{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=26","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=25","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=27","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=762"},"meta":{"pages":{"current_page":26,"next_page":27,"prev_page":25,"total_pages":762,"limit_value":10,"offset_value":250,"total_count":7615,"first_page?":false,"last_page?":false}},"data":[{"id":"vihart_repositories_4_resources_690_c02","type":"File","attributes":{"title":"African-American experience","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_690_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_690_c02","ref_ssm":["vihart_repositories_4_resources_690_c02"],"id":"vihart_repositories_4_resources_690_c02","ead_ssi":"vihart_repositories_4_resources_690","_root_":"vihart_repositories_4_resources_690","_nest_parent_":"vihart_repositories_4_resources_690","parent_ssi":"vihart_repositories_4_resources_690","parent_ssim":["vihart_repositories_4_resources_690"],"parent_ids_ssim":["vihart_repositories_4_resources_690"],"parent_unittitles_ssm":["James Madison University vertical files"],"parent_unittitles_tesim":["James Madison University vertical files"],"text":["James Madison University vertical files","African-American experience","folder 2"],"title_filing_ssi":"African-American experience","title_ssm":["African-American experience"],"title_tesim":["African-American experience"],"unitdate_inclusive_ssm":["1980-2019"],"normalized_date_ssm":["1980/2019"],"normalized_title_ssm":["African-American experience"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["James Madison University vertical files"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"parent_access_restrict_tesm":["Collection open to research. 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Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","This collection receives regular additions of materials.","The files in the collection are arranged alphabetically.","The collection documents the history of James Madison University from its founding 1908 to present day.","In some instances, materials previously grouped together in a vertical file were added to existing manuscript collections or used to form a new manuscript collection. See Julian A. Burruss  Papers (UA 0023), John W. Wayland Papers (SC 0258), and Office of the President: G. Tyler Miller Papers (UA 0025). These decisions were made due to material type and likely provenance.","The James Madison University vertical files comprise 153 folders that contain printed ephemera related to James Madison University. The vertical files are an artificial collection of loose materials such as pamphlets, newspapers, posters, brochures, etc. that relate to the history of the university since its founding in 1908. The vertical files are arranged according to subject and focus on specific persons, topics, events, places and buildings, university departments, etc.","The vertical files cover a wide range of topics, some center on the student experience while others document university level events and planning. From Greek life to Glee club, certain files center on the student experience taking place within the university. Some such subjects are the African-American experience starting in 1980 to the LGBTQ+ pamphlets that were created in 2018. At the university level, there are files dedicated to specific events and administration planning. Some examples are the orientation programs and the commencement planning files.","Materials of note include the contents in the fine arts festival file which contains ephemera from 1958-1992 and has items such as a brochure from 1975 entitled \"Portrait of a Period: an Exhibition of Madisonian Costumes,\" which overviews an exhibit on costumes through the age of the university. A paper titled \"Wanted! Academic Freedom,\" found in the Convocation file, was passed out after convocation to protest the firing of three teachers.","Includes the Alumnae Association Constitution, circa 1912.","Includes copy of \"Madison College: Golden Anniversary Recipes,\" a compilation of recipes by Justice Edwards, Head Baker; James Riddle, Head Cook; Lawrence Davis, Head Cook; Helen Wells, Tea Room cook; and A. W. 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Assorted class registration cards and receipts also included. Handwritten document - Senior dues Class of 1915. Marketing materials related to the Arboretum.","Includes partially completed Madison College Room Inspection slip, likely dated 1954.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. 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Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"accruals_html_tesm":["\u003cp\u003eThis collection receives regular additions of materials.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["This collection receives regular additions of materials."],"arrangement_html_tesm":["\u003cp\u003eThe files in the collection are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The files in the collection are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThe collection documents the history of James Madison University from its founding 1908 to present day.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The collection documents the history of James Madison University from its founding 1908 to present day."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], James Madison University Vertical Files, 1909-2026, UA 0058, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], James Madison University Vertical Files, 1909-2026, UA 0058, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eIn some instances, materials previously grouped together in a vertical file were added to existing manuscript collections or used to form a new manuscript collection. 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Assorted class registration cards and receipts also included. Handwritten document - Senior dues Class of 1915. Marketing materials related to the Arboretum.","Includes partially completed Madison College Room Inspection slip, likely dated 1954."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f819a25201d7b2b9df43183f873eeb8c\"\u003eThe James Madison University vertical files comprise 154 folders that contain printed ephemera related to James Madison University. The vertical files are an artificial collection of loose materials such as pamphlets, newspapers, posters, brochures, etc. that relate to the history of the university since its founding in 1908. The vertical files are arranged according to subject and focus on specific persons, topics, events, places and buildings, university departments, etc.\u003c/abstract\u003e"],"abstract_tesim":["The James Madison University vertical files comprise 154 folders that contain printed ephemera related to James Madison University. 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Ms. Schulman's project to research the life of Gibbons and her family (part of which was published in the Magazine of Albemarle County History, Vol. 55) led her to other studies of local African American history.","During her research into the Gibbons family she learned that both Isabella and her husband, William Gibbons, had been owned for part of their lives by University of Virginia Professors. In 2003, Ms. Schulman began a systematic review of archives, manuscripts, census data, church membership lists, and birth and death records searching for clues to their lives as individuals and as members of a community. A portion of this research is illustrated in her manuscript titled \"Slaves at the University of Virginia.\" To download a copyrighted version of this 33-page article (pdf file), click here.\nTaken from http://www.locohistory.org/blog/albemarle/2010/08/05/slavery-at-the-university-of-virginia/","This collection of Gayle Schulman research files is about one hundred items, one document box, .04 cubic feet, and relates to African-American physicians born in 1900 in Charlottesville, Virginia. Physicians included in the research are James Franklin Allen, George Geiger Anderson, Edward Albert Carter, Eugene Dickerson, William Peter Dickerson, Samuel Cornelius Donaldson, Thomas M. Ferguson, Henry Floyd Gamble, Thomas Southall Hawkins, Sarah Garland Boyd Jones, John Andrew Kenney, and Peter Willis Price. 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A portion of this research is illustrated in her manuscript titled \"Slaves at the University of Virginia.\" To download a copyrighted version of this 33-page article (pdf file), click here.\nTaken from http://www.locohistory.org/blog/albemarle/2010/08/05/slavery-at-the-university-of-virginia/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In 1996, local historian and University of Virginia Alumnus, Gayle Schulman came across a series of letters written in 1866 by Isabella Gibbons, a newly freed slave who taught in the Charlottesville's Freedman's School. 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A portion of this research is illustrated in her manuscript titled \"Slaves at the University of Virginia.\" To download a copyrighted version of this 33-page article (pdf file), click here.\nTaken from http://www.locohistory.org/blog/albemarle/2010/08/05/slavery-at-the-university-of-virginia/"],"prefercite_html_tesm":["\u003cp\u003eGayle Schulman research files 2003, 2011-2014, MSS 16138, Special Collections Library, University of Virginia, Charlottesville, Virginia\u003c/p\u003e"],"prefercite_tesim":["Gayle Schulman research files 2003, 2011-2014, MSS 16138, Special Collections Library, University of Virginia, Charlottesville, Virginia"],"scopecontent_html_tesm":["\u003cp\u003eThis collection of Gayle Schulman research files is about one hundred items, one document box, .04 cubic feet, and relates to African-American physicians born in 1900 in Charlottesville, Virginia. Physicians included in the research are James Franklin Allen, George Geiger Anderson, Edward Albert Carter, Eugene Dickerson, William Peter Dickerson, Samuel Cornelius Donaldson, Thomas M. Ferguson, Henry Floyd Gamble, Thomas Southall Hawkins, Sarah Garland Boyd Jones, John Andrew Kenney, and Peter Willis Price. There is also a research file on slaves at the University of Virginia which was prepared for a presentation to the African-American Genealogy Group in 2003.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection of Gayle Schulman research files is about one hundred items, one document box, .04 cubic feet, and relates to African-American physicians born in 1900 in Charlottesville, Virginia. Physicians included in the research are James Franklin Allen, George Geiger Anderson, Edward Albert Carter, Eugene Dickerson, William Peter Dickerson, Samuel Cornelius Donaldson, Thomas M. Ferguson, Henry Floyd Gamble, Thomas Southall Hawkins, Sarah Garland Boyd Jones, John Andrew Kenney, and Peter Willis Price. There is also a research file on slaves at the University of Virginia which was prepared for a presentation to the African-American Genealogy Group in 2003."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":14,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:49:16.868Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_263_c01"}},{"id":"vilxw_repositories_5_resources_255_c05_c02","type":"File","attributes":{"title":"African Americans at Washington and Lee website","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_255_c05_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eA timeline is being developed on the university website by a special working group established in August 2013 by Washington and Lee President Kenneth P. 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Also pre-2005 Greek system, pre-2005 HR,pre-2005 Law School,five year plan, law class of 2007.","This box contains materials on the following corporafoundations,funds and trusts: Bonner,Carmaxx,Carpenter,Chicago Cummunity,Christian A.Johnson Endeavor,Clark Winchole,Commonwealth,DuPont,Dyson,EDFUND,Evans,Freuauff,Getty,Goodrich,Kenan,Kendal,Kerr,Knight,Liebman,Luce,Marshall,Mellon,Milhauser,Morris,Rawls,Pew,Reynolds,Stonewall Jackson,Telford,Watson,Williams. Also pre-2005 Greek system, pre-2005 HR, pre-2005 Law School, five year plan, class of 2007.","This box contains materials on the following coraporafoundations, funds and trusts: Bonner,Carmaxx,Carpenter,Chicago Community,Christian A. Johnson Endeavor,Clarke Winchole,Commonwealth,DuPont,Dyson,EDFUND,Evans,Freuauff,Getty,Goodrich,Kenan,Kendal,Kerr,Knight,Liebman,Luce,Marshall,Mellon,Milhauser,Morris,Rawls,Pew,Reynolds,Stonewall Jackson,Telford,Watson,Williams. Also pre-2005 Greek System, pre-2005 HR, pre-2005 Law School,five year plan, cClass of 2007.","This box contains materials pertaining to Chavis through Commonwealth of Virginia-U.S. Senator George Allen.","This box contains materials pertaining to Communications and External Realtions though Facilities Management.","This box contains materials pertaining to Faculty Annual Fund through Line Printer related.","This box contains materials pertaining to Marks and Lundy through Sororities.","This box contains materials pertaining to Southern Association of Colleges and Schools through Unniversity Leadership Forum.","Includes Self-Study Handbook/Manual 1997-99 notebook.","A timeline is being developed on the university website by a special working group established in August 2013 by Washington and Lee President Kenneth P. Ruscio to explore the role of African Americans in the history of the University.  The University Library is capturing this timeline using Archive-It."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThe Africana Studies Program was created in 2009 out of the Black Studies Program major and the Africana Studies minor.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The Africana Studies Program was created in 2009 out of the Black Studies Program major and the Africana Studies minor."],"custodhist_html_tesm":["\u003cp\u003eA portion of this collection was previously part of the University Archives Publications Collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["A portion of this collection was previously part of the University Archives Publications Collection."],"prefercite_html_tesm":["\u003cp\u003eAfricana Studies Program records, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Africana Studies Program records, Special Collections Research Center, Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eFall 2014 Africana Studies Lecture Series posters from Acc. 2014.104 were transferred to the University Archives Poster Collection on 9/10/2014.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Fall 2014 Africana Studies Lecture Series posters from Acc. 2014.104 were transferred to the University Archives Poster Collection on 9/10/2014."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes fliers, catalogs, and other material created by the Africana Studies Program at the College of William and Mary. The collection also contains records concerning the Black Studies Program, from which Africana Studies grew out of.\u003c/p\u003e","\u003cp\u003eThe Annual Journal of the William \u0026amp; Mary Africana Studies Vol 2, May 2014.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes fliers, catalogs, and other material created by the Africana Studies Program at the College of William and Mary. The collection also contains records concerning the Black Studies Program, from which Africana Studies grew out of.","The Annual Journal of the William \u0026 Mary Africana Studies Vol 2, May 2014."],"separatedmaterial_html_tesm":["\u003cp\u003eFall 2014 Africana Studies Lecture Series posters from Acc. 2014.104 were transferred to the University Archives Poster Collection on 9/10/2014.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Fall 2014 Africana Studies Lecture Series posters from Acc. 2014.104 were transferred to the University Archives Poster Collection on 9/10/2014."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Africana Studies Program","Black Studies Program"],"corpname_ssim":["Special Collections Research Center","Africana Studies Program","Black Studies Program"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:23:52.824Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7766"}},{"id":"viw_repositories_2_resources_10002_c02_c01_c50","type":"File","attributes":{"title":"After Midnight","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_10002_c02_c01_c50#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_10002_c02_c01_c50","ref_ssm":["viw_repositories_2_resources_10002_c02_c01_c50"],"id":"viw_repositories_2_resources_10002_c02_c01_c50","ead_ssi":"viw_repositories_2_resources_10002","_root_":"viw_repositories_2_resources_10002","_nest_parent_":"viw_repositories_2_resources_10002_c02_c01","parent_ssi":"viw_repositories_2_resources_10002_c02_c01","parent_ssim":["viw_repositories_2_resources_10002","viw_repositories_2_resources_10002_c02","viw_repositories_2_resources_10002_c02_c01"],"parent_ids_ssim":["viw_repositories_2_resources_10002","viw_repositories_2_resources_10002_c02","viw_repositories_2_resources_10002_c02_c01"],"parent_unittitles_ssm":["Thomas W. Miller film and theater collection","Series II. Playbills","\"A\" General"],"parent_unittitles_tesim":["Thomas W. Miller film and theater collection","Series II. Playbills","\"A\" General"],"text":["Thomas W. Miller film and theater collection","Series II. Playbills","\"A\" General","After Midnight","Box 4","folder 54"],"title_filing_ssi":"After Midnight","title_ssm":["After Midnight"],"title_tesim":["After Midnight"],"unitdate_inclusive_ssm":["2013"],"normalized_date_ssm":["2013"],"normalized_title_ssm":["After Midnight"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["Thomas W. Miller film and theater collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":80,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2013],"containers_ssim":["Box 4","folder 54"],"_nest_path_":"/components#1/components#0/components#49","timestamp":"2026-05-24T23:18:38.657Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_10002","ead_ssi":"viw_repositories_2_resources_10002","_root_":"viw_repositories_2_resources_10002","_nest_parent_":"viw_repositories_2_resources_10002","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_10002.xml","title_filing_ssi":"Thomas W. Miller film and theater collection","title_ssm":["Thomas W. Miller film and theater collection"],"title_tesim":["Thomas W. Miller film and theater collection"],"unitdate_ssm":["Undetermined"],"unitdate_inclusive_ssm":["Undetermined"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00409","/repositories/2/resources/10002"],"text":["MS 00409","/repositories/2/resources/10002","Thomas W. Miller film and theater collection","Theater","Playbills","Posters","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Thomas W. Miller collection contains 3,600 LP's (60 boxes), 11,000 programs (70 boxes) 3,000 posters, 17 autograph albums and several artifacts from the Broadamoor Cooperative Apts. located on 3601 Connecticut Avenue. NW, Washington, DC 20008-2450.","This series contains signed headshots, illustrations and letters by Hollywood film and theater actors from the 20th and 21st centuries. The series also contains photographs, letters and other papers of authors, British royal family members, and political figures. Names featured in the collection include: Prince Albert of Saxe-Coburg and Gotha , husband of Queen Victoria of Great Britain and Ireland, Sarah Bernhardt, Tallulah Bankhead, Donald Trump, Agatha Christie, Louisa May Alcott among others. The series is arranged in alphabetical order by last name.","Binder includes orginial letter from Louisa May Alcott , undated. Prince Albert, husband of Victoria, signature enscribed to the Duke of Wellington with envelope in his hand. Singed drawing by Muhammad Ali. Singed program for the Oklahoma State Symphony Society by Marian Anderson. Program signed by Fred Astaire in \"Gay Divorce.\"","Binder includes: Program signed by Lucille Ball in the play Dream Girl. Signed letter to Bert McCord to Tallulah Bankhead. Orinigal drawing of Sam Benny. Cabinet card of Ethel Barrymore. Letter from Sam Goldwyn from actress Belle Bennett, signed, describing termination of contract. Five cent coin and accomanying certificate signed by Irving Berlin. Cabinet card signed by Sarah Bernhardt. Bookmark made from orginial fabric from the \"Great Gold Curtain\" which hung at the Metropolitan Opera House from 1905-1940.","Binder includes: menu signed by Ben Blue. Orginial, unsigned, program for The Merchant of Venice starring Edwin Booth. Letter to Mrs. Bernard Beere from Dion Boucicault, signed. Drawing by Cary Busey.","Binder includes: drawing by Ant Carney. Program for Earl Carroll's \"Murder at the Vanities.\" Program for Ave Maria signed by Enrico Caruso. Letter to Mr. Louis Sobol from Irene McLaughlin, signed. Drawing signed by Cyd Charrisse. Showcard from The Child Buyer, signed by cast. Letter to Mr. Buchnan from Agatha Christie, signed. Program for \"The Cage\" by Rick Cluchey.","Binder includes: Drawing signed by Willem Dafoe. Letter by G. Dannunzio, signed. Program for \"It Happens On Ice\" signed by Jack Dempsey. Contract for \"Its Christmastime in the City\" signed by Billy De Wolfe. Excerpt from \"Deliverance\" signed by James Dickey and cast. Drawing signed by Bradford Dillman. Letter from Theodore Dreiser, signed. Letter written and signed by John Drew.","Binder includes: Program for \"Topsy and Eva\" signed by Vinian Duncan and Rosetta Duncan. Cabinet card signed by Minnie Dupree. Letter written and signed by Eleonora Duse. Drawing signed by Alistair Cooke. Letter to Ray Moore from Joan Crawford, signed.","Binder includes: Letter to Ralph Stewart fom E.J. Flanagan, signed. Letter written and signed by J. Forbes-Robertson. Letter written and signed by Edwin Forrest. Program for performance by Zino Francescatti, signed. Letter written and signed by Trixie Friganza. Letter written and signed by Daniel Frohman.","Binder includes: Letter to William W. Stanhope from Ira Gershwin, signed. Letter to William W. Stanhope from Allen Ginsberg, signed. Drawing signed by George Gobel. Advertisement for \"Gone With The Wind,\" signed by cast.","Binder includes: Drawing signed by Buddy Hackett. Contract for \"Saint Joan\" signed by Uta Hagen. Letter written and signed by Edward E. Hale. Program for \"Golda's Balcony\" signed by Valerie Harper. Note to Otis Hogan written and signed by Jean Harris. Drawing signed by Julie Harris. Drawing signed by Signe Hasso. Contract fo \"Third Best Sport\" signed by Celeste Holm. Cabinet card signed by DeWolf Hopper. Drawing signed by Kim Hunter.","Binder includes: Letter written and signed by May Irwin. Drawing signed by Burl Ives. Drawing signed by Glenda Jackson. Recital program signed by Helen Jepson. Letter to Al Abrams from Garson Kanin, signed. Letter written and signed by Charles Keene. Letter witten and signed by Grace Kelly. Letter written and signed by Pert Kelton. Concert program signed by Lili Kraus.","Binder includes: Drawing signed by Harry Lauder. Contract for \"Lady in the Dark\" signed by Gertrude Lawrence. Letter written and signed by Robert E. Lee (playwright). Letter written and signed by Eva Le Gallienne. Letter written and signed by Ernst Lubitsch. Letter signed by Nathan Leopold. Letter written and signed by Ethel Levey. Concert program signed by Eugene List. Contract for radio play \"O Mistress Mine\" signed by Lynn Fontaine and Alfred Lunt.","Binder includes: Letter written and signed by W.C. Macready. Letter written and signed by Maurice Maeterlinck. Drawing signed by Norman Mailer. Drawing signed by E.G. Marshall.","Binder includes: Letter to W. Stanhope from W. S. Maugham, signed. Drawing by Kelly McGillis. Drawing by Rod McKuen, signed. Concert program signed by Kathryn Meisle. Cabinet card signed by Nellie Melba.","Binder includes: Letter written and signed by Jessie Millward. Concert program signed by Dimitri Mitropoulos. Drawing signed by Dudley Moore. Letter to Joseph T. Shifley from Florence Moore, signed. Drawing signed by Henry Moore. Letter to Albert C. Wilkerson from Victor Moore, signed. Contract for radio play of Anna Karenina signed by Arnold Moss. Darwing signed by Zero Mostel. Program signed by Gertrude Musgrove.","Binder includes: singed letter from Louis Napoleon Bonaparte and Empress Eugine, original letter from Empress Eugine, letter from Hassan Sabry El-Kholi to Barbra Stephens,  letter from Fred Terry to Jessie Steen, signed cabinet card of Elita Proctor Otis, note from Aurthor Pinero","Binder includes: letter from Henry Burau to Lara Penter, letter from Annie Pixley to Mr. Louis March, stamps of Cole Porter, playbill from Theatre Royal Haymarket, letter to Ada Rehau, Ripley's Believe It or Not poster, letter from Theodore Roberts, letter from Stuart Robson, letter to Miss Ward, cabinet card of Thomas W. Ross, letter from Lillian Russell","Binder includes: letter from Julia Sanderson to Frank Crumit, letter from William Atherson Esq. Sir Walter Scott to WM Antherson Esq. Grove Eng., letter from Jean Seberg to Janet, postcard from George Segal to Don Glossing","Binder includes: letter from Effie Shannon, letter from Miss Blanche Patch, letter from Robert E. Sherwood to Dr. Shipley, letter from Neil Simon, letter to Mr. Wood from Otis S., letter from Aubrey Smith, letter to Mr. Stanhope from Smith and Dale,","Binder includes: letter to Ms. Gilmore from S. Taylor, letter from Fred Terry, letter from Miss Agues E. Scot, letter from Ellen Terry to Mr. Scott, cabinet card of Ellen Terry, cabinet card of Ellen Terry, cabinet card of Ellen Terry, letter from Virgil Thomson to Mr. Stanhope","Binder includes: letter from Charlotte Walker, letter from James Walker, letter from H.B. Warner, letter from Ethel Waters, coin with John Wayne's face on it, letter from Kert Weill to Mr. Murray D. Morrison, letter t Eliot Norton from Puoulu Wildon, cabinet card of Mary Young, postcard to Rose Bluenthal from Biegfeld","Scrapbook contains signed Life magazine covers and newspaper clippings","Scrapbook contains letters, photographs and newspaper clippings","Scrapbook contains letters, photographs and newspaper clippings","Scrapbook contains letters, photographs and newspaper clippings","Contains photograph and programs","Scrapbook contains signed Life magazine covers and newspaper clippings","Contains sheet music","Signed","Contains photographs","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00409","/repositories/2/resources/10002"],"normalized_title_ssm":["Thomas W. Miller film and theater collection"],"collection_title_tesim":["Thomas W. Miller film and theater collection"],"collection_ssim":["Thomas W. Miller film and theater collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Theater","Playbills","Posters"],"access_subjects_ssm":["Theater","Playbills","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["150 Linear Feet 150 boxes (estimate)"],"extent_tesim":["150 Linear Feet 150 boxes (estimate)"],"genreform_ssim":["Playbills","Posters"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"scopecontent_html_tesm":["\u003cp\u003eThomas W. Miller collection contains 3,600 LP's (60 boxes), 11,000 programs (70 boxes) 3,000 posters, 17 autograph albums and several artifacts from the Broadamoor Cooperative Apts. located on 3601 Connecticut Avenue. NW, Washington, DC 20008-2450.\u003c/p\u003e","\u003cp\u003eThis series contains signed headshots, illustrations and letters by Hollywood film and theater actors from the 20th and 21st centuries. The series also contains photographs, letters and other papers of authors, British royal family members, and political figures. Names featured in the collection include: Prince Albert of Saxe-Coburg and Gotha , husband of Queen Victoria of Great Britain and Ireland, Sarah Bernhardt, Tallulah Bankhead, Donald Trump, Agatha Christie, Louisa May Alcott among others. The series is arranged in alphabetical order by last name.\u003c/p\u003e","\u003cp\u003eBinder includes orginial letter from Louisa May Alcott , undated. Prince Albert, husband of Victoria, signature enscribed to the Duke of Wellington with envelope in his hand. Singed drawing by Muhammad Ali. Singed program for the Oklahoma State Symphony Society by Marian Anderson. Program signed by Fred Astaire in \"Gay Divorce.\"\u003c/p\u003e","\u003cp\u003eBinder includes: Program signed by Lucille Ball in the play Dream Girl. Signed letter to Bert McCord to Tallulah Bankhead. Orinigal drawing of Sam Benny. Cabinet card of Ethel Barrymore. Letter from Sam Goldwyn from actress Belle Bennett, signed, describing termination of contract. Five cent coin and accomanying certificate signed by Irving Berlin. Cabinet card signed by Sarah Bernhardt. Bookmark made from orginial fabric from the \"Great Gold Curtain\" which hung at the Metropolitan Opera House from 1905-1940.\u003c/p\u003e","\u003cp\u003eBinder includes: menu signed by Ben Blue. Orginial, unsigned, program for The Merchant of Venice starring Edwin Booth. Letter to Mrs. Bernard Beere from Dion Boucicault, signed. Drawing by Cary Busey.\u003c/p\u003e","\u003cp\u003eBinder includes: drawing by Ant Carney. Program for Earl Carroll's \"Murder at the Vanities.\" Program for Ave Maria signed by Enrico Caruso. Letter to Mr. Louis Sobol from Irene McLaughlin, signed. Drawing signed by Cyd Charrisse. Showcard from The Child Buyer, signed by cast. Letter to Mr. Buchnan from Agatha Christie, signed. Program for \"The Cage\" by Rick Cluchey.\u003c/p\u003e","\u003cp\u003eBinder includes: Drawing signed by Willem Dafoe. Letter by G. Dannunzio, signed. Program for \"It Happens On Ice\" signed by Jack Dempsey. Contract for \"Its Christmastime in the City\" signed by Billy De Wolfe. Excerpt from \"Deliverance\" signed by James Dickey and cast. Drawing signed by Bradford Dillman. Letter from Theodore Dreiser, signed. Letter written and signed by John Drew.\u003c/p\u003e","\u003cp\u003eBinder includes: Program for \"Topsy and Eva\" signed by Vinian Duncan and Rosetta Duncan. Cabinet card signed by Minnie Dupree. Letter written and signed by Eleonora Duse. Drawing signed by Alistair Cooke. Letter to Ray Moore from Joan Crawford, signed.\u003c/p\u003e","\u003cp\u003eBinder includes: Letter to Ralph Stewart fom E.J. Flanagan, signed. Letter written and signed by J. Forbes-Robertson. Letter written and signed by Edwin Forrest. Program for performance by Zino Francescatti, signed. Letter written and signed by Trixie Friganza. Letter written and signed by Daniel Frohman.\u003c/p\u003e","\u003cp\u003eBinder includes: Letter to William W. Stanhope from Ira Gershwin, signed. Letter to William W. Stanhope from Allen Ginsberg, signed. Drawing signed by George Gobel. Advertisement for \"Gone With The Wind,\" signed by cast.\u003c/p\u003e","\u003cp\u003eBinder includes: Drawing signed by Buddy Hackett. Contract for \"Saint Joan\" signed by Uta Hagen. Letter written and signed by Edward E. Hale. Program for \"Golda's Balcony\" signed by Valerie Harper. Note to Otis Hogan written and signed by Jean Harris. Drawing signed by Julie Harris. Drawing signed by Signe Hasso. Contract fo \"Third Best Sport\" signed by Celeste Holm. Cabinet card signed by DeWolf Hopper. Drawing signed by Kim Hunter.\u003c/p\u003e","\u003cp\u003eBinder includes: Letter written and signed by May Irwin. Drawing signed by Burl Ives. Drawing signed by Glenda Jackson. Recital program signed by Helen Jepson. Letter to Al Abrams from Garson Kanin, signed. Letter written and signed by Charles Keene. Letter witten and signed by Grace Kelly. Letter written and signed by Pert Kelton. Concert program signed by Lili Kraus.\u003c/p\u003e","\u003cp\u003eBinder includes: Drawing signed by Harry Lauder. Contract for \"Lady in the Dark\" signed by Gertrude Lawrence. Letter written and signed by Robert E. Lee (playwright). Letter written and signed by Eva Le Gallienne. Letter written and signed by Ernst Lubitsch. Letter signed by Nathan Leopold. Letter written and signed by Ethel Levey. Concert program signed by Eugene List. Contract for radio play \"O Mistress Mine\" signed by Lynn Fontaine and Alfred Lunt.\u003c/p\u003e","\u003cp\u003eBinder includes: Letter written and signed by W.C. Macready. Letter written and signed by Maurice Maeterlinck. Drawing signed by Norman Mailer. Drawing signed by E.G. Marshall.\u003c/p\u003e","\u003cp\u003eBinder includes: Letter to W. Stanhope from W. S. Maugham, signed. Drawing by Kelly McGillis. Drawing by Rod McKuen, signed. Concert program signed by Kathryn Meisle. Cabinet card signed by Nellie Melba.\u003c/p\u003e","\u003cp\u003eBinder includes: Letter written and signed by Jessie Millward. Concert program signed by Dimitri Mitropoulos. Drawing signed by Dudley Moore. Letter to Joseph T. Shifley from Florence Moore, signed. Drawing signed by Henry Moore. Letter to Albert C. Wilkerson from Victor Moore, signed. Contract for radio play of Anna Karenina signed by Arnold Moss. Darwing signed by Zero Mostel. Program signed by Gertrude Musgrove.\u003c/p\u003e","\u003cp\u003eBinder includes: singed letter from Louis Napoleon Bonaparte and Empress Eugine, original letter from Empress Eugine, letter from Hassan Sabry El-Kholi to Barbra Stephens,  letter from Fred Terry to Jessie Steen, signed cabinet card of Elita Proctor Otis, note from Aurthor Pinero\u003c/p\u003e","\u003cp\u003eBinder includes: letter from Henry Burau to Lara Penter, letter from Annie Pixley to Mr. Louis March, stamps of Cole Porter, playbill from Theatre Royal Haymarket, letter to Ada Rehau, Ripley's Believe It or Not poster, letter from Theodore Roberts, letter from Stuart Robson, letter to Miss Ward, cabinet card of Thomas W. Ross, letter from Lillian Russell\u003c/p\u003e","\u003cp\u003eBinder includes: letter from Julia Sanderson to Frank Crumit, letter from William Atherson Esq. Sir Walter Scott to WM Antherson Esq. Grove Eng., letter from Jean Seberg to Janet, postcard from George Segal to Don Glossing\u003c/p\u003e","\u003cp\u003eBinder includes: letter from Effie Shannon, letter from Miss Blanche Patch, letter from Robert E. Sherwood to Dr. Shipley, letter from Neil Simon, letter to Mr. Wood from Otis S., letter from Aubrey Smith, letter to Mr. Stanhope from Smith and Dale,\u003c/p\u003e","\u003cp\u003eBinder includes: letter to Ms. Gilmore from S. Taylor, letter from Fred Terry, letter from Miss Agues E. Scot, letter from Ellen Terry to Mr. Scott, cabinet card of Ellen Terry, cabinet card of Ellen Terry, cabinet card of Ellen Terry, letter from Virgil Thomson to Mr. Stanhope\u003c/p\u003e","\u003cp\u003eBinder includes: letter from Charlotte Walker, letter from James Walker, letter from H.B. Warner, letter from Ethel Waters, coin with John Wayne's face on it, letter from Kert Weill to Mr. Murray D. Morrison, letter t Eliot Norton from Puoulu Wildon, cabinet card of Mary Young, postcard to Rose Bluenthal from Biegfeld\u003c/p\u003e","\u003cp\u003eScrapbook contains signed Life magazine covers and newspaper clippings\u003c/p\u003e","\u003cp\u003eScrapbook contains letters, photographs and newspaper clippings\u003c/p\u003e","\u003cp\u003eScrapbook contains letters, photographs and newspaper clippings\u003c/p\u003e","\u003cp\u003eScrapbook contains letters, photographs and newspaper clippings\u003c/p\u003e","\u003cp\u003eContains photograph and programs\u003c/p\u003e","\u003cp\u003eScrapbook contains signed Life magazine covers and newspaper clippings\u003c/p\u003e","\u003cp\u003eContains sheet music\u003c/p\u003e","\u003cp\u003eSigned\u003c/p\u003e","\u003cp\u003eContains photographs\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Thomas W. Miller collection contains 3,600 LP's (60 boxes), 11,000 programs (70 boxes) 3,000 posters, 17 autograph albums and several artifacts from the Broadamoor Cooperative Apts. located on 3601 Connecticut Avenue. NW, Washington, DC 20008-2450.","This series contains signed headshots, illustrations and letters by Hollywood film and theater actors from the 20th and 21st centuries. The series also contains photographs, letters and other papers of authors, British royal family members, and political figures. Names featured in the collection include: Prince Albert of Saxe-Coburg and Gotha , husband of Queen Victoria of Great Britain and Ireland, Sarah Bernhardt, Tallulah Bankhead, Donald Trump, Agatha Christie, Louisa May Alcott among others. The series is arranged in alphabetical order by last name.","Binder includes orginial letter from Louisa May Alcott , undated. Prince Albert, husband of Victoria, signature enscribed to the Duke of Wellington with envelope in his hand. Singed drawing by Muhammad Ali. Singed program for the Oklahoma State Symphony Society by Marian Anderson. Program signed by Fred Astaire in \"Gay Divorce.\"","Binder includes: Program signed by Lucille Ball in the play Dream Girl. Signed letter to Bert McCord to Tallulah Bankhead. Orinigal drawing of Sam Benny. Cabinet card of Ethel Barrymore. Letter from Sam Goldwyn from actress Belle Bennett, signed, describing termination of contract. Five cent coin and accomanying certificate signed by Irving Berlin. Cabinet card signed by Sarah Bernhardt. Bookmark made from orginial fabric from the \"Great Gold Curtain\" which hung at the Metropolitan Opera House from 1905-1940.","Binder includes: menu signed by Ben Blue. Orginial, unsigned, program for The Merchant of Venice starring Edwin Booth. Letter to Mrs. Bernard Beere from Dion Boucicault, signed. Drawing by Cary Busey.","Binder includes: drawing by Ant Carney. Program for Earl Carroll's \"Murder at the Vanities.\" Program for Ave Maria signed by Enrico Caruso. Letter to Mr. Louis Sobol from Irene McLaughlin, signed. Drawing signed by Cyd Charrisse. Showcard from The Child Buyer, signed by cast. Letter to Mr. Buchnan from Agatha Christie, signed. Program for \"The Cage\" by Rick Cluchey.","Binder includes: Drawing signed by Willem Dafoe. Letter by G. Dannunzio, signed. Program for \"It Happens On Ice\" signed by Jack Dempsey. Contract for \"Its Christmastime in the City\" signed by Billy De Wolfe. Excerpt from \"Deliverance\" signed by James Dickey and cast. Drawing signed by Bradford Dillman. Letter from Theodore Dreiser, signed. Letter written and signed by John Drew.","Binder includes: Program for \"Topsy and Eva\" signed by Vinian Duncan and Rosetta Duncan. Cabinet card signed by Minnie Dupree. Letter written and signed by Eleonora Duse. Drawing signed by Alistair Cooke. Letter to Ray Moore from Joan Crawford, signed.","Binder includes: Letter to Ralph Stewart fom E.J. Flanagan, signed. Letter written and signed by J. Forbes-Robertson. Letter written and signed by Edwin Forrest. Program for performance by Zino Francescatti, signed. Letter written and signed by Trixie Friganza. Letter written and signed by Daniel Frohman.","Binder includes: Letter to William W. Stanhope from Ira Gershwin, signed. Letter to William W. Stanhope from Allen Ginsberg, signed. Drawing signed by George Gobel. Advertisement for \"Gone With The Wind,\" signed by cast.","Binder includes: Drawing signed by Buddy Hackett. Contract for \"Saint Joan\" signed by Uta Hagen. Letter written and signed by Edward E. Hale. Program for \"Golda's Balcony\" signed by Valerie Harper. Note to Otis Hogan written and signed by Jean Harris. Drawing signed by Julie Harris. Drawing signed by Signe Hasso. Contract fo \"Third Best Sport\" signed by Celeste Holm. Cabinet card signed by DeWolf Hopper. Drawing signed by Kim Hunter.","Binder includes: Letter written and signed by May Irwin. Drawing signed by Burl Ives. Drawing signed by Glenda Jackson. Recital program signed by Helen Jepson. Letter to Al Abrams from Garson Kanin, signed. Letter written and signed by Charles Keene. Letter witten and signed by Grace Kelly. Letter written and signed by Pert Kelton. Concert program signed by Lili Kraus.","Binder includes: Drawing signed by Harry Lauder. Contract for \"Lady in the Dark\" signed by Gertrude Lawrence. Letter written and signed by Robert E. Lee (playwright). Letter written and signed by Eva Le Gallienne. Letter written and signed by Ernst Lubitsch. Letter signed by Nathan Leopold. Letter written and signed by Ethel Levey. Concert program signed by Eugene List. Contract for radio play \"O Mistress Mine\" signed by Lynn Fontaine and Alfred Lunt.","Binder includes: Letter written and signed by W.C. Macready. Letter written and signed by Maurice Maeterlinck. Drawing signed by Norman Mailer. Drawing signed by E.G. Marshall.","Binder includes: Letter to W. Stanhope from W. S. Maugham, signed. Drawing by Kelly McGillis. Drawing by Rod McKuen, signed. Concert program signed by Kathryn Meisle. Cabinet card signed by Nellie Melba.","Binder includes: Letter written and signed by Jessie Millward. Concert program signed by Dimitri Mitropoulos. Drawing signed by Dudley Moore. Letter to Joseph T. Shifley from Florence Moore, signed. Drawing signed by Henry Moore. Letter to Albert C. Wilkerson from Victor Moore, signed. Contract for radio play of Anna Karenina signed by Arnold Moss. Darwing signed by Zero Mostel. Program signed by Gertrude Musgrove.","Binder includes: singed letter from Louis Napoleon Bonaparte and Empress Eugine, original letter from Empress Eugine, letter from Hassan Sabry El-Kholi to Barbra Stephens,  letter from Fred Terry to Jessie Steen, signed cabinet card of Elita Proctor Otis, note from Aurthor Pinero","Binder includes: letter from Henry Burau to Lara Penter, letter from Annie Pixley to Mr. Louis March, stamps of Cole Porter, playbill from Theatre Royal Haymarket, letter to Ada Rehau, Ripley's Believe It or Not poster, letter from Theodore Roberts, letter from Stuart Robson, letter to Miss Ward, cabinet card of Thomas W. Ross, letter from Lillian Russell","Binder includes: letter from Julia Sanderson to Frank Crumit, letter from William Atherson Esq. Sir Walter Scott to WM Antherson Esq. Grove Eng., letter from Jean Seberg to Janet, postcard from George Segal to Don Glossing","Binder includes: letter from Effie Shannon, letter from Miss Blanche Patch, letter from Robert E. Sherwood to Dr. Shipley, letter from Neil Simon, letter to Mr. Wood from Otis S., letter from Aubrey Smith, letter to Mr. Stanhope from Smith and Dale,","Binder includes: letter to Ms. Gilmore from S. Taylor, letter from Fred Terry, letter from Miss Agues E. Scot, letter from Ellen Terry to Mr. Scott, cabinet card of Ellen Terry, cabinet card of Ellen Terry, cabinet card of Ellen Terry, letter from Virgil Thomson to Mr. Stanhope","Binder includes: letter from Charlotte Walker, letter from James Walker, letter from H.B. Warner, letter from Ethel Waters, coin with John Wayne's face on it, letter from Kert Weill to Mr. Murray D. Morrison, letter t Eliot Norton from Puoulu Wildon, cabinet card of Mary Young, postcard to Rose Bluenthal from Biegfeld","Scrapbook contains signed Life magazine covers and newspaper clippings","Scrapbook contains letters, photographs and newspaper clippings","Scrapbook contains letters, photographs and newspaper clippings","Scrapbook contains letters, photographs and newspaper clippings","Contains photograph and programs","Scrapbook contains signed Life magazine covers and newspaper clippings","Contains sheet music","Signed","Contains photographs"],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":857,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:18:38.657Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_10002_c02_c01_c50"}},{"id":"viu_repositories_3_resources_1772_c100","type":"Box","attributes":{"title":"A-G","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1772_c100#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1772_c100","ref_ssm":["viu_repositories_3_resources_1772_c100"],"id":"viu_repositories_3_resources_1772_c100","ead_ssi":"viu_repositories_3_resources_1772","_root_":"viu_repositories_3_resources_1772","_nest_parent_":"viu_repositories_3_resources_1772","parent_ssi":"viu_repositories_3_resources_1772","parent_ssim":["viu_repositories_3_resources_1772"],"parent_ids_ssim":["viu_repositories_3_resources_1772"],"parent_unittitles_ssm":["Gitchell's Studio collection (accession 2017-0077)"],"parent_unittitles_tesim":["Gitchell's Studio collection (accession 2017-0077)"],"text":["Gitchell's Studio collection (accession 2017-0077)","A-G","box ViU2017-0077_097"],"title_filing_ssi":"A-G","title_ssm":["A-G"],"title_tesim":["A-G"],"unitdate_other_ssim":["2013"],"normalized_date_ssm":["2013"],"normalized_title_ssm":["A-G"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Gitchell's Studio collection (accession 2017-0077)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":100,"parent_access_restrict_tesm":["This collection is unprocessed but available for use."],"parent_access_terms_tesm":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"date_range_isim":[2013],"containers_ssim":["box ViU2017-0077_097"],"_nest_path_":"/components#99","timestamp":"2026-05-20T23:49:50.721Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1772","ead_ssi":"viu_repositories_3_resources_1772","_root_":"viu_repositories_3_resources_1772","_nest_parent_":"viu_repositories_3_resources_1772","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1772.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/216792","title_filing_ssi":"Gitchell Studio collection","title_ssm":["Gitchell's Studio collection (accession 2017-0077)"],"title_tesim":["Gitchell's Studio collection (accession 2017-0077)"],"unitdate_ssm":["1972-2016","1990-2014"],"unitdate_bulk_ssim":["1990-2014"],"unitdate_inclusive_ssm":["1972-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"text":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772","Gitchell's Studio collection (accession 2017-0077)","Black-and-white photographs","Color photographs","slides (photographs)","Poor to good.  Some items have water/mold damage.","This collection is unprocessed but available for use.","No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.","Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter  (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\"  Gitchell's Studio , https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A.  \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\"  Daily Progress . (Charlotesville, VA), December 3, 2016.","The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093","This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.","The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter","English"],"unitid_tesim":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"normalized_title_ssm":["Gitchell's Studio collection (accession 2017-0077)"],"collection_title_tesim":["Gitchell's Studio collection (accession 2017-0077)"],"collection_ssim":["Gitchell's Studio collection (accession 2017-0077)"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["This collection was a gift from James Carpenter to the Small Special Collections Library, University of Virginia on 14 April 2018."],"access_subjects_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"access_subjects_ssm":["Black-and-white photographs","Color photographs","slides (photographs)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Poor to good.  Some items have water/mold damage."],"extent_ssm":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"extent_tesim":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"genreform_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is unprocessed but available for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is unprocessed but available for use."],"arrangement_html_tesm":["\u003cp\u003eNo arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135."],"bioghist_html_tesm":["\u003cp\u003eGitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.\u003c/p\u003e","\u003cp\u003e\u003cpersname\u003eJames G. Carpenter\u003c/persname\u003e (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.\u003c/p\u003e\n","\u003cp\u003eSource\u003c/p\u003e\n","\u003cp\u003e\"History of Gitchell's Studio.\" \u003ccorpname\u003eGitchell's Studio\u003c/corpname\u003e, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.\u003c/p\u003e\n","\u003cp\u003e\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.\u003c/p\u003e\n","\u003cp\u003e\u003cname\u003eMaurer, David A.\u003c/name\u003e \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" \u003ccorpname\u003eDaily Progress\u003c/corpname\u003e. (Charlotesville, VA), December 3, 2016.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note on Gitchell's Studio","Biographical Note on James Carpenter"],"bioghist_tesim":["Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter  (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\"  Gitchell's Studio , https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A.  \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\"  Daily Progress . (Charlotesville, VA), December 3, 2016."],"prefercite_html_tesm":["\u003cp\u003eMSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThe description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit."],"userestrict_html_tesm":["\u003cp\u003eThe University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"name_ssim":["Maurer, David A."],"persname_ssim":["James G. 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