illustrated front part of the lanyard from the cardboard base, as well as delamination of the back lamination from the cardboard base. HHC2013.035.19","CD. Titled Yesterday (Edit.) Box 3.","Andrea Castleberry/ M$. Blendz oral history conducted by Kevin Kosanovich. Topics include: military history and hip hop; Foxy Fridays; 92.1 FM; Blendzville Award show; Boodah Brothers; Scratching vs. Mixing; Women and hip-hop; Teens with a Purpose;","Blendzville Award Items, 2007-2011. Seating chart. Laminated signs. From 2007: Sheet of tickets; list of confirmed and potential performers. From 2009: Items include one flyer and and one laminated ticket for the 3rd Annual Award show; Outline of evening's events. From 2011: List of performers; provisional list of nominees. Box 1.","Photographs. M$. Blendz and Kid Capri. M$. Blendz and DJ Law and Big B of the Boodah Brothers, 2001. M$. Blendz and crates of vinyl records. M$ Blendz and 92.1 the Beat, the first hip-hop station in Norfolk. Box 1.","Blendzville Productions informational letter. Box 1.","WOWI 103 Jamz notebook cover. Box 1.","Artifact. One trophy in the shape of a silver and gold microphone. The base of the trophy is made of brown fiber wood material. There is a gold label on the front of the base. \"BLENDZVILLE HIP HOP AWARDS BEST HEAVY HITTER 2008\" is engraved on the gold label. The trophy is approximately 6in.(height).The trophy is in good condition. There are four brown spots on the bottom of the base. The first is toward the back and is 1.25in. The second one is in the middle at the left and is 1.125in. The third is in the middle to the right and is approximately 1.25in. The fourth is near the front and is approximately 1.25in. Gift of Andrea Castleberry / M$. Blendz. HHC 2013.036.06","Artifact. 2- Lanyards. The lanyards have a red and black background with a city skyline depicted. \"4th ANNUAL\" is written in white at the top. \"TAKE ME AWAY\" is written in red beside it. Below these phrases \"BLENDZVILLE\" is written in white. The \"B\" is written in 3-D font and has a wing coming from the center of the \"B\". Under \"BLENDZVILLE\" is written \"HIP-HOP AWARDS '11\" in white. \"Unplugged\" is written in a diagonal below \"HIP-HOP AWARDS '11\" in a silver-gray horror font. At the bottom of the lanyard the date, \"11.12.11,\" is written in white. Below that are the different ways to get more information about the event (i.e. twitter, phone number, website). The lanyards measure approximately 4in.(length) x 2.375in.(width) and are in excellent condition. Gift of Andrea Castleberry / M$. Blendz. HHC 2013.036.07ab","1 - white cotton t-shirt with Origins SCW II Hip Hop Show logo in red. Shirt also has a logo featuring a record with outstretched wings behind it and a crown on top. The bottom left portion of the shirt also has a stylized WM '12 with two feathers extending above from the 'M.' T-shirt created for a Fall 2012 show, cypher, and workshop weekend hosted by the William \u0026 Mary Bboy Club's SMILES Crew on November 17-18, 2012. W\u0026M Bboy Club's website described the event: \"The showcase is going to be held on November 17 (Saturday) 3PM-5PM. Through ORIGINS, we are trying to spread the hip hop culture not only on our campus but also throughout the East Coast and show what true hip hop is all about by showcasing dance crews from all over America. This year we will be focusing on bringing the two coasts together to create the most inspirational and mindblowing performance ever to be seen. Again following the showcase, we will have an open cypher in the evening to allow dancers to come together to share, dance, and learn. A new addition this year will be dance workshops the following afternoon (Sunday)! \" Gift of Kevin Kosanovich, American Studies PhD Candidate. HHC 2012.388.01","Fliers, posters, photographs, artifacts, and ephemera. Also included are a series of digital photographs and images starting at 2013.037.10 through 2013.037.131. Also included in the digital photographs are a series of photos from a session at Tazwell Hall, September 8, 2012, 2013.037.132. Box 1.","Flyers for Origins II funding events, flyers advertising the opportunity to join SMILES Crew, and a program from Origins II. Box 1.","Origins II business card. Box 1.","Receipt from the William and Mary copy center for 500 Bboy flyers. Box 1.","Multiple copies of the student newspaper, \"The Flat Hat,\" volume 101, Issue 28, from Tuesday, January 31, 2011 featuring an article on the William and Mary Bboy club. Box 1.","William \u0026 Mary Bboy Club table sign for \"Day For Admitted Students\" Activities Fair.","Thank you note to SMILES Crew from Daniel Zhu of Strife.TV. Strife.TV documents bboy culture. Box 2.","Multiple large photo prints of SMILES Crew by Danel Zhu of Strife.TV Box 2.","Large advertising poster for the SMILES Crew Origins II T-shirt sale in the Sadler Center lobby. Box 2.","Photos of W\u0026M Bboy club / SMILES Crew's Origins II pre-show jukebox session event.  Photos taken at Sadler Center terrace. 2013.037.131","Photos from W\u0026M Bboy Club / SMILES Crew practice session in the basement of Tazwell on September 9, 2012. 2013.037.132","Artifact. Purple t-shirt featuring a gold crown on the front. Below the crown \"SMILES\" is written in white screen print. Beneath that is written \"CREW\" in white screen print. A golden banner ribbon is depicted below \"CREW.\" It reads \"Est. 2008\" in purple. There are two stars to the left and right of \"SMILES\" and \"Crew.\" The reverse of the shirt features one small golden wing with a purple infill on the wearer's left shoulder. The shirt is a size large and is in excellent condition. HHC 2013.037.133","Artifact. A large boombox in the model of the original 1980s style hip hop boombox with two large speakers on either side of the boombox. In the center of the boombox there is a faux tape holder where an iPod can be inserted. Above this is a space to insert headphone cords, a USB drive or a SD/MMC cord. At the top of the boombox is an area to insert a cord for a microphone as well as buttons to add a pop, classic, rock, jazz, or loudness mix. There are also button to control selection and repeat functions for the iPod and tracking for the radio. Finally, there is a large silver knob on the right side that is used to find a radio station and a smaller silver knob to turn the boombox on on the left. There is a black handle at the top of the boombox. and a black cord in the back where the boombox can be plugged up. The boombox is of the Lasonic brand and measures approximately 13in. (width) x 24.25in. (length). The boombox is in good condition with numerous scratches all over the boombox and few signs of wear and tear. This boombox was the first one used by the SMILES Crew from its founding in 2008. Image available at http://www.flickr.com/photos/scrc/10275466095/. Gift of SMILES Crew. HHC 2013.236.01","Fliers for several SHHO sponsored concerts. Membership flyer for SHHO. Flyer for Syndicate tryouts [W\u0026M hip-hop dance group.] Box 1.","Photographs of Charles \"Ric\" Lampkins, Tilghman Goldsborough and Dominque James of W\u0026M SHHO. Photographs taken in the Botetourt gallery in Swem Library on February 20, 2013 by Kevin Kosanovich.","Digital images and digital flyers of WM SHHO sponsored events donated by Bobak Karsai.","W\u0026M SHHO oral history interview with President Dominique James, Vice President Charles \"Ric\" Lampkins and member Tilghman Goldsborough by Kevin Kosanovich on February 20, 2013.  This interview exists in two parts.  Part two includes discussion of \"favorite\" hip-hop artists, past and present.  Topics include:  hip-hop culture in high school; Richmond; Trap music; Trill wave; dance crews; authenticity; race and hip-hop; class and hip-hop; W\u0026M campus hip-hop culture; SHHO; sneakers and fashion.","Artifact. Eight plywood panels that, when assembled, create a sign. The sign has \"Student Hip Hop O.\" spray painted in black hip hop script font at the top. There is an arrow and star next to the \"S\" and a star next to the \"O.\" Under \"Student Hip Hop O.\" is spray painted \"Hip Hop\" in light purple hip hop bubble font. Next to that is spray painted an arrow in light purple hip hop font. Beside the arrow is spray painted \"SH.h\" in light purple hip hop bubble font. There are two black stars spray painted under the arrow and the \"h.\" There are signatures of members of the Student Hip Hop Organization all over the sign. Each plywood panel is approximately 2ft.(length) x 2ft.(width). They are in good condition with miner fraying and chipping on the edges. Gift of Blair E. Smith, Class of 2011. HHC 2013.262.01a-h","Twenty photographs of M1 Platoon performing on a Fridays Concert that was hosted by AMP and SHHO. SHHO brought M1 Platoon to the campus in 2008, it was the organization's first concert. The concert was outdoors at the Sadler Center Terrace. Photographs include M1 Platoon and William \u0026 Mary students enjoying the concert. Also photographed was a white W\u0026M SHHO t-shirt. Identified students in the photographs include Jennifer Robinson, Blair Smith, and Bailey Thomson. Gift of Jennifer Robinson, Class of 2011. 2013.294.1-2103.294.20.","85 photographs of SHHO's second concert featuring UNI, a group from California. Gift of Jennifer Robinson, Class of 2011. Acc. 2013.294.21-2103.294.106.","Correspondence, fliers and tickets docuemtning hip hop shows conducted by the Students of Hip Hop Legacy.","This series contains photographs taken at hip hop shows by Bailey Thomson.","Gym Class Heroes - One of the first hip hop shows at the College. The Roots had visited a few years back, but no one up and coming had played in a while. Tyga opened up, because he and the lead of Gym Class Heroes are cousins.","Gym Class Heroes - One of the first hip hop shows at the College. The Roots had visited a few years back, but no one up and coming had played in a while. Tyga opened up, because he and the lead of Gym Class Heroes are cousins.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","Nickelus Fury - Another great SHHO-sponsored event.  Proceeds went to the J Dilla foundation and a lot of people showed up.  Again, Blair had connected with these artists personally.  She introduced the show, and it just seemed to keep going.  I remember feeling like the whole room was pulsing with energy at one point- an amazing female rapper went on and brought down the house.","Nickelus Fury - Another great SHHO-sponsored event. Proceeds went to the J Dilla foundation and a lot of people showed up. Again, Blair had connected with these artists personally. She introduced the show, and it just seemed to keep going. I remember feeling like the whole room was pulsing with energy at one point- an amazing female rapper went on and brought down the house.","Roots- This photo was taken in Richmond, Virginia for the Jamestown 400 anniversary.  The Roots played for free and made a lot of political statements about the irony of them performing for the 400th anniversary of slavery in the Commonwealth.  Before hip hop existed as a movement at the College, lots of us found hip hop venues off campus.","Flyers advertising Ground Up Radio. Box 1.","Box 3.","Fliers from various venues and artists in Hampton Roads, Virginia. Box 1.","Material related to SHHO chapters other than the College of William \u0026 Mary. Box 1.","Email history of SHHO sent from William \u0026 Mary SHHO co-founder Bobak Kasrai. Box 1.","Artifact. One black \"Honeycomb\" SHHO logo decal. Decal measures 6.125in. (length) x 5.25in. (width) and is in good condition. There is an approximately 1.75in. crease in the top left corner and a 5.375in. crease in the center of the decal. There is also a staple mark in the top right hand corner. HHC 2013.041.02","Small flyer advertising the \"Chasing Forever\" SHHO launch, March 22, 2011. Box 1.","Cards and flyers advertising various SHHO sponsored concerts at Virginia Commonwealth University and other venues in Richmond, Virginia. Box 1.","Poster. Virginia Commonwealth University (VCU) SHHO Presents: Lecture with Greg Selkoe, Friday, November 2, 2012 at the VCU Commons Theatre. Greg Selkoe is the CEO of Karmaloop. Karmaloop is an online streetwear and culture boutique website.","Artifact. Button featuring the \"Chasing Forever\" logo. It features a black background with \"CC\" in white over a thin white division bar. Beneath the division bar is the symbol for infinity in white. The button measures 1.125in. in diameter. It is in good condition with three white smudges near the bottom of the infinity symbol. HHC 2013.041.06","Flier and digital images.","Oral history interview with Brandon \"DJ WYZE\" Sutton and Antoine \"Henmusik\" Henderson conducted by Kevin Kosanovich.  Topics include: history of Virginia Beach; \"7 City Legacy\" film; Norfolk State University; Old Dominion University; Description of Virginia Soul and Style.","Contains phonograph records featuring Timbaland, Philly's Most Wanted, Missy Elliott, and Fam-Lay; performance posters from local artists in Norfolk and Virginia Beach; cards advertising the documentary \"7 City Legacy,\" and an audio cd featuring Brandon Sutton, also known as DJ WYZE. Box 4.","WYZE Kouncil Entertainment business card. Box 1.","CD. \"Vol 2: VA Tape.\" Box 3.","Poster for Soundloy Productions \u0026 AWNP Presents: \"Jet Life in Virginia.\" Performances by Nesby Phips, Trademark da Skydiver, Hen, J. Pharoah, Trot, Intalek. Box 2.","Poster. Raekwon. Featured acts include Major Deal, Dirty Workas, Hen, Lloyd Vines. Tuesday April 19 at Hangar 09 in Virginia Beach. Box 2.","Poster from \"Paid in Full: Thanksgiving Weekend w/ Rakim.\" November, 27, 2011 at the Norva in Norfolk, VA. Box 2.","This item contains digital images of DY WYZE's logo and two photos.","Two copies of CD, \"7 City Legacy Mixtape, Volume 1.\" Both CDs are held in a plastic slip case and contain an insert art card. There are 19 tracks on the album. Box 7.","Oral history interview with Antoine \"Henmusik\" Henderson and DJ WYZE conducted by Kevin Kosanovich. Topics include: history of Virginia Beach; \"7 City Legacy\" film; Norfolk State University; Old Dominion University; Description of Virginia Soul and Style.","Henmusik flyers for \"Soup \u0026 Salad\" mixtape. Box 1.","Album.","This series contains flyers for events and a cassette tape collected by James Allen aka Dynamite J.","Oral history interview with James \"Dynamite J\" Allen conducted by Kevin Kosanovich on February 17, 2013. Topics include: late 1970s Virginia culture; Graffiti; Soul Train; Virginia State University; Soul Patrol; middle school and high school hip-hop culture; Mighty MCs; Old School Mentality Records; Richmond radio stations; bootleg tapes; Jam Pony Express; Alpha Studio; Virginia Zulu Nation Chapters; VA is for Hustlerz; History of mixtapes.","Flyers for \"VA is for Hustlas\" vols 1-4. Box 1.","Cassette Tape. \"The Mighty MC's: The 4unky 1.\" Side 1: The 4unky 1 remix/live. Side 2: Live on Maggic 99 w/K-Ski. Box 7.","CDs, posters, news clippings, and fliers from the artist Abys Virginia's First Lady related to performances, including Abu Fest, and her career. 2013.062.10-- Poster. \"DJ Hustleman Presents: Street Muzik DVD\" 2013.062.11 -- Poster. \"Abys: Between a Rock and a Hard Place\" 2013.062.12 -- Laminated Newspaper Clippings: \"Unity and positive hip-hop meet at festival,\" Daily Press; \"United, they rap: Local musicians rally in the East End to pay tribute to slain friend,\" Daily Press, September 30, 2006. Box 2.","Latonya \"Abys\" Denson's oral history interview conducted by Kevin Kosanovich.  Topics included:  Newport News and Hampton; Virginia vs. other Southern Scenes; Virginia women in hip-hop; Abu Unity Fest; Music Industry; Being an independent artist; BorNaturals; Down Low Squardron; Hoodstock.","CD. \"Between a Rock and a Hard Place\" hosted by DJ Hustleman. Featuring 7 Armz, D. Watz, Jus Rah, Taheem Jamal. Box 3.","Poster.  \"The Pre Valentaine's Jumpoff.\"  Hosted by Abys with DJ Big-E and DJ Silk.  Held Sunday, Febraury 11 at Crabbers 2000 on West Mercury in Hampton, Virginia.","Flyer for Abufest, August 26, 2012 at King-Lincoln Park in Newport News, Virginia.","Mixtape CD Cover. \"The Official AbuFest Mixtape: Abu R.I.P.\"  Mixtape in memory of BorNaturals MC, Abu the Butcher.","Mixtape CD cover for \"V-A Stand Up!\"","Post for the 3rd Annual Abu Unity Fest, October 11, 2008.  Held at King-Lincoln Park in Newport News, Virginia.","Poster for \"B-Girl Fest 2007,\" held in Columbia, SC.  Abys performed with a collection of women MCs.","Poster.  \"2nd Annual Abu Unity Fest,\" and \"Abu Unity Fest After Party\" held September 29, 2007 at King-Lincoln Park in Newport News, Virginia.","Oral history interview with Lovey \"Memph 10\" Jones conducted by Kevin Kosanovich in Richmond, Virginia. Topics included: Bloc Hog Entertainment; History of Promotions; Richmond as a hip-hop city; Industry vs. Street; Business of hip-hop.","CD. \"2 Much Goin On: Tha Mixtape.\" 2012. Box 3.","Poster. Memph 10, \"2 Much Goin on Tha Mixtape.\" Box 2.","Artifact. One brown, long sleeve button-up shirt. \"Memph 10\" is airbrushed in white and yellow above and to the left of the shirt pocket on the wearer's left. To the right and below the shirt pocket on the wearer's left are depictions of dice, in white, and a dollar sign in gold. To the right of and below the shirt pocket on the wearer's right is depicted a hand holding a test tube that says \"CHEMISTRY\" with a chain dangling from the thumb that has a weight at the bottom holding a bag which has a dollar sign and reads \"RECORDS.\" The reverse of the shirt features a groundhog with an orange and brown striped hat that has the letters \"FFH\" on it .The groundhog is holding a wad of cash and is leaning on a microphone that also has the letters \"FFH\" on it. There are two golden-orange dollar signs on either side of the groundhog. \"BLOC HOG\" is airbrushed in black, old English font in an arch above the groundhog. \"ENTERTAINMENT\" and \"MEMPH 10\" are airbrushed in white below the groundhog. The shirt is in excellent condition. It is a size 2x-Tall and is made by Dickies. Gift of Lovey Jones. HHC 2013.072.04","Artifact. Black V-neck shirt featuring a giant 2 on the front. The 2 is black and outlined in white. \"Turnt Up\" is written in white gothic font beside the giant 2. The \"T\" in \"Turnt\" is going through the top of the giant 2. Below this is a depiction of a city skyline in white with the top of some buildings going through the bottom of the giant 2. \"PROMOTIONS\" is written in white screen print in a small arch below the skyline. The back of the shirt has \"MEMPH 10\" in white screen print at the top of the shirt. Beneath this is \"@ BLOCHOG\" in white screen print. The shirt is a size 3XL and is in good condition. HCC 2013.072.05","Marlon Hamilton / Streetz G4G oral history interview conducted by Kevin Kosanovich on October 15, 2012. Topics include: Mr. William Burg; Williamsburg history; radio stations; G4G productions.","Williamsburg's own, Streets G4G mixtape, \"Mr. William Burg, Vol 3.\"","Digital images, flyers and photos of Marlon Hamilton / Streetz G4G.","One CD in plastic slip case with insert artwork for Streetz, \"Dunning Street Music\" mixtape. The mixtape was mixed and hosted by DJ Karee. Rick Rogers and Petey Pete are also featured on the mixtape. Dunning Street refers to a street in the Highland Park neighborhood of Williamsburg, Virginia. Highland Park is the oldest, historically African American neighborhood in Williamsburg. Box 7.","James \"Dangle\" Alston oral history interview conducted by Kevin Kosanovich on November 26, 2012. Topics include: Richmond graffiti history; Just Plain Sounds; Privileged Kids; Virginia college campus culture; record stores; hip-hop venues.","Cover art for James \"Dangle\" Alston's CD, \"One Time I Knew.\"","Larry \"Live\" Lyons oral history interview conducted by Kevin Kosanovich on November 27, 2012. Topics Include: radio stations; breaking; Playboys Express; Berklee Community Center; KQuick; Surrounded by Idiots; race in Virginia; North vs South in hip-hop community; corporate hip-hop; Livehouse Entertainment; record stores; venues and clubs; DDP crew.","Jamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.","Twain Gotti, \"Gotti's Turf, Pt. 2: The Bear Trap.\" Digital files consist of 15 tracks.","Mixtape.  Twain Gotti, \"Beartrap Movie.\"","Mixtape.  Twain Gotti, \"Beartrappin' 10210, Vol. 1.\" Digital files consits of 19 tracks and one image.","Jamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.","Jamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.","Mixtape CD. 2 Copies. \"1 Life 2 Live.\" MOR3SH3LLZ Entertainment, 2012. Box 3.","Ray \"BlakDrag\" Washington oral history interview conducted by Kevin Kosanovich.  Topics included:  Christopher Newport University; Beatdown Entertainment; Richmond culture versus Northern culture; Immortal Suspects; Newport News recording studio; The Lab; The Barbershop; Newport News hip-hop history; Thug Relation; Mike Lord; BorNaturals; Process of making an album; Internet and hip-hop.","Mixtape CD. \"The Farewell.\" Wildlife Records. Box 3.","CD. \"Wildlife Mixtape Volume #1.\" Wildlife Records. Box 3.","CD. \"Str8 Gutta.\" Wildlife Records. Box 3.","CD. \"The Burning Seazon: From Killaweed 2 Bad Newz.\" Box 3.","CD. \"Welcome (Lyricist Only).\" Hosted by DJ Mercury. Box 3.","CD. \"Pen Game.\" Box 3.","Zack \"Novel Bandana\" Lawson and James \"22\" Parks oral history interview conducted by Kevin Kosanovich on December 2, 2012. Topics include: Newport News; DJ Tops; DJ Chase; battle rapping; DJ Silk; DJ Law; Joe Tracks; Mark Menace; BorNaturals; strip clubs and hip-hop.","At Bucks Brand in Newport News, Virginia. Performances by Stretch Dollas, Street G4G, Monsta Millie, Ammo. Box 1.","Features Stretchdollas, Trapname Jimmy, Shotty, Double XL, Monsta Millie.","Box 3.","Zack \"Novel Bandana\" Lawson and James \"22\" Parks oral history interview conducted by Kevin Kosanovich on December 2, 2012. Topics include: Newport News; DJ Tops; DJ Chase; battle rapping; DJ Silk; DJ Law; Joe Tracks; Mark Menace; BorNaturals; strip clubs and hip-hop.","Oral history interview with Terry \"Double XL\" Fenner and Antonio \"Hersh\" Fenner conducted by Kevin Kosanovich on December 2, 2012. Topics include: history of public housing in Newport News; gentrification; hip hop battling in projects; Newsome Park; Hoodplatinum; Suthern Boi records; Norfolk State hip hop culture; magazines; Roc the Mic nights; marketing and promotion; record stores and venues in Virginia.","Emanuel \"Mannie\" Willis oral history interview conducted by Kevin Kosanovich on December 18, 2012. Mannie Willis is the creator and founder of the urban wear fashion line, Distinct Nature Clothing. Topics include: Newport News; designing clothes for hip-hop artists Wale and Big K.R.I.T.; Virginia athletes.","Quentin \"Q45\" Thomas oral history interview conducted by Kevin Kosanovich on December 18, 2012. Quentin Thomas is co-founder of Ground-up Radio, groundupradio.com, a hip-hop internet radio station hailing from Williamsburg, Virginia. Topics include: 1980s bboys; mixtapes; serving in the military; hip-hop culture in the military; Old Dominion University; Hampton University; Fort Eustis; Witchdokter's Kafe; Ground-up Radio.","Sam McDonald oral history interview conducted by Kevin Kosanovich on January 10, 2013. Sam McDonald has made his career writing about popular culture and music throughout Virginia. Most recently, he writes for the Daily Press in Hampton Roads. Topics include: KRS-One; Danville, VA; the Daily Press; passing tapes; 7-11 Boyz; Boodah Brothers; Teddy Riley; Al B Sylke and 103 Jamz; Reggae; Area clubs; Abu Unity Festival.","Includes press releases, articles, fliers, publicity photos, press kits, and other material from various hip hop artists collected by Sam McDonald of the Daily Press. Artists include Missy Elliott, Nicole Wray, 6-year old Hampton rapper Gregory LaMont Walker, Barlow (Charles Barlow of Newport News), Billy Doo Wah (Hampton), Cool Carl (owner of the label Street Life Entertainment, Hampton), D\"Amour (Hampton), Timmy Beale owner of Slim Tim Productions (Hampton), Kaoss (Hampton and Newport News), 50/50 AKA Talent \u0026 Triumph (Newport News), Timbaland \u0026 Magoo's The New Two, Low Down Boyz (Untamed Records, Newport News), Teddy Riley's 4th of July Weekend Extravaganza, BLACKstreet (Interscope Records), and Delante Murphy's Hung Lo Productions (Hampton). Box 1.","2013.124","Afid Granados oral history interview conducted by Kevin Kosanovich on November 11, 2013. Afid Granados was president of VCU SHHO, circa 2011-2013. Topics include: Richmond; Virginia Commonwealth University; SHHO; Jeff Sobel; Nickelus F; Michael Millions; Lee Major; University of Virginia SHHO chapter; Northern Virginia hip-hop culture; sneaker culture and fashion; streetwear.","Oral history interview with Richmond-based artist Jason \"Van Ark\" Brown, conducted by Kevin Kosanovich on January 15, 2013. Topics include: Richmond; 1990s Richmond hip-hop; battling; Jonathan Banks; playing instruments and composing; music industry and distribution; Divine Prophets; WRIR.","CD. \"Chemical Beats.\" 2007/2008. Box 3.","Digital files contain 20 tracks.","2013.125","Douglas Avant Perry, Jr. oral history interview conducted by Kevin Kosanovich on January 16, 2013. Doug Perry is the longtime station manager of WNSB, Hot 91.1 FM Norfolk, at Norfolk State University. Topics include: WRAP; Bishop Willis and black radio; Daddy Jack Combs; WOWI and 103 Jamz; Regan Henry; Chester Benton; DJ Heartattack; H.J. Ellison; DJ Mister B; WNSB history; DJ Jack of Spade; DJ Bad Joe; mixing and blending records; Go-Go; Gospel Groan; Teddy Riley; venues and clubs.","Monty Ross oral history interview conducted by Kevin Kosanovich on January 16, 2013. Monty Ross is longtime friend, collaborator and producer of Spike Lee's movies. Monty Ross currently serves as artistic director and operations manager of Crispus Attucks Theatre in Norfolk, VA. The oral history consists of two parts: Part one is the longer oral history; part two is an \"bonus\" story about meeting a young Sean \"P.Diddy\" Combs. Topics include: Bed-Stuyvesant, Brooklyn; DJ Nab; hip-hop in Atlanta; She's Gotta Have It; Island Pictures; New York's Lower East Side and hip-hop; Michael Jordan and \"Gotta Be the Shoes\" Nike campaign; Attuck's Theatre hip-hop Nutcracker; Mid-Atlantic Black Film Festival; GZA; Liquid Swordz; Sean \"P.Diddy\" Combs. This interview is available only in Swem Library's Special Collections.","DJ P-Eazy and Michael \"Sic Mic\" Thurman oral history interview conducted by Kevin Kosanovich on February 9, 2013. Sic Mic and DJ P-Eazy are Newport News hip-hop legends. This interview exists in two parts. Topics include: Newport News; BorNaturals; Newport News waterfront gentrification; Wixon Courts; Woodsong and Chantilly housing developments; uptown vs. downtown Newport News; Malachi Z. York; Crew Thick; Iron Curtain; Down Low Squadron; Blood Shot Eyez; Teflon Dons; School Boyz; The Lawbreakerz; record stores; venues.","Michael \"Sic Mic\" Thurman and DJ P-Eazy oral history interview conducted by Kevin Kosanovich on February 9, 2013. Sic Mic and DJ P-Eazy are Newport News hip-hop legends. This oral history contains two parts. Topics include: Newport News; BorNaturals; Newport News waterfront gentrification; Wixon Courts; Woodsong and Chantilly housing developments; uptown vs. downtown Newport News; Malachi Z. York; Crew Thick; Iron Curtain; Down Low Squadron; Blood Shot Eyez; Teflon Dons; School Boyz; The Lawbreakerz; record stores; venues.","Photos, CD, Audio recording.","CD. \"Burial Songs.\" GHGG Entertainment, 2013. Box 3.","Photograph of Sic Mic, DJ P-Eazy and Q45 taken by Kevin Kosanovich on February 9, 2013 in College Apartments, Room 9 after an oral history interview.","Letter of invitation from Dior Consulting \u0026 Management to attend a Press \u0026 Media event providing information about Newport News rapper Sic Mic's current and upcoming projects.","Two business cards, #TheBossDonproject.  One CD-case artwork insert for \"The Bossdon Project\" album.  Front-side features Sic Mic smoking a joint and the back-side of the insert lists the album's twelve songs including contact information for himself and the producers and other MCs featured on the album.  Also included on the back of the album is the message, \"Free T. Gotti.\"  This is in reference to Newport News MC Antwain \"Twain Gotti\" Steward who was arrested on murder and weapon charges based on a tortuous, and largely unbelievable connection made by Newport News Police and prosecuting attorneys between a 2007 murder and lyrics from a 2012 song.","One 13x19 poster advertising Sic Mic's album, \"The Boss Don Project.\"","2013.127","Horace C. \"Big B\" Belcher oral history interview conducted by Kevin Kosanovich on February 12, 2013. Big B is the last surviving member of the Boodah Brothers team featured on WOWI 102.9. The Boodah Brothers are responsible for introducing and growing hip-hop culture throughout Virginia since the early 1990s. Topics include: Denbigh High School; DJ Karee; club promoting; Boodah Brothers; DJ Law; Red Alert family; MC Spice; DJ Bee; Notorious B.I.G.; Fort Eustis; generational divide in hip-hop; WRAP; Jay-Z; Mike Lord.","2013.128","Faysal Matin oral history interview conducted by Kevin Kosanovich on February 20, 2013. Faysal Matin '14 is a DJ. Topics include: McClean, VA; William \u0026 Mary hip-hop culture; Streetz G4G; role of the DJ; crate digging; Serato vs. traditional DJing.","Two photographs of Faysal Matin. One photo taken in Swem Library's Media Center Studio. One photo taken by Kevin Kosanovich after Faysal Matin's oral history interview. The other photo was provided by Faysal Matin.","91 photographs of a Syndicate practice session and 1 Syndicate flyer. Gift of Jennifer Robinson, Class of 2011. Acc. 2013.294.106-2103.294.197.","Documents provide a history of Syndicate including Syndicate show flyers, photographs, programs, dance lists, a t-shirt logo, and other material. Gift of Carolyn Kovacs, Class of 2009, Syndicate member 2005-2009, president 2008. Acc. 2013.295.1-2013.295.8","Photographs and memories of Syndicate, a dance group at the College of William \u0026 Mary. Gift of Nikki Jedlicka, Class of 2007, founding member of Syndicate. Acc. 2013.296.","Keith Ivey, editor in chief, sports \u0026 entertainment magazine. Acc. 2013.299. Box 1.","Mentor Records. Promotional Copy, radio and club versions. Box 3.","Box 1.","Box 1.","Motown the Musical in New York City. Box 1.","2013.129","Jerome \"JB da Pilot\" Waller '13 oral history interview conducted by Kevin Kosanovich in Swem Library on September 19, 2012. Virginia Beach native Jerome Waller is also known as JB da Pilot and a member of the Mile High Club. Topics include: Virginia Beach; Mile High Club; recording; W\u0026M hip-hop culture; Jay-Z; hip-hop fashion.","Album.","Photograph of Jerome \"JB da Pilot\" Waller taken by Kevin Kosanovich after Jerome's oral history interview. The photograph was taken in the Media Center Studios in Swem Library.","2013.130","Keith \"Adam West\" Taylor '13 oral history interview conducted by Kevin Kosanovich in the Media Center on February 22, 2013. Keith grew up in Virginia Beach and is a member of the hip-hop crew, the Mile High Crew. Topics include: authenticity and hip-hop and rap; College Park and Virginia Beach; hip-hop culture in primary and secondary schools; W\u0026M campus hip-hop culture.","Photograph of Keith \"Adam West\" Taylor taken by Kevin Kosanovich on February 22, 2013 in Swem Library's Media Center Studios after conducting an oral history.","2013.131","Jarrod \"J-Rod\" Tanner oral history interview conducted by Kevin Kosanovich on March 11, 2013. Jarrod \"J-Rod\" Tanner is a radio DJ on WNSB, Hot 91.1 FM. Topics include: Bronx vs. Virginia; Lex Luger; Juicy J; Filipino influence on bboys in Virginia Beach; JROD Brand; economics of Virginia hip-hop; college radio stations.","Photo of Jarrod \"Jrod\" Tanner taken by Kevin Kosanovich on March 12, 2013 after Tanner's oral history interview.","Contains two editions of \"Frequency\" magazine and colored photographs. The colored photographs are organized and identified by subject below. Jhunnipuz Elite: 5 photos Spunk Ichiban: 5 photos The Gypcees: 4 photos The Illegal Turntable Immigrants (The Flying Ginzu Brothers): 2 photos NoNaMes: 3 photos DMP: 4 photos Miscellaneous: 11 photos featuring a variety of events, jams, and people. Kleph Dollaz: 2 photos Bboys/Bgirls: 14 photos DJs: 8 photos including DJ Jayone, Disko Dave, DJ Lonnie B, and DMC events in VA Beach. Box 1.","Danny Rodriguez / Dan Tres Omi oral history conducted by Kevin Kosanovich on February 27, 2013. Topics include: Zulu Nation; Virginia Beach; Virginia high school hip-hop culture; Bronx vs. Virginia hip-hop culture; WRAP; Filipino community in Virginia Beach; hip-hop culture in the military; graffiti writing culture in Hampton Roads.","2013.132","Kentral \"Handles\" Savage oral history interview conducted by Kevin Kosanovich on October 25, 2012. Topics include: Eastern Shore Virginia; music videos; New York City vs Virginia; Petersburg, Virginia; Virginia State University; venues; Virginia Producers.","2013.133","Tashawn Jones oral history interview conducted by Kevin Kosanovich on October 23, 2012. Topics include: Record stores; blogs; New Jersey vs. Virginia hip-hop culture; Chesapeake; Norfolk; Old Dominion University; SHHO; Boodah Brothers; Disko Dave; hip-hop venues.","2013.134","Keith \"DJ K-Ski\" Carter oral history interview conducted by Kevin Kosanovich on February 28, 2013. Keith Carter is one of the first Virginia hip-hoppers, beginning in the late 1970s in the Petersburg and Richmond area. Topics include: DJ B-Wiz; Das FX; Virginia State University; Kid Capri; Jazzy Jay; hip-hop culture vs. rap culture; Soulsonic Force; Notorious B.I.G.; Magic City; DJ K-Skeen; Serato.","Digital flyers and images from Keith Carter / DJ K-Ski.","2013.135","Shinobi Kush oral history interview conducted by Kevin Kosanovich on May 1, 2012 at Kiwanis Municipal Park in Williamsburg, VA. Illinois native Shinobi Kush has been a longtime member of the Williamsburg, VA hip-hop community. Topics include: Zulu Nation; defining hip-hop; Williamsburg hip-hop history; record stores; hip-hop and the military.","2013.136","Blair Ebony Smith oral history interview conducted by Kevin Kosanovich on September 30, 2012. Topics include: record stores; importance of vinyl; sampling and hip-hop history; history of Student Hip Hop Organization and W\u0026M; SHHO sponsored events; Richmond hip-hop artists; race and W\u0026M.","2013.137","Malcolm Venable oral history interview conducted by Kevin Kosanovich on January 16, 2013. Malcolm Venable has written about Virginia musical culture for local newspapers and currently works as Brand Planner at the Martin Agency in Richmond, Virginia. Topics include: Petersburg, Virginia; Virginia State University; Teddy Riley; \"Don't Believe the Hype\" video Virginia Beach Greekfest riots; Richmond; Reggae; Virginia Informer; middle-class rap.","2013.138","Desiree Williams oral history interview conducted by Kevin Kosanovich on January 18, 2013. Topics include: Brownsville and Brooklyn; hip-hop culture in the military; Teddy Riley; hip-hop and New York boroughs; women and hip-hop; Bink Dog.","2013.139: William \u0026Mary  SHHO founder Bobak Karsai's written history of the SHHO and the W\u0026M SHHO chapter history.","2013.140","Lamar Shambley oral history interview conducted by Kevin Kosanovich on October 15, 2012. Topics include: Brooklyn vs. Virginia; SHHO history; AMP; Syndicate; SHHO Sponsored events; Virginia Sound.","2013.141","Mike \"Joe Rugby\" Williams oral history interview conducted by Kevin Kosanovich on March 19, 2013. Topics include: airbrushing clothes; BorNaturals; Newport News; Double XL; graffiti; Richmond; Clipse; Shinzu; Word of Mouth; Old Dominion University; Norfolk State University; Zulu Nation; MC battles; Quasimoto; Exclusive magazine; Frequency magazine; Jhunniperz; Tapehustlerz; Bad Newz Connection.","Email from Mike \"Joe Rugby\" Williams listing Virginia hip-hop artists. The list is organized according to city.","Mike \"Joe Rugby\" Williams list of Virginia record labels.","2013.142","Regan Sommer McCoy oral history interview conducted by Kevin Kosanovich on March 20, 2013. Regan Sommer McCoy is founder of the Mixtape Museum and booking and tour manager for the Clipse. Topics include: Hampton University; New York vs. Virginia; mixtapes; Mixtape Museum; gender and music industry; gender and academia; Star Trak; Clipse.","2013.143","Yazmin oral history interview conducted by Kevin Kosanovich on March 20, 2013. Topics include: DJ K-Ski; Brooklyn; graffiti; battling culture in Virginia; Portsmouth; women in hip-hop; neo-soul; reggae; gospel hip-hop.","2013.144","Todd Van Luling '13 oral history interview conducted by Kevin Kosanovich in the Berger Conference room in Special Collections on March 21, 2013. Todd Van Luling was station director of WCWM and Contemporary Culture director of Alma Mater Productions (AMP). Topics include: Herndon, Virginia; Hot 99.5 FM in Northern Virginia; AMP history with hip-hop; WCWM and hip-hop; Kendrick Lamar; Big Boi; house shows; Homebrew.","2013.145","Alex Cousins '14 oral history interview conducted by Kevin Kosanovich on April 11, 2013 at the Grind Coffee House in Williamsburg, Virginia. Alex Cousins is a William \u0026 Mary student and genre director of hip-hop at WCWM, W\u0026M's college radio station. Topics include: WCWM; Buffalo, New York; W\u0026M campus hip-hop culture; Meridian Coffee House.","2013.146","Rachael Faunce oral history conducted over the phone by Kevin Kosanovich on March 21, 2013. Rachael Faunce grew up in Suffolk, Virginia. As head of Rachael Faunce Enterprises, she is a marketing, public relations professional who has worked with various local and national music and entertainment artists. Topics include: 103 FM Jamz Fest; Notorious B.I.G.; Boodah Brothers; Southern Hustling Tour; DJ Stress; 92.1 FM The Beat; Felonius Monk; DJ Karee; Abu Unity Fest; Sic Mic.","2013.147","Charles \"Batman VA\" Brown II oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Barnes \u0026 Noble in Hampton, VA. Charles \"Batman VA\" Brown grew up in a military family in Hampton, Virginia. He runs his own marketing and publicity company, Dark Knight Ent., as well as working with record labels such as Def Jam and Interscope. His career and oral history provides knowledge about \"street teams\" and street team marketing in Virginia. Topics include: street teams; marketing; branding; Def Jam; Mary Mack apartments; Hampton; 103 Jamz; Rob Love; Gerald \"Gee\" Daniels; Keith Barham; Jig; Virginia sound; military culture in Virginia; Travis Porter; Dark Knight Ent.; Verse Simmonds; 2 Chainz.","Photograph of Charles Brown II / Batman VA taken by Kevin Kosanovich on April 11, 2013 in Hampton, Virginia.","Black polyurethane foam hand with middle finger extended. Outline of hand is imprinted in white on foam shape with text \"#IDFWU BIG SEAN\" on front and \"#IDFWU\" on back. 5.5 in. slit in foam on bottom allows it to be worn on the hand. Measures 17.75 in. (length) x 9.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.064.01","Clear plastic (polystyrene) shot glass with black screen printing. Text reads, \"Verse Simmonds / Buy You A Round\" with a line drawing of a pair of glasses. Measures 2 in. (height) x 1.75 in. (top diameter) x 1.125 in. (bottom diameter). In excellent, unused condition. HHC 2015.065.01","Trophy with clear plastic medallion, which rotates atop a black four-sided angled base. Clear plastic round disk features engraved design, which reads \"SMES / BRIDGING THE GAP SINCE 2001 / 2009.\" Base has attached plaque, reading \"Promotor of the Year / DarkKnight Ent Batman.\" Measures 7 in. (height) x 3.5 in. (width) x 3 in. (depth). In good condition. HHC 2015.066.01","two small stickers with the \"DarKnight Ent.\" logo on it.","Tickets, 2007-2012 to a variety of events throughout Virginia:  Summer Jamz 2008 (3 Tickets), Independence Day Jam (1 Ticket), Keyshia Cole (1 Ticket), Wiz Kalifa (1 Ticket), Future (1 ticket)","Mixtape CD in plastic sleeve with insert album artwork and information. The mixtape was hosted by DJ Tekniks, DJ Scream, and DJ Drama. The mixtape contains 19 tracks with featured performances from Yo Gotti, Big Sean, Tyga, and Too Short. Box 7.","One 10x16 poster advertising \"DarKnight Ent.\" Batman VA's company is involved in branding, marketing, music marketing, and promotions.","2013.148","Moe Money Mafia oral history interview conducted by Kevin Kosanovich in Swem Library on May 13, 2013. Moe Money Mafia is a Virginia Beach based rap group. Topics include: Virginia Beach; Lou Delgado Studios; freestyling; Tappenhanock hip-hop history.","2013.149","A'Kishia Edlow oral history interview conducted by Kevin Kosanovich in the Burger Conference Room in Swem Library's Special Collections Research Center on May 7, 2013. A'Kishia Edlow grew up in Brownsville, Brooklyn and Atlanta, and currently lives in Virgnia. Edlow is a longtime promoter and manager with extensive relationships throughout the hip-hop nation. Edlow is Ghostface Killah' s tour manager and Sic Mic's manager under her managment company Dior. Topics include: Brooklyn; Atlanta; \"Skew it on the Bar-B\"; women and hip-hop; Wu-Tang Clan; Ghostface Killah; Sic Mic; 1000 Kings Walk.","2013.150","Alice Yeh '12 oral history interview conducted by Kevin Kosanovich on September 11, 2012 in the Sadler Center. Alice Yeh was the co-captain of the William \u0026 Mary Bboy Club, SMILES Crew from 2011-2012. As co-captain she helped create the Origins bboy show. Topics include: SMILES Crew; Northern Virginia; race and hip-hop; gender and hip-hop; breaking; W\u0026M campus hip-hop culture; Syndicate; W\u0026M SHHO; James Madison University; Lionz of Zion; Guerilla Will.","2013.151","Matthew Argao '13 oral history interview conducted by Kevin Kosanovich on September 13, 2012 in the Sadler Center. Matthew Argao was co-captain of William \u0026 Mary Bboy Club, SMILES Crew from 2011-2012. Topics include: race and hip-hop; James Madison University; SMILES Crew; William \u0026 Mary campus hip-hop culture; breaking; Virginia.","2013.152","Raghav Veluri '13 oral history interview conducted by Kevin Kosanovich on September 13, 2012 at William \u0026 Mary. Raghav Veluri maintained \"Circles,\" a weekly cypher bringing together all elements of hip-hop culture on campus. Meeting at the Phoenix Seal on Landrum Drive, students interested in hip-hop culture or who practiced hip-hop culture were invited to participate. Topics include: freestyle; beat boxing; breaking; music; race and hip-hop; history of \"Circles\"; internet and hip-hop; William \u0026 Mary campus hip-hop culture.","Photographs of a Circle's cypher session at the Phoenix Seal run by Raghav Veluri on September 10, 2012. Participants include Raghav Veluri, Qi Chen, David Loebman and Aron \"Chowdah\" DeSimone.","2013.153","Aron \"Chowdah\" DeSimone oral history interview conducted by Kevin Kosanovich on September 25, 2012. Topics include: W\u0026M Bboy Club; SMILES Crews; Culpepper, Virginia; punk vs. hip-hop; dance styles; breaking; issues of race and hip-hop participation; Origins I and II; George Mason University and James Madison University bboy events; Lionz of Zion.","2013.154","Qi Chen oral history conducted by Kevin Kosanovich on October 4, 2012. Topics include: Adelaide, Australia; China; bboying in Asia; Elmo; YouTube; Bboy Club and SMILES Crew; Kodachrome.","2013.155","Nolan Chao oral history interview conducted by Kevin Kosanovich on October 6, 2012. Topics include: Old school and classic hip-hop; hip-hop culture on campus; UCAB/AMP; Bboy club history; issues with Syndicate; Tribal Breaks; DJing; DJing vs. breaking; breaking and internet; serrato technology; Lionz of Zion.","2013.156","Alexandra Court oral history interview conducted by Kevin Kosanovich on October 9, 2012. Topics include: Vienna, Virginia; hip-hop in high school; gender issues in hip-hop; W\u0026M and hip-hop; pajama party; Sadler Center; crew vs. club member.","2013.157","Benjamin Yoo oral history interview conducted by Kevin Kosanovich.  Topics include:  Richmond; Los Angeles; Korean participation in breaking; Syndicate; W\u0026M Bboy Club and SMILES Crew history; Asian American perspective on hip-hop culture; Explosion of Soul Crew; Kodachrome; Virginia Commonwealth University.","2013.158","David Loebman oral history interview conducted by Kevin Kosanovich on October 30, 2012. Topics include: Richmond; YouTube; W\u0026M hip-hop culture; graphic art; James Madison University; jump style.","2013.159","Nicole Brown oral history interview conducted by Kevin Kosanovich on October 2, 2012. Topics include: bboy club and hip-hop at W\u0026M; Meridian Coffeehouse; top rocking and floor work; James Madison University and Circles event; Tribal Breaks; gender and bboying; Kodachrome; NOVA.","2013.160","Guerilla Will and Mike Miller oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Olive Garden in Norfolk, Virginia. Guerilla Will is a former president of the Virginia Beach Zulu Nation Chapter, bboy, Taglish Tees employee, host for numerous hip-hop events and all-around hip-hop dynamo. Mike Miller is co-creator of Taglish Tees, a street wear clothing company steeped in hip-hop and Filipino culture based in Virginia Beach. Topics include: Taglish Tees; Zulu Nation history in Virginia; International Soul Society; record stores; Thai Pan; Jewish Mother; Fuzzy's on Wednesdays.","Photo of Mike Miller and Guerilla will taken by Kevin Kosanovich after conducting their oral history interivew on April 11, 2013. Photo was taken in Norfolk, Virginia.","Artifact. Gray cinch bag with black back straps. The front of the bag features a depiction of a white tribal man with a white spear dancing. The dancing man is surrounded by a white circle. \"TAGLISH TEES\" is written in white below the depiction. Beneath \"TAGLISH TEES\" is written \"Culture, Style, Expression\" in white. At the bottom of the front \"WWW. TAGLISHTEES.COM\" is written in white. There is a Taglish Tees information card inside the bag. The bag measures approximately 17.25in. (length) x 13.375in. (width). It is in excellent condition with an approximately 12.5in. crease in the middle of the bag. There is also a crease going down the length of the bag. HHC 2013.160.03","Mike Miller and Guerilla Will oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Olive Garden in Norfolk, Virginia. Guerilla Will is a former president of the Virginia Beach Zulu Nation Chapter, bboy, Taglish Tees employyed, host for numerous hip-hop events and all-around hip-hop dynamo. Mike Miller is co-creator of Taglish Tees, a street wear clothing company steeped in hip-hop and Filipino culture based in Virginia Beach. Topics include: Taglish Tees; Zulu Nation history in Virginia; International Soul Society; record stores; Thai Pan; Jewish Mother; Fuzzy's on Wednesdays.","2013.161","Melvin \"Magoo\" Barcliff oral history interview conducted over the phone by Kevin Kosanovich on April 15, 2013. Growing up in Virginia Beach and Chesapeake, Virginia, with Timbaland, Larry \"Live\" Lyons, Pharrell Williams, Missy Elliott, and Pusha T and No Malice of Clipse, Magoo is a member of Virginia hip-hop royalty. A member of Surrounded By Idiots (SBI) in the early 1990s, Magoo achieved international fame as one half of Timbaland and Magoo in the late 1990s. Among his many projects, Magoo can currently be heard offering music business insight and advice on Hot 91.1 FM. Topics include: origins of \"Magoo\"; \"Rappers Delight\"; WOWI; bboying; Larry Live; Timbaland; Freedom of Speech Posse; K-Quick; Andre Harrell; DeVante Swing; Pharrell Williams; Surrounded By Idiots; Chad Hugo; Virginia Beach; Teddy Riley; Songwriting; Timbaland \u0026 Magoo; Aaliyah; Record Stores; Gangsta Rap.","2013.162","Jimmy Green oral history interview conducted over the phone by Kevin Kosanovich on March 27, 2013. Topics include: Frank Nitti; Virginia Grime Family; military and hip-hop culture; graffiti; Big Shizz; Boycott Radio; 7 cities mentality.","Ike Owens oral history interview conducted by Kevin Kosanovich in the Burger Conference in Swem Library's Special Collections Research Center on April 17, 2013.  Ike Owens is Harlem transplant living in Norfolk.  Owens is responsible for promoting many of the first hip-hop events and concerts in Virginia.  Topics include:  Norfolk; Old Dominion Universtiy; Norfolk State University; Bishop Willis; New York and hip-hop culture; WRAP; Surrounded By Idiots; Gospel and hip-hop connection; Daddy Jack Holmes; Norfolk Soul; MC Spice; Greekfest Riots; McCories Graffiti Shop; Herman Valentine; Regan Henry; DJ Heartattack; Al B Silk; Ice T Thomas; Soul Ranger; Teddy Riley; Rodney Jenkins.","Photograph of legendary VA promoter Ike Owens taken by Kevin Kosanovich on April 17, 2013 in Swem Library's Burger Conference room.","Two copies of an event flyer that reads in part: Another College Boyz Production, The Ultimate After Party Celebrating W\u0026M Homecoming 2013; Doing it after dark @ the Cove. Box 1.","2013.164","Music.  Dragonspit Jones, \"The Ugly Truth LP\"","2013.165","Theo Jamison / Intalek oral history interview conducted by Kevin Kosanovich on June 28, 2013 in the Burger Conference room in Special Collections. Topics include: Los Angeles vs. Virginia; Virginia musical style; creative process; poetry and lyrics; defining hip-hop.","2013.165.1. Digital files contain 15 tracks.","From Bandcamp: \"The July 2010 success of the original 10-track \"Lives And Vibes\" EP from Intalek and Ritchcraft sparked an even deeper release from the duo, giving rise to this newer and stronger 14-track album. Still holding on to the original work, Intalek and Ritchcraft created 4 more tracks for the fans to enjoy.\"","Digital files consist of 2 tracks.","Digital file contains 18 individual tracks.","Two copies of the cd \"L.A. VA Tape\" by Intalek and EOM. The recording was produced by G-Man Mangement, LLC. Box 3.","One copy of the cd \"G.R.O.W.\" by Motive, a member of the hip hop group Aspire to Inspire. Box 7.","Acc. 2014.152. Small flyer for Intalek's LA to VA mixtape. The flyer provides a bandcamp address to download the album. There is a picture of Intalek with a microphone stand across his shoulders, as well. The back of the flyer features the logo and web address of GMan Entertainment Music Group, presumably Intalek's label.","Digital files consist of 7 tracks","CD. \"The Duct to Da Lawns.\" Pre Entertainment, 2005. Box 3.","CD. \"BORNATURALS.\" Box 3.","CD. \"Deeply Rooted 5.\" Nex N' Line, Inc., 2001. Box 3.","CD. \"Pink Cookies.\" B.M.G., 2013. Box 3.","CD. \"We the Best Presents . . . Rum.\" Box 3.","CD. \"DJ Jack of Spade Presents: Trunk Music.\" Box 7.","2013.166: Lisa Lee Counts oral history interview conducted by Kevin Kosanovich in Suffolk, Virginia on June 11, 2013. Lisa Lee Counts, better known as Zulu Queen Lisa Lee is a founding member of the Zulu Nation. In addition to being a founding member of the SoulSonic Force and Cosmic Force, Zulu Queen Lisa Lee was also featured in the seminal hip-hop films \"Beat Street\" and \"Wild Style.\" Zulu Queen Lisa Lee currently resides in Virginia. Topics include: comparing New York hip-hop with Virginia hip-hop; women in hip-hop; contemporary hip-hop.","2013.167","Justin \"JSAR\" Saar oral history interview conducted by Kevin Kosanovich in the Burger Conference Room in Swem Library's Special Collections Research Center on May 31, 2013. JSAR is a Newport News recording artist. Topics include: Newport News; Richmond; DJ Bobby J; hip-hop and technology; Norfolk State University.","Box 3.","Two copies of fliers for a J'sar show at the Iguana in December 2013 and two copies of fliers promoting J'sar to perform at Shaggfest 2014 in Virginia Beach. Box 1.","2013.168","Digital files consist of 22 tracks","Richmond hip-hop collective. 2013.169","Album.","Mp3 file of the rap song that Jon Houghton (a.k.a. \"J-Diz\") at William \u0026 Mary composed about VCU's Cabell Library late last year. It was a product of Swem's media lab.","Song: \"Library.\" Mp3 file of the rap song that Jon Houghton (a.k.a. \"J-Diz\") at William \u0026 Mary composed about VCU's Cabell Library late last year. It was a product of Swem's media lab.","2013.171","Digital files consists of 28 tracks.","2013.172","Cascade Records podcast featuring Ohbliv. According to Cascade Records: \" This is the second podcast of the new year, courtesy of our dude Ohbliv from Richmond, Virginia. Everything from smooth jazzy joints to raw soul bangers, this is 30 minutes of pure butter. Oh is a super talented cat.\" (Acc. 2013.172)","Song from the 2011 compilation album, \"Eat More Blunt Guts.\" [ No release/rights.]","\"Body Ride\" is included on Ohbliv's 2011 mixtape, \"EZ Widas.\" [No release/rights.]","Ohbliv's track, \"bahdiyap,\" released on the HW\u0026W Volume 1 mixtape.","Klipmode's Klipkasts features guest artists and their mixes. Ohbliv composed the third edition of this series.","Album. Ohbliv released, \"New Black Renaissance (Side B),\" on February 20, 2012. \"Side B\" was the follow-up to his album \"New Black Renaissance (Side A)\" released in October 2011.","Ohbliv's album, \"Ohblique\" was released digitally on Bandcamp.com on September 13, 2011.","Ohbliv released the digital album, \"Hydrosub\" on December 15, 2010.","Album.  Ohbliv released \"Rugged Tranquility\" in 2009.  \"Rugged Tranquility\" represents Ohbliv's first full-lenght beat tape released digitally.","\"Soulphonic\" is an Ohbliv composition commissioned by SHHO.  According to SHHO, \"If you ever wanted to know what Richmond sounded like sonically, this is it. Sit back and enjoy.\" 2013.172.11","This album is a collaboration between Sir Froderick and Ohbliv (\"Sir-Bliv).  Sir-Bliv: \"Wholly Rollers LP.\" . Released 2013. 2013.172.12","Play Cloths is a progressive streetwear brand with a focus on the creation of high quaility garments adaptable to any lifestyle. 2013.173","Play Cloths released this mixtape for the holiday 2011 season.","Terrence Thornton, better known by his stage name Pusha T (short for Pusha Ton), is an American hip hop recording artist and one half of hip hop duo Clipse, along with his brother and fellow rapper Gene \"No Malice\" Thornton. He is also the co-founder and co-chief executive officer (CEO) of Re-Up Records. 2013.174","Fear of God II: Let Us Pray is the major record label debut and extended play by American hip hop recording artist Pusha T, released on November 8, 2011, under G.O.O.D. Music. The EP serves as his first project with Kanye West's GOOD Music label.","2013.175","The Rubber Peeple released their mixtape, \"Tighten Up Mixtape ft. DJ S-Dot\" on October 19, 2012.","2013.176","Flyer for The Nutcracker performed at the historic Attucks Theatre in Norfolk on December 7-8, 2012.","Flyer for Da Block morning radio show on 103 Jams. Da Block features Anguz Black and DJ Bee.","Final flyer for the Origings II event held November 17, 2012 in the Sadler Center. Bboy crews performing: MF Kidz, Crewcial, VCU Poppers, Akademix, Blank Canvas, SMILES Crew, Urban Individuals, Bamboom, Havikoro.","Flyer for California rapper Lil B's, aka Based God, three Virginia concerts. He performed March 25-27 in Springfield, Virginia Beach, and Richmond, respectively. Amped\u0026Alive and N.I.C.E. Entertainment promoted Lil B's concerts.","Flyer for Action Bronson's June 19, 2013 concert at the Kingdom in Richmond. VA. Opening acts included 360 Boyz, Teleport Team and THALSD. Kingdom \u0026 Kulture were the concert promoters. 2013.176.11","One 11x17 poster promoting Ludacris' album, \"Ludaversal.\"","One 12x18 poster for Soulstice Reb'l, \"Reb'lution\" album release party at The Norva, 11.15.14.","One 8.5\" X 11\" flyer with Kons the Child in the top right corner and Charles Diamond in the lower left corner. The flyer also contains time and location of the festival. The festival took place Saturday, April 18, 2015 at the Meridian Coffeehouse at the College of William \u0026 Mary.","Artifact. Black t-shirt featuring a movie poster-type picture on the front. The background has a red and orange stereo speaker. The foreground has a ghostly figure with a green mask and green hands and long fingernails. The ghostly figure is holding a woman wearing a white tank-top with long brown hair. The woman looks as if she is dying. \"GHOSTFACE KILLAH\" is written in white screen print at the top of the movie poster-type picture. Below the \"H\" in \"KILLAH\" \"IN\" is written in orange screen print. At the bottom of the poster \"TWELVE REASONS TO DIE\" is written in black with white outline and orange shadow. The shirt is a size large and is in good condition with a 0.25in. unraveled seam in the back at the bottom. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.01","Artifact. Black t-shirt with a featuring a white \"X\" in white rugged-type font on the front. Next to the \"X\" is an \"O\" also in white rugged type font. In between the \"X\" and the \"O\" there is a white heart. The shirt is a size large. It is in good condition. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.02","Artifact. Black t-shirt featuring a blue comic bubble on the front. \"WORDS BEATS \u0026 LIFE\" are written in yellow hip hop graffiti font inside the blue comic bubble. There is a red bleeding shadow behind \"Words Beats \u0026 Life\" and a star as the dot of the \"I\" in \"LIFE.\" On the reverse of the shirt at the top \"WORDS BEATS \u0026 LIFE INC.\" is written in white screen print. Below that is written \"Teaching·Convening·Presenting\" in white. Beneath that is written \"Hip-Hop\" in white. The shirt is a size large and is good condition with an approximately 0.75in. crease on the \"S\" in \"WORDS\" on the front. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.03","Artifact. White t-shirt featuring a gray city skyline and subway. There are also four men wearing hip-hop style clothes. They are green at the top and gray at the bottom. \"35th\" is written in white and yellow-green hip hop graffiti at the top of the city skyline. \"Anniversary\" is written below the \"35th\" in white script. Underneath that is written \"ROCK STEADY CREW\" in white, yellow and green hip hop graffiti. The reverse of the shirt has \"35th\" written in black hip hop graffiti, \"Anniversary\" in black script, and \"ROCK STEADY CREW\" written in black hip hop graffiti. There are logos of sponsors for the event below the writing. The shirt is a size large. It is in good condition with a 0.5in. white spot with brown specks below the foot of one of the men on the front. There is also a 1.5in. green stain at the bottom of the picture on the front, a 0.25in. green stain at the bottom front seam on the wearer's right and far left, and a 2in. green stain at the bottom of the shirt on the wearer's left. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.04","Artifact. Blue t-shirt. \"Break Free\" is written in black with white outline in baseball script on the front. Under \"Break Free\" is written \"11\" in black with white outline in baseball number font. HaviKoro, a b-boy crew from Houston, Texas, performed at ORIGINS: SCW II, held November 17-18, 2012 at W\u0026M's Sadler Center and Campus Center. The shirt is a size XL and is in good condition. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.05","One CD in slip case with the With Good Reason logo and program information printed on the CD. Guests for the \"Hip Hop, You Don't Stop,\" program included Kevin Kosanovich from the College of William \u0026 Mary, Nikki Giovanni from Virginia Tech University, Jim Borling from Radford University, and John Adam from Old Dominion University. Box 7.","Four tickets to the June 7, 2014 Z104 Shaggfest Concert held at the Farm Bureau Live at Virginia Beach outdoor concert venue. Shaggfest is annual concert festival organized by Brandon Stokes, aka Shaggy, a radio DJ at Z104. Virginia Breach's own Pharrell Williams headlined the festival.","One sticker from the Cornell Hip Hop Collection. The sticker features a picture of Afrika Bambaataa taken by the hip hop photographer Ernie Paniccioli, the \"mixtape\" Cornell Hip Hop Collection logo, and the url Preservinghiphop.org running along the bottom of the sticker.","1-gray 100% acrylic sweatshirt that features a head shot of the Notorious B.IG. wearing sunglasses in black on the front. The sweater is a size large and is in good condition. There is lint all over the sweatshirt. Gift of Kevin Kosanovich. HHC 2014.189","1-navy blue sweatshirt that features a depiction of a red panda with blue and white fur above two white row boat oars that are crossed. \"EST.\" is printed in white on the wearers right of the crossed oars and \"MMX\" is printed in white on the wearer's left of the crossed oars. at the bottom of the sweatshirt, right above the pocket, \"CREW\" is printed in white. The sweatshirt was made by Mannie Willis-Distinct Nature Clothing. It is made of 50% cotton and 50% preshrunk polyester and is a size large. It is in good condition. There is lint all over the sweatshirt. Gift of Kevin Kosanovich. HHC 2014.190","Acc. 2013.074 includes posters and fliers for the William \u0026 Mary Hip Hop Collection Launch Party on April 19, 2013; remarks given by Amy Schindler, University Archivist, at the launch party, and an article from the Daily Press with coverage of the collection and announcement for the launch party.","\"Virginia Beats: The College of William \u0026 Mary's new Hip-Hop Collection,\" by Dan Harrison in the June 2013 issue of \"Virginia Living Magazine\"; discusses the genesis of the William \u0026 Mary Hip Hop Collection. The article is found on page 37. Box 4.","CDs of artists such as Rum, Next N' Line, Thug Relation, and Treie that were collected during the launch of the William \u0026 Mary Hip Hop Collection on April 19, 2013 at Swem Library.","Contains posters used at the 2nd Annual William \u0026 Mary Hip Hop Collection Celebration that took place on 2014 April 3 at Swem Library.","This interview is not yet available online.","Made in Italy: Let's Dance Medley with the tracks: \"You are a Dancer,\" \"Happy Children,\" \"Dolce Vita,\" \"Kalimba de Luna,\" \"Comanchero,\" \"Tarzan Boy,\" Masterpiece,\" \"Vamos A la Playa,\" \"The Night,\" \"Disco Band,\" \"Self Control,\" \"Bad Boy,\" and \"Easy Lady,\" \"Let's Dance.\" Side A includes all tracks; Side B Includes the dance version of all tracks. A red circle feature on the album's cover reads \"Featuring Rap Version by Tony \"B\" - G.Q. \"Jay\".\" LP is stamped \"Promotional Copy Not For Sale.\" Milan, Italy. 33 1/3. Box 4.","Tony B. and the Electric Warriors. Side A: \"So Hot\"; Side B: \"Brickhouse\". Disco Mix. Modern Music Productions. Italy. LP is the size of a standard 33 1/3 rpm record, but is actually pressed as a 45. Box 4.","Includes single edit, instrumental, radio mix and acapella versions of sides A and B. SoVa Records was based in Virginia Beach, Virginia. Box 4.","XYZ (Xiang-Yu Zhong) in some places.","One copy of the CD \"Jinwen\" (roughly translates as \"Censored News\") by XYZ (Zhong Xiangyu). Tracklist: 1) Intro; 2) Still Martial Law; 3) Soulless; 4) ABC; 5) Kau-ka-T; 6) Manifest Plainness, Embrace Simplicity. Box 7.","CD. \"The Earth Is Sour.\" Box 3.","CD. \"Finally.\" Box 3.","CD. \"Level II.\" Box 3.","CD. \"Seed Is.\" Members include Nikki Kilgore, Buttafly, Biggs, Mike Peace, Tom Smith, Big Daddy Rich, Jeris Quinn, J.P. Lilliston, and Dawg. Box 7.","CD. Recording of live performance that occurred on September 15, 2001 at the Umoja Festival. \"Seed Is...\" Box 3.","CD. \"What-Chu Heard? The Real 'Remix'.\" Box 7.","CD. \"A Conversation with my Son.\" Box 3.","CD. \"A Kids Life.\" Box 3.","Audio cassette tape. \"Never Too Young.\"","CD. \"The Mixtape.\" Box 7.","CD. \"Home Grown.\" Box 3.","CD. \"Promotional CD.\" Box 3.","CD. \"Love and War Sampler.\" Box 7.","CD. \"Love and War.\" Box 7.","CD. \"Advance CD-Promo.\" Box 3.","CD. \"Day Ina Life.\" Box 3.","One poster advertising the Fresh Radio sponsored DJ Bee \u0026 Kool DJ Red Alert event celebrating the 40th anniversary of hip hop culture, by \"edutaining you through the years of hip hop.\" The event was held at the Jewish Mother in Norfolk, VA on August, 30, 2013.","Two name tags with the William \u0026 Mary Hip Hop Collection logo. The name tags were signed in August 2013 during a campus visit to American Studies and Swem Library. One name tag has DJ Bee's signature and \"Fresh Radio.\" Kool DJ Red Alert signed the other name tag and included \"Respect !!!\"","Poster for Vince Loyal's single, \"Don't Be Scared.\"","Two business cards for Alan Jones, aka DJ Alboog, professional DJ.","CD single with artwork for Virginia Grind Family (VGF) member Vince Loyal's \"Don't Be Scared,\" featuring Misaya and produced by Beat King. The CD and artwork was manufactured by Coastal Media.","Virginia Grind Family (VGF) member Voe Black's single, \"Guapo,\" produced by Yello Banks.  The CD and included artwork was manufactured by Coastal Media.","Signed poster for Virginia Grind Family member Voe Black's single, \"Guapo\"","Six issues of Elemental Renaissance (ER) magazine. ER was published by Grover C. Winfield III, out of his Norfolk, VA apartment. ER began as a newsletter circulating at Old Dominion University on September 25, 1999. The purpose of ER was to introduce readers to hip-hop's \"4 elements\": the break dancer, the graffiti artist, the DJ, and the MC. In addition to Grover Winfield, Danny Rodriquez (Dan Tres Omi), another collection member, also wrote for the magazine. Issues donated: October 2000, Volume 1, Issue 1 February 2001, Volume 2, Issue 1 June 2001, Volume 2, Issue 2 January 2002, Volume 2, Issue 3 November 2002, Volume 2, Issue 4 June 2003, Volume 3, Issue 1","Jay Quan's \"Urban Legend\" CD was released in 2003 by JAH Music. The album includes 11 songs, including the singles, \"Five Mics\" featuring Grandmaster Caz \u0026 Grandmaster Mele Mel, and \"Get Down.\"","Jay Quan, \"5 Mics\" featuring Grandmaster Caz and Grandmaster Mele Mel, 12\" vinyl single.  Produced by Dr. No, Side A features 3 tracks: the vocal cut, the radio edit, and the instrumentals.  Side B features remixes of the three cuts on Side A.  The 12\" LP was released by JAH Music in 2003.","Jay Quan's comic advertising his single, \"5 Mics,\" was autographed at the top with the note, \"To: W\u0026M.\" The 6 panel comic situates Jay Quan's single within a history of hip-hop culture descended directly from legendary MCs Grandmaster Caz, Grandmaster Mele Mel, and Kool Moe Dee. A duplicate, non-autographed copy is also included.","One autographed press photograph of \"The First Sons Original Recordings.\"  The photograph is undated, but was most likely created in the 1990s.","One DVD case for Sho Flacco's No Plan B: Mixtape and Movie. Included in the case is a CD for the mixtape and a DVD containing the movie. No Plan B was created and distributed in associate with Inner Circle Entertainment.","One CD and artwork for Mz Meka's album, \"Queen, I Am.\" Included in the slip case is a business card for Mz. Meka and her Soul Rebel Nation.","Two copies of CD in sleeve with artwork for Evan Barlow's album, \"Trials to Triumph.\" Artwork includes information concerning the albums songs, production information, and management contacts. Box 7.","One DVD in jewel case with insert artwork. The artwork has pictures of hip hop cultural figures including Jim Jones, Pusha T, Chyanne Jacobs, and DJ Baby Drew, among others. The title of the DVD is, \"Phenom DVD: Independence Day.\"","One CD in jewel case with insert artwork for Prano the Youngin's album, \"Break the Mold.\" Involved in producing this record were Lab Ratz, The Dirtyworkas, Cash Rules Conglomerates, and Upper Room Studio. Additonally, Cymandye Lady-C created the album artwork.","One CD in cardboard case of Egami Reh's \"Egami Reh's Story Time.\" Cover art features a cartoon rendering of Egami Reh traveling through space surrounded by a variety of images including a bboy, a beetle holding a crystal, a book, and several mytiscal shapes and renderings.","One flyer and one small gatefold flyer for Studio X, Xclusive Media. Studio X offers digital printings, video, photography, and music services. Studio X is located in Virginia Beach.","One paper flyer advertising the The Buffalo Boyz MC's The Great Pretenders event held May 18, 2013.  The Great Pretenders are performers who assume the personas of famous R\u0026B, Soul, and Funk musicians including Aretha Franklin, Teddy Pendergast, Prince, Al Green, Whitney Houston, and Millie Jackson, among others.  The Buffalo Boyz Motorcycle Club are a Williamsburg-based African American motorcycle club with roots stretching back to the 1970s.","One CD in jewel case with insert artwork of Hudson \u0026 Guam's \"Visions.\"","Four tickets from Mic Hog Competions: two from June 2, 2014 and two from July 5, 2014.","Two paper flyers advertising the \"William \u0026 Mary Hip Hop Collection: Mic Hog Competion\" held June 2, 2014 at the Cove Tavern in Williamsburg, Virginia.  Featured artists included A.P.E., Labratz, Maino, Stunna Steam, Tay Activist, Versa Kyle, and Plug Set Records.","Two newpaper articles featuring Hudson \u0026 Guam. One article, \"Guam Duo Hip-Hopping to Stardom\" was published Sunday, July 20, 2014 in the Marianas Variety--Guam Edition newspaper. The second article, \"Hudson and Guam Going Big,\" was published Friday, July 25, 2014 in the Pacific Daily News.","2-brass medals that feature a laurel leaf around the edge. \"William and Mary Hip Hop Collection\" is printed in black block letters at the top in an arc. \"Mic Hog Competition Champion\" is printed in black block letters in an arch at the bottom in an arch. In the middle of the medals is a depiction of a hog holding a mic in its mouth. The logo for the William and Mary Hip Hop Collection to the right of the depiction. Beneath the depiction but above \"Mic Hog Competition Champion,\" \"Hudson and Guam\" is printed in black block letters. The back of the medals has \"William and Mary Mic Hog Champion\" engraved in black on a oval background. \"China\" is engraved in raised letters on the bottom of the back of the medals. The medals are attached to black lanyards by a golden colored hook. The medals measure approximately 2.5in. in diameter and the lanyards (including the hook) measure approximately 16in. The medals are in good condition. Both medals have light scratches all over them and medal \"b\" has a small copper colored spot on the back at the top right side of the oval platform. HHC 2014.164.05ab","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Cymandye aka Lady-C of hiphopsince1987.com/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. HHC 2014.164.06","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Doug \"DJ Teddy Bear\" Perry of Hot 91FM/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. The plastic is peeling off on the top left corner and the bottom right and left corners. There is also a white stain on the plastic above the \"o\" of \"of\" in \"On this day of Jusne 2, 2014.\" HHC 2014.164.07","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/DJ Strez of Hot 91FM/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. HHC 2014.164.08","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Cymandye aka Lady-C of hiphopsince1987.com/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots and columns all over the plastic covering the mounted piece. HHC 2014.164.09","One CD-R in paper packaging with a binder clip. On the pack of the packaging, the track list information is written. Box 7.","The Source Magazine #259.  On page 83 of the magazine, HipHopSince1987.com is listed as #30 on the Digital Power 30 list.  Quinelle Holder and Cymandye Russell signed the magazine.","1-white t-shirt that has \"HIPHOP87/HIP HOP SINCE 1987.COM\" printed in white on the front in graffiti-style block letters. There is a black background behind the white letters. The t-shirt was received by Special Collections staff during the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is made of 100% preshrunk cotton and is a size extra-large. It is in excellent condition. Gift of Quinelle Holder. HHC 2014.186","1-black t-shirt that features an abstract design resembling a cow's head in silver with a white outline. Above the design \"MUSTAFA\" is printed in black with a white and silver outline. Below the design \"MALIK\" is printed in black with white and silver outline. Below \"MALIK\" \"DESIGNS™\" is printed in white. \"CLOTHING THAT DUZ DA BODY GOOD™\" is printed in white below \"DESIGNS™.\" This shirt is a 25th Anniversary MMD (Mustafa Malik Designs) Retro T-shirt design. It was received by Swem Special Collections staff during the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is made of 100% cotton and is a size large. It is in excellent condition. Gift of Mustafa Malik Shabazz. HHC 2014.187","Two photocopied documents.  The \"Green Book\" is 37 pages long and primarily instructs members on the regulations and expectations of Zulu Nation members.  The Green Book is composed of six sections of Infinity Lessons including the history of hip-hop, Afrika Bambaataa, and the Zulu Nation philosophy.  The \"Black Book\" is 65 pages long and provides the spiritual and metaphysical underpinnings of the Zulu Nation.  Additionally, the Black Book provides further Infinity Lessons examining history, dietary issues, and philosophical matters.","The Journal of the Moorish Paradigm, Book 8, by Hakim Bey. The booklet is signed by Afrika Bambaataa, founder of the Universal Zulu Nation, the most important cultural institution in hip-hop. Book 8 focuses on \"Divine Law Governs All Events.\" The booklet is comprised of stapled, printed sheets of paper. The booklet is approximately 48 pages long.","The DVD is an interview conducted and produced for the Bronx Museum with Afrika Bambaataa. The interview focuses on the origins of hip-hop culture and the Zulu Nation in the Bronx during the 1970s.","Stretch Dolla, \"The Wrong Time to Hate,\" CD.  The CD is contained in a plastic sleeve with a slip-in art card.  The CD has 15 songs.","2 copies of Versa Kyle's CD, \"No Struggle, No Progress.\" The CDs are held in two slip cases with art cards. There are 20 tracks on the album.","One CD by Soul Sun, titled \"Limitless.\" The CD is held in a cardboard case. There are 18 songs on the album. Box 7.","Black cotton t-shirt with red and white screen printing. Text on the front reads \"DRUGZ\" in red with handwritten letters and underlined. Illustration in white of a gas mask with \"TAKEOVER\" in black at the top. Shirt size is 2XL, and measures 32 in. (length) x 38.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.016.01","Founded in November 2008 by Prince Hakeem, Famous Radio has become an important force in Virginia online radio.  Featuring regional and national news, interviews, and music, Prince Hakeem and the Famous Radio family continue to support Virginia's dynamic hip-hop culture.  After Famous Radio moved into a larger studio in 2014, they donated these doors to the hip hop collection.  The studio doors provide an important, and unconventional, record of the many musical artists that call Virginia home. Two doors and four pieces of door frames containing the tags of the artists and hip-hop cultural makers that visited Famous Radio.","One letter from Brian Owens aka Liquid addressed to Kevin Kosanovich written in pen on a sheet of 8X11 spiral notebook paper.  The letter serves as Brian's introduction to Kevin Kosanovich about his various projects and involvement in Virginia's hip-hop scene.","Two copies of Liquid's mixtape, \"Feel Free.\" Each copy contains a CD in plastic sleeve with an insert cover art. The mixtape has 10 songs. Box 7.","One CD in plastic case. Insert cover art features picture of The Special Guests performing. The album contains seven songs. The Special Guests is Brian Owens' hip-hop, blues, funk band featuring a live DJ and horn section.","One CD case containing the album, \"Weep No More.\" Included is an insert cover-art with a picture of a statue weeping. There are sixteen songs on the album.","Three art prints by Brennan Krick: two 10' x 15' prints, and one 8' x 10' print. The 8' x 10' print has a cat holding a cup with Chinese characters on it, standing next to a machine gun. One of the larger prints is of a cyborg woman with curly red hair. The other large print features a samurai riding on the back of a Chinese-inspired rendering of a dragon.","Black cotton t-shirt with white screen printing. Logo on front features a spirit holding a microphone. Text on back reads, \"GHOS MERCK\" with the logo in between. Shirt size is M, and measures 29 in. (length) x 31.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.061.01","One CD in plastic slip case, titled \"Dirstorted Noize.\" The CD has 20 tracks. Box 7.","One 8' x 11' GhosMerck Promotional Photo.","Red and white plastic cup resembling a disposable red Solo® cup. Sticker applied to the side of cup reads \"Red Cup Gang.\" According to the group's promotional website, \"The 'Red Cup' symbolizes the focus on the positive things in life. 'Gang' symbolizes the bond between people.\" Measures 5 in. (height) x 4.125 in. (top diameter) x 2.5 in. (bottom diameter). In excellent, unused condition. HHC 2015.058.01","One informational flyer for the Society of Hip Hop \u0026 Education organization.","Orange drawstring backpack with white screen printing. Bag is made of an orange non-woven polypropylene with black drawstrings. Text reads \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT WWW.BME757.COM.\" Bag measures 16 in. (length) x 15 in. (width). In excellent, unused condition. HHC 2015.089.01","Included in this folder are three items.  One double-sided informational card advertises BM\u0026E Presents television show on one side, and BM\u0026E managed artist, Golden Boy, on the flip side.  One promotional card promoting \"Red Cup Gang,\" and Young Rell.  Finally, the promotional items also include an upper-case 'C' sticker above five stars.","White cotton pocket t-shirt with blue, yellow, red, and black screen printing. Text on the front reads, \"BATTLE MUSIC \u0026 ENTERTAINMENT\" with an illustration of tanks with speakers attached. Text in black on back reads, \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT.\" Shirt size is 2X-Large, and measures 33.75 in. (length) x 42 in. (width). In good condition with .75 in. blue paint smudge on right sleeve and 4.5 in. light brown line near tag. HHC 2015.092.01","Blue transparent plastic water bottle with screw on sport-top lid. Water bottle is made of polyethylene terephthalate with molded, textured indents for fingers on sides. \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT WWW.BME757.COM\" is screen printed in white on sides. Measures 8.75 in. (height) x 2.75 in. (diameter). In excellent, unused condition with no visible defects. HHC 2015.095.01","Navy blue cotton t-shirt with white screen printing. Text on the front reads, \"Lights On ME\" with outline images of two spotlights, with two logos below,  \"96.7 the BLOCK non-stop hip hop\" and \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT.\" Text on back reads, \"WWW.BME757.COM.\" Shirt size is 3X-Large, and measures 34 in. (length) x 43.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.093.01","Two copies of Beachie Ball's CD single, \"Aye Aight,\" produced and distributed by Battle Music \u0026 Entertainment (BM\u0026E). The CD single is shrinkwrapped in a cardboard case. The cover features a photo of Beachie Ball superimposed over photos of signs locating Beachie Ball's hometown of Portsmouth, VA. The back cover lists the songs five versions of \"Aye Aight\": a \"dirty\" version, a \"clean\" version, the instrumental track, an a capella version, and a \"clean\" a capella track. Box 7.","CD EP, \"The Reveal\" by Kahlil Cade. The CD is in a plastic slip cover with inserted artwork and a business card for Slim Beats Music (SBM). The CD has four tracks. Box 7.","One plastic CD case with insert artwork. The promotional EP contains six tracks. Box 7.","One CD in plastic case with insert artwork and CD-R of the album. \"Toilet Wine\" contains 21 tracks. The CD was released by Gritty City Records in 2013. Box 7.","One CD in plastic jewel case still shrinkwrapped. The album contains 20 tracks. \"The Resume\" was released by Gritty City Records in 2011. Box 7.","This compilation album was released in February 2014. The album features a variety of Gritty City Records' artists including Johnny Ciggs, Pandemic, Fan Ran, Skweeky Watahfawls, and Teddy da Bear. The album also features production from Roanoke, VA hip-hop legend, Poe Mack. The CD is packaged in a plastic jewel case with insert artwork and a CD-R. Box 7.","Black Liquid's \"Best Of\" CD features 10 tracks that spans his 16 album recording career. The CD is housed in a paper sleeve. Box 7.","BTS's \"Edition\" is a two song EP, featuring the songs \"Let's Go\" and \"BTS Song.\" The CD is housed in a plastic jewel case with front and back insert artwork. The CD-R is signed by Pernell Nelson, aka Porno P, and Justin Galleto, aka J. Gibbs. Box 7.","Two informational booklets in bound plastic folders.  Each booklet is approximately 10 pages long and provides the history, rationale, and methodology informing the P.O.P. program.","One sealed DVD case for the film, Troop 491: The Adventures of the Muddy Lions. This movie was written and directed by Richmond, VA filmmaker, Praheme. Box 7. Description of the film: \"Troop 491 follows Tristan, an adolescent boy coping wth live in the inner city. Tristan's mother enroll him in he Boy Scouts in an effort to keep him off the streets. When Tristan witnesses a murder, the local thug demands his silence. Tristan learns, with the help of his new friends in the Boy Scouts, that doing the right thing is not always easy.\"","Whenever the library  receives multiple copies of CDs, one copy will be transferred to the Music Library where it will be made available for check-out.","Special Collections Research Center","English"],"unitid_tesim":["01/Mss. 1.19","/repositories/2/resources/842"],"normalized_title_ssm":["William \u0026 Mary Hip Hop collection"],"collection_title_tesim":["William \u0026 Mary Hip Hop collection"],"collection_ssim":["William \u0026 Mary Hip Hop collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Social life and customs--20th century"],"geogname_ssim":["Virginia--Social life and customs--20th century"],"places_ssim":["Virginia--Social life and customs--20th century"],"acqinfo_ssim":["Nearly all material received in 2012-2013 was collected by American Studies Ph.D. candidate Kevin Kosanovich working with Swem Library's Special Collections."],"access_subjects_ssim":["College of William and Mary--Students--Social life and customs","Hip hop culture--Virginia","Hip hop--Virginia","Hip-hop dance--Virginia","Hip-hop--Social aspects--Virginia","Music","Music--Virginia--Williamsburg.","Radio stations--Virginia","Rap (Music)--Virginia","Rap musicians--Virginia","Teenagers--Social life and customs","Audiocassettes","Fliers (printed matter)","Magazines (periodicals)","Musical recordings","Photographs","Posters","Sound Recordings","T-shirts"],"access_subjects_ssm":["College of William and Mary--Students--Social life and customs","Hip hop culture--Virginia","Hip hop--Virginia","Hip-hop dance--Virginia","Hip-hop--Social aspects--Virginia","Music","Music--Virginia--Williamsburg.","Radio stations--Virginia","Rap (Music)--Virginia","Rap musicians--Virginia","Teenagers--Social life and customs","Audiocassettes","Fliers (printed matter)","Magazines (periodicals)","Musical recordings","Photographs","Posters","Sound Recordings","T-shirts"],"has_online_content_ssim":["false"],"extent_ssm":["3.00 Linear Feet"],"extent_tesim":["3.00 Linear Feet"],"genreform_ssim":["Audiocassettes","Fliers (printed matter)","Magazines (periodicals)","Musical recordings","Photographs","Posters","Sound Recordings","T-shirts"],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accruals_html_tesm":["\u003cp\u003eAccruals are expected on an ongoing basis. Contact Swem Library's Special Collections to donate material to the William \u0026amp; Mary Hip Hop Collection (spcoll@wm.edu, 757-221-1775).\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Accruals are expected on an ongoing basis. Contact Swem Library's Special Collections to donate material to the William \u0026 Mary Hip Hop Collection (spcoll@wm.edu, 757-221-1775)."],"arrangement_html_tesm":["\u003cp\u003eThe current arrangement by artist is preliminary. and will change as a result of processing.\u003c/p\u003e\n","\u003cp\u003eAdditional information will continue to be added as the collection is more fully processed. Box 1 contains multiple accessions, boxes 2 and 5 contain multiple oversize accessions, box 3 contains audio CDs, and box 4 contains LPs. Artifacts are housed separately, and described here at the item level.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The current arrangement by artist is preliminary. and will change as a result of processing.","Additional information will continue to be added as the collection is more fully processed. Box 1 contains multiple accessions, boxes 2 and 5 contain multiple oversize accessions, box 3 contains audio CDs, and box 4 contains LPs. Artifacts are housed separately, and described here at the item level."],"prefercite_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Hip Hop Collection, Special Collections Research Center, Swem Library, College of William \u0026amp; Mary.\u003c/p\u003e"],"prefercite_tesim":["William \u0026 Mary Hip Hop Collection, Special Collections Research Center, Swem Library, College of William \u0026 Mary."],"processinfo_html_tesm":["\u003cp\u003eNot fully processed yet. Please contact a staff member for help: spcoll@wm.edu\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Not fully processed yet. Please contact a staff member for help: spcoll@wm.edu"],"relatedmaterial_html_tesm":["\u003cp\u003eArchived website.\u003c/p\u003e\n","\u003cp\u003e Information about related materials is available at https://wayback.archive-it.org/6106/*/http://icelanddogs.com/\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Archived website."," Information about related materials is available at https://wayback.archive-it.org/6106/*/http://icelanddogs.com/"],"scopecontent_html_tesm":["\u003cp\u003eEstablished by American Studies Ph.D. Kevin Kosanovich working in Swem Library's Special Collections, the William \u0026amp; Mary Hip Hop Collection is the most comprehensive of its kind dedicated to Virginia's hip hop culture and history from the 1980s to the present. The collection includes oral histories committed to preserving and documenting Virginia's rich hip hop past, as well as recordings of hip hop music, publications, and ephemera created by Virginia and Virginia-based artists, collectives, and businesses.  Additionally, the collection documents the origins and impact of hip hop culture on college campuses throughout the state by collecting records of hip hop based student organizations, college radio stations, events and concerts with a special focus on William \u0026amp; Mary itself.\u003c/p\u003e\n","\u003cp\u003e Oral History are available for most artist, and a brief summary of each is available . The majority of Oral Histories have been made available online and are linked directly from this finding aid. However, some interviews are available only in Swem Library's Special Collections.\u003c/p\u003e\n","\u003cp\u003eSound recording are available for many artist, and where possible, these to are availalbe through links from this finding aid. The sounds tracks very from individual to mulptiple tunes per artist. \u003c/p\u003e\n","\u003cp\u003eOther digitized materials include photographs, record covers and flyers, and to a lesser extent written documents.\u003c/p\u003e","\u003cp\u003eCymandye Russell / Lady C oral history interview conducted by Kevin Kosanovich, part 1 conducted on November 13, 2012: Topics include: Hot 91 radio; hard core vs. hip hop; race, gender and sexuality in hip hop; Norfolk State hip hop culture; Williamsburg; discussion of MCs and DJs. Part 2 conducted on November 14, 2012: Topics include: radio personalities; mix-shows; youtube DJs and DJs vs. radio personalities; women MCs and DJs including Rah Digga, DJ Lazy K, Murder Mommies, DJ Erika B; HipHopSince1987.com; Greek Fest Riots; women in Virginia hip-hop. Part 3 conducted on December 6, 2012: Topics include: history of her nickname and the Virginia punk community; \"passion\" and hip hop; hip hop and community building; Boodah Brothers; graphic design.\u003c/p\u003e","\u003cp\u003eThree identical flyers for the Main Event 2.0 Music and Model Conference, held November 16-17, 2012 at Bentley's Restaurant and Lounge in Viriginia Beach, Virginia. Box 1.\u003c/p\u003e","\u003cp\u003e1-white t-shirt that has \"WNSB/ HOT/ 91.1/ Norfolk State University™ Broadcasting\" printed on the front. \"WNSB\" is printed in black raised letters and is outlined in white. \"HOT\" is printed in red stylized letters and has a ring of fire around it. \"91.1\" is printed in black block letters and is outlined in white. And \"Norfolk State University™ Broadcasting\" is printed in white on top of a black strip under the ring of fire surrounding \"HOT.\" The t-shirt was received by Swem Special Collections staff at the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is a size small and is made of 100% preshrunk cotton. It is in excellent condition. Gift of Cymandye Russell/Lady C. HHC 2014.188\u003c/p\u003e","\u003cp\u003eOral history interview with Terry \"Double XL\" Fenner and Antonio \"Hersh\" Fenner conducted by Kevin Kosanovich on December 2, 2012. Topics include: history of public housing in Newport News; gentrification; hip hop battling in projects; Newsome Park; Hoodplatinum; Suthern Boi records; Norfolk State hip hop culture; magazines; Roc the Mic nights; marketing and promotion; record stores and venues in Virginia.\u003c/p\u003e","\u003cp\u003eMagazine copies. One copy of the \"The League: The Playbook for the Hip Hop Generation of Movers and Shakers,\" no. 4, Feb-Mar 2007. One copy of \"Exclusive\" magazine, January/February 2007, #1 volume 4. Box 1.\u003c/p\u003e","\u003cp\u003eNewspaper Clippings: Daily Press circa December 2003, Obituary for Quincy Navall Jones, \"Abu the Butcher,\" of Newport News rap group BorNaturals; Daily Press Friday, January 19, 2007 including an item about \"Rap Attack;\" \"Paying Tribute to 'Mic Lord'\" Daily Press, February 3, 2007; \"Local rap start delivers a new deal,\" Daily Press; Laminated, large copy of \"Double XL is a hip-hop winner,\" by Sam Mcdonald in the Daily Press, Friday, May 21, 2004. Box 2.\u003c/p\u003e","\u003cp\u003eTwo pages for a movie script featuring Double XL. Box 1.\u003c/p\u003e","\u003cp\u003eSentara Obici Hospital United Way Talent Show \"Certificate of Participation.\" Box 1.\u003c/p\u003e","\u003cp\u003eRising Star Promotions bout sheet for February 15, 2008 \"night of Professional Boxing\" at The Showboat Hotel \u0026amp; Casino. Double XL performed between the night's two main events. Box 1.\u003c/p\u003e","\u003cp\u003ePress Release for Double XL, Hood Plantinum and \"Rock the Mic Night.\" Box 1.\u003c/p\u003e","\u003cp\u003ePromotional materials. Flyers: \"Rock the Mic\" advertisement. All Black Everything Event featuring Rick Ross, Thursday October 14, 2010 at the Alley Nite Club. Mixtape flyers, \"Hood Platinum 3.\" Album flyer, Double XL \"The New Deal.\" Album art draft, two pages: Double XL, \"Me Versus Me\" on Suth'N Boi Ent. Booklet: \"Virginia Idol Talent Search, 2004.\" Box 1.\u003c/p\u003e","\u003cp\u003ePhotographs. The Legacy headshot for Suth'N Boi Ent. M$ Blendz, Double XL and unidentified, 2006. Two group photographs with Double XL, Antonio \"Hersh\" Fenner, and unidentified. Box 1.\u003c/p\u003e","\u003cp\u003e2013.035.10. Double XL, \"Me Versus Me.\" CD Jewel Case. Box 3.\u003c/p\u003e","\u003cp\u003e2013.035.11. Double XL, \"Staccato Jeans.\" 2003. Box 3.\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard with \"VIP\" written in block print in red on the front. \"Access\" is written in yellow script in a diagonal under \"VIP.\" There is also a picture of a football player below \"VIP access.\" Below the football player is written \"04\" in white block print with a red out line. \"OFFSEASON JAM\" is written beneath it in white block print with red outline. There is a white star above and below \"OFFSEASON.\" The reverse of the lanyard has \"BAD NEWZ ENTERTAINMENT\" written in black block print. \"103 JAMZ\" is written below it in black block print. There is a disclaimer in a box below the writing that warns the VIP that if they do not follow the rules of the club their privileges will be revoked. The lanyard measures approximately 4.125 in. (length) x 2.25 in. (width). The lanyard is in fair condition with white residue on the laminated parts. There is an approximately 1.25 in. black stain on the bottom right side on the back of the lanyard. HHC 2013.035.12.\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard with a gray and yellow background on the front. \"70th Anniversary\" is written in white block print at the top. Underneath that \"Norfolk State University\" is written in white and below \"Norfolk State University\" is written \"Homecoming 2005\" in white. In the middle of the lanyard are pictures of Young Jeezy and Lil' Wayne with the Norfolk State University logo in between the pictures. Below the pictures is written \"BOTTOM OF THE MAP CONCERT\" in white bubble font. At the bottom of the lanyard front is written \"Special Guests: Double XL \u0026amp; Bo Blades\" in white. There is a black strip on the left side of the lanyard. \"ALL ACCESS\" is written in orange inside the black strip. The reverse of the lanyard is white and has \"Double XL\" written in black sharpie at the top left hand corner. There is what looks like a signature at the bottom of the back. The lanyard measures approximately 2.375 in.(width) x 4.25 in.(length) and is in good condition. There is some scraping of the laminated part at the bottom of the lanyard and some white residue at the top laminated part of the lanyard. HHC 2013.035.13\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard with a blue-black background. \"CERTIFIED BLOCK NUCCAS\" is written in blue with a white background at the top. Below that is a blue-black strip. Within the blue-black strip \"TOUR PT. 1\" is written in gold. Beneath that is written \"FROM YO' HOOD TO MY HOOD\" in blue with a white background. Underneath this is a strip with pictures of the tour members. Beneath that is written \"REALITY MUZIK GROUP\" in blue. Below that is written \"V.I.P. ENTRY PASS\" in gold. Written in white beneath that is \"CERTIFIED BLOCK NUCCAS TOUR,\" with \"FROM YO' HOOD TO MY HOOD\" in blue below it. At the bottom of the lanyard \"SATURDAY SEPT. 8TH, 2007\" is written in gold. The reverse of the lanyard is white and has scrolls going diagonally down across it. Inside the scroll is written \"Print by Sony\" in white block print with gray outline. The lanyard measures approximately 4 in. (width) x 5.75 in. (length). It is in fair condition. There are white residue spots all over the front of the lanyard. There is also a 2 in. crease in the top left corner, a 0.5 in. crease on the top right, a 4.125 in. crease and a 4 in. crease in the middle of the lanyard. HHC 2013.035.14\u003c/p\u003e","\u003cp\u003eArtifact. White lanyard featuring a clear outline of the state of Texas on the front. There are various music artists depicted surrounding the outline of the state of Texas. Inside the outline of Texas is written \"2008\" in orange, \"THE 6 YEAR Anniversary OF THE\" in white with orange outline, and \"TEXAS SUMMER MUSIC CONFERENCE\" written in black. There is also a 1960s model microphone inside the outline of Texas. Below the picture is the url for the event. Under that is written \"August 29-31, 2008 The Westin City Center Dallas, TX\" in black. At the bottom of the lanyard are logos for sponsors of the event. The back of the lanyard features the logo for tabi bonney and the album cover of Young Chase's \"MAN I'M BOUT.\" The cord of the lanyard is dark red on the outside with a black outline and black inside. \"BACARDI\" is written in black with gold outline on the red side of the cord. The Bacardi logo is also present. The lanyard measures approximately 2.75 in. (width) x 4.125 in. (length) and the cord measures approximately 22.25 in. The cord is in excellent condition while the lanyard is in fair condition. There is an approximately 0.5 in. tear where the cord connects to the lanyard. There are also small creases on the top edges of the lanyard as well as abrasions all over the back of the lanyard. HHC 2013.035.15\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard for the Southeast Music Entertainment Inc.'s annual Music and Entertainment summit (SMES).The lanyard features a woman wearing black with headphones on the front. At the top is written \"SMES\" in red rugged font. Beneath that is written \"BRIDGING THE GAP SINCE 2001\" in red. To the bottom right of \"SMES\" is written \"2008\" in white. There is a red strip in the middle of the lanyard. \"SEPTEMBER /26TH| 27TH| 28TH/ HOLIDAY INN (SURFSIDE)/ MYRTLE BEACH, S.C.\" is written in white within the red strip. At the bottom of the lanyard there are logos of sponsors for the entertainment summit. The cord of the lanyard has the logo for the Society of European Stage Authors and Composers (SESAC), one of the sponsors for the entertainment summit. The lanyard measures approximately 3 in.(width) x 5.125 in.(length). The cord measures about 17.5 in. The lanyard is in good condition with numerous abrasions to the front. HHC 2013.035.16\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard featuring a white background with pictures of artists Ryan Leslie, Monica, and Rick Ross on the front. The artists' names are in front of them in gold with Rick Ross' as the largest. In the middle of the lanyard there is a a black and gold alternating strip. \"THURSDAY, OCTOBER 30, 2008\" is written in white within the first black strip. \"BACKSTAGE\" is written in white in the gold strip and \"MYSPACE.COM/EMPIREENTERTAIN1\" is written in the second black strip. Beneath that is a logo for M.E.G. Underneath that is \"HAMPTON UNIVERSITY CONVOCATION CENTER\" written in black. At the bottom of the lanyard are logos for sponsors of the event. The lanyard is approximately 4in.(width) x 5.25in. (length). The lanyard is in excellent condition with only a few abrasions to the front. HHC 2013.035.17\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard with a red and gold background and featuring an African mask in the middle of the lanyard on the front. At the top of the lanyard is written \"THE SOUTHEASTERN VIRGINIA ARTS ASSOCIATION PRESENTS\" in gold. Under this, \"AFR'AM FEST\" is written in white. Beneath this is written \"'CELEBRATING THE ESSENCE OF FAMILY'/TOWN POINT PARK, NORFOLK, VA\" in gold. Below the mask is an oval bubble with a red background. Inside the bubble \"BACKSTAGE ACCESS/SATURDAY\" is written in white. There is also another oval bubble under that with a white background. The lanyard measures 3.375in.(width) x 5.25in.(length). It is in excellent condition. HHC 2013.035.18\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard featuring a red and black background with white strips. In the first white strip at the top \"ARTIST/STAFF NO CHARGE\" is written and underlined in black. Under that in the red and black background. There is a depiction of the geographical United States overlaid with the American flag, there are various bullet holes inside the depiction. In an arch above the depiction is written \"CONSPIRACY NATION\" in red horror font. Below that is written \"EPISODE 1: THE MYSTERY OF THE 7 CITIES\" in white. Beneath this depiction is a second white strip. \"NO CHARGE FOR SHOW/PARTY\" is written in black inside the second white strip. At the bottom of the lanyard is a background featuring a city skyline. \"ALL ACCESS PASS/NO CHARGE FOR ADMISSION\" is written in white within the city skyline background. The lanyard measures approximately 2.25in.(width) x 3.25in.(length). The lanyard is in poor condition with delamination of the illustrated front part of the lanyard from the cardboard base, as well as delamination of the back lamination from the cardboard base. HHC2013.035.19\u003c/p\u003e","\u003cp\u003eCD. Titled Yesterday (Edit.) Box 3.\u003c/p\u003e","\u003cp\u003eAndrea Castleberry/ M$. Blendz oral history conducted by Kevin Kosanovich. Topics include: military history and hip hop; Foxy Fridays; 92.1 FM; Blendzville Award show; Boodah Brothers; Scratching vs. Mixing; Women and hip-hop; Teens with a Purpose;\u003c/p\u003e","\u003cp\u003eBlendzville Award Items, 2007-2011. Seating chart. Laminated signs. From 2007: Sheet of tickets; list of confirmed and potential performers. From 2009: Items include one flyer and and one laminated ticket for the 3rd Annual Award show; Outline of evening's events. From 2011: List of performers; provisional list of nominees. Box 1.\u003c/p\u003e","\u003cp\u003ePhotographs. M$. Blendz and Kid Capri. M$. Blendz and DJ Law and Big B of the Boodah Brothers, 2001. M$. Blendz and crates of vinyl records. M$ Blendz and 92.1 the Beat, the first hip-hop station in Norfolk. Box 1.\u003c/p\u003e","\u003cp\u003eBlendzville Productions informational letter. Box 1.\u003c/p\u003e","\u003cp\u003eWOWI 103 Jamz notebook cover. Box 1.\u003c/p\u003e","\u003cp\u003eArtifact. One trophy in the shape of a silver and gold microphone. The base of the trophy is made of brown fiber wood material. There is a gold label on the front of the base. \"BLENDZVILLE HIP HOP AWARDS BEST HEAVY HITTER 2008\" is engraved on the gold label. The trophy is approximately 6in.(height).The trophy is in good condition. There are four brown spots on the bottom of the base. The first is toward the back and is 1.25in. The second one is in the middle at the left and is 1.125in. The third is in the middle to the right and is approximately 1.25in. The fourth is near the front and is approximately 1.25in. Gift of Andrea Castleberry / M$. Blendz. HHC 2013.036.06\u003c/p\u003e","\u003cp\u003eArtifact. 2- Lanyards. The lanyards have a red and black background with a city skyline depicted. \"4th ANNUAL\" is written in white at the top. \"TAKE ME AWAY\" is written in red beside it. Below these phrases \"BLENDZVILLE\" is written in white. The \"B\" is written in 3-D font and has a wing coming from the center of the \"B\". Under \"BLENDZVILLE\" is written \"HIP-HOP AWARDS '11\" in white. \"Unplugged\" is written in a diagonal below \"HIP-HOP AWARDS '11\" in a silver-gray horror font. At the bottom of the lanyard the date, \"11.12.11,\" is written in white. Below that are the different ways to get more information about the event (i.e. twitter, phone number, website). The lanyards measure approximately 4in.(length) x 2.375in.(width) and are in excellent condition. Gift of Andrea Castleberry / M$. Blendz. HHC 2013.036.07ab\u003c/p\u003e","\u003cp\u003e1 - white cotton t-shirt with Origins SCW II Hip Hop Show logo in red. Shirt also has a logo featuring a record with outstretched wings behind it and a crown on top. The bottom left portion of the shirt also has a stylized WM '12 with two feathers extending above from the 'M.' T-shirt created for a Fall 2012 show, cypher, and workshop weekend hosted by the William \u0026amp; Mary Bboy Club's SMILES Crew on November 17-18, 2012. W\u0026amp;M Bboy Club's website described the event: \"The showcase is going to be held on November 17 (Saturday) 3PM-5PM. Through ORIGINS, we are trying to spread the hip hop culture not only on our campus but also throughout the East Coast and show what true hip hop is all about by showcasing dance crews from all over America. This year we will be focusing on bringing the two coasts together to create the most inspirational and mindblowing performance ever to be seen. Again following the showcase, we will have an open cypher in the evening to allow dancers to come together to share, dance, and learn. A new addition this year will be dance workshops the following afternoon (Sunday)! \" Gift of Kevin Kosanovich, American Studies PhD Candidate. HHC 2012.388.01\u003c/p\u003e","\u003cp\u003eFliers, posters, photographs, artifacts, and ephemera. Also included are a series of digital photographs and images starting at 2013.037.10 through 2013.037.131. Also included in the digital photographs are a series of photos from a session at Tazwell Hall, September 8, 2012, 2013.037.132. Box 1.\u003c/p\u003e","\u003cp\u003eFlyers for Origins II funding events, flyers advertising the opportunity to join SMILES Crew, and a program from Origins II. Box 1.\u003c/p\u003e","\u003cp\u003eOrigins II business card. Box 1.\u003c/p\u003e","\u003cp\u003eReceipt from the William and Mary copy center for 500 Bboy flyers. Box 1.\u003c/p\u003e","\u003cp\u003eMultiple copies of the student newspaper, \"The Flat Hat,\" volume 101, Issue 28, from Tuesday, January 31, 2011 featuring an article on the William and Mary Bboy club. Box 1.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Bboy Club table sign for \"Day For Admitted Students\" Activities Fair.\u003c/p\u003e","\u003cp\u003eThank you note to SMILES Crew from Daniel Zhu of Strife.TV. Strife.TV documents bboy culture. Box 2.\u003c/p\u003e","\u003cp\u003eMultiple large photo prints of SMILES Crew by Danel Zhu of Strife.TV Box 2.\u003c/p\u003e","\u003cp\u003eLarge advertising poster for the SMILES Crew Origins II T-shirt sale in the Sadler Center lobby. Box 2.\u003c/p\u003e","\u003cp\u003ePhotos of W\u0026amp;M Bboy club / SMILES Crew's Origins II pre-show jukebox session event.  Photos taken at Sadler Center terrace. 2013.037.131\u003c/p\u003e","\u003cp\u003ePhotos from W\u0026amp;M Bboy Club / SMILES Crew practice session in the basement of Tazwell on September 9, 2012. 2013.037.132\u003c/p\u003e","\u003cp\u003eArtifact. Purple t-shirt featuring a gold crown on the front. Below the crown \"SMILES\" is written in white screen print. Beneath that is written \"CREW\" in white screen print. A golden banner ribbon is depicted below \"CREW.\" It reads \"Est. 2008\" in purple. There are two stars to the left and right of \"SMILES\" and \"Crew.\" The reverse of the shirt features one small golden wing with a purple infill on the wearer's left shoulder. The shirt is a size large and is in excellent condition. HHC 2013.037.133\u003c/p\u003e","\u003cp\u003eArtifact. A large boombox in the model of the original 1980s style hip hop boombox with two large speakers on either side of the boombox. In the center of the boombox there is a faux tape holder where an iPod can be inserted. Above this is a space to insert headphone cords, a USB drive or a SD/MMC cord. At the top of the boombox is an area to insert a cord for a microphone as well as buttons to add a pop, classic, rock, jazz, or loudness mix. There are also button to control selection and repeat functions for the iPod and tracking for the radio. Finally, there is a large silver knob on the right side that is used to find a radio station and a smaller silver knob to turn the boombox on on the left. There is a black handle at the top of the boombox. and a black cord in the back where the boombox can be plugged up. The boombox is of the Lasonic brand and measures approximately 13in. (width) x 24.25in. (length). The boombox is in good condition with numerous scratches all over the boombox and few signs of wear and tear. This boombox was the first one used by the SMILES Crew from its founding in 2008. Image available at http://www.flickr.com/photos/scrc/10275466095/. Gift of SMILES Crew. HHC 2013.236.01\u003c/p\u003e","\u003cp\u003eFliers for several SHHO sponsored concerts. Membership flyer for SHHO. Flyer for Syndicate tryouts [W\u0026amp;M hip-hop dance group.] Box 1.\u003c/p\u003e","\u003cp\u003ePhotographs of Charles \"Ric\" Lampkins, Tilghman Goldsborough and Dominque James of W\u0026amp;M SHHO. Photographs taken in the Botetourt gallery in Swem Library on February 20, 2013 by Kevin Kosanovich.\u003c/p\u003e","\u003cp\u003eDigital images and digital flyers of WM SHHO sponsored events donated by Bobak Karsai.\u003c/p\u003e","\u003cp\u003eW\u0026amp;M SHHO oral history interview with President Dominique James, Vice President Charles \"Ric\" Lampkins and member Tilghman Goldsborough by Kevin Kosanovich on February 20, 2013.  This interview exists in two parts.  Part two includes discussion of \"favorite\" hip-hop artists, past and present.  Topics include:  hip-hop culture in high school; Richmond; Trap music; Trill wave; dance crews; authenticity; race and hip-hop; class and hip-hop; W\u0026amp;M campus hip-hop culture; SHHO; sneakers and fashion.\u003c/p\u003e","\u003cp\u003eArtifact. Eight plywood panels that, when assembled, create a sign. The sign has \"Student Hip Hop O.\" spray painted in black hip hop script font at the top. There is an arrow and star next to the \"S\" and a star next to the \"O.\" Under \"Student Hip Hop O.\" is spray painted \"Hip Hop\" in light purple hip hop bubble font. Next to that is spray painted an arrow in light purple hip hop font. Beside the arrow is spray painted \"SH.h\" in light purple hip hop bubble font. There are two black stars spray painted under the arrow and the \"h.\" There are signatures of members of the Student Hip Hop Organization all over the sign. Each plywood panel is approximately 2ft.(length) x 2ft.(width). They are in good condition with miner fraying and chipping on the edges. Gift of Blair E. Smith, Class of 2011. HHC 2013.262.01a-h\u003c/p\u003e","\u003cp\u003eTwenty photographs of M1 Platoon performing on a Fridays Concert that was hosted by AMP and SHHO. SHHO brought M1 Platoon to the campus in 2008, it was the organization's first concert. The concert was outdoors at the Sadler Center Terrace. Photographs include M1 Platoon and William \u0026amp; Mary students enjoying the concert. Also photographed was a white W\u0026amp;M SHHO t-shirt. Identified students in the photographs include Jennifer Robinson, Blair Smith, and Bailey Thomson. Gift of Jennifer Robinson, Class of 2011. 2013.294.1-2103.294.20.\u003c/p\u003e","\u003cp\u003e85 photographs of SHHO's second concert featuring UNI, a group from California. Gift of Jennifer Robinson, Class of 2011. Acc. 2013.294.21-2103.294.106.\u003c/p\u003e","\u003cp\u003eCorrespondence, fliers and tickets docuemtning hip hop shows conducted by the Students of Hip Hop Legacy.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken at hip hop shows by Bailey Thomson.\u003c/p\u003e","\u003cp\u003eGym Class Heroes - One of the first hip hop shows at the College. The Roots had visited a few years back, but no one up and coming had played in a while. Tyga opened up, because he and the lead of Gym Class Heroes are cousins.\u003c/p\u003e","\u003cp\u003eGym Class Heroes - One of the first hip hop shows at the College. The Roots had visited a few years back, but no one up and coming had played in a while. Tyga opened up, because he and the lead of Gym Class Heroes are cousins.\u003c/p\u003e","\u003cp\u003eM1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.\u003c/p\u003e","\u003cp\u003eM1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.\u003c/p\u003e","\u003cp\u003eM1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.\u003c/p\u003e","\u003cp\u003eM1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.\u003c/p\u003e","\u003cp\u003eNickelus Fury - Another great SHHO-sponsored event.  Proceeds went to the J Dilla foundation and a lot of people showed up.  Again, Blair had connected with these artists personally.  She introduced the show, and it just seemed to keep going.  I remember feeling like the whole room was pulsing with energy at one point- an amazing female rapper went on and brought down the house.\u003c/p\u003e","\u003cp\u003eNickelus Fury - Another great SHHO-sponsored event. Proceeds went to the J Dilla foundation and a lot of people showed up. Again, Blair had connected with these artists personally. She introduced the show, and it just seemed to keep going. I remember feeling like the whole room was pulsing with energy at one point- an amazing female rapper went on and brought down the house.\u003c/p\u003e","\u003cp\u003eRoots- This photo was taken in Richmond, Virginia for the Jamestown 400 anniversary.  The Roots played for free and made a lot of political statements about the irony of them performing for the 400th anniversary of slavery in the Commonwealth.  Before hip hop existed as a movement at the College, lots of us found hip hop venues off campus.\u003c/p\u003e","\u003cp\u003eFlyers advertising Ground Up Radio. Box 1.\u003c/p\u003e","\u003cp\u003eBox 3.\u003c/p\u003e","\u003cp\u003eFliers from various venues and artists in Hampton Roads, Virginia. Box 1.\u003c/p\u003e","\u003cp\u003eMaterial related to SHHO chapters other than the College of William \u0026amp; Mary. Box 1.\u003c/p\u003e","\u003cp\u003eEmail history of SHHO sent from William \u0026amp; Mary SHHO co-founder Bobak Kasrai. Box 1.\u003c/p\u003e","\u003cp\u003eArtifact. One black \"Honeycomb\" SHHO logo decal. Decal measures 6.125in. (length) x 5.25in. (width) and is in good condition. There is an approximately 1.75in. crease in the top left corner and a 5.375in. crease in the center of the decal. There is also a staple mark in the top right hand corner. HHC 2013.041.02\u003c/p\u003e","\u003cp\u003eSmall flyer advertising the \"Chasing Forever\" SHHO launch, March 22, 2011. Box 1.\u003c/p\u003e","\u003cp\u003eCards and flyers advertising various SHHO sponsored concerts at Virginia Commonwealth University and other venues in Richmond, Virginia. Box 1.\u003c/p\u003e","\u003cp\u003ePoster. Virginia Commonwealth University (VCU) SHHO Presents: Lecture with Greg Selkoe, Friday, November 2, 2012 at the VCU Commons Theatre. Greg Selkoe is the CEO of Karmaloop. Karmaloop is an online streetwear and culture boutique website.\u003c/p\u003e","\u003cp\u003eArtifact. Button featuring the \"Chasing Forever\" logo. It features a black background with \"CC\" in white over a thin white division bar. Beneath the division bar is the symbol for infinity in white. The button measures 1.125in. in diameter. It is in good condition with three white smudges near the bottom of the infinity symbol. HHC 2013.041.06\u003c/p\u003e","\u003cp\u003eFlier and digital images.\u003c/p\u003e","\u003cp\u003eOral history interview with Brandon \"DJ WYZE\" Sutton and Antoine \"Henmusik\" Henderson conducted by Kevin Kosanovich.  Topics include: history of Virginia Beach; \"7 City Legacy\" film; Norfolk State University; Old Dominion University; Description of Virginia Soul and Style.\u003c/p\u003e","\u003cp\u003eContains phonograph records featuring Timbaland, Philly's Most Wanted, Missy Elliott, and Fam-Lay; performance posters from local artists in Norfolk and Virginia Beach; cards advertising the documentary \"7 City Legacy,\" and an audio cd featuring Brandon Sutton, also known as DJ WYZE. Box 4.\u003c/p\u003e","\u003cp\u003eWYZE Kouncil Entertainment business card. Box 1.\u003c/p\u003e","\u003cp\u003eCD. \"Vol 2: VA Tape.\" Box 3.\u003c/p\u003e","\u003cp\u003ePoster for Soundloy Productions \u0026amp; AWNP Presents: \"Jet Life in Virginia.\" Performances by Nesby Phips, Trademark da Skydiver, Hen, J. Pharoah, Trot, Intalek. Box 2.\u003c/p\u003e","\u003cp\u003ePoster. Raekwon. Featured acts include Major Deal, Dirty Workas, Hen, Lloyd Vines. Tuesday April 19 at Hangar 09 in Virginia Beach. Box 2.\u003c/p\u003e","\u003cp\u003ePoster from \"Paid in Full: Thanksgiving Weekend w/ Rakim.\" November, 27, 2011 at the Norva in Norfolk, VA. Box 2.\u003c/p\u003e","\u003cp\u003eThis item contains digital images of DY WYZE's logo and two photos.\u003c/p\u003e","\u003cp\u003eTwo copies of CD, \"7 City Legacy Mixtape, Volume 1.\" Both CDs are held in a plastic slip case and contain an insert art card. There are 19 tracks on the album. Box 7.\u003c/p\u003e","\u003cp\u003eOral history interview with Antoine \"Henmusik\" Henderson and DJ WYZE conducted by Kevin Kosanovich. Topics include: history of Virginia Beach; \"7 City Legacy\" film; Norfolk State University; Old Dominion University; Description of Virginia Soul and Style.\u003c/p\u003e","\u003cp\u003eHenmusik flyers for \"Soup \u0026amp; Salad\" mixtape. Box 1.\u003c/p\u003e","\u003cp\u003eAlbum.\u003c/p\u003e","\u003cp\u003eThis series contains flyers for events and a cassette tape collected by James Allen aka Dynamite J.\u003c/p\u003e","\u003cp\u003eOral history interview with James \"Dynamite J\" Allen conducted by Kevin Kosanovich on February 17, 2013. Topics include: late 1970s Virginia culture; Graffiti; Soul Train; Virginia State University; Soul Patrol; middle school and high school hip-hop culture; Mighty MCs; Old School Mentality Records; Richmond radio stations; bootleg tapes; Jam Pony Express; Alpha Studio; Virginia Zulu Nation Chapters; VA is for Hustlerz; History of mixtapes.\u003c/p\u003e","\u003cp\u003eFlyers for \"VA is for Hustlas\" vols 1-4. Box 1.\u003c/p\u003e","\u003cp\u003eCassette Tape. \"The Mighty MC's: The 4unky 1.\" Side 1: The 4unky 1 remix/live. Side 2: Live on Maggic 99 w/K-Ski. Box 7.\u003c/p\u003e","\u003cp\u003eCDs, posters, news clippings, and fliers from the artist Abys Virginia's First Lady related to performances, including Abu Fest, and her career. 2013.062.10-- Poster. \"DJ Hustleman Presents: Street Muzik DVD\" 2013.062.11 -- Poster. \"Abys: Between a Rock and a Hard Place\" 2013.062.12 -- Laminated Newspaper Clippings: \"Unity and positive hip-hop meet at festival,\" Daily Press; \"United, they rap: Local musicians rally in the East End to pay tribute to slain friend,\" Daily Press, September 30, 2006. Box 2.\u003c/p\u003e","\u003cp\u003eLatonya \"Abys\" Denson's oral history interview conducted by Kevin Kosanovich.  Topics included:  Newport News and Hampton; Virginia vs. other Southern Scenes; Virginia women in hip-hop; Abu Unity Fest; Music Industry; Being an independent artist; BorNaturals; Down Low Squardron; Hoodstock.\u003c/p\u003e","\u003cp\u003eCD. \"Between a Rock and a Hard Place\" hosted by DJ Hustleman. Featuring 7 Armz, D. Watz, Jus Rah, Taheem Jamal. Box 3.\u003c/p\u003e","\u003cp\u003ePoster.  \"The Pre Valentaine's Jumpoff.\"  Hosted by Abys with DJ Big-E and DJ Silk.  Held Sunday, Febraury 11 at Crabbers 2000 on West Mercury in Hampton, Virginia.\u003c/p\u003e","\u003cp\u003eFlyer for Abufest, August 26, 2012 at King-Lincoln Park in Newport News, Virginia.\u003c/p\u003e","\u003cp\u003eMixtape CD Cover. \"The Official AbuFest Mixtape: Abu R.I.P.\"  Mixtape in memory of BorNaturals MC, Abu the Butcher.\u003c/p\u003e","\u003cp\u003eMixtape CD cover for \"V-A Stand Up!\"\u003c/p\u003e","\u003cp\u003ePost for the 3rd Annual Abu Unity Fest, October 11, 2008.  Held at King-Lincoln Park in Newport News, Virginia.\u003c/p\u003e","\u003cp\u003ePoster for \"B-Girl Fest 2007,\" held in Columbia, SC.  Abys performed with a collection of women MCs.\u003c/p\u003e","\u003cp\u003ePoster.  \"2nd Annual Abu Unity Fest,\" and \"Abu Unity Fest After Party\" held September 29, 2007 at King-Lincoln Park in Newport News, Virginia.\u003c/p\u003e","\u003cp\u003eOral history interview with Lovey \"Memph 10\" Jones conducted by Kevin Kosanovich in Richmond, Virginia. Topics included: Bloc Hog Entertainment; History of Promotions; Richmond as a hip-hop city; Industry vs. Street; Business of hip-hop.\u003c/p\u003e","\u003cp\u003eCD. \"2 Much Goin On: Tha Mixtape.\" 2012. Box 3.\u003c/p\u003e","\u003cp\u003ePoster. Memph 10, \"2 Much Goin on Tha Mixtape.\" Box 2.\u003c/p\u003e","\u003cp\u003eArtifact. One brown, long sleeve button-up shirt. \"Memph 10\" is airbrushed in white and yellow above and to the left of the shirt pocket on the wearer's left. To the right and below the shirt pocket on the wearer's left are depictions of dice, in white, and a dollar sign in gold. To the right of and below the shirt pocket on the wearer's right is depicted a hand holding a test tube that says \"CHEMISTRY\" with a chain dangling from the thumb that has a weight at the bottom holding a bag which has a dollar sign and reads \"RECORDS.\" The reverse of the shirt features a groundhog with an orange and brown striped hat that has the letters \"FFH\" on it .The groundhog is holding a wad of cash and is leaning on a microphone that also has the letters \"FFH\" on it. There are two golden-orange dollar signs on either side of the groundhog. \"BLOC HOG\" is airbrushed in black, old English font in an arch above the groundhog. \"ENTERTAINMENT\" and \"MEMPH 10\" are airbrushed in white below the groundhog. The shirt is in excellent condition. It is a size 2x-Tall and is made by Dickies. Gift of Lovey Jones. HHC 2013.072.04\u003c/p\u003e","\u003cp\u003eArtifact. Black V-neck shirt featuring a giant 2 on the front. The 2 is black and outlined in white. \"Turnt Up\" is written in white gothic font beside the giant 2. The \"T\" in \"Turnt\" is going through the top of the giant 2. Below this is a depiction of a city skyline in white with the top of some buildings going through the bottom of the giant 2. \"PROMOTIONS\" is written in white screen print in a small arch below the skyline. The back of the shirt has \"MEMPH 10\" in white screen print at the top of the shirt. Beneath this is \"@ BLOCHOG\" in white screen print. The shirt is a size 3XL and is in good condition. HCC 2013.072.05\u003c/p\u003e","\u003cp\u003eMarlon Hamilton / Streetz G4G oral history interview conducted by Kevin Kosanovich on October 15, 2012. Topics include: Mr. William Burg; Williamsburg history; radio stations; G4G productions.\u003c/p\u003e","\u003cp\u003eWilliamsburg's own, Streets G4G mixtape, \"Mr. William Burg, Vol 3.\"\u003c/p\u003e","\u003cp\u003eDigital images, flyers and photos of Marlon Hamilton / Streetz G4G.\u003c/p\u003e","\u003cp\u003eOne CD in plastic slip case with insert artwork for Streetz, \"Dunning Street Music\" mixtape. The mixtape was mixed and hosted by DJ Karee. Rick Rogers and Petey Pete are also featured on the mixtape. Dunning Street refers to a street in the Highland Park neighborhood of Williamsburg, Virginia. Highland Park is the oldest, historically African American neighborhood in Williamsburg. Box 7.\u003c/p\u003e","\u003cp\u003eJames \"Dangle\" Alston oral history interview conducted by Kevin Kosanovich on November 26, 2012. Topics include: Richmond graffiti history; Just Plain Sounds; Privileged Kids; Virginia college campus culture; record stores; hip-hop venues.\u003c/p\u003e","\u003cp\u003eCover art for James \"Dangle\" Alston's CD, \"One Time I Knew.\"\u003c/p\u003e","\u003cp\u003eLarry \"Live\" Lyons oral history interview conducted by Kevin Kosanovich on November 27, 2012. Topics Include: radio stations; breaking; Playboys Express; Berklee Community Center; KQuick; Surrounded by Idiots; race in Virginia; North vs South in hip-hop community; corporate hip-hop; Livehouse Entertainment; record stores; venues and clubs; DDP crew.\u003c/p\u003e","\u003cp\u003eJamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.\u003c/p\u003e","\u003cp\u003eTwain Gotti, \"Gotti's Turf, Pt. 2: The Bear Trap.\" Digital files consist of 15 tracks.\u003c/p\u003e","\u003cp\u003eMixtape.  Twain Gotti, \"Beartrap Movie.\"\u003c/p\u003e","\u003cp\u003eMixtape.  Twain Gotti, \"Beartrappin' 10210, Vol. 1.\" Digital files consits of 19 tracks and one image.\u003c/p\u003e","\u003cp\u003eJamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.\u003c/p\u003e","\u003cp\u003eJamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.\u003c/p\u003e","\u003cp\u003eMixtape CD. 2 Copies. \"1 Life 2 Live.\" MOR3SH3LLZ Entertainment, 2012. Box 3.\u003c/p\u003e","\u003cp\u003eRay \"BlakDrag\" Washington oral history interview conducted by Kevin Kosanovich.  Topics included:  Christopher Newport University; Beatdown Entertainment; Richmond culture versus Northern culture; Immortal Suspects; Newport News recording studio; The Lab; The Barbershop; Newport News hip-hop history; Thug Relation; Mike Lord; BorNaturals; Process of making an album; Internet and hip-hop.\u003c/p\u003e","\u003cp\u003eMixtape CD. \"The Farewell.\" Wildlife Records. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Wildlife Mixtape Volume #1.\" Wildlife Records. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Str8 Gutta.\" Wildlife Records. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"The Burning Seazon: From Killaweed 2 Bad Newz.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Welcome (Lyricist Only).\" Hosted by DJ Mercury. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Pen Game.\" Box 3.\u003c/p\u003e","\u003cp\u003eZack \"Novel Bandana\" Lawson and James \"22\" Parks oral history interview conducted by Kevin Kosanovich on December 2, 2012. Topics include: Newport News; DJ Tops; DJ Chase; battle rapping; DJ Silk; DJ Law; Joe Tracks; Mark Menace; BorNaturals; strip clubs and hip-hop.\u003c/p\u003e","\u003cp\u003eAt Bucks Brand in Newport News, Virginia. Performances by Stretch Dollas, Street G4G, Monsta Millie, Ammo. Box 1.\u003c/p\u003e","\u003cp\u003eFeatures Stretchdollas, Trapname Jimmy, Shotty, Double XL, Monsta Millie.\u003c/p\u003e","\u003cp\u003eBox 3.\u003c/p\u003e","\u003cp\u003eZack \"Novel Bandana\" Lawson and James \"22\" Parks oral history interview conducted by Kevin Kosanovich on December 2, 2012. Topics include: Newport News; DJ Tops; DJ Chase; battle rapping; DJ Silk; DJ Law; Joe Tracks; Mark Menace; BorNaturals; strip clubs and hip-hop.\u003c/p\u003e","\u003cp\u003eOral history interview with Terry \"Double XL\" Fenner and Antonio \"Hersh\" Fenner conducted by Kevin Kosanovich on December 2, 2012. Topics include: history of public housing in Newport News; gentrification; hip hop battling in projects; Newsome Park; Hoodplatinum; Suthern Boi records; Norfolk State hip hop culture; magazines; Roc the Mic nights; marketing and promotion; record stores and venues in Virginia.\u003c/p\u003e","\u003cp\u003eEmanuel \"Mannie\" Willis oral history interview conducted by Kevin Kosanovich on December 18, 2012. Mannie Willis is the creator and founder of the urban wear fashion line, Distinct Nature Clothing. Topics include: Newport News; designing clothes for hip-hop artists Wale and Big K.R.I.T.; Virginia athletes.\u003c/p\u003e","\u003cp\u003eQuentin \"Q45\" Thomas oral history interview conducted by Kevin Kosanovich on December 18, 2012. Quentin Thomas is co-founder of Ground-up Radio, groundupradio.com, a hip-hop internet radio station hailing from Williamsburg, Virginia. Topics include: 1980s bboys; mixtapes; serving in the military; hip-hop culture in the military; Old Dominion University; Hampton University; Fort Eustis; Witchdokter's Kafe; Ground-up Radio.\u003c/p\u003e","\u003cp\u003eSam McDonald oral history interview conducted by Kevin Kosanovich on January 10, 2013. Sam McDonald has made his career writing about popular culture and music throughout Virginia. Most recently, he writes for the Daily Press in Hampton Roads. Topics include: KRS-One; Danville, VA; the Daily Press; passing tapes; 7-11 Boyz; Boodah Brothers; Teddy Riley; Al B Sylke and 103 Jamz; Reggae; Area clubs; Abu Unity Festival.\u003c/p\u003e","\u003cp\u003eIncludes press releases, articles, fliers, publicity photos, press kits, and other material from various hip hop artists collected by Sam McDonald of the Daily Press. Artists include Missy Elliott, Nicole Wray, 6-year old Hampton rapper Gregory LaMont Walker, Barlow (Charles Barlow of Newport News), Billy Doo Wah (Hampton), Cool Carl (owner of the label Street Life Entertainment, Hampton), D\"Amour (Hampton), Timmy Beale owner of Slim Tim Productions (Hampton), Kaoss (Hampton and Newport News), 50/50 AKA Talent \u0026amp; Triumph (Newport News), Timbaland \u0026amp; Magoo's The New Two, Low Down Boyz (Untamed Records, Newport News), Teddy Riley's 4th of July Weekend Extravaganza, BLACKstreet (Interscope Records), and Delante Murphy's Hung Lo Productions (Hampton). Box 1.\u003c/p\u003e","\u003cp\u003e2013.124\u003c/p\u003e","\u003cp\u003eAfid Granados oral history interview conducted by Kevin Kosanovich on November 11, 2013. Afid Granados was president of VCU SHHO, circa 2011-2013. Topics include: Richmond; Virginia Commonwealth University; SHHO; Jeff Sobel; Nickelus F; Michael Millions; Lee Major; University of Virginia SHHO chapter; Northern Virginia hip-hop culture; sneaker culture and fashion; streetwear.\u003c/p\u003e","\u003cp\u003eOral history interview with Richmond-based artist Jason \"Van Ark\" Brown, conducted by Kevin Kosanovich on January 15, 2013. Topics include: Richmond; 1990s Richmond hip-hop; battling; Jonathan Banks; playing instruments and composing; music industry and distribution; Divine Prophets; WRIR.\u003c/p\u003e","\u003cp\u003eCD. \"Chemical Beats.\" 2007/2008. Box 3.\u003c/p\u003e","\u003cp\u003eDigital files contain 20 tracks.\u003c/p\u003e","\u003cp\u003e2013.125\u003c/p\u003e","\u003cp\u003eDouglas Avant Perry, Jr. oral history interview conducted by Kevin Kosanovich on January 16, 2013. Doug Perry is the longtime station manager of WNSB, Hot 91.1 FM Norfolk, at Norfolk State University. Topics include: WRAP; Bishop Willis and black radio; Daddy Jack Combs; WOWI and 103 Jamz; Regan Henry; Chester Benton; DJ Heartattack; H.J. Ellison; DJ Mister B; WNSB history; DJ Jack of Spade; DJ Bad Joe; mixing and blending records; Go-Go; Gospel Groan; Teddy Riley; venues and clubs.\u003c/p\u003e","\u003cp\u003eMonty Ross oral history interview conducted by Kevin Kosanovich on January 16, 2013. Monty Ross is longtime friend, collaborator and producer of Spike Lee's movies. Monty Ross currently serves as artistic director and operations manager of Crispus Attucks Theatre in Norfolk, VA. The oral history consists of two parts: Part one is the longer oral history; part two is an \"bonus\" story about meeting a young Sean \"P.Diddy\" Combs. Topics include: Bed-Stuyvesant, Brooklyn; DJ Nab; hip-hop in Atlanta; She's Gotta Have It; Island Pictures; New York's Lower East Side and hip-hop; Michael Jordan and \"Gotta Be the Shoes\" Nike campaign; Attuck's Theatre hip-hop Nutcracker; Mid-Atlantic Black Film Festival; GZA; Liquid Swordz; Sean \"P.Diddy\" Combs. This interview is available only in Swem Library's Special Collections.\u003c/p\u003e","\u003cp\u003eDJ P-Eazy and Michael \"Sic Mic\" Thurman oral history interview conducted by Kevin Kosanovich on February 9, 2013. Sic Mic and DJ P-Eazy are Newport News hip-hop legends. This interview exists in two parts. Topics include: Newport News; BorNaturals; Newport News waterfront gentrification; Wixon Courts; Woodsong and Chantilly housing developments; uptown vs. downtown Newport News; Malachi Z. York; Crew Thick; Iron Curtain; Down Low Squadron; Blood Shot Eyez; Teflon Dons; School Boyz; The Lawbreakerz; record stores; venues.\u003c/p\u003e","\u003cp\u003eMichael \"Sic Mic\" Thurman and DJ P-Eazy oral history interview conducted by Kevin Kosanovich on February 9, 2013. Sic Mic and DJ P-Eazy are Newport News hip-hop legends. This oral history contains two parts. Topics include: Newport News; BorNaturals; Newport News waterfront gentrification; Wixon Courts; Woodsong and Chantilly housing developments; uptown vs. downtown Newport News; Malachi Z. York; Crew Thick; Iron Curtain; Down Low Squadron; Blood Shot Eyez; Teflon Dons; School Boyz; The Lawbreakerz; record stores; venues.\u003c/p\u003e","\u003cp\u003ePhotos, CD, Audio recording.\u003c/p\u003e","\u003cp\u003eCD. \"Burial Songs.\" GHGG Entertainment, 2013. Box 3.\u003c/p\u003e","\u003cp\u003ePhotograph of Sic Mic, DJ P-Eazy and Q45 taken by Kevin Kosanovich on February 9, 2013 in College Apartments, Room 9 after an oral history interview.\u003c/p\u003e","\u003cp\u003eLetter of invitation from Dior Consulting \u0026amp; Management to attend a Press \u0026amp; Media event providing information about Newport News rapper Sic Mic's current and upcoming projects.\u003c/p\u003e","\u003cp\u003eTwo business cards, #TheBossDonproject.  One CD-case artwork insert for \"The Bossdon Project\" album.  Front-side features Sic Mic smoking a joint and the back-side of the insert lists the album's twelve songs including contact information for himself and the producers and other MCs featured on the album.  Also included on the back of the album is the message, \"Free T. Gotti.\"  This is in reference to Newport News MC Antwain \"Twain Gotti\" Steward who was arrested on murder and weapon charges based on a tortuous, and largely unbelievable connection made by Newport News Police and prosecuting attorneys between a 2007 murder and lyrics from a 2012 song.\u003c/p\u003e","\u003cp\u003eOne 13x19 poster advertising Sic Mic's album, \"The Boss Don Project.\"\u003c/p\u003e","\u003cp\u003e2013.127\u003c/p\u003e","\u003cp\u003eHorace C. \"Big B\" Belcher oral history interview conducted by Kevin Kosanovich on February 12, 2013. Big B is the last surviving member of the Boodah Brothers team featured on WOWI 102.9. The Boodah Brothers are responsible for introducing and growing hip-hop culture throughout Virginia since the early 1990s. Topics include: Denbigh High School; DJ Karee; club promoting; Boodah Brothers; DJ Law; Red Alert family; MC Spice; DJ Bee; Notorious B.I.G.; Fort Eustis; generational divide in hip-hop; WRAP; Jay-Z; Mike Lord.\u003c/p\u003e","\u003cp\u003e2013.128\u003c/p\u003e","\u003cp\u003eFaysal Matin oral history interview conducted by Kevin Kosanovich on February 20, 2013. Faysal Matin '14 is a DJ. Topics include: McClean, VA; William \u0026amp; Mary hip-hop culture; Streetz G4G; role of the DJ; crate digging; Serato vs. traditional DJing.\u003c/p\u003e","\u003cp\u003eTwo photographs of Faysal Matin. One photo taken in Swem Library's Media Center Studio. One photo taken by Kevin Kosanovich after Faysal Matin's oral history interview. The other photo was provided by Faysal Matin.\u003c/p\u003e","\u003cp\u003e91 photographs of a Syndicate practice session and 1 Syndicate flyer. Gift of Jennifer Robinson, Class of 2011. Acc. 2013.294.106-2103.294.197.\u003c/p\u003e","\u003cp\u003eDocuments provide a history of Syndicate including Syndicate show flyers, photographs, programs, dance lists, a t-shirt logo, and other material. Gift of Carolyn Kovacs, Class of 2009, Syndicate member 2005-2009, president 2008. Acc. 2013.295.1-2013.295.8\u003c/p\u003e","\u003cp\u003ePhotographs and memories of Syndicate, a dance group at the College of William \u0026amp; Mary. Gift of Nikki Jedlicka, Class of 2007, founding member of Syndicate. Acc. 2013.296.\u003c/p\u003e","\u003cp\u003eKeith Ivey, editor in chief, sports \u0026amp; entertainment magazine. Acc. 2013.299. Box 1.\u003c/p\u003e","\u003cp\u003eMentor Records. Promotional Copy, radio and club versions. Box 3.\u003c/p\u003e","\u003cp\u003eBox 1.\u003c/p\u003e","\u003cp\u003eBox 1.\u003c/p\u003e","\u003cp\u003eMotown the Musical in New York City. Box 1.\u003c/p\u003e","\u003cp\u003e2013.129\u003c/p\u003e","\u003cp\u003eJerome \"JB da Pilot\" Waller '13 oral history interview conducted by Kevin Kosanovich in Swem Library on September 19, 2012. Virginia Beach native Jerome Waller is also known as JB da Pilot and a member of the Mile High Club. Topics include: Virginia Beach; Mile High Club; recording; W\u0026amp;M hip-hop culture; Jay-Z; hip-hop fashion.\u003c/p\u003e","\u003cp\u003eAlbum.\u003c/p\u003e","\u003cp\u003ePhotograph of Jerome \"JB da Pilot\" Waller taken by Kevin Kosanovich after Jerome's oral history interview. The photograph was taken in the Media Center Studios in Swem Library.\u003c/p\u003e","\u003cp\u003e2013.130\u003c/p\u003e","\u003cp\u003eKeith \"Adam West\" Taylor '13 oral history interview conducted by Kevin Kosanovich in the Media Center on February 22, 2013. Keith grew up in Virginia Beach and is a member of the hip-hop crew, the Mile High Crew. Topics include: authenticity and hip-hop and rap; College Park and Virginia Beach; hip-hop culture in primary and secondary schools; W\u0026amp;M campus hip-hop culture.\u003c/p\u003e","\u003cp\u003ePhotograph of Keith \"Adam West\" Taylor taken by Kevin Kosanovich on February 22, 2013 in Swem Library's Media Center Studios after conducting an oral history.\u003c/p\u003e","\u003cp\u003e2013.131\u003c/p\u003e","\u003cp\u003eJarrod \"J-Rod\" Tanner oral history interview conducted by Kevin Kosanovich on March 11, 2013. Jarrod \"J-Rod\" Tanner is a radio DJ on WNSB, Hot 91.1 FM. Topics include: Bronx vs. Virginia; Lex Luger; Juicy J; Filipino influence on bboys in Virginia Beach; JROD Brand; economics of Virginia hip-hop; college radio stations.\u003c/p\u003e","\u003cp\u003ePhoto of Jarrod \"Jrod\" Tanner taken by Kevin Kosanovich on March 12, 2013 after Tanner's oral history interview.\u003c/p\u003e","\u003cp\u003eContains two editions of \"Frequency\" magazine and colored photographs. The colored photographs are organized and identified by subject below. Jhunnipuz Elite: 5 photos Spunk Ichiban: 5 photos The Gypcees: 4 photos The Illegal Turntable Immigrants (The Flying Ginzu Brothers): 2 photos NoNaMes: 3 photos DMP: 4 photos Miscellaneous: 11 photos featuring a variety of events, jams, and people. Kleph Dollaz: 2 photos Bboys/Bgirls: 14 photos DJs: 8 photos including DJ Jayone, Disko Dave, DJ Lonnie B, and DMC events in VA Beach. Box 1.\u003c/p\u003e","\u003cp\u003eDanny Rodriguez / Dan Tres Omi oral history conducted by Kevin Kosanovich on February 27, 2013. Topics include: Zulu Nation; Virginia Beach; Virginia high school hip-hop culture; Bronx vs. Virginia hip-hop culture; WRAP; Filipino community in Virginia Beach; hip-hop culture in the military; graffiti writing culture in Hampton Roads.\u003c/p\u003e","\u003cp\u003e2013.132\u003c/p\u003e","\u003cp\u003eKentral \"Handles\" Savage oral history interview conducted by Kevin Kosanovich on October 25, 2012. Topics include: Eastern Shore Virginia; music videos; New York City vs Virginia; Petersburg, Virginia; Virginia State University; venues; Virginia Producers.\u003c/p\u003e","\u003cp\u003e2013.133\u003c/p\u003e","\u003cp\u003eTashawn Jones oral history interview conducted by Kevin Kosanovich on October 23, 2012. Topics include: Record stores; blogs; New Jersey vs. Virginia hip-hop culture; Chesapeake; Norfolk; Old Dominion University; SHHO; Boodah Brothers; Disko Dave; hip-hop venues.\u003c/p\u003e","\u003cp\u003e2013.134\u003c/p\u003e","\u003cp\u003eKeith \"DJ K-Ski\" Carter oral history interview conducted by Kevin Kosanovich on February 28, 2013. Keith Carter is one of the first Virginia hip-hoppers, beginning in the late 1970s in the Petersburg and Richmond area. Topics include: DJ B-Wiz; Das FX; Virginia State University; Kid Capri; Jazzy Jay; hip-hop culture vs. rap culture; Soulsonic Force; Notorious B.I.G.; Magic City; DJ K-Skeen; Serato.\u003c/p\u003e","\u003cp\u003eDigital flyers and images from Keith Carter / DJ K-Ski.\u003c/p\u003e","\u003cp\u003e2013.135\u003c/p\u003e","\u003cp\u003eShinobi Kush oral history interview conducted by Kevin Kosanovich on May 1, 2012 at Kiwanis Municipal Park in Williamsburg, VA. Illinois native Shinobi Kush has been a longtime member of the Williamsburg, VA hip-hop community. Topics include: Zulu Nation; defining hip-hop; Williamsburg hip-hop history; record stores; hip-hop and the military.\u003c/p\u003e","\u003cp\u003e2013.136\u003c/p\u003e","\u003cp\u003eBlair Ebony Smith oral history interview conducted by Kevin Kosanovich on September 30, 2012. Topics include: record stores; importance of vinyl; sampling and hip-hop history; history of Student Hip Hop Organization and W\u0026amp;M; SHHO sponsored events; Richmond hip-hop artists; race and W\u0026amp;M.\u003c/p\u003e","\u003cp\u003e2013.137\u003c/p\u003e","\u003cp\u003eMalcolm Venable oral history interview conducted by Kevin Kosanovich on January 16, 2013. Malcolm Venable has written about Virginia musical culture for local newspapers and currently works as Brand Planner at the Martin Agency in Richmond, Virginia. Topics include: Petersburg, Virginia; Virginia State University; Teddy Riley; \"Don't Believe the Hype\" video Virginia Beach Greekfest riots; Richmond; Reggae; Virginia Informer; middle-class rap.\u003c/p\u003e","\u003cp\u003e2013.138\u003c/p\u003e","\u003cp\u003eDesiree Williams oral history interview conducted by Kevin Kosanovich on January 18, 2013. Topics include: Brownsville and Brooklyn; hip-hop culture in the military; Teddy Riley; hip-hop and New York boroughs; women and hip-hop; Bink Dog.\u003c/p\u003e","\u003cp\u003e2013.139: William \u0026amp;Mary  SHHO founder Bobak Karsai's written history of the SHHO and the W\u0026amp;M SHHO chapter history.\u003c/p\u003e","\u003cp\u003e2013.140\u003c/p\u003e","\u003cp\u003eLamar Shambley oral history interview conducted by Kevin Kosanovich on October 15, 2012. Topics include: Brooklyn vs. Virginia; SHHO history; AMP; Syndicate; SHHO Sponsored events; Virginia Sound.\u003c/p\u003e","\u003cp\u003e2013.141\u003c/p\u003e","\u003cp\u003eMike \"Joe Rugby\" Williams oral history interview conducted by Kevin Kosanovich on March 19, 2013. Topics include: airbrushing clothes; BorNaturals; Newport News; Double XL; graffiti; Richmond; Clipse; Shinzu; Word of Mouth; Old Dominion University; Norfolk State University; Zulu Nation; MC battles; Quasimoto; Exclusive magazine; Frequency magazine; Jhunniperz; Tapehustlerz; Bad Newz Connection.\u003c/p\u003e","\u003cp\u003eEmail from Mike \"Joe Rugby\" Williams listing Virginia hip-hop artists. The list is organized according to city.\u003c/p\u003e","\u003cp\u003eMike \"Joe Rugby\" Williams list of Virginia record labels.\u003c/p\u003e","\u003cp\u003e2013.142\u003c/p\u003e","\u003cp\u003eRegan Sommer McCoy oral history interview conducted by Kevin Kosanovich on March 20, 2013. Regan Sommer McCoy is founder of the Mixtape Museum and booking and tour manager for the Clipse. Topics include: Hampton University; New York vs. Virginia; mixtapes; Mixtape Museum; gender and music industry; gender and academia; Star Trak; Clipse.\u003c/p\u003e","\u003cp\u003e2013.143\u003c/p\u003e","\u003cp\u003eYazmin oral history interview conducted by Kevin Kosanovich on March 20, 2013. Topics include: DJ K-Ski; Brooklyn; graffiti; battling culture in Virginia; Portsmouth; women in hip-hop; neo-soul; reggae; gospel hip-hop.\u003c/p\u003e","\u003cp\u003e2013.144\u003c/p\u003e","\u003cp\u003eTodd Van Luling '13 oral history interview conducted by Kevin Kosanovich in the Berger Conference room in Special Collections on March 21, 2013. Todd Van Luling was station director of WCWM and Contemporary Culture director of Alma Mater Productions (AMP). Topics include: Herndon, Virginia; Hot 99.5 FM in Northern Virginia; AMP history with hip-hop; WCWM and hip-hop; Kendrick Lamar; Big Boi; house shows; Homebrew.\u003c/p\u003e","\u003cp\u003e2013.145\u003c/p\u003e","\u003cp\u003eAlex Cousins '14 oral history interview conducted by Kevin Kosanovich on April 11, 2013 at the Grind Coffee House in Williamsburg, Virginia. Alex Cousins is a William \u0026amp; Mary student and genre director of hip-hop at WCWM, W\u0026amp;M's college radio station. Topics include: WCWM; Buffalo, New York; W\u0026amp;M campus hip-hop culture; Meridian Coffee House.\u003c/p\u003e","\u003cp\u003e2013.146\u003c/p\u003e","\u003cp\u003eRachael Faunce oral history conducted over the phone by Kevin Kosanovich on March 21, 2013. Rachael Faunce grew up in Suffolk, Virginia. As head of Rachael Faunce Enterprises, she is a marketing, public relations professional who has worked with various local and national music and entertainment artists. Topics include: 103 FM Jamz Fest; Notorious B.I.G.; Boodah Brothers; Southern Hustling Tour; DJ Stress; 92.1 FM The Beat; Felonius Monk; DJ Karee; Abu Unity Fest; Sic Mic.\u003c/p\u003e","\u003cp\u003e2013.147\u003c/p\u003e","\u003cp\u003eCharles \"Batman VA\" Brown II oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Barnes \u0026amp; Noble in Hampton, VA. Charles \"Batman VA\" Brown grew up in a military family in Hampton, Virginia. He runs his own marketing and publicity company, Dark Knight Ent., as well as working with record labels such as Def Jam and Interscope. His career and oral history provides knowledge about \"street teams\" and street team marketing in Virginia. Topics include: street teams; marketing; branding; Def Jam; Mary Mack apartments; Hampton; 103 Jamz; Rob Love; Gerald \"Gee\" Daniels; Keith Barham; Jig; Virginia sound; military culture in Virginia; Travis Porter; Dark Knight Ent.; Verse Simmonds; 2 Chainz.\u003c/p\u003e","\u003cp\u003ePhotograph of Charles Brown II / Batman VA taken by Kevin Kosanovich on April 11, 2013 in Hampton, Virginia.\u003c/p\u003e","\u003cp\u003eBlack polyurethane foam hand with middle finger extended. Outline of hand is imprinted in white on foam shape with text \"#IDFWU BIG SEAN\" on front and \"#IDFWU\" on back. 5.5 in. slit in foam on bottom allows it to be worn on the hand. Measures 17.75 in. (length) x 9.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.064.01\u003c/p\u003e","\u003cp\u003eClear plastic (polystyrene) shot glass with black screen printing. Text reads, \"Verse Simmonds / Buy You A Round\" with a line drawing of a pair of glasses. Measures 2 in. (height) x 1.75 in. (top diameter) x 1.125 in. (bottom diameter). In excellent, unused condition. HHC 2015.065.01\u003c/p\u003e","\u003cp\u003eTrophy with clear plastic medallion, which rotates atop a black four-sided angled base. Clear plastic round disk features engraved design, which reads \"SMES / BRIDGING THE GAP SINCE 2001 / 2009.\" Base has attached plaque, reading \"Promotor of the Year / DarkKnight Ent Batman.\" Measures 7 in. (height) x 3.5 in. (width) x 3 in. (depth). In good condition. HHC 2015.066.01\u003c/p\u003e","\u003cp\u003etwo small stickers with the \"DarKnight Ent.\" logo on it.\u003c/p\u003e","\u003cp\u003eTickets, 2007-2012 to a variety of events throughout Virginia:  Summer Jamz 2008 (3 Tickets), Independence Day Jam (1 Ticket), Keyshia Cole (1 Ticket), Wiz Kalifa (1 Ticket), Future (1 ticket)\u003c/p\u003e","\u003cp\u003eMixtape CD in plastic sleeve with insert album artwork and information. The mixtape was hosted by DJ Tekniks, DJ Scream, and DJ Drama. The mixtape contains 19 tracks with featured performances from Yo Gotti, Big Sean, Tyga, and Too Short. Box 7.\u003c/p\u003e","\u003cp\u003eOne 10x16 poster advertising \"DarKnight Ent.\" Batman VA's company is involved in branding, marketing, music marketing, and promotions.\u003c/p\u003e","\u003cp\u003e2013.148\u003c/p\u003e","\u003cp\u003eMoe Money Mafia oral history interview conducted by Kevin Kosanovich in Swem Library on May 13, 2013. Moe Money Mafia is a Virginia Beach based rap group. Topics include: Virginia Beach; Lou Delgado Studios; freestyling; Tappenhanock hip-hop history.\u003c/p\u003e","\u003cp\u003e2013.149\u003c/p\u003e","\u003cp\u003eA'Kishia Edlow oral history interview conducted by Kevin Kosanovich in the Burger Conference Room in Swem Library's Special Collections Research Center on May 7, 2013. A'Kishia Edlow grew up in Brownsville, Brooklyn and Atlanta, and currently lives in Virgnia. Edlow is a longtime promoter and manager with extensive relationships throughout the hip-hop nation. Edlow is Ghostface Killah' s tour manager and Sic Mic's manager under her managment company Dior. Topics include: Brooklyn; Atlanta; \"Skew it on the Bar-B\"; women and hip-hop; Wu-Tang Clan; Ghostface Killah; Sic Mic; 1000 Kings Walk.\u003c/p\u003e","\u003cp\u003e2013.150\u003c/p\u003e","\u003cp\u003eAlice Yeh '12 oral history interview conducted by Kevin Kosanovich on September 11, 2012 in the Sadler Center. Alice Yeh was the co-captain of the William \u0026amp; Mary Bboy Club, SMILES Crew from 2011-2012. As co-captain she helped create the Origins bboy show. Topics include: SMILES Crew; Northern Virginia; race and hip-hop; gender and hip-hop; breaking; W\u0026amp;M campus hip-hop culture; Syndicate; W\u0026amp;M SHHO; James Madison University; Lionz of Zion; Guerilla Will.\u003c/p\u003e","\u003cp\u003e2013.151\u003c/p\u003e","\u003cp\u003eMatthew Argao '13 oral history interview conducted by Kevin Kosanovich on September 13, 2012 in the Sadler Center. Matthew Argao was co-captain of William \u0026amp; Mary Bboy Club, SMILES Crew from 2011-2012. Topics include: race and hip-hop; James Madison University; SMILES Crew; William \u0026amp; Mary campus hip-hop culture; breaking; Virginia.\u003c/p\u003e","\u003cp\u003e2013.152\u003c/p\u003e","\u003cp\u003eRaghav Veluri '13 oral history interview conducted by Kevin Kosanovich on September 13, 2012 at William \u0026amp; Mary. Raghav Veluri maintained \"Circles,\" a weekly cypher bringing together all elements of hip-hop culture on campus. Meeting at the Phoenix Seal on Landrum Drive, students interested in hip-hop culture or who practiced hip-hop culture were invited to participate. Topics include: freestyle; beat boxing; breaking; music; race and hip-hop; history of \"Circles\"; internet and hip-hop; William \u0026amp; Mary campus hip-hop culture.\u003c/p\u003e","\u003cp\u003ePhotographs of a Circle's cypher session at the Phoenix Seal run by Raghav Veluri on September 10, 2012. Participants include Raghav Veluri, Qi Chen, David Loebman and Aron \"Chowdah\" DeSimone.\u003c/p\u003e","\u003cp\u003e2013.153\u003c/p\u003e","\u003cp\u003eAron \"Chowdah\" DeSimone oral history interview conducted by Kevin Kosanovich on September 25, 2012. Topics include: W\u0026amp;M Bboy Club; SMILES Crews; Culpepper, Virginia; punk vs. hip-hop; dance styles; breaking; issues of race and hip-hop participation; Origins I and II; George Mason University and James Madison University bboy events; Lionz of Zion.\u003c/p\u003e","\u003cp\u003e2013.154\u003c/p\u003e","\u003cp\u003eQi Chen oral history conducted by Kevin Kosanovich on October 4, 2012. Topics include: Adelaide, Australia; China; bboying in Asia; Elmo; YouTube; Bboy Club and SMILES Crew; Kodachrome.\u003c/p\u003e","\u003cp\u003e2013.155\u003c/p\u003e","\u003cp\u003eNolan Chao oral history interview conducted by Kevin Kosanovich on October 6, 2012. Topics include: Old school and classic hip-hop; hip-hop culture on campus; UCAB/AMP; Bboy club history; issues with Syndicate; Tribal Breaks; DJing; DJing vs. breaking; breaking and internet; serrato technology; Lionz of Zion.\u003c/p\u003e","\u003cp\u003e2013.156\u003c/p\u003e","\u003cp\u003eAlexandra Court oral history interview conducted by Kevin Kosanovich on October 9, 2012. Topics include: Vienna, Virginia; hip-hop in high school; gender issues in hip-hop; W\u0026amp;M and hip-hop; pajama party; Sadler Center; crew vs. club member.\u003c/p\u003e","\u003cp\u003e2013.157\u003c/p\u003e","\u003cp\u003eBenjamin Yoo oral history interview conducted by Kevin Kosanovich.  Topics include:  Richmond; Los Angeles; Korean participation in breaking; Syndicate; W\u0026amp;M Bboy Club and SMILES Crew history; Asian American perspective on hip-hop culture; Explosion of Soul Crew; Kodachrome; Virginia Commonwealth University.\u003c/p\u003e","\u003cp\u003e2013.158\u003c/p\u003e","\u003cp\u003eDavid Loebman oral history interview conducted by Kevin Kosanovich on October 30, 2012. Topics include: Richmond; YouTube; W\u0026amp;M hip-hop culture; graphic art; James Madison University; jump style.\u003c/p\u003e","\u003cp\u003e2013.159\u003c/p\u003e","\u003cp\u003eNicole Brown oral history interview conducted by Kevin Kosanovich on October 2, 2012. Topics include: bboy club and hip-hop at W\u0026amp;M; Meridian Coffeehouse; top rocking and floor work; James Madison University and Circles event; Tribal Breaks; gender and bboying; Kodachrome; NOVA.\u003c/p\u003e","\u003cp\u003e2013.160\u003c/p\u003e","\u003cp\u003eGuerilla Will and Mike Miller oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Olive Garden in Norfolk, Virginia. Guerilla Will is a former president of the Virginia Beach Zulu Nation Chapter, bboy, Taglish Tees employee, host for numerous hip-hop events and all-around hip-hop dynamo. Mike Miller is co-creator of Taglish Tees, a street wear clothing company steeped in hip-hop and Filipino culture based in Virginia Beach. Topics include: Taglish Tees; Zulu Nation history in Virginia; International Soul Society; record stores; Thai Pan; Jewish Mother; Fuzzy's on Wednesdays.\u003c/p\u003e","\u003cp\u003ePhoto of Mike Miller and Guerilla will taken by Kevin Kosanovich after conducting their oral history interivew on April 11, 2013. Photo was taken in Norfolk, Virginia.\u003c/p\u003e","\u003cp\u003eArtifact. Gray cinch bag with black back straps. The front of the bag features a depiction of a white tribal man with a white spear dancing. The dancing man is surrounded by a white circle. \"TAGLISH TEES\" is written in white below the depiction. Beneath \"TAGLISH TEES\" is written \"Culture, Style, Expression\" in white. At the bottom of the front \"WWW. TAGLISHTEES.COM\" is written in white. There is a Taglish Tees information card inside the bag. The bag measures approximately 17.25in. (length) x 13.375in. (width). It is in excellent condition with an approximately 12.5in. crease in the middle of the bag. There is also a crease going down the length of the bag. HHC 2013.160.03\u003c/p\u003e","\u003cp\u003eMike Miller and Guerilla Will oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Olive Garden in Norfolk, Virginia. Guerilla Will is a former president of the Virginia Beach Zulu Nation Chapter, bboy, Taglish Tees employyed, host for numerous hip-hop events and all-around hip-hop dynamo. Mike Miller is co-creator of Taglish Tees, a street wear clothing company steeped in hip-hop and Filipino culture based in Virginia Beach. Topics include: Taglish Tees; Zulu Nation history in Virginia; International Soul Society; record stores; Thai Pan; Jewish Mother; Fuzzy's on Wednesdays.\u003c/p\u003e","\u003cp\u003e2013.161\u003c/p\u003e","\u003cp\u003eMelvin \"Magoo\" Barcliff oral history interview conducted over the phone by Kevin Kosanovich on April 15, 2013. Growing up in Virginia Beach and Chesapeake, Virginia, with Timbaland, Larry \"Live\" Lyons, Pharrell Williams, Missy Elliott, and Pusha T and No Malice of Clipse, Magoo is a member of Virginia hip-hop royalty. A member of Surrounded By Idiots (SBI) in the early 1990s, Magoo achieved international fame as one half of Timbaland and Magoo in the late 1990s. Among his many projects, Magoo can currently be heard offering music business insight and advice on Hot 91.1 FM. Topics include: origins of \"Magoo\"; \"Rappers Delight\"; WOWI; bboying; Larry Live; Timbaland; Freedom of Speech Posse; K-Quick; Andre Harrell; DeVante Swing; Pharrell Williams; Surrounded By Idiots; Chad Hugo; Virginia Beach; Teddy Riley; Songwriting; Timbaland \u0026amp; Magoo; Aaliyah; Record Stores; Gangsta Rap.\u003c/p\u003e","\u003cp\u003e2013.162\u003c/p\u003e","\u003cp\u003eJimmy Green oral history interview conducted over the phone by Kevin Kosanovich on March 27, 2013. Topics include: Frank Nitti; Virginia Grime Family; military and hip-hop culture; graffiti; Big Shizz; Boycott Radio; 7 cities mentality.\u003c/p\u003e","\u003cp\u003eIke Owens oral history interview conducted by Kevin Kosanovich in the Burger Conference in Swem Library's Special Collections Research Center on April 17, 2013.  Ike Owens is Harlem transplant living in Norfolk.  Owens is responsible for promoting many of the first hip-hop events and concerts in Virginia.  Topics include:  Norfolk; Old Dominion Universtiy; Norfolk State University; Bishop Willis; New York and hip-hop culture; WRAP; Surrounded By Idiots; Gospel and hip-hop connection; Daddy Jack Holmes; Norfolk Soul; MC Spice; Greekfest Riots; McCories Graffiti Shop; Herman Valentine; Regan Henry; DJ Heartattack; Al B Silk; Ice T Thomas; Soul Ranger; Teddy Riley; Rodney Jenkins.\u003c/p\u003e","\u003cp\u003ePhotograph of legendary VA promoter Ike Owens taken by Kevin Kosanovich on April 17, 2013 in Swem Library's Burger Conference room.\u003c/p\u003e","\u003cp\u003eTwo copies of an event flyer that reads in part: Another College Boyz Production, The Ultimate After Party Celebrating W\u0026amp;M Homecoming 2013; Doing it after dark @ the Cove. Box 1.\u003c/p\u003e","\u003cp\u003e2013.164\u003c/p\u003e","\u003cp\u003eMusic.  Dragonspit Jones, \"The Ugly Truth LP\"\u003c/p\u003e","\u003cp\u003e2013.165\u003c/p\u003e","\u003cp\u003eTheo Jamison / Intalek oral history interview conducted by Kevin Kosanovich on June 28, 2013 in the Burger Conference room in Special Collections. Topics include: Los Angeles vs. Virginia; Virginia musical style; creative process; poetry and lyrics; defining hip-hop.\u003c/p\u003e","\u003cp\u003e2013.165.1. Digital files contain 15 tracks.\u003c/p\u003e\n","\u003cp\u003eFrom Bandcamp: \"The July 2010 success of the original 10-track \"Lives And Vibes\" EP from Intalek and Ritchcraft sparked an even deeper release from the duo, giving rise to this newer and stronger 14-track album. Still holding on to the original work, Intalek and Ritchcraft created 4 more tracks for the fans to enjoy.\"\u003c/p\u003e","\u003cp\u003eDigital files consist of 2 tracks.\u003c/p\u003e","\u003cp\u003eDigital file contains 18 individual tracks.\u003c/p\u003e","\u003cp\u003eTwo copies of the cd \"L.A. VA Tape\" by Intalek and EOM. The recording was produced by G-Man Mangement, LLC. Box 3.\u003c/p\u003e","\u003cp\u003eOne copy of the cd \"G.R.O.W.\" by Motive, a member of the hip hop group Aspire to Inspire. Box 7.\u003c/p\u003e","\u003cp\u003eAcc. 2014.152. Small flyer for Intalek's LA to VA mixtape. The flyer provides a bandcamp address to download the album. There is a picture of Intalek with a microphone stand across his shoulders, as well. The back of the flyer features the logo and web address of GMan Entertainment Music Group, presumably Intalek's label.\u003c/p\u003e","\u003cp\u003eDigital files consist of 7 tracks\u003c/p\u003e","\u003cp\u003eCD. \"The Duct to Da Lawns.\" Pre Entertainment, 2005. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"BORNATURALS.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Deeply Rooted 5.\" Nex N' Line, Inc., 2001. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Pink Cookies.\" B.M.G., 2013. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"We the Best Presents . . . Rum.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"DJ Jack of Spade Presents: Trunk Music.\" Box 7.\u003c/p\u003e","\u003cp\u003e2013.166: Lisa Lee Counts oral history interview conducted by Kevin Kosanovich in Suffolk, Virginia on June 11, 2013. Lisa Lee Counts, better known as Zulu Queen Lisa Lee is a founding member of the Zulu Nation. In addition to being a founding member of the SoulSonic Force and Cosmic Force, Zulu Queen Lisa Lee was also featured in the seminal hip-hop films \"Beat Street\" and \"Wild Style.\" Zulu Queen Lisa Lee currently resides in Virginia. Topics include: comparing New York hip-hop with Virginia hip-hop; women in hip-hop; contemporary hip-hop.\u003c/p\u003e","\u003cp\u003e2013.167\u003c/p\u003e","\u003cp\u003eJustin \"JSAR\" Saar oral history interview conducted by Kevin Kosanovich in the Burger Conference Room in Swem Library's Special Collections Research Center on May 31, 2013. JSAR is a Newport News recording artist. Topics include: Newport News; Richmond; DJ Bobby J; hip-hop and technology; Norfolk State University.\u003c/p\u003e","\u003cp\u003eBox 3.\u003c/p\u003e","\u003cp\u003eTwo copies of fliers for a J'sar show at the Iguana in December 2013 and two copies of fliers promoting J'sar to perform at Shaggfest 2014 in Virginia Beach. Box 1.\u003c/p\u003e","\u003cp\u003e2013.168\u003c/p\u003e","\u003cp\u003eDigital files consist of 22 tracks\u003c/p\u003e","\u003cp\u003eRichmond hip-hop collective. 2013.169\u003c/p\u003e","\u003cp\u003eAlbum.\u003c/p\u003e","\u003cp\u003eMp3 file of the rap song that Jon Houghton (a.k.a. \"J-Diz\") at William \u0026amp; Mary composed about VCU's Cabell Library late last year. It was a product of Swem's media lab.\u003c/p\u003e","\u003cp\u003eSong: \"Library.\" Mp3 file of the rap song that Jon Houghton (a.k.a. \"J-Diz\") at William \u0026amp; Mary composed about VCU's Cabell Library late last year. It was a product of Swem's media lab.\u003c/p\u003e","\u003cp\u003e2013.171\u003c/p\u003e","\u003cp\u003eDigital files consists of 28 tracks.\u003c/p\u003e","\u003cp\u003e2013.172\u003c/p\u003e","\u003cp\u003eCascade Records podcast featuring Ohbliv. According to Cascade Records: \" This is the second podcast of the new year, courtesy of our dude Ohbliv from Richmond, Virginia. Everything from smooth jazzy joints to raw soul bangers, this is 30 minutes of pure butter. Oh is a super talented cat.\" (Acc. 2013.172)\u003c/p\u003e","\u003cp\u003eSong from the 2011 compilation album, \"Eat More Blunt Guts.\" [ No release/rights.]\u003c/p\u003e","\u003cp\u003e\"Body Ride\" is included on Ohbliv's 2011 mixtape, \"EZ Widas.\" [No release/rights.]\u003c/p\u003e","\u003cp\u003eOhbliv's track, \"bahdiyap,\" released on the HW\u0026amp;W Volume 1 mixtape.\u003c/p\u003e","\u003cp\u003eKlipmode's Klipkasts features guest artists and their mixes. Ohbliv composed the third edition of this series.\u003c/p\u003e","\u003cp\u003eAlbum. Ohbliv released, \"New Black Renaissance (Side B),\" on February 20, 2012. \"Side B\" was the follow-up to his album \"New Black Renaissance (Side A)\" released in October 2011.\u003c/p\u003e","\u003cp\u003eOhbliv's album, \"Ohblique\" was released digitally on Bandcamp.com on September 13, 2011.\u003c/p\u003e","\u003cp\u003eOhbliv released the digital album, \"Hydrosub\" on December 15, 2010.\u003c/p\u003e","\u003cp\u003eAlbum.  Ohbliv released \"Rugged Tranquility\" in 2009.  \"Rugged Tranquility\" represents Ohbliv's first full-lenght beat tape released digitally.\u003c/p\u003e","\u003cp\u003e\"Soulphonic\" is an Ohbliv composition commissioned by SHHO.  According to SHHO, \"If you ever wanted to know what Richmond sounded like sonically, this is it. Sit back and enjoy.\" 2013.172.11\u003c/p\u003e","\u003cp\u003eThis album is a collaboration between Sir Froderick and Ohbliv (\"Sir-Bliv).  Sir-Bliv: \"Wholly Rollers LP.\" . Released 2013. 2013.172.12\u003c/p\u003e","\u003cp\u003ePlay Cloths is a progressive streetwear brand with a focus on the creation of high quaility garments adaptable to any lifestyle. 2013.173\u003c/p\u003e","\u003cp\u003ePlay Cloths released this mixtape for the holiday 2011 season.\u003c/p\u003e","\u003cp\u003eTerrence Thornton, better known by his stage name Pusha T (short for Pusha Ton), is an American hip hop recording artist and one half of hip hop duo Clipse, along with his brother and fellow rapper Gene \"No Malice\" Thornton. He is also the co-founder and co-chief executive officer (CEO) of Re-Up Records. 2013.174\u003c/p\u003e","\u003cp\u003eFear of God II: Let Us Pray is the major record label debut and extended play by American hip hop recording artist Pusha T, released on November 8, 2011, under G.O.O.D. Music. The EP serves as his first project with Kanye West's GOOD Music label.\u003c/p\u003e","\u003cp\u003e2013.175\u003c/p\u003e","\u003cp\u003eThe Rubber Peeple released their mixtape, \"Tighten Up Mixtape ft. DJ S-Dot\" on October 19, 2012.\u003c/p\u003e","\u003cp\u003e2013.176\u003c/p\u003e","\u003cp\u003eFlyer for The Nutcracker performed at the historic Attucks Theatre in Norfolk on December 7-8, 2012.\u003c/p\u003e","\u003cp\u003eFlyer for Da Block morning radio show on 103 Jams. Da Block features Anguz Black and DJ Bee.\u003c/p\u003e","\u003cp\u003eFinal flyer for the Origings II event held November 17, 2012 in the Sadler Center. Bboy crews performing: MF Kidz, Crewcial, VCU Poppers, Akademix, Blank Canvas, SMILES Crew, Urban Individuals, Bamboom, Havikoro.\u003c/p\u003e","\u003cp\u003eFlyer for California rapper Lil B's, aka Based God, three Virginia concerts. He performed March 25-27 in Springfield, Virginia Beach, and Richmond, respectively. Amped\u0026amp;Alive and N.I.C.E. Entertainment promoted Lil B's concerts.\u003c/p\u003e","\u003cp\u003eFlyer for Action Bronson's June 19, 2013 concert at the Kingdom in Richmond. VA. Opening acts included 360 Boyz, Teleport Team and THALSD. Kingdom \u0026amp; Kulture were the concert promoters. 2013.176.11\u003c/p\u003e","\u003cp\u003eOne 11x17 poster promoting Ludacris' album, \"Ludaversal.\"\u003c/p\u003e","\u003cp\u003eOne 12x18 poster for Soulstice Reb'l, \"Reb'lution\" album release party at The Norva, 11.15.14.\u003c/p\u003e","\u003cp\u003eOne 8.5\" X 11\" flyer with Kons the Child in the top right corner and Charles Diamond in the lower left corner. The flyer also contains time and location of the festival. The festival took place Saturday, April 18, 2015 at the Meridian Coffeehouse at the College of William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eArtifact. Black t-shirt featuring a movie poster-type picture on the front. The background has a red and orange stereo speaker. The foreground has a ghostly figure with a green mask and green hands and long fingernails. The ghostly figure is holding a woman wearing a white tank-top with long brown hair. The woman looks as if she is dying. \"GHOSTFACE KILLAH\" is written in white screen print at the top of the movie poster-type picture. Below the \"H\" in \"KILLAH\" \"IN\" is written in orange screen print. At the bottom of the poster \"TWELVE REASONS TO DIE\" is written in black with white outline and orange shadow. The shirt is a size large and is in good condition with a 0.25in. unraveled seam in the back at the bottom. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.01\u003c/p\u003e","\u003cp\u003eArtifact. Black t-shirt with a featuring a white \"X\" in white rugged-type font on the front. Next to the \"X\" is an \"O\" also in white rugged type font. In between the \"X\" and the \"O\" there is a white heart. The shirt is a size large. It is in good condition. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.02\u003c/p\u003e","\u003cp\u003eArtifact. Black t-shirt featuring a blue comic bubble on the front. \"WORDS BEATS \u0026amp; LIFE\" are written in yellow hip hop graffiti font inside the blue comic bubble. There is a red bleeding shadow behind \"Words Beats \u0026amp; Life\" and a star as the dot of the \"I\" in \"LIFE.\" On the reverse of the shirt at the top \"WORDS BEATS \u0026amp; LIFE INC.\" is written in white screen print. Below that is written \"Teaching·Convening·Presenting\" in white. Beneath that is written \"Hip-Hop\" in white. The shirt is a size large and is good condition with an approximately 0.75in. crease on the \"S\" in \"WORDS\" on the front. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.03\u003c/p\u003e","\u003cp\u003eArtifact. White t-shirt featuring a gray city skyline and subway. There are also four men wearing hip-hop style clothes. They are green at the top and gray at the bottom. \"35th\" is written in white and yellow-green hip hop graffiti at the top of the city skyline. \"Anniversary\" is written below the \"35th\" in white script. Underneath that is written \"ROCK STEADY CREW\" in white, yellow and green hip hop graffiti. The reverse of the shirt has \"35th\" written in black hip hop graffiti, \"Anniversary\" in black script, and \"ROCK STEADY CREW\" written in black hip hop graffiti. There are logos of sponsors for the event below the writing. The shirt is a size large. It is in good condition with a 0.5in. white spot with brown specks below the foot of one of the men on the front. There is also a 1.5in. green stain at the bottom of the picture on the front, a 0.25in. green stain at the bottom front seam on the wearer's right and far left, and a 2in. green stain at the bottom of the shirt on the wearer's left. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.04\u003c/p\u003e","\u003cp\u003eArtifact. Blue t-shirt. \"Break Free\" is written in black with white outline in baseball script on the front. Under \"Break Free\" is written \"11\" in black with white outline in baseball number font. HaviKoro, a b-boy crew from Houston, Texas, performed at ORIGINS: SCW II, held November 17-18, 2012 at W\u0026amp;M's Sadler Center and Campus Center. The shirt is a size XL and is in good condition. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.05\u003c/p\u003e","\u003cp\u003eOne CD in slip case with the With Good Reason logo and program information printed on the CD. Guests for the \"Hip Hop, You Don't Stop,\" program included Kevin Kosanovich from the College of William \u0026amp; Mary, Nikki Giovanni from Virginia Tech University, Jim Borling from Radford University, and John Adam from Old Dominion University. Box 7.\u003c/p\u003e","\u003cp\u003eFour tickets to the June 7, 2014 Z104 Shaggfest Concert held at the Farm Bureau Live at Virginia Beach outdoor concert venue. Shaggfest is annual concert festival organized by Brandon Stokes, aka Shaggy, a radio DJ at Z104. Virginia Breach's own Pharrell Williams headlined the festival.\u003c/p\u003e","\u003cp\u003eOne sticker from the Cornell Hip Hop Collection. The sticker features a picture of Afrika Bambaataa taken by the hip hop photographer Ernie Paniccioli, the \"mixtape\" Cornell Hip Hop Collection logo, and the url Preservinghiphop.org running along the bottom of the sticker.\u003c/p\u003e","\u003cp\u003e1-gray 100% acrylic sweatshirt that features a head shot of the Notorious B.IG. wearing sunglasses in black on the front. The sweater is a size large and is in good condition. There is lint all over the sweatshirt. Gift of Kevin Kosanovich. HHC 2014.189\u003c/p\u003e","\u003cp\u003e1-navy blue sweatshirt that features a depiction of a red panda with blue and white fur above two white row boat oars that are crossed. \"EST.\" is printed in white on the wearers right of the crossed oars and \"MMX\" is printed in white on the wearer's left of the crossed oars. at the bottom of the sweatshirt, right above the pocket, \"CREW\" is printed in white. The sweatshirt was made by Mannie Willis-Distinct Nature Clothing. It is made of 50% cotton and 50% preshrunk polyester and is a size large. It is in good condition. There is lint all over the sweatshirt. Gift of Kevin Kosanovich. HHC 2014.190\u003c/p\u003e","\u003cp\u003eAcc. 2013.074 includes posters and fliers for the William \u0026amp; Mary Hip Hop Collection Launch Party on April 19, 2013; remarks given by Amy Schindler, University Archivist, at the launch party, and an article from the Daily Press with coverage of the collection and announcement for the launch party.\u003c/p\u003e","\u003cp\u003e\"Virginia Beats: The College of William \u0026amp; Mary's new Hip-Hop Collection,\" by Dan Harrison in the June 2013 issue of \"Virginia Living Magazine\"; discusses the genesis of the William \u0026amp; Mary Hip Hop Collection. The article is found on page 37. Box 4.\u003c/p\u003e","\u003cp\u003eCDs of artists such as Rum, Next N' Line, Thug Relation, and Treie that were collected during the launch of the William \u0026amp; Mary Hip Hop Collection on April 19, 2013 at Swem Library.\u003c/p\u003e","\u003cp\u003eContains posters used at the 2nd Annual William \u0026amp; Mary Hip Hop Collection Celebration that took place on 2014 April 3 at Swem Library.\u003c/p\u003e","\u003cp\u003eThis interview is not yet available online.\u003c/p\u003e","\u003cp\u003eMade in Italy: Let's Dance Medley with the tracks: \"You are a Dancer,\" \"Happy Children,\" \"Dolce Vita,\" \"Kalimba de Luna,\" \"Comanchero,\" \"Tarzan Boy,\" Masterpiece,\" \"Vamos A la Playa,\" \"The Night,\" \"Disco Band,\" \"Self Control,\" \"Bad Boy,\" and \"Easy Lady,\" \"Let's Dance.\" Side A includes all tracks; Side B Includes the dance version of all tracks. A red circle feature on the album's cover reads \"Featuring Rap Version by Tony \"B\" - G.Q. \"Jay\".\" LP is stamped \"Promotional Copy Not For Sale.\" Milan, Italy. 33 1/3. Box 4.\u003c/p\u003e","\u003cp\u003eTony B. and the Electric Warriors. Side A: \"So Hot\"; Side B: \"Brickhouse\". Disco Mix. Modern Music Productions. Italy. LP is the size of a standard 33 1/3 rpm record, but is actually pressed as a 45. Box 4.\u003c/p\u003e","\u003cp\u003eIncludes single edit, instrumental, radio mix and acapella versions of sides A and B. SoVa Records was based in Virginia Beach, Virginia. Box 4.\u003c/p\u003e","\u003cp\u003eXYZ (Xiang-Yu Zhong) in some places.\u003c/p\u003e","\u003cp\u003eOne copy of the CD \"Jinwen\" (roughly translates as \"Censored News\") by XYZ (Zhong Xiangyu). Tracklist: 1) Intro; 2) Still Martial Law; 3) Soulless; 4) ABC; 5) Kau-ka-T; 6) Manifest Plainness, Embrace Simplicity. Box 7.\u003c/p\u003e","\u003cp\u003eCD. \"The Earth Is Sour.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Finally.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Level II.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Seed Is.\" Members include Nikki Kilgore, Buttafly, Biggs, Mike Peace, Tom Smith, Big Daddy Rich, Jeris Quinn, J.P. Lilliston, and Dawg. Box 7.\u003c/p\u003e","\u003cp\u003eCD. Recording of live performance that occurred on September 15, 2001 at the Umoja Festival. \"Seed Is...\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"What-Chu Heard? The Real 'Remix'.\" Box 7.\u003c/p\u003e","\u003cp\u003eCD. \"A Conversation with my Son.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"A Kids Life.\" Box 3.\u003c/p\u003e","\u003cp\u003eAudio cassette tape. \"Never Too Young.\"\u003c/p\u003e","\u003cp\u003eCD. \"The Mixtape.\" Box 7.\u003c/p\u003e","\u003cp\u003eCD. \"Home Grown.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Promotional CD.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Love and War Sampler.\" Box 7.\u003c/p\u003e","\u003cp\u003eCD. \"Love and War.\" Box 7.\u003c/p\u003e","\u003cp\u003eCD. \"Advance CD-Promo.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Day Ina Life.\" Box 3.\u003c/p\u003e","\u003cp\u003eOne poster advertising the Fresh Radio sponsored DJ Bee \u0026amp; Kool DJ Red Alert event celebrating the 40th anniversary of hip hop culture, by \"edutaining you through the years of hip hop.\" The event was held at the Jewish Mother in Norfolk, VA on August, 30, 2013.\u003c/p\u003e","\u003cp\u003eTwo name tags with the William \u0026amp; Mary Hip Hop Collection logo. The name tags were signed in August 2013 during a campus visit to American Studies and Swem Library. One name tag has DJ Bee's signature and \"Fresh Radio.\" Kool DJ Red Alert signed the other name tag and included \"Respect !!!\"\u003c/p\u003e","\u003cp\u003ePoster for Vince Loyal's single, \"Don't Be Scared.\"\u003c/p\u003e","\u003cp\u003eTwo business cards for Alan Jones, aka DJ Alboog, professional DJ.\u003c/p\u003e","\u003cp\u003eCD single with artwork for Virginia Grind Family (VGF) member Vince Loyal's \"Don't Be Scared,\" featuring Misaya and produced by Beat King. The CD and artwork was manufactured by Coastal Media.\u003c/p\u003e","\u003cp\u003eVirginia Grind Family (VGF) member Voe Black's single, \"Guapo,\" produced by Yello Banks.  The CD and included artwork was manufactured by Coastal Media.\u003c/p\u003e","\u003cp\u003eSigned poster for Virginia Grind Family member Voe Black's single, \"Guapo\"\u003c/p\u003e","\u003cp\u003eSix issues of Elemental Renaissance (ER) magazine. ER was published by Grover C. Winfield III, out of his Norfolk, VA apartment. ER began as a newsletter circulating at Old Dominion University on September 25, 1999. The purpose of ER was to introduce readers to hip-hop's \"4 elements\": the break dancer, the graffiti artist, the DJ, and the MC. In addition to Grover Winfield, Danny Rodriquez (Dan Tres Omi), another collection member, also wrote for the magazine. Issues donated: October 2000, Volume 1, Issue 1 February 2001, Volume 2, Issue 1 June 2001, Volume 2, Issue 2 January 2002, Volume 2, Issue 3 November 2002, Volume 2, Issue 4 June 2003, Volume 3, Issue 1\u003c/p\u003e","\u003cp\u003eJay Quan's \"Urban Legend\" CD was released in 2003 by JAH Music. The album includes 11 songs, including the singles, \"Five Mics\" featuring Grandmaster Caz \u0026amp; Grandmaster Mele Mel, and \"Get Down.\"\u003c/p\u003e","\u003cp\u003eJay Quan, \"5 Mics\" featuring Grandmaster Caz and Grandmaster Mele Mel, 12\" vinyl single.  Produced by Dr. No, Side A features 3 tracks: the vocal cut, the radio edit, and the instrumentals.  Side B features remixes of the three cuts on Side A.  The 12\" LP was released by JAH Music in 2003.\u003c/p\u003e","\u003cp\u003eJay Quan's comic advertising his single, \"5 Mics,\" was autographed at the top with the note, \"To: W\u0026amp;M.\" The 6 panel comic situates Jay Quan's single within a history of hip-hop culture descended directly from legendary MCs Grandmaster Caz, Grandmaster Mele Mel, and Kool Moe Dee. A duplicate, non-autographed copy is also included.\u003c/p\u003e","\u003cp\u003eOne autographed press photograph of \"The First Sons Original Recordings.\"  The photograph is undated, but was most likely created in the 1990s.\u003c/p\u003e","\u003cp\u003eOne DVD case for Sho Flacco's No Plan B: Mixtape and Movie. Included in the case is a CD for the mixtape and a DVD containing the movie. No Plan B was created and distributed in associate with Inner Circle Entertainment.\u003c/p\u003e","\u003cp\u003eOne CD and artwork for Mz Meka's album, \"Queen, I Am.\" Included in the slip case is a business card for Mz. Meka and her Soul Rebel Nation.\u003c/p\u003e","\u003cp\u003eTwo copies of CD in sleeve with artwork for Evan Barlow's album, \"Trials to Triumph.\" Artwork includes information concerning the albums songs, production information, and management contacts. Box 7.\u003c/p\u003e","\u003cp\u003eOne DVD in jewel case with insert artwork. The artwork has pictures of hip hop cultural figures including Jim Jones, Pusha T, Chyanne Jacobs, and DJ Baby Drew, among others. The title of the DVD is, \"Phenom DVD: Independence Day.\"\u003c/p\u003e","\u003cp\u003eOne CD in jewel case with insert artwork for Prano the Youngin's album, \"Break the Mold.\" Involved in producing this record were Lab Ratz, The Dirtyworkas, Cash Rules Conglomerates, and Upper Room Studio. Additonally, Cymandye Lady-C created the album artwork.\u003c/p\u003e","\u003cp\u003eOne CD in cardboard case of Egami Reh's \"Egami Reh's Story Time.\" Cover art features a cartoon rendering of Egami Reh traveling through space surrounded by a variety of images including a bboy, a beetle holding a crystal, a book, and several mytiscal shapes and renderings.\u003c/p\u003e","\u003cp\u003eOne flyer and one small gatefold flyer for Studio X, Xclusive Media. Studio X offers digital printings, video, photography, and music services. Studio X is located in Virginia Beach.\u003c/p\u003e","\u003cp\u003eOne paper flyer advertising the The Buffalo Boyz MC's The Great Pretenders event held May 18, 2013.  The Great Pretenders are performers who assume the personas of famous R\u0026amp;B, Soul, and Funk musicians including Aretha Franklin, Teddy Pendergast, Prince, Al Green, Whitney Houston, and Millie Jackson, among others.  The Buffalo Boyz Motorcycle Club are a Williamsburg-based African American motorcycle club with roots stretching back to the 1970s.\u003c/p\u003e","\u003cp\u003eOne CD in jewel case with insert artwork of Hudson \u0026amp; Guam's \"Visions.\"\u003c/p\u003e","\u003cp\u003eFour tickets from Mic Hog Competions: two from June 2, 2014 and two from July 5, 2014.\u003c/p\u003e","\u003cp\u003eTwo paper flyers advertising the \"William \u0026amp; Mary Hip Hop Collection: Mic Hog Competion\" held June 2, 2014 at the Cove Tavern in Williamsburg, Virginia.  Featured artists included A.P.E., Labratz, Maino, Stunna Steam, Tay Activist, Versa Kyle, and Plug Set Records.\u003c/p\u003e","\u003cp\u003eTwo newpaper articles featuring Hudson \u0026amp; Guam. One article, \"Guam Duo Hip-Hopping to Stardom\" was published Sunday, July 20, 2014 in the Marianas Variety--Guam Edition newspaper. The second article, \"Hudson and Guam Going Big,\" was published Friday, July 25, 2014 in the Pacific Daily News.\u003c/p\u003e","\u003cp\u003e2-brass medals that feature a laurel leaf around the edge. \"William and Mary Hip Hop Collection\" is printed in black block letters at the top in an arc. \"Mic Hog Competition Champion\" is printed in black block letters in an arch at the bottom in an arch. In the middle of the medals is a depiction of a hog holding a mic in its mouth. The logo for the William and Mary Hip Hop Collection to the right of the depiction. Beneath the depiction but above \"Mic Hog Competition Champion,\" \"Hudson and Guam\" is printed in black block letters. The back of the medals has \"William and Mary Mic Hog Champion\" engraved in black on a oval background. \"China\" is engraved in raised letters on the bottom of the back of the medals. The medals are attached to black lanyards by a golden colored hook. The medals measure approximately 2.5in. in diameter and the lanyards (including the hook) measure approximately 16in. The medals are in good condition. Both medals have light scratches all over them and medal \"b\" has a small copper colored spot on the back at the top right side of the oval platform. HHC 2014.164.05ab\u003c/p\u003e","\u003cp\u003e1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Cymandye aka Lady-C of hiphopsince1987.com/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. HHC 2014.164.06\u003c/p\u003e","\u003cp\u003e1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Doug \"DJ Teddy Bear\" Perry of Hot 91FM/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. The plastic is peeling off on the top left corner and the bottom right and left corners. There is also a white stain on the plastic above the \"o\" of \"of\" in \"On this day of Jusne 2, 2014.\" HHC 2014.164.07\u003c/p\u003e","\u003cp\u003e1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/DJ Strez of Hot 91FM/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. HHC 2014.164.08\u003c/p\u003e","\u003cp\u003e1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Cymandye aka Lady-C of hiphopsince1987.com/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots and columns all over the plastic covering the mounted piece. HHC 2014.164.09\u003c/p\u003e","\u003cp\u003eOne CD-R in paper packaging with a binder clip. On the pack of the packaging, the track list information is written. Box 7.\u003c/p\u003e","\u003cp\u003eThe Source Magazine #259.  On page 83 of the magazine, HipHopSince1987.com is listed as #30 on the Digital Power 30 list.  Quinelle Holder and Cymandye Russell signed the magazine.\u003c/p\u003e","\u003cp\u003e1-white t-shirt that has \"HIPHOP87/HIP HOP SINCE 1987.COM\" printed in white on the front in graffiti-style block letters. There is a black background behind the white letters. The t-shirt was received by Special Collections staff during the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is made of 100% preshrunk cotton and is a size extra-large. It is in excellent condition. Gift of Quinelle Holder. HHC 2014.186\u003c/p\u003e","\u003cp\u003e1-black t-shirt that features an abstract design resembling a cow's head in silver with a white outline. Above the design \"MUSTAFA\" is printed in black with a white and silver outline. Below the design \"MALIK\" is printed in black with white and silver outline. Below \"MALIK\" \"DESIGNS™\" is printed in white. \"CLOTHING THAT DUZ DA BODY GOOD™\" is printed in white below \"DESIGNS™.\" This shirt is a 25th Anniversary MMD (Mustafa Malik Designs) Retro T-shirt design. It was received by Swem Special Collections staff during the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is made of 100% cotton and is a size large. It is in excellent condition. Gift of Mustafa Malik Shabazz. HHC 2014.187\u003c/p\u003e","\u003cp\u003eTwo photocopied documents.  The \"Green Book\" is 37 pages long and primarily instructs members on the regulations and expectations of Zulu Nation members.  The Green Book is composed of six sections of Infinity Lessons including the history of hip-hop, Afrika Bambaataa, and the Zulu Nation philosophy.  The \"Black Book\" is 65 pages long and provides the spiritual and metaphysical underpinnings of the Zulu Nation.  Additionally, the Black Book provides further Infinity Lessons examining history, dietary issues, and philosophical matters.\u003c/p\u003e","\u003cp\u003eThe Journal of the Moorish Paradigm, Book 8, by Hakim Bey. The booklet is signed by Afrika Bambaataa, founder of the Universal Zulu Nation, the most important cultural institution in hip-hop. Book 8 focuses on \"Divine Law Governs All Events.\" The booklet is comprised of stapled, printed sheets of paper. The booklet is approximately 48 pages long.\u003c/p\u003e","\u003cp\u003eThe DVD is an interview conducted and produced for the Bronx Museum with Afrika Bambaataa. The interview focuses on the origins of hip-hop culture and the Zulu Nation in the Bronx during the 1970s.\u003c/p\u003e","\u003cp\u003eStretch Dolla, \"The Wrong Time to Hate,\" CD.  The CD is contained in a plastic sleeve with a slip-in art card.  The CD has 15 songs.\u003c/p\u003e","\u003cp\u003e2 copies of Versa Kyle's CD, \"No Struggle, No Progress.\" The CDs are held in two slip cases with art cards. There are 20 tracks on the album.\u003c/p\u003e","\u003cp\u003eOne CD by Soul Sun, titled \"Limitless.\" The CD is held in a cardboard case. There are 18 songs on the album. Box 7.\u003c/p\u003e","\u003cp\u003eBlack cotton t-shirt with red and white screen printing. Text on the front reads \"DRUGZ\" in red with handwritten letters and underlined. Illustration in white of a gas mask with \"TAKEOVER\" in black at the top. Shirt size is 2XL, and measures 32 in. (length) x 38.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.016.01\u003c/p\u003e","\u003cp\u003eFounded in November 2008 by Prince Hakeem, Famous Radio has become an important force in Virginia online radio.  Featuring regional and national news, interviews, and music, Prince Hakeem and the Famous Radio family continue to support Virginia's dynamic hip-hop culture.  After Famous Radio moved into a larger studio in 2014, they donated these doors to the hip hop collection.  The studio doors provide an important, and unconventional, record of the many musical artists that call Virginia home. Two doors and four pieces of door frames containing the tags of the artists and hip-hop cultural makers that visited Famous Radio.\u003c/p\u003e","\u003cp\u003eOne letter from Brian Owens aka Liquid addressed to Kevin Kosanovich written in pen on a sheet of 8X11 spiral notebook paper.  The letter serves as Brian's introduction to Kevin Kosanovich about his various projects and involvement in Virginia's hip-hop scene.\u003c/p\u003e","\u003cp\u003eTwo copies of Liquid's mixtape, \"Feel Free.\" Each copy contains a CD in plastic sleeve with an insert cover art. The mixtape has 10 songs. Box 7.\u003c/p\u003e","\u003cp\u003eOne CD in plastic case. Insert cover art features picture of The Special Guests performing. The album contains seven songs. The Special Guests is Brian Owens' hip-hop, blues, funk band featuring a live DJ and horn section.\u003c/p\u003e","\u003cp\u003eOne CD case containing the album, \"Weep No More.\" Included is an insert cover-art with a picture of a statue weeping. There are sixteen songs on the album.\u003c/p\u003e","\u003cp\u003eThree art prints by Brennan Krick: two 10' x 15' prints, and one 8' x 10' print. The 8' x 10' print has a cat holding a cup with Chinese characters on it, standing next to a machine gun. One of the larger prints is of a cyborg woman with curly red hair. The other large print features a samurai riding on the back of a Chinese-inspired rendering of a dragon.\u003c/p\u003e","\u003cp\u003eBlack cotton t-shirt with white screen printing. Logo on front features a spirit holding a microphone. Text on back reads, \"GHOS MERCK\" with the logo in between. Shirt size is M, and measures 29 in. (length) x 31.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.061.01\u003c/p\u003e","\u003cp\u003eOne CD in plastic slip case, titled \"Dirstorted Noize.\" The CD has 20 tracks. Box 7.\u003c/p\u003e","\u003cp\u003eOne 8' x 11' GhosMerck Promotional Photo.\u003c/p\u003e","\u003cp\u003eRed and white plastic cup resembling a disposable red Solo® cup. Sticker applied to the side of cup reads \"Red Cup Gang.\" According to the group's promotional website, \"The 'Red Cup' symbolizes the focus on the positive things in life. 'Gang' symbolizes the bond between people.\" Measures 5 in. (height) x 4.125 in. (top diameter) x 2.5 in. (bottom diameter). In excellent, unused condition. HHC 2015.058.01\u003c/p\u003e","\u003cp\u003eOne informational flyer for the Society of Hip Hop \u0026amp; Education organization.\u003c/p\u003e","\u003cp\u003eOrange drawstring backpack with white screen printing. Bag is made of an orange non-woven polypropylene with black drawstrings. Text reads \"BM\u0026amp;e BATTLE MUSIC \u0026amp; ENTERTAINMENT WWW.BME757.COM.\" Bag measures 16 in. (length) x 15 in. (width). In excellent, unused condition. HHC 2015.089.01\u003c/p\u003e","\u003cp\u003eIncluded in this folder are three items.  One double-sided informational card advertises BM\u0026amp;E Presents television show on one side, and BM\u0026amp;E managed artist, Golden Boy, on the flip side.  One promotional card promoting \"Red Cup Gang,\" and Young Rell.  Finally, the promotional items also include an upper-case 'C' sticker above five stars.\u003c/p\u003e","\u003cp\u003eWhite cotton pocket t-shirt with blue, yellow, red, and black screen printing. Text on the front reads, \"BATTLE MUSIC \u0026amp; ENTERTAINMENT\" with an illustration of tanks with speakers attached. Text in black on back reads, \"BM\u0026amp;e BATTLE MUSIC \u0026amp; ENTERTAINMENT.\" Shirt size is 2X-Large, and measures 33.75 in. (length) x 42 in. (width). In good condition with .75 in. blue paint smudge on right sleeve and 4.5 in. light brown line near tag. HHC 2015.092.01\u003c/p\u003e","\u003cp\u003eBlue transparent plastic water bottle with screw on sport-top lid. Water bottle is made of polyethylene terephthalate with molded, textured indents for fingers on sides. \"BM\u0026amp;e BATTLE MUSIC \u0026amp; ENTERTAINMENT WWW.BME757.COM\" is screen printed in white on sides. Measures 8.75 in. (height) x 2.75 in. (diameter). In excellent, unused condition with no visible defects. HHC 2015.095.01\u003c/p\u003e","\u003cp\u003eNavy blue cotton t-shirt with white screen printing. Text on the front reads, \"Lights On ME\" with outline images of two spotlights, with two logos below,  \"96.7 the BLOCK non-stop hip hop\" and \"BM\u0026amp;e BATTLE MUSIC \u0026amp; ENTERTAINMENT.\" Text on back reads, \"WWW.BME757.COM.\" Shirt size is 3X-Large, and measures 34 in. (length) x 43.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.093.01\u003c/p\u003e","\u003cp\u003eTwo copies of Beachie Ball's CD single, \"Aye Aight,\" produced and distributed by Battle Music \u0026amp; Entertainment (BM\u0026amp;E). The CD single is shrinkwrapped in a cardboard case. The cover features a photo of Beachie Ball superimposed over photos of signs locating Beachie Ball's hometown of Portsmouth, VA. The back cover lists the songs five versions of \"Aye Aight\": a \"dirty\" version, a \"clean\" version, the instrumental track, an a capella version, and a \"clean\" a capella track. Box 7.\u003c/p\u003e","\u003cp\u003eCD EP, \"The Reveal\" by Kahlil Cade. The CD is in a plastic slip cover with inserted artwork and a business card for Slim Beats Music (SBM). The CD has four tracks. Box 7.\u003c/p\u003e","\u003cp\u003eOne plastic CD case with insert artwork. The promotional EP contains six tracks. Box 7.\u003c/p\u003e","\u003cp\u003eOne CD in plastic case with insert artwork and CD-R of the album. \"Toilet Wine\" contains 21 tracks. The CD was released by Gritty City Records in 2013. Box 7.\u003c/p\u003e","\u003cp\u003eOne CD in plastic jewel case still shrinkwrapped. The album contains 20 tracks. \"The Resume\" was released by Gritty City Records in 2011. Box 7.\u003c/p\u003e","\u003cp\u003eThis compilation album was released in February 2014. The album features a variety of Gritty City Records' artists including Johnny Ciggs, Pandemic, Fan Ran, Skweeky Watahfawls, and Teddy da Bear. The album also features production from Roanoke, VA hip-hop legend, Poe Mack. The CD is packaged in a plastic jewel case with insert artwork and a CD-R. Box 7.\u003c/p\u003e","\u003cp\u003eBlack Liquid's \"Best Of\" CD features 10 tracks that spans his 16 album recording career. The CD is housed in a paper sleeve. Box 7.\u003c/p\u003e","\u003cp\u003eBTS's \"Edition\" is a two song EP, featuring the songs \"Let's Go\" and \"BTS Song.\" The CD is housed in a plastic jewel case with front and back insert artwork. The CD-R is signed by Pernell Nelson, aka Porno P, and Justin Galleto, aka J. Gibbs. Box 7.\u003c/p\u003e","\u003cp\u003eTwo informational booklets in bound plastic folders.  Each booklet is approximately 10 pages long and provides the history, rationale, and methodology informing the P.O.P. program.\u003c/p\u003e","\u003cp\u003eOne sealed DVD case for the film, Troop 491: The Adventures of the Muddy Lions. This movie was written and directed by Richmond, VA filmmaker, Praheme. Box 7. Description of the film: \"Troop 491 follows Tristan, an adolescent boy coping wth live in the inner city. Tristan's mother enroll him in he Boy Scouts in an effort to keep him off the streets. When Tristan witnesses a murder, the local thug demands his silence. Tristan learns, with the help of his new friends in the Boy Scouts, that doing the right thing is not always easy.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Established by American Studies Ph.D. Kevin Kosanovich working in Swem Library's Special Collections, the William \u0026 Mary Hip Hop Collection is the most comprehensive of its kind dedicated to Virginia's hip hop culture and history from the 1980s to the present. The collection includes oral histories committed to preserving and documenting Virginia's rich hip hop past, as well as recordings of hip hop music, publications, and ephemera created by Virginia and Virginia-based artists, collectives, and businesses.  Additionally, the collection documents the origins and impact of hip hop culture on college campuses throughout the state by collecting records of hip hop based student organizations, college radio stations, events and concerts with a special focus on William \u0026 Mary itself."," Oral History are available for most artist, and a brief summary of each is available . The majority of Oral Histories have been made available online and are linked directly from this finding aid. However, some interviews are available only in Swem Library's Special Collections.","Sound recording are available for many artist, and where possible, these to are availalbe through links from this finding aid. The sounds tracks very from individual to mulptiple tunes per artist. ","Other digitized materials include photographs, record covers and flyers, and to a lesser extent written documents.","Cymandye Russell / Lady C oral history interview conducted by Kevin Kosanovich, part 1 conducted on November 13, 2012: Topics include: Hot 91 radio; hard core vs. hip hop; race, gender and sexuality in hip hop; Norfolk State hip hop culture; Williamsburg; discussion of MCs and DJs. Part 2 conducted on November 14, 2012: Topics include: radio personalities; mix-shows; youtube DJs and DJs vs. radio personalities; women MCs and DJs including Rah Digga, DJ Lazy K, Murder Mommies, DJ Erika B; HipHopSince1987.com; Greek Fest Riots; women in Virginia hip-hop. Part 3 conducted on December 6, 2012: Topics include: history of her nickname and the Virginia punk community; \"passion\" and hip hop; hip hop and community building; Boodah Brothers; graphic design.","Three identical flyers for the Main Event 2.0 Music and Model Conference, held November 16-17, 2012 at Bentley's Restaurant and Lounge in Viriginia Beach, Virginia. Box 1.","1-white t-shirt that has \"WNSB/ HOT/ 91.1/ Norfolk State University™ Broadcasting\" printed on the front. \"WNSB\" is printed in black raised letters and is outlined in white. \"HOT\" is printed in red stylized letters and has a ring of fire around it. \"91.1\" is printed in black block letters and is outlined in white. And \"Norfolk State University™ Broadcasting\" is printed in white on top of a black strip under the ring of fire surrounding \"HOT.\" The t-shirt was received by Swem Special Collections staff at the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is a size small and is made of 100% preshrunk cotton. It is in excellent condition. Gift of Cymandye Russell/Lady C. HHC 2014.188","Oral history interview with Terry \"Double XL\" Fenner and Antonio \"Hersh\" Fenner conducted by Kevin Kosanovich on December 2, 2012. Topics include: history of public housing in Newport News; gentrification; hip hop battling in projects; Newsome Park; Hoodplatinum; Suthern Boi records; Norfolk State hip hop culture; magazines; Roc the Mic nights; marketing and promotion; record stores and venues in Virginia.","Magazine copies. One copy of the \"The League: The Playbook for the Hip Hop Generation of Movers and Shakers,\" no. 4, Feb-Mar 2007. One copy of \"Exclusive\" magazine, January/February 2007, #1 volume 4. Box 1.","Newspaper Clippings: Daily Press circa December 2003, Obituary for Quincy Navall Jones, \"Abu the Butcher,\" of Newport News rap group BorNaturals; Daily Press Friday, January 19, 2007 including an item about \"Rap Attack;\" \"Paying Tribute to 'Mic Lord'\" Daily Press, February 3, 2007; \"Local rap start delivers a new deal,\" Daily Press; Laminated, large copy of \"Double XL is a hip-hop winner,\" by Sam Mcdonald in the Daily Press, Friday, May 21, 2004. Box 2.","Two pages for a movie script featuring Double XL. Box 1.","Sentara Obici Hospital United Way Talent Show \"Certificate of Participation.\" Box 1.","Rising Star Promotions bout sheet for February 15, 2008 \"night of Professional Boxing\" at The Showboat Hotel \u0026 Casino. Double XL performed between the night's two main events. Box 1.","Press Release for Double XL, Hood Plantinum and \"Rock the Mic Night.\" Box 1.","Promotional materials. Flyers: \"Rock the Mic\" advertisement. All Black Everything Event featuring Rick Ross, Thursday October 14, 2010 at the Alley Nite Club. Mixtape flyers, \"Hood Platinum 3.\" Album flyer, Double XL \"The New Deal.\" Album art draft, two pages: Double XL, \"Me Versus Me\" on Suth'N Boi Ent. Booklet: \"Virginia Idol Talent Search, 2004.\" Box 1.","Photographs. The Legacy headshot for Suth'N Boi Ent. M$ Blendz, Double XL and unidentified, 2006. Two group photographs with Double XL, Antonio \"Hersh\" Fenner, and unidentified. Box 1.","2013.035.10. Double XL, \"Me Versus Me.\" CD Jewel Case. Box 3.","2013.035.11. Double XL, \"Staccato Jeans.\" 2003. Box 3.","Artifact. Lanyard with \"VIP\" written in block print in red on the front. \"Access\" is written in yellow script in a diagonal under \"VIP.\" There is also a picture of a football player below \"VIP access.\" Below the football player is written \"04\" in white block print with a red out line. \"OFFSEASON JAM\" is written beneath it in white block print with red outline. There is a white star above and below \"OFFSEASON.\" The reverse of the lanyard has \"BAD NEWZ ENTERTAINMENT\" written in black block print. \"103 JAMZ\" is written below it in black block print. There is a disclaimer in a box below the writing that warns the VIP that if they do not follow the rules of the club their privileges will be revoked. The lanyard measures approximately 4.125 in. (length) x 2.25 in. (width). The lanyard is in fair condition with white residue on the laminated parts. There is an approximately 1.25 in. black stain on the bottom right side on the back of the lanyard. HHC 2013.035.12.","Artifact. Lanyard with a gray and yellow background on the front. \"70th Anniversary\" is written in white block print at the top. Underneath that \"Norfolk State University\" is written in white and below \"Norfolk State University\" is written \"Homecoming 2005\" in white. In the middle of the lanyard are pictures of Young Jeezy and Lil' Wayne with the Norfolk State University logo in between the pictures. Below the pictures is written \"BOTTOM OF THE MAP CONCERT\" in white bubble font. At the bottom of the lanyard front is written \"Special Guests: Double XL \u0026 Bo Blades\" in white. There is a black strip on the left side of the lanyard. \"ALL ACCESS\" is written in orange inside the black strip. The reverse of the lanyard is white and has \"Double XL\" written in black sharpie at the top left hand corner. There is what looks like a signature at the bottom of the back. The lanyard measures approximately 2.375 in.(width) x 4.25 in.(length) and is in good condition. There is some scraping of the laminated part at the bottom of the lanyard and some white residue at the top laminated part of the lanyard. HHC 2013.035.13","Artifact. Lanyard with a blue-black background. \"CERTIFIED BLOCK NUCCAS\" is written in blue with a white background at the top. Below that is a blue-black strip. Within the blue-black strip \"TOUR PT. 1\" is written in gold. Beneath that is written \"FROM YO' HOOD TO MY HOOD\" in blue with a white background. Underneath this is a strip with pictures of the tour members. Beneath that is written \"REALITY MUZIK GROUP\" in blue. Below that is written \"V.I.P. ENTRY PASS\" in gold. Written in white beneath that is \"CERTIFIED BLOCK NUCCAS TOUR,\" with \"FROM YO' HOOD TO MY HOOD\" in blue below it. At the bottom of the lanyard \"SATURDAY SEPT. 8TH, 2007\" is written in gold. The reverse of the lanyard is white and has scrolls going diagonally down across it. Inside the scroll is written \"Print by Sony\" in white block print with gray outline. The lanyard measures approximately 4 in. (width) x 5.75 in. (length). It is in fair condition. There are white residue spots all over the front of the lanyard. There is also a 2 in. crease in the top left corner, a 0.5 in. crease on the top right, a 4.125 in. crease and a 4 in. crease in the middle of the lanyard. HHC 2013.035.14","Artifact. White lanyard featuring a clear outline of the state of Texas on the front. There are various music artists depicted surrounding the outline of the state of Texas. Inside the outline of Texas is written \"2008\" in orange, \"THE 6 YEAR Anniversary OF THE\" in white with orange outline, and \"TEXAS SUMMER MUSIC CONFERENCE\" written in black. There is also a 1960s model microphone inside the outline of Texas. Below the picture is the url for the event. Under that is written \"August 29-31, 2008 The Westin City Center Dallas, TX\" in black. At the bottom of the lanyard are logos for sponsors of the event. The back of the lanyard features the logo for tabi bonney and the album cover of Young Chase's \"MAN I'M BOUT.\" The cord of the lanyard is dark red on the outside with a black outline and black inside. \"BACARDI\" is written in black with gold outline on the red side of the cord. The Bacardi logo is also present. The lanyard measures approximately 2.75 in. (width) x 4.125 in. (length) and the cord measures approximately 22.25 in. The cord is in excellent condition while the lanyard is in fair condition. There is an approximately 0.5 in. tear where the cord connects to the lanyard. There are also small creases on the top edges of the lanyard as well as abrasions all over the back of the lanyard. HHC 2013.035.15","Artifact. Lanyard for the Southeast Music Entertainment Inc.'s annual Music and Entertainment summit (SMES).The lanyard features a woman wearing black with headphones on the front. At the top is written \"SMES\" in red rugged font. Beneath that is written \"BRIDGING THE GAP SINCE 2001\" in red. To the bottom right of \"SMES\" is written \"2008\" in white. There is a red strip in the middle of the lanyard. \"SEPTEMBER /26TH| 27TH| 28TH/ HOLIDAY INN (SURFSIDE)/ MYRTLE BEACH, S.C.\" is written in white within the red strip. At the bottom of the lanyard there are logos of sponsors for the entertainment summit. The cord of the lanyard has the logo for the Society of European Stage Authors and Composers (SESAC), one of the sponsors for the entertainment summit. The lanyard measures approximately 3 in.(width) x 5.125 in.(length). The cord measures about 17.5 in. The lanyard is in good condition with numerous abrasions to the front. HHC 2013.035.16","Artifact. Lanyard featuring a white background with pictures of artists Ryan Leslie, Monica, and Rick Ross on the front. The artists' names are in front of them in gold with Rick Ross' as the largest. In the middle of the lanyard there is a a black and gold alternating strip. \"THURSDAY, OCTOBER 30, 2008\" is written in white within the first black strip. \"BACKSTAGE\" is written in white in the gold strip and \"MYSPACE.COM/EMPIREENTERTAIN1\" is written in the second black strip. Beneath that is a logo for M.E.G. Underneath that is \"HAMPTON UNIVERSITY CONVOCATION CENTER\" written in black. At the bottom of the lanyard are logos for sponsors of the event. The lanyard is approximately 4in.(width) x 5.25in. (length). The lanyard is in excellent condition with only a few abrasions to the front. HHC 2013.035.17","Artifact. Lanyard with a red and gold background and featuring an African mask in the middle of the lanyard on the front. At the top of the lanyard is written \"THE SOUTHEASTERN VIRGINIA ARTS ASSOCIATION PRESENTS\" in gold. Under this, \"AFR'AM FEST\" is written in white. Beneath this is written \"'CELEBRATING THE ESSENCE OF FAMILY'/TOWN POINT PARK, NORFOLK, VA\" in gold. Below the mask is an oval bubble with a red background. Inside the bubble \"BACKSTAGE ACCESS/SATURDAY\" is written in white. There is also another oval bubble under that with a white background. The lanyard measures 3.375in.(width) x 5.25in.(length). It is in excellent condition. HHC 2013.035.18","Artifact. Lanyard featuring a red and black background with white strips. In the first white strip at the top \"ARTIST/STAFF NO CHARGE\" is written and underlined in black. Under that in the red and black background. There is a depiction of the geographical United States overlaid with the American flag, there are various bullet holes inside the depiction. In an arch above the depiction is written \"CONSPIRACY NATION\" in red horror font. Below that is written \"EPISODE 1: THE MYSTERY OF THE 7 CITIES\" in white. Beneath this depiction is a second white strip. \"NO CHARGE FOR SHOW/PARTY\" is written in black inside the second white strip. At the bottom of the lanyard is a background featuring a city skyline. \"ALL ACCESS PASS/NO CHARGE FOR ADMISSION\" is written in white within the city skyline background. The lanyard measures approximately 2.25in.(width) x 3.25in.(length). The lanyard is in poor condition with delamination of the illustrated front part of the lanyard from the cardboard base, as well as delamination of the back lamination from the cardboard base. HHC2013.035.19","CD. Titled Yesterday (Edit.) Box 3.","Andrea Castleberry/ M$. Blendz oral history conducted by Kevin Kosanovich. Topics include: military history and hip hop; Foxy Fridays; 92.1 FM; Blendzville Award show; Boodah Brothers; Scratching vs. Mixing; Women and hip-hop; Teens with a Purpose;","Blendzville Award Items, 2007-2011. Seating chart. Laminated signs. From 2007: Sheet of tickets; list of confirmed and potential performers. From 2009: Items include one flyer and and one laminated ticket for the 3rd Annual Award show; Outline of evening's events. From 2011: List of performers; provisional list of nominees. Box 1.","Photographs. M$. Blendz and Kid Capri. M$. Blendz and DJ Law and Big B of the Boodah Brothers, 2001. M$. Blendz and crates of vinyl records. M$ Blendz and 92.1 the Beat, the first hip-hop station in Norfolk. Box 1.","Blendzville Productions informational letter. Box 1.","WOWI 103 Jamz notebook cover. Box 1.","Artifact. One trophy in the shape of a silver and gold microphone. The base of the trophy is made of brown fiber wood material. There is a gold label on the front of the base. \"BLENDZVILLE HIP HOP AWARDS BEST HEAVY HITTER 2008\" is engraved on the gold label. The trophy is approximately 6in.(height).The trophy is in good condition. There are four brown spots on the bottom of the base. The first is toward the back and is 1.25in. The second one is in the middle at the left and is 1.125in. The third is in the middle to the right and is approximately 1.25in. The fourth is near the front and is approximately 1.25in. Gift of Andrea Castleberry / M$. Blendz. HHC 2013.036.06","Artifact. 2- Lanyards. The lanyards have a red and black background with a city skyline depicted. \"4th ANNUAL\" is written in white at the top. \"TAKE ME AWAY\" is written in red beside it. Below these phrases \"BLENDZVILLE\" is written in white. The \"B\" is written in 3-D font and has a wing coming from the center of the \"B\". Under \"BLENDZVILLE\" is written \"HIP-HOP AWARDS '11\" in white. \"Unplugged\" is written in a diagonal below \"HIP-HOP AWARDS '11\" in a silver-gray horror font. At the bottom of the lanyard the date, \"11.12.11,\" is written in white. Below that are the different ways to get more information about the event (i.e. twitter, phone number, website). The lanyards measure approximately 4in.(length) x 2.375in.(width) and are in excellent condition. Gift of Andrea Castleberry / M$. Blendz. HHC 2013.036.07ab","1 - white cotton t-shirt with Origins SCW II Hip Hop Show logo in red. Shirt also has a logo featuring a record with outstretched wings behind it and a crown on top. The bottom left portion of the shirt also has a stylized WM '12 with two feathers extending above from the 'M.' T-shirt created for a Fall 2012 show, cypher, and workshop weekend hosted by the William \u0026 Mary Bboy Club's SMILES Crew on November 17-18, 2012. W\u0026M Bboy Club's website described the event: \"The showcase is going to be held on November 17 (Saturday) 3PM-5PM. Through ORIGINS, we are trying to spread the hip hop culture not only on our campus but also throughout the East Coast and show what true hip hop is all about by showcasing dance crews from all over America. This year we will be focusing on bringing the two coasts together to create the most inspirational and mindblowing performance ever to be seen. Again following the showcase, we will have an open cypher in the evening to allow dancers to come together to share, dance, and learn. A new addition this year will be dance workshops the following afternoon (Sunday)! \" Gift of Kevin Kosanovich, American Studies PhD Candidate. HHC 2012.388.01","Fliers, posters, photographs, artifacts, and ephemera. Also included are a series of digital photographs and images starting at 2013.037.10 through 2013.037.131. Also included in the digital photographs are a series of photos from a session at Tazwell Hall, September 8, 2012, 2013.037.132. Box 1.","Flyers for Origins II funding events, flyers advertising the opportunity to join SMILES Crew, and a program from Origins II. Box 1.","Origins II business card. Box 1.","Receipt from the William and Mary copy center for 500 Bboy flyers. Box 1.","Multiple copies of the student newspaper, \"The Flat Hat,\" volume 101, Issue 28, from Tuesday, January 31, 2011 featuring an article on the William and Mary Bboy club. Box 1.","William \u0026 Mary Bboy Club table sign for \"Day For Admitted Students\" Activities Fair.","Thank you note to SMILES Crew from Daniel Zhu of Strife.TV. Strife.TV documents bboy culture. Box 2.","Multiple large photo prints of SMILES Crew by Danel Zhu of Strife.TV Box 2.","Large advertising poster for the SMILES Crew Origins II T-shirt sale in the Sadler Center lobby. Box 2.","Photos of W\u0026M Bboy club / SMILES Crew's Origins II pre-show jukebox session event.  Photos taken at Sadler Center terrace. 2013.037.131","Photos from W\u0026M Bboy Club / SMILES Crew practice session in the basement of Tazwell on September 9, 2012. 2013.037.132","Artifact. Purple t-shirt featuring a gold crown on the front. Below the crown \"SMILES\" is written in white screen print. Beneath that is written \"CREW\" in white screen print. A golden banner ribbon is depicted below \"CREW.\" It reads \"Est. 2008\" in purple. There are two stars to the left and right of \"SMILES\" and \"Crew.\" The reverse of the shirt features one small golden wing with a purple infill on the wearer's left shoulder. The shirt is a size large and is in excellent condition. HHC 2013.037.133","Artifact. A large boombox in the model of the original 1980s style hip hop boombox with two large speakers on either side of the boombox. In the center of the boombox there is a faux tape holder where an iPod can be inserted. Above this is a space to insert headphone cords, a USB drive or a SD/MMC cord. At the top of the boombox is an area to insert a cord for a microphone as well as buttons to add a pop, classic, rock, jazz, or loudness mix. There are also button to control selection and repeat functions for the iPod and tracking for the radio. Finally, there is a large silver knob on the right side that is used to find a radio station and a smaller silver knob to turn the boombox on on the left. There is a black handle at the top of the boombox. and a black cord in the back where the boombox can be plugged up. The boombox is of the Lasonic brand and measures approximately 13in. (width) x 24.25in. (length). The boombox is in good condition with numerous scratches all over the boombox and few signs of wear and tear. This boombox was the first one used by the SMILES Crew from its founding in 2008. Image available at http://www.flickr.com/photos/scrc/10275466095/. Gift of SMILES Crew. HHC 2013.236.01","Fliers for several SHHO sponsored concerts. Membership flyer for SHHO. Flyer for Syndicate tryouts [W\u0026M hip-hop dance group.] Box 1.","Photographs of Charles \"Ric\" Lampkins, Tilghman Goldsborough and Dominque James of W\u0026M SHHO. Photographs taken in the Botetourt gallery in Swem Library on February 20, 2013 by Kevin Kosanovich.","Digital images and digital flyers of WM SHHO sponsored events donated by Bobak Karsai.","W\u0026M SHHO oral history interview with President Dominique James, Vice President Charles \"Ric\" Lampkins and member Tilghman Goldsborough by Kevin Kosanovich on February 20, 2013.  This interview exists in two parts.  Part two includes discussion of \"favorite\" hip-hop artists, past and present.  Topics include:  hip-hop culture in high school; Richmond; Trap music; Trill wave; dance crews; authenticity; race and hip-hop; class and hip-hop; W\u0026M campus hip-hop culture; SHHO; sneakers and fashion.","Artifact. Eight plywood panels that, when assembled, create a sign. The sign has \"Student Hip Hop O.\" spray painted in black hip hop script font at the top. There is an arrow and star next to the \"S\" and a star next to the \"O.\" Under \"Student Hip Hop O.\" is spray painted \"Hip Hop\" in light purple hip hop bubble font. Next to that is spray painted an arrow in light purple hip hop font. Beside the arrow is spray painted \"SH.h\" in light purple hip hop bubble font. There are two black stars spray painted under the arrow and the \"h.\" There are signatures of members of the Student Hip Hop Organization all over the sign. Each plywood panel is approximately 2ft.(length) x 2ft.(width). They are in good condition with miner fraying and chipping on the edges. Gift of Blair E. Smith, Class of 2011. HHC 2013.262.01a-h","Twenty photographs of M1 Platoon performing on a Fridays Concert that was hosted by AMP and SHHO. SHHO brought M1 Platoon to the campus in 2008, it was the organization's first concert. The concert was outdoors at the Sadler Center Terrace. Photographs include M1 Platoon and William \u0026 Mary students enjoying the concert. Also photographed was a white W\u0026M SHHO t-shirt. Identified students in the photographs include Jennifer Robinson, Blair Smith, and Bailey Thomson. Gift of Jennifer Robinson, Class of 2011. 2013.294.1-2103.294.20.","85 photographs of SHHO's second concert featuring UNI, a group from California. Gift of Jennifer Robinson, Class of 2011. Acc. 2013.294.21-2103.294.106.","Correspondence, fliers and tickets docuemtning hip hop shows conducted by the Students of Hip Hop Legacy.","This series contains photographs taken at hip hop shows by Bailey Thomson.","Gym Class Heroes - One of the first hip hop shows at the College. The Roots had visited a few years back, but no one up and coming had played in a while. Tyga opened up, because he and the lead of Gym Class Heroes are cousins.","Gym Class Heroes - One of the first hip hop shows at the College. The Roots had visited a few years back, but no one up and coming had played in a while. Tyga opened up, because he and the lead of Gym Class Heroes are cousins.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","Nickelus Fury - Another great SHHO-sponsored event.  Proceeds went to the J Dilla foundation and a lot of people showed up.  Again, Blair had connected with these artists personally.  She introduced the show, and it just seemed to keep going.  I remember feeling like the whole room was pulsing with energy at one point- an amazing female rapper went on and brought down the house.","Nickelus Fury - Another great SHHO-sponsored event. Proceeds went to the J Dilla foundation and a lot of people showed up. Again, Blair had connected with these artists personally. She introduced the show, and it just seemed to keep going. I remember feeling like the whole room was pulsing with energy at one point- an amazing female rapper went on and brought down the house.","Roots- This photo was taken in Richmond, Virginia for the Jamestown 400 anniversary.  The Roots played for free and made a lot of political statements about the irony of them performing for the 400th anniversary of slavery in the Commonwealth.  Before hip hop existed as a movement at the College, lots of us found hip hop venues off campus.","Flyers advertising Ground Up Radio. Box 1.","Box 3.","Fliers from various venues and artists in Hampton Roads, Virginia. Box 1.","Material related to SHHO chapters other than the College of William \u0026 Mary. Box 1.","Email history of SHHO sent from William \u0026 Mary SHHO co-founder Bobak Kasrai. Box 1.","Artifact. One black \"Honeycomb\" SHHO logo decal. Decal measures 6.125in. (length) x 5.25in. (width) and is in good condition. There is an approximately 1.75in. crease in the top left corner and a 5.375in. crease in the center of the decal. There is also a staple mark in the top right hand corner. HHC 2013.041.02","Small flyer advertising the \"Chasing Forever\" SHHO launch, March 22, 2011. Box 1.","Cards and flyers advertising various SHHO sponsored concerts at Virginia Commonwealth University and other venues in Richmond, Virginia. Box 1.","Poster. Virginia Commonwealth University (VCU) SHHO Presents: Lecture with Greg Selkoe, Friday, November 2, 2012 at the VCU Commons Theatre. Greg Selkoe is the CEO of Karmaloop. Karmaloop is an online streetwear and culture boutique website.","Artifact. Button featuring the \"Chasing Forever\" logo. It features a black background with \"CC\" in white over a thin white division bar. Beneath the division bar is the symbol for infinity in white. The button measures 1.125in. in diameter. It is in good condition with three white smudges near the bottom of the infinity symbol. HHC 2013.041.06","Flier and digital images.","Oral history interview with Brandon \"DJ WYZE\" Sutton and Antoine \"Henmusik\" Henderson conducted by Kevin Kosanovich.  Topics include: history of Virginia Beach; \"7 City Legacy\" film; Norfolk State University; Old Dominion University; Description of Virginia Soul and Style.","Contains phonograph records featuring Timbaland, Philly's Most Wanted, Missy Elliott, and Fam-Lay; performance posters from local artists in Norfolk and Virginia Beach; cards advertising the documentary \"7 City Legacy,\" and an audio cd featuring Brandon Sutton, also known as DJ WYZE. Box 4.","WYZE Kouncil Entertainment business card. Box 1.","CD. \"Vol 2: VA Tape.\" Box 3.","Poster for Soundloy Productions \u0026 AWNP Presents: \"Jet Life in Virginia.\" Performances by Nesby Phips, Trademark da Skydiver, Hen, J. Pharoah, Trot, Intalek. Box 2.","Poster. Raekwon. Featured acts include Major Deal, Dirty Workas, Hen, Lloyd Vines. Tuesday April 19 at Hangar 09 in Virginia Beach. Box 2.","Poster from \"Paid in Full: Thanksgiving Weekend w/ Rakim.\" November, 27, 2011 at the Norva in Norfolk, VA. Box 2.","This item contains digital images of DY WYZE's logo and two photos.","Two copies of CD, \"7 City Legacy Mixtape, Volume 1.\" Both CDs are held in a plastic slip case and contain an insert art card. There are 19 tracks on the album. Box 7.","Oral history interview with Antoine \"Henmusik\" Henderson and DJ WYZE conducted by Kevin Kosanovich. Topics include: history of Virginia Beach; \"7 City Legacy\" film; Norfolk State University; Old Dominion University; Description of Virginia Soul and Style.","Henmusik flyers for \"Soup \u0026 Salad\" mixtape. Box 1.","Album.","This series contains flyers for events and a cassette tape collected by James Allen aka Dynamite J.","Oral history interview with James \"Dynamite J\" Allen conducted by Kevin Kosanovich on February 17, 2013. Topics include: late 1970s Virginia culture; Graffiti; Soul Train; Virginia State University; Soul Patrol; middle school and high school hip-hop culture; Mighty MCs; Old School Mentality Records; Richmond radio stations; bootleg tapes; Jam Pony Express; Alpha Studio; Virginia Zulu Nation Chapters; VA is for Hustlerz; History of mixtapes.","Flyers for \"VA is for Hustlas\" vols 1-4. Box 1.","Cassette Tape. \"The Mighty MC's: The 4unky 1.\" Side 1: The 4unky 1 remix/live. Side 2: Live on Maggic 99 w/K-Ski. Box 7.","CDs, posters, news clippings, and fliers from the artist Abys Virginia's First Lady related to performances, including Abu Fest, and her career. 2013.062.10-- Poster. \"DJ Hustleman Presents: Street Muzik DVD\" 2013.062.11 -- Poster. \"Abys: Between a Rock and a Hard Place\" 2013.062.12 -- Laminated Newspaper Clippings: \"Unity and positive hip-hop meet at festival,\" Daily Press; \"United, they rap: Local musicians rally in the East End to pay tribute to slain friend,\" Daily Press, September 30, 2006. Box 2.","Latonya \"Abys\" Denson's oral history interview conducted by Kevin Kosanovich.  Topics included:  Newport News and Hampton; Virginia vs. other Southern Scenes; Virginia women in hip-hop; Abu Unity Fest; Music Industry; Being an independent artist; BorNaturals; Down Low Squardron; Hoodstock.","CD. \"Between a Rock and a Hard Place\" hosted by DJ Hustleman. Featuring 7 Armz, D. Watz, Jus Rah, Taheem Jamal. Box 3.","Poster.  \"The Pre Valentaine's Jumpoff.\"  Hosted by Abys with DJ Big-E and DJ Silk.  Held Sunday, Febraury 11 at Crabbers 2000 on West Mercury in Hampton, Virginia.","Flyer for Abufest, August 26, 2012 at King-Lincoln Park in Newport News, Virginia.","Mixtape CD Cover. \"The Official AbuFest Mixtape: Abu R.I.P.\"  Mixtape in memory of BorNaturals MC, Abu the Butcher.","Mixtape CD cover for \"V-A Stand Up!\"","Post for the 3rd Annual Abu Unity Fest, October 11, 2008.  Held at King-Lincoln Park in Newport News, Virginia.","Poster for \"B-Girl Fest 2007,\" held in Columbia, SC.  Abys performed with a collection of women MCs.","Poster.  \"2nd Annual Abu Unity Fest,\" and \"Abu Unity Fest After Party\" held September 29, 2007 at King-Lincoln Park in Newport News, Virginia.","Oral history interview with Lovey \"Memph 10\" Jones conducted by Kevin Kosanovich in Richmond, Virginia. Topics included: Bloc Hog Entertainment; History of Promotions; Richmond as a hip-hop city; Industry vs. Street; Business of hip-hop.","CD. \"2 Much Goin On: Tha Mixtape.\" 2012. Box 3.","Poster. Memph 10, \"2 Much Goin on Tha Mixtape.\" Box 2.","Artifact. One brown, long sleeve button-up shirt. \"Memph 10\" is airbrushed in white and yellow above and to the left of the shirt pocket on the wearer's left. To the right and below the shirt pocket on the wearer's left are depictions of dice, in white, and a dollar sign in gold. To the right of and below the shirt pocket on the wearer's right is depicted a hand holding a test tube that says \"CHEMISTRY\" with a chain dangling from the thumb that has a weight at the bottom holding a bag which has a dollar sign and reads \"RECORDS.\" The reverse of the shirt features a groundhog with an orange and brown striped hat that has the letters \"FFH\" on it .The groundhog is holding a wad of cash and is leaning on a microphone that also has the letters \"FFH\" on it. There are two golden-orange dollar signs on either side of the groundhog. \"BLOC HOG\" is airbrushed in black, old English font in an arch above the groundhog. \"ENTERTAINMENT\" and \"MEMPH 10\" are airbrushed in white below the groundhog. The shirt is in excellent condition. It is a size 2x-Tall and is made by Dickies. Gift of Lovey Jones. HHC 2013.072.04","Artifact. Black V-neck shirt featuring a giant 2 on the front. The 2 is black and outlined in white. \"Turnt Up\" is written in white gothic font beside the giant 2. The \"T\" in \"Turnt\" is going through the top of the giant 2. Below this is a depiction of a city skyline in white with the top of some buildings going through the bottom of the giant 2. \"PROMOTIONS\" is written in white screen print in a small arch below the skyline. The back of the shirt has \"MEMPH 10\" in white screen print at the top of the shirt. Beneath this is \"@ BLOCHOG\" in white screen print. The shirt is a size 3XL and is in good condition. HCC 2013.072.05","Marlon Hamilton / Streetz G4G oral history interview conducted by Kevin Kosanovich on October 15, 2012. Topics include: Mr. William Burg; Williamsburg history; radio stations; G4G productions.","Williamsburg's own, Streets G4G mixtape, \"Mr. William Burg, Vol 3.\"","Digital images, flyers and photos of Marlon Hamilton / Streetz G4G.","One CD in plastic slip case with insert artwork for Streetz, \"Dunning Street Music\" mixtape. The mixtape was mixed and hosted by DJ Karee. Rick Rogers and Petey Pete are also featured on the mixtape. Dunning Street refers to a street in the Highland Park neighborhood of Williamsburg, Virginia. Highland Park is the oldest, historically African American neighborhood in Williamsburg. Box 7.","James \"Dangle\" Alston oral history interview conducted by Kevin Kosanovich on November 26, 2012. Topics include: Richmond graffiti history; Just Plain Sounds; Privileged Kids; Virginia college campus culture; record stores; hip-hop venues.","Cover art for James \"Dangle\" Alston's CD, \"One Time I Knew.\"","Larry \"Live\" Lyons oral history interview conducted by Kevin Kosanovich on November 27, 2012. Topics Include: radio stations; breaking; Playboys Express; Berklee Community Center; KQuick; Surrounded by Idiots; race in Virginia; North vs South in hip-hop community; corporate hip-hop; Livehouse Entertainment; record stores; venues and clubs; DDP crew.","Jamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.","Twain Gotti, \"Gotti's Turf, Pt. 2: The Bear Trap.\" Digital files consist of 15 tracks.","Mixtape.  Twain Gotti, \"Beartrap Movie.\"","Mixtape.  Twain Gotti, \"Beartrappin' 10210, Vol. 1.\" Digital files consits of 19 tracks and one image.","Jamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.","Jamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.","Mixtape CD. 2 Copies. \"1 Life 2 Live.\" MOR3SH3LLZ Entertainment, 2012. Box 3.","Ray \"BlakDrag\" Washington oral history interview conducted by Kevin Kosanovich.  Topics included:  Christopher Newport University; Beatdown Entertainment; Richmond culture versus Northern culture; Immortal Suspects; Newport News recording studio; The Lab; The Barbershop; Newport News hip-hop history; Thug Relation; Mike Lord; BorNaturals; Process of making an album; Internet and hip-hop.","Mixtape CD. \"The Farewell.\" Wildlife Records. Box 3.","CD. \"Wildlife Mixtape Volume #1.\" Wildlife Records. Box 3.","CD. \"Str8 Gutta.\" Wildlife Records. Box 3.","CD. \"The Burning Seazon: From Killaweed 2 Bad Newz.\" Box 3.","CD. \"Welcome (Lyricist Only).\" Hosted by DJ Mercury. Box 3.","CD. \"Pen Game.\" Box 3.","Zack \"Novel Bandana\" Lawson and James \"22\" Parks oral history interview conducted by Kevin Kosanovich on December 2, 2012. Topics include: Newport News; DJ Tops; DJ Chase; battle rapping; DJ Silk; DJ Law; Joe Tracks; Mark Menace; BorNaturals; strip clubs and hip-hop.","At Bucks Brand in Newport News, Virginia. Performances by Stretch Dollas, Street G4G, Monsta Millie, Ammo. Box 1.","Features Stretchdollas, Trapname Jimmy, Shotty, Double XL, Monsta Millie.","Box 3.","Zack \"Novel Bandana\" Lawson and James \"22\" Parks oral history interview conducted by Kevin Kosanovich on December 2, 2012. Topics include: Newport News; DJ Tops; DJ Chase; battle rapping; DJ Silk; DJ Law; Joe Tracks; Mark Menace; BorNaturals; strip clubs and hip-hop.","Oral history interview with Terry \"Double XL\" Fenner and Antonio \"Hersh\" Fenner conducted by Kevin Kosanovich on December 2, 2012. Topics include: history of public housing in Newport News; gentrification; hip hop battling in projects; Newsome Park; Hoodplatinum; Suthern Boi records; Norfolk State hip hop culture; magazines; Roc the Mic nights; marketing and promotion; record stores and venues in Virginia.","Emanuel \"Mannie\" Willis oral history interview conducted by Kevin Kosanovich on December 18, 2012. Mannie Willis is the creator and founder of the urban wear fashion line, Distinct Nature Clothing. Topics include: Newport News; designing clothes for hip-hop artists Wale and Big K.R.I.T.; Virginia athletes.","Quentin \"Q45\" Thomas oral history interview conducted by Kevin Kosanovich on December 18, 2012. Quentin Thomas is co-founder of Ground-up Radio, groundupradio.com, a hip-hop internet radio station hailing from Williamsburg, Virginia. Topics include: 1980s bboys; mixtapes; serving in the military; hip-hop culture in the military; Old Dominion University; Hampton University; Fort Eustis; Witchdokter's Kafe; Ground-up Radio.","Sam McDonald oral history interview conducted by Kevin Kosanovich on January 10, 2013. Sam McDonald has made his career writing about popular culture and music throughout Virginia. Most recently, he writes for the Daily Press in Hampton Roads. Topics include: KRS-One; Danville, VA; the Daily Press; passing tapes; 7-11 Boyz; Boodah Brothers; Teddy Riley; Al B Sylke and 103 Jamz; Reggae; Area clubs; Abu Unity Festival.","Includes press releases, articles, fliers, publicity photos, press kits, and other material from various hip hop artists collected by Sam McDonald of the Daily Press. Artists include Missy Elliott, Nicole Wray, 6-year old Hampton rapper Gregory LaMont Walker, Barlow (Charles Barlow of Newport News), Billy Doo Wah (Hampton), Cool Carl (owner of the label Street Life Entertainment, Hampton), D\"Amour (Hampton), Timmy Beale owner of Slim Tim Productions (Hampton), Kaoss (Hampton and Newport News), 50/50 AKA Talent \u0026 Triumph (Newport News), Timbaland \u0026 Magoo's The New Two, Low Down Boyz (Untamed Records, Newport News), Teddy Riley's 4th of July Weekend Extravaganza, BLACKstreet (Interscope Records), and Delante Murphy's Hung Lo Productions (Hampton). Box 1.","2013.124","Afid Granados oral history interview conducted by Kevin Kosanovich on November 11, 2013. Afid Granados was president of VCU SHHO, circa 2011-2013. Topics include: Richmond; Virginia Commonwealth University; SHHO; Jeff Sobel; Nickelus F; Michael Millions; Lee Major; University of Virginia SHHO chapter; Northern Virginia hip-hop culture; sneaker culture and fashion; streetwear.","Oral history interview with Richmond-based artist Jason \"Van Ark\" Brown, conducted by Kevin Kosanovich on January 15, 2013. Topics include: Richmond; 1990s Richmond hip-hop; battling; Jonathan Banks; playing instruments and composing; music industry and distribution; Divine Prophets; WRIR.","CD. \"Chemical Beats.\" 2007/2008. Box 3.","Digital files contain 20 tracks.","2013.125","Douglas Avant Perry, Jr. oral history interview conducted by Kevin Kosanovich on January 16, 2013. Doug Perry is the longtime station manager of WNSB, Hot 91.1 FM Norfolk, at Norfolk State University. Topics include: WRAP; Bishop Willis and black radio; Daddy Jack Combs; WOWI and 103 Jamz; Regan Henry; Chester Benton; DJ Heartattack; H.J. Ellison; DJ Mister B; WNSB history; DJ Jack of Spade; DJ Bad Joe; mixing and blending records; Go-Go; Gospel Groan; Teddy Riley; venues and clubs.","Monty Ross oral history interview conducted by Kevin Kosanovich on January 16, 2013. Monty Ross is longtime friend, collaborator and producer of Spike Lee's movies. Monty Ross currently serves as artistic director and operations manager of Crispus Attucks Theatre in Norfolk, VA. The oral history consists of two parts: Part one is the longer oral history; part two is an \"bonus\" story about meeting a young Sean \"P.Diddy\" Combs. Topics include: Bed-Stuyvesant, Brooklyn; DJ Nab; hip-hop in Atlanta; She's Gotta Have It; Island Pictures; New York's Lower East Side and hip-hop; Michael Jordan and \"Gotta Be the Shoes\" Nike campaign; Attuck's Theatre hip-hop Nutcracker; Mid-Atlantic Black Film Festival; GZA; Liquid Swordz; Sean \"P.Diddy\" Combs. This interview is available only in Swem Library's Special Collections.","DJ P-Eazy and Michael \"Sic Mic\" Thurman oral history interview conducted by Kevin Kosanovich on February 9, 2013. Sic Mic and DJ P-Eazy are Newport News hip-hop legends. This interview exists in two parts. Topics include: Newport News; BorNaturals; Newport News waterfront gentrification; Wixon Courts; Woodsong and Chantilly housing developments; uptown vs. downtown Newport News; Malachi Z. York; Crew Thick; Iron Curtain; Down Low Squadron; Blood Shot Eyez; Teflon Dons; School Boyz; The Lawbreakerz; record stores; venues.","Michael \"Sic Mic\" Thurman and DJ P-Eazy oral history interview conducted by Kevin Kosanovich on February 9, 2013. Sic Mic and DJ P-Eazy are Newport News hip-hop legends. This oral history contains two parts. Topics include: Newport News; BorNaturals; Newport News waterfront gentrification; Wixon Courts; Woodsong and Chantilly housing developments; uptown vs. downtown Newport News; Malachi Z. York; Crew Thick; Iron Curtain; Down Low Squadron; Blood Shot Eyez; Teflon Dons; School Boyz; The Lawbreakerz; record stores; venues.","Photos, CD, Audio recording.","CD. \"Burial Songs.\" GHGG Entertainment, 2013. Box 3.","Photograph of Sic Mic, DJ P-Eazy and Q45 taken by Kevin Kosanovich on February 9, 2013 in College Apartments, Room 9 after an oral history interview.","Letter of invitation from Dior Consulting \u0026 Management to attend a Press \u0026 Media event providing information about Newport News rapper Sic Mic's current and upcoming projects.","Two business cards, #TheBossDonproject.  One CD-case artwork insert for \"The Bossdon Project\" album.  Front-side features Sic Mic smoking a joint and the back-side of the insert lists the album's twelve songs including contact information for himself and the producers and other MCs featured on the album.  Also included on the back of the album is the message, \"Free T. Gotti.\"  This is in reference to Newport News MC Antwain \"Twain Gotti\" Steward who was arrested on murder and weapon charges based on a tortuous, and largely unbelievable connection made by Newport News Police and prosecuting attorneys between a 2007 murder and lyrics from a 2012 song.","One 13x19 poster advertising Sic Mic's album, \"The Boss Don Project.\"","2013.127","Horace C. \"Big B\" Belcher oral history interview conducted by Kevin Kosanovich on February 12, 2013. Big B is the last surviving member of the Boodah Brothers team featured on WOWI 102.9. The Boodah Brothers are responsible for introducing and growing hip-hop culture throughout Virginia since the early 1990s. Topics include: Denbigh High School; DJ Karee; club promoting; Boodah Brothers; DJ Law; Red Alert family; MC Spice; DJ Bee; Notorious B.I.G.; Fort Eustis; generational divide in hip-hop; WRAP; Jay-Z; Mike Lord.","2013.128","Faysal Matin oral history interview conducted by Kevin Kosanovich on February 20, 2013. Faysal Matin '14 is a DJ. Topics include: McClean, VA; William \u0026 Mary hip-hop culture; Streetz G4G; role of the DJ; crate digging; Serato vs. traditional DJing.","Two photographs of Faysal Matin. One photo taken in Swem Library's Media Center Studio. One photo taken by Kevin Kosanovich after Faysal Matin's oral history interview. The other photo was provided by Faysal Matin.","91 photographs of a Syndicate practice session and 1 Syndicate flyer. Gift of Jennifer Robinson, Class of 2011. Acc. 2013.294.106-2103.294.197.","Documents provide a history of Syndicate including Syndicate show flyers, photographs, programs, dance lists, a t-shirt logo, and other material. Gift of Carolyn Kovacs, Class of 2009, Syndicate member 2005-2009, president 2008. Acc. 2013.295.1-2013.295.8","Photographs and memories of Syndicate, a dance group at the College of William \u0026 Mary. Gift of Nikki Jedlicka, Class of 2007, founding member of Syndicate. Acc. 2013.296.","Keith Ivey, editor in chief, sports \u0026 entertainment magazine. Acc. 2013.299. Box 1.","Mentor Records. Promotional Copy, radio and club versions. Box 3.","Box 1.","Box 1.","Motown the Musical in New York City. Box 1.","2013.129","Jerome \"JB da Pilot\" Waller '13 oral history interview conducted by Kevin Kosanovich in Swem Library on September 19, 2012. Virginia Beach native Jerome Waller is also known as JB da Pilot and a member of the Mile High Club. Topics include: Virginia Beach; Mile High Club; recording; W\u0026M hip-hop culture; Jay-Z; hip-hop fashion.","Album.","Photograph of Jerome \"JB da Pilot\" Waller taken by Kevin Kosanovich after Jerome's oral history interview. The photograph was taken in the Media Center Studios in Swem Library.","2013.130","Keith \"Adam West\" Taylor '13 oral history interview conducted by Kevin Kosanovich in the Media Center on February 22, 2013. Keith grew up in Virginia Beach and is a member of the hip-hop crew, the Mile High Crew. Topics include: authenticity and hip-hop and rap; College Park and Virginia Beach; hip-hop culture in primary and secondary schools; W\u0026M campus hip-hop culture.","Photograph of Keith \"Adam West\" Taylor taken by Kevin Kosanovich on February 22, 2013 in Swem Library's Media Center Studios after conducting an oral history.","2013.131","Jarrod \"J-Rod\" Tanner oral history interview conducted by Kevin Kosanovich on March 11, 2013. Jarrod \"J-Rod\" Tanner is a radio DJ on WNSB, Hot 91.1 FM. Topics include: Bronx vs. Virginia; Lex Luger; Juicy J; Filipino influence on bboys in Virginia Beach; JROD Brand; economics of Virginia hip-hop; college radio stations.","Photo of Jarrod \"Jrod\" Tanner taken by Kevin Kosanovich on March 12, 2013 after Tanner's oral history interview.","Contains two editions of \"Frequency\" magazine and colored photographs. The colored photographs are organized and identified by subject below. Jhunnipuz Elite: 5 photos Spunk Ichiban: 5 photos The Gypcees: 4 photos The Illegal Turntable Immigrants (The Flying Ginzu Brothers): 2 photos NoNaMes: 3 photos DMP: 4 photos Miscellaneous: 11 photos featuring a variety of events, jams, and people. Kleph Dollaz: 2 photos Bboys/Bgirls: 14 photos DJs: 8 photos including DJ Jayone, Disko Dave, DJ Lonnie B, and DMC events in VA Beach. Box 1.","Danny Rodriguez / Dan Tres Omi oral history conducted by Kevin Kosanovich on February 27, 2013. Topics include: Zulu Nation; Virginia Beach; Virginia high school hip-hop culture; Bronx vs. Virginia hip-hop culture; WRAP; Filipino community in Virginia Beach; hip-hop culture in the military; graffiti writing culture in Hampton Roads.","2013.132","Kentral \"Handles\" Savage oral history interview conducted by Kevin Kosanovich on October 25, 2012. Topics include: Eastern Shore Virginia; music videos; New York City vs Virginia; Petersburg, Virginia; Virginia State University; venues; Virginia Producers.","2013.133","Tashawn Jones oral history interview conducted by Kevin Kosanovich on October 23, 2012. Topics include: Record stores; blogs; New Jersey vs. Virginia hip-hop culture; Chesapeake; Norfolk; Old Dominion University; SHHO; Boodah Brothers; Disko Dave; hip-hop venues.","2013.134","Keith \"DJ K-Ski\" Carter oral history interview conducted by Kevin Kosanovich on February 28, 2013. Keith Carter is one of the first Virginia hip-hoppers, beginning in the late 1970s in the Petersburg and Richmond area. Topics include: DJ B-Wiz; Das FX; Virginia State University; Kid Capri; Jazzy Jay; hip-hop culture vs. rap culture; Soulsonic Force; Notorious B.I.G.; Magic City; DJ K-Skeen; Serato.","Digital flyers and images from Keith Carter / DJ K-Ski.","2013.135","Shinobi Kush oral history interview conducted by Kevin Kosanovich on May 1, 2012 at Kiwanis Municipal Park in Williamsburg, VA. Illinois native Shinobi Kush has been a longtime member of the Williamsburg, VA hip-hop community. Topics include: Zulu Nation; defining hip-hop; Williamsburg hip-hop history; record stores; hip-hop and the military.","2013.136","Blair Ebony Smith oral history interview conducted by Kevin Kosanovich on September 30, 2012. Topics include: record stores; importance of vinyl; sampling and hip-hop history; history of Student Hip Hop Organization and W\u0026M; SHHO sponsored events; Richmond hip-hop artists; race and W\u0026M.","2013.137","Malcolm Venable oral history interview conducted by Kevin Kosanovich on January 16, 2013. Malcolm Venable has written about Virginia musical culture for local newspapers and currently works as Brand Planner at the Martin Agency in Richmond, Virginia. Topics include: Petersburg, Virginia; Virginia State University; Teddy Riley; \"Don't Believe the Hype\" video Virginia Beach Greekfest riots; Richmond; Reggae; Virginia Informer; middle-class rap.","2013.138","Desiree Williams oral history interview conducted by Kevin Kosanovich on January 18, 2013. Topics include: Brownsville and Brooklyn; hip-hop culture in the military; Teddy Riley; hip-hop and New York boroughs; women and hip-hop; Bink Dog.","2013.139: William \u0026Mary  SHHO founder Bobak Karsai's written history of the SHHO and the W\u0026M SHHO chapter history.","2013.140","Lamar Shambley oral history interview conducted by Kevin Kosanovich on October 15, 2012. Topics include: Brooklyn vs. Virginia; SHHO history; AMP; Syndicate; SHHO Sponsored events; Virginia Sound.","2013.141","Mike \"Joe Rugby\" Williams oral history interview conducted by Kevin Kosanovich on March 19, 2013. Topics include: airbrushing clothes; BorNaturals; Newport News; Double XL; graffiti; Richmond; Clipse; Shinzu; Word of Mouth; Old Dominion University; Norfolk State University; Zulu Nation; MC battles; Quasimoto; Exclusive magazine; Frequency magazine; Jhunniperz; Tapehustlerz; Bad Newz Connection.","Email from Mike \"Joe Rugby\" Williams listing Virginia hip-hop artists. The list is organized according to city.","Mike \"Joe Rugby\" Williams list of Virginia record labels.","2013.142","Regan Sommer McCoy oral history interview conducted by Kevin Kosanovich on March 20, 2013. Regan Sommer McCoy is founder of the Mixtape Museum and booking and tour manager for the Clipse. Topics include: Hampton University; New York vs. Virginia; mixtapes; Mixtape Museum; gender and music industry; gender and academia; Star Trak; Clipse.","2013.143","Yazmin oral history interview conducted by Kevin Kosanovich on March 20, 2013. Topics include: DJ K-Ski; Brooklyn; graffiti; battling culture in Virginia; Portsmouth; women in hip-hop; neo-soul; reggae; gospel hip-hop.","2013.144","Todd Van Luling '13 oral history interview conducted by Kevin Kosanovich in the Berger Conference room in Special Collections on March 21, 2013. Todd Van Luling was station director of WCWM and Contemporary Culture director of Alma Mater Productions (AMP). Topics include: Herndon, Virginia; Hot 99.5 FM in Northern Virginia; AMP history with hip-hop; WCWM and hip-hop; Kendrick Lamar; Big Boi; house shows; Homebrew.","2013.145","Alex Cousins '14 oral history interview conducted by Kevin Kosanovich on April 11, 2013 at the Grind Coffee House in Williamsburg, Virginia. Alex Cousins is a William \u0026 Mary student and genre director of hip-hop at WCWM, W\u0026M's college radio station. Topics include: WCWM; Buffalo, New York; W\u0026M campus hip-hop culture; Meridian Coffee House.","2013.146","Rachael Faunce oral history conducted over the phone by Kevin Kosanovich on March 21, 2013. Rachael Faunce grew up in Suffolk, Virginia. As head of Rachael Faunce Enterprises, she is a marketing, public relations professional who has worked with various local and national music and entertainment artists. Topics include: 103 FM Jamz Fest; Notorious B.I.G.; Boodah Brothers; Southern Hustling Tour; DJ Stress; 92.1 FM The Beat; Felonius Monk; DJ Karee; Abu Unity Fest; Sic Mic.","2013.147","Charles \"Batman VA\" Brown II oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Barnes \u0026 Noble in Hampton, VA. Charles \"Batman VA\" Brown grew up in a military family in Hampton, Virginia. He runs his own marketing and publicity company, Dark Knight Ent., as well as working with record labels such as Def Jam and Interscope. His career and oral history provides knowledge about \"street teams\" and street team marketing in Virginia. Topics include: street teams; marketing; branding; Def Jam; Mary Mack apartments; Hampton; 103 Jamz; Rob Love; Gerald \"Gee\" Daniels; Keith Barham; Jig; Virginia sound; military culture in Virginia; Travis Porter; Dark Knight Ent.; Verse Simmonds; 2 Chainz.","Photograph of Charles Brown II / Batman VA taken by Kevin Kosanovich on April 11, 2013 in Hampton, Virginia.","Black polyurethane foam hand with middle finger extended. Outline of hand is imprinted in white on foam shape with text \"#IDFWU BIG SEAN\" on front and \"#IDFWU\" on back. 5.5 in. slit in foam on bottom allows it to be worn on the hand. Measures 17.75 in. (length) x 9.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.064.01","Clear plastic (polystyrene) shot glass with black screen printing. Text reads, \"Verse Simmonds / Buy You A Round\" with a line drawing of a pair of glasses. Measures 2 in. (height) x 1.75 in. (top diameter) x 1.125 in. (bottom diameter). In excellent, unused condition. HHC 2015.065.01","Trophy with clear plastic medallion, which rotates atop a black four-sided angled base. Clear plastic round disk features engraved design, which reads \"SMES / BRIDGING THE GAP SINCE 2001 / 2009.\" Base has attached plaque, reading \"Promotor of the Year / DarkKnight Ent Batman.\" Measures 7 in. (height) x 3.5 in. (width) x 3 in. (depth). In good condition. HHC 2015.066.01","two small stickers with the \"DarKnight Ent.\" logo on it.","Tickets, 2007-2012 to a variety of events throughout Virginia:  Summer Jamz 2008 (3 Tickets), Independence Day Jam (1 Ticket), Keyshia Cole (1 Ticket), Wiz Kalifa (1 Ticket), Future (1 ticket)","Mixtape CD in plastic sleeve with insert album artwork and information. The mixtape was hosted by DJ Tekniks, DJ Scream, and DJ Drama. The mixtape contains 19 tracks with featured performances from Yo Gotti, Big Sean, Tyga, and Too Short. Box 7.","One 10x16 poster advertising \"DarKnight Ent.\" Batman VA's company is involved in branding, marketing, music marketing, and promotions.","2013.148","Moe Money Mafia oral history interview conducted by Kevin Kosanovich in Swem Library on May 13, 2013. Moe Money Mafia is a Virginia Beach based rap group. Topics include: Virginia Beach; Lou Delgado Studios; freestyling; Tappenhanock hip-hop history.","2013.149","A'Kishia Edlow oral history interview conducted by Kevin Kosanovich in the Burger Conference Room in Swem Library's Special Collections Research Center on May 7, 2013. A'Kishia Edlow grew up in Brownsville, Brooklyn and Atlanta, and currently lives in Virgnia. Edlow is a longtime promoter and manager with extensive relationships throughout the hip-hop nation. Edlow is Ghostface Killah' s tour manager and Sic Mic's manager under her managment company Dior. Topics include: Brooklyn; Atlanta; \"Skew it on the Bar-B\"; women and hip-hop; Wu-Tang Clan; Ghostface Killah; Sic Mic; 1000 Kings Walk.","2013.150","Alice Yeh '12 oral history interview conducted by Kevin Kosanovich on September 11, 2012 in the Sadler Center. Alice Yeh was the co-captain of the William \u0026 Mary Bboy Club, SMILES Crew from 2011-2012. As co-captain she helped create the Origins bboy show. Topics include: SMILES Crew; Northern Virginia; race and hip-hop; gender and hip-hop; breaking; W\u0026M campus hip-hop culture; Syndicate; W\u0026M SHHO; James Madison University; Lionz of Zion; Guerilla Will.","2013.151","Matthew Argao '13 oral history interview conducted by Kevin Kosanovich on September 13, 2012 in the Sadler Center. Matthew Argao was co-captain of William \u0026 Mary Bboy Club, SMILES Crew from 2011-2012. Topics include: race and hip-hop; James Madison University; SMILES Crew; William \u0026 Mary campus hip-hop culture; breaking; Virginia.","2013.152","Raghav Veluri '13 oral history interview conducted by Kevin Kosanovich on September 13, 2012 at William \u0026 Mary. Raghav Veluri maintained \"Circles,\" a weekly cypher bringing together all elements of hip-hop culture on campus. Meeting at the Phoenix Seal on Landrum Drive, students interested in hip-hop culture or who practiced hip-hop culture were invited to participate. Topics include: freestyle; beat boxing; breaking; music; race and hip-hop; history of \"Circles\"; internet and hip-hop; William \u0026 Mary campus hip-hop culture.","Photographs of a Circle's cypher session at the Phoenix Seal run by Raghav Veluri on September 10, 2012. Participants include Raghav Veluri, Qi Chen, David Loebman and Aron \"Chowdah\" DeSimone.","2013.153","Aron \"Chowdah\" DeSimone oral history interview conducted by Kevin Kosanovich on September 25, 2012. Topics include: W\u0026M Bboy Club; SMILES Crews; Culpepper, Virginia; punk vs. hip-hop; dance styles; breaking; issues of race and hip-hop participation; Origins I and II; George Mason University and James Madison University bboy events; Lionz of Zion.","2013.154","Qi Chen oral history conducted by Kevin Kosanovich on October 4, 2012. Topics include: Adelaide, Australia; China; bboying in Asia; Elmo; YouTube; Bboy Club and SMILES Crew; Kodachrome.","2013.155","Nolan Chao oral history interview conducted by Kevin Kosanovich on October 6, 2012. Topics include: Old school and classic hip-hop; hip-hop culture on campus; UCAB/AMP; Bboy club history; issues with Syndicate; Tribal Breaks; DJing; DJing vs. breaking; breaking and internet; serrato technology; Lionz of Zion.","2013.156","Alexandra Court oral history interview conducted by Kevin Kosanovich on October 9, 2012. Topics include: Vienna, Virginia; hip-hop in high school; gender issues in hip-hop; W\u0026M and hip-hop; pajama party; Sadler Center; crew vs. club member.","2013.157","Benjamin Yoo oral history interview conducted by Kevin Kosanovich.  Topics include:  Richmond; Los Angeles; Korean participation in breaking; Syndicate; W\u0026M Bboy Club and SMILES Crew history; Asian American perspective on hip-hop culture; Explosion of Soul Crew; Kodachrome; Virginia Commonwealth University.","2013.158","David Loebman oral history interview conducted by Kevin Kosanovich on October 30, 2012. Topics include: Richmond; YouTube; W\u0026M hip-hop culture; graphic art; James Madison University; jump style.","2013.159","Nicole Brown oral history interview conducted by Kevin Kosanovich on October 2, 2012. Topics include: bboy club and hip-hop at W\u0026M; Meridian Coffeehouse; top rocking and floor work; James Madison University and Circles event; Tribal Breaks; gender and bboying; Kodachrome; NOVA.","2013.160","Guerilla Will and Mike Miller oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Olive Garden in Norfolk, Virginia. Guerilla Will is a former president of the Virginia Beach Zulu Nation Chapter, bboy, Taglish Tees employee, host for numerous hip-hop events and all-around hip-hop dynamo. Mike Miller is co-creator of Taglish Tees, a street wear clothing company steeped in hip-hop and Filipino culture based in Virginia Beach. Topics include: Taglish Tees; Zulu Nation history in Virginia; International Soul Society; record stores; Thai Pan; Jewish Mother; Fuzzy's on Wednesdays.","Photo of Mike Miller and Guerilla will taken by Kevin Kosanovich after conducting their oral history interivew on April 11, 2013. Photo was taken in Norfolk, Virginia.","Artifact. Gray cinch bag with black back straps. The front of the bag features a depiction of a white tribal man with a white spear dancing. The dancing man is surrounded by a white circle. \"TAGLISH TEES\" is written in white below the depiction. Beneath \"TAGLISH TEES\" is written \"Culture, Style, Expression\" in white. At the bottom of the front \"WWW. TAGLISHTEES.COM\" is written in white. There is a Taglish Tees information card inside the bag. The bag measures approximately 17.25in. (length) x 13.375in. (width). It is in excellent condition with an approximately 12.5in. crease in the middle of the bag. There is also a crease going down the length of the bag. HHC 2013.160.03","Mike Miller and Guerilla Will oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Olive Garden in Norfolk, Virginia. Guerilla Will is a former president of the Virginia Beach Zulu Nation Chapter, bboy, Taglish Tees employyed, host for numerous hip-hop events and all-around hip-hop dynamo. Mike Miller is co-creator of Taglish Tees, a street wear clothing company steeped in hip-hop and Filipino culture based in Virginia Beach. Topics include: Taglish Tees; Zulu Nation history in Virginia; International Soul Society; record stores; Thai Pan; Jewish Mother; Fuzzy's on Wednesdays.","2013.161","Melvin \"Magoo\" Barcliff oral history interview conducted over the phone by Kevin Kosanovich on April 15, 2013. Growing up in Virginia Beach and Chesapeake, Virginia, with Timbaland, Larry \"Live\" Lyons, Pharrell Williams, Missy Elliott, and Pusha T and No Malice of Clipse, Magoo is a member of Virginia hip-hop royalty. A member of Surrounded By Idiots (SBI) in the early 1990s, Magoo achieved international fame as one half of Timbaland and Magoo in the late 1990s. Among his many projects, Magoo can currently be heard offering music business insight and advice on Hot 91.1 FM. Topics include: origins of \"Magoo\"; \"Rappers Delight\"; WOWI; bboying; Larry Live; Timbaland; Freedom of Speech Posse; K-Quick; Andre Harrell; DeVante Swing; Pharrell Williams; Surrounded By Idiots; Chad Hugo; Virginia Beach; Teddy Riley; Songwriting; Timbaland \u0026 Magoo; Aaliyah; Record Stores; Gangsta Rap.","2013.162","Jimmy Green oral history interview conducted over the phone by Kevin Kosanovich on March 27, 2013. Topics include: Frank Nitti; Virginia Grime Family; military and hip-hop culture; graffiti; Big Shizz; Boycott Radio; 7 cities mentality.","Ike Owens oral history interview conducted by Kevin Kosanovich in the Burger Conference in Swem Library's Special Collections Research Center on April 17, 2013.  Ike Owens is Harlem transplant living in Norfolk.  Owens is responsible for promoting many of the first hip-hop events and concerts in Virginia.  Topics include:  Norfolk; Old Dominion Universtiy; Norfolk State University; Bishop Willis; New York and hip-hop culture; WRAP; Surrounded By Idiots; Gospel and hip-hop connection; Daddy Jack Holmes; Norfolk Soul; MC Spice; Greekfest Riots; McCories Graffiti Shop; Herman Valentine; Regan Henry; DJ Heartattack; Al B Silk; Ice T Thomas; Soul Ranger; Teddy Riley; Rodney Jenkins.","Photograph of legendary VA promoter Ike Owens taken by Kevin Kosanovich on April 17, 2013 in Swem Library's Burger Conference room.","Two copies of an event flyer that reads in part: Another College Boyz Production, The Ultimate After Party Celebrating W\u0026M Homecoming 2013; Doing it after dark @ the Cove. Box 1.","2013.164","Music.  Dragonspit Jones, \"The Ugly Truth LP\"","2013.165","Theo Jamison / Intalek oral history interview conducted by Kevin Kosanovich on June 28, 2013 in the Burger Conference room in Special Collections. Topics include: Los Angeles vs. Virginia; Virginia musical style; creative process; poetry and lyrics; defining hip-hop.","2013.165.1. Digital files contain 15 tracks.","From Bandcamp: \"The July 2010 success of the original 10-track \"Lives And Vibes\" EP from Intalek and Ritchcraft sparked an even deeper release from the duo, giving rise to this newer and stronger 14-track album. Still holding on to the original work, Intalek and Ritchcraft created 4 more tracks for the fans to enjoy.\"","Digital files consist of 2 tracks.","Digital file contains 18 individual tracks.","Two copies of the cd \"L.A. VA Tape\" by Intalek and EOM. The recording was produced by G-Man Mangement, LLC. Box 3.","One copy of the cd \"G.R.O.W.\" by Motive, a member of the hip hop group Aspire to Inspire. Box 7.","Acc. 2014.152. Small flyer for Intalek's LA to VA mixtape. The flyer provides a bandcamp address to download the album. There is a picture of Intalek with a microphone stand across his shoulders, as well. The back of the flyer features the logo and web address of GMan Entertainment Music Group, presumably Intalek's label.","Digital files consist of 7 tracks","CD. \"The Duct to Da Lawns.\" Pre Entertainment, 2005. Box 3.","CD. \"BORNATURALS.\" Box 3.","CD. \"Deeply Rooted 5.\" Nex N' Line, Inc., 2001. Box 3.","CD. \"Pink Cookies.\" B.M.G., 2013. Box 3.","CD. \"We the Best Presents . . . Rum.\" Box 3.","CD. \"DJ Jack of Spade Presents: Trunk Music.\" Box 7.","2013.166: Lisa Lee Counts oral history interview conducted by Kevin Kosanovich in Suffolk, Virginia on June 11, 2013. Lisa Lee Counts, better known as Zulu Queen Lisa Lee is a founding member of the Zulu Nation. In addition to being a founding member of the SoulSonic Force and Cosmic Force, Zulu Queen Lisa Lee was also featured in the seminal hip-hop films \"Beat Street\" and \"Wild Style.\" Zulu Queen Lisa Lee currently resides in Virginia. Topics include: comparing New York hip-hop with Virginia hip-hop; women in hip-hop; contemporary hip-hop.","2013.167","Justin \"JSAR\" Saar oral history interview conducted by Kevin Kosanovich in the Burger Conference Room in Swem Library's Special Collections Research Center on May 31, 2013. JSAR is a Newport News recording artist. Topics include: Newport News; Richmond; DJ Bobby J; hip-hop and technology; Norfolk State University.","Box 3.","Two copies of fliers for a J'sar show at the Iguana in December 2013 and two copies of fliers promoting J'sar to perform at Shaggfest 2014 in Virginia Beach. Box 1.","2013.168","Digital files consist of 22 tracks","Richmond hip-hop collective. 2013.169","Album.","Mp3 file of the rap song that Jon Houghton (a.k.a. \"J-Diz\") at William \u0026 Mary composed about VCU's Cabell Library late last year. It was a product of Swem's media lab.","Song: \"Library.\" Mp3 file of the rap song that Jon Houghton (a.k.a. \"J-Diz\") at William \u0026 Mary composed about VCU's Cabell Library late last year. It was a product of Swem's media lab.","2013.171","Digital files consists of 28 tracks.","2013.172","Cascade Records podcast featuring Ohbliv. According to Cascade Records: \" This is the second podcast of the new year, courtesy of our dude Ohbliv from Richmond, Virginia. Everything from smooth jazzy joints to raw soul bangers, this is 30 minutes of pure butter. Oh is a super talented cat.\" (Acc. 2013.172)","Song from the 2011 compilation album, \"Eat More Blunt Guts.\" [ No release/rights.]","\"Body Ride\" is included on Ohbliv's 2011 mixtape, \"EZ Widas.\" [No release/rights.]","Ohbliv's track, \"bahdiyap,\" released on the HW\u0026W Volume 1 mixtape.","Klipmode's Klipkasts features guest artists and their mixes. Ohbliv composed the third edition of this series.","Album. Ohbliv released, \"New Black Renaissance (Side B),\" on February 20, 2012. \"Side B\" was the follow-up to his album \"New Black Renaissance (Side A)\" released in October 2011.","Ohbliv's album, \"Ohblique\" was released digitally on Bandcamp.com on September 13, 2011.","Ohbliv released the digital album, \"Hydrosub\" on December 15, 2010.","Album.  Ohbliv released \"Rugged Tranquility\" in 2009.  \"Rugged Tranquility\" represents Ohbliv's first full-lenght beat tape released digitally.","\"Soulphonic\" is an Ohbliv composition commissioned by SHHO.  According to SHHO, \"If you ever wanted to know what Richmond sounded like sonically, this is it. Sit back and enjoy.\" 2013.172.11","This album is a collaboration between Sir Froderick and Ohbliv (\"Sir-Bliv).  Sir-Bliv: \"Wholly Rollers LP.\" . Released 2013. 2013.172.12","Play Cloths is a progressive streetwear brand with a focus on the creation of high quaility garments adaptable to any lifestyle. 2013.173","Play Cloths released this mixtape for the holiday 2011 season.","Terrence Thornton, better known by his stage name Pusha T (short for Pusha Ton), is an American hip hop recording artist and one half of hip hop duo Clipse, along with his brother and fellow rapper Gene \"No Malice\" Thornton. He is also the co-founder and co-chief executive officer (CEO) of Re-Up Records. 2013.174","Fear of God II: Let Us Pray is the major record label debut and extended play by American hip hop recording artist Pusha T, released on November 8, 2011, under G.O.O.D. Music. The EP serves as his first project with Kanye West's GOOD Music label.","2013.175","The Rubber Peeple released their mixtape, \"Tighten Up Mixtape ft. DJ S-Dot\" on October 19, 2012.","2013.176","Flyer for The Nutcracker performed at the historic Attucks Theatre in Norfolk on December 7-8, 2012.","Flyer for Da Block morning radio show on 103 Jams. Da Block features Anguz Black and DJ Bee.","Final flyer for the Origings II event held November 17, 2012 in the Sadler Center. Bboy crews performing: MF Kidz, Crewcial, VCU Poppers, Akademix, Blank Canvas, SMILES Crew, Urban Individuals, Bamboom, Havikoro.","Flyer for California rapper Lil B's, aka Based God, three Virginia concerts. He performed March 25-27 in Springfield, Virginia Beach, and Richmond, respectively. Amped\u0026Alive and N.I.C.E. Entertainment promoted Lil B's concerts.","Flyer for Action Bronson's June 19, 2013 concert at the Kingdom in Richmond. VA. Opening acts included 360 Boyz, Teleport Team and THALSD. Kingdom \u0026 Kulture were the concert promoters. 2013.176.11","One 11x17 poster promoting Ludacris' album, \"Ludaversal.\"","One 12x18 poster for Soulstice Reb'l, \"Reb'lution\" album release party at The Norva, 11.15.14.","One 8.5\" X 11\" flyer with Kons the Child in the top right corner and Charles Diamond in the lower left corner. The flyer also contains time and location of the festival. The festival took place Saturday, April 18, 2015 at the Meridian Coffeehouse at the College of William \u0026 Mary.","Artifact. Black t-shirt featuring a movie poster-type picture on the front. The background has a red and orange stereo speaker. The foreground has a ghostly figure with a green mask and green hands and long fingernails. The ghostly figure is holding a woman wearing a white tank-top with long brown hair. The woman looks as if she is dying. \"GHOSTFACE KILLAH\" is written in white screen print at the top of the movie poster-type picture. Below the \"H\" in \"KILLAH\" \"IN\" is written in orange screen print. At the bottom of the poster \"TWELVE REASONS TO DIE\" is written in black with white outline and orange shadow. The shirt is a size large and is in good condition with a 0.25in. unraveled seam in the back at the bottom. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.01","Artifact. Black t-shirt with a featuring a white \"X\" in white rugged-type font on the front. Next to the \"X\" is an \"O\" also in white rugged type font. In between the \"X\" and the \"O\" there is a white heart. The shirt is a size large. It is in good condition. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.02","Artifact. Black t-shirt featuring a blue comic bubble on the front. \"WORDS BEATS \u0026 LIFE\" are written in yellow hip hop graffiti font inside the blue comic bubble. There is a red bleeding shadow behind \"Words Beats \u0026 Life\" and a star as the dot of the \"I\" in \"LIFE.\" On the reverse of the shirt at the top \"WORDS BEATS \u0026 LIFE INC.\" is written in white screen print. Below that is written \"Teaching·Convening·Presenting\" in white. Beneath that is written \"Hip-Hop\" in white. The shirt is a size large and is good condition with an approximately 0.75in. crease on the \"S\" in \"WORDS\" on the front. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.03","Artifact. White t-shirt featuring a gray city skyline and subway. There are also four men wearing hip-hop style clothes. They are green at the top and gray at the bottom. \"35th\" is written in white and yellow-green hip hop graffiti at the top of the city skyline. \"Anniversary\" is written below the \"35th\" in white script. Underneath that is written \"ROCK STEADY CREW\" in white, yellow and green hip hop graffiti. The reverse of the shirt has \"35th\" written in black hip hop graffiti, \"Anniversary\" in black script, and \"ROCK STEADY CREW\" written in black hip hop graffiti. There are logos of sponsors for the event below the writing. The shirt is a size large. It is in good condition with a 0.5in. white spot with brown specks below the foot of one of the men on the front. There is also a 1.5in. green stain at the bottom of the picture on the front, a 0.25in. green stain at the bottom front seam on the wearer's right and far left, and a 2in. green stain at the bottom of the shirt on the wearer's left. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.04","Artifact. Blue t-shirt. \"Break Free\" is written in black with white outline in baseball script on the front. Under \"Break Free\" is written \"11\" in black with white outline in baseball number font. HaviKoro, a b-boy crew from Houston, Texas, performed at ORIGINS: SCW II, held November 17-18, 2012 at W\u0026M's Sadler Center and Campus Center. The shirt is a size XL and is in good condition. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.05","One CD in slip case with the With Good Reason logo and program information printed on the CD. Guests for the \"Hip Hop, You Don't Stop,\" program included Kevin Kosanovich from the College of William \u0026 Mary, Nikki Giovanni from Virginia Tech University, Jim Borling from Radford University, and John Adam from Old Dominion University. Box 7.","Four tickets to the June 7, 2014 Z104 Shaggfest Concert held at the Farm Bureau Live at Virginia Beach outdoor concert venue. Shaggfest is annual concert festival organized by Brandon Stokes, aka Shaggy, a radio DJ at Z104. Virginia Breach's own Pharrell Williams headlined the festival.","One sticker from the Cornell Hip Hop Collection. The sticker features a picture of Afrika Bambaataa taken by the hip hop photographer Ernie Paniccioli, the \"mixtape\" Cornell Hip Hop Collection logo, and the url Preservinghiphop.org running along the bottom of the sticker.","1-gray 100% acrylic sweatshirt that features a head shot of the Notorious B.IG. wearing sunglasses in black on the front. The sweater is a size large and is in good condition. There is lint all over the sweatshirt. Gift of Kevin Kosanovich. HHC 2014.189","1-navy blue sweatshirt that features a depiction of a red panda with blue and white fur above two white row boat oars that are crossed. \"EST.\" is printed in white on the wearers right of the crossed oars and \"MMX\" is printed in white on the wearer's left of the crossed oars. at the bottom of the sweatshirt, right above the pocket, \"CREW\" is printed in white. The sweatshirt was made by Mannie Willis-Distinct Nature Clothing. It is made of 50% cotton and 50% preshrunk polyester and is a size large. It is in good condition. There is lint all over the sweatshirt. Gift of Kevin Kosanovich. HHC 2014.190","Acc. 2013.074 includes posters and fliers for the William \u0026 Mary Hip Hop Collection Launch Party on April 19, 2013; remarks given by Amy Schindler, University Archivist, at the launch party, and an article from the Daily Press with coverage of the collection and announcement for the launch party.","\"Virginia Beats: The College of William \u0026 Mary's new Hip-Hop Collection,\" by Dan Harrison in the June 2013 issue of \"Virginia Living Magazine\"; discusses the genesis of the William \u0026 Mary Hip Hop Collection. The article is found on page 37. Box 4.","CDs of artists such as Rum, Next N' Line, Thug Relation, and Treie that were collected during the launch of the William \u0026 Mary Hip Hop Collection on April 19, 2013 at Swem Library.","Contains posters used at the 2nd Annual William \u0026 Mary Hip Hop Collection Celebration that took place on 2014 April 3 at Swem Library.","This interview is not yet available online.","Made in Italy: Let's Dance Medley with the tracks: \"You are a Dancer,\" \"Happy Children,\" \"Dolce Vita,\" \"Kalimba de Luna,\" \"Comanchero,\" \"Tarzan Boy,\" Masterpiece,\" \"Vamos A la Playa,\" \"The Night,\" \"Disco Band,\" \"Self Control,\" \"Bad Boy,\" and \"Easy Lady,\" \"Let's Dance.\" Side A includes all tracks; Side B Includes the dance version of all tracks. A red circle feature on the album's cover reads \"Featuring Rap Version by Tony \"B\" - G.Q. \"Jay\".\" LP is stamped \"Promotional Copy Not For Sale.\" Milan, Italy. 33 1/3. Box 4.","Tony B. and the Electric Warriors. Side A: \"So Hot\"; Side B: \"Brickhouse\". Disco Mix. Modern Music Productions. Italy. LP is the size of a standard 33 1/3 rpm record, but is actually pressed as a 45. Box 4.","Includes single edit, instrumental, radio mix and acapella versions of sides A and B. SoVa Records was based in Virginia Beach, Virginia. Box 4.","XYZ (Xiang-Yu Zhong) in some places.","One copy of the CD \"Jinwen\" (roughly translates as \"Censored News\") by XYZ (Zhong Xiangyu). Tracklist: 1) Intro; 2) Still Martial Law; 3) Soulless; 4) ABC; 5) Kau-ka-T; 6) Manifest Plainness, Embrace Simplicity. Box 7.","CD. \"The Earth Is Sour.\" Box 3.","CD. \"Finally.\" Box 3.","CD. \"Level II.\" Box 3.","CD. \"Seed Is.\" Members include Nikki Kilgore, Buttafly, Biggs, Mike Peace, Tom Smith, Big Daddy Rich, Jeris Quinn, J.P. Lilliston, and Dawg. Box 7.","CD. Recording of live performance that occurred on September 15, 2001 at the Umoja Festival. \"Seed Is...\" Box 3.","CD. \"What-Chu Heard? The Real 'Remix'.\" Box 7.","CD. \"A Conversation with my Son.\" Box 3.","CD. \"A Kids Life.\" Box 3.","Audio cassette tape. \"Never Too Young.\"","CD. \"The Mixtape.\" Box 7.","CD. \"Home Grown.\" Box 3.","CD. \"Promotional CD.\" Box 3.","CD. \"Love and War Sampler.\" Box 7.","CD. \"Love and War.\" Box 7.","CD. \"Advance CD-Promo.\" Box 3.","CD. \"Day Ina Life.\" Box 3.","One poster advertising the Fresh Radio sponsored DJ Bee \u0026 Kool DJ Red Alert event celebrating the 40th anniversary of hip hop culture, by \"edutaining you through the years of hip hop.\" The event was held at the Jewish Mother in Norfolk, VA on August, 30, 2013.","Two name tags with the William \u0026 Mary Hip Hop Collection logo. The name tags were signed in August 2013 during a campus visit to American Studies and Swem Library. One name tag has DJ Bee's signature and \"Fresh Radio.\" Kool DJ Red Alert signed the other name tag and included \"Respect !!!\"","Poster for Vince Loyal's single, \"Don't Be Scared.\"","Two business cards for Alan Jones, aka DJ Alboog, professional DJ.","CD single with artwork for Virginia Grind Family (VGF) member Vince Loyal's \"Don't Be Scared,\" featuring Misaya and produced by Beat King. The CD and artwork was manufactured by Coastal Media.","Virginia Grind Family (VGF) member Voe Black's single, \"Guapo,\" produced by Yello Banks.  The CD and included artwork was manufactured by Coastal Media.","Signed poster for Virginia Grind Family member Voe Black's single, \"Guapo\"","Six issues of Elemental Renaissance (ER) magazine. ER was published by Grover C. Winfield III, out of his Norfolk, VA apartment. ER began as a newsletter circulating at Old Dominion University on September 25, 1999. The purpose of ER was to introduce readers to hip-hop's \"4 elements\": the break dancer, the graffiti artist, the DJ, and the MC. In addition to Grover Winfield, Danny Rodriquez (Dan Tres Omi), another collection member, also wrote for the magazine. Issues donated: October 2000, Volume 1, Issue 1 February 2001, Volume 2, Issue 1 June 2001, Volume 2, Issue 2 January 2002, Volume 2, Issue 3 November 2002, Volume 2, Issue 4 June 2003, Volume 3, Issue 1","Jay Quan's \"Urban Legend\" CD was released in 2003 by JAH Music. The album includes 11 songs, including the singles, \"Five Mics\" featuring Grandmaster Caz \u0026 Grandmaster Mele Mel, and \"Get Down.\"","Jay Quan, \"5 Mics\" featuring Grandmaster Caz and Grandmaster Mele Mel, 12\" vinyl single.  Produced by Dr. No, Side A features 3 tracks: the vocal cut, the radio edit, and the instrumentals.  Side B features remixes of the three cuts on Side A.  The 12\" LP was released by JAH Music in 2003.","Jay Quan's comic advertising his single, \"5 Mics,\" was autographed at the top with the note, \"To: W\u0026M.\" The 6 panel comic situates Jay Quan's single within a history of hip-hop culture descended directly from legendary MCs Grandmaster Caz, Grandmaster Mele Mel, and Kool Moe Dee. A duplicate, non-autographed copy is also included.","One autographed press photograph of \"The First Sons Original Recordings.\"  The photograph is undated, but was most likely created in the 1990s.","One DVD case for Sho Flacco's No Plan B: Mixtape and Movie. Included in the case is a CD for the mixtape and a DVD containing the movie. No Plan B was created and distributed in associate with Inner Circle Entertainment.","One CD and artwork for Mz Meka's album, \"Queen, I Am.\" Included in the slip case is a business card for Mz. Meka and her Soul Rebel Nation.","Two copies of CD in sleeve with artwork for Evan Barlow's album, \"Trials to Triumph.\" Artwork includes information concerning the albums songs, production information, and management contacts. Box 7.","One DVD in jewel case with insert artwork. The artwork has pictures of hip hop cultural figures including Jim Jones, Pusha T, Chyanne Jacobs, and DJ Baby Drew, among others. The title of the DVD is, \"Phenom DVD: Independence Day.\"","One CD in jewel case with insert artwork for Prano the Youngin's album, \"Break the Mold.\" Involved in producing this record were Lab Ratz, The Dirtyworkas, Cash Rules Conglomerates, and Upper Room Studio. Additonally, Cymandye Lady-C created the album artwork.","One CD in cardboard case of Egami Reh's \"Egami Reh's Story Time.\" Cover art features a cartoon rendering of Egami Reh traveling through space surrounded by a variety of images including a bboy, a beetle holding a crystal, a book, and several mytiscal shapes and renderings.","One flyer and one small gatefold flyer for Studio X, Xclusive Media. Studio X offers digital printings, video, photography, and music services. Studio X is located in Virginia Beach.","One paper flyer advertising the The Buffalo Boyz MC's The Great Pretenders event held May 18, 2013.  The Great Pretenders are performers who assume the personas of famous R\u0026B, Soul, and Funk musicians including Aretha Franklin, Teddy Pendergast, Prince, Al Green, Whitney Houston, and Millie Jackson, among others.  The Buffalo Boyz Motorcycle Club are a Williamsburg-based African American motorcycle club with roots stretching back to the 1970s.","One CD in jewel case with insert artwork of Hudson \u0026 Guam's \"Visions.\"","Four tickets from Mic Hog Competions: two from June 2, 2014 and two from July 5, 2014.","Two paper flyers advertising the \"William \u0026 Mary Hip Hop Collection: Mic Hog Competion\" held June 2, 2014 at the Cove Tavern in Williamsburg, Virginia.  Featured artists included A.P.E., Labratz, Maino, Stunna Steam, Tay Activist, Versa Kyle, and Plug Set Records.","Two newpaper articles featuring Hudson \u0026 Guam. One article, \"Guam Duo Hip-Hopping to Stardom\" was published Sunday, July 20, 2014 in the Marianas Variety--Guam Edition newspaper. The second article, \"Hudson and Guam Going Big,\" was published Friday, July 25, 2014 in the Pacific Daily News.","2-brass medals that feature a laurel leaf around the edge. \"William and Mary Hip Hop Collection\" is printed in black block letters at the top in an arc. \"Mic Hog Competition Champion\" is printed in black block letters in an arch at the bottom in an arch. In the middle of the medals is a depiction of a hog holding a mic in its mouth. The logo for the William and Mary Hip Hop Collection to the right of the depiction. Beneath the depiction but above \"Mic Hog Competition Champion,\" \"Hudson and Guam\" is printed in black block letters. The back of the medals has \"William and Mary Mic Hog Champion\" engraved in black on a oval background. \"China\" is engraved in raised letters on the bottom of the back of the medals. The medals are attached to black lanyards by a golden colored hook. The medals measure approximately 2.5in. in diameter and the lanyards (including the hook) measure approximately 16in. The medals are in good condition. Both medals have light scratches all over them and medal \"b\" has a small copper colored spot on the back at the top right side of the oval platform. HHC 2014.164.05ab","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Cymandye aka Lady-C of hiphopsince1987.com/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. HHC 2014.164.06","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Doug \"DJ Teddy Bear\" Perry of Hot 91FM/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. The plastic is peeling off on the top left corner and the bottom right and left corners. There is also a white stain on the plastic above the \"o\" of \"of\" in \"On this day of Jusne 2, 2014.\" HHC 2014.164.07","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/DJ Strez of Hot 91FM/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. HHC 2014.164.08","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Cymandye aka Lady-C of hiphopsince1987.com/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots and columns all over the plastic covering the mounted piece. HHC 2014.164.09","One CD-R in paper packaging with a binder clip. On the pack of the packaging, the track list information is written. Box 7.","The Source Magazine #259.  On page 83 of the magazine, HipHopSince1987.com is listed as #30 on the Digital Power 30 list.  Quinelle Holder and Cymandye Russell signed the magazine.","1-white t-shirt that has \"HIPHOP87/HIP HOP SINCE 1987.COM\" printed in white on the front in graffiti-style block letters. There is a black background behind the white letters. The t-shirt was received by Special Collections staff during the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is made of 100% preshrunk cotton and is a size extra-large. It is in excellent condition. Gift of Quinelle Holder. HHC 2014.186","1-black t-shirt that features an abstract design resembling a cow's head in silver with a white outline. Above the design \"MUSTAFA\" is printed in black with a white and silver outline. Below the design \"MALIK\" is printed in black with white and silver outline. Below \"MALIK\" \"DESIGNS™\" is printed in white. \"CLOTHING THAT DUZ DA BODY GOOD™\" is printed in white below \"DESIGNS™.\" This shirt is a 25th Anniversary MMD (Mustafa Malik Designs) Retro T-shirt design. It was received by Swem Special Collections staff during the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is made of 100% cotton and is a size large. It is in excellent condition. Gift of Mustafa Malik Shabazz. HHC 2014.187","Two photocopied documents.  The \"Green Book\" is 37 pages long and primarily instructs members on the regulations and expectations of Zulu Nation members.  The Green Book is composed of six sections of Infinity Lessons including the history of hip-hop, Afrika Bambaataa, and the Zulu Nation philosophy.  The \"Black Book\" is 65 pages long and provides the spiritual and metaphysical underpinnings of the Zulu Nation.  Additionally, the Black Book provides further Infinity Lessons examining history, dietary issues, and philosophical matters.","The Journal of the Moorish Paradigm, Book 8, by Hakim Bey. The booklet is signed by Afrika Bambaataa, founder of the Universal Zulu Nation, the most important cultural institution in hip-hop. Book 8 focuses on \"Divine Law Governs All Events.\" The booklet is comprised of stapled, printed sheets of paper. The booklet is approximately 48 pages long.","The DVD is an interview conducted and produced for the Bronx Museum with Afrika Bambaataa. The interview focuses on the origins of hip-hop culture and the Zulu Nation in the Bronx during the 1970s.","Stretch Dolla, \"The Wrong Time to Hate,\" CD.  The CD is contained in a plastic sleeve with a slip-in art card.  The CD has 15 songs.","2 copies of Versa Kyle's CD, \"No Struggle, No Progress.\" The CDs are held in two slip cases with art cards. There are 20 tracks on the album.","One CD by Soul Sun, titled \"Limitless.\" The CD is held in a cardboard case. There are 18 songs on the album. Box 7.","Black cotton t-shirt with red and white screen printing. Text on the front reads \"DRUGZ\" in red with handwritten letters and underlined. Illustration in white of a gas mask with \"TAKEOVER\" in black at the top. Shirt size is 2XL, and measures 32 in. (length) x 38.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.016.01","Founded in November 2008 by Prince Hakeem, Famous Radio has become an important force in Virginia online radio.  Featuring regional and national news, interviews, and music, Prince Hakeem and the Famous Radio family continue to support Virginia's dynamic hip-hop culture.  After Famous Radio moved into a larger studio in 2014, they donated these doors to the hip hop collection.  The studio doors provide an important, and unconventional, record of the many musical artists that call Virginia home. Two doors and four pieces of door frames containing the tags of the artists and hip-hop cultural makers that visited Famous Radio.","One letter from Brian Owens aka Liquid addressed to Kevin Kosanovich written in pen on a sheet of 8X11 spiral notebook paper.  The letter serves as Brian's introduction to Kevin Kosanovich about his various projects and involvement in Virginia's hip-hop scene.","Two copies of Liquid's mixtape, \"Feel Free.\" Each copy contains a CD in plastic sleeve with an insert cover art. The mixtape has 10 songs. Box 7.","One CD in plastic case. Insert cover art features picture of The Special Guests performing. The album contains seven songs. The Special Guests is Brian Owens' hip-hop, blues, funk band featuring a live DJ and horn section.","One CD case containing the album, \"Weep No More.\" Included is an insert cover-art with a picture of a statue weeping. There are sixteen songs on the album.","Three art prints by Brennan Krick: two 10' x 15' prints, and one 8' x 10' print. The 8' x 10' print has a cat holding a cup with Chinese characters on it, standing next to a machine gun. One of the larger prints is of a cyborg woman with curly red hair. The other large print features a samurai riding on the back of a Chinese-inspired rendering of a dragon.","Black cotton t-shirt with white screen printing. Logo on front features a spirit holding a microphone. Text on back reads, \"GHOS MERCK\" with the logo in between. Shirt size is M, and measures 29 in. (length) x 31.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.061.01","One CD in plastic slip case, titled \"Dirstorted Noize.\" The CD has 20 tracks. Box 7.","One 8' x 11' GhosMerck Promotional Photo.","Red and white plastic cup resembling a disposable red Solo® cup. Sticker applied to the side of cup reads \"Red Cup Gang.\" According to the group's promotional website, \"The 'Red Cup' symbolizes the focus on the positive things in life. 'Gang' symbolizes the bond between people.\" Measures 5 in. (height) x 4.125 in. (top diameter) x 2.5 in. (bottom diameter). In excellent, unused condition. HHC 2015.058.01","One informational flyer for the Society of Hip Hop \u0026 Education organization.","Orange drawstring backpack with white screen printing. Bag is made of an orange non-woven polypropylene with black drawstrings. Text reads \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT WWW.BME757.COM.\" Bag measures 16 in. (length) x 15 in. (width). In excellent, unused condition. HHC 2015.089.01","Included in this folder are three items.  One double-sided informational card advertises BM\u0026E Presents television show on one side, and BM\u0026E managed artist, Golden Boy, on the flip side.  One promotional card promoting \"Red Cup Gang,\" and Young Rell.  Finally, the promotional items also include an upper-case 'C' sticker above five stars.","White cotton pocket t-shirt with blue, yellow, red, and black screen printing. Text on the front reads, \"BATTLE MUSIC \u0026 ENTERTAINMENT\" with an illustration of tanks with speakers attached. Text in black on back reads, \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT.\" Shirt size is 2X-Large, and measures 33.75 in. (length) x 42 in. (width). In good condition with .75 in. blue paint smudge on right sleeve and 4.5 in. light brown line near tag. HHC 2015.092.01","Blue transparent plastic water bottle with screw on sport-top lid. Water bottle is made of polyethylene terephthalate with molded, textured indents for fingers on sides. \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT WWW.BME757.COM\" is screen printed in white on sides. Measures 8.75 in. (height) x 2.75 in. (diameter). In excellent, unused condition with no visible defects. HHC 2015.095.01","Navy blue cotton t-shirt with white screen printing. Text on the front reads, \"Lights On ME\" with outline images of two spotlights, with two logos below,  \"96.7 the BLOCK non-stop hip hop\" and \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT.\" Text on back reads, \"WWW.BME757.COM.\" Shirt size is 3X-Large, and measures 34 in. (length) x 43.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.093.01","Two copies of Beachie Ball's CD single, \"Aye Aight,\" produced and distributed by Battle Music \u0026 Entertainment (BM\u0026E). The CD single is shrinkwrapped in a cardboard case. The cover features a photo of Beachie Ball superimposed over photos of signs locating Beachie Ball's hometown of Portsmouth, VA. The back cover lists the songs five versions of \"Aye Aight\": a \"dirty\" version, a \"clean\" version, the instrumental track, an a capella version, and a \"clean\" a capella track. Box 7.","CD EP, \"The Reveal\" by Kahlil Cade. The CD is in a plastic slip cover with inserted artwork and a business card for Slim Beats Music (SBM). The CD has four tracks. Box 7.","One plastic CD case with insert artwork. The promotional EP contains six tracks. Box 7.","One CD in plastic case with insert artwork and CD-R of the album. \"Toilet Wine\" contains 21 tracks. The CD was released by Gritty City Records in 2013. Box 7.","One CD in plastic jewel case still shrinkwrapped. The album contains 20 tracks. \"The Resume\" was released by Gritty City Records in 2011. Box 7.","This compilation album was released in February 2014. The album features a variety of Gritty City Records' artists including Johnny Ciggs, Pandemic, Fan Ran, Skweeky Watahfawls, and Teddy da Bear. The album also features production from Roanoke, VA hip-hop legend, Poe Mack. The CD is packaged in a plastic jewel case with insert artwork and a CD-R. Box 7.","Black Liquid's \"Best Of\" CD features 10 tracks that spans his 16 album recording career. The CD is housed in a paper sleeve. Box 7.","BTS's \"Edition\" is a two song EP, featuring the songs \"Let's Go\" and \"BTS Song.\" The CD is housed in a plastic jewel case with front and back insert artwork. The CD-R is signed by Pernell Nelson, aka Porno P, and Justin Galleto, aka J. Gibbs. Box 7.","Two informational booklets in bound plastic folders.  Each booklet is approximately 10 pages long and provides the history, rationale, and methodology informing the P.O.P. program.","One sealed DVD case for the film, Troop 491: The Adventures of the Muddy Lions. This movie was written and directed by Richmond, VA filmmaker, Praheme. Box 7. Description of the film: \"Troop 491 follows Tristan, an adolescent boy coping wth live in the inner city. Tristan's mother enroll him in he Boy Scouts in an effort to keep him off the streets. When Tristan witnesses a murder, the local thug demands his silence. Tristan learns, with the help of his new friends in the Boy Scouts, that doing the right thing is not always easy.\""],"separatedmaterial_html_tesm":["\u003cp\u003eWhenever the library  receives multiple copies of CDs, one copy will be transferred to the Music Library where it will be made available for check-out.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Whenever the library  receives multiple copies of CDs, one copy will be transferred to the Music Library where it will be made available for check-out."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:23:01.057Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_842_c55_c01"}},{"id":"vifgm_repositories_2_resources_689_c01_c419","type":"File","attributes":{"title":"\"Al-Farabi\" Information","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_689_c01_c419#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_689_c01_c419","ref_ssm":["vifgm_repositories_2_resources_689_c01_c419"],"id":"vifgm_repositories_2_resources_689_c01_c419","ead_ssi":"vifgm_repositories_2_resources_689","_root_":"vifgm_repositories_2_resources_689","_nest_parent_":"vifgm_repositories_2_resources_689_c01","parent_ssi":"vifgm_repositories_2_resources_689_c01","parent_ssim":["vifgm_repositories_2_resources_689","vifgm_repositories_2_resources_689_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_689","vifgm_repositories_2_resources_689_c01"],"parent_unittitles_ssm":["Harold J. Morowitz papers","Harold J. Morowitz papers"],"parent_unittitles_tesim":["Harold J. Morowitz papers","Harold J. Morowitz papers"],"text":["Harold J. Morowitz papers","Harold J. Morowitz papers","\"Al-Farabi\" Information","Box 23","Folder 10"],"title_filing_ssi":"\"Al-Farabi\" Information","title_ssm":["\"Al-Farabi\" Information"],"title_tesim":["\"Al-Farabi\" Information"],"unitdate_other_ssim":["2012 - 2014"],"normalized_date_ssm":["2012/2014"],"normalized_title_ssm":["\"Al-Farabi\" Information"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Harold J. Morowitz papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":420,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[2012,2013,2014],"containers_ssim":["Box 23","Folder 10"],"_nest_path_":"/components#0/components#418","timestamp":"2026-05-21T05:00:26.619Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_689","ead_ssi":"vifgm_repositories_2_resources_689","_root_":"vifgm_repositories_2_resources_689","_nest_parent_":"vifgm_repositories_2_resources_689","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_689.xml","title_ssm":["Harold J. Morowitz papers"],"title_tesim":["Harold J. Morowitz papers"],"unitdate_ssm":["1944-2016"],"unitdate_inclusive_ssm":["1944-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0049","/repositories/2/resources/689"],"text":["C0049","/repositories/2/resources/689","Harold J. Morowitz papers","Biochemistry","Biophysics","College teachers--Virginia--Fairfax.","Molecular biology.","Philosophy.","Poetry.","Science","There are no access restrictions.","This collection is arranged in original and acquisition order.","Harold Joseph Morowitz was a biophysicist and Robinson Professor in Biology and Natural Philosophy at George Mason University. Born in Poughkeepsie, N.Y., on December 4, 1927, Morowitz graduated from Poughkeepsie High School in 1944. He studied at Yale University starting in 1948 and earned his Ph.D. in 1951. From 1951-1953 he was a physicist at the National Bureau of Standards. Morowitz was on the staff of the National Heart Institute from 1953-1955 before joining the faculty of Yale University in 1955. At Yale, Morowitz was associate professor of biophysics (1960-1968), professor of molecular biophysics and biochemistry (1968-1988), and master of Pierson College (1981-1986). He joined the faculty of George Mason University in 1988 as a Robinson Professor. From 1993 on Morowitz directed the Krasnow Institute for Advanced Study. Dr. Morowitz authored and coauthored several books, including:  Life and the Physical Sciences  (with Waterman), 1964;  Theoretical and Mathematical Biology , 1965;  Energy Flow in Biology , 1968;  Entropy for Biologists  (with Lucille Morowitz), 1970;  Life on the Planet Earth , 1974;  Ego Niches , 1977;  Foundations of Bioenergetics , 1978;  The Wine of Life , 1979;  Mayonnaise and the Origins of Life , 1985;  Cosmic Joy and Local Pain , 1987;  The Thermodynamics of Pizza , 1991;  Beginnings of Cellular Life  (with James Trefil), 1992;  The Facts of Life , 1992; and  Entropy and the Magic Flute , 1993. Dr. Morowitz passed away on March 22, 2016 in Falls Church, VA.","Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Updated by Greta Kuriger Suiter in 2013. Additional materials processed and finding aid updated by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in February 2020.","Additional processing completed and finding aid updated by Meghan Glasbrenner in April 2025.","The Special Collections Research Center also holds the   and the  .","The Harold J. Morowitz papers includes a draft copy of  Energy Flow in Biological Systems  (published as  Energy Flow in Biology ), including chapter and appendix notes, calculations for mathematical operations, and correspondence between the author and his editor; a draft copy of  Beginnings of Cellular Life , including the index and notes; a draft copy of  The Facts of Life  with the \"author's copy\" and the original artwork for the illustrations; as well as working papers, correspondence, and other documents pertaining to Morowitz's academic career. Also included is original poetry written by Morowitz, research and correspondence from a project on the history of bioenergetics, for which Morowitz was awarded a Guggenheim Fellowship in 1980, and correspondence and documents relating to Biosphere 2.","Handwritten notes and correspondence","Notes for Energy Flow in Biological Systems","Workshop on declining amphibian populations, February 19-20, 1990","Articles by Franklin Harold","Articles by Paul Boyer","Bibliography, curriculum vitae, and articles written by Lars Ernster","Letters to Williams, Slater, Ernster, and Peter Mitchell regarding the Guggenheim Fellowship. Articles by Williams.","Bibliography, correspondence, articles","Further Reflections on the Constitutional Justice of Livelihood by Charles Black and announcement for Black's memorial service","Includes six photographs of Morowitz and others in a work environment","Includes a photograph of a group portrait from 1953","Re-entry talk on September 26, 1993 by Morowitz; Poem titled \"Biosphere 2\"","Drafts and notes for \"The Trinitarian World of Neo-Pantheism,\" \"Athens and Jerusalem,\" \"Teilhard's Two Energies,\" and Emergences chapter one","Morowitz to Yurig Gubkin","Letters received regarding articles from Hospital Practice","Teknos vol. XXII, introduction by Morowitz","Michael P. Cohen, President, Washington Academy of Sciences; Dr. Geoffrey B. West, President and Distinguished Professor, Santa Fe Institute ; John S. Cummins, Bishop Emeritus, Diocese of Oakland, printed email ; Dr. James Fries, President, New Mexico Highlands University ; Herman Wouk, BSW Literary Agency, Inc.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection includes a draft copy of Energy Flow in Biological Systems (published as Energy Flow in Biology), including chapter and appendix notes, calculations for mathematical operations, and correspondence between the author and his editor; a draft copy of Beginnings of Cellular Life, including the index and notes; a draft copy of The Facts of Life with the author's copy and the original artwork for the illustrations; and working papers, correspondence, and other documents pertaining to his academic career including original poetry written by Morowitz.","R 22, C 2, S 1, 4-6\n\nR 71, C 1, S 1","George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty","Morowitz, Harold J.","English"],"unitid_tesim":["C0049","/repositories/2/resources/689"],"normalized_title_ssm":["Harold J. Morowitz papers"],"collection_title_tesim":["Harold J. Morowitz papers"],"collection_ssim":["Harold J. Morowitz papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Morowitz, Harold J."],"creator_ssim":["Morowitz, Harold J."],"creator_persname_ssim":["Morowitz, Harold J."],"creators_ssim":["Morowitz, Harold J."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Harold Morowitz in 1997-1998. Additional donations by Harold Morowitz in 2011 and Lucille Morowitz in 2016."],"access_subjects_ssim":["Biochemistry","Biophysics","College teachers--Virginia--Fairfax.","Molecular biology.","Philosophy.","Poetry.","Science"],"access_subjects_ssm":["Biochemistry","Biophysics","College teachers--Virginia--Fairfax.","Molecular biology.","Philosophy.","Poetry.","Science"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet 34 boxes"],"extent_tesim":["13 Linear Feet 34 boxes"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in original and acquisition order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in original and acquisition order."],"bioghist_html_tesm":["\u003cp\u003eHarold Joseph Morowitz was a biophysicist and Robinson Professor in Biology and Natural Philosophy at George Mason University. Born in Poughkeepsie, N.Y., on December 4, 1927, Morowitz graduated from Poughkeepsie High School in 1944. He studied at Yale University starting in 1948 and earned his Ph.D. in 1951. From 1951-1953 he was a physicist at the National Bureau of Standards. Morowitz was on the staff of the National Heart Institute from 1953-1955 before joining the faculty of Yale University in 1955. At Yale, Morowitz was associate professor of biophysics (1960-1968), professor of molecular biophysics and biochemistry (1968-1988), and master of Pierson College (1981-1986). He joined the faculty of George Mason University in 1988 as a Robinson Professor. From 1993 on Morowitz directed the Krasnow Institute for Advanced Study. Dr. Morowitz authored and coauthored several books, including: \u003citalics\u003eLife and the Physical Sciences\u003c/italics\u003e (with Waterman), 1964; \u003citalics\u003eTheoretical and Mathematical Biology\u003c/italics\u003e, 1965; \u003citalics\u003eEnergy Flow in Biology\u003c/italics\u003e, 1968; \u003citalics\u003eEntropy for Biologists\u003c/italics\u003e (with Lucille Morowitz), 1970; \u003citalics\u003eLife on the Planet Earth\u003c/italics\u003e, 1974; \u003citalics\u003eEgo Niches\u003c/italics\u003e, 1977; \u003citalics\u003eFoundations of Bioenergetics\u003c/italics\u003e, 1978; \u003citalics\u003eThe Wine of Life\u003c/italics\u003e, 1979; \u003citalics\u003eMayonnaise and the Origins of Life\u003c/italics\u003e, 1985; \u003citalics\u003eCosmic Joy and Local Pain\u003c/italics\u003e, 1987; \u003citalics\u003eThe Thermodynamics of Pizza\u003c/italics\u003e, 1991; \u003citalics\u003eBeginnings of Cellular Life\u003c/italics\u003e (with James Trefil), 1992; \u003citalics\u003eThe Facts of Life\u003c/italics\u003e, 1992; and \u003citalics\u003eEntropy and the Magic Flute\u003c/italics\u003e, 1993. Dr. Morowitz passed away on March 22, 2016 in Falls Church, VA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Harold Joseph Morowitz was a biophysicist and Robinson Professor in Biology and Natural Philosophy at George Mason University. Born in Poughkeepsie, N.Y., on December 4, 1927, Morowitz graduated from Poughkeepsie High School in 1944. He studied at Yale University starting in 1948 and earned his Ph.D. in 1951. From 1951-1953 he was a physicist at the National Bureau of Standards. Morowitz was on the staff of the National Heart Institute from 1953-1955 before joining the faculty of Yale University in 1955. At Yale, Morowitz was associate professor of biophysics (1960-1968), professor of molecular biophysics and biochemistry (1968-1988), and master of Pierson College (1981-1986). He joined the faculty of George Mason University in 1988 as a Robinson Professor. From 1993 on Morowitz directed the Krasnow Institute for Advanced Study. Dr. Morowitz authored and coauthored several books, including:  Life and the Physical Sciences  (with Waterman), 1964;  Theoretical and Mathematical Biology , 1965;  Energy Flow in Biology , 1968;  Entropy for Biologists  (with Lucille Morowitz), 1970;  Life on the Planet Earth , 1974;  Ego Niches , 1977;  Foundations of Bioenergetics , 1978;  The Wine of Life , 1979;  Mayonnaise and the Origins of Life , 1985;  Cosmic Joy and Local Pain , 1987;  The Thermodynamics of Pizza , 1991;  Beginnings of Cellular Life  (with James Trefil), 1992;  The Facts of Life , 1992; and  Entropy and the Magic Flute , 1993. Dr. Morowitz passed away on March 22, 2016 in Falls Church, VA."],"prefercite_html_tesm":["\u003cp\u003eHarold J. Morowitz papers, C0049, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Harold J. Morowitz papers, C0049, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Updated by Greta Kuriger Suiter in 2013. Additional materials processed and finding aid updated by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in February 2020.\u003c/p\u003e","\u003cp\u003eAdditional processing completed and finding aid updated by Meghan Glasbrenner in April 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Updated by Greta Kuriger Suiter in 2013. Additional materials processed and finding aid updated by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in February 2020.","Additional processing completed and finding aid updated by Meghan Glasbrenner in April 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0047\" title=\"Carol D. Litchfield Microbiology collection\" show=\"new\"\u003e\u003c/extptr\u003e and the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0079\" title=\"Clarence E. Larson Science and Technology Oral History collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThe Harold J. Morowitz papers includes a draft copy of \u003citalics\u003eEnergy Flow in Biological Systems\u003c/italics\u003e (published as \u003citalics\u003eEnergy Flow in Biology\u003c/italics\u003e), including chapter and appendix notes, calculations for mathematical operations, and correspondence between the author and his editor; a draft copy of \u003citalics\u003eBeginnings of Cellular Life\u003c/italics\u003e, including the index and notes; a draft copy of \u003citalics\u003eThe Facts of Life\u003c/italics\u003e with the \"author's copy\" and the original artwork for the illustrations; as well as working papers, correspondence, and other documents pertaining to Morowitz's academic career. Also included is original poetry written by Morowitz, research and correspondence from a project on the history of bioenergetics, for which Morowitz was awarded a Guggenheim Fellowship in 1980, and correspondence and documents relating to Biosphere 2.\u003c/p\u003e","\u003cp\u003eHandwritten notes and correspondence\u003c/p\u003e","\u003cp\u003eNotes for Energy Flow in Biological Systems\u003c/p\u003e","\u003cp\u003eWorkshop on declining amphibian populations, February 19-20, 1990\u003c/p\u003e","\u003cp\u003eArticles by Franklin Harold\u003c/p\u003e","\u003cp\u003eArticles by Paul Boyer\u003c/p\u003e","\u003cp\u003eBibliography, curriculum vitae, and articles written by Lars Ernster\u003c/p\u003e","\u003cp\u003eLetters to Williams, Slater, Ernster, and Peter Mitchell regarding the Guggenheim Fellowship. Articles by Williams.\u003c/p\u003e","\u003cp\u003eBibliography, correspondence, articles\u003c/p\u003e","\u003cp\u003eFurther Reflections on the Constitutional Justice of Livelihood by Charles Black and announcement for Black's memorial service\u003c/p\u003e","\u003cp\u003eIncludes six photographs of Morowitz and others in a work environment\u003c/p\u003e","\u003cp\u003eIncludes a photograph of a group portrait from 1953\u003c/p\u003e","\u003cp\u003eRe-entry talk on September 26, 1993 by Morowitz; Poem titled \"Biosphere 2\"\u003c/p\u003e","\u003cp\u003eDrafts and notes for \"The Trinitarian World of Neo-Pantheism,\" \"Athens and Jerusalem,\" \"Teilhard's Two Energies,\" and Emergences chapter one\u003c/p\u003e","\u003cp\u003eMorowitz to Yurig Gubkin\u003c/p\u003e","\u003cp\u003eLetters received regarding articles from Hospital Practice\u003c/p\u003e","\u003cp\u003eTeknos vol. XXII, introduction by Morowitz\u003c/p\u003e","\u003cp\u003eMichael P. Cohen, President, Washington Academy of Sciences; Dr. Geoffrey B. West, President and Distinguished Professor, Santa Fe Institute ; John S. Cummins, Bishop Emeritus, Diocese of Oakland, printed email ; Dr. James Fries, President, New Mexico Highlands University ; Herman Wouk, BSW Literary Agency, Inc.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Harold J. Morowitz papers includes a draft copy of  Energy Flow in Biological Systems  (published as  Energy Flow in Biology ), including chapter and appendix notes, calculations for mathematical operations, and correspondence between the author and his editor; a draft copy of  Beginnings of Cellular Life , including the index and notes; a draft copy of  The Facts of Life  with the \"author's copy\" and the original artwork for the illustrations; as well as working papers, correspondence, and other documents pertaining to Morowitz's academic career. Also included is original poetry written by Morowitz, research and correspondence from a project on the history of bioenergetics, for which Morowitz was awarded a Guggenheim Fellowship in 1980, and correspondence and documents relating to Biosphere 2.","Handwritten notes and correspondence","Notes for Energy Flow in Biological Systems","Workshop on declining amphibian populations, February 19-20, 1990","Articles by Franklin Harold","Articles by Paul Boyer","Bibliography, curriculum vitae, and articles written by Lars Ernster","Letters to Williams, Slater, Ernster, and Peter Mitchell regarding the Guggenheim Fellowship. Articles by Williams.","Bibliography, correspondence, articles","Further Reflections on the Constitutional Justice of Livelihood by Charles Black and announcement for Black's memorial service","Includes six photographs of Morowitz and others in a work environment","Includes a photograph of a group portrait from 1953","Re-entry talk on September 26, 1993 by Morowitz; Poem titled \"Biosphere 2\"","Drafts and notes for \"The Trinitarian World of Neo-Pantheism,\" \"Athens and Jerusalem,\" \"Teilhard's Two Energies,\" and Emergences chapter one","Morowitz to Yurig Gubkin","Letters received regarding articles from Hospital Practice","Teknos vol. XXII, introduction by Morowitz","Michael P. Cohen, President, Washington Academy of Sciences; Dr. Geoffrey B. West, President and Distinguished Professor, Santa Fe Institute ; John S. Cummins, Bishop Emeritus, Diocese of Oakland, printed email ; Dr. James Fries, President, New Mexico Highlands University ; Herman Wouk, BSW Literary Agency, Inc."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_15d212084abbee2df1c8019a1f29388a\"\u003eThe collection includes a draft copy of Energy Flow in Biological Systems (published as Energy Flow in Biology), including chapter and appendix notes, calculations for mathematical operations, and correspondence between the author and his editor; a draft copy of Beginnings of Cellular Life, including the index and notes; a draft copy of The Facts of Life with the author's copy and the original artwork for the illustrations; and working papers, correspondence, and other documents pertaining to his academic career including original poetry written by Morowitz.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes a draft copy of Energy Flow in Biological Systems (published as Energy Flow in Biology), including chapter and appendix notes, calculations for mathematical operations, and correspondence between the author and his editor; a draft copy of Beginnings of Cellular Life, including the index and notes; a draft copy of The Facts of Life with the author's copy and the original artwork for the illustrations; and working papers, correspondence, and other documents pertaining to his academic career including original poetry written by Morowitz."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8c5205631a8fe692c5d84e1b2562fa2a\"\u003eR 22, C 2, S 1, 4-6\n\nR 71, C 1, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 22, C 2, S 1, 4-6\n\nR 71, C 1, S 1"],"names_coll_ssim":["George Mason University--Faculty"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty","Morowitz, Harold J."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty"],"persname_ssim":["Morowitz, Harold J."],"language_ssim":["English"],"total_component_count_is":651,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:00:26.619Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_689_c01_c419"}},{"id":"vihart_repositories_4_resources_690_c03","type":"File","attributes":{"title":"Alger, Jonathan inauguration","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_690_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_690_c03","ref_ssm":["vihart_repositories_4_resources_690_c03"],"id":"vihart_repositories_4_resources_690_c03","ead_ssi":"vihart_repositories_4_resources_690","_root_":"vihart_repositories_4_resources_690","_nest_parent_":"vihart_repositories_4_resources_690","parent_ssi":"vihart_repositories_4_resources_690","parent_ssim":["vihart_repositories_4_resources_690"],"parent_ids_ssim":["vihart_repositories_4_resources_690"],"parent_unittitles_ssm":["James Madison University vertical files"],"parent_unittitles_tesim":["James Madison University vertical files"],"text":["James Madison University vertical files","Alger, Jonathan inauguration","folder 152"],"title_filing_ssi":"Alger, Jonathan inauguration","title_ssm":["Alger, Jonathan inauguration"],"title_tesim":["Alger, Jonathan inauguration"],"unitdate_other_ssim":["2013"],"normalized_date_ssm":["2013"],"normalized_title_ssm":["Alger, Jonathan inauguration"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["James Madison University vertical files"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3,"parent_access_restrict_tesm":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2013],"containers_ssim":["folder 152"],"_nest_path_":"/components#2","timestamp":"2026-06-03T07:05:29.192Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_690","ead_ssi":"vihart_repositories_4_resources_690","_root_":"vihart_repositories_4_resources_690","_nest_parent_":"vihart_repositories_4_resources_690","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_690.xml","title_ssm":["James Madison University vertical files"],"title_tesim":["James Madison University vertical files"],"unitdate_ssm":["circa 1909-2025"],"unitdate_inclusive_ssm":["circa 1909-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0058","/repositories/4/resources/690"],"text":["UA 0058","/repositories/4/resources/690","James Madison University vertical files","Printed Ephemera","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","This collection receives regular additions of materials.","The files in the collection are arranged alphabetically.","The collection documents the history of James Madison University from its founding 1908 to present day.","In some instances, materials previously grouped together in a vertical file were added to existing manuscript collections or used to form a new manuscript collection. See Julian A. Burruss  Papers (UA 0023), John W. Wayland Papers (SC 0258), and Office of the President: G. Tyler Miller Papers (UA 0025). These decisions were made due to material type and likely provenance.","The James Madison University vertical files comprise 153 folders that contain printed ephemera related to James Madison University. The vertical files are an artificial collection of loose materials such as pamphlets, newspapers, posters, brochures, etc. that relate to the history of the university since its founding in 1908. The vertical files are arranged according to subject and focus on specific persons, topics, events, places and buildings, university departments, etc.","The vertical files cover a wide range of topics, some center on the student experience while others document university level events and planning. From Greek life to Glee club, certain files center on the student experience taking place within the university. Some such subjects are the African-American experience starting in 1980 to the LGBTQ+ pamphlets that were created in 2018. At the university level, there are files dedicated to specific events and administration planning. Some examples are the orientation programs and the commencement planning files.","Materials of note include the contents in the fine arts festival file which contains ephemera from 1958-1992 and has items such as a brochure from 1975 entitled \"Portrait of a Period: an Exhibition of Madisonian Costumes,\" which overviews an exhibit on costumes through the age of the university. A paper titled \"Wanted! Academic Freedom,\" found in the Convocation file, was passed out after convocation to protest the firing of three teachers.","Includes the Alumnae Association Constitution, circa 1912.","Includes copy of \"Madison College: Golden Anniversary Recipes,\" a compilation of recipes by Justice Edwards, Head Baker; James Riddle, Head Cook; Lawrence Davis, Head Cook; Helen Wells, Tea Room cook; and A. W. Richards, Head Baker.","For commencement programs, see UA 0050.","Includes \"Wanted: Academic Freedom!\" flyer handed out at the February 12, 1970 convocation and related to the firing of three professors for \"exercising their professional rights and their civil liberties.\"","Includes exhibition catalog for \"Portrait of a Period: An Exhibition of Madisonion Costumes, 1796-1848,\" dated March 1975.","March 2002 James Madison Day invitation includes annotation that scheduled speaker Doris Kearns Goodwin was \"disinvited due to controversy over plagiarism.\"","Includes brochure for the 1941 May Day event titled \"James and Dolley Madison at Home\" which included a performance of \"Voices from Slave Quarters\" directed by Edna T. Schaeffer as well as people dressed as \"pickaninnies.\"","Includes satirical registration card for the \"Abnormal and Humbuggial School\" and  a Schedule of Course of Destruction required for a Full Diploma in Freakishness. Assorted class registration cards and receipts also included. Handwritten document - Senior dues Class of 1915. Marketing materials related to the Arboretum.","Includes partially completed Madison College Room Inspection slip, likely dated 1954.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The James Madison University vertical files comprise 154 folders that contain printed ephemera related to James Madison University. The vertical files are an artificial collection of loose materials such as pamphlets, newspapers, posters, brochures, etc. that relate to the history of the university since its founding in 1908. The vertical files are arranged according to subject and focus on specific persons, topics, events, places and buildings, university departments, etc.","James Madison University Libraries Special Collections","James Madison University","Madison College","State Normal and Industrial School for Women (Harrisonburg, Va.)","State Normal School for Women at Harrisonburg (Harrisonburg, Va.)","State Teachers College at Harrisonburg (Harrisonburg, Va.)","James Madison University -- History","James Madison University -- Students","James Madison University -- Buildings","James Madison University -- Departments","James Madison University. School of Art and Art History","James Madison University. Department of Art","Madison College. Department of Art","University Farm (1929-)","Wells, Helen Lucille Irvin, 1898-1996","English"],"unitid_tesim":["UA 0058","/repositories/4/resources/690"],"normalized_title_ssm":["James Madison University vertical files"],"collection_title_tesim":["James Madison University vertical files"],"collection_ssim":["James Madison University vertical files"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["James Madison University"],"creator_ssim":["James Madison University"],"creator_corpname_ssim":["James Madison University"],"creators_ssim":["James Madison University"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Collected from a varierty of sources over time, primarily by a Special Collections staff member."],"access_subjects_ssim":["Printed Ephemera"],"access_subjects_ssm":["Printed Ephemera"],"has_online_content_ssim":["false"],"extent_ssm":["2.6 cubic feet 154 folders in one filing cabinet"],"extent_tesim":["2.6 cubic feet 154 folders in one filing cabinet"],"genreform_ssim":["Printed Ephemera"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025,2026],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"accruals_html_tesm":["\u003cp\u003eThis collection receives regular additions of materials.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["This collection receives regular additions of materials."],"arrangement_html_tesm":["\u003cp\u003eThe files in the collection are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The files in the collection are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThe collection documents the history of James Madison University from its founding 1908 to present day.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The collection documents the history of James Madison University from its founding 1908 to present day."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], James Madison University Vertical Files, 1909-2026, UA 0058, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], James Madison University Vertical Files, 1909-2026, UA 0058, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eIn some instances, materials previously grouped together in a vertical file were added to existing manuscript collections or used to form a new manuscript collection. See Julian A. Burruss  Papers (UA 0023), John W. Wayland Papers (SC 0258), and Office of the President: G. Tyler Miller Papers (UA 0025). These decisions were made due to material type and likely provenance.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In some instances, materials previously grouped together in a vertical file were added to existing manuscript collections or used to form a new manuscript collection. See Julian A. Burruss  Papers (UA 0023), John W. Wayland Papers (SC 0258), and Office of the President: G. Tyler Miller Papers (UA 0025). These decisions were made due to material type and likely provenance."],"scopecontent_html_tesm":["\u003cp\u003eThe James Madison University vertical files comprise 153 folders that contain printed ephemera related to James Madison University. The vertical files are an artificial collection of loose materials such as pamphlets, newspapers, posters, brochures, etc. that relate to the history of the university since its founding in 1908. The vertical files are arranged according to subject and focus on specific persons, topics, events, places and buildings, university departments, etc.\u003c/p\u003e\n","\u003cp\u003eThe vertical files cover a wide range of topics, some center on the student experience while others document university level events and planning. From Greek life to Glee club, certain files center on the student experience taking place within the university. Some such subjects are the African-American experience starting in 1980 to the LGBTQ+ pamphlets that were created in 2018. At the university level, there are files dedicated to specific events and administration planning. Some examples are the orientation programs and the commencement planning files.\u003c/p\u003e\n","\u003cp\u003eMaterials of note include the contents in the fine arts festival file which contains ephemera from 1958-1992 and has items such as a brochure from 1975 entitled \"Portrait of a Period: an Exhibition of Madisonian Costumes,\" which overviews an exhibit on costumes through the age of the university. A paper titled \"Wanted! Academic Freedom,\" found in the Convocation file, was passed out after convocation to protest the firing of three teachers.\u003c/p\u003e","\u003cp\u003eIncludes the Alumnae Association Constitution, circa 1912.\u003c/p\u003e","\u003cp\u003eIncludes copy of \"Madison College: Golden Anniversary Recipes,\" a compilation of recipes by Justice Edwards, Head Baker; James Riddle, Head Cook; Lawrence Davis, Head Cook; Helen Wells, Tea Room cook; and A. W. Richards, Head Baker.\u003c/p\u003e","\u003cp\u003eFor commencement programs, see UA 0050.\u003c/p\u003e","\u003cp\u003eIncludes \"Wanted: Academic Freedom!\" flyer handed out at the February 12, 1970 convocation and related to the firing of three professors for \"exercising their professional rights and their civil liberties.\"\u003c/p\u003e","\u003cp\u003eIncludes exhibition catalog for \"Portrait of a Period: An Exhibition of Madisonion Costumes, 1796-1848,\" dated March 1975.\u003c/p\u003e","\u003cp\u003eMarch 2002 James Madison Day invitation includes annotation that scheduled speaker Doris Kearns Goodwin was \"disinvited due to controversy over plagiarism.\"\u003c/p\u003e","\u003cp\u003eIncludes brochure for the 1941 May Day event titled \"James and Dolley Madison at Home\" which included a performance of \"Voices from Slave Quarters\" directed by Edna T. Schaeffer as well as people dressed as \"pickaninnies.\"\u003c/p\u003e","\u003cp\u003eIncludes satirical registration card for the \"Abnormal and Humbuggial School\" and  a Schedule of Course of Destruction required for a Full Diploma in Freakishness. Assorted class registration cards and receipts also included. Handwritten document - Senior dues Class of 1915. Marketing materials related to the Arboretum.\u003c/p\u003e","\u003cp\u003eIncludes partially completed Madison College Room Inspection slip, likely dated 1954.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The James Madison University vertical files comprise 153 folders that contain printed ephemera related to James Madison University. The vertical files are an artificial collection of loose materials such as pamphlets, newspapers, posters, brochures, etc. that relate to the history of the university since its founding in 1908. The vertical files are arranged according to subject and focus on specific persons, topics, events, places and buildings, university departments, etc.","The vertical files cover a wide range of topics, some center on the student experience while others document university level events and planning. From Greek life to Glee club, certain files center on the student experience taking place within the university. Some such subjects are the African-American experience starting in 1980 to the LGBTQ+ pamphlets that were created in 2018. At the university level, there are files dedicated to specific events and administration planning. Some examples are the orientation programs and the commencement planning files.","Materials of note include the contents in the fine arts festival file which contains ephemera from 1958-1992 and has items such as a brochure from 1975 entitled \"Portrait of a Period: an Exhibition of Madisonian Costumes,\" which overviews an exhibit on costumes through the age of the university. A paper titled \"Wanted! Academic Freedom,\" found in the Convocation file, was passed out after convocation to protest the firing of three teachers.","Includes the Alumnae Association Constitution, circa 1912.","Includes copy of \"Madison College: Golden Anniversary Recipes,\" a compilation of recipes by Justice Edwards, Head Baker; James Riddle, Head Cook; Lawrence Davis, Head Cook; Helen Wells, Tea Room cook; and A. W. Richards, Head Baker.","For commencement programs, see UA 0050.","Includes \"Wanted: Academic Freedom!\" flyer handed out at the February 12, 1970 convocation and related to the firing of three professors for \"exercising their professional rights and their civil liberties.\"","Includes exhibition catalog for \"Portrait of a Period: An Exhibition of Madisonion Costumes, 1796-1848,\" dated March 1975.","March 2002 James Madison Day invitation includes annotation that scheduled speaker Doris Kearns Goodwin was \"disinvited due to controversy over plagiarism.\"","Includes brochure for the 1941 May Day event titled \"James and Dolley Madison at Home\" which included a performance of \"Voices from Slave Quarters\" directed by Edna T. Schaeffer as well as people dressed as \"pickaninnies.\"","Includes satirical registration card for the \"Abnormal and Humbuggial School\" and  a Schedule of Course of Destruction required for a Full Diploma in Freakishness. Assorted class registration cards and receipts also included. Handwritten document - Senior dues Class of 1915. Marketing materials related to the Arboretum.","Includes partially completed Madison College Room Inspection slip, likely dated 1954."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f819a25201d7b2b9df43183f873eeb8c\"\u003eThe James Madison University vertical files comprise 154 folders that contain printed ephemera related to James Madison University. The vertical files are an artificial collection of loose materials such as pamphlets, newspapers, posters, brochures, etc. that relate to the history of the university since its founding in 1908. The vertical files are arranged according to subject and focus on specific persons, topics, events, places and buildings, university departments, etc.\u003c/abstract\u003e"],"abstract_tesim":["The James Madison University vertical files comprise 154 folders that contain printed ephemera related to James Madison University. The vertical files are an artificial collection of loose materials such as pamphlets, newspapers, posters, brochures, etc. that relate to the history of the university since its founding in 1908. The vertical files are arranged according to subject and focus on specific persons, topics, events, places and buildings, university departments, etc."],"names_coll_ssim":["James Madison University","Madison College","State Normal and Industrial School for Women (Harrisonburg, Va.)","State Normal School for Women at Harrisonburg (Harrisonburg, Va.)","State Teachers College at Harrisonburg (Harrisonburg, Va.)","James Madison University -- History","James Madison University -- Students","James Madison University -- Buildings","James Madison University -- Departments"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University","Madison College","State Normal and Industrial School for Women (Harrisonburg, Va.)","State Normal School for Women at Harrisonburg (Harrisonburg, Va.)","State Teachers College at Harrisonburg (Harrisonburg, Va.)","James Madison University -- History","James Madison University -- Students","James Madison University -- Buildings","James Madison University -- Departments","James Madison University. School of Art and Art History","James Madison University. Department of Art","Madison College. Department of Art","University Farm (1929-)","Wells, Helen Lucille Irvin, 1898-1996"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University","Madison College","State Normal and Industrial School for Women (Harrisonburg, Va.)","State Normal School for Women at Harrisonburg (Harrisonburg, Va.)","State Teachers College at Harrisonburg (Harrisonburg, Va.)","James Madison University -- History","James Madison University -- Students","James Madison University -- Buildings","James Madison University -- Departments","James Madison University. School of Art and Art History","James Madison University. Department of Art","Madison College. Department of Art","University Farm (1929-)"],"persname_ssim":["Wells, Helen Lucille Irvin, 1898-1996"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":166,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-03T07:05:29.192Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_690_c03"}},{"id":"vifgm_repositories_2_resources_689_c01_c420","type":"File","attributes":{"title":"\"Al-Ghazali\" Information","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_689_c01_c420#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_689_c01_c420","ref_ssm":["vifgm_repositories_2_resources_689_c01_c420"],"id":"vifgm_repositories_2_resources_689_c01_c420","ead_ssi":"vifgm_repositories_2_resources_689","_root_":"vifgm_repositories_2_resources_689","_nest_parent_":"vifgm_repositories_2_resources_689_c01","parent_ssi":"vifgm_repositories_2_resources_689_c01","parent_ssim":["vifgm_repositories_2_resources_689","vifgm_repositories_2_resources_689_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_689","vifgm_repositories_2_resources_689_c01"],"parent_unittitles_ssm":["Harold J. Morowitz papers","Harold J. Morowitz papers"],"parent_unittitles_tesim":["Harold J. Morowitz papers","Harold J. Morowitz papers"],"text":["Harold J. Morowitz papers","Harold J. Morowitz papers","\"Al-Ghazali\" Information","Box 23","Folder 11"],"title_filing_ssi":"\"Al-Ghazali\" Information","title_ssm":["\"Al-Ghazali\" Information"],"title_tesim":["\"Al-Ghazali\" Information"],"unitdate_other_ssim":["2012 - 2014"],"normalized_date_ssm":["2012/2014"],"normalized_title_ssm":["\"Al-Ghazali\" Information"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Harold J. Morowitz papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":421,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[2012,2013,2014],"containers_ssim":["Box 23","Folder 11"],"_nest_path_":"/components#0/components#419","timestamp":"2026-05-21T05:00:26.619Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_689","ead_ssi":"vifgm_repositories_2_resources_689","_root_":"vifgm_repositories_2_resources_689","_nest_parent_":"vifgm_repositories_2_resources_689","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_689.xml","title_ssm":["Harold J. Morowitz papers"],"title_tesim":["Harold J. Morowitz papers"],"unitdate_ssm":["1944-2016"],"unitdate_inclusive_ssm":["1944-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0049","/repositories/2/resources/689"],"text":["C0049","/repositories/2/resources/689","Harold J. Morowitz papers","Biochemistry","Biophysics","College teachers--Virginia--Fairfax.","Molecular biology.","Philosophy.","Poetry.","Science","There are no access restrictions.","This collection is arranged in original and acquisition order.","Harold Joseph Morowitz was a biophysicist and Robinson Professor in Biology and Natural Philosophy at George Mason University. Born in Poughkeepsie, N.Y., on December 4, 1927, Morowitz graduated from Poughkeepsie High School in 1944. He studied at Yale University starting in 1948 and earned his Ph.D. in 1951. From 1951-1953 he was a physicist at the National Bureau of Standards. Morowitz was on the staff of the National Heart Institute from 1953-1955 before joining the faculty of Yale University in 1955. At Yale, Morowitz was associate professor of biophysics (1960-1968), professor of molecular biophysics and biochemistry (1968-1988), and master of Pierson College (1981-1986). He joined the faculty of George Mason University in 1988 as a Robinson Professor. From 1993 on Morowitz directed the Krasnow Institute for Advanced Study. Dr. Morowitz authored and coauthored several books, including:  Life and the Physical Sciences  (with Waterman), 1964;  Theoretical and Mathematical Biology , 1965;  Energy Flow in Biology , 1968;  Entropy for Biologists  (with Lucille Morowitz), 1970;  Life on the Planet Earth , 1974;  Ego Niches , 1977;  Foundations of Bioenergetics , 1978;  The Wine of Life , 1979;  Mayonnaise and the Origins of Life , 1985;  Cosmic Joy and Local Pain , 1987;  The Thermodynamics of Pizza , 1991;  Beginnings of Cellular Life  (with James Trefil), 1992;  The Facts of Life , 1992; and  Entropy and the Magic Flute , 1993. Dr. Morowitz passed away on March 22, 2016 in Falls Church, VA.","Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Updated by Greta Kuriger Suiter in 2013. Additional materials processed and finding aid updated by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in February 2020.","Additional processing completed and finding aid updated by Meghan Glasbrenner in April 2025.","The Special Collections Research Center also holds the   and the  .","The Harold J. Morowitz papers includes a draft copy of  Energy Flow in Biological Systems  (published as  Energy Flow in Biology ), including chapter and appendix notes, calculations for mathematical operations, and correspondence between the author and his editor; a draft copy of  Beginnings of Cellular Life , including the index and notes; a draft copy of  The Facts of Life  with the \"author's copy\" and the original artwork for the illustrations; as well as working papers, correspondence, and other documents pertaining to Morowitz's academic career. Also included is original poetry written by Morowitz, research and correspondence from a project on the history of bioenergetics, for which Morowitz was awarded a Guggenheim Fellowship in 1980, and correspondence and documents relating to Biosphere 2.","Handwritten notes and correspondence","Notes for Energy Flow in Biological Systems","Workshop on declining amphibian populations, February 19-20, 1990","Articles by Franklin Harold","Articles by Paul Boyer","Bibliography, curriculum vitae, and articles written by Lars Ernster","Letters to Williams, Slater, Ernster, and Peter Mitchell regarding the Guggenheim Fellowship. Articles by Williams.","Bibliography, correspondence, articles","Further Reflections on the Constitutional Justice of Livelihood by Charles Black and announcement for Black's memorial service","Includes six photographs of Morowitz and others in a work environment","Includes a photograph of a group portrait from 1953","Re-entry talk on September 26, 1993 by Morowitz; Poem titled \"Biosphere 2\"","Drafts and notes for \"The Trinitarian World of Neo-Pantheism,\" \"Athens and Jerusalem,\" \"Teilhard's Two Energies,\" and Emergences chapter one","Morowitz to Yurig Gubkin","Letters received regarding articles from Hospital Practice","Teknos vol. XXII, introduction by Morowitz","Michael P. Cohen, President, Washington Academy of Sciences; Dr. Geoffrey B. West, President and Distinguished Professor, Santa Fe Institute ; John S. Cummins, Bishop Emeritus, Diocese of Oakland, printed email ; Dr. James Fries, President, New Mexico Highlands University ; Herman Wouk, BSW Literary Agency, Inc.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection includes a draft copy of Energy Flow in Biological Systems (published as Energy Flow in Biology), including chapter and appendix notes, calculations for mathematical operations, and correspondence between the author and his editor; a draft copy of Beginnings of Cellular Life, including the index and notes; a draft copy of The Facts of Life with the author's copy and the original artwork for the illustrations; and working papers, correspondence, and other documents pertaining to his academic career including original poetry written by Morowitz.","R 22, C 2, S 1, 4-6\n\nR 71, C 1, S 1","George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty","Morowitz, Harold J.","English"],"unitid_tesim":["C0049","/repositories/2/resources/689"],"normalized_title_ssm":["Harold J. Morowitz papers"],"collection_title_tesim":["Harold J. Morowitz papers"],"collection_ssim":["Harold J. Morowitz papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Morowitz, Harold J."],"creator_ssim":["Morowitz, Harold J."],"creator_persname_ssim":["Morowitz, Harold J."],"creators_ssim":["Morowitz, Harold J."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Harold Morowitz in 1997-1998. Additional donations by Harold Morowitz in 2011 and Lucille Morowitz in 2016."],"access_subjects_ssim":["Biochemistry","Biophysics","College teachers--Virginia--Fairfax.","Molecular biology.","Philosophy.","Poetry.","Science"],"access_subjects_ssm":["Biochemistry","Biophysics","College teachers--Virginia--Fairfax.","Molecular biology.","Philosophy.","Poetry.","Science"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet 34 boxes"],"extent_tesim":["13 Linear Feet 34 boxes"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in original and acquisition order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in original and acquisition order."],"bioghist_html_tesm":["\u003cp\u003eHarold Joseph Morowitz was a biophysicist and Robinson Professor in Biology and Natural Philosophy at George Mason University. Born in Poughkeepsie, N.Y., on December 4, 1927, Morowitz graduated from Poughkeepsie High School in 1944. He studied at Yale University starting in 1948 and earned his Ph.D. in 1951. From 1951-1953 he was a physicist at the National Bureau of Standards. Morowitz was on the staff of the National Heart Institute from 1953-1955 before joining the faculty of Yale University in 1955. At Yale, Morowitz was associate professor of biophysics (1960-1968), professor of molecular biophysics and biochemistry (1968-1988), and master of Pierson College (1981-1986). He joined the faculty of George Mason University in 1988 as a Robinson Professor. From 1993 on Morowitz directed the Krasnow Institute for Advanced Study. Dr. Morowitz authored and coauthored several books, including: \u003citalics\u003eLife and the Physical Sciences\u003c/italics\u003e (with Waterman), 1964; \u003citalics\u003eTheoretical and Mathematical Biology\u003c/italics\u003e, 1965; \u003citalics\u003eEnergy Flow in Biology\u003c/italics\u003e, 1968; \u003citalics\u003eEntropy for Biologists\u003c/italics\u003e (with Lucille Morowitz), 1970; \u003citalics\u003eLife on the Planet Earth\u003c/italics\u003e, 1974; \u003citalics\u003eEgo Niches\u003c/italics\u003e, 1977; \u003citalics\u003eFoundations of Bioenergetics\u003c/italics\u003e, 1978; \u003citalics\u003eThe Wine of Life\u003c/italics\u003e, 1979; \u003citalics\u003eMayonnaise and the Origins of Life\u003c/italics\u003e, 1985; \u003citalics\u003eCosmic Joy and Local Pain\u003c/italics\u003e, 1987; \u003citalics\u003eThe Thermodynamics of Pizza\u003c/italics\u003e, 1991; \u003citalics\u003eBeginnings of Cellular Life\u003c/italics\u003e (with James Trefil), 1992; \u003citalics\u003eThe Facts of Life\u003c/italics\u003e, 1992; and \u003citalics\u003eEntropy and the Magic Flute\u003c/italics\u003e, 1993. Dr. Morowitz passed away on March 22, 2016 in Falls Church, VA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Harold Joseph Morowitz was a biophysicist and Robinson Professor in Biology and Natural Philosophy at George Mason University. Born in Poughkeepsie, N.Y., on December 4, 1927, Morowitz graduated from Poughkeepsie High School in 1944. He studied at Yale University starting in 1948 and earned his Ph.D. in 1951. From 1951-1953 he was a physicist at the National Bureau of Standards. Morowitz was on the staff of the National Heart Institute from 1953-1955 before joining the faculty of Yale University in 1955. At Yale, Morowitz was associate professor of biophysics (1960-1968), professor of molecular biophysics and biochemistry (1968-1988), and master of Pierson College (1981-1986). He joined the faculty of George Mason University in 1988 as a Robinson Professor. From 1993 on Morowitz directed the Krasnow Institute for Advanced Study. Dr. Morowitz authored and coauthored several books, including:  Life and the Physical Sciences  (with Waterman), 1964;  Theoretical and Mathematical Biology , 1965;  Energy Flow in Biology , 1968;  Entropy for Biologists  (with Lucille Morowitz), 1970;  Life on the Planet Earth , 1974;  Ego Niches , 1977;  Foundations of Bioenergetics , 1978;  The Wine of Life , 1979;  Mayonnaise and the Origins of Life , 1985;  Cosmic Joy and Local Pain , 1987;  The Thermodynamics of Pizza , 1991;  Beginnings of Cellular Life  (with James Trefil), 1992;  The Facts of Life , 1992; and  Entropy and the Magic Flute , 1993. Dr. Morowitz passed away on March 22, 2016 in Falls Church, VA."],"prefercite_html_tesm":["\u003cp\u003eHarold J. Morowitz papers, C0049, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Harold J. Morowitz papers, C0049, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Updated by Greta Kuriger Suiter in 2013. Additional materials processed and finding aid updated by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in February 2020.\u003c/p\u003e","\u003cp\u003eAdditional processing completed and finding aid updated by Meghan Glasbrenner in April 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Updated by Greta Kuriger Suiter in 2013. Additional materials processed and finding aid updated by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in February 2020.","Additional processing completed and finding aid updated by Meghan Glasbrenner in April 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0047\" title=\"Carol D. Litchfield Microbiology collection\" show=\"new\"\u003e\u003c/extptr\u003e and the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0079\" title=\"Clarence E. Larson Science and Technology Oral History collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThe Harold J. Morowitz papers includes a draft copy of \u003citalics\u003eEnergy Flow in Biological Systems\u003c/italics\u003e (published as \u003citalics\u003eEnergy Flow in Biology\u003c/italics\u003e), including chapter and appendix notes, calculations for mathematical operations, and correspondence between the author and his editor; a draft copy of \u003citalics\u003eBeginnings of Cellular Life\u003c/italics\u003e, including the index and notes; a draft copy of \u003citalics\u003eThe Facts of Life\u003c/italics\u003e with the \"author's copy\" and the original artwork for the illustrations; as well as working papers, correspondence, and other documents pertaining to Morowitz's academic career. Also included is original poetry written by Morowitz, research and correspondence from a project on the history of bioenergetics, for which Morowitz was awarded a Guggenheim Fellowship in 1980, and correspondence and documents relating to Biosphere 2.\u003c/p\u003e","\u003cp\u003eHandwritten notes and correspondence\u003c/p\u003e","\u003cp\u003eNotes for Energy Flow in Biological Systems\u003c/p\u003e","\u003cp\u003eWorkshop on declining amphibian populations, February 19-20, 1990\u003c/p\u003e","\u003cp\u003eArticles by Franklin Harold\u003c/p\u003e","\u003cp\u003eArticles by Paul Boyer\u003c/p\u003e","\u003cp\u003eBibliography, curriculum vitae, and articles written by Lars Ernster\u003c/p\u003e","\u003cp\u003eLetters to Williams, Slater, Ernster, and Peter Mitchell regarding the Guggenheim Fellowship. Articles by Williams.\u003c/p\u003e","\u003cp\u003eBibliography, correspondence, articles\u003c/p\u003e","\u003cp\u003eFurther Reflections on the Constitutional Justice of Livelihood by Charles Black and announcement for Black's memorial service\u003c/p\u003e","\u003cp\u003eIncludes six photographs of Morowitz and others in a work environment\u003c/p\u003e","\u003cp\u003eIncludes a photograph of a group portrait from 1953\u003c/p\u003e","\u003cp\u003eRe-entry talk on September 26, 1993 by Morowitz; Poem titled \"Biosphere 2\"\u003c/p\u003e","\u003cp\u003eDrafts and notes for \"The Trinitarian World of Neo-Pantheism,\" \"Athens and Jerusalem,\" \"Teilhard's Two Energies,\" and Emergences chapter one\u003c/p\u003e","\u003cp\u003eMorowitz to Yurig Gubkin\u003c/p\u003e","\u003cp\u003eLetters received regarding articles from Hospital Practice\u003c/p\u003e","\u003cp\u003eTeknos vol. XXII, introduction by Morowitz\u003c/p\u003e","\u003cp\u003eMichael P. Cohen, President, Washington Academy of Sciences; Dr. Geoffrey B. West, President and Distinguished Professor, Santa Fe Institute ; John S. Cummins, Bishop Emeritus, Diocese of Oakland, printed email ; Dr. James Fries, President, New Mexico Highlands University ; Herman Wouk, BSW Literary Agency, Inc.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Harold J. Morowitz papers includes a draft copy of  Energy Flow in Biological Systems  (published as  Energy Flow in Biology ), including chapter and appendix notes, calculations for mathematical operations, and correspondence between the author and his editor; a draft copy of  Beginnings of Cellular Life , including the index and notes; a draft copy of  The Facts of Life  with the \"author's copy\" and the original artwork for the illustrations; as well as working papers, correspondence, and other documents pertaining to Morowitz's academic career. Also included is original poetry written by Morowitz, research and correspondence from a project on the history of bioenergetics, for which Morowitz was awarded a Guggenheim Fellowship in 1980, and correspondence and documents relating to Biosphere 2.","Handwritten notes and correspondence","Notes for Energy Flow in Biological Systems","Workshop on declining amphibian populations, February 19-20, 1990","Articles by Franklin Harold","Articles by Paul Boyer","Bibliography, curriculum vitae, and articles written by Lars Ernster","Letters to Williams, Slater, Ernster, and Peter Mitchell regarding the Guggenheim Fellowship. Articles by Williams.","Bibliography, correspondence, articles","Further Reflections on the Constitutional Justice of Livelihood by Charles Black and announcement for Black's memorial service","Includes six photographs of Morowitz and others in a work environment","Includes a photograph of a group portrait from 1953","Re-entry talk on September 26, 1993 by Morowitz; Poem titled \"Biosphere 2\"","Drafts and notes for \"The Trinitarian World of Neo-Pantheism,\" \"Athens and Jerusalem,\" \"Teilhard's Two Energies,\" and Emergences chapter one","Morowitz to Yurig Gubkin","Letters received regarding articles from Hospital Practice","Teknos vol. XXII, introduction by Morowitz","Michael P. Cohen, President, Washington Academy of Sciences; Dr. Geoffrey B. West, President and Distinguished Professor, Santa Fe Institute ; John S. Cummins, Bishop Emeritus, Diocese of Oakland, printed email ; Dr. James Fries, President, New Mexico Highlands University ; Herman Wouk, BSW Literary Agency, Inc."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_15d212084abbee2df1c8019a1f29388a\"\u003eThe collection includes a draft copy of Energy Flow in Biological Systems (published as Energy Flow in Biology), including chapter and appendix notes, calculations for mathematical operations, and correspondence between the author and his editor; a draft copy of Beginnings of Cellular Life, including the index and notes; a draft copy of The Facts of Life with the author's copy and the original artwork for the illustrations; and working papers, correspondence, and other documents pertaining to his academic career including original poetry written by Morowitz.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes a draft copy of Energy Flow in Biological Systems (published as Energy Flow in Biology), including chapter and appendix notes, calculations for mathematical operations, and correspondence between the author and his editor; a draft copy of Beginnings of Cellular Life, including the index and notes; a draft copy of The Facts of Life with the author's copy and the original artwork for the illustrations; and working papers, correspondence, and other documents pertaining to his academic career including original poetry written by Morowitz."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8c5205631a8fe692c5d84e1b2562fa2a\"\u003eR 22, C 2, S 1, 4-6\n\nR 71, C 1, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 22, C 2, S 1, 4-6\n\nR 71, C 1, S 1"],"names_coll_ssim":["George Mason University--Faculty"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty","Morowitz, Harold J."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty"],"persname_ssim":["Morowitz, Harold J."],"language_ssim":["English"],"total_component_count_is":651,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:00:26.619Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_689_c01_c420"}},{"id":"wvmturhc_repositories_2_resources_6368","type":"collection","attributes":{"title":"Alice Cartledge Cornett, Journalist, Papers","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6368#creator","type":"document_value","attributes":{"value":"Cornett, Alice (Alice Cartledge Cornett), 1928-2008","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6368#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePapers of journalist Alice Cartledge Cornett, including newspaper articles authored by or regarding Cornett, photographs, and copies of her obituary. Although her family and career would take her around the world, Cornett returned frequently to the Morgantown area and to the Appalachian region throughout her life. Cornett's father was a professor at West Virginia University and she graduated from Morgantown High School in 1945; this collection includes material regarding her graduation and 50th class reunion. The majority of material in the collection regards Cornett's career in journalism, which began during her time living abroad in the Netherlands in the 1970s (please note that Cornett was named \"Alice Drago\" during this period of time). During her time in the Netherlands, she wrote articles for a number of publications and founded the first English-language newspaper, titled \"The Hollander\". Cornett later returned to the United States and continued her journalistic career, writing for \"The Sentinel Echo\" of London, Kentucky, as well as for other newspapers. Please see the first folder of this collection for further biographical information regarding Cornett.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6368#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_6368","ead_ssi":"wvmturhc_repositories_2_resources_6368","_root_":"wvmturhc_repositories_2_resources_6368","_nest_parent_":"wvmturhc_repositories_2_resources_6368","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6368.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/199280","title_ssm":["Alice Cartledge Cornett, Journalist, Papers"],"title_tesim":["Alice Cartledge Cornett, Journalist, Papers"],"unitdate_ssm":["1945-2017","1973-1992"],"unitdate_bulk_ssim":["1973-1992"],"unitdate_inclusive_ssm":["1945-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4298","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6368"],"text":["A\u0026M 4298","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6368","Alice Cartledge Cornett, Journalist, Papers","Journalists - letters and papers.","No special access restriction applies.","Papers of journalist Alice Cartledge Cornett, including newspaper articles authored by or regarding Cornett, photographs, and copies of her obituary. Although her family and career would take her around the world, Cornett returned frequently to the Morgantown area and to the Appalachian region throughout her life. Cornett's father was a professor at West Virginia University and she graduated from Morgantown High School in 1945; this collection includes material regarding her graduation and 50th class reunion. The majority of material in the collection regards Cornett's career in journalism, which began during her time living abroad in the Netherlands in the 1970s (please note that Cornett was named \"Alice Drago\" during this period of time). During her time in the Netherlands, she wrote articles for a number of publications and founded the first English-language newspaper, titled \"The Hollander\". Cornett later returned to the United States and continued her journalistic career, writing for \"The Sentinel Echo\" of London, Kentucky, as well as for other newspapers. Please see the first folder of this collection for further biographical information regarding Cornett.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Cornett, Alice (Alice Cartledge Cornett), 1928-2008","English \n.    "],"unitid_tesim":["A\u0026M 4298","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6368"],"normalized_title_ssm":["Alice Cartledge Cornett, Journalist, Papers"],"collection_title_tesim":["Alice Cartledge Cornett, Journalist, Papers"],"collection_ssim":["Alice Cartledge Cornett, Journalist, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Cornett, Alice (Alice Cartledge Cornett), 1928-2008"],"creator_ssim":["Cornett, Alice (Alice Cartledge Cornett), 1928-2008"],"creator_persname_ssim":["Cornett, Alice (Alice Cartledge Cornett), 1928-2008"],"creators_ssim":["Cornett, Alice (Alice Cartledge Cornett), 1928-2008"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Journalists - letters and papers."],"access_subjects_ssm":["Journalists - letters and papers."],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 2 1/2 in. (1 document case)"],"extent_tesim":["0.25 Linear Feet 2 1/2 in. (1 document case)"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Alice Cartledge Cornett, Journalist, Papers, A\u0026amp;M 4298, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Alice Cartledge Cornett, Journalist, Papers, A\u0026M 4298, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of journalist Alice Cartledge Cornett, including newspaper articles authored by or regarding Cornett, photographs, and copies of her obituary. Although her family and career would take her around the world, Cornett returned frequently to the Morgantown area and to the Appalachian region throughout her life. Cornett's father was a professor at West Virginia University and she graduated from Morgantown High School in 1945; this collection includes material regarding her graduation and 50th class reunion. The majority of material in the collection regards Cornett's career in journalism, which began during her time living abroad in the Netherlands in the 1970s (please note that Cornett was named \"Alice Drago\" during this period of time). During her time in the Netherlands, she wrote articles for a number of publications and founded the first English-language newspaper, titled \"The Hollander\". Cornett later returned to the United States and continued her journalistic career, writing for \"The Sentinel Echo\" of London, Kentucky, as well as for other newspapers. Please see the first folder of this collection for further biographical information regarding Cornett.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of journalist Alice Cartledge Cornett, including newspaper articles authored by or regarding Cornett, photographs, and copies of her obituary. Although her family and career would take her around the world, Cornett returned frequently to the Morgantown area and to the Appalachian region throughout her life. Cornett's father was a professor at West Virginia University and she graduated from Morgantown High School in 1945; this collection includes material regarding her graduation and 50th class reunion. The majority of material in the collection regards Cornett's career in journalism, which began during her time living abroad in the Netherlands in the 1970s (please note that Cornett was named \"Alice Drago\" during this period of time). During her time in the Netherlands, she wrote articles for a number of publications and founded the first English-language newspaper, titled \"The Hollander\". Cornett later returned to the United States and continued her journalistic career, writing for \"The Sentinel Echo\" of London, Kentucky, as well as for other newspapers. Please see the first folder of this collection for further biographical information regarding Cornett."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5672e68ea3d5f0c02693be00c7778010\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Cornett, Alice (Alice Cartledge Cornett), 1928-2008"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Cornett, Alice (Alice Cartledge Cornett), 1928-2008"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:40:46.424Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6368","ead_ssi":"wvmturhc_repositories_2_resources_6368","_root_":"wvmturhc_repositories_2_resources_6368","_nest_parent_":"wvmturhc_repositories_2_resources_6368","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6368.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/199280","title_ssm":["Alice Cartledge Cornett, Journalist, Papers"],"title_tesim":["Alice Cartledge Cornett, Journalist, Papers"],"unitdate_ssm":["1945-2017","1973-1992"],"unitdate_bulk_ssim":["1973-1992"],"unitdate_inclusive_ssm":["1945-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4298","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6368"],"text":["A\u0026M 4298","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6368","Alice Cartledge Cornett, Journalist, Papers","Journalists - letters and papers.","No special access restriction applies.","Papers of journalist Alice Cartledge Cornett, including newspaper articles authored by or regarding Cornett, photographs, and copies of her obituary. Although her family and career would take her around the world, Cornett returned frequently to the Morgantown area and to the Appalachian region throughout her life. Cornett's father was a professor at West Virginia University and she graduated from Morgantown High School in 1945; this collection includes material regarding her graduation and 50th class reunion. The majority of material in the collection regards Cornett's career in journalism, which began during her time living abroad in the Netherlands in the 1970s (please note that Cornett was named \"Alice Drago\" during this period of time). During her time in the Netherlands, she wrote articles for a number of publications and founded the first English-language newspaper, titled \"The Hollander\". Cornett later returned to the United States and continued her journalistic career, writing for \"The Sentinel Echo\" of London, Kentucky, as well as for other newspapers. Please see the first folder of this collection for further biographical information regarding Cornett.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Cornett, Alice (Alice Cartledge Cornett), 1928-2008","English \n.    "],"unitid_tesim":["A\u0026M 4298","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6368"],"normalized_title_ssm":["Alice Cartledge Cornett, Journalist, Papers"],"collection_title_tesim":["Alice Cartledge Cornett, Journalist, Papers"],"collection_ssim":["Alice Cartledge Cornett, Journalist, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Cornett, Alice (Alice Cartledge Cornett), 1928-2008"],"creator_ssim":["Cornett, Alice (Alice Cartledge Cornett), 1928-2008"],"creator_persname_ssim":["Cornett, Alice (Alice Cartledge Cornett), 1928-2008"],"creators_ssim":["Cornett, Alice (Alice Cartledge Cornett), 1928-2008"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Journalists - letters and papers."],"access_subjects_ssm":["Journalists - letters and papers."],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 2 1/2 in. (1 document case)"],"extent_tesim":["0.25 Linear Feet 2 1/2 in. (1 document case)"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Alice Cartledge Cornett, Journalist, Papers, A\u0026amp;M 4298, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Alice Cartledge Cornett, Journalist, Papers, A\u0026M 4298, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of journalist Alice Cartledge Cornett, including newspaper articles authored by or regarding Cornett, photographs, and copies of her obituary. Although her family and career would take her around the world, Cornett returned frequently to the Morgantown area and to the Appalachian region throughout her life. Cornett's father was a professor at West Virginia University and she graduated from Morgantown High School in 1945; this collection includes material regarding her graduation and 50th class reunion. The majority of material in the collection regards Cornett's career in journalism, which began during her time living abroad in the Netherlands in the 1970s (please note that Cornett was named \"Alice Drago\" during this period of time). During her time in the Netherlands, she wrote articles for a number of publications and founded the first English-language newspaper, titled \"The Hollander\". Cornett later returned to the United States and continued her journalistic career, writing for \"The Sentinel Echo\" of London, Kentucky, as well as for other newspapers. Please see the first folder of this collection for further biographical information regarding Cornett.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of journalist Alice Cartledge Cornett, including newspaper articles authored by or regarding Cornett, photographs, and copies of her obituary. Although her family and career would take her around the world, Cornett returned frequently to the Morgantown area and to the Appalachian region throughout her life. Cornett's father was a professor at West Virginia University and she graduated from Morgantown High School in 1945; this collection includes material regarding her graduation and 50th class reunion. The majority of material in the collection regards Cornett's career in journalism, which began during her time living abroad in the Netherlands in the 1970s (please note that Cornett was named \"Alice Drago\" during this period of time). During her time in the Netherlands, she wrote articles for a number of publications and founded the first English-language newspaper, titled \"The Hollander\". Cornett later returned to the United States and continued her journalistic career, writing for \"The Sentinel Echo\" of London, Kentucky, as well as for other newspapers. Please see the first folder of this collection for further biographical information regarding Cornett."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5672e68ea3d5f0c02693be00c7778010\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Cornett, Alice (Alice Cartledge Cornett), 1928-2008"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Cornett, Alice (Alice Cartledge Cornett), 1928-2008"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:40:46.424Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6368"}},{"id":"vifgm_repositories_2_resources_622_c01_c32","type":"File","attributes":{"title":"A Little Night Music - Lovers","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_622_c01_c32#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eA Little Night Music, April 1974; A Little Night Music, August 2002; A Little Night Music, August 1998; A Little Night Music, August-October 2017; A Little Night Music, circa 1974-1975; A Little Night Music, June 2010; A Little Night Music, March-April 2008; Live Wire, 1998; The Living, September-October 1994; The Loman Family Picnic, July-August 1996; Look Homeward, Angel, March 1958; London Assurance, November 1974; George London, December 1960; Lord Arthur Savile's Crime, February-March 2010; Love's Labor's Lost, June-July 2006; Lovers, June 1969.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_622_c01_c32#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_622_c01_c32","ref_ssm":["vifgm_repositories_2_resources_622_c01_c32"],"id":"vifgm_repositories_2_resources_622_c01_c32","ead_ssi":"vifgm_repositories_2_resources_622","_root_":"vifgm_repositories_2_resources_622","_nest_parent_":"vifgm_repositories_2_resources_622_c01","parent_ssi":"vifgm_repositories_2_resources_622_c01","parent_ssim":["vifgm_repositories_2_resources_622","vifgm_repositories_2_resources_622_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_622","vifgm_repositories_2_resources_622_c01"],"parent_unittitles_ssm":["Martin Cohen theater collection","Series 1: Playbills"],"parent_unittitles_tesim":["Martin Cohen theater collection","Series 1: Playbills"],"text":["Martin Cohen theater collection","Series 1: Playbills","A Little Night Music - Lovers","box 7","folder 1","A Little Night Music, April 1974;  A Little Night Music, August 2002; A Little Night Music, August 1998; A Little Night Music, August-October 2017; A Little Night Music, circa 1974-1975; A Little Night Music, June 2010; A Little Night Music, March-April 2008; Live Wire, 1998; The Living, September-October 1994; The Loman Family Picnic, July-August 1996; Look Homeward, Angel, March 1958; London Assurance, November 1974; George London, December 1960; Lord Arthur Savile's Crime, February-March 2010; Love's Labor's Lost, June-July 2006; Lovers, June 1969."],"title_filing_ssi":"A Little Night Music - Lovers","title_ssm":["A Little Night Music - Lovers"],"title_tesim":["A Little Night Music - Lovers"],"unitdate_inclusive_ssm":["1958-2017"],"normalized_date_ssm":["1958/2017"],"normalized_title_ssm":["A Little Night Music - Lovers"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Martin Cohen theater collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":33,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"containers_ssim":["box 7","folder 1"],"scopecontent_html_tesm":["\u003cp\u003eA Little Night Music, April 1974;  A Little Night Music, August 2002; A Little Night Music, August 1998; A Little Night Music, August-October 2017; A Little Night Music, circa 1974-1975; A Little Night Music, June 2010; A Little Night Music, March-April 2008; Live Wire, 1998; The Living, September-October 1994; The Loman Family Picnic, July-August 1996; Look Homeward, Angel, March 1958; London Assurance, November 1974; George London, December 1960; Lord Arthur Savile's Crime, February-March 2010; Love's Labor's Lost, June-July 2006; Lovers, June 1969.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A Little Night Music, April 1974;  A Little Night Music, August 2002; A Little Night Music, August 1998; A Little Night Music, August-October 2017; A Little Night Music, circa 1974-1975; A Little Night Music, June 2010; A Little Night Music, March-April 2008; Live Wire, 1998; The Living, September-October 1994; The Loman Family Picnic, July-August 1996; Look Homeward, Angel, March 1958; London Assurance, November 1974; George London, December 1960; Lord Arthur Savile's Crime, February-March 2010; Love's Labor's Lost, June-July 2006; Lovers, June 1969."],"_nest_path_":"/components#0/components#31","timestamp":"2026-06-05T07:17:54.608Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_622","ead_ssi":"vifgm_repositories_2_resources_622","_root_":"vifgm_repositories_2_resources_622","_nest_parent_":"vifgm_repositories_2_resources_622","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_622.xml","title_filing_ssi":"Martin Cohen theater collection","title_ssm":["Martin Cohen theater collection"],"title_tesim":["Martin Cohen theater collection"],"unitdate_ssm":["1816; 1907-2017"],"unitdate_other_ssim":["1816; 1907-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0335","/repositories/2/resources/622"],"text":["C0335","/repositories/2/resources/622","Martin Cohen theater collection","Film posters","Musical Theater","Plays","Theater","Filmmaking (Motion pictures)","There are no access restrictions.","Arranged into five series based on format.","Series Series 1: Playbills, 1936-2017 (Boxes 1-12) Series 2: Sheet Music, 1912-1969 (Boxes 12-13) Series 3: Personal Papers, 1915-1996 (Boxes 13-14) Series 4: Posters, 1816-2013 (Map Case 32.5, Tubes 1-17, Box 16) Series 5: Artifacts, 1915-1955 (Boxes 15, 17-18, Map Case 32.4)","\"Martin B. Cohen.\" Albany Times Union, March 28, 2019. https://www.legacy.com/us/obituaries/timesunion-albany/name/martin-cohen-obituary?id=5036932.","Martin B. Cohen was born in Albany, New York, the son of David and Betty Cohen. He began his career as a teacher at Giffen Elementary School and Hackett Middle School in Albany, New York. He later obtained a master's degree from Cornell University and a Ph.D. from George Washington University. Following his graduate education, Cohen became a professor of American history at George Mason University. He taught at George Mason University for 35 years. Cohen enjoyed travel and theather and was engaged as a lecturer and collector of the arts. Cohen passed away at the age of 81 on March 24, 2019. He is interred in the Beth Emeth Cemetery in Loudonville, New York.","Processing completed by Kelsey Kim in March 2022. Arrangement decisions were made in conjunction with Elizabeth Beckman. The collection was surveyed and arranged by format, including alphabetizing of the playbills based upon their extent. EAD markup by Elizabeth Beckman in March 2022. ","Additional processing and finding aid updates completed by Amanda Menjivar in May 2022. Inventory updated by Amanda Menjivar with assistance from Madeline Puppos in August 2023.","The George Mason University Special Collections Research Center holdings include other collections pertaining to theatre and film, including the  , the  , the  , and the  .","This collection contains primarily collectible material from various stage performances and motion picture filmmaking. Stage performance includes playbills and programs from the performances Cohen attended, often including ticket stubs from the performance, and other programs related to different venues in the Washington, D.C. area. There are numerous film posters of various sizes used to advertise upcoming films, and pressbooks to accompany film marketing. There are pages and books of sheet music from a variety of films and musicals. There are some personal papers as well, including a term paper written by Cohen, theater magazines, comic books, photographs, and a record album scrapbook. Among the artifacts included in this collection are a number of projectors and cameras for film, animation films cells, and toys.","The Abbey, October 1990; Abracadabra, 1960; Accent on Youth, May 2009; Adding Machine: A Musical, 2009; The Adding Machine, 1991; The Adventures of Sherlock Holmes, January 2016; Advise and Consent, 1961; Agatha Sings!, 2001; Ah, Wilderness!, September/October 2007; Jil Aigrot, March 2009; Alfie!, November 1964; Alice in Wonderland: An Adult Musical Comedy, 2004; All the King's Men, October 1987; Allegro, 2004; The Tale of the Allergist's Wife, August 2001; Wolf Trap Tenth Anniversary Season, 1980 season; The Andersonville Trial, July/August 2001; The Andersonville Trial, 1959-1960.","Angels in America, circa 1999-2000; Andrew Lloyd Webber, Music of the Night, 1993; Animal Crackers, 1999; Animal Crackers, circa 1981-1982; Annie, March 1977; Annie 2: Miss Hannigan's Revenge, January 1990; Annie Get Your Gun, August 1966; Annie Get Your Gun, June 1948; Annie Get Your Gun, July 1960; Annie Get Your Gun (Rewrite), January 1999; The Second Annual Great American Musicals in Concert Benefit, 2008-2009.","Anything Goes, October 1988; Anything Goes, August 1958; Anything Goes, circa 1959; Applause, 1979; The Apple Tree, May-June 1994; Arcadia, April/May 1999; Are You Now or Have You Ever Been, circa 1974-1975; Louis Armstrong, August 1964; Around the World in 80 Days, 1965; ART, 1997; As You Like It, February-April 1997; As You Like It, 2007; As You Like It, June 2007; Aspects of Love, circa 1990s; Assassins, August-October 1992; Assassins, June 2004.","August Wilson's 20th Century, April 2008; Auntie Mame, November 1957; Auntie Mame; November 1957; Awake and Sing!, January-March 2006; Awake and Sing!, April-June 1971; The Andersonville Trial, May-June 1967; Back to Methuselah, February 1958; Proms 91, August 1991; Bad Seed, August 1957; The Ballad of the Sad Café, circa 1963-1965.","Barrymore, 1997; Barnum; June 1981; Baskerville: A Sherlock Holmes Mystery, 2014-2015; Baskerville, 2012; The Barretts of Wimpole Street, 1948-1949; Beau Jest, August 1993; The Beauty Queen of Leenane, June 1998; the Beaux' Stratagem, November-December 2006; Bedroom Farce, 1979; Bee-luther-hatchee, September 2001.","Belafonte in Person, August 1968; Bells are Ringing, n.d.; Bells are Ringing, July 1998; Bells are Ringing, August 1959; Benchley Despite Himself, February-March 2003; Benchley Despite Himself, February-March 2003; A Tale of the Christ, 1959; Ben-Hur, November 1959; Benefactors, December 1985; Berlin Cabaret, UFA Revue, May 1992; Bermuda Avenue Triangle, June 1997; The Best Man, January 1962; Betty Buckley, February 2000; Betty the Yeti, November 1996; Betty the Yeti, November 1996; Betty the Yeti, November 1996; Beyond the Fringe, February 1992; Beyond the Rising Moon, 1987; Beyond Therapy, May 1997; Big River: The Adventures of Huckleberry Finn, circa 1995-1996.","The Big Show of 1936, June 1972; Birthday Suite, May 1994; Black and Blue, May 1989; In Conversation, November 2009; Blithe Spirit, March 2015; Blithe Spirit, August 1962; Blithe Spirit, 1996; Blithe Spirit, May 2009; Blood Brothers, 1988; Blue Denim, 1958; Blue Denim, 1958; Blue Denim, 1959; Boccaccio, November-December 1974; Boomtown, November 1994; Edwin Booth, November 1958; Born Yesterday, circa 1948-1949; Bounce, October-November 2003; Breakfast with Les \u0026 Bess, 1981.","Breaking Legs, November 1992; Brigadoon, 1980; Brigadoon, 1957; Brigadoon, 1963; Brighton Beach Memoirs, July 1985; Broadway Bound, November 1986; Broadway: Three Generations, October 2008; A Broadway Christmas, 2015; Broadway Up Close and Personal: A Tribute to Frank Loesser, 2010; Brother Russia, 2012; Bubbling Brown Sugar, circa 1976-1977; Down at the Old Bull \u0026 Bush, April-June 1997; Bus Stop, August 1958; Bus Stop, 1958; By George!, April 1990; By Jeeves, June-August 1997; Bye Bye Birdie, July 1962; Bye Bye Birdie, December 1991.","Cabaret, 1988; Cabaret, April 1968; Cabaret, 1995; Show of Shows: Sid Caesar, August 1984; Cafe Crown, March 1989; Call Me Ethel, circa 2009; Camelot, 1961; Camelot, circa November 2003-January 2004; Camelot, 1981; Camille, August-September 1998; John Campbell \u0026 Chris Whitley, October 1992; Camp Logan, n.d.; Camping with Henry \u0026 Tom, October-November 1997; Can-Can, August 1958; Can-Can, August 1958; Candide, March-May 1996; Candide, October 1971.","The Canterbury Tales, April 2006; Cantorial: A Ghost Story, October-November 2012; Cantorial, March 1989; The Caretaker, June 1991; Carmelina, March 1979; Carnival, October 1962; Carnival!, February 2007; Carousel, Setepmber 1957; Carousel, 2016-2017; Carousel, 1957; Carousel, 1959; Carousel, September 1957; Carousel, 1959; Cat on a Hot Tin Roof, August 1958.","Cats, September 1987; Catskills, 1993; Charley's Aunt, July 1959;  Charlie and Algernon, July 1980; Chicago, January 1997; Chicago, October 1989; Children of the Shadows, circa early 1960s; Child's Play, May 1970; The Children's Hour, June /July 1936; The Children's Hour, September 1995; A Chorus of Disapproval, December 1988-February 1989; A Chorus Line, October 1977; A Christmas Carol, 1996; Radio City Christmas Spectacular, 1993; Cinerama Holiday, circa 1950s; City of Angels, August 1990.","Cleo Laine, July 1983; The Cleveland Orchestra, February 1966; Cloud Nine, March 1997; Clown Around Town, 2000/2001; The Cocoanuts, 1988; The Cocoanuts, December 1996; The Comedie Francaise, March 1966; The Comedians, January 2005; The Comedians, February 2005; The Comedy of Errors, November 2005-January 2006; The Comedy of Errors, circa 1990; Communicating Doors, circa November 1999; Company, October 1995; Company, July 1970; Company, October-November 1993; Company, June 2002.","The Complete History of America, June 1995; Barbara Cook, March 1985;  Barbara Cook, September 2007;  Barbara Cook: A Broadway Evening,  1984; An Evening of Song with Barbara Cook, December 1993; Copenhagen, 2000; Coriolanus, April 2007; The Count of Monte Cristo, May 1985; The Countess, July/August 2000; Country Current, October 1992; The Country Wife, March-May, 2000; Crazy for You, 1991.","The Creation of the World and Other Business, October 1972; Crimes of the Heart, March 1982; Crossing Delancey, circa 1997; Crossing Delancey, April-May 2009; The Crucible, 2007; The Crummles' Christmas Carol, December 2002; Crystal, November 1997; Curtains, July 2007; Cyrano, April-June 2011; Damn Yankees, July 1995; Damn Yankees, December 2005-February 2006; Dancing at Lughnasa, August 1991; Danny \u0026 Sylvia: A Musical Love Story, September-October 2001; Danny \u0026 Sylvia, A Musical Love Story, 2002; Danzalta, March-April 1994.","The Dark at the Top of the Stairs, June 1958; The Dark at the Top of the Stairs, June 1958; Dear Liar, circa 1959; Dear Liar, 1959; Dear World, July-August, 2003; Death of a Salesman, 1976; Deathtrap, July 1979; Desert Song, 1959; Desert Song, 1959; Design for Living, 2009; Detective Story, July, 1949; Diamond Orchid, January 1965; Diary of Anne Frank, June-July 1959; The Diary of Anne Frank, 1959; The Diary of Anne Frank, December 1997; Dick Hyman, June 1997; Die Walküre, October 2002; Dirty Blonde, May 2000, Dirty Blonde, August-October, 2009; Disney Fantasia, February 2016.","Do Re Mi, March 1961; The Dock Brief, July 1962; Doctor Faustus, circa 1998-1999; Melvyn Douglas in Inherit the Wind, January 1957; Dr. Cook's Garden, September-October 2008; The Drowsy Chaperone, 2011; The Drowsy Chaperone, September 2006; Dracula, June 1978; Drat the Cat, September 1965; Dream of a Common Language, March-April 1994; Dream of a Common Language, circa 1990s; Drums in the Night, August 1961; Duel of Angels, May 1960; Duke Ellington's Sophisticated Ladies, April 1989; Dylan, February 1964.","Eastern Standard, March 1989; The Education of H*Y*M*A*N K*A*P*L*A*N, circa 1980s; Edwin Booth, November 1958; Either Or, September 2006; El Virgen, September 2005; The Elephant Man, February 1980; Eleanor: An American Love Story, March-June 1999; Elmer Gantry, 1995; The Enchanted, March 1973; Enter Laughing: The Musical, Spring/Summer 2009; Enter Laughing: The Musical, Winter 2009; Enter Laughing: The Musical, circa 1950s or 1960s; Enter Laughing: The Musical, circa 1950s or 1960s; Ethel, 1985; The Ethel Merman Show, circa 1960; The Ethel Merman Show, June 1963; An Evening to Remember, June 6, 1994; Evita, September/October 1981.","The City of Fairfax Band, April 30, 1989; Fairfax Symphony Orchestra, October 1990; Fairy Tales of New York, July 1962; The Fall of the House of Usher, September-October 2007; Fallen Angels, June-July 1958; Fallen Angels, June-July 1958; Fallen Angels, June-July 1958; Falling Waters, September 2003; Fanny's First Play, March-April 2006; The Fantasticks, 1996; Faulkner's Bicycle, November 1995; Feis Eireann, January 1967; Fiddler on the Roof, 1989; Fiddler on the Roof, August 1968; Chico Marx, August 1956; Chico Marx, August 1956; Fiorello!, February 2013; The 5th Annual First Light Festival, March 2005; The 7th Annual First Light Festival, March 2007; First You Dream: The Music of Kander \u0026 Ebb, September 2009; The Firstborn, May 1958; Eddie Fisher and Buddy Hackett, June 1967; The Fishkin Touch, June 1998; The Fix, March 1998.","A Flag is Born, March-April 2004; A Flag is Born, March-April 2004; The Flick, 2016; Flight, June 1986; Flower Drum Song, July 1961; Flower Drum Song, July 1961; Floyd Collins, June 2016; The Flying Karamazov Brothers, November 1991; The Flying Karamazo Brothers' Room Service, August-October 1997; Dan Fogelberg with his band, May 2003; Follies, April-June 2003; Follies, December 1971; Follies, circa 1998-2000; Follies, June 2011; Forbidden Broadway, 1989; Forbidden Broadway, 2002; Forbidden Broadway, 2001: A Spoof Odyssey, July 2001; Forbidden Broadway: Special Victims Unit, October 2008; Forbidden Broadway, October 2000.","Forbidden Hollywood, April 2004; Return to the Forbidden Planet, circa 1991; The Foreigner, September-October 2009; Forever Ivor, 1994; Fortune's Fool, 2002; Forty Carats, 1971; Four on a Garden, November 1970; The Four Seasons Dinner Theater, 1979/1980; A Fox on the Fairway, 2010; Frankie and Johnny in the Claire de Lune, September 1988; Frost Nixon, July 2007; Fosse, December 2000; A Funny Thing Happened on the Way to the Forum, October-November 2001; A Funny Thing Happened on the Way to the Forum, July 1996; A Funny Thing Happened on the Way to the Forum, crica 1960s; A Funny Thing Happened on the Way to the Forum, December 1962.","Galileo, August 1980; The Game's Afoot, circa 2010s; The Game of Love \u0026 Chance, 2009; The Gang's All Here, November 1959; The Gathering, July/August 1999; The Gazebo, 1960; The Gazebo, 1960; George Gershwin Alone, 2004; George and Ira Gershwin Celebrating the Inauguration..., May 1989; Gentlemen Prefer Blondes, July 1950; George - Don't Do That!, September/October 1999; George M!, circa 1970s-1980s; The Ghost Sonata, 1964; Gideon, 1961; The Gin Game, May 1979; The Gin Game, George Mason University (n.d).; Girl Crazy, 1960; Girl Crazy, 1960; The Golden Land, 2012; The Golden Land, December 1985; Goodbye Charlie, 1960; Goodbye Charlie, 1960; Goodnight Desdemona, May 1998.","Grand Hotel, December 1990; A Grand Night for Singing, October 1993; The Grand Tour, Spring 2009; Grandma Sylvia's Funeral, October 1995; The Grapes of Wrath, 1989; Grease, 1974; Great Expectations: The Musical, August-September 1998; Tammy Grimes, November 2010; Grimm Tales, March-April 1999; Gross Indecency: The Three Trials of Oscar Wilde, April-May 2009; Guys and Dolls, May 1993; Guys and Dolls, December 1999 - February 2000; Guys and Dolls, 1960; Gypsy, 1961; Gypsy, June 2003; Gypsy, August 1974; Gypsy, August 1962; Gypsy, August 1962.","Hadrian VII, March 1970; Sheldon Harnick, April 20, 2009; Hair, May 1971; Halcyon Days, September-October 1992; Hamlet, 1967; Hamlet, 1964; Marvin Hamlisch, November 2009; Happy Hunting, August 1957; The Happy Time, April-June 2008; Harvey, November-December 2015; Hay Fever, 1985; Heartbreak House, November 2003; Heartbreak House, February-March 1999; Heartbreak House, September 2006; Hedda Gabler, 1971.","The Heidi Chronicles, May 1989; Hello, Dolly! August-September, 1994; Hello, Jerry!, May 2003; Hello, Muddah, Hello, Fadduh!, circa 1990s; Hello, Muddah, Hello, Faddah!, 1996; Hellzapoppin, July-August 2007; Henceforward, circa 1989; Jerry Herman, September 20, 2007; The Music of Jerry Herman, May 10, 1992; High Button Shoes, August 1948; High Spirits, 1984; The Highest Yellow, 2004; Jerome Hines, February 19, 1958.","The History Boys, 2008; The History Boys, September 2006; The History of Invulnerability, June-July 2012; H.M.S. Pinafore, July-August 1995; H.M.S. Pinafore, January 1988; A Hole in the Head, July 1962; A Hole in the Head, July 1962; Holiday for Lovers, August 1958; Holiday for Lovers, August 1958; The Hollow, February 1999; Hollywood Pinafore, September-October 2000; Bob Hope Show, September 1958 (tickets); Hostile Witness, January 1966; House, 2002; How the Other Half Loves, March 1971; How to Succeed in Business Without Really Trying!, February 1995; How to Succeed in Business...Without Really Trying!, May 1992; The Huggett Family, August 1972; Hurly Burly, 1984.","The Iceman Cometh, October 1960; I Could Stop on a Dime and Get Ten Cents Change (A Ballroom Drama), March-April 1995; I Do! I Do!, October 1966; If/Then, November 2013; I Hate Hamlet, July-August 1992; Iolanthe or The Peer and the Peri, Spring 2004; I'm Not Rappaport, April 1987; The Immigrant, October-November 1992; The Importance of Being Earnest, November-December 2004; Indian Ink, 1999; Indiscretions (Les Parents Terribles), July 1995; Inherit the Wind, August 1957; Inherit the Wind, September-November 2000; Inherit the Wind, August 1957.","An Inspector Calls, October 1994; An Inspector Calls, circa 1940s; Into the Woods, 1994; Into the Woods, July 2002; Into the Woods, October 1988; The Invention of Love, March 2001; Irene, February 1973; Irma La Douce, July 1963; Irma la Douce, July 1963; The Irving Berlin Centennial, 1987; Isle of Children, March 1962; Isn't It Romantic, 1985; Eugene Istomin, October 31, 1958; It's a Bird...It's a Plane...It's Superman, March 2013; Ivanov, April 1966.","Jacques Brel,  circa 1983-1987; Janus, June 1957; Jazz Folk 1959; July 1959; J.B., November 16, 1959; Jeeves Takes Charge, 1982; Jerome Robbins Broadway, March 1989; Jesus Christ Superstar, August 1990; The Jockey Club Stakes, November 1972; Jolson the Musical, Autumn 1996; Jumpers, June 2004; June Moon, December 1983; June Moon newspaper article, 1983.","Kafka's Dick, December 2007; Kapelye, April 1994; Karen Akers, March 13, 1992; Danny Kaye with the Earl Brown Singers, July 1968; Danny Kaye, Guest Conductor with the Boston Symphony Orchestra, July 13, 1961; An Evening with Danny Kaye, July-August 2014; An Evening with Danny Kaye, August 2014; The King and I, August 1958; The King and I, August 1958; King John, January-March 1999; King Lear, circa 1961-1962; The King Stag, December 2000; Kismet, July 1959; Kismet, September 1965; Kismet, October 1965; Kismet, September 1965; Kiss Me Kate, July 1958; Kiss Me, Kate, July 2001; Kiss of the Spider Woman, August 1993; Alexandria Kleztet: Klezmer Quarter, November 16, 2004; The Klezmer Conservatory Band, April 13, 1989; Alison Krauss and Union Station, June 1996.","La Bohème, November 27, 1961; La Cage aux folles, August 1984; Lady Be Good, circa 1950s (probably 1953); The Lady from the Sea, September-October 2000; Lady in the Dark, April-May 1998; Lady Windermere's Fan, June-July 2005; The Last Living Newspaper, January-February 1993; Last of the Red Hot Lovers, circa 1960s; The Late Edwina Black, October-December 1996; Laughing Matters, May 1989; Laughter on the 23rd Floor, May 1994; Laughing Stock, September 2015; Leading Ladies, October 2005; The Left Hand of Justice, September 4, 2004; Legends, August 1986 , November 27, 1961; La Cage aux folles, August 1984; Lady Be Good, circa 1950s (probably 1953); The Lady from the Sea, September-October 2000; Lady in the Dark, April-May 1998; Lady Windermere's Fan, June-July 2005; The Last Living Newspaper, January-February 1993; Last of the Red Hot Lovers, circa 1960s; The Late Edwina Black, October-December 1996; Laughing Matters, May 1989; Laughter on the 23rd Floor, May 1994; Laughing Stock, September 2015; Leading Ladies, October 2005; The Left Hand of Justice, September 4, 2004; Legends, August 1986.","Les Misérables, February 1987; Les Misérables, December 2008-February 2009; Let My People Come, 1974; Let Us Be Gay, October-November 1949; Lettice and Lovage, October 1987; Life with Father, May 1990; Life with Father, November 2008-January 2009; Life with Father, June 1947; Life with Father, June 1947; Light Up the Sky, December 1987-January 1988; Li'l Abner, circa 1950s-1960s; The Lion King, August 2000; A Little Hotel on the Side, January 1992; A Little Hotel on the Side, January 1992.","A Little Night Music, April 1974;  A Little Night Music, August 2002; A Little Night Music, August 1998; A Little Night Music, August-October 2017; A Little Night Music, circa 1974-1975; A Little Night Music, June 2010; A Little Night Music, March-April 2008; Live Wire, 1998; The Living, September-October 1994; The Loman Family Picnic, July-August 1996; Look Homeward, Angel, March 1958; London Assurance, November 1974; George London, December 1960; Lord Arthur Savile's Crime, February-March 2010; Love's Labor's Lost, June-July 2006; Lovers, June 1969.","Macbeth, circa 1961-1972; Macbeth, June-September 1961; Macbeth, September-November 1995; Machinal, June-July 2004; Mack \u0026 Mabel, September 1974; Madigan's Lock, June-July 1970; Mahalia: A Gospel Musical, January-March 2010; Major Barbara, July 2001; A Majority of One, circa November 1959; A Majority of One, November 1959; Mame, May-July 2006; Mame, July 1968; A Man for All Seasons, June 1962; Man of la Mancha, March 1967; Man of la Mancha, August-September 1996.","The Man Who Came to Dinner, November-December 1989; Marching Down Broadway, October 19, 1991; The Marriage, May 1958; Marriage-Go-Round, July 1961; In-Person, Dean Martin \u0026 Jerry Lewis with Polly Bergen at the Palace Theatre, n.d. (no program); Martine, August 1961; The Matchmaker, November-December 1995; The Madwoman of Chaillot, July 1958; The Matchmaker, 1962; The Matchmaker, 1962; Mating Cries, September 1998; An Evening with Donna McKechnie: My Musical Comedy Life, April 20, 2002; Me and My Girl, August 1988; Me, Third, May 28, 1986; Me, Third, May 28, 1986; The Memorandum, September 1999; Merrily We Roll Along, January-April 1990; Merrily We Roll Along, October circa 2010s; Merrily We Roll Along, September-October 2007; Merrily We Roll Along, July 2002; Merry Widow, August 1959; Merry Widow, August 1959; The Merry Wives of Windsor, March-May 1998.","Metropolis, March 1989; Sam Levene, July 1958; Sam Levene, July 1958; James Mason, July-August 1958; James Mason, July-August 1958; Milk \u0026 Honey, 1968; Milk \u0026 Honey, circa 1994; Mildred Miller, March 6, 1962; The Miracle Worker, March 22, 1962; Misalliance, November 1994-January 1995; The Misanthrope, February 1975; The Miser, October-November 1996; Mississippi Pinocchio, March 2002; Miss Saigon, September 1989; A Month in the Country, April-June 1995; Moon Over Buffalo, January-February 2004; Moonlights \u0026 Magnolias, April-May 2011; Morning's at Seven, July 2002; Most Happy Fella, circa 1940s-1950s; Most Happy Fella, circa 1940s-1950s.","Mostly Sondheim, June 2002; Mourning Becomes Electra, April-June 1997; Agathie Christie's The Mousetrap, 2011; Mrs. Klein, October 1996; Mrs. Warren's Profession, July-August 1996; Much Ado About Nothing, July-August 1997; Much Ado About Nothing, February-April 1992; Music Is, November 1976; The Music Man, August-September 1978; The Music Man, October 10, 1961; The Music Man, October 10, 1961; The Musical of Musicals, May 2004; My Fair Lady, March 1962; My Fair Lady, March 1962; My Fair Lady, circa 1960s; My Fair Lady, August 1981.","My Name is Alice, 1987; My One and Only, March 1985; The Mystery of Edwin Drood, December 23, 1985; Nancy Drew, Girl Detective, circa 1992; Napoleon, February 1982; Nathan the Wise, October 2001; National Repertory Theatre, December 1965; National Symphony Orchestra, July 19, 1970; Nights at the Movies: The Golden Age of Film Music, September 12, 2008; Marvin Hamlisch and the National Symphony Orchestra, October 2000-June 2001; National Symphony Orchestra, August 25, 1989; Naughty Marietta, August-September 1961; Naughty Marietta, December 31, 1979.","The Nerd, September-October 1996; Never the Sinner, August 1997;  Never the Sinner, March-April 2013; Never Too Late, June 1969; New Girl in Town, March 13-14 circa 1958; New Girl in Town, March 13-14 circa 1958; The New Music Hall of Israel, January 1970; New York City Ballet, July 1991; The New York City Opera, June 1988; The New York Pops, March 1989; The Night Hank William Died, May 1989; The Night of January 16th,  February-March 1949; The Night of the Iguana, June 1962; Nina, July 1959; Nina, July 1959; Nine, May 1983.","Nixon's Nixon, March-April 1999; Ninotchka, February 1982; No Time for Sergeants, December 13, 1957; No Time for Sergeants, December 13, 1957; No Way to Treat a Lady, January 1997; Noel and Gertie, November-December 2003; Noël and Gertie, October-November 1987; Noises Off, November 1983; Noises Off!, January 1990; Nude with Violin, circa 1957-1958; Nude with Violin, September 2010; The Odd Couple, March 1965; Odyssey: A Musical Play, January 1975; Of Thee I Sing, September-November 1992; Of Thee I Sing, June 1987.","Oh! Calcutta!, July 1970; Oh Captain!, April 1958; Oh Captain!, March 1958; Oh Captain!, 1958; Oh Captain!, February 1958; Oh Coward!, October 1998; The Old Neighborhood, December 1997; Old Times, March 1972; Romeo and Juliet, March 1962; Old Wicked Songs, November 1997; Oliver!, October-November 1997; Oliver!, June 1964; On the Town, April 1989; On the Twentieth Century, circa 1991; On Your Toes, December 1982; Once in a Lifetime, October 1983; Once More, With Feeling, September 1959.","One Night with Fanny Brice, November 2010; One-Third of a Nation, May 1991; Onward Victoria, September 14, 1987; Opus, September 2007; Othello, July 1961; Othello, 1981; Othello, November 1957; Other Desert Cities, 2013; Our Town, August 1959; Over \u0026 Over, January-February 1999; Over My Dead Body, February 1989; Pacific Overtures, December 1975; Pacific Overtures, 2004; Page-to-Stage, September 2004; Page-to-Stage, September 2004; Page-to-Stage, September 2004; The Pajama Game, August 1958; The Pajama Game, March-April 1989; The Pajama Game, circa 1990s; The Pajama Game, August 1958; Pal Joey, July 1959; Pal Joey, July 1959; Pangs of the Messiah, June-July 2007.","A Party with Betty Comden and Adolph Green, October 1992; A Party to Murder, October-November 2016; Passion, July 2002; Passion, May 1994; Passion, April 1996; Patience, May 1997; A Patriot for Me, September 1969; The Perfect Party, January 1987; Perfect Crime, circa 1990s; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, circa 1998; Pericles, Prince of Tyre, March 1990; Perseus Bayou, circa 2000; Perseus Bayou, April 26, 2003; Perseus Bayou, March-April 2001; The Pirates of Penzance, July-September 2001; The Phantom of the Opera, 1989; The Phantom of the Opera, September 1991.","The Piano Lesson, April-May 2005; Philadelphia Here I Come!, December 1966; The Philadelphia Orchestra, circa 1971-1972; Philip Glass Ensemble, 1985; Photo Finish, April 1963; The Physicists, September 1964; Piaf, October 2004; Pickwick, September 1965; Pins and Needles, 1989; Pippin, October 1972; The Pirates of Penzance, November 1964; Plain and Fancy, March 15-16, 1957; Bad Seed, August 1957; The Play's the Thing, April-May 2006; The Play's the Thing, July 1995.","The Pleasure of His Company, October 1959; 2008-2009 Pops Series, September 2008-May 2009; The Premier Performance, October 6, 1990; Present Laughter, January 1997; Preservation Hall Jazz Band, November 19, 2000; The Price, January-February 1994; The Price, March-April 2008; The Prime of Miss Jean Brodie, 2006; Princess Ida, circa 2002; The Prisoner of Second Avenue, October 1971; Private Lives, July 2002; Private Lives, June 2014; Privates on Parade, September 2002; The Producers, July 2001; The Producers, August 2004; Promises, Promises, November 1968; Proof, July 2001; Proposals, October 1997; The Playhouse, January-February 1949; Pygmalion, February 1991.","Radio Theatre Live! May 9-10, 2001; Radio Theatre Live!, June 13-14, 2001; Radio Theatre Live!, July 18-19, 2001; Radio Theatre Live!, May 8-9, 2002; Radio Theatre Live!, July 10-11, 2002; Rags, August 1986; Ragtime, May 2009; Ragtime: The Musical, June 1998; The Real Thing, May 2000; Red Buttons in the Teahouse of the August Moon, July 1960; Red Herring, April 2009; The Reduced Shakespeare Company, March 1996; The Rehearsal, circa November 1963; Relatively Speaking, circa 1993; Burgess Meredith, August 1958; Rent, 1996;The Revengers' Comedies, March-June 1994; Rhinoceros, July 1962.","The Rhythm Club, September-October 2000; Richard III, circa 1990; The Rink, August 1996; The Rise and Fall of Annie Hall, April-May 2009; Risë Stevens, December 15, 1959; The Rivalry (no program), January 1958; The Rivals, August-October 2003; Robert Frost: Fire and Ice, circa 1990s; Rock'n'Roll, April 2009; Rocket to the Moon, September 2001; Romanoff and Juliet, November 1957; Romanoff and Juliet, 1957; Romeo \u0026 Juliet, April-May 1997; Room Service, June 1983; Rosencrantz and Guildenstern are Dead, May 2007; Rosencrantz and Guildenstern are Dead, September 1967.","The Rothschilds, August 1990; Rough Crossing, September 2003; The Rover, December 1981-February 1982; The Royal Family, October-November 1999; The Royal Family, December 1975-July 1976; The Royal Family, December 1975; The Washington Opera, December 1987; Ruddigore, May 1995; Rumors, November 1989; Rushmore, March-April 1993.","Sabrina Fair, August 1975; Salome, January-February 2015; Saltimbanco, 1993; Saturday Night, May 2004; Saturday, Sunday, Monday, November-January 1977; Say, Darling!, June 1959; Say, Darling!, June 1959; Scaramouche, September-October 2003; Scaramouche, September 1, 2003; The Scarlet Pimpernel, July 2000; The School for Scandal, May-June circa 2008; The School for Wives, February 1996; The School for Wives, February 1992; The Scottish Play, 2003; The Secret Garden, January 1993; The Secret of Sherlock Holmes, September 1988.","Separate Tables, September 1957; Separate Tables, September 1957; A Servant to Two Masters, April 2001; The Shadow of a Gunman, November 1958; Shakespeare in Hollywood, 2012; Shakespeare in Hollywood, September-October 2003; Shakespeare in Hollywood, circa 2002; Shakespeare in Washington, January 6, 2007; She Loves Me, November-December 2006; She Loves Me, October 1993; She Stoops to Conquer, February-March 1988; Shear Madness, November 1990; Shear Madness, February 1993; Sherlock Holmes, October 1974; Sherlock Holmes and the Case of the Purloined Patience, July-August 1997; Sherlock's Last Case, July 1987.","Shirley MacLaine, August 1982; Shmulnik's Waltz, 1996; Shmulnik's Waltz, February-March 1994; Sholom Aleichem: Laughter Through Tears, December 2008-January 2009; Show Girl, August 1961; Showboat, circa 1950s-1960s; Showboat, October 1994; Herb Shriner Entertains in An Evening of Unforgettable Humor and Music, 1959; Sideman, July 1999; Side Show, May-June 2000; Silk Stockings, circa 1950s-1960s; Sing Down the Moon, March-April 2000; Signature Sings Broadway in Ballston, June 23-25 2005; Singin' in the Rain, July 1986; The Sins of Sor Juana, November 1999; The Sisters Rosensweig, October 1993; The Sleeping Beauty (The National Ballet of Canada, September 1972); Sleuth, circa 1950s.","Sly Fox, June 2004; Social Security, July 1995; Solid Gold Cadillac, July 1956; Something's Afoot, November 8, 1973; A Sondheim Summer!, June 28-29 1994; The Sound of Music, 1964; South Pacific, August 1977; South Pacific, October 1958; South Pacific, August 1960; South Pacific, December 2002-February 2003; Souvenir, June 2007; Monty Python's Spamalot, June 2006; Spiele '36 or The Fourth Medal, September 1991; Stacy Keach: Solitary Confinement, February 1992; Standup Shakespeare, March-April 1994; State Fair, August-September 1995; State of the Union, October 2006.","Steel Magnolias, March 1989; Steel Pier, May 2000; The Stephen Schwartz Project, April-May 2008; \"You're Gonna Love Tomorrow\": A Stephen Sondheim Evening, 1996; A Stoop on Orchard Street, circa 2000s; She Stoops to Conquer, March 2002; Stop the World--I Want to Get Off, 1964; Stop the World--I Want to Get Off, 1964; Stones in His Pockets, circa 2000s; Strange Interlude, April 1963; A Streetcar Named Desire, August-September 1960; The Student Prince, circa 1970s; The Subject Was Roses, March 1966; Sugar, January 1972; Sunday in the Park with George, October 20, 1989; Sunrise at Campobello, June 1958; Sunset, 1994; The Sunshine Boys, December 1997; The Sunshine Boys, November 1972.","Swansong, circa 2006; Sweet Bird of Youth, October 1959; Sweet Smell of Success, April-May 2008; Sweet Ike, September 1996; Sweeney Todd, March 9, 2004; Sweeney Todd, September-October 1999; Sweeney Todd: The Demon Barber of Fleet Street, August 1979; Sylvia, July 1995; Sylvia's Real Good Advice, June-July 1993; Talley's Folly, 1982; The Taming of the Shrew and The Cherry Orchard, 1959; The Cherry Orchard, November 1959; The Taming of the Shrew, September-November 2007; The Tap Dance, March 1986; Tartuffe, July 1972; Tea and Sympathy, May 2, 1956.","The Tempest, September-October 1997; The Tenth Man, September-October 2010; The Tenth Man, December 1959; Terre des Femmes, n.d.; Tevya, July 1960; Tevya, 1960; A Texas Trilogy, May 1976; That Championship Season, circa 1950s; Theatre in the Dance, November 13, 1958; Things That Break, March 1997; Those Were The Days, December 1990; A Thousand Clowns, June 1996; The Three Musketeers, circa 2006-2007; Three Nights in Tehran, November 1996; The Three Sisters, 1963; Tigertigertiger, September 1997; Time for Elizabeth, July 1959; Groucho Marx, July 1959; The Time of Your Life, February 1972.","Time Remembered, October 1957; Time Remembered, circa 1957; The Titans, September 1, 2003; Tobacco Road, August 1959; Tobacco Road, June 1936; Too Jewish?, October 1995; Too True to Be Good, March 2000; A Touch of the Poet, October 1958; A Touch of the Poet, circa 1958; A Touch of the Poet, October-November 1997; Toys in the Attic, 1961; Toys in the Attic, August 1961; Travesties, 1996; Treasure Island, circa 2005-2006; Trevor, February 2017; A Tribute to Cy Coleman, October 7, 2008; The Triumph of Love, circa 1997; Tru, October 1991; A Tuna Christmas, December 1989; Twelve Angry Men, October 2006; Twentieth Century, August-October 2003; Theater J, May 1997; Two for the Seesaw, June 1958; Two Keys, February 1974; Twelve Angry Men, July 1960; Twelve Angry Men, July 1960.","Uncle Vanya, August 2011; Under Milk Wood, October 8, 1962; Utopia Limited, circa 2000; Vaudeville: Humor on the 20th Century Stage, November-December 1999; Verdict, July 1985; A View from the Bridge, November 1-2, 1957; The Visit, October 1958; The Visit, May-June 2008; Visit to a Small Planet, June 1958; Visiting Mr. Green, June 1998; Voice of the Prairie, April-May 1993; Volpone, April-June 1996; Waiting for Lefty, July-August 1976.","Waiting in the Wings, May 2000; Waiting in the Wings, 2010; The Wanhope Building, February 1947; War of the Worlds - The Radio Play, October 29, 2003; The Warm Peninsula, May 4, 1959; The Way of the World, October-November 1992; The Way of the World, September-November 2008; The Music of Andrew Lloyd Webber, December 1990; Welcome to my Rash/Psyche in Love/Third, August 31, 2003; West Side Story, January 1980; West Side Story, August 1995; The West Side Waltz, April 1982; What the Butler Saw, 2002; What the Butler Saw, April-May 1995.","When She Danced, August 1991; Whistle Down the Wind, December 1996; The White Devil, 1991; Who's Afraid of Virginia Woolf?, October 1996-March 1997' Widdershins, February-March 2011; The Will Rogers Follies: A Life in Revue, January 1994; Will Success Spoil Rock Hunter?, July-August 1957; Windjammer, June 14,1958; Windom Plays Thurber, December 1944; Wish You Were Here, circa 1950s-1960s; Wish You Were Here, circa 1950s-1960s; The Witches of Eastwick, June-July 2007; Witness for the Prosecution, August 1957; The Woman in Black, October 1996; Woman in Mind, January 2001.","The Women, January-February 1999; A Wonderful Life, Fall 1991, The Wonderful One-Hoss Shay, March-April 1996; Wonderful Town, March 2004; Wonderful Town, August 1957; Working, October 1997; The World According to Me!, June 1989; The World Goes 'Round: The Kander \u0026 Ebb Musical, June 1993; Write Me a Murder, November 1961; Write Me a Murder, August 1983; You Can't Take It With You, March 1983; You Can't Take It With You, April-June 1998; You Never Can Tell, June 1998; Zero Hour, August-September 2009; Ziegfield: Another Night at the Follies, circa 1990-1991; Zorba, October 1993.","110 in the Shade, circa 2002-2003; 1776, March 1969; 1776, December 1997; 1776, April 1989; 1776, 2003; The 1940s Radio Hour, circa 2004-2006; The 1940s Radio Hour, November-December 1978; Alfred Hitchcock's The 39 Steps, March 2010; Alfred Hitchcock's The 39 Steps, May 2008; Forty-Second Street: A Musical Comedy, June 1980; 70, Girls, 70, June 1991.","Clyde Beatty-Cole Bros. Circus, 1995; The Kennedy Center Eisenhower Theater Official Re-Opening, October 2008; Radio City Music Hall, Rockefeller Center, October 1958; Radio City Musical Hall, May 1978; Rockefeller Center, circa 1970s; Radio City Musical Hall, circa 1980s-1990s; Royal National Theatre: Making a Production at the National, circa 1990-1991; Saratoga Performing Arts Center, circa 1968; Steel Pier, 1957; Williamstown Sumer Theatre, 1962.","Almost Like Being In Love, 1952; Moonlight Bay, 1912; The Desert Song, 1927; Man of la Mancha, 1965; All the Time from Oh Captain!, 1958; Michelle, 1965; Havah Nagilah, 1961; Oklahoma, 1943; Hello, Dolly!, 1963; A Man and a Woman, 1966; Sunrise, Sunset, 1964; I Will Wait for You, 1967; My Man, 1920-1921; Raindrops Keep Fallin' On My Head, 1970; Somewhere, My Love; 1965-1966; Mame, 1966; Deep Purple, 1962; Mack the Knife, 1955; Surprise, 1958; You Don't Know Him, 1958; Clair de lune, 1927; The Carousel Waltz, 1945; More, 1963; Cabaret, 1966; Bali Ha'I, 1949; Some Enchanted Evening, 1949; Tonight, 1957; Who Can I Turn To (When Nobody Needs Me), 1964; As Long As He Needs Me, 1960; (I Wonder Why?) You're Just in Love, 1950; Star Dust, 1929; I Got Rhythm, 1930; I Got Rhythm, 1930; Of Thee I Sing, 1931; Someone to Watch Over Me, 1926; Someone to Watch Over Me, 1926; Bidin' My Time, 1930.","Larry Adler Harmonica Favorites, 1943; Melodic Masterpieces for Hohner Harmonicas, 1962; The King and I (Vocal Selections), circa 1951; Zero Mostel in Fiddler on the Roof (Vocal Selections), 1964; Gypsy (Book), 1960; Gypsy: A Musical Fable (Vocal Selections), circa 1959; Rodgers and Hammerstein's Carousel, circa 1956.","Content warning: Depiction of yellowface.","Czech poster for  Charlie Chan in London.","Content warning: Depiction of brown face.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","French poster available in this collection.","Content warning: Racist imagery.","Content warning: Depiction of yellowface.","\"Magia Negra\" Translates to \"Black Magic\" in English.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","English language poster available in the collection.","Content warning: Depiction of yellowface.","Adventures of Don Juan; Alexander the Great; Ali Baba and the Forty Thieves; Alias Boston Blackie; The Alphabet Murders; The Bachelor Party; The Bandit of Sherwood Forest; Barabbas; The Belles of St. Trinian's; Ben-Hur (2); The Big Fisherman; Blonde For a Day; Blondie in Society; Caesar and Cleopatra; Camelot; Captain from Castile; The Chance of a Lifetime; Christopher Columbus; Cleopatra (1963); Cleopatra (1934); Charge of the Lancers; Murder Over New York; Charlie Chan - The Feathered Serpent; Charlie Chan- Sky Dragon; Charlie Chan at Monte Carlo; Charlie Chan - The Red Dragon; Charlie Chan - Sky Dragon; Charlie Chan - The Feathered Serpent; Charlie Chan - The Feathered Serpent; Charlie Chan - The Feathered Serpent; A Close Call For Boston Blackie; The Colossus of Rhodes (6); The Corsican Brothers; Counter-Espionage; Counterspy Meets Scotland Yard; Cromwell; Danger Zone; Wilson; Désirée; Dick Tracy; Dick Tracy Meets \"Gruesome;\" Dick Tracy Returns; Doctor At Large; The Egyptian; Ellery Queen and the Murder Ring; Enemy Agents Meet Ellery Queen; The Falcon in Mexico; The Falcon in San Francisco;\nThe Fall of the Roman Empire (2); The Fall of the Roman Empire (4); Gone With the Wind; Henry Aldrich's Little Secret; Henry Aldrich Plays Cupid; In Old Mexico; Innocents in Paris; Ivanhoe; The Good Humor Man; Joe Palooka in the Squared Circle; Killer Leopard; Kim (9); King Richard and the Crusaders; Knights of the Round Table; Land of the Pharaohs; The Lavender Hill Mob; Lawrence of Arabia; The Leech Woman; Life Begins for Andy Hardy; The Little Hut; Lorna Doone; Lost in Alaska; Maisie; Me and the Colonel; Michael Shayne Private Detective; Modesty Blaise; Mr. Moto Takes a Chance; Murder Ahoy; Murder Most Foul; Nancy Drew-Trouble Shooter; North By Northwest; Northwest Passage; On Moonlight Bay; Outcast of Black Mesa; Passport to Suez; Pinnochio; Prince of Foxes; Private Lives; Quo Vadis (7); Rear Window; The Robe (2); Roman Holiday (2); The Saint's Girl Friday; Salome; Samson and Delilah (2); The Shadow Returns (3); Behind the Mask (2); Sherlock Holmes and the Secret Weapon; Unlabeled Sherlock Holmes film; Sign of the Pagan (2); Silver City Bonanza; Sleeping Beauty; Snow White and the Seven Dwarves; Solomon and Sheba; Something Wild; Song of the Thin Man; South Pacific; Sunrise at Campobello (7); Tarzan and the Mermaids; Tarzan and the Amazons; Tarzan's Magic Fountain; Tarzan's Secret Treasure; The Ten Commandments; Tom Brown's Schooldays; Tom Jones; Too Many Winners; Trail of the Rustlers; The Trojan Horse (4); Ulysses (5); Valley of the Head Hunters; The Vikings; Crime Doctor's Strange Case; Waterloo; The Whistler; Young Bess; The 300 Spartans (2).","Brownie Target Six-20 and Brownie Target Six-16.","Can be used with the glass lantern slides in Box 18.","Slides feature Mickey Mouse and other early Disney characters, as well as images from fairy tales.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys.","R 72, C 2, S 7-C 3, S 4\n\nMC 16.3, 16.4, 16.5, 32.4, 32.5, 34.5\n\nRSR 7.1, 8.1, 8.4","George Mason University. Libraries. Special Collections Research Center","Cohen, Martin B.","English"],"unitid_tesim":["C0335","/repositories/2/resources/622"],"normalized_title_ssm":["Martin Cohen theater collection"],"collection_title_tesim":["Martin Cohen theater collection"],"collection_ssim":["Martin Cohen theater collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Cohen, Martin B."],"creator_ssim":["Cohen, Martin B."],"creator_persname_ssim":["Cohen, Martin B."],"creators_ssim":["Cohen, Martin B."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Randolph Lytton in 2019."],"access_subjects_ssim":["Film posters","Musical Theater","Plays","Theater","Filmmaking (Motion pictures)"],"access_subjects_ssm":["Film posters","Musical Theater","Plays","Theater","Filmmaking (Motion pictures)"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet 18 boxes, 6 map cases, 2 triangle boxes"],"extent_tesim":["15 Linear Feet 18 boxes, 6 map cases, 2 triangle boxes"],"date_range_isim":[1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series based on format.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Playbills, 1936-2017 (Boxes 1-12)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Sheet Music, 1912-1969 (Boxes 12-13)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Personal Papers, 1915-1996 (Boxes 13-14)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Posters, 1816-2013 (Map Case 32.5, Tubes 1-17, Box 16)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Artifacts, 1915-1955 (Boxes 15, 17-18, Map Case 32.4)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series based on format.","Series Series 1: Playbills, 1936-2017 (Boxes 1-12) Series 2: Sheet Music, 1912-1969 (Boxes 12-13) Series 3: Personal Papers, 1915-1996 (Boxes 13-14) Series 4: Posters, 1816-2013 (Map Case 32.5, Tubes 1-17, Box 16) Series 5: Artifacts, 1915-1955 (Boxes 15, 17-18, Map Case 32.4)"],"bibliography_html_tesm":["\u003cp\u003e\"Martin B. Cohen.\" Albany Times Union, March 28, 2019. https://www.legacy.com/us/obituaries/timesunion-albany/name/martin-cohen-obituary?id=5036932.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Martin B. Cohen.\" Albany Times Union, March 28, 2019. https://www.legacy.com/us/obituaries/timesunion-albany/name/martin-cohen-obituary?id=5036932."],"bioghist_html_tesm":["\u003cp\u003eMartin B. Cohen was born in Albany, New York, the son of David and Betty Cohen. He began his career as a teacher at Giffen Elementary School and Hackett Middle School in Albany, New York. He later obtained a master's degree from Cornell University and a Ph.D. from George Washington University. Following his graduate education, Cohen became a professor of American history at George Mason University. He taught at George Mason University for 35 years. Cohen enjoyed travel and theather and was engaged as a lecturer and collector of the arts. Cohen passed away at the age of 81 on March 24, 2019. He is interred in the Beth Emeth Cemetery in Loudonville, New York.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Martin B. Cohen was born in Albany, New York, the son of David and Betty Cohen. He began his career as a teacher at Giffen Elementary School and Hackett Middle School in Albany, New York. He later obtained a master's degree from Cornell University and a Ph.D. from George Washington University. Following his graduate education, Cohen became a professor of American history at George Mason University. He taught at George Mason University for 35 years. Cohen enjoyed travel and theather and was engaged as a lecturer and collector of the arts. Cohen passed away at the age of 81 on March 24, 2019. He is interred in the Beth Emeth Cemetery in Loudonville, New York."],"prefercite_html_tesm":["\u003cp\u003eMartin Cohen theater collection, C0335, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Martin Cohen theater collection, C0335, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Kelsey Kim in March 2022. Arrangement decisions were made in conjunction with Elizabeth Beckman. The collection was surveyed and arranged by format, including alphabetizing of the playbills based upon their extent. EAD markup by Elizabeth Beckman in March 2022. \u003c/p\u003e","\u003cp\u003eAdditional processing and finding aid updates completed by Amanda Menjivar in May 2022. Inventory updated by Amanda Menjivar with assistance from Madeline Puppos in August 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Kelsey Kim in March 2022. Arrangement decisions were made in conjunction with Elizabeth Beckman. The collection was surveyed and arranged by format, including alphabetizing of the playbills based upon their extent. EAD markup by Elizabeth Beckman in March 2022. ","Additional processing and finding aid updates completed by Amanda Menjivar in May 2022. Inventory updated by Amanda Menjivar with assistance from Madeline Puppos in August 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe George Mason University Special Collections Research Center holdings include other collections pertaining to theatre and film, including the \u003cextptr show=\"new\" title=\"Motion picture press kit collection\" href=\"https://aspace.gmu.edu/resources/c0107\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Robert Prosky papers\" href=\"https://aspace.gmu.edu/resources/c0022\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Cynthia Garn film production collection\" href=\"https://aspace.gmu.edu/resources/c0009\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"Charles Rodrigues playbill collection\" href=\"https://aspace.gmu.edu/resources/c0184\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The George Mason University Special Collections Research Center holdings include other collections pertaining to theatre and film, including the  , the  , the  , and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains primarily collectible material from various stage performances and motion picture filmmaking. Stage performance includes playbills and programs from the performances Cohen attended, often including ticket stubs from the performance, and other programs related to different venues in the Washington, D.C. area. There are numerous film posters of various sizes used to advertise upcoming films, and pressbooks to accompany film marketing. There are pages and books of sheet music from a variety of films and musicals. There are some personal papers as well, including a term paper written by Cohen, theater magazines, comic books, photographs, and a record album scrapbook. Among the artifacts included in this collection are a number of projectors and cameras for film, animation films cells, and toys.\u003c/p\u003e","\u003cp\u003eThe Abbey, October 1990; Abracadabra, 1960; Accent on Youth, May 2009; Adding Machine: A Musical, 2009; The Adding Machine, 1991; The Adventures of Sherlock Holmes, January 2016; Advise and Consent, 1961; Agatha Sings!, 2001; Ah, Wilderness!, September/October 2007; Jil Aigrot, March 2009; Alfie!, November 1964; Alice in Wonderland: An Adult Musical Comedy, 2004; All the King's Men, October 1987; Allegro, 2004; The Tale of the Allergist's Wife, August 2001; Wolf Trap Tenth Anniversary Season, 1980 season; The Andersonville Trial, July/August 2001; The Andersonville Trial, 1959-1960.\u003c/p\u003e","\u003cp\u003eAngels in America, circa 1999-2000; Andrew Lloyd Webber, Music of the Night, 1993; Animal Crackers, 1999; Animal Crackers, circa 1981-1982; Annie, March 1977; Annie 2: Miss Hannigan's Revenge, January 1990; Annie Get Your Gun, August 1966; Annie Get Your Gun, June 1948; Annie Get Your Gun, July 1960; Annie Get Your Gun (Rewrite), January 1999; The Second Annual Great American Musicals in Concert Benefit, 2008-2009.\u003c/p\u003e","\u003cp\u003eAnything Goes, October 1988; Anything Goes, August 1958; Anything Goes, circa 1959; Applause, 1979; The Apple Tree, May-June 1994; Arcadia, April/May 1999; Are You Now or Have You Ever Been, circa 1974-1975; Louis Armstrong, August 1964; Around the World in 80 Days, 1965; ART, 1997; As You Like It, February-April 1997; As You Like It, 2007; As You Like It, June 2007; Aspects of Love, circa 1990s; Assassins, August-October 1992; Assassins, June 2004.\u003c/p\u003e","\u003cp\u003eAugust Wilson's 20th Century, April 2008; Auntie Mame, November 1957; Auntie Mame; November 1957; Awake and Sing!, January-March 2006; Awake and Sing!, April-June 1971; The Andersonville Trial, May-June 1967; Back to Methuselah, February 1958; Proms 91, August 1991; Bad Seed, August 1957; The Ballad of the Sad Café, circa 1963-1965.\u003c/p\u003e","\u003cp\u003eBarrymore, 1997; Barnum; June 1981; Baskerville: A Sherlock Holmes Mystery, 2014-2015; Baskerville, 2012; The Barretts of Wimpole Street, 1948-1949; Beau Jest, August 1993; The Beauty Queen of Leenane, June 1998; the Beaux' Stratagem, November-December 2006; Bedroom Farce, 1979; Bee-luther-hatchee, September 2001.\u003c/p\u003e","\u003cp\u003eBelafonte in Person, August 1968; Bells are Ringing, n.d.; Bells are Ringing, July 1998; Bells are Ringing, August 1959; Benchley Despite Himself, February-March 2003; Benchley Despite Himself, February-March 2003; A Tale of the Christ, 1959; Ben-Hur, November 1959; Benefactors, December 1985; Berlin Cabaret, UFA Revue, May 1992; Bermuda Avenue Triangle, June 1997; The Best Man, January 1962; Betty Buckley, February 2000; Betty the Yeti, November 1996; Betty the Yeti, November 1996; Betty the Yeti, November 1996; Beyond the Fringe, February 1992; Beyond the Rising Moon, 1987; Beyond Therapy, May 1997; Big River: The Adventures of Huckleberry Finn, circa 1995-1996.\u003c/p\u003e","\u003cp\u003eThe Big Show of 1936, June 1972; Birthday Suite, May 1994; Black and Blue, May 1989; In Conversation, November 2009; Blithe Spirit, March 2015; Blithe Spirit, August 1962; Blithe Spirit, 1996; Blithe Spirit, May 2009; Blood Brothers, 1988; Blue Denim, 1958; Blue Denim, 1958; Blue Denim, 1959; Boccaccio, November-December 1974; Boomtown, November 1994; Edwin Booth, November 1958; Born Yesterday, circa 1948-1949; Bounce, October-November 2003; Breakfast with Les \u0026amp; Bess, 1981.\u003c/p\u003e","\u003cp\u003eBreaking Legs, November 1992; Brigadoon, 1980; Brigadoon, 1957; Brigadoon, 1963; Brighton Beach Memoirs, July 1985; Broadway Bound, November 1986; Broadway: Three Generations, October 2008; A Broadway Christmas, 2015; Broadway Up Close and Personal: A Tribute to Frank Loesser, 2010; Brother Russia, 2012; Bubbling Brown Sugar, circa 1976-1977; Down at the Old Bull \u0026amp; Bush, April-June 1997; Bus Stop, August 1958; Bus Stop, 1958; By George!, April 1990; By Jeeves, June-August 1997; Bye Bye Birdie, July 1962; Bye Bye Birdie, December 1991.\u003c/p\u003e","\u003cp\u003eCabaret, 1988; Cabaret, April 1968; Cabaret, 1995; Show of Shows: Sid Caesar, August 1984; Cafe Crown, March 1989; Call Me Ethel, circa 2009; Camelot, 1961; Camelot, circa November 2003-January 2004; Camelot, 1981; Camille, August-September 1998; John Campbell \u0026amp; Chris Whitley, October 1992; Camp Logan, n.d.; Camping with Henry \u0026amp; Tom, October-November 1997; Can-Can, August 1958; Can-Can, August 1958; Candide, March-May 1996; Candide, October 1971.\u003c/p\u003e","\u003cp\u003eThe Canterbury Tales, April 2006; Cantorial: A Ghost Story, October-November 2012; Cantorial, March 1989; The Caretaker, June 1991; Carmelina, March 1979; Carnival, October 1962; Carnival!, February 2007; Carousel, Setepmber 1957; Carousel, 2016-2017; Carousel, 1957; Carousel, 1959; Carousel, September 1957; Carousel, 1959; Cat on a Hot Tin Roof, August 1958.\u003c/p\u003e","\u003cp\u003eCats, September 1987; Catskills, 1993; Charley's Aunt, July 1959;  Charlie and Algernon, July 1980; Chicago, January 1997; Chicago, October 1989; Children of the Shadows, circa early 1960s; Child's Play, May 1970; The Children's Hour, June /July 1936; The Children's Hour, September 1995; A Chorus of Disapproval, December 1988-February 1989; A Chorus Line, October 1977; A Christmas Carol, 1996; Radio City Christmas Spectacular, 1993; Cinerama Holiday, circa 1950s; City of Angels, August 1990.\u003c/p\u003e","\u003cp\u003eCleo Laine, July 1983; The Cleveland Orchestra, February 1966; Cloud Nine, March 1997; Clown Around Town, 2000/2001; The Cocoanuts, 1988; The Cocoanuts, December 1996; The Comedie Francaise, March 1966; The Comedians, January 2005; The Comedians, February 2005; The Comedy of Errors, November 2005-January 2006; The Comedy of Errors, circa 1990; Communicating Doors, circa November 1999; Company, October 1995; Company, July 1970; Company, October-November 1993; Company, June 2002.\u003c/p\u003e","\u003cp\u003eThe Complete History of America, June 1995; Barbara Cook, March 1985;  Barbara Cook, September 2007;  Barbara Cook: A Broadway Evening,  1984; An Evening of Song with Barbara Cook, December 1993; Copenhagen, 2000; Coriolanus, April 2007; The Count of Monte Cristo, May 1985; The Countess, July/August 2000; Country Current, October 1992; The Country Wife, March-May, 2000; Crazy for You, 1991.\u003c/p\u003e","\u003cp\u003eThe Creation of the World and Other Business, October 1972; Crimes of the Heart, March 1982; Crossing Delancey, circa 1997; Crossing Delancey, April-May 2009; The Crucible, 2007; The Crummles' Christmas Carol, December 2002; Crystal, November 1997; Curtains, July 2007; Cyrano, April-June 2011; Damn Yankees, July 1995; Damn Yankees, December 2005-February 2006; Dancing at Lughnasa, August 1991; Danny \u0026amp; Sylvia: A Musical Love Story, September-October 2001; Danny \u0026amp; Sylvia, A Musical Love Story, 2002; Danzalta, March-April 1994.\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs, June 1958; The Dark at the Top of the Stairs, June 1958; Dear Liar, circa 1959; Dear Liar, 1959; Dear World, July-August, 2003; Death of a Salesman, 1976; Deathtrap, July 1979; Desert Song, 1959; Desert Song, 1959; Design for Living, 2009; Detective Story, July, 1949; Diamond Orchid, January 1965; Diary of Anne Frank, June-July 1959; The Diary of Anne Frank, 1959; The Diary of Anne Frank, December 1997; Dick Hyman, June 1997; Die Walküre, October 2002; Dirty Blonde, May 2000, Dirty Blonde, August-October, 2009; Disney Fantasia, February 2016.\u003c/p\u003e","\u003cp\u003eDo Re Mi, March 1961; The Dock Brief, July 1962; Doctor Faustus, circa 1998-1999; Melvyn Douglas in Inherit the Wind, January 1957; Dr. Cook's Garden, September-October 2008; The Drowsy Chaperone, 2011; The Drowsy Chaperone, September 2006; Dracula, June 1978; Drat the Cat, September 1965; Dream of a Common Language, March-April 1994; Dream of a Common Language, circa 1990s; Drums in the Night, August 1961; Duel of Angels, May 1960; Duke Ellington's Sophisticated Ladies, April 1989; Dylan, February 1964.\u003c/p\u003e","\u003cp\u003eEastern Standard, March 1989; The Education of H*Y*M*A*N K*A*P*L*A*N, circa 1980s; Edwin Booth, November 1958; Either Or, September 2006; El Virgen, September 2005; The Elephant Man, February 1980; Eleanor: An American Love Story, March-June 1999; Elmer Gantry, 1995; The Enchanted, March 1973; Enter Laughing: The Musical, Spring/Summer 2009; Enter Laughing: The Musical, Winter 2009; Enter Laughing: The Musical, circa 1950s or 1960s; Enter Laughing: The Musical, circa 1950s or 1960s; Ethel, 1985; The Ethel Merman Show, circa 1960; The Ethel Merman Show, June 1963; An Evening to Remember, June 6, 1994; Evita, September/October 1981.\u003c/p\u003e","\u003cp\u003eThe City of Fairfax Band, April 30, 1989; Fairfax Symphony Orchestra, October 1990; Fairy Tales of New York, July 1962; The Fall of the House of Usher, September-October 2007; Fallen Angels, June-July 1958; Fallen Angels, June-July 1958; Fallen Angels, June-July 1958; Falling Waters, September 2003; Fanny's First Play, March-April 2006; The Fantasticks, 1996; Faulkner's Bicycle, November 1995; Feis Eireann, January 1967; Fiddler on the Roof, 1989; Fiddler on the Roof, August 1968; Chico Marx, August 1956; Chico Marx, August 1956; Fiorello!, February 2013; The 5th Annual First Light Festival, March 2005; The 7th Annual First Light Festival, March 2007; First You Dream: The Music of Kander \u0026amp; Ebb, September 2009; The Firstborn, May 1958; Eddie Fisher and Buddy Hackett, June 1967; The Fishkin Touch, June 1998; The Fix, March 1998.\u003c/p\u003e","\u003cp\u003eA Flag is Born, March-April 2004; A Flag is Born, March-April 2004; The Flick, 2016; Flight, June 1986; Flower Drum Song, July 1961; Flower Drum Song, July 1961; Floyd Collins, June 2016; The Flying Karamazov Brothers, November 1991; The Flying Karamazo Brothers' Room Service, August-October 1997; Dan Fogelberg with his band, May 2003; Follies, April-June 2003; Follies, December 1971; Follies, circa 1998-2000; Follies, June 2011; Forbidden Broadway, 1989; Forbidden Broadway, 2002; Forbidden Broadway, 2001: A Spoof Odyssey, July 2001; Forbidden Broadway: Special Victims Unit, October 2008; Forbidden Broadway, October 2000.\u003c/p\u003e","\u003cp\u003eForbidden Hollywood, April 2004; Return to the Forbidden Planet, circa 1991; The Foreigner, September-October 2009; Forever Ivor, 1994; Fortune's Fool, 2002; Forty Carats, 1971; Four on a Garden, November 1970; The Four Seasons Dinner Theater, 1979/1980; A Fox on the Fairway, 2010; Frankie and Johnny in the Claire de Lune, September 1988; Frost Nixon, July 2007; Fosse, December 2000; A Funny Thing Happened on the Way to the Forum, October-November 2001; A Funny Thing Happened on the Way to the Forum, July 1996; A Funny Thing Happened on the Way to the Forum, crica 1960s; A Funny Thing Happened on the Way to the Forum, December 1962.\u003c/p\u003e","\u003cp\u003eGalileo, August 1980; The Game's Afoot, circa 2010s; The Game of Love \u0026amp; Chance, 2009; The Gang's All Here, November 1959; The Gathering, July/August 1999; The Gazebo, 1960; The Gazebo, 1960; George Gershwin Alone, 2004; George and Ira Gershwin Celebrating the Inauguration..., May 1989; Gentlemen Prefer Blondes, July 1950; George - Don't Do That!, September/October 1999; George M!, circa 1970s-1980s; The Ghost Sonata, 1964; Gideon, 1961; The Gin Game, May 1979; The Gin Game, George Mason University (n.d).; Girl Crazy, 1960; Girl Crazy, 1960; The Golden Land, 2012; The Golden Land, December 1985; Goodbye Charlie, 1960; Goodbye Charlie, 1960; Goodnight Desdemona, May 1998.\u003c/p\u003e","\u003cp\u003eGrand Hotel, December 1990; A Grand Night for Singing, October 1993; The Grand Tour, Spring 2009; Grandma Sylvia's Funeral, October 1995; The Grapes of Wrath, 1989; Grease, 1974; Great Expectations: The Musical, August-September 1998; Tammy Grimes, November 2010; Grimm Tales, March-April 1999; Gross Indecency: The Three Trials of Oscar Wilde, April-May 2009; Guys and Dolls, May 1993; Guys and Dolls, December 1999 - February 2000; Guys and Dolls, 1960; Gypsy, 1961; Gypsy, June 2003; Gypsy, August 1974; Gypsy, August 1962; Gypsy, August 1962.\u003c/p\u003e","\u003cp\u003eHadrian VII, March 1970; Sheldon Harnick, April 20, 2009; Hair, May 1971; Halcyon Days, September-October 1992; Hamlet, 1967; Hamlet, 1964; Marvin Hamlisch, November 2009; Happy Hunting, August 1957; The Happy Time, April-June 2008; Harvey, November-December 2015; Hay Fever, 1985; Heartbreak House, November 2003; Heartbreak House, February-March 1999; Heartbreak House, September 2006; Hedda Gabler, 1971.\u003c/p\u003e","\u003cp\u003eThe Heidi Chronicles, May 1989; Hello, Dolly! August-September, 1994; Hello, Jerry!, May 2003; Hello, Muddah, Hello, Fadduh!, circa 1990s; Hello, Muddah, Hello, Faddah!, 1996; Hellzapoppin, July-August 2007; Henceforward, circa 1989; Jerry Herman, September 20, 2007; The Music of Jerry Herman, May 10, 1992; High Button Shoes, August 1948; High Spirits, 1984; The Highest Yellow, 2004; Jerome Hines, February 19, 1958.\u003c/p\u003e","\u003cp\u003eThe History Boys, 2008; The History Boys, September 2006; The History of Invulnerability, June-July 2012; H.M.S. Pinafore, July-August 1995; H.M.S. Pinafore, January 1988; A Hole in the Head, July 1962; A Hole in the Head, July 1962; Holiday for Lovers, August 1958; Holiday for Lovers, August 1958; The Hollow, February 1999; Hollywood Pinafore, September-October 2000; Bob Hope Show, September 1958 (tickets); Hostile Witness, January 1966; House, 2002; How the Other Half Loves, March 1971; How to Succeed in Business Without Really Trying!, February 1995; How to Succeed in Business...Without Really Trying!, May 1992; The Huggett Family, August 1972; Hurly Burly, 1984.\u003c/p\u003e","\u003cp\u003eThe Iceman Cometh, October 1960; I Could Stop on a Dime and Get Ten Cents Change (A Ballroom Drama), March-April 1995; I Do! I Do!, October 1966; If/Then, November 2013; I Hate Hamlet, July-August 1992; Iolanthe or The Peer and the Peri, Spring 2004; I'm Not Rappaport, April 1987; The Immigrant, October-November 1992; The Importance of Being Earnest, November-December 2004; Indian Ink, 1999; Indiscretions (Les Parents Terribles), July 1995; Inherit the Wind, August 1957; Inherit the Wind, September-November 2000; Inherit the Wind, August 1957.\u003c/p\u003e","\u003cp\u003eAn Inspector Calls, October 1994; An Inspector Calls, circa 1940s; Into the Woods, 1994; Into the Woods, July 2002; Into the Woods, October 1988; The Invention of Love, March 2001; Irene, February 1973; Irma La Douce, July 1963; Irma la Douce, July 1963; The Irving Berlin Centennial, 1987; Isle of Children, March 1962; Isn't It Romantic, 1985; Eugene Istomin, October 31, 1958; It's a Bird...It's a Plane...It's Superman, March 2013; Ivanov, April 1966.\u003c/p\u003e","\u003cp\u003eJacques Brel,  circa 1983-1987; Janus, June 1957; Jazz Folk 1959; July 1959; J.B., November 16, 1959; Jeeves Takes Charge, 1982; Jerome Robbins Broadway, March 1989; Jesus Christ Superstar, August 1990; The Jockey Club Stakes, November 1972; Jolson the Musical, Autumn 1996; Jumpers, June 2004; June Moon, December 1983; June Moon newspaper article, 1983.\u003c/p\u003e","\u003cp\u003eKafka's Dick, December 2007; Kapelye, April 1994; Karen Akers, March 13, 1992; Danny Kaye with the Earl Brown Singers, July 1968; Danny Kaye, Guest Conductor with the Boston Symphony Orchestra, July 13, 1961; An Evening with Danny Kaye, July-August 2014; An Evening with Danny Kaye, August 2014; The King and I, August 1958; The King and I, August 1958; King John, January-March 1999; King Lear, circa 1961-1962; The King Stag, December 2000; Kismet, July 1959; Kismet, September 1965; Kismet, October 1965; Kismet, September 1965; Kiss Me Kate, July 1958; Kiss Me, Kate, July 2001; Kiss of the Spider Woman, August 1993; Alexandria Kleztet: Klezmer Quarter, November 16, 2004; The Klezmer Conservatory Band, April 13, 1989; Alison Krauss and Union Station, June 1996.\u003c/p\u003e","\u003cp\u003eLa Bohème, November 27, 1961; La Cage aux folles, August 1984; Lady Be Good, circa 1950s (probably 1953); The Lady from the Sea, September-October 2000; Lady in the Dark, April-May 1998; Lady Windermere's Fan, June-July 2005; The Last Living Newspaper, January-February 1993; Last of the Red Hot Lovers, circa 1960s; The Late Edwina Black, October-December 1996; Laughing Matters, May 1989; Laughter on the 23rd Floor, May 1994; Laughing Stock, September 2015; Leading Ladies, October 2005; The Left Hand of Justice, September 4, 2004; Legends, August 1986 , November 27, 1961; La Cage aux folles, August 1984; Lady Be Good, circa 1950s (probably 1953); The Lady from the Sea, September-October 2000; Lady in the Dark, April-May 1998; Lady Windermere's Fan, June-July 2005; The Last Living Newspaper, January-February 1993; Last of the Red Hot Lovers, circa 1960s; The Late Edwina Black, October-December 1996; Laughing Matters, May 1989; Laughter on the 23rd Floor, May 1994; Laughing Stock, September 2015; Leading Ladies, October 2005; The Left Hand of Justice, September 4, 2004; Legends, August 1986.\u003c/p\u003e","\u003cp\u003eLes Misérables, February 1987; Les Misérables, December 2008-February 2009; Let My People Come, 1974; Let Us Be Gay, October-November 1949; Lettice and Lovage, October 1987; Life with Father, May 1990; Life with Father, November 2008-January 2009; Life with Father, June 1947; Life with Father, June 1947; Light Up the Sky, December 1987-January 1988; Li'l Abner, circa 1950s-1960s; The Lion King, August 2000; A Little Hotel on the Side, January 1992; A Little Hotel on the Side, January 1992.\u003c/p\u003e","\u003cp\u003eA Little Night Music, April 1974;  A Little Night Music, August 2002; A Little Night Music, August 1998; A Little Night Music, August-October 2017; A Little Night Music, circa 1974-1975; A Little Night Music, June 2010; A Little Night Music, March-April 2008; Live Wire, 1998; The Living, September-October 1994; The Loman Family Picnic, July-August 1996; Look Homeward, Angel, March 1958; London Assurance, November 1974; George London, December 1960; Lord Arthur Savile's Crime, February-March 2010; Love's Labor's Lost, June-July 2006; Lovers, June 1969.\u003c/p\u003e","\u003cp\u003eMacbeth, circa 1961-1972; Macbeth, June-September 1961; Macbeth, September-November 1995; Machinal, June-July 2004; Mack \u0026amp; Mabel, September 1974; Madigan's Lock, June-July 1970; Mahalia: A Gospel Musical, January-March 2010; Major Barbara, July 2001; A Majority of One, circa November 1959; A Majority of One, November 1959; Mame, May-July 2006; Mame, July 1968; A Man for All Seasons, June 1962; Man of la Mancha, March 1967; Man of la Mancha, August-September 1996.\u003c/p\u003e","\u003cp\u003eThe Man Who Came to Dinner, November-December 1989; Marching Down Broadway, October 19, 1991; The Marriage, May 1958; Marriage-Go-Round, July 1961; In-Person, Dean Martin \u0026amp; Jerry Lewis with Polly Bergen at the Palace Theatre, n.d. (no program); Martine, August 1961; The Matchmaker, November-December 1995; The Madwoman of Chaillot, July 1958; The Matchmaker, 1962; The Matchmaker, 1962; Mating Cries, September 1998; An Evening with Donna McKechnie: My Musical Comedy Life, April 20, 2002; Me and My Girl, August 1988; Me, Third, May 28, 1986; Me, Third, May 28, 1986; The Memorandum, September 1999; Merrily We Roll Along, January-April 1990; Merrily We Roll Along, October circa 2010s; Merrily We Roll Along, September-October 2007; Merrily We Roll Along, July 2002; Merry Widow, August 1959; Merry Widow, August 1959; The Merry Wives of Windsor, March-May 1998.\u003c/p\u003e","\u003cp\u003eMetropolis, March 1989; Sam Levene, July 1958; Sam Levene, July 1958; James Mason, July-August 1958; James Mason, July-August 1958; Milk \u0026amp; Honey, 1968; Milk \u0026amp; Honey, circa 1994; Mildred Miller, March 6, 1962; The Miracle Worker, March 22, 1962; Misalliance, November 1994-January 1995; The Misanthrope, February 1975; The Miser, October-November 1996; Mississippi Pinocchio, March 2002; Miss Saigon, September 1989; A Month in the Country, April-June 1995; Moon Over Buffalo, January-February 2004; Moonlights \u0026amp; Magnolias, April-May 2011; Morning's at Seven, July 2002; Most Happy Fella, circa 1940s-1950s; Most Happy Fella, circa 1940s-1950s.\u003c/p\u003e","\u003cp\u003eMostly Sondheim, June 2002; Mourning Becomes Electra, April-June 1997; Agathie Christie's The Mousetrap, 2011; Mrs. Klein, October 1996; Mrs. Warren's Profession, July-August 1996; Much Ado About Nothing, July-August 1997; Much Ado About Nothing, February-April 1992; Music Is, November 1976; The Music Man, August-September 1978; The Music Man, October 10, 1961; The Music Man, October 10, 1961; The Musical of Musicals, May 2004; My Fair Lady, March 1962; My Fair Lady, March 1962; My Fair Lady, circa 1960s; My Fair Lady, August 1981.\u003c/p\u003e","\u003cp\u003eMy Name is Alice, 1987; My One and Only, March 1985; The Mystery of Edwin Drood, December 23, 1985; Nancy Drew, Girl Detective, circa 1992; Napoleon, February 1982; Nathan the Wise, October 2001; National Repertory Theatre, December 1965; National Symphony Orchestra, July 19, 1970; Nights at the Movies: The Golden Age of Film Music, September 12, 2008; Marvin Hamlisch and the National Symphony Orchestra, October 2000-June 2001; National Symphony Orchestra, August 25, 1989; Naughty Marietta, August-September 1961; Naughty Marietta, December 31, 1979.\u003c/p\u003e","\u003cp\u003eThe Nerd, September-October 1996; Never the Sinner, August 1997;  Never the Sinner, March-April 2013; Never Too Late, June 1969; New Girl in Town, March 13-14 circa 1958; New Girl in Town, March 13-14 circa 1958; The New Music Hall of Israel, January 1970; New York City Ballet, July 1991; The New York City Opera, June 1988; The New York Pops, March 1989; The Night Hank William Died, May 1989; The Night of January 16th,  February-March 1949; The Night of the Iguana, June 1962; Nina, July 1959; Nina, July 1959; Nine, May 1983.\u003c/p\u003e","\u003cp\u003eNixon's Nixon, March-April 1999; Ninotchka, February 1982; No Time for Sergeants, December 13, 1957; No Time for Sergeants, December 13, 1957; No Way to Treat a Lady, January 1997; Noel and Gertie, November-December 2003; Noël and Gertie, October-November 1987; Noises Off, November 1983; Noises Off!, January 1990; Nude with Violin, circa 1957-1958; Nude with Violin, September 2010; The Odd Couple, March 1965; Odyssey: A Musical Play, January 1975; Of Thee I Sing, September-November 1992; Of Thee I Sing, June 1987.\u003c/p\u003e","\u003cp\u003eOh! Calcutta!, July 1970; Oh Captain!, April 1958; Oh Captain!, March 1958; Oh Captain!, 1958; Oh Captain!, February 1958; Oh Coward!, October 1998; The Old Neighborhood, December 1997; Old Times, March 1972; Romeo and Juliet, March 1962; Old Wicked Songs, November 1997; Oliver!, October-November 1997; Oliver!, June 1964; On the Town, April 1989; On the Twentieth Century, circa 1991; On Your Toes, December 1982; Once in a Lifetime, October 1983; Once More, With Feeling, September 1959.\u003c/p\u003e","\u003cp\u003eOne Night with Fanny Brice, November 2010; One-Third of a Nation, May 1991; Onward Victoria, September 14, 1987; Opus, September 2007; Othello, July 1961; Othello, 1981; Othello, November 1957; Other Desert Cities, 2013; Our Town, August 1959; Over \u0026amp; Over, January-February 1999; Over My Dead Body, February 1989; Pacific Overtures, December 1975; Pacific Overtures, 2004; Page-to-Stage, September 2004; Page-to-Stage, September 2004; Page-to-Stage, September 2004; The Pajama Game, August 1958; The Pajama Game, March-April 1989; The Pajama Game, circa 1990s; The Pajama Game, August 1958; Pal Joey, July 1959; Pal Joey, July 1959; Pangs of the Messiah, June-July 2007.\u003c/p\u003e","\u003cp\u003eA Party with Betty Comden and Adolph Green, October 1992; A Party to Murder, October-November 2016; Passion, July 2002; Passion, May 1994; Passion, April 1996; Patience, May 1997; A Patriot for Me, September 1969; The Perfect Party, January 1987; Perfect Crime, circa 1990s; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, circa 1998; Pericles, Prince of Tyre, March 1990; Perseus Bayou, circa 2000; Perseus Bayou, April 26, 2003; Perseus Bayou, March-April 2001; The Pirates of Penzance, July-September 2001; The Phantom of the Opera, 1989; The Phantom of the Opera, September 1991.\u003c/p\u003e","\u003cp\u003eThe Piano Lesson, April-May 2005; Philadelphia Here I Come!, December 1966; The Philadelphia Orchestra, circa 1971-1972; Philip Glass Ensemble, 1985; Photo Finish, April 1963; The Physicists, September 1964; Piaf, October 2004; Pickwick, September 1965; Pins and Needles, 1989; Pippin, October 1972; The Pirates of Penzance, November 1964; Plain and Fancy, March 15-16, 1957; Bad Seed, August 1957; The Play's the Thing, April-May 2006; The Play's the Thing, July 1995.\u003c/p\u003e","\u003cp\u003eThe Pleasure of His Company, October 1959; 2008-2009 Pops Series, September 2008-May 2009; The Premier Performance, October 6, 1990; Present Laughter, January 1997; Preservation Hall Jazz Band, November 19, 2000; The Price, January-February 1994; The Price, March-April 2008; The Prime of Miss Jean Brodie, 2006; Princess Ida, circa 2002; The Prisoner of Second Avenue, October 1971; Private Lives, July 2002; Private Lives, June 2014; Privates on Parade, September 2002; The Producers, July 2001; The Producers, August 2004; Promises, Promises, November 1968; Proof, July 2001; Proposals, October 1997; The Playhouse, January-February 1949; Pygmalion, February 1991.\u003c/p\u003e","\u003cp\u003eRadio Theatre Live! May 9-10, 2001; Radio Theatre Live!, June 13-14, 2001; Radio Theatre Live!, July 18-19, 2001; Radio Theatre Live!, May 8-9, 2002; Radio Theatre Live!, July 10-11, 2002; Rags, August 1986; Ragtime, May 2009; Ragtime: The Musical, June 1998; The Real Thing, May 2000; Red Buttons in the Teahouse of the August Moon, July 1960; Red Herring, April 2009; The Reduced Shakespeare Company, March 1996; The Rehearsal, circa November 1963; Relatively Speaking, circa 1993; Burgess Meredith, August 1958; Rent, 1996;The Revengers' Comedies, March-June 1994; Rhinoceros, July 1962.\u003c/p\u003e","\u003cp\u003eThe Rhythm Club, September-October 2000; Richard III, circa 1990; The Rink, August 1996; The Rise and Fall of Annie Hall, April-May 2009; Risë Stevens, December 15, 1959; The Rivalry (no program), January 1958; The Rivals, August-October 2003; Robert Frost: Fire and Ice, circa 1990s; Rock'n'Roll, April 2009; Rocket to the Moon, September 2001; Romanoff and Juliet, November 1957; Romanoff and Juliet, 1957; Romeo \u0026amp; Juliet, April-May 1997; Room Service, June 1983; Rosencrantz and Guildenstern are Dead, May 2007; Rosencrantz and Guildenstern are Dead, September 1967.\u003c/p\u003e","\u003cp\u003eThe Rothschilds, August 1990; Rough Crossing, September 2003; The Rover, December 1981-February 1982; The Royal Family, October-November 1999; The Royal Family, December 1975-July 1976; The Royal Family, December 1975; The Washington Opera, December 1987; Ruddigore, May 1995; Rumors, November 1989; Rushmore, March-April 1993.\u003c/p\u003e","\u003cp\u003eSabrina Fair, August 1975; Salome, January-February 2015; Saltimbanco, 1993; Saturday Night, May 2004; Saturday, Sunday, Monday, November-January 1977; Say, Darling!, June 1959; Say, Darling!, June 1959; Scaramouche, September-October 2003; Scaramouche, September 1, 2003; The Scarlet Pimpernel, July 2000; The School for Scandal, May-June circa 2008; The School for Wives, February 1996; The School for Wives, February 1992; The Scottish Play, 2003; The Secret Garden, January 1993; The Secret of Sherlock Holmes, September 1988.\u003c/p\u003e","\u003cp\u003eSeparate Tables, September 1957; Separate Tables, September 1957; A Servant to Two Masters, April 2001; The Shadow of a Gunman, November 1958; Shakespeare in Hollywood, 2012; Shakespeare in Hollywood, September-October 2003; Shakespeare in Hollywood, circa 2002; Shakespeare in Washington, January 6, 2007; She Loves Me, November-December 2006; She Loves Me, October 1993; She Stoops to Conquer, February-March 1988; Shear Madness, November 1990; Shear Madness, February 1993; Sherlock Holmes, October 1974; Sherlock Holmes and the Case of the Purloined Patience, July-August 1997; Sherlock's Last Case, July 1987.\u003c/p\u003e","\u003cp\u003eShirley MacLaine, August 1982; Shmulnik's Waltz, 1996; Shmulnik's Waltz, February-March 1994; Sholom Aleichem: Laughter Through Tears, December 2008-January 2009; Show Girl, August 1961; Showboat, circa 1950s-1960s; Showboat, October 1994; Herb Shriner Entertains in An Evening of Unforgettable Humor and Music, 1959; Sideman, July 1999; Side Show, May-June 2000; Silk Stockings, circa 1950s-1960s; Sing Down the Moon, March-April 2000; Signature Sings Broadway in Ballston, June 23-25 2005; Singin' in the Rain, July 1986; The Sins of Sor Juana, November 1999; The Sisters Rosensweig, October 1993; The Sleeping Beauty (The National Ballet of Canada, September 1972); Sleuth, circa 1950s.\u003c/p\u003e","\u003cp\u003eSly Fox, June 2004; Social Security, July 1995; Solid Gold Cadillac, July 1956; Something's Afoot, November 8, 1973; A Sondheim Summer!, June 28-29 1994; The Sound of Music, 1964; South Pacific, August 1977; South Pacific, October 1958; South Pacific, August 1960; South Pacific, December 2002-February 2003; Souvenir, June 2007; Monty Python's Spamalot, June 2006; Spiele '36 or The Fourth Medal, September 1991; Stacy Keach: Solitary Confinement, February 1992; Standup Shakespeare, March-April 1994; State Fair, August-September 1995; State of the Union, October 2006.\u003c/p\u003e","\u003cp\u003eSteel Magnolias, March 1989; Steel Pier, May 2000; The Stephen Schwartz Project, April-May 2008; \"You're Gonna Love Tomorrow\": A Stephen Sondheim Evening, 1996; A Stoop on Orchard Street, circa 2000s; She Stoops to Conquer, March 2002; Stop the World--I Want to Get Off, 1964; Stop the World--I Want to Get Off, 1964; Stones in His Pockets, circa 2000s; Strange Interlude, April 1963; A Streetcar Named Desire, August-September 1960; The Student Prince, circa 1970s; The Subject Was Roses, March 1966; Sugar, January 1972; Sunday in the Park with George, October 20, 1989; Sunrise at Campobello, June 1958; Sunset, 1994; The Sunshine Boys, December 1997; The Sunshine Boys, November 1972.\u003c/p\u003e","\u003cp\u003eSwansong, circa 2006; Sweet Bird of Youth, October 1959; Sweet Smell of Success, April-May 2008; Sweet Ike, September 1996; Sweeney Todd, March 9, 2004; Sweeney Todd, September-October 1999; Sweeney Todd: The Demon Barber of Fleet Street, August 1979; Sylvia, July 1995; Sylvia's Real Good Advice, June-July 1993; Talley's Folly, 1982; The Taming of the Shrew and The Cherry Orchard, 1959; The Cherry Orchard, November 1959; The Taming of the Shrew, September-November 2007; The Tap Dance, March 1986; Tartuffe, July 1972; Tea and Sympathy, May 2, 1956.\u003c/p\u003e","\u003cp\u003eThe Tempest, September-October 1997; The Tenth Man, September-October 2010; The Tenth Man, December 1959; Terre des Femmes, n.d.; Tevya, July 1960; Tevya, 1960; A Texas Trilogy, May 1976; That Championship Season, circa 1950s; Theatre in the Dance, November 13, 1958; Things That Break, March 1997; Those Were The Days, December 1990; A Thousand Clowns, June 1996; The Three Musketeers, circa 2006-2007; Three Nights in Tehran, November 1996; The Three Sisters, 1963; Tigertigertiger, September 1997; Time for Elizabeth, July 1959; Groucho Marx, July 1959; The Time of Your Life, February 1972.\u003c/p\u003e","\u003cp\u003eTime Remembered, October 1957; Time Remembered, circa 1957; The Titans, September 1, 2003; Tobacco Road, August 1959; Tobacco Road, June 1936; Too Jewish?, October 1995; Too True to Be Good, March 2000; A Touch of the Poet, October 1958; A Touch of the Poet, circa 1958; A Touch of the Poet, October-November 1997; Toys in the Attic, 1961; Toys in the Attic, August 1961; Travesties, 1996; Treasure Island, circa 2005-2006; Trevor, February 2017; A Tribute to Cy Coleman, October 7, 2008; The Triumph of Love, circa 1997; Tru, October 1991; A Tuna Christmas, December 1989; Twelve Angry Men, October 2006; Twentieth Century, August-October 2003; Theater J, May 1997; Two for the Seesaw, June 1958; Two Keys, February 1974; Twelve Angry Men, July 1960; Twelve Angry Men, July 1960.\u003c/p\u003e","\u003cp\u003eUncle Vanya, August 2011; Under Milk Wood, October 8, 1962; Utopia Limited, circa 2000; Vaudeville: Humor on the 20th Century Stage, November-December 1999; Verdict, July 1985; A View from the Bridge, November 1-2, 1957; The Visit, October 1958; The Visit, May-June 2008; Visit to a Small Planet, June 1958; Visiting Mr. Green, June 1998; Voice of the Prairie, April-May 1993; Volpone, April-June 1996; Waiting for Lefty, July-August 1976.\u003c/p\u003e","\u003cp\u003eWaiting in the Wings, May 2000; Waiting in the Wings, 2010; The Wanhope Building, February 1947; War of the Worlds - The Radio Play, October 29, 2003; The Warm Peninsula, May 4, 1959; The Way of the World, October-November 1992; The Way of the World, September-November 2008; The Music of Andrew Lloyd Webber, December 1990; Welcome to my Rash/Psyche in Love/Third, August 31, 2003; West Side Story, January 1980; West Side Story, August 1995; The West Side Waltz, April 1982; What the Butler Saw, 2002; What the Butler Saw, April-May 1995.\u003c/p\u003e","\u003cp\u003eWhen She Danced, August 1991; Whistle Down the Wind, December 1996; The White Devil, 1991; Who's Afraid of Virginia Woolf?, October 1996-March 1997' Widdershins, February-March 2011; The Will Rogers Follies: A Life in Revue, January 1994; Will Success Spoil Rock Hunter?, July-August 1957; Windjammer, June 14,1958; Windom Plays Thurber, December 1944; Wish You Were Here, circa 1950s-1960s; Wish You Were Here, circa 1950s-1960s; The Witches of Eastwick, June-July 2007; Witness for the Prosecution, August 1957; The Woman in Black, October 1996; Woman in Mind, January 2001.\u003c/p\u003e","\u003cp\u003eThe Women, January-February 1999; A Wonderful Life, Fall 1991, The Wonderful One-Hoss Shay, March-April 1996; Wonderful Town, March 2004; Wonderful Town, August 1957; Working, October 1997; The World According to Me!, June 1989; The World Goes 'Round: The Kander \u0026amp; Ebb Musical, June 1993; Write Me a Murder, November 1961; Write Me a Murder, August 1983; You Can't Take It With You, March 1983; You Can't Take It With You, April-June 1998; You Never Can Tell, June 1998; Zero Hour, August-September 2009; Ziegfield: Another Night at the Follies, circa 1990-1991; Zorba, October 1993.\u003c/p\u003e","\u003cp\u003e110 in the Shade, circa 2002-2003; 1776, March 1969; 1776, December 1997; 1776, April 1989; 1776, 2003; The 1940s Radio Hour, circa 2004-2006; The 1940s Radio Hour, November-December 1978; Alfred Hitchcock's The 39 Steps, March 2010; Alfred Hitchcock's The 39 Steps, May 2008; Forty-Second Street: A Musical Comedy, June 1980; 70, Girls, 70, June 1991.\u003c/p\u003e","\u003cp\u003eClyde Beatty-Cole Bros. Circus, 1995; The Kennedy Center Eisenhower Theater Official Re-Opening, October 2008; Radio City Music Hall, Rockefeller Center, October 1958; Radio City Musical Hall, May 1978; Rockefeller Center, circa 1970s; Radio City Musical Hall, circa 1980s-1990s; Royal National Theatre: Making a Production at the National, circa 1990-1991; Saratoga Performing Arts Center, circa 1968; Steel Pier, 1957; Williamstown Sumer Theatre, 1962.\u003c/p\u003e","\u003cp\u003eAlmost Like Being In Love, 1952; Moonlight Bay, 1912; The Desert Song, 1927; Man of la Mancha, 1965; All the Time from Oh Captain!, 1958; Michelle, 1965; Havah Nagilah, 1961; Oklahoma, 1943; Hello, Dolly!, 1963; A Man and a Woman, 1966; Sunrise, Sunset, 1964; I Will Wait for You, 1967; My Man, 1920-1921; Raindrops Keep Fallin' On My Head, 1970; Somewhere, My Love; 1965-1966; Mame, 1966; Deep Purple, 1962; Mack the Knife, 1955; Surprise, 1958; You Don't Know Him, 1958; Clair de lune, 1927; The Carousel Waltz, 1945; More, 1963; Cabaret, 1966; Bali Ha'I, 1949; Some Enchanted Evening, 1949; Tonight, 1957; Who Can I Turn To (When Nobody Needs Me), 1964; As Long As He Needs Me, 1960; (I Wonder Why?) You're Just in Love, 1950; Star Dust, 1929; I Got Rhythm, 1930; I Got Rhythm, 1930; Of Thee I Sing, 1931; Someone to Watch Over Me, 1926; Someone to Watch Over Me, 1926; Bidin' My Time, 1930.\u003c/p\u003e","\u003cp\u003eLarry Adler Harmonica Favorites, 1943; Melodic Masterpieces for Hohner Harmonicas, 1962; The King and I (Vocal Selections), circa 1951; Zero Mostel in Fiddler on the Roof (Vocal Selections), 1964; Gypsy (Book), 1960; Gypsy: A Musical Fable (Vocal Selections), circa 1959; Rodgers and Hammerstein's Carousel, circa 1956.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e\n","\u003cp\u003eCzech poster for \u003citalic\u003eCharlie Chan in London.\u003c/italic\u003e\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of brown face.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e\n","\u003cp\u003eFrench poster available in this collection.\u003c/p\u003e","\u003cp\u003eContent warning: Racist imagery.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e\n","\u003cp\u003e\"Magia Negra\" Translates to \"Black Magic\" in English.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e\n","\u003cp\u003eEnglish language poster available in the collection.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAdventures of Don Juan; Alexander the Great; Ali Baba and the Forty Thieves; Alias Boston Blackie; The Alphabet Murders; The Bachelor Party; The Bandit of Sherwood Forest; Barabbas; The Belles of St. Trinian's; Ben-Hur (2); The Big Fisherman; Blonde For a Day; Blondie in Society; Caesar and Cleopatra; Camelot; Captain from Castile; The Chance of a Lifetime; Christopher Columbus; Cleopatra (1963); Cleopatra (1934); Charge of the Lancers; Murder Over New York; Charlie Chan - The Feathered Serpent; Charlie Chan- Sky Dragon; Charlie Chan at Monte Carlo; Charlie Chan - The Red Dragon; Charlie Chan - Sky Dragon; Charlie Chan - The Feathered Serpent; Charlie Chan - The Feathered Serpent; Charlie Chan - The Feathered Serpent; A Close Call For Boston Blackie; The Colossus of Rhodes (6); The Corsican Brothers; Counter-Espionage; Counterspy Meets Scotland Yard; Cromwell; Danger Zone; Wilson; Désirée; Dick Tracy; Dick Tracy Meets \"Gruesome;\" Dick Tracy Returns; Doctor At Large; The Egyptian; Ellery Queen and the Murder Ring; Enemy Agents Meet Ellery Queen; The Falcon in Mexico; The Falcon in San Francisco;\nThe Fall of the Roman Empire (2); The Fall of the Roman Empire (4); Gone With the Wind; Henry Aldrich's Little Secret; Henry Aldrich Plays Cupid; In Old Mexico; Innocents in Paris; Ivanhoe; The Good Humor Man; Joe Palooka in the Squared Circle; Killer Leopard; Kim (9); King Richard and the Crusaders; Knights of the Round Table; Land of the Pharaohs; The Lavender Hill Mob; Lawrence of Arabia; The Leech Woman; Life Begins for Andy Hardy; The Little Hut; Lorna Doone; Lost in Alaska; Maisie; Me and the Colonel; Michael Shayne Private Detective; Modesty Blaise; Mr. Moto Takes a Chance; Murder Ahoy; Murder Most Foul; Nancy Drew-Trouble Shooter; North By Northwest; Northwest Passage; On Moonlight Bay; Outcast of Black Mesa; Passport to Suez; Pinnochio; Prince of Foxes; Private Lives; Quo Vadis (7); Rear Window; The Robe (2); Roman Holiday (2); The Saint's Girl Friday; Salome; Samson and Delilah (2); The Shadow Returns (3); Behind the Mask (2); Sherlock Holmes and the Secret Weapon; Unlabeled Sherlock Holmes film; Sign of the Pagan (2); Silver City Bonanza; Sleeping Beauty; Snow White and the Seven Dwarves; Solomon and Sheba; Something Wild; Song of the Thin Man; South Pacific; Sunrise at Campobello (7); Tarzan and the Mermaids; Tarzan and the Amazons; Tarzan's Magic Fountain; Tarzan's Secret Treasure; The Ten Commandments; Tom Brown's Schooldays; Tom Jones; Too Many Winners; Trail of the Rustlers; The Trojan Horse (4); Ulysses (5); Valley of the Head Hunters; The Vikings; Crime Doctor's Strange Case; Waterloo; The Whistler; Young Bess; The 300 Spartans (2).\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eBrownie Target Six-20 and Brownie Target Six-16.\u003c/p\u003e","\u003cp\u003eCan be used with the glass lantern slides in Box 18.\u003c/p\u003e","\u003cp\u003eSlides feature Mickey Mouse and other early Disney characters, as well as images from fairy tales.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains primarily collectible material from various stage performances and motion picture filmmaking. Stage performance includes playbills and programs from the performances Cohen attended, often including ticket stubs from the performance, and other programs related to different venues in the Washington, D.C. area. There are numerous film posters of various sizes used to advertise upcoming films, and pressbooks to accompany film marketing. There are pages and books of sheet music from a variety of films and musicals. There are some personal papers as well, including a term paper written by Cohen, theater magazines, comic books, photographs, and a record album scrapbook. Among the artifacts included in this collection are a number of projectors and cameras for film, animation films cells, and toys.","The Abbey, October 1990; Abracadabra, 1960; Accent on Youth, May 2009; Adding Machine: A Musical, 2009; The Adding Machine, 1991; The Adventures of Sherlock Holmes, January 2016; Advise and Consent, 1961; Agatha Sings!, 2001; Ah, Wilderness!, September/October 2007; Jil Aigrot, March 2009; Alfie!, November 1964; Alice in Wonderland: An Adult Musical Comedy, 2004; All the King's Men, October 1987; Allegro, 2004; The Tale of the Allergist's Wife, August 2001; Wolf Trap Tenth Anniversary Season, 1980 season; The Andersonville Trial, July/August 2001; The Andersonville Trial, 1959-1960.","Angels in America, circa 1999-2000; Andrew Lloyd Webber, Music of the Night, 1993; Animal Crackers, 1999; Animal Crackers, circa 1981-1982; Annie, March 1977; Annie 2: Miss Hannigan's Revenge, January 1990; Annie Get Your Gun, August 1966; Annie Get Your Gun, June 1948; Annie Get Your Gun, July 1960; Annie Get Your Gun (Rewrite), January 1999; The Second Annual Great American Musicals in Concert Benefit, 2008-2009.","Anything Goes, October 1988; Anything Goes, August 1958; Anything Goes, circa 1959; Applause, 1979; The Apple Tree, May-June 1994; Arcadia, April/May 1999; Are You Now or Have You Ever Been, circa 1974-1975; Louis Armstrong, August 1964; Around the World in 80 Days, 1965; ART, 1997; As You Like It, February-April 1997; As You Like It, 2007; As You Like It, June 2007; Aspects of Love, circa 1990s; Assassins, August-October 1992; Assassins, June 2004.","August Wilson's 20th Century, April 2008; Auntie Mame, November 1957; Auntie Mame; November 1957; Awake and Sing!, January-March 2006; Awake and Sing!, April-June 1971; The Andersonville Trial, May-June 1967; Back to Methuselah, February 1958; Proms 91, August 1991; Bad Seed, August 1957; The Ballad of the Sad Café, circa 1963-1965.","Barrymore, 1997; Barnum; June 1981; Baskerville: A Sherlock Holmes Mystery, 2014-2015; Baskerville, 2012; The Barretts of Wimpole Street, 1948-1949; Beau Jest, August 1993; The Beauty Queen of Leenane, June 1998; the Beaux' Stratagem, November-December 2006; Bedroom Farce, 1979; Bee-luther-hatchee, September 2001.","Belafonte in Person, August 1968; Bells are Ringing, n.d.; Bells are Ringing, July 1998; Bells are Ringing, August 1959; Benchley Despite Himself, February-March 2003; Benchley Despite Himself, February-March 2003; A Tale of the Christ, 1959; Ben-Hur, November 1959; Benefactors, December 1985; Berlin Cabaret, UFA Revue, May 1992; Bermuda Avenue Triangle, June 1997; The Best Man, January 1962; Betty Buckley, February 2000; Betty the Yeti, November 1996; Betty the Yeti, November 1996; Betty the Yeti, November 1996; Beyond the Fringe, February 1992; Beyond the Rising Moon, 1987; Beyond Therapy, May 1997; Big River: The Adventures of Huckleberry Finn, circa 1995-1996.","The Big Show of 1936, June 1972; Birthday Suite, May 1994; Black and Blue, May 1989; In Conversation, November 2009; Blithe Spirit, March 2015; Blithe Spirit, August 1962; Blithe Spirit, 1996; Blithe Spirit, May 2009; Blood Brothers, 1988; Blue Denim, 1958; Blue Denim, 1958; Blue Denim, 1959; Boccaccio, November-December 1974; Boomtown, November 1994; Edwin Booth, November 1958; Born Yesterday, circa 1948-1949; Bounce, October-November 2003; Breakfast with Les \u0026 Bess, 1981.","Breaking Legs, November 1992; Brigadoon, 1980; Brigadoon, 1957; Brigadoon, 1963; Brighton Beach Memoirs, July 1985; Broadway Bound, November 1986; Broadway: Three Generations, October 2008; A Broadway Christmas, 2015; Broadway Up Close and Personal: A Tribute to Frank Loesser, 2010; Brother Russia, 2012; Bubbling Brown Sugar, circa 1976-1977; Down at the Old Bull \u0026 Bush, April-June 1997; Bus Stop, August 1958; Bus Stop, 1958; By George!, April 1990; By Jeeves, June-August 1997; Bye Bye Birdie, July 1962; Bye Bye Birdie, December 1991.","Cabaret, 1988; Cabaret, April 1968; Cabaret, 1995; Show of Shows: Sid Caesar, August 1984; Cafe Crown, March 1989; Call Me Ethel, circa 2009; Camelot, 1961; Camelot, circa November 2003-January 2004; Camelot, 1981; Camille, August-September 1998; John Campbell \u0026 Chris Whitley, October 1992; Camp Logan, n.d.; Camping with Henry \u0026 Tom, October-November 1997; Can-Can, August 1958; Can-Can, August 1958; Candide, March-May 1996; Candide, October 1971.","The Canterbury Tales, April 2006; Cantorial: A Ghost Story, October-November 2012; Cantorial, March 1989; The Caretaker, June 1991; Carmelina, March 1979; Carnival, October 1962; Carnival!, February 2007; Carousel, Setepmber 1957; Carousel, 2016-2017; Carousel, 1957; Carousel, 1959; Carousel, September 1957; Carousel, 1959; Cat on a Hot Tin Roof, August 1958.","Cats, September 1987; Catskills, 1993; Charley's Aunt, July 1959;  Charlie and Algernon, July 1980; Chicago, January 1997; Chicago, October 1989; Children of the Shadows, circa early 1960s; Child's Play, May 1970; The Children's Hour, June /July 1936; The Children's Hour, September 1995; A Chorus of Disapproval, December 1988-February 1989; A Chorus Line, October 1977; A Christmas Carol, 1996; Radio City Christmas Spectacular, 1993; Cinerama Holiday, circa 1950s; City of Angels, August 1990.","Cleo Laine, July 1983; The Cleveland Orchestra, February 1966; Cloud Nine, March 1997; Clown Around Town, 2000/2001; The Cocoanuts, 1988; The Cocoanuts, December 1996; The Comedie Francaise, March 1966; The Comedians, January 2005; The Comedians, February 2005; The Comedy of Errors, November 2005-January 2006; The Comedy of Errors, circa 1990; Communicating Doors, circa November 1999; Company, October 1995; Company, July 1970; Company, October-November 1993; Company, June 2002.","The Complete History of America, June 1995; Barbara Cook, March 1985;  Barbara Cook, September 2007;  Barbara Cook: A Broadway Evening,  1984; An Evening of Song with Barbara Cook, December 1993; Copenhagen, 2000; Coriolanus, April 2007; The Count of Monte Cristo, May 1985; The Countess, July/August 2000; Country Current, October 1992; The Country Wife, March-May, 2000; Crazy for You, 1991.","The Creation of the World and Other Business, October 1972; Crimes of the Heart, March 1982; Crossing Delancey, circa 1997; Crossing Delancey, April-May 2009; The Crucible, 2007; The Crummles' Christmas Carol, December 2002; Crystal, November 1997; Curtains, July 2007; Cyrano, April-June 2011; Damn Yankees, July 1995; Damn Yankees, December 2005-February 2006; Dancing at Lughnasa, August 1991; Danny \u0026 Sylvia: A Musical Love Story, September-October 2001; Danny \u0026 Sylvia, A Musical Love Story, 2002; Danzalta, March-April 1994.","The Dark at the Top of the Stairs, June 1958; The Dark at the Top of the Stairs, June 1958; Dear Liar, circa 1959; Dear Liar, 1959; Dear World, July-August, 2003; Death of a Salesman, 1976; Deathtrap, July 1979; Desert Song, 1959; Desert Song, 1959; Design for Living, 2009; Detective Story, July, 1949; Diamond Orchid, January 1965; Diary of Anne Frank, June-July 1959; The Diary of Anne Frank, 1959; The Diary of Anne Frank, December 1997; Dick Hyman, June 1997; Die Walküre, October 2002; Dirty Blonde, May 2000, Dirty Blonde, August-October, 2009; Disney Fantasia, February 2016.","Do Re Mi, March 1961; The Dock Brief, July 1962; Doctor Faustus, circa 1998-1999; Melvyn Douglas in Inherit the Wind, January 1957; Dr. Cook's Garden, September-October 2008; The Drowsy Chaperone, 2011; The Drowsy Chaperone, September 2006; Dracula, June 1978; Drat the Cat, September 1965; Dream of a Common Language, March-April 1994; Dream of a Common Language, circa 1990s; Drums in the Night, August 1961; Duel of Angels, May 1960; Duke Ellington's Sophisticated Ladies, April 1989; Dylan, February 1964.","Eastern Standard, March 1989; The Education of H*Y*M*A*N K*A*P*L*A*N, circa 1980s; Edwin Booth, November 1958; Either Or, September 2006; El Virgen, September 2005; The Elephant Man, February 1980; Eleanor: An American Love Story, March-June 1999; Elmer Gantry, 1995; The Enchanted, March 1973; Enter Laughing: The Musical, Spring/Summer 2009; Enter Laughing: The Musical, Winter 2009; Enter Laughing: The Musical, circa 1950s or 1960s; Enter Laughing: The Musical, circa 1950s or 1960s; Ethel, 1985; The Ethel Merman Show, circa 1960; The Ethel Merman Show, June 1963; An Evening to Remember, June 6, 1994; Evita, September/October 1981.","The City of Fairfax Band, April 30, 1989; Fairfax Symphony Orchestra, October 1990; Fairy Tales of New York, July 1962; The Fall of the House of Usher, September-October 2007; Fallen Angels, June-July 1958; Fallen Angels, June-July 1958; Fallen Angels, June-July 1958; Falling Waters, September 2003; Fanny's First Play, March-April 2006; The Fantasticks, 1996; Faulkner's Bicycle, November 1995; Feis Eireann, January 1967; Fiddler on the Roof, 1989; Fiddler on the Roof, August 1968; Chico Marx, August 1956; Chico Marx, August 1956; Fiorello!, February 2013; The 5th Annual First Light Festival, March 2005; The 7th Annual First Light Festival, March 2007; First You Dream: The Music of Kander \u0026 Ebb, September 2009; The Firstborn, May 1958; Eddie Fisher and Buddy Hackett, June 1967; The Fishkin Touch, June 1998; The Fix, March 1998.","A Flag is Born, March-April 2004; A Flag is Born, March-April 2004; The Flick, 2016; Flight, June 1986; Flower Drum Song, July 1961; Flower Drum Song, July 1961; Floyd Collins, June 2016; The Flying Karamazov Brothers, November 1991; The Flying Karamazo Brothers' Room Service, August-October 1997; Dan Fogelberg with his band, May 2003; Follies, April-June 2003; Follies, December 1971; Follies, circa 1998-2000; Follies, June 2011; Forbidden Broadway, 1989; Forbidden Broadway, 2002; Forbidden Broadway, 2001: A Spoof Odyssey, July 2001; Forbidden Broadway: Special Victims Unit, October 2008; Forbidden Broadway, October 2000.","Forbidden Hollywood, April 2004; Return to the Forbidden Planet, circa 1991; The Foreigner, September-October 2009; Forever Ivor, 1994; Fortune's Fool, 2002; Forty Carats, 1971; Four on a Garden, November 1970; The Four Seasons Dinner Theater, 1979/1980; A Fox on the Fairway, 2010; Frankie and Johnny in the Claire de Lune, September 1988; Frost Nixon, July 2007; Fosse, December 2000; A Funny Thing Happened on the Way to the Forum, October-November 2001; A Funny Thing Happened on the Way to the Forum, July 1996; A Funny Thing Happened on the Way to the Forum, crica 1960s; A Funny Thing Happened on the Way to the Forum, December 1962.","Galileo, August 1980; The Game's Afoot, circa 2010s; The Game of Love \u0026 Chance, 2009; The Gang's All Here, November 1959; The Gathering, July/August 1999; The Gazebo, 1960; The Gazebo, 1960; George Gershwin Alone, 2004; George and Ira Gershwin Celebrating the Inauguration..., May 1989; Gentlemen Prefer Blondes, July 1950; George - Don't Do That!, September/October 1999; George M!, circa 1970s-1980s; The Ghost Sonata, 1964; Gideon, 1961; The Gin Game, May 1979; The Gin Game, George Mason University (n.d).; Girl Crazy, 1960; Girl Crazy, 1960; The Golden Land, 2012; The Golden Land, December 1985; Goodbye Charlie, 1960; Goodbye Charlie, 1960; Goodnight Desdemona, May 1998.","Grand Hotel, December 1990; A Grand Night for Singing, October 1993; The Grand Tour, Spring 2009; Grandma Sylvia's Funeral, October 1995; The Grapes of Wrath, 1989; Grease, 1974; Great Expectations: The Musical, August-September 1998; Tammy Grimes, November 2010; Grimm Tales, March-April 1999; Gross Indecency: The Three Trials of Oscar Wilde, April-May 2009; Guys and Dolls, May 1993; Guys and Dolls, December 1999 - February 2000; Guys and Dolls, 1960; Gypsy, 1961; Gypsy, June 2003; Gypsy, August 1974; Gypsy, August 1962; Gypsy, August 1962.","Hadrian VII, March 1970; Sheldon Harnick, April 20, 2009; Hair, May 1971; Halcyon Days, September-October 1992; Hamlet, 1967; Hamlet, 1964; Marvin Hamlisch, November 2009; Happy Hunting, August 1957; The Happy Time, April-June 2008; Harvey, November-December 2015; Hay Fever, 1985; Heartbreak House, November 2003; Heartbreak House, February-March 1999; Heartbreak House, September 2006; Hedda Gabler, 1971.","The Heidi Chronicles, May 1989; Hello, Dolly! August-September, 1994; Hello, Jerry!, May 2003; Hello, Muddah, Hello, Fadduh!, circa 1990s; Hello, Muddah, Hello, Faddah!, 1996; Hellzapoppin, July-August 2007; Henceforward, circa 1989; Jerry Herman, September 20, 2007; The Music of Jerry Herman, May 10, 1992; High Button Shoes, August 1948; High Spirits, 1984; The Highest Yellow, 2004; Jerome Hines, February 19, 1958.","The History Boys, 2008; The History Boys, September 2006; The History of Invulnerability, June-July 2012; H.M.S. Pinafore, July-August 1995; H.M.S. Pinafore, January 1988; A Hole in the Head, July 1962; A Hole in the Head, July 1962; Holiday for Lovers, August 1958; Holiday for Lovers, August 1958; The Hollow, February 1999; Hollywood Pinafore, September-October 2000; Bob Hope Show, September 1958 (tickets); Hostile Witness, January 1966; House, 2002; How the Other Half Loves, March 1971; How to Succeed in Business Without Really Trying!, February 1995; How to Succeed in Business...Without Really Trying!, May 1992; The Huggett Family, August 1972; Hurly Burly, 1984.","The Iceman Cometh, October 1960; I Could Stop on a Dime and Get Ten Cents Change (A Ballroom Drama), March-April 1995; I Do! I Do!, October 1966; If/Then, November 2013; I Hate Hamlet, July-August 1992; Iolanthe or The Peer and the Peri, Spring 2004; I'm Not Rappaport, April 1987; The Immigrant, October-November 1992; The Importance of Being Earnest, November-December 2004; Indian Ink, 1999; Indiscretions (Les Parents Terribles), July 1995; Inherit the Wind, August 1957; Inherit the Wind, September-November 2000; Inherit the Wind, August 1957.","An Inspector Calls, October 1994; An Inspector Calls, circa 1940s; Into the Woods, 1994; Into the Woods, July 2002; Into the Woods, October 1988; The Invention of Love, March 2001; Irene, February 1973; Irma La Douce, July 1963; Irma la Douce, July 1963; The Irving Berlin Centennial, 1987; Isle of Children, March 1962; Isn't It Romantic, 1985; Eugene Istomin, October 31, 1958; It's a Bird...It's a Plane...It's Superman, March 2013; Ivanov, April 1966.","Jacques Brel,  circa 1983-1987; Janus, June 1957; Jazz Folk 1959; July 1959; J.B., November 16, 1959; Jeeves Takes Charge, 1982; Jerome Robbins Broadway, March 1989; Jesus Christ Superstar, August 1990; The Jockey Club Stakes, November 1972; Jolson the Musical, Autumn 1996; Jumpers, June 2004; June Moon, December 1983; June Moon newspaper article, 1983.","Kafka's Dick, December 2007; Kapelye, April 1994; Karen Akers, March 13, 1992; Danny Kaye with the Earl Brown Singers, July 1968; Danny Kaye, Guest Conductor with the Boston Symphony Orchestra, July 13, 1961; An Evening with Danny Kaye, July-August 2014; An Evening with Danny Kaye, August 2014; The King and I, August 1958; The King and I, August 1958; King John, January-March 1999; King Lear, circa 1961-1962; The King Stag, December 2000; Kismet, July 1959; Kismet, September 1965; Kismet, October 1965; Kismet, September 1965; Kiss Me Kate, July 1958; Kiss Me, Kate, July 2001; Kiss of the Spider Woman, August 1993; Alexandria Kleztet: Klezmer Quarter, November 16, 2004; The Klezmer Conservatory Band, April 13, 1989; Alison Krauss and Union Station, June 1996.","La Bohème, November 27, 1961; La Cage aux folles, August 1984; Lady Be Good, circa 1950s (probably 1953); The Lady from the Sea, September-October 2000; Lady in the Dark, April-May 1998; Lady Windermere's Fan, June-July 2005; The Last Living Newspaper, January-February 1993; Last of the Red Hot Lovers, circa 1960s; The Late Edwina Black, October-December 1996; Laughing Matters, May 1989; Laughter on the 23rd Floor, May 1994; Laughing Stock, September 2015; Leading Ladies, October 2005; The Left Hand of Justice, September 4, 2004; Legends, August 1986 , November 27, 1961; La Cage aux folles, August 1984; Lady Be Good, circa 1950s (probably 1953); The Lady from the Sea, September-October 2000; Lady in the Dark, April-May 1998; Lady Windermere's Fan, June-July 2005; The Last Living Newspaper, January-February 1993; Last of the Red Hot Lovers, circa 1960s; The Late Edwina Black, October-December 1996; Laughing Matters, May 1989; Laughter on the 23rd Floor, May 1994; Laughing Stock, September 2015; Leading Ladies, October 2005; The Left Hand of Justice, September 4, 2004; Legends, August 1986.","Les Misérables, February 1987; Les Misérables, December 2008-February 2009; Let My People Come, 1974; Let Us Be Gay, October-November 1949; Lettice and Lovage, October 1987; Life with Father, May 1990; Life with Father, November 2008-January 2009; Life with Father, June 1947; Life with Father, June 1947; Light Up the Sky, December 1987-January 1988; Li'l Abner, circa 1950s-1960s; The Lion King, August 2000; A Little Hotel on the Side, January 1992; A Little Hotel on the Side, January 1992.","A Little Night Music, April 1974;  A Little Night Music, August 2002; A Little Night Music, August 1998; A Little Night Music, August-October 2017; A Little Night Music, circa 1974-1975; A Little Night Music, June 2010; A Little Night Music, March-April 2008; Live Wire, 1998; The Living, September-October 1994; The Loman Family Picnic, July-August 1996; Look Homeward, Angel, March 1958; London Assurance, November 1974; George London, December 1960; Lord Arthur Savile's Crime, February-March 2010; Love's Labor's Lost, June-July 2006; Lovers, June 1969.","Macbeth, circa 1961-1972; Macbeth, June-September 1961; Macbeth, September-November 1995; Machinal, June-July 2004; Mack \u0026 Mabel, September 1974; Madigan's Lock, June-July 1970; Mahalia: A Gospel Musical, January-March 2010; Major Barbara, July 2001; A Majority of One, circa November 1959; A Majority of One, November 1959; Mame, May-July 2006; Mame, July 1968; A Man for All Seasons, June 1962; Man of la Mancha, March 1967; Man of la Mancha, August-September 1996.","The Man Who Came to Dinner, November-December 1989; Marching Down Broadway, October 19, 1991; The Marriage, May 1958; Marriage-Go-Round, July 1961; In-Person, Dean Martin \u0026 Jerry Lewis with Polly Bergen at the Palace Theatre, n.d. (no program); Martine, August 1961; The Matchmaker, November-December 1995; The Madwoman of Chaillot, July 1958; The Matchmaker, 1962; The Matchmaker, 1962; Mating Cries, September 1998; An Evening with Donna McKechnie: My Musical Comedy Life, April 20, 2002; Me and My Girl, August 1988; Me, Third, May 28, 1986; Me, Third, May 28, 1986; The Memorandum, September 1999; Merrily We Roll Along, January-April 1990; Merrily We Roll Along, October circa 2010s; Merrily We Roll Along, September-October 2007; Merrily We Roll Along, July 2002; Merry Widow, August 1959; Merry Widow, August 1959; The Merry Wives of Windsor, March-May 1998.","Metropolis, March 1989; Sam Levene, July 1958; Sam Levene, July 1958; James Mason, July-August 1958; James Mason, July-August 1958; Milk \u0026 Honey, 1968; Milk \u0026 Honey, circa 1994; Mildred Miller, March 6, 1962; The Miracle Worker, March 22, 1962; Misalliance, November 1994-January 1995; The Misanthrope, February 1975; The Miser, October-November 1996; Mississippi Pinocchio, March 2002; Miss Saigon, September 1989; A Month in the Country, April-June 1995; Moon Over Buffalo, January-February 2004; Moonlights \u0026 Magnolias, April-May 2011; Morning's at Seven, July 2002; Most Happy Fella, circa 1940s-1950s; Most Happy Fella, circa 1940s-1950s.","Mostly Sondheim, June 2002; Mourning Becomes Electra, April-June 1997; Agathie Christie's The Mousetrap, 2011; Mrs. Klein, October 1996; Mrs. Warren's Profession, July-August 1996; Much Ado About Nothing, July-August 1997; Much Ado About Nothing, February-April 1992; Music Is, November 1976; The Music Man, August-September 1978; The Music Man, October 10, 1961; The Music Man, October 10, 1961; The Musical of Musicals, May 2004; My Fair Lady, March 1962; My Fair Lady, March 1962; My Fair Lady, circa 1960s; My Fair Lady, August 1981.","My Name is Alice, 1987; My One and Only, March 1985; The Mystery of Edwin Drood, December 23, 1985; Nancy Drew, Girl Detective, circa 1992; Napoleon, February 1982; Nathan the Wise, October 2001; National Repertory Theatre, December 1965; National Symphony Orchestra, July 19, 1970; Nights at the Movies: The Golden Age of Film Music, September 12, 2008; Marvin Hamlisch and the National Symphony Orchestra, October 2000-June 2001; National Symphony Orchestra, August 25, 1989; Naughty Marietta, August-September 1961; Naughty Marietta, December 31, 1979.","The Nerd, September-October 1996; Never the Sinner, August 1997;  Never the Sinner, March-April 2013; Never Too Late, June 1969; New Girl in Town, March 13-14 circa 1958; New Girl in Town, March 13-14 circa 1958; The New Music Hall of Israel, January 1970; New York City Ballet, July 1991; The New York City Opera, June 1988; The New York Pops, March 1989; The Night Hank William Died, May 1989; The Night of January 16th,  February-March 1949; The Night of the Iguana, June 1962; Nina, July 1959; Nina, July 1959; Nine, May 1983.","Nixon's Nixon, March-April 1999; Ninotchka, February 1982; No Time for Sergeants, December 13, 1957; No Time for Sergeants, December 13, 1957; No Way to Treat a Lady, January 1997; Noel and Gertie, November-December 2003; Noël and Gertie, October-November 1987; Noises Off, November 1983; Noises Off!, January 1990; Nude with Violin, circa 1957-1958; Nude with Violin, September 2010; The Odd Couple, March 1965; Odyssey: A Musical Play, January 1975; Of Thee I Sing, September-November 1992; Of Thee I Sing, June 1987.","Oh! Calcutta!, July 1970; Oh Captain!, April 1958; Oh Captain!, March 1958; Oh Captain!, 1958; Oh Captain!, February 1958; Oh Coward!, October 1998; The Old Neighborhood, December 1997; Old Times, March 1972; Romeo and Juliet, March 1962; Old Wicked Songs, November 1997; Oliver!, October-November 1997; Oliver!, June 1964; On the Town, April 1989; On the Twentieth Century, circa 1991; On Your Toes, December 1982; Once in a Lifetime, October 1983; Once More, With Feeling, September 1959.","One Night with Fanny Brice, November 2010; One-Third of a Nation, May 1991; Onward Victoria, September 14, 1987; Opus, September 2007; Othello, July 1961; Othello, 1981; Othello, November 1957; Other Desert Cities, 2013; Our Town, August 1959; Over \u0026 Over, January-February 1999; Over My Dead Body, February 1989; Pacific Overtures, December 1975; Pacific Overtures, 2004; Page-to-Stage, September 2004; Page-to-Stage, September 2004; Page-to-Stage, September 2004; The Pajama Game, August 1958; The Pajama Game, March-April 1989; The Pajama Game, circa 1990s; The Pajama Game, August 1958; Pal Joey, July 1959; Pal Joey, July 1959; Pangs of the Messiah, June-July 2007.","A Party with Betty Comden and Adolph Green, October 1992; A Party to Murder, October-November 2016; Passion, July 2002; Passion, May 1994; Passion, April 1996; Patience, May 1997; A Patriot for Me, September 1969; The Perfect Party, January 1987; Perfect Crime, circa 1990s; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, circa 1998; Pericles, Prince of Tyre, March 1990; Perseus Bayou, circa 2000; Perseus Bayou, April 26, 2003; Perseus Bayou, March-April 2001; The Pirates of Penzance, July-September 2001; The Phantom of the Opera, 1989; The Phantom of the Opera, September 1991.","The Piano Lesson, April-May 2005; Philadelphia Here I Come!, December 1966; The Philadelphia Orchestra, circa 1971-1972; Philip Glass Ensemble, 1985; Photo Finish, April 1963; The Physicists, September 1964; Piaf, October 2004; Pickwick, September 1965; Pins and Needles, 1989; Pippin, October 1972; The Pirates of Penzance, November 1964; Plain and Fancy, March 15-16, 1957; Bad Seed, August 1957; The Play's the Thing, April-May 2006; The Play's the Thing, July 1995.","The Pleasure of His Company, October 1959; 2008-2009 Pops Series, September 2008-May 2009; The Premier Performance, October 6, 1990; Present Laughter, January 1997; Preservation Hall Jazz Band, November 19, 2000; The Price, January-February 1994; The Price, March-April 2008; The Prime of Miss Jean Brodie, 2006; Princess Ida, circa 2002; The Prisoner of Second Avenue, October 1971; Private Lives, July 2002; Private Lives, June 2014; Privates on Parade, September 2002; The Producers, July 2001; The Producers, August 2004; Promises, Promises, November 1968; Proof, July 2001; Proposals, October 1997; The Playhouse, January-February 1949; Pygmalion, February 1991.","Radio Theatre Live! May 9-10, 2001; Radio Theatre Live!, June 13-14, 2001; Radio Theatre Live!, July 18-19, 2001; Radio Theatre Live!, May 8-9, 2002; Radio Theatre Live!, July 10-11, 2002; Rags, August 1986; Ragtime, May 2009; Ragtime: The Musical, June 1998; The Real Thing, May 2000; Red Buttons in the Teahouse of the August Moon, July 1960; Red Herring, April 2009; The Reduced Shakespeare Company, March 1996; The Rehearsal, circa November 1963; Relatively Speaking, circa 1993; Burgess Meredith, August 1958; Rent, 1996;The Revengers' Comedies, March-June 1994; Rhinoceros, July 1962.","The Rhythm Club, September-October 2000; Richard III, circa 1990; The Rink, August 1996; The Rise and Fall of Annie Hall, April-May 2009; Risë Stevens, December 15, 1959; The Rivalry (no program), January 1958; The Rivals, August-October 2003; Robert Frost: Fire and Ice, circa 1990s; Rock'n'Roll, April 2009; Rocket to the Moon, September 2001; Romanoff and Juliet, November 1957; Romanoff and Juliet, 1957; Romeo \u0026 Juliet, April-May 1997; Room Service, June 1983; Rosencrantz and Guildenstern are Dead, May 2007; Rosencrantz and Guildenstern are Dead, September 1967.","The Rothschilds, August 1990; Rough Crossing, September 2003; The Rover, December 1981-February 1982; The Royal Family, October-November 1999; The Royal Family, December 1975-July 1976; The Royal Family, December 1975; The Washington Opera, December 1987; Ruddigore, May 1995; Rumors, November 1989; Rushmore, March-April 1993.","Sabrina Fair, August 1975; Salome, January-February 2015; Saltimbanco, 1993; Saturday Night, May 2004; Saturday, Sunday, Monday, November-January 1977; Say, Darling!, June 1959; Say, Darling!, June 1959; Scaramouche, September-October 2003; Scaramouche, September 1, 2003; The Scarlet Pimpernel, July 2000; The School for Scandal, May-June circa 2008; The School for Wives, February 1996; The School for Wives, February 1992; The Scottish Play, 2003; The Secret Garden, January 1993; The Secret of Sherlock Holmes, September 1988.","Separate Tables, September 1957; Separate Tables, September 1957; A Servant to Two Masters, April 2001; The Shadow of a Gunman, November 1958; Shakespeare in Hollywood, 2012; Shakespeare in Hollywood, September-October 2003; Shakespeare in Hollywood, circa 2002; Shakespeare in Washington, January 6, 2007; She Loves Me, November-December 2006; She Loves Me, October 1993; She Stoops to Conquer, February-March 1988; Shear Madness, November 1990; Shear Madness, February 1993; Sherlock Holmes, October 1974; Sherlock Holmes and the Case of the Purloined Patience, July-August 1997; Sherlock's Last Case, July 1987.","Shirley MacLaine, August 1982; Shmulnik's Waltz, 1996; Shmulnik's Waltz, February-March 1994; Sholom Aleichem: Laughter Through Tears, December 2008-January 2009; Show Girl, August 1961; Showboat, circa 1950s-1960s; Showboat, October 1994; Herb Shriner Entertains in An Evening of Unforgettable Humor and Music, 1959; Sideman, July 1999; Side Show, May-June 2000; Silk Stockings, circa 1950s-1960s; Sing Down the Moon, March-April 2000; Signature Sings Broadway in Ballston, June 23-25 2005; Singin' in the Rain, July 1986; The Sins of Sor Juana, November 1999; The Sisters Rosensweig, October 1993; The Sleeping Beauty (The National Ballet of Canada, September 1972); Sleuth, circa 1950s.","Sly Fox, June 2004; Social Security, July 1995; Solid Gold Cadillac, July 1956; Something's Afoot, November 8, 1973; A Sondheim Summer!, June 28-29 1994; The Sound of Music, 1964; South Pacific, August 1977; South Pacific, October 1958; South Pacific, August 1960; South Pacific, December 2002-February 2003; Souvenir, June 2007; Monty Python's Spamalot, June 2006; Spiele '36 or The Fourth Medal, September 1991; Stacy Keach: Solitary Confinement, February 1992; Standup Shakespeare, March-April 1994; State Fair, August-September 1995; State of the Union, October 2006.","Steel Magnolias, March 1989; Steel Pier, May 2000; The Stephen Schwartz Project, April-May 2008; \"You're Gonna Love Tomorrow\": A Stephen Sondheim Evening, 1996; A Stoop on Orchard Street, circa 2000s; She Stoops to Conquer, March 2002; Stop the World--I Want to Get Off, 1964; Stop the World--I Want to Get Off, 1964; Stones in His Pockets, circa 2000s; Strange Interlude, April 1963; A Streetcar Named Desire, August-September 1960; The Student Prince, circa 1970s; The Subject Was Roses, March 1966; Sugar, January 1972; Sunday in the Park with George, October 20, 1989; Sunrise at Campobello, June 1958; Sunset, 1994; The Sunshine Boys, December 1997; The Sunshine Boys, November 1972.","Swansong, circa 2006; Sweet Bird of Youth, October 1959; Sweet Smell of Success, April-May 2008; Sweet Ike, September 1996; Sweeney Todd, March 9, 2004; Sweeney Todd, September-October 1999; Sweeney Todd: The Demon Barber of Fleet Street, August 1979; Sylvia, July 1995; Sylvia's Real Good Advice, June-July 1993; Talley's Folly, 1982; The Taming of the Shrew and The Cherry Orchard, 1959; The Cherry Orchard, November 1959; The Taming of the Shrew, September-November 2007; The Tap Dance, March 1986; Tartuffe, July 1972; Tea and Sympathy, May 2, 1956.","The Tempest, September-October 1997; The Tenth Man, September-October 2010; The Tenth Man, December 1959; Terre des Femmes, n.d.; Tevya, July 1960; Tevya, 1960; A Texas Trilogy, May 1976; That Championship Season, circa 1950s; Theatre in the Dance, November 13, 1958; Things That Break, March 1997; Those Were The Days, December 1990; A Thousand Clowns, June 1996; The Three Musketeers, circa 2006-2007; Three Nights in Tehran, November 1996; The Three Sisters, 1963; Tigertigertiger, September 1997; Time for Elizabeth, July 1959; Groucho Marx, July 1959; The Time of Your Life, February 1972.","Time Remembered, October 1957; Time Remembered, circa 1957; The Titans, September 1, 2003; Tobacco Road, August 1959; Tobacco Road, June 1936; Too Jewish?, October 1995; Too True to Be Good, March 2000; A Touch of the Poet, October 1958; A Touch of the Poet, circa 1958; A Touch of the Poet, October-November 1997; Toys in the Attic, 1961; Toys in the Attic, August 1961; Travesties, 1996; Treasure Island, circa 2005-2006; Trevor, February 2017; A Tribute to Cy Coleman, October 7, 2008; The Triumph of Love, circa 1997; Tru, October 1991; A Tuna Christmas, December 1989; Twelve Angry Men, October 2006; Twentieth Century, August-October 2003; Theater J, May 1997; Two for the Seesaw, June 1958; Two Keys, February 1974; Twelve Angry Men, July 1960; Twelve Angry Men, July 1960.","Uncle Vanya, August 2011; Under Milk Wood, October 8, 1962; Utopia Limited, circa 2000; Vaudeville: Humor on the 20th Century Stage, November-December 1999; Verdict, July 1985; A View from the Bridge, November 1-2, 1957; The Visit, October 1958; The Visit, May-June 2008; Visit to a Small Planet, June 1958; Visiting Mr. Green, June 1998; Voice of the Prairie, April-May 1993; Volpone, April-June 1996; Waiting for Lefty, July-August 1976.","Waiting in the Wings, May 2000; Waiting in the Wings, 2010; The Wanhope Building, February 1947; War of the Worlds - The Radio Play, October 29, 2003; The Warm Peninsula, May 4, 1959; The Way of the World, October-November 1992; The Way of the World, September-November 2008; The Music of Andrew Lloyd Webber, December 1990; Welcome to my Rash/Psyche in Love/Third, August 31, 2003; West Side Story, January 1980; West Side Story, August 1995; The West Side Waltz, April 1982; What the Butler Saw, 2002; What the Butler Saw, April-May 1995.","When She Danced, August 1991; Whistle Down the Wind, December 1996; The White Devil, 1991; Who's Afraid of Virginia Woolf?, October 1996-March 1997' Widdershins, February-March 2011; The Will Rogers Follies: A Life in Revue, January 1994; Will Success Spoil Rock Hunter?, July-August 1957; Windjammer, June 14,1958; Windom Plays Thurber, December 1944; Wish You Were Here, circa 1950s-1960s; Wish You Were Here, circa 1950s-1960s; The Witches of Eastwick, June-July 2007; Witness for the Prosecution, August 1957; The Woman in Black, October 1996; Woman in Mind, January 2001.","The Women, January-February 1999; A Wonderful Life, Fall 1991, The Wonderful One-Hoss Shay, March-April 1996; Wonderful Town, March 2004; Wonderful Town, August 1957; Working, October 1997; The World According to Me!, June 1989; The World Goes 'Round: The Kander \u0026 Ebb Musical, June 1993; Write Me a Murder, November 1961; Write Me a Murder, August 1983; You Can't Take It With You, March 1983; You Can't Take It With You, April-June 1998; You Never Can Tell, June 1998; Zero Hour, August-September 2009; Ziegfield: Another Night at the Follies, circa 1990-1991; Zorba, October 1993.","110 in the Shade, circa 2002-2003; 1776, March 1969; 1776, December 1997; 1776, April 1989; 1776, 2003; The 1940s Radio Hour, circa 2004-2006; The 1940s Radio Hour, November-December 1978; Alfred Hitchcock's The 39 Steps, March 2010; Alfred Hitchcock's The 39 Steps, May 2008; Forty-Second Street: A Musical Comedy, June 1980; 70, Girls, 70, June 1991.","Clyde Beatty-Cole Bros. Circus, 1995; The Kennedy Center Eisenhower Theater Official Re-Opening, October 2008; Radio City Music Hall, Rockefeller Center, October 1958; Radio City Musical Hall, May 1978; Rockefeller Center, circa 1970s; Radio City Musical Hall, circa 1980s-1990s; Royal National Theatre: Making a Production at the National, circa 1990-1991; Saratoga Performing Arts Center, circa 1968; Steel Pier, 1957; Williamstown Sumer Theatre, 1962.","Almost Like Being In Love, 1952; Moonlight Bay, 1912; The Desert Song, 1927; Man of la Mancha, 1965; All the Time from Oh Captain!, 1958; Michelle, 1965; Havah Nagilah, 1961; Oklahoma, 1943; Hello, Dolly!, 1963; A Man and a Woman, 1966; Sunrise, Sunset, 1964; I Will Wait for You, 1967; My Man, 1920-1921; Raindrops Keep Fallin' On My Head, 1970; Somewhere, My Love; 1965-1966; Mame, 1966; Deep Purple, 1962; Mack the Knife, 1955; Surprise, 1958; You Don't Know Him, 1958; Clair de lune, 1927; The Carousel Waltz, 1945; More, 1963; Cabaret, 1966; Bali Ha'I, 1949; Some Enchanted Evening, 1949; Tonight, 1957; Who Can I Turn To (When Nobody Needs Me), 1964; As Long As He Needs Me, 1960; (I Wonder Why?) You're Just in Love, 1950; Star Dust, 1929; I Got Rhythm, 1930; I Got Rhythm, 1930; Of Thee I Sing, 1931; Someone to Watch Over Me, 1926; Someone to Watch Over Me, 1926; Bidin' My Time, 1930.","Larry Adler Harmonica Favorites, 1943; Melodic Masterpieces for Hohner Harmonicas, 1962; The King and I (Vocal Selections), circa 1951; Zero Mostel in Fiddler on the Roof (Vocal Selections), 1964; Gypsy (Book), 1960; Gypsy: A Musical Fable (Vocal Selections), circa 1959; Rodgers and Hammerstein's Carousel, circa 1956.","Content warning: Depiction of yellowface.","Czech poster for  Charlie Chan in London.","Content warning: Depiction of brown face.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","French poster available in this collection.","Content warning: Racist imagery.","Content warning: Depiction of yellowface.","\"Magia Negra\" Translates to \"Black Magic\" in English.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","English language poster available in the collection.","Content warning: Depiction of yellowface.","Adventures of Don Juan; Alexander the Great; Ali Baba and the Forty Thieves; Alias Boston Blackie; The Alphabet Murders; The Bachelor Party; The Bandit of Sherwood Forest; Barabbas; The Belles of St. Trinian's; Ben-Hur (2); The Big Fisherman; Blonde For a Day; Blondie in Society; Caesar and Cleopatra; Camelot; Captain from Castile; The Chance of a Lifetime; Christopher Columbus; Cleopatra (1963); Cleopatra (1934); Charge of the Lancers; Murder Over New York; Charlie Chan - The Feathered Serpent; Charlie Chan- Sky Dragon; Charlie Chan at Monte Carlo; Charlie Chan - The Red Dragon; Charlie Chan - Sky Dragon; Charlie Chan - The Feathered Serpent; Charlie Chan - The Feathered Serpent; Charlie Chan - The Feathered Serpent; A Close Call For Boston Blackie; The Colossus of Rhodes (6); The Corsican Brothers; Counter-Espionage; Counterspy Meets Scotland Yard; Cromwell; Danger Zone; Wilson; Désirée; Dick Tracy; Dick Tracy Meets \"Gruesome;\" Dick Tracy Returns; Doctor At Large; The Egyptian; Ellery Queen and the Murder Ring; Enemy Agents Meet Ellery Queen; The Falcon in Mexico; The Falcon in San Francisco;\nThe Fall of the Roman Empire (2); The Fall of the Roman Empire (4); Gone With the Wind; Henry Aldrich's Little Secret; Henry Aldrich Plays Cupid; In Old Mexico; Innocents in Paris; Ivanhoe; The Good Humor Man; Joe Palooka in the Squared Circle; Killer Leopard; Kim (9); King Richard and the Crusaders; Knights of the Round Table; Land of the Pharaohs; The Lavender Hill Mob; Lawrence of Arabia; The Leech Woman; Life Begins for Andy Hardy; The Little Hut; Lorna Doone; Lost in Alaska; Maisie; Me and the Colonel; Michael Shayne Private Detective; Modesty Blaise; Mr. Moto Takes a Chance; Murder Ahoy; Murder Most Foul; Nancy Drew-Trouble Shooter; North By Northwest; Northwest Passage; On Moonlight Bay; Outcast of Black Mesa; Passport to Suez; Pinnochio; Prince of Foxes; Private Lives; Quo Vadis (7); Rear Window; The Robe (2); Roman Holiday (2); The Saint's Girl Friday; Salome; Samson and Delilah (2); The Shadow Returns (3); Behind the Mask (2); Sherlock Holmes and the Secret Weapon; Unlabeled Sherlock Holmes film; Sign of the Pagan (2); Silver City Bonanza; Sleeping Beauty; Snow White and the Seven Dwarves; Solomon and Sheba; Something Wild; Song of the Thin Man; South Pacific; Sunrise at Campobello (7); Tarzan and the Mermaids; Tarzan and the Amazons; Tarzan's Magic Fountain; Tarzan's Secret Treasure; The Ten Commandments; Tom Brown's Schooldays; Tom Jones; Too Many Winners; Trail of the Rustlers; The Trojan Horse (4); Ulysses (5); Valley of the Head Hunters; The Vikings; Crime Doctor's Strange Case; Waterloo; The Whistler; Young Bess; The 300 Spartans (2).","Brownie Target Six-20 and Brownie Target Six-16.","Can be used with the glass lantern slides in Box 18.","Slides feature Mickey Mouse and other early Disney characters, as well as images from fairy tales."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_71397d4cf7341382b248a4feea19127f\"\u003eThe Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys.\u003c/abstract\u003e"],"abstract_tesim":["The Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_150a304289bf6803cc620f1d42336d0e\"\u003eR 72, C 2, S 7-C 3, S 4\n\nMC 16.3, 16.4, 16.5, 32.4, 32.5, 34.5\n\nRSR 7.1, 8.1, 8.4\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 2, S 7-C 3, S 4\n\nMC 16.3, 16.4, 16.5, 32.4, 32.5, 34.5\n\nRSR 7.1, 8.1, 8.4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Cohen, Martin B."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Cohen, Martin B."],"persname_ssim":["Cohen, Martin B."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":221,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:17:54.608Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_622_c01_c32"}},{"id":"vifgm_repositories_2_resources_689_c01_c421","type":"File","attributes":{"title":"\"Al-Kindi\" Information","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_689_c01_c421#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_689_c01_c421","ref_ssm":["vifgm_repositories_2_resources_689_c01_c421"],"id":"vifgm_repositories_2_resources_689_c01_c421","ead_ssi":"vifgm_repositories_2_resources_689","_root_":"vifgm_repositories_2_resources_689","_nest_parent_":"vifgm_repositories_2_resources_689_c01","parent_ssi":"vifgm_repositories_2_resources_689_c01","parent_ssim":["vifgm_repositories_2_resources_689","vifgm_repositories_2_resources_689_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_689","vifgm_repositories_2_resources_689_c01"],"parent_unittitles_ssm":["Harold J. Morowitz papers","Harold J. Morowitz papers"],"parent_unittitles_tesim":["Harold J. Morowitz papers","Harold J. Morowitz papers"],"text":["Harold J. Morowitz papers","Harold J. Morowitz papers","\"Al-Kindi\" Information","Box 23","Folder 12"],"title_filing_ssi":"\"Al-Kindi\" Information","title_ssm":["\"Al-Kindi\" Information"],"title_tesim":["\"Al-Kindi\" Information"],"unitdate_other_ssim":["2012 - 2014"],"normalized_date_ssm":["2012/2014"],"normalized_title_ssm":["\"Al-Kindi\" Information"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Harold J. Morowitz papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":422,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[2012,2013,2014],"containers_ssim":["Box 23","Folder 12"],"_nest_path_":"/components#0/components#420","timestamp":"2026-05-21T05:00:26.619Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_689","ead_ssi":"vifgm_repositories_2_resources_689","_root_":"vifgm_repositories_2_resources_689","_nest_parent_":"vifgm_repositories_2_resources_689","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_689.xml","title_ssm":["Harold J. Morowitz papers"],"title_tesim":["Harold J. Morowitz papers"],"unitdate_ssm":["1944-2016"],"unitdate_inclusive_ssm":["1944-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0049","/repositories/2/resources/689"],"text":["C0049","/repositories/2/resources/689","Harold J. Morowitz papers","Biochemistry","Biophysics","College teachers--Virginia--Fairfax.","Molecular biology.","Philosophy.","Poetry.","Science","There are no access restrictions.","This collection is arranged in original and acquisition order.","Harold Joseph Morowitz was a biophysicist and Robinson Professor in Biology and Natural Philosophy at George Mason University. Born in Poughkeepsie, N.Y., on December 4, 1927, Morowitz graduated from Poughkeepsie High School in 1944. He studied at Yale University starting in 1948 and earned his Ph.D. in 1951. From 1951-1953 he was a physicist at the National Bureau of Standards. Morowitz was on the staff of the National Heart Institute from 1953-1955 before joining the faculty of Yale University in 1955. At Yale, Morowitz was associate professor of biophysics (1960-1968), professor of molecular biophysics and biochemistry (1968-1988), and master of Pierson College (1981-1986). He joined the faculty of George Mason University in 1988 as a Robinson Professor. From 1993 on Morowitz directed the Krasnow Institute for Advanced Study. Dr. Morowitz authored and coauthored several books, including:  Life and the Physical Sciences  (with Waterman), 1964;  Theoretical and Mathematical Biology , 1965;  Energy Flow in Biology , 1968;  Entropy for Biologists  (with Lucille Morowitz), 1970;  Life on the Planet Earth , 1974;  Ego Niches , 1977;  Foundations of Bioenergetics , 1978;  The Wine of Life , 1979;  Mayonnaise and the Origins of Life , 1985;  Cosmic Joy and Local Pain , 1987;  The Thermodynamics of Pizza , 1991;  Beginnings of Cellular Life  (with James Trefil), 1992;  The Facts of Life , 1992; and  Entropy and the Magic Flute , 1993. Dr. Morowitz passed away on March 22, 2016 in Falls Church, VA.","Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Updated by Greta Kuriger Suiter in 2013. Additional materials processed and finding aid updated by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in February 2020.","Additional processing completed and finding aid updated by Meghan Glasbrenner in April 2025.","The Special Collections Research Center also holds the   and the  .","The Harold J. Morowitz papers includes a draft copy of  Energy Flow in Biological Systems  (published as  Energy Flow in Biology ), including chapter and appendix notes, calculations for mathematical operations, and correspondence between the author and his editor; a draft copy of  Beginnings of Cellular Life , including the index and notes; a draft copy of  The Facts of Life  with the \"author's copy\" and the original artwork for the illustrations; as well as working papers, correspondence, and other documents pertaining to Morowitz's academic career. Also included is original poetry written by Morowitz, research and correspondence from a project on the history of bioenergetics, for which Morowitz was awarded a Guggenheim Fellowship in 1980, and correspondence and documents relating to Biosphere 2.","Handwritten notes and correspondence","Notes for Energy Flow in Biological Systems","Workshop on declining amphibian populations, February 19-20, 1990","Articles by Franklin Harold","Articles by Paul Boyer","Bibliography, curriculum vitae, and articles written by Lars Ernster","Letters to Williams, Slater, Ernster, and Peter Mitchell regarding the Guggenheim Fellowship. Articles by Williams.","Bibliography, correspondence, articles","Further Reflections on the Constitutional Justice of Livelihood by Charles Black and announcement for Black's memorial service","Includes six photographs of Morowitz and others in a work environment","Includes a photograph of a group portrait from 1953","Re-entry talk on September 26, 1993 by Morowitz; Poem titled \"Biosphere 2\"","Drafts and notes for \"The Trinitarian World of Neo-Pantheism,\" \"Athens and Jerusalem,\" \"Teilhard's Two Energies,\" and Emergences chapter one","Morowitz to Yurig Gubkin","Letters received regarding articles from Hospital Practice","Teknos vol. XXII, introduction by Morowitz","Michael P. Cohen, President, Washington Academy of Sciences; Dr. Geoffrey B. West, President and Distinguished Professor, Santa Fe Institute ; John S. Cummins, Bishop Emeritus, Diocese of Oakland, printed email ; Dr. James Fries, President, New Mexico Highlands University ; Herman Wouk, BSW Literary Agency, Inc.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection includes a draft copy of Energy Flow in Biological Systems (published as Energy Flow in Biology), including chapter and appendix notes, calculations for mathematical operations, and correspondence between the author and his editor; a draft copy of Beginnings of Cellular Life, including the index and notes; a draft copy of The Facts of Life with the author's copy and the original artwork for the illustrations; and working papers, correspondence, and other documents pertaining to his academic career including original poetry written by Morowitz.","R 22, C 2, S 1, 4-6\n\nR 71, C 1, S 1","George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty","Morowitz, Harold J.","English"],"unitid_tesim":["C0049","/repositories/2/resources/689"],"normalized_title_ssm":["Harold J. Morowitz papers"],"collection_title_tesim":["Harold J. Morowitz papers"],"collection_ssim":["Harold J. Morowitz papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Morowitz, Harold J."],"creator_ssim":["Morowitz, Harold J."],"creator_persname_ssim":["Morowitz, Harold J."],"creators_ssim":["Morowitz, Harold J."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Harold Morowitz in 1997-1998. Additional donations by Harold Morowitz in 2011 and Lucille Morowitz in 2016."],"access_subjects_ssim":["Biochemistry","Biophysics","College teachers--Virginia--Fairfax.","Molecular biology.","Philosophy.","Poetry.","Science"],"access_subjects_ssm":["Biochemistry","Biophysics","College teachers--Virginia--Fairfax.","Molecular biology.","Philosophy.","Poetry.","Science"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet 34 boxes"],"extent_tesim":["13 Linear Feet 34 boxes"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in original and acquisition order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in original and acquisition order."],"bioghist_html_tesm":["\u003cp\u003eHarold Joseph Morowitz was a biophysicist and Robinson Professor in Biology and Natural Philosophy at George Mason University. Born in Poughkeepsie, N.Y., on December 4, 1927, Morowitz graduated from Poughkeepsie High School in 1944. He studied at Yale University starting in 1948 and earned his Ph.D. in 1951. From 1951-1953 he was a physicist at the National Bureau of Standards. Morowitz was on the staff of the National Heart Institute from 1953-1955 before joining the faculty of Yale University in 1955. At Yale, Morowitz was associate professor of biophysics (1960-1968), professor of molecular biophysics and biochemistry (1968-1988), and master of Pierson College (1981-1986). He joined the faculty of George Mason University in 1988 as a Robinson Professor. From 1993 on Morowitz directed the Krasnow Institute for Advanced Study. Dr. Morowitz authored and coauthored several books, including: \u003citalics\u003eLife and the Physical Sciences\u003c/italics\u003e (with Waterman), 1964; \u003citalics\u003eTheoretical and Mathematical Biology\u003c/italics\u003e, 1965; \u003citalics\u003eEnergy Flow in Biology\u003c/italics\u003e, 1968; \u003citalics\u003eEntropy for Biologists\u003c/italics\u003e (with Lucille Morowitz), 1970; \u003citalics\u003eLife on the Planet Earth\u003c/italics\u003e, 1974; \u003citalics\u003eEgo Niches\u003c/italics\u003e, 1977; \u003citalics\u003eFoundations of Bioenergetics\u003c/italics\u003e, 1978; \u003citalics\u003eThe Wine of Life\u003c/italics\u003e, 1979; \u003citalics\u003eMayonnaise and the Origins of Life\u003c/italics\u003e, 1985; \u003citalics\u003eCosmic Joy and Local Pain\u003c/italics\u003e, 1987; \u003citalics\u003eThe Thermodynamics of Pizza\u003c/italics\u003e, 1991; \u003citalics\u003eBeginnings of Cellular Life\u003c/italics\u003e (with James Trefil), 1992; \u003citalics\u003eThe Facts of Life\u003c/italics\u003e, 1992; and \u003citalics\u003eEntropy and the Magic Flute\u003c/italics\u003e, 1993. Dr. Morowitz passed away on March 22, 2016 in Falls Church, VA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Harold Joseph Morowitz was a biophysicist and Robinson Professor in Biology and Natural Philosophy at George Mason University. Born in Poughkeepsie, N.Y., on December 4, 1927, Morowitz graduated from Poughkeepsie High School in 1944. He studied at Yale University starting in 1948 and earned his Ph.D. in 1951. From 1951-1953 he was a physicist at the National Bureau of Standards. Morowitz was on the staff of the National Heart Institute from 1953-1955 before joining the faculty of Yale University in 1955. At Yale, Morowitz was associate professor of biophysics (1960-1968), professor of molecular biophysics and biochemistry (1968-1988), and master of Pierson College (1981-1986). He joined the faculty of George Mason University in 1988 as a Robinson Professor. From 1993 on Morowitz directed the Krasnow Institute for Advanced Study. Dr. Morowitz authored and coauthored several books, including:  Life and the Physical Sciences  (with Waterman), 1964;  Theoretical and Mathematical Biology , 1965;  Energy Flow in Biology , 1968;  Entropy for Biologists  (with Lucille Morowitz), 1970;  Life on the Planet Earth , 1974;  Ego Niches , 1977;  Foundations of Bioenergetics , 1978;  The Wine of Life , 1979;  Mayonnaise and the Origins of Life , 1985;  Cosmic Joy and Local Pain , 1987;  The Thermodynamics of Pizza , 1991;  Beginnings of Cellular Life  (with James Trefil), 1992;  The Facts of Life , 1992; and  Entropy and the Magic Flute , 1993. Dr. Morowitz passed away on March 22, 2016 in Falls Church, VA."],"prefercite_html_tesm":["\u003cp\u003eHarold J. Morowitz papers, C0049, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Harold J. Morowitz papers, C0049, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Updated by Greta Kuriger Suiter in 2013. Additional materials processed and finding aid updated by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in February 2020.\u003c/p\u003e","\u003cp\u003eAdditional processing completed and finding aid updated by Meghan Glasbrenner in April 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Updated by Greta Kuriger Suiter in 2013. Additional materials processed and finding aid updated by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in February 2020.","Additional processing completed and finding aid updated by Meghan Glasbrenner in April 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0047\" title=\"Carol D. Litchfield Microbiology collection\" show=\"new\"\u003e\u003c/extptr\u003e and the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0079\" title=\"Clarence E. Larson Science and Technology Oral History collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThe Harold J. Morowitz papers includes a draft copy of \u003citalics\u003eEnergy Flow in Biological Systems\u003c/italics\u003e (published as \u003citalics\u003eEnergy Flow in Biology\u003c/italics\u003e), including chapter and appendix notes, calculations for mathematical operations, and correspondence between the author and his editor; a draft copy of \u003citalics\u003eBeginnings of Cellular Life\u003c/italics\u003e, including the index and notes; a draft copy of \u003citalics\u003eThe Facts of Life\u003c/italics\u003e with the \"author's copy\" and the original artwork for the illustrations; as well as working papers, correspondence, and other documents pertaining to Morowitz's academic career. Also included is original poetry written by Morowitz, research and correspondence from a project on the history of bioenergetics, for which Morowitz was awarded a Guggenheim Fellowship in 1980, and correspondence and documents relating to Biosphere 2.\u003c/p\u003e","\u003cp\u003eHandwritten notes and correspondence\u003c/p\u003e","\u003cp\u003eNotes for Energy Flow in Biological Systems\u003c/p\u003e","\u003cp\u003eWorkshop on declining amphibian populations, February 19-20, 1990\u003c/p\u003e","\u003cp\u003eArticles by Franklin Harold\u003c/p\u003e","\u003cp\u003eArticles by Paul Boyer\u003c/p\u003e","\u003cp\u003eBibliography, curriculum vitae, and articles written by Lars Ernster\u003c/p\u003e","\u003cp\u003eLetters to Williams, Slater, Ernster, and Peter Mitchell regarding the Guggenheim Fellowship. Articles by Williams.\u003c/p\u003e","\u003cp\u003eBibliography, correspondence, articles\u003c/p\u003e","\u003cp\u003eFurther Reflections on the Constitutional Justice of Livelihood by Charles Black and announcement for Black's memorial service\u003c/p\u003e","\u003cp\u003eIncludes six photographs of Morowitz and others in a work environment\u003c/p\u003e","\u003cp\u003eIncludes a photograph of a group portrait from 1953\u003c/p\u003e","\u003cp\u003eRe-entry talk on September 26, 1993 by Morowitz; Poem titled \"Biosphere 2\"\u003c/p\u003e","\u003cp\u003eDrafts and notes for \"The Trinitarian World of Neo-Pantheism,\" \"Athens and Jerusalem,\" \"Teilhard's Two Energies,\" and Emergences chapter one\u003c/p\u003e","\u003cp\u003eMorowitz to Yurig Gubkin\u003c/p\u003e","\u003cp\u003eLetters received regarding articles from Hospital Practice\u003c/p\u003e","\u003cp\u003eTeknos vol. XXII, introduction by Morowitz\u003c/p\u003e","\u003cp\u003eMichael P. Cohen, President, Washington Academy of Sciences; Dr. Geoffrey B. West, President and Distinguished Professor, Santa Fe Institute ; John S. Cummins, Bishop Emeritus, Diocese of Oakland, printed email ; Dr. James Fries, President, New Mexico Highlands University ; Herman Wouk, BSW Literary Agency, Inc.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Harold J. Morowitz papers includes a draft copy of  Energy Flow in Biological Systems  (published as  Energy Flow in Biology ), including chapter and appendix notes, calculations for mathematical operations, and correspondence between the author and his editor; a draft copy of  Beginnings of Cellular Life , including the index and notes; a draft copy of  The Facts of Life  with the \"author's copy\" and the original artwork for the illustrations; as well as working papers, correspondence, and other documents pertaining to Morowitz's academic career. Also included is original poetry written by Morowitz, research and correspondence from a project on the history of bioenergetics, for which Morowitz was awarded a Guggenheim Fellowship in 1980, and correspondence and documents relating to Biosphere 2.","Handwritten notes and correspondence","Notes for Energy Flow in Biological Systems","Workshop on declining amphibian populations, February 19-20, 1990","Articles by Franklin Harold","Articles by Paul Boyer","Bibliography, curriculum vitae, and articles written by Lars Ernster","Letters to Williams, Slater, Ernster, and Peter Mitchell regarding the Guggenheim Fellowship. Articles by Williams.","Bibliography, correspondence, articles","Further Reflections on the Constitutional Justice of Livelihood by Charles Black and announcement for Black's memorial service","Includes six photographs of Morowitz and others in a work environment","Includes a photograph of a group portrait from 1953","Re-entry talk on September 26, 1993 by Morowitz; Poem titled \"Biosphere 2\"","Drafts and notes for \"The Trinitarian World of Neo-Pantheism,\" \"Athens and Jerusalem,\" \"Teilhard's Two Energies,\" and Emergences chapter one","Morowitz to Yurig Gubkin","Letters received regarding articles from Hospital Practice","Teknos vol. XXII, introduction by Morowitz","Michael P. Cohen, President, Washington Academy of Sciences; Dr. Geoffrey B. West, President and Distinguished Professor, Santa Fe Institute ; John S. Cummins, Bishop Emeritus, Diocese of Oakland, printed email ; Dr. James Fries, President, New Mexico Highlands University ; Herman Wouk, BSW Literary Agency, Inc."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_15d212084abbee2df1c8019a1f29388a\"\u003eThe collection includes a draft copy of Energy Flow in Biological Systems (published as Energy Flow in Biology), including chapter and appendix notes, calculations for mathematical operations, and correspondence between the author and his editor; a draft copy of Beginnings of Cellular Life, including the index and notes; a draft copy of The Facts of Life with the author's copy and the original artwork for the illustrations; and working papers, correspondence, and other documents pertaining to his academic career including original poetry written by Morowitz.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes a draft copy of Energy Flow in Biological Systems (published as Energy Flow in Biology), including chapter and appendix notes, calculations for mathematical operations, and correspondence between the author and his editor; a draft copy of Beginnings of Cellular Life, including the index and notes; a draft copy of The Facts of Life with the author's copy and the original artwork for the illustrations; and working papers, correspondence, and other documents pertaining to his academic career including original poetry written by Morowitz."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8c5205631a8fe692c5d84e1b2562fa2a\"\u003eR 22, C 2, S 1, 4-6\n\nR 71, C 1, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 22, C 2, S 1, 4-6\n\nR 71, C 1, S 1"],"names_coll_ssim":["George Mason University--Faculty"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty","Morowitz, Harold J."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty"],"persname_ssim":["Morowitz, Harold J."],"language_ssim":["English"],"total_component_count_is":651,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:00:26.619Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_689_c01_c421"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":20},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Brepository%5D%5B%5D=Alexandria+Library\u0026view=list"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":1417},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=list"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":6},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation\u0026view=list"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":722},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=list"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":73},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College\u0026view=list"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":581},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026view=list"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":39},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia\u0026view=list"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":123},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Brepository%5D%5B%5D=Longwood+University\u0026view=list"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":427},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026view=list"}},{"attributes":{"label":"Radford University","value":"Radford University","hits":26},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Brepository%5D%5B%5D=Radford+University\u0026view=list"}},{"attributes":{"label":"Randolph-Macon College","value":"Randolph-Macon College","hits":194},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Brepository%5D%5B%5D=Randolph-Macon+College\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"Daredemo Photographer\" Exhibition","value":"\"Daredemo Photographer\" Exhibition","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Daredemo+Photographer%22+Exhibition\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"\"Expurgated\"","value":"\"Expurgated\"","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Expurgated%22\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"\"The List\" Newsletters","value":"\"The List\" Newsletters","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22The+List%22+Newsletters\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"1828 Catalogue Project digital image collection","value":"1828 Catalogue Project digital image collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1828+Catalogue+Project+digital+image+collection\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"1x1 Japan Exhibition Materials, 1965-2024","value":"1x1 Japan Exhibition Materials, 1965-2024","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1x1+Japan+Exhibition+Materials%2C+1965-2024\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"8th Evacuation Hospital collection","value":"8th Evacuation Hospital collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=8th+Evacuation+Hospital+collection\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"A. E. Dick Howard papers","value":"A. E. Dick Howard papers","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+E.+Dick+Howard+papers\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"A. Patrick L. Prest, Jr. papers","value":"A. Patrick L. Prest, Jr. papers","hits":6},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+Patrick+L.+Prest%2C+Jr.+papers\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"ALIVE (ALexandrians InVolved Ecumenically) Records (MS300)","value":"ALIVE (ALexandrians InVolved Ecumenically) Records (MS300)","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=ALIVE+%28ALexandrians+InVolved+Ecumenically%29+Records+%28MS300%29\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"Academic Affairs: Academic Program Reviews","value":"Academic Affairs: Academic Program Reviews","hits":20},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Academic+Affairs%3A+Academic+Program+Reviews\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"Academic Departments  - Record Group 9","value":"Academic Departments  - Record Group 9","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Academic+Departments++-+Record+Group+9\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/collection_ssim.json?f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"0","value":"0","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bdate_range%5D%5B%5D=0\u0026view=list"}},{"attributes":{"label":"1500","value":"1500","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bdate_range%5D%5B%5D=1500\u0026view=list"}},{"attributes":{"label":"1501","value":"1501","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bdate_range%5D%5B%5D=1501\u0026view=list"}},{"attributes":{"label":"1502","value":"1502","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bdate_range%5D%5B%5D=1502\u0026view=list"}},{"attributes":{"label":"1503","value":"1503","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bdate_range%5D%5B%5D=1503\u0026view=list"}},{"attributes":{"label":"1504","value":"1504","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bdate_range%5D%5B%5D=1504\u0026view=list"}},{"attributes":{"label":"1505","value":"1505","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bdate_range%5D%5B%5D=1505\u0026view=list"}},{"attributes":{"label":"1506","value":"1506","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bdate_range%5D%5B%5D=1506\u0026view=list"}},{"attributes":{"label":"1507","value":"1507","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bdate_range%5D%5B%5D=1507\u0026view=list"}},{"attributes":{"label":"1508","value":"1508","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bdate_range%5D%5B%5D=1508\u0026view=list"}},{"attributes":{"label":"1509","value":"1509","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bdate_range%5D%5B%5D=1509\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/date_range_isim.json?f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"4-H All Stars. Virginia Chapter","value":"4-H All Stars. Virginia Chapter","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=4-H+All+Stars.+Virginia+Chapter\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"Aaron Siskind Foundation","value":"Aaron Siskind Foundation","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Aaron+Siskind+Foundation\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"Abate, Kathy","value":"Abate, Kathy","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Abate%2C+Kathy\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"Africana Studies Program","value":"Africana Studies Program","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Africana+Studies+Program\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"Alabama Christian Movement for Human Rights","value":"Alabama Christian Movement for Human Rights","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alabama+Christian+Movement+for+Human+Rights\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"Albemarle Garden Club (Charlottesville, Va.)","value":"Albemarle Garden Club (Charlottesville, Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Albemarle+Garden+Club+%28Charlottesville%2C+Va.%29\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"Alexander, Anna Beard","value":"Alexander, Anna Beard","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alexander%2C+Anna+Beard\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"Alexander, Dorothy Baxter","value":"Alexander, Dorothy Baxter","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alexander%2C+Dorothy+Baxter\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"Alexandria Library (Alexandria, Va.)","value":"Alexandria Library (Alexandria, Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alexandria+Library+%28Alexandria%2C+Va.%29\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"Alexandria Library (Alexandria, Va.). Board","value":"Alexandria Library (Alexandria, Va.). Board","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alexandria+Library+%28Alexandria%2C+Va.%29.+Board\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"Allen, John C.","value":"Allen, John C.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Allen%2C+John+C.\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/creator_ssim.json?f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":" Los Angeles Times (Firm)","value":" Los Angeles Times (Firm)","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bnames%5D%5B%5D=+Los+Angeles+Times+%28Firm%29\u0026view=list"}},{"attributes":{"label":".38 Special (Musical group)","value":".38 Special (Musical group)","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bnames%5D%5B%5D=.38+Special+%28Musical+group%29\u0026view=list"}},{"attributes":{"label":"10,000 Maniacs (Musical group)","value":"10,000 Maniacs (Musical group)","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bnames%5D%5B%5D=10%2C000+Maniacs+%28Musical+group%29\u0026view=list"}},{"attributes":{"label":"4-H All Stars. Virginia Chapter","value":"4-H All Stars. Virginia Chapter","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bnames%5D%5B%5D=4-H+All+Stars.+Virginia+Chapter\u0026view=list"}},{"attributes":{"label":"A. C. Bhaktivedanta Swami Prabhupada, 1896-1977","value":"A. C. Bhaktivedanta Swami Prabhupada, 1896-1977","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bnames%5D%5B%5D=A.+C.+Bhaktivedanta+Swami+Prabhupada%2C+1896-1977\u0026view=list"}},{"attributes":{"label":"A.G. Lichtenstein and Associates ","value":"A.G. Lichtenstein and Associates ","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bnames%5D%5B%5D=A.G.+Lichtenstein+and+Associates+\u0026view=list"}},{"attributes":{"label":"AIDS Fund, Inc.","value":"AIDS Fund, Inc.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bnames%5D%5B%5D=AIDS+Fund%2C+Inc.\u0026view=list"}},{"attributes":{"label":"Aaron Siskind Foundation","value":"Aaron Siskind Foundation","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bnames%5D%5B%5D=Aaron+Siskind+Foundation\u0026view=list"}},{"attributes":{"label":"Abate, Kathy","value":"Abate, Kathy","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bnames%5D%5B%5D=Abate%2C+Kathy\u0026view=list"}},{"attributes":{"label":"Abbado, Claudio (1933-06-26-2014-01-20)","value":"Abbado, Claudio (1933-06-26-2014-01-20)","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bnames%5D%5B%5D=Abbado%2C+Claudio+%281933-06-26-2014-01-20%29\u0026view=list"}},{"attributes":{"label":"Abbado, Roberto","value":"Abbado, Roberto","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bnames%5D%5B%5D=Abbado%2C+Roberto\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/names_ssim.json?f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"1st Fridays in the Commons","value":"1st Fridays in the Commons","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bplaces%5D%5B%5D=1st+Fridays+in+the+Commons\u0026view=list"}},{"attributes":{"label":"2014 Congressional Election","value":"2014 Congressional Election","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bplaces%5D%5B%5D=2014+Congressional+Election\u0026view=list"}},{"attributes":{"label":"Africa--Description and travel","value":"Africa--Description and travel","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bplaces%5D%5B%5D=Africa--Description+and+travel\u0026view=list"}},{"attributes":{"label":"African American Women Authors","value":"African American Women Authors","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bplaces%5D%5B%5D=African+American+Women+Authors\u0026view=list"}},{"attributes":{"label":"Aguaruna indigenous group","value":"Aguaruna indigenous group","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bplaces%5D%5B%5D=Aguaruna+indigenous+group\u0026view=list"}},{"attributes":{"label":"Alexandria (Va.)","value":"Alexandria (Va.)","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bplaces%5D%5B%5D=Alexandria+%28Va.%29\u0026view=list"}},{"attributes":{"label":"Alexandria (Va.) -- Buildings, structures, etc.","value":"Alexandria (Va.) -- Buildings, structures, etc.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bplaces%5D%5B%5D=Alexandria+%28Va.%29+--+Buildings%2C+structures%2C+etc.\u0026view=list"}},{"attributes":{"label":"Alexandria (Va.) -- Genealogy.","value":"Alexandria (Va.) -- Genealogy.","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bplaces%5D%5B%5D=Alexandria+%28Va.%29+--+Genealogy.\u0026view=list"}},{"attributes":{"label":"Alexandria (Va.) -- History","value":"Alexandria (Va.) -- History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bplaces%5D%5B%5D=Alexandria+%28Va.%29+--+History\u0026view=list"}},{"attributes":{"label":"Algeria--Description and travel","value":"Algeria--Description and travel","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bplaces%5D%5B%5D=Algeria--Description+and+travel\u0026view=list"}},{"attributes":{"label":"Anderson, Taylor (1986-2011) -- Ishinomaki, Japan -- 2011 Great East Japan Earthquake -- 2011 Tōhoku earthquake and tsunami","value":"Anderson, Taylor (1986-2011) -- Ishinomaki, Japan -- 2011 Great East Japan Earthquake -- 2011 Tōhoku earthquake and tsunami","hits":8},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Bplaces%5D%5B%5D=Anderson%2C+Taylor+%281986-2011%29+--+Ishinomaki%2C+Japan+--+2011+Great+East+Japan+Earthquake+--+2011+T%C5%8Dhoku+earthquake+and+tsunami\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":" New Market, Battle of, New Market, Va., 1864—Anniversaries","value":" New Market, Battle of, New Market, Va., 1864—Anniversaries","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=+New+Market%2C+Battle+of%2C+New+Market%2C+Va.%2C+1864%E2%80%94Anniversaries\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":" Presidents—Inauguration","value":" Presidents—Inauguration","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=+Presidents%E2%80%94Inauguration\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"4-H clubs","value":"4-H clubs","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=4-H+clubs\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"4-H clubs -- West Virginia","value":"4-H clubs -- West Virginia","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=4-H+clubs+--+West+Virginia\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"A cappella choirs","value":"A cappella choirs","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=A+cappella+choirs\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"AIDS activists","value":"AIDS activists","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=AIDS+activists\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"Abernathy, Hardaway S.","value":"Abernathy, Hardaway S.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Abernathy%2C+Hardaway+S.\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"Abused children -- Services for -- Virginia -- Periodicals","value":"Abused children -- Services for -- Virginia -- Periodicals","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Abused+children+--+Services+for+--+Virginia+--+Periodicals\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"Academic Libraries -- Administration","value":"Academic Libraries -- Administration","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Academic+Libraries+--+Administration\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"Academic Libraries -- Finance","value":"Academic Libraries -- Finance","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Academic+Libraries+--+Finance\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"Academic Libraries -- Virginia -- Harrisonburg -- History","value":"Academic Libraries -- Virginia -- Harrisonburg -- History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Academic+Libraries+--+Virginia+--+Harrisonburg+--+History\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Binder","value":"Binder","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Blevel%5D%5B%5D=Binder\u0026view=list"}},{"attributes":{"label":"Box","value":"Box","hits":107},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Blevel%5D%5B%5D=Box\u0026view=list"}},{"attributes":{"label":"Collection","value":"Collection","hits":901},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=list"}},{"attributes":{"label":"File","value":"File","hits":4196},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Blevel%5D%5B%5D=File\u0026view=list"}},{"attributes":{"label":"Folder","value":"Folder","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Blevel%5D%5B%5D=Folder\u0026view=list"}},{"attributes":{"label":"Item","value":"Item","hits":1281},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Blevel%5D%5B%5D=Item\u0026view=list"}},{"attributes":{"label":"Partial box","value":"Partial box","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Blevel%5D%5B%5D=Partial+box\u0026view=list"}},{"attributes":{"label":"Record Group","value":"Record Group","hits":25},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Blevel%5D%5B%5D=Record+Group\u0026view=list"}},{"attributes":{"label":"Record group","value":"Record group","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Blevel%5D%5B%5D=Record+group\u0026view=list"}},{"attributes":{"label":"Series","value":"Series","hits":852},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Blevel%5D%5B%5D=Series\u0026view=list"}},{"attributes":{"label":"Subgroup","value":"Subgroup","hits":17},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Blevel%5D%5B%5D=Subgroup\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/level_ssim.json?f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"type":"facet","id":"access","attributes":{"label":"Access","items":[{"attributes":{"label":"Online access","value":"online","hits":67},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access.json?f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=28\u0026search_field=all_fields\u0026view=list"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=28\u0026search_field=keyword\u0026view=list"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=28\u0026search_field=name\u0026view=list"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=28\u0026search_field=place\u0026view=list"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=28\u0026search_field=subject\u0026view=list"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=28\u0026search_field=title\u0026view=list"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=28\u0026search_field=container\u0026view=list"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=28\u0026search_field=identifier\u0026view=list"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=28\u0026sort=score+desc%2C+title_sort+asc\u0026view=list"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=28\u0026sort=date_sort+asc\u0026view=list"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=28\u0026sort=date_sort+desc\u0026view=list"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=28\u0026sort=creator_sort+asc\u0026view=list"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=28\u0026sort=creator_sort+desc\u0026view=list"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=28\u0026sort=title_sort+asc\u0026view=list"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=28\u0026sort=title_sort+desc\u0026view=list"}}]}